Harman Kardon AVR 240 Channel A/V Receiver User Manual

DIGITAL LOGIC 7

VID 1

DVD

FMAM

TAPE

6 8 CH

VID 2

VID 3

VID 4

PRO LOGIC

3 STEREO DSP

5 7 CH. STEREO

SURR. OFF

AVR 240

Optical 3

Coaxial 3

Video 4

AVR 240

AUDIO/VIDEO RECEIVER

OWNER’S MANUAL

Power for the Digital Revolution



®

AVR 240 AUDIO/VIDEO RECEIVER

3 Introduction

4 Important Safety Information

4 Unpacking

5 Front-Panel Controls

8 Rear-Panel Connections

11 Remote Control Functions

15 Installation and Connections

ystem Configuration

peaker Selection and Placement

19 System Setup

19 Using the On-Screen Display

20 Input Setup

21 Surround Setup

23 Automated Speaker Setup Using EzSet+

25 Manual Setup

26 Speaker Setup

28 Delay Settings

29 Output Level Adjustment

31 Operation

31 Basic Operation

31 Source Selection

31 6-Channel/8-Channel Direct Input

31 Volume Control

32 Surround Mode Selection

32 Digital Audio Playback

33 Surround Mode Chart

37 Tuner Operation

37 Recording

37 Using

38 Output Level Trim Adjustment

39 Advanced Features

41 Programming the Remote

41 Programming Device Codes

41 Macro Programming

42 Programmed Device Functions

43 Volume Punch-Through

43 Channel Control Punch-Through

43 Transport Control Punch-Through

43 Resetting the Remote Memory

44 Function List

46 Setup Code Tables

56 Troubleshooting Guide

56 Processor Reset

57 T

echnical Specifications

57 T

rademark Acknowledgements

58 Index

59 Appendix – Settings Worksheet

The

Bridge

2 TABLE OF CONTENTS

ypographical Conventions

In order to help you use this manual with the remote control,

front-panel controls and rear

-panel connections,

certain conventions have been used.

EXAMPLE – (bold type) indicates a specific remote control or front-panel button, or rear

-panel

connection jack

EXAMPLE – (OCR type) indicates a message that is visible on-screen or on the front-panel

information display

1 – (number in a square) indicates a specific front-panel control

¡ – (number in a circle) indicates a rear-panel connection

a – (number in an oval) indicates a button or indicator on the remote

The appearance of the text or cursor for your receiver’s on-screen menus may vary slightly from the

illustrations in this manual.

Whether the text appears in all uppercase or upper

- and lowercase characters

performance and operation remain the same.

or Canadian model

Modèle pour les Canadien

Cet appareil numérique de la classe B est conforme

à la norme NMB-003 du Canada.

Sur les modèles dont la fiche est polarisee:

ATTENTION: Pour éviter les chocs électriques, introduire

la lame la plus large de la fiche dans la borne

correspondante de la prise et pousser jusqu’au fond.

his class B digital apparatus complies with Canadian

ICES-003.

or models having a power cord with a polarized plug:

CAUTION: To prevent electric shock, match wide blade

of plug to wide slot, fully insert.

Please register your product on our Web site at

www.harmankardon.com. Note: You’ll need the

product’s serial number. At the same time you can

choose to be notified about our new products and/or

special promotions

INTRODUCTION

hank you for choosing Harman Kardon

! W

ith

he purchase of a Harman Kardon AVR 240, you are

about to begin many years of listening enjoyment.

Designed to provide all the excitement and detail of

movie soundtracks and

every nuance of musical selec-

ions, the AVR 240

ccomplishes its mission by har-

nessing advanced technologies usually found only in

higher-priced receivers.

The AVR 240 has been engineered so that it is easy

to take advantage of all the power of its digital tech-

nology. However, to obtain the maximum enjoyment

from your new receiver, we urge you to read this

manual. A few minutes spent learning the functions of

the various controls will enable you to take advantage

of all the power the AVR 240 is able to deliver.

If you have any questions about this product,

its instal-

lation or its operation, please contact your retailer or

custom installer. They are your best local sources of

information.

Description and Features

The AVR 240 is versatile and multifeatured, incorpo-

rating a wide range of listening options. In addition to

Dolby

* Digital and DTS

decoding for digital sources,

a broad choice of Matrix surround-encoded or stereo

surround modes are available for use with your CD,

VCR, TV broadcasts and the AVR 240’s own FM/AM

tuner. Along with Dolby Digital EX, Dolby Pro Logic* IIx,

DTS Neo:6

, DTS 96/24, Dolby 3 Stereo, and Hall

and Theater modes, the AVR 240 offers Harman

International’s exclusive Logic 7

processing in both

5.1 and 7.1 versions to create a wider, more enveloping

field environment and more defined fly-overs and pans.

Another exclusive is VMAx

, which uses proprietary

processing to create an open, spacious sound field

even when only two front speakers are available. Dolby

Virtual Speaker is also available to create an envelop

ing sound field when fewer than six speakers are

used. The latest Dolby Headphone modes provide a

much more open and realistic presentation for private

headphones listening.

In addition to providing a wide range of listening

options, the AVR 240 is easy to configure so that it

provides the best results with your speakers and spe-

cific listening-room environment. On-screen menus

combine with the EzSet+ system to automate speaker

configuration and overall setup, resulting in a perfectly

balanced sound field presentation that accurately

reproduces the artist’s intent.

or the ultimate in flexibility, the AVR 240 features

onnections for five video devices, all with both com-

posite and S-video inputs. Two additional audio inputs

are available, and six digital inputs make the AVR 240

capable of handling all the latest digital audio sources.

or compatibility with the latest HDTV video sources

and progressive scan DVD players, the AVR 240 also

features assignable two-input, wide-bandwidth, low-

crosstalk component video switching.

The front panel offers coax and optical digital inputs

for direct connection to digital recorders. Two video

recording outputs, a preamp-out and a color-coded

eight-channel input make the AVR 240 virtually future-

proof, with everything needed to accommodate tomor-

row’s new formats right onboard.

Until now

, Harman Kardon AVRs have been able to

accommodate almost any source device equipped

with line-level analog, optical digital or coaxial digital

outputs, including most digital media players. With one

simple connection between the AVR 240 and the

optional Harman Kardon , you are able to

listen to materials stored on your compatible Apple

iPod

** (not included). Your AVR’s system remote con-

trol has been preprogrammed with control codes that

enable you to select tracks for playback and navigate

many of your iPod’s functions, even from across the

room. The Bridge

™

will even let you charge your iPod.

The AVR 240’s powerful amplifier uses traditional

Harman Kardon high-current design technologies

to meet the wide dynamic range of any program

selection.

Harman Kardon invented the high-fidelity receiver

more than fifty years ago. With

state-of-the-art circuitry

and time-honored circuit designs

, the AVR 240 is the

perfect combina

tion of the latest in digital audio tech-

nology

quiet yet powerful analog amplifier in an

ele

gant,

easy-to-use package.

n A

wide range of digital and matrix surround

odes, including Dolby

igital, Dolby Digital EX

Dolby Pro Logic

IIx, Dolby Virtual Speaker, Dolby

Headphone, DTS

, DTS-ES

Discrete and Matrix,

DTS 96/24

and DTS Neo:6

n Seven channels of high-current amplification

Harman Kardon’s exclusive Logic 7

processing

available with both 7.1 and 5.1 processing in

variety of modes, and two modes of VMAx

n system with included microphone

automatically configures speakers and sets

delay times and output levels for optimal

sound presentation

n Programmable remote delivers complete con-

trol over AVR and seven additional source

components

n High-bandwidth, HDTV-compatible component

video switching with assignable inputs

n Discrete front-panel coaxial and optical digital

inputs for easy connection to portable digital

devices and video game consoles

n Connects to Harman Kardon’s

(optional) for charging, playback and control

of a compatible iPod

device (not included)

n Input titling for all input sources (except tuner)

n Extensive bass management options, includ-

ing four separate crossover groupings

n On-screen menu and display system with

choice of blue or black background screen

The

Bridge

The

Bridge

INTRODUCTION 3

Compatible with all iP

od models equipped with a dock connector, including third-generation “Click Wheel” models and newer. Not compatible with iPod shuffle models.

Although iPod photo models are compatible, images stored on the iPod may not be viewed.

SAFETY INFORMATION

Important Safety Information

Verify Line Voltage Before Use

Your AVR 240 has been designed for use with

120-volt AC current. Connection to a line voltage

other than that for which it is intended can create a

afety and fire hazard and may damage the unit.

If you have any questions about the voltage requirements

for your specific model, or about the line voltage in your

rea, contact your selling dealer before plugging the unit

into a wall outlet.

Do Not Use Extension Cords

To avoid safety hazards, use only the power cord

attached to your unit. We do not recommend that

extension cords be used with this product. As with all

electrical devices, do not run power cords under rugs

or carpets or place heavy objects on them. Damaged

power cords should be replaced immediately by an

authorized service center with a cord meeting factory

specifications.

Handle the AC Power Cord Gently

When disconnecting the power cord from an AC out-

let, always pull the plug; never pull the cord. If you do

not intend to use the unit for any considerable length

of time, disconnect the plug from the AC outlet.

Do Not Open the Cabinet

There are no user-serviceable components inside this

product. Opening the cabinet may present a shock

hazard, and any modification to the product will void

your guarantee. If water or any metal object such as a

paper clip, wire or a staple accidentally falls inside the

unit, disconnect it from the AC power source immedi-

ately, and consult an authorized service center.

CATV or Antenna Grounding

If an outside antenna or cable system is connected to

this product, be certain that it is grounded so as to pro-

vide some protection against voltage surges and static

charges. Section 810 of the National Electrical Code,

ANSI/NFPA No. 70-1984, provides information with

respect to proper grounding of the mast and supporting

structure, grounding of the lead-in wire to an antenna

discharge unit, size of grounding conductors, location

of antenna discharge unit,

connection to grounding

electrodes and requirements of the grounding

electrode.

NOTE

TO CA

TV SYSTEM INSTALLER:

This reminder

is provided to call the CATV (Cable TV) system

installer’s attention to article 820-40 of the NEC that

provides guidelines for proper grounding and, in par-

ticular, specifies that the cable ground shall be con-

nected to the grounding system of the building, as

close to the point of cable entr

y as possible

nstallation Location

n T

o ensure proper operation and to avoid the poten-

tial for safety hazards, place the unit on a firm and

level surface. When placing the unit on a shelf, be

certain that the shelf and any mounting hardware

an support the weight of the product.

n Make certain that proper space is provided both

above and below the unit for ventilation. If this

product will be installed in a cabinet or other

enclosed area, make certain that there is sufficient

air movement within the cabinet. Under some

circumstances a fan may be required.

n Do not place the unit directly on a carpeted

surface.

n Avoid installation in extremely hot or cold locations,

or in an area that is exposed to direct sunlight or

heating equipment.

n Avoid moist or humid locations.

n Do not obstruct the ventilation slots on the top of

the unit, or place objects directly over them.

n Due to the weight of the AVR 240 and the heat

generated by the amplifiers, there is the remote

possibility that the rubber padding on the bottom

of the unit’s feet may leave marks on certain

wood or veneer materials. Use caution when

placing the unit on soft woods or other materials

that may be damaged by heat or heavy objects.

Some surface finishes may be particularly sensitive

to absorbing such marks due to a variety of factors

beyond Harman Kardon’s control, including the

nature of the finish, cleaning materials used, and

normal heat and vibration caused by the use of the

product, or other factors. We recommend that cau-

tion be exercised in choosing an installation loca-

tion for the component and in normal maintenance

practices, as your warranty will not cover this type

of damage to furniture

Cleaning

When the unit gets dirty, wipe it with a clean, soft, dry

cloth. If necessary, and only after unplugging the AC

power cord,

wipe it with a soft cloth dampened with

mild soapy water, then a fresh cloth with clean water.

Wipe dry immediately with a dry cloth. NEVER use

benzene, aerosol cleaners, thinner, alcohol or any other

volatile cleaning agent. Do not use abrasive cleaners,

as they may damage the finish of metal parts

Avoid

spraying insecticide near the unit.

Moving the Unit

Before moving the unit,

be certain to disconnect any

interconnection cords with other components

and

make certain that you disconnect the unit from the

AC outlet.

Important Information for the User

This equipment has been tested and found to comply

ith the limits for a Class-B digital device, pursuant to

art 15 of the FCC Rules. The limits are designed to

provide reasonable protection against harmful interfer-

ence in a residential installation. This equipment gener-

ates,

uses and can radiate radio-frequency energy

and,

f not installed and used in accordance with the

instructions, may cause harmful interference to radio

communication. However, there is no guarantee that

harmful interference will not occur in a particular instal-

ation. If this equipment does cause harmful interfer-

nce to radio or television reception, which can be

determined by turning the equipment off and on, the

user is encouraged to try to correct the interference by

one or more of the following measures:

n Reorient or relocate the receiving antenna.

n Increase the separation between the equipment

and receiver.

n Connect the equipment into an outlet on a circuit

different from that to which the receiver is connected.

n Consult the dealer or an experienced radio/TV

technician for help.

This device complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

(1) this device may not cause harmful interference,

and (2) this device must accept interference received,

including interference that may cause undesired

operation.

NOTE: Changes or modifications may cause this

unit to fail to comply with Part 15 of the FCC Rules

and may void the user’s authority to operate the

equipment.

Unpacking

The carton and shipping materials used to protect your

new receiver during shipment were specially designed

to cushion it from shock and vibration. We suggest

that you save the carton and packing materials for

use in shipping if you move

, or should the unit ever

need repair.

To minimize the size of the carton in storage, you may

wish to flatten it. This is done by carefully slitting the

tape seams on the bottom and collapsing the carton.

Other cardboard inserts may be stored in the same

manner. Packing materials that cannot be collapsed

should be saved along with the carton in a plastic bag.

If you do not wish to save the packaging materials,

please note that the carton and other sections of the

shipping protection are recyclable.

Please respect the

environment and discard those materials at a local

recycling center.

It is important that you remove the protective plastic

film from the front-panel lens. Leaving the film in place

will affect the perfor

mance of your remote control.

4 SAFETY INFORMATION4 SAFETY INFORMATION

FRONT-PANEL CONTROLS

1 Main Power Switch: Press this button to apply

power to the AVR 240. When the switch is pressed

in, the unit is in a Standby mode, as indicated by the

amber

wer Indicator

This button MUST be

pressed in to operate the unit. To turn the unit off and

prevent the use of the remote control, this switch

should be pressed until it pops out from the front

panel and the word

“OFF” is seen at the top of the

switch.

NOTE: This switch is normally left in the “ON” position.

2 Power Indicator: This LED lights amber when the

unit is in the Standby mode to signal that the AVR is

ready to be tur

ned on. When the unit is in operation,

the indicator is blue.

3 Standby/On Switch: When the Main Power

Switch

“ON,” press this button to turn on the

AVR 240; press it again to turn the unit off. The

Power

Indicator

turns blue when the unit is on.

4 Headphone Jack: This jack may be used to listen

to the AVR 240’s output through a pair of headphones.

The speakers will automatically be turned off when the

headphone jack is in use

When configuring your sys-

tem using EzSet+, the calibration microphone should

be plugged into this jack using the supplied adaptor

that converts the small mini-plug at the end of the

microphone’

s cord to a 1/4" plug.

5 T

one Mode:

This button controls the tone mode

settings, enabling adjustment of the bass and treble

boost/cut.

ou may also use it to take the tone con-

trols out of the signal path completely for “flat”

response. The first press of the button displays a

TONE IN message in the Lower Display Line

ı and in the on-screen display

o take the controls

out of the signal path, press either of the

‹

›

Buttons ) until the display reads TONE OUT.

o change the bass or treble settings

make sure that

TONE IN appears in the Lower Display Line ı

or press either of the

‹

›

Buttons ) until it does.

Press the Tone Mode Button 5 until the desired

option of

TREBLE MODE or BASS MODE

appears in the Lower Display Line ı and in the

on-screen display and then press either of the

‹

›

Buttons ) to enter the desired boost or cut setting.

Both treble and bass contours may be boosted or

cut by up to + or –10dB in increments of 2dB. See

pages 21 and 31 for more infor

mation on the tone

controls.

NOTE: The AVR 240 is not equipped with a traditional

Balance control. When listening to two-channel materi-

als, if you wish to adjust the stereo image, you may

use the

Channel

Adjust Selector

 to increase or

decrease the level of the left front channel by up to +

or –10dB, and then to decrease or increase the right

front channel by the corresponding amount.

However

when listening to surround materials and most two-

channel materials

it is recommended that you leave

these settings at the results obtained during the config-

uration process described on pages 19 through 30.

1 Main Power Switch

2 Power Indicator

3 Standby/On Switch

4 Headphone Jack

5 Tone Mode

6 Speaker Selector

7 Surround Mode Group Selector

8 Surround Mode Selector

9 Tuning Selector

)

‹/›

Buttons

! Tuner Band Selector

@ Set Button

# Digital Input Selector

$ Preset Station Selector

% Delay Adjust Selector

^ Input Source Selector

& Tuner Mode Selector

* Optical 3 Digital Audio Input

( Coaxial 3 Digital Audio Input

Ó Video 4 Video Input Jacks

Ô Video 4 Audio Input Jacks

 Channel Adjust Selector

Ò Volume Control

Ú Input Indicators

Û Speaker/Channel Input Indicators

Ù Upper Display Line

ı Lower Display Line

ˆ Surround Mode Indicators

˜ Remote Sensor Window

DIGITAL LOGIC 7

VID 1

DVD

FMAM

TAPE

6 8 CH

VID 2

VID 3

VID 4

PRO LOGIC

3 STEREO DSP

5 7 CH. STEREO

SURR. OFF



(

)

AVR 240

Optical 3

Coaxial 3

ideo 4

FRONT-PANEL CONTROLS

FRONT-PANEL CONTROLS 55

NOTE: To make it easier to follow the instructions that refer to this illustration, a larger copy may be downloaded from the Product Support section for this product

at www.harmankardon.com.

6 Speaker Selector: Press this button to begin

he process of configuring the unit to match the type

of speakers used in your listening room. (See pages

26–28 for more information on speaker setup and

configuration.)

7 Surround Mode Group Selector: Press this but-

ton to select the top-level group of surround modes.

Each press of the button will select the current or last

sed mode in each of the surround mode groups

(e.g., Dolby, DTS, DTS Neo:6, Logic 7, DSP, Stereo).

When the button is pressed so that the name of the

surround mode group appears in the on-screen dis-

play and in the

Lower Display Line ı, press the

Surround Mode Selector 8 to cycle through the

individual modes available. For example, press this

button to select Dolby modes, and then press the

Surround Mode Selector 8 to choose from the

various Dolby mode options.

8 Surround Mode Selector: Press this button

to select from among the available surround mode

options for the mode group selected. The specific

modes will vary based on the number of speakers

available, the mode group and if the input source is

digital or analog. For example, press the

Surround

Mode Group Selector

7 to select a main mode

grouping such as Dolby or Logic 7, and then press

this button to see the specific mode choices available.

Note that the digital surround modes, such as Dolby

Digital and DTS, may not be accessed unless that type

of source signal is present, such as when a DVD movie

or television signal programmed in Dolby Digital or DTS

surround sound is playing. For more information on sur-

round mode selection, see pages 23 and 32.

9 Tuning Selector: Press the left side of the button

to tune lower-frequency stations and the right side of

the button to tune higher-frequen

cy stations

When the

tuner is in the Manual mode, each tap will increase or

decrease the frequency by one increment. When the

tuner receives a strong enough signal for adequate

reception,

MANUAL TUNED will appear in the

on-screen display and the

wer Display Line

ı.

When the tuner is the Auto mode, press the button

once, and the tuner will scan for a station with accept-

able signal strength.

When the next station with a

strong signal is tuned the scan will stop and the

on-screen display and

Lower Display Line ı

will indicate AUTO

TUNED

When an FM

Stereo station is tuned, the display will read

AUTO

TUNED

To switch back and forth between the Auto and

Manual tuning modes

press the

uner Mode

Selector

) ‹/› Buttons: When configuring the AVR 240’s

ettings, use these buttons to select from the available

choices

! Tuner Band Selector: Press this button to turn

he AVR on and to select the Tuner as the input. Press

it again to switch between the AM and FM frequency

bands. (See page 37 for more information on the tuner.)

@ Set Button: When making choices during the

setup and configuration process, press this button

to enter the desired setting into the AVR 240’s memory.

# Digital Input Selector: Press this button to

select one of the digital audio inputs or the analog

audio input for any source. (See pages 32–37 for

more information on digital audio.)

$ Preset Stations Selector: Press this button to

scroll up or down through the list of stations that have

been entered into the preset memory. (See page 37

for more information on tuner presets.)

% Delay Adjust Selector: Press this button to

begin the steps required to enter delay settings. (See

pages 28–29 for more information on delay times.)

^ Input Source Selector: Press this button to

change the input by scrolling up or down through the

list of

Input Indicators Ú.

& Tuner Mode Selector: Press this button to select

Auto or Manual tuning. When the button is pressed so

that the

AUTO appears in the Lower Display Line

ı, the tuner will search for the next station with an

acceptable signal when the

Tuning Selector 9u

is pressed. When the button is pressed so that

MANUAL appears in the Lower Display Line ı,

each press of the

Tuning Selector 9u will

increase the frequency

. This button may also be used to

switch between Stereo and Mono modes for FM radio

reception. When weak reception is encountered, press

the button so that

MANUAL appears in the Lower

Display Line

ı and on the on-screen display to

switch to Mono reception.

Press it again to switch back

to Stereo mode.

(See page 37 for more information on

using the tuner.)

* Optical 3 Digital

Audio Input:

Connect the optical

digital audio output of an audio or video product to this

jack. When the input is not in use, the built-in shutter will

close to avoid dust contamination that might degrade

future performance.

( Coaxial 3

Digital Audio Input:

This jack is used

for connection to the output of portable audio devices,

video game consoles or other products that have a

coax digital audio jack.

Ó Video 4 Video Input Jacks: These jacks may

e used for temporary connection to the composite or

S-video output of video games, camcorders or other

portable video products. You may make a connection

to either jack at any time, but not to both simultaneously.

Ô Video 4 Audio Input Jacks: These audio jacks

may be used for temporary connection to video

games or portable audio/video products such as

amcorders and portable audio players.

 Channel Adjust Selector: Press this button to

begin the process of trimming the channel output lev-

els using an external audio source. (For more informa-

tion on output level trim adjustment, see page 38.)

Ò Volume Control: Turn this knob clockwise to

increase the volume, counterclockwise to decrease

the volume. If the AVR 240 is muted, adjusting the

Volume Control Òb will automatically release

the unit from the silenced condition.

Ú Input Indicators: The current selected source

will appear as one of these indicators. When the unit

is turned on, the entire list of available modes will

light briefly, and then revert to normal operation with

only the active mode indicator illuminated.

NOTE: When /DMP has been selected as

the input source, no

Input Indicator N will light.

DMP/THE BRIDGE IS CONNECTED

will scroll across the Upper Display Line P, unless

you have retitled the source name, in which case that

name will appear. See page 20 for more information

on input titling.

Û Speaker/Channel Input Indica

tors:

These indi

cators are multipurpose, indicating both the speaker

type selected for each channel and the incoming data-

signal configuration. The left, center, right, right surround

and left surround speaker indicators are composed of

three boxes

, while the subwoofer is a single box. The

center box lights when a “small” speaker is selected,

and the two outer boxes light when

“large”

speakers are

selected. When none of the boxes are lit for the center,

surround or subwoofer channels, no speaker has been

assigned that position. (See pages 26–28 for more

information on configuring speakers

The letters inside each box display the active input

channels. For standard analog sources, only the L and R

will light,

indicating a stereo input. For a digital source,

the indicators will light to display the channels being

received at the digital input.

When the letters flash,

the

digital input has been interrupted. (See page 36 for

more infor

mation on the Channel Indicators

Ù Upper Display Line: Depending on the unit’s sta-

tus

a variety of messages will appear here

In nor

mal

The

Bridge

FRONT-PANEL CONTROLS

6 FRONT-PANEL CONTROLS

FRONT-PANEL CONTROLS

peration, this line will show current input source and

hich analog or digital input is in use. When the tuner is

the input, this line will identify the station as AM or FM

and show the frequency and preset number, if any.

ı Lower Display Line: Depending on the unit’s sta-

tus, a variety of messages will appear here. In normal

operation, the current surround mode will show here.

ˆ Surround Mode Indicators: The current selected

surround mode will appear as one of these indicators.

Note that when the unit is turned on, the entire list of

available modes will light briefly, and then revert to

normal operation with only the active mode indicator

illuminated.

NOTE: When the Dolby Virtual Speaker or Dolby

Headphone modes are in use

, no

Surround Mode

Indicator

R will light. However, the surround mode

name will scroll in the

Lower Display Line Q.

˜ Remote Sensor Window: The sensor behind

this window receives infrared signals from the remote

control. Aim the remote at this area and do not block

or cover it.

FRONT-PANEL CONTROLS

The Bridge

•

∞

⁄

ﬁ

‹

™

‚

›

‡

ﬂ

¡ FM Antenna Jack

™ CD Audio Inputs

£ Tape Outputs

¢ Tape Inputs

∞ Remote IR Input

§ Remote IR Output

¶ Preamp Outputs

• Subwoofer Output

ª Front Speaker Outputs

‚ Surround Back Speaker Outputs

⁄ Surround Speaker Outputs

¤ Center Speaker Outputs

‹ Component Video Monitor Outputs

› Component Video 1 Inputs

ﬁ Component Video 2 Inputs

ﬂ AC Power Cord

‡ Switched AC Accessory Outlet

° Unswitched AC Accessory Outlet

· Optical Digital Audio Output

a Coaxial Digital Audio Output

b Coaxial Digital Audio Inputs

c S-Video Monitor Output

d DVD S-Video Input

e DMP Connector

f Video 1 S-Video Input

g Optical Digital Audio Inputs

h Video 1 S-Video Output

i Video 2 S-Video Input

j 6/8-Channel Direct Inputs

k Video 2 S-Video Output

U Video 3 S-Video Input

V Video Monitor Output

W DVD Audio/Video Inputs

X Video 1 Audio/Video Inputs

Y Video 1 Audio/Video Outputs

Z Video 2 Audio/Video Inputs

a Video 2 Audio/Video Outputs

b Video 3 Audio/Video Inputs

c AM Antenna Terminals

The

Bridge

NOTE: To assist in making the correct connections

for multichannel input,

output and speaker connec-

tions, all connection jacks and terminals are color-

coded in confor

mance with the CEA standards as

follows:

ront Left:

White

Front Right: Red

Center: Green

Surround Left:

Blue

Surround Right: Gray

Surround Back Left:

Brown

Surround Back Right: Tan

Subwoofer: Purple

Coaxial Digital Audio: Orange

Composite Video: Yellow

Component

Video “Y”:

Green

Component Video “Pr”: Red

Component

Video “Pb”:

Blue

¡ FM

Antenna Jack:

Connect the supplied indoor

(or an optional exter

nal) FM antenna to this terminal.

™ CD Audio Inputs: Connect these jacks to the

analog audio outputs of a compact disc player or

CD changer.

pe Outputs:

Connect these jacks to the

RECORD/INPUT

jacks of an audio recorder

¢ Tape Inputs:

Connect these jacks to the

PLA

Y/OUT

jacks of an audio recorder

∞ Remote IR Input: If the

VR 240’

s front-panel

IR sensor is blocked due to cabinet doors or other

obstructions, an external IR sensor may be used.

Connect the output of the sensor to this jack.

NOTE: To make it easier to follow the instructions that refer to this illustration, a larger copy may be downloaded from the Product Support section for this product

at www.harmankardon.com.

8 REAR-PANEL CONNECTIONS

REAR-PANEL CONNECTIONS

REAR-PANEL CONNECTIONS 9

REAR-PANEL CONNECTIONS

§ Remote IR Output: This connection permits the

R sensor in the receiver to serve other remote con-

trolled devices. Connect this jack to the “IR IN” jack on

Harman Kardon (or other compatible) equipment.

¶ P

reamp Outputs:

onnect these jacks to an

optional, external power amplifier for applications

where higher power is desired.

• Subwoofer Output: Connect this jack to the line-

evel input of a powered subwoofer. If an external sub-

oofer amplifier is used, connect this jack to the sub-

woofer amplifier input.

ª Front Speaker Outputs: Connect these outputs

to the matching + or – terminals on your left and right

speakers. When making speaker connections always

make certain to maintain correct polarity by connecting

the color-coded (white for front left and red for front

right) (+) terminals on the AVR 240 to the red (+)

terminals on the speakers and the black (–) terminals

on the AVR 240 to the black (–) terminals on the

speakers. See page 15 for more information on

speaker polarity.

‚ Surround Back Speaker Outputs: These

speaker terminals are normally used to power the

surround back speakers in a 7.1-channel system.

Connect these outputs to the matching + and –

terminals on your surround back channel speaker.

In conformance with the CEA color-code specification,

the brown terminal is the positive, or “+,” terminal that

should be connected to the red (+) terminal on the

left Surround Back speaker with older color-coding.

The tan terminal is the positive, or “+”, terminal that

should be connected to the red (+) terminal on the

right Surround Back speaker with older color-coding.

Connect the black (–) terminals on the AVR to the

matching black negative (–) terminals on the surround

back speakers. (See page 15 for more information on

speaker polarity.)

⁄ Surround Speaker Outputs: Connect these out-

puts to the matching + and – terminals on your sur-

round channel speakers. In conformance with the CEA

color

-code specification,

the blue terminal is the posi

tive, or “+,” terminal that should be connected to the

red (+) terminal on the Surround Left speaker with

older color-coding

, while the gray terminal should be

connected to the red (+) terminal on the Surround

Right speaker with the older color-coding

Connect the

black (–) terminal on the AVR to the matching black

negative (–) terminals for each surround speaker. (See

page 15 for more information on speaker polarity.)

¤ Center Speaker Outputs: Connect these outputs

to the matching + and – ter

minals on your center

channel speaker. In conformance with the CEA

color-code specification, the green terminal is the

positive, or “+,” terminal that should be connected to

he red (+) terminal on speakers with the older color-

oding. Connect the black (–) terminal on the AVR to

the black (–) terminal on your speaker. (See page 15

for more information on speaker polarity.)

‹ Component Video Monitor Outputs: Connect

these outputs to the component video inputs of a

video projector or monitor. When a source connected

to one of the

Component Video Inputs ›ﬁ is

selected, the signal will be sent to these jacks.

