
1
User Manual
mini-mx

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Content
Declarations .......................................................................................................... 3
FCC/Warranty.........................................................................................................3
Operators Safety Summary .................................................................................. 4
Installation Safety Summary ................................................................................. 4
Chapter 1 Your Product .....................................................................................6
1.1 In the Box ......................................................................................................... 6
1.2 Product Overview ............................................................................................ 7
1.2.1 Key Features .................................................................................................................8
1.2.3 Interface Panel ...........................................................................................................10
1.2.4 Dimension ..................................................................................................................11
Chapter 2 Install Your Product .........................................................................12
2.1 Plug in Power ................................................................................................. 12
2.2 Input HDMI Signal Source ............................................................................ 12
2.3 Connect HDMI Output ...................................................................................13
2.4 Connect Microphone and External Monitoring Devices............................ 13
2.5 Connect USB for Streaming and Recording...............................................14
2.6 Connect Computer ........................................................................................ 14
2.7 Turn on Your mini-mx .................................................................................... 15

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Chapter 3 Use Your Product .............................................................................16
3.1 Standby Interface .........................................................................................16
3.2 Touch Screen Operation ............................................................................... 17
Touch Screen Introduction
............................................................................................. 17
3.3 Switch Effect Setting ..................................................................................... 18
3.4 PIP ...................................................................................................................19
3.5 PTZ ..................................................................................................................21
3.6 Scenes............................................................................................................ 22
3.7 Chroma Key ................................................................................................... 23
3.8 Audio ............................................................................................................... 24
3.9 Video Output .................................................................................................. 26
3.10 Settings .........................................................................................................28
Chapter 4 Ordering Codes ................................................................................32
4.1 Product Code ................................................................................................. 32
Chapter 5 Appendix ........................................................................................... 33
5.1 Specification ................................................................................................... 33
5.2 FAQ................................................................................................................. 34
5.3 Upgrade .......................................................................................................... 35
5.4 Terms & Definitions ........................................................................................36
5.5 Revision History............................................................................................. 42
Chapter 6 Support ..............................................................................................43

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Thank you for choosing our product!
This User Manual is designed to show you how to use this video processor quickly and make use of all
the features. Please read all directions and instructions carefully before using this product.
Declarations
FCC/Warranty
Federal Communications Commission (FCC) Statement
This equipment has been tested and found to comply with the limits for a class A digital device, pursuant
to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful
interference when the equipment is operated in a commercial environment. This equipment generates,
uses, and can radiate radio frequency energy and, if not installed and used in accordance with the
instruction manual, may cause harmful interference to radio communications. Operation of this equipment
in a residential area may cause harmful interference, in which case the user will be responsible for
correcting any interference.
Guarantee and Compensation
RGBlink provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms
of guarantee. On receipt, the purchaser must immediately inspect all delivered goods for damage
incurred during transport, as well as for material and manufacturing faults. RGBlink must be informed
immediately in writing of any complains.
The period of guarantee begins on the date of transfer of risks, in the case of special systems and
software on the date of commissioning, at latest 30 days after the transfer of risks. In the event of justified
notice of compliant, RGBlink can repair the fault or provide a replacement at its own discretion within an
appropriate period. If this measure proves to be impossible or unsuccessful, the purchaser can demand a
reduction in the purchase price or cancellation of the contract. All other claims, in particular those relating
to compensation for direct or indirect damage, and also damage attributed to the operation of software as
well as to other service provided by RGBlink, being a component of the system or independent service,
will be deemed invalid provided the damage is not proven to be attributed to the absence of properties
guaranteed in writing or due to the intent or gross negligence or part of RGBlink.
If the purchaser or a third party carries out modifications or repairs on goods delivered by RGBlink, or if
the goods are handled incorrectly, in particular if the systems are commissioned operated incorrectly or if,
after the transfer of risks, the goods are subject to influences not agreed upon in the contract, all
guarantee claims of the purchaser will be rendered invalid. Not included in the guarantee coverage are
system failures which are attributed to programs or special electronic circuitry provided by the purchaser,
e.g. interfaces. Normal wear as well as normal maintenance are not subject to the guarantee provided by
RGBlink either.
The environmental conditions as well as the servicing and maintenance regulations specified in this
manual must be complied with by the customer.

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Operators Safety Summary
The general safety information in this summary is for operating personnel.
Do Not Remove Covers or Panels
There are no user-serviceable parts within the unit. Removal of the top cover will expose dangerous
voltages. To avoid personal injury, do not remove the top cover. Do not operate the unit without the cover
installed.
Power Source
This product is intended to operate from a power source that will not apply more than 230 volts rms
between the supply conductors or between both supply conductor and ground. A protective ground
connection by way of grounding conductor in the power cord is essential for safe operation.
Grounding the Product
This product is grounded through the grounding conductor of the power cord. To avoid electrical shock,
plug the power cord into a properly wired receptacle before connecting to the product input or output
terminals. A protective-ground connection by way of the grounding conductor in the power cord is
essential for safe operation.
Use the Proper Power Cord
Use only the power cord and connector specified for your product. Use only a power cord that is in good
condition. Refer cord and connector changes to qualified service personnel.
Use the Proper Fuse
To avoid fire hazard, use only the fuse having identical type, voltage rating, and current rating
characteristics. Refer fuse replacement to qualified service personnel.
Do Not Operate in Explosive Atmospheres
To avoid explosion, do not operate this product in an explosive atmosphere.
Installation Safety Summary
Safety Precautions
For all product installation procedures, please observe the following important safety and handling rules
to avoid damage to yourself and the equipment.
To protect users from electric shock, ensure that the chassis connects to earth via the ground wire
provided in the AC power Cord.
The AC Socket-outlet should be installed near the equipment and be easily accessible.

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Unpacking and Inspection
Before opening product shipping box, inspect it for damage. If you find any damage, notify the shipping
carrier immediately for all claims adjustments. As you open the box, compare its contents against the
packing slip. If you find any shortages, contact your sales representative.
Once you have removed all the components from their packaging and checked that all the listed
components are present, visually inspect the system to ensure there was no damage during shipping. If
there is damage, notify the shipping carrier immediately for all claims adjustments.
Site Preparation
The environment in which you install your product should be clean, properly lit, free from static, and have
adequate power, ventilation, and space for all components.

