L1 PRO
PORTABLE LINE ARRAY SYSTEMS
Application
Guide
L1 PRO8
The most portable
L1 Pro system
L1 PRO16
A balance of power
and portability
L1 PRO32 with SUB1
The most advanced
L1 ever
or SUB2 L1 MIX
for Apple &
Android devices
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L1 PRO SERIES
PORTFOLIO LINEUP ..............................................................................1
L1 PRO ONBOARD MIXER ...................................................................3
L1 PRO MIX APP.....................................................................................4
BLUETOOTH CONNECTIONS ..............................................................5
RACETRACK DRIVER ...........................................................................6
POWERFUL INTEGRATED PERFORMANCE ....................................6
LINE ARRAY TECHNOLOGY ................................................................7
THE ADVANTAGES ................................................................................7
DIRECTS SOUND TO FARTHER DISTANCES ...................................8
OVERCOMES CHALLENGING ENVIRONMENTS .............................9
SLIM ADAPTABLE DESIGN ................................................................ 10
SELECTION GUIDE ............................................................................... 11
L1 PRO8 ................................................................................................. 12
L1 PRO16 ................................................................................................ 13
TABLE OF CONTENTS
L1 PRO32 + SUB1 ................................................................................. 14
L1 PRO32 + SUB2 ................................................................................ 15
SUB1 | SUB2 .......................................................................................... 16
CARDIOID SUBS EXPLAINED ........................................................... 18
CARDIOID CONFIGURATION ............................................................ 19
VENUE RECOMMENDATION ............................................................ 20
CONNECTION DIAGRAM ................................................................... 21
L1 PRO8 SYSTEM DIAGRAM EXAMPLE ..........................................22
L1 PRO16 SYSTEM DIAGRAM EXAMPLE .........................................23
L1 PRO32 SYSTEM DIAGRAM EXAMPLE ....................................... 24
L1 PRO32 SYSTEM DIAGRAM EXAMPLE 2 .....................................25
TONEMATCH ........................................................................................ 26
ACCESSORIES ......................................................................................27
L1 PRO SERIES
1
PORTFOLIO LINEUP
L1 PRO8
With Integrated
Subwoofer
L1 PRO16
With Integrated
Subwoofer
L1 PRO32 + SUB1
With Modular
Subwoofer
L1 PRO32 + SUB2
With Modular
Subwoofer
2.1 meters / 7 feet
L1 Mix App
Mobile device not included
and not to scale
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L1 PRO SERIES
2
PORTFOLIO LINEUP
Dialed in for pure performance
L1 Pro portable line array systems advance a PA category invented by Bose into a new era of on-the-go audio for singer-songwriters, mobile DJs, and bands.
Three models oer legendary 180-degree horizontal coverage, unmatched clarity and tonal balance, plus extended bass response with a unique RaceTrack
woofer design.
Built-in multi-channel mixers oer EQ, reverb, and phantom power, plus Bluetooth® streaming and access to the full library of ToneMatch presets.
Bass without the bulk
Unique RaceTrack woofers integrated into the L1 Pro8 and L1 Pro16 — and in the Bose Sub1 and Sub2 modular subwoofers available for the L1 Pro32 — deliver
powerful bass, have an optimized center of gravity, and save a lot of space.
This slim design means you get the full impact of a conventional subwoofer without the cumbersome size, freeing up room in your vehicle and on the stage,
and making every carry in between — home to car, vehicle to venue — much easier.
Mixer onboard… and on your phone
Each L1 Pro system features a built-in mixer, so you can connect various instruments, microphones, and other sources easily. You get two combo XLR-1/4”
phantom-powered inputs, 1/4” and 1/8” (3.5 mm) aux inputs, plus Bluetooth® streaming capability.
Illuminated rotary encoders give you instant access to volume, tone, and reverb settings per channel. Select between optimized system EQ presets for live
music, recorded music, and more.
Add in even more instruments and other audio sources via dedicated ToneMatch port — one cable provides both power and digital audio between the
system and a Bose T4S or T8S mixer (optional).
The L1 Mix app provides channel-level mixer control…
Intuitive and instant wireless control
With the L1 Mix app, you can adjust mixer settings instantly from your phone or even walk the room, hear how the mix sounds, and fine-tune as you go.
Change volume and tone settings in the app and watch the LED encoder on your L1 Pro move to match — the mixer and app are always in sync, in real time.
Plus, you have access to the entire ToneMatch library of custom EQ presets. With the L1 Mix app, you get the connectivity that empowers your performance,
giving you greater flexibility for on-the-fly tweaks via controls that are intuitive and instant.
All for that moment
Premium sound on stage. Practical portability everywhere else. With an L1 Pro system, you can get from parking to performing with ease and from setup to
setlist in minutes. It’s the power to sound your best and simply perform.
L1 PRO SERIES
3
1
2
1
Illuminated digital rotary encoders adjusts the level of volume, treble,
bass, or reverb for your desired channel. Press the control to switch
between parameters; rotate the control to adjust the level of your
selected parameter.
Signal/clip LED indicator illuminates green when a signal is present and
will illuminate red when the signal is clipping.
Channel mute by pressing the button. While muted, the switch will
illuminate white.
