Casio PX-S3100BK Privia PX-S3100 88-Key Slim-Body Portable User Manual

S3100

Initial Setup

Preparing a Power Supply Turning Power On or Off Using a Pedal Using Headphones

Selecting a Tone and Playing Registering a Setup

Selecting a Single Tone Layering Two Tones Splitting the Keyboard Between

Two Tones

Registering and Restoring a Setup

(Registration)

Changing the Pitch

Connecting with a Smart

Device

Fine Tuning a Pitch (Tuning) Changing the Pitch in Octave Units

(Octave Shift)

Changing the Scale Tuning

(Temperament) of the Keyboard

Linking with a Smart Device

(APP Function)

Using Effects

Using the Sound Mode Effects

(Hall Simulator/Reverb and

Surround)

Using a DSP Using Chorus Adjusting Acoustic Piano

Sound Characteristics

(Acoustic Simulator)

Recording Performances in Real-Time Using Auto Accompaniment and Auto Arpeggio Play

Using the MIDI Recorder to Record

Performances

Using the Audio Recorder to

Record Performances

Using Auto Accompaniment Using the Arpeggiator

• When the Digital Piano is being operated on battery power only, notes may sound distorted when performing or playing back

a song at maximum volume. This is due to the difference between AC adaptor power and battery power, and does not

indicate Digital Piano malfunction. If you notice distortion, switch to AC adaptor power or lower the volume level.

Cove

USER’S GUIDE

EN-1

Included and Optional Accessories

Use only accessories that are specified for use with this Digital Piano.

Use of unauthorized accessories creates the risk of fire, electric shock, and personal injury.

• You can get information about accessories that are sold separately for this product from the CASIO catalog available from

your retailer, and from the CASIO website.

https://support.casio.com/global/en/emi/manual/PX-S3100/

• Any reproduction of the contents of this manual, either in part or its entirety, is prohibited. Except for your own, personal

use, any other use of the contents of this manual without the consent of CASIO is prohibited under copyright laws.

• IN NO EVENT SHALL CASIO BE LIABLE FOR ANY DAMAGES WHATSOEVER (INCLUDING, WITHOUT LIMITATION,

DAMAGES FOR LOSS OF PROFITS, BUSINESS INTERRUPTION, LOSS OF INFORMATION) ARISING OUT OF THE

USE OF OR INABILITY TO USE THIS MANUAL OR PRODUCT, EVEN IF CASIO HAS BEEN ADVISED OF THE

POSSIBILITY OF SUCH DAMAGES.

• The contents of this manual are subject to change without notice.

• The actual appearance of the product may be different from that shown in the illustrations in this User’s Guide.

• The Bluetooth

word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by

CASIO COMPUTER CO., LTD. is under license. Other trademarks and trade names are those of their respective owners.

• Company and product names used in this manual may be registered trademarks of others.

EN-2

Overview and Setup EN-3

General Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-3

Preparing a Power Supply . . . . . . . . . . . . . . . . . . . EN-5

Turning Power On or Off . . . . . . . . . . . . . . . . . . . . . EN-6

Using a Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-7

DAMPER PEDAL Jack . . . . . . . . . . . . . . . . . . . . . . . . EN-7

PEDAL UNIT jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-8

EXPRESSION/ASSIGNABLE Jack. . . . . . . . . . . . . . . EN-8

Using Headphones . . . . . . . . . . . . . . . . . . . . . . . . EN-10

Using the Included Wireless MIDI & audio

adaptor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-10

Operations Common to All Modes EN-11

Touch Button Operations . . . . . . . . . . . . . . . . . . . EN-11

FUNCTION Mode Menu Operations . . . . . . . . . . . EN-13

Text Character Input . . . . . . . . . . . . . . . . . . . . . . . EN-13

Digital Piano Operations EN-14

Listening to Demo Play . . . . . . . . . . . . . . . . . . . . . EN-14

Selecting a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . EN-14

Selecting a Single Tone . . . . . . . . . . . . . . . . . . . . . . EN-14

Layering Two Tones . . . . . . . . . . . . . . . . . . . . . . . . . EN-15

Splitting the Keyboard Between Two Tones . . . . . . . EN-16

Configuring Layer and Split Settings . . . . . . . . . . . . . EN-17

Adjusting the Overall Volume Level of the

Keyboard Performance Parts . . . . . . . . . . . . . . . . EN-18

Changing Keyboard Response to Touch Pressure

(Touch Response) . . . . . . . . . . . . . . . . . . . . . . . EN-18

Changing the Pitch . . . . . . . . . . . . . . . . . . . . . . . . EN-19

Changing the Pitch in Semitone Steps

(Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-19

Fine Tuning a Pitch (Tuning) . . . . . . . . . . . . . . . . . . . EN-20

Changing the Pitch in Octave Units (Octave Shift) . . EN-20

Using the Sound Mode Effects

(Hall Simulator/Reverb and Surround). . . . . . . . EN-21

Using a DSP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-23

Using Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-25

Using Brilliance . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-25

Adjusting Acoustic Piano Sound Characteristics

(Acoustic Simulator). . . . . . . . . . . . . . . . . . . . . . EN-25

Using the Knobs . . . . . . . . . . . . . . . . . . . . . . . . . . EN-26

Using the Pitch Bend Wheel . . . . . . . . . . . . . . . . . EN-27

Using the Arpeggiator . . . . . . . . . . . . . . . . . . . . . . EN-27

Splitting the Keyboard for Duet Play . . . . . . . . . . . EN-28

Changing the Scale Tuning (Temperament)

of the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . EN-30

Using Auto Accompaniment . . . . . . . . . . . . . . . . . EN-31

Selecting a Rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . EN-31

Playing Auto Accompaniment . . . . . . . . . . . . . . . . . . EN-31

Auto Accompaniment Pattern Variations. . . . . . . . . . EN-32

Triggering Auto Accompaniment Play with

Accompaniment Keyboard Input

(Synchro Start). . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-33

Using the Keyboard to Control the

Auto Accompaniment Pattern

(Keyboard Controller Mode) . . . . . . . . . . . . . . . . . EN-34

Selecting a Chord Input Mode . . . . . . . . . . . . . . . . . . EN-34

Using One-Touch Preset . . . . . . . . . . . . . . . . . . . . . . EN-36

Using Auto Harmonize . . . . . . . . . . . . . . . . . . . . . . . EN-37

Changing the Auto Accompaniment and

Song Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-38

Using Music Preset. . . . . . . . . . . . . . . . . . . . . . . . .EN-38

Registering and Restoring a Setup

(Registration) . . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-40

Registering and Recalling a Setup . . . . . . . . . . . . . . EN-41

Using a Pedal to Cycle Through Multiple Setups

(Sequential Pedal Recall) . . . . . . . . . . . . . . . . . . . EN-42

Using the MIDI Recorder to Record

Performances . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-43

Recording and Playing Back Keyboard Play. . . . . . . EN-45

Configuring Recording Settings (Pre-count,

Metronome, Beat, Punch-in Measure). . . . . . . . . . EN-48

Deleting a MIDI Recorder Song . . . . . . . . . . . . . . . . EN-49

Using the Audio Recorder to Record

Performances . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-49

Listening to Songs (MIDI Player) . . . . . . . . . . . . . .EN-51

Configuring Function Settings

(FUNCTION Mode) . . . . . . . . . . . . . . . . . . . . . . .EN-53

Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . .EN-59

Configuring MIDI Settings. . . . . . . . . . . . . . . . . . . .EN-59

Deleting All Data in Digital Piano Memory . . . . . . .EN-60

USB Flash Drive EN-60

Supported USB Flash Drives . . . . . . . . . . . . . . . . .EN-60

USB Flash Drive and USB Type A Port

Handling Precautions . . . . . . . . . . . . . . . . . . . . .EN-61

Connecting a USB Flash Drive to and

Detaching It from the Digital Piano . . . . . . . . . . .EN-61

Formatting a USB Flash Drive . . . . . . . . . . . . . . . .EN-62

USB Flash Drive Operations. . . . . . . . . . . . . . . . . .EN-62

Using a Computer to Copy General Song Data

to a USB Flash Drive . . . . . . . . . . . . . . . . . . . . . .EN-65

Storing Standard Audio Data (WAV Files) to a

USB Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . .EN-65

Linking with a Smart Device

(APP Function) EN-66

Connecting with a Smart Device . . . . . . . . . . . . . . . . EN-66

Troubleshooting EN-68

Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-70

Reference EN-71

Product Specifications . . . . . . . . . . . . . . . . . . . . . .EN-71

Fingering Guide . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-73

Chord Example List . . . . . . . . . . . . . . . . . . . . . . . .EN-75

Versatile Tone Map. . . . . . . . . . . . . . . . . . . . . . . . .EN-77

Knob Set List . . . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-78

DSP Effect List . . . . . . . . . . . . . . . . . . . . . . . . . . . .EN-79

Preset DSP List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-79

DSP Module List . . . . . . . . . . . . . . . . . . . . . . . . . . . . EN-81

DSP Parameter List. . . . . . . . . . . . . . . . . . . . . . . . . . EN-82

MIDI Implementation Chart

Contents

EN-3

■ Front Panel

Touch Buttons

Turning on Digital Piano power causes all of the touch buttons to light, except for the 1P (Power) button. The above illustration

shows when all buttons and their text are lit. During actual operation, only the buttons that are currently enabled and the applicable

text are lit or flashing.

Overview and Setup

General Guide

1 2

bk bl bm bn bo

bq br bs bt ck cl

34 567 8

C2 C3 C4 C5 C6 C7 C8A0

Front

Bluetooth

Indicator *

* Bluetooth Indicator

Under initial default settings, turning on power without the Wireless MIDI &

audio adaptor attached will cause the Bluetooth indicator to blink momentarily

to inform you that the Wireless MIDI & audio adaptor is not attached.

Overview and Setup

EN-4

■ Back

cp USB Type B port

cq USB Type A port

cr DAMPER PEDAL jack

cs PEDAL UNIT jack

ct AUDIO IN jack

dk LINE OUT R, L/MONO jacks

dl EXPRESSION/ASSIGNABLE jack

dm DC 12V terminal

■ Preparing the Music Stand

1 P (Power) button

2 Volume knob

3 Mode selector button (RHYTHM, ACCOMP,

SONG)

4 INTRO, PART button

5 NORMAL/FILL-IN, s button

6 VARIATION/FILL-IN, d button

7 SYNCHRO/ENDING, k button

8 START/STOP, a button

9 Display

bk –, U button

bl +, I button

bm TEMPO, ENTER button

bn SOUND MODE, DEMO button

bo REC0 button

bp ^, EXIT, $

FUNCTION button

bq - cl TONE category, RHYTHM category buttons

bq DSP, BANK button

br TRANSPOSE, Area 1 button

bs KNOB, Area 2 button

bt ARPEG., Area 3 button

ck SPLIT, Area 4 button

cl LAYER, STORE button

cm Knob (K1), Knob (K2)

cn PITCH BEND wheel

co PHONES jacks

cr cs ct dl dmcp cq dk

Music stand

EN-5

Overview and Setup

Your Digital Piano uses an AC adaptor for power.

• Though this Digital Piano supports battery operation, use of

an AC adaptor is generally recommended.

■ Using the AC Adaptor

Make sure that you use only the AC adaptor specified for this

Digital Piano. Use of a different type AC adaptor can cause

smoking or malfunction.

• Never connect the AC adaptor (JEITA Standard, with

unified polarity plug) that comes with this Digital Piano

to any other device besides this Digital Piano. Doing so

creates the risk of malfunction.

• Be sure to turn off Digital Piano power before

connecting or disconnecting the AC adaptor.

• The AC adaptor will become warm to the touch after

very long use. This is normal and does not indicate

malfunction.

■ Using Batteries

• Be sure to turn off power before loading batteries.

• It is up to you to prepare six commercially available

alkaline batteries.

• Note the following precautions while the Digital Piano

is turned upside down to load batteries.

− Take care to avoid injury due to pinching your

fingers under the Digital Piano.

− Do not allow the Digital Piano to tip over or otherwise

be subjected to strong impact. Impact can damage

the volume knob and keyboard keys.

Open the battery cover on the bottom of the

Digital Piano.

Load six AA-size batteries into the battery

compartment.

Make sure the positive + and negative - ends of the

batteries are facing as marked on the Digital Piano.

Insert the tabs of the battery cover into the

holes on the side of the battery compartment,

and close the cover.

■ Low Battery and Replace Battery Notifications

A battery icon appears on the display to let you know when

battery power is getting low.

Low Battery Indicator

Replace Battery Indicator

• Using the Digital Piano while batteries are very low can

cause it to turn off suddenly. This can cause data

stored in Digital Piano memory to be corrupted or lost.

Preparing a Power Supply

Specified AC Adaptor: AD-A12150LW

(JEITA Standard plug)

Household power outlet

AC adaptor

dm DC 12V

Power cord

[

TONE

]

PIANO

T : 120

001 :GrPnoConce r t

Low battery icon (not flashing)

[

TONE

]

PIANO

T : 120

001 :GrPnoConce r t

Replace battery icon (flashing)

Overview and Setup

EN-6

Before turning on power, rotate the 2 volume

knob as far as it will go in the direction shown

in the illustration below.

Press the 1P (Power) button to turn on

power.

The message “Welcome” will appear momentarily,

followed by the tone name display. This indicates that the

Digital Piano is ready for use.

• After pressing 1P (Power) to turn on power, do not

press any pedal until the Digital Piano is ready to play

(the tone name display appears).

• Power may not turn on if you press the 1P (Power)

button too lightly. This does not indicate malfunction. If

this happens, apply more pressure when you press the

1P (Power) button.

Use the 2 volume knob to adjust volume.

To turn off power, hold down the 1P (Power)

button until “Bye” appears on the display.

• Pressing the 1P (Power) button to turn off power actually

puts the Digital Piano into a standby state. Minute amounts

of current continue to flow within the Digital Piano in the

standby state. If you do not plan to use the Digital Piano for

a long time or if there is a lightning storm in your area, be

sure to unplug the AC adaptor from the power outlet.

• Turning off power normally causes the tone number and

other settings to return to their initial defaults. You can

enable Auto Resume, which will save most settings when

power is turned off.

• If Auto Resume is disabled, turning off power will initialize

settings, except for those below.

Tuning, LCD contrast, pairing information (Bluetooth

connection logs), Bluetooth notification tone volume level,

expression/assignable pedal type, expression/assignable

pedal calibration, touch button sensitivity

■ Power On Alert

After about six minutes of non-operation while the Digital

Piano is being powered by its AC adaptor, the Power On Alert

function will cause touch button lights to turn on and off

sequentially to remind you that power is on.

Button lights will return to normal if you touch a button, play

something on the keyboard, or perform some other operation.

To turn off power, hold down the 1P (Power) button until

“Bye” appears on the display.

• Use FUNCTION parameter 112 (“Power On Alert”) to

enable or disable Power On Alert. For information about

FUNCTION parameters, see “

Configuring Function

Settings (FUNCTION Mode)

” (page EN-53).

• If you are using batteries to power the Digital Piano, power

will turn off automatically after about six minutes of non-

use. See “

Auto Power Off” (page EN-6).

■ Adjusting Display Contrast

Use FUNCTION parameter

114 (“LCD Contrast”) to adjust

display contrast. For information about FUNCTION

parameters, see “

Configuring Function Settings (FUNCTION

Mode)

” (page EN-53).

■ Operation Lock

Operation lock can be used to prevent operational errors

during performances by disabling button operations. For

details, see “

Using Operation Lock” (page EN-59).

■ Returning to Initial Factory Defaults

You can use Factory Reset to return the Digital Piano’s stored

data and settings to their initial factory defaults any time you

want. For more information, see “

To return all Digital Piano

settings and data to their initial factory defaults (Factory

Reset)

” (page EN-60).

■ Auto Power Off

This Digital Piano is designed to turn off automatically to avoid

wasting power after no operation is performed for a preset

amount of time. The Auto Power Off trigger time is about four

hours when power is being supplied by the AC adaptor, or six

minutes under battery power.

• You can disable Auto Power Off to ensure that power does

not turn off automatically during a concert, etc. To disable

Auto Power Off, select “Off” for FUNCTION parameter

111

(“Auto Power Off”). For information about FUNCTION

parameters, see “

Configuring Function Settings

(FUNCTION Mode)

” (page EN-53).

• Auto Power Off is disabled while Bluetooth audio is being

used.

Turning Power On or Off

EN-7

Overview and Setup

Your Digital Piano has three jacks for connection of pedals.

*1 Included pedal (SP-3) or separately available CASIO

sustain pedal.

*2 See “

To specify the pedal type” (page EN-9).

• Pedals connected to the cr DAMPER PEDAL jack,

dl EXPRESSION/ASSIGNABLE jack, and cs PEDAL

UNIT jack can be used simultaneously.

• You can also use a pedal to switch the Digital Piano

registration setup. For details, see “

Using a Pedal to Cycle

Through Multiple Setups (Sequential Pedal Recall)

” (page

EN-42).

Connect the supplied pedal (SP-3) to the cr DAMPER

PEDAL jack.

Back

■ To change the function of the pedal connected to

the DAMPER PEDAL jack

You can use FUNCTION parameter

37 (“Pedal Target”) to

select one of the settings below.

• For information about FUNCTION parameters, see

“Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

Using a Pedal

Jack Connectable Pedal

cr DAMPER

PEDAL

Switch type pedal*

cs PEDAL UNIT Separately available SP-34 pedal unit

(three pedals: damper, soft, and

sostenuto).

dl EXPRESSION/

ASSIGNABLE

Switch type pedal,*

expression

pedal*

DAMPER PEDAL Jack

cr DAMPER PEDAL jack (Standard jack (6.3mm))

SP-3

This setting

(displayed):

Does this:

Sustain Sustains notes played while the pedal is

depressed, even if the keyboard key is

subsequently released. Organ and

other tones that are sustained as long

as keyboard key are depressed

continue to sound as long as the pedal

is depressed.

Sostenuto Sustains only the notes of the keys that

are depressed when the pedal is

pressed until the pedal is released,

even if the keyboard keys are released

first.

Soft Slightly lowers and softens notes played

while the pedal is depressed.

Arpeggio Hold When the arpeggiator (page

EN-27) is

enabled, arpeggiator hold can be

enabled or disabled when the pedal is

depressed.

Play/Stop Performs the same operations as the

8a button.

Fill-in Plays a fill-in when the pedal is

depressed while an Auto

Accompaniment is playing.

Overview and Setup

EN-8

Use the cs PEDAL UNIT jack to connect a separately

available Pedal Unit (SP-34). You can then use the pedals for

expression that is similar to that available on an acoustic

piano.

■ SP-34 Pedal Functions

● Damper Pedal

Pressing the damper pedal while playing will cause the notes

you play to reverberate. The SP-34 pedal also supports half-

pedal operation, so pressing the pedal part way applies only a

partial damper effect.

● Soft Pedal

Pressing this pedal suppresses notes played on the keyboard

after the pedal was pressed, and makes them sound softer.

● Sostenuto Pedal

Only the notes of the keys that are depressed when this pedal

is pressed are sustained, even if the keyboard keys are

released, until the pedal is released.

Use the dl EXPRESSION/ASSIGNABLE jack to connect a

commercially available expression pedal or a CASIO sustain

pedal (included SP-3 or separately available pedal).

Perform one of the operations below depending on the pedal

that is being connected.

■ Connectable Expression Pedals

• Maximum resistance value: 10kΩ±20% to 50kΩ±20%

• Use of a pedal whose operation has been confirmed (see

below) is recommended.

