Blackmagic Design DV/RES/BBPNLMIC DaVinci Resolve Micro Panel with Resolve Studio Software

User Manual - Page 3042

For DV/RES/BBPNLMIC.

PDF File Manual, 3625 pages, Read Online | Download pdf file

DV/RES/BBPNLMIC photo
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Tint: Provides a limited range of naturalistic hues emphasizing orange through red (but extending
to green and magenta) with which to tweak complexion.
Desaturate shadow: This slider lets you selectively desaturate the darkest shadows on the face
to keep things looking natural, or to desaturate more aggressively in order to stylize the face in a
different way. Also useful when using the other adjustments of this plug-in makes the shadows too
colorful. Moving this slider into negative values will add saturation.
Shine Removal: This slider is an inverse contrast adjustment designed to ameliorate sweat
and shine on a person’s face, although moving this slider into negative values will also
accentuate shine.
Eye Retouching
These controls target just the eyes and surrounding area of the face.
Sharpening: This slider lets you selectively add sharpening just to the eyes and eyelashes, which
lets you instantly add focus to any performer.
Brightening: This slider lets you whiten the eyeballs.
Eye Light: This slider lets you brighten the region of the face around the eyes that’s often thrown
into shadow by the subject’s forehead in situations with imprudent lighting.
Eyebag Removal: This slider uses a variety of techniques to smooth, color-adjust, and brighten the
area under the eyes most susceptible to eye bags with tired talent.
(Left) Eyes with no special adjustment, (Right) Eyes with adjustment
Lip Retouching
These controls target just the lips and surrounding area of the mouth.
Hue: This slider lets you adjust the color of a subject’s lips or lipstick.
Saturation: This slider lets you adjust the intensity of lip color.
Upper Lip Smooth: Lets you smooth out fine age lines that can appear above lips.
Blush Retouching
The parameters in this group let you modify the hue of the blush region of a subject’s cheek, letting
you correct an unwise makeup choice, or push a subject’s blush color around to add makeup that
wasn’t there.
Hue: This slider lets you adjust the hue of the cheeks.
Saturation: This slider then lets you intensify or remove blush color.
Size: This slider lets you adjust the size of the blush area of the cheeks.
About Forehead, Cheek, and Chin Retouching
The next three groups of controls borrow a technique from portrait painters, who’ve long taken
advantage of the “traffic light” approach to rendering skin hues, that observes that foreheads are often
a bit yellow, the middle of the face is usually a bit red, and chins can be a bit green. Acombination of
Chapter 158Resolve FX Refine 3042
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