Channel ToneMatch button selects the ToneMatch preset for an
individual channel. Use MIC for microphones and INST for acoustic
guitar. The corresponding LED will illuminate white while selected. It will
illuminate green when a custom preset is selected in the L1 Mix app.
Combination input jack accepts analog input for connecting microphone
(XLR) and instrument (1/4-inch TRS or TS) cables.
Phantom power provides 48-volt power to channels 1 and 2. The LED will
illuminate white while phantom power is applied.
USB-C port for firmware updates and Bose service.
XLR line output to connect the line-level output to a Sub1/Sub2 or
another bass module.
ToneMatch port connects your L1 Pro8/Pro16/Pro32 to a T4S or T8S
ToneMatch mixer via a ToneMatch cable.
Bluetooth® pair button sets up pairing with Bluetooth capable devices,
such as mobile phones, tablets, and laptops. The LED will flash blue while
the system is discoverable and illuminate solid white when a device is
paired for streaming.
Aux line input uses a 3.5-millimeter (1/8-inch) TRS cable to connect a
line-level audio source.
Line input uses a 6.4-millimeter (1/4-inch) TRS cable to connect line-level
audio sources.
System EQ button scrolls through and selects a master EQ suitable for
the use case. The corresponding LED will illuminate white while selected.
Standby button is pressed to power on. The LED will illuminate white
while the system is on.
3
2
4
5
6
7
8
9
L1 PRO ONBOARD MIXER
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L1 PRO SERIES
4
Download the Bose L1 Mix app to your phone or tablet to take wireless control of your L1 Pro system via Bluetooth LE connection. Adjust
settings instantly, roam the room and fine-tune, mute the reverb, access the ToneMatch library of custom EQ presets, and stream audio. The L1
Pro system indicators and controls update in real time with changes made in the app.
L1 PRO MIX APP
FEATURES
Adjust channel mixer parameters –
Volume, EQ, reverb, channel mute, reverb mute,
phantom power
Adjust system EQ
Access ToneMatch preset library
Save scenes
Synchronized controls and indicators
L1 PRO SERIES
5
BLUETOOTH CONNECTIONS
Wireless Control and Audio Streaming
L1 Pro Systems include two separate Bluetooth connections: Bluetooth LE and Bluetooth Classic. Each of these type of connections serve a dierent purpose: control
or audio streaming. When you open the L1 Mix app and follow the steps for connecting, your mobile device or tablet connects to the L1 Pro system using Bluetooth
LE technology. This allows you to control all functions of the L1 Pro system such as volume, channel EQ, system EQ, and more, but does not stream audio. Streaming
audio to an L1 Pro system is facilitated through a Bluetooth Classic connection that uses an AAC codec to achieve a high sound quality while using less data.
Bluetooth LE and Classic connections appear separately in your mobile device. This means you can use a single device for both control and audio streaming, or you
can use a dedicated device with the L1 Mix app for control and a second device for audio streaming.
+
L1 Mix app (Bluetooth LE) + music streaming (Bluetooth Classic)
or
L1 Mix app (Bluetooth LE)
Music streaming (Bluetooth Classic)
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L1 PRO SERIES
6
RACETRACK DRIVER
Powerful Integrated Performance
Small
Beginnings,
Massive
Performance
Racetrack drivers are most
commonly found in small
and slim audio applications.
Bose has achieved the
engineering feat of enlarging
the racetrack driver to meet
the needs of the traveling
performer.
This allows for a slim
integrated package to
match the performance of a
standard larger loudspeaker
system.
The proprietary 7” × 13” high-
excursion RaceTrack driver
found in the Sub1 delivers
performance that rivals a
traditional 12” loudspeaker
without the cumbersome
size, freeing up room in your
vehicle and on the stage.
And the Sub2’s 10” x 18”
high-excursion RaceTrack
driver provides performance
similar to a traditional 15”
loudspeaker.
L1 PRO8 L1 PRO16 SUB1 SUB2
Lighter,
Stronger,
More Durable
The muscle of the RaceTrack
driver found in the L1 Pro16 and
Sub2 module is the neodymium
magnet. This technology
allows for a lighter weight and
more compact package while
retaining the performance you
expect. Neodymium magnets
have the advantage of being
more durable and resistant to
demagnetisation than standard
ferrite magnets. They can also
dissipate heat much faster to
maintain consistent performance
over longer periods.
L1 PRO SERIES
7
LINE ARRAY TECHNOLOGY
Line Array
(Line Source)
Traditional PA
(Point Source)
Ceiling
Reflections
Reflections
Floor
This is accomplished by the patented loudspeaker transducers integrated into the Bose L1 Pro series. They are a stacked set of identical
compact drivers arrayed in an straight vertical line. They are engineered to be closely spaced and operating in phase with equal amplitude.
The drivers will acoustically interact and couple together changing the sound waveform into a single cylindrical waveform known as line
source or line array. This acoustical interaction creates multiple advantages that are explained on the following pages.
The Bose L1 Pro series incorporates line array technology that provides advantages compared to a traditional point source portable PA
loudspeaker. In general, line array technology provides more targeted audience coverage as it acoustically aims its sound energy to the
intended listening area and away from non-intended areas like the ceiling or floors.
