© 2020 Sony Corporation
5-024-458-
12
(1)
GB
Solid-State Memory Camcorder
ILME-FX6V/ILME-FX6VK
ILME-FX6T/ILME-FX6TK
E-mount
Operating Instructions
FX6
2
1. Overview
System Configuration........................................ 3
Location and Function of Parts
..........................4
Using the Touch Panel
.................................... 10
Screen Display
.................................................. 11
2. Preparation
Power Supply ...................................................17
Attaching Devices
............................................19
Configuring Basic Camcorder Operation
......... 24
Using Memory Cards
....................................... 26
3. Shooting
Basic Operation Procedure ..............................34
Adjusting the Zoom
........................................ 36
Adjusting the Focus
........................................ 37
Adjusting the Brightness
................................ 42
Adjusting for Natural Colors (White
Balance)
....................................................45
Setting the Audio to Record
............................46
Useful Functions
.............................................48
Proxy Recording
...............................................51
Shooting with the Desired Look...................... 52
Shooting with Look Adjustment in
Post-Production
.......................................54
Recording RAW Video
..................................... 55
4. Network Functions
Connecting to Other Devices via LAN ..............56
Connecting to the Internet
.............................. 60
Uploading Files
................................................61
5. Thumbnail Screen
Thumbnail Screen ........................................... 63
Playing Clips
....................................................64
Clip Operations
...............................................65
6. Menu Display and Settings
Full Menu Configuration and Hierarchy ..........66
Full Menu Operations
......................................68
User Menu
....................................................... 70
Edit User Menu
.................................................71
Shooting Menu
............................................... 72
Project Menu
....................................................77
Paint/Look Menu
............................................ 83
TC/Media Menu
..............................................85
Monitoring Menu
............................................ 87
Audio Menu
....................................................90
Thumbnail Menu.............................................92
Technical Menu
............................................... 93
Network Menu
................................................95
Maintenance Menu
.........................................99
Shooting Menu Settings and Default
Values
..................................................... 100
Image Quality Settings Saved for Each Shooting
Mode
...................................................... 104
Saving and Loading Configuration Data
........105
7. External Device Connection
Connecting External Monitors and Recording
Devices
................................................... 106
Synchronizing Timecodes
..............................107
Managing/Editing Clips using a Computer
... 108
8. Appendix
Usage Precautions ........................................ 109
Output Formats and Limitations
....................110
Troubleshooting............................................. 112
Error/Warning Messages
............................... 114
Items Saved in Files
.......................................116
Block Diagrams
..............................................124
Updating E-mount Lens Software
..................127
Licenses..........................................................128
Specifications
................................................. 131
Table of Contents
3
System Configuration
UWP-D21
UWP-D22
UWP-D26
Wireless
Microphone
Package
URX-P03D
Wireless
Microphone
Receiver
SMAD-P3D
Multi-Interface
Shoe Adaptor
SMAD-P5
Multi-Interface
Shoe Adaptor
LA-EA3
LA-EA4
A-mount Adaptor
E-mount lens
ECM-VG1
ECM-MS2
Microphone
RM-30BP
Remote Control Unit
MCX-500
Multi Camera Live
Producer
Grip remote control
(supplied)
ILME-FX6V/ILME-FX6VK
ILME-FX6T/ILME-FX6TK
XLR-K2M
XLR-K3M
XLR Adaptor Kit
HVL-LBPC
Video Light
CFexpress Type A
memory cards
SDXC
memory cards
BC-CU1
Battery Charger
(supplied)
BP-U35, BP-U60,
BP-U60T, BP-U70,
BP-U90, BP-U100
Battery Pack
AC adaptor
(supplied)
CFexpress Type A card reader/
SD card reader
BC-U1A, BC-U2A
Battery Charger
1. Overview
4
1. Overview
Location and Function of Parts
Left Side and Front Side
11
1
2
4
5
6
7
8
9
12
13
14
3
16
15
10
1. Tape measure hook
The tape measure hook is on the same plane
as the image sensor. To measure the distance
between the camcorder and the subject
accurately, use this hook as a reference point.
You can attach the end of a tape measure to
the hook to measure the distance from the
subject.
2. Viewfinder connector (page 19)
3. Air vent
[Note]
Do not cover the air vent.
4. TC IN/OUT select switch (page 34,
107)
5. Grip remote control connector
(page 20)
6. (N-Mark) (page 56)
Touch a smartphone equipped with the
NFC function against the unit to establish a
wireless connection.
Some smartphones that support wireless
pay systems may not support NFC. For
details, refer to the operation manual for the
smartphone.
NFC (Near Field Communication) is an
international communications protocol for
wireless communication between objects in
close proximity.
7. Grip remote control attachment
(page 20)
8. Grip remote control release button
(page 20)
9. Wi-Fi antenna
10. Recording/tally lamp (front) (page 34)
Flashes when the remaining capacity on the
recording media or battery is low.
11. FOCUS switch (page 37)
12. Image sensor
13. PUSH AUTO FOCUS button (page 40)
14. Lens signal contacts
[Note]
Do not touch directly with your hands.
15. WB SET (white balance set) button
(page 45)
16. Lens release button (page 22)
1. Overview: Location and Function of Parts
5
Right Side (Front/Top/Bottom)
9
20
7
5
3
11
10
8
6
19171514
1816
13
2
1
4
12
1. Clip Flag button (page 50, 65)
2. HOLD switch (page 93)
3. Record START/STOP button (page 34)
Press the record START/STOP button to start
recording. The LED is lit red while recording.
4. ND VARIABLE dial (page 43)
5. ND PRESET/VARIABLE switch (page 43)
6. ND FILTER POSITION up/down buttons
(page 43)
7. ND CLEAR indicator (page 43)
8. ND VARIABLE AUTO button (page 43)
Press the ND VARIABLE AUTO button to start
auto density adjustment of the ND filter. The
LED is lit green when turned on.
9. Multi-function dial (page 48)
Press when viewing the image in the
viewfinder to display and operate the direct
menu.
Turn the dial when a menu is displayed in the
viewfinder to move the cursor up/down to
select menu items or settings. Press to apply
the selected item.
When the menu is not being displayed, the
dial can also function as an assignable dial.
10. IRIS function button (page 42)
11. CANCEL/BACK button (page 64)
12. THUMBNAIL button (page 63)
13. MENU button (page 13, 68)
Press the MENU button to display the status
screen. Press and hold the MENU button
to display the full menu screen. Press the
button during status screen or full menu
screen display to return to the previous screen
display.
14. ISO/GAIN function button (page 42)
15. ISO/GAIN (gain select) switch (page 42)
16. WHT BAL (white balance) function button
(page 45)
17. WHT BAL (white balance memory select)
switch (page 45)
18. SHUTTER function button (page 43)
19. Headphone jack (page 34)
20. POWER switch (page 34)
Right side (rear) (page 6)
1. Overview: Location and Function of Parts
6
Right Rear Side and Card Slot
10
8
123
7
6
5
4
11
9
12
15
13
14
1. Wi-Fi antenna
2. AUDIO LEVEL (CH1) dial (page 46)
3. CH1 (AUTO/MAN) switch (page 46)
4. ASSIGN (assignable) 1 to 3 buttons
(page 48)
5. Internal microphone (page 46)
Narration microphone for recording ambient
sound.
[Tip]
This microphone is disabled when the handle is
attached, and the handle internal microphone becomes
active (page 7).
6. DISPLAY button (page 11)
7. Built-in speaker (page 34)
8. POWER indicator (page 34)
9. SLOT SELECT (memory card slot (A)/(B)
select) button (page 34)
10. CH2 (AUTO/MAN) switch (page 46)
11. AUDIO LEVEL (CH2) dial (page 46)
12. Access indicator A (page 26)
13. CFexpress Type A/SD card slot (A)
(page 26)
14. CFexpress Type A/SD card slot (B)
(page 26)
15. Access indicator B (page 26)
1. Overview: Location and Function of Parts
7
Handle, Rear, and Connector Block
11
10
8
7
6
5
4 3 2 1
21
16
10
10
10
9
17
18
19
22
23
20
24
25
26
1 4
1 3
1 2
15
20
1. Handle HOLD switch
Use to disable operation of the controls on the
handle.
2. Handle record START/STOP button
3. Handle internal microphone
4. Multi-interface shoe
For details about accessories supported by
the multi-interface shoe, contact your sales
representative.
5. Handle assignable dial (page 48)
6. Handle zoom lever (page 93)
7. ASSIGN (assignable) 7 to 8 buttons
(page 48)
8. Multi selector (8-way D-pad and apply
buttons)
9. Accessory shoe (page 7)
10. Accessory attachment screw holes
(1/4inch)
Compatible with 1/4-20 UNC screws (length of
6mm or less).
[Note]
Use of screws longer than 6mm may damage the
exterior surface.
11. Recording/tally lamp (rear) (page 34)
12. BATT RELEASE button (page 17)
13. Air inlet
[Note]
Do not cover the air inlet.
14. Battery pack attachment (page 17)
15. USB-C connector (page 60)
16. INPUT2 (audio input 2) connector
(page 46)
17. INPUT1 (audio input 1) connector
(page 46)
18. INPUT2 (LINE/MIC/MIC+48V) switch
(page 46)
19. INPUT1 (LINE/MIC/MIC+48V) switch
(page 46)
20. Screw holes for external devices
Compatible with M3 screws (length of 4mm
or less).
[Note]
Use of screws longer than 4mm may damage the
exterior surface.
21. HDMI OUT connector (page 106)
22. SDI OUT connector (page 106)
23. TC IN/TC OUT (timecode input/output)
connector (page 107)
24. REMOTE connector
Connect to general-purpose LANC jack
accessory.
25. USB/multi connector (page 108)
26. DC-IN connector (standard DC jack)
(page 18)
Attaching the accessory shoe
1 Lift the front edge of the shoe spring, and
pull the spring in the opposite direction to
the arrow engraved on the spring.
Shoe spring
Accessory shoe
1
2 Position the accessory shoe on the
accessory shoe mount, aligning the
protrusions on the shoe with the
corresponding points on the mount, and
tighten the four screws.
1. Overview: Location and Function of Parts
8
3 Insert the shoe spring in the direction of
the arrow so that the U-shaped portion
fits onto the end of the accessory shoe.
Shoe spring
Accessory shoe
2
3
2
3
Removing the accessory shoe
Remove the shoe spring as described in step1
in “Attaching the Accessory Shoe,” unscrew the
four screws, and remove the accessory shoe.
Attaching the handle
Position the handle so that the handle
connector and screw holes are aligned, push
in and turn the handle attachment screws
clockwise to attach the handle to the unit.
You can also tighten the handle attachment
screws by turning them clockwise using a hex
wrench (4mm).
[Note]
Make sure the two handle attachment screws are
securely tightened before using the handle. The handle
may fall off from the camcorder if the screws are not
tightened securely.
Removing the handle
Remove using the reverse of the attachment
procedure.
Attaching the handle connector
protective cap (supplied)
When using the camcorder with the handle
removed, protect the connector using the
supplied protective cap.
[Tip]
When attaching the handle, stow the supplied protective
cap on the bottom of the handle.
Protecting the connector terminals
Attach the cover to unused connectors to
protect the connector terminals.
Top Side
1
2
2
2
2
1. Handle connector
2. Accessory attachment screw holes
(1/4inch)
Compatible with 1/4-20 UNC screws (length of
6mm or less).
[Note]
Use of screws longer than 6mm may damage exterior
parts.
1. Overview: Location and Function of Parts
9
Bottom Side
1 2
1. Tripod screw holes (1/4inch, 3/8inch)
Compatible with 1/4-20 UNC screws and
3/8-16 UNC screws. Attach to a tripod (option,
screw length of 5.5mm or less).
2. Air outlet
[Note]
Do not cover the air outlet.
Viewfinder
For details about attaching the viewfinder
(supplied), see page 19.
1
2
3
4 5
1. PEAKING button
2. ZEBRA button
3. ASSIGN (assignable) 9 button (page 48)
4. Touch panel
Touch operations can be disabled using
an assignable button or using the menu
(page 10).
5. MIRROR switch
Grip Remote Control
For details about attaching the grip remote
control (supplied), see page 20.
4
3
2
1
7
8
6
5
1. Zoom lever
2. ASSIGN (assignable) 4 button (page 48)
3. Grip assignable dial (page 48)
4. ASSIGN (assignable) 6 button (page 48)
5. Grip rotation lever (page 21)
6. Record START/STOP button
7. Multi selector (8-way D-pad and apply
buttons)
8. ASSIGN (assignable) 5 button (page 48)
10
1. Overview
Using the Touch Panel
Touch Panel Usage Precautions
The viewfinder of the unit is a touch panel,
which you operate directly by touch using
your finger.
The touch panel is designed to be touched
lightly with your finger. Do not press the
panel with force or touch it using sharp-
edged or pointed objects (nail, ballpoint
pen, pin, etc.).
The touch panel may not respond when
touched in the following circumstances. Also
note that these may cause a malfunction.
Operation using the tips of finger nails
Operation while other objects are
touching the surface
Operation with a protective sheet or
sticker attached
Operation with water droplets or
condensation on the display
Operation using wet or sweaty fingers
Touch Panel Gestures
Tap
Lightly touch an item, such as an icon or menu
item, using your finger and then immediately
remove your finger.
Drag
Touch the screen and slide your finger to
the desired position of the screen, and then
remove your finger.
Flick/swipe
Touch the screen and quickly flick/swipe your
finger up, down, left, or right.
[Tip]
If the display content continues beyond the edges of the
screen, you can drag or flick the display content to scroll.
Configuring the Touch Panel
Touch panel operation can be enabled/
disabled using Touch Operation (page 93)
in the Technical menu.
11
1. Overview
Screen Display
During shooting (recording/standby) and playback, the camcorder status and settings are
superimposed on the image displayed in the viewfinder.
You can show/hide the information using the DISPLAY button. Even when hidden, it will appear
while performing direct menu (page 48) operations.
You can also select to show/hide each item independently (page 87).
Information Displayed on the Screen While Shooting
3 42
6
8
9 10
75
11
12
13
14
15
16
17
18 19 20 21 22 23 24 25 26 27 28
29
30
31
32
33
34
35
36
1
1. Network status indicator (page 13)
Displays the network connection status as an
icon.
2. Upload indicator/remaining files indicator
(page 61)
3. Focus area indicator (page 37)
Displays the focus area for auto focus.
4. Recording mode, slot A/B, Interval Rec
recording interval indicator (page 49)
Display Meaning
Rec
Recording
Stby Recording standby
5. Depth-of-field indicator
6. Imager scan mode indicator (page 24)
A
mark is displayed if there is a mismatch
between the image circle size of the lens and
the effective picture size imager scan mode
setting.
When Imager Scan Mode is set to FF, a “C”
mark is displayed in modes with narrower
angle of view (cropped).
Cropping occurs in the following modes.
When the recording format is 3840×2160
and S&Q Motion frame rate is 100fps or
120fps
When Codec is set to RAW or RAW & XAVC-I
and the RAW output format is 3840×2160
7. RAW output operation status indicator
(page 55)
Displays the output status of the RAW signal.
8. UWP-D series status indicator
(page 13)
Displays the RF level signal strength as an icon
when a UWP-D series device is connected
to the MI shoe configured for digital audio
transfer.
9. Slow & Quick Motion shooting frame rate
indicator (page 49)
10. Remaining battery capacity/DC IN voltage
indicator (page 17)
11. Focus mode indicator (page 41)
Meaning Display
Focus Hold mode Focus Hold
MF mode MF
AF mode AF
Face/eye detection AF (AF/
/Only/ / )
Face/eye detection
icon
Face/eye detection AF
icon
Only
Registered face icon
AF paused icon during
face/eye detection
AF
1)
1) Displayed when there is no registered face and a face
is not detected, or when there is a registered face and
the registered face is not detected.
12. Zoom position indicator (page 36)
Displays the zoom position in the range 0
(wide angle) to 99 (telephoto) (if a lens that
supports zoom setting display is attached).
The display can be changed to a bar indicator
or focus distance indicator (page 94).
The following items are added to the display
when Clear Image Zoom is enabled.
Display Meaning
Clear Image Zoom is enabled
Magnification
value
When using Clear Image
Zoom
13. Image stabilization mode indicator
14. SDI output/HDMI output Rec Control
status indicator (page 106)
Displays the output status of the REC control
signal.
15. Focus indicator (page 40)
16. Remaining media capacity indicator
17. White balance mode indicator
Display Meaning
Auto mode
Hold
Auto mode paused
W:P Preset mode
W:A Memory A mode
W:B Memory B mode
18. Timecode external lock indicator/time
data display (page 34)
Displays “EXT-LK” when locked to the
timecode of an external device.
19. ND filter indicator (page 43)
20. Scene file indicator (page 105)
21. Iris indicator
Displays the iris position (F value) (if a lens that
supports iris setting display is attached).
22. Video level warning indicator
23. Gain indicator (page 42)
Displays the EI value when in Cine EI mode
(page 24).
Display Meaning
Auto mode
H Preset H mode
M Preset M mode
L Preset L mode
Temporary adjustment
mode
1. Overview: Screen Display
12
24. Clip name display (page 63)
25. Shutter indicator (page 43)
26. AE mode/AE level indicator (page 42)
27. Spirit level indicator
Displays the horizontal level in ±1° increments
up to ±15°.
28. Audio level meter
Displays the audio level of CH1 and CH2.
CH3 and CH4 can be monitored on the status
screen.
29. Video signal monitor (page 50)
Displays a waveform, vectorscope, and
histogram.
The orange line indicates the set value of the
zebra level.
In Cine EI mode (page 24), it displays the
LUT type of the signal being monitored.
30. Base Sensitivity indicator/Base ISO
indicator (page 42)
In Custom mode (page 24), it displays the
base sensitivity set using ISO/Gain/EI on
the Main status screen or ISO/Gain/EI >Base
Sensitivity in the Shooting menu of the full
menu.
In Cine EI mode (page 24), it displays the
Base ISO sensitivity set using ISO/Gain/EI from
the Main status screen or ISO/Gain/EI >Base
ISO in the Shooting menu of the full menu.
31. Gamma display assist/monitor LUT
indicator
Displays the gamma display assist status. The
gamma display assist function can be turned
on/off by assigning Gamma Display Assist to
an assignable button (page 48).
In Cine EI mode (page 24), it displays the
monitor LUT setting (page 76).
32. Base Look indicator (page 52)
Displays the base Look setting.
In Cine EI mode (page 24), it displays the
LUT setting for recording video on the memory
cards (page 76).
33. Proxy status indicator
34. Recording format (codec) indicator
(page 77)
Displays the name of the format for recording
on the memory cards.
35. Recording format (frame rate and scan
method) indicator
36. Recording format (picture size) indicator
(page 77)
Displays the picture size for recording on the
memory cards.
Information Displayed on the Screen During Playback
The following information is superimposed on the playback picture.
1
9 10 11 12 13 14
2 3 4 5 6 7 8
1. Network status indicator
2. Upload indicator/remaining files indicator
3. Clip number/total number of clips
4. Playback status indicator
5. Playback format (frame rate and scan
method) indicator
6. Playback format (picture size) indicator
7. Remaining battery capacity/DC IN voltage
indicator
8. Playback format (codec) indicator
9. Media indicator
A
icon appears if the memory card is write-
protected.
10. Time data display
11. Clip name display
12. Gamma display assist indicator
13. Audio level meter
Displays the playback audio level.
14. Base Look indicator
1. Overview: Screen Display
13
Icon Display
Network connection icon display
Network mode Connection status Icon
Access point mode Operating as an access point
Access point operation error
Station mode Wi-Fi connection
Icon changes according to the signal
strength (4steps)
Wi-Fi disconnected (including when
establishing connection)
Wi-Fi connection error
USB tethering USB tethering connected
USB tethering disconnected
USB tethering error
UWP-D series icon display
Transmitter status Receive status Icon
Power off Not receiving
Normal transmit status Receiving
–
(receive level (4 steps))
Muting status Receiving (muted)
Remaining battery capacity warning
status
Receiving
(Icon flashing)
Muting and remaining battery capacity
warning status
Receiving
(Icon flashing)
Status Screen
You can check the settings and status of the
camcorder on the status screen. The settings
of items marked with an asterisk (*) can be
changed.
The status screen supports touch operation.
To display the status screen
Press the MENU button.
To switch the status screen
Turn the multi-function dial.
Push the multi selector up/down
Swipe the status screen up/down.
To hide the status screen
Press the MENU button.
To change a setting
With the status screen displayed, press the
multi-function dial or multi selector to enable
selection of a setup item within a page. Select
a page number and then press to switch
pages.
You can also select items directly using touch
operation.
[Note]
You can disable changes from the status screen by
setting Menu Settings >User Menu Only (page 93) in
the Technical menu of the full menu to On.
Main Status screen
Displays the main functions of the camera and
the free space on the media.
Display item Description
S&Q Frame Rate Frame rate setting for Slow
& Quick Motion shooting
Frequency/Scan* System frequency and
scanning method settings
Imager Scan* Scan mode of the image
sensor
Media Remain
(A)
Remaining free space on
media in slot A
ND Filter ND filter setting
ISO/Gain/EI ISO/Gain/Exposure Index
setting
Base ISO/
Sensitivity*
Base ISO/Base Sensitivity
setting
Codec* Codec setting for recording
Media Remain (B) Remaining free space on
media in slot B
Scene File* Scene file in use and its File
ID setting
Base Look/LUT* Monitor LUT setting
Shutter Shutter speed or shutter
angle setting
Iris Iris setting
Video Format* Picture size for recording to
memory cards
RAW Output
Format*
Image size of the RAW
output
White Balance White balance setting
1. Overview: Screen Display
14
Camera Status screen
Displays the status of various presets of the
camera.
Display item Description
White Switch<B> White balance memory B
setting
White Switch<A> White balance memory A
setting
White Switch<P> Preset White setting
ND<Preset> ND filter Preset1 to 3 settings
ISO / Gain<L>* ISO/Gain<L> setting
ISO / Gain<M>* ISO/Gain<M> setting
ISO / Gain<H>* ISO/Gain<H> setting
Base ISO/
Sensitivity*
Base ISO/Base Sensitivity
setting
Zebra1 Zebra1 On/Off setting and
level
Zebra2 Zebra2 On/Off setting and
level
VF Gamma/
Gamma
Gamma category and curve
Scene File* Scene file in use and its File
ID setting
Audio Status screen
Displays the input setting, audio level meter,
and volume monitor setting for each channel.
Display item Description
CH1 Level
Control
Auto adjustment On/Off
status
Level Meter Audio level meter
Source* Input source
Ref./Sens.* Input reference level
Wind
Filter*
Microphone wind noise
reduction filter setting
CH2 Level
Control
Auto adjustment On/Off
status
Level Meter Audio level meter
Source* Input source
Ref./Sens.* Input reference level
Wind
Filter*
Microphone wind noise
reduction filter setting
CH3 Level
Control*
Auto adjustment On/Off
status
Level
Meter*
Audio level meter
Source* Input source
Ref./Sens.* Input reference level
Wind
Filter*
Microphone wind noise
reduction filter setting
CH4 Level
Control*
Auto adjustment On/Off
status
Level
Meter*
Audio level meter
Source* Input source
Ref./Sens.* Input reference level
Wind
Filter*
Microphone wind noise
reduction filter setting
Audio Input
Level*
Audio input level (master
volume) setting
HDMI Output CH* HDMI output audio channel
setting
Volume* Headphone/built-in speaker
volume setting
Display item Description
Monitor CH* Monitor channel setting
Project status screen
Displays the basic settings related to the
shooting project.
Display item Description
Frequency/Scan* System frequency and
scanning method settings
Codec* Codec setting for recording
Rec Function Enabled special recording
format and settings
Simul Rec* 2-slot simultaneous
recording function On/Off
status
Title Prefix Title portion of the clip
name
Imager Scan* Scan mode of the image
sensor
Video Format* Picture size for recording to
memory cards
Number Numeric suffix of the clip
name
Shooting Mode* Shooting mode setting
RAW Output
Format*
Image size of the RAW
output
Proxy Rec* Proxy recording function
On/Off status and setting
Monitoring Status screen
Displays the SDI and HDMI output settings.
Display item Description
SDI Signal* Output picture size
Info.
Disp.*
Output display On/Off
setting
Color
Gamut*
Color space setting/
Monitor LUT status
HDMI Signal* Output picture size
Info.
Disp.*
Output display On/Off
setting
Color
Gamut*
Color space setting/
Monitor LUT status
Stream Signal Output picture size
Info.
Disp.
Output display (Off (fixed))
Color
Gamut*
Color space setting/
Monitor LUT status
VF Color
Gamut*
Gamma display assist
setting/Color space setting/
Monitor LUT status
Base Look/LUT* Base Look/LUT setting
Gamma Display
Assist*
Gamma Display Assist on/
off setting
1. Overview: Screen Display
15
Assignable Button Status screen
Displays the functions assigned to each of the
assignable buttons.
Display item Description
1 Function assigned to the
ASSIGN 1 button
2 Function assigned to the
ASSIGN 2 button
3 Function assigned to the
ASSIGN 3 button
4 Function assigned to the
ASSIGN 4 button
5 Function assigned to the
ASSIGN 5 button
6 Function assigned to the
ASSIGN 6 button
7 Function assigned to the
ASSIGN 7 button
8 Function assigned to the
ASSIGN 8 button
9 Function assigned to the
ASSIGN 9 button
Focus Hold
Button
Function assigned to the
Focus Hold button of the
lens
Multi Function
Dial
Function assigned to the
multi-function dial
Grip Dial Function assigned to the
grip assignable dial
Handle Dial Function assigned to the
handle assignable dial
Battery Status screen
Displays information about the battery and DC
IN source.
Display item Description
Detected Battery Type of battery
Remaining Remaining capacity (%)
Charge Count Number of recharges
Capacity Remaining capacity (Ah)
Voltage Battery voltage (V)
Manufacture
Date
Date of battery manufacture
Video Light
Remaining
Displays the remaining
capacity of the video light
battery.
Power Source Power supply source
Supplied Voltage Supplied power source
voltage
Media Status screen
Displays the remaining capacity and remaining
recording time of recording media.
Display item Description
Media A
information
Displays the media icon
when recording media is
inserted in slot A.
Media A
remaining
capacity meter
Displays the remaining
capacity of recording media
inserted in slot A expressed
as a percentage on a bar
graph.
Media A
remaining
recording time
Displays an estimate of the
remaining recording time of
the recording media
inserted in slot A in units of
minutes under the current
recording conditions.
Media B
information
Displays the media icon
when recording media is
inserted in slot B.
Media B
remaining
capacity meter
Displays the remaining
capacity of recording media
inserted in slot B expressed
as a percentage on a bar
graph.
Media B
remaining
recording time
Displays an estimate of the
remaining recording time of
the recording media
inserted in slot B in units of
minutes under the current
recording conditions.
Network Status screen
Displays the network connection status.
Display item Description
Wireless LAN Wireless network settings
and connection status
Wired LAN Wired LAN network settings
and connection status
Modem Wireless network settings
and connection status of
USB tethering
File Transfer Status screen
Displays file transfer information.
Display item Description
Auto Upload
(Proxy)
Auto Upload (Proxy) function
On/Off status
Job Status
(Remain / Total)
Remaining number of jobs
and total number of jobs
Total Transfer
Progress
Transfer progress of all jobs
Default Upload
Server
Name of Auto Upload
(Proxy) destination server
Current File
Transfer Progress
Transfer progress of current
file transfer
Current
Transferring File
Name
Name of file currently being
transferred
Server Address Address of file transfer
destination server
Destination
Directory
Destination directory of file
transfer destination server
1. Overview: Screen Display
16
Using Touch-enabled Settings Screens
Screen layout
Item
Mark indicating current setting
Set (apply) button
Setting selection cursor
(orange frame)
Item name
Selection options
Operation
1 Tap a setup item.
Tap
The selection options for the value
appear.
2 Drag or flick a setting to select the value.
Flick
3 Tap the Set button or the value selection
cursor.
The value is applied and the display
returns to the previous screen.
[Tips]
Press the CANCEL/BACK button to return to the
previous value.
You can also use the multi-function dial or multi
selector.
Touch operations can also be disabled (page 93).
17
2. Preparation
Power Supply
You can use a battery pack or AC power
supply from an AC adaptor.
For safety, use only the Sony battery packs and
AC adaptors listed below.
Lithium-ion battery packs
BP-U35 (supplied)
BP-U60
BP-U60T
BP-U70
BP-U90
BP-U100
Battery chargers
BC-CU1 (supplied)
BC-U1A
BC-U2A
AC adaptor (supplied)
[CAUTION]
Do not store battery packs in locations
exposed to direct sunlight, flame, or high
temperature.
[Notes]
When operating from an AC power source, use the
supplied AC adaptor.
Always set the POWER switch to the Off position
before connecting a battery or AC adaptor. If it is
connected with the POWER switch in the On position,
the camcorder may be unable to start in some cases.
If the camcorder cannot be started, set the POWER
switch to the Off position and disconnect the battery
pack or AC adaptor temporarily, then wait about
30seconds before attempting to connect again. (If
the AC adaptor is connected while the camcorder is
operating from the battery pack, it can be connected
with the POWER switch in the On position without
problem.)
Using a Battery Pack
To attach a battery pack, plug the battery pack
into the attachment (page 7) as far as it
will go, and then slide it down to lock it into
position.
To remove a battery pack, press and hold the
BATT RELEASE button (page 7), slide the
battery pack up and then pull it out of the
attachment.
BATT RELEASE
button
[Notes]
Before attaching a battery pack, charge the battery
using the dedicated BC-CU1, BC-U1A, or BC-U2A
battery charger.
Charging a battery pack while it is warm (for example,
immediately after use) may not fully recharge the
battery.
Checking the remaining capacity
When shooting/playing using a battery pack,
the remaining battery capacity is displayed in
the viewfinder (page 11).
Icon Meaning
91% to 100%
71% to 90%
51% to 70%
31% to 50%
11% to 30%
0% to 10%
The camcorder indicates the remaining
capacity by calculating the available time with
the battery pack if operation is continued at
the current rate of power consumption.
If the battery pack charge becomes low
If the remaining battery charge falls below a
certain level during operation (Low Battery
state), a low-battery message appears and the
recording/tally lamp starts flashing to warn
you.
If the remaining battery charge falls below
the level at which operation cannot continue
(Battery Empty state), a battery-empty
message appears.
Replace with a charged battery pack.
Changing the warning levels
The Low Battery level is set to 10% of full
battery charge and the Battery Empty level is
set to 3% by factory default. You can change
the warning level settings using Camera
Battery Alarm (page 94) in the Technical
menu of the full menu.
To charge the battery pack using the
supplied battery charger (BC-CU1)
1 Connect the AC adaptor (supplied) to the
battery charger, and connect the power
cord (supplied) to an AC power source.
2 Push the battery in and slide it in the
direction of the arrow.
The CHARGE lamp lights up orange and
charging starts.
CHARGE lamp
AC adaptor
Power cord
CHARGE lamp (orange)
Lit: Charging
Flashing: Charging error, or temperature is
outside the operating range and
charging is paused
When fully charged, the CHARGE lamp of
the battery charger turns off.
Always use genuine Sony batteries.
2. Preparation: Power Supply
18
Charging time
Approximate time (minutes) required when
you charge a fully discharged battery pack.
Battery pack Full charge time
BP-U35 120 minutes
[Note]
If the AC adaptor is disconnected from the battery
charger and the battery is left connected to the battery
charger, the battery will start to discharge.
Using AC Power
Connecting the camcorder to an AC power
source allows use without worrying about the
need to recharge the battery pack.
DC IN connector
AC adaptor
Power cord
Connect the AC adaptor to the DC IN
connector on the camcorder, and connect the
power cord (supplied) to an AC power source.
If the output voltage from the AC
adaptor becomes low
If the output voltage from the AC adaptor falls
below a certain level during operation (DC Low
Voltage1 state), a message appears informing
you that the AC adaptor output voltage has
dropped, and the recording/tally lamp starts
flashing.
If the output voltage from the AC adaptor falls
below the level at which operation cannot
continue (DC Low Voltage2 state), a message
appears informing you that the AC adaptor
output voltage is too low.
If this occurs, the AC adaptor may be faulty.
Check the AC adaptor, as required.
Changing the warning voltages
The DC Low Voltage1 level is set to 16.5V and
the DC Low Voltage2 level is set to 15.5V by
factory default. You can change the warning
level settings using Camera DC IN Alarm
(page 94) in the Technical menu.
AC adaptor
Do not connect and use an AC adaptor in a
confined space, such as between a wall and
furniture.
Connect the AC adaptor to the nearest AC
power source. If a problem occurs during
operation, immediately disconnect the
power cord from the AC power source.
Do not short-circuit the metal parts of the
plug of the AC adaptor. Doing so will cause
a malfunction.
The battery cannot be charged while
attached to the camcorder, even if the AC
adaptor is connected.
When disconnecting the AC adaptor from
the unit, grasp the plug and pull it straight
out. Pulling on the cable may cause a
malfunction.
2. Preparation
19
Attaching Devices
Attaching a Microphone (sold
separately)
1 Place the microphone in the microphone
holder.
2 Connect the microphone cable to the
INPUT1 or INPUT2 connector.
INPUT
1
LINE MIC
+48V
MIC
2
LINE MIC
+48V
MIC
1
2
Microphone
Microphone
holder
INPUT1 INPUT2
3 Place the microphone cable into the cable
holder as shown in the diagram.
Cable holder
[Tips]
If you cannot attach the microphone securely, use the
spacer supplied with the microphone.
Depending on the type of lens attached, the tip of the
microphone may be visible in the camcorder image.
Adjust the position of the microphone.
Attaching the Viewfinder
[Note]
Attach/remove the viewfinder while the camcorder is
turned off.
Attaching the viewfinder to the front of
the handle
1 Insert the viewfinder mounting clamp
adaptor in the viewfinder attachment of
the handle (), and turn the screw
(supplied) clockwise to secure it in
position ().
The mounting clamp adaptor can be
freely attached in 45° increments, but the
position where the attachment point is
directly above the screw is recommended.
Screw
Viewfinder mounting
clamp adaptor
2 Mount the viewfinder clamp onto the
viewfinder mounting clamp adaptor (),
and turn the locking knob clockwise to
secure it in position ().
[Note]
Be sure to securely tighten the locking knob when using
a viewfinder. The viewfinder may fall off if the locking
knob is not tightened securely.
3 Align the mark on the camcorder with
the mark on the viewfinder connector,
and insert the cable.
Make sure that the mark is the outer
side before inserting the connector.
4 Place the cable into the cable holder as
shown in the diagram.
Cable holder
2. Preparation: Attaching Devices
20
Attaching the viewfinder to the rear of
the handle
There are two attachment points each on
the rear of the handle () and rear of the
camcorder () for attaching a viewfinder.
Attach the viewfinder in the same way
described in “Attaching the viewfinder to the
front of the handle.”
Adjusting the viewfinder position
Tilt the viewfinder up/down/forward/
backward to adjust the angle of the
viewfinder.
You can use the MIRROR switch to flip the
image when viewing from the front of the
camcorder, for example.
[Tip]
When the unit is not being used or is being transported,
it is recommended that the viewfinder be moved to
the position in the following diagram to protect the
viewfinder.
Removing the viewfinder
Loosen the viewfinder locking knob, and
use the reverse procedure of attaching the
viewfinder.
Attaching the Viewfinder Hood
1 Open the metal clips on the viewfinder
hood.
2 Attach the metal clip on the top of the
viewfinder hood to the hook on the top of
the viewfinder, and attach the metal clip
on the bottom of the viewfinder hood to
the hook on the bottom of the viewfinder.
Attachment hooks
3 Push the lock plate on the bottom of the
viewfinder hood in the direction of the
arrow to lock the viewfinder hood into
position.
Lock plate
Opening the viewfinder hood
Pull the bottom center of the viewfinder hood
out towards you, and then pull up to open the
hood.
[Note]
When moving the viewfinder, hold the body of
the viewfinder and then move it. Do not grasp the
viewfinder hood.
Removing the viewfinder hood
Unclip the viewfinder hood lock, and remove
the viewfinder hood from the viewfinder.
Attaching the Grip Remote Control
[Note]
Attach/remove the grip remote control while the
camcorder is turned off.
1 Connect the cable to the grip remote
control connector.
2. Preparation: Attaching Devices
21
2 Align the grip remote control attachment
of the camcorder and the mount index
mark on the grip (), attach the grip to
the camcorder, and turn it
counterclockwise slowly ().
A click sound can be heard when it locks
into position.
Index mark
[Note]
If it cannot be attached correctly, re-attach it without
applying excessive force to the grip remote controller or
the camcorder.
3 Insert the cable connected in step2 under
the slit of the grip remote control as
shown in the diagram.
[Note]
If the cable is not placed under the slit, changing the
angle of the grip attachment may place excessive force
on the cable or the cable may get caught in the rotating
mechanism.
Adjusting the angle of the grip remote
control
You can adjust the angle of the grip remote
control over a range shown in the following
diagram to suit your shooting style.
Standard position
Rotated toward lens (90° max.)
Rotated toward rear (83° max.)
1 Move the grip rotation lever to the
position shown in the diagram and rotate
the grip while pressing the lever.
2 Remove your finger from the grip rotation
lever near the desired position.
3 Move the grip slightly until you hear a
click sound, indicating the grip is secured
in position.
When the grip is secured, the grip
rotation lever returns to the original
position.
[Notes]
After changing position, always check that the grip is
securely positioned.
You cannot adjust the angle beyond the adjustment
range. Do not use excessive force when rotating the
grip.
Holding the grip (recommended
method)
There are no rules about how to hold the grip,
but the following example shows a way for
easy operation of the grip.
When using the ASSIGN 5 button or multi
selector
A: Operate the grip assignable dial using your
index finger.
B: Operate the multi selector and ASSIGN 5
button using your thumb.
