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Your Blackmagic URSA Broadcast G2 features a DaVinci Resolve primary color corrector built
in. Ifyou have used DaVinci Resolve, then creatively, grading in your URSA Broadcast G2 will be
identical so you can use your color grading experience for live production. The color corrector
panel can be expanded out of any camera controller and provides expanded color correction
control with extra settings and a full primary color corrector interface.
You have color wheels and settings such as saturation available and you can see shadows,
midtones and highlight settings all at the same time. Simply switch between cameras using the
camera selection controls at the top of the window as you need.
TIP DaVinci Resolve color correction is applied to your URSA Broadcast G2’s SDI output
and ProRes video recorded on camera. As RAW video is intended for extensive post
processing, color correction is not applied to RAW video. When recording RAW video,
however, color correction can still be applied to URSA Broadcast G2’s SDI output.
Click on the DaVinci Resolve primary color corrector button to
expand the color correction window and adjust settings
Color Wheels
The Lift/Gamma/Gain controls allow tonally specific yet overlapping regions of adjustment.
Inphotographic terms lift, gamma and gain corresponds to shadows, mid tones and highlights.
Use the color wheels in the following ways to make fine or aggressive adjustments:
Click and drag anywhere within the color ring:
Note that you don’t need to drag the color balance indicator itself. As the color balance
indicator moves, the RGB parameters underneath change to reflect the adjustments
being made to each channel.
Shift-Click and drag within the color ring:
Jumps the color balance indicator to the absolute position of the pointer, letting you
make faster and more extreme adjustments.
Double-click within the color ring:
Resets the color adjustment without resetting the master wheel adjustment for
that control.
Click the reset control at the upper-right of a color ring:
Resets both the color balance control and its corresponding master wheel.
221Understanding Studio Camera Control
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