User Manual Blackmagic Design DV/RES/BBPNLMIC 3625 pages

Contents
Getting Started
PART 1 – DaVinci Resolve Interface
- Introduction to DaVinci Resolve
- Using the DaVinci Resolve User Interface
PART 2 – Setup and Workflows
- Managing Projects and Databases
- System and User Preferences
- DaVinci Control Panels Setup
- Project Settings
- Camera Raw Settings
- Improving Performance, Proxies, and the Render Cache
- Data Levels, Color Management, and ACES
- HDR Setup and Grading
- Image Sizing and Resolution Independence
- Data Burn-In
- Frame.io & Dropbox Replay Integration
- Resolve Live
- Stereoscopic Workflows
- Using Variables and Keywords
  - Using Metadata Variables
  - Using Keywords
PART 3 – Ingest and Organize Media
- Using the Media Page
- Adding and Organizing Media with the Media Pool
- Using Clip Metadata
- Using the Inspector in the Media Page
  - Using the Inspector
  - Adjusting Media Pool Clips in the Inspector
- Syncing Audio and Video
- Modifying Clips and Clip Attributes
- Using Scene Detection
- Ingesting From Tape
- Capturing From the Cintel Film Scanner
  - Controlling the Cintel Film Scanner
PART 4 – The Cut Page
- Using the Cut Page
- Importing and Organizing Media in the Cut Page
- Fast Editing in the Cut Page
- Trimming in the Cut Page
- Using the Inspector in the Cut Page
  - Using the Inspector
- Video and Audio Effects in the Cut Page
- Quick Export
  - Quick Export
  - Customizing Quick Export
PART 5 – Edit
- Using the Edit Page
- Creating and Working with Timelines
- Preparing Clips for Editing and Viewer Playback
- Editing Basics
- Using the Inspector in the Edit Page
  - Using the Inspector
- Modifying Clips in the Timeline
- Three- and Four‑Point Editing
- Marking and Finding Clips in the Timeline
- Multicam Editing
- Take Selectors, Compound Clips, and Nested Timelines
- Trimming
- Working with Audio in the Edit Page
- Media Management
PART 6 – Editing Effects and Transitions
- Editing, Adding, and Copying Effects and Filters
- Using Transitions
- Titles, Generators, and Stills
- Using the DaVinci Resolve Speed Editor and Editor Keyboard
- Compositing and Transforms in the Timeline
- Speed Effects
- Subtitles and Closed Captioning
- Keyframing Effects in the Edit Page
- VFX Connect
PART 7 – Import and Conform Projects
- Preparing Timelines for Import and Comparison
- Conforming and Relinking Clips
- Creating Digital Dailies for Round Trip Workflows
- Conforming XML Files
  - More About Conforming XML Files
  - Importing XML Project Files
- Conforming AAF Files
- Conforming EDL Files
PART 8 – Fusion Fundamentals
- Introduction to Compositing in Fusion
  - What Is Fusion?
- Exploring the Fusion Interface
  - The Fusion User Interface
    - The Work Area
  - Interface Toolbar
    - Choosing Which Panel Has Focus
  - Viewers
  - Time Ruler and Transport Controls
  - Toolbar
    - Customizing the Toolbar
  - Node Editor
  - Status Bar
  - Effects Library
  - The Inspector
  - Keyframes Editor
  - Spline Editor
  - Thumbnail Timeline in the Fusion Page
  - The Media Pool in the Fusion Page
    - Importing Media Into the Media Pool on the Fusion Page
  - Bins in Fusion Studio
    - Bins Interface
    - The Bin Studio Player
  - The Console
  - Customizing Fusion
  - Fusion Studio Keyboard Remapping
  - Undo and Redo
- Getting Clips into Fusion
  - Preparing Compositions in the Fusion Page
  - Using MediaIn Nodes
    - MediaIn Node Inputs
    - Inspector Properties of MediaIn Nodes
  - Using Loader and Saver Nodes in the Fusion Page
  - Preparing Compositions in Fusion Studio
  - Using Proxies for Better Performance
    - Presetting Proxy Quality
  - File Format Options
    - Loading Audio WAV Files in Fusion Studio
- Rendering Using Saver Nodes
  - Rendering Overview
    - Rendering in the Fusion Page
    - Rendering in Fusion Studio
  - Rendering with the Saver Node
    - Setting Filenames for Export
  - Using the Render Settings Dialog
    - Render Settings Dialog Options
    - Rendering Previews
  - Setting Up Network Rendering in Fusion Studio
  - Submitting Comps to Network Render
  - Preparing Compositions for Network Rendering
  - Other Uses of Network Rendering