Operation Confirmed Pedals (Polarity Type 2)

Roland EV-5 (Set minimum volume to 0.)

KURZWEIL CC-1

FATAR VP-25, VP-26

PEDAL UNIT jack

Soft Pedal

Sostenuto Pedal

Damper Pedal

EXPRESSION/ASSIGNABLE Jack

For this type

of pedal:

Perform this operation:

Switch type

pedal

(1) Use the procedure under “

To specify the

pedal type

” (page EN-9) to select “SW”.

(2) Use the procedure under “

To specify the

pedal function

” (page EN-9) to select a

switch type pedal setting.

Expression

pedal

(1) Use the procedure under “

To specify the

pedal type

” (page EN-9) to select a

polarity type that matches the pedal

being connected.

(2) Use the procedure under “

To specify the

pedal function

” (page EN-9) to select an

expression pedal setting.

(3) Perform the procedure under

“

Expression Pedal Calibration” (page

EN-9).

EN-9

Overview and Setup

■ To specify the pedal type

You can use FUNCTION parameter

42 (“Pedal Type”) to

select one of the settings below.

• Note that the expression pedal polarity type depends on the

manufacturer. When connecting an expression pedal,

select “Exp.Type1” or “Exp.Type2” in accordance with its

polarity type.

• For information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

■ To specify the pedal function

You can use FUNCTION parameter

43 (“Pedal Target”) to

select one of the settings below. The settings from

“Expression” to “Layer Balance” are expression pedal

settings, while the settings from “Sustain” to “Fill-in” are switch

type (CASIO sustain) pedal settings.

• For information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

■ Expression Pedal Calibration

When connecting an expression pedal to the

dl EXPRESSION/ASSIGNABLE jack for the first time,

perform the calibration operation below.

Connect an expression pedal to the

dl EXPRESSION/ASSIGNABLE jack.

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to display

“PEDAL/WHEEL” and then touch bm ENTER.

Use the bk U and bl I buttons to display

“EXP/ASGN PEDAL” and then touch

bm ENTER.

Use the bk U and bl I buttons to display

“Exp Calibration” and then touch bm ENTER.

This displays “Sure?”. If you want to cancel the operation

at this point, touch bk – here.

Select this

setting

(displayed

setting name):

To connect this type of pedal:

SW Switch type pedal (CASIO sustain

pedal)

Exp.Type1 Polarity Type 1 (see the illustration

below) expression pedal

Exp.Type2 Polarity Type 2 (see the illustration

below) expression pedal

Select this

setting

(displayed

setting name):

To assign this function to the pedal:

Expression Expression (MIDI Control Change 11)

control

Master Volume Overall Digital Piano volume level

control

Tempo Tempo control

Layer Balance Upper1 part and Upper2 part volume

level balance control

Sustain

Same as “Sustain” to “Fill-in” under “

change the function of the pedal

connected to the DAMPER PEDAL

jack

” (page EN-7).

Sostenuto

Soft

Arpeggio Hold

Play/Stop

Fill-in

Overview and Setup

EN-10

Touch bl + to start adjustment.

While “Highest” is displayed, press the top of

the pedal down as far as it will go and then

touch bm ENTER.

While “Lowest” is displayed, press the bottom

of the pedal down as far as it will go and then

touch bm ENTER.

The message “Complete” will appear when the operation

is complete.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

Using headphones cuts off output from the built-in speakers,

which means you can practice playing even late at night

without disturbing others.

• Be sure to turn down the volume level before connecting

headphones to the co PHONES jack.

• Headphones do not come with the Digital Piano.

• Use commercially available headphones. See page

EN-1

for information about options.

• Do not listen to very high volume output over

headphones for long period. Doing so creates the risk

of hearing damage.

• If you are using headphones that require an adaptor

plug, make sure you do not leave the adaptor plugged

in when you unplug the headphones. If you do, nothing

will sound from the speakers when you play.

■ To output from the speakers while headphones

are connected

While FUNCTION parameter

109 (“Speaker Out”) is enabled

(“On”), sound will be output from the speakers even if

headphones are connected to the PHONES jack. For

information about FUNCTION parameters, see “

Configuring

Function Settings (FUNCTION Mode)

” (page EN-53).

To pair this product with a Bluetooth

wireless technology-

capable external device, you need to plug the Wireless MIDI &

audio adaptor into the Digital Piano’s cq USB Type A port.

• Turn off the Digital Piano before disconnecting the

Wireless MIDI & audio adaptor.

• When connecting to a Bluetooth-capable external device,

refer to the “Wireless MIDI & audio adaptor, Audio and

Computer Connection Guide” on the CASIO website.

• The Wireless MIDI & audio adaptor may not be sold in

certain countries or geographic areas.

Using Headphones

co PHONES jacks (Stereo mini jack (3.5mm))

Using the Included Wireless MIDI

& audio adaptor

Wireless MIDI & audio adaptor

cq USB Type A port

EN-11

• Unless otherwise specifically noted, all of the procedures in this manual assume that the Digital Piano is in its initial

power on state (immediately after you turn on power). If you run into problems with a procedure, turn Digital Piano

power off and back on, and then try performing the procedure again.

• Note that turning off Digital Piano power during a procedure causes any pending unsaved data to be deleted.

Turning on Digital Piano power causes touch buttons to light.

• The buttons and button text that is lit depends on the current operational status of the Digital Piano. For example, turning on

Digital Piano power automatically enters the RHYTHM mode,*

so the buttons and text shown below become lit.

• Touching the 3 mode selector button twice will enter the SONG Mode,*

which changes the lighting as shown below.

Only the enabled buttons and text indicating available functions are lit or flashing.

*1 For information about these modes, see “

Mode Selector Button” (page EN-12).

*2 In the illustrations of this manual, unlit indicator text above and/or below a button is grey. Lit indicator text is black.

• When operating a touch button, touch it firmly with a bare finger. Touch buttons will not respond if you touch them

while wearing gloves.

• If a touch button does not respond, perform the steps below to increase touch button sensitivity.

(1) Turn off the Digital Piano.

(2) While holding down the C8 keyboard key (the one on the far right), press the 1P (Power) button.

• Keep the C8 keyboard key depressed until the “Welcome” message appears on the display. You do not need to

keep the 1P (Power) button depressed.

■ Touch Button Sensitivity Setting

Use FUNCTION parameter

115 (“Touch Btn Sense”) to adjust the sensitivity of the touch buttons. For information about

FUNCTION parameters, see “

Configuring Function Settings (FUNCTION Mode)” (page EN-53).

Operations Common to All Modes

Touch Button Operations

3 Mode selector button

EN-12

Operations Common to All Modes

■ Mode Selector Button

Your Digital Piano has three modes, which are described below.

Touch the 3 mode selector button to cycle between the three modes.

An indicator above or below the mode selector button will light to indicate the currently selected mode. Other mode names are not

displayed.

■ ^ Button

You can use the bp^ button to cycle between four different function types for the six buttons (bq to cl) on the right side of the

Digital Piano’s front panel.

Touch bp^ to cycle between the different function types. An indicator to the right of the bp^ button will light to indicate the

currently selected function type.

Example: Buttons bq to cl are configured as shown below when “CTRL” is selected (lit).

RHYTHM Mode: This is the mode for most basic operations. In addition to normal keyboard play use this mode to perform most

other Digital Piano operations.

ACCOMP Mode: This mode is for playing Auto Accompaniment with chords. See “

Using Auto Accompaniment” (page EN-31).

SONG Mode: Use this mode to play back songs. See “Listening to Songs (MIDI Player)” (page EN-51).

While this function

name is lit:

Buttons bq through cl perform these operations:

TONE Tone category selection (page

EN-14)

RHYTHM Rhythm category selection (page

EN-31)

CTRL DSP selection (page

EN-23), transpose setting changes (page EN-19), knob set selection (page

EN-26), arpeggiator (page EN-27) /auto harmonize (page EN-37) setting change, split and layer

setting changes (page

EN-17)

REG. Registration operations (page

EN-40)

EN-13

Operations Common to All Modes

■ Touch Button Light Auto Off

To save power, you can configure a setting that will turn off all

button lights, except for the 3 mode selector button, after a

certain period of non-operation. Use FUNCTION parameter

107 (“Panel Light”) to specify the amount of non-operation

time (in seconds) until lights turn off, or you can specify that

lights should remain lit (initial default). For information about

FUNCTION parameters, see “

Configuring Function Settings

(FUNCTION Mode)

” (page EN-53).

• To turn the touch button lights back on, touch the 3 Mode

selector button.

• Turning on the Digital Piano under battery power only

(without AC adaptor power) will cause the Panel Light

Setting to change automatically to 60 seconds to conserve

power. You can change the Panel Light Setting if you want.

• Turning off the Digital Piano, connecting the AC adaptor,

and turning power back on will automatically cause “Off” to

be selected for the Panel Light Setting (if Auto Resume is

disabled).

You can use the FUNCTION Mode menu to perform a wide

range of Digital Piano setting operations. The example below

explains how the selection of setting menu items (parameters)

is presented in this manual.

Example:

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence:

“KEYBOARD” 3 “Touch Response”.

The actual operations performed in step 2 are those below.

2-1.

Use the bk U and bl I buttons to display

“KEYBOARD” and then touch bm ENTER.

2-2.

Use the bk U and bl I buttons to display

“Touch Response” and then touch

bm ENTER.

For details about the FUNCTION Menu configuration and

operations, see “

Configuring Function Settings (FUNCTION

Mode)

” (page EN-53).

• You can exit the FUNCTION Mode at any time by holding

down bp EXIT until “[FUNCTION]” disappears from the

display.

Use the procedure below when you need to change the name

of data saved on a USB flash drive or to input other text.

■ To change a character

Use the bk U and bl I buttons to move the

cursor to the position of the character you

want to change, and then touch bm ENTER.

This enters the character editing mode.

Use the bk – and bl + buttons, or cm (K1)

knob to change the currently selected

character.

To apply your edit, touch bm ENTER.

This exits the character editing mode.

FUNCTION Mode Menu

Operations

[

FUNCT I ON

]

SOUND

Text Character Input

[

FUNCT I ON

]

–

No r

Touch Res

onse

EN-14

■ To insert a character

Use the bk U and bl I buttons to move the

cursor to the position where you want to insert

a character.

Touch bs Area 2.

This inserts “A” at the cursor position and enters the

character editing mode.

• At this time you can change the “A” to a different

character if you want. To do so, perform the procedure

under “

To change a character” from step 2.

■ To delete a character

Use the bk U and bl I buttons to move the

cursor to the position of the character you

want to delete.

Touch br Area 1.

■ To save edited text

Touch cl STORE.

■ Supported Input Characters

Input of the characters shown in the table below is supported

when saving a file to a USB flash drive.

• When saving a file to a USB flash drive, you will be able to

use up to 231 characters for a file name.

• If you use this procedure to edit the file name of a file on a

FAT32 formatted USB flash drive, you will not be able to

input some of the characters shown above.

You can use the procedure below to play back the six built-in

demo songs in sequence.

Hold down the bp^ button until “DEMO”

under the bn DEMO button starts to flash.

Touch bn DEMO.

This causes the bn DEMO button light and “DEMO”

indicator to turn off, which indicates demo play standby.

At this time, the display will show “1: Demo Song”.

• You can also use the bk – and bl + buttons to switch

between songs. This operation can be performed while

playback is in progress.

To start demo play, touch 8a or

bm ENTER.

• After this, you can pause and resume demo play by

touching 8a or bm ENTER.

To exit demo play standby, touch bp EXIT.

• If Auto Power Off (page EN-6) is enabled, power will turn off

automatically at the applicable trigger time after a period of

non-use, even if demo play is being performed.

Your Digital Piano comes with a large collection of tones. You

can select a tone and play it on the keyboard.

■ Tone Categories

The tones of your Digital Piano are divided among six

categories, which you can access using TONE category

buttons bq through cl. Each of the six categories is divided

further into sub-categories, and touching the TONE category

button for a particular category will cycle in sequence between

its sub-categories.

For details about tone categories and sub-categories, and the

names of tones included in each sub-category, refer to the

separate “Built-in Music Data Lists”.

[

]

{

}

(

)

;

Digital Piano Operations

Listening to Demo Play

Selecting a Tone

Selecting a Single Tone

EN-15

Digital Piano Operations

■ To select a tone

Use the bp^ button to cycle through settings

until the “^TONE” indicator to the right of the

button is lit.

The currently selected tone category name and tone

name will be shown on the display.

Use TONE category buttons bq through cl to

select a tone category.

• Touching one of the TONE category buttons switches

to the tone that was selected the last time that tone

category was exited.

• Each touch of the TONE category button of the

currently selected tone category will cycle to the next

sub-category of that category.

Use the bk – and bl + buttons to select a tone.

• To jump to the first tone in the current category, touch

bk – and bl + at the same time.

■ Guitar Tones

The built-in guitar tones of this Digital Piano include strum

noise and other sound effects that are applied in accordance

with the pitch (note number) and/or intensity (velocity) of the

notes being played.

■ Versatile Tones

The Digital Piano’s built-in tones include “versatile tones”

(three guitar tones, two bass tones, and two brass tones) that

can be used for creating computer music. Versatile tones

assign performance sounds that are characteristic of a

particular musical instrument (such as a guitar glissando, fret

noise, etc.) to each keyboard key (note) and velocity. For

information about the sounds assigned for each versatile tone

and velocity, see “

Versatile Tone Map” (page EN-77).

Layering makes it possible to sound with two different tones at

the same time. The tone that is layered onto another tone is

the “Upper2 part tone”, which in this manual is referred to as

the “Upper2 tone”. The tone upon which the Upper2 tone is

layered is the “Upper1 part tone”, which is referred to as the

“Upper1 tone”.

■ To layer two tones

Use the procedure under “To select a tone”

(page EN-15) to select the Upper1 tone.

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

Touch cl LAYER to enable the layer function,

which is indicated by “LY” on the display.

Use the bp^ button to cycle through settings

until the “^TONE” indicator to the right of the

button is lit. Next, perform the operation under

“

To select a tone” (page EN-15) to select the

Upper2 tone.

• You can adjust the volume of the Upper1 and Upper2 parts,

and configure other part settings. For details, see

“

Configuring Layer and Split Settings” (page EN-17).

[

TONE

]

PIANO

T : 120

001 :GrPnoConce r t

Tone name Category name

Layering Two Tones

Upper1

Upper2

[

TONE

]

U2 STR I NGS

T : 120 LY

002 :

el low Str.1

Layer enabled indicator

“Upper2” indicator

Digital Piano Operations

EN-16

■ To unlayer the keyboard

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

Touch cl LAYER so the “LY” indicator

disappears from the display.

You can use the lower range and upper range of the keyboard

to sound two different tones. When the keyboard is split

between a left side and a right side range, the tone assigned

to the lower (left side) range is the “Lower part tone”, which is

referred to as the “Lower tone” in this manual. The tone

assigned to the upper (right side) range is called the “Upper1

tone” or “Upper2 tone” (when the keyboard is layered with the

Upper2 tone).

Under initial default settings, the lowest note of the upper

range (split point) is at F{3.

■ To split the keyboard between two different

tones

Use the procedure under “To select a tone”

(page EN-15) to select the upper range

(Upper1) tone.

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

Touch ck SPLIT to enable the split function,

which is indicated by “SP” on the display.

Use the bp^ button to cycle through settings

until the “^TONE” indicator to the right of the

button is lit. Next, perform the operation under

“

To select a tone” (page EN-15) to select the

Lower tone.

• To use split and layer at the same time, perform the

procedure above and then continue with steps 2 through 4

under “

To layer two tones” (page EN-15).

• You can individually adjust the volumes of the Lower part,

Upper1 part and Upper2 part, and configure other part

settings. For details, see “

Configuring Layer and Split

Settings

” (page EN-17).

■ To change the split point

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

Hold down ck SPLIT as you press the

keyboard key you want to specify as the lowest

note of the upper range (right) keyboard. This

makes it the split point.

Release ck SPLIT.

This sets the split point.

Splitting the Keyboard Between Two Tones

Lower

Upper1

Upper2

[

TONE

]

LOTHERS

T : 120 SP

059 :Acous .Bass 1

Split enabled indicator

“Lower” indicator

[

CTRL

]

KNOB

S P . P O I N T : F 3

F # 3

01 :Fi l ter

Split point note name

EN-17

Digital Piano Operations

■ To unsplit the keyboard

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

Touch ck SPLIT so the “SP” indicator

disappears from the display.

You can individually configure volume level, octave shift, and

tuning settings for the Upper1, Upper2, and Lower parts. You

can also specify whether or not pedal and/or cn PITCH

BEND wheel operations should affect each part.

■ To change the volume level, octave shift, and

tuning settings of each part

Use FUNCTION parameters

14 (PART VOLUME), 18 (PART

OCT SHIFT), and

22 (PART FINE TUNE) to configure each

setting. For information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

■ To enable or disable pedal operations and pitch

bend wheel operations for each part

Use FUNCTION parameters

36 (DAMPER PEDAL), 41 (EXP/

ASGN PEDAL),

48 (PEDAL UNIT), and 52 (WHEEL) to

configure each setting. For information about FUNCTION

parameters, see “

Configuring Function Settings (FUNCTION

Mode)

” (page EN-53).

*1 The On/Off setting selected here is applied only while the

“Sustain”, “Sostenuto”, or “Soft” setting in the table under

“

To change the function of the pedal connected to the

DAMPER PEDAL jack

” (page EN-7) is selected. In all

other cases, the effect (or function) assigned to the pedal

is applied, regardless of what is selected here.

*2 The On/Off setting selected here is applied only while the

“Expression”, “Sustain”, “Sostenuto”, or “Soft” setting in the

table under “

To specify the pedal type” (page EN-9) is

selected. In all other cases, the effect (or function)

assigned to the pedal is applied, regardless of what is

selected here.

Configuring Layer and Split Settings

Parameter Name

(Displayed)

Use this

setting

(displayed):

To do this:

PART VOLUME

3Upper1 Part,

Upper2 Part,

Lower Part

0 - 127 Adjust the volume

level of each part.

PART OCT SHIFT

3Upper1 Part,

Upper2 Part,

Lower Part

–2 - +2 Specify the octave

shift amount of each

part.

PART FINE TUNE

3Upper1 Part,

Upper2 Part,

Lower Part

–99 - +99 Specify, in 1-cent

steps, the pitch of

each part.

Parameter Name

(Displayed)

Use this

setting

(displayed):

To do this:

PEDAL UNIT

3Upper1 Part,

Upper2 Part,

Lower Part

On, Off Specify whether or not

the three pedals

connected to the

cs PEDAL UNIT

jack should be applied

to each part.

DAMPER PEDAL

3Upper1 Part,

Upper2 Part,

Lower Part

On, Off Specify whether or not

the pedal connected

to the cr DAMPER

PEDAL jack should

be applied to each

part.*

EXP/ASGN PEDAL

3Upper1 Part,

Upper2 Part,

Lower Part

On, Off Specify whether or not

the pedal connected

to the

dl EXPRESSION/

ASSIGNABLE jack

should be applied to

each part.*

WHEEL

3Upper1 Part,

Upper2 Part,

Lower Part

On, Off Specify whether or not

the cn PITCH BEND

wheel effect should be

applied to each part.

Digital Piano Operations

EN-18

The following types of sounds are output by your Digital

Piano: keyboard performance,* auto accompaniments, song

playback, and sounds input from an external source. Each of

these sounds can be controlled and adjusted individually.

* Keyboard performance includes all parts: Upper1, Upper2,

and Lower.