Each of these advantages will be further explained over the next pages
THE ADVANTAGES
1
Directs sound to farther
distances
2
Overcomes challenging
environments
3
Slim adaptable design
4
Lighter weight with easier
portability
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L1 PRO SERIES
8
DIRECTS SOUND TO FARTHER DISTANCES
Line Source Behavior
The L1 Pro systems implement the benefits of line source technology while maintaining portability as an audio solution. The result of this innovation allows for sound
to propagate further than a standard point source system. This happens because a line source system is not bound to the inverse square law within the near field
critical distance. Traditionally a point source will lose 6dB of sound pressure (SPL) per doubling of distance. The L1 Pro32 + Sub 2 only loses 3dB SPL per doubling of
distance for the first eight meters. This allows the system to direct sound to further distances than a standard point source loudspeaker system.
The chart below illustrates the dierences between the L1 Pro models in relation to their throw distance. This is the main dierentiator between the L1 Pro systems.
No matter your venue size, there is an L1 Pro system to fit your needs.
L1 PRO SERIES
9
OVERCOMES CHALLENGING ENVIRONMENTS
The L1 Pro line of PA systems is compromised of three dierent coverage patterns.
The L1 Pro 8 system is equipped with a C-Shaped array vertical coverage pattern. This allows it to have the widest coverage of all L1 Pro systems but the shortest
throw distance. This makes it suitable for smaller venues or more unique placement situations that require an extremely flexible PA system where a stage may not be
present.
The L1 Pro16 system is tailored towards medium sized performance spaces where the performer is usually located above the crowd. It’s J-Shape array allows for a
farther throw distance then the L1 Pro 8 while still having a wide vertical pattern to maintain flexibility.
The L1 Pro32 system is designed for maximum throw distance in larger venues. This system’s straight array shape throws deep into the crowd to give the widest
possible audience range a consistent sonic experience.
The L1 Pro line of PA systems feature Bose’s stand out articulated array innovation. The articulated
array included in all L1 Pro models is made of stacked 2” “Cricket” drivers that are splayed from left
to right. This technology enables an extremely wide, true 180-degree horizontal coverage pattern
while maintaining a tight engineered vertical coverage pattern. This wide horizontal coverage
pattern is perfect for the traveling musician or presenter that requires a fast setup while still being
able to reach all audience members in the performance space.
Vertical Coverage
Horizontal Coverage
L1 Pro8 L1 Pro16 L1 Pro32
C-Shape
+/-20°
J-Shape
0/-30°
Straight-Shape 0°
180°
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L1 PRO SERIES
10
SLIM ADAPTABLE DESIGN
The L1 Pro systems allow for the benefit of line source technology to be brought anywhere. Each system breaks down into compact components that fit into
included carrying cases and slip covers. Once the system has been broken down it can then be easily carried into the venue. The chart below explores the weight
distribution for each of the four main system configurations. This weight distribution allows for more comfortable and safer transportation of the system from the
vehicle to the venue.
Lighter weight with easier portability
L1 Pro32 + Sub1
13.0 kg
28.6 lb
16.1 kg
35.5 lb
L1 Pro32 + Sub2
13.0 kg
28.6 lb
23.4 kg
51.7 lb
L1 Pro16
6.1 kg
13.5 lb
18.7 kg
41.3 lb
L1 Pro8
4 kg
8.9 lb
14 kg
30.9 lb
L1 Pro8 L1 Pro16
The L1 Pro8 and Pro16 have optional extensions for use when a stage is not present. This allows for a fantastic audio experience at both a local coee shop or
performance venue and extreme flexibility for PA placement in challenging enviornments.
Without Stage With Stage Without Stage With Stage
L1 PRO SERIES
11
SELECTION GUIDE
L1 PRO8 L1 PRO16 L1 PRO32 + SUB1 L1 PRO32 + SUB2
Loudspeaker Type
8 x articulated cricket drivers
w/ integrated 7” x 13”
racetrack transducer
16 x articulated cricket drivers
w/ integrated 10” x 18”
neodymium racetrack transducer
32 x articulated cricket drivers
w/ modular 7” x 13”
racetrack transducer
32 x articulated cricket drivers
w/ modular 10” x 18”
neodymium racetrack transducer
Max SPL 112 dB (cont.) 118 dB (peak) 118 dB (cont.) 124 dB (peak) 117 dB (cont.) 123 dB (peak) 122 dB (cont.) 128 dB (peak)
Low-Frequency 45 Hz 42 Hz 40 Hz 37 Hz
Coverage 180° H x +/-20° V 180° H x 0/-30° V 180° H x 0° V
Vertical Beam Type C-shape J-shape Straight-shape