    - Flipbook Previews
    - Disk Cache
  - When Renders Fail
  - Managing Memory Use
  - Limitations of Render Nodes
  - Troubleshooting
    - Checking the Render Log
    - Check the Composition
- Working in the Node Editor
  - Learning to Use the Node Editor
  - Navigating within the Node Editor
  - Adding Nodes to a Composition
  - Selecting and Deselecting Nodes
  - Loading Nodes into Viewers
  - Connecting and Disconnecting Nodes
  - Connecting Merge Nodes
    - Automatically Creating a Merge Node When Adding Nodes
    - Automatically Creating a Merge Node by Connecting Two Outputs
  - Connection Options and Routers
    - Using Routers to Reshape and Branch Connections
  - Swapping Node Inputs
  - Extracting and Inserting Nodes
  - Cut, Copy, and Paste Nodes
  - Instancing Nodes
    - Using Instanced Nodes
    - De-Instancing and Re-Instancing Specific Parameters
  - Keeping Node Trees Organized
  - Node Thumbnails
    - Choosing Which Nodes Show Thumbnails
    - Switching Thumbnails between Images and Icons
  - Finding Nodes
    - Performing Simple Searches
    - Using Regular Expressions
  - Custom Node Settings
  - Node Modes Including Disable and Lock
  - Node Editor Options
  - Node Tooltips and the Status Bar
- Node Groups, Macros, and Fusion Templates
  - Groups
  - Macros
  - Creating Fusion Templates
- Using Viewers
  - Viewer Overview
    - Single vs. Dual Viewers
    - Floating Viewers in Fusion Studio
    - Video Output
    - Clean Feed
  - Loading Nodes into Viewers
    - Clearing Viewers
  - Position and Layout
    - The Viewer Divider
  - Zooming and Panning into Viewers
  - Flipbook Previews
    - Creating Flipbook Previews
    - Playing Flipbook Previews
    - Removing Flipbook Previews
    - Flipbook Preview Render Settings
  - Onscreen Controls
    - Showing and Hiding Onscreen Controls
    - Making Fine Adjustments to Onscreen Controls
  - Toolbars
    - Viewer Toolbar
    - Node Toolbars
  - A/B Buffers
    - Flipping between Buffers
    - Split Wipes between Buffers
    - Moving the Wipe Divider
  - Subviews
    - Showing and Hiding Subviews
    - Changing the Subview Type
    - Swapping the Subview with the Main View
    - Viewer and Subview Types
  - Viewing Selective Channels
    - Viewing Color Channels
    - Viewing Auxiliary Channels
  - The 3D Viewer
    - Panning, Scaling, and Rotating a 3D Viewer
    - Viewing Objects via Wireframe
    - Changing the POV of a 3D Viewer
    - Copying a Viewer’s POV to a Camera
    - Lighting and Shadows in 3D Viewers
    - Transparency in 3D Viewers
    - Grid
    - Vertex Normals
  - Quad View
    - Quad View Layouts
    - Using Quad Views for 2D Scenes
  - Guides
    - Frame Format Settings
  - Domain of Definition and Region of Interest
    - Domain of Definition (DoD)
    - Region of Interest (RoI)
    - Enabling RoI Controls
  - Managing Viewer Lookup Tables (LUTs)
    - How Lookup Tables Work in Fusion
    - Types of Viewer LUTs
    - Using Viewer LUTs
    - Editing Viewer LUTs
    - LUT Processing Order
    - Applying Multiple LUTs
    - Saving Custom LUTs
    - LUT Files
  - Viewer Preferences and Settings
    - Viewer Settings
  - The Viewer Options Menu
  - Locking the Viewer (Command-L)
  - Additional Viewer Options
  - Status Bar Information
- Editing Parameters in the Inspector
  - Overview of the Inspector
    - The Tools and Modifiers Panels
  - Customizing the Inspector
    - Inspector Height
    - Inspector Display Preferences
  - Opening Nodes in the Inspector
  - Pinning Multiple Nodes in the Inspector
  - Hiding Inspector Controls
  - Using the Inspector Header
    - Selecting and Viewing Nodes in the Inspector
    - Using Header Controls
  - Versioning Nodes
  - Parameter Tabs
    - The Settings Tab
  - Inspector Controls Explained
  - Animating Parameters in the Inspector
    - Removing Animation From a Parameter
    - Attaching a Parameter to an Existing Animation Curve
  - Connecting Parameters
    - Connecting Parameters by Publishing
    - Connecting Parameters by Pick Whipping
  - Contextual Menus
  - Customizing Node Parameters with User Controls
    - An Example of Customizing Directional Blur
