Owner’s Manual
Introduction
Main Operation
EDIT Menu
STORE Button & SETUPs
Recorder
USB Menu
SYSTEM Menu
Appendix
3
Thank you for purchasing this Kawai MP11SE stage piano.
This owner’s manual contains important information regarding the instrument’s usage and operation.
Please read all chapters carefully, keeping this manual handy for future reference.
About this Owner’s Manual
Before attempting to play this instrument, please read the Introduction chapter from page 10 of this owner’s manual. This
chapter provides a brief explanation of each section of the MP11SE’s control panel, an overview of its various jacks and connectors,
and details how the components of the instrument’s sound are structured.
The Main Operation chapter (page 20) provides an overview of the instrument’s most commonly used functions, beginning with
turning sections on and o, adjusting their volume, and selecting sounds. Later on, this chapter introduces basic sound adjustment
using the four control knobs, before examining how EFX, reverb, amp simulation, and EQ can all be applied to dramatically change
the character of the selected sound. The chapter closes with an explanation of the instrument’s MIDI OUT section.
The EDIT Menu chapter (page 38) lists all available PIANO, E.PIANO, SUB, and MIDI OUT section parameters by category for
convenient reference. The STORE Button & SETUP Menus chapter (page 60) outlines storing customised sounds, capturing the
entire panel conguration as a SETUP, then recalling dierent SETUPs from the MP11SE’s internal memory.
The Recorder chapter (page 64) provides instructions on how to record and play back pieces stored both in the instrument’s
internal memory, and also MP3/WAV audio les saved to USB memory devices. This chapter also explains the MP11SE’s metronome/
drum pattern functions. Additional USB functions are covered in greater detail in the USB Menu chapter (page 93), while the
SYSTEM Menu chapter (page 99) explains the MP11SE’s System Settings and various reset functions.
Finally, the Appendix section (page 113) includes USB-MIDI driver information, software update instructions and listings of the
instrument’s internal sounds and drum rhythms, eects, MIDI reference information, and full specication details.
4
WARNING
Indicates a potential hazard that could result in death or
serious injury if the product is handled incorrectly.
Do not insert or disconnect the power
cord plug with wet hands.
Doing so may cause electric shock.
GROUNDING INSTRUCTIONS
This product must be grounded. If it should malfunction or breakdown, grounding provides a path of least
resistance for electric current to reduce the risk of electric shock. This product is equipped with a cord having
an equipment-grounding conductor and a grounding plug. The plug must be plugged into an appropriate
outlet that is properly installed and grounded in accordance with all local codes and ordinances.
DANGER - Improper connection of the equipment-grounding conductor can result in a risk of electric shock.
Check with a qualied electrician or serviceman if you are in doubt as to whether the product is properly
grounded. Do not modify the plug provided with the product - if it will not t the outlet, have a proper outlet
installed by a qualied electrician.
When using electrical products, the following basic precautions should always be followed:
The product should be connected to
an AC outlet of the specied voltage.
● If you are going to use an AC power cord,
make sure that its has the correct plug shape
and conforms to the specied power voltage.
● Failure to do so may result in re.
120V 240V230V
The product is not completely disconnected from the
power supply even when the power switch is turned
o. If the product will not be used for a long time,
unplug the AC power cord from the AC outlet.
● Failure to do so may cause re in case of
lightning.
● Failure to do so may over-heat the product,
resulting in re.
When disconnecting the AC power cord's
plug, always hold the plug
and pull it to remove it.
● Pulling the AC power cord itself may damage
the cord, causing a re, electric shock or
short-circuit.
When using the headphones, do not
listen for long periods of
time at high volume levels.
Doing so may result in hearing problems.
It is good practice to place the instrument near the AC outlet and the power cord plug in a position so that it
can readily be disconnected in an emergency because electricity is always charging while the plug is in the
AC outlet even in a power switch o condition.
Do not disassemble, repair or modify
the product.
Doing so may result in product breakdown,
electric shock or short-circuit.
Ensure that this product is connected to a socket with a protective earth connection.
Entry of water, needles or hair pins may result
in breakdown or short-circuit.
The product shall not be exposed to dripping or
splashing. No objects lled with liquids, such as
vases, shall be placed on the product.
Take care not to allow any foreign
matter to enter the product.
Important Safety Instructions
Important Safety Instructions
denotes that care should be taken.
The example instructs the user to take care not to allow ngers to be trapped.
denotes a prohibited operation.
The example instructs that disassembly of the product is prohibited.
denotes an operation that should be carried out.
The example instructs the user to remove the power cord plug from the AC outlet.
Examples of Picture Symbols
Read all the instructions before using the product.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lighting ash with arrowhead symbol, within
an equilateral triangle, is intended to alert the user
to the presence of uninsulated "dangerous
voltage" within the product's enclosure that may
be of sucient magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and maintenance
(servicing) instructions in the literature
accompanying the product.
WARNING
TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS PRODUCT TO
RAIN OR MOISTURE.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
SAVE THESE INSTRUCTIONS
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in
accordance with the manufacturer's instructions.
8) Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
ampliers) that produce heat.
9) Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding
type plug has two blades and a third grounding
prong. The wide blade or the third prongs are
provided for your safety. If the provided plug does
not t into your outlet, consult an electrician for
replacement of the obsolete outlet.
1 0) Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from the
apparatus.
11) Only use attachments/accessories specied by the
manufacturer.
1 2) Use only with the cart, stand, tripod, bracket, or table
specied by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
1 3) Unplug this apparatus during lightning storms or
when unused for long periods of time.
1 4) Refer all servicing to qualied service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
5
WARNING
Indicates a potential hazard that could result in death or
serious injury if the product is handled incorrectly.
Do not insert or disconnect the power
cord plug with wet hands.
Doing so may cause electric shock.
GROUNDING INSTRUCTIONS
This product must be grounded. If it should malfunction or breakdown, grounding provides a path of least
resistance for electric current to reduce the risk of electric shock. This product is equipped with a cord having
an equipment-grounding conductor and a grounding plug. The plug must be plugged into an appropriate
outlet that is properly installed and grounded in accordance with all local codes and ordinances.
DANGER - Improper connection of the equipment-grounding conductor can result in a risk of electric shock.
Check with a qualied electrician or serviceman if you are in doubt as to whether the product is properly
grounded. Do not modify the plug provided with the product - if it will not t the outlet, have a proper outlet
installed by a qualied electrician.
When using electrical products, the following basic precautions should always be followed:
The product should be connected to
an AC outlet of the specied voltage.
● If you are going to use an AC power cord,
make sure that its has the correct plug shape
and conforms to the specied power voltage.
● Failure to do so may result in re.
120V 240V230V
The product is not completely disconnected from the
power supply even when the power switch is turned
o. If the product will not be used for a long time,
unplug the AC power cord from the AC outlet.
● Failure to do so may cause re in case of
lightning.
● Failure to do so may over-heat the product,
resulting in re.
When disconnecting the AC power cord's
plug, always hold the plug
and pull it to remove it.
● Pulling the AC power cord itself may damage
the cord, causing a re, electric shock or
short-circuit.
When using the headphones, do not
listen for long periods of
time at high volume levels.
Doing so may result in hearing problems.
It is good practice to place the instrument near the AC outlet and the power cord plug in a position so that it
can readily be disconnected in an emergency because electricity is always charging while the plug is in the
AC outlet even in a power switch o condition.
Do not disassemble, repair or modify
the product.
Doing so may result in product breakdown,
electric shock or short-circuit.
Ensure that this product is connected to a socket with a protective earth connection.
Entry of water, needles or hair pins may result
in breakdown or short-circuit.
The product shall not be exposed to dripping or
splashing. No objects lled with liquids, such as
vases, shall be placed on the product.
Take care not to allow any foreign
matter to enter the product.
6
● Doing so may cause the product to become
deformed or fall over, resulting in breakdown
or injury.
Do not stand on the product or exert
excessive force.
● Doing so may result in discoloration or
deformation of the product.
● When cleaning the product, put a soft cloth in
lukewarm water, squeeze it well, then wipe the
product.
Do not wipe the product with benzene
or thinner.
Failure to do so may damage them, resulting in
re, electric shock or short-circuit.
When connecting the AC power cord
and other cords, take care
not to get them tangled.
● Doing so may cause the product to generate
noise.
● If the product generates noise, move the
product suciently away from the electrical
appliance or connect it to another AC outlet.
Do not place the product near electrical
appliances such as TVs and radios.
Please lift up the product when moving it.
Please note that the product is heavy and must
be carried by more than two persons.
Dropping the product may result in breakdown.
Do not drag the product on the oor.
Take care not to drop the product.
Doing so may cause the illumination to fall over,
resulting in re.
Do not place naked ame, such as lighted
candles on the product.
CAUTION
Indicates a potential hazard that could result in injury or
damage to the product or other property if the product
is handled incorrectly.
Using the product in such areas may result in
product breakdown.
Use the product only in moderate climates (not
in tropical climates).
Do not use the product in the following areas.
● Areas, such as those near windows, where the product is
exposed to direct sunlight
● Extremely hot areas, such as near a heater
● Extremely cold areas, such as outside
● Extremely humid areas
● Areas where a large amount of sand or dust is present
● Areas where the product is exposed to excessive
vibrations
Failure to do so may cause breakdown of this
product and other devices.
Before connecting cords, make sure
that the power to this product
and other devices is turned
OFF.
OFF
The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a
minimum distance of 5cm around the product for sucient ventilation.
Failure to do so may over-heat the product,
resulting in re.
Ensure that the ventilation is not
impeded by covering the ventilation
openings with items, such as newspaper,
table-cloths, curtains, etc.
7
The product should be serviced by qualied service personnel when:
• The power supply cord or the plug has been damaged.
• Objects have fallen, or liquid has been spilled into the product.
• The product has been exposed to rain.
• The product does not appear to operate normally or exhibits a marked change in performance.
• The product has been dropped, or the enclosure damaged.
Notes on Repair
Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then contact
the shop from which the product was purchased.
Instruction for AC power cord (U.K.)
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:
• GREEN-AND-YELLOW: EARTH
• BLUE: NEUTRAL
• BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the
terminals in your plug, proceed as follows.
• The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
• The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
• The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
An information on Disposal for users
If your product is marked with this recycling symbol it means that, at the end of its life, you must dispose of it separately
by taking it to an appropriate collection point. You should not mix it with general household waste. Disposing of this
product correctly will prevent potential negative eects on the environment and human health which could otherwise
arise due to inappropriate waste handling. For further details, please contact your local authority. (European Union only)
FCC Information (U.S.A)
CAUTION: Changes or modications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the
instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not
occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be
determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the
following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
This applies only to products distributed by Kawai America Corporation.
Declaration of Conformity
Products:
Model Number:
Responsible Party Name:
Address:
Telephone:
Electronic Piano
MP11SE
Kawai America Corporation
2055 East University Drive, Rancho Dominguez, CA 90220
310-631-1771
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference
that may cause undesired operation.
8
Table of Contents
Important Safety Instructions ...................4
Table of Contents ................................8
Introduction
Welcome to the MP11SE ........................10
1. Feature Highlights ..............................10
2. Owner’s Manual Conventions ..................11
Part Names & Functions ........................12
1. Front Panel: Knobs, Faders & Buttons ...........12
2. Front Panel: Jacks & Connectors ................16
3. Rear Panel: Jacks & Connectors .................16
Connecting to Other Devices ..................18
Understanding the MP11SE ....................19
Main Operation
Overview of Internal Sections ..................20
1. Section Basics ...................................20
2. LCD Display & Control Knobs ...................21
3. Reverb ..........................................22
4. EFX .............................................23
5. Amp Simulator
(E.PIANO) ..........................24
6. Key Range ......................................26
Internal Sections & Feature Parameters .......28
1. PIANO section ..................................28
2. E.PIANO section ................................30
3. SUB section .....................................31
Global Section ..................................32
1. EQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
2. Transpose .......................................34
MIDI OUT Section ...............................36
EDIT Menu
Overview of the EDIT Menu (PIANO, E.PIANO, SUB) ....38
EDIT Menu parameters (PIANO, E.PIANO, SUB) ........40
1. Reverb ..........................................40
2.1. EFX ............................................40
2.2. Amp Simulator
(E.PIANO) ........................41
3. Sound ..........................................42
4. Tuning ..........................................44
5. Key Setup .......................................45
6. Controllers ......................................47
7. Knob Assign ....................................49
8. Virtual Technician
(PIANO section) ..................50
8. Virtual Technician
(E.PIANO, SUB sections) ............51
Overview of the EDIT Menu (MIDI OUT) ............52
EDIT Menu parameters (MIDI OUT) ................54
1. Channel/Program ...............................54
2. SETUP ...........................................54
3. Transmit
....................................55
4. MMC
.......................................55
5. Key Setup .......................................56
6. Controllers ......................................57
7. Knob Assign ....................................59
STORE Button & SETUPs
Overview of the STORE Button .................60
1. Storing a SOUND ...............................60
2. Storing a SETUP .................................61
3. Storing POWERON settings .....................62
SETUP memories ...............................63
9
Table of Contents
Recorder
Overview of the Recorder ......................64
Song Recorder (Internal Memory) ....................65
1. Recording a song ...............................65
2. Playing back a song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
3. Saving a song as an SMF le ....................69
4. Loading an SMF le into memory ..............70
5. Erasing a song ..................................73
6. Song Transpose ................................. 74
7. Panel Mode .....................................74
8. MIDI to Audio ...................................74
Audio Record/Playback (USB Memory) ..............75
1. Recording an audio le .........................75
2. Playing an audio le ............................78
3. Overdubbing an audio le ...................... 81
4. Converting a recorder song to an audio le ....84
Metronome .....................................87
1. Click mode ......................................87
2. Rhythm mode ..................................88
3. Recording with the metronome ................91
USB Menu
Overview of the USB Menu .....................93
USB Menu functions ............................94
1. Load ............................................94
2. Save ............................................95
3. Delete ..........................................96
4. Rename .........................................97
5. Format ..........................................98
SYSTEM Menu
Overview of the SYSTEM Menu ................99
SYSTEM Menu parameters & functions .......100
1. Utility ..........................................100
2. Pedal/Mod. ....................................102
Expression pedal calibration ...................103
3. MIDI ...........................................104
4. Oset ..........................................105
5. User Edit .......................................105
Creating a User Touch Curve ................. 106
Creating a User Temperament ............... 107
Creating a User Key Volume .................. 108
Creating a User Stretch Tuning ............... 109
Creating a User Voicing ........................110
6. Reset ...........................................111
Panic button ...................................111
Panel Lock ( ) ..................................112
Appendix
Troubleshooting ...............................113
USB MIDI (USB to Host connector) ............117
Software Update ..............................118
Sound List .....................................119
Rhythm Pattern List ...........................120
EFX Categories, Types, & Parameters .........121
Specications ..................................126
MIDI Implementation .........................127
1. Recognised Data ...............................128
2. Transmitted Data ..............................132
3. Exclusive Data .................................134
4. SOUND/SETUP Program/Bank .................144
5. Control Change Number (CC#) Table ..........145
MIDI Implementation Chart ......................146
10
Introduction
1
Feature Highlights
The best keyboard action available in a stage piano
The MP11SE utilises Kawai’s highly-regarded Grand Feel wooden-key keyboard action, which draws upon 90 years of acoustic
piano craftsmanship to provide an exceptionally realistic playing experience.
As with a grand piano, all eighty-eight black and white keys are crafted from long pieces of wood, pivoting on a central balance
pin in a smooth, seesaw-like motion. The Grand Feel keys are longer than any other digital piano keyboard action, with the pivot
point distance extended to match that of a Kawai grand piano. When the front of a key is pressed down, the rear rises, throwing a
hammer which plays the note. These hammers are graded in size and weight, replicating the heavier bass and lighter treble notes
of an acoustic grand piano, while additional counter-weights embedded within the lower keys help to lighten their touch during
pianissimo passages. The Grand Feel keyboard action even reproduces the subtle let-o sensation felt when playing the keys of a
grand piano very softly, satisfying the expectations of even the most discerning pianists.
Finally, the Grand Feel keyboard action features Kawai’s Ivory Touch key surfaces as standard. This nely textured material gently
absorbs moisture to assist playing control, and possesses a natural, matte nish that is smooth, but not slippery.
PIANO section: The ultimate pianos for Concert, Pop, and Jazz
The MP11SE captures the beautiful sound of Kawai’s SK-EX, EX, and SK-5 acoustic grand pianos, with all 88 keys of these exceptional
instruments meticulously recorded, analysed and faithfully reproduced using proprietary Harmonic Imaging™ technology. This
unique process accurately recreates the broad dynamic range of the original grand pianos, aording pianists an extraordinary
level of expressiveness ranging from the softest pianissimo to the strongest, boldest fortissimo.
With separate categories for Concert, Pop, and Jazz playing, the MP11SE oers the nest selection of high quality acoustic piano
sounds ever compiled for a Kawai instrument, with a separate category devoted entirely to upright and mono pianos.
Moreover, Kawai’s unique Virtual Technician feature allows various characteristics of the selected acoustic piano sound to be
shaped at the touch of a button or the turn of a knob, with parameters to adjust voicing and regulation, string and damper
resonances, and subtle hammer, damper, and key release noises.
E.PIANO section: Vintage EPs, twin eects, and amp simulation
The MP11SE features a selection of incredible vintage electric piano sounds, each with their own distinctive characteristics. Enjoy
their natural, organic sound, or pass the signal through a wide variety of classic eects stomp boxes, before plugging into one of
the ve classic amp and speaker cabinets – complete with realistic microphone character and position modelling.
SUB section: High quality strings, pads, basses and more
The MP11SE’s SUB section features high quality strings, pads, basses, and other useful sounds that are ideal for creating splits and
custom zones, layering with acoustic or electric pianos, or for playing individually, at the front of the mix. Additional Bell, Air, and
Voice layers bring greater depth to the sound, with exible ADSR parameters and resonance/cut-o controls all adjustable directly
from the panel’s assignable control knobs.
MIDI OUT section: Four zone master keyboard controller
The MP11SE features a new, improved MIDI OUT section with four independent zones for controlling external devices, or
integrating into the studio as a master keyboard. Use the assignable panel knobs to send CC# to connected hardware, or the
recorder transport buttons to control a DAW without touching a mouse or leaving the piano. The MP11SE even includes LINE IN
jacks and a dedicated panel fader to adjust the level of connected devices, such as that old expander module or semi-weighted
synth that you just can’t live without, or a laptop running software instruments.
Intuitive operation, large LCD, real-time assignable control knobs
The MP11SE’s control panel is clearly arranged and easy to use, with related functions grouped together and placed where you’d
expect to nd them. A large LCD display and four assignable control knobs, allow several parameters to be adjusted directly in
real-time, without getting lost in menus – concentrate on playing, rather than trying to remember which button does what.
Welcome to the MP11SE
11
Introduction
208 Setup memories: enough for the busiest stage musician
The MP11SE allows every single customised sound, knob position, fader level, and adjustable parameter to be stored in memory as
a SETUP, and recalled at the touch of a button. With over 200 SETUP memories, the MP11SE is ideal for busy stage musicians who
like to plan several shows ahead, before going out on the road.
USB to Device functionality, with MP3/WAV/SMF le recording and playback
The MP11SE is equipped with USB connectors that not only allow the instrument to be connected to a computer for MIDI use,
but also to load and save data to USB memory devices directly. This ‘USB to Device’ feature allows customised sounds, SETUP
memories, and recorder songs stored in internal memory to be saved to USB for posterity.
USB memory devices can also be used to play back MP3 or WAV audio or SMF MIDI les, allowing performing musicians to
play along with professional backing tracks, or simply learn the chords or melody for a new piece. It is even possible to save
performances directly as MP3, WAV, or SMF les for emailing to band members, casual listening away from the keyboard, or further
editing using an audio workstation.
2
Owner’s Manual Conventions
This owner’s manual utilises a number of illustrative conventions in order to explain the MP11SE’s various functions.
The examples below provide an overview of the button LED indicator states and press types, and the appearance of
dierence kinds of explanation text.
Button LED indicator states
LED indicator OFF:
Sound/Function is not selected.
LED indicator ashing:
Sound/Function is selected in a
temporary state.
LED indicator ON:
Sound/Function is selected.
Button press types
Normal press:
Select a sound or function, or
turn a function ON/OFF.
Press and hold, then press X:
Set split points, create zone
ranges, set transpose key, etc.
Press and hold:
Show a function’s parameters.
hold
hold
Text appearance
Normal instruction and explanation text
is written in regular type at 9 pt. size.
* Notes about functions are marked with an
asterisk and written in 7.5 pt. size.
Reminders, hints, and additional explanations
are written in italic type at 9 pt. size.
Captions explaining the LCD display
or button functions, are written in
bold type at 8.5 pt. size.
Example operations are written in italic type
at 8 pt. size, and enclosed within a grey box.
Welcome to the MP11SE
12
Introduction
1
Front Panel: Knobs, Faders & Buttons
Control Wheels
PITCH BEND wheel
This control wheel smoothly bends the pitch up or down from
its current value.
MODULATION wheel
This control wheel controls the modulation (vibrato) depth.
Moving the wheel forward increases the vibrato depth.
The LED indicator will turn ON when this wheel is in use.
* Alternative functions can be assigned to the MODULATION wheel in the
Controllers page of the EDIT menu (page 47).
Volume Faders
VOLUME fader
This fader controls the master volume level of the MP11SE’s
NORMAL OUTPUT and HEADPHONE jacks.
* The fader does not aect the level of the FIXED OUTPUT jacks.
LINE IN fader
This fader controls the LINE IN volume level.
PIANO Section
ON/OFF button
This button turns the PIANO section ON or OFF.
KEY RANGE button
This button selects the key range of the PIANO section.
UPPER/ZONE/LOWER LEDs
These LEDs indicate the key range to which the PIANO section
is assigned.
VOLUME fader
This fader controls the volume level of the PIANO section.
CONCERT/POP/JAZZ/UPRIGHT-MONO buttons
These buttons select the category of the piano sound.
1/2/3 buttons
These buttons select the piano sound from each category.
Part Names & Functions
EFX/REVERB buttons
These buttons turn the eects and reverb ON or OFF.
* Press and hold either button to show the respective settings pages of the
EDIT menu in the LCD display.
13
Introduction
E.PIANO Section
ON/OFF button
This button turns the E.PIANO section ON or OFF.
KEY RANGE button
This button selects the key range of the E.PIANO section.
UPPER/ZONE/LOWER LEDs
These LEDs indicate the key range to which the E.PIANO section
is assigned.
VOLUME fader
This fader controls the volume level of the E.PIANO section.
TINE/REED/MODERN/E.GRAND-CLAVI buttons
These buttons select the category of the e.piano sound.
1/2/3 buttons
These buttons select the e.piano sound from each category.
EFX1/EFX2/AMP/REVERB buttons
These buttons turn the primary/secondary eects, amp
simulator, and reverb ON or OFF.
* Press and hold either button to show the respective settings pages of the
EDIT menu in the LCD display.
SUB Section
ON/OFF button
This button turns the SUB section ON or OFF.
KEY RANGE button
This button selects the key range of the SUB section.
UPPER/ZONE/LOWER LEDs
These LEDs indicate the key range to which the SUB section is
assigned.
VOLUME fader
This fader controls the volume level of the SUB section.
STRINGS/PAD/HARPSI-MALLET/BASS buttons
These buttons select the category of the sub sound.
1/2/3/4 buttons
These buttons select the sub sound from each category.
EFX/REVERB buttons
These buttons turn the eects and reverb ON or OFF.
* Press and hold either button to show the respective settings pages of the
EDIT menu in the LCD display.
Part Names & Functions
14
Introduction
Part Names & Functions
DISPLAY Section
LCD Display
The LCD display provides a visual indication of the selected
section and sound, parameter values, and the status of other
functions when active.
A/B/C/D control knobs
These knobs adjust displayed parameter values in real-time.
* EDIT menu parameters can be freely assigned to each of the four knobs in
the Knob Assign page of the EDIT menu (page 49).
F1/F2/F3/F4 buttons
These buttons select the three internal sound sections (PIANO,
E.PIANO, SUB) to be displayed and controlled. In other modes
(e.g. Recorder) these buttons also select additional functions.
INT/MIDI button
This button toggles between showing the internal sound
sections (PIANO, E.PIANO, SUB), and the four MIDI OUT zones in
the LCD display.
EDIT Section
LOCK ( ) button
This button locks the MP11SE’s control panel, thus preventing
any accidental button pushes during a performance.
STORE button
This button stores edited SOUNDS, or full panel settings to the
SETUP and POWERON memories.
EXIT button
This button exits the current mode or page.
EDIT button
This button enters the EDIT menu. When the EDIT menu is
displayed, this button also enters the selected parameter
category page.
CURSOR buttons
These buttons move the selection cursor and scroll through the
various pages of the EDIT menu.
GLOBAL Section
EQ button
This button turns the global EQ ON or OFF.
Press and hold the button to show the EQ settings screen in the
LCD display.
TRANSPOSE button
This button turns the TRANSPOSE function ON or OFF.
Press and hold the button to show the transpose settings pop-
up in the LCD display.
LOCAL OFF
This button disables the internal connection between the
MP11SE’s keyboard and tone generators.
– / NO + / YES buttons
These buttons decrease or increase the value of the selected
parameter, and also cancel or conrm operations that require
user interaction (e.g. Erasing data).
15
Introduction
MIDI OUT Section
ZONE 1/ZONE 2/ZONE 3/ZONE 4 buttons
These buttons turn the four MIDI zones ON or OFF.
* Press and hold a button to show the respective MIDI zone’s settings.
SETUP Section
ON/OFF button
This button turns the SETUP section ON or OFF.
BANK buttons
These buttons select the SETUP bank from A to Z.
MEMORY buttons
These buttons select the SETUP memory from 1 to 8.
RECORDER Section
ON/OFF button
This button turns the RECORDER section ON or OFF.
METRONOME button
This button activates the METRONOME or RHYTHM patterns.
(RESET) button
This button resets the MP11SE’s song recorder, rewinding songs
and MP3/WAV les to the beginning.
(RECORD) and (PLAY/STOP) buttons
These buttons record and playback/stop songs stored in the
MP11SE’s internal memory, or MP3/WAV les saved to a USB
memory device.
(LOOP) button
This button activates the MP11SE’s A-B Loop function, allowing
passages of a recorder song or MP3/WAV le to be played back
repeatedly.
(REW) and (FWD) buttons
These buttons are used to move the playing position of the
current recorder song or MP3/WAV backward or forward.
SETTING Section
PANIC button
This button returns the MP11SE to the Power On state, and also
sends All Note O and Reset All Controller messages via MIDI.
SYSTEM button
This button enters the SYSTEM menu, allowing many aspects of
the MP11SE’s functionality to be adjusted.
USB button
This button enters the USB menu, allowing data to be loaded
and saved from/to a connected USB memory device.
Part Names & Functions
16
Introduction
2
Front Panel: Jacks & Connectors
HEADPHONE jack
The headphone jack is located at the left end of the key block
and used to connect a pair of headphones equipped with a
standard 1/4” phone jack.
USB TO DEVICE port
The USB to Device port is located at the right end of the key
slip and used to connect a FAT or FAT32 formatted USB memory
device to load and save data.
* Please note that wireless ash memory devices are not compatible.
3
Rear Panel: Jacks & Connectors
POWER Section
AC IN
Connect the power cable included with the MP11SE to this
receptacle.
POWER SWITCH
This switch turns the MP11SE ON and OFF.
* The MP11SE features a power saving mode that can turn o the instrument
automatically after a specied period of inactivity. For more information,
please refer to page 101.
MIDI Section
MIDI THRU/OUT/IN jacks
These jacks are used to connect the MP11SE to external MIDI
devices, and also to a computer with a MIDI interface as an
alternative to the ‘USB to Host’ port.
USB TO HOST port
This port is used to connect the MP11SE to a computer using a
USB cable. When connected, the instrument can be used as a
standard MIDI device, allowing it to send a receive MIDI data.
Connect a ‘B’ type USB connector to the instrument, and an ‘A’
type USB connector to the computer.
* When connecting the MP11SE to a computer using the ‘USB to Host’ port,
additional driver software may be required. For more information, please
refer to page 117.
Part Names & Functions
.
* The instrument’s USB MIDI port and MIDI IN/OUT jacks can be connected
and used simultaneously. To adjust MIDI routing, please refer to the MIDI
parameters in the SYSTEM menu, explained on page 104.
* To prevent data loss when turning o the instrument, do not disconnect
the power cable until the ‘Goodbye’ message disappears from the LCD
display.
17
Introduction
FOOT CONTROLLER Section
EXP TYPE switch
This switch is used to select the EXP pedal’s TRS connector type.
EXP jack
This jack is used to connect an expression pedal to the MP11SE.
* For information about calibrating the expression pedal to ensure correct
operation with the MP11SE, please refer to page 103.
FSW jack
This jack is used to connect a momentary foot switch pedal to
th e MP11SE.
GFP-3 jack
This jack is used to connect the included GFP-3 triple pedal unit
to the MP11SE. By default, the right pedal acts as a damper
pedal, the centre pedal acts as a sostenuto pedal, and the left
pedal functions as a soft pedal.
* Functions can be freely assigned to each foot controller in the Controllers
page of the EDIT menu. For more information, please refer to page 57.
FIXED OUTPUT Section
FIXED OUTPUT jacks
These jacks are used to connect the MP11SE to a musical
instrument amplier, PA system, or recording console using XLR
terminals.
The VOLUME fader does NOT aect these outputs.
GND LIFT switch
This switch is used to shut the ground loop that can occur when
connecting the MP11SE using XLR terminals.
* This switch can typically be left in the OFF position.
OUTPUT Section
OUTPUT jacks
These jacks are used to connect the MP11SE to a musical
instrument amplier, PA system, or recording console using
standard 1/4” phone jacks. To output a mono signal, connect
the cable to the L/MONO jack.
INPUT Section
INPUT jacks
These jacks are used to connect a pair of stereo outputs from
other electronic instruments or audio equipment to the MP11SE.
The input level can be easily adjusted using the LINE IN fader.
When connecting a mono audio source, connect the cable to
the L/MONO jack only.
* When using the Audio Recorder function, the INPUT audio will also be recorded
to the WAV/MP3 le. For more information, please refer to page 75.
Part Names & Functions
Left pedal:
Soft
Centre pedal:
Sostenuto
Right pedal:
Damper
EXP type Description
RING (NOR) TRS plug’s Ring to WIPER
TIP TRS plug’s Tip to WIPER
18
Introduction
Connecting to Other Devices
Control external MIDI devices,
or connect to a computer with a
MIDI interface.
Connect to a computer to
exchange MIDI data and
use DAW software.
Connect the included GFP-3
triple pedal unit.
USB type ‘B’
USB type ‘A’
Connect an expression pedal.
Set the correct EXP TYPE.
Connect
a footswitch
pedal.
Connect to mixing desks,
professional speakers, and
other PA equipment, etc.
GND
HOT
COLD
XLR pinout:
Connect to ampliers,
speakers, etc.
Connect the stereo output
from tablets, portable audio
devices or other electronic
instruments.
19
Introduction
Understanding the MP11SE
Preparation before use
The MP11SE does not feature built-in speakers. Therefore, in order to listen to the MP11SE, it will rst be necessary to connect a mixer,
keyboard amplier, or headphones to the instrument.
Once connected to an audio output device, press the POWER SWITCH located on the right of the rear panel to turn on the MP11SE.
It is recommended to turn on the MP11SE before the audio output device in order to avoid the unpleasant switching noise that can
sometimes occur.
MP11SE section structure: explanation
The MP11SE features 3 internal sound sections: PIANO, E.PIANO, and SUB. Each section features a dedicated VOLUME fader and can
be turned ON or OFF freely.
The PIANO, E.PIANO, and SUB sections share largely the same operation, with 4 category buttons and multiple sounds assigned to
each category. The PIANO and SUB sound sections each feature one EFX module, while the E.PIANO section oers two separate
EFX modules and an additional AMP simulator. All sounds can be adjusted using the various parameters in the EDIT menu, with
additional ‘Feature Parameters’ that are specic to each of the three sound sections.
The MP11SE’s external (MIDI) functionality is divided into four independently controlled zones. As with the internal sound sections,
various EDIT menu parameters are available to dene transmit/receive channels, MMC features, keyboard ranges, and knob
assignments etc.
REVERB settings are common for all internal sections, however the DEPTH can be controlled independently for each section.
The MP11SE’s EQ is also common for all internal sections, however parameters in the EDIT menu allow the tonal character for each
section’s sound to be adjusted independently.
Modications to each sound can be stored as individual SOUND presets, while the entire conguration of the MP11SE itself can be
stored in one of the 208 SETUP memories.
As noted previously, the master VOLUME fader does not aect the FIXED OUTPUT jacks, but does aect the (normal) OUTPUT jacks.
