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548| Effects for the Sounds, Voice, Guitar
d Rolloff 0…100 This controls a lowpass filter on the output of the
effect.
e Pre Delay [msec] 0…1360 Sets the delay time from the dry sound
Diffusion 1 0…100 Diffusion 1 and 2 soften the sound before it en-
ters the reverb core, shaping the timbre of the
initial reflections. Setting both diffusers to
around 50 generally produces sufficient diffu-
sion for smooth reverbs; extremely high levels
may cause ringing.
Some source material, such as vocals, may also
benefit from lower settings of diffusion, allowing
for more discrete echoes.
Diffusion1 and Diffusion2 differ in how the reflec-
tions are spaced, and the balance between these
two parameters will vary the character of the
reverb.
Diffusion 2 0…100
f Size 5…100 Sets the size of the space.
Diffusion 0…100 This sets the density of reflections within the
main reverb. Low settings will produce more
discrete echoes, and high settings will produce
a smoother reverb. Extremely high settings may
cause ringing.
Reverb Decay 0…100 This sets the main reverberation time. The
Damping and Bass Gain parameters, below, let
you adjust the decay times separately for the
high and low frequencies, respectively.
g Damping 0…100 This sets the cutoff of the high-frequency damp-
ing filter. If Damping is set to 100, the high fre-
quencies will decay at the same rate as the low
frequencies; at 0, the high frequencies will decay
almost instantly.
In real acoustic spaces, high frequencies gener-
ally delay somewhat faster than low frequencies,
so moderate amounts of damping will create a
more realistic sound.
Bass Crossover [Hz] 20…24.00k Sets the crossover frequency for the Bass Gain.
Bass Gain [dB] -12.0…+6.0 This lets you tailor the decay time of the reverb’s
low frequencies, using the frequency set by the
Bass Xover. Negative settings make the low fre-
quencies decay faster than the main reverb; posi-
tive settings make them decay more slowly.
h Modulation Rate [Hz] 0.10…5.00 Speed of modulation.
Modulation Depth 0…100 Depth of modulation.
j Wet/Dry Dry, 1:99…99:1,
Wet
Balance between the wet and dry signal
Src Off…Tempo See the list of DMS (Dynamic Modulation Sources)
at the beginning of this part
Amt –100…+100 Amount of modulation source
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