Amplifier Design Class D, 60W mid-high array + 240W sub Class D, 250W mid-high array + 1000W sub Class D, 480W mid-high array + 480W sub Class D, 480W mid-high array + 1000W sub
Onboard Mixer 3 channel
Inputs
Channel 1 and 2 Input Type Combination XLR or 1/4” TRS connector (mic/instrument/line)
Channel 1 and 2 Features Volume, Treble, Bass, Reverb, Mute, Phantom power, ToneMatch presets
Channel 3 Input Type
1/8” TRS (stereo-summed, line), 1/4” TRS (line), Bluetooth audio streaming (AAC)
Channel 3 Features Volume, Treble, Bass, Mute
Phantom Power
Yes
Bluetooth Streaming Yes
SUB1 | SUB2 Inputs
Channel 1 and 2 Type Not applicable Not applicable
Combination XLR or 1/4” TRS connector (line)
SubMatch in
Outputs
Line Out XLR connector (full frequency bandwidth)
ToneMatch Port
Compatible with Bose T4S and T8S Mixer
SubMatch Connection Not applicable Not applicable Yes, cable included
SUB1 | SUB2 Outputs
Line Outputs Not applicable Not applicable
2 x XLR connector (full frequency bandwidth)
SubMatch thru
System Control
Onboard Yes
Wireless Yes, via L1 Mix app over Bluetooth LE connection
Other
System Includes
1 x mid-high array
1 x array extension
Subwoofer power stand
AC power cord
Carry bag
1 x mid-high array
1 x array extension
Subwoofer power stand
AC power cord
Carry bag
2 x mid-high array
Sub1
SubMatch cable
AC power cord
Carry bags
Slip cover
2 x mid-high array
Sub2
SubMatch cable
AC power cord
Carry bags
Slip cover
Dimensions (H × W × D)
200.5 ×31.8 ×44cm
(78.9 ×12.5 ×17.3in)
201.2 ×35.5 ×45.6cm
(79.2 ×14.0 ×18.0in)
L1 PRO32: 213.5 ×34.5 ×55cm
(84.1 ×13.6 ×21.7in )
SUB1: 53.0 ×25.0 ×53.0cm
20.9 ×9.8 ×20.9in
SUB2: 69.0 ×30.5 ×55.0cm
27.2 ×12.0 ×21.7in
Net Weight 18 kg (39.8lb) 24.8kg (54.8lb)
L1 PRO32: 13.0 kg (28.6 lb)
SUB1: 16.1 kg (35.5 lb) SUB2: 23.4 kg (51.7 lb)
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L1 PRO SERIES
12
Vertical coverage
(side view)
118 dB SPL peak
45 Hz bass
180° horizontal coverage
(overhead view)
Specifications L1 PRO8
Loudspeaker Type
8 x articulated cricket drivers
w/ integrated 7” x 13”
racetrack transducer
Max SPL 112 dB (cont.) 118 dB (peak)
Low-Frequency 45 Hz
Coverage 180° H x +/-20° V
Vertical Beam Type C-shape
Amplifier Design
Class D, 60W mid-high array
+ 240W sub
Onboard Mixer 3 Channel
System Includes
1 x mid-high array
1 x array extension
Subwoofer power stand
AC power cord
Carry bag
Dimensions (H × W × D)
200.5 ×31.8 ×44cm
(78.9 ×12.5 ×17.3in)
Net Weight 18kg (54.8lb)
L1 PRO8
The L1 Pro8 is ready whenever you are, enabling easier load-in and faster setup. With an eight-driver
articulated C-shape line array, the L1 Pro8 oers 180 degrees of horizontal sound coverage, equipping
singer-songwriters and DJs for small venues like coee shops and cafes.
The most portable system
Integrated subwoofer
Featuring a high-excursion 7” × 13”
RaceTrack driver; performance that
rivals a conventional 12” woofer.
Mid High Array
C-shaped line array featuring 8
articulated 2” neodymium drivers;
180-degree horizontal coverage
with wide vertical dispersion,
allowing your audience to hear
clearly whether they are seated or
standing, even o to the extreme
sides in small venues.
Extension
Provides dual height positions
for the mid high array to achieve
optimal ear height. Use extension
when placed on the ground or floor.
Possibly remove extension when
placed on elevated platform like a
stage or table.
Built-in mixer
The back of the subwoofer
incorporates a powered mixer
that connects various audio
sources with two combo XLR-
1/4" phantom-powered inputs,
1/4" and 1/8" (3.5 mm) aux
input, plus Bluetooth® streaming
— and access channel volume,
tone, and reverb via illuminated
controls, with ToneMatch
presets and system EQ.
L1 PRO SERIES
13
Specifications L1 PRO16
Loudspeaker Type
16 x articulated cricket drivers
w/ integrated 10” x 18”
neodymium racetrack trans-
ducer
Max SPL 118 dB (cont.) 124 dB (peak)
Low-Frequency 42 Hz
Coverage 180° H x 0/-30° V
Vertical Beam Type J-shape
Amplifier Design
Class D, 250W mid-high array
+ 1000W sub
Onboard Mixer 3 Channel
System Includes
1 x mid-high array
1 x array extension
Subwoofer power stand
AC power cord
Carry bag
Dimensions (H × W × D)
201.2 ×35.5 ×45.6cm
(79.2 ×14.0 ×18.0in)
Net Weight 24.8kg (54.8lb)
L1 PRO16
The L1 Pro16 is a streamlined system with high output and extended low frequency. With a 16-driver
articulated J-shape line array, the L1 Pro16 oers 180 degrees of horizontal sound coverage and is
a perfect fit for DJs, singer-songwriters, and small ensembles performing in small-to-medium sized
clubs, bars, and other venues.
A balance of power and portability
Integrated subwoofer
Featuring a high-excursion 10”
× 18” neodymium RaceTrack
driver; performance that rivals a
conventional 15” woofer.