■ To adjust the volume of the keyboard

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence:

“KEYBOARD” 3 “KeyboardVolume”.

Use the bk – and bl + buttons, or cm (K1)

knob to change the setting.

• You can set the volume within the range of 0 to 127.

• To return to the initial default setting, touch bk – and

bl + at the same time.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

• To adjust volume levels other than the keyboard volume

level, use the FUNCTION parameters below.

– Auto Accompaniment volume: “Accomp Volume” (

75)

– MIDI song volume: “MIDI Volume” (

85)

– Audio song volume: “Audio Volume” (

86)

– Bluetooth audio input volume level: “Audio Volume” (

95)

– AUDIO IN jack input volume level: “Volume” (

98)

For information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

Touch Response alters tone volume in accordance with

keyboard pressure (speed). This provides you some of the

same expressivity you get on an acoustic piano.

Adjusting the Overall Volume Level of the

Keyboard Performance Parts

[

FUNCT I ON

]

–

127

boa rdVo l u

Changing Keyboard Response to

Touch Pressure (Touch Response)

Pressing fast produces

louder notes.

Pressing slowly

produces softer notes.

Do not try to use too

much pressure.

EN-19

Digital Piano Operations

■ To change touch response sensitivity

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence:

“KEYBOARD” 3 “Touch Response”.

Use the bk – and bl + buttons, or cm (K1)

knob to change the setting.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

Transpose lets you raise or lower the overall pitch of the

Digital Piano in semitone steps. You can use this feature to

raise or lower the keyboard key and to play a piece in a key

that is more comfortable for you, or to adjust to a key that

better matches a vocalist, etc.

■ To change the transpose setting

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

Touch br TRANSPOSE.

The currently selected transpose setting value will be

shown on the display.

Use the bk – and bl + buttons to change the

setting.

• You can change the pitch of the keyboard within the

range of –12 to +12 semitones.

• To return to the initial default setting, touch bk – and

bl + at the same time.

This setting

(displayed):

Does this:

Disabled (Off) Disables Touch Response. Sound

volume is fixed, regardless of key

press speed.

Light (Light2)

Makes production of a louder

sound easier, so touch feels

lighter than “Normal”.

(Light1)

Normal (Normal) Specifies normal sensitivity.

(Heavy1)

Makes production of a louder

sound more difficult, so touch

feels heavier than “Normal”.

Heavy (Heavy2)

[

FUNCT I ON

]

–

No r

Touch Res

onse

Changing the Pitch

Changing the Pitch in Semitone Steps

(Transpose)

[

CTRL

]

TRANSPOSE

T : 120

Digital Piano Operations

EN-20

Use the tuning feature when you need to adjust the pitch

slightly to play along with another musical instrument.

• The tuning feature specifies the frequency of the A4 note.

You can set a frequency within the range of 415.5 to

465.9 Hz. The initial default setting is 440.0 Hz.

• You can change the frequency in 0.1 Hz steps.

■ To change the tuning setting

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence: “SYSTEM”

3 “Master Tuning”.

Use the bk – and bl + buttons, or cm (K1)

knob to change the setting.

• To return to the initial default setting, touch bk – and

bl + at the same time.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

You can use the procedure below to raise or lower pitch in

octave units. In the explanation here, we will assume that

layer and split are not being used, and octave shift the

keyboard tone (Upper1 part).

• When layer and/or split is being used, you can specify

separate octave shift settings for each part (Upper1,

Upper2, Lower). For details about the settings of each part,

see “

Configuring Layer and Split Settings” (page EN-17).

■ To octave shift the Upper1 part

Disable both layer and split if they are enabled.

• See “

To unlayer the keyboard” (page EN-16) and “To

unsplit the keyboard

” (page EN-17).

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence:

“KEYBOARD” 3 “PART OCT SHIFT” 3

“Upper1 Part”.

This displays the Upper1 part octave shift setting screen.

Use the bk – and bl + buttons, or cm (K1)

knob to change the setting.

• You can shift the octave within the range of –2 to +2.

• To return to the initial default setting, touch bk – and

bl + at the same time.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

Fine Tuning a Pitch (Tuning)

Changing the Pitch in Octave Units (Octave

Shift)

[

FUNCT I ON

]

–

e r 1 P a r t

EN-21

Digital Piano Operations

You can use bn SOUND MODE to enable and disable the

effects described below.

● Hall Simulator/Reverb

Hall Simulator and Reverb are both effects that change the

reverberation of the sound.

● Surround

The Surround effect creates acoustics that make the sound

from the speakers seem like it is coming from multiple

directions (virtual surround). This effect is great when

outputting audio from an external source* through the Digital

Piano’s speakers.

* Audio input from a Bluetooth connected smart device or an

audio device connected to the Digital Piano’s ct AUDIO

IN jack.

• The initial power on default setting is Hall Simulator/reverb

enabled and Surround disabled.

• The Surround effect is not applied to the output from the

Digital Piano’s co PHONES jacks or dk LINE OUT R, L/

MONO jacks.

■ To enable or disable the Hall Simulator/Reverb

and Surround effects

Touch bn SOUND MODE.

• Each touch will cycle between the settings, and the

current setting is indicated by the LED lights as shown

below.

■ To specify the Hall Simulator/Reverb type

Hold down bn SOUND MODE until “[SOUND

MODE]” appears on the display, and then

release the button.

After confirming that “Hall/Rev. Type” is

displayed, touch bm ENTER.

The name of the currently selected Hall Simulator/

Reverb type will be shown on the display.

Use the bk – and bl + buttons to select the

hall simulator/reverb type.

● Hall Simulator

Using the Sound Mode Effects

(Hall Simulator/Reverb and

Surround)

Hall

Simulator

The hall simulator effect simulates the rich

clarity, unconstrained brilliance, and other

distinctive acoustic characteristics of world-

famous concert halls and structures.

Reverb Reverb simulates ambient spaces, such as a

room or hall.

Type (displayed) Description

N.Y.Club Manhattan music club

Opera Hall Uniquely shaped Sydney Concert Hall

Berlin Hall Berlin arena type classic concert hall

BritishStadium Large outdoor stadium in the London

suburbs

Hall Simulator/

Reverb enabled

Surround disabled

Hall Simulator/

Reverb enabled

Surround enabled

Hall Simulator/

Reverb disabled

Surround disabled

[

SOUND

ODE

]

H a l l / R e v . T

Digital Piano Operations

EN-22

● Reverb

• To return to the initial default setting (Hall 3), touch

bk – and bl + at the same time.

After the setting is the way you want, touch

bp EXIT as many times as required until

“[SOUND MODE]” disappears from the display.

■ To adjust the depth of the hall simulator/reverb

effect

Hold down bn SOUND MODE until “[SOUND

MODE]” appears on the display, and then

release the button.

Use the bk U and bl I buttons to display one

of the setting items below and then touch

bm ENTER.

Use the bk – and bl + buttons to change the

setting.

• You can specify a value from 0 to 127. The larger the

value, the greater the effect depth.

When the setting you want is selected, touch

bp EXIT.

Repeat steps 2 through 4 as required.

After the setting is the way you want, touch

bp EXIT.

■ To specify the Surround type

Hold down bn SOUND MODE until “[SOUND

MODE]” appears on the display, and then

release the button.

Use the bk U and bl I buttons to display

“Surround Type” and then touch bm ENTER.

The name of the currently selected surround type will be

shown on the display.

Use the bk – and bl + buttons to select the

surround type (Type 1 or Type 2).

After the setting is the way you want, touch

bp EXIT as many times as required until

“[SOUND MODE]” disappears from the display.

Type (displayed) Description

Room 1

Simulates the reverberation of a room.

Room 2

Room 3

Large Room

Hall 1

Simulates the reverberation of a small

hall.

Hall 2

Hall 3

Stadium Simulates the reverberation of a

stadium.

With this menu

item (displayed):

You can do this:

Hall/Rev. Depth Adjust the depth of the Hall Simulator

and Reverb effects applied to the

Digital Piano’s built-in sound source.

AudioInHallDepth Adjust the depth of the Hall Simulator

and Reverb effects applied to audio

input from an audio device connected

to the Digital Piano’s ct AUDIO IN

jack.

EN-23

Digital Piano Operations

A DSP (Digital Signal Processor) is a type of effect that is

connected between the sound source and output. Included

are equalizer, tremolo, limiter, wah, etc. In addition to the

default DSPs*

assigned to each of the tones, your Digital

Piano also offers a selection of 100 preset DSPs*

from which

to choose. You can also configure DSP parameter settings.

*1 DSPs that are pre-assigned to each tone based on

suitability. Some tones do not have a default DSP

assigned.

*2 DSP in addition to the default DSPs, which can be

assigned to any tone.

■ To select a DSP

Use the procedure under “To select a tone”

(page EN-15) to select a tone.

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

Touch bq DSP.

This displays the name of the DSP assigned to the tone

you selected (Upper1 tone) in step 1 of this procedure.

• If the current DSP is the default, the word “Tone” will

be shown on the display.

Use the bk – and bl + buttons to select a DSP.

• For the names of all the selectable preset DSPs and

their contents (DSP modules), see “

Preset DSP List”

(page

EN-79). For information about DSP modules,

see “

Configuring DSP Settings” (page EN-23).

• To return to the initial default DSP, touch bk – and

bl + at the same time.

• Even if layer and/or split is enabled, the display that

appears in step 3 above shows the name of the DSP

assigned to Upper1 tone.

■ Configuring DSP Settings

The steps below are the general procedure for configuring

DSP settings.

(1) Select the default DSP or preset DSP whose settings you

want to configure.

(2) Select one of the DSP modules in the DSP you selected.

(3) Configure the settings of the parameters in the DSP

module you selected.

● Example: One DSP module: Preset DSP No.1

“Mono 1BandEQ”

● Example: Four DSP modules: Preset DSP No.27

“Re-Amp 1”

If the DSP whose settings you are configuring consists of four

modules and you want to change all of their settings, repeat

steps (2) and (3) four times, once for each module. For details

on the full procedure, see “

To configure DSP settings” (page

EN-24).

• Note that any changes you make to DSP settings are

cleared whenever you turn off Digital Piano power. If

you want to retain DSP changes you make, use the

registration function (page

EN-40) to save the setup so

you can recall it later.

Using a DSP

[

CTRL

]

DSP

T : 120

000 : Tone

Sound Source Output

Sound Source

Output

Mono 1EQ

Compressor Amp Cab

Enhancer ToneCtrl

Digital Piano Operations

EN-24

■ To configure DSP settings

Use the procedure under “To select a DSP”

(page EN-23) to select the DSP whose settings

you want to configure.

Hold down bq DSP until “[DSP SETTING]”

appears on the display.

This enters the DSP setting mode and displays “DSP On/

Off”.

• “DSP On/Off” specifies whether or not a DSP should

be applied to a tone. After confirming that “On” is

selected for this setting, proceed to step 3. “DSP On/

Off” is always “On” if you selected a preset DSP in step

1 of this procedure.

• If you selected a default DSP (indicated by “Tone” on

the display), the default setting here is “Off”, which

means the DSP is not being applied. If this setting is

“Off”, touch bp EXIT to return to step 1 and select a

different tone and/or DSP. Or you can use the steps

below to change the “DSP On/Off” setting to “On”.

Selecting “On” here will make preset DSP 1 the target

of any setting changes you configure.

(1) After confirming that “DSP On/Off” is displayed,

touch bm ENTER.

(2) Use the bk – and bl + buttons to change the setting

to “On”.

(3) Touch bp EXIT.

Use the bk U and bl I buttons to select a

DSP module and then touch bm ENTER.

This displays one of the parameters of the DSP module

you selected.

Use the bk U and bl I buttons to display the

parameter whose setting you want to change

and then touch bm ENTER.

This enters the parameter editing mode.

Use the bk – and bl + buttons to change the

parameter setting.

• To return to the initial default parameter setting, touch

bk – and bl + at the same time.

When the setting is the value you want, touch

bp EXIT.

Repeat steps 4 through 6 as required. When

the settings are the way you want, touch

bp EXIT.

This returns to the DSP module display in step 3 of this

procedure.

Repeat steps 3 through 7 as required.

To exit the DSP setting mode, touch bp EXIT.

[

DSP SETT I NG

]

DSP On / O f f

[

DSP SETT I NG

]

etLeve l

[

DSP SETT I NG

]

–

040

et Leve l

EN-25

Digital Piano Operations

Chorus is a function that adds depth and breadth to notes.

To select a chorus setting, use FUNCTION parameter

(“Chorus Type”) to select one of the settings below.

* Specifies the initial setting of each tone.

For information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

Brilliance can be used to make a sound brighter or mellower.

You can use FUNCTION parameter

10 (“Brilliance”) to adjust

brilliance within the range of –3 to +3. A setting of +1 or

greater gives notes a brighter feel, while –1 or less makes

notes sound more mellow. For information about FUNCTION

parameters, see “

Configuring Function Settings (FUNCTION

Mode)

” (page EN-53).

The tones of your Digital Piano have built-in elements that

give them the reverberation characteristics of an acoustic

piano. You can use the procedure below to adjust the

characteristics of notes.

■ To adjust acoustic piano sound characteristics

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence: “SOUND”

3 “ACOUSTIC SIMU.”.

Use the bk U and bl I buttons to display the

setting item you want to configure and then

touch bm ENTER.

• For more information about setting items and their

settings, see the “

List of Acoustic Piano Sound Setting

Items

” (page EN-26).

Use the bk – and bl + buttons to change the

setting.

Touch bp EXIT.

Repeat steps 3 through 5 for each of the items

whose setting you want to configure.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

Using Chorus

This setting

(displayed):

Chorus Type:

Tone* Tone

Chorus 1 Chorus 1

Chorus 2 Chorus 2

Chorus 3 Chorus 3

Chorus 4 Chorus 4

FB Chorus Feedback Chorus

Deep Chorus Deep Chorus

Flanger 1 Flanger 1

Flanger 2 Flanger 2

Flanger 3 Flanger 3

Flanger 4 Flanger 4

Short Delay 1 Short Delay 1

Short Delay 2 Short Delay 2

Using Brilliance

Adjusting Acoustic Piano Sound

Characteristics (Acoustic

Simulator)

Digital Piano Operations

EN-26

■ List of Acoustic Piano Sound Setting Items

The digital piano has two knobs that you can use

to change the tone, effect, and another

parameter settings in real time.

■ To select the functions (knob sets)

assigned to the knobs

• Regardless of the position of cm (K1) and

(K2) knobs, parameter settings are

unchanged immediately after you change to

another knob set. Settings are not changed

until you perform a knob operation after

changing the knob set.

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

Touch bs KNOB.

The name of the currently selected knob set will be

shown on the display.

• For information about parameters assigned to the cm

(K1) and (K2) knobs by each knob set, see “

Knob Set

List

” (page EN-78).

Use the bk – and bl + buttons to select a knob

set.

• To return to the initial default setting, touch bk – and

bl + at the same time.

Setting (Display) Available Options

String Resonance

(String Reso.)

Playing on an acoustic piano

causes the strings that are

harmonics of the played strings

to resonate. You can select

one of the string resonance

settings in the column to the

right.

Tone: Specifies the initial

setting of each

tone.

Off: Disables String

Resonance.

1-4: The greater the

value, the stronger

the String

Resonance.

Damper Resonance

(Damper Reso.)

Pressing the damper pedal on

an acoustic piano opens all 88

of the strings, causing all of the

strings that are harmonics of

the strings that are played to

resonate. You can select one

of the damper resonance

settings in the column to the

right.

Tone: Specifies the initial

setting of each

tone.

Off: Disables Damper

Resonance.

1-4: The greater the

value, the stronger

the Damper

Resonance.

Damper Noise

(Damper Noise)

Damper noise is a slight

metallic ringing sound that is

generated as the damper of an

acoustic piano separates from

the wires pedal when the

damper pedal is pressed. You

can use the settings in the

column to the right to adjust the

volume of the damper noise.

Tone: Specifies the initial

setting of each

tone.

Off: Mutes Damper

Noise.

1-4: The greater the

value, the greater

the noise volume.

Key On Action Noise

(Key On Noise)

When the keys of an acoustic

piano are tapped with

extremely light pressure, piano

mechanism operation sound

(noise) is produced without the

hammers reaching the strings.

You can use the settings in the

column to the right to adjust the

volume of the noise.

Tone: Specifies the initial

setting of each

tone.

Off: Mutes Key On

Action Noise.

1-4: The greater the

value, the greater

the noise volume.

Key Off Action Noise

(Key Off Noise)

Releasing the keyboard keys of

acoustic piano generates piano

mechanism operation sound

(noise). You can use the

settings in the column to the

right to adjust the volume of the

noise.

Tone: Specifies the initial

setting of each

tone.

Off: Mutes Key Off

Action Noise.

1-4: The greater the

value, the greater

the noise volume.

Using the Knobs

[

CTRL

]

KNOB

T : 120

01 :Fi l ter

EN-27

Digital Piano Operations

■ To initialize all parameter settings that can be

configured with knob operations

• The procedure below returns all parameter settings in the

“

Knob Set List” (page EN-78) to the Digital Piano’s initial

defaults.

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

Hold down the bs KNOB button until “Sure?”

appears on the display.

To initialize, touch bl +. To exit this operation

without initializing, touch bk –.

You can use the pitch bend wheel to slide the pitch

of notes smoothly upwards and downwards. This

capability makes it possible to reproduce

saxophone and electric guitar choking effects.

While playing a note on the keyboard,

rotate the cn PITCH BEND wheel on

the left of the keyboard upwards or

downwards.

The amount the note bends depends on how

much you rotate the pitch bend wheel.

• Do not touch the wheel as you turn on the

keyboard.

• You can use FUNCTION parameter 53 (“P Bend Range”) to

specify the amount of pitch change at maximum rotation in

either direction. For information about FUNCTION

parameters, see “

Configuring Function Settings

(FUNCTION Mode)

” (page EN-53).

With the arpeggiator, you can play various arpeggios and

other phrases automatically by simply pressing keys on the

keyboard. You can select from a number of different arpeggio

options, including playing arpeggios from a chord, playing

various phrases automatically, and more.

• A single button is used to control the arpeggiator and auto

harmonize (page

EN-37). Because of this, auto harmonize

cannot be used while the arpeggiator is in use.

■ To enable the arpeggiator

• If “AH” appears instead of “AR” when you touch the

bt ARPEG. button in step 2 of the procedure below,

you will need to change the function assigned to the

bt ARPEG. button. Select “Arpeggiator” for

FUNCTION parameter

79 (“Type Select”). For

information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)”

(page

EN-53).

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

To enable the arpeggiator, touch bt ARPEG.

This will cause “AR” to appear on the display.

• Playing a chord or single note on the keyboard will

play back the currently selected arpeggio.

Using the Pitch Bend Wheel

Using the Arpeggiator

[

CTRL

]

KNOB

T : 120 AR

01 :Fi l ter

Digital Piano Operations

EN-28

To disable the arpeggiator, touch bt ARPEG.

This will cause “AR” to disappear from the

display.

• Enabling FUNCTION parameter 80 (“Arpeggio Hold”)

causes the arpeggio pattern to continue playing even after

you release the keyboard keys of the chord.

• You can use FUNCTION parameter

81 (“Arpeggio Part”) to

specify whether the arpeggiator sounds for both the Upper1

and Upper2 parts when the keyboard is layered with two

tones (page

EN-15), or for the Upper1 part only.

• For information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

■ To select an arpeggiator type

Perform steps 1 and 2 of the procedure under

“To enable the arpeggiator” (page EN-27) to

enable the arpeggiator.

