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424
Index
markers (continued)
navigating, 231
playing back, 204
sorting, 231
using, 190–193
viewing in bins, 209–210
Markers tab, 230
marking gaps, 152–155
master bin, 73, 118
Master settings, 175. See also settings
mattes, creating with qualifiers, 369–374
media
consolidating, 410–412
copying to hard drives, 412–413
relinking, 116–118
media page, 70–71
media pool
adding clips from, 266–267
hiding, 134
unhiding, 152
using, 3, 71
media storage category, pro
merge node, 268–269
metadata. See also clip metadata
customizing, 78–79
editor, 71
type, 82
meters, reading and setting targets, 213–217
microphone, 237–240
Mid tone detail, 349
Mixer button, 225
mixing
audio, 38–41
and mastering, 188
monitoring
audio, 212
panel, 225
on sets, 389
mono clips, 231, 238–239
motion graphics, 257
moving clips, 128
music
editing, 187
target, 213
muting audio, 40–41, 212
N
natural sound, 186
Nearest retime processing, 180
neutral color grade, 345–348. See also
colorgrading
Node editor, 374
nodes
and curves, 318–322
graph, 353–355
shift-dragging, 268
versus tools, 262
noise reduction, applying to tracks, 247–248
non-diegetic music, 187
normalizing audio, 214–215
numbers, using with trimming, 142–143
O
onscreen controls, 171–172
OpenFX tab, 167–168
opening projects, 2, 66
Optical Flow retime processing, 180
Optimized Media settings, 175
Option key. See keyboard shortcuts
OS color picker, 56
out mark, clearing, 233
out point, setting, 10, 13, 18, 91, 94, 102, 104,
107–108, 123, 153
overwrite button, 95, 106
Overwrite edit overlay, 92
overwriting video only, 103–106. See also
video track 2
P
pan controls, 188
panels
closing, 67
showing and hiding, 224
panning and zooming clips, 56–57
Parade scope, 340–341
parameters, animating, 172–173
parametric equalizer, 188
Paste Attributes window, 170
Patch Input/Output window, 239
patching and adding tracks, 203–205
performance/cosmetic fixes, 256
Place on Top edit overlay, 92
play head, locating, 13
Playback options, 3, 91, 95, 148, 174
playhead position
identifying, 102
nudging, 90, 138, 212
trimming to, 135–139
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