This allows audio engineers to control the level of the instrument at the mixing desk, while still allowing performers to adjust the
volume of their monitor speakers freely.
MP11SE section structure: block diagram
The diagram below illustrates the section structure of the MP11SE.
PIANO Brilliance Virtual Tech.
EFX1E.PIANO Amp
EFXSUB
EFX2
Reverb
EQ
LINE IN
Normal Out
Master Fader
E.PIANO Fader
SUB Fader
Input Level
E.PIANO Reverb Depth
SUB Reverb Depth
Noise Gate
PIANO Fader
PIANO Reverb Depth
Fixed Out
ZONE1 Volume
ZONE1
ZONE2
ZONE3
ZONE4
LINE IN Fader
ZONE2 Volume
ZONE3 Volume
ZONE4 Volume
MIDI Out
USB-MIDI Out
gate
gate
EFX
20
Main Operation
1
Section Basics
As noted previously, the MP11SE’s PIANO, E.PIANO, and SUB sections all share largely the same operation. This page
will explain the fundamentals of turning sections ON and OFF, selecting sounds, and adjusting the section volume.
Turning a section ON or OFF
Press the ON/OFF button to turn each section ON or OFF.
The LED indicator for the ON/OFF button will turn ON or OFF to
indicate the current status of the section.
If a section is turned OFF (but still shown in the LCD display), a
symbol will be added to the left of the sound name.
Section is
turned OFF
Selecting sounds
First, turn the PIANO section ON and all other sections OFF.
Press the one of the sound category buttons, then press one of
the sound variation buttons.
The LED indicators for the selected sound category and variation
buttons will turn on, and the variation list will pop-up briey in
the LCD display.
Selected sound
Variation list
Experiment with selecting dierent categories and variations,
playing the keyboard each time to hear the unique tonal
characteristics of every sound.
Adjusting the section volume
Use the VOLUME fader below each section’s ON/OFF button to
adjust the volume of the section.
The volume of the section will increase or decrease
independently of the other sound sections.
* When playing with just a single section (e.g. PIANO), it is recommended to
set the VOLUME fader to the maximum position.
To adjust the volume of all sound sections simultaneously, use
the MASTER VOLUME fader (page 12).
LED indicator ON:
Section is turned ON
Example: To select the Jazz Grand sound, press the
JAZZ category button, then the 2nd variation button.
Increase
volume
Decrease
volume
Overview of Internal Sections
* When Receive Mode (page 104) is set to ‘Section’, the MIDI input signal
will still trigger sounds even when a section is turned OFF.
21
Main Operation
2
LCD Display & Control Knobs
In regular Play Mode the LCD display provides a visual indication of the selected section and sound, and the values
of the four real-time control knobs (A, B, C, and D).
The function of each knob can be assigned to control any parameter in the EDIT menu, allowing frequently used
functions to be accessed from a single screen. Furthermore, two groups of knob parameters (2 x 4) can be dened
for each of the PIANO, E.PIANO, SUB sections and MIDI zones, providing extensive real-time control.
Selecting sections, primary/secondary knob groups
Press the function buttons located below the LCD display to
select the desired internal section.
The section icon will become highlighted, and the name of the
selected sound and primary group of knob parameters will be
shown in the LCD display.
Press the same function button to cycle between the primary
and secondary group of knob parameters in the LCD display.
Toggling between internal sections and MIDI zones
Press the INT/MIDI button to toggle between showing the
internal sections and MIDI zone volumes in the LCD display.
* For more information about MIDI zones, please refer to page 36.
Adjusting parameters
Turn the four control knobs (A, B, C, D) located on either side of
the LCD display to adjust the displayed knob group parameters.
* EDIT menu parameters can be freely assigned to each of the four knobs in
the Knob Assign page of the EDIT menu (page 49).
Parameters can also be adjusted by using the CURSOR buttons
to move the selection cursor, and +/YES or –/NO buttons to
increase or decrease the value of the selected parameter.
Control knobs:
Adjust value of assigned
parameter or setting.
Function buttons:
Select section/MIDI zone,
various other operations.
Selected sound
Selected section/knob group
INT/MIDI button:
Toggle between displaying
internal sections & MIDI zones.
Overview of Internal Sections
22
Main Operation
3
Reverb
Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert
hall. The MP11SE features 6 high quality types of reverb.
Each sound section features independent REVERB ON/OFF and REVERB DEPTH controls, however the REVERB TYPE
(and associated settings) is common to all sections.
Reverb types
Reverb type Description
Room Simulates the ambiance of a small rehearsal room.
Lounge Simulates the ambience of a piano lounge.
Small Hall Simulates the ambiance of a small hall.
Concert Hall Simulates the ambiance of a concert hall or theater.
Live Hall Simulates the ambiance of a live hall or stage.
Cathedral Simulates the ambiance of a large cathedral.
Turning reverb ON or OFF
Press the desired sound section’s REVERB button to turn the
reverb for that section ON or OFF.
The LED indicator for the sound section’s REVERB button will
turn ON or OFF to indicate the current status of the reverb.
Changing the reverb type and additional parameters
Press and hold the section’s REVERB button.
The REVERB page of the EDIT menu will be shown in the LCD
display.
Common
parameters:
See page 38
Turn the four control knobs (A, B, C, D) to change the reverb type
and adjust additional reverb parameters.
Press and hold the REVERB button again to exit.
Reverb parameters
Knob Parameter Description Value range
A Type Changes the type of environment. (see table above)
B PreDelay Adjusts the delay time before the reverberation is applied. 0 ~ 200 ms
C Time Adjusts the decay length/speed of the reverberation. 300 ms ~ 10.0 s
(depending on type)
D Depth Adjusts the depth of the environment (amount of reverberation). 0 ~ 127
LED indicator ON:
Reverb is turned ON
hold
Time
Type
Depth
PreDelay
Overview of Internal Sections
23
Main Operation
Overview of Internal Sections
4
EFX
In addition to reverb, various other eects can be applied to the selected sound, altering the tonal character and feeling
of the instrument. The MP11SE features 129 high quality EFX types, with an eect assigned to each sound by default.
The PIANO and SUB sound sections oer one eect module each, while the E.PIANO section features two separate
eects modules that can be connected in series. For ecient selection, EFX types are sorted by category.
EFX categories
EFX category Types EFX category Types EFX category Types EFX category Types
1 Chorus 8 7 Delay/Rev 8 13 Groove 4 19 Enhancer+ 8
2 Flanger 5 8 PitchShift 3 14 Misc. 2 20 P. Shi f t+ 6
3 Phaser 6 9 Compressor 2 15 Chorus+ 6 21 Comp+ 8
4 Wah 6 10 OverDrive 3 16 Phaser+ 6 22 OverDrive+ 8
5 Tremolo 6 11 EQ/Filter 5 17 Wah+ 6 23 Parallel 6
6 AutoPan 4 12 Rotary 5 18 EQ+ 8 TOTAL 129
* The ‘+’ eects consist of the base eect plus an additional combination eect, while still using only one eect module.
* For more information about available eect categories, types, and parameters, please refer to page 121.
Turning eects ON or OFF
Press the desired sound section’s EFX button to turn the eects
for that section ON or OFF.
The LED indicator for the sound section’s EFX button will turn
ON or OFF to indicate the current status of the eects.
* The E.PIANO section’s EFX1 and EFX2 modules are turned ON and OFF in
exactly the same way.
Changing the eect category, type and additional parameters
Press and hold the section’s EFX button.
The rst EFX page of the EDIT menu will be shown in the LCD
display.
Page 1/2
arrow:
Next page
arrow:
Previous page
Turn the control knobs (A, B, C, D) to change the eect category,
type, and adjust additional eect parameters.
* The number of adjustable EFX parameters will vary depending on type.
* Press the F1, F2, and F3 buttons (corresponding to the selected section)
and F4 button to scroll through the dierent EFX pages.
Press and hold the EFX button again to jump to the rst EFX
page of the EDIT menu, and once again to EXIT.
LED indicator ON:
Eects are turned ON
hold
Parameter 1
Category
Parameter 2
Type
* Above knob assignments will change depending on EFX page displayed.
24
Main Operation
Overview of Internal Sections
5
Amp Simulator (E.PIANO)
The tonal character of an amplier or speaker cabinet is an important component of vintage electric piano sounds.
The MP11SE’s Amp Simulator function features 5 typical amplier types and a selection of adjustable parameters.
Amp types
Amp type Description
S. Case A suitcase type amplier, commonly used for vintage electric piano sounds.
M. Stack A British valve guitar amplier, known for its ‘crunchy’ tonal character.
J. Combo A popular Japanese solid-state amplier favoured for its clean, yet powerful sound.
F. Bass An American valve bass amplier that became popular for guitar, harmonica, and other instruments.
L. Cabi
A valve amplier and speaker enclosed within a wooden cabinet, originally intended for drawbar organ
sounds, but also used with electric pianos to produce a distinctive ‘shimmering’ sound.
Turning the Amp Simulator ON or OFF
Press the E.PIANO sound section’s AMP button to turn the amp
simulator ON or OFF.
The LED indicator for the AMP button will turn ON or OFF to
indicate the current status of the amp simulator.
Changing the Amp type, adjusting drive, and level parameters
Press and hold the E.PIANO sound section’s AMP button.
The rst AMP page of the EDIT menu will be shown in the LCD
display.
Page 1/3
arrow:
Next page
arrow:
Previous page
Turn the control knobs (A, B, C) to change the amp type, and
adjust the drive, and level parameters.
* For more information about additional amp simulator parameters, please
refer to page 25.
* Press the F2 and F4 buttons to scroll through the dierent AMP pages.
Press and hold the AMP button again to jump to the rst AMP
page of the EDIT menu, and once again to EXIT.
LED indicator ON:
Amp Sim is turned ON
hold
Level
Amp Type
Drive
* Above knob assignments will change depending on AMP page displayed.
25
Main Operation
Overview of Internal Sections
Amp Simulator parameters
Page Knob Parameter Description Value range
1
A Amp Type Changes the type of amplier model. [see table above]
B Drive Adjusts the drive level of the amplier. 0 ~ 127
C Level Adjusts the overall volume level of the amplier. 0 ~ 127
2
A Amp EQ Lo Adjusts the gain of the amplier’s low frequencies. –10 dB ~ +10 dB
B Amp EQ Mid Adjusts the gain of the amplier’s mid frequencies. –10 dB ~ +10 dB
C Amp EQ Hi Adjusts the gain of the amplier’s high frequencies. –10 dB ~ +10 dB
D Mid Frequency Adjusts the frequency of the amplier’s mid-range band. 200 Hz ~ 3150 Hz
3
A Mic Type Changes the type of microphone used for the amplier. Condenser, Dynamic
B Mic Position Change the position of the microphone used for the amplier. OnAxis, OAxis
C Ambience Adjusts the mixing ratio of additional ambient microphones. 0 ~ 127
Adjusting additional Amp Simulator parameters
Press and hold the E.PIANO sound section’s AMP button, then
press the F2 button (corresponding to the selected E.PIANO
section).
The second AMP page of the EDIT menu will be shown in the
LCD display.
Page 2/3
arrow:
Next page
arrow:
Previous page
Turn the control knobs (A, B, C, D) to adjust the amp simulator’s
Lo, Mid, Hi, and MidFreq EQ parameters.
Press the F2 button again.
The third AMP page of the EDIT menu will be shown in the LCD
display.
Page 3/3
arrow:
Next page
arrow:
Previous page
Turn the control knobs (A, B, C) to change the type and
positioning of the amp simulator’s microphone, and adjust the
ambience parameter.
Amp EQ Hi
Amp EQ Lo
Mid Freq.
Amp EQ Mid
Ambience
Mic Type
Mic Position
hold
26
Main Operation
Overview of Internal Sections
6
Key Range
The Key Range setting allows the key range of each sound section to be specied. By default, each internal section
will utilise all 88 keys of the keyboard. However, it is also possible to easily create upper/lower splits or specify a
zone between two dened keys.
Key Range types
Key Range type Key Range LED Description
Full Keyboard (default) OFF The selected sound section will be played with all 88 keys of the keyboard.
Lower Lower ON
The keyboard is split into two parts, the lower part of the keyboard (from a dened
split point to the bottom-most key) is used to play the selected section.
Upper Upper ON
The keyboard is split into two parts, the upper part of the keyboard (from a dened
split point to the top-most key) is used to play the selected section.
Zone Upper + Lower ON A zone between two dened keys is used to play the selected section.
Selecting Key Range types
Press the KEY RANGE button to cycle through the dierent key
range types for the selection sound section.
The LED indicators will turn ON or OFF to indicate the selected
Key Range type.
* The default Lower/Upper split point is set to F#3.
* The Lower/Upper split point is common for all internal sound sections and
external MIDI zones. For more information about common parameters,
please refer to page 38.
Checking the Lower/Upper split point
After selecting Lower/Upper key range type:
Press and hold the KEY RANGE button.
The current split point will pop-up in the LCD display.
Common
parameter:
See
page 38
Current
split point:
F#3
Release the KEY RANGE button
The split point pop-up will disappear.
Default:
Full Keyboard
Press once:
Lower split
Press twice:
Upper split
Press three times:
Zone
hold
27
Main Operation
Overview of Internal Sections
Setting the Lower/Upper split point
After selecting the Lower/Upper key range type:
Press and hold the KEY RANGE button, then press the desired
split key of the keyboard.
The name of the pressed key will be shown in the LCD display,
and will become the new split point.
New
split point:
C#3
Release the KEY RANGE button.
The split point pop-up will disappear.
* The Lower/Upper split point is common for all internal sound sections and
external MIDI zones. For more information about common parameters,
please refer to page 38.
Setting the Zone key range
After selecting the Zone key range type:
Press and hold the KEY RANGE button, press the desired top key,
and then the desired bottom key of the zone.
The names of the pressed top and bottom keys will be shown in
the LCD display, and will become the new zone key range.
Top key:
A2
Bottom key:
A4
Release the KEY RANGE button.
The zone key range pop-up will disappear.
* Zone key ranges can be dened for each internal sound sections and
external MIDI zone. For more information about key range parameters,
please refer to page 46.
* It is also possible to check the Zone key range by pressing and holding
the KEY RANGE button without setting the top and bottom keys.
hold
Upper partLower part
New split point: C#3
Example: To set the split point to key C#3, press and
hold the KEY RANGE button, then press the C#3 key.
hold
Example: To set the zone key range between key A2
and A4, press and hold the KEY RANGE button, press
the A2 key, and then press the A4 key.
Zone key range
Top: A2
Bottom: A4
28
Main Operation
Internal Sections & Feature Parameters
1
PIANO section
The MP11SE’s PIANO section features 12 dierent piano sounds arranged into CONCERT, POP, JAZZ, and UPRIGHT/
MONO categories. All of the piano sounds have been sampled from Kawai instruments, using alternate voicing
congurations, microphone positions, and recording techniques, in order to provide a selection of distinctive
acoustic piano sounds that are suitable for various musical styles.
PIANO section sounds
Category No. Sound Name Description
CONCERT
1 SK Concert Grand A concert grand piano with a clear tonal color and rich powerful bass.
2 EX Concert Grand
A concert grand piano with an elegant detailed tone and exceptionally broad dynamic
range.
3 SK-5 Grand A medium-sized grand piano with a polished brilliant tone.
POP
1 Pop Piano A clear and vibrant pop grand piano.
2 EX Studio Grand A clear and powerful concert grand piano.
3 SK-5 Studio Grand A medium-sized grand piano with a strong gutsy tone that is ideally suited to pop music.
JAZZ
1 SK Jazz Grand A warm yet clear concert grand piano.
2 Jazz Grand A warm, powerful grand piano sound with a vintage jazz character.
3 Standard Grand The popular Concert Grand piano sound from the MP8
II
.
UPRIGHT /
MONO
1 Upright Piano A full-bodied traditional upright piano.
2 Mono SK Grand The SK-EX concert grand piano, optimised for mono audio output.
3 Mono EX Grand The EX concert grand piano, optimised for mono audio output.
Feature Parameters: Virtual Technician
An experienced piano technician is essential to fully realise the potential of a ne acoustic piano. In addition to
meticulously tuning each note, the technician also performs numerous regulation and voicing adjustments that
allow the instrument to truly sing.
The PIANO section’s Virtual Technician parameters simulate these renements digitally, allowing performers to
shape various aspects of the piano sound’s character to suit their personal preferences.
Entering the Virtual Technician EDIT menu
After selecting the PIANO section (F1 button):
Press the EDIT button.
The PIANO section EDIT menu will be shown in the LCD display.
Press the CURSOR buttons to select 8.VirtTech, then press the
+/YES button to enter the Virtual Technician parameter pages.
29
Main Operation
Internal Sections & Feature Parameters
or
Virtual Technician parameters
Page Knob Parameter Description Value range
1
A Voicing Adjusts the tonal character of the selected piano sound. [see below]
B String Resonance Adjusts the resonance that is heard when notes are held. OFF, 1 ~ 10
C Undamped Res. Adjusts the resonance produced by the topmost undamped strings. OFF, 1 ~ 10
D Damper Resonance Adjusts the resonance that is heard when pressing the damper pedal. OFF, 1 ~ 10
2
A Key-o Eect Adjusts the sound that is heard when keys are released. OFF, 1 ~ 10
B Damper Noise Adjusts the sound that is heard when pressing the damper pedal. OFF, 1 ~ 10
C Hammer Delay Adjusts the delay of the hammer striking strings when playing pianissimo. OFF, 1 ~ 10
D Fall-back Noise Adjusts the sound that is heard when the key action falls back. OFF, 1 ~ 10
3
A Topboard Adjusts the position of the grand piano topboard. [see below]
B Stereo Width Adjust the stereo width of the selected piano sound. 0 ~ 127
C Brilliance Adjusts the brightness of the overall piano sound. –10 dB ~ +10 dB
* Voicing types: Normal, Mellow1, Mellow2, Dynamic, Bright1, Bright2, User1~5
Topboard types: Close, Open1, Open2, Open3
* For more detailed information about the PIANO section’s Virtual Technician parameters, please refer to page 50.
Adjusting Virtual Technician parameters
After entering the Virtual Technician parameters page:
Press the CURSOR buttons to move the selection cursor, and
through the EDIT menu pages.
* The F1 and F4 buttons can also be used to scroll through the dierent EDIT
menu pages.
Press the +/YES or -/NO buttons to increase or decrease values.
Page 1/3
Page 2/3
Page 3/3
Alternatively, turn the control knobs (A, B, C, D) to adjust the
parameter assigned to that knob.
Press the EXIT button to return to the main EDIT menu.
30
Main Operation
Internal Sections & Feature Parameters
2
E.PIANO section
The MP11SE’s E.PIANO section features 12 dierent electric piano sounds arranged into TINE, REED, MODERN,
and E.GRAND/CLAVI categories. Each electric piano sound has been lovingly sampled from original, vintage
instruments (complete with imperfections), and can be enjoyed in their ‘organic’ form, or with analogue eects
and amp/speaker simulations applied for added warmth and character.
E.PIANO section sounds
Category No. Sound Name Description
TINE
1 Tine EP 1 A suitcase-type vintage tine electric piano.
2 Tine EP 2 A suitcase-type vintage tine electric piano modied for a brighter, harder sound.
3 Tine EP 3 A stage-type vintage tine electric piano.
REED
1 Reed EP 1 A highly playable vintage reed electric piano.
2 Reed EP 2 A bright vintage reed electric piano.
3 Reed EP 3 A warm vintage reed electric piano.
MODERN
1 Modern EP 1 An FM type electric piano.
2 Modern EP 2 An FM type electric piano with a fuller sound.
3 Modern EP 3 An FM type electric piano with a mellow sound.
E.GRAND /
CLAVI
1 Electric Grand An electric grand piano with a strong attack.
2 Clavi 1 A funky keyboard sound with electric pick-ups.
3 Clavi 2 A fatter sounding Clavi sound.
Feature Parameters: Amp Simulator & Virtual Technician
As explained on page 24, the E.PIANO section features a dedicated Amp Simulator to recreate the tonal character
of various amplier/speaker cabinets. In addition, the E.PIANO section’s Virtual Technician includes parameters to
adjust key-o behaviour.
Amp Simulator parameters
Please refer to page 25 for a full list of amp simulator parameters.
Virtual Technician parameters
Page Knob Parameter Description Value range
1
A Key-o Noise Adjust the volume of the noise heard when the keys are released. OFF, 1 ~ 127
B Key-o Delay Adjusts the delay time before the Key-o Noise is heard. 0 ~ 127
* For more detailed information about the E.PIANO section’s Virtual Technician parameters, please refer to page 51.
Adjusting Virtual Technician parameters
Please refer to page 29 for a full explanation of how to enter the Virtual Technician menu and adjust parameters.
31
Main Operation
Internal Sections & Feature Parameters
3
SUB section
The MP11SE’s SUB section features 16 additional ‘subsidiary’ sounds arranged into STRINGS, PAD, HARPSI/MALLET,
and BASS categories. These sounds are suitable for layering with PIANO or E.PIANO section sounds, or for assigning
to keyboard splits/zone, but can of course be played independently if desired.
SUB section sounds
Category No. Sound Name Description
STRINGS
1 String Ensemble A natural string sound with a lush, open character.
2 Beautiful Str. A mellow string sound with slow attack and ne treble.
3 String Pad A typical synth strings pad with a soft texture.
4 Warm Strings A warm string sound with a muted treble.
PAD
1 Pad 1 A typical synth pad.
2 Pad 2 A fatter synth pad, with a slow release and attack characteristics.
3 Pad 3 A warm synth pad with a vocal quality.
4 Pad 4 A lush, airy synth pad with bell and vocal characteristics.
HARPSI /
MALLET
1 Harpsichord A baroque period plucked instrument.
2 Vibraphone A percussive, tuned instrument played using mallets.
3 Celesta A metallic instrument with a soft timbre, played using a keyboard.
4 Marimba A percussive instrument with wooden bars, played using mallets.
BASS
1 Wood Bass A large, low-pitched string instrument often used to accompany jazz.
2 Finger Bass A standard electric bass guitar with a clean tone.
3 Fretless Bass An electric bass guitar without frets.
4 Wood Bass & Ride A typical double bass combined with a ride cymbal.
Feature Parameters: Virtual Technician
When Harpsichord or Bass sounds are selected, the SUB section’s Virtual Technician includes parameters to adjust
key-o behaviour.
Virtual Technician parameters
Page Knob Parameter Description Value range
1
A Key-o Noise Adjust the volume of the noise heard when the keys are released. OFF, 1 ~ 127
B Key-o Delay Adjusts the delay time before the Key-o Noise is heard. 0 ~ 127
* The above parameters will only be available when a Harpsichord or Bass sound i s selected.
* For more detailed information about the SUB section’s Virtual Technician parameters, please refer to page 51.
Adjusting Virtual Technician parameters
Please refer to page 29 for a full explanation of how to enter the Virtual Technician menu and adjust parameter.
32
Main Operation
Global Section
1
EQ
The EQ function consists of a 4-band graphic equaliser that can be used to shape the overall tone of the MP11SE’s
internal sound sections. Two of the mid-range frequency bands can also be adjusted as a parametric equaliser.
The equaliser setting is common to all internal sound sections.
Turning EQ ON or OFF
Press the EQ button to turn the MP11SE’s equaliser ON or OFF.
The LED indicator for the EQ button will turn ON or OFF to
indicate the current status of the equaliser.
EQ parameters
Page Knob Parameter Description Value range
1
A Low Gain Adjusts the gain of the low range frequency band (20 ~ 100 Hz). –10 dB ~ +10 dB
B High Gain Adjusts the gain of the high range frequency band (5000 ~ 20000 Hz). –10 dB ~ +10 dB
C Mid1 Gain Adjusts the gain of the Mid1 frequency band (200 ~ 3150 Hz). –10 dB ~ +10 dB
D Mid2 Gain Adjusts the gain of the Mid2 frequency band (200 ~ 3150 Hz). –10 dB ~ +10 dB
2
A Mid1 Q Adjusts the bandwidth of the Mid1 band. 0.5 ~ 4.0
B Mid2 Q Adjusts the bandwidth of the Mid2 band. 0.5 ~ 4.0
C Mid1 Freq. Adjusts the frequency of the Mid1 band. 200 Hz ~ 3150 Hz
D Mid2 Freq. Adjusts the frequency of the Mid2 band. 200 Hz ~ 3150 Hz
Adjusting EQ parameters
Press and hold the EQ button.
The gain page of the EQ will be shown in the LCD display.
Next
page
Press the CURSOR buttons to select the desired EQ
parameter, then press the +/YES or -/NO buttons to increase or
decrease the values.
Alternatively, turn the control knobs (A, B, C, D) to adjust the EQ
parameter assigned to that knob.
* The F1~F4 buttons can also be used to select the desired EQ parameter.
If the parameter is already selected, the F1~F4 buttons can be used to
alternate between the gain and frequency pages of the EQ.
LED indicator ON:
Equaliser is turned ON
hold
Decrease/Increase values
Select EQ parameter
33
Main Operation
Global Section
Adjusting EQ parameters (cont.)
While the gain page of the EQ is shown:
Press the CURSOR button.
The frequency page of the EQ will be shown in the LCD display.
Previous
page
Press the CURSOR buttons to select the desired EQ
parameter, then press the +/YES or -/NO buttons to increase or
decrease the values.
Alternatively, turn the control knobs (A, B, C, D) to adjust the EQ
parameter assigned to that knob.
Press the EXIT button to return to the main playing screen.
Jump to EQ Oset shortcut
The EQ Oset is a SYSTEM parameter used to oset adjustments made by the EQ. The purpose of the EQ Oset is to
allow a ‘baseline’ EQ to be applied independently of the EQ function, and therefore independently of the selected
SETUP. EQ Oset must be enabled in the SYSTEM menu for this shortcut to function.
To jump to the EQ Oset screen, at any time:
Press and hold the EQ button, then press one of the F1~F4
buttons.
The EQ Oset screen will be shown in the LCD display.
Oset
page
The EQ Oset parameters are adjustable in the same manner as
the EQ gain parameters.
* The EQ Oset values will be added to the regular EQ values. The combined
EQ values are limited to ±10 dB.
Press the EXIT button to return to the EQ screen.
Press the EXIT button again to return to the main playing screen.
Mid1
frequency
Mid1
bandwidth
Mid2
frequency
Mid2
bandwidth
hold
34
Main Operation
Global Section
2
Transpose
The Transpose function allows the pitch of the MP11SE’s keyboard to be raised or lowered in semi-tone steps. This
is particularly useful when accompanying instruments tuned for dierent keys, or when a song learned in one key
must be played in another key.
Turning Transpose ON or OFF
Press the TRANSPOSE button to turn the transpose function ON
or O FF.
The LED indicator for the TRANSPOSE button will turn ON or
OFF to indicate the current status of the transpose function.
* The previous transpose setting will be remembered after the transpose
function is turned OFF, allowing rapid adjustment of the keyboard pitch.
Checking the Transpose setting
Press and hold the TRANSPOSE button.
The current transpose setting will pop-up in the LCD display.
* The default value, 0, indicates no transposition.
Setting the Transpose value: Method 1
Press and hold the TRANSPOSE button, then press the +/YES
or –/NO buttons to increase or decrease the transpose value in
semi-tone steps.
* The TRANSPOSE value can be adjusted within the range of -24 ~ +24.
The LED indicator for the TRANSPOSE button will turn ON
automatically to indicate that transpose is activated.
* To reset the transpose value to 0 (no transposition), press both the –/NO
and +/YES buttons simultaneously.
* The transpose value will be stored to SYSTEM memory automatically,
however the transpose ON/OFF state will not be stored.
LED indicator ON:
Transpose is turned ON
hold
hold
Decrease/Increase values
× 4
Example: To raise the keyboard pitch by 4 semi-tones,
press and hold the TRANSPOSE button, then press the
+/YES button four times.
35
Main Operation
Global Section
Setting the Transpose value: Method 2
Press and hold the TRANSPOSE button, then press a key on the
keyboard to the left or right of middle C.
The pressed key will become the new transpose key.
* The TRANSPOSE value can be adjusted within the range of -24 ~ +24.
The LED indicator for the TRANSPOSE button will turn ON
automatically to indicate that transpose is activated.
* To reset the transpose value to 0 (no transposition), press both the –/NO
and +/YES buttons simultaneously.
* The transpose value will be stored to SYSTEM memory automatically,
however the transpose ON/OFF state will not be stored.
hold
-24 0 +24
Example: To lower the keyboard pitch by 2 semi-
tones, press and hold the TRANSPOSE button, then
press the B
b
key closest to the middle C key.
36
Main Operation
MIDI OUT Section
The MP11SE’s MIDI OUT section features four independently adjustable zones than can be used to control external
MIDI devices. MIDI channels can be assigned to each zone, then adjusted using the four real-time control knobs. By
default, each zone will utilise all 88 keys of the keyboard, however as with the internal sound sections, it is possible
to create upper/lower splits or specify a key range between two dened keys.
Turning a Zone ON or OFF
Press a ZONE button to turn each Zone ON or OFF.
The LED indicator for the pressed ZONE button will turn ON or
OFF to indicate the current status of the Zone.
The active Zones and assigned MIDI channels will be shown in
the LCD display.
Zone1
active
Zone 1 MIDI channel
This is the MIDI zone volume screen, and will be shown
automatically whenever a zone is turned ON or OFF.
Adjusting Zone volumes
When a Zone is turned on and the MIDI zone volume screen is shown:
Turn the control knobs (A, B, C, D) to adjust the volume of the
zone assigned to that knob.
* Zone volumes can be adjusted within the range 0~127.
Toggling between internal sections and MIDI zones
Press the INT/MIDI button to toggle between showing the
internal sections and MIDI zone volumes in the LCD display.
LED indicator ON:
Zone is turned ON
Example: To turn on (activate) Zone1, press
the ZONE1 button.
* By default Zone1~4 will be assigned MIDI channels 01, 02, 03, and 04
respectively. For information about changing the MIDI channel assigned
to each zone, please refer to page 54.
Zone3
volume
Zone1
volume
Zone4
volume
Zone2
volume
* It is also possible to adjust zone volumes by pressing the CURSOR buttons
to select the desired zone, then pressing the -/NO or +/YES buttons to
decrease or increase values.
37
Main Operation
MIDI OUT Section
Adjusting Zone parameters (MIDI control change)
From the MIDI zone volume screen:
Press one of the F1~F4 buttons.
The rst page of MIDI control change for the selected zone will
be shown in the LCD display.
Turn the control knobs (A, B, C, D) to adjust the MIDI control
change parameters assigned to that knob.
* For information about changing the MIDI control change parameters
assigned to each control knob, please refer to page 59.
* When a zone is selected, pressing the F1~F4 button corresponding to that
zone will toggle between the rst and second pages of parameters.
Adjusting the Zone key range
Press and hold a ZONE button, press the desired top key, and
then the desired bottom key of the keyboard.
The names of the pressed top and bottom keys will be shown
in the LCD display, and will become the new key range for the
selected zone.
Top key:
F1
Bottom key:
F3
* To reset the key range back to all 88 keys (Full Keyboard), press and hold a
zone button, then press the topmost and bottommost keys.
LOCAL OFF button
Press the LOCAL OFF button to disable the connection between
the MP11SE’s keyboard and internal tone generator.
The LED indicator for the LOCAL OFF button will turn ON or OFF
to indicate the current status of the LOCAL OFF function.
* It is also possible to adjust parameters by pressing the CURSOR buttons to
select the desired parameter, then pressing the -/NO or +/YES buttons to
decrease or increase values.
Example: To set the Zone1 key range between key F1
and F3, press and hold the ZONE1 button, press the F1
key, and then press the F3 key.
Zone key range
Top: F1
Bottom: F3
hold
LED indicator ON:
Internal tone generator is disconnected
38
EDIT Menu
Overview of the EDIT Menu (PIANO, E.PIANO, SUB)
The EDIT menu contains various parameters that can be used to adjust the MP11SE’s internal sound sections. The
parameters are grouped by category, allowing close control over the instrument with just a few button presses.
* The EDIT menu can also be used to adjust parameters of the MIDI OUT section. For more information, please refer to page 54.
This collection of parameters, together with other adjustable settings, can be stored as a SETUP memory (page
61). The MP11SE provides 26 banks x 8 setups, for a total of 208 user programmable SETUP memories.
About Common parameters ( icon)
Unless stated, parameter settings for the PIANO, E.PIANO, and SUB sound sections are independent for each section.
However, parameters marked with a
icon are common for all three sound sections. For example, changing the Reverb Type
parameter for the PIANO section will automatically change the
Reverb Type parameter for the E.PIANO, and SUB sections.
Moreover, the
Split Point parameter is unique in that it is common for all three sound sections and four MIDI zones.
