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Start recording by pressing the record button. When you press the button again to stop
recording, the timelapse sequence is saved as one single clip, matching the codec and frame
rate set in your camera. This means you can drop the timelapse sequence into your post
production timeline just like any other clip you have recorded.
Timelapse mode is indicated by an icon over the ‘record’ button
TIP When you record clips in timelapse mode, the timecode counter updates when a
frame of video is recorded.
Detail Sharpening
Use this setting to sharpen the image. When sharpening is enabled, decrease or increase the
level of sharpening by selecting ‘default’, ‘medium’ or ‘high’.
When sharpening is enabled, it is applied to ProRes video recorded on camera as well as the
HDMI output.
This setting is intended for live studio production where there is no time for post production and
you want to output the image live to air. We recommend leaving it ‘off’ for images you are
recording for further post production. Detail sharpening is disabled when the codec is set to
Blackmagic RAW.
Record LUT to Clip
Your Blackmagic Pocket Cinema Camera does not apply, or ‘bake in,’ LUTs by default to
recorded footage, however you can choose to ‘bake in’ the LUT to your footage by tapping the
‘record lut to clip’ switch icon.
This can be a useful option for situations where you do not have the time to grade your footage
in post-production, or where you need to give the footage directly to a client or an editor. For
more information, refer to the ‘3D LUTs’ and ‘touchscreen controls’ sections.
Apply LUT in File
If you are shooting with the Blackmagic RAW codec and applying a LUT to the HDMI output of
your camera, the selected LUT will be embedded into the Blackmagic RAW file you are
recording. This means that the LUT will be saved in the header of the file and can easily be
applied to the clip in post production without needing to handle a separate file. When the ‘apply
LUT in file’ switch is set to ‘on’ in the record menu, this clip will open in Blackmagic RAW Player
and DaVinci Resolve with the chosen LUT already applied to it. The LUT can then be easily
toggled ‘on’ or ‘off’ but will always travel with the Blackmagic RAW file as it is written into the
clip itself.
DaVinci Resolve also has an ‘Apply LUT’ switch in the RAW settings palette for enabling or
disabling the 3D LUT in the Blackmagic RAW file. The ‘Apply LUT’ setting in DaVinci Resolve is
the same setting as in the camera. This means that when shooting you can direct the colorist to
use the LUT by setting it in the camera, but they can switch it off easily in DaVinci Resolve by
setting ‘Apply LUT’ to ‘off’.
66Settings
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