Sony ILME-FX30B FX30 Digital Cinema Camera

User Manual - Page 290

For ILME-FX30B.

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ILME-FX30B photo
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Help Guide
Interchangeable Lens Digital Camera
ILME-FX30
Shoe Audio Set.
Sets the digital audio transmitted from the XLR handle unit (supplied only with the ILME-FX30) or a microphone (sold
separately) that supports the digital audio interface, etc. attached to the multi-interface shoe of the camera. You can set
the sampling frequency, the number of quantization bits, and the number of channels. This function cannot be used
during slow-motion/quick-motion shooting.
Menu item details
:
Sets the sampling frequency of audio input to 48 kHz, the number of quantization bits to 24 bits, and the number of
channels to 4.
:
Sets the sampling frequency of audio input to 48 kHz, the number of quantization bits to 24 bits, and the number of
channels to 2.
:
Sets the sampling frequency of audio input to 48 kHz, the number of quantization bits to 16 bits, and the number of
channels to 2.
Hint
The audio level display on the monitor is for 4 channels during 4-channel audio recording.
Note
When an external microphone (sold separately) is connected to the
(microphone) terminal of the camera, the audio is
recorded from the external microphone attached to the
(microphone) terminal. You cannot set [ Shoe Audio Set.].
If the attached microphone is set to analog transmission, you cannot set [
Shoe Audio Set.].
When the attached microphone does not support 4-channel audio recording, you cannot select [
] (48khz/24bit
4ch).
When the attached microphone does not support 24-bit audio recording, [
Shoe Audio Set.] becomes locked to [
] (48khz/16bit 2ch).
Audio cannot be recorded correctly in the following situations during movie recording:
When you attach or remove the microphone
When digital transmission is switched to analog transmission or vice versa on the microphone side
Related Topic
4ch Audio Monitoring (movie)
5-043-036-11(1)
Copyright 2022 Sony Corporation
MENU →
(Shooting) → [Audio Recording] → [ Shoe Audio Set.] → desired setting.
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