PIANO/E.PIANO/SUB section parameters
No. Category Parameters
1 REVERB Type, Pre Delay, Time, Depth
2
EFX Category, Type, Parameters
(prm1~prm10, depending on EFX type)
AMP Amp Type, Drive, Level, Amp EQ Lo, Amp EQ Mid, Amp EQ Hi, Mid Freq., Mic Type, Mic Position, Ambience
3 Sound
Master Volume, Panpot, Filter Cut-o, Filter Resonance, DCA Attack Time, DCA Decay Time,
DCA Sustain Level, DCA Release Time, DCF Attack Time, DCF Attack Level, DCF Decay Time,
DCF Sustain Level, DCF Release Time, DCF Touch Depth, DCA Touch Depth, Vibrate Depth, Vibrate Rate,
Vibrate Delay, Octave Layer Switch, Octave Layer Level, Octave Layer Range, Octave Layer Detune,
Layer Vocal, Layer Bell, Layer Air
4 Tuning Fine Tune, Stretch Tuning, Temperament, Key of Temperament
5 Key Setup
Touch Curve, Dynamics, Key Volume, Minimum Touch, Octave Shift, Zone Transpose, Key Scaling Damping,
Key Scaling Key, Key Range Type,
Split Point, Key Range Zone Lo, Key Range Zone Hi
6 Controllers
Right Pedal,
Right Pedal Assign, Damper Pedal Mode, Center Pedal, Center Pedal Assign, Left Pedal,
Left Pedal Assign, Pitch Bend, Pitch Bend Range, Soft Pedal Depth, Modulation Wheel,
Modulation Wheel Assign, Modulation Depth Range, Foot Switch Pedal,
Foot Switch Pedal Assign,
Expression Pedal,
Expression Pedal Assign
7 Knob Assign
Knob A Assign, Knob B Assign, Knob C Assign, Knob D Assign,
Knob2 A Assign, Knob2 B Assign, Knob2 C Assign, Knob2 D Assign
8
Virtual
Technician
piano: Voicing, String Resonance, Undamped Resonance, Damper Resonance, Key-o Eect, Damper
Noise, Hammer Delay, Fall-back Noise, Topboard, Stereo Width, Brilliance
e.piano/sub*: Key-o Noise, Key-o Delay
* SUB section Virtual Technician parameters applicable to Harpsichord and Bass sounds only.
Entering the EDIT Menu
When either the PIANO, E.PIANO, or SUB section is selected:
Press the EDIT button.
The LED indicator for the EDIT button will turn ON, and the Edit
Menu for the selected section will be shown in the LCD display.
PIANO
section
selected
LED indicator ON:
EDIT mode is turned ON
* To change the selected sound section, press the F1~F3 buttons.
39
EDIT Menu
Overview of the EDIT Menu (PIANO, E.PIANO, SUB)
Selecting the parameter category
After entering the EDIT Menu:
Press the CURSOR buttons to select the desired category, then
press the +/YES button to enter the selected category.
Virtual
Technician
selected
Adjusting parameters
After selecting the parameter category:
Turn the four control knobs (A, B, C, D) to adjust the parameters
assigned to those knob.
Parameters can also be adjusted by using the CURSOR buttons
to move the selection cursor, and +/YES or –/NO buttons to
increase or decrease the value of the selected parameter.
Press the EXIT button to exit the parameter category, or return
to the Play Mode screen.
Parameter adjustments made to the selected sound will be lost upon selecting another sound.
* To store the adjusted sound, use the STORE button (page 60).
Quick Compare function
The Quick Compare function allows any sound being adjusted to be compared ‘on the y’ with the previously stored (i.e. preset) sound.
While in EDIT mode:
Press the variation button of the sound that is being adjusted.
The LED for the variation button will start to ash, and the
keyboard will play the previously stored sound.
Press the variation button again.
The LED for the variation button will stop ashing, turn ON, and
the keyboard will returning to playing the adjusted sound.
× 3
Example: To enter the Virtual Technician category, press
the CURSOR button three times and the CURSOR
button once, then press the +/YES button.
Example: To compare the adjusted EX Concert Grand
sound with the previously stored version, press the 2nd
variation button of the PIANO section.
40
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
1
Reverb
1. Type
6 types
This parameter selects the reverb type.
* For more information about reverb, please refer to page 22.
* This parameter is common for all three sound sections.
* This parameter is not stored to SOUND but to SETUP only.
2. Pre Delay
value: 0 ~ 200 ms
This parameter adjusts the delay time before the start of the
reverberation.
* For more information about reverb, please refer to page 22.
* This parameter is common for all three sound sections.
* This parameter is not stored to SOUND but to SETUP only.
3. Time value: 300 ms ~ 10.0 s
This parameter adjusts the reverb time.
* For more information about reverb, please refer to page 22.
* This parameter is common for all three sound sections.
* This parameter is not stored to SOUND but to SETUP only.
4. Depth value: 0 ~ 127
This parameter adjusts the reverb depth.
* For more information about reverb, please refer to page 22.
2
.1 EFX
1. Category 23 categories
This parameter selects the eect category.
* For more information about eects, please refer to page 23.
* The E.PIANO section lists two pages for EFX1 and EFX2.
2. Type 129 types
This parameter selects the eect type.
* For more information about eects, please refer to page 23.
* The E.PIANO section lists two pages for EFX1 and EFX2.
3. Parameters n/a
These parameters change depending on the selected EFX type,
and are used to adjust the mixing amount of the eected (wet)
and bypassed (dry) sound, depth, speed, feedback, etc.
* For more information about eects, please refer to page 23.
41
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
2
.2 Amp Simulator (E.PIANO)
1. Amp Type
This parameter selects the simulated amplier type.
* For more information about the various Amp Simulator model types,
please refer to page 24.
2. Drive
This parameter adjusts the amount of overdrive produced by
the simulated amplier.
* For more information about the Amp Simulator, please refer to page 24.
3. Level
This parameter adjusts the volume of the simulated amplier.
* For more information about the Amp Simulator, please refer to page 24.
4. Amp EQ Lo
This parameter adjusts the level of the low frequencies of the
simulated amplier.
* This parameter functions independently of the global EQ.
* For more information about the Amp Simulator, please refer to page 25.
5. Amp EQ Mid
This parameter adjusts the level of the mid frequencies of the
simulated amplier.
* This parameter functions independently of the global EQ.
* For more information about the Amp Simulator, please refer to page 25.
6. Amp EQ Hi
This parameter adjusts the level of the high frequencies of the
simulated amplier.
* For more information about the Amp Simulator, please refer to page 25.
* This parameter functions independently of the global EQ.
7. Mid Frequency
This parameter adjusts the mid frequency band of the
simulated amplier, levelled by the Amp EQ Mid parameter.
* For more information about the Amp Simulator, please refer to page 25.
* This parameter functions independently of the global EQ.
8. Mic Type
This parameter selects the type of microphone used for the
simulated amplier.
Mic Type Description
Condenser
A microphone with a very broad frequency
response that is typically found in studios.
Dynamic
A microphone with a more limited frequency
response that is typically used for live playing.
* For more information about the Amp Simulator, please refer to page 25.
9. Mic Position
This parameter selects the position of the microphone used for
the simulated amplier.
Mic Position Description
On Axis
The microphone is placed in the centre of the
speaker, producing a direct, aggressive sound with
strong high/mid range.
O Axis
The microphone is placed to the side of the speaker,
producing a smoother and more ambient sound.
* For more information about the Amp Simulator, please refer to page 25.
10. Ambience
This parameter adjusts the level (mix ratio) of an additional set
of stereo microphones, that are placed away from the simulated
amplier in order to capture the ambient sound within a room.
* For more information about the Amp Simulator, please refer to page 25.
value: 0 ~ 127
value: 0 ~ 127
5
types
value
: –10 dB ~ +10 dB
value: 200 Hz ~ 3150 Hzvalue: –10 dB ~ +10 dB
value: –10 dB ~ +10 dB
on axis, off axiscondenser, dynamic
value
: 0 ~ 127
42
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
3
Sound
1. Master Volume
value: 0 ~ 127
This parameter adjusts the total SETUP volume. This parameter
is used to adjust the balance among each stored SETUPs (page
61).
* This parameter is common for all three sound sections.
* This parameter is not stored to SOUND but to SETUP only.
2. Panpot
value: l64 ~ r63
This parameter adjusts the left/right position of the selected
sound within the stereo eld.
3. Filter Cut-o value: –64 ~ +63
This parameter adjusts the frequency of the cut-o. Raising
the cut-o level increases the brightness of the sound, while
lowering the cut-o level results in a duller sound.
4. Filter Resonance value: –64 ~ +63
This parameter adjusts the amount of the harmonic overtone
around the cut-o frequency for the selected sound.
5. DCA Attack Time value: –64 ~ +63
This parameter adjusts the length of the attack. Higher values
increase the attack time, resulting in a longer, slower attack for
the selected sound.
6. DCA Decay Time value: –64 ~ +63
This parameter adjusts the length of the decay from peak level
to sustain level for the selected sound.
7. DCA Sustain Level value: –64 ~ +63
This parameter adjusts the volume level of the sustain heard
while the key is held for the selected sound.
8. DCA Release Time value: –64 ~ +63
This parameter adjusts the amount of time required for the
sound to fade out after the keys are released for the selected
sound.
9. DCF Attack Time value: –64 ~ +63
This parameter adjusts the length of the lter’s attack. Higher
values increase the attack time, resulting in a longer, slower
attack for the lter.
10. DCF Attack Level value: –64 ~ +63
This parameter adjusts the level of the lter’s attack.
11. DCF Decay Time value: –64 ~ +63
This parameter adjusts the length of the decay from peak level
to sustain level for the lter.
12. DCF Sustain Level value: –64 ~ +63
This parameter adjusts the level of the lter’s sustain heard
while the key is held for the selected sound.
13. DCF Release Time value: –64 ~ +63
This parameter adjusts the amount of time required for the lter
to fade out after the keys are released.
14. DCF Touch Depth value: –64 ~ +63
This parameter adjusts how much the velocity aects the lter
envelope depth.
15. DCA Touch Depth value: –64 ~ +63
This parameter adjusts how much the velocity aects the
amplitude envelope depth.
43
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
Time
Volume
Key ON Key OFF
5
6
7
8
About DCA Parameters
The DCA (Digitally Controlled Amplier) parameters, are used to
adjust the volume level of a sound over time using an envelope.
The diagram below indicates the MP11SE’s DCA parameters.
About DCF Parameters
The DCF (Digitally Controlled Filter) parameters, are used to
adjust a low-pass lter applied to the sound over time.
The diagram below indicates the MP11SE’s DCF parameters.
Time
Frequency
Key ON Key OFF
9
11
12
13
10
16. Vibrate Depth value: –64 ~ +63
This parameter adjusts the depth of the vibration applied to the
selected sound.
17. Vibrate Rate value: –64 ~ +63
This parameter adjusts the speed of the vibration applied to the
selected sound.
18. Vibrate Delay value: –64 ~ +63
This parameter adjusts the delay time before the start of the
vibration.
19. Octave Layer Switch off, on
This parameter turns the additional Octave Layer ON or OFF.
20. Octave Layer Level value: 0 ~ 127
This parameter adjusts the volume level of the Octave Layer.
21. Octave Layer Range value: –2 ~ +2
This parameter sets the amount of octave transposition for the
Octave Layer.
22. Octave Layer Detune value: –64 ~ +63
This parameter adjusts the tuning of the Octave Layer.
23. Layer Vocal value: off, 1 ~ 127
This parameter adjusts the amount of Vocal sound that is added
to the selected sound.
24. Layer Bell value: off, 1 ~ 127
This parameter adjusts the amount of Bell sound that is added to
the selected sound.
25. Layer Air value: off, 1 ~ 127
This parameter adjusts the amount of Air sound that is added to
the selected sound.
44
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
4
Tuning
1. Fine Tune
This parameter adjusts the tuning of the selected sound for
values smaller than a semi-tone.
2. Stretch Tuning
This parameter selects the level of stretch tuning.
The human ear typically detects high and low frequencies less accurately
than those frequencies within the middle range. The tuning of an acoustic
piano is therefore ‘stretched’ to compensate, ensuring that the sound will
be heard more naturally to the ears.
* For information about creating User Stretch Tuning, please refer to the
User Edit explanation in the SYSTEM menu chapter (page 109).
3. Temperament
This parameter selects the tuning system of the selected sound.
* For information about creating User Temperaments, please refer to the
User Edit explanation in the SYSTEM menu chapter (page 107).
4. Key of Temperament
This parameter selects the key of the selected temperament.
When using a temperament other than Equal Temperament,
use this setting to specify the key signature of the piece.
* This parameter will only aect the ‘balance’ of the tuning system, the
pitch of the keyboard will remain unchanged.
Temperament types
Temperament type Description
Equal Temperament
(Equal)
This is the most popular tuning method that divides the scale into twelve equal semi-tones.
This produces the same chordal intervals in all twelve keys, and has the advantage of limitless
modulation of the key. However, the tonality of each key becomes less characteristic and no chord is in
pure consonance.
Pure Temperament
(Pure Maj./Pure Min.)
This temperament, which eliminates dissonances for thirds and fths is still popular for choral music
because of its perfect harmony.
When playing in a major key select ‘Pure Maj’ and when playing in a minor key select ‘Pure Min’.
Pythagorean Temperament
(Pythagorean)
This temperament, which uses mathematical ratios to eliminate dissonance for fths, is very limited for
use with chords, but it produces very characteristic melodic lines.
Meantone Temperament
(Meantone)
This temperament, which uses a mean between a major and minor whole tone to eliminate dissonance
for thirds, was devised to eliminate the lack of consonances experienced with certain fths for the
Mersenne pure temperament.
It produces chords that are more beautiful than those with the equal temperament.
Werkmeister III Temperament
(Werkmeis)
Kirnberger III Temperament
(Kirnberg)
These two temperaments are placed in between Meantone and Pythagorean. For music with few
accidentals, this temperament produces the beautiful chords of the mean tone, but as accidentals
increase, the temperament produces the characteristic melodies of the Pythagorean temperament.
They are used primarily for classical music written in the Baroque era to revive the original characteristics.
User Temperament
(Sys.User1/2)
User dened temperament created by raising or lowering the pitch for each semi-tone.
* For information about creating User Temperaments, please refer to the User Edit explanation in the SYSTEM menu chapter (page 107).
9 types + 5 uservalue: –64 ~ +63
7
types + 2 user range: c ~ B
45
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
5
Key Setup
1. Touch Curve
6 types + 5 user
This parameter selects the touch response curve of the keyboard
for the selected sound.
* For information about creating User Touch Curves, please refer to the User
Edit explanation in the SYSTEM menu chapter (page 106).
2. Dynamics
value: off, 1 ~ 10
This parameter adjusts the keyboard response (velocity
compression) of the selected sound independently of the touch
curve.
When the value is 10 (default), the keyboard response is normal. As the
value decreases the keyboard response gradually becomes less dynamic,
and when set to OFF becomes completely at (i.e. xed touch response).
Touch Curve types
Touch Curve No. Description
Light +
Requires less striking force to achieve a forte note.
* This touch curve is intended for players with a very delicate touch.
Light
A louder volume is produced even when playing with a soft touch.
* This touch curve is intended for players who are still developing nger strength.
Normal Reproduces the standard touch sensitivity of a typical acoustic piano.
Heavy
Requires a heavier touch to produce a loud volume.
* This touch curve is intended for players with stronger ngers.
Heavy + Requires considerably more striking force to achieve a loud volume.
O
(constant)
A constant volume is produced regardless of how hard the keys are struck.
* This touch curve is intended for playing sounds of instruments that have a xed dynamic range (e.g. harpsichord).
User* (User 1~User 5) – A custom touch curve, created to suit an individual’s personal playing style.
* For information about creating User touch curves, please refer to the User Edit explanation in the SYSTEM menu chapter (page 106).
Touch Curve graph
The illustration below provides a visual representation of the
dierent Touch Curve types.
Loud
Soft
Gentle Strong
Sound Volume
Keyboard Pressure
Dynamics graph
The illustration below provides a visual representation of the
Dynamics parameter.
Loud
Soft
Gentle Strong
Sound Volume
Keyboard Pressure
Dynamics = 10
Dynamics = 5
Dynamics = OFF
46
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
3. Key Volume 5 types + 5 user
This parameter selects the Key Volume setting for the selected
sound section, if desired.
Key Volume Description
Normal (default)
An evenly balanced volume throughout the
keyboard.
High Damping
Gradually reduces the volume of the keyboard
towards the treble region.
Low Damping
Gradually reduces the volume of the keyboard
towards the bass region.
High & Low
Damping
Gradually reduces the volume of the keyboard
in both the treble and bass regions.
Center Damping
Gradually reduces the volume of the keyboard
in the central region.
User
A custom keyboard volume, allowing the
volume of each key to be individually adjusted.
* For information about creating User Key Volumes, please refer to the User
Edit explanation in the SYSTEM menu chapter (page 108).
4. Minimum Touch value: 1 ~ 20
This parameter adjusts the minimum key velocity required to
produce a sound.
5. Octave Shift
value: –3 ~ +3 octaves
This parameter adjusts the amount of octave transposition for
the selected sound.
* This parameter is not stored to SOUND but to SETUP only.
6. Zone Transpose value: –12 ~ +12
This parameter adjusts the amount of transposition for the
selected sound.
* This parameter is not stored to SOUND but to SETUP only.
7. Key Scaling Damping on, off
This parameter determines whether or not damping (velocity
reduction) should be applied to a sound over a specic range.
This parameter may be useful when layering a piano sound with a strings
sound, in order to reduce the level of the strings in the higher key range.
8. Key Scaling Key range: a0 ~ c8
This parameter denes the point on the keyboard from which
Key Scaling Damping should be applied, up to the highest key.
9. Key Range Type off, upper, lower, zone
This parameter selects the Key Range type for the selected
section.
Type Description
O The sound is used for all 88 keys of the keyboard.
Upper The sound is used for the upper split.
Lower The sound is used for the lower split.
Zone The sound is used for a dened zone between two keys.
* This parameter is not stored to SOUND but to SETUP only.
10. Split Point range: a0 ~ c8
This parameter denes the point on the keyboard at which the
upper and lower parts are divided.
* For more information about Key Range functions, please refer to page
26.
* This parameter is common for all three sound sections and all MIDI zones.
* This parameter is not stored to SOUND but to SETUP only.
11. Key Range Zone Lo range: a0 ~ c8
This parameter denes the bottom key of the key range zone.
* For more information about Key Range functions, please refer to page 26.
* This parameter is not stored to SOUND but to SETUP only.
12. Key Range Zone Hi range: a0 ~ c8
This parameter denes the top key of the key range zone.
* For more information about Key Range functions, please refer to page 26.
* This parameter is not stored to SOUND but to SETUP only.
5
Key Setup (cont.)
47
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
6
Controllers
1. Right Pedal on, off
This parameter determines whether or not the right pedal of
the GFP-3 pedal unit is active for the selected section.
* This parameter is not stored to SOUND but to SETUP only.
2. Right Pedal Assign
18 functions (piano, suB)
28
functions (e.piano)
This parameter selects the function assigned to the right pedal
of the GFP-3 pedal unit.
* This parameter is common for all three sound sections.
* This parameter is not stored to SOUND but to SETUP only.
3. Damper Pedal Mode normal, Hold
This parameter determines whether or not the damper pedal
should sustain sounds indenitely without decay.
* This parameter is not stored to SOUND but to SETUP only.
4. Center Pedal on, off
This parameter determines whether or not the centre pedal of
the GFP-3 pedal unit is active for the selected section.
* This parameter is not stored to SOUND but to SETUP only.
5. Center Pedal Assign
This parameter selects the function assigned to the centre pedal
of the GFP-3 pedal unit.
* This parameter is common for all three sound sections.
* This parameter is not stored to SOUND but to SETUP only.
6. Left Pedal on, off
This parameter determines whether or not the left pedal of the
GFP-3 pedal unit is active for the selected section.
* This parameter is not stored to SOUND but to SETUP only.
7. Left Pedal Assign
18 functions (piano, suB)
28
functions (e.piano)
This parameter selects the function assigned to the left pedal of
the GFP-3 pedal unit.
* This parameter is common for all three sound sections.
* This parameter is not stored to SOUND but to SETUP only.
8. Pitch Bend on, off
This parameter determines whether or not the pitch bend
wheel is active for the selected section.
9. Pitch Bend Range value: 0 ~ 7
This parameter sets the range of the pitch bend wheel in semi-
tone steps.
* The range diers for the internal sound (0 ~7) and MIDI (0~12) sections.
10. Soft Pedal Depth value: 1 ~ 10
This parameter adjusts the eectiveness (i.e. depth/strength) of
the soft pedal.
* This parameter is not stored to SOUND but to SETUP only.
48
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
11. Modulation Wheel on, reverse, off
This parameter determines whether or not the modulation
wheel is active for the selected section.
When set to ‘Reverse’, the wheel’s output values will be inverted.
12. Modulation Wheel Assign
18 functions (piano, suB)
28
functions (e.piano)
This parameter selects the function assigned to the MP11SE’s
modulation wheel.
13. Modulation Depth Range value: 0 ~ 127
This parameter sets the range of the pitch modulation function
in steps of 600/127 cents.
14. Foot Switch Pedal
on, off
This parameter determines whether or not the foot switch pedal
(if connected) is active for the selected section.
* For more information about connecting pedals, please refer to page 18.
* This parameter is not stored to SOUND but to SETUP only.
15. Foot Switch Pedal Assign
18 functions (piano, suB)
28
functions (e.piano)
This parameter selects the function assigned to the foot switch
pedal (if connected).
* This parameter is common for all three sound sections.
* For more information about connecting pedals, please refer to page 18.
* This parameter is not stored to SOUND but to SETUP only.
16. Expression Pedal on, reverse, off
This parameter determines whether or not the expression pedal
(if connected) is active for the selected section.
When set to ‘Reverse’, the pedal’s output values will be inverted.
* For more information about connecting pedals, please refer to page 18.
* This parameter is not stored to SOUND but to SETUP only.
17. Expression Pedal Assign
18 functions (piano, suB)
28
functions (e.piano)
This parameter selects the function assigned to the expression
pedal (if connected).
* This parameter is common for all three sound sections.
* For more information about connecting pedals, please refer to page 18.
* This parameter is not stored to SOUND but to SETUP only.
Assignable pedal/modulation wheel functions
Function Function
Modulation Damper
Panpot Sostenuto
Expression Soft
Function
Resonance
Cut-o
EFX Parameter 1 ~ 10
(piano, suB)
EFX1 Parameter 1 ~ 10, EFX2 Parameter 1 ~ 10 (e.piano)
6
Controllers (cont.)
49
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
7
Knob Assign
The Knob Assign screen is used to assign EDIT menu parameters to the four main control knobs A, B, C, and D
for direct, real-time adjustment in Play Mode. Two groups of knob parameters (primary and secondary) can be
assigned to each of the PIANO, E.PIANO, and SUB sections, providing extensive control over the selected sounds.
Assigning parameters to each knob
Enter the Knob Assign screen for the desired section.
Turn the four control knobs (A, B, C, D) to specify which parameter
should be assigned to each control knob in Play Mode.
Parameters can also be assigned by using the CURSOR buttons
to move the selection cursor, and +/YES or –/NO buttons to
cycle through the available parameters.
Page 1/2
arrow:
Next page
Press the F1~F3 buttons (depending on the selected section)
or CURSOR
buttons to show the secondary group of knob
parameters in the LCD display.
Page 2/2
arrow:
Prev. page
About EFX parameter placeholder names (EFX Para1~10)
Some EFX oer a wide range of available parameters, while others are less exible and feature fewer adjustable parameters. When assigning
EFX parameters to the four control knobs, the names of the available parameters for the selected EFX (e.g. Wah:LowEQ) will be shown.
If the selected EFX features a smaller number of available parameters, a placeholder name (e.g. ‘EFX Para 5’) will be substituted in the Knob
Assign menu, and the knob will become inactive in the main play screen.
* Assignable parameters dier slightly for each sound section. For a full list
of assignable parameters, please refer to the page 141.
* For more information about adjusting parameters in Play Mode, please
refer to page 21.
Knob Assign screen
ClassichTch Wah selected,
LowEQ parameter assigned
to control knob D.
Play screen
ClassichTch Wah selected,
control knob D shows
Wah:LowEQ parameter.
Knob Assign screen
LpfPdl Wah selected, control
knob D changes to EFX
Para5 parameter
(i.e. inactive).
Play screen
LpfPdl Wah selected, control
knob D changes to EFX
Para5 (i.e. inactive).
50
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
8
Virtual Technician (PIANO section)
1. Voicing
6 types + 5 user
This parameter attempts to recreate the technique of adjusting the action, hammers and strings of an acoustic piano, allowing the
tonal character and dynamics of the MP11SE’s piano sounds to be dramatically altered.
Voicing types
Voicing Type Description
Normal The normal tonal character of an acoustic piano throughout the entire dynamic range.
Mellow 1 A softer, more mellow tonal character throughout the entire dynamic range.
Mellow 2 An even soften tonal character than Mellow 1.
Dynamic A tonal character that changes dramatically from mellow to bright, depending on the strength of key strike.
Bright 1 A bright tonal character throughout the entire dynamic range.
Bright 2 An even brighter tonal character than Bright 1.
User A custom tonal character, allowing each key to be individually voiced.
* For information about creating User Voicing, please refer to the User Edit explanation in the SYSTEM menu chapter (page 110).
2. String Resonance value: off, 1 ~ 10
This parameter adjusts the volume of the string resonance.
String Resonance refers to a phenomenon that exists in acoustic pianos
whereby the strings of held notes resonate ‘sympathetically’ with other
notes of the same harmonic series.
3. Undamped Resonance value: off, 1 ~ 10
This parameter adjusts the volume of the undamped resonance.
The dampers of an acoustic piano span almost the full width of the
keyboard. However, the topmost 18 keys (approximately 1.5 octaves) do
not incorporate dampers, as the shorter strings for these treble notes decay
quickly and therefore do not need to be dampened. As a result, the strings of
these ‘undamped’ treble notes are free to vibrate in sympathetic resonance
with those of lower keys – independently of the damper pedal position –
helping to enrich the sound with additional harmonics and tonal colour.
4. Damper Resonance value: off, 1 ~ 10
This parameter adjusts the volume of the damper resonance.
Depressing the damper pedal of an acoustic piano raises all dampers,
allowing the strings to vibrate freely. When a note or chord is played on the
piano with the sustain pedal depressed, not only will the strings of the notes
played vibrate, but also the strings of other notes, vibrating in sympathetic
resonance.
5. Key-o Eect value: off, 1 ~ 10
This parameter adjusts the volume of the key-o eect.
When playing an acoustic piano - particularly in the bass region of the
keyboard - if a key is played with force and released quickly, it is often
possible to hear the faint sound of the damper touching the strings
immediately before the vibrations are stopped.
6. Damper Noise value: off, 1 ~ 10
This parameter adjusts the volume of the damper noise.
When the damper pedal is depressed and released, it is often possible to
hear the sound of the damper head touching and releasing the strings.
7. Hammer Delay value: off, 1 ~ 10
This parameter adjusts the delay of the hammer striking the
string when playing with pianissimo.
51
EDIT Menu
EDIT Menu parameters (PIANO, E.PIANO, SUB)
8. Fall-back Noise value: off, 1 ~ 10
This parameter adjusts the volume of the noise heard when the
keyboard action ‘falls back’ after a key is released.
9. Topboard close, open1, open2, open3
This parameter changes the position of the piano’s topboard.
When playing an acoustic grand piano, the position of the instrument’s
topboard (lid) aects both the volume and ‘openness’ of the tone produced.
A fully open topboard allows sound waves to reect o the polished lid
surface and project into the room, while a closed lid has the opposite eect,
resulting in a darker, more opaque tone.
10. Stereo Width
value: 0 ~ 127
This parameter adjusts the width of the stereo sound.
11. Brilliance value: –10 dB ~ +10 dB
This parameter adjusts the overall brightness of the piano
sound independently of the Voicing parameter.
8
Virtual Technician (E.PIANO, SUB sections)
1. Key-o Noise value: off, 1 ~ 127
When the E.PIANO sound section is selected, this parameter
adjusts the volume of the noise heard when the keys of an
electromechanical instrument are released.
When the SUB section is selected, this parameter adjusts the
volume of the release noise for harpsichord and bass sounds.
2. Key-o Delay value: 0 ~ 127
This parameter adjusts the delay time before the Key-o Noise
is heard.
52
EDIT Menu
Overview of the EDIT Menu (MIDI OUT)
The EDIT menu can also be used to adjust parameters for the MIDI OUT section. As with the sound section EDIT
menus, the parameters are grouped by category, providing direct control over any connected MIDI devices.
This collection of parameters, together with other adjustable settings, can be stored as a SETUP memory (page
61). The MP11SE provides 26 banks x 8 setups, for a total of 208 user programmable SETUP memories.
About Common parameters ( icon)
Unless stated, parameter settings for the MIDI OUT sections can be adjusted independent for each ZONE1~ZONE4.
However, parameters marked with a
icon are common for all four MIDI zones. For example, changing the Right Pedal Assign
parameter for ZONE1 will automatically change the
Right Pedal Assign parameter for ZONE2~ZONE4.
As noted previously, the
Split Point parameter is unique in that it is common for all three sound sections and four MIDI zones.
About System parameters ( icon)
MIDI OUT section parameters marked with a icon are SYSTEM parameters and memorised automatically, without the need to
use the STORE function.
MIDI OUT section parameters
No. Category Parameters
1 Channel/Program MIDI Transmitting Channel, Program, Bank MSB, Bank LSB
2 SETUP Send Program, Send Bank, Send Volume, Send Knobs
3 Transmit
Transmit System Exclusive, Transmit Recorder
4 MMC
Transmit MMC, MMC Device ID, MMC Commands
5 Key Setup
Touch Curve, Dynamics, Transmit Keyboard, Octave Shift, Zone Transpose, Key Scaling Damping,
Key Scaling Key, Key Range Type,
Split Point, Key Range Zone Lo, Key Range Zone Hi, Solo, Solo Mode
6 Controllers
Right Pedal,
Right Pedal Assign, Half Pedal Values, Center Pedal, Center Pedal Assign, Left Pedal,
Left Pedal Assign, Pitch Bend, Pitch Bend Range, Modulation Wheel, Modulation Wheel Assign,
Modulation Depth Range, Foot Switch Pedal,
Foot Switch Pedal Assign, Expression Pedal,
Expression Pedal Assign
7 Knob Assign
Knob A Assign, Knob B Assign, Knob C Assign, Knob D Assign,
Knob2 A Assign, Knob2 B Assign, Knob2 C Assign, Knob2 D Assign
Entering the EDIT Menu
When MIDI OUT ZONE1~ZONE4 is selected:
Press the EDIT button.
The LED indicator for the EDIT button will turn ON, and the
Edit Menu for the selected MIDI zone will be shown in the LCD
display.
MIDI
ZONE1
selected
LED indicator ON:
EDIT mode is turned ON
* To change the selected MIDI zone, press the F1~F4 buttons.
53
EDIT Menu
Overview of the EDIT Menu (MIDI OUT)
Selecting the parameter category
After entering the EDIT Menu:
Press the CURSOR buttons to select the desired category, then
press the +/YES button to enter the selected category.
MMC
selected
Adjusting parameters
After selecting the parameter category:
Turn the four control knobs (A, B, C, D) to adjust the parameters
assigned to those knob.
Parameters can also be adjusted by using the CURSOR buttons
to move the selection cursor, and +/YES or –/NO buttons to
increase or decrease the value of the selected parameter.
Press the EXIT button to exit the parameter category, or return
to the Play Mode screen.
× 3
Example: To enter the MMC category, press the CURSOR
button three times, then press the +/YES button.
× 3
54
EDIT Menu
EDIT Menu parameters (MIDI OUT)
1
Channel/Program
1. MIDI Transmitting Channel
This parameter determines which MIDI channel will be used to
transmit event information for the selected Zone.
* By default, ZONE1~ZONE4 are assigned MIDI channels 01~04.
* The specied MIDI transmit channel should match the MIDI Receive
channel of the connected MIDI device.
2. Program
This parameter determines which Program Change Number
will be transmitted when a SETUP is recalled. For example,
the desired Program number of a sound on the external MIDI
device.
3/4. Bank MSB/Bank LSB
This parameter determines which MSB and LSB number will
be transmitted when a SETUP is recalled. The MIDI standard
allocates 128 storage spaces, however this number can be
expanded using an MSB and an LSB.
The diagram to the right illustrates how the Program Number,
MSB Bank, and LSB Bank are organised.
* Please refer to the owner’s manual of the connected MIDI device for
further information.
2
SETUP
1. Send Program
This parameter determines whether or not a Program Change
Number will be transmitted when a SETUP is recalled.
