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When you change the file format, a message warns you that the camera must be rebooted to complete the change:
R3D REDCODE FILE FORMAT
The RED R3D file format records images in a compressed RAW format. In comparison to Apple ProRes, REDCODE
RAW data does not bake in image settings like ISO, saturation, or LUTs, allowing more flexibility in post-processing
workflows without reducing image quality or dynamic range. Instead R3D files store the image settings as Metadata.
You can open and process R3D files with REDCINE-X PRO or with non-linear editing (NLE) software that supports the
RED SDK.
R3D is the camera's default file format.
APPLE PRORES FORMAT
This section provides general information about recording Apple ProRes files with the camera, including:
Recording Apple ProRes is only available:
When recording to Apple ProRes only
When recording to the Apple ProRes 422 HQ or ProRes 422 codec
QuickTime files have the same metadata that is in the REDCODE RAW files. The metadata is per clip, and not per
frame. At this time, there is no tool for extracting that metadata from the QuickTime files.
You can select a Format from the Project Settings Menu and the camera will scale it to the target resolution you
select in ProRes Resolution.
Recording 4K ProRes files are limited to 4K and above Formats. When in ProRes, Formats below 4K will
automatically be recorded as 2K.
For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White
Paper.
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KOMODO OPERATION GUIDE
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