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Chapter 1 Your Product
1.1 In the Box
1 x USB-C to USB-A
Cable
1 x Power Adapter
1 x USB-C to USB-C
Cable

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1.2 Product Overview
Mix to the max. The all-in-one mini-mx video enables accessible professional multi-source video productions with
cameras, laptops and multiple audio sources.
For live presentation and streaming, do it all with ease from the unique and fully featured mini-mx..

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1.2.1 Key Features
● 4K multi-channel streaming video mixer
● Quad HDMI 2.0 inputs, dual HDMI 1.3 outputs
● Dual MIC In, Dual Audio Out for monitoring
● Mix for HDMI embedded and external audio
● One-key recording. Recording capacity of hard drive is up to 2T
● Quad HDMI 2.0 inputs, dual HDMI 1.3 outputs
● Stream to up to 4 platforms simultaneously over IP and 32 platforms via TAO APP
● Built-in 5.5 inch touch screen for menu operation
● Support multi-layer overlay, layer scaling and cropping
● 15 switch effect modes
● 5-direction joystick for controlling up to 4 PTZ cameras
● Save and store up to 16 scene presets. One-click for preset recall
● Control via computer and software
● Support Chroma Key
● One-key quick switch between portrait and landscape screen

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1.2.2 Front Panel
1
HDMI IN 1-4 Audio Volume
Control Knob
● Embedded audio volume adjustment of HDMI 1-4 inputs. User can check audio status via touch screen.
● Knob color adjustable.
2
Adjuster
● Zoom in/out when PTZ control is enabled.
● Adjust size of sub-picture when it is under position and scale adjustment.
3
Layer Selection Button
● Indicate BG, Layer A, Layer B, STILL, LOGO and TEXT from left to right.
● Light turns blue in PVW. Light flashes in green when selected.
● Button color adjustable.
4
Channel Fader
● To control audio volume level for each channel.
● Indicate MIC1/MIC2/LINE IN/Bluetooth/PREVIEW/PROGRAM from left to right.
5
Monitoring & Mute Button
● Click monitoring button to switch audio to monitoring port.
● Click mute button to stop adding audio to PGM if it turns red; click mute button again to add audio to
PGM if it turns green then.
6
T-Bar
● PVW and PGM views can be transitioned manually by pushing the T-bar bidirectionally from the top to
the bottom or from the bottom to the top.
7
Page UP
● Press to return to the previous page.
8
Page Down
● Press to enter the next page.
9
Buttons 1-8
● Click to choose enter interface of 8 selections in Main Menu correspondingly.
● Button color adjustable.
10
5-Direction Joystick
● Set pan, tilt and zoom for PTZ camera.
1
2
3
4
5
8
7
6
11
9
10
12
13

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2
3
4
5
6
7
8
9
1.2.3 Interface Panel
1
UVC (WEBCAM)
● Audio and video stream output port.
● Connect mini-mx to a laptop for instant recognition as webcam for streaming or video conference.
2
USB-C
● Insert SSD or U disk to USB 3.0 recording output interface for recording.
● Insert a U disk to import audio, video and pictures.
3
LAN
● Gigabit network port for web streaming, PTZ control and firmware upgrade.
4
HDMI-A (PROGRAM)
● PROGRAM output port.
5
HDMI-A (Multi-VIEW)
● Multi-view output port. MULTI-VIEW / HDMI 1/2/3/4 / PROGRAM optional.
6
1-4 HDMI IN
● 1-4 HDMI inputs to connect HDMI video sources, up to 4K resolution and downward compatible with all resolution.
7
Locking Hole
● Use with T-lock to fix the device.
● Adjust position of sub-picture when it is under position and scale adjustment.
11
MENU
● Press to return to the previous menu; press and hold to return to the main menu.
● Button color adjustable.
12
ON AIR
● Click to start or end streaming.
● Streaming status can be checked on LCD screen through indicator light: steady red shows ON AIR;
flashing red shows unstable network ON AIR; unlit shows streaming is finished.
13
5.5-inch Touch Screen
● For menu operation.
● For multi-view window monitoring.
10
11
13
12
15
14
1

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8
Power Socket
● PD 12V, 3A USB-C power input.
9
Power Switch
● Rocker switch to power on or off device.
10
3.5mm mini-Jack
● Audio Jack for PREVIEW or PROGRAM monitoring.
11
6.35mm TRS Jack
● Balanced 6.35mm XLR AUDIO OUT Jack.
12
LINE IN
● Balanced 6.35mm XLR Jack to connect to mobile phone, computer or audio console.
13
MIC 2 IN
● XLR/TRS NEUTRIK MIC IN Port.
14
MIC 1 IN
● XLR/TRS NEUTRIK MIC IN Port with 48V Phantom Power supported.
15
+48V Dip Switch
● 48V Phantom Power supported. (Defaults to OFF)
1.2.4 Dimension
Following is the dimension of mini-mx for your reference:
280mm x 222.6mm x 63.5mm

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Chapter 2 Install Your Product
2.1 Plug in Power
RGBlink mini-mx is packaged with a PD power adapter (power cable included) , when linking the
power supply, please check the power supply standard used in your country/region.
2.2 Input HDMI Signal Source
Users can use any camera, computer or other HDMI device as the input source of the mini-mx.
mini-mx supports up to 4 sources of different formats and resolutions at the same time via 4 HDMI
ports, and 4 HDMI inputs support up to 4K@60Hz. If users are using interlaced signal, mini-mx
supports de-interlacement through HDMI 1 automatically.
Users can see the input views on the mini-mx screen when there is active signal plug in. Connect
mini-mx to a monitor with HDMI output interface to see PVW views and output resolutions.
Connect mini-mx to power plug by the link cable
Note:
The Power Supply included with mini-mx is the recommended power supply for use with the device. In the
event the power supply is mislaid or otherwise not available, following needs should be met :
1.Support PD "Fast Charge" capability;
2.Interfaces are the same as the adapter provided;
3.The power supply is rated for a minimum of 36W.

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2.3 Connect HDMI Output
Users can use HDMI cables to connect MULTI-VIEW and PROGRAM HDMI output interfaces to a
monitor respectively with an HDMI input interface so as to check PVW and PGM views in real time.
The default output of MULTI-VIEW port is multi-screen PVW (Preview) view, so user can see the
audio and video conditions of all input signal sources, check current status of each function of
mini-mx and see the PST (Preset) view.
Users can switch screen mode for Multi-view and Program by pressing【OUTPUT】setting on the
main menu. Multi-view supports output in multi-view, signal source (HDMI 1/2/3/4) or program.
Program supports output in preview, program and test pattern.
HDMI output supports resolution setting . After pressing the MENU button, tap 【OUTPUT】 setting
on the menu to select HDMI output resolution.
2.4 Connect Microphone and External Monitoring
Devices
On the right panel of mini-mx, there are 5 Audio Ports, which includes 3 Audio IN Ports and 2 Audio
OUT Ports.
For Audio IN Ports, two input ports adopt XLR/TRS NUTRICK audio jack (one supports 48V Phantom
Note: The HDMI cable is not included in the mini-mx package and needs to be purchased separately. Some
camcorders use a mini HDMI port, you need to buy a mini HDMI-HDMI cable separately when you use these
camcorders.