› Component Video 1 Inputs: Connect the

Y/Pr/Pb component video outputs of a DVD player,

HDTV set-top converter, satellite receiver or other

video source device with component video outputs to

these jacks.

ﬁ Component Video 2 Inputs: Connect the

Y/Pr/Pb component video outputs of a DVD player,

HDTV set-top converter, satellite receiver or other

video source device with component video outputs to

these jacks.

See page 20 for information on assigning the

Component Video 1 and 2 Inputs ›ﬁ to the

appropriate source inputs.

ﬂ AC Power Cord: Connect the AC power cord to

a non-switched AC wall outlet.

‡ Switched AC Accessory Outlet: These outlets

may be used to power any device you wish to have

turned on when the AVR 240 is turned on.

° Unswitched AC Accessory Outlet: This outlet

may be used to power any AC device. The power will

remain on at this outlet regardless of whether the

AVR 240 is on or off.

NOTE: The total power consumption of all devices

connected to the accessory outlets should not exceed

100 watts.

· Optical Digital Audio Output: Connect this jack

to the optical digital input connector on a CD-R/RW

MiniDisc or other digital recorder.

a Coaxial Digital Audio Output: Connect this jack

to the coaxial digital input of a CD-R/RW, MiniDisc or

other digital recorder.

b Coaxial Digital Audio Inputs: Connect the coax

digital output from a DVD player, HDTV receiver,

player

or CD player to these jacks. The signal may be a

Dolby Digital signal,

DTS signal or a standard PCM digital

source. Do not connect the RF digital output of an LD

player to these jacks

c S-Video Monitor Output: If any of the input

sources used in your system have S-video connec-

tions to the

AVR, connect this jack to the S-video input

on your television, projector or other video display.

d DVD S-Video Input: Connect the S-video output of

DVD player or other video source to this jack.

e Digital Media Player (DMP) Connector:

With the AVR 240 turned off, connect the optional

arman Kardon to this connector

When the

Digital Media Player source is selected,

you may view

iPod control and navigation messages on your video

display (if one is connected to one of the

Video

Monitor Outputs cV), and in the Upper and Lower

Display Lines PQ. You may navigate the iPod

and select tracks for playback using the

⁄

‹

›

Buttons no, the Set Button p and Transport

Controls ` on your AVR remote. See page 37 for

more information.

f Video 1 S-Video Input: If the product connected to

the

Video 1 Audio Inputs X has S-video capability,

connect this jack to the PLAY/OUT S-video jack on

that unit and then make certain that the

S-Video

Monitor Output

c is connected as described above.

g Optical Digital Audio Inputs: Connect the optical

digital output from a DVD player, HDTV receiver,LD

player or CD

player to these jacks. The signal may be a

Dolby Digital signal, a DTS signal or a standard PCM

digital source.

h Video 1 S-Video Output: If the product connected

to the

Video 1 Audio/Video Outputs Y has S-video

capability, connect this jack to the REC/IN S-video jack

on that unit.

i Video 2 S-Video Input: If the product connected

to the

Video 2 Audio/Video Inputs Z has S-video

capability, connect this jack to the PLAY/OUT S-video

jack on that unit and then make certain that the

S-Video Monitor Output c is connected as

described above.

j 6/8-Channel Direct Inputs: These jacks are

used for connection to source devices such as DVD-

Audio

or SACD

™

players with discrete analog outputs

Depending on the source device in use, all eight jacks

may be used, though in many cases only connections

to the front left/right, center

surround left/right and

LFE (subwoofer input) jacks will be used for standard

5.1 audio signals.

k Video 2 S-Video Output: If the product connected

to the

Video 2 Audio Outputs a has S-video capa-

bility

connect this jack to the REC/IN S-video jack on

that unit.

U Video 3 S-Video Input: If the product connected to

the

Video 3

Audio Inputs

b has S-video capability

connect this jack to the PLAY/OUT S-video jack on

that unit and then make certain that the

S-Video

Monitor Output

c is connected as described above

The

Bridge

The

Bridge

10 REAR-PANEL CONNECTIONS

REAR-PANEL CONNECTIONSREAR-PANEL CONNECTIONS

10 REAR-PANEL CONNECTIONS

V V

ideo Monitor Output:

onnect this jack to the

omposite video input of a TV monitor or video projec-

tor to view the on-screen menus and the output of a

standard video source.

W DVD Audio/Video Inputs: Connect the composite

video and L/R analog audio outputs of a DVD player or

other video source to these jacks.

X Video 1 Audio/Video Inputs: Connect the com-

posite video and L/R analog audio PLAY/OUT jacks of

a VCR or other video source to these jacks.

Y Video 1 Audio/Video Outputs: Connect the

composite video and L/R analog audio REC/IN jacks

of a VCR or other video recording device such as a

DVD recorder or PVR to these jacks.

Z Video 2 Audio/Video Inputs: Connect the com-

posite video and L/R analog audio PLAY/OUT jacks

of a cable television box or other video source to

these jacks.

a Video 2 Audio/Video Outputs: Connect the

composite video and L/R analog audio REC/IN jacks

of a VCR or other video recording device such as a

DVD recorder or PVR to these jacks.

b Video 3 Audio/Video Inputs: Connect the com-

posite video and L/R analog audio PLAY/OUT jacks of

an HDTV tuner or other video source to these jacks.

c AM Antenna Terminals: Connect the AM loop

antenna supplied with the receiver to these terminals.

If an external AM antenna is used, make connections

to the

AM and GND terminals in accordance with

the instructions supplied with the antenna.

NOTE ON VIDEO CONNECTIONS: When connecting

a video source product such as a

VCR,

DVD player

satellite receiver, cable set-top box, personal video

recorder or video game to the AVR 240, you may

use either a composite or S-video connection, but

not both.

REMOTE CONTROL FUNCTIONS 11

REMOTE CONTROL FUNCTIONS

a Power Off Button

b I

R Transmitter Window

c P

rogram Indicator

d Power On Button

e Input Selectors

f AVR Selector

g A

M/FM Tuner Select

h Dim Button

i Test Button

j Sleep Button

k D

SP Surround Mode Selector

l Night Mode

m Channel Select Button

⁄

Buttons

‹

›

Buttons

p Set Button

q Digital Select

r Numeric Keys

s Tuner Mode

t Direct Button

u Tuning Up/Down

v OSD Button

w Dolby Mode Selector

x DTS Digital Mode Selector

y Logic 7 Mode Select Button

z Skip Up/Down Buttons

` Transport Controls

R Stereo Mode Select Button

S DTS Neo:6 Mode Select

Macro Buttons

Disc Skip Button

Preset Up/Down

Clear Button

Memory Button

Delay/Prev. Ch.

Speaker Select

Spare Button

Volume Up/Down

TV/Video Selector

DMP Selector

6-Channel/8-Channel Direct Input

Mute

The

Bridge

POWER

MUTE

AVR

DVD

M/FM

TAPE

VID 2

VCR

CBL/SAT

6/8 CH

DMP

VID 1

VID 3

VID4

SLEEP

SURR.

CH.

VOL.

SET

TUN-M

MEM

D.SKIP

DIRECT

OSD

TUNING

DOLBY SUR

DTS SUR

DTS NEO:6

STEREO

LOGIC 7

SKIP

DOWN

PRESET

CLEAR

EST

NIGHT

DIM

The

Bridge

NOTES:

• The function names shown here are each button’s

feature when used with the AVR 240. Most buttons

have additional functions when used with other

devices. See pages 44–45 for a list of these

functions

•

o make it easier to follow the instructions that refer

to this illustration, a larger copy may be down-

loaded from the Product Support section for this

product at www

.har

mankardon.com.

REMOTE CONTROL FUNCTIONS

12 REMOTE CONTROL FUNCTIONS

MPORTANT NOTE:

he AVR 240’s remote may

e programmed to control up to seven devices,

including

the AVR 240. Before using the remote, it is

important to

remember to press the Input Selector

Button

e that corresponds to the unit you wish to

perate. In addition, the AVR 240’s remote is shipped

from the factory to operate the AVR 240 and most

Harman Kardon CD or DVD players and cassette

decks. The remote is also capable of operating a wide

ariety of other products using the control codes that

re part of the remote. Before using the remote with

other products, follow the instructions on page 41

to program the proper codes for the products in

your system.

It is also important to remember that many of the but-

tons on the remote take on different functions, depend-

ing on the product selected using the Device Control

Selectors. The descriptions shown here primarily detail

the functions of the remote when it is used to operate

the AVR 240. (See pages 42–45 for information about

alternate functions for the remote’s buttons.)

a Power Off Button: Press this button to place the

AVR 240 or a selected device in the Standby mode.

b IR Transmitter Window: Point this window

towards the AVR 240 when pressing buttons on the

remote to make certain that infrared commands are

properly received.

c Program Indicator: This three-color indicator is

used to guide you through the process of program-

ming the remote. (See page 41 for information on

programming the remote.)

d Power On Button: Press this button to turn on

the power to a device selected by pressing one of the

Input Selectors e.

e Input Selectors: Pressing one of these buttons

will perform three actions at the same time. First, if the

VR 240 is not tur

ned on,

this will power up the unit.

Next, it will select the source shown on the button as

the input to the AVR 240. Finally, it will change the

remote control so that it controls the device selected.

After pressing one of these buttons you must press

the

AVR Selector Button f again to operate the

AVR 240’s functions with the remote.

f AVR Selector: Pressing this button will switch the

remote so that it will operate the AVR 240’s functions. If

the A

VR 240 is in the Standby mode

it will also tur

n the

AVR 240 on.

g AM/FM Tuner Select: Press this button to select

the AVR 240’s tuner as the listening choice. Pressing

this button when the tuner is already in use will select

between the

AM and FM bands

h Dim Button: Press this button to activate the

immer function, which reduces the brightness of the

front panel display, or turns it off entirely. The first press

of the button shows the default state, which is full bright-

ness by indicating

VFD FULL in the Lower

isplay Line

ı.

Press the button again within five

econds to reduce the brightness by 50%, as indicated

VFD HALF showing in the Lower Display Line

ı. Press the button again within five seconds and the

main display will go completely dark. Note that this set-

ing is temporary, in that regardless of any changes, the

display will always return to full brightness when the AVR

is turned on. In addition, the

Power Indicator 2 will

always remain at full brightness regardless of the setting.

This is to remind you that the AVR is still turned on.

i Test Button: Press this button to begin the

sequence used to calibrate the AVR 240’s output levels.

(See pages 25, 29 and 38 for more information on

calibrating the AVR 240.)

j Sleep Button: Press this button to place the unit

in the Sleep mode. After the time shown in the display,

the AVR 240 will automatically go into the Standby

mode. Each press of the button changes the time until

turn-off in the following order:

See page 31 for more information on the Sleep

Function. This button is also used to change channels

on your TV when the TV is selected.

k DSP Surround Mode Selector: Press this but-

ton to cycle through the DSP, VMAx and Stereo sur-

round modes such as Hall, Theater, VMAx Near and

ar,

and Surround Off. This button is also used to tune

channels when the TV is selected using the

device

Input Selector e.

l Night Mode: Press this button to activate the

Night mode.

This mode is available in specially

encoded digital sources, and it preserves dialogue

(center channel) intelligibility at low volume levels.

m Channel Select Button: This button is used to

start the process of setting the AVR 240’s output levels to

an exter

nal source

Once this button is pressed,

use the

⁄

Buttons n

to select the channel being adjusted,

then press the Set Button p, followed by the

⁄

Buttons

n again, to change the level setting. (See

pages 29 and 38 for more information.) However,

Harman Kardon recommends that you first perform

the EzSet+ procedure

as described on pages

23 to 25.

⁄

Buttons: These multipurpose buttons are

sed to change or scroll through items in the on-

screen menus, make configuration settings such as

digital inputs or delay timing, or to select surround

modes. When changing a setting, first press the button

or the function or setting to be changed (e.g., press

SP Surround Mode Selector

k t

o select a

sound field mode or the

Digital Select Button q

to change a digital input) and then press one of these

buttons to scroll through the list of options or to

ncrease or decrease a setting. The sections in this

manual describing the individual features and functions

contain specific information on using these buttons

for each application.

‹/›

Buttons: These buttons are used to change

the menu selection or setting during some of the setup

procedures for the AVR 240.

p Set Button: This button is used to enter settings

into the AVR 240’s memory. It is also used in the

setup procedures for delay time, speaker configuration

and channel output level adjustment.

q Digital Select: Press this button to assign one

of the digital inputs

*(bg to a source. (See

pages 20 and 35 for more information on using

digital inputs.)

r Numeric Keys: These buttons serve as a 10-

button numeric keypad to enter tuner preset positions.

They are also used to select channel numbers when

TV, Cable or SAT has been selected on the remote, or

to select track numbers on a CD, DVD or LD player,

depending on how the remote has been programmed.

I Tuner Mode: Press this button when the tuner

is in use to select between automatic tuning and

manual tuning. When the button is pressed so that

MANUAL appears in the Lower Display Line ı,

pressing the

Tuning Buttons 9u will move the

frequency up or down in single-step increments

When the FM band is in use, pressing this button when

a station’s signal is weak will change to monaural

reception.

(See page 37 for more infor

mation.)

J Direct Button: Press this button when the tuner

is in use to start the sequence for direct entry of a sta-

tion’s frequency. After pressing the button, simply

press the proper

Numeric Keys r to select a sta-

tion.

(See page 37 for more information on the tuner.)



REMOTE CONTROL FUNCTIONS

u Tuning Up/Down: When the tuner is in use, these

uttons will tune up or down through the selected fre-

quency band. If the

Tuner Mode Button s& has

been pressed so that

AUTO appears in the on-

screen display and

Lower Display Line ı, pressing

nd holding either of the buttons for three seconds will

ause the tuner to seek the next station with acceptable

signal strength for quality reception. When

MANUAL

appears in the Lower Display Line ı, pressing these

buttons will tune stations in single-step increments. (See

age 37 for more information.)

v OSD Button: Press this button to activate the

On-Screen Display (OSD) system used to set up or

adjust the AVR 240’s parameters.

w Dolby Mode Selector: This button is used to

select from among the available Dolby Surround pro-

cessing modes. Each press of this button will select

one of the Dolby Pro Logic II or IIx, or Dolby Virtual

Speaker modes or Dolby 3 Stereo. When a Dolby

Digital-encoded source is in use, the Dolby Digital

mode may also be selected. When the headphones

are in use, this button selects from among the Dolby

Headphone modes. (See pages 33–34 for the avail-

able Dolby surround mode options.)

x DTS Digital Mode Selector: When a DTS-

encoded digital source is selected, each press of this

button will scroll through the available DTS modes. The

specific choice of modes will vary according to whether

or not the source material contains DTS-ES 6.1

Discrete encoding. When a DTS source is not in use,

this button has no function. (See page 33 for the avail-

able DTS digital options.)

y Logic 7 Mode Select Button: Press this button

to select from among the available Logic 7 surround

modes. (See page 33 for the available Logic 7

options

z Skip Up/Do

wn Buttons:

These buttons do not

have a direct function with the AVR 240, but when

used with a compatibly programmed CD or DVD

changer they will change to the previous disc in the

changer or carousel.

` Transport Controls: These buttons do not have

any functions for the AVR 240, but they may be

programmed for the forward/reverse play operation

of a wide variety of CD or DVD players

, and audio or

video cassette recorders

When the DMP

source is in use, these buttons may be used to oper-

ate some functions on a compatible iPod

if it is

docked in

The Bridge.

See page 37 for more

information on using .

hen the remote is used to control the AVR, or the

ID2 or VID3 device, by default these buttons are pro-

grammed to operate the DVD player. However, you

may use the Transport Control Punch-Through feature

described on page 43 to program these buttons to

perate another device’s transport controls when the

AVR, VID2 or VID3 has been selected.

R Stereo Mode Select Button: When the button

s pressed so that

URROUND OFF

ppears in

the

Lower Display Line ı, with only the Surr Off

Surround Mode Indicator

ˆ lit, the AVR will oper-

ate in a bypass mode with true, fully analog, two-chan-

nel left/right stereo mode with no surround processing

or bass management, unlike other modes where digi-

tal processing is used. When the button is pressed so

that

SURROUND OFF appears in the Lower

Display Line

ı,

with both the

DSP and Surr Off

Surround Mode Indicators

ˆ lit, you may enjoy a

two-channel presentation of the sound along with the

benefits of bass management. Depending on whether

your system is configured for 5.1 or 6.1/7.1 chan-

nels, the next press of the button will cause either

5 CH STEREO or 7 CH STEREO to

appear, and the stereo signal will be routed to all five

(or seven) speaker channels. (See page 34 for more

information on stereo playback modes.)

S DTS Neo:6 Mode Select: Press this button to

select a DTS Neo:6 mode. These modes take a two-

channel stereo- or matrix surround-encoded source

and create a full five-, six- or seven-channel sound

field. (See page 33 for the DTS Neo:6 options.)

T Macro Buttons: Press these buttons to store or

recall a “Macro”, which is a preprogrammed sequence

of commands stored in the remote. (See page 41 for

more information on storing and recalling macros.)

U Disc Skip Button: This button has no direct

function for the A

VR 240 but is most often used to

change to the next disc in a CD or DVD player when

the remote is programmed for that type of device.

(See page 42 for more infor

mation on using the

remote with products other than the AVR 240.)

V Preset Up/Down: When the tuner is in use,

press these buttons to scroll through the stations

programmed into the AVR 240’s memory. When

some source devices,

such as CD players

VCRs and

cassette decks, are selected using the device

Input

Selectors

e, these buttons may function as

Chapter Step or

Track Advance.

W Clear Button: Press this button to clear incorrect

entries when using the remote to directly enter a radio

station’

s frequency

X M

emory Button:

ress this button to enter a radio

tation into the AVR 240’s preset memory. First, tune

the desired station, and then press this button. Two

underline indicators will flash at the right side of the

Upper Display Line P, and within five seconds

ress the

umeric Keys

r f

or the preset number

between 01 and 30 that you wish to assign to the

station. (See page 37 for more information.)

Y Delay/Prev Ch.: Press this button to begin

the process for setting the delay times used by the

AVR 240 when processing surround sound. After

pressing this button, the delay times are entered by

pressing the Set Button p and then using the

⁄

Buttons n to change the setting. Press the

Set Button p again to complete the process.

(See page 22 for more information.) However,

Harman Kardon recommends that you first perform

the EzSet+ procedure, as described on pages

23–25.

Z Speaker Select: Press this button to begin

the process of configuring the AVR 240’s bass man-

agement system for use with the type of speakers

used in your system. Once the button has been

pressed, use the

⁄

Buttons n to select the

channel you wish to set up. Press the

Set Button

p and then select another channel to configure.

When all adjustments have been completed, press

the

Set Button p twice to exit the settings and

return to normal operation. (See page 26 for more

information.) However, Harman Kardon recommends

that you first perform the EzSet+ procedure, as

described on pages 23–25.

a Spare Button: This button has no direct function

for the AVR 240, but may be used by other devices.

b Volume Up/Down: Press these buttons to raise

or lower the system volume. By default, the

Volume

Up/Down Buttons

b are programmed at the fac-

tory to control the AVR 240’s volume, no matter which

source device has been selected (except TAPE). You

may reprogram these buttons to control the volume of

another device

such as your

, using the Volume

Control Punch-Through instructions found on

page 43.

c TV/Video Selector: This button does not have a

direct function on the AVR 240, but when used with a

compatible

VCR,

DVD or satellite receiver,

pressing this

button will switch between the output of the device

and the external video input. Consult the owner’s man-

ual for your specific player or receiver for the details of

how it implements this function.

The

Bridge

The

Bridge

d Digital Media Player (DMP)

Selector:

hen Harman Kardon’s (optional) is con-

ected to

igital Media Player (DMP)

Connector

e and a compatible Apple

iPod

docked in , pressing this selector will select

the iPod as the audio source input device for the

VR 240. In addition, if a video display is connected

to one of the

Video Monitor Outputs cV, the

iPod’s messages will appear on screen, and in the

Upper and Lower Display Lines PQ. The

⁄

‹

› Buttons no, the Set Button

p and the Transport Controls ` may be used

to navigate the iPod and to operate many functions.

See page 37, and the manuals for The Bridge and

your iPod for more information.

6-Channel/8-Channel Direct Input: Press

this button to select the device connected to the

6/8-Channel Direct Inputs j.

(See page 31 for

more information.) When the device connected to the

6/8-Channel Direct Input j is also a video source,

such as a DVD or DVD-Audio player with an onboard

audio decoder, you must first select that video source

by pressing one of the

Input Selectors e, then

press this button to choose the device connected to

the

6/8-Channel Direct Input j as the audio

source. Note that if you desire, you may select any

video source to be used in conjunction with the

6/8-

Channel Direct Input

j as the audio source.

f Mute: Press this button to momentarily silence

the AVR 240 or TV set being controlled, depending on

which device has been selected. When the AVR 240

remote is being programmed to operate another device,

this button is pressed with the

Input Selector Button

e to begin the programming process. (See page

41 for more information on programming the remote.)

The

Bridge

The

Bridge

The

Bridge

The

Bridge

REMOTE CONTROL FUNCTIONS

14 REMOTE CONTROL FUNCTIONS

INSTALLATION AND CONNECTIONS

System Installation

After unpacking the unit, locating it in a place with ade-

quate ventilation and placing it on a solid surface capable

of supporting its weight, you will need to make the con-

nections to your audio and video equipment.

IMPORTANT NOTE: For your personal safety and to

avoid possible damage to your equipment and speakers,

it is always a good practice to turn off and unplug the

AVR and ALL source equipment from the AC output

efore making any audio or video system connections.

Audio Equipment Connections

We recommend that you use high-quality interconnect

cables when making connections to source equipment

and recorders to preserve the integrity of the signals.

1. Connect the analog outputs of a CD player to the

CD Audio Inputs

™

NOTE: When the CD player has both fixed and vari-

able audio outputs, it is best to use the fixed output

unless you find that the input to the receiver is so

low that the sound is noisy, or so high that it is

distorted.

2. Connect the analog Play/Out jacks of a cassette

deck, MD, CD-R or other audio recorder to the

Tape Input Jacks ¢. Connect the analog

Record/In jacks on the recorder to the

Tape

Output Jacks

£ on the AVR 240.

3. Connect the output of any digital sources such as

a CD or DVD changer or player, advanced video

game, a digital satellite receiver, HDTV tuner or

digital cable set-top box or the output of a com-

patible computer sound card to the

Optical and

Coaxial Digital Audio Inputs bg*(.We

recommend connecting the coaxial digital audio

output of your DVD player to the

Coax 1 Digital

Audio Input

·,

since that digital input is

assigned to the DVD source by default. The Video

2/Cable/Sat source defaults to the

Optical 1

Digital Audio Input

g. If your cable television

set-top box or satellite receiver is equipped with

an optical digital audio output, we recommend that

you connect it to this input to obtain the benefits

of higher-quality digital audio (such as PCM, Dolby

Digital 2.0 or Dolby Digital 5.1 signals when broad-

cast by your cable or satellite provider).

4. Connect the

Coaxial or Optical Digital Audio

Outputs

·a on the rear panel of the

240 to

the matching digital input connections on a CD-R or

MiniDisc or other digital recorder.

Assemble the

AM Loop

Antenna supplied with the

unit so that the tabs at the bottom of the antenna

loop snap into the holes in the base

Connect it to

the

AM Antenna Terminals c.

6. Connect the supplied FM antenna to the

FM (75-

ohm)

Connection ¡. The FM antenna may be an

xternal roof antenna, an inside powered or wire-

lead antenna or a connection from a cable TV sys-

tem. If the antenna or connection uses 300-ohm

twin-lead cable, you must use the 300-ohm-to-75-

ohm adaptor supplied with the unit to make the

connection.

7. With the AVR 240 turned off, connect the optional

Harman Kardon to

Digital Media

Player (DMP) Connector

e. Your compatible

iPod

may be docked in when you wish to

use it as an audio source device. Video materials

stored on the iPod may not be viewed when The

Bridge is in use.

8. Connect the front, center, surround and surround

back speaker outputs

ª‚⁄¤ to the respec-

tive speakers.

To ensure that all the audio signals are carried to your

speakers without loss of clarity or resolution, we sug-

gest that you use high-quality speaker cable. Many

brands of cable are available and the choice of cable

may be influenced by the distance between your

speakers and the receiver, the type of speakers you

use, personal preferences and other factors. Your dealer

or installer is a valuable resource to consult in select-

ing the proper cable.

Regardless of the brand of cable selected, we recom-

mend that you use a cable constructed of

multistrand

copper with a gauge of 14 or smaller.

Remember that

in specifying cable, the lower the number, the thicker

the cable.

Cable with a gauge of 16 may be used for short runs

of less than 10 feet. We do not recommend that you

use cables with an

WG equivalent of 18 or higher

due to the power loss and degradation in perfor

mance

that will occur.

Cables that are run inside walls should have the appro

priate markings to indicate listing with UL, CSA or other

appropriate testing agency standards

Questions about

running cables inside walls should be referred to your

installer or a licensed electrician who is familiar with

the NEC and/or the applicable local building codes in

your area.

When connecting wires to the speakers

obser

proper polarity. Note that the positive (+) terminal of

each speaker connection may carry a specific color

ode, as noted on page 8. However, many speakers

till use a red terminal for the positive (+) connection.

Connect the “negative” or “black” wire to the same ter-

minal on both the receiver and the speaker.

NOTE: While most speaker manufacturers adhere to

an industry convention of using black terminals for

negative and red ones for positive, some may vary

from this configuration. To ensure proper phase and

ptimal performance, consult the identification plate on

your speaker or the speaker’s manual to verify polarity.

If you do not know the polarity of your speaker, ask

your dealer for advice before proceeding, or consult

the speaker’s manufacturer.

We also recommend that the length of cable used

to connect speaker pairs be identical. For example,

use the same length piece of cable to connect the

front-left and front-right or surround-left and sur-

round-right speakers, even if the speakers are a

different distance from the AVR 240.

9. Connections to a subwoofer are normally made

via a line-level audio connection from the

Subwoofer Output • to the line-level input of a

subwoofer with a built-in amplifier. When a passive

subwoofer is used, the connection first goes to a

power amplifier, which will be connected to one or

more subwoofers. If you are using a powered

subwoofer that does not have line-level input con-

nections, follow the instructions furnished with the

speaker for connection information.

10. If an external multichannel audio source with 5.1,

6.1 or 7.1 outputs such as an external digital

processor/decoder, DVD-Audio or SACD player

is used, connect the outputs of that device to

the

6/8-Channel Direct Inputs j.

Video Equipment Connections

Video equipment is connected in the same manner as

audio components

The use of high-quality interconnect

cables is recommended to preserve signal quality.

1. Connect a VCR’s, DVD recorder’s, personal video

recorder’s or other video source’s audio and video

Play/Out jacks to the

Video 1 Audio/Video and/or

S-Video Input Jacks OX on the rear panel. The

Audio and

Video Record/In jacks on the recorder

should be connected to the

Video 1 Audio/Video

and/or S-Video Output Jacks QY on the

VR 240.

Although any video device may be connected to

these jacks, we recommend connecting your video

recorder so that you may take advantage of the

fact that the remote control is preprogrammed

with video recorder product codes for the Video 1

device

2. Connect the analog audio and video outputs of a

satellite receiver, cable TV converter, television set

The

Bridge

The

Bridge

The

Bridge

INSTALLATION AND CONNECTIONS 15

16 INSTALLATION AND CONNECTIONS

r any other video source to the

ideo 2

udio/Video and S-Video Input Jacks

Although any video device may be connected to

these jacks, we recommend connecting your cable

TV converter or satellite receiver so that you may

ake advantage of the fact that the remote control is

preprogrammed with the product codes of these

device types for the Video 2 device.

. Connect the analog audio and video outputs of

a television or other video device to the

Video 3

Audio

and Video Input Jacks Ub on the rear

panel. Although any video or audio device may be

connected to these jacks, we recommend connect-

ing your television so that you may take advantage

of the fact that the remote control is preprogrammed

with

TV product codes for the Video 3 device.

Important: If you are only using the television as a

display device (i.e., if you receive your television

programs through a cable box or satellite receiver),

do not connect the television’s outputs to the

Video

3 Audio

and Video Input Jacks Ub, or to any

other inputs on the AVR 240.

4. Connect the analog audio and video outputs of a

DVD or laser disc player to the

DVD Audio/Video

and S-Video Inputs

dW.

5. Connect the digital audio outputs of a DVD player,

satellite receiver, cable box or HDTV converter to

the appropriate

Optical or Coaxial Digital Inputs

bg*(. Remember that the DVD source

defaults to the

Coaxial 1 Digital Input ·, and

the Video 2/Cable/Sat source defaults to the

Optical 1 Digital Audio Input g. All other

sources default to their analog inputs, although

any source may be assigned to any digital audio

input on the receiver.

6. Connect the

Video and/or S-Video Monitor

Output

cV jacks on the receiver to the compos

ite or S-video input of your television monitor or

video projector.

7. If both your video display monitor and at least one

video source device, such as a DVD player or

HDTV set-top box, is equipped with component

video capability, then you may connect the compo-

nent video outputs of the device to one of the two

Component Video Inputs ›ﬁ.

It is recommended that you connect a DVD player or

a digital recorder to the

Component Video 1 Inputs

›, as this input is assigned to the DVD, CD, Tuner

and

ape sources by default. Thus, whenever any of

these sources is selected, you may view the compo-

nent video output of the device connected to the

Component Video 1 Inputs ›, enabling you

to view and listen to different sources.

imilarly, it is recommended that you connect any

ther audio/video device, such as a DVD-Audio or

SACD player or HDTV set-top box, to the Video 1,

Video 2 or Video 3 sources, or the 6-/8-channel

direct inputs, as the

Component Video 2 Inputs ﬁ

re assigned to the Video 1, Video 2, Video 3 and

6-/8-channel source audio inputs by default.

However, you may connect any component video

source to either set of component video inputs, as

they are assignable to any source. You will still need to

connect either the analog or digital audio outputs, or

the 6-/8-channel audio outputs, of your component

video device to the analog audio inputs corresponding

to the source (such as DVD or Video 2 for a cable

converter box), or to any of the Optical or Coaxial

Digital Audio Inputs

bg*(.

8. If the component video inputs are used, connect

the

Component Video Monitor Outputs ‹ to

the component video inputs of your TV, projector

or display device.