- Animating in Fusion’s Keyframes Editor
  - Keyframing in the Inspector
    - Removing Animation in the Inspector
    - Attaching a Parameter to an Existing Animation Curve
  - Keyframes Editor Overview
  - Scaling and Panning the Timeline
  - Working with Segments in the Timeline
  - Working with Keyframes in the Timeline
  - Timeline Filters
    - Selected Filtering
  - Sorting in the Timeline
    - The Tree Item Order Menu
    - The Sort Menu
  - Markers
  - Autosnap
    - Autosnap Points
    - Autosnap Markers
  - The Spreadsheet Editor
  - Customizing the Keyframes Editor
    - Line Size
    - Display Point Values
- Animating in Fusion’s Spline Editor
  - Spline Editor Overview
  - Spline Editor Interface
  - Creating Animation Splines
    - Animating with Different Spline Types
  - Working with Keyframes and Splines
  - Filtering the Spline Editor
  - Reshaping Splines Using the Toolbar
  - Importing and Exporting Splines
- Animating with Motion Paths
  - Animating Using Motion Paths
  - Types of Control Points
  - Tips for Manipulating Motion Paths
  - Importing and Exporting Polylines
    - Native Format
- Using Modifiers, Expressions, and Custom Controls
  - The Contextual Menu for Parameters in the Inspector
  - Using Modifiers
  - Performing Calculations in Parameter Fields
  - Using SimpleExpressions
  - FusionScript
- Bins
  - Bins Overview
  - Bins Interface
    - Viewing and Sorting Bins
  - Organizing Bins
  - Adding and Using Content
  - Using the Studio Player
    - Playing a Single Clip
    - Creating a Reel
  - Connecting Bins Over a Network
  - Adding a Remote Bin Entry
- Fusion Connect
  - Fusion Connect Overview
    - System Requirements
  - The Effects Palette
  - The Layer Input Dialog
  - Applying Fusion Connect to a Transition Point
  - Versioning
  - Fusion/Avid Project Relationship
    - Rendering with Fusion
  - Directory Structure of Fusion Connect Media
  - Advanced Project Paths
- Preferences
  - Preferences Overview
  - Categories of Preferences
  - Preferences In Depth
  - Customization
    - Shortcuts Customization
    - Customizing Preferences
- Controlling Image Processing and Resolution
  - Fusion’s Place in the DaVinci Resolve Image-Processing Pipeline
  - What Viewers Show in Different DaVinci Resolve Pages
  - Managing Resolution In Fusion
  - Color Bit Depths
- Managing Color for Visual Effects
  - Color Management
    - All Compositing Is Math
  - Introducing Color Management in Fusion
    - Converting to Linear Gamma
    - Applying LUTs to a Viewer
  - Using Resolve Color Management
  - Using ACES Color Management in Resolve
  - Using OCIO for ACES Color Management in Fusion
    - Applying OCIO LUTs in the Viewer
- Understanding Image Channels
  - Channels in Fusion
  - Using Channels in a Composition
  - Understanding Premultiplication
  - Multi Channel Compositing
- Compositing Layers in Fusion
  - Applying Effects
  - Compositing Two Clips Together
  - Creating and Using Text
  - Building a Simple Green-Screen Composite
- Rotoscoping with Masks
  - Introduction to Masks and Polylines
  - How to Use Masks with Other Nodes
  - Creating and Editing Polylines In-Depth
  - Selecting and Adjusting Polylines
  - Creating Softness Using Double Polylines
  - Animating Polyline Masks
- Paint
  - Paint Overview
  - Types of Paint Nodes
  - Setting Up the Paint Node
    - Setting the Paint Node’s Resolution
  - Paint Node Workflow
  - Editing Paint Strokes
  - Editing Paint Strokes in the Modifiers Tab
    - Deleting Strokes
  - Animating and Tracking Paint Strokes
  - Painting a Clean Plate
- Using the Tracker Node
  - Introduction to Tracking
  - Tracker Node Overview
    - Modes of the Tracker Node
  - Basic Tracker Node Operation
  - Viewing Tracking Data in the Spline Editor
  - Tracker Inspector Controls
  - Motion Tracking Workflow In Depth
  - Dealing with Obscured Patterns
    - Dealing with Patterns That Leave the Frame
    - Setting Up Tracker Offsets
  - Stabilizing with the Tracker Node
    - Stabilization Using the Tracker Match Move Mode
    - Smoothing Motion
  - Using the Tracker Node for Match Moving
  - Connecting to Trackers’ Operations