To change sounds on external MIDI devices when recalling a SETUP, set
this parameter to ON.
2. Send Bank
This parameter determines whether or not Program Bank
Numbers (MSB, LSB) will be transmitted when a SETUP is
recalled.
If the external MIDI device requires a Bank Select message, set this
parameter to ON.
3. Send Volume
This parameter determines whether or not an initial MIDI
Volume message will be transmitted when a SETUP is recalled.
* Adjusting the volume of a Zone by turning the control knobs will still
transmit values even if this parameter is set to OFF.
4. Send Knobs
This parameter determines whether or not control knob
settings will be transmitted (ON) or not (OFF) when a SETUP
is recalled.
* Turning the control knobs will still transmit values even if this parameter
is set to OFF.
SETUP parameters in the SYSTEM menu
The above Send parameters can be overridden by the SETUP
Program, SETUP Bank, SETUP Volume, SETUP Knobs parameters
in the MIDI category of the SYSTEM menu (page 104).
When these SETUP parameters are set to OFF, an asterisk will be
shown beside the relevant Send parameter to indicate that the
EDIT menu setting is being overridden.
value: 01cH ~ 16cH
on, off
on, off
on, off
on, off
value
: 1 ~ 128
value: 0 ~ 127
Program Number
MSB Bank
LSB Bank
Asterisk:
Parameter is
overridden by
SETUP menu
55
EDIT Menu
EDIT Menu parameters (MIDI OUT)
3
Transmit
The Transmit category parameters are all SYSTEM parameters. These parameters are memorised automatically and
therefore do not need to be stored to each SETUP.
1. Transmit System Exclusive
This parameter determines whether or not System Exclusive
(SYSEX) data will be transmitted to an external MIDI device.
* For more information about System Exclusive data transmitted by the
MP11SE, please refer to page 134.
2. Transmit Recorder
This parameter determines whether or not data will be
transmitted to an external MIDI device when playing internal
recorder songs.
4
MMC
The MMC category parameters are all SYSTEM parameters. These parameters are memorised automatically and
therefore do not need to be stored to each SETUP.
1. Transmit MMC
This parameter determines whether or not the MP11SE’s
recorder control buttons will transmit MMC (MIDI Machine
Control) data.
2. MMC Dev. ID
This parameter determines the device ID of the MMC (MIDI
Machine Control).
3. MMC Commands
These parameters allow MMC or Realtime commands to be assigned to the MP11SE’s six recorder control buttons.
* By default, the main MMC commands should be correctly mapped to the MP11SE’s recorder control buttons.
Assignable recorder control commands
MMC Commands
01 STOP 08 RECORD PAUSE
02 PLAY 09 PAUSE
03 DEFERRED PLAY 0A EJECT
04 FAST FORWARD 0B CHASE
05 REWIND 0C COMMAND ERROR RESET
06 RECORD STROBE 0D MMC RESET
07 RECORD EXIT
Realtime Commands
FA Realtime START
FB Realtime CONTINUE
FC Realtime STOP
Recorder control buttons
The illustration below indicates the names of the six recorder
control buttons:
A
B
RESET PLAYREC
REW FF
on, off on, off
on, off value: 0 ~ 127
13 mmc commands, 3 realtime commands
56
EDIT Menu
EDIT Menu parameters (MIDI OUT)
5
Key Setup
1. Touch Curve
6 types + 5 user
This parameter selects the touch response curve of the keyboard
for the selected zone.
* For more information about touch curve types, please refer to page 45.
* For information about creating User Touch Curves, please refer to the User
Edit explanation in the SYSTEM menu chapter (page 106).
2. Dynamics value: off, 1 ~ 10
This parameter adjusts the keyboard response (velocity
compression) of the selected zone independently of the touch
curve.
* For more information about dynamics, please refer to page 45.
3. Transmit Keyboard
on, off
This parameter determines whether or not keyboard Key ON/
Key OFF event data will be transmitted to an external MIDI
device.
4. Octave Shift value: –3 ~ +3 octaves
This parameter adjusts the amount of octave transposition for
the selected zone.
5. Zone Transpose value: –12 ~ +12
This parameter adjusts the amount of transposition for the
selected zone.
6. Key Scaling Damping on, off
This parameter determines whether or not damping (velocity
reduction) should be applied to a zone over a specic range.
7. Key Scaling Key range: a0 ~ c8
This parameter denes the point on the keyboard from which
Key Scaling Damping should be applied, up to the highest key.
8. Key Range Type off, upper, lower, zone
This parameter selects the Key Range type for the selected zone.
Type Description
O The zone is used for all 88 keys of the keyboard.
Upper The zone is used for the upper split.
Lower The zone is used for the lower split.
Zone The zone is used for a dened zone between two keys.
* This parameter is not stored to SOUND but to SETUP only.
9. Split Point range: a0 ~ c8
This parameter denes the point on the keyboard at which the
upper and lower parts are divided.
* For more information about Key Range functions, please refer to page 26.
* This parameter is common for all three sound sections and all MIDI zones.
10./11. Key Range Zone Lo/Hi range: a0 ~ c8
These parameters dene the bottom and top keys of the key
range zone.
* For more information about Key Range functions, please refer to page
26.
12. Solo on, off
This parameter determines whether or not playing will be
restricted to single notes, even when more than one note is
played simultaneously.
This parameters can be used to eectively simulate the performance
characteristics of a monophonic synthesizer.
13. Solo Mode last, HigH, low
This parameter selects the solo mode for the selected zone.
Solo Mode Description
Last Play the last note of a group of notes.
High Play the highest note of a group of notes.
Low Play the lowest note of a group of notes.
57
EDIT Menu
EDIT Menu parameters (MIDI OUT)
6
Controllers
1. Right Pedal
on, off
This parameter determines whether or not the right pedal of
the GFP-3 pedal unit is active for the selected zone.
2. Right Pedal Assign cc#0 ~ cc#119, aftertoucH
This parameter selects the function assigned to the right pedal
of the GFP-3 pedal unit.
* This parameter is common for all four MIDI zones.
3. Half Pedal Values
normal, HigH, low, mid HigH, mid low
This parameter changes the half pedal ranges sent by the right pedal of the GFP-3 pedal unit for the selected zone.
This parameter is useful when using the MP11SE to control external tone generators (e.g. software pianos) that respond to damper pedal behaviour dierently.
Half Pedal Value Value Range Description
Normal
(default) 0 ~ 127 The damper pedal sends a full range of evenly distributed values.
High 0, 64 ~ 127 The damper pedal sends a full range of evenly distributed values after the half-pedal point is reached.
Low 0 ~ 63, 127 The damper pedal sends a full range of evenly distributed values before the half-pedal point is reached.
Mid High
0, 50 ~ 100, 127
The damper pedal sends a full range of evenly distributed values between 50 and 100.
Mid Low
0, 25 ~ 75, 127
The damper pedal sends a full range of evenly distributed values between 25 and 75.
4. Center Pedal on, off
This parameter determines whether or not the centre pedal of
the GFP-3 pedal unit is active for the selected zone.
5. Center Pedal Assign cc#0 ~ cc#119, aftertoucH
This parameter selects the function assigned to the centre pedal
of the GFP-3 pedal unit.
* This parameter is common for all four MIDI zones.
6. Left Pedal on, off
This parameter determines whether or not the left pedal of the
GFP-3 pedal unit is active for the selected zone.
7. Left Pedal Assign cc#0 ~ cc#119, aftertoucH
This parameter selects the function assigned to the left pedal of
the GFP-3 pedal unit.
* This parameter is common for all four MIDI zones.
8. Pitch Bend on, off
This parameter determines whether or not the pitch bend
wheel is active for the selected zone.
9. Pitch Bend Range value: 0 ~ 12
This parameter sets the range of the pitch bend wheel in semi-
tone steps.
* The range diers for the internal sound (0 ~7) and MIDI (0~12) sections.
10. Modulation Wheel on, reverse, off
This parameter determines whether or not the modulation
wheel is active for the selected zone.
When set to ‘Reverse’, the wheel’s output values will be inverted.
11. Modulation Wheel Assign
cc#0 ~ cc#119,
aftertoucH
This parameter selects the function assigned to the MP11SE’s
modulation wheel.
12. Modulation Depth Range value: 0 ~ 127
This parameter sets the range of the pitch modulation function
in steps of 600/127 cents.
58
EDIT Menu
EDIT Menu parameters (MIDI OUT)
13. Foot Switch Pedal on, off
This parameter determines whether or not the foot switch pedal
(if connected) is active for the selected zone.
* For more information about connecting pedals, please refer to page 18.
14. Foot Switch Pedal Assign
cc#0 ~ cc#119,
aftertoucH
This parameter selects the function assigned to the foot switch
pedal (if connected).
* This parameter is common for all four MIDI zones.
* For more information about connecting pedals, please refer to page 18.
15. Expression Pedal
on, reverse, off
This parameter determines whether or not the expression pedal
(if connected) is active for the selected zone.
When set to ‘Reverse’, the pedal’s output values will be inverted.
* For more information about connecting pedals, please refer to page 18.
16. Expression Pedal Assign
cc#0 ~ cc#119,
aftertoucH
This parameter selects the function assigned to the expression
pedal (if connected).
* This parameter is common for all four MIDI zones.
* For more information about connecting pedals, please refer to page 18.
6
Controllers (cont.)
59
EDIT Menu
EDIT Menu parameters (MIDI OUT)
7
Knob Assign
The Knob Assign screen is used to assign MIDI Control Change or Aftertouch messages to the four main control
knobs A, B, C, and D for direct, real-time adjustment in Play Mode. Two groups of knob parameters (primary and
secondary) can be assigned to each of the four MIDI zones, providing extensive control over external MIDI devices.
Assigning MIDI CC/Aftertouch messages to each knob
Enter the Knob Assign screen for the desired MIDI zone.
Turn the four control knobs (A, B, C, D) to specify which MIDI CC
message should be assigned to each control knob.
MIDI CC messages can also be assigned by using the CURSOR
buttons to move the selection cursor, and +/YES or –/NO
buttons to increase or decrease the values.
Page 1/2
arrow:
Next page
Press the F1~F4 buttons (depending on the selected MIDI zone)
to show the secondary group of knob parameters in the LCD
display.
Page 2/2
* For more information about adjusting parameters in Play Mode, please
refer to page 21.
60
STORE Button & SETUPs
Overview of the STORE Button
After using the EDIT menu and control knobs to adjust the parameters for the selected sound, the STORE button is
used to memorise the settings, and ensure the changes are not lost when turning the instrument OFF or selecting
other sounds.
The STORE button has three dierent functions: to store individual sounds, to store the entire panel conguration
(SETUP), and to store the current panel conguration as the default (POWERON).
STORE button functions
STORE function Description
SOUND Store the selected sound’s EDIT menu parameters* to the variation button.
SETUP Store all EDIT menu parameters, all sound section panel settings, and EQ section settings to a SETUP memory.
POWERON Store all EDIT menu parameters, all sound section panel settings, and EQ section settings as the default.
* Common parameters are not stored to SOUND memory. For more information about common parameters, please refer to page 38.
1
Storing a SOUND
This function will store the selected sound’s EDIT menu parameters to the variation button, thus overwriting the
existing preset sound.
1. Entering the STORE screen
Press the STORE button.
The LED indicator for the STORE button will turn ON, and the
store selection screen will be shown in the LCD display.
2. Selecting the Store Sound function
Press the F1 button (SOUND) to select the Store Sound function,
then press the F4 button (EXEC).
SOUND
selected
The Store Sound conrmation screen will be shown in the LCD display.
3. Conrming the Store Sound operation
Press the F2 button (YES) to conrm the Store Sound operation,
or the F3 button (NO) to return to the store selection screen.
* The existing sound will be overwritten with the adjusted sound.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
store operation.
LED indicator ON:
STORE mode is selected
F3 button:
NO: Cancel
F2 button:
YES: Conrm
61
STORE Button & SETUPs
Overview of the STORE Button
2
Storing a SETUP
This function will store all the EDIT menu parameters for the PIANO, E.PIANO, SUB, and MIDI OUT sections, panel
button and knob states, and EQ settings to one of the MP11SE’s 208 SETUP memories.
1. Entering the STORE screen
Press the STORE button.
The LED indicator for the STORE button will turn ON, and the
store selection screen will be shown in the LCD display.
2. Selecting the Store Setup function
Press the F2 button (SETUP) to select the Store Setup function,
then press the F4 button (EXEC).
The Store Setup screen will be shown in the LCD display.
SETUP
selected
3. Naming the SETUP, selecting the bank/memory
Turn control knobs A and B to move the cursor position and
select the characters for the SETUP name.
Press the BANK buttons and SETUP memory buttons (1~8)
to select the bank and memory for the new SETUP.
SETUP
memory
SETUP
name
Press the F4 function button (EXEC).
The Store Setup conrmation screen will be shown in the LCD
display.
4. Conrming the Store Setup operation
Press the F2 button (YES) to conrm the Store Setup operation,
or the F3 button (NO) to return to the previous screen.
* The existing SETUP memory will be overwritten with the new SETUP.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
store operation.
* When the SETUP has been stored and the SETUP button has been turned
OFF, the panel settings will return to the POWERON state.
LED indicator ON:
STORE mode is selected
Move cursor
position
Select
character
× 2
Example: To select SETUP memory C-2, press the BANK
button twice, then press the memory button.
F3 button:
NO: Cancel
F2 button:
YES: Conrm
62
STORE Button & SETUPs
Overview of the STORE Button
3
Storing POWERON settings
This function will store the EQ setting and current state (section ON/OFF, selected sound) of the PIANO, E.PIANO,
SUB, and MIDI OUT sections to the MP11SE’s default POWERON memory.
* Please note that only the selected SOUND position (e.g. SK Concert Grand) will be stored to POWERON memory, not the individual EDIT menu settings (e.g.
String Resonance) of that SOUND.
1. Entering the STORE screen
Press the STORE button.
The LED indicator for the STORE button will turn ON, and the
store selection screen will be shown in the LCD display.
2. Selecting the Store PowerOn function
Press the F3 function button (PWRON) to select the Store
PowerOn function, then press the F4 button (EXEC).
POWERON
selected
The Store PowerOn conrmation screen will be shown in the
LCD display.
3. Conrming the Store PowerOn operation
Press the F2 button (YES) to conrm the Store PowerOn
operation, or the F3 (NO) button to return to the previous
screen.
* The existing POWERON memory will be overwritten.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
store operation.
* Please note that only the selected SOUND position (e.g. SK Concert Grand)
will be stored to POWERON memory, not the individual EDIT menu
settings (e.g. String Resonance) of that SOUND.
In order to memorise EDIT menu settings, please store each section’s
sound to the SOUND memory. (see page 60)
LED indicator ON:
STORE mode is selected
F3 button:
NO: Cancel
F2 button:
YES: Conrm
63
STORE Button & SETUPs
The MP11SE’s SETUP memories allow the entire instrument conguration, including selected sounds, section
volume levels, parameter settings, and EQ adjustments, etc. to be stored and recalled immediately at the touch of a
button. SETUPs are numbered 1~8, and arranged in 26 banks A~Z, allowing for a total of 208 individual memories.
This page explains how to select the bank and memory, and recall the SETUP.
Turning SETUP mode ON or OFF
Press the SETUP section’s ON/OFF button to turn SETUP mode
ON or OFF.
The LED indicators for the SETUP section’s ON/OFF button and
selected SETUP memory will turn ON or OFF accordingly.
When SETUP mode is turned ON, a list of SETUPs for the current
bank will be briey shown in the LCD display, with the selected
memory highlighted.
* The previously selected SETUP memory will be recalled automatically.
Current
bank
Selected
SETUP
After a few seconds, the Play mode screen will be shown in the
LCD display, with the name of selected SETUP indicated.
Selected
SETUP
Selecting SETUPs
While SETUP mode is turned ON:
Press the BANK buttons to cycle through the available
SETUP banks.
The SETUP list for the selected bank will be briey shown in the
LCD display.
Current
bank
While the SETUP list is shown in the LCD display:
Press the SETUP memory buttons to select the desired SETUP
memory.
Selected
SETUP
LED indicator ON:
SETUP mode is turned ON
LED indicator ON:
Selected SETUP memory
* SETUP memories from within the current bank can still be selected, even
when the bank list is not shown.
× 2
Example: To select bank B, press the BANK button twice.
Example: To select SETUP memory 3, press the
SETUP memory button.
SETUP memories
64
Recorder
Overview of the Recorder
The MP11SE’s Recorder features convenient functions to record and playback performances from the instrument’s
internal memory or a connected USB memory device. The characteristics of each method are outlined below.
MP11SE Recorder characteristics
Song Recorder (Internal Memory) Audio Recorder (USB Memory)
Stored/saved format SMF (MIDI) MP3/WAV (audio)
Maximum song length 90,000 notes Depends on device capacity
Maximum no. of songs 10 songs Depends on device capacity
Example applications Sketching ideas, recording nished performances, remixing and further editing on a computer.
Emailing to friends, burning to audio CD, etc.
Playback methods Playback songs on MP11SE and other MIDI devices Playback songs on MP11SE and audio players etc.
Adjustable tempo Yes, before and during playback No
Overdubbing No Yes, unlimited overdubs
Conversion options Can be converted to MP3/WAV Cannot be converted to SMF (MIDI)
Turning Recorder mode ON or OFF
Press the RECORDER section’s ON/OFF button to turn Recorder
mode ON or OFF.
The LED indicator for the RECORDER section’s ON/OFF button
will turn ON or OFF accordingly.
When Recorder mode is turned ON, the recorder screen will be
shown in the LCD display.
Selecting the Recorder mode
Press the F1 function button to alternate between the Internal
Song Recorder and the USB Audio Recorder functions.
AUDIO:
Show audio
recorder
MIDI:
Show MIDI
recorder
USB Functions
Additional USB functions to delete and rename les stored on USB memory devices can be found in the USB Menu. For information
about USB functions, please refer to page 93.
LED indicator ON:
Recorder mode is turned ON
* If a USB memory device is connected when Recorder mode is turned ON,
the USB Audio Recorder function will be selected automatically.
* If a USB memory device is not connected when Recorder mode is turned
ON, the Internal Song Recorder function will be selected automatically.
65
Recorder
Song Recorder (Internal Memory)
The Song Recorder function allows up to 10 dierent songs to be recorded, stored in internal memory, and played
back at the touch of a button. Once recorded, songs can be saved to USB memory in Standard MIDI File (SMF)
format, or converted to MP3/WAV audio les.
1
Recording a song
1. Turning the Recorder mode ON
Press the RECORDER section’s ON/OFF button to turn Recorder
mode ON.
The LED indicator for the RECORDER section’s ON/OFF button
will turn ON, and the MIDI recorder screen will be shown in the
LCD display.
MIDI
recorder
selected
If a USB memory device is connected, press the F1 button (MIDI) to
select the MIDI recorder function.
2. Selecting the song memory, adjusting tempo/beat
Turn control knob C to select the song memory to be used for
the new recording.
* There are 10 internal song recorder memories.
* If the selected song memory already contains recording data, it will be
erased automatically when the new song is recorded
.
If recording with the metronome or a drum rhythm:
Turn control knobs B and D to adjust the tempo and beat (time
signature) or drum rhythm used for the new recording.
* For more information about recording with the metronome or drum
rhythms, please refer to page 91.
3. Starting the song recorder (standby mode)
Press the recorder control button.
The LED indicator for the button will start to ash, to indicate
that the recorder is in standby mode.
* The F4 function button (REC) can also be used to engage standby mode.
Standby
mode
LED indicator ON:
Recorder mode is turned ON
Song
memory
Time
signature
Tempo
LED indicator ashing:
Recorder is in standby mode
66
Recorder
Song Recorder (Internal Memory)
4. Starting the song recorder (recording)
Press a key on the keyboard.
The LED indicators for the and / buttons will turn ON, the
bar/beat counter shown in the centre of the LCD will begin to
increase, and recording will start.
Bar
(of song)
Beat
(of bar)
* Recording can also be started by pressing the / button. This allows a
rest period or empty bar to be inserted at the beginning of the song.
* The metronome can be enabled before recording to assist with timing etc.
When enabled, a one bar count-in will be added before recording begins.
5. Stopping the song recorder
Press the / recorder control button.
The LED indicators for the and / buttons will turn OFF, and
recording will stop.
* The F4 function button (STOP) can also be used to stop recording.
After a brief pause, the MIDI player screen will be shown in the
LCD display.
For information about playing the recorded song, please refer to
page 67.
LED indicators ON:
Recording is in progress
LED indicators OFF:
Recording has stopped
* The maximum recording capacity is approximately 90,000 notes, with
button and pedal presses also counted as one note.
* If the maximum recording capacity is reached during recording, the
recorder will stop automatically.
* To prevent data loss, avoid turning the power OFF while the MP11SE is
saving internal recorder songs.
* Recorder songs will remain in memory after the power is turned OFF.
1
Recording a song (cont.)
67
Recorder
Song Recorder (Internal Memory)
2
Playing back a song
This function is used to playback recorder songs stored in internal memory. To playback a song immediately after
recording, start this process from step 3.
1. Turning the Recorder mode ON
Press the RECORDER section’s ON/OFF button to turn Recorder
mode ON.
The LED indicator for the RECORDER section’s ON/OFF button
will turn ON, and the MIDI recorder screen will be shown in the
LCD display.
MIDI
recorder
selected
If a USB memory device is connected, press the F1 button (MIDI) to
select the MIDI recorder function.
2. Selecting the song to playback
Turn control knob C to select the song memory to be played
back.
* Song selection is not possible during playback.
3. Starting song playback
Press the / recorder control button.
The LED indicator for the / button will turn ON, and the
selected song will start to play.
* The F4 function button (PLAY) can also be used to start song playback.
Bar
(of song)
Beat
(of bar)
Adjusting playback volume and tempo
Turn control knobs A and B to adjust the playback volume and
tempo of the song.
* The playback volume and tempo of the song can be adjusted both before
and during playback.
LED indicator ON:
Recorder mode is turned ON
Song
memory
Playback
volume
Tempo
LED indicator ON:
Playback is in progress
68
Recorder
Song Recorder (Internal Memory)
Moving the playback position (seek)
Press the or recorder control buttons to move the
playing position of the song backward and forward in single bar
increments.
* The playback position can be moved both before and during playback.
4. Stopping song playback
While a song is playing:
Press the / recorder control button.
The LED indicator for the / button will turn OFF, and song
playback will stop.
* The F4 function button (STOP) can also be used to stop song playback.
Press the / button again to continue playback from the
stopped position, or the
button to reset the playback
position to the beginning of the song.
A-B Repeat function
The A-B Repeat function allows one section of a song to be repeated
continuously (looped). This function can be activated both before
and during song playback.
Press the A B recorder control button once to set the start
point of the loop.
The LED indicator for the A B button will start to ash.
Press the A B button again to set the end point of the loop.
The LED indicator for the A B button will turn ON and the
specied section will repeat continuously.
Press the A B button once again to cancel the loop.
The LED indicator for the A B button will turn OFF and normal
playback will resume.
Chain Play mode
Chain Play mode allows all recorder songs stored in memory to be played continuously, in sequence.
Press and hold the / recorder control button.
The Chain Play icon will be shown in the LCD display, and the
recorder songs will start to play continuously, in sequence.
Chain Play
activated
LED indicator ON:
Playback is in progress
button:
Next bar
button:
Previous bar
button:
Reset position
/ button:
Resume playback
LED indicator OFF:
Playback has stopped
LED indicator ashing:
Start point of the loop set
LED indicator ON:
End point of the loop set, loop activated
LED indicator OFF:
Loop deactivated, normal playback resumes
hold
69
Recorder
Song Recorder (Internal Memory)
3
Saving a song as an SMF le
This function is used to save recorder songs to a USB memory device in SMF (Standard MIDI File) format.
1. Selecting the song memory
After turning Recorder mode ON, and recording a song:
Turn control knob C to select the song memory to be saved to
the USB memory in SMF format.
2. Connecting a USB memory device
Connect a USB memory device to the USB to Device port.
* USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ lesystems.
The USB device will be scanned, and the SAVE function will
appear at the bottom of the LCD display.
* The SAVE function will appear only when the selected song memory has
been recorded to.
Save
function
3. Selecting the Save SMF function
Press the F3 function button (SAVE).
The Save SMF screen will be shown in the LCD display.
4. Entering a lename
Turn control knobs A and B to move the cursor position and
select the characters for the song name.
* Saved SMF les are limited to a maximum name length of 18 characters.
* The saved SMF le will be stored in the root folder of the USB memory
device. It is not possible to store the le in a dierent folder.
Song
name
Move cursor
position
Select
character
Song
memory
70
Recorder
Song Recorder (Internal Memory)
5. Saving the song
Press the F4 function button (EXEC).
The Save SMF conrmation screen will be shown in the LCD
display.
Press the F2 button (YES) to conrm the Save SMF operation, or
the F3 button (NO) to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
save operation.
* To prevent data loss, avoid turning the power OFF while the MP11SE is
saving les to USB memory.
4
Loading an SMF le into memory
This function can be used to load SMF les into an empty recorder song memory.
Preparing the USB memory device
Prepare a selection of SMF MIDI les, copying the data to a USB
memory device.
1. Selecting an empty song memory
After turning Recorder mode ON:
Turn control knob C to select an empty song memory.
2. Connecting a USB memory device
Connect a USB memory device to the USB to Device port.
* USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ lesystems.
The USB device will be scanned, and the LOAD function will
appear at the bottom of the LCD display.
* The LOAD function will appear only when the selected song memory is
empty. For information about erasing song memories, please refer to
page 73.
Load
function
F3 button:
NO: Cancel
F2 button:
YES: Conrm
Song
memory
71
Recorder
Song Recorder (Internal Memory)
3. Selecting the Load SMF function
Press the F3 function button (LOAD).
A listing of the SMF les stored in the root folder of the USB
device will be shown in the LCD display.
USB device le/folder listing screen
The MP11SE’s le/folder listing screen lists relevant les and
folders stored in the root of the USB device.
Previous
folder
Folder
File
Selection
cursor
Press the CURSOR
buttons to move the selection cursor.
* Control knob A can also be used to move the selection cursor.
Press the F4 function button (EXEC) or +/YES button to select
the le or enter the selected folder.
4. Selecting the SMF le to load
Press the CURSOR
buttons to select the desired MIDI le.
Press the F4 function button (EXEC) or +/YES button.
The Load SMF screen will be shown in the LCD display.
Move
selection
cursor
or
Select le/folder
72
Recorder
Song Recorder (Internal Memory)
5. Selecting the keyboard and drum channels
Turn control knobs C and D to specify which channels of the
SMF le should be loaded into the MP11SE recorder’s keyboard
and drum tracks.
* The MP11SE will attempt to detect the correct keyboard and drum tracks
automatically, based on the contents of the SMF le.
* When loading an SMF le created by the MP11SE, the drum track will be
turned OFF.
Drum
channel
Keyboard
channel
Press the F3 function button (LISTEN) to audition the current
channel settings.
Press the F4 function button (EXEC) to load the selected SMF le
into the song memory.
The Load SMF conrmation screen will be shown in the LCD
display.
6. Conrming the Load SMF operation
Press the F2 button (YES) to conrm the Load SMF operation, or
the F3 (NO) button to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
load SMF operation.
7. Playing the loaded SMF le
After loading the SMF le, the recorder screen will be shown in the
LCD display.
For information about playing the loaded MIDI le, please refer to
page 67.
Keyboard
channel
Drum
channel
F3 button:
Audition settings
F4 button:
Load le
F3 button:
NO: Cancel
F2 button:
YES: Conrm
4
Loading an SMF le into memory (cont.)
73
Recorder
Song Recorder (Internal Memory)
5
Erasing a song
This function is used to erase songs that have been recorded incorrectly, or are simply no longer required.
1. Selecting the song to erase
After turning Recorder mode ON and recording a song:
Turn control knob C to select the song memory to be erased.
Song
memory
2. Showing the additional recorder functions
Press the F2 function button (PAGE).
An additional page of recorder functions will be shown in the
LCD display.
3. Selecting the Erase Song function
Turn control knob C to highlight the Erase Song function.
Erase
highlighted
* The CURSOR buttons can also be used to move the selection cursor.
Press the +/YES button to select the Erase Song function.
The Erase Song conrmation screen will be shown in the LCD
display.
4. Conrming the Erase Song operation
Press the F2 button (YES) to conrm the Erase Song operation,
or the F3 (NO) button to return to the previous screen.
Song
memory
Erase Song
function
* The +/YES and –/NO buttons can also be used to conrm or cancel the
Erase Song operation.
F3 button:
NO: Cancel
F2 button:
YES: Conrm
* To erase all recorder songs, use the Reset Recorder function in the Reset
category of the SYSTEM menu (page 111).
* It is also possible to select the Erase Song function at any time by pressing
the and / recorder control buttons simultaneously.
* The CURSOR buttons can also be used to alternate between pages.
74
Recorder
Song Recorder (Internal Memory)
6
Song Transpose
This parameter allows the playback pitch of songs stored in memory to be raised or lowered in semi-tone steps.
This may be useful when wishing to transpose a loaded SMF le into another key.
Changing the song transpose value
Press the F2 function button (PAGE) to show the second page
of recorder functions.
Turn control knob A to change the song transpose value.
Song
transpose
* The Song Transpose value can be adjusted within the range of –12 ~ +12.
7
Panel Mode
This parameter determines whether or not changes made to the panel during recording will be replicated when a
song is played back, thus inuencing the current keyboard settings.
Panel Mode types
Panel Mode Description
Normal (default) Panel settings will not change during song playback, and will not inuence the current keyboard settings.
Play Panel settings will change during song playback, and will also inuence the current keyboard settings.
Normal panel mode Play panel mode
Advantages
Keyboard settings are independent of recorder song. All functions (including EFX) are played back perfectly.
Disadvantages
Some functions (e.g. EFX) are not played back perfectly. Keyboard settings are dependent on recorder song.
Changing the panel mode type
Press the F2 function button (PAGE) to show the second page
of recorder functions.
Turn control knob B to change the panel mode type.
Panel mode
8
MIDI to Audio
For information about the MIDI to Audio function, please refer to page 84.
Song
transpose
Panel mode
75
Recorder
Audio Record/Playback (USB Memory)
1
Recording an audio le
The MP11SE is also capable of recording performances (including LINE IN input audio) as digital audio – saving
the data to a USB memory device in either MP3 or WAV format. This useful function allows professional quality
recordings to be produced directly on the instrument – without the need for additional sound equipment – then
emailed to band members, listened to away from the instrument, or edited and remixed further using an audio
workstation.
Audio Recorder format specications
Audio Format Specications Bitrate
MP3 44.1 kHz, 16 bit, Stereo 192 kbit/s (xed)
WAV 44.1 kHz, 16 bit, Stereo 1,411 kbit/s (uncompressed)
* MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT
1. Connecting a USB memory device
Connect a USB memory device to the USB to Device port.
* USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ lesystems.
The USB device will be scanned.
2. Turning the Recorder mode ON
Press the RECORDER section’s ON/OFF button to turn Recorder
mode ON.
The LED indicator for the RECORDER section’s ON/OFF button
will turn ON, and the Audio recorder screen will be shown in the
LCD display.
Audio
recorder
selected
Selecting the audio recorder le format
Turn control knob B to select the desired audio recorder format.
Audio
recorder
format
* MP3 audio les require less storage space than WAV audio les.
* A 1 GB USB memory device can store over 12 hours of MP3 audio data.
LED indicator ON:
Recorder mode is turned ON
Audio recorder
format
* If the MIDI recorder screen is shown, press the F1 function button (AUDIO)
to select the Audio recorder.
76
Recorder
Audio Record/Playback (USB Memory)
Selecting the audio recorder input, adjusting gain level
Turn control knob C to select the desired audio recorder input.
Turn control knob D to adjust the gain level of the recorder.
Increasing the audio recorder gain level parameter may be useful
when recording quieter passages.
Audio
recorder
Gain level
Audio
recorder
input
* The gain level can be set within the range of –18 dB ~ +18 dB.
3. Starting the audio recorder (standby)
Press the recorder control button.
The LED indicator for the button will start to ash, to indicate
that the recorder is in standby mode.
* The F4 function button (REC) can also be used to engage standby mode.
* Depending on the USB memory device connected, there may be a brief
delay before standby mode is engaged.
Standby
mode
4. Starting the audio recorder (record)
Press a key on the keyboard.
The LED indicators for the and / buttons will turn ON,
the time counter shown in the centre of the LCD will begin to
increase, and recording will start.
Time
counter
* Recording can also be started by pressing the / button. This allows a
rest period or empty bar to be inserted at the beginning of the song.
* The metronome can be enabled before recording to assist with timing etc.
When enabled, a one bar count-in will be added before recording begins.
LED indicator ashing:
Recorder is in standby mode
Input Description
All Record the keyboard sound and the LINE IN sound.