C: Firmly hold the grip using your middle
finger, ring finger, and little finger.
2. Preparation: Attaching Devices
22
When operating the zoom
A: Operate the zoom lever using your index
finger and middle finger.
B: Firmly hold the grip using your thumb.
C: Firmly hold the grip using your ring finger
and little finger.
Removing the grip
[Note]
When removing the grip, be sure to place the camcorder
on a flat surface, such as a desk.
1 Disconnect the cable from the grip remote
control connector.
2 Press and hold the grip remote control
release button of the camcorder, and
rotate the grip clockwise until it detaches.
Grip remote control release button
[Tip]
A rosette can be attached to both the grip attachment
point on the unit and the corresponding attachment
point on the grip.
For details about purchasing rosettes, contact your Sony
dealer.
– Camcorder side: 4-546-932- (option)
– Grip side: 4-547-089- (option)
– Attachment screws*
Camcorder side: 7-627-556- (option)
Grip side: 7-627-556- (option)
* Four screws are required for each rosette (screw holes
are indicated by the circles in the following diagram).
Use of screws other than those specified may
damage the exterior surface.
Camcorder
side
Grip side
Attaching a Lens
[CAUTION]
Do not leave the lens facing the sun. Direct
sunlight can enter through the lens, be
focused in the camcorder, and may cause a
fire.
[Notes]
Attach/remove a lens while the camcorder is turned
off.
A lens is a precision component. Do not place the lens
on a surface with the lens mount face down. Attach
the supplied lens mount cap.
[Tip]
For details about lenses supported by the camcorder,
contact your Sony service representative.
Attaching an E-mount lens
1 Remove the lens cap and cover from the
camcorder and the lens.
2 Align the lens mount mark (white) with
the camcorder, carefully insert the lens,
and then turn the lens clockwise.
A click sound can be heard when it locks
into position.
Mount marks (white)
[Note]
Do not press the lens release button when attaching a
lens.
Attaching an A-mount lens
To use an A-mount lens, attach a lens mount
adaptor (option) and then attach the A-mount
lens.
[Note]
When using an A-mount lens, the iris is set manually
and focus is set to MF.
Removing a lens
Remove a lens using the following procedure.
1 Press and hold the lens release button
and turn the lens counterclockwise while
supporting the lens.
2 Pull the lens out in the forward direction.
[Notes]
When removing a lens, align the mount mark on the
lens lock ring with the mount mark on the camcorder.
Grasp the lens securely in your hand to prevent the
lens from falling.
If another lens will not be attached immediately,
always attach the body cap.
Iris adjustments for lenses with Auto Iris
switch
When the lens Auto Iris is set to AUTO, the
iris is adjusted automatically and can also be
adjusted manually from the camcorder.
When the lens Auto Iris is set to MANUAL,
the iris can only be adjusted using the lens
ring. Iris operation from the camcorder has
no effect.
2. Preparation: Attaching Devices
23
Focus adjustments for lenses with focus
switch
When the lens focus switch is set to AF/MF
or AF, the focus is adjusted automatically
and can also be adjusted manually from a
remote control unit.
When the lens focus switch is set to MF, the
focus is adjusted using the lens ring and can
also be adjusted manually from a remote
control unit.
[Note]
When using an A-mount lens, manual adjustment
from a remote control unit may not be available.
When the lens focus switch is set to Full
MF, the focus can only be adjusted using
the lens ring. Focus operation from the
camcorder has no effect.
Attaching to a tripod
Use the tripod screw holes on the camcorder
when attaching to a tripod. Using the tripod
mount on the lens may cause damage.
2. Preparation
24
Configuring Basic Camcorder Operation
The initial settings screen appears in the
viewfinder the first time the camcorder is
turned on or after the backup battery has
become completely discharged.
Set the date and time of the internal clock
using this screen.
Time Zone
Time Zone sets the time difference from UTC
(Coordinated Universal Time). Change the
setting as required.
Setting the Date and Time
Use the multi selector (page 7) or the
multi-function dial (page 5) to select items
and settings, then press the multi selector
apply button or multi-function dial to apply
the settings and start the clock running.
Once the settings screen is closed, you
can change the date, time, and time zone
settings using Clock Set (page 99) in the
Maintenance menu.
[Notes]
If the clock setting is lost because the backup battery
becomes fully discharged due to power being
disconnected for an extended period (no battery pack
and no DC IN power source), the initial settings screen
will be displayed when you next turn the camcorder
on.
While the initial settings screen is displayed, no other
operation, except turning the power off, is permitted
until you finish the settings on this screen.
The camcorder has a built-in rechargeable battery for
storing the date, time, and other settings even when
the camcorder is turned off.
Before shooting, configure the basic operation
of the camcorder on the Project status screen
to suit the application.
4/12
Frequency/Scan
59.94P
Imager Scan
FF
Shooting Mode
Custom (709)
Codec
XAVC-I
Video Format
2160P3840
RAW Output Format
- - -
Rec Function
O
Simul Rec
O
Proxy Rec
O
Title Prefix
000_
Number
0001
Project
Shooting Mode
You can switch the shooting mode between
“Custom mode” to create images flexibly on-
site, and “Cine EI mode” (where the camcorder
is operated similarly to a film camera, with
footage developed in post production).
Set the shooting mode using Shooting Mode
(page 14) on the Project status screen.
[Tip]
You can also set the shooting mode using Base Setting
>Shooting Mode (page 77) in the Project menu of the
full menu.
Custom mode
In Custom shooting mode, you can select the
video standard.
You can set the video standard using Base
Setting >Target Display (page 77) in the
Project menu of the full menu.
SDR(BT.709): Shooting according to HD
broadcast standard
HDR(HLG): Shooting according to next
generation 4K broadcast standard
For details, see page 52.
Cine EI mode
When the shooting mode is set to Cine EI
mode, select the base color space for the
recording signal and output signal. The color
space selected here is the color space of the
video output when MLUT is set to Off.
You can set the color space using Cine EI
Setting >Color Gamut (page 78) in the
Project menu of the full menu.
S-Gamut3.Cine/SLog3: Easy to adjust color
gamut for digital cinema (DCI-P3).
S-Gamut3/SLog3: Sony wide color gamut
that covers the ITU-R BT.2020 color space.
For details, see page 54.
[Notes]
Cine EI mode has the following limitations.
Functions that cannot be adjusted automatically
(tracking)
– White balance
– Gain
– Shutter
Functions that cannot be configured
– ISO sensitivity/gain (set to base ISO sensitivity
(fixed))
– Paint/Look menu settings (excluding Base
Look)
– Scene File (disabled)
The following functions are available in Cine EI mode
only (page 54).
Exposure Index
Monitor LUT
System Frequency
Set the system frequency using Frequency/
Scan (page 14) on the Project status screen.
The camcorder may reboot automatically after
switching, depending on the selected value.
[Tip]
You can also set the system frequency using Rec Format
>Frequency (page 77) in the Project menu of the full
menu.
[Note]
You cannot switch the system frequency during
recording or playback.
Imager Scan Mode
You can set the effective picture size and
resolution of the image sensor.
Set the scan mode using Imager Scan
(page 14) on the Project status screen.
FF: Full-frame size.
S35: Super 35mm size.
[Tip]
You can also set the scan mode using Rec Format
>Imager Scan Mode (page 77) in the Project menu of
the full menu.
[Notes]
You cannot switch the imager scan mode during
recording or playback.
When set to S35, the video format is restricted to
1920×1080.
Codec
Set the codec using Codec (page 14) on the
Project status screen.
[Tip]
You can also set the codec using Rec Format >Codec
(page 77) in the Project menu of the full menu.
[Note]
You cannot switch the codec during recording or
playback.
2. Preparation: Configuring Basic Camcorder Operation
25
Video Format
You can set the video format for recording.
Set the video format using Video Format
(page 14) on the Project status screen.
[Tip]
You can also set the video format using Rec Format
>Video Format (page 77) in the Project menu of the
full menu.
[Notes]
You cannot switch the video format during recording
or playback.
Restrictions may apply to the signal from the SDI OUT
and HDMI OUT connectors, depending on the video
format setting.
2. Preparation
26
The camcorder records audio and video on CFexpress Type A memory cards (available separately)
or SDXC memory cards (available separately) inserted in the card slots. The memory cards are
also used for proxy recording and storing/loading settings, and when upgrading (software
update).
About CFexpress Type A Memory Cards
Use the Sony CFexpress Type A memory cards* listed in “Recommended Media” (page 27) in
the camcorder.
For details on operations with media from other manufacturers, refer to the operating
instructions for the media or consult the manufacturer’s information.
* Referred to as “CFexpress cards” in this document.
About SDXC memory cards
Use the SDXC memory cards* listed in “Recommended Media” (page 27) in the camcorder.
* Referred to as “SD cards” in this document.
Using Memory Cards
2. Preparation: Using Memory Cards
27
Recommended Media
The guaranteed operating conditions will vary depending on the Rec Format and Recording settings.
Yes: Operation supported
No: Normal operation not guaranteed
Recording format CFexpress
Type A
SDXC
VPG400 Class10 U1 U3 VSC
V10
VSC
V30
VSC
V60
VSC
V90
RAW Out &
XAVC-I
4096×2160
Class300
Normal mode 59.94P Yes No No No No No No Yes
50P Yes No No No No No No Yes
29.97P Yes No No No No No Yes Yes
25P Yes No No No No No Yes Yes
24P Yes No No No No No Yes Yes
23.98P Yes No No No No No Yes Yes
3840×2160
Class300
Normal mode 59.94P Yes No No No No No No Yes
50P Yes No No No No No No Yes
29.97P Yes No No No No No Yes Yes
25P Yes No No No No No Yes Yes
23.98P Yes No No No No No Yes Yes
S&Q (60fps or lower) 59.94P Yes No No No No No No Yes
50P Yes No No No No No No Yes
29.97P Yes No No No No No No Yes
25P Yes No No No No No No Yes
23.98P Yes No No No No No No Yes
2. Preparation: Using Memory Cards
28
Recording format CFexpress
Type A
SDXC
VPG400 Class10 U1 U3 VSC
V10
VSC
V30
VSC
V60
VSC
V90
XAVC-I 4096×2160
Class300
Normal mode 59.94P Yes No No No No No No Yes
50P Yes No No No No No No Yes
29.97P Yes No No No No No Yes Yes
25P Yes No No No No No Yes Yes
24P Yes No No No No No Yes Yes
23.98P Yes No No No No No Yes Yes
S&Q (60fps or lower) 59.94P Yes No No No No No No Yes
50P Yes No No No No No No Yes
29.97P Yes No No No No No No Yes
25P Yes No No No No No No Yes
24P Yes No No No No No No Yes
23.98P Yes No No No No No No Yes
3840×2160
Class300
Normal mode 59.94P Yes
No No No No No No Yes
50P Yes No No No No No No Yes
29.97P Yes No No No No No Yes Yes
25P Yes No No No No No Yes Yes
23.98P Yes No No No No No Yes Yes
S&Q (60fps or lower) 59.94P Yes No No No No No No Yes
50P Yes No No No No No No Yes
29.97P Yes No No No No No No Yes
25P Yes No No No No No No Yes
23.98P Yes No No No No No No Yes
S&Q (100fps, 120fps) 59.94P Yes No No No No No No No
50P Yes No No No No No No No
29.97P Yes No No No No No No No
25P Yes No No No No No No No
23.98P Yes No No No No No No
No
2. Preparation: Using Memory Cards
29
Recording format CFexpress
Type A
SDXC
VPG400 Class10 U1 U3 VSC
V10
VSC
V30
VSC
V60
VSC
V90
XAVC-I 1920×1080
Class100
Normal mode 59.94P Yes No No No No No Yes Yes
50P Yes No No No No No Yes Yes
29.97P Yes No No Yes No Yes Yes Yes
25P Yes No No Yes No Yes Yes Yes
23.98P Yes No No Yes No Yes Yes Yes
S&Q (60fps or lower) 59.94P Yes No No No No No Yes Yes
50P Yes No No No No No Yes Yes
29.97P Yes No No No No No Yes Yes
25P Yes No No No No No Yes Yes
23.98P Yes No No No No No Yes Yes
S&Q (100fps, 120fps) 59.94P Yes No No No No No No Yes
50P Yes No No No No No No Yes
29.97P Yes No No
No No No No Yes
25P Yes No No No No No No Yes
23.98P Yes No No No No No No Yes
S&Q (150fps, 180fps) 59.94P Yes No No No No No No No
50P Yes No No No No No No No
29.97P Yes No No No No No No No
25P Yes No No No No No No No
23.98P Yes No No No No No No No
S&Q (200fps, 240fps) 59.94P Yes No No No No No No No
50P Yes No No No No No No No
29.97P Yes No No No No No No No
25P Yes No No No No No No No
23.98P Yes No No No No No No No
2. Preparation: Using Memory Cards
30
Recording format CFexpress
Type A
SDXC
VPG400 Class10 U1 U3 VSC
V10
VSC
V30
VSC
V60
VSC
V90
XAVC-L 3840×2160
420
Normal mode 59.94P Yes No No Yes No Yes Yes Yes
50P Yes No No Yes No Yes Yes Yes
29.97P Yes No No Yes No Yes Yes Yes
25P Yes No No Yes No Yes Yes Yes
23.98P Yes No No Yes No Yes Yes Yes
S&Q (60fps or lower) 59.94P Yes No No Yes No Yes Yes Yes
50P Yes No No Yes No Yes Yes Yes
29.97P Yes No No No No No Yes Yes
25P Yes No No No No No Yes Yes
23.98P Yes No No No No No No Yes
S&Q (100fps, 120fps) 59.94P Yes No No No No No Yes Yes
50P Yes No No No No No Yes Yes
29.97P Yes No No
No No No No Yes
25P Yes No No No No No No Yes
23.98P Yes No No No No No No No
1920×1080
HD50
Normal mode 59.94P Yes No No Yes No Yes Yes Yes
50P Yes No No Yes No Yes Yes Yes
29.97P Yes No No Yes No Yes Yes Yes
25P Yes No No Yes No Yes Yes Yes
23.98P Yes No No Yes No Yes Yes Yes
S&Q (60fps or lower) 59.94P Yes Yes Yes Yes Yes Yes Yes Yes
50P Yes Yes Yes Yes Yes Yes Yes Yes
29.97P Yes No No Yes No Yes Yes Yes
25P Yes No No Yes No Yes Yes Yes
23.98P Yes No No Yes No Yes Yes Yes
S&Q (100fps, 120fps) 59.94P Yes No No Yes No Yes Yes Yes
50P Yes No No Yes No Yes
Yes Yes
29.97P Yes No No No No No Yes Yes
25P Yes No No No No No Yes Yes
23.98P Yes No No No No No Yes Yes
2. Preparation: Using Memory Cards
31
Recording format CFexpress
Type A
SDXC
VPG400 Class10 U1 U3 VSC
V10
VSC
V30
VSC
V60
VSC
V90
XAVC-L 1920×1080
HD50
S&Q (150fps, 180fps) 59.94P Yes No No No No No Yes Yes
50P Yes No No No No No Yes Yes
29.97P Yes No No No No No No Yes
25P Yes No No No No No No Yes
23.98P Yes No No No No No No Yes
S&Q (200fps, 240fps) 59.94P Yes No No No No No Yes Yes
50P Yes No No No No No Yes Yes
29.97P Yes No No No No No No Yes
25P Yes No No No No No No Yes
23.98P Yes No No No No No No Yes
1920×1080
HD35
Normal mode 59.94P Yes Yes Yes Yes Yes Yes Yes Yes
50P Yes Yes Yes Yes Yes Yes Yes Yes
29.97P Yes
Yes Yes Yes Yes Yes Yes Yes
25P Yes Yes Yes Yes Yes Yes Yes Yes
23.98P Yes Yes Yes Yes Yes Yes Yes Yes
S&Q (60fps or lower) 59.94P Yes Yes Yes Yes Yes Yes Yes Yes
50P Yes Yes Yes Yes Yes Yes Yes Yes
29.97P Yes No No Yes No Yes Yes Yes
25P Yes No No Yes No Yes Yes Yes
23.98P Yes No No Yes No Yes Yes Yes
S&Q (100fps, 120fps) 59.94P Yes No No Yes No Yes Yes Yes
50P Yes No No Yes No Yes Yes Yes
29.97P Yes No No Yes No Yes Yes Yes
25P Yes No No Yes No Yes Yes Yes
23.98P Yes No No No No No Yes Yes
S&Q (150fps, 180fps) 59.94P Yes No No Yes No Yes Yes Yes
50P Yes No No Yes No Yes
Yes Yes
29.97P Yes No No No No No Yes Yes
25P Yes No No No No No Yes Yes
23.98P Yes No No No No No Yes Yes
S&Q (200fps, 240fps) 59.94P Yes No No Yes No Yes Yes Yes
50P Yes No No Yes No Yes Yes Yes
29.97P Yes No No No No No Yes Yes
25P Yes No No No No No Yes Yes
23.98P Yes No No No No No No Yes
2. Preparation: Using Memory Cards
32
Inserting a Memory Card
1 Open the media cover of the card slot
section.
2 Insert a memory card.
For CFexpress cards, the label faces to
the left.
Label
For SD cards, the label faces to the right
with the beveled corner at the bottom.
Beveled corner
The access indicator (page 6) is lit red,
then changes to green if the card is
usable.
[Note]
If the access indicator flashes red continuously and
does not change to green, temporarily turn off the
camcorder, and remove and reinsert the memory
card.
3 Close the media cover.
[Notes]
The memory card, memory card slot, and image data
on the memory card may be damaged if the card is
forced into the slot in the incorrect orientation.
When recording to media inserted in both CFexpress
Type A/SD card slots A and B, insert media in both
slots that is recommended for operation with the
format of the recording.
Ejecting a Memory Card
Open the media cover of the card slot section,
and lightly press the memory card in to eject
the card.
[Notes]
If the camcorder is turned off or the memory
card is removed while the memory card is being
accessed, the integrity of data on the card cannot
be guaranteed. All data recorded on the card may
be discarded. Always make sure the access indicator
is green or off before turning off the camcorder or
removing the memory card.
When removing a memory card immediately after
recording is finished, the memory card may be hot,
but this does not indicate a problem.
Formatting (Initializing) Memory
Cards
If an unformatted memory card or a memory
card that was formatted in a different
specification is inserted, the message “Media
Needs to be Formatted” is displayed in the
viewfinder.
Format the card using the following procedure.
1 Select Format Media (page 86) in the
TC/Media menu of the full menu.
2 Select Media(A) (slot A) or Media(B) (slot
B), then select the formatting method
(Full Format or Quick Format).
A confirmation message appears.
Full Format: Initializes the media
completely, including the data region
and data management information.
Quick Format: Initializes the data
management information of the media
only.
3 Select Execute.
A message is displayed while formatting
is in progress, and the access indicator is
lit red.
When formatting is completed, a
completion message is displayed. Press
the multi-function dial to dismiss the
message.
[Notes]
Formatting a memory card erases all data, including
recorded video data and setup files.
Messages may appear during execution depending
on the formatting process duration.
If formatting fails
Memory cards not supported by the
camcorder cannot be formatted.
A warning message is displayed. Follow
the instructions to replace the card with a
supported memory card.
To use an SD card formatted on the
camcorder in the slot of another device
First, make a backup of the card, then reformat
the card in the device to be used.
Checking the Remaining
Recording Time
When shooting (recording/standby), you
can monitor the remaining capacity of the
memory card in each slot using the slot A/B
remaining media indicators in the viewfinder
(page 11).
The remaining recording time is calculated
from the remaining capacity of the media
in each slot and the current video format
(recording bit rate), and is displayed in units of
minutes.
Memory card replacement timing
When the total remaining recording time on
the two memory cards becomes less than
5minutes, the message “Media Near Full”
appears, the recording/tally lamp starts
flashing, and a beep sound (headphone
output) will warn you.
Replace with media that has free space.
If you continue recording until the total
remaining recording time reaches zero,
the message changes to “Media Full” and
recording stops.
[Note]
Up to approximately 600 clips can be recorded on one
memory card.
2. Preparation: Using Memory Cards
33
Restoring Memory Cards
If for any reason an error should occur in
a memory card, the card must be restored
before use.
When you load a memory card that needs
to be restored, a message appears on the
viewfinder screen to ask whether you want to
restore it.
Restoring a card
Turn the multi-function dial (page 5) to
select Execute, then press the multi-function
dial.
A message and progress status (%) are
displayed while formatting is in progress, and
the access indicator is lit red.
When restoration ends, a completion message
appears.
If restoration fails
Memory cards on which memory errors
have occurred cannot be restored. A
warning message is displayed. Follow the
instructions to replace the memory card.
Memory cards on which memory errors
have occurred may become usable if they
are reformatted.
In some cases, some clips can be restored
while others cannot. The restored clips can
be played normally.
[Notes]
For restoration of media recorded with this camcorder,
be sure to use this camcorder.
Media recorded with a device other than this
camcorder or with another camcorder of different
version (even of the same model) may not be
restored using this camcorder.
Clips shorter than 2 seconds cannot be restored.
34
3. Shooting
Basic Operation Procedure
Basic shooting is conducted using the
following procedure.
1 Attach the necessary devices, and check
that power is being supplied.
2 Insert the memory card(s).
3 Set the POWER switch to the on position.
The POWER indicator turns on, and the
camera image appears in the viewfinder.
4 Press the record START/STOP button
(page 5).
The recording/tally lamp lights and
recording begins.
5 To stop recording, press the record
START/STOP button again.
Recording stops, and the camcorder
switches to STBY (standby) mode.
[Note]
If the record START/STOP button is pressed within a few
seconds after turning the camcorder on, the recording/
tally lamp lights up to indicate the unit is in the
recording state, but recording to media may not occur
for the first few seconds, depending on the selected
recording format.
Switching Between Memory Cards
When two memory cards are inserted, press
the SLOT SELECT button (page 6) to switch
cards.
Recording automatically switches to the
second memory card just before the
remaining capacity on the first card is reduced
to zero (relay recording). You can continue
recording continuously when switching
memory cards by replacing the memory card
that is full with a new memory card.
[Note]
You cannot switch between memory cards during
playback mode. Also, continuous playback of a clip
spanning media in slot A and slot B is not supported.
Clips (recorded data)
When you stop recording, the video, audio,
and accompanying data from the start to the
end of the recording are saved as a single
“clip” on a memory card.
Clip names
The name of each clip recorded by the
camcorder is automatically assigned using the
format set in Clip Name Format (page 86) of
the TC/Media menu of the full menu.
Maximum clip duration
Up to 6hours per clip.
The maximum duration of continuous
recording is the same as the maximum
duration of a clip. If the recording time exceeds
the maximum duration of a clip, a new clip is
created automatically and recording continues.
The new clip appears as a separate clip on the
thumbnail screen.
Multiple clips are recorded in succession
during relay recording, but recording will stop
automatically after approximately 24hours.
[Notes]
Do not eject a memory card while recording to it is in
progress. When recording, only change memory cards
in slots for which the slot access indicator is off.
When the remaining capacity on the memory card
being recorded becomes less than one minute and
a recordable memory card is inserted in the other
slot, a “Will Switch Slots Soon” message appears. The
message disappears after switching memory card
slots.
Relay recording may not operate if recording is
started when the remaining memory card capacity
is less than one minute. For correct relay recording,
check that the remaining memory card capacity is
more than one minute before starting recording.
Video created using the camcorder relay recording
function cannot be played back seamlessly on the
camcorder.
To combine video created using the camcorder relay
recording function, use “Catalyst Browse” software.
Monitoring Audio
You can monitor the audio that is being
recorded using headphones.
Connecting a set of headphones to the
headphone jack (page 5) enables you to
monitor the audio being recorded. You can
also monitor the playback audio (page 64)
using the built-in speaker (page 6) or
headphones.
You can adjust the volume of the audio to
monitor using Volume (page 14) on the
Audio Status screen or Audio Output >Volume
(page 91) in the Audio menu of the full
menu.
You can select the channel to monitor
using Monitor CH (page 14) on the Audio
Status screen or Audio Output >Monitor CH
(page 91) in the Audio menu of the full
menu.
Specifying Time Data
Setting the timecode
Set the timecode to record using Timecode
(page 85) in the TC/Media menu of the full
menu.
Setting user bits
You can add an 8-digit hexadecimal number
to the recorded image as user bits. You can
also set the user bits to the current time. Set
using Users Bit (page 85) in the TC/Media
menu.
Displaying time data
Set the timecode to display using TC Display
(page 85) >Display Select in the TC/Media
menu.
Pressing an assignable button (page 48)
with DURATION/TC/U-BIT assigned will switch
the display between the timecode, user bits,
and duration in sequence.
Switching the timecode input/output
You can switch the timecode input/
output using the TC IN/OUT select switch
(page 4).
For details, see page 107.
3. Shooting: Basic Operation Procedure
35
Reviewing the Recording (Rec
Review)
You can review the last recorded clip on the
screen (recording review).
[Note]
Rec Review is not supported if the video format is
changed after recording a clip.
Recording review method
Assign Rec Review to one of the assignable
buttons beforehand.
When recording is stopped, press the
assignable button (page 48) with Rec
Review assigned. Playback of the last recorded
clip begins.
The clip is played to the end, Rec Review ends,
and the camcorder returns to STBY (standby)
mode.
To stop Rec Review
Press the assignable button with Rec Review
assigned or press the CANCEL/BACK button.
Recording review settings
You can set the playback start position to one
of the following using the Rec Review setting
(page 93) in the Technical menu.
Last 3 seconds of the clip
Last 10 seconds of the clip
Start of the clip
[Tip]
If you want to review a specific clip after recording
multiple clips, press the THUMBNAIL button to display
the thumbnail screen, and select the clip to start
playback.
3. Shooting
36
You can adjust the zoom according to the
shooting conditions.
When a power zoom lens is attached, you
can adjust the zoom using the zoom lever on
either the grip remote control or the handle.
The zoom speed varies with the pressure
applied to the lever.
The camcorder is equipped with a zoom
function that uses image signal processing
called Clear Image Zoom. When Clear Image
Zoom is enabled, zoom is supported even
for fixed focal distance (prime) lenses. It can
also be used to extend the range beyond the
optical range on a power zoom lens.
The maximum zoom ratio using Clear Image
Zoom varies depending on the recording
resolution.
For QFHD/4K recording resolution: 1.5×
For HD recording resolution: 2×
Selecting the Type of Zoom
Set the type of zoom using Zoom >Zoom Type
(page 93) in the Technical menu of the full
menu.
The type of zoom will vary depending on the
type of lens that is attached.
Attached
lens
Zoom Type setting
Optical Zoom
Only
On(Clear Image
Zoom)
Prime
lens/
Manual
zoom lens
Zoom operation
using the lever is
not supported.
Clear Image
Zoom is
supported.
Power
zoom lens
Optical zoom
only
Optical zoom
and Clear Image
Zoom are
supported.
[Notes]
Clear Image Zoom is not available in the following
cases.
– When S&Q Motion >Frame Rate (page 76) in
the Shooting menu of the full menu is higher than
60fps
– When Rec Format >Codec (page 77) in the
Project menu of the full menu is set to RAW or an
option that includes RAW
Operating the SERVO/MANUAL select switch on a lens
resets the magnification of Clear Image Zoom to 1×.
During Clear Image Zoom operation, the focus area is
set to Wide and face/eye detection AF is disabled.
Setting the Handle Zoom
Set the handle zoom setting using Handle
Zoom (page 93) in the Technical menu of
the full menu.
Setting the Direction of the Zoom
Ring
On some E-mount lenses, the direction of
rotation of the zoom ring can be reversed.
Set the direction of rotation using Lens >Zoom
Ring Direction (page 94) in the Technical
menu of the full menu.
Adjusting the Zoom
3. Shooting
37
Adjusting the Focus
You can adjust the focus automatically
or manually according to the shooting
conditions.
Adjusting the Focus Manually
(Manual Focus)
To adjust the focus manually, set the FOCUS
switch (page 4) to the “MAN” position.
This allows you to adjust the focus manually
according to the shooting conditions.
Manual focusing is useful for the following
types of subjects.
Subjects on the far side of a window
covered in water droplets
Subjects with low contrast against the
background
Subjects further away than nearby subjects
[Tip]
You can also use auto focus in the following cases when
manual adjustment is the main method of operation.
When the AF subject shift sensitivity is set to
1(Locked)
When the FOCUS switch is set to the “AF” position
When operating the focus ring (AF Assist, page 39)
Adjusting the Focus Automatically
(Auto Focus)
The camcorder uses phase detection AF for
high-speed focusing and contrast AF for high-
accuracy focusing.
The combination of these two AF methods
provides auto focus with both high speed and
high accuracy.
To adjust the focus automatically, set the
FOCUS switch (page 4) of the camcorder
to the “AUTO” position. If the lens is fitted with
a focus selector switch, set the switch to the
“AF/MF” or “AF” position. If the switch is set to
the “Full MF” or “MF” position, lens focusing
cannot be operated from the camcorder
(page 23).
[Tip]
When Focus >AF Assist (page 75) in the Shooting
menu of the full menu is set to On, you can still use the
focus ring on the lens during auto focus to adjust the
focus.
[Notes]
A lens that supports auto focus is required.
Accuracy may not be obtained depending on the
shooting conditions.
The focus cannot be adjusted automatically on an
A-mount lens.
Setting the auto focus area/position
(Focus Area)
You can set the target area for auto focus
using Focus >Focus Area (page 75) in the
Shooting menu of the full menu.
Flexible Spot:
Focuses on a specified position in the image.
When selected, specify the position using the
multi selector (page 7).
You can return to the center position by
pressing and holding the multi selector.
Zone:
Automatically searches for a focus position
within the specified zone.
When selected, specify the position using the
multi selector (page 7).
You can return to the center position by
pressing and holding the multi selector.
Wide:
Searches for a subject over a wide angle of
the image when focusing. A frame is not
displayed.
[Tip]
The same operation is supported using an assignable
button (page 48) assigned with Focus Area.
You can display/hide the focus area frame using Display
On/Off >Focus Area Indicator (page 87) in the
Monitoring menu of the full menu.
[Notes]
The focus area frame is not hidden when using the
DISPLAY button.
The focus area is set to Wide during Clear Image
Zoom.
Changing the focus area quickly (Focus
Setting)
You can change the position and size of the
auto focus area quickly during shooting by
assigning Focus Setting to an assignable
button (page 48).
The operation varies depending on the focus
area setting.
When Focus >Focus Area (page 75) in the
Shooting menu of the full menu is set to
Flexible Spot or Zone
You can change the position of the focus area
by pressing an assignable button assigned
with Focus Setting and adjusting using the
multi selector (page 7).
You can return the position of the focus area
to the center while adjusting the position by
pressing the multi selector.
You can change the size of the focus area by
pressing and holding an assignable button
assigned with Focus Setting.
After changing the size, set the position of the
focus area by pressing the multi selector.
When finished, press the assignable button
assigned with Focus Setting to return to the
original screen.
3. Shooting: Adjusting the Focus
38
When Focus >Focus Area (page 75) in the
Shooting menu of the full menu is set to Wide
You can only change the size of the focus area
by pressing and holding an assignable button
assigned with Focus Setting. The position can
be also be changed by first changing the type
to Flexible Spot or Zone.
[Tips]
When both Focus >Push AF Mode (page 75) in the
Shooting menu of the full menu is set to Single-shot
AF(AF-S) and the FOCUS switch (page 4) is in the
MF position, you can change the Focus Area(AF-S)
(page 75) focus area position.
When using Clear Image Zoom, the focus area
size setting is disabled and auto focus operation is
activated with priority on the center area.
The focus area frame is displayed orange when the
position of the focus area can be changed.
Moving the focus area frame using
touch operation (touch focus area)
You can change the position of the focus area
by pressing an assignable button (page 48)
assigned with Focus Setting to change the
focus area display to orange, and then move it
using touch operation.
Tap the screen to move the focus area,
with the focus area centered on the tapped
position. Drag on the screen to move the focus
area to the position traced by your finger
(page 10).
[Tip]
You can enable/disable touch focus operation on the
shooting screen using an assignable button assigned
with Focus Setting.
Tap any position
Focus area moves, with the focus area
centered on the tapped position.
Drag to move the focus area, tracing your
finger position
[Notes]
If you tap a position or drag the focus area to a
position that exceeds the setting range, the focus
area is set to the top/bottom/left/right edge of the
setting range.
This function is not available in the following
circumstances.
– When Touch Operation (page 93) in the
Technical menu of the full menu is set to Off
– When the focus area is displayed in gray or is not
displayed at all
Adjusting the auto focus action (AF
transition speed, AF subject shift
sensitivity)
AF transition speed
You can set the speed of the focus drive for
when the subject changes using Focus >AF
Transition Speed (page 75) in the Shooting
menu of the full menu.
When set to low speed, the focus moves
slowly when the subject to be focused
changes, enabling the shooting of impressive
images.
When set to high speed, the focus switches
between subjects quickly. The subject that
enters the frame is immediately focused,
making this setting ideal for documentary
shooting which requires quick focusing.
During the change:
1(Slow): Focus operates slowly
.
.
.
7(Fast): Focus operates rapidly
Focused on far subject
Focused on near subject
3. Shooting: Adjusting the Focus
39
AF subject shift sensitivity
You can set the sensitivity for changing
between subjects using Focus >AF Subj. Shift
Sens. (page 75) in the Shooting menu of
the full menu.
When set to a low sensitivity, the focus does
not readily shift even if another subject moves
in front of the in-focus subject. When set to a
high sensitivity, the focus shifts to give priority
to the subject that moves in front.
[Tip]
If AF Speed/Sens. is assigned to an assignable button,
the level bars for adjusting values are displayed in
the following order each time the button is pressed,
allowing you to change the AF transition speed and AF
subject shift sensitivity settings.
AF transition speed AF subject shift sensitivity No
display …
AF Subj. Shift Sens.: 1(Locked On) AF Subj. Shift Sens.: 5(Responsive)
Change focus to another subject slowly Change focus to another subject rapidly
Changing the Focus Target
Manually (AF Assist)
When Focus >AF Assist (page 75) in the
Shooting menu of the full menu is set to On,
you can still use the focus ring on the lens
during auto focus to adjust the focus on a
subject.
When you stop using focus ring operation,
auto focus continues to focus on the subject
focused using the focus ring (AF assist state).
After operating the focus ring, moving the
focus to another subject is slightly more
difficult, regardless of the Focus >AF Subj. Shift
Sens. (page 75) setting in the Shooting
menu of the full menu.
The AF assist state is canceled by the
following.
When the subject focused using the focus
ring is no longer visible
When switching to manual focus
When a face is registered
[Tips]
The AF assist state can be canceled quickly by using
an assignable button (page 48) assigned with Push
AF/Push MF.
Operating the focus ring clears the registered face
selection.
In Face/Eye Only AF mode, auto focus focuses on the
face closest to the focus position of the focus ring.
3. Shooting: Adjusting the Focus
40
Using Manual Focus Temporarily
(Push Manual Focus)
Press the PUSH AUTO FOCUS button
(page 4) when in auto focus mode to
focus manually while the button is pressed.
The focus returns to auto focus when you
release the button.
This allows you to temporarily stop auto focus
and focus manually when something that is
not the subject of shooting crosses in front of
the subject.
[Tip]
The same operation is supported using an assignable
button (page 48) assigned with Push AF/Push MF.
Using Auto Focus Temporarily
(Push Auto Focus)
When Focus >Push AF Mode (page 75) in
the Shooting menu of the full menu is set
to AF, press the PUSH AUTO FOCUS button
(page 4) when in manual focus mode
to focus automatically while the button is
pressed.
Focusing occurs within the focus area set
using Focus >Focus Area (page 75) in the
Shooting menu of the full menu.
The focus returns to manual focus when you
release the button.
This is useful when you want to move the
focus slowly from one subject to another
subject during manual focus.
[Tip]
The same operation is supported using an assignable
button (page 48) assigned with Push AF/Push MF.
[Note]
The Push Auto Focus function does not operate if the
lens is set for manual focusing.
Using Single-Shot Auto Focus
(Push Auto Focus (AF-S))
Set Focus >Push AF Mode (page 75) in the
Shooting menu of the full menu to Single-shot
AF(AF-S), then set the focus area using Focus
>Focus Area(AF-S) (page 75) in the Shooting
menu of the full menu.
Press the PUSH AUTO FOCUS button when in
manual focus mode to focus automatically
at high speed. Focusing stops as soon as you
release the button.
The focus status is indicated by the focus
indicator.
On: The focus is fixed at the focus position.
Flashing: Out of focus. Since focusing is not
automatic, change the composition and
focus settings to achieve focus.
The focus returns to manual focus when you
release the button.
This is useful when you want to quickly focus
on a subject before starting to shoot.
[Tips]
The same operation is supported using an assignable
button (page 48) assigned with Push AF/Push MF.
You can also assign Push AF Mode to an assignable
button (page 48).
You can also assign Focus Area(AF-S) to an assignable
button (page 48).
You can display/hide the focus area frame using
Display On/Off >Focus Area Ind.(AF-S) (page 87) in
the Monitoring menu of the full menu.
During focus magnification, the focus adjusts to fit
the magnified display position.
[Notes]
The Push Auto Focus function does not operate if the
lens is set for manual focusing.
The focus area frame is not hidden when using the
DISPLAY button.
Focusing using Magnified View
(Focus Magnifier)
By factory default, the Focus Magnifier
×3/×6 function is assigned to the ASSIGN 4
button on the grip remote control and the
ASSIGN 7 button on the handle (page 48).
Press the ASSIGN 4 button or ASSIGN 7
button to switch the viewfinder to the focus
magnifier screen, with the center magnified
by approximately three times. Press the
button again to increase the magnification to
approximately six times. This function is useful
for checking the focus.
Press the button again to return to the normal
screen.
You can move the position to be magnified
during focus magnification using the multi
selector (page 7). Pressing the multi
selector returns to the center of the image.