Mid High Array
J-shaped line array featuring 16
articulated 2” neodymium drivers;
180-degree horizontal coverage,
tight vertical control on top, wide
dispersion on the bottom to cover
audiences whether setup on the
ground or an elevated stage, and
even o to the extreme sides in
small-to-medium venues.
Extension
Provides dual height positions
for the mid high array to achieve
optimal ear height. Use extension
when placed on the ground or floor.
Possibly remove extension when
placed on elevated platform like a
stage or table.
42 Hz bass
180° horizontal coverage
(overhead view)
Vertical coverage
(side view)
124 dB SPL peak
Built-in mixer
The back of the subwoofer
incorporates a powered mixer
that connects various audio
sources with two combo XLR-
1/4" phantom-powered inputs,
1/4" and 1/8" (3.5 mm) aux
input, plus Bluetooth® streaming
— and access channel volume,
tone, and reverb via illuminated
controls, with ToneMatch
presets and system EQ.
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L1 PRO SERIES
14
Specifications L1 PRO32 + SUB1
Loudspeaker Type
32 x articulated cricket drivers
w/ modular 7” x 13”
racetrack transducer
Max SPL 117 dB (cont.) 123 dB (peak)
Low-Frequency 40 Hz
Coverage 180° H x 0° V
Vertical Beam Type Straight-shape
Amplifier Design
Class D, 480W mid-high array
+ 480W sub
Onboard Mixer 3 Channel
System Includes
2 x Mid-high array
SUB1
SubMatch cable
AC power cord
Carry bags
Slip cover
Dimensions (H × W × D)
L1 PRO32: 213.5 ×34.5 ×55cm
(84.1 ×13.6 ×21.7in )
Sub1: 53.0 ×25.0 ×53.0cm
(20.9 ×9.8 ×20.9in)
Net Weight
L1 PRO32: 13.0 kg (28.6 lb)
Sub1: 16.1 kg (35.5 lb)
L1 PRO32 + SUB1
Modular Sub1 subwoofer
Featuring a high-excursion
7” × 13” RaceTrack driver with
performance that rivals a
conventional 12” woofer. Bass
response down to 40Hz.
Mid High Array
Straight line array, featuring 32
articulated 2” neodymium drivers;
180-degree horizontal coverage
with the highest SPL, longest
throw distance, and most focused
coverage pattern in an L1 ever —
providing intricate sonic detail,
clarity, and consistency, even o to
the extreme sides in larger venues.
Built-in mixer
The power stand incorporates a powered
mixer that connects various audio sources
with two combo XLR-1/4" phantom-
powered inputs, 1/4" and 1/8" (3.5 mm)
aux input, plus Bluetooth® streaming — and
access channel volume, tone, and reverb
via illuminated controls, with ToneMatch
presets and system EQ.
Included SubMatch cable
A single cable connectivity for both power
and audio.
Vertical coverage
(side view)
123 dB SPL peak
(when paired with Sub1)
180° horizontal coverage
(overhead view)
For DJs, singer-songwriters, bands — and your audience — the L1 Pro32 delivers a truly superior
experience. With the supreme clarity and output of a 32-driver articulated line array, the L1 Pro32 oers
180-degree horizontal sound coverage, giving you an unrivaled portable PA system for medium-to-large-
sized venues and events like weddings, clubs, hotel ballrooms, festivals, and more.
The most advanced L1 ever
L1 PRO SERIES
15
L1 PRO32 + SUB2
Modular Sub2 subwoofer
Featuring a high-excursion
10” ×
18” neodymium RaceTrack driver
with
performance that rivals a
conventional 15” woofer. Bass
response down to 37Hz.
Mid High Array
Straight line array, featuring 32
articulated 2” neodymium drivers;
180-degree horizontal coverage
with the highest SPL, longest
throw distance, and most focused
coverage pattern in an L1 ever —
providing intricate sonic detail,
clarity, and consistency, even o to
the extreme sides in larger venues.
Built-in mixer
The power stand incorporates a powered
mixer that connects various audio sources
with two combo XLR-1/4" phantom-
powered inputs, 1/4" and 1/8" (3.5 mm)
aux input, plus Bluetooth® streaming — and
access channel volume, tone, and reverb
via illuminated controls, with ToneMatch
presets and system EQ.
Included SubMatch cable
A single cable connectivity for both power
and audio.
For DJs, singer-songwriters, bands — and your audience — the L1 Pro32 delivers a truly superior
experience. With the supreme clarity and output of a 32-driver articulated line array, the L1 Pro32 oers
180-degree horizontal sound coverage, giving you an unrivaled portable PA system for medium-to-large-
sized venues and events like weddings, clubs, hotel ballrooms, festivals, and more.