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Power Supply) ; one adopts 6.5mm TRS jack, which can be directly connect to the computer and
console.
For Audio Out Ports, the PGM port adopts 6.5mm TRS jack; the other one adopts 3.5mm mini-jack,
which can be directly connect to the headphone for audio monitoring.
For laptops or mobile phones with no audio output ports, mini-mx provides a built-in Bluetooth
module. Users can connect to devices with Bluetooth function to input high-quality audio signals in
real time. (More details please refer to 3.10 Settings)
In addition, the four HDMI input ports all support embedded audio. Turn on AFV, the audio follows
the video switch to perform a soft gradual transition when video is switched.
There are 8 audio inputs in total, which can be controlled via operation board to achieve audio
mixing and monitoring.
If the sound and the video are not synchronous, it is necessary to do audio delay setting. Users can
also increase or reduce the Delay value for HDMI and MIC audios to ensure audio and video
synchronization. (More details please refer to 3.8 Audio)
2.5 Connect USB for Streaming and Recording
Connect one USB 3.0 port (with number 2 silk screen) on mini-mx to computer by USB 3.0 cable,
and computer will capture mini-mx USB output as a webcam source which can be pushed to
Facebook, YouTube, Zoom, Twitter and other streaming media platform.
Insert a U disk to the other USB 3.0 port (with number 1 silk screen) on mini-mx by USB 3.0 cable to
perform recording. The SSD storage can reach up to 2T, and the USB storage can support up to 64G.
The supported format is exFAT.
2.6 Connect Computer
Note:
1. For U disk, please use one with USB 3.0 port.
2. For SSD, Please check if it needs extra power supply.

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Software Control: Connect computer and mini-mx with CAT6 cable.
Record: Insert U disk to mini-mx’s USB-C port (with number 1 silk screen)
Stream: Connect mini-mx’s USB-C (with number 2 silk screen) and computer’s USB 3.0 port with
USB 3.0 cable. (Note: the color of USB 3.0 port is blue or with SS silkscreen)
Minimum System Requirements for macOS
● macOS 11.0 Big Sur or later
● macOS 10.15 Catalina
Minimum System Requirements for Windows
● Microsoft Windows 10 64-bit
2.7 Turn on Your mini-mx
After mini-mx is connected to power supply, push the power button on the rear panel, the
device will enter to the boot interface and enter operation interface within 10S.
Note
:
1. The IP address of the mini-mx must be in the same LAN as the computer.
2. Please use a switch with multiple ports for controlling of several cameras.

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Chapter 3 Use Your Product
After the above steps are completed, you can use mini-mx to do the following.
3.1 Standby Interface
As shown above, once powering on mini-mx, the 5.5 inch display will show mini-mx logo firstly
and then come into the standby interface. Operator can refer to the description below.
No.
Area
Description
1
PREVIEW
●Show PVW (Preview) monitoring screen.
1
4
2
6
3
5

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2
Layer Selection
●Indicate BG, LAYER A, LAYER B, STILL, LOGO and TEXT from bottom to top;
●For no layer in PVW before, user can add layer by one click; layer in green
shows selected;
●For layer added in PVW before but not been selected, layer shows in blue;
●For layer in green, tap it to close; for layer in blue, press and hold it for 3s to
close. Tap layer needed again for re-adding.
3
PROGRAM
●Check PGM screen and output audio status;
●Streaming and recording status can be viewed with a touch.
4
Source or Preset Selection
●Use【1】-【8】 buttons on the front panel for selection;
●Use 4 windows in the upper to monitor HDMI 1-4 sources; use 【1】-【4】
buttons to switch sources; use 4 windows at the bottom for material
selection. Videos, pictures can be added and saved by using a USB flash drive.
5
Audio Status Monitoring
●Monitor 3 analog audio inputs, 1 Bluetooth audio input and 4 HDMI inputs.
6
Icons
●To Enter MENU, Return to Standby Interface, Page up and Page down.
3.2 Touch Screen Operation
Touch Screen Introduction
There is a 5.5” touch screen on mini-mx operation board, through which most operation can be
done.
Before introducing the operation of the touch screen, we need to introduce the button【MENU】,
the MENU and back key. Push the button and the LCD screen will quickly return to the main menu
interface.

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As shown in the figure above the UI style on the touch screen is similar to current smart phone
operating interface. The first-level menu is in icon. Users can quickly enter the corresponding
function management interface by tapping the corresponding icon.
8 functions are available in main menu, which include Transition, PIP, PTZ, Scene, Chroma Key,
Audio, Output and Setting.
3.3 Switch Effect Setting
Click【EFFECT】or Button【1】to enter effect setting menu.
Switch Mode Setting
There are T-Bar Mode and Fast Mode available.
mini-mx defaults to T-Bar Mode. Users can also switch to Fast Mode by using buttons ①②③④ on
the operation board to switch 4 HDMI inputs. The buttons ① ② ③ ④ on the operation board
corresponds to the 4 HDMI inputs one-to-one.
For some important occasions, users might need to preview and preset the next scene to ensure
the accuracy and stability of the screen. mini-mx provides T-Bar Preview mode to allow switch after
editing and confirmation.
Return to the 【EFFECT】 menu interface to choose T-Bar Mode or Fast Mode.
When T-Bar Mode is enabled, all operation could be checked on PVW window. Slide T-Bar to switch

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between PVW and PGM.
Switch Time Setting
In【EFFECT】menu interface, switch time can be customized by sliding the time bar.
Switch Effect Setting
If users want to use more transition effects, tap【EFFECT】icon on the touch screen to enter the
【Effects】selection interface, where 15 transition effects in total can be selected.
3.4 PIP
If users need to use PIP, push button【MENU】to return to the main menu, then tap【PIP】icon or
button【2】to enter the PIP setting interface.
Users can also tap the layer used in Standby Interface for quick enter of PIP setting.