Line Record the LINE IN sound only.
Recorder
input
Recorder
gain level
LED indicators ON:
Recording is in progress
1
Recording an audio le (cont.)
77
Recorder
Audio Record/Playback (USB Memory)
5. Stopping the audio recorder, auditioning the recording
Press the / recorder control button.
The LED indicators for the and / buttons will turn OFF, and
recording will stop.
* The F4 function button (STOP) can also be used to stop recording.
After a brief pause, the Audio player screen will be shown in the
LCD display.
Audition
recording
Press the F4 function button (PLAY) to audition the recording
before saving.
6. Selecting the save function, entering the audio le name
Press the F3 function button (SAVE).
The save audio screen will be shown in the LCD display.
Turn control knobs A and B to move the cursor position and
select the characters for the audio le name.
Audio
le name
7. Saving the audio le
Press the F4 function button (EXEC).
The save audio conrmation screen will be shown in the LCD
display.
Press the F2 button (YES) to conrm the save audio operation,
or the F3 button (NO) to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
save operation.
* To prevent data loss, avoid turning the power OFF while the MP11SE is
saving les to USB memory.
LED indicators OFF:
Recording has stopped
Move cursor
position
Select
character
* Saved audio les are limited to a maximum name length of 18 characters.
* The saved audio le will be stored in the root folder of the USB memory
device. It is not possible to store the le in a dierent folder.
F3 button:
NO: Cancel
F2 button:
YES: Conrm
* Press the and / recorder control buttons simultaneously to erase the
recorded audio le from memory.
78
Recorder
Audio Record/Playback (USB Memory)
2
Playing an audio le
The MP11SE is also capable of playing MP3 and WAV audio les stored on a USB memory device. This function
allows performing musicians to play along with professional backing tracks, or conveniently learn the chords or
melody for a new piece.
Audio Player supported format specications
Audio Format Specications Bitrate
MP3 32 kHz/44.1 kHz/48 kHz, Mono/Stereo 8-320 kbit/s (xed & variable)
WAV 32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 8 bit/16 bit -
* MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
MP3 codec is Copyright (c) 1995-2007, SPIRIT
Preparing the USB memory device
Prepare a selection of MP3 or WAV audio les, copying the data
to a USB memory device.
* USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ lesystems.
1. Connecting a USB memory device
Connect the USB memory device to the USB to Device port.
The USB device will be scanned.
2. Turning the Recorder mode ON
Press the RECORDER section’s ON/OFF button to turn Recorder
mode ON.
The LED indicator for the RECORDER section’s ON/OFF button
will turn ON, and the Audio recorder screen will be shown in the
LCD display.
Audio
recorder
selected
3. Selecting the Load Audio function
Press the F3 function button (LOAD).
A listing of the MP3 les stored in the root folder of the USB
device will be shown in the LCD display.
LED indicator ON:
Recorder mode is turned ON
* If the MIDI recorder screen is shown, press the F1 function button (AUDIO)
to select the Audio recorder.
79
Recorder
Audio Record/Playback (USB Memory)
USB device le/folder listing screen
The MP11SE’s le/folder listing screen lists relevant les and
folders stored in the root of the USB device.
Previous
folder
Folder
File
Selection
cursor
Press the CURSOR
buttons to move the selection cursor.
* Control knob A can also be used to move the selection cursor.
Press the F3 or F2 function buttons to alternate between
showing WAV or MP3 format audio les.
* By default, MP3 les will be shown.
Press the F4 function button (EXEC) or +/YES button to select
the le or enter the selected folder.
4. Selecting the audio le to load
Press the CURSOR
buttons to select the desired audio le.
Press the F4 function button (EXEC) or +/YES button.
The audio player screen will be shown in the LCD display.
MP3 audio
Track name
Artist
* If available, the audio le’s metadata (ID3 tags etc.) will also be shown.
5. Starting audio le playback
Press the / recorder control button.
The LED indicator for the / button will turn ON, and the
selected song will start to play.
* The F4 function button (PLAY) can also be used to start song playback.
Move
selection
cursor
or
Select le/folder
F3 button:
Show WAV les
F2 button:
Show MP3 les
LED indicator ON:
Playback is in progress
80
Recorder
Audio Record/Playback (USB Memory)
Moving the playback position (seek)
Press the or recorder control buttons to rewind or fast-
forward the playing position of the audio le .
* The playback position can be moved both before and during playback.
6. Stopping audio le playback
While an audio le is playing:
Press the / recorder control button.
The LED indicator for the / button will turn OFF, and audio
le playback will stop.
Press the / button again to continue playback from the
stopped position, or the
button to reset the playback
position to the beginning of the audio le.
* The F4 function button (STOP) can also be used to reset audio playback.
A-B Repeat function
The A-B Repeat function allows one section of an audio le to be
repeated continuously (looped). This function can be activated
both before and during audio le playback.
Press the A B recorder control button once to set the start
point of the loop.
The LED indicator for the A B button will start to ash.
Press the A B button again to set the end point of the loop.
The LED indicator for the A B button will turn ON and the
specied section will repeat continuously.
Press the A B button once again to cancel the loop.
The LED indicator for the A B button will turn OFF and normal
playback will resume.
Chain Play mode
Chain Play mode allows all audio les stored in a folder to be played continuously, in sequence.
Press and hold the / recorder control button.
The Chain Play icon will be shown in the LCD display, and the
audio les will start to play continuously, in sequence.
Chain Play
activated
LED indicator ON:
Playback is in progress
button:
Fast-Forward
button:
Rewind
button:
Reset position
/ button:
Resume playback
LED indicator OFF:
Playback has stopped
LED indicator ashing:
Start point of the loop set
LED indicator ON:
End point of the loop set, loop activated
LED indicator OFF:
Loop deactivated, normal playback resumes
hold
81
Recorder
Audio Record/Playback (USB Memory)
3
Overdubbing an audio le
The overdub function adds supplementary recording(s) to an existing audio le, facilitating simple multi-track
recordings to be produced directly on the instrument.
Each overdub is recorded to a temporary le (i.e. the original audio le is not modied), allowing an unlimited
number of overdubs that to be made before eventually saving the nal recording.
1. Connecting a USB memory device
Connect the USB memory device to the USB to Device port.
The USB device will be scanned.
2. Turning the Recorder mode ON
Press the RECORDER section’s ON/OFF button to turn Recorder
mode ON.
The LED indicator for the RECORDER section’s ON/OFF button
will turn ON, and the Audio recorder screen will be shown in the
LCD display.
Audio
recorder
selected
3. Selecting the Load Audio function
Press the F3 function button (LOAD).
A listing of the MP3 les stored in the root folder of the USB
device will be shown in the LCD display.
4. Selecting the audio le to load
Press the CURSOR
buttons to select the desired audio le.
Press the F4 function button (EXEC) or +/YES button.
The audio player screen will be shown in the LCD display.
LED indicator ON:
Recorder mode is turned ON
* If the MIDI recorder screen is shown, press the F1 function button (AUDIO)
to select the Audio recorder.
82
Recorder
Audio Record/Playback (USB Memory)
5. Selecting the overdub function and le format
Press the F2 function button (OVERDUB).
The overdub le format selection screen will be shown in the
LCD display.
Turn control knob B to select the desired overdub le format,
and control knob A to adjust the volume of the source audio.
Audio
recorder
format
Overdub
selected
* MP3 audio les require less storage space than WAV audio les.
* A 1 GB USB memory device can store over 12 hours of MP3 audio data.
Selecting the audio recorder input, adjusting gain level
Turn control knob C to select the desired audio recorder input.
Turn control knob D to adjust the gain level of the overdub.
Increasing the audio recorder gain level parameter may be useful
when recording quieter passages.
Overdub
Gain level
Audio
recorder
input
* The gain level can be set within the range of –18 dB ~ +18 dB.
6. Starting the overdub (standby)
Press the recorder control button.
The LED indicator for the button will start to ash, to indicate
that the recorder is in standby mode.
* The F4 function button (REC) can also be used to engage standby mode.
* Depending on the USB memory device connected, there may be a brief
delay before standby mode is engaged.
Standby
mode
Input Description
All Record the keyboard sound and the LINE IN sound.
Line Record the LINE IN sound only.
Recorder
input
Recorder
gain level
LED indicator ashing:
Recorder is in standby mode
Source audio
volume
Overdub le
format
3
Overdubbing an audio le (cont.)
83
Recorder
Audio Record/Playback (USB Memory)
7. Starting the overdub (record)
Press a key on the keyboard.
The LED indicators for the and / buttons will turn ON,
the time counter shown in the centre of the LCD will being to
increase, and overdubbing will start.
Time
counter
* Overdubbing can also be started by pressing the / button. This allows
a rest period or empty bar to be inserted at the beginning of the song.
* The metronome can be enabled before overdubbing to assist with timing
etc. When enabled, a one bar count-in will be added before overdubbing
begins.
8. Stopping and auditioning the overdub
Press the / recorder control button.
The LED indicators for the and / buttons will turn OFF, and
overdubbing will stop.
* The F4 function button (STOP) can also be used to stop overdubbing.
After a brief pause, the Audio player screen will be shown in the
LCD display.
Audition
overdub
Press the F4 function button (PLAY) to audition the overdub
before saving.
9. Selecting the save function, entering the audio le name
Press the F3 function button (SAVE).
The save audio screen will be shown in the LCD display.
Turn control knobs A and B to move the cursor position and
select the characters for the audio le name.
Audio
le name
LED indicators ON:
Overdubbing is in progress
Move cursor
position
Select
character
* Saved audio les are limited to a maximum name length of 18 characters.
* The saved audio le will be stored in the root folder of the USB memory
device. It is not possible to store the le in a dierent folder.
LED indicators OFF:
Recording has stopped
* Press the and / recorder control buttons simultaneously to erase the
overdubbed audio le from memory.
84
Recorder
Audio Record/Playback (USB Memory)
10. Saving the dubbed le
Press the F4 function button (EXEC).
The save audio conrmation screen will be shown in the LCD
display.
Press the F2 button (YES) to conrm the save audio operation,
or the F3 button (NO) to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
save operation.
* To prevent data loss, avoid turning the power OFF while the MP11SE is
saving les to USB memory.
4
Converting a recorder song to an audio le
This function allows recorder songs stored in internal memory to be played back and saved (converted) as an audio
le to a USB device in either MP3 or WAV format.
1. Connecting a USB memory device
Connect the USB memory device to the USB to Device port.
* USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ lesystems.
The USB device will be scanned.
2. Selecting the MIDI to Audio function
After selecting the MIDI recorder and recording a song:
Press the F2 function button (PAGE) to show the additional
MIDI recorder functions.
Turn control knob D to highlight the MIDI to Audio function.
MIDI to AUDIO
highlighted
* The CURSOR buttons can also be used to move the selection cursor.
Press the +/YES button to select the MIDI to Audio function.
The MIDI to Audio screen will be shown in the LCD display.
F3 button:
NO: Cancel
F2 button:
YES: Conrm
MIDI to AUDIO
function
85
Recorder
Audio Record/Playback (USB Memory)
3. Selecting the MIDI to Audio le format
Turn control knob B to select the desired MIDI to Audio le
format, and control knob A to adjust the volume of the song
playback.
Audio
recorder
format
MIDI to Audio
selected
* MP3 audio les require less storage space than WAV audio les.
* A 1 GB USB memory device can store over 12 hours of MP3 audio data.
Selecting the audio recorder input, adjusting gain level
Turn control knob C to select the desired audio recorder input.
Turn control knob D to adjust the gain level of the MIDI to Audio
conversion/recording.
Increasing the audio recorder gain level parameter may be useful
when recording quieter passages.
MIDI to Audio
Gain level
Audio
recorder
input
* The gain level can be set within the range of –18 dB ~ +18 dB.
4. Starting the conversion (standby)
Press the recorder control button.
The LED indicator for the button will start to ash, to indicate
that the recorder is in standby mode.
* The F4 function button (REC) can also be used to engage standby mode.
* Depending on the USB memory device connected, there may be a brief
delay before standby mode is engaged.
Standby
mode
Input Description
All Record the keyboard sound and the LINE IN sound.
Line Record the LINE IN sound only.
Recorder
input
MIDI to Audio
gain level
Song playback
volume
MIDI to Audio
le format
LED indicator ashing:
Recorder is in standby mode
86
Recorder
Audio Record/Playback (USB Memory)
5. Starting the conversion (record)
Press the / recorder control button.
The LED indicators for the and / buttons will turn ON,
the time counter shown in the centre of the LCD will begin to
increase, and the conversion will start.
Time
counter
Conversion will stop automatically when the end of the recorder
song is reached.
* The / button or F4 function button (STOP) can also be used to stop the
conversion before the end of the song.
The LED indicators for the and / buttons will turn OFF, and
the conversion will stop.
6. Selecting the save function, entering the audio le name
Press the F3 function button (SAVE).
The save audio screen will be shown in the LCD display.
Turn control knobs A and B to move the cursor position and
select the characters for the audio le name.
Audio
le name
7. Saving the converted audio le
Press the F4 function button (EXEC).
The save conrmation screen will be shown in the LCD display.
Press the F2 button (YES) to conrm the save audio operation,
or the F3 button (NO) to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
save operation.
* To prevent data loss, avoid turning the power OFF while the MP11SE is
saving les to USB memory.
LED indicators ON:
Recording is in progress
Move cursor
position
Select
character
* Saved audio les are limited to a maximum name length of 18 characters.
* The saved audio le will be stored in the root folder of the USB memory
device. It is not possible to store the le in a dierent folder.
LED indicators OFF:
Recording has stopped
* Conversion can also be started by pressing the F4 function button (START).
* Notes played on the keyboard will also be recorded to the audio le..
F3 button:
NO: Cancel
F2 button:
YES: Conrm
87
Recorder
Metronome
The Metronome function provides a steady beat to aid practicing the piano at a consistent tempo. In addition
to regular metronome beats in various time signatures, the MP11SE also features a selection of drum rhythms to
accompany most playing styles and musical genres.
1
Click mode
In Click mode, the metronome function provides a simple click track in a number of dierent time signatures.
Activating the metronome function
Press the METRONOME button.
The LED indicator for the METRONOME button will turn ON
to indicate that the metronome function is in use, and the
Metronome screen will be shown in the LCD display.
Click mode
selected
Starting and Stopping the metronome
Press the F3 function button (LISTEN)
The LISTEN icon will become highlighted and the metronome
will start counting a 4/4 beat at 120 bpm (beats per minute).
Tempo
Time
signature
Metronome
is counting
Press the F3 function button again to stop the metronome.
Adjusting the Metronome volume, tempo, and time signature (beat)
Turn control knobs A and B to adjust the metronome volume
and tempo, and knob C to change the time signature (beat).
* The metronome tempo can be adjusted within the range of 30-300 bpm
(60-600 bpm for eighth note time signatures).
* There are ten dierent types of beat/time signature available:
1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, and 12/8.
Time
signature
Volume
Tempo
* Preferred metronome settings can be saved to a SETUP or POWERON
memory for immediate recall.
LED indicator ON:
Metronome is turned ON
* The metronome will be set to Click mode by default.
88
Recorder
Metronome
Returning to the previous screen (BACK function)
While the metronome is counting:
Press the F4 function button (BACK) to return to the previous
screen without stopping or deactivating the metronome.
Press and hold the METRONOME button again to show the
Metronome screen in the LCD display.
2
Rhythm mode
In Rhythm mode, the metronome function provides a more musically inspiring drum track. There are 100 dierent
drum patterns available, grouped into 13 categories.
* For a full listing of available drum patterns, please refer to page 90.
Activating the metronome function
Press the METRONOME button.
The LED indicator for the METRONOME button will turn ON
to indicate that the metronome function is in use, and the
Metronome screen will be shown in the LCD display.
Selecting Rhythm mode
Press the F2 function button (RHYTHM)
The RHYTHM icon will become highlighted, and the currently
selected drum rhythm category and variation will be shown in
the LCD display.
Rhythm mode
selected
hold
LED indicator ON:
Metronome is turned ON
* The metronome will be set to Click mode by default.
1
Click mode (cont.)
89
Recorder
Metronome
Starting and Stopping the drum rhythm
Press the F3 function button (LISTEN)
The LISTEN icon will become highlighted and the currently
selected drum rhythm category and variation will start to play.
Variation
Category
Rhythm is
playing
Press the F3 function button again to stop the drum rhythm.
Adjusting the drum rhythm volume, tempo, category, and variation
Turn control knobs A and B to adjust the drum rhythm volume
and tempo.
Turn control knobs C and D to select the drum rhythm category
and variation.
* The metronome tempo can be adjusted within the range of 30-300 bpm.
* For a full listing of available drum patterns, please refer to page 90.
Returning to the previous screen (BACK function)
While the drum rhythm is playing:
Press the F4 function button (BACK) to return to the previous
screen without stopping or deactivating the metronome.
Press and hold the METRONOME button again to show the
Metronome screen in the LCD display.
* Preferred drum rhythm settings can be saved to a SETUP or POWERON
memory for immediate recall.
Category
Volume
Variation
Tempo
hold
90
Recorder
Metronome
Drum rhythm categories and variations
16 Swing
1 Funk Shue 1
2 Funk Shue 2
3 Hip Hop 1
4 Hip Hop 2
5 Hip Hop 3
6 Hip Hop 4
7 16 Shue 1
8 16 Shue 2
9 16 Shue 3
16 Funk
10 Funky Beat 1
11 Funky Beat 2
12 Funky Beat 3
13 Funk 1
14 Funk 2
15 Funk 3
16 Straight
16 Jazz Funk
17 16 Beat 1
18 16 Beat 2
19 16 Beat 3
20 16 Beat 4
21 Ride Beat 4
22 Rim Beat
23 Roll Beat
24 Light Ride 1
25 Dixie Rock
16 Latin
26 Surdo Samba
27 Latin Groove
28 Light Samba
29 Songo
30 Samba
31 Merenge
16 Dance
32 Funky Beat 4
33 16 Beat 5
34 Disco 1
35 Disco 2
36 Techno 1
37 Techno 2
38 Techno 3
39 Heavy Techno
16 Ballad
40 Ballad 1
41 Ballad 2
42
Ballad 3
43 Ballad 4
44 Ballad 5
45 Light Ride 2
46 Electro Pop 1
47 Electro Pop 2
48 16 Shue 4
8 Ballad
49 Slow Jam
50 50’s Triplet
51 R&B Triplet
8 Straight
52 8 Beat 1
53 8 Beat 2
54 Smooth Beat
55 Pop 1
56 Pop 2
57 Ride Beat 1
58 Ride Beat 2
59 Ride Beat 3
60 Slip Beat
8 Rock
61 Jazz Rock
62 8 Beat 3
63 Rock Beat 1
64 Rock Beat 2
65 Rock Beat 3
66 Rock Beat 4
67 Blues/Rock
68 Heavy Beat
69 Hard Rock
70 Surf Rock
71 R&B
8 Swing
72 Motown 1
73 Fast Shue
74 Motown 2
75 Country 2 Beat
Triplet
76 Triplet Rock 1
77 Triplet Rock 2
78 Bembe
79 Rock Shue 1
80 Rock Shue 2
81 Boogie
82 Triplet 1
83 Triplet 2
84 Reggae
85 Gospel Ballad
86 Waltz
Jazz
87 H.H. Swing
88 Ride Swing
89 Fast 4 Beat
90 Afro Cuban
91 Jazz Waltz 1
92 Jazz Waltz 2
93 5/4 Swing
8 Latin
94 H.H. Bossa
95 Ride Bossa
96 Beguine
97 Mambo
98 Cha Cha
99 Tango
100 Habanera
2
Rhythm mode (cont.)
91
Recorder
Metronome
3
Recording with the metronome
Recording with the metronome is a convenient way to maintain consistent timing and rhythm while playing. This is
especially important when integrating recordings into a sequencer or DAW.
The explanation below uses the internal song recorder as an example, however the procedure for recording with
the metronome to an MP3/WAV audio le is identical.
1. Turning the Recorder mode ON
Press the RECORDER section’s ON/OFF button to turn Recorder
mode ON.
The LED indicator for the RECORDER section’s ON/OFF button
will turn ON, and the MIDI recorder screen will be shown in the
LCD display.
MIDI
recorder
selected
2. Activating the metronome function
Press the METRONOME button.
The LED indicator for the METRONOME button will turn ON
to indicate that the metronome function is in use, and the
Metronome screen will be shown in the LCD display.
Click mode
selected
3. Adjusting the Metronome volume, tempo, and time signature (beat)
Turn control knobs A and B to adjust the metronome volume
and tempo, and knob C to change the time signature (beat).
Press the F3 function button (LISTEN) to listen to the current
metronome settings.
* The metronome tempo can be adjusted within the range of 30-300 bpm
(60-600 bpm for eighth note rhythms).
* There are ten dierent types of beat/time signature available:
1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, and 12/8.
* Preferred metronome settings can be saved to a SETUP or POWERON
memory for immediate recall.
LED indicator ON:
Recorder mode is turned ON
LED indicator ON:
Metronome is turned ON
Time
signature
Volume
Tempo
92
Recorder
Metronome
4. Returning to the Recorder function
Press the F4 function button (BACK) to return to the recorder
function.
The LED indicator for the METRONOME button will remain lit,
indicating that the metronome function is still activated.
MIDI
recorder
selected
5. Starting the song recorder (standby mode)
Press the recorder control button.
The LED indicator for the button will start to ash, to indicate
that the recorder is in standby mode.
* The F4 function button (REC) can also be used to engage standby mode.
6. Starting the song recorder (recording)
Press the / recorder control button or F4 button (REC).
The LED indicators for the and / buttons will turn ON, a
one bar count-in will be played, and recording will start.
Count-in
bar
* Recording can also be started by pressing a key on the keyboard. In this
case, recording will start immediately and the one bar count-in will not
be played.
7. Stopping the song recorder
Press the / recorder control button.
The LED indicators for the and / buttons will turn OFF, and
recording will stop.
* The F4 function button (STOP) can also be used to stop recording.
After a brief pause, the MIDI player screen will be shown in the
LCD display.
LED indicator remains ON:
Metronome is still activated
LED indicator ashing:
Recorder is in standby mode
LED indicators ON:
Recording is in progress
* When recording with the metronome in Click mode, the metronome
sound will not be heard during playback. However, when recording with
the metronome in Rhythm mode, the drum pattern will be heard during
playback.
LED indicators OFF:
Recording has stopped
* The maximum recording capacity is approximately 90,000 notes, with
button and pedal presses also counted as one note.
* If the maximum recording capacity is reached during recording, the
recorder will stop automatically.
* Recorder songs will remain in memory after the power is turned OFF.
93
USB Menu
Overview of the USB Menu
The USB Menu contains functions to load, save, delete, and rename the various types of MP11SE data stored on a
USB memory device. It is also possible to format the memory device, erasing all stored data.
MP11SE data types
Data type Description File extension
SOUND A backup of a single SOUND’s parameters. .km5
SETUP A backup of a single SETUP memory. .km6
SMF A standard MIDI format (SMF) song le. .mid
Song A MP3/WAV audio le or SMF song le. .mp3, .wav, .mid
All Sound A backup of all the MP11SE’s stored SOUND parameters. .km2
All Setup A backup of all the MP11SE’s SETUP memories. .km3
All Backup A backup of all the MP11SE’s SETUP memories, SOUND parameters, and SYSTEM settings. .km4
Entering the USB Menu
Connect a USB memory device.
* USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ lesystems.
Press the USB button.
The LED indicator for the USB button will turn ON, and the USB
Menu will be shown in the LCD display.
Selecting USB functions
Press the CURSOR buttons then the +/YES button or F4 function
button (NEXT) to select and enter the desired category page.
Use the same control method again to select each function.
Press the –/NO or F1 function button (BACK) to return to the
previous screen.
USB device le/folder listing screen
The MP11SE’s le/folder listing screen lists relevant les and
folders stored in the root of the USB device.
Previous
folder
Folder
File
Selection
cursor
Press the CURSOR
buttons to move the selection cursor.
* Control knob A can also be used to move the selection cursor.
Press the F4 function button (EXEC) or +/YES button to select
the le or enter the selected folder.
LED indicator ON:
USB menu is selected
Move
selection
cursor
or
Select le/folder
94
USB Menu
USB Menu functions
1
Load
These functions allow data stored on a USB memory device to be loaded into the instrument’s internal memory.
Load functions will overwrite the existing data stored in internal memory.
Exercise caution when using these functions in order to prevent accidental data loss.
1. Load One Sound
This function loads a SOUND le stored on a USB memory,
replacing the preset parameters for that specic sound.
After selecting this function, select the desired SOUND le
from the le/folder listing screen.
Finally, press the F2 or F3 function buttons to conrm or cancel
the load operation.
* After loading, the SOUND will be selected automatically, and all other
sections will be turned OFF. SETUPs will also be turned OFF.
2. Load One Setup
This function loads a SETUP le stored on a USB memory device
into one of the MP11SE’s 208 SETUP memories.
After selecting this function, select the desired SETUP le from
the le/folder listing screen. Then press the BANK and SETUP
memory buttons to specify the destination SETUP memory.
Finally, press the F2 or F3 function buttons to conrm or cancel
the load operation.
* After loading, the SETUP will be selected automatically.
3. Load SMF
This function loads an SMF song le stored on a USB memory
device into the MP11SE’s internal song recorder memory.
After selecting this function, select the desired SMF le from
the le/folder listing screen. Then use the control knobs A, C,
and D to specify the destination song memory and keyboard/
drum channels.
Drum
channel
Keyboard
channel
Song
memory
Finally, press the F2 or F3 function buttons to conrm or cancel
the load operation.
* After loading, the MIDI record/playback screen will be shown in the LCD
display and the destination song memory will be selected automatically.
* For more information about the song recorder, please refer to page 65.
4. Load All Sound
This function replaces the preset parameters for all internal
sounds from an All Sound le stored on a USB memory device.
After selecting this function, select the desired All Sound le
from the le/folder listing screen.
Finally, press the F2 or F3 function buttons to conrm or cancel
the load operation.
5. Load All Setup
This function restores all SETUP memories from an All Setup le
stored on a USB memory device.
After selecting this function, select the desired All Setup le
from the le/folder listing screen.
Finally, press the F2 or F3 function buttons to conrm or cancel
the load operation.
6. Load All Backup
This function restores the parameters for all SETUP memories,
SOUND parameters, and SYSTEM settings from an All Backup
le stored on a USB memory device.
After selecting this function, select the desired All Backup le
from the le/folder listing screen.
Finally, press the F2 or F3 function buttons to conrm or cancel
the load operation.
95
USB Menu
USB Menu functions
2
Save
These functions allow data stored in the instrument’s internal memory to be saved to a USB memory device.
1. Save One Sound
This function saves the currently selected sound’s parameters
to a USB memory device.
* If the MIDI section is currently selected, the current PIANO section sound
will be saved automatically.
After selecting this function, a conrmation screen will be
shown in the LCD display. Press the F4 function button (NEXT)
to continue.
Enter a name for the saved SOUND le using control knobs A
and B, then press the F4 function button (EXEC).
Finally, press the F2 or F3 function buttons to conrm or cancel
the save operation.
2. Save One Setup
This function saves a SETUP memory to a USB memory device.
After selecting this function, a conrmation screen will be
shown in the LCD display. Press the BANK and SETUP memory
buttons to specify the destination SETUP memory, then press
the F4 function button (NEXT) to continue.
Enter a name for the saved SETUP le using control knobs A and
B, then press the F4 function button (EXEC).
Finally, press the F2 or F3 function buttons to conrm or cancel
the save operation.
3. Save SMF
This function saves an internal recorder song to a USB memory
device in SMF format.
After selecting this function, the Save SMF screen will be shown
in the LCD display. Select the song memory to be saved using
control knob C, and enter a name for the saved SMF le using
control knobs A and B, then press the F4 function button (EXEC).
Finally, press the F2 or F3 function buttons to conrm or cancel
the save operation.
* For more information about the song recorder, please refer to page 65.
96
USB Menu
USB Menu functions
4. Save All Sound
This function saves the parameters for all internal sounds to a
USB memory device.
After selecting this function, enter a name for the saved
AllSound le using control knobs A and B, then press the F4
function button (EXEC).
5. Save All Setup
This function saves all of the SETUP memories stored in the
instrument to a USB memory device.
After selecting this function, enter a name for the saved AllSetup
le using control knobs A and B, then press the F4 function
button (EXEC).
6. Save All Backup
This function saves the parameters for all internal sounds, all
SETUP memories, and all SYSTEM settings to a USB memory
device.
After selecting this function, enter a name for the saved
AllBackup le using control knobs A and B, then press the F4
function button (EXEC).
3
Delete
These functions allow data stored on a USB memory device to be deleted.
Delete functions will erase data from the connected USB memory device.
Exercise caution when using these functions in order to prevent accidental data loss.
1. Selecting the type of le to delete
Press the CURSOR buttons then the +/YES button or F4 function
button (NEXT) to select the type of le to be deleted.
Press the –/NO or F1 function button (BACK) to return to the
previous screen.
2. Selecting the le to delete
Turn control knob A or press the CURSOR buttons to move the
selection cursor. Then press the +/YES button or F4 function
button (EXEC) to delete the le.
Press the –/NO or F1 function button (BACK) to return to the
previous screen.
3. Conrming the le deletion
Press the F2 function button (YES) or F3 function button (NO) to
conrm or cancel the delete le operation.
After deleting the le, the main USB Menu will screen will be
shown in the LCD display.
97
USB Menu
USB Menu functions
4
Rename
These functions allow data stored on a USB memory device to be renamed.
1. Selecting the type of le to rename
Press the CURSOR buttons then the +/YES button or F4 function
button (NEXT) to select the type of le to be renamed.
Press the –/NO or F1 function button (BACK) to return to the
previous screen.
2. Selecting the le to rename
Turn control knob A or press the CURSOR buttons to move the
selection cursor. Then press the +/YES button or F4 function
button (EXEC) to rename the le.
Press the –/NO or F1 function button (BACK) to return to the
previous screen.
3. Renaming the le
Turn control knobs A and B to move the position of the cursor
and change the character, then press the F4 function button
(EXEC) to rename the le.
4. Conrming the le rename
Press the F2 function button (YES) or F3 function button (NO) to
conrm or cancel the rename le operation.
After renaming the le, the main USB Menu will screen will be
shown in the LCD display.
98
USB Menu
USB Menu functions
5
Format
This function allows a USB memory device to be formatted, erasing all stored data.
The Format function will erase all data stored on the connected USB memory device.
Exercise caution when using this function in order to prevent accidental data loss.
1. Selecting the Format function
Press the CURSOR buttons then the +/YES button or F4 function
button (NEXT) to select the format function.
Press the –/NO or F1 function button (BACK) to return to the
previous screen.
2. First conrmation prompt
The rst conrmation prompt will be shown in the LCD display.
Press the +/YES button or F4 function button (EXEC) to select
the proceed with the format function.
Press the –/NO or F1 function button (BACK) to return to the
previous screen.
3. Final conrmation prompt
A nal conrmation prompt will be shown in the LCD display.
Press the +/YES button or F4 function button (EXEC) to select
the proceed with the format function.
Press the –/NO or F1 function button (BACK) to return to the
previous screen.
99
SYSTEM Menu
The SYSTEM menu contains parameters and settings that aect the general operation of the MP11SE. These
settings are grouped into six categories: Utility, Pedal, MIDI, Oset, User Edit, and Reset. SYSTEM parameters will
be memorised automatically when instrument is turned OFF.
SYSTEM Menu parameters
Category Parameters
Utility
System Tuning, E. SW Mode, Knob Action, Volume Fader Action, LCD Contrast, LCD Reverse,
Input Level, Audio Output Mode, Lock SW Mode, Auto Power O
Pedal/Mod.
Right Pedal Mode, Center Pedal Mode, Left Pedal Mode, Half Pedal Adjust, FSW Pedal Mode, FSW Pedal Polarity,
Modulation Wheel Curve, EXP Pedal Curve, EXP Pedal Calibrate
MIDI
System Channel, Key to MIDI, Key to USB, MIDI to MIDI, MIDI to USB, USB to MIDI, SETUP Program, SETUP Bank,
SETUP Volume, SETUP Knobs, Receive Mode, PIANO Channel, E.PIANO Channel, SUB Channel
Oset
EQ Oset On/O, Reverb Oset, EQ Oset Low, EQ Oset High, EQ Oset Mid1, EQ Oset Mid2
User Edit
User Touch Curve, User Temperament, User KeyVolume, User Stretch, User Voicing
Reset One Sound, All Sound, One Setup, All Setup, System, Power On, Recorder, Factory
Entering the SYSTEM Menu
Press the SYSTEM button.
The LED indicator for the SYSTEM button will turn ON, and the
SYSTEM Menu will be shown in the LCD display.