  - Using the Tracker as a Modifier
  - Match Moving Text Example
- Planar Tracking
  - Introduction to Tracking
  - Using the Planar Tracker
    - Different Ways of Using the Planar Tracker Node
  - Setting Up to Use the Planar Tracker
    - Check for Lens Distortion
  - A Basic Planar Tracker Match Move Workflow
  - Tips for Choosing Good Planes to Track
- Using Open FX, Resolve FX, and Fuse Plug-Ins
  - What Are Open FX?
  - What Are Resolve FX?
  - Applying Open FX and Resolve FX Plug-Ins
  - Introduction to Fuse Plug-Ins
- 3 D Compositing Basics
  - An Overview of 3D Compositing
  - 3 D Compositing Fundamentals
    - Creating a Minimal 3D Scene
  - The Elements of a 3D Scene
  - Software vs. GPU Rendering
  - Loading 3D Nodes into the Viewer
    - Navigating the 3D View
    - Transforming Cameras and Lights Using the Viewers
  - Transparency Sorting
  - Material Viewer
  - Transformations
  - Parenting
  - Cameras
  - Lighting and Shadows
  - Materials and Textures
  - Projection Mapping
    - Project a Texture onto a Catcher Material
    - Project Using the UVMap Node
  - Geometry
  - Fog 3D and Soft Clipping
  - Material and Object IDs
  - World Position Pass
  - Point Clouds
- 3 D Camera Tracking
  - Introduction to Tracking
  - What Is 3D Camera Tracking?
  - Outputting from the Camera Tracker
    - 2 D View
    - 3 D View
  - Auto-Tracking in the Camera Tracker
    - Increasing Auto-Generated Tracking Points
    - Masking Out Objects
  - Matching the Live-Action Camera
  - Running the Solver
  - Exporting a 3D Scene for Efficiency
- Particle Systems
  - Introduction to Particle Systems
  - Anatomy of a Simple Particle System
  - Particle System Distribution
  - Particle Nodes Explained by Type
  - Example Particle Systems
- Optical Flow and Stereoscopic Nodes
  - Overview
  - Working with Aux Deep Channels
  - Optical Flow Workflows
  - Stereoscopic Workflows
  - Separate vs. Stack
  - Setting Up Stereo in the Node Editor
  - About the Disparity Channel
  - Viewing of Disparity and Vector Channels
  - Stereo and Optical Flow Best Practices
PART 9 – Fusion Page Effects
- 3 D Nodes
  - Alembic Mesh 3D [ABC]
  - Bender 3D [3BN]
  - Camera 3D [3CM]
  - Cube 3D [3CB]
  - Custom Vertex 3D [3CV]
  - Displace 3D [3DI]
  - Duplicate 3D [3DP]
  - FBX Exporter 3D [FBX]
  - FBX Mesh 3D [FBX]
  - Fog 3D [3FO]
  - Image Plane 3D [3IM]
  - Locator 3D [3LO]
  - Merge 3D [3MG]
  - Override 3D [3OV]
  - Point Cloud 3D [3PC]
  - Projector 3D [3PJ]
  - Renderer 3D [3RN]
  - Replace Material 3D [3RPL]
  - Replace Normals 3D [3RPN]
  - Replicate 3D [3REP]
  - Ribbon 3D [3RI]
  - Shape 3D [3SH]
  - Soft Clip [3SC]
  - Spherical Camera [3SC]
  - Text 3D [3TXT]
  - Transform 3D [3XF]
  - Triangulate 3D [3TRI]
  - UV Map 3D [3UV]
  - Weld 3D [3WE]
  - Modifier
  - The Common Controls
- 3 D Light Nodes
  - Ambient Light [3AL]
  - Directional Light [3DL]
  - Point Light [3PL]
  - Spot Light [3SL]
  - The Common Controls
- 3 D Material Nodes
  - Blinn [3BI]
  - Channel Boolean [3BOL]
  - Cook Torrance [3CT]
  - Material Merge 3D [3MM]
  - Phong [3PH]
  - Reflect [3RR]
  - Stereo Mix [3SMM]
  - Ward [3WD]
  - The Common Controls
- 3 D Texture Nodes
  - Bump Map [3Bu]
  - Catcher [3CA]
  - CubeMap [3CU]
  - Falloff [3FA]
  - Fast Noise Texture [3FN]
  - Gradient 3D [3GD]
  - Sphere Map [3SPM]
  - Texture 2D [3Tx]
  - Texture Transform [3TT]
  - The Common Controls
- Blur Nodes
  - Blur [Blur]
  - Defocus [DFO]
  - Directional Blur [DRBL]
  - Glow [GLO]
  - Sharpen [SHRP]
  - Soft Glow [SGlo]
  - Unsharp Mask [USM]
  - Vari Blur [VBL]
  - Vector Motion Blur [VBL]
  - The Common Controls
- Color Nodes
  - Auto Gain [AG]
  - Brightness Contrast [BC]
  - Channel Booleans [BOL]
  - Color Corrector [CC]
  - Color Curves [CCV]
  - Color Gain [CLR]
  - Color Matrix [CMX]
  - Color Space [CS]
  - Copy Aux [CPA]
  - Gamut [GMT]
  - Hue Curves [HCV]
  - OCIO CDL Transform [OCD]
  - OCIO Color Space [OCC]
  - OCIO File Transform [OCF]
  - Set Canvas Color [SCV]
  - White Balance [WB]
  - The Common Controls
- Composite Nodes
  - Dissolve [DX]
  - Merge [MRG]
  - The Common Controls
- Deep Pixel Nodes
  - Ambient Occlusion [SSAO]
