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60 Hz
150 Hz
400 Hz
lkHz
2 kHz
N
12..ff._2
4.5 kHz
10 kHz
60 Hz...Gives these low, "real" bass sounds more or less
impact. This area is where many systems and/or programs
are weak. Increasing this control can overcome such
deficiencies, lowering it can reduce "muddiness".
150 Hz...Affects the loudness of bass. These mid-bass
frequencies sound the loudest, and most systems reproduce
them well. Increasing the control gives the bass more
"punch", lowering it can help reduce "booming".
400 I-Iz...Affects the fullness of some instruments and
lower vocals. Since this is the basic frequency range of
music, increasing this control adds fullness to these
sounds, reducing it makes them sound thinner.
1 kHz...Strongly affects the "forwardness" and "presence"
of vocals and most instruments. Increasing this control can
help project these sounds or make a vocalist easier to
understand. Reducing it can soften strident music.
2 kHz...Strongly affects the harmonics (overtones) of
voices and some instruments. This frequency is most
easily heard by the ear. Increasing this control will project
most instruments and vocals; reducing it helps control
brilliance and allows more :subtle sounds in the other
ranges to be heard.
4.5 kI-Iz...Affects harmonics (overtones) of voices and
some instruments, particularly brass and strings.
Increasing this control makes these instruments and vocals
sharper and brighter. Reducing it can help control
excessively "lispy" vocals or shrill instruments.
10 kI-Iz...Affects the highest, most delicate harmonics of
some instruments such as strings and the overall content of
others such as cymbals and drum snares. Increasing this
control brings out this "cri,;pness" in cymbals and
"sweetness" in strings and gives the music "atmosphere".
Reducing it can help control noise and hiss.
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