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7.2.2. Phaser
A phaser combines the dry signal with copies that have their phase shifted by running
them through a series of All Pass Filters [p.40]. This produces frequency notches that have a
different character than the evenly spaced ones from a flanger or chorus. An LFO controls
the filter behavior to produce a slow sweeping effect.
• Rate: controls the speed of the sweep, from a very slow and majestic change to
a seasick quasi-vibrato.
• Feedback: adds more resonant character and brightness to the signal. The
traditional thick phaser sound requires a higher Feedback amount; less Feedback
produces a much more subtle effect.
• Dry/Wet: Dry/Wet mix.
• Subtypes: Default, Default Sync, Space, Space Sync, SnH, SnH Sync.
The Sync variations synchronize the Rate to the master Tempo set on the MiniFreak. They also
synchronize to external clocks and MIDI clocks.
7.2.3. Flanger
A flanger creates an intense comb filtering effect. It works the same way as a chorus, but
usually has only one delayed signal to mix with the dry signal, and its delay time is very
short, only a few milliseconds.
• Rate: controls the speed of the sweep, from a very slow and majestic change to
a seasick quasi-vibrato.
• Feedback: adds more resonance and high-frequency content. Very high settings
produce an intense effect rather like cranking the filter resonance.
• Dry/Wet: Dry/Wet mix.
• Subtypes: Default, Default Sync, Silly, Silly Sync
47 Arturia - User Manual MiniFreak - Digital Effects
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