9. If you have a camcorder, video game or other

audio/video device that is connected to the AVR on

a temporary rather than permanent basis, connect

the audio, video and digital audio outputs of that

device to the

Video 4 Inputs *(ÓÔ on the

front panel. A device connected here is selected as

the Video 4 input, and the digital inputs must be

assigned to the Video 4 input. (See page 20 for

more information on input configuration.)

VIDEO CONNECTION NOTES:

• When the component video jacks are used, the on-

screen menus are not visible and you must switch

to the standard composite or S-video input on your

TV to view them.

• The AVR 240 will accept either standard composite,

S-video or Y/Pr/Pb component video signals. How-

ever

it will not convert any of these signals to a

different format.

• When connecting a video source to the AVR 240,

you may use either composite,

component or S-

video, but only one type of video may be connected

for each device.

•

When more than one video format is used, it is

necessary to make a separate connection from

the

VR to your video display for each format.

or example

if both composite and component

sources are connected to the AVR 240, both the

Composite and Component Video Monitor

Outputs

‹V must be connected to the appro

priate inputs on your video display.

System and Power Connections

The AVR 240 is designed for flexible use with external

control components.

Main Room Remote Control Extension

If the receiver is placed behind a solid or smoked

glass cabinet door, the obstruction may prevent the

remote sensor from receiving commands. In this

event, an optional remote sensor may be used.

Connect the output of the remote sensor to the

Remote IR Input ∞ jack.

If other components are also prevented from receiving

remote commands, only one sensor is needed. Simply

use this unit’s sensor or a remote eye by running a

connection from the

Remote IR Output § jack to

the Remote IR Input jack on Harman Kardon or other

compatible equipment.

AC Power Connections

This unit is equipped with two accessory AC outlets.

They may be used to power accessory devices, but

they should not be used with high-current-draw equip-

ment such as power amplifiers. The total power draw

to each outlet may not exceed 100 watts.

The

Switched AC Accessory Outlet ‡ will receive

power only when the unit is on. This is recommended

for devices that have no power switch or a mechanical

power switch that may be left in the “ON” position.

NOTE: Many audio and video products go into a

Standby mode when they are used with switched out-

lets, and cannot be fully turned on using the outlet

alone without a remote control command.

The

Unswitched AC Accessory Outlet ° will

receive power as long as the unit is plugged into a

powered AC outlet.

Once the

AC Power Cord ﬂ is connected, you are

almost ready to enjoy the AVR 240’s incredible power

and fidelity!

INSTALLATION AND CONNECTIONS

SYSTEM CONFIGURATION 17

SYSTEM CONFIGURATION

hen all audio, video and system connections have

een made, the final steps before listening to your new

AVR are to make the configuration adjustments that

tailor the unit to the other components in your system

as well as to accommodate your personal listening

references. A few minutes spent to correctly calibrate

and configure your system will greatly add to your lis-

tening pleasure.

Speaker Selection and Placement

While the most seamless surround sound reproduction

comes from the use of speakers with identical or care-

fully matched driver elements at each position, no

matter which brand or type of speakers you prefer, it

is always best to use the same model or series for

the left front, center and right front speakers. Similarly,

it is also desirable to use the same model or series

for the surround speakers. This ensures that the sound-

stage will be relatively seamless and it eliminates the

possibility of sonic discordance when a sound moves

from one side of the room to the other.

Speaker Placement

Once you have selected your speakers, it is important

that they be placed in positions that enable them to do

the best job of reproducing the sound as it was meant

to be heard, regardless of the program content.

Particularly in multichannel 5.1, 6.1 or 7.1 systems,

the placement of speakers can have a noticeable

impact on the accuracy of the surround process.

When placing your speakers in a listening room, pic-

ture an imaginary circle starting at the center of your

video screen that arcs around the room with the prime

listening position, or “sweet spot,” at the center of the

circle. Depending on the number of speakers in your

system, there is a recommended placement along the

circle for each speaker, though the specific construc-

tion of your room,

taking into account the available

walls

bookcases,

or floor space at which the speakers

may be placed will obviously have some impact on

where the speakers are ultimately located. As a gener-

al rule,

y to place all speakers so that they are posi-

tioned at the same height as your ears when you are

seated at the prime listening position.

Use the following suggestions as a guide, and make

the changes needed to fit the speakers to your room.

Don’t be afraid to experiment a bit until you find the

right combination of locations that works for you. At

the end of the day, there is no real “right” or “wrong”

place to put the speakers; work to optimize their loca-

tions so that audio moves across the front of the room

smoothly

without seeming to jump from one speaker

to another

Center Channel Speaker

The ideal location for the center channel speaker is at

“0 degrees” in our circle, directly in front of the prime

listening position.

Place the center channel speaker as

lose to the top (or bottom) of the video screen as

ossible so that when you position the front left/right

speakers the tweeters of all three front channel speak-

ers are within 24” of one another.

ront Left/Right Speakers

The recommended placement for front left/right

speakers is at the 30-degree position with reference

to the center channel speaker. The distance between

hem should be about the same as the distance from

the center channel speaker to the prime listening

position.

Although the natural tendency is to place the speakers

so they are parallel to the wall behind them, and thus

in line with the video screen, the preferred placement

is to angle the speakers slightly (“toe in”) so that they

point at the prime listening position.

Surround Speakers for 5.1 Systems

In a 5.1 surround system, an additional pair of

left/right speakers is added. Although many believe

that these speakers should be placed at the rear of

the room, the preferred position for them is at the

sides of the room, with rear placement a second

ption when room conditions prevent the use of side-

ounted surround speakers.

When side-wall placement is possible, place the

left/right surround speakers at a point that is 110

egrees along our circle from the center of the video

screen. This translates to placing them to the side and

slightly behind your preferred listening position. If pos-

sible, angle the speakers in slightly so that they are

pointing towards the listener’s ears.

If it is not possible to place the surround speakers at

the sides of the room, the alternate position is at the

back of the room, at a spot that is about 150 degrees

around our circle from the center of the video screen.

Another way to spot the optimal, alternate rear wall

mounting position is to place the left surround speaker

on the back wall so that it points directly at the front

right speaker, and to have the right surround speaker

point directly at the front left speaker. If possible,

aim the surround speakers so that they point “in”

toward the listening area, rather than perpendicular

to the walls.

Center Speaker

Video Screen

Front Right

Speaker

Front Left

Speaker

Side Surround

Left Speaker

Alternate placement

for Side Surround

Left Speaker

Side Surround

Right Speaker

Alternate placement

for Side Surround

Right Speaker

110 °

150°

110 °

150°

30° 30°

5.1 Placement Diagram

SYSTEM CONFIGURATION

Surround Speakers for 6.1 Systems

A 6.1 surround speaker adds an additional center

back surround speaker to the system, enabling you to

enjoy the benefits of advanced surround modes such

as Dolby Digital EX, DTS-ES and Harman Kardon’s

proprietary Logic 7/7.1 processing.

To step up to a 6.1 system, first place the speakers

for a 5.1 system,

as shown on page 14.

The “sixth”

speaker should ideally be placed at the center of the

room’s rear wall, pointing directly toward the front

center channel speaker.

Surround Speakers for 7.1 Systems

or the ultimate home theater experience,

a 7.1 sur

round system uses both traditional surround left/right

channels and a surround back left/right speaker pair.

In a 7.1 system,

the front left/center/right speakers

remain in the same place as they would be for a 5.1

or 6.1 system, but due to the number of speakers

involved, the placement of the surround speakers is

different.

In a 7.1 system, you should place the main surround

left/right speakers at the 90-degree point on our cir-

cle. A good way to visualize proper surround speaker

positioning for 7.1 is to place the speakers directly to

the left and right of the ears of someone sitting in the

prime listening spot. The two speakers should ideally

face toward each other

he additional set of Surround Back Left/Right speak-

rs is placed at about 150 degrees on the circle,

pointing inward toward the listening area. The easiest

way to visualize the placement of these speakers is to

place the surround back left speaker directly opposite

he right front speaker and to place the surround back

left speaker directly opposite the left front speaker.

Since subwoofers produce nondirectional sound, they

ay be placed almost anywhere in a room. Actual

placement should be based on room size and shape

and the type of subwoofer used. One method of find-

ing the optimal location for a subwoofer is to begin by

placing it in the front of the room, about six inches

from a wall, or near the front corner of the room.

Another method is to temporarily place the subwoofer

at your normal listening position, and then walk

around the room until you find a spot where the sub

woofer sounds best. Place the subwoofer in that spot.

You should also follow the instructions of the sub-

woofer’s manufacturer, or you may wish to experi-

ment with the best location for a subwoofer in your

listening room.

NOTES ON SPEAKER PLACEMENT:

1. The limitations of your listening room, including the

placement of walls and furniture, may make it diffi-

cult to follow the speaker placement suggestions

shown above. Depending on the specific layout of

Center Speaker

Video Screen

Front Right

peaker

Front Left

peaker

Side Surround

Left Speaker

Side Surround

Right Speaker

Back Surround

Speaker

istening Position

10° 1 10°

30°

6.1-Channel System

Center Speaker

Video Screen

Front Right

Speaker

Front Left

Speaker

Side Surround

Left Speaker

Back Surround

Left Speaker

Side Surround

Right Speaker

Back Surround

Right Speaker

90°

150°

90°

150°

30° 30°

7.1-Channel System

SYSTEM CONFIGURATION

he room, here are some ways to compensate for

nusual conditions:

• Try to follow the suggested placement, but move

the speakers within a few feet from the preferred

locations.

•

Regardless of where they are placed, always try

to make certain that the main surround speakers

are the same distance from the front speakers.

(For example, try not to have the right surround

peaker further back into the room than the left

urround speaker.)

• If it is not possible to wall-mount or place speak-

ers on a shelf, consider the use of optional floor

stands, available for many speakers.

2. When using ceiling mounted in-wall speakers, fol-

low the same guidelines shown for conventional

floor or shelf-mounted speakers.

System Setup

Once the speakers have been placed in the room and

connected, the remaining steps in the setup process

are to configure each source input to match the physi-

cal connections you have made, select a surround

mode and run the EzSet+ procedure, which will auto-

matically program the AVR 240’s bass management

system for the type of speakers used in your system,

calibrate the output levels, and set the delay times

used by the surround sound processor.

You are now ready to power up the AVR 240 to begin

these final adjustments.

1. Make certain that the

AC Power Cord ﬂ is

firmly inserted into an unswitched AC outlet. To

maintain the unit’s safety rating, DO NOT replace

the power cord with one that has a lower current

capacity.

2. Press the

Main Power Switch 1 in until it

latches and the word

“OFF” on the top of the

switch disappears inside the front panel. Note

that the

ower Indicator

2 will tur

n amber,

indicating that the unit is in the Standby mode.

Remove the protective plastic film from the front-

panel lens. If left in place, the film will affect the

perfor

mance of your remote control.

Install the three supplied

AAA batteries in the

remote as shown. Be certain to follow the (+)

and (–) polarity indicators that are on the top of

the battery compartment.

. Turn the AVR 240 on either by pressing the

tandby/On Switch

2 o

n the front panel, or

via the remote by pressing the

Power On Button

d, the AVR Selector f or any of the Input

Selectors

deg. When the unit is turned

n, the entire list of options will briefly light for both

the Input Indicators Ú and the Surround

Mode Indicators

ˆ. After a few seconds, the

majority of those indicators will go dark, leaving

nly the indications for the active surround mode

nd input illuminated. The

isplay Lines

will display the unit’s status, the Power Indicator

2 will turn blue, and the accent light inside the

Volume Control Ò will also light up to remind

you that the unit is turned on.

Using the On-Screen Display

When making the following adjustments, you may find

it easier to use the AVR 240’s on-screen display sys-

tem. These easy-to-read displays give you a clear pic-

ture of the current status of the unit and make it easy

to see which selection you are making.

To view the on-screen menus, make certain that you

have made a connection from the

Video or S-Video

Monitor Out Jack

cV on the rear panel to the

composite or S-video input of your TV or projector.

In order to view the AVR 240’s displays, the correct

video source must be selected on the video display.

The on-screen menus are not available when a com-

ponent video display is in use.

IMPORTANT NOTE: When viewing the on-screen

menus using a CRT-based projector, plasma display or

any direct-view CRT monitor or television, it is important

that they not be left on the screen for an extended period

of time. The constant display of a static image such as

these menus or other still images may cause the image

to be per

manently “bur

ned into”

the projection tubes

plasma screen or CRT. This type of damage is not cov-

ered by the AVR 240 warranty and may not be covered

by the projector/TV set’s warranty.

The AVR 240 has two on-screen display modes,

“Semi-OSD” and “Full-OSD.” When making configura-

tion adjustments, it is recommended that the Full-OSD

mode be used. This will place a menu on the screen,

making it easier to view the available options.

Making Configuration Adjustments

The full-OSD system is available by pressing the

OSD Button v.

When this button is pressed,

the

MASTER MENU (Figure 1) will appear, and

adjustments are made from the individual menus.

Figure 1

The semi-OSD system is also available, allowing you

to make adjustments directly, by pressing the appro-

priate buttons on the front panel or remote control for

the specific parameter to be adjusted. For example,

to change the digital input for any of the sources,

press the

Digital Select Button q and then

press the

⁄

Buttons n to scroll through the

list of options as they appear in the on-screen display

or the

Upper Display Line P.

To use the full-OSD menu system, press the

OSD

Button

v. When the menu is on the screen, press

the

⁄

Buttons n until the on-screen

›

cursor

is next to the item you wish to adjust, and then press

the

Set Button p to adjust that item. The menus

will remain on the screen for 20 seconds, and then

they will “time-out” and disappear from

the screen. The

time-out may be increased to as much as 50 seconds

by going to the

ADVANCED SELECT menu,

and changing the item titled

FULL OSD TIME

OUT

(see page 38).

When the full-OSD menu system is used,

OSD ON

will appear in the Upper Display Line P to remind

you that a video display must be used. When the

semi-OSD system is used in conjunction with the dis-

crete configuration buttons, the on-screen display will

show the current menu selection.

That selection will

also be shown in the

Upper Display Line P or

the

Lower Display Line ı, depending on which

parameter is being adjusted.

Setting the System Configura

tion Memory

The

VR 240 features an advanced memor

y system

that enables you to establish different configurations

depending on the input source or the surround mode.

This flexibility enables you to customize the way in

which you listen to various types of program materials

and have the

AVR 240 memorize those settings. This

means, for example, that if you mostly use your DVD

player for watching movies, you may configure your

DVD source to default to a particular digital input,

speaker size configuration and surround mode each

time you select it, optimizing your home theater for

cinematic materials. Once these settings are made,

they will automatically be recalled whenever you select

that input.

** MASTER MENU **

INPUT SETUP

AUDIO SETUP

SURROUND SELECT

EzSet+

MANUAL SETUP

ADVANCED

20 SYSTEM CONFIGURATION

SYSTEM CONFIGURATION

20 SYSTEM CONFIGURATION

n addition to the previously mentioned settings, which

always vary with the input, you may also choose to set

different speaker size configurations for each input. In

most cases, this is not required, thus the factory

efault keeps these settings the same for all inputs.

However, should you wish to have these settings

hange for any one, or all, inputs, follow the instruc-

tions shown on page 27 to select the Independent

mode for speaker configuration.

The first time you use the AVR 240, we recommend

that you take advantage of the simplicity of configuring

the system using the EzSet+ process, which takes the

guesswork out of speaker size and delay settings, and

balances the speaker output levels to tailor the AVR’s

sound presentation to your specific system and room.

Before beginning the EzSet+ procedure, there are a

few adjustments that need to be made to ensure

accurate results.

The factory default settings for the AVR 240 have all

inputs configured for an analog audio input except

for the DVD input, where the

Coaxial Digital Audio

Input 1

b is the default, and the Video 2 input,

where the

Optical Digital Audio Input 1 g is the

default. The default speaker settings are for “Small”

at all positions, and the subwoofer on.

The default surround mode setting for all sources

using an analog input is the Logic 7 Music mode.

Dolby Digital or DTS will always be automatically

selected anytime a source with digital encoding in that

format is in use. When a Dolby Digital 2.0 source is

detected, the AVR 240 will automatically add Dolby

Pro Logic II or IIx processing. Once a surround mode

is selected for a particular source, the AVR 240 will

default to that surround mode the next time the source

is selected, unless the input signal is in a Dolby Digital

or DTS digital format. For Dolby Digital and DTS mate-

rials, the AVR 240 will default to the surround mode

encoded in the bitstream. As explained on pages

35–36,

you may select from a limited number of

other surround modes for these materials. If you wish

to have the AVR 240 default to one of these alternate

surround modes each time a Dolby Digital or DTS

source is encountered, you may use the Default

Surround Mode setting in the

ADVANCED

SELECT

submenu (see page 39).

Before using the unit, you will probably want to pro-

gram the settings for most inputs so that they are

properly configured to reflect the use of digital or ana-

log audio inputs, component video inputs and the sur-

round mode specifics of your home theater system.

Remember that since the

240 memorizes these

settings for each input independently, you will need to

make some of these adjustments for each input used.

However

once they are made, further adjustment is

only required when system components are changed.

o make this process as quick and easy as possible,

e suggest that you use the full-OSD system with the

on-screen menus, and step through each input. It is

also a good idea to set the configuration data in the

order these items are listed in the

MASTER

ENU

as some settings require a specific entry

in a prior menu item. It is recommended that you

record your settings for each input using the work-

sheets in the appendix to this manual, in the event

here is a power loss or if you need to reenter the

ettings for some other reason.

Input Setup

The first step in configuring the AVR 240 is to configure

each input. Once an input is configured,

all settings for

the Digital Input, Component Video Input and Surround

Mode will “attach” themselves to that input and be

stored in a nonvolatile memory. The later selection of

that input will automatically recall those settings. For

that reason, the procedures described below must be

repeated for each input source so that you have the

opportunity to customize each source to your specific

listening requirements. However, once made, they

need not be changed again unless you need to alter

a setting.

When using the full-OSD system to make the setup

adjustments, press the

OSD Button v once so that

the

MASTER MENU (Figure 1) appears. The

›

cursor will be next to the INPUT SETUP line.

Press the

Set Button p to enter the menu and the

INPUT SETUP menu (Figure 2) will appear on

the screen. Press the

‹

›

Buttons o until the

desired input name appears in the highlighted video,

as well as being indicated in the front-panel

Input

Indicators

Ú. If the input will use the standard left/

right analog inputs and will not use component video,

no further adjustment is needed.

NOTE: The DIGITAL IN line will default to

COAXIAL 1 when the DVD input is selected.

Similarly, when the Video 2 input is selected,

the

DIGITAL IN line will default to

OPTICAL 1.

Figure 2

The AVR 240 offers you the opportunity to rename

any source (except the tuner) to customize it for your

particular equipment configuration,

.g. to designate

he source input to which you have connected a VCR,

r a DVD-Audio player. This name will appear in the

Upper Display Line P and in the on-screen display

whenever that source input is selected. If you wish to

rename a source, press the

¤ Button n until the

› c

ursor is pointing to the

AME:

ine. Press the

Set Button p. A flashing box will appear. Press the

⁄ Button n to scroll through the letters of the

alphabet first in upper case, then in lower case, then

he numerals 0 through 9, and then followed by the

ymbols ! ‘ ( ) * + , - . / ; < = > ? [ ] and then a

blank space. Use the

¤ Button n to scroll in the

reverse order. Use the

‹/› Buttons o to move

from one character to the previous or following char-

acter. You may create a name of up to 14 characters,

including spaces. Press the

Set Button p when

you have finished entering the name, and then press

the

¤ Button n to proceed to the next setting.

If your system includes any sources that are equipped

with Y/Pr/Pb component video outputs, the AVR 240

is able to switch them to send the proper signals to

your video display. Each of the two

Component

Video Inputs

›ﬁ may be assigned to a source for

added system flexibility. The

Component Video 1

Input

› may be assigned to any one of the DVD,

Tuner, CD or Tape inputs. The

Component Video 2

Input

ﬁ may be assigned to any one of the Video 1

(VCR), Video 2 (Cable/Sat), Video 3 (TV) or 6/8-

Channel Direct inputs. If your system does not include

component video at this time, or if you do not need to

change these defaults, press the

¤ Button n to

go to the next setting.

To change the Component Video assignment, first

make certain that the cursor is pointing to the

COMPONENT IN line on the menu screen, and

then press the

‹/› Buttons o until you see the

desired input.

When the desired component video

input has been selected, press the

¤ Button n

to go to the next setting.

If you wish to associate one of the digital inputs with

the selected input source

press the

Button n

on the remote while the INPUT SETUP menu

(Figure 2) is on the screen, and the on-screen cursor

will drop down to the

DIGITAL IN line. Press

the

‹

›

Buttons o until the name of the desired

digital input appears. To return to the analog input,

press the buttons until the word

ANALOG appears.

When the correct digital input jack appears, press the

Button n once so that the

›

cursor appears

next to

BACK

TO MASTER MENU

and

press the

Set Button p.

o change the digital input at any time using the dis-

crete function buttons and the semi-OSD system,

press the

Digital Select Button q on the remote.

Within five seconds, make your input selection using

* INPUT SETUP *

INPUT :DVD

NAME:

COMPONENT IN:COMP V 1

DIGITAL IN:COAXIAL 1

AUTO POLL :OFF

BACK TO MASTER MENU

SYSTEM CONFIGURATION 21

SYSTEM CONFIGURATION

SYSTEM CONFIGURATION 21

SYSTEM CONFIGURATION

the

⁄

Buttons n until the desired digital or

nalog input is shown in the

pper Display Line

and in the lower line of the on-screen display. Press

the

Set Button p to enter the new digital input

assignment.

Some digital video input sources, such as a cable box

or HDTV set-top, may change between analog and

digital outputs, depending on which channel is in use.

The AVR 240’s Auto Polling feature allows you to

void losing the audio feed when this happens by

automatically searching both analog and digital con-

nections for a signal. Digital audio is the default, and

the unit will automatically switch to the analog audio

if the digital audio stream stops.

In cases where only a digital source is used, such as

for a DVD player, you may wish to disable the Auto

Polling feature to prevent the AVR from trying to “find”

an analog source when the digital source is paused.

To turn Auto Polling off for any input, first make certain

that the

›

cursor is pointing to the AUTO POLL

line on the menu screen. Next, press the

‹

›

Buttons o so that OFF appears. To restore the

Auto Polling feature, repeat the procedure at any time

so that

ON appears.

When DMP has been selected as the source

input, an additional line will appear in this menu that

lets you select whether you wish to allow your iPod to

continue charging while docked in when the

AVR 240 is turned off and placed in Standby mode.

To make your selection, press the

⁄/¤ Buttons

n until the › cursor is next to the line reading

RECHARGE IN ST-BY. Press the ‹/›

Buttons o until the word YES appears if you

wish charging to continue, and the blue lighting on

The Bridge will remain lit when the AVR 240 is in

Standby mode to indicate that charging is taking

place.

The default setting is

NO,

in which the docked

iPod will not continue to charge when the AVR 240

is turned off, even though remains connected

to the AVR.

When all needed adjustments have been made, press

the

Button n until the

›

cursor is next to

BACK TO MASTER MENU to continue with

the system configuration.

Audio Setup

This menu allows you to configure the tone controls

you do not wish to change those settings at this time,

proceed to the next menu screen.

However,

to make

configuration changes to those parameters

make cer

tain that the

MASTER MENU (Figure 1) is on

screen with the

› cursor pointing to the AUDIO

SETUP

line

and press the

Set Button p.

The

AUDIO SETUP menu (Figure 3) will appear.

Figure 3

The first line controls whether or not the bass/treble

tone controls are in the signal path. The normal default

is for them to be in-line, but if you wish to remove

them from the circuit for “flat” response, first make

certain that the

› cursor is pointing to the TONE

line on the menu and press the ‹/› Buttons o

so that OUT appears. If you wish to leave the tone

controls in the signal path, make sure that

appears on the TONE line, using the ‹/› Buttons

o to adjust this setting if necessary. The amount of

boost or cut for bass and treble may be adjusted by

pressing the

‹/› Buttons o so that the › cur-

sor is next to

BASS or TREBLE depending on

which setting you wish to adjust. Next, press the

‹/›

Buttons o until the desired setting is shown.

When all desired changes have been made on this

menu, press the

¤ Button n so that the › cur-

sor is next to the

BACK TO MASTER MENU

line; press the Set Button p.

Surround Setup

he next step is to set the surround mode you wish

to use with the input that was previously selected in

the

INPUT SETUP menu. Since surround

modes are a matter of personal taste, feel free to

select any mode you wish – you may change it later.

However,

to make it easier to establish the initial

parameters for the

240, it is best to select Dolby

Pro Logic II or Logic 7 for most analog inputs. In the

case of inputs such as a CD Player, Tape Deck or

uner

, you may wish to set the mode to Stereo

(“Surround Off”) as they are not typically used with

multichannel program material, and it is unlikely that

sur

round-encoded material will be used. Alternatively,

the

Logic 7 Music mode is a good choice for stereo-

only source material. See pages 33–34 for more

infor

mation on available surround modes.

When selecting surround modes for digital program

material,

the

VR 240 will always examine the data

stream and automatically select Dolby Digital or DTS

as applicable.

MPORTANT NOTES:

• You will not be able to access any of the Dolby

Digital or DTS Digital modes unless a source signal

in that format is present. Thus, in order to make

djustments to the output levels and delay settings

(if available) for these modes, you will need to play a

source in that format, such as a DVD.

• You will not be able to access any of the 6.1- or

.1-channel modes; such as Dolby Digital EX, DTS

Neo:6 (6CH), 7-channel Stereo and Logic 7/7.1;

unless the AVR 240 has been configured for 6.1-/

7.1-channel operation by setting the surround back

speaker channels to

SMALL or LARGE using

the

SPEAKER SIZE submenu, which is

accessed from the

MANUAL SETUP sub-

menu.

See page 26 for more information. Note that

the AVR 240 is configured for 6.1/7.1 operation by

default.

It is easiest to complete the surround setup using

the full-OSD on-screen menus, although you may also

use the remote control buttons for each mode group

(see pages 12–13). From the

MASTER MENU

(Figure 1), press the

⁄

Buttons n until the

›

cursor is next to the SURROUND SELECT

line. Then press the Set Button p until the

SURROUND SELECT submenu (Figure 3)

is on the screen.

Figure 4

Each of the option lines on this menu (Figure 4)

selects the surround mode categor

, and within each

of those categories there will be a choice of the

specific mode options. The choice of modes will

vary according to the speaker configuration in your

system. When the

SURR BACK line of the

SPEAKER SIZE submenu (Figure 12 on page

26) is set to

NONE,

the A

VR 240 will be configured

for 5.1-channel operation, and only the modes appro-

priate to a five-speaker system will appear. When the

SURR

BACK

line of the SPEAKER

SIZE

submenu (Figure 12) is set to SMALL or

LARGE the

VR 240 will be configured for

6.1/7.1-channel operation, and additional modes

such as Dolby Digital EX and DTS-ES will appear, as

they are only available when six main speakers are

present.

In addition,

some of the modes available in

* SURROUND SELECT *

DOLBY SURROUND

DTS

LOGIC 7

DSP(SURR)

VMAx

STEREO

BACK TO MASTER MENU

* AUDIO SETUP *

TONE :IN

BASS :0

TREBLE :0

BACK TO MASTER MENU

The

Bridge

The

Bridge

The

Bridge

SYSTEM CONFIGURATION

22 SYSTEM CONFIGURATION22 SYSTEM CONFIGURATION

he AVR 240 will not appear unless a digital source is

elected and is playing the correct bitstream. Remember

that when 6.1-channel program material is playing, the

same information will be heard through both of the

surround back speakers.

To select the mode that will be used as the initial

default for an input, first press the

⁄

Buttons

n until the on-screen cursor is next to the desired

mode’s master category name, such as

DOLBY,

DTS, DSP(SURR) or VMAx. Next, press

the

Set Button p to view the submenu. Press the

‹

›

Buttons o to scroll through the available

choices, and then press the

Button n so that

the cursor is next to

BACK TO MASTER

to continue the setup process.

The following few paragraphs detail the instructions for

surround mode categories with several mode options

or with other available settings.

On the

DOLBY SURROUND menu (Fig. 5),

choices include Dolby Digital, Dolby Pro Logic II

(Movie, Music and Game), Dolby Pro Logic IIx (Movie,

Music and Game) and Dolby Pro Logic. For a com-

plete description of the different Dolby Surround

modes, see pages 33–34.

The Dolby Digital EX and Dolby Pro Logic IIx modes

are only available when the system is set for 6.1/7.1

operation by configuring the Surround Back speakers

SMALL or LARGE, as described on page

26. When a disc is playing with a Dolby Digital sound-

track that contains a special “flag” signal in the data

stream, the Dolby Digital EX mode will be selected

automatically. It may also be selected using this menu

or through the front-panel or remote controls,as

shown on page 32.

Figure 5

When the cursor is at the MODE line, press the

‹

›

Buttons o to select the desired Dolby Surround

mode

If a Dolby Digital source is playing

the initial

mode will automatically be selected, depending on the

configuration of your system (e.g., 5.1 or 7.1) and the

number of channels in the source being played, you

may also select a combination mode that applies post-

processing so that Dolby Pro Logic IIx may be used

to create back surround channels from a 2.0 or 5.1

source. This will appear in the

MODE line by show-

ng both the Dolby Digital mode and the second

ode, separated by a plus sign (e.g.,

OLBY

D+DOLBY PRO LOGIC II MUSIC

Keep in mind that the Dolby Digital EX and Dolby Pro

Logic IIx modes are only available when the AVR is

et for 6.1/7.1 operation by configuring the Surround

Back speakers to “Small” or “Large,” as described on

page 26. When a disc is playing that contains a spe-

cial data “flag” in the digital audio data stream, the

olby Digital EX mode will automatically be selected.

his mode may also be selected using this menu or

through the front-panel or remote controls, as shown

on page 32. A complete selection of the available

Dolby surround modes is on pages 33–34.

When Dolby Pro Logic II Music or Dolby Pro Logic IIx

Music is selected as the listening mode

, three special

settings are available to tailor the sound field to your

listening room environment and your individual taste

and preferences. (When other Dolby Surround modes,

such as Dolby Pro Logic II Movie, are selected,

dashed lines will indicate that these settings are not

active.)

•

Center Width: This setting adjusts the balance

of the vocal information in the front soundstage,

between the center and front left/right speakers.

The lower settings spread the center channel

sound more broadly into the left and right channels.

A higher number (up to “7”) produces a tighter

center channel presentation.