  - Depth Blur [DBl]
  - Fog [Fog]
  - Shader [Shd]
  - Texture [Txr]
  - The Common Controls
- Effect Nodes
  - Duplicate [DUP]
  - Highlight [HIL]
  - Hot Spot [HOT]
  - Pseudo Color [PSCL]
  - Rays [CIR]
  - Shadow [SH]
  - Trails [TRLS]
  - TV [TV]
  - The Common Controls
- Film Nodes
  - Cineon Log [LOG]
  - Film Grain [FGR]
  - Grain [GRN]
  - Light Trim [LT]
  - Remove Noise [RN]
  - The Common Controls
- Filter Nodes
  - Create Bump Map [CBu]
  - Custom Filter Node [CFlt]
  - Erode Dilate Node [ErDl]
  - Filter Node [Fltr]
  - Rank Filter Node [RFlt]
  - The Common Controls
- Flow Nodes
  - Sticky Note [NTE]
    - Sticky Note Introduction
    - Usage
  - Underlay [UND]
    - Underlay Introduction
    - Usage
- Flow Organizational Nodes
  - Groups
    - Groups Introduction
    - Usage
  - Macro
  - Pipe Router
- Fuses
  - Fuses [FUS]
- Generator Nodes
  - Background [Bg]
  - Day Sky [DS]
  - Fast Noise [FN]
  - Mandelbrot [Man]
  - Plasma [PLAS]
  - Text+ [TXT+]
  - Text+ Modifiers
  - The Common Controls
- I/O Nodes
  - Loader Node [LD]
  - MediaIn Node [MI]
  - MediaOut Node [MO]
  - Saver Node [SV]
  - The Common Controls
- LUT Nodes
  - File LUT [FLU]
  - LUT Cube Analyzer [LCA]
  - LUT Cube Apply [LCP]
  - LUT Cube Creator [LCC]
  - The Common Controls
- Mask Nodes
  - Bitmap Mask [BMP]
  - B-Spline Mask [BSP]
  - Ellipse Mask [ELP]
  - Mask Paint [PNM]
  - Polygon Mask [PLY]
  - Ranges Mask [RNG]
  - Rectangle Mask [REC]
  - Triangle Mask [TRI]
  - Wand Mask [WND]
  - The Common Controls
- Matte Nodes
  - Alpha Divide [ADV]
  - Alpha Multiply [AML]
  - Chroma Keyer [CKY]
  - Clean Plate
  - Delta Keyer
  - Difference Keyer [DfK]
  - Luma Keyer [LKY]
  - Matte Control [MAT]
  - Primatte [Pri]
    - How to Key with Primatte
  - Ultra Keyer [UKY]
  - The Common Controls
- Metadata Nodes
  - Copy Metadata [META]
  - Set Metadata [SMETA]
  - Set Timecode [TCMETA]
  - The Common Controls
- Miscellaneous Nodes
  - Auto Domain [ADoD]
  - Change Depth [CD]
  - Custom Tool [CT]
  - Fields [Flds]
  - Frame Average [Avg]
  - Keyframe Stretcher [KfS]
  - Run Command [Run]
  - Set Domain [DoD]
  - Time Speed [TSpd]
  - Time Stretcher [TSt]
  - Wireless Link [Wire]
  - The Common Controls
- Optical Flow
  - Optical Flow [OF]
  - Repair Frame [Rep]
  - Smooth Motion [SM]
  - Tween [Tw]
  - The Common Controls
- Paint Node
  - Paint
  - Paint Node Modifiers
  - Keyboard Shortcuts
- Particle Nodes
  - Particle Nodes
  - pAvoid [pAv]
  - pBounce [pBn]
  - pChangeStyle [pCS]
  - pCustom [pCu]
  - pCustomForce [pCF]
  - pDirectionalForce [pDF]
  - pEmitter [pEm]
  - pFlock [pFl]
  - pFollow [pFo]
  - pFriction [pFr]
  - pGradientForce [pGF]
  - pImage Emitter [pLE]
  - pKill [pKI]
  - pMerge [pMg]
  - pPoint Force [pPF]
  - pRender [pRn]
  - pSpawn [pSp]
  - pTangent Force [pTF]
  - pTurbulence [pTr]
  - pVortex [pVt]
  - The Common Controls
- Position Nodes
  - Volume Fog [VLF]
  - Volume Mask [VLM]
  - Z to World Pos [Z2W]
    - WPP Concept
  - The Common Controls
- Resolve Connect
  - External Matte Saver [EMS]
- Shape Nodes
  - sBoolean
  - sDuplicate
  - sEllipse
  - sExpand
  - sGrid
  - sJitter
  - sMerge
  - sNGon
  - sOutline
  - sRectangle
  - sRender
  - sStar
  - sTransform
  - Common Controls
- Stereo Nodes
  - Anaglyph [Ana]
  - Combiner [Com]
  - Disparity [Dis]
  - Disparity To Z [D2Z]
  - Global Align [GA]
  - New Eye [NE]
  - Splitter [Spl]
  - Stereo Align [SA]
  - Z To Disparity [Z2D]
  - The Common Controls
- Tracker Nodes
  - Tracker [Tra]
  - Planar Tracker Node [PTra]
  - Planar Transform Node [PXF]
  - Camera Tracker [CTra]
  - The Common Controls
- Transform Nodes
  - Camera Shake [CSH]
  - Crop [CRP]
  - DVE [DVE]
  - Letterbox [LBX]
  - Resize [RSZ]
  - Scale [SCL]
  - Transform [XF]
  - The Common Controls
- VR Nodes
  - VR Nodes
  - Lat Long Patcher [LLP]
  - Pano Map [PaM]
  - Spherical Camera [3SC]
  - Spherical Stabilizer
  - The Common Controls
- Warp Nodes
  - Coordinate Space [CdS]
  - Corner Positioner [CPn]
  - Dent [Dnt]
  - Displace [Dsp]
  - Drip [DRP]
  - Grid Warp [Grd]
  - Lens Distort [Lens]
  - Perspective Positioner [PPn]
  - Vector Distortion [Dst]