Selecting the SYSTEM parameter category
Press the CURSOR buttons to select, and then the F4 function
button (NEXT) or +/YES button to enter the desired category.
Adjusting SYSTEM parameters
Turn the four control knobs (A, B, C, D) to adjust the parameters
assigned to those knob.
Parameters can also be adjusted by using the CURSOR buttons
to move the selection cursor, and +/YES or –/NO buttons to
increase or decrease the value of the selected parameter.
Press the F2 and F3 function buttons to cycle through the
SYSTEM menu pages.
* The CURSOR buttons can also be used to cycle through pages.
* The adjusted SYSTEM parameters will be memorised automatically.
Overview of the SYSTEM Menu
LED indicator ON:
SYSTEM menu is selected
or
Select category
100
SYSTEM Menu
1
Utility
1. System Tuning value: 427.0 ~ 453.0 Hz
This parameter sets the global master tuning of the MP11SE in
0.5Hz increments.
* The default setting is A = 440.0 Hz
2. E. SW Mode preset, temp., fixed
This function determines whether selecting sounds aects the
EFX, AMP, and REVERB button state and associated settings.
Mode Description
Preset ON/OFF state is recalled when selecting sounds.
Temp. ON/OFF state is not recalled when selecting sounds.
Fixed
ON/OFF state and eect settings are not recalled when
selecting sounds.
* The default setting is Preset.
Using the E.SW Mode ‘Fixed’ function to copy eects settings
The following procedure can be used to ‘copy’ favourite eects settings to multiple sounds within the same section.
1. First, select the sound with the desired eects settings.
2. Enter the SYSTEM:Utility menu and set E.SW Mode to Fixed.
3. Next, select the sound to which the desired EFX settings
should be applied.
4. Then, store the sound (with the desired EFX settings) to memory.
5. Finally, restore the E.SW Mode to Preset.
* The above procedure will ‘copy’ all EFX1/EFX and AMP settings, and the
REVERB depth setting. Other settings will not be ‘copied’.
SYSTEM Menu parameters & functions
101
SYSTEM Menu
SYSTEM Menu parameters & functions
3. Knob Action normal, catcH
This parameter determines the adjustment behaviour of the
four control knobs (A, B, C, D).
Mode Description
Normal Value changes immediately when control knob is turned.
Catch
Value does not change until control knob ‘catches’ the
previously stored value, thus preventing unexpected
jumps in parameter values.
* The default setting is Normal.
4. Volume Fader Action normal, catcH
This parameter determines the adjustment behaviour of the
section volume faders.
Mode Description
Normal Volume changes immediately when fader is moved.
Catch
Volume does not change until fader ‘catches’ the
previously stored volume value, thus preventing
unexpected volume jumps.
* The default setting is Normal.
5. LCD Contrast value: 1 ~ 10
This parameter adjusts the contrast of the LCD display.
The contrast becomes sharper as the value increases.
* The default setting is 5.
6. LCD Reverse on, off
This parameter inverts the black and white pixels of the LCD
display, which may improve visibility in certain situations.
* The default setting is OFF.
7. Input Level value: –18 dB ~ +18 dB
This parameter adjusts the gain of the MP11SE’s LINE IN jacks.
If the output level of the external device is too high, reduce the value
of this parameter. Alternatively, if the output is too low, increase the
value of this parameter.
* The default setting is 0 dB.
8. Audio Out Mode stereo, 2xmono
This parameter allows the MP11SE’s LINE OUT signal to be
changed from stereo to dual-mono.
This may be useful in certain situations, allowing one output to be
used for a monitor speaker and the other to be plugged into the
mixing console.
Mode Description
Stereo The Line-out signal is normal stereo.
2xMono The Line-out signal is mono on both jacks.
* The default setting is Stereo.
* Stereo EFX such as AutoPan will be turned OFF when 2xMono is selected.
9. Lock SW Mode 6 types
This function determines which controls will be locked when
the LOCK (
) button is pressed.
Mode Description
Panel The main control panel will be locked.
Bend The pitch bend wheel will be locked.
Mod. The modulation wheel will be locked.
Center The centre pedal will be locked.
Left The left pedal will be locked.
EXP The expression pedal (EXP) will be locked.
* The default setting is Panel Lock.
10. Auto Power O off, 15 mins., 60 mins., 120 mins.
This parameter determines the period of inactivity that should
pass before the MP11SE automatically turns OFF.
Value Description
O The Auto Power O function is disabled.
15 mins. The MP11SE will turn o after 15 minutes of inactivity.
60 mins. The MP11SE will turn o after 60 minutes of inactivity.
120 mins. The MP11SE will turn o after 120 minutes of inactivity.
* The default setting for this parameter depends on the market region.
102
SYSTEM Menu
SYSTEM Menu parameters & functions
2
Pedal/Mod.
1. Right Pedal Mode
5 functions
This parameter determines the global operation for the right
pedal of the GFP-3 pedal unit.
* The default setting is Normal.
Pedal modes
Mode Description
Normal The pedal will use the assigned EDIT menu function.
Setup+ The pedal will select the next SETUP memory.
Setup-
The pedal will select the previous SETUP memory.
Playback
The pedal will start/stop song playback.
Metro.
The pedal will start/stop the metronome.
2. Center Pedal Mode 5 functions
This parameter determines the global operation for the centre
pedal of the GFP-3 pedal unit.
* The default setting is Normal.
3. Left Pedal Mode 5 functions
This parameter determines the global operation for the left
pedal of the GFP-3 pedal unit.
* The default setting is Normal.
4. Half Pedal Adjust value: 1 ~ 10
This parameter adjusts the point at which the damper/sustain
pedal becomes eective (i.e. when the dampers of the piano
begin to lift from the strings).
This parameter may be useful for pianists that habitually rest their
right foot on the damper/sustain pedal, but do not necessarily wish
to sustain the sound.
* The default setting is 5.
5. FSW Pedal Mode 5 functions
This parameter determines the global operation for the foot
switch pedal.
* The default setting is Normal.
6. FSW Pedal Polarity normal, reverse
This parameter changes the polarity for the foot switch pedal.
MP11SE’s foot switch terminal is designed for use with ‘Normal
Close’ polarity pedals. If using a foot switch with ‘Normal Open’
polarity, please change this parameter to Reverse.
* The default setting is Normal.
7. Modulation Wheel Curve normal, slow, fast
This parameter changes the output level curve for the
modulation wheel, providing additional control over the speed
of modulation wheel controlled eects.
* The default setting is Normal.
8. EXP Pedal Curve normal, slow, fast
This parameter changes the output level curve for the
connected expression (EXP) pedal, providing additional control
over the speed of expression pedal controlled eects.
* The default setting is Normal.
Output Level
Pedal/Wheel Position
Normal curve
Output Level
Pedal/Wheel Position
Slow curve
Output Level
Pedal/Wheel Position
Fast curve
103
SYSTEM Menu
SYSTEM Menu parameters & functions
Expression pedal calibration
Depending on the brand and model of expression pedal connected to the MP11SE, it may be necessary to use the
calibration function to ensure that the pedal’s minimum and maximum range of values are detected correctly.
Calibrating the EXP pedal
Select the third page (3/3) of the Pedal SYSTEM menu.
Press the F4 function button (EXP CAL) to show the expression
pedal calibration screen in the LCD display.
Press the expression pedal to the minimum and maximum
positions several times to transmit the full range of values.
Press F4 function button (EXEC) to complete the expression
pedal calibration.
The full range of operation for the connected expression pedal
will be calculated automatically.
104
SYSTEM Menu
SYSTEM Menu parameters & functions
3
MIDI
1. System Channel
This parameter determines the System MIDI channel used to
receive MIDI messages when Receive Mode is set to Panel.
* The default setting is 01Ch.
2. Key to MIDI
This parameter determines whether or not keyboard events are
transmitted via MIDI OUT.
* The default setting is ON.
3. Key to USB
This parameter determines whether or not keyboard events are
transmitted via USB-MIDI.
* The default setting is ON.
4. MIDI to MIDI
This parameter determines whether or not received MIDI IN
events are transmitted via MIDI OUT.
* The default setting is OFF.
5. MIDI to USB
This parameter determines whether or not received MIDI IN
events are transmitted via USB-MIDI.
* The default setting is OFF.
6. USB to MIDI
This parameter determines whether or not received USB-MIDI
events are transmitted via MIDI OUT.
* The default setting is OFF.
7. SETUP Program
This parameter determines whether or not the Send Program
parameter in the EDIT menu (MIDI OUT/SETUP) is enabled.
* For more information about the Send Program parameter, please refer to
page 54.
* The default setting is OFF.
8. SETUP Bank
This parameter determines whether or not the Send Bank
parameter in the EDIT menu (MIDI OUT/SETUP) is enabled.
* For more information about the Send Bank parameter, please refer to page
54.
* The default setting is OFF.
9. SETUP Volume
This parameter determines whether or not the Send Volume
parameter in the EDIT menu (MIDI OUT/SETUP) is enabled.
* For more information about the Send Volume parameter, please refer to
page 54.
* The default setting is OFF.
10. SETUP Knobs
This parameter determines whether or not the Send Knobs
parameter in the EDIT menu (MIDI OUT/SETUP) is enabled.
* For more information about the Send Knobs parameter, please refer to
page 54.
* The default setting is OFF.
11. Receive Mode
This parameter determines how the MP11SE receives MIDI data.
Mode Description
Panel Received data controls the entire panel.
Section
Received data controls sections individually via each
receive channel.
Omni On
Received data controls the whole panel, regardless of
the MIDI channel.
* The default setting is Panel.
12. PIANO Channel
This parameter determines the PIANO section’s Receive Channel
when the Receive Mode parameter is set to Section.
* The default setting is 01Ch.
13. E.PIANO Channel
This parameter determines the E.PIANO section’s Receive
Channel when the Receive Mode parameter is set to Section.
* The default setting is 02Ch.
14. SUB Channel
This parameter determines the SUB section’s Receive Channel
when the Receive Mode parameter is set to Section.
* The default setting is 03Ch.
value: 01cH ~ 16cH
panel, section, omni on
on, off
on, off
on, off
on, off
on, off
value
: 01cH ~ 16cH
value
: 01cH ~ 16cH value: 01cH ~ 16cH
on, offon, off
on, offon, off
105
SYSTEM Menu
SYSTEM Menu parameters & functions
4
Oset
1. EQ Oset ON/OFF
This parameter turns the EQ Oset function ON or OFF.
The EQ Oset function may be useful when performing at a venue
with certain room acoustics, or simply dierent amplier and
speaker equipment to that used normally. The Oset values can
be adjusted to create a ‘baseline’ character for the instrument,
rather than readjusting the EQ settings prepared for each SETUP.
* The default setting is OFF.
* The EQ Oset values will be added to the EQ values dened in each
SETUP. The combined EQ values are limited to ±10 dB.
2. Reverb Oset
This parameter adjusts the reverb depth oset, allowing the
reverb for all sound section to be reduced globally.
Similar to the EQ Oset function, Reverb Oset may be useful
when performing at a venue with reective acoustics, or when
connecting the instrument to a PA system with reverb pre-applied.
The reverb oset depth is reduced globally for all sound sections,
negating the need to readjust reverb settings for each SETUP.
* The default setting is 100%.
3. EQ Oset Low
This parameter adjusts the EQ Oset gain for the low range
frequency band.
* The default setting is 0 dB.
4. EQ Oset High
This parameter adjusts the EQ Oset gain for the high range
frequency band.
* The default setting is 0 dB.
5. EQ Oset Mid1
This parameter adjusts the EQ Oset gain for the Mid1 range
frequency band.
* The default setting is 0 dB.
6. EQ Oset Mid2
This parameter adjusts the EQ Oset gain for the Mid2 range
frequency band.
* The default setting is 0 dB.
5
User Edit
The User Edit category contains functions to create custom touch curves and keyboard temperaments.
Selecting the User Touch Curve / Temperament / Key Volume / Stretch Tuning to edit
After selecting the User Edit SYSTEM menu category:
Turn control knob A to select the desired User Touch Curve.
Turn control knob B to select the desired User Temperament.
Turn control knob C to select the desired User Key Volume.
Turn control knob D to select the desired User Stretch Tuning.
The User Touch Curve, User Temperament, User Key Volume,
and User Stretch Tuning can also be selected by using the
CURSOR buttons and +/YES or –/NO buttons.
on, off value: 0% ~ 100%
value: –10 dB ~ +10 dB value: –10 dB ~ +10 dB
value: –10 dB ~ +10 dB value: –10 dB ~ +10 dB
Select User
Key Volume
Select User
Touch Curve
Select User
Stretch Tuning
Select User
Temperament
106
SYSTEM Menu
Creating a User Touch Curve
1. Starting the User Touch Curve analysis
After selecting the User Touch Curve memory to be edited:
Press the F4 function button (NEXT) to start the User Touch
Curve analysis.
2. Capturing the dynamic range
Play the piano dynamically from very soft to very loud, allowing
the instrument to analyse the personal playing technique.
3. Completing the User Touch Curve analysis
Press the F4 function button (EXEC) to complete the User Touch
Curve analysis.
A conrmation screen will be shown in the LCD display.
Play the piano to check the newly created touch curve, then
press the F4 function button (SAVE) to store it to user memory.
4. Storing the User Touch Curve
Press the F2 button (YES) to conrm the store operation, or the
F3 button (NO) to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
store operation.
The new User Touch Curve will be used for the selected sound
section temporarily.
SYSTEM Menu parameters & functions
F3 button:
NO: Cancel
F2 button:
YES: Conrm
* More than one attempt may be required in order to create an accurate
User Touch Curve.
* Reducing the master volume fader to the lowest position before creating
the User Touch Curve may help to reduce user distractions, thus improving
accuracy.
* Please use the Store SOUND function to ensure that the created User Touch
Curve is used automatically when the sound is selected.
107
SYSTEM Menu
Creating a User Temperament
1. Selecting the User Temperament editor
After selecting the User Temperament to be edited:
Press the F4 function button (NEXT) to select the User
Temperament editor.
2. Adjusting the User Temperament
Turn control knob C to select the note to be adjusted.
Turn control knob D to adjust the pitch of the selected note.
* The pitch of each key can be adjusted within the range of –50 ~ +50 cents.
One semi-tone = 100 cents.
* To select a note directly, press the desired key.
3. Saving the User Temperament
After adjusting the note pitches:
Press the F2 function button (SAVE) to save the adjusted User
Temperament.
A store conrmation screen will be shown in the LCD display.
4. Conrming the store operation
Press the F2 button (YES) to conrm the store operation, or the
F3 button (NO) to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
store operation.
The new User Temperament will be used for the selected sound
section temporarily.
Selected User
Temperament
SYSTEM Menu parameters & functions
* Please use the Store SOUND function to ensure that the created User
Temperament is used automatically when the sound is selected.
F3 button:
NO: Cancel
F2 button:
YES: Conrm
Select note Adjust pitch
108
SYSTEM Menu
SYSTEM Menu parameters & functions
F3 button:
NO: Cancel
F2 button:
YES: Conrm
Select key Adjust volume
Creating a User Key Volume
1. Selecting the User Key Volume editor
After selecting the User Key Volume to be edited:
Press the F4 function button (NEXT) to select the User Key
Volume editor.
2. Adjusting the User Key Volume
Turn control knob C to select the key to be adjusted.
Turn control knob D to adjust the volume of the selected key.
* The volume of each key can be adjusted within the range of –50 ~ +50.
* To select a note directly, press the desired key.
3. Saving the User Key Volume
After adjusting the key volumes:
Press the F2 function button (SAVE) to save the adjusted User
Key Volume.
A store conrmation screen will be shown in the LCD display.
4. Conrming the store operation
Press the F2 button (YES) to conrm the store operation, or the
F3 button (NO) to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
store operation.
The new User Key Volume will be used for the selected sound
section temporarily.
Selected User
Key Volume
* Please use the Store SOUND function to ensure that the created User Key
Volume is used automatically when the sound is selected.
109
SYSTEM Menu
SYSTEM Menu parameters & functions
Creating a User Stretch Tuning
1. Selecting the User Stretch Tuning editor
After selecting the User Stretch Tuning to be edited:
Press the F4 function button (NEXT) to select the User Stretch
Tuning editor.
2. Adjusting the User Stretch Tuning
Turn control knob C to select the key to be adjusted.
Turn control knob D to adjust the pitch of the selected key.
* The pitch of each key can be adjusted within the range of –50 ~ +50 cents.
One semi-tone = 100 cents.
* To select a note directly, press the desired key.
3. Saving the User Stretch Tuning
After adjusting the key pitches:
Press the F2 function button (SAVE) to save the adjusted User
Stretch Tuning.
A store conrmation screen will be shown in the LCD display.
4. Conrming the store operation
Press the F2 button (YES) to conrm the store operation, or the
F3 button (NO) to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
store operation.
The new User Stretch Tuning will be used for the selected sound
section temporarily.
Selected User
Stretch Tuning
F3 button:
NO: Cancel
F2 button:
YES: Conrm
Select key Adjust pitch
* Please use the Store SOUND function to ensure that the created User
Stretch Tuning is used automatically when the sound is selected.
110
SYSTEM Menu
SYSTEM Menu parameters & functions
Creating a User Voicing
1. Selecting the User Voicing Tuning editor
After selecting the User Voicing to be edited:
Press the F4 function button (NEXT) to select the User Voicing
editor.
2
. Adjusting the User Voicing
Turn control knob C to select the key to be adjusted.
Turn control knob D to adjust the voicing of the selected key.
* The User Voicing value can be adjusted within the range of –5 ~ +5, with
lower values creating a mellower sound and higher values creating a
brighter sound.
* To select a note directly, press the desired key.
3. Saving the User Voicing
After adjusting the user voicing value:
Press the F2 function button (SAVE) to save the adjusted User
Voicing.
A store conrmation screen will be shown in the LCD display.
4. Conrming the store operation
Press the F2 button (YES) to conrm the store operation, or the
F3 button (NO) to return to the previous screen.
* The +/YES and –/NO buttons can also be used to conrm or cancel the
store operation.
The new User Voicing will be used for the selected sound
section temporarily.
Selected User
Voicing
F3 button:
NO: Cancel
F2 button:
YES: Conrm
Select key
Adjust voicing
* Please use the Store SOUND function to ensure that the created User
Voicing is used automatically when the sound is selected.
111
SYSTEM Menu
SYSTEM Menu parameters & functions
6
Reset
The Reset category contains functions to reset sounds, setups, and settings back to the original factory default.
Once performed, these Reset functions cannot be undone.
Exercise caution when using this function in order to prevent accidental data loss.
1. Reset One Sound
This function resets the currently selected sound to the factory
default.
The currently selected sound will be shown in the LCD display.
* It is also possible to select the sound to be reset by pressing the sound
category and variation buttons.
2. Reset One Setup
This function resets the currently selected SETUP memory to
the factory default.
The currently selected SETUP will be shown in the LCD display.
* It is also possible to select the SETUP memory to be reset by pressing the
BANK buttons and SETUP memory buttons.
3. Reset All Sound
This function resets all sounds to the factory default.
4. Reset All Setup
This function resets all SETUP memories to the factory default.
5. Reset System
This function resets all SYSTEM parameters, including Utility,
Pedal, Oset, and MIDI parameters in the SYSTEM menu, and
SETUP, Transmit, and MMC parameters in the MIDI section EDIT
menu.
6. Reset PowerOn
This function resets the PowerOn memory to the factory
default.
7. Reset Recorder
This function resets all internal song recorder memories.
8. Factory Reset
This function performs a global reset of all sounds, SETUPs,
SYSTEM settings, and internal song recorder memories.
Panic button
The PANIC button restores all internal sounds to their default PowerOn setting, and also sends the AllNoteO and
ResetAll Controller MIDI messages to any connected devices (01ch ~ 16ch).
This is a useful function to be used in emergency situations, or to immediately restore the MP11SE to a preferred
conguration.
Activating the Panic function
Press and hold the PANIC button.
After one second, the MP11SE will be returned to the default
PowerOn conguration.
hold
112
SYSTEM Menu
Panel Lock ( )
The Lock ( ) function allows the state of the MP11SE’s various controls to be temporarily locked, preventing
accidental button pushes, pedal presses, or wheel movements.
Activating and deactivating the Lock function
Press the LOCK ( ) button.
The LED indicator for the LOCK (
) button will turn on, and the
lock pop-up will be briey shown in the LCD display.
By default (Panel Lock mode), the Lock function will lock all of
the MP11SE’s panel buttons, knobs, and section VOLUME faders,
preventing any accidental adjustments during performances etc.
* The VOLUME and LINE IN faders will not be locked. The keyboard will also
remain active.
Press the LOCK ( ) button again to deactivate the lock.
Changing the Lock mode
Press and hold the LOCK ( ) button, then press the +/YES or
–/NO buttons to cycle through the dierent Lock modes.
Lock modes
Lock mode Description
Panel Lock The main control panel buttons, knobs and section VOLUME faders will be locked.
Bend Lock The pitch bend wheel will be locked.
Mod. Lock The modulation wheel will be locked.
Center Lock The centre pedal will be locked.
Left Lock The left pedal will be locked.
EXP Lock The expression pedal (EXP) will be locked.
LED indicator ON:
Lock function is activated
LED indicator OFF:
Lock function is deactivated
hold
* The Lock mode can also be changed in the SYSTEM menu. For more
information, please refer to page 101.
113
Appendix
Troubleshooting
Power Page
The instrument does not turn on. Check that the AC power adaptor is rmly attached to the instrument, and
connected to an AC outlet.
16
The instrument turns itself o after
a period of inactivity.
Check that the ‘Auto Power O’ setting is not enabled. 101
Sound Page
The instrument is turned on,
however no sound is produced
when the keys are pressed.
The MP11SE does not feature built-in speakers. Check that a mixer, keyboard
amplier, or headphones are connected to the instrument correctly. If using an
external mixer or amplier, check that the settings are correct.
18
Check that the MASTER VOLUME fader is not set to the lowest position. 12
Check that at least one section’s ON/OFF button is turned on. 20
Check that at least one section’s VOLUME fader is not set to the lowest position. 20
Check that the LOCAL OFF button is not turned on. 37
Check that the expression pedal is not set to the minimum position. 17
Check that the
MasterVol parameter in the EDIT menu is not set to 0. 42
No sound is produced for all or part
of a section, or the sound volume is
reduced.
Check that the section’s ON/OFF button is turned on. 20
Check that the section’s VOLUME fader is not set to the lowest position. 20
Check that the UPPER/LOWER LED beside the KEY RANGE button is not lit.
If the LED is lit, check the Key Range parameter setting in the EDIT menu.
26,
46
Check that the AMP level parameter in the EDIT menu is not set to 0. 41
Check that the modulation wheel is not assigned the ‘Expression’ function. 48
Check that the Receive Mode parameter in the SYSTEM:MIDI menu is not set to
‘Section’. Some control change messages may aect the volume faders and/
or the EDIT menu parameters in section Receive mode. If playing separate
sections by MIDI or control change is not required, please set the Receive Mode
parameter to ‘Panel’.
104,
146
The sound distorts when playing at
very loud volume levels.
Check that the MASTER VOLUME fader is set to an appropriate level, reducing
the volume if excessive distortion is heard.
12
114
Appendix
Troubleshooting
Strange sounds or noises are heard
when playing with piano sounds.
The MP11SE stagel piano attempts to reproduce the rich variety of tones
created by an acoustic grand piano as accurately as possible. This includes
various resonances, noises, and other subtle characteristics that contribute to
the overall piano playing experience.
While these additional tones are intended to enhance the realism of the
instrument, it is possible to reduce their prominence, or disable the eects
altogether using the following settings in the Virtual Technician menu.
The noise occurs when the damper pedal is depressed and released.
Damper Noise
50
The noise occurs after a key is released.
Fall-back Noise, Key-o Eect
50,
51
The sound has a metallic characteristic.
Key-o Eect, Undamped Resonance, String Resonance
50
The sound is mued or too bright.
Topboard, Voicing, Brilliance
50,
51
A particular key’s level/volume is higher than other keys.
User KeyVolume
108
A particular key’s pitch is heard as incorrect.
Temperament, User Temperament, User StretchTuning
44,
107,
109
The keyboard has no touch
responsiveness.
Check that the Dynamics parameter in the EDIT menu is not set to O. 45
STORE Page
OctaveShift cannot be stored to a
SOUND memory.
This is the correct behaviour. Some parameters related to the Key
Range function (KeyRangeType, SplitPoint, KeyRangeLo/Hi, OctaveShift,
ZoneTranspose) are not stored to SOUND memory, but to SETUP only.
The POWER ON default setting is
dierent to the setting that it is
stored.
The POWER ON memory will only store the selected SOUND position, not the
individual EDIT menu settings of that SOUND.
In order to memorise EDIT menu settings, please store each section’s sound to
the SOUND memory.
60,
62
The metronome click/rhythm
pattern does not change when the
SETUP is selected.
Please store preferred metronome click/rhythm pattern settings to SETUP
memory.
However, please note that if the metronome click or rhythm pattern is running
while a SETUP is selected, the metronome settings will not change.
61,
87
Pedal, Controller Page
Pedals or wheels don’t work. Check that the controller is not set to O in the EDIT:Controllers menu. 47,
57
The Modulation Depth Range
parameter has no eect.
Check that the modulation wheel function is set to ‘Modulation’ in the EDIT
menu. If not, the Modulation Depth Range parameter will have no eect.
48
The foot switch does not turn o
after releasing the pedal.
Check that the foot switch pedal is a ‘Normal Closed’ polarity type. If using
a ‘Normal Open’ polarity type, please set the FSW Polarity setting in the
SYSTEM:Pedal/Mod. menu to Reverse.
The expression pedal does not work
and a malfunction occurs with the
MP11SE.
Please check that the expression pedal’s TRS connector type is set correctly,
using the EXP TYPE switch on the rear jack pack.
17
115
Appendix
Troubleshooting
The top 18 notes of the
keyboard sustain for longer than
neighbouring notes, even when the
damper pedal is not pressed.
This is the correct behaviour, and intended to reproduce the undamped notes
(typically the top two octaves) of an acoustic grand piano.
The sound continues to sustain
after the damper pedal is released
and re-pressed.
This is the correct behaviour, and reproduces the ability to sustain notes when
quickly re-pressing the damper pedal of an acoustic grand piano.
Line In Page
The volume of the device
connected to the Line In jacks is too
low/too high (distorted).
Check the position of the LINE IN fader, and adjust as necessary. 12
The adjustable range of the LINE IN
fader is too narrow.
Adjust the Input Level in the SYSTEM:Utility menu. 101
MIDI Page
The MP11SE’s Song Recorder
(Internal Memory) cannot record
the MIDI section.
Check that the TransmitRecorder parameter in the EDIT:Transit menu is set to
On. By default, this parameter is set to O.
55
MMC cannot control the external
device.
Check that the Transmit MMC parameter in the EDIT:MMC menu is set to On. By
default, this parameter is set to O.
55
Check that the MMC device ID is set correctly, and matches the external device’s
ID. If thedigignate is not necessary, please set to 127 (default, All).
55
Check the external device’s owner’s manual to ensure that MMC messages are
recognised.
Check that the external device’s MIDI clock is not set to External. The MP11SE
does not send MTC (MIDI Time Code) or MIDI Clock data, therefore the external
device should be set to use its own internal clock.
The damper pedal is not released
when playing MIDI data.
If the damper pedal o/on events of the MIDI data are extremely short, there
is the possibility that the MP11SE’s piano sound sustains continuously. This is
due to the MP11SE reproducing the ability to release and quickly re-press the
damper pedal of an acoustic grand piano.
When Receive Mode is set to
Section, received MIDI notes
continue to play, even when the
sound section is turned o.
This is the correct behaviour, as the section ON/OFF buttons are only intended
to connect/discconect the MP11SE’s keyboard from the internal tone generator.
This allows the MP11SE’s sounds to be triggered externally, without being
played by the instrument’s keyboard. For example, external MIDI keyboard
controlling bass sound in SUB section, while the full MP11SE keyboard is used
for the PIANO section.
1. Select desired piano sound in the PIANO section and bass sound in the SUB
section.
2. Turn of the SUB section using the ON/OFF button.
3. Set SYSTEM:MIDI Receive Mode to ‘Section’, SUB Ch=03.
4. Set the MIDI transmit channel to 3 for the external MIDI keyboard.
20,
104
116
Appendix
Troubleshooting
USB to HOST Page
The instrument is connected to
the computer using a USB cable,
however the software does not
respond to key presses.
Check that a USB MIDI driver is installed on the computer. 117
Check that ‘USB Audio Device’ or ‘KAWAI USB MIDI’ is selected in the software’s
input/output device settings.
117
USB to DEVICE Page
A USB memory device is not
detected, cannot be saved to, or
does not appear to function when
connected to the ‘USB to Device’
port.
Check that the USB memory device is formatted to use the FAT/FAT32
lesystem, and not set to ‘Write Protect’ mode.
16
Disconnect the USB memory device, turn the instrument o then on, then
reconnect the USB device. If the USB device still does not function, it may be
damaged or incompatible. Please try using a dierent USB device.
Ensure that the USB memory device is not a wireless ash drive. Such devices
are not compatible with the MP11SE.
The instrument pauses briey when
connecting a USB memory device.
This is recognised behaviour when using large capacity (e.g. 8GB+) USB
memory devices.
The current SOUND/SETUP setting
is not stored correctly when saved
to a USB memory device.
Ensure that the desired SOUND/SETUP setting has rst been stored to internal
memory before being saved to a USB memory device.
60,
61,
95,
MP3/WAV Audio, SMF Page
No sound can be heard when
playing an MP3/WAV audio le
stored on a USB memory device.
Check that the audio player volume is not set to 0. 79
Check that the format of the audio le is supported and listed in the ‘Audio
Player supported format specications’ table.
78
An MP3/WAV audio le stored
on a USB memory device sounds
strange, or does not play back
correctly.
Check that the format of the audio le is supported and listed in the ‘Audio
Player supported format specications’ table.
78
The le transfer speed of the USB memory device may be too slow to play the
audio le. Please try using a dierent USB memory device, ensuring that it
conforms to USB2.0 Hi-Speed standards.
An SMF (Standard MIDI le) sounds
strange when played back or some
parts don’t playback.
The MP11SE loads SMF les into the instrument’s Song Recorder (internal
memory), which only supports one track + drum track. MIDI data that requires
miltiple tracks may therefore not playback correctly.
94
When saving Song Recorder (internal memory) SMF les, the MP11SE includes
additional system exclusive data for selecting sounds.
The SMF le may therefore sound dierent when played back on devices other
than the MP11SE.
The program change messages cannot be loaded into the MP11SE’s Song
Recorder (internal memory).
If an SMF le that does not include the MP11SE’s additional setup information is
loaded in to the Song Recorder (internal memory) the current sound’s setting
will be used. This can be checked by using the ‘Listen’ button before loading
the SMF le.
94
When recording MP3/WAV audio
les, the volume is too low/too high
(distorted).
Adjust the ‘Audio Recorder Gain’ setting in the SYSTEM:Utility menu. 76
117
Appendix
USB MIDI (USB to Host connector)
The MP11SE features a ‘USB to Host’ type connector, allowing the instrument to be connected to a computer using
an inexpensive USB cable and utilised as a MIDI device. Depending on the type of computer and operating system
installed, additional driver software may be required for USB MIDI communication to function correctly.
USB MIDI driver
Operating System USB MIDI Driver Support
Windows ME
Windows XP
(no SP, SP1, SP2, SP3)
Windows XP 64-bit
Windows Vista
(SP1, SP2)
Windows Vista 64-bit (SP1, SP2)
Windows 7 (no SP, SP1)
Windows 7 64-bit
Windows 8 / 8.1
Windows 8 / 8.1 64-bit
Windows 10
Windows 10 64-bit
Additional USB MIDI driver software NOT required.
The standard (built-in) Windows USB MIDI driver will be installed automatically when the
instrument is connected to the computer.
* After driver installation, ensure that the ‘USB Audio Device’ (Windows ME/Windows XP) or ‘USB-MIDI’
(Windows Vista/Windows 7/Windows 8) device is correctly selected in the application software.
Windows 98 se
Windows 2000
Windows Vista
(no SP)
Additional USB MIDI driver software required.
Please download the USB MIDI driver from the Kawai Global website:
http://www.kawai-global.com/support/downloads
* After driver installation, ensure that the ‘KAWAI USB MIDI’ device is correctly selected in the application software.
Windows Vista 64-bit (no SP)
USB MIDI is not supported.
Please upgrade to service pack 1 or service pack 2.
Mac OS X
Additional USB MIDI driver software NOT required.
The standard (built-in) Mac OS X USB MIDI driver will be installed automatically when the
instrument is connected to the computer.
Mac OS 9
USB MIDI is not supported.
Please use the standard MIDI IN/OUT connectors.
