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792| Recording and editing the Styles and Pads
These are the NTT Type/Table combinations:
NTT Type NTT Table Description
Parallel Root The root note (in CMaj = C) is transposed to the missing notes.
As recorded When playing a C7
Parallel Fifth The 5th note (in CMaj = G) is transposed to the missing notes.
As recorded When playing a C7
Parallel i-Series All original patterns must be programmed on the “Maj7” or
“min7” chords. When loading old KORG i-Series Styles, this op-
tion is automatically selected.
As recorded When playing a C When playing a C7
Parallel No Transpose The chord shape is not modied, and is moved to the new key
unchanged. The pattern plays exactly the recorded notes, and
is moved to the new key as it is. This is the standard setting of
Intro 1 and Ending 1 in KORG’s original Styles (where a chord
progression is usually recorded).
Fixed Chord This table moves as few notes as possible, making legato lines
and chord changes more natural. It is ideally suited to chord
tracks (strings, piano etc...). Contrary to the Parallel mode, the
programmed chord always stays in the proximity its original po-
sition, looking for common notes between the chords.
Fixed No Transpose The programmed notes are never transposed when chords
are changed. They can’t even be transposed by the Master
Transpose.
To conform to KORG specications, it is advisable to set the NTT to ‘Parallel/No
Transpose’ on the Intro 1 and Ending 1.
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