  - Vortex [VTX]
  - The Common Controls
- Modifiers
  - Modifiers
  - Anim Curves
  - Bézier Spline
  - B-Spline
  - Calculation
  - CoordTransform Position
  - Cubic Spline
  - Expression
  - From Image
  - Gradient Color
  - Key Stretcher Modifier
  - MIDI Extractor
  - Natural Cubic Spline
  - Offset (Angle, Distance, Position)
  - Path
  - Perturb
  - Probe
  - Publish
  - Resolve Parameter
  - Shake
  - Track
  - Vector Result
  - XY Path
PART 10 – Color
- Introduction to Color Grading
  - The Goals of Color Correction
  - Maximizing the Look of Your Media
  - Emphasizing What’s Important
  - Audience Expectations
  - Balancing Scenes
  - Adding Style
  - Quality Control
  - Never Stop Experimenting
- Using the Color Page
  - The Color Page Interface
  - The Info Palette and Clip Information
  - Customizing the Color Page
  - Undo and Redo in DaVinci Resolve
- Viewers, Monitoring, and Video Scopes
  - Using the Viewer
  - The Viewer Title Bar
  - Turning Grades and/or Fusion Effects Off
  - Viewing Isolated Channels
  - The Viewer Toolbar
  - The Onscreen Control (OSC) Menu
    - Toggling Viewer Overlays On and Off
    - Onscreen Controls and External Displays
  - Zooming into the Viewer
  - Using the Jog Bar and Transport Controls
    - Navigating Using the Arrow Keys
    - Controlling Playback Using the Spacebar and JKL Keys
    - Fast Review on the Color Page
    - Navigating Using Timecode
  - Viewer and Transport Timecode Displays
  - Enhanced, Full, and Cinema Viewing
    - Enhanced Viewing Mode
    - Full Viewing Mode
    - Cinema Viewing Mode
  - Safe Area Overlays in the Viewer
  - Use Gray Background
  - Monitor Calibration
  - Viewing Broadcast Safe Exceptions
  - Comparing Clips in the Viewer
    - Saving and Wiping Stills in the Gallery and Timeline
    - Different Viewer Reference Modes for Wipes
    - Wiping Between Clips in the Timeline
    - Using Split Screen Modes
  - Marker Overlays and Navigation
    - Timeline Marker List Available in Color Page Viewer Option Menu
  - Using Video Scopes
    - Video Scope Location
    - Video Scope Measurement Using Scales
    - Video Scope Performance and Detail
    - Display Qualifier Focus in Video Scope Graphs
  - Explanation of Each Video Scope
    - Waveform Monitor
    - Parade
    - Vectorscope
    - Histogram (RGB/YRGB parade histogram)
    - CIE Chromaticity Scope
  - Panning and Zooming the Video Scopes
  - Customizing the Video Scopes
    - Parade Scope Display Options
    - Waveform Scope Display Options
    - Vectorscope Display Options
    - Histogram Display Options
    - CIE Chromaticity Display Options
- Color Page Timeline and Lightbox
  - Navigating Using the Color Page Timeline
  - Thumbnail Contextual Menu Commands
  - Sorting and Filtering Clips in the Thumbnail Timeline
  - Using the Lightbox
- Automated Grading Commands and Imported Grades
  - Color Match Palette
  - Automatic Adjustments in the Primaries Palette
  - Shot Match
  - Broadcast Safe
  - Black Sun Highlight Correction
  - Using CDL Grades (Studio Version Only)
  - Using ARRI Looks (Studio Version Only)
- Camera Raw Palette
  - Introduction to the Camera Raw Palette
  - Copying, Versioning, and Protecting Camera Raw Settings
  - Making Changes to Clip Camera Raw Settings
    - Clip Decoder Settings
    - Resetting Camera Raw Settings
  - Updating Sidecar Settings for Blackmagic RAW (BRAW) Clips
- Primaries Palette
  - Introduction to the Primaries Palette
    - HDR Grading With the Primaries Palette
    - Which Do I Start With, the Primaries or HDR Palette?
  - Shared Controls in the Primaries Palette
  - Color Wheels and Bars
  - Log Wheels Mode
  - Offset and Printer Points
- HDR Palette
  - Introduction to the HDR Palette
    - What Makes the HDR Palette Special?
  - The HDR Palette Interface
    - Navigating Multiple Zones in the Controls Panel
  - Making Global Adjustments
  - Black Offset Explained
  - Making Zone-Based Adjustments
  - Customizing Zones Using the Zone Panel
  - Resetting Color and Zone Adjustments
  - Using the HDR Palette With DaVinci Control Panels
- Primary Grading Controls
  - Introduction to the RGB Mixer Palette