USB MIDI information
Disconnecting the USB MIDI cable suddenly, or turning the
instrument on/o while using USB MIDI may cause computer
instability in the following situations:
– while installing the USB MIDI driver
– while starting up the computer
– while MIDI applications are performing tasks
– while the computer is in energy saver mode
If there are any further problems experienced with USB MIDI
communication while the instrument is connected, please
double-check all connections and relevant MIDI settings in
the computer’s operating system.
The instrument’s USB MIDI port and MIDI IN/OUT jacks can be
connected and used simultaneously. To adjust MIDI routing,
please refer to the MIDI parameters in the SYSTEM menu,
explained on page 104.
Ensure that the instrument is turned OFF before attempting
to connect the USB MIDI cable.
When connecting the instrument to a computer using
the USB MIDI port, there may be a short delay before
communications begin.
If the instrument is connected to a computer via a USB hub
and USB MIDI communication becomes unreliable/unstable,
please connect the USB MIDI cable directly to the one of the
computer’s USB ports.
* ‘MIDI’ is a registered trademark of the Association of Manufacturers of Electronic Instruments (AMEI).
* ‘Windows’ is registered trademark of Microsoft Corporation.
* ‘Macintosh’ is registered trademark of Apple Inc.
* Other company names and product names mentioned referenced herein may be registered trademarks or trademarks of respective owners.
118
Appendix
Software Update
This page contains instructions for updating the system software of the MP11SE, when issued by Kawai.
Please read these instructions thoroughly before attempting to perform the software update.
This update will clear any user-created SOUNDs/SETUPs stored in memory.
To retain this data, please use the AllBackup function before updating.
Checking the software version
To check the current software version installed on the MP11SE,
press and hold the STORE button, then turn the instrument ON.
The current software (Program) version will be shown on the
rst line of the LCD display.
If the Program version number is greater than or equal to the
update version, no further action is necessary.
* Turn the instrument OFF and ON to return to normal operation.
If the Program version number is lower than the update version,
please continue to follow the instructions below.
1. Prepare the USB memory device
Extract the software update ZIP le and copy the included .SYS
les to the root folder of a USB memory device.
* USB devices should be formatted to use the ‘FAT’ or ‘FAT32’ lesystems.
2. Connect the USB memory device
While the instrument is turned o:
Connect the prepared USB memory device to the USB port.
3. Start the update
Press and hold buttons 6, 7, and 8 in the SETUP section, then
turn on the instrument.
The update process will start automatically after a few seconds,
and status messages will be shown in the LCD display.
* Do not remove the USB memory device while the software update is in
progress.
4. Finish the update, disconnect the USB memory device
After approximately 60-90 seconds (depending on the number
of update les), a message will be shown in the LCD display,
indicating that the software update has been successful.
Disconnect the USB memory device, then press and hold the
POWER switch to turn the instrument OFF. When the instrument
is turned ON, the updated software will be used automatically.
* If the software update is unsuccessful, restart the process from step 1.
hold
hold
hold
hold
Program
version
119
Appendix
Sound List
PIANO section
Concert Pop Jazz Upright/Mono
1 SK Concert Grand 1 Pop Piano 1 SK Jazz Grand 1 Upright Piano
2 EX Concert Grand 2 EX Studio Grand 2 Jazz Grand 2 Mono SK Grand
3 SK-5 Grand 3 SK-5 StudioGrand 3 Standard Grand 3 Mono EX Grand
E.PIANO section
Tine Reed Modern E. Grand / Clavi
1 Tine EP 1 1 Reed EP 1 1 Modern EP 1 1 Electric Grand
2 Tine EP 2 2 Reed EP 2 2 Modern EP 2 2 Clavi 1
3 Tine EP 3 3 Reed EP 3 3 Modern EP 3 3 Clavi 2
SUB section
Strings Pad Harpsi / Mallet Bass
1 String Ensemble 1 Pad 1 1 Harpsichord 1 Wood Bass
2 Beautiful Str. 2 Pad 2 2 Vibraphone 2 Finger Bass
3 String Pad 3 Pad 3 3 Celesta 3 Fretless Bass
4 Warm Strings 4 Pad 4 4 Marimba 4 Wood Bass & Ride
120
Appendix
Rhythm Pattern List
16 Swing
1 Funk Shue 1
2 Funk Shue 2
3 Hip Hop 1
4 Hip Hop 2
5 Hip Hop 3
6 Hip Hop 4
7 16 Shue 1
8 16 Shue 2
9 16 Shue 3
16 Funk
10 Funky Beat 1
11 Funky Beat 2
12 Funky Beat 3
13 Funk 1
14 Funk 2
15 Funk 3
16 Straight
16 Jazz Funk
17 16 Beat 1
18 16 Beat 2
19 16 Beat 3
20 16 Beat 4
21 Ride Beat 4
22 Rim Beat
23 Roll Beat
24 Light Ride 1
25 Dixie Rock
16 Latin
26 Surdo Samba
27 Latin Groove
28 Light Samba
29 Songo
30 Samba
31 Merenge
16 Dance
32 Funky Beat 4
33 16 Beat 5
34 Disco 1
35 Disco 2
36 Techno 1
37 Techno 2
38 Techno 3
39 Heavy Techno
16 Ballad
40 Ballad 1
41 Ballad 2
42 Ballad 3
43 Ballad 4
44 Ballad 5
45 Light Ride 2
46 Electro Pop 1
47 Electro Pop 2
48 16 Shue 4
8 Ballad
49 Slow Jam
50 50’s Triplet
51 R&B Triplet
8 Straight
52 8 Beat 1
53 8 Beat 2
54 Smooth Beat
55 Pop 1
56 Pop 2
57 Ride Beat 1
58 Ride Beat 2
59 Ride Beat 3
60 Slip Beat
8 Rock
61 Jazz Rock
62 8 Beat 3
63 Rock Beat 1
64 Rock Beat 2
65 Rock Beat 3
66 Rock Beat 4
67 Blues/Rock
68 Heavy Beat
69 Hard Rock
70 Surf Rock
71 R&B
8 Swing
72 Motown 1
73 Fast Shue
74 Motown 2
75 Country 2 Beat
Triplet
76 Triplet Rock 1
77 Triplet Rock 2
78 Bembe
79 Rock Shue 1
80 Rock Shue 2
81 Boogie
82 Triplet 1
83 Triplet 2
84 Reggae
85 Gospel Ballad
86 Waltz
Jazz
87 H.H. Swing
88 Ride Swing
89 Fast 4 Beat
90 Afro Cuban
91 Jazz Waltz 1
92 Jazz Waltz 2
93 5/4 Swing
8 Latin
94 H.H. Bossa
95 Ride Bossa
96 Beguine
97 Mambo
98 Cha Cha
99 Tango
100 Habanera
121
Appendix
EFX Categories, Types, & Parameters
1. Chorus
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Stereo DryWet Speed Depth PreDly Phase LowEQ HighEQ - - -
Classic Spread Inten. LowEQ HighEQ - - - - - -
2-Band DryWet Balanc LwrSpd Lower UprSpd UprDpt PreDly SplitF - -
3-Phase DryWet Speed Depth PreDly - - - - - -
Wide DryWet Speed Depth PreDly - - - - - -
Envelope Depth Speed Sens. PreDly Phase - - - - -
Triangle DryWet Speed Depth PreDly Phase - - - - -
Sine DryWet Speed Depth PreDly - - - - - -
2. Flanger
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Stereo DryWet Speed Depth F.Back PreDly Phase LowEQ HighEQ - -
2-Band DryWet Balanc LwrSpd Lower UprSpd UprDpt F.Back PreDly SplitF -
Touch DryWet Sens. F.Back PreDly LowEQ HighEQ - - - -
Sine DryWet Speed Depth F.Back PreDly - - - - -
Triangle DryWet Speed Depth F.Back PreDly Phase - - - -
3. Phaser
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Warm DryWet Speed Depth Reso. LowEQ HighEQ - - - -
Classic DryWet Speed Depth Reso. Manual LowEQ HighEQ - - -
8-Stage DryWet Speed Depth Reso. Manual - - - - -
2-Band DryWet Balanc LwrSpd Lower LwrMnu UprSpd UprDpt UprMnu SplitF -
Touch DryWet Sens. Reso. Manual LowEQ HighEQ - - - -
St.2-Stage DryWet Speed Depth Manual Phase - - - - -
4. Wah
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
ClassicTch DryWet Sens. Reso. Manual LowEQ HighEQ - - - -
ClassicLfo DryWet Speed Depth Reso. Manual LowEQ HighEQ - - -
ClassicPdl DryWet Sens. Reso. Manual LowEQ HighEQ - - - -
LpfTch DryWet Sens. Manual - - - - - - -
LpfLfo DryWet Speed Depth Manual - - - - - -
LpfPdl DryWet Sens. Manual - - - - - - -
5. Tremolo
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Classic Depth Speed LowEQ HighEQ - - - - - -
2-Band Depth Balanc LwrSpd UprSpd SplitF - - - - -
VibratoTrm Depth Speed Vib. LowEQ HighEQ - - - - -
Sine Depth Speed - - - - - - - -
Square Depth Speed - - - - - - - -
Saw Depth Speed - - - - - - - -
122
Appendix
EFX Categories, Types, & Parameters
6. Auto Pan
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Classic Depth Speed LowEQ HighEQ - - - - - -
2-Band Depth Balanc LwrSpd UprSpd SplitF - - - - -
Envelope Depth Speed Sens. - - - - - - -
Standard Depth Speed - - - - - - - -
7. Delay / Reverb
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Standard DryWet Time F.Back H.Damp - - - - - -
PingPong DryWet Time F.Back H.Damp - - - - - -
LCR DryWet Time F.Back H.Damp - - - - - -
3-Tap DryWet C.Time C.Gain F.Back H.Damp L.Time L.Gain R.Time RightG -
Classic DryWet Time F.Back - - - - - - -
Short DryWet Time F.Back - - - - - - -
Ambience DryWet Size H.Damp LowEQ HighEQ - - - - -
EarlyRef DryWet Size PreDly LPF LowEQ HighEQ - - - -
8. Pitch Shift
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Detune DryWet Fine - - - - - - - -
FeedBack DryWet Fine Coarse Delay F.Back H.Damp - - - -
Standard DryWet Fine Coarse - - - - - - -
9. Compressor
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
2-Band Gain Balanc LRatio LThrsh LwrAtk Releas URatio UThrsh UprAtk SplitF
Standard Gain Ratio Trshld Attack Releas - - - - -
10. Overdrive
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Stereo DryWet Drive Gain LowEQ HighEQ - - - - -
Classic DryWet Drive Gain - - - - - - -
Distortion DryWet Drive Gain - - - - - - -
11. EQ / Filter
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
4-BandEQ Gain Low Mid1 Mid1Q Mid1F High Mid2 Mid2Q Mid2F -
7-BandEQ Gain 100Hz 200Hz 400Hz 800Hz 1.6kHz 3.2kHz 6.4kHz - -
Standerd Gain Low Mid High Mid F - - - - -
Enhancer DryWet Depth - - - - - - - -
10-PoleFlt DryWet Freq. Sens. Gain LpfHpf - - - - -
123
Appendix
EFX Categories, Types, & Parameters
12. Rotary
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Classic Slow/Fast LwrFastSpd LwrSlowSpd LwrAcc.Spd Rot:Spread UprFastSpd UprSlowSpd UprAcc.Spd - -
Warm Slow/Fast LwrFastSpd LwrSlowSpd LwrAcc.Spd Rot:Spread UprFastSpd UprSlowSpd UprAcc.Spd - -
Dirty Slow/Fast Rot:Depth Rot:AccSpd Rot:Spread FastSpeed SlowSpeed Rot:LowEQ Rot:HighEQ Rot:Drive Rot:Gain
+Vib/Cho Slow/Fast Rot:Depth FastSpeed SlowSpeed Rot:AccSpd Rot:Spread Rot:VibCho Rot:Mode - -
Single Slow/Fast Rot:Depth FastSpeed SlowSpeed Rot:AccSpd Rot:Spread - - - -
13. Groove
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
S/H Flg Grv:DryWet Grv:Speed Grv:Depth Grv:F.Back Grv:Manual Grv:Attack Grv:PanDpt - - -
S/H Pha Grv:DryWet Grv:Speed Grv:Depth Grv:F.Back Grv:Manual Grv:Attack Grv:PanDpt - - -
S/H Wah Grv:DryWet Grv:Speed Grv:Depth Grv:F.Back Grv:Manual Grv:Attack Grv:PanDpt - - -
S/H Pan Grv:DryWet Grv:Speed Grv:Pan Grv:Attack - - - - - -
14. Misc
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
RingMod Mod:DryWet Mod:Freq. Mod:LowEQ Mod:HighEQ - - - - - -
Lo-Fi Mod:DryWet Mod:ModSpd Mod:ModDpt Mod:S.Rate Mod:Reso. Mod:Filter - - - -
15. Chorus+
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Flanger Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Flg:DryWet Flg:Speed Flg:Depth Flg:F.Back Flg:PreDly
Phaser Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase
Wah Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Wah:DryWet Wah:Sens. Wah:Manual - -
Tremolo Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Trm:Depth Trm:Speed - - -
AutoPan Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Pan:Depth Pan:Speed - - -
Delay Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Dly:DryWet Dly:Time Dly:F.Back - -
16. Phaser+
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Chorus Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase
Flanger Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase Flg:DryWet Flg:Speed Flg:Depth Flg:F.Back Flg:PreDly
Wah Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase Wah:DryWet Wah:Sens. Wah:Manual - -
Tremolo Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase Trm:Depth Trm:Speed - - -
AutoPan Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase Pan:Depth Pan:Speed - - -
Delay Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase Dly:DryWet Dly:Time Dly:F.Back - -
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EFX Categories, Types, & Parameters
17. Wah+
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Chorus Wah:DryWet Wah:Sens. Wah:Manual Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase - -
Flanger Wah:DryWet Wah:Sens. Wah:Manual Flg:DryWet Flg:Speed Flg:Depth Flg:F.Back Flg:PreDly - -
Phaser Wah:DryWet Wah:Sens. Wah:Manual Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase - -
Tremolo Wah:DryWet Wah:Sens. Wah:Manual Trm:Depth Trm:Speed - - - - -
AutoPan Wah:DryWet Wah:Sens. Wah:Manual Pan:Depth Pan:Speed - - - - -
Delay Wah:DryWet Wah:Sens. Wah:Manual Dly:DryWet Dly:Time Dly:F.Back - - - -
18. EQ+
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Chorus EQ :Gain EQ :Low EQ :Mid EQ :High EQ :Mid F Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase
Flanger EQ :Gain EQ :Low EQ :Mid EQ :High EQ :Mid F Flg:DryWet Flg:Speed Flg:Depth Flg:F.Back Flg:PreDly
Phaser EQ :Gain EQ :Low EQ :Mid EQ :High EQ :Mid F Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase
Wah EQ :Gain EQ :Low EQ :Mid EQ :High EQ :Mid F Wah:DryWet Wah:Sens. Wah:Manual - -
Tremolo EQ :Gain EQ :Low EQ :Mid EQ :High EQ :Mid F Trm:Depth Trm:Speed - - -
AutoPan EQ :Gain EQ :Low EQ :Mid EQ :High EQ :Mid F Pan:Depth Pan:Speed - - -
Delay EQ :Gain EQ :Low EQ :Mid EQ :High EQ :Mid F Dly:DryWet Dly:Time Dly:F.Back - -
Compressor EQ :Gain EQ :Low EQ :Mid EQ :High EQ :Mid F Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas
19. Enhancer+
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Chorus Enh:DryWet Enh:Depth Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase - - -
Flanger Enh:DryWet Enh:Depth Flg:DryWet Flg:Speed Flg:Depth Flg:F.Back Flg:PreDly - - -
Phaser Enh:DryWet Enh:Depth Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase - - -
Wah Enh:DryWet Enh:Depth Wah:DryWet Wah:Sens. Wah:Manual - - - - -
Tremolo Enh:DryWet Enh:Depth Trm:Depth Trm:Speed - - - - - -
AutoPan Enh:DryWet Enh:Depth Pan:Depth Pan:Speed - - - - - -
Delay Enh:DryWet Enh:Depth Dly:DryWet Dly:Time Dly:F.Back - - - - -
Compressor Enh:DryWet Enh:Depth Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas - - -
20. Pitch Shift+
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Flanger Psh:DryWet Psh:Fine Psh:Coarse Flg:DryWet Flg:Speed Flg:Depth Flg:F.Back Flg:PreDly - -
Phaser Psh:DryWet Psh:Fine Psh:Coarse Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase - -
Wah Psh:DryWet Psh:Fine Psh:Coarse Wah:DryWet Wah:Sens. Wah:Manual - - - -
Tremolo Psh:DryWet Psh:Fine Psh:Coarse Trm:Depth Trm:Speed - - - - -
AutoPan Psh:DryWet Psh:Fine Psh:Coarse Pan:Depth Pan:Speed - - - - -
Delay Psh:DryWet Psh:Fine Psh:Coarse Dly:DryWet Dly:Time Dly:F.Back - - - -
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EFX Categories, Types, & Parameters
21. Compressor+
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Chorus Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase
Flanger Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas Flg:DryWet Flg:Speed Flg:Depth Flg:F.Back Flg:PreDly
Phaser Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase
Wah Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas Wah:DryWet Wah:Sens. Wah:Manual - -
Tremolo Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas Trm:Depth Trm:Speed - - -
AutoPan Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas Pan:Depth Pan:Speed - - -
Delay Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas Dly:DryWet Dly:Time Dly:F.Back - -
OverDrive Cmp:Gain Cmp:Ratio Cmp:Thresh Cmp:Attack Cmp:Releas Ovd:DryWet Ovd:Drive Ovd:Gain - -
22. Overdrive+
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Chorus Ovd:DryWet Ovd:Drive Ovd:Gain Cho:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase - -
Flanger Ovd:DryWet Ovd:Drive Ovd:Gain Flg:DryWet Flg:Speed Flg:Depth Flg:F.Back Flg:PreDly - -
Phaser Ovd:DryWet Ovd:Drive Ovd:Gain Pha:DryWet Pha:Speed Pha:Depth Pha:Manual Pha:Phase - -
Wah Ovd:DryWet Ovd:Drive Ovd:Gain Wah:DryWet Wah:Sens. Wah:Manual - - - -
Tremolo Ovd:DryWet Ovd:Drive Ovd:Gain Trm:Depth Trm:Speed - - - - -
AutoPan Ovd:DryWet Ovd:Drive Ovd:Gain Pan:Depth Pan:Speed - - - - -
Delay Ovd:DryWet Ovd:Drive Ovd:Gain Dly:DryWet Dly:Time Dly:F.Back - - - -
EQ Ovd:DryWet Ovd:Drive Ovd:Gain EQ :Gain EQ :Low EQ :Mid EQ :High EQ :MidFrq - -
23. Parallel
Variation Parameter 1 Parameter 2 Parameter 3 Parameter 4 Parameter 5 Parameter 6 Parameter 7 Parameter 8 Parameter 9 Parameter 10
Cho || Flg Cho:DryWet Flg:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Flg:Speed Flg:Depth Flg:F.Back Flg:PreDly
Cho || Pha Cho:DryWet Pha:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Pha:Speed Pha:Depth Pha:Manual Pha:Phase
Cho || Wah Cho:DryWet Wah:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Wah:Sens. Wah:Manual - -
Cho || Trm Cho:DryWet Trm:Depth Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Trm:Speed - - -
Cho || Pan Cho:DryWet Pan:Depth Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Pan:Speed - - -
Cho || Dly Cho:DryWet Dly:DryWet Cho:Speed Cho:Depth Cho:PreDly Cho:Phase Dly:Time Dly:F.Back - -
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Kawai MP11SE Stage Piano
Keyboard 88 wooden keys with Ivory Touch key surfaces
Grand Feel (GF) action with Let-o
Sound Source Harmonic Imaging™ XL (HI-XL), 88-key piano sampling
No. of Sounds 40 voices (PIANO x 12, E.PIANO x 12, SUB x 16)
Polyphony max. 256 notes
Keyboard Modes Full Keyboard, Upper Split, Lower Split, Zone (adjustable split point/zone range)
Sections Internal: PIANO, E.PIANO, SUB
External: MIDI (ZONE1, ZONE2, ZONE3, ZONE4)
Reverb Types: 6 types (Room, Lounge, Small Hall, Concert Hall, Live Hall, Cathedral)
Parameters: PreDelay, Reverb Time, Reverb Depth
Eects Types: 129 types (23 categories)
Parameters: Up to 10 parameters, depending on eect type
Amp Simulator
e.piano only
Types: 5 types (S. Case, M. Stack, J. Combo, F. Bass, L. Cabi)
Parameters: Drive, Level, Amp EQ Lo, Amp EQ Mid, Amp EQ Hi, Mid Frequency,
Mic Type, Mic Position, Ambience
Virtual Technician Touch Curve: 6 types (Light+, Light, Normal, Heavy, Heavy+, O ), User1~5
Parameters:
piano: Voicing, String Resonance, Undamped Resonance, Damper Resonance, Key-o Eect,
Damper Noise, Hammer Delay, Fall-back Noise, Topboard, Stereo Width, Brilliance
e.piano/sub: Key-o Noise, Key-o Delay
Temperament
& Tuning:
7 types (Equal, Pure Major/Minor, Pythagorean, Meantone, Werkmeister, Kirnberger), User1~2
Fine Tune, Stretch Tuning, Key of Temperament
EQ 4-band equalizer (Low Gain, Mid1 Gain, Mid1 Q, Mid1 Freq., Mid2 Gain, Mid2 Q, Mid2 Freq., High Gain)
Recorder Internal: 10 songs – approximately 90,000 note memory capacity
Transpose song, Convert song to Audio, Load SMF, Save SMF
Audio: Play MP3/WAV, Save MP3/WAV, Overdub, Recorder Gain
Metronome Click: 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, 12/8
Rhythm: 100 drum patterns
Internal Memories SOUND: 40 memories
SETUP: 208 memories (8 memories x 26 banks)
POWERON: 1 memory
USB Functions Load/Save: One Sound, One Setup, SMF, All Sound, All Setup, All Backup
Others: Delete, Rename, Format
EDIT Menu Sound Sections: 107 parameters (Reverb, EFX/AMP, Sound, Tuning, Key Setup, Controllers, Knob Assign, Virtual Tech.)
MIDI Zones: 55 parameters (Channel/Program, SETUP, Transmit, MMC, Key Setup, Controllers, Knob Assign)
SYSTEM Menu 52 parameters and functions (Utility, Pedal, MIDI, Oset, User Edit, Reset)
Display 128 x 64 pixel LCD with backlight
Panel Controls Volume, Line In, PIANO Volume, E.PIANO Volume, SUB Volume, Control Knobs A~D (assignable), Pitch Bend, Modulation
Jacks Output: 1/4” LINE OUT (L/MONO, R), XLR OUT (L, R) with ground lift switch, Headphones
Input: 1/4” LINE IN
MIDI & USB: MIDI IN, MIDI OUT, MIDI THRU, USB to Host, USB to Device
Foot Control: DAMPER/SOSTENUTO/SOFT (GFP-3), FSW, EXP with EXP TYPE switch
Power: AC IN
Power Consumption 20 W
Dimensions 1380 (W) x 452 (D) x 190 (H) mm / 54 ⁄” (W) x 18” (D) x 7 ½” (H)
Weight 34.0 kg / 75 lbs.
Included Accessories GFP-3 triple pedal unit (with half-damper support), Music rest, Power cable, Owner’s manual
Specications are subject to change without notice.
Specications
127
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MIDI Implementation
Contents
1. Recognised data
1.1 Channel Voice Message
1.2 Channel Mode Message
1.3 System Realtime Message
2. Transmitted data
2.1 Channel Voice Message
2.2 Channel Mode Message
2.3 System Realtime Message
3. Exclusive data
3.1 MMC Commands
3.2 Parameter Send
3.3 Setup Parameters: Global Section
3.4 Setup Parameters: EDIT Menu
3.5 Setup Parameters: SYSTEM Menu
3.6 Assignable Knob Parameters
4. SOUND/SETUP Program/Bank
5. Control Change Number (CC#) Table
MIDI Implementation Chart
Version 1.0 (June 2017)
128
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MIDI Implementation
1
Recognised Data
1.1 Channel Voice Message
Note o
Status 2nd Byte 3rd Byte
8nH kkH vvH
9nH kkH 00H
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
kk=Note Number :00H - 7fH(0 ~ 127)
vv=Velocity :00H - 7fH(0 ~ 127)
Note on
Status 2nd Byte 3rd Byte
9nH kkH vvH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
kk=Note Number :00H - 7fH(0 ~ 127)
vv=Velocity :00H - 7fH(0 ~ 127)
Control Change Bank Select (MSB)
Status 2nd Byte 3rd Byte
BnH 00H mmH
BnH 20H llH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
mm = Bank Number MSB :00H-7fH (0 ~ 127)
ll = BankNumber LSB :00H-7fH (0 ~ 127)
Modulation
Status 2nd Byte 3rd Byte
BnH 01H vvH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
vv = Modulation depth :00H - 7fH(0 ~ 127) Default = 00H
Data Entry
Status 2nd Byte 3rd Byte
BnH 06H mmH
BnH 26H llH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
mm,ll= Value indicated in RPN/NRPN :00H - 7fH(0 ~ 127)
*see RPN/NRPN chapter
Volume
Status 2nd Byte 3rd Byte
BnH 07H vvH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
vv=Volume :00H - 7fH(0 ~ 127) Default = 7fH
Panpot
Status 2nd Byte 3rd Byte
BnH 0aH vvH
n=MIDI channel number :0H-fH(ch.1 - ch.16)
vv=Panpot :00H - 40H - 7fH(left ~centre~right) Default = 40H(centre)
129
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MIDI Implementation
1.1 Channel Voice Message (cont.)
Expression
Status 2nd Byte 3rd Byte
BnH 0bH vvH
n=MIDI channel number :0H-fH(ch.1 - ch.16)
vv=Expression :00H - 7fH(0 - 127) Default = 7fH
Damper Pedal
Status 2nd Byte 3rd Byte
BnH 40H vvH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
vv=Control Value :00H - 7fH(0 ~ 127) Default = 00H
0 - 63=OFF, 64 - 127=ON
Sostenuto Pedal
Status 2nd Byte 3rd Byte
BnH 42H vvH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
vv=Control Value :00H - 7fH(0 ~ 127) Default = 00H
0 - 63 =OFF, 64 - 127=ON
Soft Pedal
Status 2nd Byte 3rd Byte
BnH 43H vvH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
vv=Control Value :00H - 7fH(0 ~ 127) Default = 00H
0 - 63 =OFF, 64 - 127=ON
Sound controllers #1-9
Status 2nd Byte 3rd Byte
BnH 46H vvH Sustain Level
BnH 47H vvH Resonance
BnH 48H vvH Release time
BnH 49H vvH Attack time
BnH 4aH vvH Cuto
BnH 4bH vvH Decay time
BnH 4cH vvH Vibrato Rate
BnH 4dH vvH Vibrato Depth
BnH 4eH vvH Vibrato Delay
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
vv=Control Value :00H - 7fH(-64 ~ 0 ~ +63) Default = 40H
Eect Control
Status 2nd Byte 3rd Byte
BnH 5bH vvH Reverb depth
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
vv = Control Value :00H - 7fH(0 ~ 127)
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1.1 Channel Voice Message (cont.)
RPN MSB/LSB
Status 2nd Byte 3rd Byte
BnH 63H mmH
BnH 62H llH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
mm=MSB of the NRPN parameter number
ll=LSB of the NRPN parameter number
NRPN numbers implemented in MP11SE are as follows
NRPN # Data
MSB LSB MSB Function & Range
01H 08H mmH Vibrato Rate mm :00H - 7FH(-64 ~ 0 ~ +63) Default = 40H
01H 09H mmH Vibrato Depth mm :00H - 7FH(-64 ~ 0 ~ +63) Default = 40H
01H 0aH mmH Vibrato Delay mm :00H - 7FH(-64 ~ 0 ~ +63) Default = 40H
01H 20H mmH Cuto mm :00H - 7FH(-64 ~ 0 ~ +63) Default = 40H
01H 21H mmH Resonance mm :00H - 7FH(-64 ~ 0 ~ +63) Default = 40H
01H 63H mmH Attack time mm :00H - 7FH(-64 ~ 0 ~ +63) Default = 40H
01H 64H mmH Decay time mm :00H - 7FH(-64 ~ 0 ~ +63) Default = 40H
01H 66H mmH Release time mm :00H - 7FH(-64 ~ 0 ~ +63) Default = 40H
* Ignoring the LSB of data Entry
* It is not aected in case of modifying cuto if tone does not use the DCF.