Hold down the bt ARPEG. button until

“ARPEG.” appears on the display.

This causes the currently selected arpeggiator type to

appear in line two of the display.

Use the bk – and bl + buttons to select an

arpeggiator type.

• While the arpeggiator type is displayed, holding down

the bt ARPEG. button until the tone name display

appears will select the tone that is recommended for

the displayed arpeggiator type.

• For details about arpeggiator types, refer to the

separate “Built-in Music Data Lists”.

You can split the keyboard in the center for duet play so the

left and right sides have the same ranges. The Duet Mode is

the perfect way to conduct lessons, with the teacher playing

on the left side as the student plays the same song on the

right side.

• You can change the ranges of the left and right keyboards

in octave units from their initial default settings. This comes

in handy, for example, if the initial default range is not

enough when one person is playing the left hand part and

another person is playing the right hand part. For

information about the setting operation, see “

To change the

octaves of the duet keyboards

” (page EN-29).

■ Pedal Operation when Playing a Duet

• If you are using the separately available SP-34 Pedal Unit,

the left outer pedal is the left keyboard damper pedal, while

the right outer pedal is the right keyboard damper pedal.

Only the damper pedal for the right keyboard supports half-

pedal operations.

• To use the supplied SP-3 Pedal as a damper pedal that

affects both the left keyboard and right keyboard, connect it

to the cr DAMPER PEDAL jack. In the Duet Mode, this

pedal functions as a damper pedal, regardless of the effect

type assigned to it with the procedure under “

To change the

function of the pedal connected to the DAMPER PEDAL

jack” (page EN-7). Half-pedal operation is not supported in

this case.

• If you connect the supplied SP-3 pedal to the

dl EXPRESSION/ASSIGNABLE jack, it can be used as

a soft pedal for both the left and right keyboards.

[

CTRL

]

ARPEG.

T : 120 AR

001 :Sc rew U

Splitting the Keyboard for Duet

Play

C3 C4 C5 C6 C3 C4 C5 C6

Split point

Left keyboard Right keyboard

(middle C) (middle C)

Left side damper pedal

Left and right side

damper pedal

Right side damper pedal

(Half-pedal operation

supported)

EN-29

Digital Piano Operations

■ To use the Duet Mode

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence:

“KEYBOARD” 3 “DUET”.

After confirming that “Duet Mode” is displayed,

touch bm ENTER.

Use the bk – and bl + buttons to change the

Duet Mode setting.

• To use the Duet Mode, select either “On” or “Pan” for

this setting. To exit the Duet Mode and return to

normal keyboard play, select “Off”.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

• Some settings become fixed and cannot be changed while

in the Duet Mode.

• The following effects cannot be used while “Pan” is

selected for the Duet Mode setting: Hall Simulator/Reverb

(page

EN-21), Surround (page EN-21), Chorus (page

EN-25), Acoustic Simulator (page EN-25).

• In the Duet Mode, the knob set (page

EN-26) is

automatically changed to 12 Kbd/Acmp Vol. This knob set

is fixed, and cannot be changed.

■ To change the octaves of the duet keyboards

Perform steps 1 and 2 under “To use the Duet

Mode” (page EN-29).

Use the bk U and bl I buttons to display

“Upper Octave” (right-side keyboard) or

“Lower Octave” (left-side keyboard) and then

touch bm ENTER.

Use the bk – and bl + buttons to change the

setting.

• You can specify the right-side keyboard octave while

“Upper Octave” is displayed, and the left-side

keyboard octave while “Lower Octave” is displayed.

• Increasing the setting value by one raises by one

octave, while lowering the value by one lowers by one

octave. The initial default for both settings is 0.

• You can shift the octave of each keyboard within the

range of –2 to +2 octaves.

Touch bp EXIT.

Repeat steps 2 through 4 of this procedure as

required to specify settings for both

keyboards.

Example:

Specifying 0 for “Upper Octave” and 1 for “Lower Octave”

results in the keyboard octaves shown below.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

This setting

(displayed):

Does this:

Off Exits the Duet Mode.

On Enters the Duet Mode.

Pan Outputs left-side keyboard notes from the

left speaker and right-side keyboard notes

from the right speaker while in the Duet

Mode.

C4 C5 C6 C7 C3 C4 C5 C6

Left keyboard Right keyboard

1 octave higher than initial setting Unchanged

Digital Piano Operations

EN-30

You can change the scale of the keyboard from the standard

equal temperament to another tuning that is more suitable for

playing Indian music, Arabic music, classical music, etc. You

can select from among the 17 preset scales described below.

■ To change the scale

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence:

“KEYBOARD” 3 “SCALE TUNING” 3 “Scale

Type”.

Use the bk – and bl + buttons, or cm (K1)

knob to select a scale setting.

• You can select any one of the scales shown in the

table below.

If you want to change the base note of the

scale, perform the steps below.

• You do not need to perform these steps if you want to

use the default base note setting (C).

(1) Touch bp EXIT.

(2) Use the bk U and bl I buttons to display “Scale

Base Note” and then touch bm ENTER.

(3) Use the bk – and bl + buttons, or cm (K1) knob to

select a base note setting.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

■ To use the current scale notes for Auto

Accompaniments

Use FUNCTION parameter

30 to enable (“On”) or disable

(“Off”) “Accomp Scale”. Enabling this setting will apply the

scale and base note selected using the operation under “

change the scale

” (page EN-30) to Auto Accompaniments.

For information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

■ To enable or disable piano stretch tuning

Hold down the bp^ button until “[FUNCTION]”

appears on the display. Then release the

button.

This enters the FUNCTION mode.

Use the bk U and bl I buttons to select the

following menu items in sequence:

“KEYBOARD” 3 “SCALE TUNING” 3

“Stretch Tuning”.

Use the bk – and bl + buttons to configure the

Stretch Tuning setting.

Changing the Scale Tuning

(Temperament) of the Keyboard

This setting (displayed): Selects this scale:

Equal Equal Temperament

Pure Major Pure Major

Pure Minor Pure Minor

Pythagorean Pythagorean

Kirnberger 3 Kirnberger 3

Werckmeister Werckmeister

Mean-Tone Mean-Tone

Rast Rast

Bayati Bayati

Hijaz Hijaz

Saba Saba

Dashti Dashti

Chahargah Chahargah

Segah Segah

Gurjari Todi Gurjari Todi

Chandrakauns Chandrakauns

Charukeshi Charukeshi

Displayed Setting Name Description

Off Disables piano stretch tuning.

On Enables piano stretch tuning.

EN-31

Digital Piano Operations

With Auto Accompaniment, simply select an accompaniment

pattern. Each time you play a chord with your left hand the

appropriate accompaniment will play automatically. It’s like

having a personal backup group along with you wherever you

go.

■ Rhythms and Categories

The rhythms of your Digital Piano are divided among six

categories, which you can access using RHYTHM category

buttons bq through cl. Each of the six categories is divided

further into sub-categories, and touching the RHYTHM

category button for a particular category will cycle in

sequence between its sub-categories.

For details about rhythm categories and sub-categories, and

the names of rhythms included in each sub-category, refer to

the separate “Built-in Music Data Lists”.

■ To select a rhythm

Use the bp^ button to cycle through settings

until the “^RHYTHM” indicator to the right of

the button is lit.

The names of the currently selected rhythm category and

rhythm will be shown on the display.

Use RHYTHM category buttons bq through cl

to select a RHYTHM category.

• Touching one of the RHYTHM category buttons

switches to the rhythm that was selected the last time

that rhythm category was exited.

• Each touch of the RHYTHM category button of the

currently selected rhythm category will cycle to the

next sub-category of that category.

Use the bk – and bl + buttons to select a

rhythm.

• To jump to the first rhythm in the current category,

touch bk – and bl + at the same time.

The Auto Accompaniments of this Digital Piano consist of a

“rhythm part” (drums and percussion) and a “chord part”

(various musical instruments). When playing an Auto

Accompaniment, you can sound the rhythm part only, or you

can sound both parts at the same time.

■ To play the rhythm part only

• The rhythm part is the foundation of each Auto

Accompaniment. Your Digital Piano comes with a variety of

built-in rhythms, including 8-beat and waltz. Use the

procedure below to play the basic rhythm part.

Use the 3 mode selector button to cycle

through settings until the “RHYTHM” (RHYTHM

Mode) indicator is lit.

Use the procedure under “To select a rhythm”

(page EN-31) to select the rhythm you want.

Touch 8 START/STOP.

This starts normal pattern (page

EN-32) rhythm play.

• The yellow and red LEDs above the 8 START/

STOP button will flash in time with the rhythm (yellow

for beat 1, red for the remaining beats of each

measure).

Play along with the rhythm.

To stop rhythm play, touch 8 START/STOP

again.

• In step 3 of the above procedure, you can also touch one of

the buttons below to start rhythm pattern play.

– 4 INTRO … Starts play with an intro pattern.

– 5 NORMAL/FILL-IN … Starts normal pattern play.

– 6 VARIATION/FILL-IN … Starts play of a variation

pattern.

For information about the different rhythm (Auto

Accompaniment) patterns, see “

Auto Accompaniment

Pattern Variations

” (page EN-32).

Using Auto Accompaniment

Selecting a Rhythm

[

RHYTH

]

POPS

T : 120

01 :E.Funk Po

Rhythm name Category name

Playing Auto Accompaniment

Digital Piano Operations

EN-32

■ To play Auto Accompaniment with chords

• Playing a chord with your left hand automatically adds bass

and harmony accompaniment parts to the currently

selected rhythm. It is just like having your own personal

back up group on call.

Use the 3 mode selector button to cycle

through settings until the “ACCOMP”

(ACCOMP Mode) indicator is lit.

Start play of the rhythm part.

• For information about how to select a rhythm and start

playing it, see steps 2 and 3 under “

To play the rhythm

part only

” (page EN-31).

Use the accompaniment keyboard to play

chords.

This will cause bass and harmony Auto Accompaniment

parts to be added to the rhythm part.

Example:

Pressing D-F

-A-C on the accompaniment keyboard

Accompaniment for the D-F

-A-C chord (D7) sounds.

• You can use the split point to change the size of the

accompaniment keyboard range (page

EN-16).

Play other chords with left hand as you play

the melody with your right hand.

• You can use “CASIO Chord” or other simplified chord

input modes to play chords. See “

Selecting a Chord

Input Mode

” (page EN-34).

To stop Auto Accompaniment, touch

8 START/STOP.

• With the above procedure, you finger chords to be played

by the Auto Accompaniment. You also can use music

presets to sound Auto Accompaniment using a chord

progression based on the music genre you want to perform,

without inputting chords. For details, see “

Using Music

Preset

” (page EN-38).

■ Metronome Accompaniment Patterns

The accompaniment patterns below produce metronome

sounds only, without a bass or chord part. This is true even if

you finger a chord.

■ To change the Auto Accompaniment Tempo

See “

Changing the Auto Accompaniment and Song Tempo”

(page

EN-38).

Generally, the progress of a musical piece starts with an intro,

transitions to verses that are interspersed with interludes and

other changes, and then returns to the main theme before

reaching an ending. The Digital Piano’s Auto Accompaniment

function provides a selection of accompaniment patterns that

are suited to the progress of a musical composition.

■ Normal and Variation

This is an accompaniment pattern that can be used in the

verse or chorus of a piece. A variation repeats anywhere from

one measure to multiple measures.

F{3

Accompaniment keyboard Melody keyboard

Split point

This rhythm

number:

Selects this metronome sound:

BALLAD: 39 Sounds a click for all beats.

BALLAD: 40 Sounds a bell for all beats.

BALLAD:

41 to 48

Two beats to nine beats per measure.

The first beat of each measure is a bell

sound, while the remaining beats are clicks.

Auto Accompaniment Pattern Variations

To play this

accompaniment

pattern:

Do this:

Normal Touch 5 NORMAL/FILL-IN.

Variation Touch 6 VARIATION/FILL-IN.

EN-33

Digital Piano Operations

■ Fill-in

These accompaniment patterns are used to insert short one-

or two-measure fill-ins into a piece. A fill-in pattern starts to

play as soon as you touch one of the fill-in buttons (see

below). Accompaniment play returns to the original normal or

variation pattern from beat one after the one- or two-measure

fill-in is complete.

■ Intro

This is an accompaniment pattern that can be used at the

beginning of a song. Normal accompaniment pattern play will

start after the measures of the intro accompaniment pattern is

complete.

■ Ending

This is an accompaniment pattern that can be used at the end

of a piece. After a multiple-measure ending sounds, Auto

Accompaniment ends.

Use the procedure below to configure the Digital Piano to start

Auto Accompaniment play as soon as you press a keyboard

key.

■ To trigger Auto Accompaniment play with chord

keyboard input

While Auto Accompaniment play is stopped,

touch 7 SYNCHRO/ENDING.

This enters synchro start standby, which is indicated by

the LEDs above the 8 START/STOP button flashing

between yellow and red.

• If you want to start with an intro, touch 4 INTRO

here.

• If you want to start with a variation, touch

6 VARIATION/FILL-IN here.

Finger a chord on the accompaniment

keyboard.

This starts Auto Accompaniment.

• To exit synchro start standby, touch 7 SYNCHRO/

ENDING.

To play this

accompaniment

pattern:

Do this:

Normal Fill-in While a normal pattern is playing,

touch 5 NORMAL/FILL-IN.

Variation Fill-in While a variation pattern is playing,

touch 6 VARIATION/FILL-IN.

To play this

accompaniment

pattern:

Do this:

Intro Touch 4 INTRO.

To play this

accompaniment

pattern:

Do this:

Ending While an Auto Accompaniment is

playing, touch 7 SYNCHRO/

ENDING.

Triggering Auto Accompaniment Play with

Accompaniment Keyboard Input (Synchro

Start)

Digital Piano Operations

EN-34

You can use the six leftmost white keyboard keys to start and

stop accompaniment pattern play, to switch between patterns,

etc.

■ To enter the keyboard controller mode

Hold down the 3 mode selector button until

“KC” appears on the display.

• This enters the Keyboard Controller Mode and assigns

the button operations shown below to the leftmost

white keyboard keys.

* Toggles between the RHYTHM and ACCOMP modes only.

To exit the Keyboard Controller Mode, hold

down the 3 mode selector button until “KC”

disappears from the display.

• In the Keyboard Controller Mode, no note sounds when you

press a keyboard key in the range of A0 to F1 (including the

black keys).

You can use FUNCTION parameter

76 (“Chord Mode”) to

select one of the six chord input modes below.

For information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

Using the Keyboard to Control the Auto

Accompaniment Pattern (Keyboard

Controller Mode)

Keyboard

Key

Button

A0 3 Mode selector button*

B0 4 INTRO button

C1 5 NORMAL/FILL-IN button

D1 6 VARIATION/FILL-IN button

E1 7 SYNCHRO/ENDING button

F1 8 START/STOP button

[

RHYTH

]

POPS

T : 120 KC

01 :E.Funk Po

C1 D1 E1 F1A0 B0

Selecting a Chord Input Mode

This setting

(displayed):

Selects this chord input mode:

CASIO Chord CASIO CHORD

Fingered 1 FINGERED 1

Fingered 2 FINGERED 2

Fg On Bass FINGERED ON BASS

Fg Assist FINGERED ASSIST

Full Range FULL RANGE CHORD

EN-35

Digital Piano Operations

■ CASIO CHORD

With CASIO CHORD, you can use simplified fingerings to

play the four types of chords described below.

• When playing a minor, seventh, or minor seventh chord, it

makes no different whether the additional keys you press

are black or white.

■ FINGERED

With these input modes, you play chords on the

accompaniment keyboard using their normal chord fingerings.

Some chord forms are abbreviated, and can be fingered with

one or two keys.

See page

EN-73 for information about chords that are

supported and how they are fingered on the keyboard.

● FINGERED 1

Play the component notes of the chord on the keyboard.

● FINGERED 2

Unlike FINGERED 1, 6th input is not possible. m7 or m7

input.

● FINGERED ON BASS

Unlike FINGERED 1, allows input of fraction chords with the

lowest keyboard note as the base note.

Chord Type

Major Chords

Pressing a single accompaniment area key in the CASIO

CHORD mode will play the major chord whose name is

marked above the key. All of the accompaniment area keys

that are marked with the same chord name play exactly the

same chord.

Example: C (C Major)

Minor Chords

To play a minor chord, press the accompaniment area key

that corresponds to the major chord, while also pressing one

other accompaniment area key to the right.

Example: Cm (C Minor)

Seventh Chords

To play a seventh chord, press the accompaniment area key

that corresponds to the major chord, while also pressing two

other accompaniment area keys to the right.

Example: C7 (C Seventh)

Minor Seventh Chords

To play a minor seventh chord, press the accompaniment

area key that corresponds to the major chord, while also

pressing three other accompaniment area keys to the right.

Example: Cm7 (C Minor Seventh)

Accompaniment keyboard

DE F F



DE F



DE F F



DE F



DE F F



DE F



DE F F



DE F



Accompaniment keyboard

Digital Piano Operations

EN-36

● FINGERED ASSIST

Produces an effect that is different from FINGERED 1 when

two or three keys are pressed. Pressing a root key and any

key to the left of the root key plays a seventh chord, while a

black key plays a minor chord. Pressing both a white and

black key together plays a minor seventh chord.

• In addition to FINGERED 1, you can also use the methods

below to play the three types of chords described below.

■ FULL RANGE CHORD

With this mode, you can use the full range of the keyboard to

play chords and the melody.

See page

EN-73 for information about chords that are

supported.

With One-Touch Preset, the Digital Piano automatically

configures optimal tone, tempo, and other settings in

accordance with the rhythm pattern you select.

■ To recall a one-touch preset

Use the 3 mode selector button to cycle

through setting until the “RHYTHM” or

“ACCOMP” indicator is lit.

Use the procedure under “To select a rhythm”

(page EN-31) to select the rhythm you want.

Hold down the cl BALLAD button until the

display changes from the rhythm name to the

tone name.

This will automatically apply the One-Touch Preset

settings in accordance with the rhythm pattern that is

currently selected. At this time, the Digital Piano will go

into Auto Accompaniment synchro start standby (page

EN-33).

Chord Type

Minor Chords

To play a minor chord, press the accompaniment keyboard

key that specifies the major chord, while also adding the

closest black key to the left of the major chord key.

Example: Cm (C Minor)

Seventh Chords

To play a seventh chord, press the accompaniment

keyboard key that specifies the major chord, while also

adding the closest white key to the left of the major chord

key.

Example: C7 (C Seventh)

Minor Seventh Chords

To play a minor seventh chord, press the accompaniment

keyboard key that specifies the major chord, while also

adding the closest white and black keys to the left of the

major chord key.

Example: Cm7 (C Minor Seventh)

DE F F



DE F



DE F F



DE F



DE F F



DE F



Accompaniment keyboard / Melody keyboard

Using One-Touch Preset

EN-37

Digital Piano Operations

Auto Harmonize lets you add harmony to melody notes you

play with your right hand for more melodic depth. You can

select any one of 12 Auto Harmonize types.

• A single button is used to control auto harmonize and the

arpeggiator (page

EN-27). Because of this, the arpeggiator

cannot be used while auto harmonize is in use.

■ To enable auto harmonize

• If “AR” appears instead of “AH” when you touch the

bt ARPEG. button in step 2 of the procedure below,

you will need to change the function assigned to the

bt ARPEG. button. Select “A.Harmo.” for FUNCTION

parameter

79 (“Type Select”). For information about

FUNCTION parameters, see “

Configuring Function

Settings (FUNCTION Mode)

” (page EN-53).