  - Preserve Luminance
  - Resetting the RGB Mixer
  - Swap Channels Buttons
  - Using the RGB Mixer in Monochrome Mode
- Curves
  - Introduction to Curves
  - Custom Curves
  - Soft Clip
    - Ganging and Unganging Soft Clip Controls
    - Soft Clip Controls
  - The HSL Curves
- Color Warper
  - Introduction to the Color Warper
    - The Color Warper Interface
    - Using the Grid Controls to Manipulate Color
  - Previewing Which Colors Are Warped By Each Control Point
  - Sampling to Warp Colors
  - Hue – Saturation Controls
  - Chroma – Luma Controls
- Secondary Qualifiers
  - Secondary Qualifiers
  - Basic Qualification Using the 3D Qualifier
  - Basic Qualification Using the HSL Qualifier
  - HSL Qualifier Presets
  - Using Highlight to See What You’re Isolating
    - Using Highlight to Solo Nodes
  - Showing Picker RGB Values
  - Qualifier Parameters
  - Matte Finesse Controls
  - The Many Ways to Invert a Key
  - Combining Qualifiers and Windows
  - Manipulating Keys Using Additional Nodes
- Secondary Windows and Tracking
  - Power Windows
    - Adding Nodes with Windows
  - The Window Palette Interface
  - Drawing Curves
    - Converting Linear, Circular, and Polygon Windows into Bezier Curves
    - Resetting the Window Palette
  - Combining Power Windows with the Mask Control
  - Copying and Pasting Windows
  - Saving Window Presets
  - Using Windows and Qualifiers Together
- Magic Mask
  - Magic Mask (Studio Version Only)
  - What Magic Mask Is Good For, and What It’s Not
  - The Magic Mask Interface
  - Choosing What to Isolate
  - Using Matte Finesse Controls
  - Adding Strokes to Guide Mask Creation
  - Managing Strokes in the Stroke List
  - Stroke Duration
  - Tracking and Keyframing Strokes to Follow Subject Motion
- Motion Tracking Windows
  - Motion Tracking Windows
  - Tracker Palette Controls in More Detail
    - Controls in the Window Tracker Palette
  - Cloud Tracker Workflows
    - Using Interactive Mode to Manually Choose Tracking Features
    - Dealing With Occlusions When Tracking
  - Point Tracker Workflows
- Using the Gallery
  - Using the Gallery
  - Where are Stills Saved?
    - Changing the PowerGrade Still Directory
  - Live Previews of Gallery Stills
    - Hover Scrub in the Gallery
  - Playing Stills and Setting Up Image Wipes
  - Timeline Wipes
    - Gang Timeline Wipe With Current Clip
    - Change a Timeline Wipe Using the Timelines Album of the Gallery
  - Labeling and Searching for Stills and Sources
  - Rotoscoping Window Shapes After Tracking
  - Gallery Options
  - Organizing Stills Using Albums
    - PowerGrade Albums
  - Browse all Grades from the Current Timeline
  - The Gallery Management Window
    - What’s Available in the Stills Navigator
    - Browse and Import Timeline Grades From Other Projects
  - Importing and Exporting Stills
  - Using and Organizing Memories
- Grade Management
  - Using Versions to Manage Grades
  - Copying Grades
  - Copying Individual Nodes and Settings
  - Rippling Adjustments Among Multiple Clips
  - Appending a Node to Multiple Clips
  - Using Shared Nodes
  - Using Adjustment Clips
  - Using Groups
  - Exporting Grades and LUTs
- Node Editing Basics
  - Node Editor Basics
  - Turning Grades and/or Fusion Effects Off
  - Resetting Nodes
  - Previewing and Restoring Node Trees
  - Caching Specific Nodes to Improve Performance
  - Editing Node Trees
  - Keeping Node Trees Organized
  - Using Compound Nodes
  - Identifying Nodes
  - Putting Nodes into HDR Mode
  - Clip vs. Timeline Grading
- Image Processing Order of Operations
  - Overall Image Processing
  - Image Processing Within Grades
- Serial, Parallel, and Layer Nodes
  - Serial, Parallel, and Layer Node Tree Structures
  - Serial Node Structures
    - Controlling What Feeds a Node’s RGB Input
  - Parallel Node Structures
  - Layer Mixer Node Structures
- Combining Keys and Using Mattes
  - Introduction to Manipulating and Combining Keys
  - Outside Nodes
  - Feeding Keys From One Node to Another
  - Connecting Key Outputs to RGB Inputs, and Vice Versa
  - Using External Mattes
  - Using Mattes From the Fusion Page
  - Using the Key Mixer
  - Using the Key Palette
