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– When Set Level is set to Relative, all selected clips are treated as if they’re one clip, so that
the highest peak level of all selected clips is used to define the adjustment, and the volume
of all selected clips is adjusted by the same amount. This is good if you have a series of clips,
such as a dialog recording, where the levels are consistent with one another, and you want to
normalize all of them together.
– When Set Level is set to Independent, the peak level of each clip is used to define the
adjustment to that clip, so that the volume of every selected clip is adjusted by an amount
specific to that clip. The end result may be a set of very different volume adjustments intended
to make the peak levels of each audio clip match one another. This is good if, for example,
you’re trying to balance a series of different sound effects with one another that have very
different starting levels.
For more information about loudness normalization, see Chapter 177, “Audio Meters and
Audio Monitoring.”
Volume
Each audio clip in the Timeline has a simple Volume control that lets you adjust the gain of that clip.
Volume Control in the Inspector
Pan
Each audio clip in the Timeline has a simple stereo Pan control that lets you pan that clip. While most
professional mixes will restrict panning to the more robust panner found in the Fairlight page Mixer,
this simple clip-based Pan control is useful for editors of visuals working in the Edit page to quickly
create simple panning effects to aid in a craft edit. Dragging the slider lets you pan audio left to right.
This control is centered at 0 by default.
Pan Control in the Inspector
Pitch Controls
Each audio clip in the Timeline has Pitch controls that let you alter the pitch of a clip without changing
the speed. Two sliders let you adjust clip pitch in Semi Tones (large adjustments, a twelfth of an
octave) and Cents (fine adjustments, 100th of an octave).
Pitch control in the Inspector
Chapter 172Audio Clip Specific Inspector Adjustments 3251
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