The most powerful L1 ever
Specifications L1 PRO32 + SUB2
Loudspeaker Type
32 x articulated cricket drivers
w/ modular 10” x 18”
neodymium racetrack transducer
Max SPL 122 dB (cont.) 128 dB (peak)
Low-Frequency 37 Hz
Coverage 180° H x 0° V
Vertical Beam Type Straight-shape
Amplifier Design
Class D, 480W mid-high array
+ 1000W sub
Onboard Mixer 3 Channel
System Includes
2 x Mid-high array
Sub2
SubMatch cable
AC power cord
Carry bags
Slip cover
Dimensions (H × W × D)
L1 PRO32: 213.5 ×34.5 ×55cm
(84.1 ×13.6 ×21.7in)
Sub2: 69.0 ×30.5 ×55.0cm
(27.2 ×12.0 ×21.7in)
Net Weight
L1 PRO32: 13.0 kg (28.6 lb)
Sub2: 23.4 kg (51.7 lb)
Vertical coverage
(side view)
128 dB SPL peak
(when paired with Sub2)
180° horizontal coverage
(overhead view)
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L1 PRO SERIES
16
SUB1 | SUB2
A powered, portable bass module, the Sub1 or Sub2 subwoofer combines
with virtually any portable PA and delivers low-end performance down to 40
Hz or 37 Hz respectively. Sub1 is the more compact subwoofer option for the
Bose L1 Pro32, combining seamlessly via single-cable SubMatch connectivity.
Sub2 is the more powerful option.
Bass without the bulk
M20 Threaded Insert
The Sub1 and Sub2 are designed
to complement your L1 Pro32
system. Each sub can also be
paired with a Bose S1 Pro system
to create a micro-PA.
The included M20 threaded
insert is designed to work
with the optional Sub1/Sub2
Adjustable Speaker Pole
accessory.
This allows you to mount an
S1 Pro or other point source
loudspeaker weighing 15.4 kg (34
lb) or less, anywhere between 34
and 52 inches high.
Rotatable Logo
The Bose logo can be rotated
when the subwoofer is placed in
the horizontal orientation.
Specifications SUB1 SUB2
Loudspeaker Type 7” x 13” RaceTrack Driver
10” x 18” neodymium
RaceTrack Driver
Low-Frequency 40 Hz 37 Hz
Amplifier Design Class D, 480W Class D, 1000W
Inputs
2 x Combination XLR or 1/4” TRS connector (line)
SubMatch
Outputs
2 x XLR connector (line)
SubMatch Thru
Controls
Level
Phase/Pattern (cardioid mode)
Line In EQ
Line out EQ
Dimensions (H × W × D)
53.0 ×25.0 ×53.0cm
20.9 ×9.8 ×20.9in
69.0 ×30.5 ×55.0cm
27.2 ×12.0 ×21.7in
Net Weight 16.1 kg (35.5 lb) 23.4 kg (51.7 lb)
Includes
Slip cover
AC power cable
L1 PRO SERIES
17
SUB1 | SUB2
Sub connection configurations
Flexible bass for any system
When not connected to an L1 Pro32
system, the Sub1 or Sub2’s on-
board inputs can be used to sum
a stereo input for low frequency
reproduction and pass stereo
content out of line out 1 and 2 to
stereo Mid High content back out to
additional loudspeakers.
This stereo content can be passed
as full frequency or altered by the
optional high pass filter located on
the line out EQ.
Included SubMatch cable
A single cable connectivity for both power
and audio. This innovation allows for a simpler and
faster setup when using an L1 Pro32 system + a
Sub1 or Sub2. The color coded cable connectors
and keyed ports make the setup of the most
powerful L1Pro system plug and play.
This cable also allows for more than one subwoofer
to be used when more low frequency reproduction
is needed. Simply plug in a second Sub1 or Sub2
and perform.
Stereo Source
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CARDIOID SUBS EXPLAINED
A cardioid sub configuration allows for a coverage pattern that is not unlike a cardioid microphone pickup pattern. This coverage pattern allows for most of the
sound energy to be focused in front of the sub module stack while drastically reducing the sound energy that is propagated behind the subwoofer stack.
This contrasts with a standard subwoofer configuration that will act in an omnidirectional coverage pattern where sound energy propagates equally in all directions
for the sub module. The main benefit of the cardioid setup is that the low frequency sound energy from your performance will be focused on the audience and not
back onto the stage. This is especially helpful when amplifying large resonant acoustic instruments like drums or an upright bass. This coverage pattern is achieved
by changing the direction of the second sub module driver and time aligning it using a small delay to the front facing sub module driver. This will create destructive
interference behind the sub stack and results in phase cancellation of the sound energy while creating constructive interference between the modules in front of the
sub stack resulting in phase summation and increased sound energy.
To accomplish this, stack two matching sub modules on top of one another as shown here. Make sure that the module facing away from the audience is at the
bottom of your stack. This configuration allows for a 10 dB SPL down point located directly behind the subwoofer stack. This configuration is possible with both
the Sub1 and Sub2 modules when stacked with an identical module as seen to the left. This can be accomplished without any extra AC power runs thanks to the
SubMatch cabling innovation that transmits both power and audio signal to the second subwoofer module.
Bass where you want it
Cardioid mode OFFCardioid Stack Cardioid mode ON
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To configure cardioid subs, stack two identical modules as seen to the left, connect the top sub module to an L1 Pro32 via a SubMatch cable or an external source
and A/C power. Next set the top sub to positive polarity and the bottom sub to cardioid mode by pressing and holding the polarity button until the CARDIOID LED is
illuminated.
Make sure that the LEVEL settings are matched across the sub modules as mismatching them will skew the performance of cardioid mode. Once this setup has been
completed a 10dB down point will be present directly behind the sub stack. This performance will be extremely beneficial if your performance includes any large
resonant instruments such as an upright bass or a drum set.