Use the bp^ button to cycle through settings

until the “^CTRL” indicator to the right of the

button is lit.

To enable auto harmonize, touch bt ARPEG.

This will cause “AH” to appear on the display.

• Fingering a chord on the accompaniment keyboard as

you play the melody on the Melody keyboard (Upper

part keyboard) will add chords to your melody play.

To disable auto harmonize, touch bt ARPEG.

This will cause “AH” to disappear from the

display.

■ To select the Auto Harmonize type

Perform steps 1 and 2 under “To enable auto

harmonize” (page EN-37) to enable auto

harmonize.

Hold down the bt ARPEG. button until

“A.HARMO” appears on the display.

This causes the currently selected auto harmonize type

to appear in line two of the display.

Use bk – and bl + buttons to select an auto

harmonize type.

Using Auto Harmonize

[

CTRL

]

KNOB

T : 120 AH

01 :Fi l ter

Type (displayed) Description

01: Duet 1 Adds close (separated by 2 to 4

degrees) 1-note harmony below the

melody note.

02: Duet 2 Adds open (separated by more than 4

to 6 degrees) 1-note harmony below the

melody note.

03: Country Adds country style harmony.

04: Octave Adds the note from the next lower

octave.

05: 5th Adds the fifth degree note.

06: 3-Way Open Adds 2-note open harmony, for a total

of three notes.

07: 3-Way Close Adds 2-note close harmony, for a total

of three notes.

08: Strings Adds harmony that is optimal for strings.

09: 4-Way Open Adds 3-note open harmony, for a total

of four notes.

10: 4-Way Close Adds 3-note close harmony, for a total

of four notes.

11: Block Adds block chord notes.

12: Big Band Adds big band style harmony.

[

CTRL

]

A. HAR

T : 120 AH

01 :Due t 1

Digital Piano Operations

EN-38

There are two ways to change the tempo (beats per minute)

setting: using buttons to specify a tempo value, and tapping a

beat with a keyboard key or a pedal.

• You can specify use of a letter (T) or an icon (2) as the

display indicator to the left of the tempo value. To specify

the indicator type, use FUNCTION parameter

113 (“Tempo

Indicator”). For information about FUNCTION parameters,

see “

Configuring Function Settings (FUNCTION Mode)”

(page

EN-53).

■ To specify a tempo value

Touch bm TEMPO.

The current tempo value will be shown on the display.

Use the bk – and bl + buttons to adjust the

tempo value.

• You can specify a tempo value in the range of 20 to

255.

• To return the currently selected song, rhythm pattern,

or music preset to its recommended tempo setting,

touch bk – and bl + at the same time.

To exit the setting screen, touch bm TEMPO or

bp EXIT.

■ To use the keyboard key or a pedal to adjust the

tempo

Hold down the bm TEMPO button.

This causes “TAP” to appear to the right of [TEMPO] on

the display.

Press a keyboard key or a pedal at least twice

in succession.

• This will set a tempo that corresponds to the speed at

which you pressed the keyboard key or pedal.

Release bm TEMPO.

• You can use the above steps to set an approximate

tempo and then use the steps under “

To specify a

tempo value

” to fine tune the setting.

• Note that an expression pedal cannot be used to set a

tempo using the above procedure.

Selecting a Music Preset instantly changes the Digital Piano

to a preset setup (tone, rhythm, chord progression, etc.) for

play of songs of various genres/categories. The press of a

button sets up the Digital Piano so those songs sound exactly

the way you thought they should. See the separate “Built-in

Music Data Lists” for a complete list of the 310 Music Presets

that are available.

■ To perform using a music preset

Use the 3 mode selector button to cycle

through setting until the “RHYTHM” or

“ACCOMP” indicator is lit.

Use the bp^ button to cycle through settings

until the “^RHYTHM” indicator to the right of

the button is lit.

Hold down the bq POPS button until “[MUSIC

PRESET]” appears on the display.

This enters the Music Preset Mode and causes the 3

mode selector button “ACCOMP” indicator to flash.

• The name and number of the currently selected music

preset will be shown on the display.

• This enters synchro start standby, which is indicated

by the flashing yellow and red LEDs above the

8 START/STOP button.

Changing the Auto

Accompaniment and Song Tempo

[

]

T : 120

120

Using Music Preset

[

US I C PRESET

]

T : 124

001 :So f t Po

Music preset number Music preset name

EN-39

Digital Piano Operations

Use the bk – and bl + buttons to select a

music preset number.

This changes the displayed music preset name. At the

same time, settings are recalled for the tone, rhythm,

chord progression, and data that matches the genre or

melody indicated by the name.

• You can also change tone, rhythm, DSP, and other

settings as required. To do so, use the bp^ button to

select the type of functions assigned to buttons bq to

cl. Each touch of bp^ cycles to the next function

type, and the current selection is indicated by the

indicator that is lit to the right of the button: “^TONE”,

“^RHYTHM”, or “^CTRL”.

• To return to the music preset selection screen (the

screen in step 3 of this procedure) after touching

bp^, touch the 3 mode selector button.

Touch 8 START/STOP.

This starts Auto Accompaniment play in accordance with

the preset chord progression.

• Instead of the button operations above, you can also

start Auto Accompaniment play by playing something

on the accompaniment keyboard. Note, however, that

pressing an accompaniment keyboard key will start the

preset chord progression. The accompaniment

keyboard cannot be used to specify chords, in this

case.

Play along on the keyboard with the Auto

Accompaniment.

To stop Auto Accompaniment, touch

8 START/STOP or 7 SYNCHRO/ENDING.

To exit the Music Preset Mode, display the

music preset selection screen and then touch

the 3 mode selector button

• At this time the tone and rhythm settings configured by

the Music Preset Mode remain in effect.

• The accompaniment pattern operations below can be used

during a performance with a music preset. See “

Auto

Accompaniment Pattern Variations

” (page EN-32) and

“

Using the Keyboard to Control the Auto Accompaniment

Pattern (Keyboard Controller Mode)

” (page EN-34). Note,

however, that the function of keyboard key A0 is disabled in

the Keyboard Controller Mode.

• The registration function (page

EN-40) cannot be used in

the Music Preset Mode.

■ To change a music preset tempo

See “

Changing the Auto Accompaniment and Song Tempo”

(page

EN-38).

■ To change the key of a chord progression

You can use FUNCTION parameter

77 (“MP Key Shift”) to

change the chord progression key. For information about

FUNCTION parameters, see “

Configuring Function Settings

(FUNCTION Mode)

” (page EN-53).

Digital Piano Operations

EN-40

You can use the registration function to register the setup of

the Digital Piano (tone, rhythm, and other settings). You can

recall a registered setup as required to perform a particular

song, etc.

• Registration operations can be performed in the RHYTHM

Mode (page

EN-12) or ACCOMP Mode (page EN-12).

• Registration operations cannot be performed in the SONG

Mode (page

EN-12), while demo play (page EN-14), music

presets (page

EN-38), or any setting operation (page

EN-53) is in progress.

■ Setup Storage Locations

Setup registrations are stored in memory locations that are

divided into 24 banks. Each bank has four storage areas,

which means you can register up to 96 setups (24 banks × 4

areas).

• Use the bq BANK button to specify a bank.

• Specify an area using the br Area 1 to ck Area 4 buttons.

■ Registration Memory Data

*1 The “Freeze” column shows the names of parameters

included in the “FREEZE” directory (FUNCTION

parameter

58). For details, see “Freeze Function” (page

EN-42).

*2 Special setting item for cm (K1) and (K2) knob operations.

For information about knob settings that can be registered

in a setup, see “

Knob Set List” (page EN-78).

■ Saving to an External Device

Setups saved using registration can be saved to a USB flash

drive in bank units. See “

USB Flash Drive Operations” (page

EN-62).

Registering and Restoring a

Setup (Registration)

Area 1

…

Area 4

Bank 1 Setup 1-1

…

Setup 1-4

Bank 2 Setup 2-1

…

Setup 2-4

Bank 24 Setup 24-1

…

Setup 24-4

br bs bt ck

Setting Items Freeze*

Rhythm number, mode selection

(ACCOMP Mode or RHYTHM Mode),

synchro start standby, Auto

Accompaniment settings (chord input

mode, Auto Accompaniment volume)

Accompaniment

Tempo Tempo

Tone numbers (Upper1, Upper2, Lower),

Layer enable/disable, Split enable/

disable, DSP (type, parameter),

keyboard volume setting, part settings

(volume, octave shift, fine tune), duet

setting

Tone

Split point Split Point

Auto harmonize/arpeggiator (enable/

disable, type, other settings)

Arpeg./A.Harmo.

Transpose Transpose

Scale settings (type, base note, Stretch

Tuning, Auto Accompaniment scale)

Scale Tuning

Touch Response settings Touch Response

Chorus type, brilliance settings Effect

Hall simulator/reverb (enable/disable,

type, depth), surround (enable/disable,

type)

Sound Mode

Damper pedal function, expression/

assignable pedal function, pitch bend

range, part settings (Pedal Unit, damper

pedal, expression/assignable pedal,

pitch bend wheel)

Pedal/Wheel

Knob settings*

Knob

EN-41

Digital Piano Operations

■ To register a setup

• Specifying a bank and area that already has data stored

to it in the procedure below causes the recorded data

to be deleted. For information about banks and areas,

see “

Setup Storage Locations” (page EN-40).

Use the 3 mode selector button to cycle

through settings until the “RHYTHM” or

“ACCOMP” indicator is lit.

Configure the Digital Piano with the setup you

want to register.

Use the bp^ button to cycle through settings

until the “^REG.” indicator to the right of the

button is lit.

Select bank you want to use as the registration

destination.

• Touch bq BANK to cycle to the next bank number.

• Use the bk – and bl + buttons to select a bank

number.

Select the area where you want to store the

setup.

While holding down cl STORE, touch an area button

from br Area 1 to ck Area 4.

This causes “Sure?” to appear on the display.

• To exit setup registration at this time, touch bk –.

To register the setup, touch bl +.

This completes the registration operation and displays

“Complete”.

■ To recall a registered setup

Use the 3 mode selector button to cycle

through settings until the “RHYTHM” or

“ACCOMP” indicator is lit.

Use the bp^ button to cycle through settings

until the “^REG.” indicator to the right of the

button is lit.

Enable or disable the freeze function as

required.

• The “FZ” indicator on the display indicates that the

freeze function is enabled. There is no indicator when

the function is disabled. To toggle the freeze function

setting between enabled (“FZ” displayed) and disabled

(“FZ” not displayed), hold down the bq BANK button.

• For details about the freeze function, see “

Freeze

Function

” (page EN-42).

Use bq BANK, or bk – and bl + to select the

bank of the setup you want to recall.

Registering and Recalling a Setup

[

REG I STRAT I ON

]

Bank : 02

Bank number

[

STORE

]

2-1

–

NO YES

Su r e?

Bank number - Area number

[

REG I STRAT I ON

]

Bank : 02

Digital Piano Operations

EN-42

Touch one of the buttons from br Area 1

through ck Area 4 to select the area where the

setup you want to recall is located.

This recalls the setup.

• This causes the Digital Piano’s settings to change in

accordance with the setup you recalled.

■ Freeze Function

Recalling a registered setup normally overwrites all of the

settings shown under “

Registration Memory Data” (page

EN-40). You can also use the freeze function to specify

particular settings that should not be overwritten when a setup

registration is recalled.

For FUNCTION parameter numbers

59 to 70 (parameters

included in

58 “FREEZE”) select either “On” (maintain current

setting) or “Off” (overwrite current setting) to specify what

should happen when a setup is recalled.

• For information about what settings are maintained when

“On” is selected for a FUNCTION parameter number, see

“

Registration Memory Data” (page EN-40).

• For information about FUNCTION parameters, see

“

Configuring Function Settings (FUNCTION Mode)” (page

EN-53).

You can configure Digital Piano settings so each press of a

pedal scrolls through and selects setups you registered with

the registration function.

■ To specify the pedal for recalling setups

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence:

“REGISTRATION” 3 “SEQ PED RECALL”.

Use the bk U and bl I buttons to select a

pedal jack and then touch bm ENTER.

Use the bk – and bl + buttons to change the

pedal jack setting.

• For information about pedal operations that can be

performed while each setting is selected, see “

To play

using the sequential pedal recall function

” (page

EN-43).

• Specifying “Inc” or “Dec” for a jack will cause the pedal

connected to it to function as a registration setup recall

pedal only. Any functions assigned to the jack by

“Damper Target” (page

EN-7) or “Exp/Asgn Target”

(page

EN-9) will be disabled for that jack.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

[

REG I STRAT I ON

]

AREA 1

Bank : 02

Using a Pedal to Cycle Through Multiple

Setups (Sequential Pedal Recall)

To select this pedal jack: Display this:

cr DAMPER PEDAL jack Damper Pedal

dl EXPRESSION/ASSIGNABLE jack Exp/Asgn Pedal

To do this: Display this:

Enable pedal recall so setups scroll

forward

Inc

Enable pedal recall so setups scroll

back

Dec

Disable pedal recall Off

EN-43

Digital Piano Operations

■ To play using the sequential pedal recall function

Connect the included pedal or a separately

available CASIO sustain pedal to the jack for

which you specified “Inc” or “Dec” in step 4 of

the procedure under “

To specify the pedal for

recalling setups” (page EN-42).

At the point when you want to recall the

registration setup, press the pedal.

When “Inc” is specified:

• Each short-press and release of the pedal cycles

forward through registration setup bank numbers and

area numbers (1-1, 1-2, 1-3, 1-4, 2-1, 2-2…).

• Each long-press and release of the pedal cycles back

through registration setups (2-2, 2-1, 1-4, 1-3…).

When “Dec” is specified:

• Each short-press and release of the pedal cycles back

through registration setup bank numbers and area

numbers (24-4, 24-3, 24-2, 24-1, 23-4, 23-3…).

• Each long-press and release of the pedal cycles

forward through registration setups (23-3, 23-4, 24-1,

24-2…).

■ To disable the sequential pedal recall function

Perform the procedure under “

To specify the pedal for

recalling setups

” (page EN-42). In step 4 of the procedure,

display the “Off” setting.

The MIDI recorder records Digital Piano keyboard play as

MIDI data. Recorded data is stored as SONG Mode (page

EN-12) song numbers 11 through 15.

• You can have up to five recorded songs in memory.

• Three-track multi-track recording is supported for each

song.

• A maximum of approximately 30,000 notes (total for three

tracks) can be recorded for each song.

• CASIO COMPUTER CO., LTD. takes no responsibility

for any damages, lost profits, or claims by third parties

arising from the deletion of recorded data due to

malfunction, repair, or for any other reason.

■ How the Digital Piano records your performances

(MIDI Recorder)

Your Digital Piano has two recorders: a MIDI recorder and an

audio recorder. Instead of audio (audio data), the MIDI

recorder described in this section records keyboard

performance information (keyboard key press and release,

touch pressure, etc.) as MIDI data.* The size of MIDI data is

much smaller when compared with audio data, making it

easier to edit later on a computer, etc.

* MIDI

MIDI is short for “Musical Instrument Digital Interface”. It is a

universal standard that makes it possible for musical

instruments, computers, and other devices to exchange

performance information (keyboard key press/release, touch

pressure, etc.) regardless of manufacturer. Performance data

in this case is called “MIDI data”.

■ Recorder Tracks and Recorded Data

The MIDI recorder of the Digital Piano is a three-track multi-

track recorder.

Recorder track types are a system track and two solo tracks,

and the data that can be recorded depends on the track type.

• System Track: The system track can be used to record

keyboard play using Auto Accompaniment. Layer, split, and

other keyboard settings can also be recorded.

• Solo Track 1, Solo Track 2: A solo track can be used to

record keyboard play using a single tone (Upper1).

These tracks can be overdubbed as shown below.

Using the MIDI Recorder to

Record Performances

System Record Playback Playback

Solo 1 (Empty)

Record Playback

Solo 2 (Empty) (Empty)

Record

Digital Piano Operations

EN-44

■ Recorded Data for Each Track

The symbols below are used in the “System” column to indicate items that can be recorded to the system track, and in the “Solo”

column to indicate items that can be recorded to solo tracks 1 and 2.

*1 Damper, soft, sostenuto, expression

*2 Upper1 part only

■ Saving to an External Device

After you create a recording with the Digital Piano, you can save the resulting data to a USB flash drive. See “

USB Flash Drive

Operations

” (page EN-62).

: Recorded

× : Not recorded

Operation or Setting System Solo

Tempo  ×

Beat  ×

Rhythm Number  ×

Rhythm Controller Operations  ×

Accompaniment Volume  ×

Accompaniment Keyboard

Operations

 ×

Scale Settings  ×

Stretch Tuning  ×

Accomp Scale On/Off  ×

Duet Settings  ×

Keyboard Volume  ×

Hall Simulator/Reverb

On/Off  ×

Type  ×

Depth  ×

Surround Settings  ×

Chorus Type  ×

Brilliance  ×

Acoustic Simulator Settings  ×

Keyboard Operations

Upper1 

Upper2  ×

Lower  ×

Auto Harmonize  ×

Arpeggiator 

Tone Number

Upper1 

Upper2  ×

Lower  ×

DSP  

Pedal Operation*



Octave Shift  *

Part Volume *

Fine Tuning  *

Pitch Bend Wheel Operations 

Pitch Bend Range  

Knob operations

Cut Off Frequency  

Resonance 

Brilliance  ×

Reverb Send 

Chorus Send  

Attack Time 

Release Time  

Vibrato Rate 

Vibrato Depth  

Delay Vibrato Time 

Portamento Time  

Modulation Depth 

Layer Volume Balance  *

Upper2 Fine Tune  ×

Upper1 Pan  

Upper2 Pan  ×

Lower Volume  ×

Lower Pan  ×

Keyboard Chorus Send  *

Keyboard Reverb Send *

Keyboard Volume  ×

Accompaniment Volume  ×

Song Volume × ×

DSP Parameter 1 

DSP Parameter 2  

Operation or Setting System Solo

EN-45

Digital Piano Operations

• When the remaining recordable note count is 100 or

lower during recording, the bo REC0 button will flash.

When the remaining recordable note count becomes

zero, recording will stop automatically and the

bo REC0 button light will stop flashing and turn off.

• Should power fail during recording, all of the data in

the track you are recording will be deleted.

■ Getting Ready to Use the MIDI Recorder

Your Digital Piano has two recorders: a MIDI recorder and an

audio recorder. Depending on the type of data you want to

record or play back, you first need to select the MIDI Mode or

Audio Mode.

• The MIDI recorder can be used while the Digital piano is in

the MIDI Mode. If the Digital Piano is in the Audio Mode,

perform the procedure below (Step 1) to switch to the MIDI

Mode.

• Note that the Digital Piano is in the MIDI Mode under initial

default settings, so the operation below (Step 1) is not

necessary if you have not changed the setting.

Perform the steps below to put the Digital

Piano into the MIDI Mode.

(1) Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

(2) Use the bk U and bl I buttons to select the

following menu items in sequence: “SONG” 3

“Song Type”.

(3) Use the bk – and bl + buttons to change the setting

to “MIDI”.

(4) To exit the FUNCTION mode, hold down bp EXIT

until “[FUNCTION]” disappears from the display.

If required, perform the procedure under “To

configure recording settings” (page EN-48).

• You can configure the settings below. This operation is

not necessary if you plan to use initial default settings.