•

Dimension: This setting alters the perceived depth

of the surround field by creating a shallower presen-

tation that appears to move sounds toward the front

of the room, or a deeper presentation that appears

to move the center of the sound field toward the

back of the room. The setting of “0” is a neutral

default,

with the range of adjustment shown as

“R-3”

for a deeper

rear

-oriented sound to “F-3”

for a shallower, front-oriented sound.

•

Panorama: Switch this setting on or off to add an

enveloping wraparound presentation that increases

the perception of sound along the sides of the room.

To change these parameters, press the ¤ Button

n while the DOLBY

SURROUND

submenu

is on the screen until the

› cursor is pointing to the

line on the menu with the parameter you wish to

change

Then,

press the

‹/› Buttons o to alter

the setting to your taste.

When a Dolby Digital source is playing and the

DOLBY DIGITAL mode is selected, the

Night mode settings may be available

if the program

material is encoded for Night mode, as shown in

Figure 6.

igure 6

The Night mode is a feature of Dolby Digital that uses

special processing to preserve the dynamic range and

full intelligibility of a movie soundtrack while reducing

the peak level. This prevents abruptly loud transitions

from disturbing others, without reducing the sonic

impact of a digital source. The Night mode is only

available when specially encoded Dolby Digital signals

are played.

To adjust the Night mode setting, make certain that the

› cursor is on the NIGHT line of the DOLBY

SURROUND

submenu. Next, press the ‹/›

Buttons o to choose between the following set-

tings, as they appear in the on-screen display:

OFF: When OFF is highlighted, the Night mode

will not function.

MID: When MID is highlighted, a mild compres-

sion will be applied.

MAX: When MAX is highlighted, a more severe

compression algorithm will be applied.

We recommend that you select the

MID setting as

a starting point and change to the

MAX setting later,

if desired.

The Night mode may also be adjusted directly any

time a compatible Dolby Digital source is playing by

pressing the

Night Mode Button l. When the but-

ton is pressed,

D-RANGE OFF will appear in

the lower third of the video screen and in the

Lower

Display Line

ı.

Press the

¤ Button n within

3 seconds to select the desired setting.

The last option line in this menu is the setting to turn

the unit’s upsampling feature on or off. In normal use,

this feature is tur

ned off

which means that digital

sources are processed at their native sample rate. For

example, a 48kHz digital source will be processed at

48kHz. However, the AVR 240 allows you to upsam-

ple the incoming 48kHz signals to 96kHz for added

resolution.

o take advantage of this feature

press the

Button n so that the › cursor is next to the

UPSAMPLING line and press the ‹/›

Buttons o that ON appears. Note that this feature

is only available for the Dolby Pro Logic II-Music

Dolby Pro Logic II-Movie

, Dolby Pro Logic and Dolby

3 Stereo modes.

* DOLBY SURROUND *

MODE:DOLBY DIGITAL

CENTER WIDTH:----

DIMENSION :----

PANORAMA :----

NIGHT :OFF

UPSAMPLING :----

BACK TO SURROUND SELECT

* DOLBY SURROUND *

MODE:DOLBY PLIIx MUSIC

CENTER WIDTH:3

DIMENSION :0

PANORAMA :OFF

NIGHT :----

UPSAMPLING :OFF

BACK TO SURROUND SELECT

SYSTEM CONFIGURATIONSYSTEM CONFIGURATION

SYSTEM CONFIGURATION

hen all settings for surround mode setup have been

ade, in the

URROUND SELECT

enu,

press the

¤ Button n so that the › cursor is

next to

BACK TO MASTER MENU, and

press the

Set Button p to return to the

ASTER

ENU

On the

DTS menu, the choices made with the

‹

›

Buttons o on the remote are determined by a

combination of the type of program material in use

and whether the 5.1- or 6.1/7.1-channel configura-

tion is in use.

When a DTS source is playing, the choice of modes

for 7.1 systems will vary according to the type of pro-

gram source (DTS Stereo, DTS 5.1, DTS-ES Matrix or

DTS-ES Discrete). Press the

‹

›

Buttons o to

scroll through the choices that are available for your

system and the program in use.

With no source playing, or while an analog audio

source is playing, you will only be able to view the

DTS Neo:6 surround mode choices. These include

DTS Neo:6 3-channel Cinema mode (recommended

when front left, right and center speakers are present

but no surround speakers are available), DTS Neo:6

5-channel Cinema mode (for movies or television),

DTS Neo:6 5-channel Music mode (optimized for

music-only materials), and DTS Neo:6 6-channel

Cinema and Music modes (available when the

Surround Back speaker channels are configured as

either

LARGE or SMALL; see page 26).

When the 5.1 configuration is in use, the AVR will

automatically select the 5.1 version of DTS processing

when a DTS data stream is selected.

When the 6.1/7.1 mode is selected, the DTS-ES

Discrete mode will automatically be activated when a

DTS source with the ES Discrete “flag” is in use. When

a non-ES DTS disc is in use,

you may select the DTS-

ES Matrix mode through this menu to create a full

eight-channel

surround mode. When a DTS 96/24 sig-

nal is detected,

the

AVR 240 defaults to the DTS sur-

round mode, but reproduces the higher-resolution

materials that are present due to the higher sampling

rate automatically. See page 33 for a complete expla-

nation of the DTS modes.

On the

LOGIC 7

menu, the choices

made with

the

‹

›

Buttons o on the remote are determined

by whether the 5.1- or 6.1/7.1-channel configuration

is in use. In either case, the selection of a Logic 7

mode enables Har

man Kardon’s exclusive Logic 7

processing to create fully enveloping, multichannel

surround sound from either two-channel Stereo or

Matrix-encoded programming such as

VHS cassettes

laser discs or television broadcasts produced with

Dolby surround.

n the 5.1 configuration, you may select from the

ogic 7/5.1 Music, Cinema or Enhance modes. They

work best with two-channel music recordings, sur-

round-encoded programs or standard two-channel

programming of any type, respectively. For 6.1/7.1

onfigurations, the Music and Cinema modes may be

selected. The Logic 7 modes are not available when

either Dolby Digital or DTS digital soundtracks are in

use. See page 33 for a complete explanation of the

ogic 7 modes.

On the

DSP(SURR) menu, the choices made

with the

‹

›

Buttons o on the remote select from

one of the DSP surround modes that are designed for

use with two-channel stereo programs to create a

variety of sound field presentations. The choices avail-

able are Hall 1, Hall 2, Theater, VMAx Near and VMAx

Far. The Hall and Theater modes are designed for

multichannel installations, and are available in 5.1- or

6.1-channel versions, while the two VMAx modes are

optimized for use in delivering a full surround field

when only the front left and front right speakers are

installed. See pages 33–34 for a complete explana-

tion of the DSP surround modes.

On the

STEREO menu, the choices made with

the

‹

›

Buttons o on the remote may either turn

the surround processing off for a traditional two-chan-

nel stereo presentation, or select

5 STEREO or

7 STEREO

, depending on whether a 5.1 or

6.1/7.1 configuration is in use. The latter modes feed

a two-channel presentation to all speakers, regardless

of the number of speakers in use. See page 34 for

explanation of the 5 Stereo and 7 Stereo modes.

NOTE ON ANALOG BYPASS MODE: If an analog

audio source is selected and you have full-range front

speakers, you may select an analog bypass two-chan-

nel mode in which the analog signal is routed directly

from the input to the volume control,

without being

digitized or processed. The analog bypass mode is

selected as one of the surround modes. First, make

sure to remove the tone controls from the circuitry by

pressing the

one Mode Button

If the

TONE

OUT

message appears in the Lower Display Line

ı, then simply wait a few seconds for the message

to disappear. Otherwise, press the

‹/› Buttons

)o until TONE OUT does appear. Then,

press the

Stereo Mode Select Button R on the

remote,

or press the

Surround Mode Group

Selector

7 on the front panel until the Stereo

modes are selected. Scroll through the stereo modes

by pressing either the

Stereo Mode Select Button

R or the Surround Mode Selector 8 until

SURROUND

OFF

appears in the Lo

wer

Display Line

ı and on screen. Depending on the

direction of your scroll, the DSP

Surround Mode

Indicator

ˆ may or may not be lit. Continue to

croll for the DSP indicator to appear or disappear.

hen the DSP

urround Mode Indicator

ˆ i

s lit,

the input signal is being digitized and bass manage-

ment settings will be applied. For example, if you have

set the front speakers to SMALL, this setting will be

elected. When the DSP

urround Mode Indicator

ˆ is not lit, analog bypass mode is engaged. The

AVR will automatically configure the front speakers as

LARGE, overriding your manual configuration.

After the selections are made on the Dolby, DTS,

Logic 7, DSP (Surround) or Stereo menus, press the

⁄

Buttons n so that the cursor moves to the

BACK TO MASTER MENU line and press

the

Set Button p.

Automated Speaker Setup Using EzSet+

The AVR 240 is one of the first receivers in its class to

offer automated speaker setup and system calibration.

This process greatly simplifies the installation of your

new receiver by using a series of test signals and

the power of an advanced digital signal processing

system to eliminate the need for manual adjustment

of speaker “size”, crossover, delay and output level

settings. With EzSet+ your new receiver even alerts

you to errors in speaker connections that prevent a

speaker from functioning.

With EzSet+ you may calibrate your system in a frac-

tion of the time it would take to enter the settings

manually, and with results that rival those achieved with

expensive test equipment and time-consuming proce-

dures. The end result is a system calibration profile

that enables your new receiver to deliver the best pos-

sible sound, no matter what type of speakers you have

or what the dimensions of your listening room are.

We recommend that you take advantage of the preci-

sion of EzSet+ to calibrate your system, but if desired

you may also make any of the configuration settings

manually, or trim the settings provided by EzSet+ by

following the instructions on pages 25 through 30.

If you wish to configure your AVR manually, or if for

some reason your EzSet+ microphone is unavailable,

you may still do so by following the instructions on

pages 25–30.

Step 1: EzSet+ requires that your listening room have

as little background noise as possible to avoid interfer-

ing with the measurement of tones produced by your

AVR during the setup procedure. Turn off all loud fans,

air conditioners and other equipment,

and try to avoid

making any noise during the process.

Step 2: The EzSet+ microphone should be placed in

either your usual listening position or, if there is a large

seating area,

the center of the room,

at the listeners’

ear level. You may find it convenient to use a camera

tripod for stable placement of the EzSet+ microphone

at the correct height. The microphone includes a

SYSTEM CONFIGURATIONSYSTEM CONFIGURATION

SYSTEM CONFIGURATION

hreaded insert on the bottom for tripod mounting.

Step 3: Plug the EzSet+ microphone into the

AVR 240’s

Headphone Jack 4, making certain

that the mini-plug to 1/4" phone plug adaptor sup-

lied with the microphone is firmly connected. The

microphone cable is approximately 20 feet long,

which should accommodate most listening room situa-

tions. If required, you may use an optional extension

cable, available at most electronics stores, for use in

larger rooms. However, we recommend that you avoid

using extension cords for the microphone cable, as

they may adversely affect the test results.

Step 4: Once the microphone is properly positioned

and plugged in, proceed to the EzSet+ menus by

first pressing the

OSD Button v to bring the

MASTER

to the screen.

Next, press the

⁄/¤ Buttons n to move the on-screen cursor

to the

EzSet+ menu line. Press the Set Button

p to move to the next screen (Figure 7).

Step 5: The first screen of the EzSet+ system will

now appear to remind you to plug in the microphone.

If you have not already done so, plug the microphone

into the

Headphone Jack 4 as described in steps

2 and 3. When you are ready to proceed, make cer-

tain that the cursor is pointing to

YES and press the

Set Button p. If you do not wish to continue with

the EzSet+ process, press the

‹/› Buttons o so

that the cursor points to

NO, and then press the Set

Button

p to return to the MASTER MENU.

Note that if you attempt to move to the next menu

without plugging in the microphone, a reminder mes-

sage will flash at the bottom of the screen.

Figure 7

Figure 8

Step 6: After entering YES to start the EzSet+ sys-

tem, you will next see a warning message (Figure 8),

and the screen will then change to the main EzSet+

menu. The

WARNING screen is a reminder that in

rder for the system to perform accurate measure-

ents, it is important that the listening room be as

quiet as possible. After 5 seconds, the screen will

change again to display the main EzSet+ menu

(Figure 9).

IMPORTANT NOTE: Anyone with hearing that is sen-

sitive to loud noises should leave the room at this

point, or use ear protection sufficient to reduce the

noise level. Inexpensive foam-style ear plugs, available

at most drug stores, may be used to reduce the sound

level to a tolerable level. If you are uncomfortable with,

or cannot tolerate, loud sounds and do not use some

sort of ear protection, we strongly recommend that

you leave the room and ask someone else to run the

EzSet+ process, or that you do not use EzSet+ and

enter the configuration settings manually, as described

on pages 25–30.

Step 7: While the main EzSet+ menu is visible, you

may start and stop the calibration process, or monitor

the progress of the measurements and view the

results. When the screen first appears, you will see

MEASUREMENT: STOP on the first line of

the menu list. To start the EzSet+ test process, you

must first tell the system how many speakers are in

your system. To do that, choose one of these two

options:

• If your system includes a full complement of seven

main speakers (front left, center, front right, surround

right, surround back right, surround back left, sur-

round left) and a subwoofer, press the

‹/›

Buttons o so that 7.1 appears to the right of

MEASUREMENT, and then press the Set

Button

p to start EzSet+.

•

If your system includes a traditional surround speaker

complement of five main speakers (front left, center,

front right,

surround right,

surround left) and a sub

woofer

press the

‹/› Buttons o so that 5.1

appears to the right of MEASUREMENT, and

then press the

Set Button p to start EzSet+.

stop the calibration process at any time, press the

⁄/¤ Buttons n to move the on-screen cur

sor to the

MEASUREMENT line; press the

‹/› Buttons o so that STOP appears and

then press the

Set Button p.

NOTE: Using EzSet+ is not recommended if your sys-

tem consists of fewer than six speakers

or smaller

systems, configure your receiver using the manual

setup section on pages 25–30.

Figure 9

Step 8: Once EzSet+ has been started, you will hear

test signals circulate among all of the speakers as the

system sets the master volume level, checks for the

presence of speakers, sets the distance measurement

and calculates delay time settings, sets the output level

for each speaker, sets the speaker “size”, and sets the

speaker crossover point.

During the measurement and

calibration process, you may observe the progress of

the testing by reading the messages that appear in the

second line of the menu listing. When the EzSet+

screen first appears, it contains a series of dashes, but

as the test and measurement proceeds, you will see

the following messages as the individual measure-

ments are taken:

•

System Level: A SETTING VOLUME

message will appear to indicate that the system is

setting the overall volume level to the proper level

as a prelude to testing the individual channels.

During this test, you will see this line of the menu

screen change as the volume level is adjusted.

•

Speaker Check: The system will circulate a test

signal to determine which channels have a speaker

connected. During this test, you will see the name

of each channel position displayed while a signal is

sent to that speaker.

NOTE: While this test detects whether a speaker is

connected to a particular output,

it cannot deter

mine

whether the speaker is in the correct position. (For

example, it can tell whether a speaker is connected

to the Surround Right output, but it cannot tell

whether the speaker is on the right or left side of

your listening room.) F

or that reason, we strongly

recommend that you try to listen as the tone circu-

lates, matching the name shown for each channel to

the location of the speaker. If a tone is heard from a

speaker position that does not match the on-screen

message, stop EzSet+, exit the menus, turn your

receiver off and check for proper speaker connec-

tions on the rear panel before resuming the setup.

When this test is complete

YES will be shown to

the right of

SPEAKER CHECK on the menu

screen.

•

Speaker Delay: This test will circulate the tones

again as the name of each channel is shown to

measure the distance from the microphone to each

speaker. The results of these tests will be used to

* EzSet+ *

MEASUREMENT : STOP

SETTING LEVEL

SPEAKER CHECK : - - - -

SPEAKER DELAY : - - - -

SPEAKER LEVEL : - - - -

SPEAKER SIZE : - - - -

SPEAKER X-OVER: - - - -

SAVE SETTINGS : - - - -

BACK TO MASTER MENU

* EzSet+ *

WARNING

During measurements

please maintain silence.

Loud test signal bursts

will be heard.

* EzSet+ *

Place Microphone at

listening position and

plug into Headphone Jack

Do you want to start

EzSet+?

YES NO

SYSTEM CONFIGURATIONSYSTEM CONFIGURATION

SYSTEM CONFIGURATION 25SYSTEM CONFIGURATION 25

et the delay time settings for each active speaker

osition. When this test is complete, a speaker-to-

microphone (listening position) distance will be

shown to the right of the

SPEAKER DELAY

line on the menu screen.

OTE:

/V Sync Delay must be set manually (see

page 28).

•

Speaker Level: This test circulates a test signal

and measures the output from each active speaker

position. The results of the measurements are used

to adjust the individual channel outputs as needed,

so that they are identical. This is an essential ele-

ment of ensuring that surround sound fields are

properly reproduced. If desired, you may use the

results of the automated testing as a baseline and

then make manual adjustments to trim the output

levels to your personal taste

, following the instruc-

tions shown on page 29 or 38. When this test is

complete, an output level adjustment number will be

shown to the right of the

SPEAKER LEVEL

line on the menu screen.

•

Speaker Size: The measurements and calculations

for this test take place at the same time as the test

signals are circulated to calculate the output levels,

and they are used to determine whether the speakers

in your system are “large” or “small” for the purpos-

es of bass management. (If desired, you may use

the results of the automated testing as a baseline

and then make manual adjustments to the speaker

size settings independently for each source, follow-

ing the instructions shown on page 26.) When this

test is complete, an output level adjustment number

will be shown to the right of the

SPEAKER

SIZE

line on the menu screen.

•

Speaker Crossover: The measurements and cal-

culations for this test take place at the same time as

the test signal is circulated to calculate the levels

and they are used to determine the crossover set-

ting for each speaker in your system to create a

seamless transition between the frequencies sent to

your main speakers and subwoofer (if available). If

desired, you may use the results of the automated

testing as a baseline and then make manual adjust-

ments to the crossover settings

following the

instructions shown on page 27. When this test is

complete

a crossover frequency will be shown to

the right of the

SPEAKER X-OVER line on

the menu screen.

Step 9: When all measurements are successfully

completed,

the test signals will stop and a

TEST

DONE Ð UNPLUG MIC

message will appear

in the second line.

The cursor will pause at SAVE

SETTINGS

allowing you the option of selecting

YES or NO.

Unplug the microphone and store it in

a safe place so that it is available to recalibrate your

system if needed due to a change in speakers, pre-

erred listening position, or a major change in the

oom’s furnishings (such as the addition of thick car-

peting or plush furniture) that might require different

settings. To enter the settings to the receiver’s memory

and return to the Master Menu, make sure that

YES

ppears at the

AVE SETTINGS

ine, press

the

⁄/¤ Buttons n so that the on-screen cur-

sor is pointing to

RETURN TO MASTER

and press the Set Button p.

NOTE: If you wish to check the test results before

exiting the EzSet+ menu, press the

⁄/¤ Buttons

n so that the on-screen cursor is at the second line

of the menu listings, and then press the

‹/› Buttons

o to scroll through the list of speaker positions. The

data on each line will also be entered into the listings

on the individual

SPEAKER SETUP,

DELAY

ADJUST

and CHANNEL

ADJUST

menus once you exit EzSet+.

Step 10: If the measurements are not successful due

to a missing or malfunctioning speaker, an

ERROR

message and menu will appear, as shown in Figure

10. The EzSet+ system is programmed to look for

speaker pairs at the front left/front right, surround

left/surround right and surround back left/surround

back right positions. If the tests to any of those three

channel pairs indicates that one, but not

both of the

speakers in the pair is present, the menu will show

NONE next to the speaker position where the tests

did not report back that a speaker is present. Should

this message appear, make note of the suspect

speaker location, exit all menus and turn the receiver

off. Check all speaker wire connections and then

rerun EzSet+.

Figure 10

When you have successfully completed the EzSet+

process and made any needed adjustments to the

input and surround mode configurations

your receiver

is ready for use. If you do not wish to make any man-

ual adjustments to the settings, you may skip the rest

of this section and proceed to the Basic Operation

section of this manual on page 31 to lear

n how to

operate AVR 240. For those situations where you may

wish to make a change to the settings entered by

EzSet+, follow the instructions on the following pages.

Manual Setup

Harman Kardon recommends that you use the EzSet+

procedure described on pages 23–25 to configure

our receiver for operation. However, you may manu-

lly configure your AVR if you have fewer than six

speakers in your system, if you have run EzSet+ but

wish to make adjustments, if your EzSet+ microphone

is not available, or if you simply prefer to make your

djustments manually. In addition, the A/V Sync Delay

setting must be performed manually (see Delay

Settings section, page 28).

o begin manual setup using the full-OSD menu

system, press the

OSD Button v so that the

MASTER MENU appears on screen. Press the

⁄/¤ Buttons n until the › cursor points to

the

MANUAL SETUP line, and press the Set

Button

p. The MANUAL SETUP menu

(Figure 11) will appear.

With the

MASTER

on screen,

press the

¤ Button n until the › cursor is pointing to

the

MANUAL SETUP line, and press the Set

Button

p. The MANUAL SETUP submenu

will appear (see Figure 11).

Figure 11

The first line of the MANUAL SETUP menu

indicates whether EzSet+ has been run and its

settings saved. If this line indicates

YES, then

you will be able to see the settings determined by

EzSet+ as you view the

SPEAKER SIZE,

SPEAKER X-OVER, DELAY

ADJUST

and CHANNEL

ADJUST

submenus. You may use the ⁄/¤ Buttons n to

move the

› cursor to point to this line, and then use

the

‹/› Buttons o to change this setting to NO

if you wish to reset the speaker size

crossover

output

level and delay settings to their factor

y defaults

NOTE: If you have forgotten to unplug the EzSet+

microphone, you will be unable to access the

SPEAKER SIZE, SPEAKER X-OVER

and DELAY ADJUST menus.

Adjust the submenus in the

MANUAL SETUP

submenu in order, as some settings require that previ-

ous settings be established first.

Speaker Setup

This menu tells the AVR 240 which type of speakers

are in use

This is important as it adjusts the settings

that decide whether your system will use the

“5-chan

nel” or “6-channel/7-channel” modes, as well as

* MANUAL SETUP *

EzSet ACTIVATE:NO

SPEAKER SIZE

SPEAKER X-OVER

DELAY ADJUST

CHANNEL ADJUST

BACK TO MASTER MENU

* ERROR *



Where NONE is shown

please check speaker

or connections.

-----------

FL : YES SBR: YES 

CEN : YES SBL: YES 

FR : YES SL : YES 

SR : NONE SUB: YES 

BACK TO MASTER MENU



etermining which speakers receive low-frequency

(

bass) information.

If you have already completed an automated setup

sing EzSet+ the settings calculated during that pro-

cedure will already appear. No further adjustment is

required unless you wish to change a specific item to

reflect your personal taste or a nonstandard system

configuration.

You will first need to access the

SPEAKER

SIZE

submenu. With the MANUAL SETUP

submenu on screen, the › cursor should be pointing

to the first line,

SPEAKER SIZE. If it is not,

use the

¤ Button n until it is, then press the Set

Button

p. The SPEAKER SIZE submenu

will appear (see Figure 12).

Figure 12

For each of these settings, use the LARGE setting

if the speakers for a particular position are traditional

full-range loudspeakers. Use the

SMALL setting for

smaller, frequency-limited satellite speakers that do not

reproduce sounds below 200Hz. Note that when

“small” speakers are used, a subwoofer is required to

reproduce low-frequency sounds. Remember that the

“large” and “small” descriptions do not refer to the

actual physical size of the speakers, but to their ability

to reproduce low-frequency

sounds. If you are in

doubt as to which category

describes your speakers,

consult the specifications in the speakers’ owner’

manual, or ask your dealer.

Begin the speaker setup process by making certain that

the cursor is pointing toward the

LEFT/RIGHT

line

which sets the configuration for the front left and

right speakers. If you wish to make a change to the

front speakers’ configuration,

press the

‹

›

Buttons

o so that either LARGE or SMALL appears,

matching the appropriate description from the definitions

shown above.

When

SMALL is selected, low-frequency sounds will

be sent only to the subwoofer output.

If you choose this

option and there is no subwoofer connected, you will

not hear any low-frequency sounds from the front

channels.

When

LARGE is selected,

a full-range output will be

sent to the front left and front right outputs. Depending

on the choice made in the

SUBWOOFER line in

his menu, bass information may also be directed to the

front left/right speakers, a subwoofer or both.

When you have completed your selection for the front

hannel, press the

utton

n o

n the remote to

move the cursor to

CENTER.

ress the

‹

›

uttons

o o

n the remote

o select

he option that best describes your system, based on the

speaker definitions shown below.

When SMALL is selected, low-frequency center

channel sounds will be sent only to the subwoofer out-

put. If you choose this option and there is no subwoofer

connected, you will not hear low-frequency sounds from

the center channel.

When

LARGE is selected, a full-range output will be

sent to the center speaker output, and NO center

channel signal will be sent to the subwoofer output.

NOTE: If you choose Logic 7 as the surround mode

the “large” option will not be available for the center

speaker. This is due to the requirements of Logic 7

processing, and does not indicate a problem with

your receiver.

When

NONE is selected, no signals will be sent to

the center channel output. The receiver will operate in

a “phantom” center channel mode and center channel

information will be sent to the left and right front chan-

nel outputs. When only front left and right speakers are

used, with no center or surround speakers, VMAx and

Dolby Virtual Speaker are good alternative modes.

When you have completed your selection for the cen-

ter channel, press the

Button n on the remote

to move the cursor to

SURROUND.

Press the

‹

›

Buttons o on the remote to select

the option that best describes the side surround

speakers in your system based on the speaker

definitions shown on this page.

When SMALL is selected, low-frequency surround

channel sounds will be sent to the subwoofer output

only. If you choose this option and there is no sub-

woofer connected, you will not hear any low-frequency

sounds from the surround channel.

When

LARGE is selected,

a full-range output will

be sent to the surround channel outputs, and NO sur-

round channel signals will be sent to the subwoofer

output.

When NONE is selected, surround sound informa-

tion will be split between the front left and front right

outputs. For optimal performance when no surround

speakers are in use, the Dolby 3 Stereo or Dolby

Virtual Speaker mode should be used.

hen you have completed your selections for the

ain surround channels, press the

¤ B

utton

n o

the remote to move the cursor to

SURR BACK.

This line serves two functions: It not only configures

the setting for the surround back channels when they

re present; it also tells the AVR 240’s processing

system to configure the unit for either 5.1 or 6.1/7.1

operation.

he surround back speakers need only be configured

to be active once, and the AVR 240 will set them as

active for all surround modes and sources. If you wish

to set them as inactive for some sources, you may

scroll down to the

BASS MGR line of the

SPEAKER SIZE menu and press the ‹/›

Buttons o so that INDEPENDENT

appears

. See below for more information on the

Global/Independent setting for the bass manager.

Press the

‹/› Buttons o to select the option that

best describes the speaker in use at the back sur-

round position based on the definitions shown below:

When

NONE is selected, the system will adjust so

that only 5.1-channel surround processing/decoding

modes are available.

When

SMALL is selected, the system will adjust so

that the full complement of 6.1/7.1 surround processing

decoding modes are available, and low-frequency

information below the crossover point will be sent to

the subwoofer output. If you choose this option and

there is no subwoofer connected, you will not hear

any low-frequency sounds from the surround back

channel.

When

LARGE is selected, the system will adjust so

that the full complement of 6.1/7.1 surround process-

ing/decoding modes are available, and a full-range

signal will be sent to the surround back channels, with

no low-frequency information sent to the subwoofer

output.

When you have completed your selection for the back

surround channels, press the

Button n on the

remote to move the cursor to

SUBWOOFER.

Press the

‹

›

Buttons o on the remote to select

the option that best describes your system.

The choices available for the subwoofer position will

depend on the settings for the other speakers, particu-

larly the front left/right positions.

If the front left/right speakers are set to

SMALL,

the subwoofer will automatically be set to

SUB,

which is the “on” position.

If the front left/right speakers are set to

LARGE,

three options are available:

* SPEAKER SIZE *

LEFT/RIGHT:SMALL

CENTER :SMALL

SURROUND :SMALL

SURR BACK :SMALL

SUBWOOFER :SUB

BASS MGR :GLOBAL

BACK TO MANUAL SETUP

26 SYSTEM CONFIGURATION26 SYSTEM CONFIGURATION

SYSTEM CONFIGURATIONSYSTEM CONFIGURATION

•

If no subwoofer is connected to the AVR 240,

ress the

‹

›

uttons

o o

n the remote so

that

NONE appears in the on-screen menu.

When this option is selected, all bass information

will be routed to the front left/right “main” speakers.

• If a subwoofer is connected and you wish to have

the front left/right “main” speakers reproduce bass

frequencies at all times, and have the subwoofer

operate only when the AVR 240 is being used

with a digital source that contains a dedicated

Low-Frequency Effects, or LFE, soundtrack. Press

the

‹

›

Buttons o on the remote so that

LFE appears in the on-screen menu.

• If a subwoofer is connected and you wish to use it

for bass reproduction in conjunction with the main

front left/right speakers, regardless of the type of

program source or Surround mode, press the

‹

›

Buttons o on the remote so that SUB

LFE+L/R

appears in the on-screen menu.

When this option is selected, a full-range signal

will be sent to the front left/right “main” speakers,

and the subwoofer will receive the bass frequen-

cies under frequency selected, as described

below, as well as the LFE information.

When all crossover settings have been made, or in

those cases where none are needed, press the

Button n so that the cursor is next to the BASS

MGR

line to make the final setting on this menu.

This setting allows you to use the same speaker size

configuration for all inputs, or to have different settings

for each input. In most cases, the factory default set-

ting of

GLOBAL will be appropriate, as most lis-

teners do not need to have individualized settings.

However

some listeners, particularly those with full-

range front speakers that are used for both movies

and music, may prefer that different bass management

be used when listening to music through a CD player

as opposed to a movie from a DVD player

VCR or

cable/satellite set-top. Also, you may wish to activate

or deactivate certain speakers for some sources. For

example

when listening to CDs, you may wish to have

only the front left and right speakers active, or for

watching

you may wish to deactivate the surround

back speakers in favor of a 5.1-channel configuration.

If you wish to customize the speaker settings for

each input,

make certain that the

›

cursor is on the

BASS MGR line, and press the

‹

›

Buttons o

so that INDEPENDENT appears

When this

setting is entered by exiting the menu, you may need

to go back to the

INPUT menu to select another

input, and then return to this menu page again to

change the settings for that input.