When push auto focus (AF) is used during
focus magnification, focusing occurs within
the focus area set using Focus >Focus Area
(page 75) in the Shooting menu of the full
menu.
If push auto focus (AF-S) is used during
focus magnification, the focus adjusts to the
magnified display position.
[Notes]
The recorded image or SDI/HDMI output image is not
magnified when the focus is magnified.
During focus magnification, the MENU button and
other operations are disabled.
The magnified position returns to the center of the
screen when the camcorder is turned off.
3. Shooting: Adjusting the Focus
41
Focusing using Face and Eye
Detection (Face/Eye Detection AF)
The camcorder can detect people’s faces and
eyes, and then adjust the focus on faces and
eyes within the focus area.
This function is available only when focus
adjustment is in AF mode or during push auto
focus.
When faces are detected, gray face/eye
detection frames are displayed. When auto
focusing is possible, the frames change to
white. When eyes are detected and the focus
is adjusted, the face/eye detection frame
is displayed on the eyes. When multiple
individuals are detected, the main subject is
automatically determined.
[Tips]
When the focus area is set to Zone or Flexible Spot
and faces or eyes overlap within the specified focus
area, the face/eye detection frames change to white,
and the camcorder focuses on those faces/eyes.
When push auto focus (AF-S) is used, the face/eye
detection frames for the faces/eyes that are in focus
change to green.
Set the face/eye detection AF action using
Focus >Face/Eye Detection AF (page 75) in
the Shooting menu.
Face/Eye Only AF:
The camera detects the faces/eyes of subjects
(people) and focuses only on their faces/
eyes. While a face or eye is not detected, AF
is temporarily stopped (MF), and the Face/
Eye Only AF mode auto focus paused icon
(page 11) is displayed. This mode is
effective when you want to auto focus on
faces/eyes only.
Face/Eye Priority AF:
The camera detects the faces/eyes of subjects
(people) and prioritizes the focusing on
the faces/eyes. When a face or eye is not
detected, focusing is in AF mode (default
setting).
Off:
The face/eye detection AF function is
disabled.
[Notes]
During push auto focus operation, Face/Eye Priority
AF is activated even if Face/Eye Only AF is currently
selected.
When the FOCUS switch is set to MAN, face/eye
detection AF is disabled (excluding during push auto
focus operation).
If you turn the camcorder off while Face/Eye Only AF
is selected, the mode automatically switches to Face/
Eye Priority AF when the camcorder is next turned on.
Face/eye AF is not supported during Clear Image
Zoom. Normal AF is activated.
Hiding face/eye detection frames
You can show/hide face/eye detection frames
using Display On/Off >Face/Eye Detection
Frame (page 87) in the Monitoring menu of
the full menu.
[Note]
Green face/eye detection frames are displayed for faces
and eyes that are in focus using push auto focus (AF-S),
and are not hidden using the DISPLAY button or when
Face/Eye Detection Frame is set to Off.
Focusing on a registered face
During face/eye detection AF operation, you
can register a face for a subject (person) for
focusing on that face.
Only one face can be registered. Registering a
face overwrites the existing registration.
When a face is registered, the face/eye
detection frame changes to a double frame
(registered face frame), and the registered face
icon
(page 11) is displayed.
In face/eye detection AF, the following actions
occur depending on the combination of
registered face and face/eye detection AF
operating mode.
In Face/Eye Priority AF mode:
If the camera detects the registered face, the
camera focuses on that face. If the registered
face is not detected, face/eye detection AF is
activated.
In Face/Eye Only AF mode:
If the camera detects the registered face
only, the camera focuses on that face/eye.
While the registered face is not detected, AF
is temporarily stopped (MF), and the Face/
Eye Only AF mode auto focus paused icon
(page 11) is displayed. This mode is
effective when you want to auto focus on the
registered person only.
Setting the registered face
Move the face selection cursor (orange
underline) to the face to register using the
multi selector (page 7), and press the
multi selector.
Other face/eye detection frames
(gray)
Registered
face frame
(double white
frame)
Face selection cursor (orange)
Clearing the registered face
Move the face selection cursor to the
registered face frame using the multi selector
(page 7), and press the multi selector.
The registered face is cleared, the face/eye
detection frame becomes a single frame, and
the registered face icon disappears.
When faces/eyes are detected with the
registered face frame not displayed and the
face selection cursor (orange) displayed, you
can clear the registered face by pressing the
multi selector twice.
[Notes]
In AF assist state (page 39), the registered face
selection is cleared.
When using Clear Image Zoom, face/eye detection AF
cannot be used.
Faces and eyes may not be detected depending on
the recording environment, condition of the subject,
or the settings.
You may not be able to get the proper effect, or
objects other than people’s faces may be detected as
a face, in some recording environments. In this case,
set the face/eye detection AF function to Off.
Registration of the face of the intended individual for
focusing before shooting is recommended.
Face registration may not be successful depending
on hairstyle, facial decoration, or if not directly facing
the camera. In this case, the face/eye detection frame
may become a double frame, but the registered face
icon is not displayed and the face is not registered.
If a face has already been registered, clearing the
existing face and then registering the new face is
recommended.
Switching face/eye detection AF
operation using an assignable button
Assign Face/Eye Detection AF to an assignable
button (page 48). You can then switch face/
eye detection AF operation in the order Face/
Eye Priority AF, Face/Eye Only AF, and Off each
time you press the button.
Setting using the direct menu
You can also set the face/eye detection AF
operation using the direct menu (page 48).
3. Shooting
42
Adjusting the Brightness
B
C
D
E
F
H
I
A
You can adjust the brightness by adjusting the
iris, gain, shutter speed, and by adjusting the
light level using ND filters. You can also make
adjustments automatically.
The target level for automatic brightness
adjustment is set using Auto Exposure
(page 73) >Level in the Shooting menu
of the full menu. You can also assign Auto
Exposure Level to an assignable button or
assignable dial (page 48).
[Note]
The gain cannot be adjusted in Cine EI mode. The
base sensitivity is fixed. Also, the brightness cannot
be adjusted automatically using the shutter speed.
Brightness auto adjustment using the iris and ND filter
is supported.
Selecting the Base Sensitivity
You can select from two types of base
sensitivity on the camcorder.
In Custom mode, you can set the base
sensitivity to High or Low using Base ISO/
Sensitivity on the Main Status screen
(page 13) or the Camera Status screen
(page 14), or ISO/Gain/EI >Base Sensitivity
(page 72) in the Shooting menu of the full
menu.
In Cine EI mode, you can set the base ISO
to ISO12800 or ISO800 using Base ISO/
Sensitivity on the Main Status screen
(page 13) or the Camera Status screen
(page 14), or ISO/Gain/EI >Base ISO
(page 72) in the Shooting menu of the full
menu.
Selecting Low or ISO800 in normal lighting
conditions and selecting High or ISO12800 in
low lighting conditions is recommended.
* Can also be configured on the status screen.
[Tip]
You can also assign Base ISO/Sensitivity to an
assignable button (page 48).
Adjusting the Iris
You can adjust the iris to adjust the brightness.
Adjusting the iris automatically
This function adjusts the brightness according
to the subject. A lens that supports auto iris is
required.
1 If a lens with Auto Iris switch is attached,
set the switch to AUTO.
2 Press and hold the IRIS function button (E)
to display the direct menu (page 48),
and select Auto.
[Tip]
You can also assign Auto Iris to an assignable
button (page 48).
[Note]
The iris cannot be adjusted automatically on an
A-mount lens.
Adjusting the iris manually
1 Press and hold the IRIS function button (E)
to display the direct menu (page 48),
and select Manual.
2 Press the IRIS function button (E) so that
the iris value is displayed on a white
background.
3 Turn the multi-function dial to adjust the
value.
[Tips]
You can also operate the multi-function dial as
an IRIS dial (page 48) by assigning the IRIS
function to the multi-function dial.
You can also assign the IRIS function to an
assignable dial (page 48).
Temporarily adjusting automatically
Press the assignable button (page 48)
assigned with the Push Auto Iris function to
automatically adjust the iris temporarily while
the button is pressed.
The iris returns to the previous setting when
you release the button.
[Note]
When the Auto Iris switch of the lens is set to MANUAL,
the Auto Iris and Push Auto Iris functions on the
camcorder have no effect. Manual iris adjustments on
the camcorder also have no effect.
Adjusting the Gain
In Custom mode, you can adjust the gain to
adjust the brightness.
Adjusting the gain automatically
Press and hold the ISO/GAIN function button
(H) to display the direct menu (page 48),
and select Auto.
[Tips]
You can also perform the same action by setting Auto
Exposure (page 73) >AGC in the Shooting menu
to On.
You can also assign AGC to an assignable button
(page 48).
Adjusting the gain manually
You can control the gain when you want to
adjust the exposure while using a fixed iris
setting or when you want to prevent the gain
increasing due to AGC.
1 Press and hold the ISO/GAIN function
button (H) to display the direct menu
(page 48), and select Manual.
2 Set the ISO/GAIN switch (I) to H, M, or L.
[Tips]
You can also assign Push AGC to an assignable
button, and set AGC to On temporarily by pressing
and holding the button.
You can change the preset value of each switch
position using ISO / Gain<L>/<M>/<H> (page 14)
on the Camera Status screen or ISO/Gain/EI >ISO/
Gain<H>/<M>/<L> (page 72) in the Shooting menu
of the full menu.
3. Shooting: Adjusting the Brightness
43
Controlling the gain (fine adjustment)
1 Press the ISO/GAIN function button (H) so
that the gain value is displayed on a white
background.
2 Turn the multi-function dial to adjust the
value.
[Tip]
Change the gain preset value according to the ISO/GAIN
switch (I) setting.
Controlling the gain temporarily (fine
adjustment)
Turn the assignable dial (page 48) assigned
with the ISO/Gain/EI function, to adjust the
gain value set by the ISO/GAIN switch (I).
This is useful when you want to adjust the
exposure by one step without changing the
depth of field.
The adjusted gain value is canceled by
switching the ISO/GAIN switch (I), changing
the base sensitivity, setting AGC to On, or
turning the power off.
[Tips]
You can also assign this function to the multi-function
dial (page 48).
You can also assign Push AGC to an assignable
button, and set AGC to On temporarily by pressing
and holding the button.
Adjusting the Exposure Index
In Cine EI mode, it is assumed that video
output with MLUT set to Off is recorded as the
main signal. By changing the brightness of
the image with MLUT On to match an EI value,
you can check the result of post-production
exposure sensitivity adjustment while
shooting.
You can change the EI value by setting the
ISO/GAIN switch (I) to H, M, or L.
[Tip]
You can change the EI value of each switch position
using ISO/Gain/EI (page 14) on the Camera Status
screen or ISO/Gain/EI >Exposure Index<H>/<M>/<L>
(page 72) in the Shooting menu of the full menu.
Fine adjustment of the exposure index
1 Press the ISO/GAIN function button (H) so
that the EI value is displayed on a white
background.
2 Turn the multi-function dial to adjust the
value.
[Tip]
Change the EI preset value according to the ISO/GAIN
switch (I) setting.
Adjusting the Shutter
You can adjust the shutter to adjust the
brightness.
Adjusting the shutter automatically
Press and hold the SHUTTER function button
(F) to display the direct menu (page 48)
and select Auto to adjust the shutter speed or
shutter angle automatically in response to the
image brightness.
[Tip]
You can also perform the same action by setting Auto
Exposure > Auto Shutter (page 74) in the Shooting
menu of the full menu to On.
Adjusting the shutter manually
1 Press and hold the SHUTTER function
button (F) to display the direct menu
(page 48), and select Speed or Angle.
2 Press the SHUTTER function button (F) so
that the shutter value is displayed on a
white background.
3 Turn the multi-function dial to adjust the
shutter speed.
[Tips]
To adjust the exposure time to match the frame
interval, select Off in step 1.
You can also set the angle and adjust the frequency
(page 72).
Adjusting the Light Level (ND
Filter)
In conditions where the lighting is too bright,
you can set the appropriate brightness by
changing the ND filter.
The camcorder features two ND filter modes.
You can switch between the two modes using
the ND PRESET/VARIABLE switch.
Adjusting in preset mode
Set the ND PRESET/VARIABLE switch (A) to
the PRESET position, and set the ND FILTER
POSITION up/down buttons (B) to one of the
following settings.
Clear: No ND filter
1: Transmittance set by ND Filter >Preset1
(page 72) in the Shooting menu of the full
menu.
2: Transmittance set by ND Filter >Preset2
(page 72) in the Shooting menu of the full
menu.
3: Transmittance set by ND Filter >Preset3
(page 72) in the Shooting menu of the full
menu.
Adjusting in variable mode
Set the ND PRESET/VARIABLE switch (A) to
the VARIABLE position. Switch the ND FILTER
POSITION up/down buttons (B) between
CLEAR and On.
Adjusting the light level automatically
You can set Auto ND Filter to On to enable
auto exposure adjustment using the ND filter.
1 Press the [+] button of the ND FILTER
POSITION up/down buttons (B) to turn ND
filter operation on.
3. Shooting: Adjusting the Brightness
44
2 Press and hold the ND VARIABLE AUTO
button (C) until Auto is selected.
Adjusting the light level manually
1 Press the [+] button of the ND FILTER
POSITION up/down buttons (B) to turn ND
filter operation on.
2 Press and hold the ND VARIABLE AUTO
button (C) until Manual is selected.
3 Turn the ND VARIABLE dial (D) to adjust
the transmittance of the filter.
[Tip]
You can also assign the ND Filter function to an
assignable dial (page 48).
Temporarily adjusting automatically
You can assign Push Auto ND to an assignable
button (page 48), and temporarily set Auto
ND Filter to On by pressing and holding the
button. Releasing the button sets Auto ND
Filter back to Off.
Press the [+] button of the ND FILTER POSITION
up/down buttons (B) to turn ND filter
operation on.
[Note]
When the ND filter is switched to or from CLEAR during
shooting, the ND filter frame is displayed on the image
and the operating sound is included in the audio.
[Tips]
You can set to CLEAR by turning the ND VARIABLE dial
(D) down from ND1/4. Turning the dial up from CLEAR
sets ND1/4. You can disable this action using ND Dial
>CLEAR with Dial (page 93) in the Technical menu
of the full menu.
You can also assign ND Filter Position to an assignable
button (page 48), and press the button instead of
using the ND FILTER POSITION up/down buttons to
change the setting.
Preset mode: Clear Preset1 Preset2 Preset3
Clear…
Variable mode: Clear On Clear…
You can also assign Auto ND Filter to an assignable
button (page 48), and press the button to switch
Auto ND filter between On and Off.
When shooting a brightly lit subject, closing the iris
too much may cause diffraction blur, producing an
image starting to go out of focus (typical phenomena
in video cameras). You can suppress this effect to
obtain better shooting results using the ND filter.
3. Shooting
45
G
J
You can select the adjustment mode to suit
the shooting conditions.
ATW (Auto Tracing White Balance)
This function adjusts the white balance
automatically to an appropriate level.
The white balance is automatically adjusted
when the color temperature of the light source
changes.
Press and hold the WHT BAL function button
(G) to display the direct menu (page 48)
and select ATW.
You can select the speed of adjustment
(five steps) using White Setting >ATW Speed
(page 74) in the Shooting menu of the full
menu.
[Tip]
You can freeze the current white balance setting by
assigning the ATW Hold function to an assignable
button (page 48), and pressing the assignable button
to temporarily pause ATW mode.
[Notes]
ATW cannot be used in Cine EI mode.
It may not be possible to adjust to the appropriate
color using ATW, depending on the lighting and
subject conditions.
Examples:
– When a single color dominates the subject, such as
sky, sea, ground, or flowers.
– When the color temperature is extremely high or
extremely low.
If the appropriate effect cannot be obtained because
the ATW auto tracking speed is slow or for other
reasons, run auto white balance.
Adjusting the White Balance
Manually
1 When white balance is set to ATW mode,
press and hold the WHT BAL function
button (G) to display the direct menu
(page 48), and select W:P, W:A, or W:B.
2 Select B, A, or PRESET using the WHT BAL
switch (J).
B: Memory B mode
A: Memory A mode
PRESET: Preset mode
[Tip]
ATW can be enabled for memory B by setting White
Setting >White Switch<B> (page 74) in the Shooting
menu of the full menu to ATW.
Memory A/Memory B mode
This mode adjusts the white balance to the
setting saved in memory A or B, respectively.
Preset mode
This mode adjusts the color temperature to a
preset value (factory default is 3200K).
Changing the default preset value
In preset mode, you can change an existing
preset value directly.
Press and hold the WHT BAL function button
(G) and select one of the following in the
direct menu.
Custom mode:
3200K, 4300K,
5600K, 6300K
Cine EI mode:
3200K, 4300K, 5500K
[Tip]
You can also assign Preset White Select to an assignable
button (page 48), and press the button to change the
setting.
Custom mode: 3200K 4300K 5600K 6300K
3200K…
Cine EI mode: 3200K 4300K 5500K 3200K…
Changing the color temperature
1 Press the WHT BAL function button (G) so
that the color temperature value is
displayed on a white background.
2 Turn the multi-function dial to adjust the
value.
[Tips]
In preset mode, you can set the value in 100K units.
In memory mode, you can set the value in 20K
increments in the range 2000K to 5600K. Values
above 5600K can be set at intervals equal to the
amount of color change (mired) from 5580K to
5600K. You can also adjust the tint value using White
(page 74) >Tint in the Shooting menu of the full
menu.
Running auto white balance
The white balance to save in memory A/
memory B mode is configured automatically.
1 Select memory A mode or memory B
mode.
2 Place white paper (or other object) in a
location with the same lighting source
and conditions as the subject, then zoom
in on the paper to show white on the
screen.
3 Adjust the brightness.
Adjust the iris using the procedure in
“Adjusting the iris manually” (page 42).
4 Press the WB SET button (page 4).
If auto white balance is run in memory
mode, the adjustment value is saved in
the memory (A or B) selected in step1.
If auto white balance is run in ATW
mode, the white balance adjustment
returns to the ATW mode white balance
when adjustment ends.
[Note]
If the adjustment is not successful, an error message is
displayed on the screen for about three seconds. If the
error message persists after repeated attempts to set
white balance, contact your Sony service representative.
Adjusting for Natural Colors (White Balance)
3. Shooting
46
You can specify the audio to be recorded
using the input connectors, switches, and dials
of the camcorder.
External audio input connectors and
selector switches
INPUT1 connector (page 7)
INPUT2 connector (page 7)
Multi-interface shoe (page 7)
INPUT1 (LINE/MIC/MIC+48V) switch
(page 7)
INPUT2 (LINE/MIC/MIC+48V) switch
(page 7)
Switches for setting the audio level
CH1 (AUTO/MAN) switch (page 6)
CH2 (AUTO/MAN) switch (page 6)
AUDIO LEVEL (CH1) dial (page 6)
AUDIO LEVEL (CH2) dial (page 6)
Audio Status screen
Selecting the Audio Input Device
1 Set the audio input using CH1/CH2/CH3/
CH4 >Source (page 14) on the Audio
Status screen or Audio Input >CH1 Input
Select to CH4 Input Select (page 90) in
the Audio menu of the full menu.
If using a shoe microphone, XLR adaptor,
or UWP (UHF wireless microphone)
device, specify Shoe CH1 or Shoe CH2. For
details about the XLR adaptor, see
“Adding Audio Input Connectors”
(page 47).
[Notes]
Audio is not recorded in Interval Rec mode or
Slow & Quick Motion mode.
The camcorder has a built-in narration
microphone for recording ambient sound. It
can be used for syncing the timing with other
equipment. In such cases, specify Internal MIC.
Only the handle internal microphone (page 7)
becomes active for recording audio when the
handle is attached. When the handle is not
attached, the narration microphone (page 6)
for recording ambient sound can be used.
When CH1 Input Select and CH2 Input Select
are set to Internal MIC, the audio recording
level of both CH1 and CH2 is adjusted using the
AUDIO LEVEL(CH1) dial (page 6). When CH3
Input Select and CH4 Input Select are set to
Internal MIC, the audio recording level of both
CH3 and CH4 is adjusted using CH3 Input Level
(page 90).
2 Select the input audio source.
Set the INPUT1/INPUT2 (LINE/MIC/
MIC+48V) switches to the devices
connected to the INPUT1/INPUT2
connectors, respectively.
Connected device Switch
position
External audio source (e.g.
mixer)
LINE
Dynamic microphone,
battery-operated
microphone
MIC
+48 V phantom power
microphone
MIC+48V
Selecting MIC+48V and connecting
a microphone that is not compatible
with a +48V source may damage the
connected device. Check the setting
before connecting the device.
If noise is a concern on connectors
with no device connected, set the
corresponding INPUT1/INPUT2 (LINE/
MIC/MIC+48V) switches to LINE.
Adjusting the Audio Recording
Level Automatically
Set the CH1/CH2 (AUTO/MAN) switches for the
channels to adjust automatically to AUTO.
For CH3/CH4, set the audio level control
on the Audio Status screen (page 14) or
Audio Input >CH3 Level Control and CH4 Level
Control in the Audio menu of the full menu to
Auto (page 90).
Adjusting the Audio Recording
Level Manually
Use the following procedure to adjust the
audio recording level for CH1/CH2.
1 Set the CH1/CH2 (AUTO/MAN) switches for
the channels to adjust manually to MAN.
2 During shooting or standby, turn the
AUDIO LEVEL (CH1)/(CH2) dials of the
corresponding channels to adjust the
audio level.
For CH3/CH4, set the audio level control
using CH3/CH4 (page 14) on the
Audio Status screen or Audio Input >CH3
Level Control or CH4 Level Control in the
Audio menu of the full menu to Manual,
and then adjust the audio recording
level using CH3 Input Level or CH4 Input
Level.
You can adjust the levels for CH1 to
CH4 as a group. You can adjust the
recording level using an assignable dial
(page 48) assigned with the Audio
Input Level function, the Audio Status
screen, or Audio Input >Audio Input
Level in the Audio menu of the full
menu.
[Tip]
The Audio Status screen is convenient for checking the
audio input level (page 14).
[Notes]
The Audio Input Level settings may be disabled,
depending on the combination of settings in
the Audio menu. For details, see the diagram on
page 124.
The camcorder supports combinations of various
settings. For details, see the diagram on page 124.
Setting the Audio to Record
3. Shooting: Setting the Audio to Record
47
Adding Audio Input Connectors
You can connect up to four channels of XLR
audio devices to the camcorder at the same
time by using an XLR-K2M XLR adaptor
(not supplied) or XLR-K3M XLR adaptor (not
supplied).
Attach the XLR adaptor to the multi-interface
shoe, and set CH3 >Source to Shoe CH1 and
CH4 >Source to Shoe CH2 on the Audio Status
screen (page 14). Or, set Audio Input >CH3
Input Select to Shoe CH1 and CH4 Input Select
to Shoe CH2 in the Audio menu of the full
menu.
Camcorder functions that overlap will be
disabled for channels on which the XLR
adaptor is selected as the input. Use the
switches and dials on the XLR adaptor to
perform adjustments.
[Notes]
The camcorder supports the digital 2ch audio
interface of the XLR-K3M.
If Audio Input >CH3 Level and CH4 Level in the Audio
menu are set to Audio Input Level, then Audio Input
Level on the camcorder is multiplied by the level
adjusted on the XLR adaptor.
Audio Input Level is also enabled when the XLR
adaptor switch is set to AUTO.
When “Through” is specified, audio will be recorded at
the level adjusted with the XLR adaptor (page 125).
3. Shooting
48
Useful Functions
Direct Menu Operation
You can check the status and settings of the
camcorder displayed on the viewfinder screen,
and directly select and change the settings.
The following items can be configured.
Face/Eye Detection AF
SteadyShot
White Mode
Color Temp
Scene File
ND Filter Position / Auto ND Filter
ND Filter Value
Auto Iris
Iris Value
AGC
Gain Value
ISO Value
EI Gain Value
Auto Shutter
Shutter Value
Auto Exposure Mode
Auto Exposure Level
S&Q Motion Frame Rate
1 Press the multi-function dial, or an
assignable button assigned with the
Direct Menu function.
Only the items on the screen that can be
configured using the direct menu are
selectable using the orange cursor.
2 Turn the multi-function dial to move the
cursor to the menu item to operate, then
press the multi-function dial.
A menu is displayed or the item is
displayed on a white background.
3 Turn the multi-function dial to select a
setting, then press the multi-function dial.
The menu or white background
disappears and the new setting is
displayed with an orange cursor.
Press the assignable button assigned with
Direct Menu again or wait 3seconds
without performing any action to exit the
direct menu.
[Tips]
Direct settings can also be configured by
pressing and holding each of the function
buttons (page 5).
When items are displayed on a white
background, the multi-function dial can be used
like an assignable dial.
The multi selector (page 9) can also be used
for selection operations.
Assignable Buttons/Dials
There are nine assignable buttons (page 6,
7, 9) on the camcorder to which you can
assign functions.
You can also assign functions to the multi-
function dial on the camcorder (page 5),
the assignable dial on the handle (page 7),
and the assignable dial on the grip remote
control (page 9).
Changing the button function
Use Assignable Button (page 79) in the
Project menu of the full menu.
You can view the assigned functions on the
Assignable Button Status screen (page 15).
Functions assigned to each assignable button
by factory default
Button 1 S&Q Motion
Button 2 AF Speed/Sens.
Button 3 Focus Setting
Button 4 Focus Magnifier x3/x6
Button 5 Direct Menu
Button 6 Off
Button 7 Focus Magnifier x3/x6
Button 8 Direct Menu
Button 9 Video Signal Monitor
Focus Hold button Focus Hold
Assignable functions
Off
Base ISO/Sensitivity
AGC
Push AGC
ND Filter Position
Auto ND Filter
Push Auto ND
Auto Iris
Push Auto Iris
Auto Shutter
Auto Exposure Level
Backlight
Spotlight
Preset White Select
ATW
ATW Hold
AF Speed/Sens.
Focus Setting
Focus Area
Focus Area(AF-S)
Face/Eye Detection AF
Push AF Mode
Push AF/Push MF
Focus Hold
Focus Magnifier x3/x6
Focus Magnifier x3
Focus Magnifier x6
S&Q Motion
SteadyShot
Rec
Rec Review
Clip Flag OK
Clip Flag NG
Clip Flag Keep
Color Bars
Tally [Front]
DURATION/TC/U-BIT
Display
Lens Info
Video Signal Monitor
Marker
VF Adjust
VF Mode
Gamma Display Assist
Peaking
Zebra
Volume
Thumbnail
Touch Operation
Handle Zoom
NFC
Auto Upload (Proxy)
Direct Menu
User Menu
Menu
Changing the dial function
You can change the function of the multi-
function dial on the camcorder, the grip
assignable dial, and the handle assignable
dial.
For the multi-function dial, set using Multi
Function Dial (page 81) >Default Function in
the Project menu.
Off is assigned by factory default.
3. Shooting: Useful Functions
49
Functions assignable to the multi-function
dial
Off
ISO/Gain/EI
IRIS
Auto Exposure Level
Audio Input Level
[Note]
The setting is disabled while the menu is displayed.
For the assignable dial, set using Assignable
Dial (page 81) in the Project menu of the
full menu.
IRIS is assigned to all by factory default.
[Tip]
The assignable dial of the RM-30BP (option) follows the
Grip/Remote Dial setting.
Functions assignable to the handle assignable
dial
Off
ISO/Gain/EI
ND Filter
IRIS
Auto Exposure Level
Audio Input Level
Multi Function Dial
Functions assignable to the grip assignable
dial
Off
ISO/Gain/EI
ND Filter
IRIS
Auto Exposure Level
Audio Input Level
You can view the assigned functions on the
Assignable Button Status screen (page 15).
Slow & Quick Motion
When the recording format (page 77) is set to the following values, you can specify different
values for the shooting frame rate and playback frame rate.
Recording format Frame rate
System frequency Imager scan
mode
Codec Video format
59.94/50/29.97/
25/23.98
FF RAW 3840×2160P 1–60
RAW & XAVC-I 3840×2160P 1–60
XAVC-I 4096×2160P 1–60
3840×2160P 1–60, 100, 120
1920×1080P 1–60, 100, 120, 150,
180, 200, 240
XAVC-L 3840×2160P 1–60, 100, 120
1920×1080P 1–60, 100, 120, 150,
180, 200, 240
S35 XAVC-I 1920×1080P 1–60, 100, 120
XAVC-L 1920×1080P 1–60, 100, 120
24 FF XAVC-I 4096×2160P 1–60
You can turn Slow & Quick Motion mode
on/off by pressing an assignable button
(page 48) assigned with the S&Q Motion
function.
You can set the frame rate for shooting by
pressing and holding the button.
[Notes]
Slow & Quick Motion cannot be set during recording,
playback, or while the thumbnail screen is displayed.
Audio recording is not supported in Slow & Quick
Motion mode.
The auto focus function, auto iris function, and auto
shutter function are disabled in Slow & Quick Motion
mode. However, the auto focus function can be used
when the frame rate is set to the following.
System frequency Frame rate
59.94/29.97/23.98 30, 60, 120, 240
50/25 25, 50, 100, 200
For details about using RAW output, see page 55.
Recording Video Intermittently
(Interval Rec)
The camcorder’s Interval Rec function allows
you to capture time-lapse video to the
camcorder’s internal memory. This function
is an effective way to shoot slow-moving
subjects.
When you start recording, the camcorder
automatically records a specified number of
frames at a specified interval time.
Shooting interval (Interval Time)
Number of frames in one take
(Number of Frames)
When Interval Rec is enabled, the HVL-LBPC
(option) video light automatically turns on
before recording starts, which allows you to
record pictures under stable light and color
temperature conditions (pre-lighting function).
[Notes]
Only one special recording function, such as Interval
Rec recording, can be used at any one time.
If another special recording mode is enabled while
Interval Rec is in use, Interval Rec is automatically
released.
Interval Rec mode is automatically released after
changing system settings, such as the video format.
Interval Rec settings cannot be changed during
recording or playback, or when the thumbnail screen
is displayed.
3. Shooting: Useful Functions
50
To set Interval Rec
Set Interval Rec (page 78) >Setting in the
Project menu of the full menu to On, and set
Number of Frames and Interval Time.
If using the HVL-LBPC video light (option),
set the time interval for turning on the video
light before recording starts using Interval Rec
>Pre-Lighting in the Project menu, as required.
[Notes]
If you want to turn the video light on before the start
of recording, set the video light switch to AUTO. The
video light turns on and off automatically according
to the setting of Video Light Set (page 94) in the
Technical menu.
If you turn the video light switch on, the video
light is always lit (video light does not turn on/off
automatically).
If the video light is configured so that it will turn off
for a duration of 5seconds or less, the video light
does not turn off.
The camcorder exits Interval Rec mode when
it is powered off, but the Number of Frames,
Interval Time, and Pre-lighting settings are
maintained. You do not need to set them
again the next time you shoot in Interval Rec
mode.
To shoot using Interval Rec
Press the record START/STOP button to start
recording. “Int Rec” and “Int Stby” appear
alternately in the viewfinder.
If you are using the pre-lighting function, the
video light turns on before recording starts.
To stop shooting
Stop the recording.
When shooting ends, the video data stored
in memory up to that point is written to the
media.
To exit Interval Rec mode
Do one of the following.
Set the POWER switch to Off.
In recording standby mode, set Interval Rec
>Setting in the Project menu to Off.
Also, Interval Rec mode is automatically
released when the camcorder is restarted.
Limitations during recording
Audio is not recorded.
Reviewing the recording (Rec Review) is not
possible.
If the camcorder is turned off during
recording
If the POWER switch on the camcorder is set
to the Off position, the media is accessed for
several seconds to record the images stored
in memory up till that moment, and then
the power turns off automatically.
If power is lost because the battery
was removed, the DC power cord was
disconnected, or the power was turned off
from the AC adaptor, then the video and
audio data shot up to that point may be
lost (maximum 10seconds). Care should be
exercised when exchanging the battery.
Recording to Memory Cards A and
B Simultaneously (2-slot Simul
Rec)
You can record to both memory card A and
memory card B simultaneously by setting
Simul Rec (page 14) on the Project status
screen or Simul Rec >Setting (page 78) in
the Project menu of the full menu to On.
Video Signal Monitor
You can set the type of video signal to display
on the viewfinder screen to waveform,
vectorscope, or histogram using Display On/
Off >Video Signal Monitor (page 88) in the
Monitoring menu.
The orange line indicates the set value of the
zebra level.
Monitoring target display
In Cine EI mode, the color space setting
(page 24) or monitor LUT setting
(page 76) information is displayed at
the top right of the video signal monitor to
indicate the target of monitoring.
Clip Flags
You can add an OK clip flag to a clip by
pressing the Clip Flag button (page 5) and
selecting Add OK.
You can delete a clip flag by pressing the
button twice and selecting Delete Clip Flag.
[Tips]
You can also use an assignable button assigned with
the clip flag function to add clip flags (page 48).
You can also add a clip flag using Set Clip Flag
(page 92) in the Thumbnail menu of the full menu
(page 65).
3. Shooting
51
Proxy Recording
This function allows you to simultaneously
record low-resolution proxy data at the same
time as recording high-resolution original data
video.
For details about supported memory cards, formatting
memory cards, and checking the remaining capacity, see
“Using Memory Cards” (page 26).
Configuring Before Shooting
1 Set Proxy Rec (page 14) on the Project
status screen or Proxy Rec >Setting
(page 78) in the Project menu of the
full menu to On.
2 Insert a memory card into a CFexpress
Type A/SD card slot (page 6).
For CFexpress cards, the label faces to
the left.
For SD cards, the label faces to the right
with the beveled corner at the bottom.
[Note]
Proxy Rec cannot be set to On at the same time as S&Q
Motion or Interval Rec. When Proxy Rec is set to On,
these other recording modes are forcibly set to Off.
Recording a Proxy
Press the record START/STOP button to start
the recording after completing the required
setting for shooting.
[Notes]
If the camcorder is turned off or the memory
card is removed while the memory card is being
accessed, the integrity of data on the card cannot be
guaranteed. All data recorded on the memory card
may be discarded. Always make sure the memory
card access indicator is off before turning off the
camcorder or removing the memory card.
Make sure that the memory card does not pop out
when inserting or removing it.
To exit, stop the recording.
Setting the Audio Channel for
Proxy Recording
Select Proxy Rec >Audio Channel (page 78)
in the Project menu of the full menu, and set
the audio channel for proxy data recording.
About the Recorded File
The file name extension is “.mp4”.
The timecode is also recorded simultaneously.
Storage Destination of the
Recorded File
The recorded file is stored in the following
directory.
Recording media Folder path
SDXC /PRIVATE/XDROOT/Sub
CFexpress Type A /XDROOT/Sub
About the File Name
The file name consists of the clip name
recorded on the memory card and an “S03”
suffix.
For details about clip names, see Clip Name
Format (page 86) in the TC/Media menu of
the full menu.
3. Shooting
52
Shooting with the Desired Look
When the camcorder is in Custom mode, you
can add adjustments to the black, matrix, and
other parameters to create a “look” based on
the base look.
：
Look
Matrix
Black
Base look
You can also quickly select a different look by
saving different combinations of settings in
scene files.
The camcorder is provided with a total of six
preset looks.
Selecting a Look
1 With the shooting screen displayed, press
the multi-function dial.
2 Select the SCN icon.
3 Press the multi-function dial.
4 Select the desired look from the menu,
and press the multi-function dial.
[Tips]
The following presets are configured by factory
default.
Shooting Mode Custom
Target Display SDR(BT.709) HDR(HLG)
Scene file 1 S-Cinetone HLG Live
Scene file 2 Standard HLG Natural
Scene file 3 Still (Not
registered)
Scene file 4 ITU709 (Not
registered)
Scene files
5 to 16
(Not
registered)
(Not
registered)
You can also select a look using Scene File
(page 13) on the Main Status screen or Scene File
>Recall (page 83) in the Paint/Look menu of the
full menu. You can also recall a preset look using
Scene File >Preset Recall.
Importing a Desired Base Look
You can import a 3D LUT file, created on a
computer or other device, as a base look. Up
to 16 files can be imported.
File format: CUBE file (*.cube) for a 17-point
or 33-point 3D LUT created using Catalyst
Browse, RAW Viewer, or DaVinci Resolve*
(by Blackmagic Design Pty. Ltd.).
* Verified with Resolve V9.0, V10.0, and V11.0.
Input color space/Gamma: S-Gamut3.
Cine/S-Log3 or S-Gamut3/S-Log3
1 On the computer or other device, save the
3D LUT file in the specified folder or the
recording media.
Recording
media
Folder path
SDXC /PRIVATE/SONY/PRO/LUT/
CFexpress
Type A
/SONY/PRO/LUT/
2 Insert the recording media on which 3D
LUT files are saved into CFexpress Type
Type A/SD card slot (B).
3 Select Base Look >Import (page 83) in
the Paint/Look menu of the full menu.
4 Select an import destination.
5 Select a 3D LUT file to import.
Follow the on-screen instructions. The
camcorder handles a 3D LUT file as a base
look.
6 Select the imported 3D LUT file using Base
Look >Select (page 83) in the Paint/
Look menu of the full menu.
7 Configure Base Look >Input and Output
(page 83) in the Paint/Look menu of
the full menu to match the attributes of
the imported 3D LUT file.
Adjusting for underexposure
If there is a tendency for underexposure when
auto exposure is selected when using the
imported basic look, adjust Base Look >AE
Level Offset (page 83) in the Paint/Look
menu.
[Notes]
Just importing a 3D LUT file does not affect the
image. Load the imported 3D LUT file using Base Look
>Select (page 83) in the Paint/Look menu of the
full menu.
If Input is not set correctly, the proper look will not be
obtained.
The Input, Output, and AE Level Offset menu item
settings are applied to the base look selected using
Select. If multiple 3D LUT files are imported, select
Select for each 3D LUT file, and configure Input,
Output, and AE Level Offset individually for each file.