Beats (Default: 4), Metronome (Default: Mute), Pre-

count (Default: Mute)

■ Operations that Start Recording

While the MIDI recorder or audio recorder (page

EN-49) is in

record standby, any one of the operations below will start

recording.

• Playing something on the keyboard

• Pressing a pedal

• Operating the cn PITCH BEND wheel, cm (K1) knob, or

(K2) knob

• Touching 8 START/STOP, 5 NORMAL/FILL-IN,

6 VARIATION/FILL-IN, or 4 INTRO

• Recalling a Registration Memory setup (page

EN-41)

■ To record to the system track

• Before performing the procedure below, read the section

titled “

Getting Ready to Use the MIDI Recorder” (page

EN-45).

• The procedure below records to the system track of the

lowest numbered MIDI recorder area (song numbers 11 to

15) that does not yet have anything recorded.

Configure the tone, rhythm, effects, tempo, and

other settings you want to use during

recording.

• For setting items that can be recorded at the beginning

of a recording, see the “System” column in the table

under “

Recorded Data for Each Track” (page EN-44).

Touch bo REC0.

This enters record standby, indicated by bo REC0

flashing red.

• To cancel recording, touch bo REC0 again.

• If the MIDI recorder already has the maximum

allowable number of songs recorded, the message

“Data Full” will appear on the display, and the Digital

Piano will exit record standby. If this happens, use the

procedure under “

To delete a MIDI recorder song”

(page

EN-49) to delete song data you no longer need

to make room.

To start recording, play something on the

keyboard or touch 8 START/STOP.*

This causes bo REC0 to stop flashing and remain lit

red, which indicates that recording is in progress.

* Recording can also be started using other operations.

For details, see “

Operations that Start Recording”

(page

EN-45).

To stop recording, touch bo REC0.

• This will automatically enter the SONG Mode, with

what you just recorded selected for playback.

To play back the song you just recorded, touch

8a.

Recording and Playing Back Keyboard Play

Digital Piano Operations

EN-46

■ To select a track number before recording

Use the 3 mode selector button to cycle

through settings until the “SONG” (SONG

Mode) indicator is lit.

Use the bk – and bl + buttons to select a song

number.

• Song numbers 11 through 15 are MIDI recorder areas.

If necessary, you can touch 8a to check whether

or not the selected area already has something

recorded to it.

• To record to the song number you select here, perform

the procedure under “

To record to the system track”

(page

EN-45). If the system track of the selected song

number already has recorded data, it will be

overwritten by the new recording.

■ To overdub record a solo track over a recorded

system track

• If you are performing the procedure below immediately

following the procedure under “

To record to the system

track

” (page EN-45), you do not need to enter the SONG

Mode or select a song. Therefore, you should skip steps 1

and 2 below.

Use the 3 mode selector button to cycle

through settings until the “SONG” (SONG

Mode) indicator is lit.

Use the bk – and bl + buttons to select the

song number of a MIDI recorder song that was

recorded to the system track.

• Song numbers 11 through 15 are for songs recorded

with the MIDI recorder. If necessary, you can touch

8a to play back the song and check its contents.

Configure tone and other settings you want to

use for recording.

• For setting items that can be recorded at the beginning

of a recording, see the “Solo” column in the table

under “

Recorded Data for Each Track” (page EN-44).

Touch bo REC0.

This enters record standby, indicated by bo REC0

flashing red.

Hold down the bo REC0 button until “[MIDI

REC SETTING]” appears on the display.

After confirming that “Rec Track” is displayed,

touch bm ENTER.

Use the bk – and bl + buttons to select a

track.

• The display will show “Solo 1” or “Solo 2” depending

on the solo track you select.

To start recording, play something on the

keyboard or touch 8 START/STOP.*

This simultaneously starts playback of the system track

and recording to the solo track you selected in step 7

above.

This causes bo REC0 to stop flashing and remain lit

red, which indicates that recording is in progress.

* Recording can also be started using other operations.

For details, see “

Operations that Start Recording”

(page

EN-45).

To stop recording, touch bo REC0.

10.

To play back the song you just recorded, touch

8a.

• This will play back the contents of both the system

track and the solo track.

• If you want to overdub record the other solo track,

perform steps 3 through 10 again, selecting the

remaining (unrecorded) solo track in step 7.

[

IDI REC SETTING

]

–

Sys t e

Rec Tr ack

EN-47

Digital Piano Operations

■ To re-record part of a recorded track (punch-in

recording)

• You can use punch-in recording to re-record a particular

section in a specific track in a MIDI recorder song.

• If you want, you can specify the start measure for playback

during punch-in recording. If you do not specify a start

measure, playback will start from the first measure of the

song. For more information, see “

Configuring Recording

Settings (Pre-count, Metronome, Beat, Punch-in Measure)

”

(page

EN-48).

Specify the song number of the MIDI recorder

song that contains the track you want to re-

record.

(1) Use the 3 mode selector button to cycle through

settings until the “SONG” (SONG Mode) indicator is

lit.

(2) Use the bk – and bl + buttons to select a song

number.

• Song numbers 11 through 15 are for songs

recorded with the MIDI recorder. If necessary, you

can touch 8a to play back the song and check

its contents.

Touch bo REC0.

This enters record standby, indicated by bo REC0

flashing red.

Hold down the bo REC0 button until “[MIDI

REC SETTING]” appears on the display.

Select the track you want to re-record.

(1) After confirming that “Rec Track” is displayed, touch

bm ENTER.

(2) Use the bk – and bl + buttons to select a track.

(3) Touch bp EXIT.

Select punch-in recording as the track

recording type.

(1) Use the bk U and bl I buttons to display “Rec

Type” and then touch bm ENTER.

(2) Use the bk – and bl + buttons to select “Punch In”.

Touch 8 START/STOP.

This starts song playback.

• To stop punch-in recording, touch 8 START/STOP

again.

When playback reaches the point from which

you want to re-record, start playing on the

keyboard.

This starts recording and causes the red bo REC0 light

to change from flashing to lit.

• You can also start recording by touching bo REC0.

In this case, rests are inserted at the beginning of the

song until you start playing something on the

keyboard.

To stop recording, touch bo REC0.

• The above procedure re-records the track you select in

step 4, from the point you started recording in step 7

until you stop recording in step 8.

To select this track: Display this:

System Track System

Solo Track 1 Solo 1

Solo Track 2 Solo 2

Digital Piano Operations

EN-48

The settings shown below are available for recording.

■ To configure recording settings

Touch bo REC0.

This enters record standby, indicated by bo REC0

flashing red.

Hold down the bo REC0 button until “[MIDI

REC SETTING]” appears on the display.

Use the bk U and bl I buttons to display the

item (“Precount”, “Metronome”, “Beat”,

“PunchInMeasure”) whose setting you want to

change and then touch bm ENTER.

Use the bk – and bl + buttons to change the

setting.

Touch bp EXIT.

• For multiple settings, repeat steps 3 through 5 above

for each item you want to configure.

After the setting is the way you want, touch

bo REC0.

Configuring Recording Settings (Pre-count,

Metronome, Beat, Punch-in Measure)

Displayed

Setting

Description and Options

Precount Specifies whether or not to sound a pre-

count to signal the start of recording.

Off: Pre-count does not sound.

Recording starts as soon as you

touch 8 START/STOP or when

you play something on the keyboard.

1 Measure / 2 Measure:

A one-measure or two-measure pre-

count sounds when you touch

8 START/STOP or play

something on the keyboard while in

record standby. If you start recording

by touching 8 START/STOP,

recording will start after the pre-

count, along with playback of the

rhythm pattern. If you start by playing

something on the keyboard,

recording will start after the pre-

count, without playing the rhythm

pattern.

Metronome Specifies whether or not the metronome

should sound during recording.

On: Metronome sounds during recording.

Off: Metronome does not sound during

recording.

Beat Specifies the metronome beat during

recording.

0: 1 beat. While the metronome is

sounding during recording, all beats

are a click sound.

1: 1 beat. While the metronome is

sounding during recording, all beats

are a bell sound.

2 to 9: 2 beats to 9 beats. Specifies the

number of beats per measure.

While the metronome is sounding

during recording, the first beat of

each measure is a bell sound

while all remaining beats in the

measure are a click sound.

PunchInMeasure Specifies from which measure playback

should start when performing punch-in

recording (page

EN-47). For example, if

you want to re-record from measure 28,

you could start playback from measure

24. That way you would need to listen to

only four measures of recording before

starting the punch-in operation.

You can specify a measure number in

the range of 001 (beginning of the song)

to 999 (the maximum number of

measures allowed in a song).

Displayed

Setting

Description and Options

EN-49

Digital Piano Operations

Use the procedures in this section to delete a single song in

its entirety, or a particular track of a song.

■ To delete a MIDI recorder song

Use the 3 mode selector button to cycle

through settings until the “SONG” (SONG

Mode) indicator is lit.

Use the bk – and bl + buttons to select the

song number of the MIDI recorder song you

want to delete.

• Song numbers 11 through 15 are for songs recorded

with the MIDI recorder. If necessary, you can touch

8a to play back the song and check its contents.

Hold down the bo REC0 button until “Song

Clear” appears on the display.

Touch bm ENTER.

This causes “Sure?” to appear on the display.

To delete the song, touch bl +. To exit this

operation without deleting anything, touch

bk –.

■ To delete a particular MIDI recorder track

Perform steps 1 through 3 under “To delete a

MIDI recorder song” (page EN-49).

Use the bk U and bl I buttons to display

“Track Clear” and then touch bm ENTER.

Use the bk U and bl I buttons to display the

track you want to delete.

Touch bm ENTER.

This displays “Sure?”

To delete the track, touch bl +. To exit this

operation without deleting anything, touch

bk –.

The audio recorder records Digital Piano keyboard play as

audio data. Recordings are stored as WAV files (linear PCM,

16bit, 44.1kHz, stereo) to the USB flash drive in the Digital

Piano’s cq USB Type A port.

• Never remove the USB flash drive while Audio

Recorder recording or playback is in progress. Doing

so can corrupt the data on the USB flash drive and

damage the cq USB Type A port.

• For precautions when handling a USB flash drive, see

“

USB Flash Drive” (page EN-60).

• For information about the USB flash drive formats

supported by your Digital Piano, see “

Supported USB

Flash Drives

” (page EN-60).

■ To prepare to use the audio recorder

Perform the steps below to put the Digital

Piano into the Audio Mode.*

(1) Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

(2) Use the bk U and bl I buttons to select the

following menu items in sequence: “SONG” 3

“Song Type”.

(3) Use the bk – and bl + buttons to change the setting

to “Audio”.

(4) To exit the FUNCTION mode, hold down bp EXIT

until “[FUNCTION]” disappears from the display.

Insert the USB flash drive into the Digital

Piano’s cq USB Type A port.

• Carefully push the USB flash drive in as far as it will

go. Do not use undue force when inserting the USB

flash drive.

• When the Digital Piano detects the USB flash drive,

the message “MOUNTING” will appear on the display.

Do not perform any operation while this message is

displayed. Wait until it disappears.

* Your Digital Piano has two recorders: a MIDI recorder and

an audio recorder. Depending on the type of data you want

to record or play back, you first need to select the MIDI

Mode or Audio Mode.

Deleting a MIDI Recorder Song

To delete this track: Display this:

System Track System

Solo Track 1 Solo 1

Solo Track 2 Solo 2

Using the Audio Recorder to

Record Performances

cq USB Type A port

USB flash drive

Digital Piano Operations

EN-50

■ To record a keyboard performance onto a USB

flash drive

Perform the procedure under “To prepare to

use the audio recorder” (page EN-49).

Touch bo REC0.

This enters record standby, indicated by bo REC0

flashing red.

The Digital Piano will enter the RHYTHM Mode at this

time if it is in the SONG Mode.

• To cancel recording, touch bo REC0 again.

To start recording, play something on the

keyboard or touch 8 START/STOP.*

This causes bo REC0 to stop flashing and remain lit

red, which indicates that recording is in progress.

* Recording can also be started using other operations.

For details, see “

Operations that Start Recording”

(page

EN-45).

• The maximum allowable recording time with the audio

recorder is approximately 25 minutes, after which recording

will stop automatically. bo REC0 will start to flash to let

you know when you are running out of recording time, so

end your recording as soon as possible after flashing starts.

To stop recording, touch bo REC0.

• This will store the recording as a WAV file to the USB

flash drive. Files are automatically assigned names in

sequence from “TAKE01.WAV” through

“TAKE99.WAV”.

• The Digital Piano will automatically switch to the

SONG Mode with the file it just stored selected for

playback.

To play back the song you just recorded, touch

8a.

■ To select and playback a file recorded with the

audio recorder

Perform the procedure under “To prepare to

use the audio recorder” (page EN-49).

Use the 3 mode selector button to cycle

through settings until the “SONG” (SONG

Mode) indicator is lit.

Use the bk – and bl + buttons to select the file

you want to play.

To start playback, touch 8a.

• Playback stops automatically when the end of the file

is reached. To stop playback part way through, touch

8a.

■ To delete a file recorded with the audio recorder

Perform the procedure under “To prepare to

use the audio recorder” (page EN-49).

Use the 3 mode selector button to cycle

through settings until the “SONG” (SONG

Mode) indicator is lit.

Use the bk – and bl + buttons to select the file

you want to delete.

Hold down bo REC0 until “Sure?” appears on

the display.

To delete the file, touch bl +. To exit this

operation without deleting anything, touch

bk –.

EN-51

Digital Piano Operations

Your Digital Piano has a MIDI player that can play back the

MIDI file types described below.

■ Playable songs

■ Getting Ready to Use the MIDI player

Your Digital Piano has two players: a MIDI player and an

audio player. Depending on the type of data you want to

record or play back, you first need to select the MIDI Mode or

Audio Mode.

• The MIDI player can be used while the Digital piano is in the

MIDI Mode. If the Digital Piano is in the Audio Mode,

perform the procedure below to switch to the MIDI Mode.

• Note that the Digital Piano is in the MIDI Mode under initial

default settings, so the operation below is not necessary if

you have not changed the setting.

Perform the steps below to put the Digital

Piano into the MIDI Mode.

(1) Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

(2) Use the bk U and bl I buttons to select the

following menu items in sequence: “SONG” 3

“Song Type”.

(3) Use the bk – and bl + buttons to change the setting

to “MIDI”.

(4) To exit the FUNCTION mode, hold down bp EXIT

until “[FUNCTION]” disappears from the display.

■ To select and play back a song

If you want to play a song stored on a USB

flash drive, insert the drive into the Digital

Piano’s cq USB Type A port.

• After mounting of the USB flash drive is complete, the

Digital Piano will start to read a list of songs on the

drive, which is indicated by the message “WAIT” on

the display. Wait until the read operation is complete.

• For precautions when handling a USB flash drive, see

“

USB Flash Drive” (page EN-60).

Use the 3 mode selector button to cycle

through settings until the “SONG” (SONG

Mode) indicator is lit.

Use the bk – and bl + buttons to select a song

number.

• Selecting some songs will initially cause “LOADING” to

be displayed. This indicates that data is being loaded.

Listening to Songs (MIDI Player)

Song Type Description

User songs You can add up to 10 songs to Digital Piano

memory as user songs (Song Number 1

through 10). To add user song data (up to

320 KB per song of data that is playable by

this Digital Piano), store it on a USB drive or

smart device and then transfer the song

data to Digital Piano memory. For details,

see “

USB Flash Drive Operations” (page

EN-62) and “Linking with a Smart Device

(APP Function)

” (page EN-66).

MIDI recorder

songs

Songs recorded with the Digital Piano’s

MIDI recorder. See “

Using the MIDI

Recorder to Record Performances

” (page

EN-43).

USB memory

songs

You can easily play standard MIDI files

(SMF format 0/1) or CASIO MIDI files (CMF

format) saved on a USB flash drive without

importing them into the Digital Piano user

song area. For information about how to

store song data, see “

Using a Computer to

Copy General Song Data to a USB Flash

Drive

” (page EN-65).

Song Number Song Type

1 to 10 User songs

11 to 15 MIDI recorder songs

16 to 999 USB memory songs

Digital Piano Operations

EN-52

To start playback of the selected song, touch

8a.

• The yellow and red LEDs above the 8a button will

flash in time with the beat (yellow for beat 1, red for the

remaining beats of each measure).

• The operations below can be performed while

playback is in progress.

• Playback ends automatically when the end of the song

is reached.

■ To play a song with one of hand parts muted (for

practice of the muted part)

• This procedure can be used for a user song or a song on a

USB flash drive.

Perform steps 1 and 2 under “Getting Ready to

Use the MIDI player” (page EN-51).

If you want, you could use the procedure under

“Changing the Auto Accompaniment and Song

Tempo” (page EN-38) to specify the tempo.

Use the 4 PART button to select the part you

want to mute.

• Each touch of 4 PART cycles through the playback

part settings. The currently selected playback part(s) is

indicated by the “L” and “R” indicators that appear in

the bottom of the display.

To start playback, touch 8a.

• Play the muted part along with the playback.

• You can also change the tempo setting during

playback.

• Playback will stop automatically when the end of the

song is reached. To stop playback of a song part way

through, touch 8a.

• When playing back a standard MIDI file (SMF format)

stored on a USB flash drive, channel 3 will be assigned to

the left-hand part while channel 4 will be assigned to the

right-hand part.

■ To import song settings as keyboard

performance settings

• The procedure below can be used to import the settings

below, which are recorded at the beginning of a selected

song, as keyboard performance settings.

Tempo, hall simulator/reverb settings (On/Off, type, depth),

surround settings (MIDI recorder songs only), chorus type,

brilliance setting (MIDI recorder songs only), scale setting

(MIDI recorder songs only)

Perform steps 1 and 2 under “Getting Ready to

Use the MIDI player” (page EN-51).

Hold down the 3 mode selector button until

“COMPLETE” appears on the display.

This imports the settings of the selected song as

keyboard performance settings.

■ To delete a user song

Use the 3 mode selector button to cycle

through settings until the “SONG” (SONG

Mode) indicator is lit.

Use the bk – and bl + buttons to select the

song number (1 to 10) of the user song you

want to delete.

• If necessary, you can touch 8a to play back the

song and check its contents.

Hold down the bo REC0 button until “Sure?”

appears on the display.

To delete the song, touch bl +. To exit this

operation without deleting anything, touch

bk –.

To do this: Perform this operation:

Stop playback Touch 8a.

Pause playback Touch 7 k.

Change playback

tempo (speed).

See “

Changing the Auto

Accompaniment and Song Tempo

”

(page

EN-38).

Skip forward one

measure.

Touch 6d.

Fast forward Hold down 6d.

Skip back one

measure.

Touch 5s.

Fast backward Hold down 5s.

This indicator Means this:

LR Both the left- and right-hand parts play.

L Just the left-hand part plays, with the right-

hand part muted.

R Just the right-hand part plays, with the left-

hand part muted.

Both the left- and right-hand parts muted.

EN-53

Digital Piano Operations

The FUNCTION Mode makes it possible to configure function settings using a menu format. There are two types of menu items:

directories and parameters.

The table below shows a representative example of some menu items provided in the FUNCTION Mode. Items marked “(DIR)” in

the table are directories, while all of the other items are parameters.

For a list of all the directories and parameters included in the FUNCTION Mode, See “

FUNCTION Mode Menu Items” (page

EN-55).

■ To change FUNCTION parameter settings

Referring to “FUNCTION Mode Menu Items” (page EN-55), check the parameters whose settings you

want to change and their top directories.

Hold down the bp^ button until “[FUNCTION]” appears on the display.

This enters the FUNCTION Mode and displays its top menu.