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PIP Layout Setting
Layout offers 7 layout options for picture-in-picture. Enter layout interface shown as follow and
choose the layout needed.
Layer Size and Position Setting
After PIP layout selection is completed, users can use the adjuster on the front panel to adjust
picture size and the joystick to quickly adjust the position for more detailed adjustment.
If the layout【4】 is selected, use the adjuster to achieve a better view of the picture ratio.

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Layer Cropping and Scaling
In【PIP】interface, click option 【8】 Advanced Settings to set more specific parameter setting for
layer cropping and scaling.
As shown in the figure below, settings can be done by sliding the bar or clicking .
In the Layer Scaling interface, users can adjust Width, Height, Horizontal Position, Vertical Position
and set Zoom ratio. In the Layer Cropping interface, Width, Height, Horizontal Position and Vertical
Position can be set.
Click Reset at the bottom of the interface to clear wrong settings so as to restore to the default
values.
3.5 PTZ
mini-mx can control the camera’s lens moving horizontally and vertically, focus and zoom via IP
VISCA protocol. Not only that, the mini-mx can also save the position and zoom information of the
camera for quick calling for next use.
The PTZ preset of mini-mx not only saves the parameters of the PTZ, but also includes calling the
camera, that is, when the View of the PTZ is loaded, the input is switched to the camera signal
source at the same time.
Tap the button【MENU】to return to the main menu, tap【PTZ】icon or press button【3】to enter
the menu.

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When PTZ Enable Switch is triggered, click to select the corresponding PTZ camera channel
and then key in IP address. A numeric keyboard will pop up for typing , shown as below.
After entering the number, click Save to confirm.
In addition to manual IP setting, mini-mx supports automatic IP identification.
When mini-mx is connected to the network, click icon to select the IP address of the camera to
be controlled through the drop-down box.
On the PTZ menu interface, automatic focus can be achieved by clicking Auto. Furthermore, the
rotation angle of the PTZ can be adjusted by the joystick, and the focal length adjusted by the
adjuster on the front panel.
Click icon to clear wrong settings so as to restore the set parameters to the default values.
3.6 Scenes
mini-mx save presets to Scene in real time. If users want to quickly load current preset next time,
Notice:The IP address of mini-mx and camera controlled should be in the same LAN.

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just save it to corresponding View.
The Scene will save all the currently set parameters including PIP layout, Chroma Key setting, PTZ
presets, therefore when user needs to load any preset, push corresponding Scene for quick calling.
(1) After setting the effect, tap【Scene】or press button 【4】 or click icon in the main
menu to quickly enter following interface for preset calling or saving.
(2) mini-mx allows user to save 16 presets in total to the corresponding View 1-16. Click icon
to return to previous page or enter the next page for preset selection. Click icon to form
a static picture of the current PREVIEW scene and save it in the current scene. Click icon to
delete scenes no longer needed.
(3) Tap the View needed for direct loading.
(4) After loading Scene, if PIP layout needs to change, users can select main screen or sub
screen by pushing the middle button on joystick which default selects sub screen. After selecting
sub screen or main screen, select input source for them by pushing the signal source button, adjust
sub screen size by pushing button Up/Down and position by joystick. All the setting is saved to in
real time to make sure it can be used next time the device is turned on.
(5) If you want the modified preset to be loaded from the Scene, you need to re-save it to the
current Scene or a new Scene. Please repeat the above save operation.
3.7 Chroma Key
mini-mx supports matting, the Chroma Key in the menu, removing the pure color background and
overlaying it on another signal to realize the application of virtual reality. Matting can be done on
software or simple settings and adjustments can be made on the Chroma Key in the menu.
(1) Tap【Chroma Key】or push button【5】to enter the setting menu.

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(2) Users can choose on or off to enable/disable the function (off by default). Select the
background color which is default in green to be removed and make adjustments according to
application.
(3) Similar to PIP, the size, position and cropping of the main/sub-screen can be set.
(4) After the Chroma Key is set, the parameters can be saved directly on the device. Next time
when the the device is on no matter on the software or the touch screen itself, users can directly
load the preset.
(5) After loading the Chroma Key preset, users can use the joystick to switch the selection of
the main/sub-screen, push the signal source to switch between different signals, adjust the size of
the screen through the adjuster on the front panel, adjust the position of the screen through the
joystick, and all the re-adjusted settings will be saved to the current Scene in real time.
3.8 Audio
mini-mx supports mixed output of multiple channels, and also supports to check volume meter and
set audio delay.
Tap【Audio】or push button【6】to enter the audio setting interface.
As shown in the figure below, the audio setting interface is divided into nine parts. Please refer to
the following table for operation.

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8
9
2
No.
Name
Description
1
Input Audio Meters
● 1-8 input audio columns indicate MIC 1,MIC 2,LINE IN,Bluetooth,HDMI 1,HDMI 2,
HDMI 3
,
HDMI 4 one-by-one.
● 4 HDMI inputs all support embedded audio adjustment via control knob on front panel.
● Volume of MIC1/MIC2/LINE IN/Bluetooth can be adjusted via channel fader on front panel.
2
Analog Input
Monitoring Switch
● Default to OFF.
● Press to turn on the switch with button light in green.
3
Mute Buttons
● Press to turn on/off mute mode. Light in green: non-mute mode; light in red: mute mode.
●
If the analog input is in mute, the channel is muted only on PGM.
●
If the HDMI input is in mute, the HDMI channel is muted on PGM out; users can also
monitor audio if there is HDMI input in the PVW out.
●
Set mute mode for PVW out, audio cannot be captured in PVW out.
● Set mute mode for PGM out, audio cannot be captured in PGM out.
4
AFV
● Set AFV for any HDMI embedded audio so the audio switches with the video source to
PVW and PGM automatically.
5
Page UP/Down
● Click page up/down icon to enter different pages for more audio clip selection.
6
Audio Clips
● For audio clip storage and playback.
● Tap audio clip needed to play it in PGM.
7
Output Audio Meters
● 1-2 output audio columns indicate PGM out and monitoring.
8
HDMI 1 Delay
● Configure audio delay for a camera input to keep audio in sync with the video.
● Range: 0~300mm, increase or reduce 10mm each time.
9
MIC 1 Delay
●Configure audio delay for MIC 1 input to keep audio in sync with the video.
●Range: 0~300mm, increase or reduce 10mm each time.
1
4
3
5
7
6
9
8

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3.9 Video Output
Tap【Output】or push button【7】to set parameters for video output.
Multi-view
Push button【MENU】to return to main menu and click Multi-view in【Output】interface to set
parameters .
Default to be Multi-view preview, which can be switched to Program or 1-4 HDMI inputs for various
applications.
Users can return to standby interface to check 4-screen input source preview on the touch screen.
Program
Push button【 MENU】 to return to main menu and click Program in【 Output】interface to set
parameters .
Default to be Program, which can be changed to multi-view Preview or Test Pattern.