Repeat the proce

dure for any input where you wish to have a different

set of speaker configurations.

OTE:

hen the

NDEPENDENT

etting is

ctivated, you may assign different speaker size set-

tings to each input to accommodate different bass

management settings that match your preferences

with the type of program material normally used with a

articular source (for example, when movies are played

from DVD and music from a CD player). However, the

actual speaker crossover settings are set only once and

do not change with the input selection. The reason is

hat, while bass management preferences may vary,

he actual speakers remain the same, regardless of the

bass-management and redirection settings.

When all initial speaker “size” settings have been

made, you now have the option to take advantage of

the AVR 240’s Quadruple Crossover system, which

allows individual crossover settings to be made for

each speaker grouping. In systems where full-range or

tower speakers are used for the front soundstage or

where different brands or models are in use at the

various speaker positions, this feature allows you to

customize the bass management and redirection

circuits with a precision not previously possible.

If you have already completed an automated setup

using EzSet+ the settings calculated during that pro-

cedure will already appear. No further adjustment is

required unless you wish to change a specific item to

reflect your personal taste or a nonstandard system

configuration.

The low-frequency crossover setting is determined by

the design of your speakers. Depending on the design

and driver complement of your speakers, it is usually

the lowest possible frequency the speaker is capable

of reproducing. Before making any changes to the

settings for the crossover point, we suggest that you

find the lowest frequency for the speakers in each of

the three groupings, front left/right, center and sur-

rounds, by looking at the specifications page of each

speakers’ owner’s manual, or by contacting your dealer

or the manufacturer’s customer service department or

eb site

ou will need this figure to accurately config

ure the next group of settings.

The factory default setting for all speaker positions is

100Hz. If that setting is acceptable for all channels,

then no adjustments are needed and you may skip

this section. However

if you wish to change one of the

settings, proceed to the

SPEAKER X-OVER

submenu by pressing the ¤ Button n until the ›

cursor is pointing to the BACK

TO MANUAL

SETUP

line of the SPEAKER SIZE sub-

menu, and then pressing the

Set Button p so that

the

MANUAL SETUP submenu appears. The

press the

¤ Button n until the › cursor is point-

ing to the

SPEAKER X-OVER line. Press the

Set Button p,

and the

SPEAKER

X-OVER

submenu will appear (see Figure 13).

Figure 13

To change the setting for any of the four speaker

groups, press the

⁄

Buttons n until the cursor

is next to the line where you wish to make a change

and then press the

‹

›

Buttons o until the

desired setting appears. The available choices at which

point low-frequency information will be sent to the

subwoofer

, rather than to the main speaker channel,

are 40Hz, 60Hz, 80Hz, 100Hz, 120Hz, 150Hz and

200Hz. Pick the choice that is identical to the informa-

tion for the speakers, or if an exact match is not possi-

ble, pick the closest choice that is ABOVE the speak-

er’s low-frequency limit or crossover point to avoid the

creation of a low-frequency “hole” where your system

will have no bass information.

In cases where

LARGE is selected as the front

channel speaker option and LFE+L/R is selected

as the subwoofer option, the front channel sound

information below the setting shown will be sent to

BOTH the front channel speakers and the subwoofer.

The crossover settings for the Left/Right, Center,

Surround and Surround Back speakers are used to

determine where bass information is sent when it is

derived from the main channels of a source. The set-

ting for the menu line shown as

LFE is used to

impose a low-pass filter point for the information in the

Low F

requency Effects (LFE) channel that is a part of

Dolby Digital- and DTS-encoded source material.

While the LFE channel, which is the “.1” you see in

surround sound designations, is restricted to low fre-

quency sounds, some mixes may include information

that is higher in frequency than your subwoofer is

capable of reproducing. To prevent unwanted sounds

from being sent to subwoofers that cannot handle

them and which do not have a built-in low-pass filter

the

LFE option line enables you to select a setting

for the low-pass filter that is part of the subwoofer

feed from the LFE channel. The settings available are

the same as those tied to any one of the four available

speaker positions on this submenu. We recommend

that you use the frequency that is just slightly higher

than the upper capability limit of your subwoofer, as

shown in the sub’s owner’s manual. When the cursor

is on the

LFE line

, press the

‹/› Na

vigation

Buttons

o to choose the appropriate setting. When

all speaker selections have been made

press the

Button n and then the Set Button p to return

to the

MANUAL SETUP submenu.

* SPEAKER X-OVER *

LEFT/RIGHT:100HZ

CENTER :100HZ

SURROUND :100HZ

SURR BACK :100HZ

LFE :LEFT/RIGHT

BASS MGR :GLOBAL

BACK TO MANUAL SETUP

SYSTEM CONFIGURATION

Delay Settings

Due to the different distances between the listening

osition for the front channel speakers and the sur-

ound speakers, the amount of time it takes for sound

to reach your ears from the front versus surround

speakers differs. You may compensate for this differ-

ence through the use of the delay settings to adjust

he timing for the speaker placement and acoustic

conditions in your listening room or home theater.

If you have already calibrated your system using

EzSet+ the delay settings shown will reflect the results

of the measurements made by EzSet+. No further

changes are needed unless you wish to change an

item to reflect your taste or a nonstandard system

configuration. To change the settings, follow the

instructions below to enter the distance between the

speaker’s location and your main listening position.

The measurements need not be accurate to the inch,

as the system is designed to accommodate typical

listening rather than a specific “sweet spot” position.

In addition to adjusting the delay time for each individ-

ual speaker position, the AVR 240 allows you to adjust

the delay for the combined output of all speakers as a

group. This feature is called A/V Sync Delay; it allows

you to compensate for delays to the video image that

may be caused by the processing in products such as

digital video displays, video scalers, digital cable or

satellite systems, or personal video recorders. With

proper adjustment of the setting for A/V Sync Delay,

you can eliminate the loss of lip sync that may be

caused by digital video applications.

Although EzSet+ calculates the delay settings for the

individual speaker positions with very accurate results,

the setting for A/V Sync Delay may only be done

manually

since it requires that you obser

ve the pro

gram material on your video display while adjusting

the delay

if any, required for the specific source. Thus,

even though you may have used EzSet+ for other

delay settings

the A/V Sync Delay should still be

configured as outlined below.

Due to the differences in the way each surround

mode operates, the delay settings must be established

individually for each surround mode

However

, once

the delay settings are configured for the version of the

surround mode with the most channels, they need not

be entered again for a version of that mode with fewer

channels.

or example

once the delay settings are

established for Dolby Pro Logic IIx – Movie, they will

be carried over to Dolby Pro Logic II – Movie mode.

However

, you will need to enter the delay settings sep-

arately for each variant mode, such as Dolby Pro

Logic IIx – Music

Dolby Pro Logic IIx – Game, Dolby

Pro Logic

Dolby 3 Stereo and Dolby Digital EX.

elay times are adjustable for all surround modes.

lthough all channels will appear on screen with the

default or previously entered distances, the menu sys-

tem will only allow you to adjust the settings for those

channels which are actually used by the current sur-

ound mode. For example, when you are listening to

music CDs using the CD input in DSP Surround Off

mode, you may adjust the delay settings for the front

left, front right and subwoofer channels only. The cur-

or will simply skip the other channels as you navigate

hrough the menu. Therefore, the first time you adjust

the delay settings, it is recommended that you select a

5.1-, 6.1- or 7.1-channel surround mode, depending

on the number of speakers in your system. For the

purposes of setting the delay distances, the Logic 7

modes allow access to the settings for all channels

without requiring that you play a source.

To set the delay time for a specific input, the

DELAY ADJUST submenu (Figure 10) should

be visible on your on-screen display. If it is not, press

the

OSD Button v to bring up the MASTER

, and press the

Button n until the

on-screen

›

cursor is pointing at the MANUAL

SETUP

line. Press the Set Button p to enter

the

MANUAL SETUP submenu, and then scroll

down using the

¤ Button n until the › cursor

is pointing to the

DELAY ADJUST line. Press

the

Set Button p again, and the DELAY

ADJUST

submenu will appear (see Figure 14).

Figure 14

Once the DELAY

ADJUST

menu is on your

screen, note that the default setting to enter the dis-

tances from the speakers to the listening position is in

feet. If your measurements are in feet, proceed to the

next step; if your measurements are made in meters,

press the

Button n until the on-screen

›

cursor

is at the

UNIT line on the menu. Then,

press the

‹

›

Buttons o so that METER is highlighted.

When the change in measurement units is made,

press the

⁄

Buttons n to return the

›

cursor

to the

FL position.

With the on-screen

›

cursor pointing to FL,

press

the

‹

›

Buttons o until the distance from the

front left speaker to the preferred listening position

is entered. Next, press the

Button n to move

the cursor to the

CENTER line and use the

‹

›

Buttons o again to enter the distance from the

enter speaker to the listening position. Continue in

this fashion to enter the distance from the listening

position to each of the front right

(FR), surround

right

(SR), surround back right (SBR), sur-

ound back left

(

SBL)

surround left

(

SL)

ubwoofer

(

SUB)

peakers. Remember that the

SBL and SBR adjustments will only be needed

when you have surround back speakers installed.

If you wish to reset the delay settings to their factory

defaults at any time, use the

⁄

Buttons n so

that the cursor is pointing to

DELAY RESET

and then press the

‹

›

Buttons o so that OFF

appears. The factory settings shown in Figure 14 will

then be restored.

A/V Sync Delay

If you have a digital video source or a digital video dis-

play that causes lack of lip sync you may use the A/V

Sync adjust feature to delay the audio signal as it is

sent to

all channels (as opposed to the individual set-

tings) so that the picture and sound are brought back

together. We recommend that this adjustment be

made using the direct access controls on the remote,

as shown below. That enables you to see the image

while making the adjustment; however, you may also

adjust it here using the menu system.

To adjust the A/V Sync delay, press the

⁄

Buttons n so that the

›

cursor is pointing to the

A/V SYNC DELAY line on the menu and then

press the

‹

›

Buttons o to delay the sound suffi-

ciently so that it matches the on-screen video.

Since the A/V Sync Delay setting is best made while

viewing the video program that is out of sync with its

audio track, we strongly recommend that method

rather than using the menu system. To do that, first

press the

Delay Select Button Z on the remote

The A/V

Sync Delay setting appears first, and it may be

adjusted

by pressing the Set Button p within five

seconds of when the

A/V SYNC DELAY

message appears in the on-screen display and the

wer Display Line

ı.

Then, press the

‹

›

Buttons o to enter the desired delay setting that

brings the video and sound back in sync. Press the

Set Button p again to enter the setting

Note that the A/V Sync delay setting is unique to

each video input source

so you may enter a different

setting to compensate for the differences between

any product attached to the DVD or Video 1, 2, 3

or 4 inputs

When the speaker-to-listening-position distance has

been entered for all active speaker positions, press the

⁄

Buttons n until the on-screen cursor is next

BACK TO MANUAL SETUP and press

the

Set Button p.

* DELAY ADJUST *

L : 10FT SBR: 10FT

CEN: 10FT SBL: 10FT

R : 10FT SL : 10FT

SR : 10FT SUB: 10FT

DELAY RESET:OFF

UNIT: FEET

A/V SYNC DELAY:OmS

BACK TO MANUAL SETUP

28 SYSTEM CONFIGURATION28 SYSTEM CONFIGURATION

SYSTEM CONFIGURATIONSYSTEM CONFIGURATION

he delay settings may be changed at any time

irectly from the remote control by pressing the

Delay Button Y. A/V SYNC DELAY will

appear in the

Lower Display Line ı, but you

may press the

⁄

Buttons n to select any

f the speaker groups.

Output Level Adjustment

Output level adjustment is a key part of the configura-

tion of any surround sound product. It is particularly

mportant for a digital receiver such as the AVR 240,

as correct outputs ensure that you hear soundtracks

with the proper directionality and intensity.

IMPORTANT NOTE: Listeners are often confused

about the operation of the surround channels. While

some assume that sound should always be coming

from each speaker, most of the time there will be little

or no sound in the surround channels. This is because

they are only used when a movie director or sound

mixer specifically places sound there to create ambi-

ence or a special effect, or to continue action from

the front of the room to the rear. Once the output

levels are properly set, it is normal for surround

speakers to operate only occasionally. Artificially

increasing the volume to the rear speakers may

destroy the illusion of an enveloping sound field that

duplicates the way

you hear sound in a movie theater

or concert hall.

If you have already completed an automated setup

using EzSet+ the settings calculated during that pro-

cedure will already appear. No further adjustment is

required unless you wish to change a specific item to

reflect your personal taste or a nonstandard system

configuration.

Before beginning the output level adjustment process,

make certain that all speaker connections have been

properly made. The system volume should be set to

the level that you will use during a typical listening

session.

Using the Full-OSD System

ollow these steps while seated in the listening posi

tion that will be used most often:

1. Adjust the volume so that it is at

-15dB,as

shown in the on-screen display or

Lower

Display Line

ı.

2. If you have not run EzSet+, make certain that all

speaker positions have been properly configured

for their

LARGE or SMALL settings (as

outlined above).

3. Output level adjustment is most easily done

through the

CHANNEL

ADJUST

sub

menu (Figure 15).

If you are already at the

MASTER MENU, press the

Button n

ntil the on-screen

›

ursor is next to the

MANUAL SETUP line. Press the Set

Button

p to enter the MANUAL SETUP

submenu, and then scroll down using the

¤ B

utton

n u

ntil the

› c

ursor is pointing

o the

HANNEL ADJUST

ine.

Press the

Set Button p again, and the

CHANNEL ADJUST submenu will

appear (see Figure 15).

Figure 15

When the CHANNEL ADJUST submenu

first appears, the test tone is off. If desired, you

may immediately use the

¤ Button n to

select any channel for adjustment using an exter-

nal source, such as a test disc, from which to

judge the output levels. After the

› cursor is

pointing to the channel to be adjusted, press the

‹/› Buttons o to raise or lower the output

level. However, before proceeding with any man-

ual adjustment we recommend that you first use

the AVR’s internal test tone generator and auto-

matic sequencer to send a tone to each channel

so that you may verify that all speaker connec-

tions have been properly made.

o turn the test tone on and have it automatically

circulate among the channels where a speaker

has been configured (see page 26), press the

¤ Button n until the › cursor is pointing to

the

TEST

TONE

SEQ

line on the menu.

Next, press the ‹/› Buttons o until AUTO

is shown. At this time the test tone will immedi-

ately begin to circulate clockwise around the

room, playing for two seconds in each speaker

before switching to the next speaker position.

The

› cursor will blink next to the active speaker

to indicate which speaker the sound should be

coming from.

As the test noise circulates, listen to make certain

that the sound comes from the speaker position

shown in the

Lower Display Line Q, next to the

›

cursor in the on-screen display, and by the flash-

ing indication in the

Speaker/Channel Input

Indica

tors

If the sound from a

speaker loca

tion does NOT match the position indicated

in the

display, turn the AVR 240 off using the

Main

Power Switch

1 and check the speaker wiring

r connections to external power amplifiers to make

certain that each speaker is connected to the cor-

rect output terminal.

5. After checking for speaker placement, let the test

oise circulate again, and listen to see which

channels sound louder than the others. Using

the front left speaker as a reference, press the

‹

›

Buttons o on the remote to bring all

speakers to the same volume level. When one of

the

‹

›

Buttons o is pushed, the test noise

circulation will pause on the channel being adjusted

to give you time to make the adjustment. When

you release the button, the circulation will resume

after five seconds.

6. Continue to adjust the individual channels until the

volume level sounds the same from each speaker.

Adjustments should be made with the

‹

›

Buttons o on the remote only, NOT the main

volume controls. If you are using a sound-pres-

sure level (SPL) meter for precise level adjust-

ment, set the volume so that the meter reads

75dB on the C-Weighting, Slow scale.

You may also make these same adjustments with

complete manual control over the channel being

adjusted by pressing the

¤ Button n until the ›

cursor is pointing to the TEST TONE SEQ line

on the menu and then using the

‹/› Buttons o

to select MANUAL. In the MANUAL mode, the

test tone will also start immediately, but the tone will

only be moved to another channel by pressing the

Button n. When the manual sequencing mode is

active, the tone is turned off by pressing the

Button n until the › cursor is pointing to the

TEST TONE line and the ‹/› Buttons o

is then pressed to select OFF.

If you find that the output levels are either uncomfort-

ably low or high, you may repeat the procedure.

Return to Step 2 and adjust the master volume either

slightly higher or lower to accommodate your particu-

lar room layout and your tastes. You may repeat this

procedure as many times as necessary to achieve

a desired result. In order to prevent possible damage

to your hearing or your equipment, we emphasize

that you should avoid setting the master volume

above 0dB.

When all channels have an equal volume level, the

adjustment is complete

. Use the

⁄

Buttons n

to move the

›

cursor next to the TEST TONE

line

and press the

‹

›

Buttons o until the word

OFF appears to stop the test tone

* CHANNEL ADJUST *

FL : 0dB SBR: 0dB

CEN: 0dB SBL: 0dB

FR : 0dB SL : 0dB

SR : 0dB SUB: 0dB

HANNEL RESET:OFF

TEST TONE SEQ:AUTO

TESY TONE :OFF

BACK TO MANUAL SETUP

SYSTEM CONFIGURATION

SYSTEM CONFIGURATION 29SYSTEM CONFIGURATION 29

SYSTEM CONFIGURATIONSYSTEM CONFIGURATION

ote that any time a given surround mode is selected,

ven for a different source input, these output level

settings will be used. However, the output levels must

be set independently for each surround mode, includ-

ing variations such as Dolby Pro Logic II-Movie versus

olby Pro Logic II-Music. Although this may seem to

be tedious, it is necessary in order to optimize the

AVR’s performance when differing methods are

employed to steer the audio materials to the various

hannels. However, the AVR will carry over the settings

or one mode to the same mode in a different channel

configuration, such as Dolby Pro Logic IIx-Movie and

Dolby Pro Logic II-Movie. If you wish, as a shortcut to

get started quickly, you may set the levels for Dolby

Pro Logic IIx-Movie and copy down those settings, re-

entering them for each of the Dolby modes and enter-

ing the settings only for those speakers which are

available for each mode. Later, it is recommended that

you adjust the output levels while listening to various

sources, as opposed to the test tone. See page 38

for more information on trimming the output levels

to external source material.

To exit this menu, press the

⁄

Buttons n until

the on-screen

›

cursor is next to the BACK TO

MASTER MENU line, and then press the Set

Button

p to return to the MASTER MENU.

NOTE: The subwoofer level is not adjustable when the

normal test tone is in use. The subwoofer output level

may be adjusted when the channel levels are being

trimmed to an external program source rather than the

test tone, as shown on page 38.

Using the Semi-OSD System

The output levels may also be adjusted at any time

using the remote control and semi-OSD system. To

adjust the output levels in this fashion, press the

Test

Button

i. As soon as the button is pressed, the

test tone will begin to circulate as indicated earlier.

The

correct channel from which the test noise should be

heard will be shown in the lower third of the video

screen and in the

Lower Display Line Q. While the

test noise is circulating

the proper channel position will

also be indicated in the

Speaker/Channel Input

Indicators

O by a blinking letter within the correct

channel.

To adjust the output level, press the

⁄

Buttons

n until the desired level is shown in the display or

on-screen. Once the buttons are released, the test

noise will begin to circulate again in five seconds.

When all channels have the same output level, press

the

est Button

i again to complete the process

If you find that the output levels are either uncomfort-

ably low or high,

you may repeat the procedure

but

first adjust the master volume either slightly higher or

ower (but not higher than 0dB) to compensate. Do

ot adjust the volume during the procedure, as that will

cause the output levels to be higher or lower for only

some channels, resulting in uneven balance.

OTE:

utput level adjustment is not available for the

VMAx or Surround Off modes.

Additional Input Adjustments

fter one input has been adjusted for Surround mode,

digital input (if any) and speaker type, go back to the

INPUT SETUP line on the MASTER

(Figure 1) and enter the settings for each

input that you will use. In most cases, only the digital

input and surround mode will be different from one

input to the next, while the speaker type, crossover

frequency, Night mode and output level settings will

usually be the same and will automatically be carried

over when the previously configured surround modes

are selected. However, you will need to reenter the

delay and output level settings for each surround

mode.

When all settings and adjustments have been made,

press the

OSD Button v to return to normal oper-

ation of the AVR.

Once the settings outlined on the previous pages have

been made, the AVR 240 is ready for operation. While

there are some additional settings to be made, these

are best done after you have had an opportunity to lis-

ten to a variety of sources and different kinds of pro-

gram material. These advanced settings are described

on pages 39–40 of this manual. In addition, any of

the settings made in the initial configuration of the unit

may be changed at any time. As you add new or dif-

ferent sources or speakers, or if you wish to change a

setting to better reflect your listening taste

, simply fol-

low the instructions for changing the settings for that

parameter as shown in this section.

Having completed the setup and configuration process

for your AVR 240, you are about to experience the

finest in music and home theater listening. Enjoy!

30 SYSTEM CONFIGURATION30 SYSTEM CONFIGURATION

Basic Operation

Once you have completed the initial setup and configu-

ation of the AVR 240, it is simple to operate and

njoy. The following instructions will help you maximize

the enjoyment of your new receiver:

Turning the AVR 240 On or Off

• When using the AVR 240 for the first time, you must

first press the

Main Power Switch

on the front

panel to turn the unit on. This places the unit in a

Standby mode, as indicated by the amber color of the

Power Indicator

. Once the unit is in Standby,

you may begin a listening session by pressing the

Standby/On Switch

on the front panel, or the

Power On Button d or AVR Selector f on the

remote. The

Power Indicator

will turn blue. This

will turn the unit on and return it to the input source that

was last used. The unit may also be turned on from

Standby by pressing any of the

Input Selector

Buttons

eg on the remote or the Input Source

Selector Button

on the front panel.

NOTE: After pressing one of the Input Selector

Buttons

eg to turn the unit on, press the AVR

Selector

f to set the remote control to the AVR 240

functions.

To turn the unit off at the end of a listening session,

simply press the

Standby/On Switch 3 on the front

panel or the

Power Off Button a on the remote.

Power will be shut off to any equipment plugged into

the rear-panel

Switched AC Accessory Outlet ›

and the Power Indicator 2 will turn amber.

When the remote is used to turn the unit “off” it is

actually placing the system in a Standby mode, as indi-

cated by the amber color of the

wer Indicator

• To program the AVR 240 for automatic turn-off,

press the

Sleep Button j on the remote. Each

press of the button will decrease the time before

shut-down in the following sequence:

The sleep time will be displayed in the

wer

Display Line

The front-panel display will dim

to one-half brightness when the Sleep function is

programmed.

To view the current sleep time when

the sleep function has been activated,

press the

Sleep Button j

once. The display will return to

normal brightness, and the time until shutdown will

appear in the

Lower Display Line ı

After a few

seconds, the message will disappear and the dis-

play will retur

n to half-brightness

•

When the programmed sleep time has elapsed, the

unit will automatically turn off. To cancel the Sleep

function,

press and hold the

Sleep Buttonj as

he information display returns to normal brightness;

ontinue to hold the button until the Sleep indicator

numbers disappear and the words

SLEEP

OFF

appear in the Lower Display Line Q

hen you will be away from home for an extended

period of time it is always a good idea to completely

turn the unit off with the front-panel

Main Power

Switch

OTE:

ll preset memories are lost if the unit is left

turned off by using the

Main Power Switch

for

more than four weeks.

Source Selection

• To select a source, press any of the Input

Selector

Buttons

egde on the

remote.

• The input source may also be changed by pressing

the front-panel

Input Source Selector Button ^.

Each press of the button will move the input selec-

tion through the list of available inputs.

• As the input is changed, the AVR 240 will auto-

matically switch to the digital input (if selected),

component video input, surround mode, output

levels and night mode status as well as any speaker

configuration settings established by using the

INDEPENDENT Bass Management setting,

that were entered during the configuration process

for that source.

• When the input source is changed, the new input

name and the digital (or analog) audio input will

appear in the

Upper Display Line P, and the

current surround mode will appear in the

Lower

Display Line

ı. The same messages will also

appear momentarily in the on-screen display in the

lower third of the screen (semi-OSD).

• When an audio source is selected, the last video

input used remains routed to the

Video 1 Video and

S-Video Outputs

and Component Video,

Composite Video

and S-Video Monitor Outputs

‹cV.

This per

mits you to simultaneously view

and listen to different sources. This also allows you

to choose a video source and then select the

6/8-

Channel Direct Inputs

as the audio source

•

The front-panel

Video 4 Inputs ÓÔ, Optical 3

Digital Input

or the Coaxial 3 Digital Input

(

may be used to connect a device such as a video

game or camcorder to your home entertainment

system on a temporary basis.

• When DMP is selected as the source

and a compatible iPod is inserted in an optional

Har

man Kardon

that is connected to

DMP Connector e on the rear panel,

avigation messages will appear on any video

isplay connected to the AVR’s

ideo Monitor

Outputs

cV. The remote control or front-panel

controls may be used to navigate the iPod and

access many of its functions. These messages will

lso appear in the front-panel display, and the iPod’s

battery may be charged. See the owner’s guides for

and your iPod for more information.

6-Channel/8-Channel Direct Input

• There are two input choices available for use with

sources such as a DVD-Audio or SACD player that

are connected to the

6/8-Channel Direct Inputs

Select the appropriate input according to

the way your system and source equipment are

configured:

n 6 CH DIRECT should be used when

the SBR and SBL inputs are NOT in use. It is

assumed that the input source device has its own

internal bass management system. This input

passes the input from the source directly through

to the volume control without any analog to digital

conversion and it mutes the unused input jacks to

prevent unwanted noise from interfering with sys-

tem performance.

n 8 CH DIRECT should be used when an

input is connected to all eight

8-Channel Direct

Inputs

j. It is assumed that the input source

device has its own internal bass management

system. This input passes the input from the

source directly through to the volume control

without any analog-to-digital conversion and it

mutes the unused input jacks to prevent unwanted

noise from interfering with system performance.

Volume Control

• Adjust the volume to a comfortable level using the

front-panel

Volume Control Ò or remote Volume

Up/Down Buttons

• To temporarily silence all speaker outputs, press

the

Mute Button f. This will interrupt the output

to all speakers and the headphone jack,

but it will

not affect any recording or dubbing that may be

in progress. When the system is muted, the word

MUTE will flash in the Upper Display Line P.

Press the

Mute Button f again to return to

nor

mal operation.

• You may adjust the bass and treble tone controls

at any point during a listening session by pressing

the

Tone Mode Button 5 until TONE IN

appears in the Lower Display Line ı. Press

the

Tone Mode Button 5 again until either

TREBLE

MODE

or BASS

MODE

The

Bridge

The

Bridge

The

Bridge

The

Bridge



OPERATION

OPERATION 31

32 OPERATION

OPERATION

appears in the Lower Display Line 5, and then

se the

‹/› B

uttons

) t

o boost or cut the low

or high frequencies by up to ±10dB, in 2dB steps,

until the desired setting is achieved. You may also

totally remove the tone controls from the circuit so

hat the output is “flat” at any time by pressing the

one Mode Button

5 a

nd then pressing the

‹/›

Buttons ) so that TONE OUT appears

in the on-screen display and the

Lower Display

Line

ı. The tone controls may also be adjusted

sing the

UDIO SETUP

ubmenu as

described on page 21.

• For private listening, plug the 1/4" stereo phone

plug from a pair of stereo headphones into the

front-panel

Headphone Jack

. When the

headphone plug is connected, all speakers will be

silenced and

DOLBY H:BP will scroll once

across the

Lower Display Line ı , indicating that

the headphone output is in the Bypass mode, and

to confirm that no processing is being used. When

the headphone plug is removed, the audio feed to

the speakers will be restored.

• When the headphones are in use, you may take

advantage of the Dolby Headphone modes to bring

added spaciousness to headphone listening. Press

the

Dolby Mode Select Button w or the

Surround Mode Group Selector 7 to cycle

through the three Dolby Headphone modes and

select the one that you prefer.

Surround Mode Selection

One of the important features of the AVR 240 is its

ability to reproduce a full multichannel surround sound

field from digital sources, analog matrix surround-

encoded programs and standard stereo programs.

Selection of a surround mode is based on personal

taste, as well as the type of program source material

being used. For example, motion pictures or TV pro-

grams bearing the logo of one of the major surround-

encoding processes, such as Dolby Surround or DTS

Stereo

, may be played in either the Dolby Digital, Dolby

Pro Logic II or IIx Movie,

DTS Neo:6 Cinema,

Logic 7 5.1 or 7.1 Cinema surround modes.

NOTE: Once a program has been encoded with matrix

surround information, it retains the surround information

as long as the program is broadcast in stereo. Thus,

movies with surround sound may be decoded via any of

the analog surround modes such as Dolby Pro Logic IIx

Cinema, Logic 7 Cinema or DTS Neo:6 Cinema, when

they are broadcast via conventional TV stations, cable,

pay-TV and satellite transmission.

In addition,

a growing

number of made-for-television programs, sports broad-

casts

radio dramas and music CDs are also recorded

in surround sound.

ven when a program is not listed as carrying inten-

ional surround information, you may find that the Dolby

Pro Logic IIx, Logic 7 Enhanced or DTS Neo:6, VMAx

and the Hall or Theater modes often deliver enveloping

surround presentations through the use of the natural

nformation present in all stereo recordings.

urround modes may be changed at any time by

using either the front panel or remote control. Any

changes made to the surround mode for that source

will be retained in the AVR’s menu, even after another

source is selected, or if the AVR is placed in Standby

mode. To select a new surround mode from the

front panel, first press the

Surround Mode Group

Selector Button

7 until the desired major surround

mode group, such as Dolby, DTS or Logic 7, is select-

ed. Next, press the

Surround Mode Selector Button

8 to choose the specific individual surround mode.

To select a surround mode using the remote, press

the button for the major surround mode group that

includes the mode you wish to choose from:

Dolby

w, DTS Surround x, DTS Neo:6 S,

Logic 7 y, Stereo R or DSP Surround k.

The first press of the button will show the current

mode from that group. To cycle through the available

modes in that group, press the button again until the

desired mode appears in the

Lower Display Line

ı, the on-screen display and in the Surround

Mode Indicators

ˆ. As the surround mode

changes, the appropriate

Surround Mode Indicator

ˆ will light to indicate the current mode. At times, it

is possible that more than one indicator will light. This

can occur when the DSP Surround Off mode has

been selected, or when post-processing is being used

with an input signal, such as when the Dolby Digital

2.0 plus Dolby Pro Logic IIx mode is used to create

a 7-channel presentation of a two-channel signal.