RPN MSB/LSB
Status 2nd Byte 3rd Byte
BnH 65H mmH
BnH 64H llH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
mm=MSB of the RPN parameter number
ll=LSB of the RPN parameter number
RPN number implemented in MP11SE are the followings
RPN # Data
MSB LSB MSB LSB Function & Range
00H 00H mmH llH Pitch bend sensitivity
mm :00H-0cH (0~12 [half tone]),ll:00H Default=02H
00H 01H mmH llH Master ne tuning
mm,ll :20 00H - 40 00H - 60 00H (-8192x50/8192 ~ 0 ~ +8192x50/8192 [cent])
7fH 7fH -- -- RPN NULL
Program Change
Status 2nd Byte
CnH ppH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
pp=Program number :00H - 7fH(0 ~- 127) Default = 00H
Pitch Bend Change
Status 2nd Byte 3rd Byte
EnH llH mmH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
mm,ll=Pitch bend value :00 00-7f 7fH(-8192~0~+8192) Default = 40 00H
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1.2 Channel Mode Message
All Sound OFF
Status 2nd Byte 3rd Byte
BnH 78H 00H
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
Reset All Controller
Status 2nd Byte 3rd Byte
BnH 79H 00H
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
All Note O
Status 2nd Byte 3rd Byte
BnH 7bH 00H
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
1.3 System Realtime Message
Status
FEH Active sensing
132
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2
Transmitted Data
2.1 Channel Voice Message
Note o
Status 2nd Byte 3rd Byte
8nH kkH vvH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
kk=Note Number :00H - 7fH(0 ~ 127)
vv=Velocity :00H - 7fH(0 ~ 127)
Note on
Status 2nd Byte 3rd Byte
9nH kkH vvH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
kk=Note Number :00H - 7fH(0 ~ 127)
vv=Velocity :00H - 7fH(0 ~ 127)
Control Change
Status 2nd Byte 3rd Byte
BnH ccH vvH
* Sending by Assignable Control Knobs
Program Change
Status 2nd Byte
CnH ppH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
pp=Program number :00H - 7fH(0 ~- 127) Default = 00H
After Touch
Status 2nd Byte
DnH ppH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
pp=Value
*Sending only when Controller or Knob=AfterTouch
Pitch Bend Change
Status 2nd Byte 3rd Byte
EnH llH mmH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
mm,ll=Pitch bend value :00 00-7f 7fH(-8192~0~+8192) Default = 40 00H
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2.2 Channel Mode Message
Reset All Controller
Status 2nd Byte 3rd Byte
BnH 79H 00H
n = MIDI channel number :0H-fH(ch.1 ~ ch.16)
*Sending by [PANIC] function
All Note O
Status 2nd Byte 3rd Byte
BnH 7bH 00H
n = MIDI channel number :0H-fH(ch.1 ~ ch.16)
*Sending by [PANIC] function
MONO
Status 2nd Byte 3rd Byte
BnH 7eH mmH
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
mm=mono number :01H(M=1)
POLY
Status 2nd Byte 3rd Byte
BnH 7fH 00H
n=MIDI channel number :0H-fH(ch.1 ~ ch.16)
2.3 System Realtime Message
Status
FAH Start
FBH Continue
FCH Stop
*Sending by [RECORDER CONTROL] buttons
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MIDI Implementation
3
Exclusive Data
3.1 MMC Commands
No. Description Value Notes
1 Exclusive F0H
2 Universal Real Time 7FH
3 Device ID 0-7FH
4 MMC command 06H
5 Command Number 01-0DH * see table right
6 EOX F7H
* Sending by [RECORDER CONTROL] buttons
* Transmit only
MMC Commands
01 STOP 08 RECORD PAUSE
02 PLAY 09 PAUSE
03 DEFERRED PLAY 0A EJECT
04 FAST FORWARD 0B CHASE
05 REWIND 0C COMMAND ERROR RESET
06 RECORD STROBE 0D MMC RESET
07 RECORD EXIT
3.2 Parameter Send
No. Description Value Notes
1 Exclusive F0H
2 KAWAI ID 40H
3 Channel Number 0-0FH, 7FH System Channel = 0-FH, Global = 7FH
4 Function Number 10H Parameter Send
5 Group Number 00H MI Group ID
6 Machine Number 14H Machine ID
7 data1 50-5FH Command ID
8 data2 0-7FH Sub Command ID
9 data3 0-7FH Part number (System = 7FH)
10 data4~ 0-7FH data max 18byte
EOX F7H
Part number :
MP11SE *pp=0 0 ~06
00H INT1 (PIANO)
01H INT2 (E.PIANO)
02H INT3 (SUB)
03H EX T1 (ZONE1)
04H EXT2 (ZONE2)
05H EXT3 (ZONE3)
06H EXT4 (ZONE4)
07H -reserved-
08H INT-COMMON
09H MIDI-COMMON
7FH SYSTEM/COMMON
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3.3 Setup Parameters: Global Section
Category Parameter Com. Sub. Part Byte Value (HEX)
SETUP Setup Mode On/O 51 04 7F 1 00, 01 (O, On)
SETUP Bank/Variation 51 05 7F 2 Bank=00~19 (A~Z) /Vari.=00~07 (1~8)
GLOBAL Global EQ Switch 51 10 7F 1 00, 01 (O, On)
Global EQ Low Gain 51 11 7F 1 36~40~4A (-10 ~ +0 ~ +10dB)
Global EQ High Gain 51 12 7F 1 36~40~4A (-10 ~ +0 ~ +10dB)
Global EQ Mid1 Gain 51 13 7F 1 36~40~4A (-10 ~ +0 ~ +10dB)
Global EQ Mid2 Gain 51 14 7F 1 36~40~4A (-10 ~ +0 ~ +10dB)
Global EQ Mid1 Q 51 17 7F 1 00~06 (0.5~4.0)
Global EQ Mid2 Q 51 18 7F 1 00~06 (0.5~4.0)
Global EQ Mid1 Frequency 51 15 7F 1 00~7F (200~3150Hz)
Global EQ Mid2 Frequency 51 16 7F 1 00~7F (200~3150Hz)
Transpose Switch 53 01 7F 1 00, 01 (O, On)
Transpose Value 53 02 7F 1 28~40~58 (-24~0~+24)
LocalO 58 01 7F 1 00, 01 (LocalO, LocalOn)
Metornome Mode 56 0A 7F 1 00, 01 (Click, Rhythm)
Metronome Beat 56 02 7F 2 01~16 (Beat) /01, 02, 03, 04 (Measure: 1/2, 1/4, 1/8, 1/16)
Metornome Volume 56 03 7F 1 00~7F (0~127)
Metronome Tempo 56 01 7F 2 TempoMSB/TempoLSB=00/1E~02/2C (30~300)
Rhythm Category 56 09 7F 1 Rhythm Pattern=00~63(1~100)
Rhythm Variation 56 09 7F 1 Rhythm Pattern=00~63(1~100)
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MIDI Implementation
3.4 Setup Parameters: EDIT Menu
Category Parameter Com. Sub. Part Byte Value (HEX)
Buttons Part Switch 55 06 pp 1 00, 01 (O, On)
Volume Fader 55 01 pp 1 00~7F
Tone Number 55 00 pp 3
msb/lsb/prog
(*GM mode Program Change)
1.REVERB REVERB Switch 55 07 pp 1 00, 01 (O, On)
Reverb Type 55 08 7F 1
00~05 (Room, Lounge, Small Hall, Concert Hall, LiveHall,
Catedral)
Reverb Pre Delay 55 0A 7F 1 00~7F
Reverb Time 55 09 7F 1 00~7F
REVERB DEPTH 55 03 pp 1 00~7F
2.EFX/AMP EFX Switch 55 05 pp 1 00, 01 (O, On)
EFX Category 55 11 pp 2 Category=00~16/Type=depend on Category
EFX Type 55 11 pp 2 Category=00~16/Type=depend on Category
EFX Parameter 1 55 12 pp 1 0~7F (depend on EFX Type)
EFX Parameter 2 55 13 pp 1 0~7F (depend on EFX Type)
EFX Parameter 3 55 14 pp 1 0~7F (depend on EFX Type)
EFX Parameter 4 55 15 pp 1 0~7F (depend on EFX Type)
EFX Parameter 5 55 16 pp 1 0~7F (depend on EFX Type)
EFX Parameter 6 55 17 pp 1 0~7F (depend on EFX Type)
EFX Parameter 7 55 18 pp 1 0~7F (depend on EFX Type)
EFX Parameter 8 55 19 pp 1 0~7F (depend on EFX Type)
EFX Parameter 9 55 1A pp 1 0~7F (depend on EFX Type)
EFX Parameter 10 55 1B pp 1 0~7F (depend on EFX Type)
EFX2 Switch 55 20 pp 1 0, 1 (O, On)
EFX2 Category 55 21 pp 1 Category=00~16/Type=depend on Category
EFX2 Type 55 21 pp 1 Category=00~16/Type=depend on Category
EFX2 Parameter 1 55 22 pp 1 0~7F (depend on EFX Type)
EFX2 Parameter 2 55 23 pp 1 0~7F (depend on EFX Type)
EFX2 Parameter 3 55 24 pp 1 0~7F (depend on EFX Type)
EFX2 Parameter 4 55 25 pp 1 0~7F (depend on EFX Type)
EFX2 Parameter 5 55 26 pp 1 0~7F (depend on EFX Type)
EFX2 Parameter 6 55 27 pp 1 0~7F (depend on EFX Type)
EFX2 Parameter 7 55 28 pp 1 0~7F (depend on EFX Type)
EFX2 Parameter 8 55 29 pp 1 0~7F (depend on EFX Type)
EFX2 Parameter 9 55 2A pp 1 0~7F (depend on EFX Type)
EFX2 Parameter 10 55 2B pp 1 0~7F (depend on EFX Type)
AMP Simulator Switch 55 30 pp 1 0, 1 (O, On)
AMP Simulator Type 55 31 pp 2
Type=0~4 (S.Case, M.Stack, J.Combo, F.Bass, L.Cabi) /
Vari.=0 (ignote)
AMP Simulator Drive 55 32 pp 1 0~7F
AMP Simulator Level 55 33 pp 1 0~7F
AMP Simulator EQ Low 55 34 pp 1 00~0A~14 (-10 ~ +0 ~ +10dB)
AMP Simulator EQ Mid 55 36 pp 1 00~0A~14 (-10 ~ +0 ~ +10dB)
AMP Simulator EQ Mid Freq. 55 37 pp 1 0~7F (200~3150Hz)
AMP Simulator EQ High 55 35 pp 1 00~0A~14 (-10 ~ +0 ~ +10dB)
AMP Simulator Mic Type 55 38 pp 1 00, 01 (Condenser, Dynamic)
AMP Simulator Mic Position 55 39 pp 1 00, 01 (OnAxis, OAxis)
AMP Simulator Ambiance Level 55 3A pp 1 0~7F
137
Appendix
MIDI Implementation
Category Parameter Com. Sub. Part Byte Value (HEX)
3.Sound Master Volume 55 01 7F 1 0~7F
Panpot 55 02 pp 1 0~40~7F (L64~0~R63)
Cuto 55 40 pp 1 0~40~7F (-64~0~+63)
Resonance 55 41 pp 1 0~40~7F (-64~0~+63)
DCA Attack Time 55 42 pp 1 0~40~7F (-64~0~+63)
DCA Decay Time 55 43 pp 1 0~40~7F (-64~0~+63)
DCA Sustain Level 55 44 pp 1 0~40~7F (-64~0~+63)
DCA Release Time 55 45 pp 1 0~40~7F (-64~0~+63)
DCF Attack Time 55 46 pp 1 0~40~7F (-64~0~+63)
DCF Attack Level 55 5B pp 1 0~40~7F (-64~0~+63)
DCF Decay Time 55 47 pp 1 0~40~7F (-64~0~+63)
DCF Sustain Level 55 48 pp 1 0~40~7F (-64~0~+63)
DCF Release Time 55 49 pp 1 0~40~7F (-64~0~+63)
DCF Touch Depth 55 4A pp 1 0~40~7F (-64~0~+63)
DCA Touch Depth 55 4B pp 1 0~40~7F (-64~0~+63)
Vibrato Depth 55 4C pp 1 0~40~7F (-64~0~+63)
Vibrato Rate 55 4D pp 1 0~40~7F (-64~0~+63)
Vibrato Delay 55 4E pp 1 0~40~7F (-64~0~+63)
Octave Layer On/O 55 54 pp 1 00, 01 (O, On)
Octave Layer Level 55 55 pp 1 0~7F
Octave Layer Range 55 56 pp 1 3D~40~43 (-3 ~ +0 ~ +3)
Octave Layer Detune 55 57 pp 1 0~40~7F (-64~0~+63)
Layer Sound:Vocal 50 58 pp 1 0, 1~7F (0, 1~127)
Layer Sound:Bell 50 59 pp 1 0, 1~7F (0, 1~127)
Layer Sound:Air 50 5A pp 1 0, 1~7F (0, 1~127)
4.Tuning Fine Tune 50 22 pp 1 0~40~7F (-64~0~+63)
Stretch Tuning 50 0B pp 1
00~08, 40~44 (O, Narrow2, Narrow1, Normal, Wide1,
Wide2~5, Sys.User1~5)
Temperament
50 0D pp 2
Type=00~06, 40~41 (Equal, PureMaj~min, Pytagor,
Meantone, Werkmeis, Kirnberg, Sys.User1~2) /Key=00~0B
(C~B)
Temperament Key
5.KeySetup Touch Curve 50 00 pp 1
00~0A (Light, Normal, Heavy, O, Light+, Heavy+,
Sys.User1~5)
Dynamics 53 05 pp 1 00, 01~0A (O, 1~10)
Minimum Touch 50 0A pp 1 01~20 (1~20)
Transmit 58 09 pp 2 Mode=00 (Keynoard&Panel) /Value=00, 01 (O, On)
Octave Shift 53 03 pp 1 3D~40~43 (-3~0~+3)
Zone Transpose 53 02 pp 1 34~40~4C (-12~0~+12)
KS-Damping 53 0B pp 1 00, 01 (O, On)
KS-Key 53 0C pp 1 15~6C (A0~C8)
Key Range Mode 53 07 pp 1 00~03 (O, Lower, Upper, Zone)
Split Point 53 06 pp 1 15~6C (A0~C8)
Key Range - Zone Low
53 08 pp 2 Low=00~7F (A0~C8) /High=00~7F (A0~C8)
Key Range - Zone High
Solo On/O 55 4F pp 1 00, 01 (O, On)
Solo Mode 55 50 pp 1 00~02 (Last, High, Low)
Key Volume 50 0F pp 1
00~04, 40~44 (O, HighDamping, LowDamping,
High&LowDamping, CenterDamping, Sys.User1~5)
3.4 Setup Parameters: EDIT Menu (cont.)
138
Appendix
MIDI Implementation
Category Parameter Com. Sub. Part Byte Value (HEX)
6.Control Right Pedal On/O 54 04 pp 2 Cont.ID=00 (Main Damper) /Value=00, 01 (O, On)
Right Pedal Assign 54 05
INT/
EXT
3
Cont.ID=00 (Main Damper) /Func.ID MSB/Func.ID LSB
*<INT>00/00~00/1B, <EXT>00/00~00/78
Damper Mode 50 20 pp 1 00, 01 (Normal, Hold)
Half Pedal Value 58 0D pp 1 00~04 (Normal, High, Low, MidHigh, MidLow)
Center Pedal On/O 54 04 pp 2 Cont.ID=03 (Sostenuto) /Value=00, 01 (O, On)
Center Pedal Assign 54 05
INT/
EXT
3
Cont.ID=03 (Sostenuto) /Func.ID MSB/Func.ID LSB
*<INT>00/00~00/1B, <EXT>00/00~00/78
Left Pedal On/O 54 04 pp 2 Cont.ID=04 (Soft) /Value=00, 01 (O, On)
Left Pedal Assign 54 05
INT/
EXT
3
Cont.ID=04 (Soft) /Func.ID MSB/Func.ID LSB
*<INT>00/00~00/1B, <EXT>00/00~00/78
PitchBend Wheel On/O 54 04 pp 2 Cont.ID=09 (Wheel1<Bender>) /Value=00, 01 (O, On)
PitchBend Range 55 5C pp 1 [INT] 00~07, [EXT] 00-12
Soft Pedal Adjust 50 12 pp 1 01-0A
Modulation Wheel On/O 54 04 pp 2
Cont.ID=0A (Wheel2<Mod.>) /Value=00~02 (O, On,
Reverse)
Modulation Wheel Assign 54 05 pp 3
Cont.ID=0A (Wheel2<Mod. >) /Func.ID MSB/Func.ID LSB
*<INT>00/00~00/1B, <EXT>00/00~00/78
Modulation Depth Range 55 5D pp 1 00~7F
FSW Pedal On/O 54 04 pp 2 Cont.ID=05 (FSW1) /Value=00, 01 (O, On)
FSW Pedal Assign 54 05
INT/
EXT
3
Cont.ID=05 (FSW1) /Func.ID MSB/Func.ID LSB
*<INT>00/00~00/1B, <EXT>00/00~00/78
EXP Pedal On/O 54 04 pp 2 Cont.ID=07 (EXP1) /Value=00~02 (O, On, Reverse)
EXP Pedal Assign 54 05
INT/
EXT
3
Cont.ID=07 (EXP1) /Func.ID MSB/Func.ID LSB
*<INT>00/00~00/1B, <EXT>00/00~00/78
7.KnobAsgn KnobA Assign (1/2) 54 03 pp 3
Knob ID=00/Para.ID MSB/Para.ID LSB
see 3.6 Assignable Knob Paraemters
KnobB Assign (1/2) 54 03 pp 3
Knob ID=01/Para.ID MSB/Para.ID LSB
see 3.6 Assignable Knob Paraemters
KnobC Assign (1/2) 54 03 pp 3
Knob ID=02/Para.ID MSB/Para.ID LSB
see 3.6 Assignable Knob Paraemters
KnobD Assign (1/2) 54 03 pp 3
Knob ID=03/Para.ID MSB/Para.ID LSB
see 3.6 Assignable Knob Paraemters
KnobA Assign (2/2) 54 03 pp 3
Knob ID=04/Para.ID MSB/Para.ID LSB
see 3.6 Assignable Knob Paraemters
KnobB Assign (2/2) 54 03 pp 3
Knob ID=05/Para.ID MSB/Para.ID LSB
see 3.6 Assignable Knob Paraemters
KnobC Assign (2/2) 54 03 pp 3
Knob ID=06/Para.ID MSB/Para.ID LSB
see 3.6 Assignable Knob Paraemters
KnobD Assign (2/2) 54 03 pp 3
Knob ID=07/Para.ID MSB/Para.ID LSB
see 3.6 Assignable Knob Paraemters
8.VirtTech Voicing 50 01 pp 1
00~0A (Normal, Mellow1, Mellow2, Dynamic, Bright1,
Bright2, Sys.User1 ~5)
String Resonance 50 04 pp 1 00, 01~0A (O, 1~10)
Undamped Resonance 50 15 pp 1 00, 01~0A (O, 1~10)
Damper Resonance 50 02 pp 1 00, 01~0A (O, 1~10)
KeyO Eect 50 05 pp 1 00, 01~0A (O, 1~10)
Damper Noise 50 03 pp 1 00, 01~0A (O, 1~10)
Hammer Delay 50 07 pp 1 00, 01~0A (O, 1~10)
Fallback Noise 50 06 pp 1 00, 01~0A (O, 1~10)
Topboard 50 08 pp 1 00~03 (Close, Open1~3)
Stereo Width 50 13 pp 1 00~7F
Brilliance 50 14 pp 1 36~40~4A (-10 ~ +0 ~ +10dB)
3.4 Setup Parameters: EDIT Menu (cont.)
139
Appendix
MIDI Implementation
Category Parameter Com. Sub. Part Byte Value (HEX)
8.VirtTech KeyoNoise 50 24 pp 1 00, 01~0A (O, 1~10) <for E.PIANO sound>
KeyONoiseDelay 50 25 pp 1 00~7F <for E.PIANO sound>
9.Ch/Prog. MIDI Transmit Channel 58 02 pp 1 00~0F (1~16Ch)
Program Change Number 58 0B pp 1 00~7F (1~128)
Bank Number MSB 58 0E pp 1 00~7F (0~127)
Bank Number LSB 58 0F pp 1 00~7F (0~127)
10.SETUP Send Program On/O 58 0A pp 2 Send mode=00 (Program) /00, 01 (O, On)
Send Bank On/O 58 0A pp 2 Send mode=01 (Bank) /00, 01 (O, On)
Send Volume On/O 58 0A pp 2 Send mode=02 (Volume) /00, 01 (O, On)
Send Knobs On/O 58 0A pp 2 Send mode=03 (Knobs) /00, 01 (O, On)
11.Tr ansm it Edit System Exclusive 58 09 7F 2 Trans. mode=04 (SysEX) /00, 01 (O, On)
Recorder 58 09 7F 2 Trans. mode=02 (Recorder) /00, 01 (O, On)
12.MMC Transmit MMC 58 09 7F 2 Trans. mode=03 (MMC) /00, 01 (O, On)
MMC Device ID 58 0C 7F 2 ParaID=00 (DeviceID) /Value=00~7F
MMC [RESET] 58 0C 7F 2
ParaID=01 (RESET) /Value=00 (NoAssign), 01~0D (MMC
commands), 0E~10 (Realtime [FA,FB,FC])
MMC [PLAY ] 58 0C 7F 2
ParaID=02 (PLAY) /Value=00 (NoAssign), 01~0D (MMC
commands), 0E~10 (Realtime [FA,FB,FC])
MMC [REC] 58 0C 7F 2
ParaID=03 (REC) /Value=00 (NoAssign), 01~0D (MMC
commands), 0E~10 (Realtime [FA,FB,FC])
MMC [A<->B] 58 0C 7F 2
ParaID=04 (A<->B) /Value=00 (NoAssign), 01~0D (MMC
commands), 0E~10 (Realtime [FA,FB,FC])
MMC [REW] 58 0C 7F 2
ParaID=05 (REW) /Value=00 (NoAssign), 01~0D (MMC
commands), 0E~10 (Realtime [FA,FB,FC])
MMC [FF] 58 0C 7F 2
ParaID=06 (FF) /Value=00 (NoAssign), 01~0D (MMC
commands), 0E~10 (Realtime [FA,FB,FC])
* Pedal/Wheel/Fader assign:
<INT> Mod., Pan., Exp., Damper, Soste., Soft, Reso., Cuto, EFX1 Para1~10, EFX2 Para1~10
<EXT> CC#0~119, AfterTouch
** SW Button assign:
Oct.Layer, Rotary, Solo, Portament, Bend. Lock, Mod. Lock, Center Lock, Left Lock, EXP Lock, TW Control
3.4 Setup Parameters: EDIT Menu (cont.)
140
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MIDI Implementation
3.5 Setup Parameters: SYSTEM Menu
Category Parameter Com.
Sub Com.
Part Byte Value (HEX)
Utility System Tune 51 03 7F 1 26~40~5A (427.0~440.0~453.0Hz)
Eect SW Mode 51 23 7F 1 00~02 (Preset, Temporary, Fixed)
Knob Action 51 21 7F 2 Mode=01 (Knob) /Value=00, 01 (Normal, Catch)
Volume (Fader) Action 51 21 7F 2 Mode=00 (Fader) /Value=00, 01 (Normal, Catch)
LCD Contrast 51 20 7F 2 Mode=00 (Contrast) /Value=01~0A (1~10)
LCD Reverse 51 20 7F 2 Mode=02 (Reverse) /Value=00, 01 (O, On)
Input Level 51 0D 7F 1 2E~40~52 (-18~0~+18dB)
Audio Out Mode 51 0E 7F 1 00, 01 (Stereo, 2xMono)
Lock SW Mode 51 22 7F 1 00~05 (Panel, Bender, Mod.Wheel, CenterPedal, LeftPedal, EXP)
Auto Power O 51 00 7F 1 00~03 (O, 15min., 60min., 120min.)
Pedal/Mod. Right Pedal Mode 54 06 7F 2
Cont.ID=00 (Main Damper) /Value=00~04 (Normal, Setup+,
Setup-, Playback, Metro.)
Center Pedal Mode 54 06 7F 2
Cont.ID=03 (Sostenuto) /Value=00~04 (Normal, Setup+,
Setup-, Playback, Metro.)
Left Pedal Mode 54 06 7F 2
Cont.ID=04 (Soft) /Value=00~04 (Normal, Setup+, Setup-,
Playback, Metro.)
Half Pedal Adjust 50 11 7F 1 01~0A (1~10)
FSW Pedal Mode 54 06 7F 2
Cont.ID=05 (FSW1) /Value=00~04 (Normal, Setup+, Setup-,
Playback, Metro.)
FSW Pedal Polarity 54 07 7F 2 Cont.ID=05 (FSW1) /Value=00~01 (Normal, Reverse)
Mod. Pedal Curve 54 08 7F 2
Cont.ID=0A (Wheel2<Mod. >) /Value=00~02 (Normal, Slow,
Fast)
EXP Pedal Curve 54 08 7F 2 Cont.ID=07 (EXP1) /Value=00~02 (Normal, Slow, Fast)
MIDI System Channnel 58 00 7F 1 00~0F (1~16Ch.)
Key to MIDI
58 08 7F 2
ToMIDI= bit2:USB, bit1:MIDI, bit0:Key/ToUSB=bit1:MIDI,
bit0:Key (1:Connect)
Key to USB-MIDI
MIDI to MIDI
MIDI to USB-MIDI
USB-MIDI to MIDI
Send Program On/O 58 0A 7F 2 Send mode=00 (Program) /00, 01 (O, On)
Send Bank On/O 58 0A 7F 2 Send mode=01 (Bank) /00, 01 (O, On)
Send Volume On/O 58 0A 7F 2 Send mode=02 (Volume) /00, 01 (O, On)
Send Knobs On/O 58 0A 7F 2 Send mode=03 (Knobs) /00, 01 (O, On)
Receive Mode 58 05 7F 1 00~02 (Panel, Section, OmniOn)
Piano Receive Channel 58 03 00 1 00~0F (1~16Ch.)
E.Piano Receive Channel 58 03 01 1 00~0F (1~16Ch.)
SUB Receive Channel 58 03 02 1 00~0F (1~16Ch.)
Oset Reverb Oset 55 03 7F 1 00~64 (0~100%)
EQ Oset 51 24 7F 1 00, 01 (O, On)
EQ Oset Lo 51 25 7F 1 36~40~4A (-10 ~ +0 ~ +10dB)
EQ Oset Hi 51 26 7F 1 36~40~4A (-10 ~ +0 ~ +10dB)
EQ Oset Mid1 51 27 7F 1 36~40~-4A (-10 ~ +0 ~ +10dB)
EQ Oset Mid2 51 28 7F 1 36~40~4A (-10 ~ +0 ~ +10dB)
141
Appendix
MIDI Implementation
3.6 Assignable Knob Parameters
Knob Assignable Parameter Data (HEX) Section
Section Category Name MSB/LSB PIANO E.PIANO SUB
Internal 1.REVERB
Rev.Type 00/01
RevPreDly 00/02
Rev.Time 00/03
Rev.Depth 00/04
2.EFX/AMP EFX Categ. 00/05
EFX Type 00/06
EFX Para1 00/07
EFX Para2 00/08
EFX Para3 00/09
EFX Para4 00/0A
EFX Para5 00/0B
EFX Para6 00/0C
EFX Para7 00/0D
EFX Para8 00/0E
EFX Para9 00/0F
EFX Para10 00/10
EFX2 Categ. 0 0/11 -
-
EFX2 Type 00/12 -
-
EFX2 Para1 00/13 -
-
EFX2 Para2 00/14 -
-
EFX2 Para3 00/15 -
-
EFX2 Para4 00/16 -
-
EFX2 Para5 00/17 -
-
EFX2 Para6 00/18 -
-
EFX2 Para7 00/19 -
-
EFX2 Para8 00/1A -
-
EFX2 Para9 00/1B -
-
EFX2Para10 00/1C -
-
Amp Type 00/1D -
-
Amp Drive 00/1F -
-
Amp Level 00/1E -
-
AmpEQ-Lo 00/20 -
-
AmpEQ-Mid 00/21 -
-
AmpEQ-Hi 00/22 -
-
MidFreq. 01/1A -
-
AmpMicType 01/15 -
-
AmpMicPos. 01/14 -
-
AmpAmbien. 01/16 -
-
3.Sound
MasterVol 00/23
Panpot 00/24
Cuto 00/25
Resonance 00/26
DCA Attack 00/27
DCA Decay 00/28
DCASustain 00/29
DCARelease 00/2A
142
Appendix
MIDI Implementation
3.6 Assignable Knob Parameters (cont.)
Knob Assignable Parameter Data (HEX) Section
Section Category Name MSB/LSB PIANO E.PIANO SUB
Internal 3.Sound DCF ATK Tm 00/2B
DCF ATK Lv 00/2C
DCF Decay 00/2D
DCFSustain 00/2F
DCFRelease 00/2E
DCF TchDpt 00/30
DCA TchDpt 00/31
Vib.Depth 00/32
Vib.Rate 00/33
Vib.Delay 00/34
Octave 00/35
Oct.Level 00/36
Oct.Range 00/37
Oct.Detune 00/38
Vocal 01/07
Bell 01/08
Air 01/19
4.Tuning Fine Tune 00/4B
Stretch 00/4C
Temperment 00/4D
Temper.Key 00/4E
5.KeySetup Touch 00/55
Dynamics 00/5B
KeyVolume 01/1B
Min.Touch 01/1C
OctavShift 00/57
ZoneTrans. 00/58
KS-Damping 00/59
KS-Key 00/5A
KeyRange 00/4F
SpltPoint 00/50
Zone Lo 00/52
Zone Hi 00/51
6.Control Right Ped. 00/5E
R.Assign 00/5F
Damp.Mode 00/60
CenterPed. 00/63
C.Assign 00/64
Left Pedal 00/65
L.Assign 00/66
SoftPdlDpt 01/03
Pitch Bend 00/69
Bend Range 00/6A
Mod.Wheel 00/6B
Mod.Assign 00/6C
Mod.Range 01/18
143
Appendix
MIDI Implementation
3.6 Assignable Knob Parameters (cont.)
Knob Assignable Parameter Data (HEX) Section
Section Category Name MSB/LSB PIANO E.PIANO SUB
Internal 6.Control FSW Pedal 01/1E
FSWAssign 01/1F
EXP Pedal 00/67
EXPAssign 00/68
8.VirtTech Voicing 00/79
- -
StringReso 00/7B
- -
UndampedRs 01/1D
- -
DamperReso 00/7C
- -
KeyOE. 00/7D
- -
DamperNois 00/7E
- -
HammerDly 00/7F
- -
FallbackNs 01/00
- -
Topboard 01/01
- -
StereoWdth 00/7A
- -
Brilliance 01/04
- -
KeyONois 01/05 -
KeyODly 01/06 -
External CC#0 ~119 00/00~00/77
AfterTouch 00/78
* Harpsi./Bass sounds also have KeyONois/KeyODly parameters.
144
Appendix
MIDI Implementation
4
SOUND/SETUP Program/Bank
If the Receive Mode MIDI parameter is set to Panel (page 104), the MP11SE receives MIDI data on the System
Channel only. To change internal sounds via MIDI, please refer to the SOUND Program Number list below.
* Note: If the MP11SE receives the Program Number from 1 to 128 and Bank number MSB 0 or 1 in the System Channel, the MP11SE will switch to SETUP mode
and the corresponding SETUP is recalled. When the Receive Mode is Section, the MP11SE can be received to each internal sound sections individually.
Panel Mode:
SETUP Program Number
BANK#MSB 1: SETUP mode ON
BANK#LSB 0-25: BANK A-Z
PROGRAM 1-8: Setup Variation 1-8
SOUND Program Number
BANK#MSB 0: SETUP mode OFF
BANK#LSB 0: PIANO Section
1: E.PIANO Section
2: SUB Section
PROGRAM 1-12: PIANO/E.PIANO Section’s Sound variation 1-12
1-16: SUB Section’s Sound variation 1-16
* Only one sound section is activated.
Section Mode:
BANK#MSB (ignored)
BANK#LSB (ignored)
PROGRAM 1-12: PIANO/E.PIANO Section’s Sound variation 1-12
1-16: SUB Section’s Sound variation 1-16
*For each section’s Receive Channel.
*Not related to Setup ON/OFF.
145
Appendix
MIDI Implementation
5
Control Change Number (CC#) Table
Control Number
Control Function
Decimal Hex
0 0 Bank Select (MSB)
1 1 Modulation Wheel or lever
2 2 Breath Controller
3 3 (undened)
4 4 Foot Controller
5 5 Portament Time
6 6 Data Entry (MSB)
7 7 Channel Volume
8 8 Balance
9 9 (undened)
10 A Panpot
11 B Expression Controller
12 C Eect Controller1
13 D Eect Controller2
14 E (undened)
15 F (undened)
16-19 10-13 General Purpose Controller1~4
20-31 14 -1F (undened)
32 20 Bank Select (LSB)
33-63 21-3F (LSB of Control Number 1-32)
64 40 Hold1 (Damper Pedal or Sustain)
65 41 Portamento On/O
66 42 Sostenuto
67 43 Soft Pedal
68 44 Legato Footswitch
69 45 Hold2 (freeze etc)
70 46 Sound Controller1 (Sound Variation)
71 47 Sound Controller2 (Filter Resonance/Harmonic Intensity)
72 48 Sound Controller3 (Release Time)
73 49 Sound Controller4 (Attack Time)
74 4A Sound Controller5 (Brightness/Cuto)
75 4B Sound Controller6 (Decay TIme)
76 4C Sound Controller7 (Vibrato Rate)
77 4D Sound Controller8 (Vibrato Depth)
78 4E Sound Controller9 (Vibrato Delay)
79 4F Sound Controller10
80-83 50-53 General Purpose Controller5~8
84 54 Portament Control
85-90 55-5A (undened)
91 5B Eect1 Depth (Reverb Send Level)
92 5C Eect2 Depth
93 5D Eect3 Depth (Chorus Send Level)
94 5E Eect4 Depth
95 5F Eect5 Depth
96 60 Data Increment
97 61 Data Decrement
98 62 Non Registered Parameter Number (LSB)
99 63 Non Registered Parameter Number (MSB)
100 64 Registered Parameter Number (LSB)
101 65 Registered Parameter Number (MSB)
102-119 66-77 (undened/reserved)
120 -127 78-7F Channel Mode Message
146
Appendix
[STAGE PIANO]
MIDI Implementation Chart
Date: June 2017
Kawai MP11SE Version: 1.0
Function Transmitted
Recognised
Remarks
Panel Section
Basic
Channel
Default 1 - 16 1 - 16 1 - 16
Changed 1 - 16 1 - 16 1 - 16
Mode
Default 3 3 3
Messages 3,4 (m=1) X X
Altered *****
Note
Number
0 - 127 0 - 127 0 - 127
True Voice *****
Velocity
Note ON O 9nH, v=1 - 127 O O
Note OFF O 8nH, v=0 - 127 O O
After Touch
Key X X X
Channel O *1 X X
Pitch Bend O O O
Control
Change
0,32
1
6,38
7
10
11
64
66
67
70,71
72,73,74,75
76,77,78
91
98,99
100,101
0-119
O
O
O
O
O
O
O
O
O
O
O
O
O
X
X
O *1
O
O
X
O
X
O
O
O
O
X
X
X
X
X
X
X
X
O
O
O
O
O
O
O
O
O
O
O
O
O
O
X
Bank Select
Modulation*2
Data Entry
Volume
Panpot
Expression (EXP) *2
Hold1 (Damper) *2
Sostenuto *2
Soft *2
Sustain, Resonance
RLS, ATK, CTF, DCY
Vibrato (Rate,Depth,Delay)
Reverb Depth
NRPN LSB/MSB
RPN LSB/MSB
Program
Change
O O O
True # ***** 0 - 127 0 - 127
System
Exclusive
O O O
Common
Song Position X X X
Song Select X X X
Tune X X X
System
Real Time
Clock X X X
Commands O X X
Other
Functions
All Sound OFF X O O
Reset All Cntrls
O O O
Local ON/OFF X X X
All Note OFF O O (123-127) O (123-127)
Active Sense X O O
Reset X X X
Notes
*1: Assigned to Modulation Wheel, Foot Controllers or Knob A~D
*2: ON/OFF settings of each section are set in EDIT menu.
The function is assigned to MOD/EXP/Right/Centre/Left Pedal
in EDIT menu. Also, the section mode’s other messages control
each volume faders or each parameters in EDIT menu.
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON , MONO
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
O : Yes
X : No
MP11SE Owner’s Manual
818801
KPSZ-0940 R100
OW1106E-S1706
Printed in IndonesiaCopyright © 2017 Kawai Musical Instruments Mfg. Co.,Ltd. All Rights Reserved.
