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Audio jacks and cable plugs Video jacks and cable plugs
DIGITALAUDIO
© @
©©
/White/ /Red/
t t
Left and right
analog audio
cable plugs
DIGITAL
COAXIAL
©
/Orange)
t
Coaxial
digital audio
cable plug
OPTICAL
t
Optical
digital
audio cable
plug
COMPONENT VIDEO
VIDEO S VIDEO Y PB PR
© @oo©
(Yellow) (Green) /Blue) /Red)
t t t t t
Composite S-video Component
video cable cable plug video cable
plug plugs
• Audio jacks
This unit has three types of audio jacks. Connection
depends on the availability of audio ,jacks on your other
components.
AUDIO jacks
For couventional aualog andio signals tral:lsmitted via left
and right analog audio cables. Connect red plugs to the
right .jacks and white plugs to the left jacks.
DIGITAL COAXIAL jacks
For digital audio signals transmitted via coaxial digital
audio cables.
DIGITAL OPTICAL jacks
For digital audio signals trausmitted via optical digital
audio cables.
• You can use the digital jacks to input PCM, Dolby Digital and
DTS bitstreams. When you connect components to both the
COAXIAL and OPTICAL jacks, priority is given to the signals
input at the COAXIAL jack. All digital input jacks are
compatible with digital signals with up to 96 kHz of sampling
frequency.
• Pull out the cap fi'om the optical .jack before you connect the
fiber optic cable. Do not discard the cap. When you are not
using the optical .jack, be sure to put the cap back in place. This
cap protects the .jack from dust.
• Video jacks
This unit has three types of video jacks. Connection
depends on the availability of input .jacks on your video
monitor.
VIDEO jacks
For conventional composite video signals transmitted via
composite video cables.
S VIDEO jacks
For S-video signals, separated into the luminance (Y) and
chrominance (C) video signals transmitted on separate
wires of S-video cables.
COMPONENT VIDEO jacks
For component video signals, separated into the
luminance (Y) and chrominance (Pro PIO video signals
transmitted on separate wires of component video cables.
This unit is equipped with the video conversion fimction. See
pages 17 and 81 for details.
15 En
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