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Using MADI
Your ATEM switcher supports digital audio with the MADI protocol, also known as Multichannel
Audio Digital Interface. MADI is popular with most professional audio manufacturers,
broadcasters and high end recording facilities. These MADI ports have robust BNC connectors
and transmit audio data over 75 ohm coaxial cables up to 100 meters long.
CH 1 CH 2
PUSH PUSH
USE ONLY WITH A 250V FUSE
USB
REMOTE TALKBACK
B
USB
A
12-30V 6A
REF OUT TIMECODE OUT
1 2 3 4 5 6 7 8
1 2 3 4 5 6 7 8
REF IN TIMECODE IN
MADI OUT
MADI IN
AUX 1 PROGRAM
AUX 2 MULTIVIEW MULTIVIEW CONTROL OUT STUDIO OUT STEREO INETHERNET SDI INPUTS ANALOG AUDIO IN TALKBACK
SDI OUTPUTS
L L
R R R
L
PUSH
CH 1 CH 2
PUSH
PUSH
USE ONLY WITH A 250V FUSE
USB
REMOTE TALKBACK
B
USB
A
12-30V 6A
REF OUT TIMECODE OUT
1 2 3 4 5 6 7 8
1 2 3 4 5 6 7 8
REF IN TIMECODE IN
MADI OUT
MADI IN
AUX 1 PROGRAM
AUX 2 MULTIVIEW MULTIVIEW CONTROL OUT STUDIO OUT STEREO INETHERNET SDI INPUTS ANALOG AUDIO IN TALKBACK
SDI OUTPUTS
L L
R R R
L
PUSH
BNC connectors for MADI audio, plus 1/4” TRS connectors for analog audio in and out.
MADI In
MADI channels 1-16 receive digital audio at 24 bit depth with a sampling rate of 48 kHz. These
are connected to an extra 16 stereo channels in the audio mixer that you can mix into the
program output with the same EQ and dynamics as the video input audio mixing channels.
These additional 16 stereo channel inputs mean you can do very complex audio mixing all
within your ATEM switcher.
MADI Out 1
MADI Out 1 sends these sources:
Channels 1-8 Channels 1 and 2 of SDI inputs 1-8
Channel 9 Media player 1 audio
Channel 10 Media player 2 audio
Channel 11 External mic
Channel 12 External XLR
Channel 13 External RCA
Channel 14 Program Mix
Channel 15 Monitor Mix
Channel 16 Aux mix 1
Channel 17 Aux mix 2
Channels 18-25 Channels 3 and 4 of SDI inputs 1-8
Channels 26-32 Not used
72Switching with ATEM Software Control
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