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Shutter
Speed
Shutter
Angle
at
23.98 fps
Shutter
Angle
at
24 fps
Shutter
Angle
at
25 fps
Shutter
Angle
at
29.97 fps
Shutter
Angle
at
50 fps
Shutter
Angle
at
59.94 fps
1/50 172.7 172.8 180 215.8 360 360*
1/60 143.9 144 150 179.8 300 359.6
1/75 115.1 115.2 120 143.9 240 287.7
1/90 95.9 96 100 120 200 239.8
1/100 86.3 86.4 90 107.9 180 215.8
1/120 71.9 72 75 89.9 150 179.8
1/150 57.5 57.6 60 71.9 120 143.9
1/180 48 48 50 59.9 100 119.9
1/250 34.5 34.6 36 43.2 72 86.3
1/360 24 24 25 29.97 50 59.94
1/500 17.3 17.3 18 21.6 36 43.2
1/725 11.9 11.9 12.4 14.9 24.8 29.8
1/1450 11.25* 11.25* 11.25* 11.25* 12.4 14.9
1/2000 11.25* 11.25* 11.25* 11.25* 11.25* 11.25*
* Shutter speeds outside URSA Broadcast G2’s shutter angle range use
its closest available minimum or maximum shutter angle.
TIP Decreasing shutter speed is a good way to brighten your images without using
camera gain because you are increasing the exposure time of the image sensor.
Thiscan also reduce or eliminate light flicker when shooting under fluorescent lights.
Increasing shutter speed reduces motion blur and is best used for action shots when
you want your images to be clean and sharp.
White Balance
The white balance setting next to the shutter speed control can be adjusted by clicking on the
left or right arrows on each side of the color temperature indicator. Different light sources emit
warm or cool colors, so you can compensate by adjusting the white balance. This ensures the
whites in your image stay white.
DaVinci Resolve Primary ColorCorrector
If you have a color correction background, then you can change the camera control from a
switcher style CCU interface to a user interface that’s more like a primary color corrector on
apost production color grading system.
213Understanding Studio Camera Control
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