The configured Input, Output, and AE Level Offset
settings are saved for each 3D LUT file.
The base look/LUT selection options for imported 3D
LUT files are common to SDR(BT.709)/HDR(HLG)/Cine
EI modes, but color space and gamma conversion is
not performed according to these modes.
3D LUT files are not deleted when All Reset >Reset is
selected in the Maintenance menu.
3. Shooting: Shooting with the Desired Look
53
Customizing a Look
You can customize the look based on the base
look using the Matrix and other setup items
in the Paint/Look menu of the full menu. For
details about each setup item, see page 83.
Connect your camcorder to a TV or monitor,
and adjust the picture quality while observing
the picture on the TV or monitor screen.
[Note]
When you import a 3D LUT file and apply it to the image,
the desired look defined in the 3D LUT file will not be
obtained if Matrix and settings other than base look
settings in the Paint/Look menu are changed. You can
reset all customized settings using Reset Paint Settings
>Reset without Base Look (page 83) in the Paint/Look
menu of the full menu.
Saving a Look
You can save the current look as a scene file
in internal memory using Scene File >Store
(page 83) in the Paint/Look menu of the full
menu.
You can quickly save using operations in the
direct menu from the shooting screen.
[Note]
If you select another look without saving the current
look, the current look is discarded.
[Tip]
You can overwrite the preset scene files.
To restore a preset scene file, load the look to be
restored using Scene File >Preset Recall (page 83) in
the Paint/Look menu of the full menu, and then save the
scene file using Scene File >Store.
Deleting a saved look
You can delete a scene file saved in internal
memory using Scene File >Delete (page 83)
in the Paint/Look menu of the full menu.
[Tip]
When deleted, it is no longer displayed in the direct
menu.
Deleting a base look
You can delete an imported 3D LUT file using
Base Look >Delete (page 83) in the Paint/
Look menu of the full menu.
You can delete all imported 3D LUT files using
Base Look >Delete All (page 83) in the
Paint/Look menu of the full menu.
[Notes]
Before deleting, check that the base look is not being
used in any scene files. If a base look that is being
used is deleted, the look of the corresponding scene
files will be incorrect.
Imported 3D LUT files are not deleted when All Reset
>Reset (page 99) is selected in the Maintenance
menu of the full menu.
A deleted base look can no longer be used as a LUT in
Cine EI mode (page 54).
3. Shooting
54
Shooting with Look Adjustment in Post-Production
By using the camcorder in Cine EI mode and
recording gradations evenly from dark areas to
bright areas, you can make fine adjustments,
such as locally restoring the gradations of dark
areas and bright areas, in post production.
However, when viewing the recorded images
on a conventional monitor, the overall contrast
will appear low, making focus and exposure
adjustments difficult.
You can apply a LUT to the monitor target on
the camcorder to assist various adjustments
during shooting. You can also apply a LUT
to the playback video to check the finished
result.
LUTs are applied by the following systems.
However, only one LUT can be applied.
SDI output and HDMI output
Viewfinder and proxy images, streaming
Video recorded on recording media
Applying a LUT to the Viewfinder
Image
1 Press the MENU button to display the
Monitoring Status screen.
2 Select the Gamut/Gamma column in the
VF row.
3 Select On or Off.
[Notes]
The LUT On/Off setting of VF is also applied to proxy
file and streaming video.
Gamma display assist is available during focus
magnifier operation.
[Tips]
You can also set using LUT On/Off >VF/Proxy/Stream
(page 76) in the Shooting menu of the full menu.
SDI/HDMI can be set similarly to VF.
For video on recording media, you can set using LUT
On/Off >Internal Rec (page 76) in the Shooting
menu of the full menu.
Changing a LUT
1 Press the MENU button to display the
Monitoring Status screen.
2 Select the Base Look/LUT field.
3 Select the LUT to apply from the base look
list.
[Tips]
You can also import and apply a 3D LUT file. s709,
709(800%), or S-Log3 can be selected for the base
look. For details, see “Importing a Desired Base Look”
(page 52) and “Deleting a base look” (page 53).
The base look can also be set using Base Look >Select
(page 83) in the Paint/Look menu of the full menu.
Changing the Distribution of Dark
and Bright Areas in Recorded
Video
You can change the distribution of dark areas
and bright areas, for example, if you want to
prioritize the tone of dark areas over bright
areas, by changing the Exposure Index from
the base sensitivity.
1 Apply a LUT to the viewfinder image
(page 54).
2 Press the MENU button to display the
Camera Status screen.
3 Set the L/M/H fields of Exposure Index.
The individual settings are assigned to the
L/M/H positions of the ISO/GAIN switch
(page 5).
4 Select the Exposure Index value to apply
using the ISO/GAIN switch.
5 Adjust the exposure of the viewfinder
image as appropriate.
[Note]
Gamma display assist is available during focus magnifier
operation. The Exposure Index setting is not applied to
gamma display assist.
[Tips]
The exposure can also be adjusted using ISO/Gain/
EI >Exposure Index (page 72) in the Shooting menu
of the full menu.
The second numerical value of the setting indicates
how many steps of brightness information are
assigned for bright areas (brightness higher than 18%
gray). Areas brighter than these are overexposed.
Example: In “400EI/5.0E,” 5.0 steps are assigned on
the bright side.
You can also use this as a guide to check the tone of
dark and bright areas during shooting. For example,
if the M position is the base sensitivity, L position is
minus 2 steps, and H position is plus 2 steps, you can
check by switching the ISO/GAIN switch. Remember
to return to the M position after checking the
exposure.
3. Shooting
55
You can record the RAW video signal output
from the SDI OUT connector of the camcorder
to a supported external recorder.
1 Connect an external RAW recorder to the
SDI OUT connector of the camcorder.
2 Set the shooting mode using the Project
status screen (page 14) or Base Setting
>Shooting Mode (page 77) in the
Project menu of the full menu to Cine EI.
3 Set the scan mode (FF only) using Imager
Scan on the Project status screen or Rec
Format >Imager Scan Mode (page 77)
in the Project menu of the full menu.
4 Set the codec using the Project status
screen or Rec Format >Codec (page 77)
in the Project menu of the full menu to a
codec that includes RAW.
Selecting RAW & XAVC-I will
simultaneously record RAW video to the
external RAW recorder and video to the
memory cards in the camcorder.
5 Set the resolution using the Project status
screen or Rec Format >RAW Output
Format (page 77) in the Project menu
of the full menu.
6 Check that the external recorder is turned
on, then press the record START/STOP
button on the camcorder.
[Note]
When recording is started on an external recorder,
without using the record START/STOP button on
the camcorder, clips may not be recorded properly.
The supported RAW output formats are shown
below.
System
frequency
Codec RAW Output
Format
59.94/
50/
29.97/
25/
23.98
RAW 4096×2160
3840×2160
RAW & XAVC-I 4096×2160
3840×2160
24 RAW 4096×2160
RAW & XAVC-I 4096×2160
Recording Status Indicator
When Display On/Off (page 87) >RAW
Output Control Status in the Monitoring
menu of the full menu is set to On, the RAW
recording status is indicated by an icon
displayed on the viewfinder screen.
[Note]
The recording control signal is output from the SDI
OUT connector of the camcorder, but it is not possible
to get the status of the external recorder. Accordingly,
the camcorder may indicate RAW video recording is
in progress when the external recorder is not actually
recording. Check the indicator on the external recorder
to obtain the correct operating status.
[Tip]
The RAW Output Format setting value is also displayed.
Slow & Quick Motion Recording
If S&Q Motion >Setting in the Shooting menu
is set to On, RAW video is recorded in Slow &
Quick Motion mode.
For details about the supported frame rates
for shooting, see page 49.
Recording RAW Video
56
4. Network Functions
Connecting to Other Devices via LAN
The camcorder can connect to smartphones,
tablets, and other devices via LAN connection.
Making a LAN connection between a device
and the camcorder enables the following
using the “Content Browser Mobile”
application.
Remote operation via LAN
You can control the camcorder from a
smartphone, tablet, or computer that is
connected to the camcorder via a LAN.
File transfer via LAN
You can transfer a proxy file (low resolution)
or original file (high resolution) that
is recorded on a memory card in the
camcorder to the server via a LAN.
Video monitoring via LAN
You can create a stream (H.264) from the
camera or playback video of the camcorder,
and monitor the video using the “Content
Browser Mobile” application from a device
via a LAN.
“Content Browser Mobile” application
You can operate the camcorder remotely on
the device screen while monitoring the video
from the camcorder, and configure settings
of the camcorder, using the “Content Browser
Mobile” application.
For details about the “Content Browser Mobile” application,
contact your Sony sales or service representative.
Setting the User Name and
Password
Set the user name and password of the
camcorder in order to use the network
function.
1 Set Access Authentication >User Name
(page 95) in the Network menu of the
full menu.
2 Set Access Authentication >Password
(page 95) in the Network menu of the
full menu.
Connecting using Wireless LAN
Access Point Mode
The camcorder works as an access point, and
connects to a device via a wireless LAN.
Smartphone/tablet
Connecting to an NFC-compatible device
with one-touch operation
Devices that support NFC can be connected
(one-touch connection) using NFC.
1 Open [Settings] on the device, select
[More], and place a check mark in the NFC
checkbox.
2 Turn the camcorder on.
3 Activate the NFC function.
Press and hold (for 3 seconds) an
assignable button assigned with NFC or
select Wireless LAN >NFC in the Network
menu to activate NFC connection mode.
The NFC function is available only while
appears on the screen.
4 Touch the camcorder using the device.
The device connects to the camcorder
and “Content Browser Mobile” starts.
[Notes]
Disable sleep mode and screen lock beforehand.
Touch and hold the device still until the “Content
Browser Mobile” application launches (1 to 2
seconds).
4. Network Functions: Connecting to Other Devices via LAN
57
Connecting to a WPS-compatible device
Devices that support WPS can be connected
using WPS.
1 Select Wireless LAN >Setting >Access
Point Mode in the Network menu of the
full menu.
2 Select Wireless LAN >WPS >Execute in the
Network menu of the full menu.
3 Open the device Network settings or Wi-Fi
settings on the device, and turn Wi-Fi on.
4 Select the camcorder SSID from the SSID
list in Wi-Fi Network on the device, then
select WPS Push Button in Option on the
device to connect.
[Notes]
The operation method differs depending on the
device.
For the SSID and password of the camcorder,
check AP Mode Settings >Camera SSID &
Password (page 95) in the Network menu of
the full menu.
5 Connect using the Content Browser
Mobile application.
Connecting by inputting an SSID and
password on a device
You can connect the camcorder to a device by
entering the SSID and password on a device.
1 Select Wireless LAN >Setting >Access
Point Mode in the Network menu of the
full menu.
2 Open the device Network settings or Wi-Fi
settings on the device, and turn Wi-Fi on.
3 Connect the device to the camcorder by
selecting the camcorder SSID from the
SSID list in Wi-Fi Network and entering the
password.
For the SSID and password of the
camcorder, check AP Mode Settings
>Camera SSID & Password (page 95) in
the Network menu.
[Note]
The operation method differs depending on the
device.
4 Connect using the Content Browser
Mobile application.
Connecting using Wireless LAN
Station Mode
The camcorder connects to an existing access
point of the wireless LAN as a client. The
camcorder and device connect via the access
point.
The 10 most recently connected access points
are displayed in the history.
The connection history is saved in an ALL
file, but the access passwords are not saved.
Password entry is required the next time you
connect after loading the ALL file.
Smartphone/
tablet
Access point
Computer
Connecting to an access point using
WPS
If the access point is compatible with the WPS
function, you can connect to the access point
with simple settings.
1 Turn the access point on.
2 Turn the camcorder on.
3 Select Wireless LAN >Setting > Station
Mode in the Network menu of the full
menu.
4 Select ST Mode Settings >Camera Remote
Control (page 95) >Enable in the
Network menu of the full menu.
5 Select Wireless LAN >WPS >Execute in the
Network menu of the full menu.
6 Press the WPS button of the access point.
For details about the operation of the
WPS button, refer to the operating
instructions of the access point.
When the connection is successful, the
network status indicator icon will show a
strength of 1 or higher on the viewfinder
screen.
[Note]
If the connection fails, perform steps from step1
again.
7 Connect the device to the access point.
For details about connecting, refer to the
operating instructions of the device.
8 Connect using the Content Browser
Mobile application.
4. Network Functions: Connecting to Other Devices via LAN
58
Connecting to an access point using
auto network detection or manually
You can configure connection to a desired
access point from the full menu.
You can configure connection to a desired
access point using the auto network detection
function.
Connecting using the network auto detection
function
1 Perform steps1 to 3 in “Connecting to an
access point using WPS” (page 57).
2 Select ST Mode Settings >Scan Networks
(page 96) >Execute in the Network
menu of the full menu.
The camcorder starts detection of
connection destinations.
Possible destinations that are found are
displayed in a list.
3 Select a destination from the list.
The network (access point) details screen
appears. The selected connection is
displayed in SSID.
4 Select Password, and set the password on
the password input screen.
Selecting an SSID in the connection
history automatically configures settings,
including the password.
Set the password to return to the network
(access point) details screen.
5 Configure the following connection
settings.
DHCP
Set the DHCP setting.
When you set to On, the IP address is
assigned to the camcorder automatically.
To assign the IP address to the
camcorder manually, set to Off.
IP Address
Enter the IP address of the unit.
This setting is available only when DHCP
is set to Off.
Subnet Mask
Enter the subnet mask of the unit.
This setting is available only when DHCP
is set to Off.
Gateway
Enter the gateway for the access point.
This setting is available only when DHCP
is set to Off.
DNS Auto
Sets whether to acquire DNS
automatically.
When set to On, the DNS server address
is automatically acquired. This setting is
available only when DHCP is set to On.
Primary DNS Server
Enter the primary DNS server for the
access point.
This setting is available only when DNS
Auto is set to Off.
Secondary DNS Server
Enter the secondary DNS server for the
access point.
This setting is available only when DNS
Auto is set to Off.
6 When finished, select Connect to connect
to the access point.
Connecting manually
1 Perform steps1 to 3 in “Connecting to an
access point using WPS” (page 57).
2 Select ST Mode Settings >Manual Register
(page 96) >Execute in the Network
menu of the full menu.
Momentarily, the network (access point)
details screen appears.
3 Configure the following connection
settings.
SSID
Enter the SSID for the connection access
point.
Security
Select the encryption method.
Password
Enter the password for the connection
access point.
DHCP
Set the DHCP setting.
When you set to On, the IP address is
assigned to the camcorder automatically.
To assign the IP address to the
camcorder manually, set to Off.
IP Address
Enter the IP address of the unit.
This setting is available only when DHCP
is set to Off.
Subnet Mask
Enter the subnet mask of the unit.
This setting is available only when DHCP
is set to Off.
Gateway
Enter the address of the gateway.
This setting is available only when DHCP
is set to Off.
DNS Auto
Sets whether to acquire DNS
automatically.
When set to On, the DNS server address
is automatically acquired. This setting is
available only when DHCP is set to On.
Primary DNS Server
Enter the address of the primary DNS
server.
This setting is available only when DNS
Auto is set to Off.
Secondary DNS Server
Enter the address of the secondary DNS
server.
This setting is available only when DNS
Auto is set to Off.
4 When finished, select Connect to connect
to the access point.
4. Network Functions: Connecting to Other Devices via LAN
59
Connecting to a Device using a
LAN Cable
You can connect with a device by connecting
the wired LAN connector of a wired LAN
adaptor (option) attached to the USB-C
connector (page 7) of the camcorder to a
Wi-Fi router (option) using a LAN cable.
Smartphone/tablet
Wi-Fi router
LAN cable connections and wired LAN
settings
1 Connect the wired LAN connector of the
wired LAN adaptor to a Wi-Fi router using
a LAN cable.
2 Turn the camcorder on.
3 Set Wired LAN >Setting (page 97) in the
Network menu of the full menu to On.
4 Configure connection settings using
Wired LAN >Detail Settings (page 97) in
the Network menu.
DHCP
Set the DHCP setting.
When you set to On, the IP address is
assigned to the camcorder automatically.
To assign the IP address to the
camcorder manually, set to Off.
IP Address
Enter the IP address of the unit.
This setting is available only when DHCP
is set to Off.
Subnet Mask
Enter the subnet mask of the unit.
This setting is available only when DHCP
is set to Off.
Gateway
Enter the address of the gateway.
This setting is available only when DHCP
is set to Off.
DNS Auto
Sets whether to acquire DNS
automatically.
When set to On, the DNS server address
is automatically acquired. This setting is
available only when DHCP is set to On.
Primary DNS Server
Enter the address of the primary DNS
server.
This setting is available only when DNS
Auto is set to Off.
Secondary DNS Server
Enter the address of the secondary DNS
server.
This setting is available only when DNS
Auto is set to Off.
5 When finished, select Set to apply the
settings.
[Notes]
Always select Set after changing the connection
settings. The settings are not applied if Set is not
selected.
Use a USB Type C wired LAN adaptor. Use of a Gigabit
Ethernet compatible adaptor is recommended.
However, operation is not guaranteed to work with
all devices.
The built-in Wi-Fi communication function may be
affected, depending on the model of the wired LAN
adaptor (option).
4. Network Functions
60
You can connect the camcorder to the Internet
using USB tethering, wired LAN, or wireless
LAN.
Connecting using USB Tethering
You can connect the unit to a smartphone via
a USB cable, and then connect to the Internet
using the smartphone.
Configuring smartphone communication
Enable tethering communication on the
smartphone.
For details, refer to the operation manual for
the smartphone.
Attaching a smartphone to the
camcorder
Connect a USB cable to the USB-C connector
(page 7) of the camcorder, and then
connect the smartphone.
[Notes]
Attach/remove the smartphone while the camcorder
is turned off.
USB tethering cannot be used if the smartphone is
connected via a USB hub.
USB tethering cannot be used if a computer is
attached to the USB/multi connector (page 7).
Connecting to a network
1 Turn the camcorder on.
2 Set Modem >Setting (page 97) in the
Network menu of the full menu to On.
Enabling operation from a smartphone
To operate the camcorder remotely using
the Content Browser Mobile application on
a smartphone, set Modem >Camera Remote
Control (page 95) in the Network menu of
the full menu to Enable.
Connecting using Wireless LAN
Station Mode
You can connect the camcorder to the Internet
in Wi-Fi station mode via an optional Wi-Fi
router or by tethering to a device.
Smartphone/
tablet
Wi-Fi router
Computer
Internet
Smartphone/
tablet
Internet
Connect to the Wi-Fi router or device as
described in “Connecting using Wireless LAN
Station Mode” (page 57).
Connecting using a LAN Cable
You can connect to the Internet by connecting
the wired LAN connector of a wired LAN
adaptor (option) attached to the USB-C
connector (page 7) of the camcorder to a
Wi-Fi router (option) using a LAN cable.
Smartphone/
tablet
Computer
Wi-Fi router
Internet
Connect to the Wi-Fi router as described in
“Connecting to a Device using a LAN Cable”
(page 59).
[Notes]
A USB wired LAN adaptor (option) cannot be used if
a computer is attached to the USB/multi connector
(page 7).
The built-in Wi-Fi communication function may be
affected, depending on the model of the wired LAN
adaptor (option).
Connecting to the Internet
4. Network Functions
61
Uploading Files
You can upload a proxy file or original file that
is recorded on the camcorder to a server on
the Internet or a server on a local network via
a smartphone or access point.
Preparations
Connecting to a network
Connect the camcorder to the Internet or local
network as described in “Connecting to the
Internet” (page 60) or “Connecting to Other
Devices via LAN” (page 56).
Registering a file transfer destination
Register the server for uploading in advance.
1 Select File Transfer >Server Settings1 (or
Server Settings2, Server Settings3) in the
Network menu of the full menu.
The transfer destination setup screen
appears.
2 Set each item on the transfer destination
setup screen.
Display Name
Enter the name of the server to display in
the transfer destination list.
Service
Displays the server type.
“FTP”: FTP server
Host Name
Enter the address of the server.
Port
Enter the port number of the server to
connect.
User Name
Enter the user name.
Password
Enter the password.
Passive Mode
Turn passive mode on/off.
Destination Directory
Enter the name of the directory on the
destination server.
[Notes]
When editing, “” indicates characters that
cannot be changed. Correct operation is not
guaranteed when editing a directory name that
contains these characters.
If you need to edit, delete all the characters and
re-enter a value.
If characters that are invalid on the destination
server are entered in Destination Directory, files
will be transferred to the user’s home directory.
Invalid characters will vary depending on the
server.
Using Secure Protocol
Set whether to perform secure FTP
uploading.
Root Certificate
Load/clear a certificate.
Load
Select Set in step 3 to import a CA
certificate.
* The certificate to be loaded must be in PEM
format with “certification.pem” file name, and
should be written to the root directory of the
memory card inserted in CFexpress Type A/SD
card slot (B).
Clear
Select Set in step3 to clear a CA
certificate.
None
Do not load or clear a certificate.
[Notes]
Set the clock of the camcorder to the correct time
before importing a CA certificate.
When recording in XAVC-I 4096×2160P/
3840×2160P 59.94/50P, Load cannot be selected.
In low voltage state, Load/Clear cannot be
selected for a CA certificate.
Root Certificate Status
Displays the load status of the certificate.
Reset
Reset the settings of Server Settings to
the defaults.
3 When finished, select Set to apply the
settings.
Always select Set after changing the
settings. The settings are not applied if
Set is not selected.
Selecting a File and Uploading
You can select proxy files or original files
recorded on memory cards for transfer to a
server.
Uploading a proxy file on a memory card
from the thumbnail screen
1 Connect the camcorder and device using
a LAN connection (page 56).
2 Select Transfer Clip (Proxy) >Select Clip in
the Thumbnail menu of the full menu.
The display changes from the full menu to
the thumbnail screen.
Clips can be transferred from the
thumbnail screen or the filtered clip
thumbnail screen.
3 Select the clip you want to transfer, then
press the MENU button.
A transfer confirmation screen appears.
4 Select Execute.
The proxy file corresponding to the
selected file is registered as a transfer job,
and uploading begins.
When the transfer job is successfully
registered, the transfer result screen
appears.
5 Select OK.
To upload all files
Select All Clips instead of Select Clip in step2
to transfer the proxy files corresponding to all
the files.
[Note]
Up to 200 files can be transferred.
4. Network Functions: Uploading Files
62
Uploading an original file on a memory
card from the thumbnail screen
1 Connect the camcorder and device using
a LAN connection (page 56).
2 Select Transfer Clip >Select Clip in the
Thumbnail menu of the full menu.
The display changes from the full menu to
the thumbnail screen.
Clips can be transferred from the
thumbnail screen or the filtered clip
thumbnail screen.
3 Select the clip you want to transfer, then
press the MENU button.
A transfer confirmation screen appears.
4 Select Execute.
The selected file is registered as a transfer
job, and uploading begins.
When the transfer job is successfully
registered, the transfer result screen
appears.
5 Select OK.
To upload all files
Select All Clips instead of Select Clip in step2
to transfer all the files.
[Note]
Up to 200 files can be transferred.
Checking the file transfer
You can check the status of file transfer
by selecting File Transfer >View Job List
(page 97) in the Network menu of the full
menu.
You can also check the status of file transfer
from the Content Browser Mobile application
screen.
[Tip]
If File Transfer >Auto Upload (Proxy) (page 97) in
the Network menu of the full menu is set to On and a
network connection exists, proxy files are automatically
uploaded to the server specified using Default Upload
Server (page 97) when recording ends.
[Notes]
Up to 200 transfer jobs can be registered.
The job list is retained when the camcorder is
turned off, but up to 10 minutes of recent progress
information may be lost if the battery pack is
removed or the camcorder is powered off without
first setting the POWER switch to STANDBY.
Jobs added after the battery low voltage state are not
saved in the job list.
If an error occurs during file transfer, the transfer of a
clip with the same name as a transferred clip may not
be resumed depending on the settings and status of
the transfer destination server. In this case, check the
transfer destination server settings and status.
Uploading using Secure FTP
You can upload files with encryption
using FTPS in Explicit mode (FTPES) for the
connection with the destination file server.
Setting secure FTP transfer
For secure FTP transfer, set Using Secure
Protocol on the destination file server to ON
and import a certificate.
For details about configuration, see
“Registering a file transfer destination”
(page 61).
63
5. Thumbnail Screen
Thumbnail Screen
When you press the THUMBNAIL button (page 5), clips recorded on the memory card are displayed as thumbnails on the screen.
You can select a clip on the thumbnail screen and start playback of that clip. The playback image can be displayed in the viewfinder and on an external monitor.
Pressing the THUMBNAIL button again closes the thumbnail screen and returns to the camera image.
[Note]
Only the clips recorded in the currently selected recording format are displayed on the thumbnail screen. If an expected recorded clip is not displayed, check the recording format. Take special note of this fact before formatting (initializing)
media.
Screen Layout
Information for the clip at the cursor position is displayed at the bottom of the screen.
4 5
6
3
1
2
Currently selected memory card indicator
(A lock icon is displayed if the card is protected.)
Cursor (yellow)
Clip number/Total number of clips
1. Thumbnail (index picture)
Displays the index picture of a clip. When a clip
is recorded, its first frame is automatically set
as the index picture.
Clip/frame information is displayed below the
thumbnail. You can change the information
displayed using Customize View (page 92)
>Thumbnail Caption in the Thumbnail menu of
the full menu.
2. Clip name
Displays the name of the selected clip.
3. Recording video format
Displays the file format of the selected clip.
4. Special recording information
Displays the recording mode only if the clip
was recorded using a special recording mode.
For Slow & Quick Motion clips, the frame rate
is displayed on the right.
5. Clip duration
6. Creation date
5. Thumbnail Screen
64
Playing Clips
Playing Recorded Clips
You can play recorded clips when the
camcorder is in recording standby (Stby)
mode.
1
Insert the memory card to play.
2
Press the THUMBNAIL button.
3
Use the multi selector (page 7) or
multi-function dial (page 5) to move
the cursor to the thumbnail for the clip
you want to play.
4
Press the multi selector apply button or
multi-function dial.
Playback begins from the start of the
selected clip.
You can control playback by pressing the
following buttons.
Press the multi selector apply button or
multi-function dial:
Pauses playback.
Press again to return to normal playback.
Press the multi selector left/right buttons:
Jumps to start of clip/start of next clip.
Press and hold the multi selector left/right
buttons:
Fast reverse/forward.
Returns to normal playback when you
release the button.
CANCEL/BACK button:
Stops playback, and returns to recording
standby mode.
[Notes]
There may be momentary picture breakup or still
image display at the boundary between clips. You
cannot operate the camcorder during this period.
When you select a clip in the thumbnail screen and
begin playback, there may be momentary picture
breakup at the start of the clip. To view the start of the
clip without breakup, put the camcorder into playback
mode, pause, use the multi selector left button to
return to the start of the clip, and start play again.
5. Thumbnail Screen
65
On the thumbnail screen, you can operate
the clips or check clip properties using the
Thumbnail menu of the full menu.
The Thumbnail menu (page 92) appears
when you press and hold the MENU button
and select Thumbnail.
Thumbnail Menu Operations
Use the multi selector (page 7) or the
multi-function dial (page 5) to select a
function, then press the multi selector apply
button or multi-function dial.
Press the CANCEL/BACK button (page 5)
to return to the previous screen.
[Note]
Some items cannot be selected, depending on the state
when the menu was displayed.
Menu Items for Clip Operations
Display Clip Properties
Set Clip Flag
Lock/Unlock Clip
Delete Clip
Transfer Clip
Transfer Clip (Proxy)
Filter Clips
Customize View
For details about clip operation menu items,
see the Thumbnail menu (page 92).
Displaying clip properties
Select Display Clip Properties (page 92)
in the Thumbnail menu to display the clip
properties screen.
Adding clip flags
You can add clip flags (OK, NG or KP marks) to
clips to filter the display of clips based on the
clip flags.
Select the thumbnail for the clip to which you
want to add a clip flag, then select the clip
flag using Set Clip Flag (page 92) in the
Thumbnail menu of the full menu.
Setting Added clip flag
Add OK OK
Add NG NG
Add KEEP KP
[Tips]
You can also use an assignable button assigned with
the clip flag function to add clip flags (page 48).
You can add an OK clip flag to the thumbnail of the
selected clip (page 50) by pressing the Clip Flag
button (page 5).
Displaying the filtered clip thumbnail
screen
Select Filter Clips (page 92) in the
Thumbnail menu of the full menu, and select
a clip flag type to display only those clips that
have the specified flag.
To display all clips, select All.
[Tip]
You can also switch filters in sequence using the
DISPLAY button.
Deleting clips
You can delete clips from memory cards.
Select Delete Clip >Select Clip or All Clips in
the Thumbnail menu of the full menu.
Select Clip:
Deletes the selected clip. Multiple clip
selection is supported.
All Clips:
Deletes all of the displayed clips.
Changing the information displayed on
the thumbnail screen
You can change the clip/frame information
displayed below the thumbnail.
Select Customize View >Thumbnail Caption
in the Thumbnail menu of the full menu, and
select the information to display.
Date Time:
Displays the date and time the clip was
created and last modified.
Time Code:
Displays the timecode.
Duration:
Displays the duration of the clip.
Sequential Number:
Displays a sequential number on each
thumbnail.
Clip Operations
66
6. Menu Display and Settings
Full Menu Configuration and Hierarchy
Press and hold the MENU button to display
the full menu in the viewfinder to specify
various items for shooting, recording, and
playback (menu can also be displayed on an
external monitor). The full menu comprises the
following menus.
Menu Configuration
User menu
Contains menu items configured by the
user using Edit User Menu.
Edit User menu
Contains menu items for editing the User
menu.
Shooting menu
Contains settings related to shooting.
Project menu
Contains basic project settings.
Paint/Look menu
Contains settings related to image quality.
TC/Media menu
Contains settings related to timecodes
and recording media.
Monitoring menu
Contains settings related to video output
and the viewfinder display.
Audio menu
Contains settings related to audio.
Thumbnail menu
Contains settings related to thumbnail
display.
Technical menu
Contains settings for technical items.
Network menu
Contains settings related to networks.
Maintenance menu
Contains devices settings, such as the
clock and language.
Full Menu Hierarchy
User
(Factory settings)
Base Setting
Focus
S&Q Motion
LUT On/Off
Simul Rec
Proxy Rec
Interval Rec
Assignable Button
Assignable Dial
Multi Function Dial
All File
Clip Name Format
Format Media
VF Setting
Zebra
Zoom
Menu Settings
Edit User Menu Add Item
Customize Reset
Shooting ISO/Gain/EI
ND Filter
Shutter
Auto Exposure
White
White Setting
Offset White
Focus
S&Q Motion
LUT On/Off
Noise Suppression
Flicker Reduce
SteadyShot
Project Base Setting
Rec Format
Cine EI Setting
Simul Rec
Proxy Rec
Interval Rec
SDI/HDMI Rec Control
Assignable Button
Assignable Dial
Multi Function Dial
User File
All File
Paint/Look Scene File
Base Look
Reset Paint Settings
Black
Knee
Detail
Matrix
Multi Matrix
TC/Media Timecode
TC Display
Users Bit
HDMI TC Out
Clip Name Format
Update Media
Format Media
Monitoring Output On/Off
Output Format
Output Display
Display On/Off
Marker
VF Setting
Gamma Display Assist
Peaking
Zebra
Audio Audio Input
Audio Output
Thumbnail Display Clip Properties
Set Clip Flag
Lock/Unlock Clip
Delete Clip
Transfer Clip
Transfer Clip (Proxy)
Filter Clips
Customize View
Technical Color Bars
ND Dial
Tally
HOLD Switch Setting
Touch Operation
Rec Review
Zoom
Handle Zoom
Menu Settings
Fan Control
Lens
Video Light Set
APR
Camera Battery Alarm
Camera DC IN Alarm
Network Access Authentication
Wireless LAN
AP Mode Settings
ST Mode Settings
Wired LAN
Modem
File Transfer
Network Reset
6. Menu Display and Settings: Full Menu Configuration and Hierarchy
67
Maintenance Language
Clock Set
All Reset
Hours Meter
Version
6. Menu Display and Settings
68
Full Menu Operations
Press and hold the MENU button to display the
full menu in the viewfinder to specify detailed
settings (menu can also be displayed on an
external monitor).
Menu Controls
MENU button (page 5)
Press and hold to display the full menu.
Press again while the full menu is
displayed to hide the menu.
Multi selector (8-way D-pad and apply
buttons) (page 7)
Press the D-pad buttons to move the
cursor up/down/left/right to select menu
items or settings.
Press the multi selector apply button to
apply the selected item.
Multi-function dial (page 5)
Turn the multi-function dial to move the
cursor up/down to select menu items or
settings.
Press the multi-function dial to apply the
selected item.
CANCEL/BACK button (page 5)
Press to return to the previous menu. An
uncompleted change is canceled.
[Notes]
The full menu cannot be operated when in focus
magnifier mode (page 40).
Some items cannot be selected, depending on the
state when the menu was displayed.
Setting Menu Items
Press the D-pad buttons or turn the multi-
function dial to move the cursor to the menu
item to set, then press the apply button or
multi-function dial to select the item.
The menu item selection area displays up
to eight lines. If the available options for an
item cannot be displayed at the same time,
scroll the display by moving the cursor up/
down.
For sub-items with a large settings range
(for example, –99 to +99), the settings area
is not displayed. The current setting is
highlighted to indicate that the value can be
changed.
Selecting [Execute] for a function will
execute the corresponding function.
Selecting an item that requires confirmation
before execution will temporarily hide the
menu and display a confirmation message.
Check the message, and then select
whether to execute or cancel the function.
Entering a Character String
When you select an item, such as a file name,
which requires character entry, the character
entry screen appears.
1
2 3
1 Press the D-pad buttons or turn the
multi-function dial to select a character
type, then apply the setting.
ABC: Uppercase alphabetic characters
abc: Lowercase alphabetic characters
123: Numeric characters
!#$: Special characters
2 Select a character from the selected
character type, then apply the setting.
The cursor moves to the next field.
Space: Enters a space character at the
cursor position.
/: Moves the position of the cursor.
BS: Deletes the character on the left of the
cursor (backspace).
3 When finished, select [Done] and apply
the setting.
The character string is confirmed and the
character entry screen disappears.
Locking and Unlocking the Menu
You can lock the full menu so that only the
User menu is displayed.
In this state, settings cannot be changed using
the status screens.
Locking the menu
1 Press and hold the multi-function dial and
press and hold the MENU button.
2 Select Menu Settings >User Menu with
Lock in the Technical menu.
[Note]
When you press and hold only the MENU button
to display the normal full menu, User Menu Only
is displayed under Menu Settings in the Technical
menu. Press and hold the multi-function dial and
press and hold the MENU button to display User
Menu with Lock.
3 Set to On, and press the apply button or
multi-function dial.
The viewfinder screen display switches to
the passcode number input screen.
4 Enter an arbitrary number.
Enter a 4-digit number in the range 0000
to 9999. The default value is 0000.
Enter a number and press the apply
button or multi-function dial to move the
cursor to the next digit.
When all digits have been entered, move
the cursor to SET.
5 Press the apply button or multi-function
dial.
The entry is applied.
A confirmation message appears, and the
screen switches to the User menu display.
6. Menu Display and Settings: Full Menu Operations
69
Unlocking the menu
1 Press and hold the multi-function dial and
press and hold the MENU button.
2 Select Menu Settings >User Menu with
Lock in the User menu.
[Note]
When you press and hold only the MENU button
to display the normal full menu, User Menu Only
is displayed under Menu Settings in the Technical
menu. Press and hold the multi-function dial and
press and hold the MENU button to display User
Menu with Lock.
3 Set to Off, and press the apply button or
multi-function dial.
The viewfinder screen display switches to
the passcode number input screen.
4 Enter the passcode number used to lock
the menu.
Enter a number and press the apply
button or multi-function dial to move the
cursor to the next digit.
When all digits have been entered, move
the cursor to Set.
5 Press the apply button or multi-function
dial.
The entry is applied.
If the entered passcode number matches
the passcode number used to lock the
menu, the menu is unlocked and the
menu is displayed.
[Notes]
If the entered passcode number does not match the
passcode number used to lock the menu, the menu is
not unlocked.
It is recommended that you leave a record of the
passcode nearby, just in case it is forgotten. If you
do forget the passcode number, contact your Sony
service representative.
If the menu is locked without registering full menu
items from the following table in the User menu,
those functions cannot be assigned to assignable
buttons.
If those functions were already assigned to assignable
buttons, the assignable setting is forcibly disabled at
the point when the menu is locked.
Full menu item Assignable button
selection
Shooting >ISO/Gain/EI
>Base Sensitivity,
Shooting >ISO/Gain/EI>
Base ISO
Base ISO/Sensitivity
Shooting >Auto
Exposure >AGC
AGC
— Auto ND Filter
Shooting >Auto
Exposure >Auto Shutter
Auto Shutter
Shooting >Auto
Exposure >Level
Auto Exposure Level
Shooting >Auto
Exposure >Mode
Backlight
Shooting >Auto
Exposure >Mode
Spotlight
Shooting >White >
Preset White
Preset White Select
Shooting >Focus >
AF Transition Speed,
Shooting >Focus >
AF Subj. Shift Sens.
AF Speed/Sens.
