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38
AVR
Appendix
Surround Mode Description Incoming Bitstream or Signal
DTS Neo:6
Mode Group
DTS Neo:6 analog processing is available with DTS and DTS 96/24 signals and
two-channel analog or PCM signals to create a 3-, 5- or 6-channel presentation.
See below
DTS Neo:6
Cinema
Depending on the number of speakers in your system, select 3-, 5- or 6-channel
modes, enhanced for movie or video presentations.
• DTS 2/2/.0 or .1, 3/2/.0 or .1
• DTS 96/24
• Analog (two-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
DTS Neo:6
Music
Available only in 5- and 6-channel modes, creates a surround presentation
suitable for music recordings.
• DTS 2/2/.0 or .1, 3/2/.0 or .1
• DTS 96/24
• Analog (two-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
Logic 7 Mode Group A HARMAN proprietary technology, Logic 7 enhances two-channel and matrix-encoded
recordings by deriving separate information for the surround back channels. It provides
more accurate placement of sound, improves panning and expands the sound field,
even when used with 5.1-channel systems. Logic 7 technology uses 96kHz processing
and is available in 5.1 mode. Three variants are available.
See below
Logic 7 Movie Especially suited to two-channel sources containing Dolby Surround or matrix
encoding, Logic 7 Movie mode increases center-channel intelligibility.
• Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Logic 7 Music Logic 7 Music mode is well suited to conventional two-channel music recordings. • Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Logic 7 Game Use Logic 7 Game mode to enhance enjoyment of video-game consoles. • Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
5-Channel Stereo Useful for parties, the left- and right-channel information is played through both
the front and surround speakers on each side, while the center speaker plays a
summed mono mix.
• Analog (two-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
2-Channel Stereo Turns off all surround processing and plays a pure two-channel signal or a downmix
of a multichannel signal. The signal is digitized and bass management settings are
applied, making it appropriate when a subwoofer is used.
• Analog (two-channel; DSP downmix available for multichannel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Table A8 – Surround Modes – continued
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