• The FUNCTION Mode top menu screen shows “[FUNCTION]” in the top line, and the name of the currently selected

directory in line 2. Directory names are all-caps.

Configuring Function Settings (FUNCTION Mode)

Directory : A directory is a group of multiple parameters.

Parameter : A parameter is an actual configurable setting. After you select the “Touch Response” parameter, for example, you can

change its setting as desired.

Parameter Name or Directory Name Display Settings

Sound (DIR) SOUND –

Acoustic Simulator (DIR) ACOUSTIC SIMU. –

String Resonance String Reso. Tone, Off, 1 - 4

Damper Resonance Damper Reso. Tone, Off, 1 - 4

Damper Noise Damper Noise Tone, Off, 1 - 4

Key On Action Noise Key On Noise Tone, Off, 1 - 4

Key Oﬀ Action Noise Key Off Noise Tone, Off, 1 - 4

Effect (DIR) EFFECT –

Chorus Type Chorus Type Tone, 1 - 12

...

[

FUNCT I ON

]

SOUND

Directory name

EN-54

Digital Piano Operations

Display the name of the parameter whose setting you want to change.

• For example, to display the “Chorus Type” parameter, you need to navigate through multiple directories in the following

sequence: “SOUND” (directory) 3 “EFFECT” (directory) 3 “Chorus Type” (parameter). Perform the procedure below.

(1) Use the bk U and bl I buttons to display “SOUND” and then touch bm ENTER.

• This enters the “SOUND” directory.

(2) Use the bk U and bl I buttons to display “EFFECT” and then touch bm ENTER.

• This enters the “EFFECT” directory.

(3) Use the bk U and bl I buttons to display “Chorus Type”.

• To exit the current directory and return to the level above it, touch bp EXIT.

After displaying the parameter name, touch bm ENTER.

This displays the parameter setting editing screen, with the parameter’s current setting shown in line 3.

Use the bk – and bl + buttons, or cm (K1) knob to change the setting.

• To return to the initial default setting, touch bk – and bl + at the same time.

After the setting is the way you want, exit the parameter editing screen by touching bp EXIT.

To exit the FUNCTION Mode, hold down bp EXIT until “[FUNCTION]” disappears from the display.

• The above steps are the basic procedure of the FUNCTION Mode. Some items included in the FUNCTION Mode require

operations that are different from those above. Refer to the information below.

For information about this item: Go here:

Operation Lock “

Using Operation Lock” (page EN-59)

Setting Reset “

To return all Digital Piano settings to their initial factory defaults (Setting Reset)” (page

EN-60)

Factory Reset “

To return all Digital Piano settings and data to their initial factory defaults (Factory

Reset)

” (page EN-60)

[

FUNCT I ON

]

–

Tone

Cho r us T

EN-55

Digital Piano Operations

■ FUNCTION Mode Menu Items

• For information about general procedures for changing the settings in the list below, see “

To change FUNCTION parameter

settings

” (page EN-53).

• A function whose name has “(DIR)” at the end is a directory, which contains multiple sub-directories and parameters.

No. Parameter Name or Directory Name Display Settings

1 Sound (DIR) SOUND –

Acoustic Simulator (DIR) ACOUSTIC SIMU. –

String Resonance String Reso. Tone, Off, 1 - 4

Damper Resonance Damper Reso. Tone, Off, 1 - 4

Damper Noise Damper Noise Tone, Off, 1 - 4

Key On Action Noise Key On Noise Tone, Off, 1 - 4

Key Off Action Noise Key Off Noise Tone, Off, 1 - 4

Effect (DIR) EFFECT –

Chorus Type Chorus Type See page EN-25

10 Brilliance Brilliance –3 - +3

Keyboard (DIR) KEYBOARD –

Touch Response Touch Response See page EN-19

13 Keyboard Volume KeyboardVolume 0 - 127

Part Volume (DIR) PART VOLUME –

Upper1 Part Upper1 Part 0 - 127

Upper2 Part Upper2 Part 0 - 127

Lower Part Lower Part 0 - 127

Part Octave Shift (DIR) PART OCT SHIFT –

Upper1 Part Upper1 Part –2, –1, 0, +1, +2

Upper2 Part Upper2 Part –2, –1, 0, +1, +2

Lower Part Lower Part –2, –1, 0, +1, +2

Part Fine Tuning (DIR) PART FINE TUNE –

Upper1 Part Upper1 Part –99 - 0 - +99

Upper2 Part Upper2 Part –99 - 0 - +99

Lower Part Lower Part –99 - 0 - +99

Scale Tuning (DIR) SCALE TUNING –

Scale Type Scale Type See page EN-30

28 Scale Base Note Scale Base Note C - B

Stretch Tuning Stretch Tuning On, Off

Accompaniment Scale Accomp Scale On, Off

Duet (DIR) DUET –

Duet Mode Duet Mode Off, On, Pan

Right-Side Keyboard Octave Upper Octave –2 - +2

Left-Side Keyboard Octave Lower Octave –2 - +2

EN-56

Digital Piano Operations

35 Pedal/Wheel (DIR) PEDAL/WHEEL –

Damper pedal (DIR) DAMPER PEDAL –

Pedal Target Pedal Target See page EN-7

38 Upper1 Part Upper1 Part On, Off

Upper2 Part Upper2 Part On, Off

Lower Part Lower Part On, Off

Expression/assignable pedal (DIR) EXP/ASGN PEDAL –

Pedal Type Pedal Type See page EN-9

43 Pedal Target Pedal Target See page EN-9

44 Upper1 Part Upper1 Part On, Off

Upper2 Part Upper2 Part On, Off

Lower Part Lower Part On, Off

Expression Pedal Calibration Exp Calibration See page EN-9

48 Pedal Unit (DIR) PEDAL UNIT –

Upper1 Part Upper1 Part On, Off

Upper2 Part Upper2 Part On, Off

Lower Part Lower Part On, Off

Pitch Bend Wheel (DIR) WHEEL –

Pitch Bend Range P Bend Range 0 - 24

Upper1 Part Upper1 Part On, Off

Upper2 Part Upper2 Part On, Off

Lower Part Lower Part On, Off

Registration (DIR) REGISTRATION –

Freeze Target (DIR) FREEZE –

Pedal/Wheel Pedal/Wheel On, Off

Knob Knob On, Off

Scale Tuning Scale Tuning On, Off

Touch Response Touch Response On, Off

Sound Mode Sound Mode On, Off

Effect Effect On, Off

Transpose Transpose On, Off

Split Point Split Point On, Off

Arpeggiator/Auto Harmonize Arpeg./A.Harmo. On, Off

Tempo Tempo On, Off

Auto Accompaniment Accompaniment On, Off

Tone Tone On, Off

Sequential Pedal Recall (DIR) SEQ PED RECALL –

Damper Pedal Damper Pedal Inc, Dec, Off

Expression/assignable Pedal Exp/Asgn Pedal Inc, Dec, Off

No. Parameter Name or Directory Name Display Settings

EN-57

Digital Piano Operations

74 Auto Accompaniment (DIR) ACCOMPANIMENT –

Accomp Volume Accomp Volume 0 - 127

Chord Mode Chord Mode See page EN-34

77 Music Preset Key Shift MP Key Shift –5 - 0 - +6

Arpeggiator/Auto Harmonize (DIR) ARPEG./A.HARMO. –

Type Select Type Select A.Harmo., Arpeggiator

Arpeggio Hold Arpeggio Hold On, Off

Arpeggio Part Arpeggio Part Upper1&2, Upper1

Song (DIR) SONG –

Song Type Song Type MIDI, Audio

MIDI Song Metronome MIDI Metronome On, Off

MIDI Song Volume MIDI Volume 0 - 127

Audio Song Volume Audio Volume 0 - 127

Audio Song Center Cancel Audio C Cancel On, Off

Media (DIR) MEDIA See page EN-62

89 Wireless (DIR) WIRELESS –

Wireless Function Adaptor On, Off

Connection Status Connection Stat *

Notification Volume Level Notification Vol 0 - 127

Pairing Audio Pairing *

Pairing Information (Connection History) Reset Pairing Clear *

Input Audio Volume Level Audio Volume 0 - 127

Input Audio Center Cancel Audio C Cancel On, Off

Audio Input (DIR) AUDIO IN JACK –

Input Audio (AUDIO IN jack) Volume Level Volume 0 - 127

Input Audio (AUDIO IN jack) Center Cut Center Cancel On, Off

100

MIDI (DIR) MIDI –

101

Keyboard Channel Keyboard Chan 1 - 16

102

Local Control Local Control On, Off

103

Hi-Reso Velocity MIDI Out Hi-Reso MIDI Out On, Off

104

Accomp MIDI Out Accomp MIDI Out On, Off

No. Parameter Name or Directory Name Display Settings

EN-58

Digital Piano Operations

*1 Refer to the separate “Wireless MIDI & audio adaptor, Audio and Computer Connection Guide”.

*2 Specify whether to use the letter T (Letter) or the icon 2 (Icon) as the on-screen tempo indicator. The note icon displayed when

“Icon” is selected does not indicate any note value.

105

System (DIR) SYSTEM –

106

Tuning Master Tuning 415.5 - 465.9

107

Panel Light Setting Panel Light Off, 5, 30, 60, 120 (Seconds)

108

Operation Lock Operation Lock On, Off, Auto

109

Speaker Out Speaker Out On, Off, Auto

110

Auto Resume Auto Resume On, Off

111

Auto Power Off Auto Power Off On, Off

112

Power On Alert Power On Alert On, Off

113

Tempo Indicator Tempo Indicator Letter, Icon*

114

LCD Contrast LCD Contrast 1 - 17

115

Touch Button Sensitivity Touch Btn Sense –1 - 0 - +1

116

Setting Reset Setting Reset See page EN-60

117 Factory Reset Factory Reset See page EN-60

118 Version Information Version –

No. Parameter Name or Directory Name Display Settings

EN-59

Digital Piano Operations

Operation Lock disables button operations, except for the

1P (Power) button and the button operations required to

unlock operations. While Auto is selected for Operation Lock,

button operations are disabled during performances.*

* Pressing any key or pedal is interpreted as the start of a

performance and causes operation to be locked.

■ To lock operations

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

Use the bk U and bl I buttons to select the

following menu items in sequence: “SYSTEM”

3 “Operation Lock”.

Use the bk – and bl + buttons to change the

displayed setting from “Off” or “Auto” to “On”.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

■ To unlock operations

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

This enters the FUNCTION Mode.

The display appears as shown below when an operation

is locked.

Use the bk – and bl + buttons to change the

displayed setting from “On” to “Off” or “Auto”.

To exit the FUNCTION mode, hold down

bp EXIT until “[FUNCTION]” disappears from

the display.

Use the FUNCTION parameters below to change the Digital

Piano’s MIDI settings. For information about FUNCTION

parameters, see “

Configuring Function Settings (FUNCTION

Mode)

” (page EN-53).

Using Operation Lock

[

FUNCT I ON

]

–

erat ion Lock

Configuring MIDI Settings

Setting FUNCTION Parameter

Keyboard Channel

This setting specifies a channel

from 1 through 16 as the MIDI

channel that can be used for

sending data to an external

device.

Keyboard Chan

(number

101)

Local Control

When this setting is turned off,

performance information (MIDI

data) is sent from the Digital

Piano, but no Digital Piano

sound is output. This setting is

for when you only want to send

MIDI data to an external device.

Local Control

(number

102)

Hi-Reso Velocity MIDI Out

This setting enables/disables

high-resolution MIDI output of

touch pressure (velocity) when

keyboard keys are pressed.

Hi-Reso MIDI Out

(number

103)

Accomp MIDI Out

Enabling this setting outputs

Auto Accompaniment

information as MIDI data.

Accomp MIDI Out

(number

104)

EN-60

You can use the procedure below to delete all data, and reset

settings and other system contents to return them to their

initial factory defaults.

■ To return all Digital Piano settings and data to

their initial factory defaults (Factory Reset)

• This procedure also deletes user songs, MIDI recorder

song data, and registration data. Saving important data

to a USB flash drive (page

EN-63) is recommended

before performing this procedure.

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

Use the bk U and bl I buttons to display

“SYSTEM” and then touch bm ENTER.

Use the bk U and bl I buttons to display

“Factory Reset” and then touch bm ENTER.

This displays “Sure?”

To return the Digital Piano to its factory default

settings, touch bl +. To cancel this operation

without changing settings, touch bk –.

■ To return all Digital Piano settings to their initial

factory defaults (Setting Reset)

You can use the FUNCTION Mode to return all Digital Piano

settings to their initial factory defaults.

In step 3 of the procedure under “

To return all Digital Piano

settings and data to their initial factory defaults (Factory

Reset)

” (page EN-60), select “Setting Reset” in place of

“Factory Reset” and then touch bm ENTER.

Your Digital Piano supports the use of a commercially

available USB flash drive to perform the operations below.

Playing Back Song Data from a USB Flash Drive

Standard song data (MIDI files) that has been stored on a

USB flash drive with a computer can be played on your Digital

Piano.

• For information about how to store song data on a USB

flash drive, see “

Using a Computer to Copy General Song

Data to a USB Flash Drive

” (page EN-65).

• For information about the song data playback operation,

see “

Listening to Songs (MIDI Player)” (page EN-51).

Recording a Performance to a USB Flash Drive

See “

Using the Audio Recorder to Record Performances”

(page

EN-49) for information about how to record audio data

produced by performances on your Digital Piano to a USB

flash drive.

Saving and Importing Data

Data recorded with your Digital Piano (MIDI recorder songs,

registration setups, etc.) can be stored on a USB flash drive.

Data that has been stored with the Digital Piano, as well as

other data that is supported by the Digital Piano (user songs,

etc.) can be imported from a USB flash drive. For details, see

“

USB Flash Drive Operations” (page EN-62).

Capacity: 32GB or less recommended

• Operation of the above type of USB flash drive has

been confirmed, but this does not guarantee operation.

• Use a FAT (FAT32 or exFAT) format USB flash drive.

• You may not be able to use a USB flash drive that is

recognized as multiple drives on your computer.

• A USB flash drive that is recognized as a CD-ROM on

your computer is not supported.

• A USB flash drive with an anti-virus function and/or

security functions is not supported.

Deleting All Data in Digital Piano

Memory

USB Flash Drive

Supported USB Flash Drives

EN-61

USB Flash Drive

• Be sure to observe the precautions provided in the

documentation that comes with the USB flash drive.

• Avoid using a USB flash drive under the conditions

below. Such conditions can corrupt data stored on the

USB flash drive.

− Areas subjected to high temperature, high humidity,

or corrosive gas

− Areas subjected to strong electrostatic charge and

digital noise

• Never remove the USB flash drive while data is being

written to or loaded from it. Doing so can corrupt the

data on the USB flash drive and damage the cq USB

Type A port.

• A USB flash drive can become warm after very long

use. This is normal and does not indicate malfunction.

• Static electricity conducted to the cq USB Type A port

from your hand or from a USB flash drive can cause

malfunction of the Digital Piano. If this happens, turn

the Digital Piano off and then back on again.

• When you perform a USB flash drive operation or turn

on the Digital Piano while a USB flash drive is plugged

in, the Digital Piano initially needs to perform a

“mounting” sequence to prepare for data exchange

with the USB flash drive. Digital Piano operations may

be momentarily disabled while a mounting sequence is

being performed. The message “MOUNTING” is

displayed while the USB flash drive is being mounted.

It may take up to 10 or 20 seconds or even longer for a

USB flash drive to be mounted. Do not attempt to

perform any operation on the Digital Piano while a

mounting sequence is in progress. A USB flash drive

needs to be mounted each time it is connected to the

Digital Piano.

• Mounting a USB flash drive on the Digital Piano will create

a folder named MUSICDAT in the drive’s root directory if a

MUSICDAT folder does not already exist there. Use this

folder when exchanging data between the Digital Piano and

USB flash drive.

■ To connect a USB flash drive

As shown in the illustration below, insert the

USB flash drive into the Digital Piano’s cq USB

Type A port.

• Carefully push the USB flash drive in as far as it will

go. Do not use undue force when inserting the USB

flash drive.

■ To disconnect a USB flash drive

After checking to make sure that the message

“MOUNTING” or “Wait” is not on the display

(indicating a read or write operation being

performed), pull the USB flash drive straight

out of the cq USB Type A port.

USB Flash Drive and USB Type A

Port Handling Precautions

Copyrights

You are allowed to use recordings for your own personal

use. Any reproduction of an audio or music format file,

without the permission of its copyright holder, is strictly

prohibited under copyright laws and international

treaties. Also, making such files available on the Internet

or distributing them to third parties, regardless of

whether such activities are conducted with or without

compensation, is strictly prohibited under copyright laws

and international treaties. CASIO COMPUTER CO.,

LTD. shall not be held in any way liable for any use of

this Digital Piano that is illegal under copyright laws.

Connecting a USB Flash Drive to

and Detaching It from the Digital

Piano

cq USB Type A port

USB flash drive

USB Flash Drive

EN-62

• Be sure to format a USB flash drive on the Digital Piano

before using it for the first time.

• Formatting a USB flash drive deletes all data currently

stored on it. Before formatting a USB flash drive, make

sure it does not have any valuable data stored on it.

• The format operation performed by this Digital Piano is

a “quick format”. If you want to completely delete all of

the data in USB flash drive, format it on your computer

or some other device.

• In the case of an exFAT format USB flash drive, the

number of importable files may be limited if long file

names are used.

■ To format a USB flash drive

Insert the USB flash drive to be formatted into

the Digital Piano’s cq USB Type A port.

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

Use the bk U and bl I buttons to display

“[MEDIA]” and then touch bm ENTER.

This enters the MEDIA Mode.

Use the bk U and bl I buttons to display

“Format” and then touch bm ENTER.

This displays “Sure?”

To execute the format, touch bl +.

• To cancel the operation, touch bk –.

• Touching bl + starts formatting and displays the

message “Wait” (operation in progress). Do not

perform any operation while this message is displayed.

“Complete” is displayed after the operation is

complete.

To exit the MEDIA mode, hold down bp EXIT

until “[MEDIA]” disappears from the display.

The section provides information about the operations below.

• Saving Digital Piano Data to a USB Flash Drive

• Importing Data (Files) from a USB Flash Drive to Digital

Piano Memory

• Renaming Digital Piano Importable Data (Files) on a USB

Flash Drive

• Deleting Digital Piano Importable Data (Files) on a USB

Flash Drive

■ Data Types

Data types supported by your Digital Piano are those shown

in the table below. The text in the “Displayed Type Name”

column is displayed for the data type on the Digital Piano’s

LCD.

● Digital Piano 3 USB flash drive

The data below can be stored to a USB flash drive from Digital

Piano memory.

* MIDI recorder song, Registration, User Song

● USB Flash Drive 3 Digital Piano

The data below can be imported to Digital Piano memory from

a USB flash drive.* This data can also be renamed and

deleted using Digital Piano operations.

* Though audio data can be renamed and deleted, it cannot

be imported into Digital Piano memory.

• Even if a file name has one of the extensions shown in

the table below, you may not be able to import it into

Digital Piano memory if the data was created with a

non-compatible device, etc.

Formatting a USB Flash Drive USB Flash Drive Operations

Data Type

Displayed

Type Name

File Name

Extension

MIDI recorder song Record Song MRF, MID

Registration (Bank unit) Reg Mem Bank RBK

All user data in Digital

Piano memory*

All DAL

Data Type

Displayed

Type Name

File Name

Extension

User Song User Song CMF, MID

(SMF format

0/1)

MIDI recorder song Record Song MRF

Registration (Bank unit) Reg Mem Bank RBK

All the above data All DAL

Audio data* Audio WAV

EN-63

USB Flash Drive

■ To save Digital Piano data to a USB flash drive

Insert the USB flash drive into the Digital

Piano’s cq USB Type A port.