Shooting >Focus >
Focus Area
Focus Area
Shooting >Focus >
Focus Area(AF-S)
Focus Area(AF-S)
Shooting >Focus >
Face/Eye Detection AF
Face/Eye Detection
AF
Shooting >Focus >
Push AF Mode
Push AF Mode
Shooting >S&Q Motion
>Setting
S&Q Motion
Shooting >SteadyShot
>Setting
SteadyShot
Technical >Rec Review
>Setting
Rec Review
Full menu item Assignable button
selection
Thumbnail >Set Clip
Flag >Add OK
Clip Flag OK
Thumbnail >Set Clip
Flag >Add NG
Clip Flag NG
Thumbnail >Set Clip
Flag >Add KEEP
Clip Flag Keep
Technical >Color Bars
>Setting
Color Bars
Monitoring >Display
On/Off >Lens Info
Lens Info
Monitoring >Display
On/Off >Video Signal
Monitor
Video Signal
Monitor
Monitoring >Marker
>Setting
Marker
Monitoring >VF Setting
>Color Mode
VF Mode
Monitoring >Gamma
Display Assist >Setting
Gamma Display
Assist
Monitoring >Peaking
>Setting
Peaking
Monitoring >Zebra
>Setting
Zebra
Audio >Audio Output
>Volume
Volume
Technical >Touch
Operation >Setting
Touch Operation
Technical >Handle
Zoom >Setting
Handle Zoom
Network >Wireless LAN
>NFC
NFC
Network >File Transfer
>Auto Upload (Proxy)
Auto Upload (Proxy)
User User Menu
6. Menu Display and Settings
70
User Menu
This section describes the function and settings of each menu item.
User
Item Description
Base Setting Project >Base Setting item
Focus Shooting >Focus item
S&Q Motion Shooting >S&Q Motion item
LUT On/Off Shooting >LUT On/Off item
Simul Rec Project >Simul Rec item
Proxy Rec Project >Proxy Rec item
Interval Rec Project >Interval Rec item
Assignable Button Project >Assignable Button item
Assignable Dial Project >Assignable Dial item
Multi Function Dial Project >Multi Function Dial item
All File Project >All File item
Clip Name Format TC/Media >Clip Name Format item
Format Media TC/Media >Format Media item
VF Setting Monitoring >VF Setting item
Zebra Monitoring >Zebra item
Zoom Technical >Zoom item
Menu Settings Technical >Menu Settings item
Edit User Menu Displays the Edit User menu screen.
[Note]
You can add and remove menu items in the User menu using the Edit User menu. Up to 20items can be configured.
6. Menu Display and Settings
71
Edit User Menu
The Edit User menu is displayed at the top level when Edit User Menu is selected in the User
menu.
Edit User
Item Sub-item setting Description
Add Item
Add an item to the User
menu
Adds a menu item to the User menu.
Customize Reset
Reset the items in the
User menu
Restores the menu items registered
in the User menu to the factory
default.
Menu item selected
during editing
Delete Deletes the registered menu item
from the User menu.
Move Rearranges the registered menu
items within the User menu.
Edit Sub Item Edits (register/delete) the registered
menu sub-item in the User menu.
6. Menu Display and Settings
72
Shooting Menu
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
Shooting >ISO/Gain/EI
Sets gain settings.
Item Sub-item setting Description
Mode ISO/dB Selects the gain setting mode.
ISO/Gain<H> For details about settings, see “ISO/Gain
Settings and Default Values” (page 100).
Sets the <H> gain preset value.
ISO/Gain<M> For details about settings, see “ISO/Gain
Settings and Default Values” (page 100).
Sets the <M> gain preset value.
ISO/Gain<L> For details about settings, see “ISO/Gain
Settings and Default Values” (page 100).
Sets the <L> gain preset value.
Exposure
Index<H>
When Base ISO is set to ISO 800:
200EI / 4.0E
250EI / 4.3E
320EI / 4.7E
400EI / 5.0E
500EI / 5.3E
640EI / 5.7E
800EI / 6.0E
1000EI / 6.3E
1250EI / 6.7E
1600EI / 7.0E
2000EI / 7.3E
2500EI / 7.7E
3200EI / 8.0E
When Base ISO is set to ISO 12800:
3200EI / 4.0E
4000EI / 4.3E
5000EI / 4.7E
6400EI / 5.0E
8000EI / 5.3E
10000EI / 5.7E
12800EI / 6.0E
16000EI / 6.3E
20000EI / 6.7E
25600EI / 7.0E
32000EI / 7.3E
40000EI / 7.7E
51200EI / 8.0E
Sets the <H> exposure index value.
Available in Cine EI mode only.
Shooting >ISO/Gain/EI
Sets gain settings.
Item Sub-item setting Description
Exposure
Index<M>
(Same settings as Exposure Index<H>)
When Base ISO is set to ISO 800:
1000EI / 6.3E
When Base ISO is set to ISO 12800:
16000EI / 6.3E
Sets the <M> exposure index value.
Exposure
Index<L>
(Same settings as Exposure Index<H>)
When Base ISO is set to ISO 800:
800EI / 6.0E
When Base ISO is set to ISO 12800:
12800EI / 6.0E
Sets the <L> exposure index value.
Shockless
Gain
On / Off Turns the shockless gain function on/off.
Base
Sensitivity
High / Low Sets the base sensitivity for SDR/HDR
mode.
Base ISO
ISO 12800 / ISO 800 Sets the base ISO sensitivity for Cine EI
mode.
Shooting >ND Filter
Sets the preset values for the ND filter.
Item Sub-item setting Description
Preset1 1/4 / 1/8 / 1/16 / 1/32 / 1/64 / 1/128 Sets the preset 1 value for the ND filter.
Preset2
1/4 / 1/8 / 1/16 / 1/32 / 1/64 / 1/128 Sets the preset 2 value for the ND filter.
Preset3
1/4 / 1/8 / 1/16 / 1/32 / 1/64 / 1/128 Sets the preset 3 value for the ND filter.
Shooting >Shutter
Sets electronic shutter operating condition settings.
Item Sub-item setting Description
Mode Speed / Angle Selects the operating mode of the
electronic shutter.
Used for shooting fast-moving subjects
clearly. Selects the mode for setting the
shutter speed in seconds (Speed) or as a
shutter angle (Angle).
Shutter
Speed
On/Off
On / Off Sets whether the exposure time when
Speed mode is selected follows the
Shutter Speed value or is set for full
exposure.
6. Menu Display and Settings: Shooting Menu
73
Shooting >Shutter
Sets electronic shutter operating condition settings.
Item Sub-item setting Description
Shutter
Speed
64F to 1/8000
The available settings vary depending on
the frame frequency of the selected video
format.
59.94P:
64F/ 32F/ 16F/ 8F/ 7F/ 6F/ 5F/ 4F/
3F/ 2F/ 1/50/ 1/60/ 1/100/ 1/120/
1/125/ 1/250/ 1/500/ 1/1000/
1/2000/ 1/4000/ 1/8000
50P:
64F/ 32F/ 16F/ 8F/ 7F/ 6F/ 5F/ 4F/
3F/ 2F/ 1/50/ 1/60/ 1/100/ 1/120/
1/125/ 1/250/ 1/500/ 1/1000/
1/2000/ 1/4000/ 1/8000
29.97P:
64F/ 32F/ 16F/ 8F/ 7F/ 6F/ 5F/ 4F/
3F/ 2F/ 1/30/ 1/40/ 1/50/ 1/60/
1/100/ 1/120/ 1/125/ 1/250/ 1/500/
1/1000/ 1/2000/ 1/4000/ 1/8000
25P:
64F/ 32F/ 16F/ 8F/ 7F/ 6F/ 5F/ 4F/
3F/ 2F/ 1/25/ 1/33/ 1/50/ 1/60/
1/100/ 1/120/ 1/125/ 1/250/ 1/500/
1/1000/ 1/2000/ 1/4000/ 1/8000
24P/23.98P:
64F/ 32F/ 16F/ 8F/ 7F/ 6F/ 5F/ 4F/
3F/ 2F/ 1/24/ 1/32/ 1/48/ 1/50/
1/60/ 1/96/ 1/100/ 1/120/ 1/125/
1/250/ 1/500/ 1/1000/ 1/2000/
1/4000/ 1/8000
Sets the shutter speed when Mode is set
to Speed.
Shutter Angle
64F/ 32F/ 16F/ 8F/ 7F/ 6F/ 5F/ 4F/
3F/ 2F/ 360.0°/ 300.0°/
270.0°/ 240.0°/ 216.0°/ 210.0°/
180.0°/ 172.8°/ 150.0°/ 144.0°/
120.0°/ 90.0°/ 86.4°/ 72.0°/ 45.0°/
30.0°/ 22.5°/ 11.25°/ 5.6°
Sets the shutter angle when Mode is set
to Angle.
ECS On/Off
On / Off Turns the Extended Clear Scan function
on/off.
Shooting >Shutter
Sets electronic shutter operating condition settings.
Item Sub-item setting Description
ECS
Frequency
23.99 to 8000
The available settings vary depending on
the frame frequency of the selected video
format.
The default values are given below.
59.94P: 60.00
50P: 50.00
29.97P: 30.00
23.98P: 23.99
25P: 25.02
24P: 24.02
Sets the ECS frequency when Mode is set
to ECS.
Shooting >Auto Exposure
Sets automatic exposure adjustment settings.
Item Sub-item setting Description
Level +3.0/ +2.75/ +2.5/ +2.25/ +2.0/ +1.75/
+1.5/ +1.25/ +1.0/ +0.75/ +0.5/ +0.25/
±0/ –0.25/ –0.5/ –0.75/ –1.0/ –1.25/
–1.5/ –1.75/ –2.0/ –2.25/ –2.5/ –2.75/
–3.0
Sets the brightness level for the
automatically detected exposure.
Mode
Backlight / Standard / Spotlight Sets the operating mode of auto
exposure adjustment.
Backlight:
Backlight mode (mode for reduced
darkening of a subject when the
subject is backlit)
Standard:
Standard mode
Spotlight:
Spotlight mode (mode for reduced
clipped whites when subject is lit by
spotlighting)
Speed
–99 to +99 (±0) Sets the adjustment speed of auto
exposure adjustment.
AGC
On / Off Turns the AGC (auto gain control)
function on/off.
AGC Limit For details about settings, see “AGC Limit
Settings and Default Values” (page 102).
Sets the maximum gain of the AGC
function.
AGC Point
F2.8 / F4 / F5.6 Sets the F-stop value of the iris where
AGC operation starts when the AGC
function is On.
6. Menu Display and Settings: Shooting Menu
74
Shooting >Auto Exposure
Sets automatic exposure adjustment settings.
Item Sub-item setting Description
Auto Shutter On / Off Turns the auto shutter control function
on/off.
A.SHT Limit
1/100 / 1/150 / 1/200 / 1/250 / 1/2000 Sets the fastest shutter speed of the auto
shutter function.
A.SHT Point
F5.6 / F8 / F11 / F16 Sets the F-stop value of the iris where
auto shutter operation starts.
Clip High
light
On / Off Turns the function that ignores brightest
areas to provide a flatter response at
high luminance on/off.
Detect
Window
1 / 2 / 3 / 4 / 5 / 6 / Custom Sets the light metering range for
automatically adjusting the exposure
according to the brightness of the
subject. (Not available when adjusting
exposure manually)
Detect
Window
Indication
On / Off Turns the light metering range indication
on/off.
Custom
Width
40 to 999 (500) Sets the width of the light metering
range.
Custom
Height
70 to 999 (500) Sets the height of the light metering
range.
Custom H
Position
–479 to +479 (±0) Sets the horizontal position of the light
metering range.
Custom V
Position
–464 to +464 (±0) Sets the vertical position of the light
metering range.
Shooting >White
Sets white balance settings.
Item Sub-item setting Description
Preset White 2000K to 15000K (3200K) Sets the white balance preset value.
Color Temp
<A>
2000K to 15000K (3200K) Sets the white balance color temperature
saved in memory A.
[Note]
Since Color Temp is clipped at 2000K and
15000K during R/B Gain operation, it may not
be possible to display the correct Color Temp
value for the R/B Gain value.
Shooting >White
Sets white balance settings.
Item Sub-item setting Description
Tint<A> –99 to +99 (±0) Sets the white balance tint value saved in
white memory A.
[Note]
Since Tint is clipped at ±99 during R/B Gain
operation, it may not be possible to display the
correct Tint value for the R/B Gain value.
R Gain <A> –99.0 to +99.0 (±0.0) Sets the white balance R gain value
saved in memory A.
B Gain <A>
–99.0 to +99.0 (±0.0) Sets the white balance B gain value
saved in memory A.
Color Temp
<B>
2000K to 15000K (3200K) Sets the white balance color temperature
saved in memory B.
[Note]
Since Color Temp is clipped at 2000K and
15000K during R/B Gain operation, it may not
be possible to display the correct Color Temp
value for the R/B Gain value.
Tint<B> –99 to +99 (±0) Sets the white balance tint value saved in
white memory B.
[Note]
Since Tint is clipped at ±99 during R/B Gain
operation, it may not be possible to display the
correct Tint value for the R/B Gain value.
R Gain <B> –99.0 to +99.0 (±0.0) Sets the white balance R gain value
saved in memory B.
B Gain <B>
–99.0 to +99.0 (±0.0) Sets the white balance B gain value
saved in memory B.
Shooting >White Setting
Adjusts white balance settings.
Item Sub-item setting Description
Shockless
White
Off / 1 / 2 / 3 Sets the white balance response speed
when switching white balance mode.
Off: Switches instantaneously.
1 to 3: Switches more slowly the higher
the number.
ATW Speed
1 / 2 / 3 / 4 / 5 Sets the response speed in ATW mode.
1: Fastest response speed
White
Switch<B>
Memory / ATW Selects the white balance adjustment
mode that is selected when the WHT BAL
switch is set to B.
6. Menu Display and Settings: Shooting Menu
75
Shooting >White Setting
Adjusts white balance settings.
Item Sub-item setting Description
Filter White
Memory
On / Off Turns the function that sets the white
balance memory area for each ND filter
on/off.
On: Sets the white balance memory for
each ND filter.
[Tip]
In preset mode, there are four settings
(CLEAR / 1 / 2 / 3). In variable mode, there
are two settings (CLEAR / On).
Off: Sets white balance memory common
to all ND filters.
Shooting >Offset White
Sets white balance offset settings.
Item Sub-item setting Description
Offset White
<A>
On / Off Selects whether to add (On) or not to add
(Off) an offset value to the white balance
in memory A.
Offset Color
Temp<A>
–99 to +99 (±0) Sets the color temperature offset to be
added to the white balance in memory A
when Offset White <A> is set to On.
Offset
Tint<A>
–99 to +99 (±0) Sets the Tint value offset to be added to
the white balance in memory A when
Offset White <A> is set to On.
Offset White
<B>
On / Off Selects whether to add (On) or not to add
(Off) an offset value to the white balance
in memory B.
Offset Color
Temp<B>
–99 to +99 (±0) Sets the color temperature offset to be
added to the white balance in memory B
when Offset White <B> is set to On.
Offset
Tint<B>
–99 to +99 (±0) Sets the Tint value offset to be added to
the white balance in memory B when
Offset White <B> is set to On.
Offset White
<ATW>
On / Off Selects whether to add (On) or not to add
(Off) an offset value to the ATW white
balance.
Offset Color
Temp<ATW>
–99 to +99 (±0) Sets the color temperature offset to be
added to the ATW white balance when
Offset White <ATW> is set to On.
Shooting >Offset White
Sets white balance offset settings.
Item Sub-item setting Description
Offset
Tint<ATW>
–99 to +99 (±0) Sets the Tint value offset to be added to
the ATW white balance when Offset
White <ATW> is set to On.
Shooting >Focus
Sets focus settings.
Item Sub-item setting Description
AF Transition
Speed
1(Slow) / 2 / 3 / 4 / 5 / 6 / 7(Fast) Sets the speed of the focus drive for
when the subject changes during auto
focus.
AF Subj. Shift
Sens.
1(Locked On) / 2 / 3 / 4 / 5(Responsive) Sets the sensitivity for changing subject
focus during auto focus.
Focus Area
Wide / Zone / Flexible Spot Sets the target area for auto focus and
push auto focus (AF) (page 37).
Wide:
Searches for a subject over a wide
angle of the image when focusing.
Zone:
Automatically searches for a focus
point within the specified zone.
Flexible Spot:
Focuses on a specified position in the
image.
Focus Area
(AF-S)
Flexible Spot
Sets the target area for push auto focus
(AF-S).
Face/Eye
Detection AF
Face/EyeOnlyAF/ Face/EyePriorityAF/
Off
Enables/disables face detection AF.
Push AF
Mode
AF / Single-shot AF(AF-S) Sets the push auto focus mode.
AF Assist
On / Off When set to On, allows you to
temporarily override auto focus and set
focus manually.
6. Menu Display and Settings: Shooting Menu
76
Shooting >S&Q Motion
Sets Slow & Quick Motion mode settings (page 49).
Item Sub-item setting Description
Setting On / Off Turns the Slow & Quick motion mode on/
off.
When set to On, the following functions
are disabled.
Auto iris
Auto focus
Frame Rate 1fps to 60fps/ 100fps/ 120fps/ 150fps/
180fps/ 200fps/ 240fps
Sets the frame rate for Slow & Quick
Motion shooting.
[Note]
The available settings vary depending on the
selected system frequency, codec, and video
format.
Shooting >LUT On/Off
Sets LUT settings.
Item Sub-item setting Description
SDI/HDMI MLUT On / MLUT Off Selects whether to apply monitor LUT to
the SDI and HDMI output video.
VF/Proxy/
Stream
MLUT On / MLUT Off Selects whether to apply monitor LUT to
the viewfinder, proxy, and stream output
video.
Internal Rec
MLUT On / MLUT Off Selects whether to apply monitor LUT to
the internal recording video.
Shooting >Noise Suppression
Sets noise suppression settings.
[Tip]
The Setting(Custom) and Level(Custom) settings are reflected in the Target Display setting (page 104).
Item Sub-item setting Description
Setting
(Custom)
On / Off Turns the noise suppression function on/
off in Custom mode.
Level
(Custom)
Low / Mid / High Sets the noise suppression level in
Custom mode.
Setting
(Cine EI)
On / Off Turns the noise suppression function on/
off in Cine EI mode.
Shooting >Noise Suppression
Sets noise suppression settings.
[Tip]
The Setting(Custom) and Level(Custom) settings are reflected in the Target Display setting (page 104).
Item Sub-item setting Description
Level
(Cine EI)
Low / Mid / High Sets the noise suppression level in Cine EI
mode.
Shooting >Flicker Reduce
Sets flicker correction settings.
Item Sub-item setting Description
Mode Auto / On / Off Sets the flicker correction mode.
Frequency
50Hz / 60Hz Sets the frequency of the power source
supplying the lighting that is causing the
flicker.
Shooting >SteadyShot
Sets image stabilization settings.
Item Sub-item setting Description
Setting Active / Standard / Off Sets the image stabilization function.
[Note]
Enabled when a compatible lens is attached.
6. Menu Display and Settings
77
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
Project >Base Setting
Sets base settings.
Item Sub-item setting Description
Shooting
Mode
Custom / Cine EI Sets the shooting mode (page 24).
Target
Display
SDR(BT.709) / HDR(HLG) Sets the color space of the recording/
output in Cine EI mode.
Project >Rec Format
Sets recording format settings.
Item Sub-item setting Description
Frequency 59.94 / 50 / 29.97 / 25 / 24 / 23.98 Selects the system frequency.
Imager Scan
Mode
FF / S35 Sets the combination of imager readout
method (all pixels/pixel binning) and
imager size setting.
Codec
RAW/ RAW&XAVC-I/ XAVC-I/ XAVC-L Sets the recording/playback mode.
RAW Output
Format
The available settings vary depending on
the Frequency and Codec settings.
Sets the recording format for an external
RAW recorder.
[Note]
When Codec is set to RAW & XAVC-I, the Video
Format setting switches in link with the RAW
Output Format setting.
Frequency Codec Selection options
59.94/
50/
29.97/
25/
23.98
RAW 4096×2160
3840×2160
RAW &
XAVC-I
4096×2160
3840×2160
24 RAW 4096×2160
RAW &
XAVC-I
4096×2160
Project >Rec Format
Sets recording format settings.
Item Sub-item setting Description
Video Format The available settings vary depending on
the Frequency and Codec settings.
Sets the recording format.
Frequency Codec Selection options
59.94 RAW –
RAW &
XAVC-I
4096×2160P
3840×2160P
XAVC-I 4096×2160P
3840×2160P
1920×1080P
XAVC-L 3840×2160P
1920×1080P 50
1920×1080P 35
50 RAW –
RAW &
XAVC-I
4096×2160P
3840×2160P
XAVC-I 4096×2160P
3840×2160P
1920×1080P
XAVC-L 3840×2160P
1920×1080P 50
1920×1080P 35
29.97 RAW –
RAW &
XAVC-I
4096×2160P
3840×2160P
XAVC-I 4096×2160P
3840×2160P
1920×1080P
XAVC-L 3840×2160P
1920×1080P 50
1920×1080P 35
Project Menu
6. Menu Display and Settings: Project Menu
78
Project >Rec Format
Sets recording format settings.
Item Sub-item setting Description
Video Format 25 RAW –
RAW &
XAVC-I
4096×2160P
3840×2160P
XAVC-I 4096×2160P
3840×2160P
1920×1080P
XAVC-L 3840×2160P
1920×1080P 50
1920×1080P 35
23.98 RAW –
RAW &
XAVC-I
4096×2160P
3840×2160P
XAVC-I 4096×2160P
3840×2160P
1920×1080P
XAVC-L 3840×2160P
1920×1080P 50
1920×1080P 35
24 RAW –
RAW &
XAVC-I
4096×2160P
XAVC-I 4096×2160P
Project >Cine EI Setting
Sets Cine EI mode settings.
Item Sub-item setting Description
Color Gamut S-Gamut3/SLog3 / S-Gamut3.Cine/SLog3 Sets the color space in Cine EI mode.
S-Gamut3/SLog3:
Sets the color space in Cine EI mode
to S-Gamut3.
S-Gamut3.Cine/SLog3:
Sets the color space in Cine EI mode
to S-Gamut3.Cine.
Project >Simul Rec
Sets simultaneous recording mode settings (page 50).
Item Sub-item setting Description
Setting On / Off Turns the simultaneous recording
function on/off and sets the recording
destination media.
Project >Proxy Rec
Sets proxy recording mode settings.
Item Sub-item setting Description
Setting On / Off Turns proxy recording mode on/off.
Audio
Channel
CH1/CH2 / CH3/CH4 Selects the audio channel to record to
proxy data.
Project >Interval Rec
Sets interval recording mode settings (page 49).
Item Sub-item setting Description
Setting On / Off Turns interval recording mode on/off.
(Setting this mode to On will set all other
special modes to Off.)
Interval Time
1/ 2/ 3/ 4/ 5/ 6/ 7/ 8/ 9/ 10/ 15/
20/ 30/ 40/ 50 (sec)
1/ 2/ 3/ 4/ 5/ 6/ 7/ 8/ 9/ 10/ 15/ 20/
30/ 40 / 50 (min)
1/ 2/ 3/ 4/ 6/ 12/ 24 (hour)
Sets the interval between recordings in
Interval Rec recording mode (when
Interval Rec is set to On).
Number of
Frames
1frame/ 2frames/ 3frames/ 6frames/
9frames/ 12frames
The available settings vary depending on
the frame frequency of the selected video
format.
59.94P/50P:
2frames/ 6frames/ 12frames
29.97P/25P/24P/23.98P:
1frame/ 3frames/ 6frames/ 9frames
Sets the number of frames to record per
take in Interval Rec recording mode
(when Interval Rec is set to On).
Pre-Lighting
Off / 2sec / 5sec / 10sec Sets the number of seconds that the
video light turns on before recording
starts in Interval Rec recording mode.
[Tip]
Available only when using the HVL-LBPC
(option).
6. Menu Display and Settings: Project Menu
79
Project >SDI/HDMI Rec Control
Sets SDI/HDMI recording control settings.
Item Sub-item setting Description
Setting Off / SDI/HDMI Remote I/F / Parallel Rec Sets recording start/stop control of an
external device via the SDI/HDMI output
signal.
Off:
Do not use remote control.
SDI/HDMI Remote I/F:
Record stop/start control of an
external connected device, when
there is no media inserted in the
camcorder. Not synchronized with
frame accuracy to camcorder media.
Parallel Rec:
Record stop/start control of an
external connected device, when
media is inserted in the camcorder.
Synchronized with frame accuracy to
camcorder media.
[Note]
For control using the HDMI output signal, set
HDMI TC Out >Setting (page 85) in the
TC/Media menu of the full menu to On.
Project >Assignable Button
Sets function assignments to assignable buttons.
Item Sub-item setting Description
<1> to <9>,
Focus Hold
Button
Off/ Base ISO/Sensitivity/ AGC/ Push
AGC/ ND Filter Position/ Auto ND Filter/
Push Auto ND/ Auto Iris/ Push Auto Iris/
Auto Shutter/ Auto Exposure Level/
Backlight/ Spotlight/ Preset White
Select/ ATW/ ATW Hold/ AF Speed/
Sens./ Focus Setting/ Focus Area/ Focus
Area(AF-S)/ Face/Eye Detection AF/ Push
AF Mode/ Push AF/Push MF/ Focus
Hold/ Focus Magnifier x3/x6/ Focus
Magnifier x3/ Focus Magnifier x6/ S&Q
Motion/ SteadyShot/ Rec/ Rec Review/
Clip Flag OK/ Clip Flag NG/ Clip Flag
Keep/ Color Bars/ Tally [Front]/
DURATION/TC/U-BIT/ Display/ Lens Info/
Video Signal Monitor/ Marker/ VF
Adjust/ VF Mode/ Gamma Display
Assist/ Peaking/ Zebra/ Volume/
Thumbnail/ Touch Operation/ Handle
Zoom/ NFC/ Auto Upload (Proxy)/ Direct
Menu/ User Menu/ Menu
Assigns functions to assignable buttons.
Base ISO/Sensitivity:
Switches the base sensitivity of the
image sensor.
AGC:
Turns the AGC function on/off.
Push AGC:
Enables the AGC function while the
button is pressed.
ND Filter Position:
Switches ND filters.
Auto ND Filter:
Turns the auto ND filter function on/
off.
Push Auto ND:
Enables the auto ND filter function
while the button is pressed.
Auto Iris:
Turns the iris function on/off.
Push Auto Iris:
Enables the auto iris function while
the button is pressed.
Auto Shutter:
Turns the auto shutter function on/
off.
Auto Exposure Level:
Displays/exits the Auto Exposure
Level direct menu.
Backlight:
Switches between Backlight and
Standard.
Spotlight:
Switches between Spotlight and
Standard.
Preset White Select:
Switches the white balance preset
mode value.
ATW:
Turns the ATW function on/off.
ATW Hold:
Pauses ATW function operation.
6. Menu Display and Settings: Project Menu
80
Project >Assignable Button
Sets function assignments to assignable buttons.
Item Sub-item setting Description
<1> to <9>,
Focus Hold
Button
AF Speed/Sens.:
Switches the AF transition speed
setting and AF subject shift sensitivity
setting.
Focus Setting:
Sets the focus area.
Focus Area:
Sets the focus area for AF and push
AF.
Focus Area(AF-S):
Sets the focus area for push AF
(AF-S).
Face/Eye Detection AF:
Switches the face/eye detection AF
settings.
Push AF Mode:
Switches the Push AF mode setting.
Push AF/Push MF:
In MF focus mode, activates AF while
the button is pressed.
In AF focus mode, activates MF while
the button is pressed.
Focus Hold:
In AF focus mode, focus is fixed while
the button is pressed.
Focus Magnifier x3/x6:
Focus Magnifier x3:
Focus Magnifier x6:
Turns the focus magnifier function
on/off.
S&Q Motion:
Turns Slow & Quick Motion on/off.
Sets the shooting frame rate when
pressed and held.
SteadyShot:
Switches between Active, Standard,
and Off.
Rec:
Starts/stops recording.
Rec Review:
Turns the Rec Review function on/off.
Project >Assignable Button
Sets function assignments to assignable buttons.
Item Sub-item setting Description
<1> to <9>,
Focus Hold
Button
Clip Flag OK:
Executes the Add OK function.
Press twice to execute Delete Clip
Flag.
Clip Flag NG:
Executes the Add NG function.
Press twice to execute Delete Clip
Flag.
Clip Flag Keep:
Executes the Add Keep function.
Press twice to execute Delete Clip
Flag.
Color Bars:
Turns the color bars on/off.
Tally [Front]:
Turns the recording/tally lamp light/
flashing function on/off.
DURATION/TC/U-BIT:
Switches between Time Code, Users
Bit, and Duration.
Display:
Turns the screen indicators on/off.
Lens Info:
Switches the depth-of-field indicator.
Video Signal Monitor:
Switches the video signal monitor
(such as a waveform monitor).
Marker:
Turns the marker function on/off.
VF Adjust:
Displays the level bars for adjusting
the brightness of the viewfinder
screen.
VF Mode:
Switches the viewfinder display
between color and B&W.
Gamma Display Assist:
Switches the gamma display assist
function.
Peaking:
Turns the peaking function on/off.
6. Menu Display and Settings: Project Menu
81
Project >Assignable Button
Sets function assignments to assignable buttons.
Item Sub-item setting Description
<1> to <9>,
Focus Hold
Button
Zebra:
Turns the Zebra function on/off.
Volume:
Adjusts the monitor audio level
output to the headphone jack and
built-in speaker.
Thumbnail:
Displays/exits the thumbnail screen.
Touch Operation:
Turns touch operation on/off.
Handle Zoom:
Switches the handle zoom operation.
NFC:
Executes the NFC function.
Auto Upload (Proxy):
Turns proxy file auto transfer on/off.
Direct Menu:
Displays/exits the direct menu.
User Menu:
Displays/exits the User menu.
Menu:
Displays/exits the full menu.
Project >Assignable Dial
Sets function assignments for assignable dial and sets rotation direction.
Item Sub-item setting Description
Grip/Remote
Dial
Off/ ISO/Gain/EI/ ND Filter/ IRIS/ Auto
Exposure Level/ Audio Input Level
Assigns functions to the assignable dial.
ISO/Gain/EI:
Adjusts the gain or EI.
ND Filter:
Adjusts the ND filter.
IRIS:
Adjusts the iris.
Auto Exposure Level:
Adjusts the auto exposure level.
Audio Input Level:
Adjusts the audio recording level.
Grip Dial
Direction
Normal / Opposite Sets the direction of rotation of the grip
assignable dial.
Normal: Turn in normal direction.
Opposite: Turn in opposite direction.
Project >Assignable Dial
Sets function assignments for assignable dial and sets rotation direction.
Item Sub-item setting Description
Handle Dial Off/ ISO/Gain/EI/ ND Filter/ IRIS/ Auto
Exposure Level/ Audio Input Level/ Multi
Function Dial
Assigns functions to the handle
assignable dial.
ISO/Gain/EI:
Adjusts the gain or EI.
ND Filter:
Adjusts the ND filter.
IRIS:
Adjusts the iris.
Auto Exposure Level:
Adjusts the auto exposure level.
Audio Input Level:
Adjusts the audio recording level.
Multi Function Dial:
Functions as a multi-function dial.
Handle Dial
Direction
Normal / Opposite Sets the direction of rotation of the
handle assignable dial.
Normal: Turn in normal direction.
Opposite: Turn in opposite direction.
Project >Multi Function Dial
Assigns functions to the multi-function dial.
Item Sub-item setting Description
Default
Function
Off/ IRIS/ ISO/Gain/EI/ Auto Exposure
Level/ Audio Input Level
Assigns the default function to the
multi-function dial.
IRIS:
Adjusts the iris.
ISO/Gain/EI:
Adjusts the gain or EI.
Auto Exposure Level:
Adjusts the auto exposure level.
Audio Input Level:
Adjusts the audio recording level.
6. Menu Display and Settings: Project Menu
82
Project >User File
Sets settings related to user file operations.
Item Sub-item setting Description
Load
Media(B)
Execute / Cancel Loads user file settings from a memory
card inserted into CFexpress Type A/SD
card slot (B).
Execute: Execute function.
Save
Media(B)
Execute / Cancel Saves user file settings to a memory card
inserted into CFexpress Type A/SD card
slot (B).
Execute: Execute function.
File ID Displays a screen for displaying/editing
the file ID of user files.
Load
Customize
Data
On / Off Sets whether to load User menu
customized information when Load
Media(B) is executed.
Load White
Data
On / Off Sets whether to load white balance
information when Load Media(B) is
executed.
Project >All File
Sets settings related to ALL files.
Item Sub-item setting Description
Load
Media(B)
Execute / Cancel Loads an ALL file
Execute: Execute function.
Save
Media(B)
Execute / Cancel Saves an ALL file.
Execute: Execute function.
File ID Assigns a name to the file.
Load Network
Data
On / Off Sets whether to load Network menu
settings information when Load Media(B)
is executed.
6. Menu Display and Settings
83
Paint/Look Menu
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
Paint/Look >Scene File
Sets settings related to scene files.
Item Sub-item setting Description
Recall Loads a scene file stored in internal
memory and applies the settings as the
current image quality settings.
Store Saves the current image quality state as a
scene file in internal memory.
Delete Deletes a scene file stored in internal
memory.
Preset Recall When Shooting Mode is set to Custom and
Target Display is set to SDR(BT.709):
S-Cinetone/ Standard/ Still/ ITU709
When Shooting Mode is set to Custom and
Target Display is set to HDR(HLG):
HLG Live/ HLG Natural
Applies preset image quality settings
(non-rewritable) as the current image
quality settings.
Paint/Look >Base Look
Sets settings related to the base look.
Item Sub-item setting Description
Select When Shooting Mode is set to Custom and
Target Display is set to SDR(BT.709):
S-Cinetone/ Standard/ Still/ ITU709/
User1 to User16
When Shooting Mode is set to Custom and
Target Display is set to HDR(HLG):
HLG Live/ HLG Natural/ User1 to
User16
When Shooting Mode is set to Cine EI:
s709/ 709(800)/ S-Log3/ User1 to
User16
Selects a base look.
Delete Deletes the selected base look.
Delete All Deletes all base looks.
Import Loads a base look file from recording
media.
Input
S-Gamut3/SLog3 / S-Gamut3.Cine/SLog3 Sets the input gamut for the selected
base look.
Output
BT.709 / HLG Sets the output color gamut for the
selected base look.
AE Level
Offset
0EV/ 1/3EV/ 2/3EV/ 1EV/ 4/3EV/
5/3EV/ 2EV
Sets the exposure reference value for the
selected base look.
Paint/Look >Reset Paint Settings
Resets the Paint/Look menu settings, excluding the base look.
Item Sub-item setting Description
Reset without
Base Look
Execute / Cancel Resets the Paint/Look menu settings,
excluding the base look.
Execute: Execute function.
Paint/Look >Black
Sets black settings.
Item Sub-item setting Description
Master Black –99.0 to +99.0 (±0.0) Sets the master black level.
R Black
–99.0 to +99.0 (±0.0) Sets the R black level.
B Black
–99.0 to +99.0 (±0.0) Sets the B black level.
Paint/Look >Knee
Sets knee correction settings.
Item Sub-item setting Description
Setting When Target Display is set to SDR(BT.709):
On / Off / ---
When Target Display is set to HDR(HLG):
On / Off / ---
Turns the knee correction function on/
off.
Auto Knee
When Target Display is set to SDR(BT.709):
On / Off / ---
When Target Display is set to HDR(HLG):
On / Off / ---
Turns the auto knee function on/off.
Point
75% to 109% (90%) Sets the knee point.
Slope
–99 to +99 (±0) Sets the knee slope.
6. Menu Display and Settings: Paint/Look Menu
84
Paint/Look >Detail
Sets detail adjustment settings.
Item Sub-item setting Description
Setting On / Off Turns the detail function on/off.
Level
–7 to +7 (±0) Sets the detail level.
Manual
Setting
On / Off / --- Turns the detail manual adjustment
function on/off.
V/H Balance
–2 to +2 (±0) Sets the balance between vertical (V) and
horizontal (H) detail for detail manual
adjustment.
B/W Balance
Type1/ Type2/ Type3/ Type4/ Type5 Sets the balance between black (B) detail
for low-luminance areas and white (W)
detail for high-luminance areas for detail
manual adjustment.
Limit
0 to 7 Sets the limit level of the detail for detail
manual adjustment.
Crispening
0 to 7 Sets the crispening level for detail
manual adjustment.
High Light
Detail
0 to 4 Sets the detail level of high-luminance
areas for detail manual adjustment.
Paint/Look >Matrix
Sets matrix correction settings.
Item Sub-item setting Description
User Matrix On / Off Turns the user matrix correction function
on/off.
User Matrix
Level
–99 to +99 (±0) Adjusts the color saturation of the entire
image.
User Matrix
Phase
–99 to +99 (±0) Adjusts the color tone (phase) of the
entire image.
User Matrix
R-G
–99 to +99 (±0) Sets a user-defined R-G user matrix.
User Matrix
R-B
–99 to +99 (±0) Sets a user-defined R-B user matrix.
User Matrix
G-R
–99 to +99 (±0) Sets a user-defined G-R user matrix.
User Matrix
G-B
–99 to +99 (±0) Sets a user-defined G-B user matrix.
User Matrix
B-R
–99 to +99 (±0) Sets a user-defined B-R user matrix.
User Matrix
B-G
–99 to +99 (±0) Sets a user-defined B-G user matrix.
Paint/Look >Multi Matrix
Sets multi matrix correction settings.
Item Sub-item setting Description
Setting On / Off Turns the multi matrix correction function
on/off.
Reset Execute / Cancel Resets the hue and saturation of each
axis color to the default values.
Axis
B/ B+/ MG–/ MG/ MG+/ R/ R+/ YL–/
YL/ YL+/ G–/ G/ G+/ CY/ CY+/ B–
Selects the axis.
Hue
–99 to +99 (±0) Sets the hue of the color used for multi
matrix correction.
Saturation
–99 to +99 (±0) Sets the saturation of the color used for
multi matrix correction.
6. Menu Display and Settings
85
TC/Media Menu
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
TC/Media >Timecode
Sets timecode settings.
Item Sub-item setting Description
Mode Preset / Regen / Clock Sets the timecode running mode.
Preset:
Starts running from a preset value.
Regen:
Starts running from the timecode of
the end of the previous clip.