The Dolby Digital, Dolby Digital EX and DTS 5.1,

DTS-ES Matrix and DTS-ES Discrete modes may only

be selected when a digital input is in use and a digital

signal in that format is present. In addition, when a

digital source is present, the AVR 240 will automatically

select and switch to the correct mode, regardless of

the mode that has been previously selected. For more

information on selecting digital sources, see the Digital

Audio Playback section.

The Dolby Pro Logic IIx modes are available only

when the AVR 240 has been configured for 6.1/7.1

operation by setting the Surround Back speakers as

either

LARGE or SMALL as described on page

26. These modes provide a matrixed 6.1-channel

presentation of analog sources

See page 26 for

more information.

When the 6-channel/8-channel direct inputs are in

use there is no surround processing, as these inputs

take the analog output signals from an optional,

exter

al DVD-Audio or SACD player, or another source

evice and carry them straight through to the volume

control without any further digital processing.

To listen to a program in traditional two-channel stereo,

using the front left and front right speakers only (plus

the subwoofer, if installed and configured), press the

tereo Button

ntil

URROUND OFF

appears in the Lower Display Line

, or press the

Surround Mode Group Selector 7 until the Stereo

modes appear in the on-screen display and Lower

Display Line

and then press the Surround Mode

Select Button

8 until SURROUND OFF

appears in the on-screen display and Lower Display

Line

When an analog audio source is in use, you may

activate an analog bypass Surround Off mode, if you

have removed the tone controls from the processing

circuitry by pressing the

Tone Mode Button 5

and using the ‹/› Buttons )o until the

TONE OUT message appears in the Lower

Display Line

ı.

Normally, the DSP icon will appear in the

Surround Mode Indicators ˆ, and the message

SURROUND OFF will appear in the lower line

of the semi-OSD display. When the DSP icon appears,

the incoming signal is digitized and any bass manage-

ment settings are applied. This mode is recommended

when your front speakers are not capable of repro-

ducing the lower frequencies and are thus used with

a subwoofer.

When the DSP icon is not lit in Surround Off mode

with an analog audio input in use, the AVR is in analog

bypass mode. The signal is being routed directly to the

volume control, without entering the digital domain and

without any bass management settings being applied.

This mode is desirable when your left and right speak-

ers are capable of reproducing low frequencies

, and

when you wish to hear the analog source material in

its pure form.

Digital

Audio Playback

Digital audio is a major advancement over older analog

surround processing systems such as Dolby Pro Logic.

It delivers five

six or seven discrete channels: left front,

center

, right front, left surround, right surround and

optionally one or two surround back channels. Each

channel reproduces full frequency range (20Hz to

20kHz) and offers dramatically improved dynamic range

and significant improvements to signal-to-noise ratios

addition, digital systems have the capability to deliver an

additional channel that is specifically devoted to low-fre-

quency information. This is the “.1” channel referred to

when you see these systems described as

“5.1

”

“6.1”

or “7.1”. The bass channel is separate from the other

channels, but since it is intentionally bandwidth-limited,

sound designers have given it that unique designation.

OPERATION

Surround Mode Chart

MODE FEATURES

olby Digital Available only with digital input sources encoded with Dolby Digital data. It provides up to five separate main audio channels and a special

dedicated Low-Frequency Effects channel.

Dolby Digital EX Available when the receiver is configured for 6.1/7.1-channel operation, Dolby Digital EX is the latest version of Dolby Digital. When used

with movies or other programs that have special encoding, Dolby Digital EX reproduces specially encoded soundtracks so that a full 6.1/7.1

ound field is available. When the receiver is set for 6.1/7.1 operation and a Dolby Digital signal is present, the EX mode is automatically

selected. Even if specific EX encoding is not available to provide the additional channel, EX mode may be manually selected to derive

a 6.1/7.1 output.

DTS 5.1 When the speaker configuration is set for 5.1-channel operation, the DTS 5.1 mode is available when DVD, audio-only music or laser discs

encoded with DTS data are played. DTS 5.1 provides up to five separate main audio channels and a special dedicated low-frequency channel.

DTS-ES 6.1 Matrix When the speaker configuration is set for 6.1/7.1 operation, newer discs with special DTS-ES discrete or Matrix encoding will be decoded

DTS-ES 6.1 Discrete to provide six discrete, full-bandwidth channels plus a separate low-frequency channel.

Dolby Pro Logic II Dolby Pro Logic II decodes full-range discrete left, center, right, right surround and left surround channels from either matrix surround-encoded

Movie programs and conventional stereo sources when an analog input is in use. The Dolby Pro Logic II Movie mode is optimized for movie soundtracks,

Music while the Pro Logic II Music mode should be used with musical selections. Game mode ensures that special effects are routed to the surround

Game channels, while delivering their full impact using the subwoofer, thus fully immersing the player in the universe of the video game.

Pro Logic The Pro Logic mode activates original Pro Logic processing for those who prefer that presentation.

Dolby Pro Logic IIx

Dolby Pro Logic IIx is the latest extension of Dolby Pro Logic II technology that creates a discrete 6.1 and 7.1 sound field from matrix surround

Music

or two-channel stereo sources in systems configured for surround back speakers. Movie, Music and Game versions of Pro Logic IIx are available.

Movie

Game mode ensures that special effects are routed to the surround channels, while delivering their full impact using the subwoofer, thus fully

Game

immersing the player in the universe of the video game. Dolby Pro Logic IIx post processing may be available with some DTS digital sources,

depending on the number of channels present in the input signal, to provide a 6.1-channel presentation in movie or music mode.

Logic 7 Cinema Exclusive to Harman Kardon for A/V receivers, Logic 7 is an advanced mode that extracts the maximum surround information

Logic 7 Music from either surround-encoded programs or conventional stereo material. Depending on the number of speakers in use

Logic 7 Enhance and the selection made in the

SURROUND SELECT menu, the “5.1” versions of Logic 7 modes are available

when the 5.1 option is chosen, while the “7.1” versions of Logic 7 produce a full sound field presentation, including back surround

speakers when the “6.1/7.1” option is chosen. The Logic 7 Cinema mode should be used with any source that contains

Dolby Surround or similar matrix encoding. Logic 7 Cinema delivers increased center-channel intelligibility, and more accurate placement of

sounds with fades and pans that are much smoother and more realistic than with other decoding techniques. The Logic 7 Music mode

should be used with analog or PCM stereo sources. Logic 7 Music enhances the listening experience by presenting a wider front soundstage

and greater rear ambience

Both Logic 7 modes also direct low-frequency information to the subwoofer (if installed and configured)

to deliver maximum bass impact. The Logic 7 Enhance mode is an extension of the Logic 7 mode that is primarily used with musical programs.

Logic 7 Enhance adds additional bass enhancement that circulates low frequencies in the 40Hz to 120Hz range to the front and surround

speakers to deliver a less localized soundstage that appears broader and wider than when the subwoofer is the sole source of bass energy.

DTS Neo:6 Cinema These two modes are available when any analog or DTS Digital source is playing to create a six-channel surround presentation from conventional

DTS Neo:6 Music

Matrix-encoded and traditional Stereo sources.

Select the Cinema version of Neo:6 when a program with any type of analog Matrix surround

encoding is present. Select the Music version of Neo:6 for optimal processing when a nonencoded,

two-channel stereo program is being played.

When selecting a DTS Neo:6 Cinema mode

, a 3-, 5- or 6-channel configuration may be available, depending on the number of speakers

in your system. Use 3-channel mode when only a front left and right and a center speaker are present; surround-channel information

will be mixed into these speakers. The 6-channel mode will only be available if you have configured your surround back speakers as active.

DTS 96/24 DTS 96/24 is a high-resolution format that uses a 96kHz sampling rate with 24 bits to produce extended information that improves

the harmonics of the source material.

The

VR is capable of automatically detecting and decoding DTS 96/24 materials and delivering them

as the artist intended.

Dolby 3 Stereo

Uses the infor

mation contained in a two-channel analog or PCM (44.1 or 48kHz) program,

or with the tuner, to create center-channel information.

In addition,

the information that is normally sent to the rear-channel surround speakers is carefully mixed in with the front-left and front-right

channels for increased realism. Use this mode when you have a center channel speaker but no surround speakers.

OPERATION 33

34 OPERATION

OPERATION

olby Virtual Speaker Dolby Virtual Speaker uses advanced technology to simulate the sonic signature of a speaker location even when there is no speaker physically

Reference present in that location. The Reference (“REF”) mode activates any missing speakers to simulate a 5.1 presentation with accurate localization.

Wide The Wide mode virtualizes the locations of the front-channel speakers to create a wider image and a more enveloping sound field. Dolby Virtual

Speaker – Reference is available for use with two or three actual speakers, and Dolby Virtual Speaker – Wide may be used with systems

onsisting of two, three, four or five speakers (not including the subwoofer). The specific mode available will vary depending on the

number of channels in the incoming Dolby Digital signal.

Theater The Theater mode creates a sound field that resembles the acoustic feeling of a standard live-performance theater. Depending on

whether you have configured your surround back speakers as active, 5-channel or 6-channel versions of this mode may be available.

Hall 1, Hall 2 The two Hall modes create sound fields that resemble a small (Hall 1) and medium-sized (Hall 2) concert hall. Depending on whether

ou have configured your surround back speakers as active, 5-channel or 6-channel versions of this mode may be available.

VMAx Near When only the two front-channel loudspeakers are used, Harman’s patented VMAx mode delivers a three-dimensional sound space

VMAx Far with the illusion of “phantom speakers” at the center and surround positions. The VMAx Near Field mode should be selected when

your listening position is less than five feet from the speakers. The VMAx Far Field mode should be selected when your listening

position is greater than five feet from the speakers.

5-Channel Stereo This mode takes advantage of multiple speakers to place a stereo signal at both the front and back of a room. Depending on whether

7-Channel Stereo the AVR has been configured for either 5.1 or 6.1/7.1 operation, one of these modes is available at any time. Ideal for playing music

in situations such as a party, it places the same signal at the front-left and surround-left, and front-right and surround-right speakers.

The center channel is fed a summed mono mix of the in-phase material of the left and right channels.

Surround Off This mode turns off all surround processing and presents the pure left- and right-channel presentation of two-channel stereo programs.

(Stereo) When used with an analog audio source, you may select between a digitized Surround Off mode, in which the incoming signal is digitized

and any bass management settings are applied, or an analog bypass Surround Off mode, in which the incoming signal is passed directly to

the volume control and a full-range signal is sent to your left and right main speakers.

Dolby Headphone Dolby Headphone enables ordinary stereo headphones to portray the sound of a five-speaker surround-playback system. The DH1

DH1 mode creates a headphone presentation that resembles a small, well-damped room and is appropriate for use with both movies and

DH2 music-only recordings. The DH2 mode creates a more acoustically live room particularly suited to music listening. The DH3 mode creates a

DH3 larger room, more like a concert hall or movie theater. The Bypass mode sends a “pure stereo” feed to the headphones.

For additional information on the specifics of surround modes and processing, information about Dolby modes may be found at www.dolby.com. Information about DTS modes

is available at www.dtsonline.com.

olby Digital

olby Digital is a standard part of DVD, and is available

on specially encoded LD discs and satellite broadcasts

and it is a part of the high-definition television (HDTV)

system.

An optional, external RF demodulator is required to

se the AVR 240 to listen to the Dolby Digital sound-

tracks available on laser discs. Connect the RF output

of the LD player to the demodulator and then connect

the digital output of the demodulator to the

Optical or

Coaxial Inputs *(bg of the AVR 240. No

demodulator is required for use with DVD players or

DTS-encoded laser discs.

DTS

DTS is another digital audio system that is capable of

delivering 5.1 or 6.1 discrete or matrix sound field

reproduction. Although both DTS and Dolby Digital are

digital, they use different methods of encoding the sig-

nals, and thus they require different decoding circuits

to convert the digital signals back to analog.

DTS-encoded soundtracks are available on select DVD

and LD discs, as well as on special audio-only DTS

discs. You may use any LD or CD player equipped

with a digital output to play DTS-encoded discs with

the AVR 240. All that is required is to connect the

player’s output to either an

Optical or Coaxial Input

on the rear panel bg or front panel *(.

In order to listen to DVDs encoded with DTS sound-

tracks, the DVD player must be compatible with the

DTS signal as indicated by a DTS logo on the player’s

front panel. Early DVD players may not be able to play

DTS-encoded DVDs. This does not indicate a problem

with the AVR 240, as some players cannot pass the

DTS signal through to the digital outputs. If you are in

doubt as to the capability of your DVD player to handle

DTS discs, consult the player’s owner’s manual.

IMPOR

TANT NOTE:

Many DVD players have a default

setting that does not pass through the DTS data, even

though the machine is capable of doing so. If your

DVD player has the “DTS Digital Out” logo but does

not trigger DTS playback in the

AVR 240, change the

player's settings in the “Audio” or “Bitstream” configu-

ration menu so that DTS playback is enabled. The

method for doing this will vary with each player. In

some cases,

the proper menu choice will be

“Original,”

while in others it will be “DTS.” Consult the owner's

manual for your player to find the specific information

to find the proper setting.

Selecting a Digital Source

o utilize either digital mode,

you must have properly

connected a digital source to the AVR 240. Connect

the digital outputs from DVD players, HDTV receivers,

satellite systems or CD players to the

Optical or

Coaxial Inputs *(bg. In order to provide a

backup signal and a source for analog stereo recording

the analog outputs provided on digital source equipment

hould also be connected to their appropriate inputs on

he AVR 240 rear panel (e.g., connect the analog stereo

audio output from a DVD to the

DVD Audio Inputs W

on the rear panel when you connect the source’s

digital outputs).

If you have not already configured an input for a digital

source using the on-screen menus as shown on page

20, first select the input using the remote or front-

panel controls as outlined in this manual. Next, select

the digital source by pressing the

Digital Select

Button

q# and then using the

⁄

Buttons

n on the remote or the

‹

›

Selector Buttons

) on the front panel to

choose any of the

OPTICAL or COAXIAL

inputs, as they

appear in the

Upper Display Line P or on-screen

display. When the digital source is playing, the

VR 240 will automatically detect which type of digital

data stream is being decoded and display that infor-

mation in the Upper Display Line P.

Digital Bitstream Indications

When a digital source is playing, the AVR 240 senses

the type of bitstream data that is present. Using this

information, the correct surround mode will automati-

cally be selected. For example, DTS bitstreams will

cause the unit to switch to DTS decoding, and Dolby

Digital bitstreams will enable Dolby Digital decoding.

When the unit senses PCM data from CDs or LDs,

it will default to Logic 7 Music mode, although you

may select any of the standard surround modes, such

as Dolby Pro Logic II or Logic 7. Since the range of

available surround modes is dependent on the type of

digital data that is present, the AVR 240 uses a variety

of indicators and messages to let you know what type

of signal is present. These messages will appear shortly

after an input or surround mode is changed,

and they

will remain in the

Lower Display Line ı for about

five seconds before that portion of the display returns

to the normal surround mode indication.

Surround Mode Channel Indications

For Dolby Digital and DTS sources, a three-digit indi-

cation will appear

showing the number of channels

present in the data. An example of this type of display

3/2/.1.

The first number indicates how many discrete front

channel signals are present.

• A “3” tells you that separate front left, center and

front right signals are available. This will be displayed

for Dolby Digital 5.1 and DTS 5.1 programs.

•

“2” tells you that separate front left and right

signals are available, but there is no discrete center

channel signal. This will be displayed for Dolby

Digital bitstreams that have stereo program

material.

• A “1” tells you that there is only a mono channel

available in the Dolby Digital bitstream.

he middle number indicates how many discrete sur-

ound channel signals are present.

•

A “2” tells you that separate surround left and right

signals are available. This will be displayed for Dolby

Digital 5.1 and DTS 5.1 programs.

•

A “1” tells you that there is only a single, surround-

encoded surround channel. This will appear for

Dolby Digital bitstreams that have matrix encoding.

• A “0” indicates that there is no surround channel

nformation. This will be displayed for two-channel

stereo programs.

The last number indicates whether there is a discrete

low-frequency effects (LFE) channel. This is the “.1”

in the common abbreviation of “5.1” sound and is a

special channel that contains only bass frequencies.

•

A “1” tells you that an LFE channel is present.

This will be displayed for Dolby Digital 5.1 and

DTS 5.1 programs, as available.

• A “0” indicates that there is no LFE channel infor-

mation available. However, even when there is no

dedicated LFE channel, low-frequency sound will

be present at the subwoofer output when the

speaker configuration is set to show the presence

of a subwoofer.

The information in the right side of the display will

tell you if the digital audio data contains a special flag

signal that will automatically activate the appropriate

6.1 or 7.1 mode. This will be shown as

EX-ON

or EX-OFF for Dolby Digital bitstreams and

ES-ON or ES-OFF for DTS bitstreams.

If the EX flag is off, and your receiver has been config-

ured for 6.1/7.1 operation, you may manually turn on

EX processing as appropriate by simply selecting the

Dolby Digital EX surround mode as described on

pages 21 and 32. When the ES flag is not present in

a DTS bitstream, you may benefit from a 6.1-channel

presentation by selecting the DTS+Neo:6 post-pro

cessing surround mode using the procedure described

on pages 21 and 32. In that mode, the DTS Neo:6

algorithms will be used to derive the surround back

channel from the DTS bitstream information.

When Dolby Digital 3/2/.1 or DTS 3/2/.1 signals are

being played, the AVR will automatically switch to the

proper surround mode, and no other processing may

be selected,

with these exceptions:

•

When a Dolby Digital 2.0 signal is detected,

you

may choose to listen to it in its native form. To do

so, scroll through the Dolby surround modes until

the Stereo icon lights in the

Surround Mode

Indicators

ˆ in addition to the Dolby Digital icon.

Alter

natively

you may engage surround post-pro-

cessing by scrolling through the Dolby Pro Logic II

and IIx modes, and the Dolby Pro Logic icon will

light in addition to the Dolby Digital icon.

OPERATION

OPERATION 35

•

As indicated above, when the EX flag is not present

n a Dolby Digital bitstream, you may scroll through

the Dolby surround modes to manually select Dolby

Digital EX processing.

•

When a DTS 5.1 signal is detected, you may listen

to it as a two-channel presentation, a 5.1-channel

presentation or a 6.1-channel presentation (if your

AVR is configured for 6.1/7.1 operation). To hear a

two-channel presentation, scroll through the DTS

surround modes until the Stereo icon lights in the

Surround Mode Indicators ˆ in addition to the

DTS icon. Continue scrolling to engage DTS 5.1

processing or DTS+Neo:6 (6-channel) processing.

• If a DTS-ES 6.1 Discrete signal is present, you may

choose a two-channel presentation, a 5.1-channel

presentation or a 6.1-channel presentation (if your

AVR has been configured for 6.1/7.1 operation).

Scroll through the DTS surround modes until the

Stereo icon lights in the

Surround Mode

Indicators

ˆ, in addition to the DTS icon.

Continue scrolling to engage DTS 5.1 processing

or DTS-ES Discrete processing.

When a Dolby Digital signal with a 3/1/0 or 2/0/0

signal is detected you may select any of the Dolby

surround modes.

See page 40 for information on setting a default sur-

round mode.

It is always a good idea to check the readout for the

channel data to make certain that it matches the audio

logo information shown on the back of a DVD pack-

age. In some cases you will see indication for “2/0/0”

even when the disc contains a full 5.1, or 3/2/.1 sig-

nal. When this happens, check the audio output set-

tings for your DVD player or the audio menu selections

for the specific disc being played to make certain that

the player is sending the correct signal to the

VR.

PCM

Audio Playback

PCM is the abbreviation for Pulse Code Modulation,

which is the type of digital signal used for standard CD

playback and other non-Dolby Digital and non-DTS

digital sources such as Mini-Disc

The digital circuits

in the AVR 240 are capable of high-quality digital-to-

analog decoding, and they may be connected directly

to the digital audio output of your CD or LD player.

Connections may be made to either the rear-panel

Optical or Coaxial Inputs bg or the front-panel

Digital Inputs *(.

To listen to a PCM digital source, first select the input for

the desired source (e.g., CD). Next press the

Digital

Select

Button

and then use the

⁄

Buttons n on the remote, or the

‹

›

Selector

Buttons

) on the front panel,

until the desired choice

appears in the

Upper Display Line P.

uring PCM playback, you may select any Surround

ode except Dolby Digital or DTS.

When a PCM signal is detected, the

Lower Display

ine

ı w

ill briefly show a message with the letters

PCM, in addition to a readout of the sampling fre-

quency of the digital signal. In most cases this will be

48kHz, though in the case of specially mastered,

high-resolution audio discs you will see a

96kHz

ndication.

Speaker/Channel Indicators

In addition to the bitstream indicators, the AVR 240

features a set of unique channel-input indicators that

tell you how many channels of digital information are

being received and/or whether the digital signal is

interrupted. (See Figure 16.)

Figure 16

These indicators are the L/C/R/LFE/SL/SR/SBL/SBR

letters that are inside the center boxes of the

Speaker/

Channel Input Indicators

O on the front panel.

When a standard analog signal is in use, only the “L”

and “R” indicators will light, as

analog signals have

only left and right channels.

Digital signals, however, may have two, five, six or

seven channels, depending on the program material,

the method of transmission and the way in which it

was encoded. When a digital signal is playing, the let-

ters in these indicators will light in response to the

specific signal being received.

It is important to note

that although Dolby Digital, for example, is referred to

as a “5.1” system, not all Dolby Digital DVDs or pro-

grams are encoded for 5.1. Thus, it is sometimes nor-

mal for a DVD with a Dolby Digital soundtrack to trig

ger only the “L” and “R” indicators.

NOTE: Many DVD discs are recorded with both “5.1”

and “2.0” versions of the same soundtrack. When

playing a DVD, always be certain to check the type of

material on the disc

. Most discs show this information

in the form of a listing or icon on the back of the disc

jacket. When a disc does offer multiple soundtrack

choices, you may have to make some adjustments to

your DVD player (usually with the

“

Audio Select”

button

or in a menu screen on the disc) to send a full 5.1

feed to the AVR 240. It is also possible for the type

of signal feed to change during the course of a DVD

playback.

In some cases

the menu screens and pre

views of special material will only be recorded in 2.0

audio, while the main feature is available in 5.1 audio.

The

AVR 240 will automatically sense changes to the

itstream and channel count and reflect them in these

ndicators.

The letters used by the

Speaker/Channel Input

ndicators

O a

lso flash to indicate when a bitstream

has been interrupted. This will happen when a digital

input source is selected before the playback starts, or

when a digital source such as a DVD is paused. The

flashing indicators remind you that the playback has

topped due to the absence of a digital signal and not

through any fault of the AVR 240. This is normal, and

the digital playback will resume once the playback is

started again.

Night Mode

A special feature of Dolby Digital is the Night mode,

which enables specially encoded Dolby Digital input

sources to be played back with full digital intelligibility

while reducing the minimum peak level by 1/4 to 1/3.

This prevents abruptly loud transitions from disturbing

others, without reducing the impact of the digital

source. The Night mode is available only when Dolby

Digital signals with special data are being played.

The Night mode may be engaged when a Dolby

Digital DVD is playing by pressing the

Night Mode

Button

l on the remote. Next, press the

⁄

Buttons n to select either the middle-range or

full-compression versions of the Night mode. To turn

the Night mode off, press the

⁄

Buttons n

until the message in the lower third of the video dis-

play and in the

Lower Display Line Q reads

D-RANGE OFF.

The Night mode may also be selected to always be on

at either level of compression using the options in the

DOLBY menu. See page 22 for information on

using the menus to set this option.

IMPORTANT NOTES ON DIGITAL PLAYBACK:

• When the digital playback source is stopped, or in

a pause,

fast-forward or chapter-search mode, the

digital audio data will momentarily stop, the channel

position letters inside the

Speaker/Channel Input

Indicators

O will flash. This is normal and does

not indicate a problem with either the

VR 240 or

the source machine

. The AVR 240 will return to dig-

ital playback as soon as the data is available and

when the machine is in a standard play mode.

•

Although the

AVR 240 will decode virtually all current

DVD movies

CDs and HDTV sources

it is possible

that some future digital sources may not be compati-

ble with the AVR 240.

• Not all digitally encoded programs contain full 5.1-

or 6.1-channel audio

Consult the program guide

that accompanies the DVD or laser disc to deter-

mine which type of audio has been recorded on the

disc

. The AVR 240 will automatically sense the type

OPERATION

36 OPERATION

OPERATION

OPERATION 37OPERATION 37

f digital surround encoding used and adjust to

ccommodate it.

• When some digital sources are playing, you may

not be able to select some of the analog surround

odes such as Dolby Pro Logic II or IIx, Dolby 3

Stereo, Hall, Theater or Logic 7.

• When a Dolby Digital or DTS source is playing, it is

not possible to make an analog recording using the

ape Outputs

£ a

ideo 1 Audio Outputs

Y. However, the digital signals will be passed

through to the

Digital Audio Outputs ·a.

Tuner Operation

The AVR 240’s tuner is capable of tuning AM, FM and

FM Stereo broadcast stations. Stations may be tuned

manually

, or they may be stored as favorite station

presets and recalled from a 30-position memory.

Station Selection

1. Press the AM/FM Tuner Select Button g on

the remote to select the tuner as an input. The

tuner may be selected from the front panel either

by pressing the

Input Source Selector ^ until

the tuner is active or by pressing the

Tuner Band

Selector

2. Press the

AM/FM Tuner Select Button g or

Tuner Band Selector ! again to switch between

AM and FM so that the desired frequency band is

selected.

3. Press the

Tuner Mode Button

I to select

manual or automatic tuning.

When the button is pressed so that

AUTO

appears in the Lower Display Line ı each

press of the

Tuning Selectors 9u will put

the tuner in a scan mode that seeks the next

higher- or lower-frequency station with acceptable

signal strength. An

AUTO ST TUNED indica-

tion

will momentarily appear when the station stops

at a stereo FM station, and an

AUTO TUNED

indication will momentarily appear when an AM or

monaural FM station is tuned.

Press the T

uning but-

tons again to scan to the next receivable station.

When the button is pressed so that

MANUAL

appears in the Lower Display Line ı each tap

of the Selector will increased or decrease the fre-

quency by one increment. When the tuner receives

a strong-enough signal for adequate reception,

MANUAL TUNED will appear in the Lower

Display Line

ı.

4. Stations may also be tuned directly in either the

automatic or manual mode

. To enter a station’s fre-

quency directly

first select the

AM or FM band as

desired be pressing the

AM/FM Tuner Select

Button

g. Next, press the Direct Button J.

ithin five seconds of seeing the

IRECT IN

scroll in the Upper Display Line P, enter the

station frequency by pressing the

Numeric Keys

r. If you press an incorrect button while entering

direct frequency, press the

lear Button

W t

tart over.

NOTE: When FM reception of a station is weak, audio

quality will be increased by switching to Mono mode

by pressing the

Tuner Mode Button

I so that

MANUAL appears momentarily in the Lower

Display Line

ı and goes out. This will also

activate manual tuning mode.

Preset Tuning

Using the remote, up to 30 stations may be stored in

the AVR 240’s memory for easy recall using the front

panel controls or the remote.

To enter a station into the memory, first tune the

station using the steps outlined above. Then:

1. Press the

Memory Button X on the remote.

Two underscore lines will appear at the far right

side of the

Upper Display Line P.

2. Within five seconds, press the

Numeric Keys r

corresponding to the location where you wish to

store this station’s frequency. Once entered, the

preset number will appear in the

Upper Display

Line

3. Repeat the process after tuning any additional

stations to be preset.

Recalling Preset Stations

• To manually select a station previously entered in

the preset memory, press the

Numeric Keys r

that correspond to the desired station’s memory

location.

• To manually tune through the list of stored preset

stations one by one,

press the

Preset

Stations

Selector Buttons

$T on the front panel or

remote.

Recording

In nor

mal operation, the audio or video source

selected for listening through the

VR 240 is sent to

the record outputs. This means that any program you

are watching or listening to may be recorded simply

by placing machines connected to the

pe Outputs

£ or Video 1 Audio/Video and S-Video Outputs

hY in the Record mode

When a digital audio recorder is connected to the

Digital Audio Outputs ·a, you are able to record

the digital signal using a CD-R

MiniDisc or other digital

recording system.

OTES:

•

The digital outputs are active only when a digital sig-

nal is present, and they do not convert an analog

input to a digital signal, or change the format of the

digital signal. In addition, the digital recorder must

e compatible with the output signal. For example,

the PCM digital input from a CD player may be

recorded on a CD-R or MiniDisc, but Dolby Digital

or DTS signals may not.

• Please make certain that you are aware of any

Unauthorized duplication of copyrighted materials

is prohibited by federal law.

Using

When Harman Kardon’s (optional) is connected

and a compatible iPod

is docked in The Bridge, press

the

DMP Selector Button d to choose

the iPod as the input source. Pressing the

DMP

Selector Button

d will also activate the

AVR remote’s control codes for the iPod, and you may

also use the front-panel controls to operate the iPod.

You may also select DMP as the source

from the front panel by repeatedly pressing the

Input

Source Selector

^ until DMP appears in the

Upper Display Line P, although no Input

Indicator

Ú will light.

When The Bridge is properly connected and a com-

patible iPod is properly docked,

DMP/THE

BRIDGE IS CONNECTED

will scroll

across the

Upper Display Line P. Once that mes-

sage appears, use the remote or front-panel buttons

to control the iPod. See the Function List Table on

pages 44–45 for a listing of the remote control but-

tons that have been programmed to control the iPod.

In brief, the

Reverse Search, Play and Forward

Search Buttons

` and the ⁄/¤/‹/›Buttons

no and Set Button p may be used in a sim-

ilar manner to the corresponding controls on the

iPod. Additional buttons on the remote may also be

used to navigate your iPod’s albums and playlists.

Complete details on operating an iP

od using

and an

AVR remote are furnished with .

The front-panel controls may be used to access a lim

ited number of iPod functions. Press the

Tuner Mode

Button

& to play or pause the current track.

The

uning Selector

9 may be used to search reverse

(left side of button) or forward (right side of button)

through the tracks. Press the

Tuner Band Selector

! to call up the iP

od’

s menu. Press the

Preset

Station Selectors

$ to scroll, and the Set Button

@ to select. For complete information on using the

AVR’s remote or front-panel controls to operate an

iPod, see the instructions packed with The Bridge.