CARDIOID CONFIGURATION
Connecting and setting up
TOP SUB
BOTTOM SUB
OR
Line In from
external source
Power
SubMatch In
from L1 Pro32
SubMatch In
from top sub
SubMatch Thru
from top sub
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VENUE RECOMMENDATION
With the ultra-portable L1 Pro8 for intimate venues, the portable-with-punch L1 Pro16 for small-to-medium spaces, and the peak-performance L1 Pro32 for larger
audiences, there’s an ideal system for almost any venue.
Venue
Recommended
System
Possible Applicaons
Entertainment
Parties
Outdoor events
Karaoke
L1 Pro8
Backyard parties
Special family events
Football parking lot
tailgating
Karaoke parties DJ amplification
L1 Pro16
Outdoor amateur sports events
Theatrical production, soundstage/sound eect (SFX)
L1 Pro32
Education
Classrooms
Auditoria
Gymnasia
Cafeterias
Outdoors
L1 Pro8 Mobile multimedia carts Classroom presentations Listening to a blog or podcast Interactive displays
L1 Pro16
Rallies, sporting events,
and speeches
Plays and indoor
performances
Announcements and music
at practices
Emergency
preparedness
drills
L1 Pro32
Hospitality
Ballrooms
Conference rooms
Meeting rooms
Hotel common areas
L1 Pro8
Special event, anniversary
Presentation or speech at
a banquet or corporate meeting
Bookstore, café
Business presentation
L1 Pro16
Conference room meeting
Outdoor cocktail party
L1 Pro32
House
of Worship
Indoor public address
Lobby and hallways
Youth rooms
Classrooms and oces
Portable church
L1 Pro8
Retreats and mission work
Backline for worship band, Youth events
Music worship
Activity room/Sm. function
room
Memorial services
L1 Pro16
Raes, bingo games, or other events
L1 Pro32
Business
and Civic
Oces
Public address
Training/classes
Meetings
L1 Pro8
Corporate
presentations
Briefings, press events,
and training exercises,
municipal auctions
Training and demonstration
Portable
crowd control
or public address
L1 Pro16
Public speaking, announcement
Outdoor community events, community theater
Radio remote broadcast at a large concert or event
L1 Pro32
Fitness
Gyms
Yoga Studios
Dance Studios
Karate Studios
Spin Studios
L1 Pro8 Voice Amplification Background Level Music
L1 Pro16
High Level Music Playback
with Instructor Voice Amplification
Gymnasium Music Playback and Voice Amplification
L1 Pro32
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CONNECTION DIAGRAM
or
1
2
Ch.
1
Ch.
3
Ch.
Ch 1 & 2
Channels 1 & 2 feature a combo
jack and accept either a balanced
XLR or TRS connector, or an
unbalanced TS connector. With this
type of flexibility, you can connect
mic, instrument, or line-level source
devices.
Ch 3
Stream audio using a wireless
Bluetooth connection or connect a
line-level source device using either
the 3.5mm or 1/4” input jack.
* Alternate Connection
This scenario may require a
specialized cable or adapter.
Connect a TRS cable to the
TRS Line Input to allow for
a wider range of volume
control.
*
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Portable PA
Source Devices
Control
L1 Mix app L1 Pro8Wireless microphone
Wireless receiver
PC for video/presentation
or
1
3
Ch.
L1 PRO8 SYSTEM DIAGRAM EXAMPLE
The L1 Pro8 isn’t just for singer-songwriters and DJs; presenters need to be heard too. In this example, the wireless mic receiver can be connected to input 1 or 2. A PC laptop for
multimedia presentations can connect to channel 3 either using a Bluetooth connection or the 3.5mm aux input. Level adjustments can either be made directly on the built-in mixer
or from the L1 Mix app on a mobile phone or tablet.
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L1 PRO16 SYSTEM DIAGRAM EXAMPLE
When the whole band decides to join you, flank the sides of the stage with a pair of L1 Pro16’s. Connect up to eight microphones or instruments to the ToneMatch T8S mixer, and use
the ToneMatch connection to provide a digtial audio connection to one of the L1 Pro16’s and power for the ToneMatch mixer. Wire the full bandwidth line out to the second L1 Pro16 for
increased audience coverage. Finally, with the T8S mixer’s aux sends, you can leverage up to four S1 Pro’s for monitors and take up minimal stage real estate.
* Alternate Connection
This scenario may require a
specialized cable or adapter.
Connect a TRS cable to the TRS
Line Input to allow for a wider
range of volume control.
Portable PA
L1 Pro16 x 2
Source Devices
Stage mics
Keyboard
Guitar
FOH & Monitor Mix
ToneMatch T8S Mixer
Talkback mic
1 1
Line
Out
Ch.Ch.
*
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Portable PA
L1 Pro32
Sub2 x 2, Cardioid
Control
L1 Mix App
Source Devices
Wireless microphone
PC for backing tracks
Wireless
receiver
or
Guitar
1
2
3
Ch.
L1 PRO32 SYSTEM DIAGRAM EXAMPLE
In this example, the wireless mic receiver can be connected to input 1 or 2 with the free input left for the guitar. A PC laptop loaded with backing tracks can connect to channel 3 either
using a Bluetooth connection or the 3.5mm aux input. Use proprietary SubMatch cables for both power and audio to connect your L1 Pro32 and 2x Sub2 modules in cardioid mode for
a focused low end on the audience. Don’t forget, you can take control of your mix from the L1 Mix app on a mobile phone or tablet.