Clock:
Uses the internal clock as the
timecode.
Run
Rec Run / Free Run Rec Run: Runs only when recording.
Free Run: Always running, regardless of
camcorder operation.
Setting Sets the timecode to an arbitrary value.
SET: Set the value.
Reset Execute / Cancel Resets the timecode to 00:00:00:00.
Execute: Execute function.
TC Format
DF / NDF Sets the timecode format.
DF: Drop Frame
NDF: Non-Drop Frame
TC/Media >TC Display
Sets time data display settings.
Item Sub-item setting Description
Display Select Timecode/ Users Bit/ Duration Switches the time data display.
TC/Media >Users Bit
Sets settings related to user bits.
Item Sub-item setting Description
Mode Fix / Time Sets the user bit mode.
Fix: Uses an arbitrary fixed value in user
bits.
Time: Uses the current time in user bits.
Setting Sets the user bits to an arbitrary value.
TC/Media >HDMI TC Out
Sets settings related to timecode output when using HDMI.
Item Sub-item setting Description
Setting On / Off Sets whether to output the timecode to
devices for other purposes, using HDMI.
6. Menu Display and Settings: TC/Media Menu
86
TC/Media >Clip Name Format
Sets settings related to clip naming and deletion.
Item Sub-item setting Description
Title Prefix nnn_ (nnn is the last 3 digits of the serial
number)
(Max. 7-digit display)
Sets the title part (4 to 46 characters) of
the clip name.
Opens a character string entry screen.
Character string entry screen structure
Character selection area (3lines):
Selects the characters to insert at the
cursor position of the Title Prefix
area.
!#$%()+.-.;=@[ ]^_~0123456789
abcdefghijklmnopqrstuvwxyz
ABCDEFGHIJKLMNOPQRSTUVWXYZ
Cursor operation area (1line):
Space: Inserts a space at the cursor
position.
: Moves the cursor to the left.
: Moves the cursor to the right.
BS: Deletes the character to the left
of the cursor position.
Title Prefix area (1line):
Area for entering the title.
To set the title
1. Select the character to insert at the
cursor position in the Title Prefix area
from the character selection area
using the multi selector (page 7),
and press the multi selector apply
button. (The selected character is
inserted, and the cursor moves to the
right.)
2. Repeat step1 to set the title. (Use BS
as required.)
3. After setting the title, select Done to
close the character entry screen.
Number Set
0001 to 9999 Sets the 4-digit number suffix of the clip
name.
TC/Media >Update Media
Updates the management file on memory cards.
Item Sub-item setting Description
Media(A) Execute / Cancel Updates the management file on the
memory card in slot A.
Execute: Execute function.
Media(B) Execute / Cancel Updates the management file on the
memory card in slot B.
Execute: Execute function.
TC/Media >Format Media
Initializes memory cards.
Item Sub-item setting Description
Media(A) Full Format/ Quick Format/ Cancel Formats the memory card in slot A.
Media(B) Full Format/ Quick Format/ Cancel Formats the memory card in slot B.
6. Menu Display and Settings
87
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
Monitoring >Output On/Off
Sets video output settings.
Item Sub-item setting Description
SDI On / Off Turns the SDI output on/off.
HDMI
On / Off Turns HDMI output on/off.
Monitoring >Output Format
Sets output format settings.
Item Sub-item setting Description
SDI For details about settings, see “Output
Formats and Limitations” (page 110).
Sets the SDI and HDMI output resolution.
HDMI
Monitoring >Output Display
Sets output signal settings.
Item Sub-item setting Description
SDI On / Off Displays whether the menu and status
information is embedded in the SDI
output signal.
HDMI
On / Off Displays whether the menu and status
information is embedded in the HDMI
output signal.
Monitoring >Display On/Off
Sets display item settings.
Item Sub-item setting Description
Network
Status
On / Off Selects the items to display in the
viewfinder.
File Transfer
Status
On / Off
Rec/Play
Status
On / Off
RAW Output
Control
Status
On / Off
Tally
On / Off
Battery
Remain
On / Off
Focus Mode
On / Off
Focus
Position
On / Off
Focus Area
Indicator
On / Off
Focus Area
Ind.(AF-S)
On / Off
Face/Eye
Detection
Frame
On / Off
Lens Info
On / Off
Imager Scan
Mode
On / Off
Rec Format
On / Off
Frame Rate
On / Off
Zoom
Position
On / Off
UWP RF Level
On / Off
SteadyShot
On / Off
Base Look/
LUT
On / Off
SDI/HDMI
Rec Control
On / Off
Gamma
Display Assist
On / Off
Monitoring Menu
6. Menu Display and Settings: Monitoring Menu
88
Monitoring >Display On/Off
Sets display item settings.
Item Sub-item setting Description
Proxy Status On / Off
Base ISO/
Sensitivity
On / Off
Media Status
On / Off
Video Signal
Monitor
Off/ Waveform/ Vector/ Histogram
Clip Name
On / Off
White
Balance
On / Off
Scene File
On / Off
Focus
Indicator
On / Off
Auto
Exposure
Mode
On / Off
Auto
Exposure
Level
On / Off
Timecode
On / Off
ND Filter
On / Off
Iris
On / Off
ISO/Gain/EI
On / Off
Shutter
On / Off
Level Gauge
On / Off
Audio Level
Meter
On / Off
Video Level
Warning
On / Off
Clip Number
On / Off
Notice
Message
On / Off
Monitoring >Marker
Sets marker display settings.
Item Sub-item setting Description
Setting On / Off Turns the display of all markers on/off.
Color
White/ Yellow/ Cyan/ Green/ Magenta/
Red/ Blue
Selects the marker signal color.
Center
Marker
1 / 2 / 3 / 4 / Off Selects the center marker.
Safety Zone
On / Off Turns the safety zone marker on/off.
Safety Area
80% / 90% / 92.5% / 95% Selects the size of the safety zone marker
(as a percentage of total screen size).
Aspect
Marker
Line / Mask / Off Selects the type of aspect marker.
Aspect Mask
0 to 15 (12) Sets the level of the video signal outside
the marker.
Aspect Safety
Zone
On / Off Turns the aspect safety zone marker on/
off.
Aspect Safety
Area
80% / 90% / 92.5% / 95% Selects the size of the aspect safety zone
marker (as a percentage of total screen
size).
Aspect Select
1:1/ 4:3/ 13:9/ 14:9/ 15:9/ 16:9/ 17:9/
1.66:1/ 1.85:1/ 2.35:1/ 2.39:1/ Custom
Sets the mode when displaying the
aspect marker.
Custom
Aspect Ratio
Enter arbitrary value (01.00:01.00) Sets the aspect ratio to an arbitrary value.
[Note]
This setting is enabled when Aspect Select is
set to Custom.
Guide Frame On / Off Turns the guide frame display on/off.
100% Marker
On / Off Turns the 100% marker on/off.
User Box
On / Off Turns the user box marker display on/off.
User Box
Width
3 to 479 (240) Sets the user box marker width (distance
from the center to the left and right
edges).
User Box
Height
3 to 269 (135) Sets the user box marker height (distance
from the center to the top and bottom
edges).
User Box H
Position
–476 to +476 (0) Sets the horizontal position of the center
of the user box marker.
User Box V
Position
–266 to +266 (0) Sets the vertical position of the center of
the user box marker.
6. Menu Display and Settings: Monitoring Menu
89
Monitoring >VF Setting
Sets viewfinder settings.
Item Sub-item setting Description
Brightness 1 to 15 (8) Adjusts the brightness of the viewfinder
image.
Color Mode
Color / B&W Selects the display mode of the
viewfinder in E-E/recording mode.
Monitoring >Gamma Display Assist
Sets gamma display assist settings.
Item Sub-item setting Description
Setting On / Off Turns the gamma display assist function
on/off in Custom mode when Target
Display is set to HDR(HLG).
Monitoring >Peaking
Sets peaking settings.
Item Sub-item setting Description
Setting On / Off Turns the peaking function on/off.
Peaking Level
High / Mid / Low Sets the color peaking signal level.
Color
B&W / Red / Yellow / Blue Selects the color of the color peaking
signal.
Monitoring >Zebra
Sets zebra pattern settings.
Item Sub-item setting Description
Setting Off / Zebra1 / Zebra2 Selects the zebra pattern type (Off, Zebra
1, Zebra 2).
Zebra1 Level
0% to 109% (70%) Sets the Zebra 1 display level.
Zebra1
Aperture
Level
2% to 20% (10%) Sets the Zebra 1 aperture level.
Zebra2 Level
0% to 109% (100%) Sets the Zebra 2 display level.
6. Menu Display and Settings
90
Audio Menu
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
Refer to “Block Diagrams” (page 124).
Audio >Audio Input
Sets audio input settings.
Item Sub-item setting Description
CH1 Input
Select
INPUT1/ Internal MIC/ Shoe CH1 Switches the input source for recording
on channel 1.
CH2 Input
Select
INPUT1/ INPUT2/ Internal MIC/ Shoe CH2 Switches the input source for recording
on channel 2.
CH3 Input
Select
Off/ INPUT1/ Internal MIC/ Shoe CH1 Switches the input source for recording
on channel 3.
CH4 Input
Select
Off/ INPUT1/ INPUT2/ Internal MIC/
Shoe CH2
Switches the input source for recording
on channel 4.
INPUT1 MIC
Reference
–80dB/ –70dB/ –60dB/ –50dB/ –40dB/
–30dB
Sets the reference recording level for XLR
microphone input from INPUT1.
INPUT2 MIC
Reference
–80dB/ –70dB/ –60dB/ –50dB/ –40dB/
–30dB
Sets the reference recording level for XLR
microphone input from INPUT2.
Line Input
Reference
+4dB/ 0dB/ –3dB/ EBUL Selects the reference input level when
the INPUT1/INPUT2 switch is set to LINE.
Reference
Level
–20dB/ –18dB/ –16dB/ –12dB/ EBUL Selects the recording level of the 1 kHz
reference tone signal.
CH1 Wind
Filter
On / Off Enables/disables the wind reduction
filter for channel 1 recording.
CH2 Wind
Filter
On / Off Enables/disables the wind reduction
filter for channel 2 recording.
CH3 Wind
Filter
On / Off Enables/disables the wind reduction
filter for channel 3 recording.
CH4 Wind
Filter
On / Off Enables/disables the wind reduction
filter for channel 4 recording.
CH3 Level
Control
Auto / Manual Selects automatic audio input level
adjustment or manual adjustment for
recording channel 3.
[Note]
If both CH3 Input Select and CH4 Input Select
are set to Internal MIC, CH4 is switched to
automatic/manual in conjunction with this
setting.
Audio >Audio Input
Sets audio input settings.
Item Sub-item setting Description
CH4 Level
Control
Auto / Manual Selects automatic audio input level
adjustment or manual adjustment for
recording channel 4.
[Note]
If both CH3 Input Select and CH4 Input Select
are set to Internal MIC, CH4 is switched to
automatic/manual in conjunction with the CH3
Level Control setting.
CH3 Input
Level
0 to 99 (49) Sets the input level for recording channel
3.
CH4 Input
Level
0 to 99 (49) Sets the input level for recording channel
4.
Audio Input
Level
0 to 99 Sets the audio input level.
Can be used as the master volume,
according to the settings of CH1 Level to
CH4 Level.
Limiter Mode
Off/ –6dB/ –9dB/ –12dB/ –15dB/ –17dB Selects the limiter characteristic for large
input signals when adjusting the audio
input level manually.
CH1&2 AGC
Mode
Mono / Stereo Sets the auto level adjustment mode for
recording channel 1 and channel 2. When
set to Stereo, the AGC is linked between
channels.
CH3&4 AGC
Mode
Mono / Stereo Sets the auto level adjustment mode for
recording channel 3 and channel 4. When
set to Stereo, the AGC is linked between
channels.
AGC Spec
–6dB/ –9dB/ –12dB/ –15dB/ –17dB Selects the AGC characteristic.
1kHz Tone on
Color Bars
On / Off Turns the 1 kHz reference tone signal on/
off when displaying color bars.
[Note]
When set to On, the 1kHz reference tone signal
is set for recording on channel 3 and channel 4,
even if CH3 Input Select and CH4 Input Select
are set to Off.
6. Menu Display and Settings: Audio Menu
91
Audio >Audio Input
Sets audio input settings.
Item Sub-item setting Description
CH1 Level Input without XLR adaptor
Audio Input Level / Side / Level+Side
Input with XLR adaptor (page 47)
Audio Input Level / Through
Sets the combination of audio input level
adjustments enabled for recording
channel 1.
[Note]
“Side” refers to the AUDIO LEVEL (CH1) dial on
the side of the camcorder. When Level+Side
is selected, the audio recording level is
determined by the combination of the Audio
Input Level and dial settings (page 124).
CH2 Level Input without XLR adaptor
Audio Input Level / Side / Level+Side
Input with XLR adaptor (page 47)
Audio Input Level / Through
Sets the combination of audio input level
adjustments enabled for recording
channel 2.
[Note]
“Side” refers to the AUDIO LEVEL (CH2) dial on
the side of the camcorder. When Level+Side
is selected, the audio recording level is
determined by the combination of the Audio
Input Level and dial settings (page 124).
CH3 Level Input without XLR adaptor
Audio Input Level/ CH3 Input Level/
Level+CH3 Input Level
Input with XLR adaptor (page 47)
Audio Input Level / Through
Sets the combination of audio input level
adjustments enabled for recording
channel 3.
CH4 Level
Input without XLR adaptor
Audio Input Level/ CH4 Input Level/
Level+CH4 Input Level
Input with XLR adaptor (page 47)
Audio Input Level / Through
Sets the combination of audio input level
adjustments enabled for recording
channel 4.
Audio >Audio Output
Sets audio output settings.
Item Sub-item setting Description
Monitor CH CH1/CH2/ CH3/CH4/ MIX ALL/ CH1/
CH2/ CH3/ CH4
Selects the audio channel output to the
headphone jack and built-in speaker.
[Note]
If audio for multiple channels is set for
simultaneous output, the output level for
each channel is reduced for output to prevent
clipping.
Volume 0 to 50 Adjusts the monitor audio level output to
the headphone jack and built-in speaker.
Headphone
Out
Mono / Stereo Selects whether the headphone jack
output is monaural (Mono) or stereo
(Stereo).
Alarm Level
0 to 7 (4) Adjusts the volume of the alarm.
HDMI Output
CH
CH1/CH2 / CH3/CH4 Sets the combination of audio channels
on the HDMI output.
6. Menu Display and Settings
92
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
Thumbnail
Item Sub-item setting Description
Display Clip
Properties
Displays the clip properties screen.
Thumbnail >Set Clip Flag
Sets clip flag settings.
Item Sub-item setting Description
Add OK Adds an OK flag.
Add NG Adds an NG flag.
Add KEEP Adds a Keep flag.
Delete Clip
Flag
Deletes all flags.
Thumbnail >Lock/Unlock Clip
Sets clip protection settings.
Item Sub-item setting Description
Select Clip Selects and locks/unlocks a clip.
Lock All Clips Locks all clips.
Unlock All
Clips
Unlocks all clips.
Thumbnail >Delete Clip
Deletes clips.
Item Sub-item setting Description
Select Clip Deletes the selected clip.
All Clips Deletes all clips.
Thumbnail >Transfer Clip
Transfers clips.
[Note]
Transfer Clip cannot be configured when Access Authentication >Password in the Network menu is undefined.
Item Sub-item setting Description
Select Clip Transfers selected clips.
All Clips Transfers all clips.
[Note]
Up to 200 clips can be transferred.
Thumbnail >Transfer Clip (Proxy)
Transfers proxy clips.
[Note]
Transfer Clip (Proxy) cannot be configured when Access Authentication >Password in the Network menu is
undefined.
Item Sub-item setting Description
Select Clip Transfers proxy clips corresponding to
the selected clips.
All Clips Transfers proxy clips corresponding to all
the clips.
[Note]
Up to 200 clips can be transferred.
Thumbnail >Filter Clips
Sets settings of clips to display.
Item Sub-item setting Description
OK
Display only clips that have an OK flag.
NG
Display only clips that have an NG flag.
KEEP Display only clips that have a Keep flag.
None Display only clips that have no flag.
All Displays all clips, regardless of whether
there are any flags.
Thumbnail >Customize View
Switches the thumbnail screen view.
Item Sub-item setting Description
Thumbnail
Caption
Date Time/ Time Code/ Duration/
Sequential Number
Switches the information displayed
below thumbnails.
Thumbnail Menu
6. Menu Display and Settings
93
Technical Menu
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
Technical >Color Bars
Sets color bar settings.
Item Sub-item setting Description
Setting On / Off Turns the color bars on/off.
Type
ARIB / 100% / 75% / SMPTE Selects the color bar type.
Technical >ND Dial
Sets settings related to ND VARIABLE dial operations.
Item Sub-item setting Description
CLEAR with
Dial
On / Off Sets whether to enable ND status
switching (CLEAR
On) by ND
VARIABLE dial operation.
Technical >Tally
Sets recording/tally lamp settings.
Item Sub-item setting Description
Front On / Off Turns the recording/tally lamp (Front) on/
off.
Rear
On / Off Turns the recording/tally lamp (Rear) on/
off.
Technical >HOLD Switch Setting
Sets hold switch settings.
Item Sub-item setting Description
with Rec
Button
On / Off Sets whether to lock operation of the
record START/STOP button.
with Hand
Grip Remote
On / Off Sets whether to lock operation of the grip
remote control.
Technical >Touch Operation
Sets settings related to touch operations.
Item Sub-item setting Description
Setting On / Off Turns touch operation on/off.
Technical >Rec Review
Sets recording review settings.
Item Sub-item setting Description
Setting 3sec / 10sec / Clip Selects the time for playback of clips just
recorded for recording review.
Technical >Zoom
Sets the zoom settings.
Item Sub-item setting Description
Zoom Type Optical Zoom Only/ On(Clear Image
Zoom)
Sets the type of zoom.
Optical Zoom Only:
Optical zoom is adjusted by
operation of the lens.
On(Clear Image Zoom):
Electronic zoom with little or no
deterioration in image quality.
Technical >Handle Zoom
Sets handle zoom settings.
Item Sub-item setting Description
Setting Off / Low / High / Variable Sets the speed of the handle zoom.
High
1 to 8 (8) Sets the zoom speed of the handle zoom
lever when High handle zoom speed is
selected.
Low
1 to 8 (3) Sets the zoom speed of the handle zoom
lever when Low handle zoom speed is
selected.
[Note]
Uneven zooming may occur when the zoom
speed is set to a low value.
Technical >Menu Settings
Sets settings related to the menu.
Item Sub-item setting Description
User Menu
Only
On / Off Sets whether to display the User menu
only (On) or display the menu list (Off)
when the camcorder displays the menu.
User Menu
with Lock
On / Off Sets whether to lock the menu display,
showing the User menu only.
[Note]
In normal menu display operation, this item is
not displayed. For details about menu display
operation, see page 68.
6. Menu Display and Settings: Technical Menu
94
Technical >Fan Control
Sets fan control mode settings.
Item Sub-item setting Description
Setting Auto / Minimum / Off in Rec Sets the control mode of the camcorder
fan.
[Note]
Even when Off in Rec is selected, the fan will
operate if the internal temperature of the
camcorder rises above a certain value.
Technical >Lens
Sets settings related to lenses.
Item Sub-item setting Description
Zoom Ring
Direction
Left(W)/Right(T) / Right(W)/Left(T) Sets the direction of zoom ring operation.
[Note]
Enabled only when using an E-mount lens that
supports zoom ring direction switching.
Shading
Compensation
Auto / Off Turns automatic shading compensation
on/off.
Chroma
Aberration
Comp.
Auto / Off Turns automatic chromatic aberration
compensation on/off.
Distortion
Comp.
Auto / Off Turns automatic distortion compensation
on/off.
Distance
Display
Meter / Feet Sets the display units for lens information
and focus position.
Zoom
Position
Display
Focal Length / Number / Bar Sets the display format for the zoom
position.
Technical >Video Light Set
Sets the video light lighting method. Available only when using the HVL-LBPC (option).
Item Sub-item setting Description
Video Light
Set
Power Link / Rec Link / Rec Link + Stby Sets the lighting control method for the
video light attached to the multi-
interface shoe.
Power Link:
Turns the video light on/off when the
camcorder is turned on/off.
Rec Link:
Turns the video light on/off when the
camcorder starts/stops recording.
Rec Link + Stby:
Turns the video light on/standby
when the camcorder starts/stops
recording.
Technical >APR
Executes APR.
Item Sub-item setting Description
APR Execute / Cancel Runs APR (Automatic Pixel Restoration)
for image sensor auto adjustment.
Execute: Execute function.
[Note]
Always attach the lens cap before running APR.
Technical >Camera Battery Alarm
Sets battery low-voltage alarm settings.
Item Sub-item setting Description
Low Battery 5% / 10% / 15% / … / 45% / 50% Sets the remaining battery level to
display a battery low-voltage alarm (5%
increments).
Battery
Empty
3% to 7% Sets the remaining battery level to
display a battery empty alarm.
Technical >Camera DC IN Alarm
Sets input voltage alarm settings.
Item Sub-item setting Description
DC Low
Voltage1
16.0V to 19.0V (16.5V) Sets the voltage to display a DC IN low
input voltage alarm.
DC Low
Voltage2
15.5V to 18.5V Sets the voltage to display a DC IN
insufficient input voltage alarm.
6. Menu Display and Settings
95
Network Menu
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
Network >Access Authentication
Sets settings related to authentication.
Item Sub-item setting Description
User Name Sets the user name for access
authentication.
Password Sets the password for access
authentication.
Network >Wireless LAN
Sets settings related to wireless LAN connections.
Item Sub-item setting Description
Setting Access Point Mode / Station Mode / Off Selects the operation mode of the
wireless LAN connection.
WPS Execute / Cancel Establishes a connection using WPS
(Wi-Fi Protected Setup).
Execute: Execute function.
NFC Execute / Cancel Establishes a connection using NFC (Near
Field Communication).
Execute: Execute function.
MAC Address Displays the MAC address of the wireless
LAN interface of the camcorder.
Network >AP Mode Settings
Sets settings related to access point mode connections.
Item Sub-item setting Description
Channel Auto(5GHz) / Auto / CH1 / CH2 /
CH3 / CH4 / CH5 / CH6 / CH7 / CH8 / CH9 /
CH10 / CH11
Sets the wireless LAN channel.
Auto(5GHz) is available on the
ILME-FX6V/VK only.
Camera SSID
& Password
Displays the SSID and password of the
camcorder.
Regenerate
Password
Execute / Cancel Creates a new password.
Execute: Execute function.
IP Address Displays the IP address of the camcorder
in access point mode.
Subnet Mask Displays the subnet mask of the
camcorder in access point mode.
Network >ST Mode Settings
Sets settings related to station mode connections.
Item Sub-item setting Description
Camera
Remote
Control
Enable / Disable Sets whether to enable remote control
from a device connected to the
camcorder by wireless LAN in station
mode.
Connected
Network
Displays the connected wireless LAN
network (access point).
SSID Displays the SSID for the access point to
connect.
Security Displays the type of security for the
access point to connect.
Password Displays the password for the access
point to connect.
When Security is set to WEP or WPA:
*******
When Security is set to None: (blank)
DHCP Displays whether DHCP is on/off.
IP Address Displays the IP address of the camcorder
when DHCP is set to Off.
Subnet Mask Displays the subnet mask of the
camcorder when DHCP is set to Off.
Gateway Displays the default gateway of the
camcorder when DHCP is set to Off.
DNS Auto Displays whether DNS acquisition is on/
off.
Primary DNS Server Displays the primary DNS server of the
camcorder when DNS Auto is set to Off.
Secondary DNS Server Displays the secondary DNS server of the
camcorder when DNS Auto is set to Off.
6. Menu Display and Settings: Network Menu
96
Network >ST Mode Settings
Sets settings related to station mode connections.
Item Sub-item setting Description
Scan
Networks
Detects wireless LAN networks (access
points) and displays a list.
Select a destination from the list to
connect.
SSID Displays the SSID for the access point to
connect.
Security Displays the type of security for the
access point to connect.
Password Enter the password for the access point
to connect.
DHCP
On / Off
Turns DHCP on/off.
IP Address Enter the IP address of the camcorder
when DHCP is set to Off.
Subnet Mask Enter the subnet mask of the camcorder
when DHCP is set to Off.
Gateway Enter the default gateway of the
camcorder when DHCP is set to Off.
DNS Auto
On / Off
Turns auto DNS acquisition on/off.
Primary DNS Server Enter the primary DNS server of the
camcorder when DNS Auto is set to Off.
Secondary DNS Server Enter the secondary DNS server of the
camcorder when DNS Auto is set to Off.
Network >ST Mode Settings
Sets settings related to station mode connections.
Item Sub-item setting Description
Manual
Register
Registers settings for manual connection
to an access point.
SSID Enter the SSID for the access point to
connect.
Security
None / WEP / WPA
Set the type of security for the access
point to connect. Select WPA if the type
of security of the destination access point
is WPA or WPA2.
Password Enter the password for the access point
to connect.
DHCP
On / Off
Turns DHCP on/off.
IP Address Enter the IP address of the camcorder
when DHCP is set to Off.
Subnet Mask Enter the subnet mask of the camcorder
when DHCP is set to Off.
Gateway Enter the default gateway of the
camcorder when DHCP is set to Off.
DNS Auto
On / Off
Turns auto DNS acquisition on/off.
Primary DNS Server Enter the primary DNS server when DNS
Auto is set to Off.
Secondary DNS Server Enter the secondary DNS server when
DNS Auto is set to Off.
6. Menu Display and Settings: Network Menu
97
Network >Wired LAN
Sets settings related to wired LAN connections.
Item Sub-item setting Description
Setting On / Off Turns the wired LAN function on/off.
Camera
Remote
Control
Enable / Disable Sets whether to enable remote control
from a device connected to the
camcorder by wired LAN.
Detail
Settings
Configures properties of the wired LAN
connection.
DHCP
On / Off
Turns DHCP on/off.
IP Address Enter the IP address of the camcorder
when DHCP is set to Off.
Subnet Mask Enter the subnet mask of the camcorder
when DHCP is set to Off.
Gateway Enter the default gateway of the
camcorder when DHCP is set to Off.
DNS Auto
On / Off
Turns auto DNS acquisition on/off.
Primary DNS Server Enter the primary DNS server when DNS
Auto is set to Off.
Secondary DNS Server Enter the secondary DNS server when
DNS Auto is set to Off.
Network >Modem
Sets settings related to USB tethering.
Item Sub-item setting Description
Setting On / Off Turns the smartphone connection on/off.
Camera
Remote
Control
Enable / Disable Sets whether to allow connection for
access from Content Browser Mobile
using a smartphone.
Device Name Displays the device name of the
smartphone.
IP Address Displays the IP address of the
smartphone.
Subnet Mask Displays the subnet mask of the
smartphone.
Network >File Transfer
Sets settings related to file transfers.
Item Sub-item setting Description
Auto Upload
(Proxy)
On / Off Turns proxy file auto transfer on/off.
Default
Upload
Server
Selects the upload server for files. The
server selected here becomes the auto
upload destination for proxy files, and
the upload destination for files from the
thumbnail screen.
Displays the display name configured in
Server Settings 1 to 3.
Clear
Completed
Jobs
Execute / Cancel Clears completed transfer jobs from the
list.
Execute: Execute function.
Clear All Jobs Execute / Cancel Clears all transfer jobs from the list.
Execute: Execute function.
View Job List Displays the transfer job list.
6. Menu Display and Settings: Network Menu
98
Network >File Transfer
Sets settings related to file transfers.
Item Sub-item setting Description
Server
Settings1
Display Name Sets the display name shown in the
transfer destination setup menu.
Service
FTP
Displays the type of server.
Host Name Sets the host name of the transfer
destination server.
Port (1 to 65535 (21)) Sets the port number of the transfer
destination server.
User Name Sets the user name for authentication of
the transfer destination server
connection.
Password Sets the authentication password of the
transfer destination server connection.
Passive Mode
On / Off
Turns PASV mode on/off.
Destination Directory Enter the name of the transfer
destination directory.
Using Secure Protocol
On / Off
Sets whether to use (On) or not use (Off)
secure FTP transfer (FTPS Explicit Mode:
FTPES).
Root Certificate
Load / Clear / None
Loads a root certificate for secure FTP
transfer and clears settings.
Root Certificate Status
Loaded / No Certificate
Displays the root certificate loading
status for secure FTP transfer.
Reset
Execute / Cancel
Resets the settings of Server Settings to
the defaults.
Execute: Execute function.
Server
Settings2
Same as Server Settings1.
Server
Settings3
Same as Server Settings1.
Network >Network Reset
Resets the network settings.
Item Sub-item setting Description
Reset Execute / Cancel Resets the network settings.
Execute: Execute function.
6. Menu Display and Settings
99
This section describes the function and settings of each menu item.
Factory default settings are shown in bold (for example, 18dB).
Maintenance >Language
Sets the display language.
Item Sub-item setting Description
Select Sets the display language.
SET: Set language.
Maintenance >Clock Set
Sets internal clock settings.
Item Sub-item setting Description
Time Zone UTC – 12:00 to UTC + 14:00 Sets the time difference from UTC in
30-minute units.
Date Mode
YYMMDD / MMDDYY / DDMMYY Selects the display format for dates.
YYMMDD: Year, month, day
MMDDYY: Month, day, year
DDMMYY: Day, month, year
12H/24H
12H / 24H Selects the clock display format.
12H: 12-hour mode
24H: 24-hour mode
Date Sets the current date.
SET: Set the value.
Time Sets the current time.
SET: Set the value.
Maintenance >All Reset
Resets settings to factory defaults.
Item Sub-item setting Description
Reset Execute / Cancel Resets all settings to their factory
defaults.
Execute: Execute function.
[Note]
The 3D LUT file imported using Base Look
>Import (page 83) in the Paint/Look menu
is deleted. To delete all imported 3D LUT files,
select Base Look >Delete All in the Paint/Look
menu (page 83).
Reset without
Network
Execute / Cancel Resets the menu settings, excluding
Network menu settings, to the factory
default state.
Maintenance >Hours Meter
Displays the accumulated running time.
Item Sub-item setting Description
Hours
(System)
Displays the accumulated hours of use
(cannot be reset).
Hours (Reset) Displays the accumulated hours of use
(can be reset).
Reset Execute / Cancel Resets the Hours (Reset) display to 0.
Execute: Execute function.
Maintenance >Version
Displays version information.
Item Sub-item setting Description
Version
Number
Vx.xx Displays the software version of the
camcorder.
Version Up Execute / Cancel Updates the camcorder.
*
Execute: Execute function.
* This function updates the camcorder
software.
Lens Version
Number
Vxx Displays the software version number of
an E-mount lens.
Maintenance Menu
6. Menu Display and Settings
100
Shooting Menu Settings and Default Values
ISO/Gain Settings and Default Values
The range of ISO/Gain (page 72) settings and default values vary depending on the Mode, Target Display, Base Look >Select, and Base Sensitivity settings. The available options are highlighted in
gray.
When Mode is set to ISO
Target Display SDR(BT.709) HDR(HLG) SDR(BT.709) and HDR(HLG) common
Base Look >Select S-Cinetone/ Standard/ ITU709/ Still HLG Live/ HLG Natural User1 to User16
Base Sensitivity Low High Low High Low High
ISO 320 ISO/Gain<L> default
ISO 400
ISO 500
ISO 640 ISO/Gain<M> default
ISO 800 ISO/Gain<L> default ISO/Gain<L> default
ISO 1000
ISO 1250 ISO/Gain<H> default
ISO 1600 ISO/Gain<M> default ISO/Gain<M> default
ISO 2000
ISO 2500
ISO 3200 ISO/Gain<H> default ISO/Gain<H> default
ISO 4000
ISO 5000 ISO/Gain<L> default
ISO 6400
ISO 8000
ISO 10000 ISO/Gain<M> default
ISO 12800 ISO/Gain<L> default ISO/Gain<L> default
ISO 16000
ISO 20000 ISO/Gain<H> default
ISO 25600 ISO/Gain<M> default ISO/Gain<M> default
ISO 32000
ISO 40000
ISO 51200 ISO/Gain<H> default ISO/Gain<H> default
ISO 64000
ISO 80000
ISO 102400
ISO 128000
ISO 160000
ISO 204800
ISO 256000
ISO 320000
ISO 409600
6. Menu Display and Settings: Shooting Menu Settings and Default Values
101
When Mode is set to dB
Settings range
–3dB
–2dB
–1dB
0dB ISO/Gain<L> default
1dB
2dB
3dB
4dB
5dB
6dB ISO/Gain<M> default
7dB
8dB
9dB
10dB
11dB
12dB ISO/Gain<H> default
13dB
14dB
15dB
16dB
17dB
18dB
19dB
20dB
21dB
22dB
23dB
24dB
25dB
26dB
27dB
28dB
29dB
30dB
6. Menu Display and Settings: Shooting Menu Settings and Default Values
102
AGC Limit Settings and Default Values
The range of AGC Limit (page 73) settings and default values vary depending on the Mode, Target Display, Base Look >Select, and Base Sensitivity settings. The available options are highlighted in
gray.
When Mode is set to ISO
Target Display SDR(BT.709) HDR(HLG) HDR(HLG) SDR(BT.709) and HDR(HLG) common
Base Look >Select S-Cinetone/ Standard/ ITU709/ Still HLG Live HLG Natural User1 to User16
Base Sensitivity Low High Low High Low High Low High
ISO 400
ISO 500
ISO 640
ISO 800
ISO 1000
ISO 1250
ISO 1600
ISO 2000 Default
ISO 2500
ISO 3200
ISO 4000
ISO 5000 Default Default Default
ISO 6400
ISO 8000
ISO 10000
ISO 12800
ISO 16000
ISO 20000
ISO 25600
ISO 32000 Default
ISO 40000
ISO 51200
ISO 64000
ISO 80000 Default Default Default
ISO 102400
ISO 128000
ISO 160000
ISO 204800
ISO 256000
ISO 320000
ISO 409600
6. Menu Display and Settings: Shooting Menu Settings and Default Values
103
When Mode is set to dB
Settings range
3dB
6dB
9dB
12dB
15dB Default
18dB
21dB
24dB
27dB
30dB
6. Menu Display and Settings
104
Image Quality Settings Saved for Each Shooting Mode
The current status of configuration items related to image quality are saved for each of the following shooting modes (page 24). When you change the shooting mode, the corresponding settings
that are saved are applied for the target shooting mode.
Custom mode SDR(BT.709)
Custom mode HDR(HLG)
Cine EI mode
The configuration items related to image quality which are saved for each shooting mode are shown below.
Yes: Item is saved.
No: Item is not saved.
Configuration item Shooting mode
Custom mode Cine EI mode
SDR(BT.709) HDR(HLG)
Shooting menu ISO/Gain/EI ISO/Gain Yes
1)
No
Exposure Index No Yes
Base Sensitivity Yes No
Base ISO No Yes
White Preset White Yes Yes
Other than above Yes
White Setting Yes
Offset White Yes No
LUT On/Off No Yes
Noise Suppression Setting(Custom) Yes Yes No
Level(Custom) Yes Yes No
Setting(Cine EI) No Yes
Level(Cine EI) No Yes
Paint/Look Menu Base Look Select Yes Yes Yes
Input
2)
Yes
Output
2)
Yes
AE Level Offset
2)
Yes
Black Yes Yes No
Knee Auto Knee Yes No No
Other than above Yes Yes No
Detail Yes Yes No
Matrix Yes Yes No
Multi Matrix Yes Yes No
1) Separate ISO sensitivity settings are saved for both Custom mode SDR(BT.709) and HDR(HLG).
2) Settings are saved for each Base Look, and do not depend on the shooting mode.
6. Menu Display and Settings
105
Configuration Data
You can save the settings of the full menu to
a memory card inserted into CFexpress Type
A/SD card slot (B). This allows you to quickly
recall an appropriate set of menu settings for
the current situation.
Configuration data is saved in the following
categories.
User files
User files save the setting items and data of
the customizable User menu.
You can save up to 64files on a memory card.
By loading this file into the camcorder
memory, you can customize the setup of the
User menu.
ALL (all settings) files
ALL files save the configuration data of all
menus. You can save up to 64files on a
memory card.
[Note]
Device specific data (shading, output levels, and other
data that requires adjustment for the specific device) is
not saved.
Saving a User File / ALL File
1 Insert a memory card into CFexpress Type
A/SD card slot (B) (page 6).
For CFexpress cards, the label faces to
the left.
For SD cards, the label faces to the right
with the beveled corner at the bottom.
2 For a user file, select User File >Save
Media(B) (page 82) >Execute in the
Project menu of the full menu.
For an ALL file, select All File >Save
Media(B) (page 82) >Execute in the
Project menu of the full menu.
A file save destination screen appears.
3 Select a “No File” row on the save
destination screen.
Selecting a row with a File ID entry will
overwrite the selected file.
The File ID is generated automatically, but
you can modify it.
4 Select Execute on the confirmation
screen.
Loading a User File / ALL File
1 Insert a memory card on which a file is
saved into CFexpress Type A/SD card slot
(B) (page 6).
For CFexpress cards, the label faces to
the left.
For SD cards, the label faces to the right
with the beveled corner at the bottom.
2 For a user file, select User File >Load
Media(B) (page 82) >Execute in the
Project menu of the full menu.
For an ALL file, select All File >Load
Media(B) (page 82) >Execute in the
Project menu of the full menu.
A file list screen appears.
3 Select a file to load.
A confirmation screen appears.
4 Select Execute.
[Notes]
The unit will reboot automatically after loading
configuration data.
When All File >Load Network Data in the Project menu
of the full menu is set to Off, all settings in the ALL file
are loaded except Network menu settings.
Changing the File ID
1 For a user file, select User File >File ID
(page 82) in the Project menu of the
full menu.
