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18 | NORD GRAND USER MANUAL OS V1.5X
CHORUS 1 & 2
The versatile CHORUS effect gives the impression of “widening”, or with
more extreme settings severely detuning, the sound – achieved by
blending a number of modulated copies of the audio signal. There are
two Chorus types, the second being more bold in character.
VIBE
The VIBE effect draws its inspiration from a classic foot pedal effect and
produces a sound with both pitch-bending and phasing qualities. The
effect is created through a digital model of a staggered series of phasing
filters, unlike the usually aligned filters of a normal phasing effect.
DEEP
Engaging DEEP mode (Shift + Effects 2 selector) increases the modula-
tion amount for any Effects 2 selection.
DELAY
The DELAY unit produces echo/repeat effects. The Delay time is set
by tapping the TEMPO button, or by pressing down on it and SET the
tempo using the Program section dial.
With the Tempo button pressed down, the Delay Dry/Wet control
can also be used for adjusting the tempo, making for a neat, “one
hand “ short-cut for setting a value.
The FEEDBACK button determines the number of delay repeats, or taps.
At the lowest setting (LED unlit) only the initial tap is heard, while the 1, 2
and 3 settings give an increasingly long feedback tail.
The DRY/WET knob adjusts the balance between the dry signal and the
delay repeats.
TEMPO TAP
Use TAP to set a delay time matching the tempo of a song. The tempo
is displayed both as a BPM (Beats Per Minute) value as well as in
milliseconds. Simply tap the Tempo button at the tempo you wish the
Delay to sync to a number of times, and the Delay time will be adjusted
automatically.
A minimum of two taps is required for defining a tempo, but the
button can be tapped as many times as needed for further fine-tun-
ing of the delay time.
EQUALIZER
The three band equalizer features bass, sweepable midrange and treble
controls.
The BASS frequency is 100 Hz, the TREBLE frequency is 4 kHz and the
MID frequency can be set between 200 Hz to 8 kHz, using its FREQ
knob.
The boost/cut range is +/- 15 dB for all bands.
AMP/COMP
The AMP/COMP unit includes sophis-
ticated amplifier and speaker cabinet
simulations, a versatile tube distortion
setting and a useful compressor ef-
fect. The amount of drive or compres-
sion is controlled with the DRIVE/COMP
knob. The LED indicates whether any
overdrive is active, and will light up
whenever the compressor is working.
AMP MODELS
There are three different amplifier/speaker simulations, each with its
distinct character:
SMALL: A simulation of the built-in tube amp and speakers of a reed-
based electric piano.
JC: A simulation of a classic solid-state amplifier and speaker cabinet.
TWIN: A simulation of a classic twin speaker tube amplifier and cabine
DIST
The DIST setting provides a tube style overdrive effect which can be
used for anything from subtle saturation to screaming distortion.
COMP
The COMP (Compressor) effect reduces the dynamic range of the sound,
making low level signals louder and high level signals more quiet. This
produces a tight, punchy sound and makes the overall level easier to
control in a live mix situation.
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