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IMPORTANT
It’s always possible to choose the top level of any volume to automatically find all media in any
directories located within, but if the volume is large and full of many files, scanning every
folder and document of the volume may be an extremely time-intensive process.
6 If you clicked Yes to selecting another folder, then use the folder selection dialog to navigate to
another folder, and click Ok. You can cycle through this process as many times as you need to
until you’ve found all the media that timeline is linked to.
Selecting the source folder for your AAF imported clips
The AAF file is imported. A new timeline and the referenced media files appear in the Media Pool,
and the Timeline is opened so you can see its contents. Simple nested clips should also come
through. Clips that could not be linked to a corresponding file on disk appear red in both the
Media Pool and Timeline to indicate that they’re offline and unlinked.
TIP: You can open the Edit Index and choose Filter Offline Clips from the option menu to see
a list of all offline clips in the current Timeline.
Importing Boris Continuum FX with AAF Timelines
Boris Continuum FX effects and settings will be imported along with a timeline via AAF export. You’ll
need to have the same Continuum suite of effects installed on both machines (OFX version for
DaVinci Resolve, AVX for Avid). When importing an AAF, Boris Continuum effects that were used in the
original NLE will appear on each affected clip in the resulting DaVinci Resolve timeline, with all
previously applied parameters available in the Inspector. The Sapphire and Mocha suites are not
available for AAF import at this time.
Importing AAF Timelines with Nested Clips
DaVinci Resolve will import AAF files with simple nested clips.
Chapter 59Conforming AAF Files 970
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