For an ALL file, select All File >File ID
(page 82) in the Project menu of the
full menu.
A screen for editing the File ID appears.
2 Select a character using the multi selector
(page 7) or the multi-function dial
(page 5), then press the multi selector
apply button or multi-function dial.
3 Repeat step 2 as required.
4 When finished entering characters, select
Done.
Saving and Loading Configuration Data
106
7. External Device Connection
Connecting External Monitors and Recording Devices
To display recorded/playback pictures on an
external monitor, select the camcorder output
signal and use an appropriate cable for the
monitor to be connected.
You can also connect recording devices, such
as a VTR, and record the output signal from
the camcorder.
You can display the same information that
is visible in the viewfinder, such as status
information and menus, on an external
monitor. Set Info. Disp. (page 14) on the
Monitoring Status screen or Output Display
(page 87) in the Monitoring menu of the full
menu to On according to the signal to output
to the monitor.
SDI OUT Connector (BNC type)
Set the output on/off setting and the output
format in the Monitoring menu (page 87).
Use a commercially available 75Ω coaxial
cable for connection.
[Note]
Check that the connection between the camcorder
and the external device is grounded before turning the
devices on.
(It is recommended that the camcorder and
external device be turned on after connecting
the 75Ω coaxial cable.)
If the external device must be connected
to the camcorder while the camcorder is
on, connect the 75Ω coaxial cable to the
external device first and then connect it to the
camcorder.
To start recording on the camcorder and
external device simultaneously
With SDI signal output enabled, set SDI/
HDMI Rec Control (page 79) >Setting in the
Project menu of the full menu to SDI/HDMI
Remote I/F or Parallel Rec to enable output
of a REC trigger signal to the external device
connected to the SDI OUT connector. This will
synchronize recording on the external device
with the camcorder.
[Notes]
If a connected external device does not support a REC
trigger signal, the device cannot be operated.
Only the REC trigger signal is output when there is no
media currently inserted.
HDMI OUT Connector (Type A
connector)
Set the output On/Off setting and the output
format in the Monitoring menu (page 87) of
the full menu.
To start recording on the camcorder and
external device simultaneously
With HDMI signal output enabled, set HDMI
TC Out >Setting (page 85) in the TC/Media
menu of the full menu to On, and set SDI/
HDMI Rec Control >Setting (page 79) in
the Project menu to SDI/HDMI Remote I/F or
Parallel Rec to enable output of a REC trigger
signal to the external device connected to the
HDMI OUT connector. This will synchronize
recording on the external device with the
camcorder.
7. External Device Connection
107
Synchronizing Timecodes
You can synchronize the timecode of the unit
with other devices.
Locking the Timecode to Other
Devices
Set the unit that supplies the timecode to a
mode in which the timecode output keeps
running (such as Free Run or Clock).
1 Set Timecode (page 85) in the TC/
Media menu of the full menu as follows.
Mode: Preset
Run: Free Run
2 Press the assignable button (page 48)
assigned with the DURATION/TC/U-BIT
function to display the timecode on the
screen.
3 Check that the TC IN/OUT select switch
(page 4) is set to the IN position, then
supply a reference timecode for
synchronizing the system frequency of
the camcorder to the TC IN/TC OUT
connector.
The timecode generator of the camcorder
acquires lock with the reference timecode, and
“EXT-LK” appears on the screen.
Once about ten seconds have elapsed after
the timecode locks, the external lock state
is maintained even if the external reference
timecode source is disconnected.
[Notes]
When operating with external lock, the timecode
instantly acquires lock with the external timecode
and the external timecode value appears in the
data display area. However, do not start recording
immediately. Wait for a few seconds until the
timecode generator stabilizes before recording.
If the frequency of the reference timecode and the
frame frequency on the camcorder are not the same,
lock cannot be acquired and the camcorder will not
operate properly. If this occurs, the timecode will not
acquire successful lock with the external timecode.
The timecode may shift by one frame per hour with
respect to the reference timecode.
To release external lock
Change the Timecode setting in the TC/Media
menu of the full menu, or turn the camcorder
off.
External synchronization is also released if the
system frequency is changed and when you
start recording in a special recording mode
(Slow & Quick Motion or Interval Rec).
Synchronizing the Timecode of
Another Device with the Timecode
of the Camcorder
Set the unit that supplies the timecode to a
mode in which the timecode output keeps
running (such as Free Run or Clock).
1 Set the timecode of the camcorder using
Timecode (page 85) in the TC/Media
menu of the full menu.
2 Check that the TC IN/OUT select switch
(page 4) is set to the OUT position,
and connect the TC IN/TC OUT connector
to the timecode input connector of the
device you want to synchronize.
7. External Device Connection
108
Managing/Editing Clips using a Computer
Connecting using a USB Cable
Using a card reader (option)
Connect a CFexpress card reader or SD card
reader to a computer using a USB cable, and
insert a memory card into the card reader slot.
The memory card is recognized as a computer
extension drive. On supported computers, you
can import clips at high speed using the mass
storage mode of the camcorder.
Using mass storage mode
[Note]
Mass storage mode cannot be used when Modem
>Setting in the Network menu of the full menu is set to
On or when Wired LAN >Setting in the Network menu is
set to On. Set both of these to Off.
Connect the camcorder using a USB cable,
and insert a memory card in card slot A or B.
The memory card is recognized as a computer
extension drive.
1 Connect the USB-C connector (page 7)
or USB/multi connector (page 7) to
the computer using a USB cable.
2 Turn the camcorder POWER switch to the
ON position.
A message appears on the viewfinder
screen asking whether to enable USB
connection.
[Note]
The USB connection confirmation message is not
displayed while another confirmation message or
progress message is displayed, for example, when
formatting or restoring a memory card.
The confirmation message is displayed when
the formatting or restoring execution ends. The
USB confirmation message is also not displayed
when the clip properties screen is displayed. The
message is displayed when processing ends or
when you return to the thumbnail screen.
3 Turn the multi-function dial to select
Execute.
4 On Windows, check that the card is added
as a removable disk in the “My Computer”
window.
On Mac, check that a folder called “NO
NAME” or “Untitled” (editable) is created
on the Desktop.
[Notes]
Do not perform the following operations if the access
indicator is lit red.
– Turning the power off or disconnecting the power
cord
– Removing the memory card
– Disconnecting the USB cable
Operation is not guaranteed to work on all computers.
Using a Nonlinear Editing System
In a nonlinear editing system, editing software
(option) that supports the formats recorded by
the camcorder is required.
Use dedicated application software to save
the clips you want to edit on the HDD of the
computer beforehand.
109
8. Appendix
Usage Precautions
On condensation
If the unit is suddenly taken from a cold to
a warm location, or if ambient temperature
suddenly rises, moisture may form on the
outer surface of the unit and/or inside of
the unit. This is known as condensation. If
condensation occurs, turn off the unit and
wait until the condensation clears before
operating the unit. Operating the unit while
condensation is present may damage the unit.
On LCD panels
The LCD panel fitted to this unit is
manufactured with high precision technology,
giving a functioning pixel ratio of at least
99.99%. Thus a very small proportion of pixels
may be “stuck”, either always off (black),
always on (red, green, or blue), or flashing. In
addition, over a long period of use, because
of the physical characteristics of the liquid
crystal display, such “stuck” pixels may appear
spontaneously. These problems are not a
malfunction. Note that any such problems
have no effect on recorded data.
Camera CMOS image sensor
phenomena
[Note]
The following phenomena that may occur in images
are specific to image sensors. They do not indicate a
malfunction.
White flecks
Although the image sensors are produced
with high-precision technologies, fine white
flecks may be generated on the screen in rare
cases, caused by cosmic rays, etc.
This is related to the principle of image
sensors and is not a malfunction.
The white flecks especially tend to be seen in
the following cases:
When operating at a high environmental
temperature
When you have raised the gain (sensitivity)
Flicker
If shooting under lighting produced by
fluorescent lights, sodium lamps, mercury-
vapor lamps, or LEDs, the screen may flicker or
colors may vary.
On consumable parts
The fan and battery are consumable parts
that will need periodic replacement.
When operating at room temperature, a
normal replacement cycle will be about
5years. However, this replacement cycle
represents only a general guideline and
does not imply that the life expectancy of
these parts is guaranteed. For details on
parts replacement, contact your dealer.
The life expectancy of the AC adaptor and
the electrolytic capacitor is about 5years
under normal operating temperatures and
normal usage (8hours per day; 25days per
month). If usage exceeds the above normal
usage frequency, the life expectancy may be
reduced correspondingly.
The battery terminal of this unit (the
connector for battery packs and AC
adaptors) is a consumable part.
Power may not be supplied to the unit
properly if the pins of the battery terminal
are bent or deformed by shock or vibrations,
or if they become corroded due to
prolonged outdoor use.
Periodic inspections are recommended
to keep the unit working properly and to
prolong its usable lifetime. Contact a Sony
service or sales representative for more
information about inspections.
About the built-in rechargeable battery
The camcorder has a built-in rechargeable
battery for storing the date, time, and other
settings even when the camcorder is turned
off. The built-in rechargeable battery will
become charged after 24hours have elapsed
if the unit is connected to a power outlet using
the AC adaptor or if a fully charged battery
pack is attached, regardless of whether the
camcorder is turned on/off. The rechargeable
battery will be fully discharged in about
2months if the AC adaptor is not connected
or the camcorder is used without the battery
pack attached. Use your camcorder after
charging the battery. However, even if the
rechargeable battery is not charged, the
camcorder operation will not be affected as
long as you do not need to record the date.
Usage and storage locations
Store in a level, ventilated place.
Avoid using or storing the unit in the following
places.
In excessive heat or cold (operating
temperature range: 0°C to 40°C (32°F to
104°F))
Remember that in summer in warm climates
the temperature inside a car with the
windows closed can easily exceed 50°C
(122°F).
In damp or dusty locations. Locations where
the unit may be exposed to rain
Locations subject to violent vibration
Near strong magnetic fields
Close to radio or TV transmitters producing
strong electromagnetic fields.
In direct sunlight or close to heaters for
extended periods
Note on laser beams
Laser beams may damage the CMOS image
sensor. If you shoot a scene that includes
a laser beam, be careful not to let the laser
beam be directed into the lens of the unit.
Specifically, high-power laser beams from
medical devices or other devices may cause
damage due to reflected light and scattered
light.
To prevent electromagnetic interference
from portable communications devices
The use of portable telephones and other
communications devices near this camera can
result in malfunctions and interference with
audio and video signals. It is recommended
that the portable communications devices
near this camera be powered off.
Security precautions
SONY WILL NOT BE LIABLE FOR DAMAGES
OF ANY KIND RESULTING FROM A FAILURE
TO IMPLEMENT PROPER SECURITY
MEASURES ON TRANSMISSION DEVICES,
UNAVOIDABLE DATA LEAKS RESULTING
FROM TRANSMISSION SPECIFICATIONS, OR
SECURITY PROBLEMS OF ANY KIND.
Depending on the operating environment,
unauthorized third parties on the network
may be able to access the unit. When
connecting the unit to the network, be sure
to confirm that the network is protected
securely.
Communication content may be
unknowingly intercepted by unauthorized
third parties in the vicinity of the signals.
When using wireless LAN communication,
implement security measures properly to
protect the communication content.
When connecting this product to a network,
connect via a system that provides a
protection function, such as a router
or firewall. If connected without such
protection, security issues may occur.
8. Appendix
110
Factory default settings are shown in bold (for example, 1920×1080P (Level A)).
[Notes]
The resolution of the output format is limited by the Rec Format >Frequency, Video Format, and Codec settings in
the Project menu of the full menu (page 77).
The resolution of the output format is limited by the combination with the S&Q frame rate. The HDMI output
changes to Full HD if all the following conditions in the full menu are met.
– Rec Format >Video Format is set to 4096×2160 or 3840×2160 in the Project menu
– S&Q Motion >Setting in the Shooting menu is set to On
– S&Q Motion >Frame Rate in the Shooting menu is higher than 60fps
– Rec Format >Codec in the Project menu is set to RAW or RAW & XAVC-I, or Output On/Off >SDI in the Monitoring
menu is set to On
When the HDMI output is set to 4096×2160P or 3840×2160P, the HDMI output changes to 1920×1080P if the above
conditions are met. When this occurs, the HDMI output 4096×2160P and 3840×2160P selection options for Output
Format >SDI/HDMI (page 87) in the Monitoring menu are grayed out and cannot be selected.
No playback picture is output if the video output resolution is higher than the resolution of the picture.
SDI OUT/HDMI OUT Connector Output Formats
System frequency
(Rec Format
>Frequency in the
Project menu)
Video format
(Rec Format
>Video Format in
the Project menu)
RAW output state
(Rec Format
>Codec in the
Project menu)
Output format (Output Format in the
Monitoring menu)
SDI HDMI
59.94/50 4096×2160 With RAW output – 4096×2160P
1920×1080P
1920×1080i
3840×2160P
1920×1080P
1920×1080i
1920×1080P
1920×1080i
1920×1080P
1920×1080i
1920×1080i
System frequency
(Rec Format
>Frequency in the
Project menu)
Video format
(Rec Format
>Video Format in
the Project menu)
RAW output state
(Rec Format
>Codec in the
Project menu)
Output format (Output Format in the
Monitoring menu)
SDI HDMI
Without RAW
output
4096×2160P 4096×2160P
1920×1080P
1920×1080i
3840×2160P 3840×2160P
1920×1080P
1920×1080i
1920×1080P
(Level A)
1920×1080P
1920×1080i
1920×1080P (Level
B)
1920×1080P
1920×1080i
1920×1080i 1920×1080i
3840×2160 With RAW output – 3840×2160P
1920×1080P
1920×1080i
1920×1080P
1920×1080i
1920×1080P
1920×1080i
1920×1080i
Without RAW
output
3840×2160P 3840×2160P
1920×1080P
1920×1080i
1920×1080P
(Level A)
1920×1080P
1920×1080i
1920×1080P (Level
B)
1920×1080P
1920×1080i
1920×1080i 1920×1080i
Output Formats and Limitations
8. Appendix: Output Formats and Limitations
111
System frequency
(Rec Format
>Frequency in the
Project menu)
Video format
(Rec Format
>Video Format in
the Project menu)
RAW output state
(Rec Format
>Codec in the
Project menu)
Output format (Output Format in the
Monitoring menu)
SDI HDMI
1920×1080 Without RAW
output
1920×1080P
(Level A)
1920×1080P
1920×1080i
1920×1080P (Level
B)
1920×1080P
1920×1080i
1920×1080i 1920×1080i
– 59.94: 720×480P
50: 720×576P
29.97/25 4096×2160 With RAW output – 4096×2160P
1920×1080P
3840×2160P
1920×1080P
1920×1080P
1920×1080i
Without RAW
output
4096×2160P 4096×2160P
1920×1080P
3840×2160P 3840×2160P
1920×1080P
1920×1080P 1920×1080P
1920×1080I (PsF) 1920×1080i
3840×2160 With RAW output – 3840×2160P
1920×1080P
1920×1080P
1920×1080i
Without RAW
output
3840×2160P 3840×2160P
1920×1080P
1920×1080P 1920×1080P
1920×1080I (PsF) 1920×1080i
1920×1080 Without RAW
output
1920×1080P 1920×1080P
1920×1080I (PsF) 1920×1080i
System frequency
(Rec Format
>Frequency in the
Project menu)
Video format
(Rec Format
>Video Format in
the Project menu)
RAW output state
(Rec Format
>Codec in the
Project menu)
Output format (Output Format in the
Monitoring menu)
SDI HDMI
24 4096×2160 With RAW output – 4096×2160P
1920×1080P
Without RAW
output
4096×2160P 4096×2160P
1920×1080P 1920×1080P
23.98 4096×2160 With RAW output – 4096×2160P
1920×1080P
3840×2160P
1920×1080P
1920×1080P
Without RAW
output
4096×2160P 4096×2160P
1920×1080P
3840×2160P 3840×2160P
1920×1080P
1920×1080P 1920×1080P
3840×2160 With RAW output – 3840×2160P
1920×1080P
1920×1080P
Without RAW
output
3840×2160P 3840×2160P
1920×1080P
1920×1080P 1920×1080P
1920×1080 Without RAW
output
1920×1080P 1920×1080P
8. Appendix
112
Power Supply
Symptom Cause Solution
The camcorder does not
power on.
No battery pack is mounted
and no power is supplied to
the DC IN connector.
Mount a battery pack (page 17) or
connect to AC power using an AC
adaptor (page 18).
The battery pack is
completely exhausted.
Replace the battery pack with a fully
charged one (page 17).
The power supply cuts while
operating.
The battery pack becomes
exhausted.
Replace the battery pack with a fully
charged one (page 17).
The battery pack becomes
exhausted very quickly.
The ambient temperature is
very low.
This is due to the battery characteristics
and is not a defect.
The battery pack is
inadequately charged.
Recharge the battery pack (page 17).
If the battery pack is soon exhausted
even after you charged it fully, it may
comes to the end of its life. Replace it
with a new one.
Recording/Playback
Symptom Cause Solution
Recording does not start
when you press the record
START/STOP button.
The memory card is full. Replace the memory card with one
having sufficient space.
The memory card needs
restoration.
Restore the memory card (page 33).
Audio recording is not
possible.
The AUDIO LEVEL (CH1/CH2)
dials are set to the minimum
level.
Adjust the audio recording levels with
the AUDIO LEVEL (CH1/CH2) dials
(page 46).
The recorded sound is
distorted.
The audio level is too high. Adjust the audio recording levels with
the AUDIO LEVEL (CH1/CH2) dials
(page 46).
The recorded sound has a
high noise level.
The audio level is too low. Adjust the audio recording levels with
the AUDIO LEVEL (CH1/CH2) dials
(page 46).
When an external microphone is
selected, also adjust the INPUT MIC
Reference setting under Audio Input in
the Audio menu (page 90).
Symptom Cause Solution
Clips cannot be played back. The clip is being edited. Clips cannot be played back if you have
modified file names or folders, or if the
clip is in use on a computer. This is not
a malfunction.
The clip is being recorded on
another device.
Clips recorded on other devices may
not be played back, or displayed in
incorrect size. This is not a malfunction.
External Devices
Symptom Solution
The computer does not
recognize the camcorder.
Disconnect the USB cable from the computer, then connect it again
securely.
Disconnect the USB cable from your computer, reboot your
computer, and follow the steps again in the correct order.
Connect the computer and the camcorder by inserting a USB cable
into either the USB-C connector or the USB/multi connector.
Clips cannot be loaded on the
computer.
Disconnect the USB cable from the computer, restart the
camcorder, and then connect it again.
Application software must be installed to load clips on your
computer (page 108).
Troubleshooting
8. Appendix: Troubleshooting
113
Wireless LAN Connection
[Note]
Obstructions and electromagnetic interference between the camcorder and wireless LAN access point or terminal
device, or the ambient environment (such as wall materials) could shorten the communication range or prevent
connections altogether. If you experience these problems, check the connection/communication status after moving
the camcorder to a new location, or bringing the camcorder and access point/terminal device closer together.
Symptom Solution
A terminal device cannot access
the camcorder.
Check the wireless LAN connection (IP address, etc.).
The communication setting between the access point and client
may be invalid. For details, refer to the operating instructions of
the access point.
You cannot log in to the
camcorder.
Check the user name and password that you set.
Internet Connection
Symptom Solution
File uploading fails. The user name and password of the server may not be correct.
Input the correct user name and password.
File uploading is not available. Signal condition may be poor.
Move to another location and try again.
When using the ND Filter
Symptom Solution
The ND filter does not move. You can move the filter to the Clear position manually using the
following procedure.
1 Turn the camcorder POWER switch to the off position.
2 Remove the round cap on the bottom side.
3 Insert a screwdriver in the hole and turn it counterclockwise.
The ND filter moves to the Clear position by turning counterclockwise. Continue turning
until reaching the Clear position.
Use a screwdriver with ø2.4mm diameter or smaller. The insertion depth of the screwdriver
is about 3.0cm (1
3
/
16
in.).
Screwdriver hole
(with cap removed)
4 Set the ND PRESET/VARIABLE switch (page 5) to the PRESET position, and set the ND
FILTER POSITION up/down buttons (page 5) to the CLEAR position.
[Notes]
Do not use the procedure above during normal operation. Only use this procedure if the ND filter will not move. The
ND filter may become damaged if this procedure is used during normal operation.
After the procedure above is used, consult a Sony service center to have the camcorder repaired.
If an error message still appears after performing the procedure above, shooting is still possible.
8. Appendix
114
If a warning, caution, or operating condition that requires confirmation occurs on the camcorder,
a message is displayed in the viewfinder, the recording/tally lamp starts flashing, and a warning
sound is emitted.
The warning sound is emitted from the headphones connected to the headphone connector.
Error Messages
The camcorder will stop operation when the following kind of display occurs.
Viewfinder message Warning
sound
Recording/
tally lamp
Cause and Solution
E + error code Continuous High-speed
flashing
Indicates an abnormality in the camcorder.
Recording stops, even if REC is displayed in the
viewfinder.
Turn off the camcorder, and check for any problem
with connected devices, cables, or media. If the
error persists when the camcorder is turned on
again, contact your Sony service representative.
(If the camcorder does not turn off when the
POWER switch is set to OFF, remove the battery or
disconnect the DC IN supply.)
An error display or warning sound may not occur
depending on the status of the camcorder.
Warning Messages
Follow the instructions provided if the following display occurs.
Viewfinder message Warning
sound
Recording/
tally lamp
Cause and Solution
Battery Near End Intermittent Flashing The remaining capacity of the battery pack is
getting low.
Recharge at the earliest convenience.
Battery End Continuous High-speed
flashing
The battery pack is empty. Recording is disabled.
Stop operation and replace the battery pack.
Temperature High Intermittent Flashing The internal temperature is high.
Turn off the camcorder and allow it to cool down
before operating it again.
Viewfinder message Warning
sound
Recording/
tally lamp
Cause and Solution
Media Temperature
High
Intermittent Flashing The temperature of the CFexpress card is high.
Replace the card or allow it to cool down before
using it again.
Voltage Low Intermittent Flashing The DC IN voltage is low (level 1). Check the power
source.
Insufficient Voltage Continuous High-speed
flashing
The DC IN voltage is too low (level 2). Recording is
disabled.
Connect a different power source.
Media Near Full Intermittent Flashing The remaining capacity on the memory card is
getting low.
Replace at the earliest convenience.
Media Full Continuous High-speed
flashing
Clips could not be recorded or copied because
there is no remaining capacity on the memory
card.
Replace immediately.
Clips Near Full Intermittent Flashing The number of additional clips that can be
recorded on a memory card is getting low.
Replace at the earliest convenience.
Clips Full Continuous High-speed
flashing
The maximum number of clips that can be
recorded on the memory card has been reached.
Recording or copying more clips is not possible.
Replace immediately.
Last Clip Recording Intermittent Flashing The clip currently recording is the last clip that can
be recorded, as the maximum number of clips has
been reached.
Prepare a new memory card.
Media(A)
1)
Life Near
End
Intermittent Flashing The memory card is approaching the end of its
life. Replace at the earliest convenience.
Media(A)
1)
Life End Continuous High-speed
flashing
The memory card has reached the end of its life.
Replace immediately.
Media(A)
1)
Near Full Intermittent Flashing When using the Simul Rec function
Media(A)
1)
Full Continuous High-speed
flashing
When using the Simul Rec function
Media(A)
1)
Clips Near
Full
Intermittent Flashing When using the Simul Rec function
Media(A)
1)
Clips Full Continuous High-speed
flashing
When using the Simul Rec function
Media(A)
1)
Last Clip
Rec
Intermittent Flashing When using the Simul Rec function
1) “(B)” is displayed for the card in slot B.
Error/Warning Messages
8. Appendix: Error/Warning Messages
115
Caution and Operation Messages
The following caution and operation messages may appear in the center of the screen.
Follow the instructions provided to resolve the issue.
Display message Cause and Solution
Battery Error
Please Change Battery
An error was detected in the battery pack.
Replace with a normal battery pack.
Backup Battery End
Please Change
The remaining capacity of the backup battery is insufficient.
Charge the backup battery.
Unknown Media (A)
1)
Please Change
A memory card that has been partitioned or a memory card
containing more clips that can be handled by the camcorder
was inserted.
The card cannot be used in the camcorder, and must be
replaced.
Cannot Use Media (A)
1)
Unsupported File System
A card using a different file system or an unformatted card
was inserted.
The card cannot be used in the camcorder, and must be
replaced or formatted using the camcorder.
Media Error
Media (A)
1)
Needs to be Restored
An error occurred on the memory card, and the card must be
restored.
Restore the memory card.
Media Error
Cannot Record to Media (A)
1)
The memory card may be damaged, and can no longer be
used for recording.
Playback is possible, so making a copy and replacing the
memory card is recommended.
Media Error
Cannot Use Media (A)
1)
The memory card may be damaged, and can no longer be
used for recording or playback.
The card cannot be used in the camcorder, and must be
replaced.
Media (A)
1)
Error
Recording Halted
Playback Halted
Recording and playback was stopped because an error
occurred while using the memory card.
If the problem persists, replace the memory card.
Media Reached Rewriting Limit
Change Media (A)
1)
The memory card has reached the end of its life.
Make a backup, and replace the card immediately. If you
continue using the card, the card may not be able to record or
play.
For details, refer to the operating instructions for the memory
card.
The specified address is invalid. The specified address is invalid.
Check that the setting is correct.
Cannot Use Specified Port Number The specified port number is invalid.
Check that the setting is correct.
Display message Cause and Solution
Fan Stopped The built-in fan stopped.
Avoid use at high temperatures, disconnect the power, and
contact your Sony service representative.
Lens I/F Error(xx:xx) A lens error was detected in the lens I/F communication when
an E-mount lens was attached.
Check the status of the connection with the E-mount lens.
If the problem persists, contact your Sony service
representative with the error code (five characters in
parentheses).
This Multi Term. acc is not supported
by the device and cannot be used.
Please verify the compatibility.
An incompatible accessory was detected.
The only Multi Terminal accessory supported by the unit is the
supplied grip remote control.
Failed This error may appear if an address cannot be obtained with
DHCP set to On.
Check the DHCP server settings.
Cannot add auto upload job of Proxy
file because maximum number of
upload jobs was reached.
The maximum number of transfer jobs has been reached.
Clear any unwanted jobs. The auto upload destination setting
for proxy files may also be incorrect. Check that the setting is
correct.
<SSID>Not found. Network (access point) with the specified <SSID> could not be
found.
Check that the setting is correct.
<SSID>Authentication Failed Connection authentication on the network (access point) with
the specified <SSID> failed.
Check that the password and other settings are correct.
An IP address conflict has occurred.
Please check the network settings.
There is a conflict in the network addresses of the wireless
LAN, wired LAN, or USB tethering.
Change the address manually or change the settings for the
network router.
The IP address of the Wireless LAN
Access Point Mode has been
changed due to an IP address
conflict.
The IP address of the wireless LAN access point mode was
changed due to a conflict in the network addresses of the
wireless LAN access point mode, wired LAN, or USB tethering.
Check the IP address setting.
1) “(B)” is displayed for the card in slot B.
8. Appendix
116
Items Configured in the Full Menu
Yes: Item is saved.
No: Item is not saved.
–: Not saved (temporary setting)
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Shooting ISO/Gain/EI Mode Yes No
ISO/Gain<H> Yes No
ISO/Gain<M> Yes No
ISO/Gain<L> Yes No
Exposure Index<H> Yes No
Exposure Index<M> Yes No
Exposure Index<L> Yes No
Shockless Gain Yes No
Base Sensitivity Yes No
Base ISO Yes No
ND Filter Preset1 Yes No
Preset2 Yes No
Preset3 Yes No
Shutter Mode Yes No
Shutter Speed On/Off Yes No
Shutter Speed Yes No
Shutter Angle Yes No
ECS On/Off Yes No
ECS Frequency Yes No
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Shooting Auto Exposure Level Yes No
Mode Yes No
Speed Yes No
AGC Yes No
AGC Limit Yes No
AGC Point Yes No
Auto Shutter Yes No
A.SHT Limit Yes No
A.SHT Point Yes No
Clip High light Yes No
Detect Window Yes No
Detect Window Indication Yes No
Custom Width Yes No
Custom Height Yes No
Custom H Position Yes No
Custom V Position Yes No
White Preset White Yes No
Color Temp <A> Yes No
Tint<A> Yes No
R Gain <A> Yes No
B Gain <A> Yes No
Color Temp <B> Yes No
Tint<B> Yes No
R Gain <B> Yes No
B Gain <B> Yes No
White Setting Shockless White Yes No
ATW Speed Yes No
White Switch<B> Yes No
Filter White Memory Yes No
Items Saved in Files
8. Appendix: Items Saved in Files
117
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Shooting Offset White Offset White <A> Yes No
Offset Color Temp<A> Yes No
Offset Tint<A> Yes No
Offset White <B> Yes No
Offset Color Temp<B> Yes No
Offset Tint<B> Yes No
Offset White<ATW> Yes No
Offset Color Temp<ATW> Yes No
Offset Tint<ATW> Yes No
Focus AF Transition Speed Yes No
AF Subj. Shift Sens. Yes No
Focus Area Yes No
Focus Area (AF-S) Yes No
Face/Eye Detection AF Yes No
Push AF Mode Yes No
AF Assist Yes No
S&Q Motion Setting Yes No
Frame Rate Yes No
LUT On/Off SDI/HDMI Yes No
VF/Proxy/Stream Yes No
Internal Rec Yes No
Noise Suppression Setting(Custom) Yes No
Level(Custom) Yes No
Setting(Cine EI) Yes –
Level(Cine EI) Yes –
Flicker Reduce Mode Yes No
Frequency Yes No
SteadyShot Setting Yes No
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Project Base Setting Shooting Mode Yes –
Target Display Yes –
Rec Format Frequency Yes No
Imager Scan Mode Yes No
Codec Yes No
RAW Output Format Yes No
Video Format Yes No
Cine EI Setting Color Gamut Yes –
Simul Rec Setting Yes No
Proxy Rec Setting Yes No
Audio Channel Yes No
Interval Rec Setting No No
Interval Time Yes No
Number of Frames Yes No
Pre-Lighting Yes No
SDI/HDMI Rec Control Setting Yes No
Assignable Button <1> Yes No
<2> Yes No
<3> Yes No
<4> Yes No
<5> Yes No
<6> Yes No
<7> Yes No
<8> Yes No
<9> Yes No
Focus Hold Button Yes No
Assignable Dial Grip/Remote Dial Yes No
Grip Dial Direction Yes No
Handle Dial Yes No
Handle Dial Direction Yes No
Multi Function Dial Default Function Yes No
8. Appendix: Items Saved in Files
118
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Project User File Load Media(B) – –
Save Media(B) – –
File ID No No
Load Customize Data Yes No
Load White Data Yes No
All File Load Media(B) – –
Save Media(B) – –
File ID Yes No
Load Network Data No No
Paint/Look Scene File Recall – –
Store – –
Delete – –
Preset Recall – –
Base Look Select Yes Yes
Delete – –
Delete All – –
Import – –
Input Yes Yes
Output Yes Yes
AE Level Offset Yes Yes
Reset Paint Settings Reset without Base Look – –
Black Master Black Yes Yes
R Black Yes Yes
B Black Yes Yes
Knee Setting Yes Yes
Auto Knee Yes Yes
Point Yes Yes
Slope Yes Yes
Detail Setting Yes Yes
Level Yes Yes
Manual Setting Yes Yes
V/H Balance Yes Yes
B/W Balance Yes Yes
Limit Yes Yes
Crispening Yes Yes
High Light Detail Yes Yes
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Paint/Look Matrix User Matrix Yes Yes
User Matrix Level Yes Yes
User Matrix Phase Yes Yes
User Matrix R-G Yes Yes
User Matrix R-B Yes Yes
User Matrix G-R Yes Yes
User Matrix G-B Yes Yes
User Matrix B-R Yes Yes
User Matrix B-G Yes Yes
Multi Matrix Setting Yes Yes
Reset – –
Axis No Yes
Hue Yes Yes
Saturation Yes Yes
TC/Media Timecode Mode Yes No
Run Yes No
Setting No No
Reset – –
TC Format Yes No
TC Display Display Select Yes No
Users Bit Mode Yes No
Setting No No
HDMI TC Out Setting Yes No
Clip Name Format Title Prefix Yes No
Number Set No No
Update Media Media(A) – –
Media(B) – –
Format Media Media(A) – –
Media(B) – –
Monitoring Output On/Off SDI Yes No
HDMI Yes No
Output Format SDI Yes No
HDMI Yes No
Output Display SDI Yes No
HDMI Yes No
8. Appendix: Items Saved in Files
119
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Monitoring Display On/Off Network Status Yes No
File Transfer Status Yes No
Rec/Play Status Yes No
RAW Output Control Status Yes No
Tally Yes No
Battery Remain Yes No
Focus Mode Yes No
Focus Position Yes No
Focus Area Indicator Yes No
Focus Area Ind.(AF-S) Yes No
Face/Eye Detection Frame Yes No
Lens Info Yes No
Imager Scan Mode Yes No
Rec Format Yes No
Frame Rate Yes No
Zoom Position Yes No
UWP RF Level Yes No
SteadyShot Yes No
Base Look/LUT Yes No
SDI/HDMI Rec Control Yes No
Gamma Display Assist Yes No
Proxy Status Yes No
Base ISO/Sensitivity Yes No
Media Status Yes No
Video Signal Monitor Yes No
Clip Name Yes No
White Balance Yes No
Scene File Yes No
Focus Indicator Yes No
Auto Exposure Mode Yes No
Auto Exposure Level Yes No
Timecode Yes No
ND Filter Yes No
Iris Yes No
ISO/Gain/EI Yes No
Shutter Yes No
Level Gauge Yes No
Audio Level Meter Yes No
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Monitoring Display On/Off Video Level Warning Yes No
Clip Number Yes No
Notice Message Yes No
Marker Setting Yes No
Color Yes No
Center Marker Yes No
Safety Zone Yes No
Safety Area Yes No
Aspect Marker Yes No
Aspect Mask Yes No
Aspect Safety Zone Yes No
Aspect Safety Area Yes No
Aspect Select Yes No
Custom Aspect Ratio Yes No
Guide Frame Yes No
100% Marker Yes No
User Box Yes No
User Box Width Yes No
User Box Height Yes No
User Box H Position Yes No
User Box V Position Yes No
VF Setting Brightness Yes No
Color Mode Yes No
Gamma Display Assist Setting Yes No
Peaking Setting Yes No
Peaking Level Yes No
Color Yes No
Zebra Setting Yes No
Zebra1 Level Yes No
Zebra1 Aperture Level Yes No
Zebra2 Level Yes No
8. Appendix: Items Saved in Files
120
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Audio Audio Input CH1 Input Select Yes No
CH2 Input Select Yes No
CH3 Input Select Yes No
CH4 Input Select Yes No
INPUT1 MIC Reference Yes No
INPUT2 MIC Reference Yes No
Line Input Reference Yes No
Reference Level Yes No
CH1 Wind Filter Yes No
CH2 Wind Filter Yes No
CH3 Wind Filter Yes No
CH4 Wind Filter Yes No
CH3 Level Control Yes No
CH4 Level Control Yes No
CH3 Input Level Yes No
CH4 Input Level Yes No
Audio Input Level Yes No
Limiter Mode Yes No
CH1&2 AGC Mode Yes No
CH3&4 AGC Mode Yes No
AGC Spec Yes No
1kHz Tone on Color Bars Yes No
CH1 Level Yes No
CH2 Level Yes No
CH3 Level Yes No
CH4 Level Yes No
Audio Output Monitor CH Yes No
Volume No No
Headphone Out Yes No
Alarm Level Yes No
HDMI Output CH Yes No
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Thumbnail Display Clip Properties – –
Set Clip Flag Add OK – –
Add NG – –
Add KEEP – –
Delete Clip Flag – –
Lock/Unlock Clip Select Clip – –
Lock All Clips – –
Unlock All Clips – –
Delete Clip Select Clip – –
All Clips – –
Transfer Clip Select Clip – –
All Clips – –
Transfer Clip (Proxy) Select Clip – –
All Clips – –
Filter Clips OK – –
NG – –
KEEP – –
None – –
All – –
Customize View Thumbnail Caption Yes –
Technical Color Bars Setting No No
Type Yes No
ND Dial CLEAR with Dial Yes No
Tally Front Yes No
Rear Yes No
HOLD Switch Setting with Rec Button Yes No
with Hand Grip Remote Yes No
Touch Operation Setting Yes No
Rec Review Setting Yes No
Zoom Zoom Type Yes No
Handle Zoom Setting Yes No
High Yes No
Low Yes No
Menu Settings User Menu Only Yes No
User Menu with Lock No No
Fan Control Setting Yes No
8. Appendix: Items Saved in Files
121
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Technical Lens Zoom Ring Direction Yes No
Shading Compensation Yes No
Chroma Aberration Comp. Yes No
Distortion Comp. Yes No
Distance Display Yes No
Zoom Position Display Yes No
Video Light Set Video Light Set Yes No
APR APR – –
Camera Battery Alarm Low Battery Yes No
Battery Empty Yes No
Camera DC IN Alarm DC Low Voltage1 Yes No
DC Low Voltage2 Yes No
Network Access Authentication User Name No No
Password No No
Wireless LAN Setting Yes No
WPS – –
NFC – –
MAC Address – –
AP Mode Settings Channel Yes No
Camera SSID & Password – –
Regenerate Password – –
IP Address – –
Subnet Mask – –
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Network ST Mode Settings Camera Remote Control Yes No
Connected Network
SSID – –
Security – –
Password – –
DHCP – –
IP Address – –
Subnet Mask – –
Gateway – –
DNS Auto – –
Primary DNS Server – –
Secondary DNS Server – –
Scan Networks
SSID – –
Security – –
Password No No
DHCP Yes No
IP Address Yes No
Subnet Mask Yes No
Gateway Yes No
DNS Auto Yes No
Primary DNS Server Yes No
Secondary DNS Server Yes No
Manual Register
SSID Yes No
Security Yes No
Password No No
DHCP Yes No
IP Address Yes No
Subnet Mask Yes No
Gateway Yes No
DNS Auto Yes No
Primary DNS Server Yes No
Secondary DNS Server Yes No
8. Appendix: Items Saved in Files
122
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Network Wired LAN Setting Yes No
Camera Remote Control Yes No
Detail Settings
DHCP Yes No
IP Address Yes No
Subnet Mask Yes No
Gateway Yes No
DNS Auto Yes No
Primary DNS Server Yes No
Secondary DNS Server Yes No
Modem Setting Yes No
Camera Remote Control Yes No
Device Name – –
IP Address – –
Subnet Mask – –
File Transfer Auto Upload (Proxy) Yes No
Default Upload Server Yes No
Clear Completed Jobs – –
Clear All Jobs – –
View Job List – –
Server Settings1/Server Settings2/Server Settings3
Display Name Yes No
Service Yes No
Host Name Yes No
Port Yes No
User Name No No
Password No No
Passive Mode Yes No
Destination Directory Yes No
Using Secure Protocol Yes No
Root Certificate – –
Root Certificate Status – –
Reset – –
Network Reset Reset – –
LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File
Maintenance Language Select Yes No
Clock Set Time Zone Yes No
Date Mode Yes No
12H/24H Yes No
Date No No
Time No No
All Reset Reset – –
Reset without Network – –
Hours Meter Hours (System) – –
Hours (Reset) – –
Reset – –
Version Version Number – –
Version Up – –
Lens Version Number – –
8. Appendix: Items Saved in Files
123
Items Configured by Assignable Buttons
Yes: Item is saved.