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Resolution
Tap “>” on the right to choose output resolution from the drop-down box.
Stream
Tap Stream in【Output】menu to enter streaming configuration interface.
In this interface, users can import RTMP address and set the delay time as needed.
Record
The mini-mx supports recording streaming media content to an external SSD or USB storage
through the USB 3.0 interface.
The SSD storage can reach up to 2T, and the USB storage can support up to 64G. The supported
formats is exFAT. The recorded video will be sectioned after storage up to 4G with each section
lasting about 60min.
Before recording, format the SSD or U-disk first. The steps of format as below:
1. Connect the SSD or U-disk to your computer;
2. Open“my computer”;
3. Right-click your computer and select“format”;
4. Set the file system to exFAT and the size of allocation unit to 128kb;
5. Select “quick format”and start.

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Then insert the SSD or USB storage into the USB 3.0 recording port.
Note: If the SSD could not be recognized when inserting into mini-mx,then use a dual USB cable to power the
SSD
After inserting the SSD or USB disk, tap Record in【Output】menu to enter recording configuration
interface.
mini-mx supports settings of recording quality and format. Click recording switch to start/stop
recording.
Tap PGM Output Status window in the left to view the recording status, including disk info and
remaining time for recording.
3.10 Settings
Tap【Setting】or push button【8】to enter system setting interface.
As shown in the figure below, 7 functions are available, including Fan, System, Key Color, Bluetooth,
Language, T-Bar Calibration and Screen Brightness.

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Fan
Tap Fan in【Setting】menu for fan speed adjustment.
In the fan control interface, four levels of fan speed for users to choose from. Tap Auto to achieve
automatic adjustment of the fan speed.
System
Tap System in【Setting】menu to enter the interface below.
Click About to check information about mini-mx. As shown in the figure below, users can view
Device Name and SN. Click Device Version to check current version and upgrade mini-mx.

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Click Auto PVW to switch this function on and set interval.
Tap Reset to check current version of mini-mx and perform factory reset.
Key Color
Tap Key Color in【Setting】menu to adjust button color on the front panel.
Users can set the color and whole brightness of keys as needed. After adjustment, click Confirm to
complete settings.

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Bluetooth
Tap Bluetooth in【Setting】menu to enter the following interface.
Switch Bluetooth on to check devices available currently. Choose the phone needed to be paired
then play music via Bluetooth.
In addition to above settings, users can also set Chinese, English or German as the interface
language.
mini-mx also supports setting T-Bar calibration and the overall brightness of LCD screen.

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Chapter 4 Ordering Codes
4.1 Product Code
230-0004-01-0 mini-mx

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Chapter 5 Appendix
5.1 Specification
Connectors
Input
HDMI 4K
4×HDMI-A
Output
HDMI 2K
1×HDMI-A
USB (Stream)
1×USB-C
USB (Record)
1×USB-C
Audio
In
2×6.35mm XLR/6.35mm TRS Jack
1×6.35mm TRS Jack
Out
1×6.35mm TRS Jack
1×3.5mm mini-Jack
Communication
LAN
1×RJ45
Power
1×USB-C
Performance
Input Resolutions
SMPTE
VESA
1024×768@60 | 1280×720@60 | 1280×768@60 | 1280×800@60 |
1280×1024@60 | 1360×768@60 |1366×768@60 | 1440×900@60 |
1600×1200@60 | 1680×1050@60 | 1920×1080@60 |
1920×1200@60 | 3840×2160@60 | 4096x2160@60
Output Resolutions
SMPTE
VESA
720p@50/60 | 1080p@24/25/30/50/60
1024×768@60 | 1280×720@60 | 1280×768@60 | 1280×1024@60 |
1360×768@60 | 1920×1080@60
Video
Video Formats
HDMI 2.0 | HDCP 2.2
Color Space
YUV2
Video Sampling
4:4:4 YUV
Video Latency
<4 frames
Audio
Line In Delay
up to 8 frames
Audio Format
HDMI Linear PCM, 24 bits/48 kHz, 2 ch
USB Linear PCM, 16 bits/48 kHz, 2 ch
Record/Storage
Record Formats
MP4 | WAV
Disk Formats
FAT32(
≤
32 GB) | exFAT(64GB~2T)
Supported Standards
HDMI
2.0
USB
3.0
H.265
ITU-T H.265/ ISO/IEC 23008-2
Power
Compatibility
USB Power Delivery (PD) 3.0
Supported Cables
Certified USB PD Aware

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5.2 FAQ
1. Fail to power on mini-mx?
A: Please check whether the power supply is connected first, and use it correctly according to the power supply
standard of your country/region. If still failed to power on mini-mx, please check whether the power cord is
damaged. Please contact us if the device is damaged during transportation..
2. If there is a power supply problem with the mini-mx.
A:Please try to change the power adapter (support 36W).
3. mini-mx upgrade notes.
A
:
Please disable the other adapters(except mini-mx LAN adapter) on Network and Internet, turn off the DHCP on
setting of mini-mx, after upgrading successfully, remember to reset and restart the device.
4. mini-mx cannot control PTZ.
A
:
Please make sure that the IP address of mini-mx and PTZ are in the same network segment. For example, the IP
address of PTZ is 192.168.5.163. Please also set the IP address of mini-mx to 192.168.5.X ( (2~254) except163
Outside), confirm on mini XPOSE whether the Visca port number in the PTZ settings is the corresponding port
number, for example, the Visca port number of the PTZ of RGBlink is 1259.
5. mini-mx USB 3.0 RECORD cannot recognize U disk.
A
:
Please format the U disk (exFAT, FAT32).
6. mini-mx USB 3.0 WEBCAM cannot be recognized/recognized without picture(black picture).
A:Please confirm whether the computer configuration meets the following conditions, if not, please select one of
the following methods 6.1)-6.5) for testing:
Windows
:
CPU:i5 and above
Input Voltage
Type-C 12V/3A
Maximum Power
36W
Working
Environment
Temperature
0
℃
~45
℃
Humidity
10%~85% RH
Physical
Weight
Net TBC
Packaged TBC
Dimension
Net 280mm × 222.6mm × 63.5mm
Packaged 332mm × 238.5mm × 109mm

