Blackmagic Design CINEURSAMWC6KG2 User Manual

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Exposure

Use this setting to refine the overall brightness of the image.

Saturation

Saturation controls default at 1 and range from 0 for the minimum saturation to 4 for

maximum saturation.

Contrast

Defaulting at 1.0, drag the slider to the left for the least amount of contrast at 0 or to the right

to increase the contrast up to 2.

Midpoint

In Blackmagic Design Film, your middle gray value defaults to 0.38, or 38.4%. Drag the slider

to the left to lower your midpoint or to the right to raise it to 100. When contrast is adjusted away

from the default setting, you can modify your highlight and shadow rolloff.

Highlight Rolloff

Adjust the highlights by dragging the slider to the left to lower the value to 0, or to the right to

increase the highlights to 2. The default value is 1.

Shadow Rolloff

Drag the slider to the left to lower your shadows to 0 or to the right to raise your shadows to 2.

White Level

Adjust the white point of the gamma curve by dragging the slider from the highest value

of 2 to the lowest value of 0. The default value is 1.

Black Level

Raise the black point of the custom gamma curve by dragging the slider to the right from

the lowest value of -1 to a maximum of 1. The default value is 0.

Use Video Black Level

Check the box to set your black levels to video.

Export Frame

Clicking the ‘export frame’ button lets you export a single frame from your Blackmagic RAW clip.

Update Sidecar

Click this button to update the Blackmagic RAW sidecar file for the current clip.

Any changes you have made to your Blackmagic RAW clips will be identified by the gamma

setting changing to Blackmagic Design Custom.

Adjusting Exposure using Blackmagic URSA Broadcast’s Gain Setting

If you’re familiar with the DaVinci Resolve workflow for other Blackmagic cameras, it’s worth

noting that URSA Broadcast G2’s ‘gain’ setting is treated a bit differently to the ‘ISO’ setting on

Blackmagic cinema cameras.

The ‘gain’ settings for URSA Broadcast G2 are applied at your camera sensor, rather than later

in software. This is a similar method to how traditional broadcast cameras work, and can slightly

reduce noise at some sensitivity settings. It also limits how far you can adjust the ‘gain’ of an

URSA Broadcast G2 clip after filming. You’ll notice that the ‘ISO’ box in DaVinci Resolve’s

Camera RAW settings will display the equivalent ISO to your camera’s ‘gain’ setting for the clip.

226Using DaVinci Resolve

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Blackmagic Design CINEURSAMWC6KG2 URSA Broadcast G2 Camera