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6-3
4 Harmonic The perfect 4th, Tritone, and Dominant 7th are heavily atted.
5 JustHarm Approximation of a historical intonation.
6 Werkmeiste
Named for its inventor, Andreas Werkmeister, it was developed to enable
transposition with less dissonance than classic equal temperament.
7 1/5thCmma Approximation of a historical intonation based on the comma system.
8 1/4thCmma Approximation of a historical intonation based on the comma system.
9 IndianRaga Based on the tunings for traditional Indian music.
10 Arabic Oriented toward the tunings of Mid-Eastern music.
11 BaliJava1 Based on the pentatonic scale of Balinese and Javanese music.
12 BaliJava2 A variation on BaliJava1, slightly more subtle overall.
13 BaliJava3 A more extreme variation.
14 Tibetan Based on the Chinese pentatonic scale.
15 Carlos A
Developed by Wendy Carlos, an innovator in microtonal tunings, this
intonation map ats each interval increasingly, resulting in an octave with
quarter-tone intervals.
16 Pyth/aug4
This is a Pythagorean tuning, based on the Greek pentatonic scale. The
tritone is 12 cents sharp.
17 Pyth/dim5
This is a Pythagorean tuning, based on the Greek pentatonic scale. The
tritone is 12 cents at.
18 EastMed Eastern Mediterranean. The Major 3rd and Major 7th are at by 50 cents.
IntonatKey
Use the IntonatKey parameter to set the tonic (or base note) from which the currently
selected intonation map calculates its intervals. If you select G as the intonation key, for
example, and the intonation map you select tunes the minor 2nd down by 50 cents, then
G# will be a quartertone at relative to equal intonation. If you change the intonation key to
D, then D# will be a quartertone at. If you use nonstandard intonations, you’ll want to set
IntonatKey to the key you’re playing in.
If the Intonation parameter is set to Equal, changing IntonatKey has no eect.
Local Chan
e Local Chan parameter enables an external MIDI keyboard to function as if it is the SP6’s
keyboard and physical controllers. is allows all Channels/Zones of a Multi to be played
simultaneously from an external MIDI keyboard transmitting on a single MIDI channel
(or a single MIDI channel of a sequencer), with split and layered Zones laid out across the
external MIDI keyboard. To do this, set Local Chan to the same MIDI channel that your
external MIDI keyboard or sequencer is transmitting.
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