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Shooting
2
28
EN
Matching Settings to the Scene (SCN mode)
Just rotate the mode dial to SCN and select the scene mode of your choice to shoot
with the camera settings optimized by the subject or scene.
• The procedures for using [Live Composite] and [Panorama] differ from the other scene
modes; for more information, see “[Live Composite]: Live composite photography”
(P. 31) and “Panorama” (P. 32).
Subject type Scene mode Description
People
B
Portrait Suitable for portrait shooting. Brings out skin texture.
e
e-Portrait
Smooths out skin tones and texture. This mode is suitable
when viewing images on a high-defi nition TV. The camera
records two pictures: one with the effect applied and one
without.
D
Portrait +
Landscape
Suitable for portraits featuring a landscape in the
background.
Blues, greens, and skin tones are captured beautifully.
U
Portrait +
Nightscape
Suitable for portrait shooting against a background of night
view.
Use of a tripod and remote control via OI.Share is
recommended (P. 107, 108).
m
Children
Suitable for photographs of children and other active
subjects.
Nightscapes
G
Nightscape
Suitable for tripod shooting of night scenes.
Use of a tripod and remote control via OI.Share is
recommended (P. 107, 108).
U
Portrait +
Nightscape
Suitable for portrait shooting against a background of night
view.
Use of a tripod and remote control via OI.Share is
recommended (P. 107, 108).
H
Handheld
Starlight
Suitable for shooting night scenes without a tripod. Reduces
blur when shooting low light/illuminated scenes.
The camera makes eight exposures and combines them
into a single photograph.
X
Fireworks
Suitable for shooting fi reworks at night.
Use of a tripod and remote control via OI.Share is
recommended (P. 107, 108).
d
Live
Composite
The camera automatically shoots multiple images, takes
newly bright areas only, and composites them into a single
image.
With normal long exposure, an image of light trace such as
star trails with bright buildings tends to get too bright. You
can capture them without over exposure while checking the
progress.
• For information on taking photos using this feature, see
“[Live Composite]: Live composite photography” (P. 31).
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