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Memory:8 GB or more
Operating System: Windows 10 64 bit processor or above
Graphics: Support Direct X9 128M or above (open AERO effect)
Hard disk space: Above 16G (primary partitions, NTFS format)
Connector: USB 3.0 or type c
Others: do not run multiple video capture or editing software simultaneously
MAC:
CPU:i5 and above
Connector: USB 3.0 or type c
Operating System: macOS 11.0 Big Sur or later macOS 10.15 Catalina
Others: do not run multiple video capture or editing software simultaneously
6.1)Or use typeC to USB3.0 hub to connect the computer and mini-mx
6.2)Or use USB software->ProcessControl_1.0.0.2 to improve performance of computer(in the attachment)
6.3)Lower the output resolution
6.4)Unplug and plug the USB3.0 cable and re-enter the streaming software.
6.5)Change the USB2.0 cable to do streaming (note that the picture quality is lower than the USB3.0 cable, and
the USB2.0 cable is not recommended to use the PVW output)
7. Does mini-mx support HDCP?
A: The HDMI input supports the HDCP protocol, HDMI input 1 port supports HDCP2.X, the other input ports
support HDCP1.X, and the output does not support HDCP protocol encryption
8. mini-mx HDMI input what kind of YUV.
A
:
mini-mx supports 4:4:4
,
not supports 4:2:0.
9. When mini-mx input is i format signal will be half-screened or cut with the P format signal, the height of the
P format will be cut.
A:At present, the latest program can automatically determine the i/P signal source and automatically adjust the
cropping value.
10. Can mini-mx control PTZ of Pelco protocol?
A:Currently, the PTZ controlling this protocol is not supported, mini-mx supports to control Visca protocol PTZ.
5.3 Upgrade
1.Copy upgrade package to root directory of USB disk.
2.Power on the device and connect USB disk to USB-C port (with number 1 silkscreen) by a OTG cable.

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3. Tap【System】in【Setting】menu to enter the interface below.
4.Tap 【 Device Version 】 to check current system version and upgrade file version imported via USB disk; tap
【Upgrade】to upgrade mini-mx:
5.The upgrade interface is shown in the figure below. Please DO NOT power off the device during upgrade. Please
restart mini-mx after upgrade is completed.
5.4 Terms & Definitions
●RCA:
Connector used primarily in consumer AV equipment for both audio and video. The RCA connector
was developed by the Radio Corporation of America.

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●
BNC:
Stands for Bayonet Neill-Concelman. A cable connector used extensively in television (named for its inventors). A
cylindrical bayonet connector that operates with a twist-locking motion .
●CVBS: C
VBS or Composite video, is an analog video signal without audio. Most commonly CVBS is used for
transmission of standard definition signals. In consumer applications the connector is typically RCA type, while in
professional applications the connector is BNC type.
●YPbPr: Used to describe the colour space for progressive-scan. Otherwise known as component video.
●VGA: Video Graphics Array. VGA is an analog signal typically used on earlier computers. The signal is non-interlaced in
modes 1, 2, and 3 and interlaced when using in mode.
●DVI:
Digital Visual Interface. The digital video connectivity standard that was developed by DDWG (Digital Display
Work Group). This connection standard offers two different connectors: one with 24 pins that handles digital
video signals only, and one with 29 pins that handles both digital and analog video.
●SDI: Serial Digital Interface. Standard definition video is carried on this 270 Mbps data transfer rate. Video pixels are
characterized with a 10-bit depth and 4:2:2 color quantization. Ancillary data is included on this interface and typically
includes audio or other metadata. Up to sixteen audio channels can be transmitted. Audio is organised into blocks of 4
stereo pairs. Connector is BNC.
●HD-SDI: High-definition serial digital interface (HD-SDI), is standardized in SMPTE 292M this provides a nominal data
rate of 1.485 Gbit/s.
●3G-SDI: Standardized in SMPTE 424M, consists of a single 2.970 Gbit/s serial link that allows replacing dual link
HD-SDI.
●6G-SDI: Standardized in SMPTE ST-2081 released in 2015, 6Gbit/s bitrate and able to support 2160p@30.
●12G-SDI: Standardized in SMPTE ST-2082 released in 2015, 12Gbit/s bitrate and able to support 2160p@60.
●U-SDI: Technology for transmitting large-volume 8K signals over a single cable. a signal interface called the ultra high
definition signal/data interface (U-SDI) for transmitting 4K and 8K signals using a single optical cable. The interface was
standardized as the SMPTE ST 2036-4.
●HDMI: H
igh Definition Multimedia Interface: An interface used for the transmission of uncompressed high
definition video, up to 8 channels of audio, and control signals, over a single cable.
●HDMI 1.3: Released on June 22 2006, and increased the maximum TMDS clock to 340 MHz (10.2 Gbit/s). Support
resolution 1920 × 1080 at 120 Hz or 2560 × 1440 at 60 Hz). It added support for 10 bpc, 12 bpc, and 16 bpc color depth
(30, 36, and 48 bit/px), called deep color.
●HDMI 1.4: Released on June 5, 2009, added support for 4096 × 2160 at 24 Hz, 3840 × 2160 at 24, 25, and 30 Hz, and
1920 × 1080 at 120 Hz. Compared to HDMI 1.3, 3 more features added which are HDMI Ethernet Channel (HEC) , audio
return channel (ARC),3D Over HDMI, a new Micro HDMI Connector, an expanded set of color spaces.