The

Bridge

The

Bridge

The

Bridge

The

Bridge

The

Bridge

The

Bridge

The

Bridge

OPERATION

Output Level Trim Adjustment

Normal output level adjustment for the AVR 240 is

established using EzSet+, or the internal test tone, as

outlined on pages 29–30. In some cases, however, it

may be desirable to adjust the output levels using pro-

ram material such as a test disc, or a selection you

are familiar with.

o adjust the output levels using program material, first

et the reference volume for the front left and front right

channels using the Volume Control Òb

If you are using a disc with test signals or an external

signal generator as the source from which to trim the

output levels, you may use a handheld SPL meter to

guide you to the correct SPL levels. Set the meter to

the C-Weighting Slow scale, and adjust the volume

until the meter reads 75dB.

Once the reference level has been set, press the

Channel Select Button

and FRONT L

LEVEL

will appear in the Lower Display Line

Q and semi-OSD. To change the level, first press

the

Set Button p, and then use the

⁄

Buttons

to raise or lower the level. DO NOT

use the volume control, as this will alter the

reference setting.

Once the change has been made, press the

Set

Button

p and then press the

⁄

Buttons

to select the next output channel location you wish to

adjust. To adjust the subwoofer level, press the

⁄

Buttons

until WOOFER LEVEL appears in

the

Lower Display Line Q and on screen.

Repeat the procedure as needed until all channels

requiring adjustment have been set. When all adjust-

ments have been made and no further adjustments

are made for five seconds, the AVR 240 will return to

nor

mal operation.

The channel output for any input may also be adjusted

using the full-OSD on-screen menu system. First, set

the volume to a comfortable listening level using the

Volume Control Òb. Then, press the OSD

Button

v to bring up the MASTER MENU

(Figure 1). Press the

Button n until the on-

screen

›

cursor is next to the MANUAL

SETUP

line

Press the

Set Button p to display

the

MANUAL SETUP submenu, and use the

⁄/¤ Buttons n to scroll to the CHANNEL

ADJUST

line. Press the Set Button p again to

display the

CHANNEL ADJUST submenu.

Once the menu appears on your video screen,

first

use the

⁄

Buttons n to move the on-screen

›

cursor so that it is next to the TEST TONE

line. Press the

‹

›

Buttons o so that OFF

appears

This will tur

n off the test tone and allow you

o use your external test disc or other source material

s the reference. Then, use the

⁄

uttons

until the › cursor is next to the TEST TONE

SEQ

line so that you may select between automatic

and manual movement of the test tone from one

hannel to the next. When

UTO

ppears, the test

tone will automatically circulate from one channel to

the next, pausing momentarily at each channel. If you

adjust the level of any channel, the test tone will

emain paused at that channel until several seconds

fter your last adjustment before continuing to the next

channel. When

MANUAL appears, the test tone will

remain paused at the last channel until you use the

⁄/¤ Buttons n to select another channel.

At each channel position, use the

‹

›

Buttons o

to change the output level.

Remember, the goal is to

have the output level at each channel be equal when

heard at the listening position.

If you wish to reset all the levels to their original

factory default of 0dB offset, press the

⁄

Buttons

n so that the on-screen cursor is next to the

CHANNEL RESET line and press the

‹

›

Buttons o so that the word ON appears.

After the

levels are reset, resume the procedure outlined above

to reset the levels to the desired settings. When all

adjustments are done, press the

⁄

Buttons

to move the on-screen

›

cursor so that it is next to

BACK TO MANUAL SETUP and then press

the

Set Button p if you wish to go back to the

manual setup menu to make other adjustments. If you

have no other adjustments to make, press the

OSD

Button

v to exit the menu system.

NOTE: The output levels may be separately trimmed for

each digital and analog surround mode by selecting that

mode and following the instructions shown above.

Memory Backup

This product is equipped with a memor

y backup sys-

tem that preserves the system configuration information

and tuner presets if the unit is accidentally unplugged

or subjected to a power outage. This memory will last

for approximately four weeks,

after which time all infor-

mation must be reentered.

ADVANCED FEATURES

he AVR 240 is equipped with a number of advanced

eatures that add extra flexibility to the unit’s operation.

While it is not necessary to use these features to

operate the unit, they do provide additional options.

Figure 17

Front-Panel-Display Fade

In normal operation, the front-panel displays and indi-

cators remain on at full brightness, although you may

also dim them or turn them off using the

Dimmer

Button

h (see page 12). As an additional option,

you may also set the AVR so that the displays are on

whenever a button is pressed on the front panel or

remote, but then fade out after a set period of time.

To set the front-panel displays to the Fade mode,

press the

OSD Button v to bring the MASTER

(Figure 1) to the screen. Press the

⁄

Buttons n so that the

›

cursor is pointed to the

ADVANCED line, and press the Set Button p

to enter the ADVANCED SELECT menu

(Figure 17).

With the

ADVANCED SELECT menu on

your video display, press the

⁄

Buttons n so

that the

›

cursor is pointing to the VFD FADE

TIME OUT

line. Next, press the

‹

›

Buttons

o so that the amount of time that you wish the dis-

plays to fade out after a button is pressed is shown.

Select

OFF if you do not wish to have the front-

panel displays fade out.

Once this time is set and the unit returned to normal

operation, the displays will remain on for the time period

selected whenever a button is pressed on the front

panel or remote. After that time they will gradually fade

out, with the exception of the

Power Indicator 2,

which will remain on to remind you that the AVR is

turned on. Note that if the displays have been turned

completely off using the

Dim Button h, the Fade

function will not operate

If you wish to make adjustments to other items on

the

ADVANCED SELECT menu, press the

⁄

Buttons n to place the

›

cursor next to

the desired item, or place the

›

cursor next to the

BACK

MASTER

line and press

the Set Button p to make an adjustment to another

menu. If you have completed all adjustments, press

the

OSD Button v to exit the menu system.

urn-On Volume Level

s is the case with most audio/video receivers, when

the AVR 240 is turned on, it will always return to the

volume setting in effect when the unit was turned off.

However, you may prefer to always have the AVR 240

urn on at a specific setting, regardless of what was

last in use when the unit was turned off. To change

the default condition so that the same volume level

is always used at turn-on, you will need to make an

djustment in the

DVANCED SELECT

enu. To start the adjustment, press the

SD Button

to bring the MASTER MENU (Figure 1)

to the screen. Press the

Button n, until the on-

screen

›

cursor is next to the ADVANCED line.

Press the Set Button p to enter the ADVANCED

SELECT

menu (Figure 17).

At the ADVANCED SELECT menu make

certain that the on-screen

›

cursor is next to the

VOLUME DEFAULT line by pressing the

⁄

Buttons n as needed. Next, press the

›

Button o so that the word ON is shown in

the video display. Next, press the

Button n

once so that the on-screen

›

cursor is next to the

DEFAULT VOL SET line. To set the desired

turn-on volume, press the

‹

›

Buttons o until the

desired volume level is shown on the

DEFAULT

VOL SET

line. This setting may NOT be made

with the regular volume controls.

NOTE: Since the setting for the turn-on volume

cannot be heard while the setting is being made, you

may wish to determine the setting before making the

adjustment. To do this, listen to any source and adjust

the volume to the desired level using the regular

Volume Controls Òb. When the desired volume

level to be used at turn-on is reached, make a note of

the setting as it appears in the lower third of the video

screen or in the

Lower Display Line ı. (A typical

volume level will appear as a negative number such as

–25dB.)

When making the adjustment, use the

‹

›

Buttons o to enter this setting.

The tur

n-on volume default will remain in effect until it

is changed or turned off in this menu, even when the

unit is turned off.

If you wish to make other adjustments, press the

⁄

Buttons n until the on-screen

›

cursor

is next to the desired setting or the

BACK TO

MASTER MENU

line and press the Set Button

p. If you have no other adjustments to make, press

the

OSD

Button

v to exit the menu system.

Semi-OSD Settings

The semi-OSD system places one-line messages at

the lower third of the video display screen whenever

the Volume, Input Source, Surround mode, tuner

requency or any of the configuration settings are

hanged. The semi-OSD system is helpful in that it

provides feedback on any control changes or remote

commands using the video display when it is difficult

to view the front-panel displays. However, you may

ccasionally prefer to turn these displays off or adjust

the length of time the displays remain on the screen.

Both of those options are possible with the AVR 240.

This setting will also determine the length of time that

rack identification and play time messages will appear

n your video display when The Bridge is in use.

To change the length of time that the semi-OSD

displays remain on the screen, or to turn them off, go to

the

ADVANCED

SELECT menu as outlined

earlier, and press the

⁄

Buttons n as needed,

until the on-screen

›

cursor is next to the SEMI

OSD TIME OUT

line. Next, press the

‹

›

Buttons o until the desired time in seconds or the

word

OFF is displayed. This is a permanent setting

change, and the time-out entry will remain in

effect

until it is changed, even when the unit is turned off.

If you wish to make other adjustments, press the

⁄

Buttons n until the on-screen

›

cursor

is next to the desired setting or the

BACK TO

MASTER MENU

line and press the Set Button

p. If you have no other adjustments to make, press

the

OSD Button v to exit the menu system.

Full-OSD Time-Out Adjustment

The FULL OSD menu system is used to simplify

the setup and adjustment of the AVR 240, using a

series of on-screen menus. The factory default setting

for these menus leaves them on the screen for 20

seconds after a period of inactivity before they disap-

pear from the screen (Time-Out). Time-Out is a safety

measure to prevent image retention of the menu text

in your monitor or projector, which might happen if it

were left on indefinitely

. However, some viewers may

prefer a slightly longer or shorter period before the

Time-Out display.

o change the full-OSD

ime-Out,

you will need

to make an adjustment in the

ADVANCED

SELECT

menu (Figure 10). To start the adjust-

ment,

press the

OSD

Button

v to bring the

MASTER MENU to the screen. Press the ¤

Button n, until the on-screen › cursor is next to

the

ADVANCED line. Press the Set Button p

to enter the ADVANCED menu (Figure 17).

At the

ADVANCED SELECT menu (Figure

17) make certain that the on-screen

› cursor is next

to the

FULL OSD TIME OUT line by press-

ing the

⁄

Buttons n as needed.

Next,

press

the

‹

›

Buttons o until the desired time is dis

played in seconds. This is a permanent setting change,

* ADVANCED SELECT *

VFD FADE TIME OUT:OFF

VOLUME DEFAULT:OFF

DEFAULT VOL SET:Ð25dB

SEMI OSD TIME OUT: 5S

FULL OSD TIME OUT:20S

EFAULT SURR MODE:ON

OSD BACKGROUND:BLUE

BACK TO MASTER MENU

ADVANCED FEATURES

40 ADVANCED FEATURES

nd the Time-Out entry will remain in effect until it is

hanged, even if the unit is turned off.

If you wish to make other adjustments, press the

⁄

Buttons n until the on-screen

›

cursor is

ext to the desired setting or the

ETURN TO

MASTER MENU

line and press the Set Button

p. If you have no other adjustments to make, press

the

OSD Button v to exit the menu system.

Default Surround Mode

In normal operation, when the AVR 240 senses a

Dolby Digital or DTS digital audio data stream, it will

automatically switch to the appropriate default sur-

round mode, with the AVR responding to the data flags

that are encoded on the DVD disc or in the digital

video broadcast. In most cases, this is the correct

mode, but you may have a particular preference for

the mode you wish to hear when Dolby Digital or DTS

is present. As described on pages 35–36, you may

select from several available choices of Dolby or DTS

modes, depending on the number of channels you

have configured your AVR for and the format of the

incoming bitstream.

The AVR 240 allows you to set the unit so that it will

either respond to the default or switch to your desired

mode. If you wish to leave the default so that the sur-

round mode information as it is encoded in the disc is

always used, no further action is needed. Simply leave

the setting at the factory default of ON.

To set the unit so that it responds to the last surround

mode you selected when a Dolby Digital or DTS

source was playing, with the

ADVANCED

SELECT

menu on screen, press the ⁄/¤

Buttons n so that the › cursor is pointing to

the

DEFAULT SURR

MODE

line.

Press the

⁄/¤ Buttons o so that OFF appears

The unit

will now switch to the last selected mode instead of

the disc’s default mode for Dolby and DTS digitally

encoded data streams

This setting does not apply to standard PCM digital

inputs or to analog sources

. In those cases, the unit

will always apply the surround or processing mode

that was last used for that input.

If you wish to make other adjustments

press the

⁄/¤ Buttons n until the on-screen › cursor

is next to the desired setting or the

BACK TO

MASTER MENU

line and press the Set Button

p. If you have no other adjustments to make, press

the

OSD Button v to exit the menu system.

ull-OSD Background Color

hen the full-OSD menu system is in use, the default

isplay appears with a solid blue background with

white characters. If you wish, you may select a solid

black background as the default

. This setting may be

changed by pressing the

OSD Button v to display

ASTER MENU

Use the

⁄/¤ B

uttons

n to scroll down to the ADVANCED line,

and press the

Set Button p to select the

ADVANCED SELECT submenu. Press

the

⁄/¤ Buttons n again to scroll to the

OSD BACKGROUND line. When BLUE

appears, the full-OSD menus will appear on screen

with a solid blue background.

Press the

⁄/¤

Buttons o until BLACK appears to display the

full-OSD menus on a solid black background instead.

This setting will be retained even when the AVR 240

is turned off to the Standby mode.

If you wish to make other adjustments, press the

⁄/¤ Buttons n until the on-screen › cursor

is next to the desired setting or the

BACK TO

MASTER MENU

line and press the Set Button

p. If you have no other adjustments to make, press

the

OSD Button v to exit the menu system.

PROGRAMMING THE REMOTE 41

PROGRAMMING THE REMOTE

he AVR 240 is equipped with a powerful remote

ontrol that will control not only the receiver’s func-

tions, but also most popular brands of audio and video

equipment, including CD players, cassette decks, TV

sets, cable boxes, VCRs, satellite receivers and other

ome theater equipment. Once the AVR 240’s remote

is programmed with the codes for the products you

own, it is possible to eliminate most other

remotes and

replace them with the convenience of a single, universal

emote control.

Programming Device Codes

The AVR 240 remote is factory-programmed for all AVR

functions, as well as those of most Harman Kardon CD

changers, DVD players, CD players and cassette decks,

as well as the navigation controls for the Apple iPod.

In addition, by following one of the methods below, you

may program the remote to operate a wide range of

devices from other manufacturers.

Direct Code Entry

This method is the easiest way to program your

remote to work with different products.

1. Use the tables in the following pages to determine

the three-digit code or codes that match both the

product type (e.g., VCR, TV) and the specific brand

name. If there is more than one number for a

brand, make note of the different choices.

2. Turn on the unit you wish to program into the

AVR 240 remote.

3. Press and hold both the

Input Selector e for

the product you wish to control (e.g., VCR, TV) and

the

Mute Button at the same time. When

the red light under the

Input Selector e stays

lit and the

Program Indicator c turns amber

and begins flashing, release the buttons. It is

important that you begin the next step within

20 seconds.

4. Point the AVR 240’s remote toward the unit to be

programmed,

and enter the first three-digit code

using the

Numeric Keys r. If the unit turns off,

the correct code has been entered. Press the

Input

Selector

e again,

and note that the red light

will flash three times before going dark to confirm

the entr

5. If the device to be programmed in does NOT turn

off, continue to enter three-digit codes until the

equipment tur

ns off. At this point, the correct code

has been entered. Press the

Input Selector e

again and note that the red light under the Input

Selector

e will flash three times before going

dark to confirm the entry.

y all of the functions on the remote to make cer

tain that the product operates properly. Keep in

mind that many manufacturers use a number of

ifferent combinations of codes, so it is a good

dea to make certain that not only the power

control, but the volume, channel and transport

controls work as they should. If functions do not

work properly, you may need to use a different

emote code.

. If a code cannot be entered to turn the unit off, if

the code for your product does not appear in the

tables in this manual, or if not all functions oper-

ate properly, try programming the remote with

the Auto Search Method.

Auto Search Method

If the unit you wish to include in the AVR 240’s remote

is not listed in the code tables in this manual or if the

code does not seem to operate properly, you may wish

to program the correct code using the Auto Search

method that follows:

1. Turn on the unit that you wish to include in the

AVR 240 remote.

2. Press the

Input Selector e for the type of

product to be entered (e.g., VCR, TV) and the

Mute Button f at the same time. Hold both

buttons until the red light under the Input Selector

e stays lit and the Program Indicator c

turns

amber and begins flashing. The next step must

take place while the red light is on, and it must

begin within 20 seconds after the light appears.

3. Point the AVR 240 remote toward the unit to be

programmed, and press either the

⁄

Button

n repeatedly. Each press will send out a series of

codes from the remote’s built-in database. When

the unit being programmed turns off, stop pressing

the

⁄ /¤

Buttons n, as that is your indication

that the correct code is in use.

4. Press the

Input Selector e; the red light under

the Input Selector will flash three times before

going dark to confirm the entr

5. Try all of the functions on the remote to make cer-

tain that the product operates. Keep in mind that

many manufacturers use a number of different

combinations of codes,

and it is a good idea to

make certain that not only the power control

works, but also the volume, channel and transport

controls

as appropriate. If all functions do not work

properly, you may need to Auto-Search for a dif-

ferent code

or enter a code via the Direct Code

Entry method.

Code Readout

When the code has been entered using the

Auto

Search method, it is always a good idea to find out the

exact code so that it may be easily reentered if neces

sary. You may also read the codes to verify which

device has been programmed to a specific Control

Selector button.

1. Press and hold both the

Input Selector e

or the device you wish to find the code for and

the

Mute Button f at the same time. The

Program Indicator c will turn amber and

begin flashing, and the red light under the

Input

elector

e w

ill stay lit. Release the buttons

nd begin the next step within 20 seconds.

2. Press the

Set Button p. The Program

Indicator

c will then blink green in a sequence

that corresponds to the three-digit code, with a one-

second pause between each digit. Count the num-

ber of blinks between pauses to determine the digit

of the code. One blink is the number 1, two blinks is

the number 2, and so forth. Ten blinks are used to

indicate a “0.”

Example: One blink, followed by a one-second pause,

followed by six blinks, followed by a one-second

pause, followed by ten blinks indicates that the code

has been set to 160.

For future reference, enter the setup codes for the

equipment in your system here:

DVD ____________ CD ________________

VID1/VCR __________ VID2/CBL __________

VID2/SAT ________ VID3/TV __________

VID4 ____________ TAPE______________

Macro Programming

Macros enable you to easily repeat frequently used

combinations of commands with the press of a single

button on the AVR 240’s remote control. Once pro-

grammed,

a macro will send out up to 19 different

remote codes in a predetermined sequential order

enabling you to automate the process of tur

ning on

your system, changing devices, or other common

tasks

The AVR 240’s remote can store up to five

separate macro command sequences:

one that is

associated with the

Power On Button a and four

more that are accessed by pressing the

Macro

Buttons

Press the

Mute

Button

f and the Macro

Button

T to be programmed or the P

wer On

Button

a at the same time. An Input Selector

ef will light red, and the Program

Indicator

c will flash amber.

2. Enter the steps for the macro sequence by press-

ing the button for the actual command step.

Although the macro may contain up to 19 steps

each button press, including those used to change

42 PROGRAMMING THE REMOTE

PROGRAMMING THE REMOTE

evices, counts as a step. The

rogram Indicator

c w

ill flash green to confirm each button press

as you enter commands.

OTE:

hile entering commands for Power On/Off of

any device during a macro sequence, press the

Mute

Button

f. DO NOT press the actual Power button.

. When all the steps have been entered, press the

Sleep Button j to enter the commands. The

red light under the

Input Selectors ef will

blink and then turn off.

Example: To program the Macro 1 button so that it

turns on the AVR 240, TV and a cable box, follow

these steps:

• Press the

Macro 1 Button T and Mute

Button

f at the same time and then release

them.

• Note that the

Program Indicator c will flash

amber.

• Press the

AVR Selector f.

• Press the

Mute Button f to store the

AVR 240’s Power On command.

• Press the

VID 3 Input Selector Button e to

indicate the next command is for “TV Power On.”

• Press the

Mute Button f to store the TV

Power On Command.

• Press the

VID 2 Input Selector Button e to

indicate the next command is for “Cable Power On.”

• Press the Mute Button f to store the Cable

Power On command.

• Press the

Sleep/Channel Up Button j to

complete the process and store the macro

sequence

After following these steps

each time you press

the

Macro 1 Button T, the remote will send

the Power On/Off command.

Erasing Macro Commands

o remove the commands that have been pro

grammed into one of the Macro buttons, follow these

steps:

1. Press the

Mute Button f and the Macro

Button

T that contains the commands you

wish to erase

2. The

Program Indicator c will flash amber,

and the LED under the

AVR Selector f will

tur

n red.

. Within ten seconds, press the

urround Mode

elector/Channel Down Button

4. The red LED under the

AVR Selector f will

go out, and the

Program Indicator c will turn

green and flash three times before it goes out.

. When the

rogram Indicator

c g

oes out, the

Macro has been erased.

Figure 18

Programmed Device Functions

Once the AVR 240’s remote has been programmed for

the codes of other devices, press the appropriate

Input

Selector

e to change the remote from controlling

the AVR 240 to controlling the additional product. When

ou press any one of the selectors, it will briefly flash in

red to indicate that you have changed the device being

controlled.

hen operating a device other than the AVR 240, the

controls may not correspond exactly to the function

printed on the remote or button. Some commands,

such as the volume control, are the same as they are

with the AVR 240. Other buttons will change their

function so that they correspond to a secondary label

on the remote. For example, the Sleep and Surround

mode selector buttons also function as the Channel Up

and Channel Down buttons when operating most TV

sets, VCRs or cable boxes. The Channel Up/Down

indication is printed directly on the remote. For many

standard CD players, cassette decks, VCRs and DVD

functions, the standard function icons are printed on

top of the buttons.

For some products, however, the function of a particu-

lar button does not follow the command printed on

the remote. In order to see which function a button

controls, consult the Function List tables on pages 44

and 45. To use those tables, first check the type of

device being controlled (e.g., TV, VCR). Next, look at

the remote control diagram in Figure 18. Note that

each button has a number on it.

o find out what function a particular button has for

a specific device, find the button number on the

Function List and then look in the column for the device

you are controlling. For example, button number 46

is the Direct button for the AVR 240, but it is the

“Favorite” button for many cable television boxes

and satellite receivers. Button number 32 is the Delay

button for the AVR 240, but the Open/Close button for

CD players

NOTE: The numbers used to describe the button

functions in Figure 18 for the purposes of describing

how a button operates are a different set of numbers

than those used in the rest of this manual to describe

the button functions for the A

240.

NOTES ON USING THE AVR 240 REMOTE WITH

OTHER DEVICES.

• Manufacturers may use different code sets for the

same product category

or that reason, it is impor-

tant that you check to see whether the code set you

have entered operates as many controls as possible.

If it appears that only a few functions operate, check

to see whether another code set will work with more

buttons.

240

PROGRAMMING THE REMOTE 43

PROGRAMMING THE REMOTE

•

When a button is pressed on the AVR 240 remote,

he red light under the

nput Selector

the product being operated should flash briefly. If

the Device Control Selector flashes for some but

not all buttons for a particular product, it does NOT

ndicate a problem with the remote but rather that

no function is programmed for the button being

pushed.

Volume Punch-Through

The AVR 240’s remote may be programmed to oper-

ate the

Volume Control b and Mute f func-

tions of either the TV or the AVR 240 in conjunction

with any of the devices controlled by the remote. For

example, since the AVR 240 will likely be used as the

sound system for TV viewing, you may wish to have

the AVR 240’s volume activated, although the remote

is set to run the TV. Either the AVR 240 or TV volume

control may be associated with any of the remote’s

devices. The factory default setting is to have the

AVR 240’s volume activated for all devices except

TAPE. To program the remote for Volume Punch-

Through, follow these steps:

1. Press the

Input Selector e for the unit you wish

to have associated with the volume control and the

Mute Button f at the same time until the red

light appears under the

Input Selector e; the

Program Indicator c will flash amber.

2. Press the

Volume Up Button b; the Program

Indicator c will stop flashing and stay amber.

3. Press either the AVR Selector f or the Input

Selector

e, depending on which system’s

volume control you wish to have attached for the

punch-through mode. The

Program Indicator c

will blink green three times and then go out to con-

firm the data entry.

Example: T

o have the

VR 240’s volume control

activated even though the remote is set to control

the TV, first press the

Video 3/TV Input Selector

e and the Mute Button f at the same time.

Next, press the

Volume Up Button b, followed

by the

AVR Selector f.

NOTE: Should you wish to return the remote to the

original configuration after entering a Volume Punch-

Through, you will need to repeat the steps shown

above

However, press the same Input Selector in

Steps 1 and 3.

Channel Control Punch-Through

The AVR 240’s remote may be programmed to operate

so that the channel control function for either the TV,

cable or satellite receiver used in your system may be

used in conjunction with one of the other devices con-

trolled by the remote. For example, while using and con-

rolling the VCR, you may wish to change channels on a

able box or satellite receiver without having to change

the device selected by the AVR 240 or the remote.

To program the remote for Channel Control Punch-

Through, follow these steps:

1. Press the

Input Selector Button ef for the

device you wish to have the channel control associ-

ated with and the

Mute Button f at the same

ime until the red light appears under the

nput

Selector

ef and the Program Indicator

c flashes amber.

2. Press the

Volume Down Button b. The

Program Indicator c will stop flashing and

stay amber.

3. Press and release the

Input Selector Button e

for the device that will be used to change the

channels

. The

Program Indica

tor

c will blink

green three times and then go out to confirm the

data entry.

Example: To control the channels using your cable

box or satellite receiver while the remote is set to

control the VCR, first press the

VID 1/VCR Input

Selector Button

e and the Mute Button f

at the same time. Next, release them and press the

Volume Down Button b, followed by the VID 2/

Cable/Sat Input Selector Button

NOTE: To remove the Channel Control Punch-Through

and return the remote to its original configuration, repeat

the steps shown in the example above. However, press

the same Input Selector in Steps 1 and 3.

Transport Control Punch-Through

The AVR 240’s remote may be programmed to operate

so that the

Transport Control Functions ` (Play,

Stop, Fast Forward, Rewind, Pause and Record) for a

VCR, DVD or CD will operate in conjunction with one of

the other devices controlled by the remote

or exam-

ple, while using and controlling the TV, you may wish to

start or stop your VCR or DVD without having to change

the device selected by the AVR 240 or the remote. The

factory default setting is to have the DVD’s transport

controls activated when the

AVR, VID2/CABLE or SAT

or VID3/TV devices have been selected. T

o program

the remote for Transport Control Punch-Through, follow

these steps:

Press the

Input Selector ef for the device

you wish to have the channel control associated with

and the

Mute Button f at the same time until

the red light appears under the

Input Selector e

and the Program Indicator c flashes amber.

Press the

Play Button `.

The

Program

Indicator

c will stop flashing and stay amber.

3. Press and release the

Input Selector Button e

or the device that will be used to change the chan-

nels. The

Program Indicator c will blink green

three times and then go out to confirm the data

entry.

Example: To control the transport of a DVD player

while the remote is set to control the TV, first press

the

VID 3/TV Input Selector Button e and the

Mute Button f at the same time. Next, release

them and press the

Play Button `, followed by

the

DVD Input Selector Button e.

NOTES:

• To remove the Channel Control Punch-Through and

return the remote to its original configuration, repeat

the steps in the example above. However, press the

same Input Selector in Steps 1 and 3.

• Before programming the remote for Volume, Channel

or Transport Punch-Through, make certain that any

programming needed for the specific TV, CD, DVD,

cable or satellite receivers has been completed.

• The AVR 240 remote is preprogrammed at the

factory so that the

Transport Control Functions

` operate the DVD player whenever the AVR

device is selected.

Resetting the Remote Memor

As you add components to your home theater system,

occasionally you may wish to totally reprogram the

remote control without the confusion of any commands,

macros or “Punch-Through” programming that you may

have done. To do this, it is possible to reset the remote

to the original factory defaults and command codes by

following these steps. However, once the remote is

reset, all commands or codes that you have entered

will be erased and will need to be reentered:

1. Press any of the

Input Selector Buttons e and

the

“O”

Button

r at the same time until the

Program

Indica

tor

c begins to flash amber

2. Press the

“3” Button r three times.

3. The red LED under the

Input Selector e will go

out and the

Program Indicator c will stop flash-

ing and tur

n green.

4. The

Program Indicator c will remain green until

the remote is reset. Note that this may take a while,

depending on how many commands are in the

memory that need to be erased.

When the

Program

Indica

tor

c goes out,

the

remote has been reset to the factor

y settings.

