Blackmagic Design DV/RES/BBPNLMIC DaVinci Resolve Micro Panel with Resolve Studio Software

User Manual - Page 3442

For DV/RES/BBPNLMIC.

PDF File Manual, 3625 pages, Read Online | Download pdf file

DV/RES/BBPNLMIC photo
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Slip: Slip Head, Slip Clip, and Slip Tail keys are located on the same keys as Copy Head, Copy
Clip, and Copy Tail. That way you can seamlessly copy, move, and paste material to a new location,
then hold the Control key while pressing the respective Slip key, and turn the jog wheel to refine
the Head, Clip position or Tail based on the jog movement of the playhead.
Trim: The Trim Clip refinement tool shares a key with the Split Clip key so that you can split a clip at
the playhead position, then hold Control and the same key while using the jog wheel to refine the
position of the edit point created by the split.
Clip Level: This key plus the jog wheel and the Control modifier key adjusts the Display level of
the selected clip’s waveform.
Jog Wheel: To place the playhead (CTI) at either the In or Out point of a range, use Control plus
the jog wheel. Hold Control while turning the jog wheel to the left to move the playhead to the In
point. Hold Control while turning the jog wheel to the right to move the playhead to the Out point.
Edit mode keys for enhanced features only available in the Fairlight Audio Editor:
The Edit mode tools work exactly as expected if you are familiar with the Fairlight page in
DaVinci Resolve. There are, however, a few specialized keys that don’t have counterpart tools in the
Fairlight page. These unique tools perform valuable time-saving tasks.
Clip Level: This key is both a Menu and Jog Wheel modifier key. Hold the Clip Level key to reveal
seven option keys to raise or lower the selected clip’s volume up +/- 3 dB. Incremental menu
options keys from left to right include: -3dB, -2dB, -1dB, 0dB, +1dB, +2dB, +3dB. As a Jog Wheel
modifier key, hold the Clip Level key with the left hand and turn the jog wheel with the right hand
to raise or lower the clip’s volume level dynamically based on the amount and direction that you
turn the wheel. This can be performed on the fly during playback, so you can dial up or down
the volume level of any clip on the selected track as the playhead passes over the clip. Clip level
changes can also be applied to multiple clips on multiple selected tracks simultaneously.
NOTE: At the time of this printing, The Edit page in DaVinci Resolve includes a Clip menu
option and keyboard shortcuts for incremental decibel changes, however there is no
comparable shortcut, or menu in the Fairlight page.
Reverse Clip: This key is available as one of the Clip Menu action keys. When pressed, this key
reverses the clip beneath the playhead on the selected track. This creative sound design tool is
also available in the Record mode Clip Menu toolset.
Range Menu Keys: A momentary-press on the Range key revels six invaluable Range-defined
tools for speeding up your tasks. Although they are also available in the Record and Mix mode
toolsets, you will primarily use them in Edit mode.
Copy Segment: This action key copies all timeline material within a marked range.
Paste Segment:This key pastes a copied segment to a new timeline location based on the
playhead position.
Previous Gap: Use this key to extend a range by moving the range In Point to the previous gap in
the selected track or tracks.
Next Gap: Use this key to extend a range by moving the range Out Point to the next gap in the
selected track or tracks.
Fill: Fills the current range on a track from end to end with the clipboard clip. Without the need to
cut, copy and paste, Fill automatically duplicates the clipboard clip, with a slight overlap and fade
to stitch together background noise or room tone within the marked range.
B/F Fill: Back/Front Fill works exactly the same as Fill, except that it reverses the audio in every
second copy of the clipboard used for filling. Alternating the direction of the stitched clips is useful
for creating a seamless background sound because the waveform is continuous.
Chapter 181Using the Fairlight Audio Editor 3442
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