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RECORDING VIDEO ▸ WHITE BALANCE
233
AUTOMATIC CONTROL/FIXED SETTINGS
–
Auto: for automatic control, which delivers neutral results in most
situations
– Various fixed presets for most frequently encountered light sources:
Daylight
For outdoor shootings in sunlight
Cloudy
For outdoor shootings in cloudy condi-
tions
Shadow
For outdoor shootings with the main
subject in shadow
Tungsten
For indoor shootings with (predominant-
ly) incandescent lamp light
HMI
For indoor shootings with (predominant-
ly) light from metal halide lamps
Fluorescent (warm)
For indoor shootings with (prevailing)
light from fluorescent tubes with warm
light color
Fluorescent (cool)
For indoor shootings with (prevailing)
light from fluorescent tubes with cool
light color
Flash
For shooting with flash
▸ Select White Balance in the main menu
▸ Select the desired setting
MANUAL SETTING VIA METERING
(
Graycard/ Graycard Live View)
The variant
Gray card is suited best for subjects in which you can
clearly identify a neutral gray or pure white area. If not, or should you
base your metering on an off-center detail, then
Graycard Live
View
will be a better choice.
Note
• A value configured using this method will remain unchanged (i.e.
it will be used for all subsequent photographs) until new mea-
surements are taken or one of the other white balance settings is
selected.
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