- Channel Splitting and Image Compositing
  - Isolating, Splitting, and Converting Color Channels
  - Enabling, Disabling, and Converting Node Channels
  - Splitting Channels with the Splitter/Combiner Nodes
  - Multi-Channel RED HDRx Support
  - Introduction to Compositing Using the Alpha Output
  - Using a Qualifier Key to Create Transparency
  - Using a Matte to Create Transparency
  - Use an OFX Plug-in to Create Transparency
- Keyframing in the Color Page
  - Introduction to Keyframing
  - The Keyframe Editor Interface
  - All/Color/Sizing
  - Keyframing Methods
  - Using Specific Keyframing Tracks
  - Automatic Keyframing
  - Modifying Keyframes
  - Copying Keyframes
  - Keyframes and Saved Stills
  - Adding EDL Marks
- Copying and Importing Grades Using ColorTrace
  - Copying Grades Using ColorTrace
  - Using ColorTrace in Automatic Mode
  - Using ColorTrace in Manual Mode
  - Importing CDL Data Using ColorTrace
    - Using CDL Adjustments
    - Calculating CDL Functions
- Using LUTs
  - What is a LUT?
  - Supported LUT Formats
  - LUTs and ACES
  - Adding Lookup Tables of Your Own
    - Custom LUT Paths
    - LUT Paths for the macOS App Store Version of DaVinci Resolve
  - LUT Controls in the Project Settings
  - Applying LUTs to Source Clips
  - Using the Color Page LUT Browser
  - Applying a LUT Within a Node
    - LUTs Are the Last Operation Within a Node
    - Favorite LUTs Submenu in Node Editor
  - Exporting LUTs
- DaVinci Resolve Control Panels
  - About The DaVinci Resolve Control Panels
  - Updating the Control Panels Firmware
  - Using the DaVinci Resolve Micro Panel
  - Using the DaVinci Resolve Mini Panel
  - Using the DaVinci Resolve Advanced Control Panel (Legacy Layout)
  - Using the DaVinci Resolve Advanced Control Panel (2020 Layout)
PART 11 – Color Page Effects
- Using Open FX and Resolve FX
- Sizing and Image Stabilization
- The Motion Effects and Blur Palettes
  - Motion Effects Palette
  - The Blur Palette
- Dust Removal
PART 12 – Resolve FX Overview
- Resolve FX
  - Catalogue of Resolve FX Filters
- Resolve FX Blur
- Resolve FX Color
- Resolve FX Generate
- Resolve FX Key
- Resolve FX Light
- Resolve FX Refine
- Resolve FX Revival
- Resolve FX Sharpen
- Resolve FX Stylize
- Resolve FX Temporal
- Resolve FX Texture
- Resolve FX Transform
- Resolve FX Warp
PART 13 – Fairlight
- Using the Fairlight Page
- Setting Up Tracks, Buses, and Patching
- Transport Controls, Timeline Navigation, and Markers
- Recording
- ADR (Automated Dialog Replacement)
- Editing Basics in the Fairlight Page
- Audio Clip Specific Inspector Adjustments
- Mixing in the Fairlight Page
- Automation Recording
- Audio Effects
- Fairlight FX
- Audio Meters and Audio Monitoring
- Signal Flow Diagrams
  - Signal Flow Overview
  - Audio Processing Path
- Immersive Audio Workflows
- Using the Fairlight Desktop Console
- Using the Fairlight Audio Editor
- Modular Fairlight Consoles
- Fairlight Studio Utility
  - Configuring the Fairlight Panels
PART 14 – Deliver
- Delivery Effects Processing
  - Delivery Effects Processing
- Using the Deliver Page
- Rendering Media
- Delivering DCP and IMF
- Delivering to Tape
- Exporting Timelines and Metadata
PART 15 – Advanced Workflows
- Workflow Integrations
- Creating DCTL LUTs
- TCP Protocol for DaVinci Resolve Transport Control
  - About the TCP Protocol Version 1.2
  - TCP Protocol Stream
PART 16 – Project Databases, Collaborative, and Remote Workflows
- Managing Databases and Project Servers
- Collaborative Workflow
- Remote Grading
PART 17 – Menu Descriptions
- Menu Descriptions
PART 18 – Other Information
- Regulatory Notices
- Safety Information
- Warranty

November 2021

Reference Manual

DaVinci

Resolve 17

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File type: PDF

File name: 91922860_dv-res-bbpnlmic.pdf

File size: 156.02 MB

File Language: English

Pages: 3625

Author: Blackmagic Design

File created: 2021-11-03

Published: 2023-08-29

Updated: 2023-08-29

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Blackmagic Design DV/RES/BBPNLMIC DaVinci Resolve Micro Panel with Resolve Studio Software

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