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420
Index
Burn-in controls, 405
Bypass All Grades, 347
Bypass button, 338
C
cached content, changing drive for, 68
caching, turning on, 175, 265
camera angles, editing, 21–25
camera buttons, 50–51
channels, listening to, 242
Cinema Viewer, 110
clip attributes, 241–243
clip metadata, viewing, 76–77. See also
metadata
clipping level, 213
clips. See also jump cuts; shots; source clips
adding from media pool, 266–267
adding to end of timeline, 10
adding to timeline, 5–7
annotating on, 194–201
appending to timeline, 9–10
changing levels in, 218–219
changing speeds, 51–52, 176–177
color coding, 118–120
copying, 236
cutting and pasting, 7, 128–131
deleting, 45, 124
deleting ranges in, 122–125
deleting without leaving gaps, 120–125
displaying for audio, 214
displaying in timeline window, 123
dragging, 12, 73, 150
fading in and out, 158–160
fitting horizontally, 226
importing, 71–74
inserting into timeline, 95–100
linking, 210–211
marking, 205
nudging, 128
panning and zooming, 56–57
playing, 6, 233
replacing with ripple overwrites, 20–21
resizing and stabilizing, 48–51
reversing, 179
reviewing, 8–9, 74–76
scaling, 172
selecting, 73, 79, 109, 118, 129
slipping, 33–34, 148–150
splitting, 20, 98–100, 125–128, 234
stabilizing, 379–381
swapping positions, 131
syncing, 25
trimming in Fairlight, 232–234
zooming in on, 111–112
close up angles, 15–17
close up edit button, 17
closing panels, 67
Cmd key. See keyboard shortcuts
color and brightness, balancing, 338–340
color and tonal balancing, separating,
353–355
color casts, 316, 344
color coding
clips, 118–120
tracks, 206, 228–229
color correction. See also primary color
corrections
adjustments on scopes, 340–344
copying between shots, 355–363
making automatically, 336–338
neutral color grade, 340–344
overview, 300–302
Primaries bars, 345–348
primaries controls, 348–349
color grading, 303–305, 344, 396. See also
neutral color grade
color management, 330–335
Color page, 70–71, 308–310, 380, 384
color picker, 56
color range, adding, 371
color wheels, 312, 336, 338–340. See also
additive color; subtractive color
colors
assigning to bins, 89
assigning to markers, 191
compositing, 254–258
compression formats, 411
configuring settings, 66–70
contrast value, 315
Copy command/button, 170, 410
copying
clips, 236
corrections between shots, 355–363
levels, 217
projects and media, 412–413
corrections
copying between shots, 355–363
making automatically, 336–338
seeing, 344
cosmetic fixes, 256
cross dissolves, 42, 160–164
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