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●HDMI 2.0: Released on September 4, 2013 increases the maximum bandwidth to 18.0 Gbit/s. Other features of HDMI
2.0 include up to 32 audio channels, up to 1536 kHz audio sample frequency, the HE-AAC and DRA audio standards,
improved 3D capability, and additional CEC functions.
●HDMI 2.0a: Was released on April 8, 2015, and added support for High Dynamic Range (HDR) video with static
metadata.
●HDMI 2.0b: Was released March, 2016, support for HDR Video transport and extends the static metadata signaling to
include Hybrid Log-Gamma (HLG).
●HDMI 2.1: Released on November 28, 2017. It adds support for higher resolutions and higher refresh rates, Dynamic
HDR including 4K 120 Hz and 8K 120 Hz.
●DisplayPort: A VESA standard interface primarily for video, but also for audio, USB and other data. DisplayPort (orDP)
is backwards compatible with HDMI, DVI and VGA.
●DP 1.1: Was ratified on 2 April 2007, and version 1.1a was ratified on 11 January 2008. DisplayPort 1.1 allow a
maximum bandwidth of 10.8 Gbit/s (8.64 Gbit/s data rate) over a standard 4-lane main link, enough to support
1920x1080@60Hz
●DP 1.2: Introduced on 7 January 2010, effective bandwidth to 17.28 Gbit/s support increased resolutions, higher
refresh rates, and greater color depth, maximum resolution 3840 × 2160@60Hz
●DP 1.4: Publish on 1 Mar, 2016.overall transmission bandwidth 32.4 Gbit/s ,DisplayPort 1.4 adds support for Display
Stream Compression 1.2 (DSC), DSC is a "visually lossless" encoding technique with up to a 3:1 compression ratio. Using
DSC with HBR3 transmission rates, DisplayPort 1.4 can support 8K UHD (7680 × 4320) at 60 Hz or 4K UHD (3840 × 2160)
at 120 Hz with 30 bit/px RGB color and HDR. 4K at 60 Hz 30 bit/px RGB/HDR can be achieved without the need for DSC.
●Multi-mode Fiber: Fibers that support many propagation paths or transverse modes are called multi-mode fibers,
generally have a wider core diameter and are used for short-distance communication links and for applications where
high power must be transmitted.
●Single-mode Fiber: Fiber that support a single mode are called single-mode fibers. Single-mode fibers are used for
most communication links longer than 1,000 meters (3,300 ft).
●SFP: Small form-factor pluggable , is a compact, hot-pluggable network interface module used for
both telecommunication and data communications applications.
●Optical Fiber Connector: Terminates the end of an optical fiber, and enables quicker connection and disconnection
than splicing. The connectors mechanically couple and align the cores of fibers so light can pass. 4 most common types
of optical fiber connectors are SC, FC, LC,ST.
●SC: (Subscriber Connector), also known as the square connector was also created by the Japanese company – Nippon
Telegraph and Telephone. SC is a push-pull coupling type of connector and has a 2.5mm diameter. Nowadays, it is used
mostly in single mode fiber optic patch cords, analog, GBIC, and CATV. SC is one of the most popular options, as its
simplicity in design comes along with great durability and affordable prices.

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●LC
:
(Lucent Connector) is a small factor connector (uses only a 1.25mm ferrule diameter) that has a snap coupling
mechanism. Because of its small dimensions, it is the perfect fit for high-density connections, XFP, SFP, and SFP+
transceivers.
●FC: (Ferrule Connector) is a screw type connector with a 2.5mm ferrule. FC is a round shaped threaded fiber optic
connector,mostly used on Datacom, telecom, measurement equipment, single-mode laser.
●ST: (Straight Tip) was invented by AT&T and uses a bayonet mount along with a long spring-loaded ferrule to support
the fiber.
●USB: Universal Serial Bus is a standard that was developed in the mid-1990s that defines cables, connectors and
communication protocols. This technology is designed to allow a connection, communication and power supply for
peripheral devices and computers.
●USB 1.1: Full–Bandwidth USB, specification was the first release to be widely adopted by the consumer market. This
specification allowed for a maximum bandwidth of 12Mbps.
●USB 2.0: or Hi–Speed USB, specification made many improvements over USB 1.1. The main improvement was an
increase in bandwidth to a maximum of 480Mbps.
● USB 3.2: Super Speed USB with 3 varieties of 3.2 Gen 1(original name USB 3.0), 3.2Gen 2(original name USB 3.1), 3.2
Gen 2x2 (original name USB 3.2) with speed up to 5Gbps,10Gbps,20Gbps respectively.
USB version and connectors figure:
Type
A
Type B
Mini
A
Mini
B
Micro-
A
Micro
-B
Type C
USB 2.0
USB 3.0
USB
3.1&3.2
●
NTSC:
The colour video standard used in North America and some other parts of the world created by the
National Television Standards Committee in the 1950s. NTSC utilizes an interlaced video signals.
●
PAL:
Phase Alternate Line. A television standard in which the phase of the colour carrier is alternated from line to line. It
takes four full images (8 fields) for the colour-to-horizontalimages (8 fields) for the colour-to-horizontal phase
relationship to return to the reference point. This alternation helps cancel out phase errors. For this reason, the hue
control is not needed on a PAL TV set. PAL, is widely used in needed on a PAL TV set. PAL, is widely used in Western

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Europe, Australia, Africa, the Middle East, and Micronesia. PAL uses 625-line, 50-field (25 fps) composite colour
transmission system.
●
SMPTE:
Society of Motion image and Television Engineers. A global organization, based in the United States, that sets
standards for baseband visual communications. This includes film as well as video and television standards.
●
VESA:
Video Electronics Standards Association. An organization facilitating computer graphics through standards.
●
HDCP:
High-bandwidth Digital Content Protection (HDCP) was developed by Intel Corporation an is in wide use for
protection of video during transmission between devices.
●
HDBaseT:
A video standard for the transmission of uncompressed video (HDMI signals) and related features using Cat
5e/Cat6 cabling infrastructure.
●ST2110: A SMPTE developed standard, ST2110 describes how to send digital video over and IP networks. Video is
transmitted uncompressed with audio and other data in a separate streams.
SMPTE2110 is intended principally for broadcast
production and distribution facilities where quality and flexibility are
more important.
●
SDVoE:
Software Defined Video over Ethernet (SDVoE) is a method for transmission, distribution and management AV
signals using a TCP/IP Ethernet infrastructure for transport with low latency. SDVoE is commonly used in integration
applications.
●
Dante AV:
The Dante protocol was developed for and widely adopted in audio systems for
the transmission of
uncompressed digital
audio on IP based networks. The more recent Dante AV specification includes support for digital
video.
●
NDI:
Network Device interface (NDI) is a software standard developed by NewTek to enable
video-compatible
products to communicate,
deliver, and receive broadcast quality video in a high quality, low latency manner that is
frame-accurate and suitable for switching in
a live production environment over TCP (UDP) Ethernet based networks.
NDI is
commonly found in broadcast applications.
●RTMP: Real-Time Messaging Protocol (RTMP) was initially a proprietary protocol developed by Macromedia (now
Adobe) for streaming audio, video and data over the Internet, between a Flash player and a server.
●RTSP:
The Real Time Streaming Protocol (RTSP) is
a network control protocol designed for use in entertainment and
communications systems to control streaming media servers. The protocol is used for establishing and controlling media
sessions between end points.
●MPEG: Moving Picture Experts Group is a working group formed from ISO and IEC developing standards that allow
audio/video digital compression and Transmission.
●H.264: Also known as AVC (Advanced Video Coding) or MPEG-4i is a common video
compression standard. H.264 was
standard
ized by the ITU-T Video Coding Experts Group (VCEG) together with the ISO/IEC JTC1 Moving Picture Experts