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L1 PRO32 SYSTEM DIAGRAM EXAMPLE 2
In this example, the main left and right outputs of a DJ mixer feed line level inputs on stage left and stage right L1 Pro32 systems. A PC laptop with DJ software and additional music
tracks connect to the DJ mixer over a USB cable. While the L1 Pro32 system can easily accomodate a microphone, it is instead connected to one of the DJ mixer’s mic preamps so that
it may be routed to the master and on to both L1 Pro32 systems. In this configuration, Sub1 modules are connected to their respective L1 Pro32 systems via the provided SubMatch
cable. The L1 Mix app on a mobile phone or tablet provides convenient access for walking about the venue to choose the optimal system EQ.
Portable PA
L1 Pro32 Stage Right
Sub1
Control
L1 Mix App
Source Devices
PC with DJ software
L1 Pro32 Stage Left
Sub1
Mixer and turntables
Mic
1
Ch.
1
Ch.
* *
* Alternate Connection
This scenario may
require a specialized
cable or adapter.
Connect a TRS cable to
the TRS Line Input to
allow for a wider range
of volume control.
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Convenient gig-ready features
Rugged enclosure with a protective magnetic
cover to protect controls and connectors
Includes a ToneMatch cable for connecting to a
Bose L1 Pro system for digital audio and power.
Bottom insert allows you to use standard
mounting accessories to keep your ToneMatch
mixer within reach.
High-density connectivity
Unprecedented connectivity and control in a small digital stereo
mixer
Four (T4S) or eight (T8S) high-quality audio preamps with XLR-
combo jacks for microphones or instruments, and switchable
phantom power
Two Aux inputs for additional sources with two (T4S) or four (T8S)
Aux sends
USB-A and -B for USB drive playback or PC/Mac interfacing
ToneMatch outputs for digital audio and power.
Balanced ¼” TRS and XLR (T8S only) stereo outputs
Independent headphone output
TONEMATCH
Powerful audio processing
Updated, studio-quality eects with advanced digital audio processing.
High-quality eects include compressor, limiter, de-esser, noise gate,
chorus, flanger, phaser, tremolo, delay, and reverb.
Bose® ToneMatch® processing for natural-sounding vocals and instruments.
zEQ focuses the sound of ToneMatch presets for eective adjustments on
the fly.
Independent ToneMatch, EQ, dynamics and eects per channel.
Dedicated reverb for Aux sends, and a global shared reverb for use across
all channels.
Master output EQ helps compensate for venue acoustics.
Full end-to-end tonal optimization when used with Bose L1, L1 Pro, F1 and
S1 systems.
Take control of your music with T4S and T8S ToneMatch® mixers, compact
4 and 8 channel interfaces designed for performers. Engineered with
powerful DSP engines and intuitive user controls, they oer studio-quality
EQ, dynamics and eects processing. Sound great with integrated Bose®
ToneMatch® processing and zEQ, especially when connected to a Bose L1 Pro
system for full end-to-end tonal control. Play confidently on stage with these
rugged ToneMatch mixers using tactile controls, easy-to-read LED displays
and scene recall. ToneMatch mixers, the ultimate on-stage companions for
performing artists.
Expand your system
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ACCESSORIES
L1 Pro8 System Bag
Holds the complete Bose L1 Pro8
system, including the power stand
Padded lining, rubber footing, and
heavy-duty zipper
Comfortable shoulder strap and
handle
Extra room inside to carry
microphones, cables, and more
Durable, lightweight design makes
your L1 Pro8 even more portable
Available in black
These optional accessories are sold separately.
L1 Pro16 System Roller Bag
Holds the complete Bose L1 Pro16 system, including
the power stand
Built-in wheels and comfortable handle for easy
transport
Padded lining, rubber footing, and heavy-duty zipper
Extra room inside to carry microphones, cables, and
more
Durable, lightweight design makes your L1 Pro16 even
more portable
Available in black
L1 Pro8/L1 Pro16 Slip Cover
Designed for use with Bose L1
Pro8 or Bose L1 Pro16 power stand
respectively
Top cutout for easy access to power
stand handle
Convenient slip-on design with Bose
logo
Available in black
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ACCESSORIES
Sub1/Sub2 Adjustable Speaker Pole
Designed for use with Bose Sub1 or Sub2
powered bass modules
Mount Bose S1 Pro portable PA or other
loudspeakers above Sub1 or Sub2
Telescoping capability with locking pin for
extension up to 132 cm (52 inches)
Stainless steel with standard male M20 thread
These optional accessories are sold separately.
Sub1/Sub2 Roller Bag
Designed for Bose Sub1 or Bose Sub2
powered bass module respectively
Molded EVA shell, padded lining, and
heavy-duty zipper
Includes built-in wheels and telescoping
handle
Durable, lightweight design makes your
Sub1 or Sub2 even more portable
Available in black
L1 Pro32 Array & Power Stand Bag
Holds the Bose L1 Pro32 line array and
power stand
Padded lining and heavy-duty zipper
Comfortable shoulder strap and handle
Extra room inside to carry microphones,
cables, and more
Durable, lightweight design makes your
L1 Pro32 even more portable
Available in black
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