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138 PSR-A3000 Owner’s Manual
When NTR is set to GUITAR
HARMONIC MINOR When the played chord changes from a major to a minor chord, this table low-
ers the third and sixth intervals in the scale by a semitone. When the chord
changes from a minor to a major chord, the minor third and flatted sixth inter-
vals are raised by a semitone. Other notes are not changed. Use this for chord
channels of Sections which respond only to major/minor chords, such as
Intros and Endings.
HARMONIC MINOR
5th
In addition to the Harmonic Minor transposition above, augmented and dimin-
ished chords affect the 5th note of the Source pattern.
NATURAL MINOR When the played chord changes from a major to a minor chord, this table low-
ers the third, sixth and seventh intervals in the scale by a semitone. When the
chord changes from a minor to a major chord, the minor third, flatted sixth
and flatted seventh intervals are raised by a semitone. Other notes are not
changed. Use this for chord channels of Sections which respond only to
major/minor chords such as in Intros and Endings.
NATURAL MINOR
5th
In addition to the Natural Minor transposition above, augmented and dimin-
ished chords affect the 5th note of the Source pattern.
DORIAN When the played chord changes from a major to a minor chord, this table low-
ers the third and seventh intervals in the scale by a semitone. When the chord
changes from a minor to a major chord, the minor third and flatted seventh
intervals are raised by a semitone. Other notes are not changed. Use this for
chord channels of Sections which respond only to major/minor chords such as
in Intros and Endings.
DORIAN 5th In addition to the Dorian transposition above, augmented and diminished
chords affect the 5th note of the Source pattern.
ALL-PURPOSE This table covers both stroke- and arpeggio-played sounds.
STROKE Suitable for strumming sounds of the guitar. Some notes may sound as if they
are muted—this is the normal condition when chords are played on guitar by
strumming.
ARPEGGIO Suitable for arpeggio-played sound of the guitar, resulting in beautiful four-
note arpeggio sounds.
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