No. Button Name AVR Function DVD CD/CD-R Tape VCR (VID1) CBL (VID2) SAT (VID2) TV (VID3)

(DMP)

1 Power On Power On Power On Power On Power On Power On Power On Power On Power On

2 Power Off Power Off Power Off Power Off Power Off Power Off Power Off Power Off Power Off

3 M

ute

ute Mute Mute Mute Mute Mute Mute Mute Mute

4 AVR AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select AVR Select

5 D

VD Input Select DVD Select DVD Select DVD Select DVD Select DVD Select DVD Select DVD Select DVD Select

6 CD CD Input Select CD Select CD Select CD Select CD Select CD Select CD Select CD Select CD Select

7 Tape Tape Input Select Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select Tape Select

8 VID 1 (VCR) Video 1 Select VCR Select VCR Select VCR Select VCR Select VCR Select VCR Select VCR Select VCR Select

9 VID 2 (CBL/SAT) Video 2 Select CBL/SAT Select CBL/SAT Select CBL/SAT Select CBL/SAT Select CBL Select SAT Select CBL/SAT Select CBL/SAT Select

10 VID 3 (TV) Video 3 Select TV Select TV Select TV Select TV Select TV Select TV Select TV Select TV Select

11 VID 4 Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select Video 4 Select

12 Dim Dimmer Dimmer

13 AM/FM Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select Tuner Select

14 6CH/8CH 6/8 Ch. Input Select

6/8 Ch. Input Select 6/8 Ch. Input Select

6/8 Ch. Input Select

6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select 6/8 Ch. Input Select

6/8 Ch. Input Select

15 (DMP) The Bridge (DMP)

The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select

The Bridge (DMP) Select

16 Sleep/CH+ Sleep Audio Channel + Channel + Channel + Channel +

17 Test Tone Test Tone

18 T/V TV/DVD or V. OFF Input Select TV/VCR TV/CBL TV/SAT TV/VCR

19 Vol Up Volume Up Volume Up Volume Up Volume Up Volume Up Volume Up Volume Up Volume Up

20 Surr/CH–

DSP Surround Mode Select

Disc Menu or Title CDR Select Channel – Channel – Channel – Channel –

21 Night Night Mode Select Subtitle On/Off CDP Select

22 Spare HD Mode

23 Vol Down Volume Down Volume Down Volume Down Volume Down Volume Down Volume Down Volume Down Volume Down

24 CH./Guide Channel Trim Title or Disc Menu Continuous Play Info/Guide Info/Guide

⁄

Move/Adjust Up Up Up Up Up Up

26 Speaker/Menu Speaker Adjust Menu or Setup Intro Scan Menu Menu Menu Menu Menu

27 ﬁ Move/Adjust Left Left Left Left Left Left Scroll –

28 Set Set Enter Enter Enter Enter Enter Select

29 ﬂ Move/Adjust Right Right Right Right Right Right Scroll +

30 Digital/Exit Digital Input Select Open/Close Repeat

Move/Adjust Down

Down Down Down Down Down

32 Delay/Prev. Ch. Delay Adjust Return or Status Open/Close Prev Channel Prev Channel Prev Channel Shuffle

33 1 111 1111

34 2 222 2222

35 3 333 3333

36 4 444 4444

37 5 555 5555

38 6 6

66 66

39 7 777 7777

40 8 888 8888

41 Tun-M Tuner Mode Chapter+ or Zoom Repeat

42 9 999 9999

43 0 000 0000

44 Memor

Memor

Audio or Playlist

ime

The

Bridge

The

Bridge

FUNCTION LIST

44 FUNCTION LIST

FUNCTION LIST 45

FUNCTION LIST

No. Button Name AVR Function DVD CD/CD-R Tape VCR (VID1) CBL (VID2) SAT (VID2) TV (VID3)

(DMP)

45 Tuning Up Tuning Up Next Chapter Track Direct Cancel PPV Cancel Sleep Album +

irect

irect Tuner Entry Angle Random Play FAV FAV

47 Clear Clear Clear Clear Clear Bypass Next

48 Preset Up Preset Tune Up Slow Forward +10 Music Alt Chapter +

49 Tuning Down Tuning Down Prev Chapter Track Increment Album –

50 OSD OSD Program OSD OSD OSD OSD

. Skip

isc Skip (DVD) Disc Skip Disc Skip

52 Preset Down Preset Tune Down Slow Rev Chapter –

53 M1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1 Macro 1

54 M2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2 Macro 2

55 M3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3 Macro 3

56 M4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4 Macro 4

57 Dolby Surround Dolby Modes

58 DTS Surround DTS Digital Modes

59 DTS Neo:6 DTS Neo:6 Select

60 Logic 7 Logic 7 Select

61 Stereo Stereo Mode Select

62 Skip Down Skip – (DVD) Step – Skip – Scan – Skip – (DVD) Skip – (DVD) Skip – (DVD) Playlist –

63 Skip Up Skip + (DVD) Step + Skip + Scan + Skip + (DVD) Skip + (DVD) Skip + (DVD) Playlist +

64 Rewind (‹‹) R. Search (DVD) R. Search R. Search Rewind Rewind R. Search (DVD) R. Search (DVD) R. Search (DVD) R. Search

65 Play (‹›) Play (DVD) Play Play R. Play/F. Play Play Play (DVD) Play (DVD) Play (DVD) Play/Pause

66 F F (››) F. Search (DVD) F. Search F. Search Fast Fwd Fast Fwd F. Search (DVD) F. Search (DVD) F. Search (DVD) F. Search

67 Record Record Record/Pause Record

68 Stop Stop (DVD) Stop Stop Stop Stop Stop (DVD) Stop (DVD) Stop (DVD)

69 Pause Pause (DVD) Pause Pause Pause Pause (DVD) Pause (DVD) Pause (DVD)

The

Bridge

anufacturer/Brand Setup Code Number

AIWA 027

A MARK 122 132

ADMIRAL 192

AKAI 123 160

AMPRO 164

ANAM 045 106 109 112 122

AOC 122 123 128

BLAUPUNKT 084

BROKSONIC 205 206

CANDLE 123 128

CAPEHART 059

CENTURION 123 171

CENTRONIC 045

CITIZEN 045 123 128 132

CLASSIC 045

CONCERTO 128

CONTEC 045

CORANDO 172

CORONADO 132

CRAIG 045 157

158

159

CROWN 045 132

CURTIS MATHES 123 128 132

CXC 045

DAEWOO 045 087 102 105 106 108 111 114 116 119 127 128 132

DAYTRON 128 132

DIGI LINK 200

DYNASTY 045

DYNATECH 063

ELECTROHOME 115 132

EMERSON 045 123 128 132 139 157 158 159 162 205

FUNAI 045

FUTURETECH 045

GE 029 087 121 123 128 133 145 159 163

GOLDST

AR/LG

101

110

122 128 132

GRUNDIG 193

HALL MARK 128

HARMAN KARDON 201

HITACHI 123 128 132 144 147

INFINITY 148

INKEL 120

JBL 148

JC PENNEY 115 123 128 132 145

JENSEN 019

JVC 079 087 134

KAWASHO 173

KEC 045

KENWOOD 123 204

KMC 132

KTV 045 123 132 162

LLOYTRON

172

173

LODGENET 069

SETUP CODE TABLE: TV

46 SETUP CODES

SETUP CODES 47

SETUP CODE TABLE: TV

Manufacturer/Brand Setup Code Number

OGIK 069

LUXMAN 128

LXI 077 145 148

MAGNAVOX 030 123 128 132 145 148

MARANTZ 115 123 148

MATSUI 148

EMOREX 069 128

METZ 084

MGA 115 123 128

MINERVA 084

MITSUBISHI 077 115 123 128 160 167 168

MTC 175 176

NATIONAL 148 177 179 180 181 182

NEC 115 121 123 125

NIKEI 045

ONKING 045

ONWA 045

OPTONICA 077

ORION 207 208 209 210 211

PANASONIC 087 148 169

PHILCO 045 115 123 128 132 148

PHILIPS 033 034 035 036 123 128 132 145 148

PIONEER 024 123 128

PORTLAND 128 132

PROSCAN 133

PROTON 059 122 128 132 165

QUASAR 032 087

RADIO SHACK 045 128 132 180 196 197

RCA 021 115 123 128 133 145 161 163

REALISTIC 045 167 196

RUNCO 152 153

SAA 183

SAMPO 059 123 128

SAMSUNG

020

022 124 128 132 145

SANYO 026 054

SCOTT

045 128 132

SEARS

128

132

145

SHARP 077 128 132

SIEMENS

084

SIGNA

TURE

069

SONY 028 031 117 130 136 194 212

SOUNDESIGN

045 128

SPECTRICON

122

SSS 045

SYLVANIA 025 123 128 145 148

SYMPHONIC

184

TANDY 077

TATUNG 063

TECHNICS

181

TECHWOOD 128

Manufacturer/Brand Setup Code Number

EKNIKA 045 069 115 123 128 132

TELERENT 069

TERA 156

THOMSON 190 191

TMK 128

TOSHIBA 063 129 202

OTEVISION 132

VIDEO CONCEPTS 160

VIDTECH 128

WARDS 069 128 132 148

YAMAHA 123 128

YORK 128

YUPITERU 045

ZENITH 069 090

ZONDA 122

SETUP CODE TABLE: TV

48 SETUP CODES

SETUP CODE TABLE: VCR

SETUP CODES 49

Manufacturer/Brand Setup Code Number

IWA 040

AKAI 048 108 109 126

AMPRO 076

SA 134

AUDIO DYNAMICS 018 048

BROKSONIC 110 147

ANDLE 134 135

CANON 135 140

CAPEHART 094

CITIZEN 134

CRAIG 045 116

DAEWOO 017 094 104

YTRON 094

DBX 018 048

DYNATECH 040

EMERSON 013 040 042 110 112

FISHER 017

FUNAI 040

GE 076 095 124

GO VIDEO 113

GOLDSTAR/LG 018 107

HARMAN KARDON 018 049

HITACHI 040 048

JC PENNEY 018 045

JENSEN 048

JVC 018 048 111 132

KENWOOD 020 048

LLOYD 040

LXI 020 040

MAGIN 045

MAGNAVOX 040

MARANTZ 018

MEMOREX

017

020

040

052

053

054 076

MGA 049

MITSUBISHI 049

131

MUL

TITECH 040

NAD 139

NATIONAL

140

NEC

018

048

NORDMENDE 048

OPTIMUS 159

ORION

147

PANASONIC 125 150 167 172

PHILCO 040

PHILIPS

040

075

PORTLAND 094

PULSAR

076

UASAR

001

125

RADIO SHACK 055 134 140 142 158 159

RCA

095

124 125 157 172

REALISTIC

017

020

040

045

159

Manufacturer/Brand Setup Code Number

ALORA 020

SAMSUNG 045 051 095 105 109

SANSUI 048 116 147

ANYO 017 020

SCOTT 110 112

SEARS 017 020

HARP 129 156

SONY 080 129

SOUNDESIGN 040

SYLVANIA 040

SYMPHONIC 040

TANDY 017 040

TASHICO 134

TATUNG 048

TEAC 040 048

TEKNIKA 040

THOMAS 040

TiVo 012

TMK 013

TOSHIBA 112 155

TOTEVISION 045

UNITECH 045

VECTOR RESEARCH 018

VIDEO CONCEPTS 018 040

VIDEOSONIC 045

WARDS 040 045 112

YAMAHA 018 040 048

ZENITH 040 050 076 083

50 SETUP CODES

SETUP CODE TABLE: VCR

SETUP CODE TABLE: CD

SETUP CODES 51

anufacturer/Brand Setup Code Number

ADCOM 063 069

AIWA 072 111 118 156 170

KAI 050 177 184

AUDIO TECHNICA 053

AUDIOACCESS 125

UDIOFILE 211

BSR 044

CALIFORNIA AUDIO 109

APETRONIC 070

CARRERA 087

CARVER 136 140 141 143 144 145 185 186

CASIO 117 166

CLARINETTE 166

DENON 187 188 213

EMERSON 052 093 108

FISHER 055 095

FRABA 117

FUNAI 126

GE 164

GENEXXA 108

GOLDSTAR/LG 016 087

HAITAI 099 214

HARMAN KARDON 001 002 025 054 190

HITACHI 093

INKEL 216

JC PENNEY 098 147

JENSEN 153

JVC 176 195 196

KENWOOD 030 062 078 079 148 151 176 178 181

LOTTE 108

LUXMAN 077 102

LXI 164

MAGNAVOX

039

113

MARANTZ 058 084 191 192 193

MCINTOSH 194

MCS

080

098

MITSUMI 152

MODULAIRE 166

NAD

013

074 197

198

NAKAMICHI 199 200 201

NEC 069

NIKK

053 055

ONKYO 037 038 045 046 171 175 202 203

OPTIMUS 065

089 091 092 099 104 212

ANASONIC

075 109

119 158

183 204

PHILIPS 039 138 149 209

PIONEER

071 094 100 112 123 131 161 162 215

PROTON

210

QUASAR 109

RADIO SHACK

126 166 213

RCA

024

081

093

150

SETUP CODE TABLE: DVD

anufacturer/Brand Setup Code Number

RCX 169

REALISTIC 058 093 095 104 105 108 164 166

ANSUI 047 081 134 157 172

SANYO 033 082 095

SCOTT 108

HARP 058 105 114 151 159 167 180 181

SHERWOOD 003 041 058 105 133

SONY 103 115 116 118 132 139 163 205 206 207 208 212 217

OUNDSTREAM 124

SYMPHONIC 059 110

TAEKWANG 177

TEAC 011 058 085 086 106 107 110 121 137 146 154

THETA DIGITAL 039

TOSHIBA 013 074 097 151 155 173

VECTOR RESEARCH 087

VICTOR 120 130

WARDS 095

YAMAHA 019 031 053 061 135 169

YORK 166

Manufacturer/Brand Setup Code Number

APEX DIGITAL 061

DENON 019 051

GE 003 004

GOLDSTAR/LG 005 055 064 066

HARMAN KARDON 001 002

JVC 006

MAGNAVOX 056

MARANTZ

059

MITSUBISHI 023

NAD 062

ONKYO 009 048

PANASONIC 024 030 044

PHILIPS 056

PIONEER 041 065

PROCEED 060

PROSCAN 003 004

RCA 003 004

SAMSUNG 053 054

SHARP 028

SONY 043 045

THOMSON 003 004

TOSHIBA 009 058 067

YAMAHA 030 063

ZENITH

005

055

064

52 SETUP CODES

SETUP CODE TABLE: CD

SETUP CODE TABLE: SAT

SETUP CODES 53

Manufacturer/Brand Setup Code Number

ALPHASTAR 472

ALPHASTAR DBS 450

LPHASTAR DSR 442

BIRDVIEW 425

CHANNEL MASTER 320 321 325 361

HAPARRAL 315 316 451

CITOH 360

DRAKE 313 317 318 413 481

X ANTENNA 331 352 379 483

ECHOSTAR 395 397 452 453 463 477 478 484 485

ELECTRO HOME 392

FUJITSU 324 329 334

GENERAL INSTRUMENT

303 311 323 365 403 454 468 474

HITACHI DBS 455

HOUSTON TRACKER 463

HUGHES 437 489

JANIEL 366

JERROLD 454 468 484

KATHREIN 410

LEGEND 453

MACOM 317 365 369 370 371

MAGNAVOX 461 473

MEMOREX 453

NEXTWAVE 423

NORSAT 373

OPTIMUS 466

PACE DSS 487

PANASONIC 366 469

PANASONIC DBS 457

PANSAT 420

PERSONAL CABLE 418

PHILIPS 375

PICO 407

PRESIDENT 381 404

PRIMESTAR 412 454 468 475

RCA 301 439 465 490

RCA DSS 458

REALISTIC 349 480

SAMSUNG 442

SATELLITE SERVICE CO 335 388

SCIENTIFIC ATLANTA 339

SONY 405

STAR CHOICE DBS 459

STARCAST 347

SUPER GUIDE 327 423

TEECOM 330 333 390 391 393 409

TOSHIBA 302 426 460 461 462 470

UNIDEN 323 332 348 349 350 351 354 355 381 383 389 403 466 479 480

ZENITH 384 385 387 394 419 488

Manufacturer/Brand Setup Code Number

ARMAN KARDON 001

SETUP CODE TABLE: CBL

Manufacturer/Brand Setup Code Number

BC 001 011

ALLEGRO 111

AMERICAST 212

ARCHER 112

BELCOR

113

CABLE STAR 033 113

CITIZEN 111

COLOUR VOICE 085 090

DIGI 114

EAGLE 186

EASTERN 066 070

ELECTRICORD 039

EMERSON 112

FOCUS 116

G.I. 001 011 017 096 097

GC ELECTRONICS 113

GEMINI 032 060

GENERAL 210

GENERAL INSTRUMENT 210

GOODMIND 112

HAMLIN 056 099 100 101 117 175 208

HITACHI 001 188

JASCO 111

JERROLD 001 002 011 017 073 096 097 162 188 210

LINDSAY 118

MACOM 191

MAGNAVOX 017 019 068

MOVIE TIME 035 039

NSC 035 190

OAK 197 220

PACE 179

PANASONIC 053 176 177 189 214

PANTHER 114

PHILIPS 013 019 020 085 090

PIONEER 001 041 119 171 209 215 216

POPULAR MECHANICS 116

PRELUDE 120

PRIMESTAR 162

RADIO SHACK 111 112 213

RCA 053 214

RECOTON 116

REGAL 056 099 100 101 208

54 SETUP CODES

SETUP CODE TABLE: TAPE

SETUP CODES 55

SETUP CODE TABLE: CBL

anufacturer/Brand Setup Code Number

REMBRANT 032

AMSUNG 003 072 186

SCIENTIFIC ATLANTA 183 203 221 222

SEAM 121

IGNATURE 001 188

SPRUCER 053 081 177 189

STARCOM 002 011 163

TARGATE 120

TANDY 024

TELECAPATION 028

TEXSCAN 036

TFC 122

TIMELESS 123

TOCOM 170 205

UNITED CABLE 011

UNIVERSAL 033 034 039 042 113

VIDEOWAY 124 211

VIEWSTAR 019 025 086 089 190

ZENITH 065 125 211 219

ZENTEK 116

SYMPTOM CAUSE SOLUTION

nit does not function when Main • No AC Power • Make certain AC power cord is plugged into

ower Switch is pushed a live outlet

• Check to see whether outlet is switch-controlled

Display lights, but no sound • Intermittent input connections • Make certain that all input and speaker connections

or picture are secure

•

ute

s on • Press

ute Button

• Volume control is down • Turn up volume control

No sound from any speaker; • Amplifier is in protection mode • Check speaker wire connections for shorts at receiver and

light around power switch is red due to possible short speaker ends

• Amplifier is in protection mode • Contact your local Harman Kardon service center

due to internal problems

No sound from surround or • Incorrect surround mode • Select a mode other than Stereo

center speakers • Input is monaural • There is no surround information from mono sources

• Incorrect configuration • Check speaker mode configuration

• Stereo or Mono program material • The surround decoder may not create center- or rear-channel

information from nonencoded programs

Unit does not respond to • Weak batteries in remote • Change remote batteries

remote commands • Wrong device selected • Press the AVR selector

• Remote sensor is obscured • Make certain front panel sensor is visible to remote

or connect remote sensor

Intermittent buzzing in tuner • Local interference • Move unit or antenna away from computers, fluorescent

lights, motors or other electrical appliances

Letters flash in the channel indicator • Digital audio feed paused • Resume play for DVD

display and digital audio stops • Check that Digital Input is selected

In addition to the items shown above, additional information on troubleshooting possible problems with your AVR 240, or installation-related issues, may be found in the list of

“Frequently Asked Questions” which is located in the Product Support section of our Web site at www.harmankardon.com.

Processor Reset

In the rare case in which the unit’

s operation or the dis-

plays seem abnormal, the cause may involve the erratic

operation of the system’s memory or microprocessor.

To correct this problem, first unplug the unit from the

AC wall outlet and wait at least three minutes

After the

pause, reconnect the AC power cord and check the

unit’s operation. If the system still malfunctions, a sys-

tem reset may clear the problem.

To clear the AVR 240’s entire system memory includ-

ing tuner presets, output level settings, delay times and

speaker configuration data, first place the AVR in

Standby Mode, and then press and hold the

Tone

Mode Button

5 button for three seconds

The unit

will tur

n on automatically

NOTE: Resetting the processor will erase any configu-

ration settings you have made for speakers, output

levels, surround modes, digital input assignments as

well as the tuner presets

The unit will be returned to

the factory presets, and all settings for these items

must be reentered.

If the system is still operating incorrectly, there may

have been an electronic discharge or severe AC line

interference that has corrupted the memory or

microprocessor.

If these steps do not solve the problem,

consult an

authorized Harman Kardon service center.

TROUBLESHOOTING GUIDE

56 TROUBLESHOOTING

TECHNICAL SPECIFICATIONS 57

AVR 240 TECHNICAL SPECIFICATIONS

Audio Section

tereo Mode

Continuous Average Power (FTC)

5 Watts per channel, 20Hz–20kHz,

<0.07% THD, both channels driven into 8 ohms

Six-Channel Surround Modes

ower per Individual Channel

Front L&R channels:

0 Watts per channel

<0.07% THD, 20Hz–20kHz into 8 ohms

Center channel:

50 Watts @ <0.07% THD, 20Hz–20kHz into 8 ohms

Surround (L & R Side, Back) channels:

50 Watts per channel

@ <0.07% THD, 20Hz–20kHz into 8 ohms

Input Sensitivity/Impedance

Linear (High-Level) 200mV/47k ohms

Signal-to-Noise Ratio (IHF-A) 100dB

Surround System Adjacent Channel Separation

Pro Logic 40dB

Dolby Digital 55dB

DTS 55dB

Frequency Response

@ 1W (+0dB, –3dB) 10Hz –130kHz

High Instantaneous

Current Capability (HCC) ±35 Amps

Transient Intermodulation

Distortion (TIM) Unmeasurable

Slew Rate 40V/µsec

FM Tuner Section

Frequency Range 87.5–108.0MHz

Usable Sensitivity IHF 1.3µV/13.2dBf

Signal-to-Noise Ratio Mono/Stereo 70/68dB

Distortion Mono/Stereo 0.2/0.3%

Stereo Separation 40dB @ 1kHz

Selectivity ±400kHz, 70dB

Image Rejection 80dB

IF Rejection

90dB

M Tuner Section

requency Range 520–1720kHz

Signal-to-Noise Ratio 45dB

Usable Sensitivity Loop 500µV

Distortion 1kHz, 50% Mod 0.8%

electivity ±10kHz, 30dB

ideo Section

elevision Format NTSC

Input Level/Impedance 1Vp-p/75 ohms

Output Level/Impedance 1Vp-p/75 ohms

Video Frequency Response

(Composite and S-Video) 10Hz–8MHz (–3dB)

Video Frequency Response

(Component Video) 10Hz–50MHz (–3dB)

General

Power Requirement AC 120V/60Hz

Power Consumption 65W idle, 540W maximum

(6 channels driven)

Dimensions (Product) (Shipping)

Width 17.3 inches (440mm) 21.5 inches (545mm)

Height 6.6 inches (168mm) 9.9 inches (251mm)

Depth 15 inches (382mm) 17.9 inches (455mm)

(Product) (Shipping)

Weight 24.4 lb (11.1kg) 29.3 lb (13.3kg)

Depth measurement includes knobs, buttons and terminal connections.

Height measurement includes feet and chassis.

All features and specifications are subject to change without notice.

Harman Kardon, Harman International, Power for the Digital Revolution and Logic 7 are registered trademarks,

and The Bridge and

are trademarks, of Harman International Industries, Incorporated.

*Manufactured under license from Dolby Laboratories. Dolby, Pro Logic and the double-D symbol

are registered trademarks of Dolby Laboratories.

DTS, DTS Surround, DTS-ES, DTS 96/24 and DTS Neo:6 are registered trademarks of DTS, Inc.

VMAx is a registered trademark of Har

man Inter

national Industries, Incorporated, and is an

implementation of Cooper Bauck

Transaural Stereo under patent license.

SACD is a trademark of Sony Electronics

Inc

Apple and iPod are registered trademarks, and Shuffle is a trademark, of Apple Computer, Inc.

The

Bridge

Please register your product on our

Web site at www.harmankardon.com. Note: You’ll need the product’s serial number.

At the same time you can choose to be notified about our new products and/or special promotions.

-Channel Stereo 23, 34

6-Channel/8-Channel Direct Input 9, 15, 31

7-Channel Stereo 23, 34

AC Power Connections 9, 16

dvanced Features 38–39

Advanced Select Menu 38

nalog Bypass 13, 23, 34

Antenna Terminals 8, 10, 15

Audio Equipment Connections 8–10, 15

Audio Setup Menu 21

uto Mode Tuning 6, 12, 13, 37

Auto Polling 21

Auto Search Method 41

A/V Sync Delay 29–30

Cable Television 4, 10, 12, 15–16, 41,

42, 43, 44–45, 54–55

CD 7, 12, 15, 44–45, 51–52

Channel Adjust Menu 29

Channel-Control Punch-Through 43

Cleaning and Maintenance 4

Coaxial Digital Audio Jacks 6, 8, 9, 15–16, 20

31, 35, 36, 37

Code Readout 41

Component Video 3, 9, 13, 20

Composite Video 6, 8, 10, 15–16

Default Surround Mode 40

Delay Adjust Menu 28

Delay Settings 25, 28–29

Description and Features 3

Digital Audio Playback 32–37

Digital Source Selection 6, 12, 20, 35

Dimming Front-Panel Display 12

Direct Code Entry 41

DMP 6, 8, 9, 11, 13, 14, 15, 21, 31, 37–38,

44–45

Dolby 3, 6, 9, 11, 13, 15, 18, 20, 21, 22, 26,

27, 28, 30, 32–37, 40, 57

Dolby Digital 3, 6, 9, 13, 15, 18, 20, 21, 22,

26, 27, 28, 30, 32–37, 40

Dolby Headphone 7, 32, 34

Dolby Pro Logic 3, 13, 22, 24, 28, 30,

32–37, 57

Dolby Virtual Speaker 7, 26, 34

DSP Surround Modes 11, 12, 23, 32, 34

DTS 3, 6, 9, 11, 13, 18, 20, 21, 22-23, 32

33–34, 35–36, 37, 40, 57

DTS Neo:6 3, 11, 13, 21, 23, 32, 33,

35–36, 57

DTS-ES 3,

13, 18, 21, 23, 32, 33, 35–36, 57

DVD 3, 8, 9, 10, 11, 12, 13, 14, 15, 16,

19,

20,

21, 28,

35,

36,

37, 41,

42,

43,

44,

45, 52

DVD-Audio 9, 14, 15, 16, 31

EzSet+ 23–25

ront-Panel Controls 5–7

Front-Panel Jacks 6, 16, 31, 32

Front-Panel-Display Fade 39

Full OSD 19, 39–40

ull-OSD Time-Out 39–40

Hall 34

eadphones 5, 32

HDTV Tuner 9, 10, 15, 16, 21, 35

iPod

3, 9, 13, 14, 15, 21, 31, 37–38, 44–45

Input-Independent Speaker Setup 27

nput Setup Menu 20

Input Titling 3, 20

Installation 15–16

Installation Location 4

IR Receiver (Remote Sensor) 5, 7, 16

Logic 7 3, 6, 11, 13, 18, 20, 21, 23, 26,

28, 32, 33, 57

Macros 13, 41–42, 45

Manual Mode Tuning 6, 12, 13, 37

Manual Setup Menu 25

Master Menu 19

Memory Backup 38

Mute 6, 11, 14, 31, 41–43, 56

Night Mode 11, 12, 22, 36

On-Screen Display 19, 39–40

Operation 31–38

Optical Digital Audio Jacks 6, 8, 9, 15–16, 20,

31, 35, 36, 37

Output Level Adjustments 25, 29–30

Output Level Trim Adjustment 38

PCM 36

Polarity 15

Power Switches 5, 12, 19, 31

Preset Stations 6, 13, 37

Processor Reset 56

Programmed Device Functions 42–45

Programming Product Codes 41, 46–55

Punch-Through Programming 43

Quadruple Crossover 3, 27

Rear-Panel Connections 8–10

Recalling Preset Stations 6, 13, 37

Recording 37

Remote Control 11–14, 19, 41–55

Remote Control Batteries 19

Remote Control Function List 44–45

Remote Control Functions 42–45

Remote Control Setup Code Tables 46–55

Resetting the Remote 43

SACD 9,

15, 16, 31, 32

Safety Information 3, 4

Satellite

elevision 9, 10,

11,

15–16,

20, 32,

41,

43,

44–45,

Semi-OSD 19, 39

Setting Preset Stations 37

ettings Worksheet 59

Sleep Mode 12, 31

Source Selection 6, 12, 20, 31

Speaker Crossover Menu 27

peaker Placement 17–19

Speaker Selection 17

peaker Setup 26–28

Speaker Size Menu 26

Speaker Terminals 9, 15

Speaker Wire 15

peaker/Channel Input Indicators 5, 6, 36

Subwoofer 8, 9, 15, 18, 26–27, 28, 30,

33–34, 35

Surround Mode Chart 33–34

Surround Mode Selection 6, 12–13, 21–23,

32–37

Surround Off 12, 23, 32, 34

Surround Select Menu 21

Surround Setup 21–23

S-Video 6, 8, 9, 15–16

System Configuration 17–30

System Setup 19–20

Tape 8, 37, 54

Technical Specifications 57

Theater 34

The Bridge 3, 6, 8, 9, 11, 13, 14, 15, 21,

31, 37–38, 44–45

Tone Controls 5, 21, 31–32

Trademark Acknowledgements 57

Transport Controls 11, 13, 14, 37–38, 43, 45

Transport-Control Punch-Through 43

Troubleshooting Guide 56

Tuner Mode 6, 12, 37

Tuner Operation 37

Turn-On Volume Level (Volume Default) 39, 59

TV 9, 10, 11, 12–13, 15–16, 42–45, 46–48

Typographical Conventions 2

Unpacking 4

Upsampling 22

VCR 10, 15–16, 43–45, 49–50

Video Connections 8–10, 15–16, 31

Video Equipment Connections 15–16

Video Monitor 9, 10, 16, 31

VMAx 3, 12, 21, 23, 26, 34

Volume Control 6, 11, 14, 31, 56

Volume Punch-Through 43

58 INDEX

INDEX

APPENDIX 59

APPENDIX – SETTINGS WORKSHEET

FEATURE DVD VIDEO 1 VIDEO 2 VIDEO 3 DMP CD TAPE TUNER

6/8 CH. DIRECT

Input Title ––––––––

Component Video Input

Component Component Component Component

––––––––––

Component Component Component Component

Video 1 (Y/N) Video2 (Y/N) Video 2 (Y/N) Video 2 (Y/N) Video 1 (Y/N) Video 1 (Y/N) Video 1 (Y/N) Video 2 (Y/N)

Digital Audio Input

Auto Poll (On/Off)

Surround Mode

Night Mode

Front L/R Speaker Size*

Center Speaker Size*

Surround L/R Speaker Size*

Surround Back L/R Speaker Size*

Subwoofer

Front L/R Crossover

Center Crossover

Surround L/R Crossover

Surround Back L/R Crossover

LFE Setting

The

Bridge

Table 1: Input Settings

Table 2: Audio Setup (Tone Control Settings)

Table 3: Delay Settings

CONTROL SETTING

Tone (In/Out)

Bass

Treble

*If the GLOBAL setting was selected, you need only indicate speaker sizes for one input.

CHANNEL SETTING

Left Front

Right Front

Center

Surround Left

Surround Right

Surround Back Left

Surround Back Right

Subwoofer

Unit (Feet/Meters)

A/V Sync Delay

Table 4: Output Level

CHANNEL SETTING

Left Front

Right Front

Center

Surround Left

Surround Right

Surround Back Left

Surround Back Right

Subwoofer

able 5: Advanced Settings

FEATURE SETTING

VFD Fade Time-Out

Volume Default

Default Volume Setting

Semi-OSD Time-Out

Full-OSD T

ime-Out

Default Surround Mode (On/Off)

OSD Background (Blue/Black)

®

250 Crossways P

ark Drive

, Woodbury, New York 11797

www.harmankardon.com

All rights reser

ved.

Part No. CQX1A1026Z 8/05

Harman Kardon AVR 240 Channel A/V Receiver

Product's Documents

Owner’s Manual

Specifications

Harman Kardon AVR 240 Questions and Answers

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