No: Item is not saved.
–: Not saved (temporary setting)
Assignable button selection All File Scene File
ND Filter Position Yes No
Auto Iris Yes No
ATW Yes No
Focus Setting Yes No
Display Yes –
VF Adjust Yes –
Items Configured by the Assignable Dial
Yes: Item is saved.
No: Item is not saved.
–: Not saved (temporary setting)
Assignable dial selection All File Scene File
IRIS Yes No
ND Filter Yes No
Audio Input Level Yes No
8. Appendix
124
See related items in “Setting the Audio to Record” (page 46) and “User Menu” (page 70).
Audio Input (CH1&CH2)
The following shows the block diagram with the handle attached.
INPUT1
L
R
INPUT2
Shoe CH1
Shoe CH2
Internal MIC
CH1
[CH1 Input Select]
INPUT1
Internal MIC
Shoe CH1
[CH2 Input Select]
INPUT1
INPUT2
Internal MIC
Shoe CH2
For XLR adaptorFor XLR adaptor
<CH1 LEVEL
CONTROL>*
AUTO
MAN
<CH1 INPUT LEVEL>
0 ~ 10
[CH1 Wind Filter]
On
O
[CH2 Wind Filter]
On
O
CH2
<CH2 LEVEL
CONTROL>*
AUTO
MAN
<CH2 INPUT LEVEL>
0 ~ 10
[CH1&2 AGC Mode]
Mono
Stereo
[Color Bars]
[1kHz Tone on Color
Bars]
On
O
[Audio Input Level]
0 ~ 99
[Limiter Mode]
O, -6dB,
-9dB, -12dB,
-15dB, -17dB
SG
[CH1 Level]
Audio Input Level
Side
Level + Side
Through
[CH2 Level]
Audio Input Level
Side
Level + Side
Through
* Set to Manual when audio is input from XLR adaptor.
Block Diagrams
8. Appendix: Block Diagrams
125
Audio Input (CH3&CH4)
The following shows the block diagram with the handle attached.
L
R
CH3
[CH3 Level
Control]*
Auto
Manual
[CH4 Level
Control]*
Auto
Manual
[CH3 Input Level]
0 ~ 99
CH4
[CH4 Input Level]
0 ~ 99
[CH3&4 AGC Mode]
Mono
Stereo
[Audio Input Level]
0 ~ 99
[Limiter Mode]
O, -6dB,
-9dB, -12dB,
-15dB, -17dB
SG
OFF
[CH3 Input Select]
O
INPUT1
Internal MIC
Shoe CH1
For XLR adaptorFor XLR adaptor
[CH3 Wind Filter]
On
O
[CH4 Wind Filter]
On
O
[CH4 Input Select]
O
INPUT1
INPUT2
Internal MIC
Shoe CH2
INPUT1
INPUT2
Shoe CH1
Shoe CH2
Internal MIC
[CH3 Level]
Audio Input Level
CH3 Input Level
Level+CH3 Input Level
Through
[CH4 Level]
Audio Input Level
CH4 Input Level
Level+CH4 Input Level
Through
[Color Bars]
[1kHz Tone on Color
Bars]
On
O
* Set to Manual when audio is input from XLR adaptor.
8. Appendix: Block Diagrams
126
Audio Output
L
R
Alarm
Beep
[HDMI Output CH]
CH1/CH2, CH3/CH4
[Monitor CH]
CH1, CH2, CH3, CH4,
CH1/CH2, CH3/CH4,
MIX ALL
[Headphone Out]
Mono, Stereo
[VOLUME]
0～50
[Alarm Level]
0～7
Ch
MIX
CH1
SDI OUT
Headphone
Internal Speaker
HDMI OUT
CH2
CH3
CH4
8. Appendix
127
You can update the software of an E-mount
lens using the camcorder.
Refer to the web site for the lens for lenses
that can be updated and the corresponding
software.
Checking the Version
1 Attach an E-mount lens to the camcorder
(page 22).
2 Select Version in the Maintenance menu
of the full menu to display Lens Version
Number (page 99).
The software version number of the
E-mount lens is displayed on the side.
Updating Software
Set the camcorder to mass storage mode
(page 108).
Update the software following the procedure
supplied with the lens software.
Updating E-mount Lens Software
8. Appendix
128
MPEG-4 Visual Patent Portfolio
License
THIS PRODUCT IS LICENSED UNDER THE
AVC PATENT PORTFOLIO LICENSE FOR THE
PERSONAL USE OF A CONSUMER OR OTHER
USES IN WHICH IT DOES NOT RECEIVE
REMUNERATION TO
(i) ENCODING VIDEO IN COMPLIANCE WITH
THE MPEG-4 VISUAL STANDARD (“MPEG-4
VIDEO”) AND/OR
(ii) DECODING MPEG-4 VIDEO THAT WAS
ENCODED BY A CONSUMER ENGAGED IN
A PERSONAL AND NON-COMMERCIAL
ACTIVITY AND/OR WAS OBTAINED FROM A
VIDEO PROVIDER LICENSED BY MPEG LA TO
PROVIDE MPEG-4 VIDEO.
NO LICENSE IS GRANTED OR SHALL BE
IMPLIED FOR ANY OTHER USE. ADDITIONAL
INFORMATION INCLUDING THAT RELATING TO
PROMOTIONAL, INTERNAL AND COMMERCIAL
USES AND LICENSING MAY BE OBTAINED FROM
MPEG LA, LLC. SEE HTTP://WWW.MPEGLA.
COM
Obtaining Software Under the
GPL/LGPL License
This product uses software to which the
GPL/ LGPL applies. This informs you that you
have a right to have access to, modify, and
redistribute source code for these software
programs under the conditions of the GPL/
LGPL.
The source code is provided on the internet.
Use the following URL and follow the
download instructions.
http://www.sony.net/Products/Linux/
common/search.html
We would prefer that you do not contact us
about the contents of the source code.
Licenses (in English) are recorded in the
internal memory of your product.
Establish a Mass Storage connection between
the product and a computer to read licenses in
the “PMHOME” - “LICENSE” folder.
If using a Mac, the “PMHOME” - “LICENSE”
folder may not be accessible.
To view the files, use a computer other than a
Mac or visit the following URL.
https://oss.sony.net/License/ILME-FX6/
END USER LICENSE AGREEMENT
IMPORTANT:
BEFORE USING THE SOFTWARE CONTAINED IN THE
SOLID STATE MEMORY CAMCORDER, PLEASE READ THIS
END USER LICENSE AGREEMENT (“EULA”) CAREFULLY. BY
USING THE SOFTWARE YOU ARE ACCEPTING THE TERMS
OF THIS EULA. IF YOU DO NOT ACCEPT THE TERMS OF
THIS EULA, YOU MAY NOT USE THE SOFTWARE.
This EULA is a legal agreement between you and Sony
Corporation (“SONY”). This EULA governs your rights
and obligations regarding the software of SONY and/or
its third party licensors (including SONY’s affiliates) and
their respective affiliates (collectively, the “THIRD-PARTY
SUPPLIERS”) contained in the wireless adapter, together
with any updates/ upgrades provided by SONY, any
printed, on-line or other electronic documentation for
such software, and any data files created by operation of
such software (collectively, the “SOFTWARE”).
Notwithstanding the foregoing, any software in
the SOFTWARE having a separate end user license
agreement (including, but not limited to, GNU General
Public license and Lesser/Library General Public License)
shall be covered by such applicable separate end user
license agreement in lieu of the terms of this EULA to
the extent required by such separate end user license
agreement (“EXCLUDED SOFTWARE”).
SOFTWARE LICENSE
The SOFTWARE is licensed, not sold. The SOFTWARE is
protected by copyright and other intellectual property
laws and international treaties.
COPYRIGHT
All right and title in and to the SOFTWARE (including,
but not limited to, any images, photographs, animation,
video, audio, music, text and “applets” incorporated into
the SOFTWARE) is owned by SONY or one or more of the
THIRD-PARTY SUPPLIERS.
GRANT OF LICENSE
SONY grants you a limited license to use the SOFTWARE
solely in connection with the wireless adapter and only
for your individual use. SONY and the THIRD-PARTY
SUPPLIERS expressly reserve all rights, title and interest
(including, but not limited to, all intellectual property
rights) in and to the SOFTWARE that this EULA does not
specifically grant to you.
REQUIREMENTS AND LIMITATIONS
You may not copy, publish, adapt, redistribute, attempt
to derive source code, modify, reverse engineer,
decompile, or disassemble any of the SOFTWARE,
whether in whole or in part, or create any derivative
works from or of the SOFTWARE unless such derivative
works are intentionally facilitated by the SOFTWARE.
You may not modify or tamper with any digital rights
management functionality of the SOFTWARE. You
may not bypass, modify, defeat or circumvent any of
the functions or protections of the SOFTWARE or any
mechanisms operatively linked to the SOFTWARE. You
may not separate any individual component of the
SOFTWARE for use on more than one wireless adapter
unless expressly authorized to do so by SONY. You
may not remove, alter, cover or deface any trademarks
or notices on the SOFTWARE. You may not share,
distribute, rent, lease, sublicense, assign, transfer or
sell the SOFTWARE. The software, network services
or other products other than SOFTWARE upon which
the SOFTWARE’S performance depends might be
interrupted or discontinued at the discretion of the
suppliers (software suppliers, service suppliers, or
SONY). SONY and such suppliers do not warrant that the
SOFTWARE, network services, contents or other products
will continue to be available, or will operate without
interruption or modification.
EXCLUDED SOFTWARE AND OPEN SOURCE
COMPONENTS
Notwithstanding the foregoing limited license grant,
you acknowledge that the SOFTWARE may include
EXCLUDED SOFTWARE. Certain EXCLUDED SOFTWARE
may be covered by open source software licenses
(“Open Source Components”), which means any
software licenses approved as open source licenses by
the Open Source Initiative or any substantially similar
licenses, including but not limited to any license that,
as a condition of distribution of the software licensed
under such license, requires that the distributor make
the software available in source code format. If and to
the extent disclosure is required, please visit www.sony.
com/linux or other SONY-designated web site for a list
of applicable OPEN SOURCE COMPONENTS included in
the SOFTWARE from time to time, and the applicable
terms and conditions governing its use. Such terms
and conditions may be changed by the applicable
third party at any time without liability to you. To the
extent required by the licenses covering EXCLUDED
SOFTWARE, the terms of such licenses will apply in lieu
of the terms of this EULA. To the extent the terms of the
licenses applicable to EXCLUDED SOFTWARE prohibit
any of the restrictions in this EULA with respect to such
EXCLUDED SOFTWARE, such restrictions will not apply
to such EXCLUDED SOFTWARE. To the extent the terms
of the licenses applicable to Open Source Components
require SONY to make an offer to provide source code
in connection with the SOFTWARE, such offer is hereby
made.
USE OF SOFTWARE WITH COPYRIGHTED
MATERIALS
The SOFTWARE may be capable of being used by you
to view, store, process and/or use content created by
you and/or third parties. Such content may be protected
by copyright, other intellectual property laws, and/
or agreements. You agree to use the SOFTWARE only
in compliance with all such laws and agreements that
Licenses
8. Appendix: Licenses
129
apply to such content. You acknowledge and agree
that SONY may take appropriate measures to protect
the copyright of content stored, processed or used by
the SOFTWARE. Such measures include, but are not
limited to, counting the frequency of your backup and
restoration through certain SOFTWARE features, refusal
to accept your request to enable restoration of data, and
termination of this EULA in the event of your illegitimate
use of the SOFTWARE.
CONTENT SERVICE
PLEASE ALSO NOTE THAT THE SOFTWARE MAY BE
DESIGNED TO BE USED WITH CONTENT AVAILABLE
THROUGH ONE OR MORE CONTENT SERVICES
(“CONTENT SERVICE”). USE OF THE SERVICE AND THAT
CONTENT IS SUBJECT TO THE TERMS OF SERVICE OF
THAT CONTENT SERVICE. IF YOU DECLINE TO ACCEPT
THOSE TERMS, YOUR USE OF THE SOFTWARE WILL
BE LIMITED. You acknowledge and agree that certain
content and services available through the SOFTWARE
may be provided by third parties over which SONY has
no control. USE OF THE CONTENT SERVICE REQUIRES AN
INTERNET CONNECTION. THE CONTENT SERVICE MAY BE
DISCONTINUED AT ANY TIME.
INTERNET CONNECTIVITY AND THIRD PARTY
SERVICES
You acknowledge and agree that access to certain
SOFTWARE features may require an Internet connection
for which you are solely responsible. Further, you are
solely responsible for payment of any third party fees
associated with your Internet connection, including
but not limited to Internet service provider or airtime
charges. Operation of the SOFTWARE may be limited
or restricted depending on the capabilities, bandwidth
or technical limitations of your Internet connection
and service. The provision, quality and security of such
Internet connectivity are the sole responsibility of the
third party providing such service.
EXPORT AND OTHER REGULATIONS
You agree to comply with all applicable export and re-
export restrictions and regulations of the area or country
in which you reside, and not to transfer, or authorize
the transfer, of the SOFTWARE to a prohibited country
or otherwise in violation of any such restrictions or
regulations.
HIGH RISK ACTIVITIES
The SOFTWARE is not fault-tolerant and is not designed,
manufactured or intended for use or resale as on-
line control equipment in hazardous environments
requiring fail-safe performance, such as in the
operation of nuclear facilities, aircraft navigation or
communication systems, air traffic control, direct life
support machines, or weapons systems, in which the
failure of the SOFTWARE could lead to death, personal
injury, or severe physical or environmental damage
(“HIGH RISK ACTIVITIES”). SONY, each of the THIRD-
PARTY SUPPLIERS, and each of their respective affiliates
specifically disclaim any express or implied warranty,
duty or condition of fitness for HIGH RISK ACTIVITIES.
EXCLUSION OF WARRANTY ON SOFTWARE
You acknowledge and agree that use of the SOFTWARE
is at your sole risk and that you are responsible for use
of the SOFTWARE. The SOFTWARE is provided “AS IS,”
without warranty, duty or condition of any kind.
SONY AND EACH OF THE THIRD-PARTY SUPPLIERS (for
purposes of this Section, SONY and each of the THIRD-
PARTY SUPPLIERS shall be collectively referred to as
“SONY”) EXPRESSLY DISCLAIM ALL WARRANTIES, DUTIES
OR CONDITIONS, EXPRESS OR IMPLIED, INCLUDING,
BUT NOT LIMITED TO, THE IMPLIED WARRANTIES
OF MERCHANTABILITY, NONINFRINGEMENT AND
FITNESS FOR A PARTICULAR PURPOSE. SONY
DOES NOT WARRANT OR MAKE ANY CONDITIONS
OR REPRESENTATIONS (A) THAT THE FUNCTIONS
CONTAINED IN ANY OF THE SOFTWARE WILL MEET YOUR
REQUIREMENTS OR THAT THEY WILL BE UPDATED, (B)
THAT THE OPERATION OF ANY OF THE SOFTWARE WILL
BE CORRECT OR ERROR-FREE OR THAT ANY DEFECTS
WILL BE CORRECTED, (C) THAT THE SOFTWARE WILL
NOT DAMAGE ANY OTHER SOFTWARE, HARDWARE OR
DATA, (D) THAT ANY SOFTWARE, NETWORK SERVICES
(INCLUDING THE INTERNET) OR PRODUCTS (OTHER
THAN THE SOFTWARE) UPON WHICH THE SOFTWARE’S
PERFORMANCE DEPENDS WILL CONTINUE TO BE
AVAILABLE, UNINTERRUPTED OR UNMODIFIED, AND
(E) REGARDING THE USE OR THE RESULTS OF THE USE
OF THE SOFTWARE IN TERMS OF ITS CORRECTNESS,
ACCURACY, RELIABILITY, OR OTHERWISE.
NO ORAL OR WRITTEN INFORMATION OR ADVICE
GIVEN BY SONY OR AN AUTHORIZED REPRESENTATIVE
OF SONY SHALL CREATE A WARRANTY, DUTY OR
CONDITION OR IN ANY WAY INCREASE THE SCOPE OF
THIS WARRANTY. SHOULD THE SOFTWARE PROVE
DEFECTIVE YOU ASSUME THE ENTIRE COST OF ALL
NECESSARY SERVICING, REPAIR OR CORRECTION. SOME
JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF
IMPLIED WARRANTIES, SO THESE EXCLUSIONS MAY NOT
APPLY TO YOU.
LIMITATION OF LIABILITY
SONY AND EACH OF THE THIRD-PARTY SUPPLIERS (for
purposes of this Section, SONY and each of the THIRD-
PARTY SUPPLIERS shall be collectively referred to as
“SONY”) SHALL NOT BE LIABLE FOR ANY INCIDENTAL
OR CONSEQUENTIAL DAMAGES FOR BREACH OF
ANY EXPRESS OR IMPLIED WARRANTY, BREACH OF
CONTRACT, NEGLIGENCE, STRICT LIABILITY OR UNDER
ANY OTHER LEGAL THEORY RELATED TO THE SOFTWARE,
INCLUDING, BUT NOT LIMITED TO, ANY DAMAGES
ARISING OUT OF LOSS OF PROFITS, LOSS OF REVENUE,
LOSS OF DATA, LOSS OF USE OF THE SOFTWARE OR
ANY ASSOCIATED HARDWARE, DOWN TIME AND USER'S
TIME, EVEN IF ANY OF THEM HAVE BEEN ADVISED OF
THE POSSIBILITY OF SUCH DAMAGES. IN ANY CASE,
EACH AND ALL OF THEIR AGGREGATE LIABILITY UNDER
ANY PROVISION OF THIS EULA SHALL BE LIMITED TO
THE AMOUNT ACTUALLY PAID FOR THE PRODUCT.
SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION
OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL
DAMAGES, SO THE ABOVE EXCLUSION OR LIMITATION
MAY NOT APPLY TO YOU.
CONSENT TO USE OF NON-PERSONAL
INFORMATION, LOCATION DATA, DATA
SECURITY
You acknowledge and agree that SONY and its
affiliates, partners and agents may read, collect,
transfer, process and store certain information
collected from the SOFTWARE, including but not
limited to information about (i) the SOFTWARE and
(ii) the software applications, contents and peripheral
devices that interact with your wireless adapter and the
SOFTWARE (“Information”). Information includes, but
is not limited to: (1) unique identifiers relating to your
wireless adapter and its components; (2) performance
of the wireless adapter, the SOFTWARE and their
components; (3) configurations of your wireless adapter,
the SOFTWARE and the software applications, contents
and peripheral devices that interact with the wireless
adapter and the SOFTWARE; (4) use and frequency of
use of the functions of (x) the SOFTWARE, and (y) the
software applications, contents and peripheral devices
that interact with the SOFTWARE; and (5) location data,
as indicated below. SONY and its affiliates, partners
and agents may use and disclose Information subject
to applicable laws in order to improve its products and
services or to provide products or services to you. Such
uses include, but are not limited to: (a) administering
the functionalities of the SOFTWARE; (b) to improve,
service, update or upgrade the SOFTWARE; (c)
improving, developing and enhancing the current and
future products and services of SONY and other parties;
(d) to provide you with information about the products
and services offered by SONY and other parties; (e)
complying with applicable laws or regulations; and (f)
to the extent offered, providing you with location-based
services of SONY and other parties, as indicated below.
In addition, SONY retains the right to use Information
to protect itself and third parties from illegal, criminal or
harmful conduct.
Certain services available through the SOFTWARE may
rely upon location information, including, but not limited
to, the geographic location of the wireless adapter. You
acknowledge that for the purpose of providing such
services, SONY, the THIRDPARTY SUPPLIERS or their
partners may collect, archive, process and use such
location data, and that such services are governed by
the privacy policies of SONY or such third party. By
reviewed the privacy policies applicable to such services
and consent to such activities.
SONY, its affiliates, partners and agents will not
intentionally use Information to personally identify
the owner or user of the SOFTWARE without your
8. Appendix: Licenses
130
knowledge or consent. Any use of Information will be
in accordance with the privacy policies of SONY or such
third party.
Please contact applicable contact address of each area or
country for SONY’s current privacy policy. Please contact
applicable third parties for privacy policies relating
to personally identifiable and other information you
provide when you use or access third party software or
services.
Information may be processed, stored or transferred
to SONY, its affiliates or agents which are located in
countries outside of your country of residence. Data
protection and information privacy laws in certain
countries may not offer the same level of protection
as your country of residence and you may have fewer
legal rights in relation to Information processed and
stored in, or transferred to, such countries. SONY will
use reasonable efforts to take appropriate technical and
organizational steps to prevent unauthorized access to
or disclosure of Information, but does not warrant it will
eliminate all risk of misuse of such Information.
AUTOMATIC UPDATE FEATURE
From time to time, SONY or the THIRD-PARTY SUPPLIERS
may automatically update or otherwise modify the
SOFTWARE, including, but not limited to, for purposes
of enhancement of security functions, error correction
and improvement of functions, at such time as you
interact with SONY’s or third parties’ servers, or
otherwise. Such updates or modifications may delete
or change the nature of features or other aspects of the
SOFTWARE, including, but not limited to, functions you
may rely upon. You acknowledge and agree that such
activities may occur at SONY’s sole discretion and that
SONY may condition continued use of the SOFTWARE
upon your complete installation or acceptance of such
update or modifications. Any updates/modifications
shall be deemed to be, and shall constitute part of, the
SOFTWARE for purposes of this EULA. By acceptance of
this EULA, you consent to such update/modification.
ENTIRE AGREEMENT, WAIVER, SEVERABILITY
This EULA and SONY’s privacy policy, each as amended
and modified from time to time, together constitute the
entire agreement between you and SONY with respect
to the SOFTWARE. The failure of SONY to exercise or
enforce any right or provision of this EULA shall not
constitute a waiver of such right or provision. If any part
of this EULA is held invalid, illegal, or unenforceable,
that provision shall be enforced to the maximum extent
permissible so as to maintain the intent of this EULA,
and the other parts will remain in full force and effect.
GOVERNING LAW AND JURISDICTION
The United Nations Convention on Contracts for the
International Sale of Goods shall not apply to this EULA.
This EULA shall be governed by the laws of Japan,
without regards to conflict of laws provisions. Any
dispute arising out of this EULA shall be subject to the
exclusive venue of the Tokyo District Court in Japan, and
the parties hereby consent to the venue and jurisdiction
of such courts.
EQUITABLE REMEDIES
Notwithstanding anything contained in this EULA to the
contrary, you acknowledge and agree that any violation
of or noncompliance with this EULA by you will cause
irreparable harm to SONY, for which monetary damages
would be inadequate, and you consent to SONY
obtaining any injunctive or equitable relief that SONY
deems necessary or appropriate in such circumstances.
SONY may also take any legal and technical remedies
to prevent violation of and/or to enforce this EULA,
including, but not limited to, immediate termination of
your use of the SOFTWARE, if SONY believes in its sole
discretion that you are violating or intend to violate
this EULA. These remedies are in addition to any other
remedies SONY may have at law, in equity or under
contract.
TERMINATION
Without prejudice to any of its other rights, SONY may
terminate this EULA if you fail to comply with any of its
terms. In case of such termination, you must: (i) cease
all use, and destroy any copies, of the SOFTWARE; (ii)
comply with the requirements in the section below
entitled “Your Account Responsibilities”.
AMENDMENT
SONY RESERVES THE RIGHT TO AMEND ANY OF THE
TERMS OF THIS EULA AT ITS SOLE DISCRETION BY
POSTING NOTICE ON A SONY DESIGNATED WEB SITE, BY
EMAIL NOTIFICATION TO AN EMAIL ADDRESS PROVIDED
BY YOU, BY PROVIDING NOTICE AS PART OF THE
PROCESS IN WHICH YOU OBTAIN UPGRADES/ UPDATES
OR BY ANY OTHER LEGALLY RECOGNIZABLE FORM OF
NOTICE. If you do not agree to the amendment, you
should promptly contact SONY for instructions. Your
continued use of the SOFTWARE after the effective date
of any such notice shall be deemed your agreement to
be bound by such amendment.
THIRD-PARTY BENEFICIARIES
Each THIRD-PARTY SUPPLIER is an express intended
thirdparty beneficiary of, and shall have the right to
enforce, each provision of this EULA with respect to the
SOFTWARE of such party.
Should you have any questions concerning this EULA,
you may contact SONY by writing to SONY at applicable
contact address of each area or country.
Copyright © 2012 Sony Corporation.
Open Source Software Licenses
On the basis of license contracts between
Sony and the software copyright holders, this
product uses open software.
To meet the requirements of the software
copyright holders, Sony is obligated to inform
you of the content of these licenses.
Licenses (in English) are recorded in the
internal memory of your product.
Establish a Mass Storage connection between
the product and a computer to read licenses in
the “PMHOME” - “LICENSE” folder.
If using a Mac, the “PMHOME” - “LICENSE”
folder may not be accessible.
To view the files, use a computer other than a
Mac or visit the following URL.
https://oss.sony.net/License/ILME-FX6/
8. Appendix
131
General
Mass
Approx. 890 g (1 lb 15 oz) (main body only)
Approx. 2.59 kg (5 lb 11 oz) (including
SEL24105G lens, lens hood,
battery (BP‑U35), viewfinder,
handle, grip)
Dimensions
See page 133.
Power requirements
19.5V DC (18.0V to 20.5V)
Power consumption
Approx. 18.0W (body, lens, XAVC‑I QFHD
59.94P recording, viewfinder on,
no external device connected)
Approx. 36.0W (body, lens, XAVC‑I QFHD
59.94P recording (S&Q 120fps),
viewfinder on, HDMI, SDI, external
device connected)
Operating temperature
0°C to 40°C (32°F to104 °F)
Storage temperature
–20°C to +60°C (–4°F to +140°F)
Continuous operating time
Approx. 105minutes (using BP‑U35)
(body, lens, XAVC‑I QFHD 59.94P
recording, viewfinder on, no
external device connected)
Recording format (video)
XAVC Intra
XAVC‑I 4K/QFHD mode:
CBG, 600Mbps (max) bit rate,
MPEG‑4 AVC/H.264
XAVC‑I HD mode:
CBG, 223Mbps (max) bit rate,
MPEG‑4 AVC/H.264
XAVC Long
XAVC‑L QFHD mode:
VBR, 150Mbps (max) bit rate,
MPEG‑4 H.264/AVC
XAVC‑L HD 50 mode:
VBR, 50Mbps (max) bit rate,
MPEG‑4 H.264/AVC
XAVC‑L HD 35 mode:
VBR, 35Mbps (max) bit rate,
MPEG‑4 H.264/AVC
Recording format (audio)
LPCM 24‑bit, 48kHz, 4‑channel
Recording frame rate
XAVC Intra
XAVC‑I 4K mode:
4096×2160/59.94P, 50P, 29.97P,
25P, 24P, 23.98P
XAVC‑I QFHD mode:
3840×2160/59.94P, 50P, 29.97P,
25P, 23.98P
XAVC‑I HD mode:
1920×1080/59.94P, 50P, 29.97P,
25P, 23.98P
XAVC Long
XAVC‑L QFHD mode:
3840×2160/59.94P, 50P, 29.97P,
25P, 23.98P
XAVC‑L HD 50 mode:
1920×1080/59.94P, 50P, 29.97P,
25P, 23.98P
XAVC‑L HD 35 mode:
1920×1080/59.94P, 50P, 29.97P,
25P, 23.98P
Recording/playback time
XAVC Intra
XAVC‑I QFHD mode:
59.94P
Approx. 30minutes
(using CEA‑G160T)
XAVC‑I HD mode:
59.94P
Approx. 78 minutes
(using CEA‑G160T)
XAVC Long
XAVC‑L QFHD mode:
59.94P
Approx. 115 minutes
(using CEA‑G160T)
XAVC‑L HD 50 mode:
59.94P
Approx. 155 minutes
(using CEA‑G80T)
XAVC‑L HD 35 mode:
59.94P
Approx. 210 minutes
(using CEA‑G80T)
[Note]
The recording/playback time may vary due to usage
conditions and memory characteristics. The recording
and playback times are for a continuous recording as a
single clip. The actual times may be shorter, depending
on the number of clips recorded.
Camera Section
Imaging device (type)
35mm full‑frame equivalent, single‑chip
CMOS image sensor
Number of pixels
12.9M (total)
10.2M (effective)
Auto focus
Detection method: Phase detection/contrast
detection
Internal ND filters
CLEAR: OFF
1: 1/4ND
2: 1/16ND
3: 1/64ND
Linearly variable ND: 1/4ND to 1/128ND
ISO sensitivity
ISO 800/12800 (Cine EI mode, D55 Light
source)
Lens mount
E‑mount
Latitude
15+ stops
Shutter speed
64F to 1/8000sec. (23.98P)
Shutter angle
5.6° to 360°, 2 to 64frames
Slow & Quick Motion
XAVC QFHD: 1 fps to 120 fps
XAVC HD: 1 fps to 240 fps
XAVC 4K: 1 fps to 60 fps
XAVC HD (S35): 1 fps to 120 fps
White balance
2000K to 15000K
Gain
–3dB to +30dB (1dB increments)
Base look
S‑Cinetone, Standard, Still, ITU709, s709,
709(800%), S‑Log3, HLG Live,
HLGNatural
Specifications
8. Appendix: Specifications
132
Audio Section
Sampling frequency
48kHz
Quantization
24-bit
Frequency response
XLR input MIC mode: 20Hz to 20kHz
(±3 dB or less)
XLR input LINE mode: 20Hz to 20kHz
(±3 dB or less)
Dynamic range
XLR input MIC mode: 80dB (Typical)
XLR input LINE mode: 90dB (Typical)
Distortion
XLR input MIC mode: 0.08% or lower
(–40dBu input level)
XLR input LINE mode: 0.08% or lower
(+14dBu input level)
Built-in speaker
Monaural
Internal microphone
Monaural
Handle internal microphone
Omnidirectional stereo electret condenser
microphone
[Note]
Only the handle internal microphone becomes active
when the handle is attached.
Input/Output Section
Inputs
INPUT 1/2:
XLR type, 3-pin, female
LINE / MIC / MIC+48V switchable
MIC: Reference –30dBu to –80dBu
TC IN:
BNC type
Outputs
SDI OUT:
BNC type, 12G-SDI, 6G-SDI, 3G-SDI (Level A/B),
HD-SDI
Headphones (stereo mini jack):
–16dBu (reference level output, maximum
monitor volume, 16Ω load)
HDMI:
Type A, 19-pin
TC OUT:
BNC type
Other
DC IN:
EIAJ compliant, 18V to 20.5V DC
Multi-interface shoe:
Dedicated (21-pin)
REMOTE:
2.5mm 3-pole sub-mini type
Grip remote control connector:
3.5mm 4-pole stereo mini jack (supplied
connector for grip remote control)
USB-C:
USB 3.2 Gen 1
USB/multi:
USB 2.0 standard compliant, micro B type for
mass storage (1)
VF:
Dedicated (40-pin)
Display Section
Viewfinder (LCD)
Screen size
8.8cm (3.5inch) diagonal
Aspect ratio
16:9
Number of pixels
1280 (H) × 720 (V)
Media Slot Section
CFexpress Type A/SD card slot (2)
Wireless LAN
Supported standards
IEEE 802.11 a/b/g/n/ac (ILME-FX6V/VK)
IEEE 802.11 b/g/n (ILME-FX6T/TK)
Frequency band
2.4GHz
5GHz (ILME-FX6V/VK only)
Supported security protocols
WEP/WPA-PSK/WPA2-PSK
Connection method
Wi-Fi Protected Setup™ (WPS)/Manual
Access method
Infrastructure mode
Battery charger (BC-CU1)
Mass
Approx. 60 g (2.1 oz)
Dimensions
Approx. 57 × 26 × 101 mm
(2
1
/
4
× 1
1
/
16
× 4 in)
(width / height / depth)
Input
19.5V DC, 26W
Output
16.4V DC, 1.4A
Operating temperature
0°C to 40°C (32°F to 104°F)
Storage temperature
–20°C to +60°C (–4°F to +140°F)
Supplied Accessories
AC adaptor (1)
Power cord (1)
Battery charger (1)
Battery pack (1)
Handle (1)
LCD monitor (1)
USB-C cable (1)
Grip remote control (1)
LCD hood (1)
Cold shoe kit (1)
(Cold shoe (1), shoe spring (1), screws (4))
Lens mount cap (1)
Handle connector protective cap (1)
Before Using This Unit (1)
Warranty booklet (1)
Design and specifications are subject to
change without notice.
8. Appendix: Specifications
133
Notes
Always make a test recording, and verify
that it was recorded successfully. SONY
WILL NOT BE LIABLE FOR DAMAGES OF
ANY KIND INCLUDING, BUT NOT LIMITED
TO, COMPENSATION OR REIMBURSEMENT
ON ACCOUNT OF FAILURE OF THIS UNIT
OR ITS RECORDING MEDIA OR ANY OTHER
MEDIA OR STORAGE SYSTEMS TO RECORD
CONTENT OF ANY TYPE.
Always verify that the unit is operating
properly before use. SONY WILL NOT
BE LIABLE FOR DAMAGES OF ANY
KIND INCLUDING, BUT NOT LIMITED TO,
COMPENSATION OR REIMBURSEMENT ON
ACCOUNT OF THE LOSS OF PRESENT OR
PROSPECTIVE PROFITS DUE TO FAILURE OF
THIS UNIT, EITHER DURING THE WARRANTY
PERIOD OR AFTER EXPIRATION OF THE
WARRANTY, OR FOR ANY OTHER REASON
WHATSOEVER.
SONY WILL NOT BE LIABLE FOR CLAIMS OF
ANY KIND MADE BY USERS OF THIS UNIT
OR MADE BY THIRD PARTIES.
SONY WILL NOT BE LIABLE FOR THE LOSS,
REPAIR, OR REPRODUCTION OF ANY DATA
RECORDED ON THE INTERNAL STORAGE
SYSTEM, RECORDING MEDIA OR ANY
OTHER MEDIA OR STORAGE SYSTEMS.
SONY WILL NOT BE LIABLE FOR THE
TERMINATION OR DISCONTINUATION OF
ANY SERVICES RELATED TO THIS UNIT THAT
MAY RESULT DUE TO CIRCUMSTANCES OF
ANY KIND.
External Dimensions
Unit: mm (inches)
UNC
1
/
4
-20
UNC
3
/
8
-16
228 (9)
2-UNC
1
/
4
-20
UNC
1
/
4
-20
143 (5
3
/
4
)
UNC
1
/
4
-20
116
(4
5
/
8
)
8-UNC
1
/
4
-20
114 (4
1
/
2
)
60
(2
3
/
8
)
258 (10
1
/
4
)
2-UNC
1
/
4
-20
153 (6
1
/
8
)
28 (1
1
/
8
)
25 (1)
25 (1)
25 (1)
25 (1)
Dimensions are approximate values.
8. Appendix: Specifications
134
Trademarks
is a trademark of Sony Corporation.
XAVC and
are registered trademarks of
Sony Corporation.
The terms HDMI and HDMI High-Definition
Multimedia Interface, and the HDMI Logo
are trademarks or registered trademarks of
HDMI Licensing Administrator, Inc. in the
United States and other countries.
Microsoft and Windows are trademarks
or registered trademarks of Microsoft
Corporation in the United States and/or
other countries.
Mac and macOS are registered trademarks
of Apple Inc. in the U.S. and other countries.
“Catalyst Browse,” “Content Browser Mobile,”
and the “Content Browser Mobile” logo are
trademarks or registered trademarks of Sony
Corporation.
iOS is a registered trademark or trademark
of Cisco Systems, Inc. and/or its affiliates
in the United States and certain other
countries.
Android, Google Play are trademarks of
Google Inc.
Wi-Fi, the Wi-Fi logo, and Wi-Fi PROTECTED
SETUP are trademarks or registered
trademarks of Wi-Fi Alliance.
The N Mark is a trademark or registered
trademark of NFC Forum, Inc. in the United
States and in other countries.
The SDXC logo is a trademark of SD-3C, LLC.
CFexpress and the CFexpress Type A logo
are trademarks of the CompactFlash
Association.
All other company names and product names
are registered trademarks or trademarks of
their respective owners. Trademarked items
are not indicated by ™ or ® symbols in this
document.
