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Effect parameters |1349
e Pre Delay [msec] 0…1360 Sets the delay time from the dry sound
Diffusion 1 0…100 Diffusion 1 and 2 soften the sound before it enters
the reverb core, shaping the timbre of the initial re-
ections. Setting both diffusers to around 50 gener-
ally produces sufcient diffusion for smooth reverbs;
extremely high levels may cause ringing.
Some source material, such as vocals, may also ben-
et from lower settings of diffusion, allowing for
more discrete echoes.
Diffusion1 and Diffusion2 differ in how the reec-
tions are spaced, and the balance between these
two parameters will vary the character of the reverb.
Diffusion 2 0…100
f Size 5…100 Sets the size of the space.
Diffusion 0…100 This sets the density of reections within the main
reverb. Low settings will produce more discrete
echoes, and high settings will produce a smoother
reverb. Extremely high settings may cause ringing.
Reverb Decay 0…100 This sets the main reverberation time. The Damping
and Bass Gain parameters, below, let you adjust the
decay times separately for the high and low frequen-
cies, respectively.
g Damping 0…100 This sets the cutoff of the high-frequency damping
lter. If Damping is set to 100, the high frequencies
will decay at the same rate as the low frequencies; at
0, the high frequencies will decay almost instantly.
In real acoustic spaces, high frequencies gener-
ally delay somewhat faster than low frequencies, so
moderate amounts of damping will create a more
realistic sound.
Bass Crossover [Hz] 20…24.00k Sets the crossover frequency for the Bass Gain.
Bass Gain [dB] -12.0…+6.0 This lets you tailor the decay time of the reverb’s low
frequencies, using the frequency set by the Bass
Xover. Negative settings make the low frequencies
decay faster than the main reverb; positive settings
make them decay more slowly.
h Modulation Rate
[Hz]
0.10…5.00 Speed of modulation.
Modulation Depth 0…100 Depth of modulation.
j Wet/Dry Dry,
1:99…99:1,
Wet
Balance between the wet and dry signal
Src Off…Tempo See the list of DMS (Dynamic Modulation Sources) at
the beginning of this part
Amt –100…+100 Amount of modulation source
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