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Group (MPEG).
●H.265: Also known as HEVC (High Efficiency Video Coding )H.265 is the successor to the widely used H.264/AVC
digital video coding standard. Developed underthe auspices of ITU, resolutions up to 8192x4320 may be compressed.
●
API:
An Application Programming Interface (API) provides a predefined function which allows access capabilities
andfeaturesorroutines viaa
software or hardware, without accessing source
code or understanding the details of inner
working mechanism. An API call may execute a
function and/or provide datafeedback/report.
●
DMX512:
The communication standard developed by USITT for entertainment and digital lighting systems.The wide
adoption of the Digital Multiplex (DMX) protocol has seen the protocol used for a wide
range of other devices including
video controllers.
DMX512 is delivered over cable of 2 twisted pairs with 5pin XLR cables for connection.
●ArtNet: An ethernet protocol based on TCP/IP protocol stack, mainly used in entertainment/events applications. Built
on the DMX512 data format, ArtNet enables multiple “universes” of DMX512 to be transmitted using ethernet
networks for transport.
●
MIDI:
MIDI is the abbreviation of Musical Instrument Digital Interface. As the name indicates the protocol was
developed for
communication between electronical musical
instruments and latterly computers. MIDI instructions are
triggers or commands sent over twisted pair cables, typically using 5pin DIN connectors.
●OSC:
The principle of Open Sound Control
(OSC) protocol is for networking sound
synthesizers, computers, and
multimedia
devices for musical performance or show control. As with XML and JSON, the OSC protocol allows sharing
data. OSC is transported via UDP packets between devices connected on an Ethernet.
●Brightness:
Usually refers to the amount or intensity
of video light produced on a screen without regard to colour.
Sometimes called black level.
●
Contrast
Ratio:
The ratio of the high light output level divided by the low light output level. In theory, the
contrast ratio of the television system should be at least 100:1, if not 300:1. In reality, there are several limitations.
Well-controlled viewing conditions should yield a practical contrast ratio of 30:1 to 50:1.
●
Colour
Temperature: The colour quality, expressed in degrees Kelvin (K), of a light source. The higher the
colour
temperature, the bluer the light. The lower the temperature, the redder the light. Benchmark colour temperature
for the A/V industry include 5000°K, 6500°K, and 9000°K.
●
Saturation:
Chroma, Chroma gain. The intensity of the colour, or the extent to which a given colour in any image is free
from white. The less white in a colour, the truer the colour or the greater its saturation. Saturation is the amount of
pigment in a colour, and not the intensity.
●
Gamma:
The light output of a CRT is not linear with respect to the voltage input. The difference between what
you should have and what is actually output is known as gamma.
●Frame: In interlaced video, a frame is one complete image.A video frame is made up of two fields, or two sets of

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interlaced lines. In a film, a frame is one still image of a series that makes up a motion image.
●
Genlock:
Allows synchronisation of otherwise video devices. A signal generator provides a signal pulses which
connected devices can reference. Also see Black Burst and Color Burst.
●Blackburst:
The video waveform without the video elements.It includes the vertical sync, horizontal sync, and
the Chroma burst information. Blackburst is used to synchronize video equipment to align the video output.
●ColourBurst: In colour TV systems, a burst of subcarrier frequency located on the back part of the composite video
signal. This serves as a colour synchronizing signal to establish a frequency and phase reference for the Chroma signal.
Colour burst is 3.58 MHz for NTSC and 4.43 MHz for PAL.
●Colour Bars:
A standard test pattern of several basic
colours (white, yellow, cyan, green, magenta, red, blue, and black)
as a reference for system alignment and testing. In NTSC video, the most commonly used colour bars are the SMPTE
standard colour bars. In PAL video, the most commonly used colour bars are eight full field bars. On computer
monitors the most commonly used colour bars are two rows of reversed colour bars
●Seamless Switching: A feature found on many video switchers. This feature causes the switcher to wait until the
vertical interval to switch. This avoids a glitch (temporary scrambling) which often is seen when switching between
sources.
●Scaling: A conversion of a video or computer graphic signal from a starting resolution to a new resolution. Scaling from
one resolution to another is typically done to optimize the signal for input to an image processor, transmission path or
to improve its quality when presented on a particular display.
●
PIP:
Picture-In-Picture. A small image within a larger image created by scaling down one of image to make it smaller.
Other forms of PIP displays include Picture-By-Picture (PBP) and Picture- With-Picture (PWP), which are commonly used
with 16:9 aspect display devices. PBP and PWP image formats require a separate scaler for each video window .
●HDR: is a high dynamic range (HDR) technique used in imaging and photography to reproduce a greater dynamic
range of luminosity than what is possible with standard digital imaging or photographic techniques. The aim is to
present a similar range of luminance to that experienced through the human visual system.
●UHD:
Standing for Ultra High Definition and comprising
4Kand 8K television standards with a 16:9 ratio, UHD follows
the 2K HDTV standard. A UHD 4K display has a physical resolution of3840x2160 which is four times the area and twice
both the width andheightofaHDTV/FullHD(1920 x1080) video signal.
●EDID: Extended Display Identification Data. EDID is a data structure used to communicate
video display information,
including native resolution and vertical interval refresh rate
requirements, to a source device. The source device will then
output the provided EDID data, ensuring proper video image quality.
5.5 Revision History
The table below lists the changes to the User Manual.

© Xiamen RGBlink Science & Technology Co., Ltd.
Ph: +86 592 5771197
| support@rgblink.com | www.rgblink.com
43
Format
Time
ECO#
Description
Principal
V1.0
2023-03-28
0000#
Release
Aster
V1.1
2023-04-21
0001#
Aster
All information herein is Xiamen RGBlink Science & Technology Co Ltd. excepting noted.
is a registered trademark of Xiamen RGBlink Science & Technology Co Ltd.
While all efforts are made for accuracy at time of printing, we reserve the right to alter
otherwise make change without notice.
Chapter 6 Support

© Xiamen RGBlink Science & Technology Co., Ltd.
Ph: +86 592 5771197
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44