Hold down the bp^ button until “[FUNCTION]”

appears on the display.

Use the bk U and bl I buttons to display

“[MEDIA]” and then touch bm ENTER.

This enters the MEDIA Mode.

Use the bk U and bl I buttons to display

“Save” and then touch bm ENTER.

Use the bk U and bl I buttons to display a

sub-menu item of options that correspond to

the type of data being saved.

• See the “Displayed Type Name” column in the table

under “Digital Piano 3 USB flash drive” (page

EN-62).

Touch bm ENTER.

• If “All” is selected in step 5, step 7 is not required.

Proceed to step 8.

Use the bk – and bl + buttons to select the

data to be saved, and then touch bm ENTER.

This will display a default file name based on the type of

data you selected.

• If you selected “Record Song” in step 5 of this

procedure, you must specify the file type here. Use the

bk U and bl I buttons to display “MRF” (Digital

Piano format) or “MID” (SMF format) and then touch

bm ENTER.

Rename the file, if you want.

• For information about text editing, see “

Text Character

Input

” (page EN-13).

• To exit text editing and return to step 7, touch

bp EXIT while the bk U and bl I buttons are

displayed (for cursor movement). If you previously

made changes to the file name, the message

“Cancel?” will appear. Touch bl + to exit editing.

To apply the new file name, touch cl STORE.

This displays “Sure?”

• The message “Replace?” will appear if there is already

data with the same name in the MUSICDAT folder on

the USB flash drive. If this happens, touching bl + in

step 10 below will overwrite the existing data with the

new data.

10.

Touch bl + to save.

• To cancel the operation, touch bk –.

• Touching bl + displays “Wait” (operation in progress).

Do not perform any operation while this message is

displayed. “Complete” is displayed after the operation

is complete.

11.

To exit the MEDIA mode, hold down bp EXIT

until “[MEDIA]” disappears from the display.

■ To load data from a USB flash drive to Digital

Piano memory

Perform steps 1, 2, and 3 under “To save

Digital Piano data to a USB flash drive” (page

EN-63).

Use the bk U and bl I buttons to display

“Load” and then touch bm ENTER.

Use the bk U and bl I buttons to display a

sub-menu item of options that correspond to

the type of data being imported.

• See the “Displayed Type Name” column in the table

under “USB Flash Drive 3 Digital Piano” (page

EN-62).

Touch bm ENTER.

This displays a file name of data that can be imported.

Use the bk – and bl + buttons to select the

data you want to import into Digital Piano

memory.

• If “All” is selected in step 3, steps 6 and 7 below are

not required. Proceed to step 8.

Touch bm ENTER.

Use the bk – and bl + buttons to specify the

number of the user area where imported data

should be stored.

Touch bm ENTER.

This causes “Sure?” or “Replace?” to appear on the

display.

• If “Replace?” appears, touching bl + in step 9 below

will overwrite the existing user area data with the

imported data.

Touch bl + to import.

• To cancel the operation, touch bk –.

• Touching bl + displays “Wait” (operation in progress).

Do not perform any operation while this message is

displayed. “Complete” is displayed after the operation

is complete.

10.

To exit the MEDIA mode, hold down bp EXIT

until “[MEDIA]” disappears from the display.

USB Flash Drive

EN-64

■ To delete USB flash drive data

Perform steps 1, 2, and 3 under “To save

Digital Piano data to a USB flash drive” (page

EN-63).

Use the bk U and bl I buttons to display

“Delete” and then touch bm ENTER.

Use the bk U and bl I buttons to display a

sub-menu item that correspond to the type of

data being deleted, and then touch bm ENTER.

• See the “Displayed Type Name” column in the table

under “USB Flash Drive 3 Digital Piano” (page

EN-62).

Use the bk – and bl + buttons to select the

data to be deleted, and then touch bm ENTER.

This displays “Sure?”

To delete the data, touch bl +.

• To cancel the operation, touch bk –.

• Touching bl + displays “Wait” (operation in progress).

Do not perform any operation while this message is

displayed. “Complete” is displayed after the operation

is complete.

To exit the MEDIA mode, hold down bp EXIT

until “[MEDIA]” disappears from the display.

■ To rename USB flash drive data

Perform steps 1, 2, and 3 under “To save

Digital Piano data to a USB flash drive” (page

EN-63).

Use the bk U and bl I buttons to display

“Rename” and then touch bm ENTER.

Use the bk U and bl I buttons to display a

sub-menu item that correspond to the type of

data being renamed, and then touch

bm ENTER.

• See the “Displayed Type Name” column in the table

under “USB Flash Drive 3 Digital Piano” (page

EN-62).

Use the bk – and bl + buttons to select the

data to be renamed, and then touch

bm ENTER.

Rename the file.

• For information about text editing, see “

Text Character

Input

” (page EN-13).

• To exit text editing and return to step 4, touch

bp EXIT while the bk U and bl I buttons are

displayed (for cursor movement). If you previously

made changes to the file name, the message

“Cancel?” will appear. Touch bl + to exit editing.

To apply the new file name, touch cl STORE.

This displays “Sure?”

• The message “Replace?” will appear if there is already

data with the same name on the USB flash drive. If this

happens, touching bl + in step 7 below will overwrite

the existing data with the new data.

To change the name, touch bl +.

• To cancel the operation, touch bk –.

• Touching bl + displays “Wait” (operation in progress).

Do not perform any operation while this message is

displayed. “Complete” is displayed after the operation

is complete.

To exit the MEDIA mode, hold down bp EXIT

until “[MEDIA]” disappears from the display.

EN-65

USB Flash Drive

You can use the same operations as those for built-in songs

to play back files of the formats below, which are stored in the

MUSICDAT folder.

• Standard MIDI files (SMF format 0/1) or CASIO MIDI files

(CMF format)

Connect the USB flash drive to your computer.

Create a folder named MUSICDAT in the root

directory of the USB flash drive.

• This step is not required if there is already a

MUSICDAT folder in the USB flash drive’s root

directory.

Copy song data you want to play back on the

Digital Piano to the MUSICDAT folder.

• For information about the song data playback

operation, see “

Listening to Songs (MIDI Player)”

(page

EN-51).

Performing a record operation with the Digital Piano’s audio

recorder creates a folder named MUSICDAT on the USB flash

drive. WAV files are stored in the MUSICDAT folder,

automatically assigning them names from TAKE01.WAV to

TAKE99.WAV. You also can connect a USB flash drive to a

computer and change the names of audio data (WAV) files to

the format “TAKEXX*.WAV”, and move them to the

MUSICDAT folder. Then you will be able to play them back on

the Digital Piano.

* XX = 01 to 99

Supported WAV format (Linear PCM, 16bit, 44.1 kHz, stereo)

Using a Computer to Copy

General Song Data to a USB Flash

Drive

Storing Standard Audio Data

(WAV Files) to a USB Flash Drive

EN-66

You can use the APP Function to connect the Digital Piano with a phone, tablet or other smart device and perform the operations

described below.

• Control the Digital Piano from a smart device (Piano Remote Controller)

• Transfer music data from a smart device

■ To download the smart device app

Download the smart device app from the CASIO website and install it on the smart device you want to use.

https://support.casio.com/global/en/emi/manual/PX-S3100/

There are two ways to connect with a smart device: connect via the Bluetooth function and/or use a commercially available USB

cable.

• If you are using a CASIO smart device app, do not have the Digital Piano connected with the smart device using the

Bluetooth function and a USB cable at the same time.

■ Using the Bluetooth Function to Link the Digital Piano with a Smart Device

You can use the Wireless MIDI & audio adaptor for the Bluetooth function linking.

Referring to “To download the smart device app” (page EN-66), install the app on the smart device.

Plug the Wireless MIDI & audio adaptor into the Digital Piano’s cq USB Type A port (page EN-10).

• After connecting the smart device to the Digital Piano, use the smart device app to perform operations. For details about

operations, refer to the user documentation of the app.

• Do not perform any Digital Piano operation while it is in the process of connecting with the smart device app.

• With a Bluetooth connection, some communication environments and use of smart device functions may cause a

noticeable sound distortion. If this happens, try the countermeasures below.

− Refer to the app’s user documentation for information about MIDI playback quality.

− If your smart device is connected by Wi-Fi to another device, turn off the smart device Wi-Fi.

− Use a cable connection instead of Bluetooth.

Linking with a Smart Device (APP Function)

Connecting with a Smart Device

Wireless MIDI & audio adaptor

Smart Device cq USB Type A port

EN-67

Linking with a Smart Device (APP Function)

■ Using a Cable to Connect the Digital Piano with a Smart Device

Referring to “To download the smart device app” (page EN-66), install the app on the smart device.

Use a commercially available USB cable to connect the smart device port to the Digital Piano cp USB

Type B port.

• After connecting the smart device to the Digital Piano, use the smart device app to perform operations. For details about

operations, refer to the user documentation of the app.

• Put the mobile device you will connect with into its Airplane Mode or otherwise disable device communications.

• When connecting a smart device to the Digital Piano, do not connect both a USB cable and an audio cable at the same

time.

• Connect using a USB cable that is no more than two meters long.

EN-68

● Nothing happens when I touch a touch button.

● No sound is produced when I press a keyboard key.

● The Digital Piano emits a loud sound and suddenly

turns off.

● The pitch of the Digital Piano is off.

● Nothing happens when I press a pedal.

● Nothing happens when I start an Auto Accompaniment.

Troubleshooting

Cause:

a. Wearing glove or touching with a fingernail or stylus.

b. Incorrect touch button sensitivity setting.

Action:

a. When operating a touch button, touch it firmly with a

bare finger.

b. Perform the steps below to increase touch button

sensitivity.

(1) Turn off the Digital Piano.

(2) While holding down the C8 keyboard key (the one

on the far right), press the 1P (Power) button.

• Keep the C8 keyboard key depressed until the

“Welcome” message appears on the display. You

do not need to keep the 1P (Power) button

depressed.

Cause:

a. The 2 volume knob setting is too low.

b. Headphones or an adaptor plug is plugged into one of

the co PHONES jacks.

c. MIDI Local control is turned off.

d. The Digital Piano is in the Keyboard Controller Mode, so

keys A0 through F1 are functioning as a “controller

keys”.

Action:

a. Rotate the 2 volume knob.

b. Disconnect whatever is connected to the co PHONES

jacks.

c. Turn on the Local control setting (page

EN-59).

d. Exit the Keyboard Controller Mode.

Action:

Replace the batteries with new ones or switch over to AC

adaptor power (page

EN-5).

Cause:

a. The current transpose setting of the keyboard is

something other than the default setting.

b. The Digital Piano’s tuning setting is something other

than “440.0Hz”.

c. Octave shift is enabled.

d. The current scale setting is something other than “Equal

Temperament”.

Action:

a. Return transpose (page

EN-19) to its initial default

setting.

b. Change the tuning setting to “440.0Hz” (page

EN-20).

c. Change the octave shift setting to 0 (page

EN-20).

d. Change the scale setting to “Equal Temperament”.

Cause:

a. The pedal cord is not connected correctly to the

cr DAMPER PEDAL jack, cs PEDAL UNIT jack, or

dl EXPRESSION/ASSIGNABLE jack, or the plug is

not plugged in completely.

b. The wrong pedal type or function is assigned to the jack

where the pedal is connected.

Action:

a. Confirm that the pedal cord is connected correctly, and

that the plug is inserted as far as it will go.

b. Configure settings correctly. See “DAMPER PEDAL

Jack

” (page EN-7) and “EXPRESSION/ASSIGNABLE

Jack

” (page EN-8).

Cause:

a. With rhythms 29 to 38 in the BALLAD category, nothing

will sound if you do not play a chord on the keyboard.

b. The Auto Accompaniment volume level is set to 0.

c. Some error occurred.

Action:

a. Try playing a chord on the keyboard (page

EN-32).

b. Check the Auto Accompaniment volume level (page

EN-18) and adjust it, if necessary.

c. Try turning the Digital Piano off and then back on again

(page

EN-6), which will initialize its settings.

EN-69

Troubleshooting

● Tones and/or effects sound strange. Note intensity

does not change even though I alter key pressure.

Turning power off and then back on again does not

eliminate the problem.

● I cannot transfer data after connecting the Digital Piano

to a computer.

● A tone’s quality and volume sounds slightly different

depending where it is played on the keyboard.

● Touching a button causes the note that is sounding

cuts out momentarily or a slight change in how effects

are applied.

● Abnormal sounds are produced only when I play on the

left-side keyboard.

Cause:

Auto Resume is enabled.

Action:

Disable Auto Resume (FUNCTION parameter

110). Next,

turn the Digital Piano off and then back on again.

Action:

a. Check to make sure that the USB cable is connected to

the Digital Piano and computer, and that the correct

device is selected with your computer’s music software.

b. Turn off the Digital Piano and then exit the music

software on your computer. Next, turn the Digital Piano

back on and then restart the music software on your

computer.

Cause:

This is an unavoidable result of the digital sampling

process,* and does not indicate malfunction.

* Multiple digital samples are taken for the low range,

middle range, and high range of the original musical

instrument. Because of this, there may be very slight

differences in tonal quality and volume between sample

ranges.

Cause:

This happens when the sounds of multiple parts are

sounding at the same time while using layer, using the

Duet Mode, playing back a built-in song, recording, etc.

Pressing a button when one of these conditions exists will

cause the effect setting that is built into the tone to change

automatically, which causes notes to cut out momentarily

or causes a slight change in how effects are being applied.

Cause:

The Digital Piano is in the ACCOMP Mode, so the left-side

keyboard functions as an accompaniment keyboard.

Action:

Use the mode selector button to enter the RHYTHM Mode.

EN-70

Troubleshooting

Error Messages

Display Cause Action

Limit • You are attempting to record more than 999

measures with the MIDI recorder.

• You are attempting to record more than

approximately 25 minutes with the audio recorder.

• Keep MIDI recorder recordings up to 999 measures

long.

• Keep audio recorder recordings within

approximately 25 minutes.

Memory Full You are attempting a recording that exceeds the

allowable per-song limit.

Keep song recordings with the allowable per-song

limit.

Data Full You are attempting to record more than 5 multi-track

songs.

Delete some of the songs in memory.

No Media The USB flash drive is not plugged correctly into the

cq USB Type A port.

Correctly plug the USB flash drive into the cq USB

Type A port.

The USB flash drive was removed while some

operation was in progress.

Do not remove the USB flash drive while any operation

is in progress.

The USB flash drive is write-protected. Write-enable the USB flash drive.

The USB flash drive is protected by anti-virus

software.

Use a USB flash drive that is not protected by anti-

virus software.

No File There is no loadable or playable file in the MUSICDAT

folder.

Move the file you want to load into the MUSICDAT

folder or the file you want to play into the MUSICDAT

folder (page

EN-65).

Read Only A read-only file with the same name you are trying to

use is already stored on USB flash drive.

• Change the name and then save the new data.

• Remove the read-only attribute from the existing

USB flash drive file and overwrite it with the new

data.

• Use a different USB flash drive.

Media Full There is not enough space available on the USB flash

drive.

Delete some of the files on the USB flash drive to

make room for new data or use a different USB flash

drive.

Too Many Files You are attempting to start a record operation with the

audio recorder when there are already 99 audio

recorder songs in the MUSICDAT folder. This error

occurs whenever there is a file named TAKE99.WAV

(page

EN-50) in the MUSICDAT folder on the USB

flash drive.

Use a computer to move files named TAKE01.WAV

through TAKE99.WAV from the MUSICDAT folder to

another folder or drive.

Not SMF 0/1 You are attempting to play back SMF Format 2 song

data.

Playback of SMF Format 0 or Format 1 only is

supported.

Large Size The SMF file on the USB flash drive cannot be played

because it is too big.

Playback of SMF files up to approximately 320 KB in

size is supported.

Wrong Data The USB flash drive data is corrupted. –

Version The USB flash drive file version is not supported by the

Digital Piano.

Use a file whose version is supported by the Digital

Piano.

Format The USB flash drive format is not compatible with this

Digital Piano.

• Use a computer or other device to change the USB

flash drive format to something that is compatible

with the Digital Piano (page

EN-62).

• Use a different USB flash drive.

USB flash drive memory is corrupted. Use a different USB flash drive.

No Wireless

Adptr

The Wireless MIDI & audio adaptor is not plugged into

the cq USB Type A port.

Plug the Wireless MIDI & audio adaptor into the

cq USB Type A port.

EN-71

Reference

Product Specifications

Model PX-S3100BK

Keyboard 88-key piano keyboard

Duet Adjustable tone range (–2 to +2 octaves)

Transpose –12 to 0 to +12 semitones

Octave shift –2 to 0 to +2 octaves

Sound Source

Number of Tones 700, Layer, Split

Maximum polyphony 192 notes

Touch Response 5 sensitivity levels, Off

Tuning 415.5Hz to 440.0Hz to 465.9Hz (0.1Hz units)

Temperament Equal temperament plus 16 other types

Acoustic Simulator Hammer response, Key off response, String resonance, Damper resonance,

Damper noise, Key on action noise, Key off action noise

Sound Mode Hall simulator (4 types), Reverb (8 types), Surround (2 types)

Other Effects Chorus (12 types), DSP (built in to some tones + 100 presets, editable),

Brilliance (–3 to 0 to 3)

Demo Song 6

Playback Function (SONG Mode)

In the MIDI Mode Downloaded (user) song playback

• Storage of up to 10 songs in built-in flash memory

• Up to approximately 320KB per song

(Based on 1KB = 1024 bytes, 1MB = 1024

bytes)

MIDI recorder song playback

USB flash drive song data (SMF) playback

Part mute: L, R, L+R

In the Audio Mode Audio recorder recording and playback

Center cancel

Song Volume Adjustable (for both MIDI Mode, Audio Mode)

MIDI Recorder Real-time recording and playback as MIDI data

Number of Songs 5

Number of Tracks 3

Capacity Approximately 30,000 notes per song (total of three tracks)

Data storage Built-in flash memory

Audio Recorder Real-time recording and playback as audio data

Number of songs 99 (files)

File format WAV (linear PCM, 16bit, 44.1kHz, stereo)

Maximum recording time Approximately 25 minutes per file

Recording medium USB Flash Drive

Auto Accompaniment

Built-in Rhythms 200

One Touch Preset 200

Auto Harmonize 12 types

Auto Accompaniment Volume Level Adjustable

Music Preset 310

Arpeggiator 100 types

Metronome Provided as rhythm type

Beat bell Off, 1 to 9 (beats)

Tempo Range 20 to 255

Metronome Volume Level Adjustable (as Auto Accompaniment volume level)

Registration Function 96 sets maximum (4 sets, 24 banks)

EN-72

Reference

• Specifications and designs are subject to change without notice.

Pedals

DAMPER PEDAL jack For connection of the included pedal (SP-3) or a separately available CASIO

sustain pedal, selectable function (sustain (off, on), sostenuto (off, on), soft (off,

on), arpeggio hold (off, on), play/stop, fill-in)

PEDAL UNIT jack For connection of a separately available pedal unit (SP-34), simultaneous use of

three pedals (Sustain (off, half, on), sostenuto (off, on), soft (off, on))

EXPRESSION/ASSIGNABLE jack For connection of a separately available expression pedal, the included pedal (SP-

3), or a separately available CASIO sustain pedal, selectable function (expression,

master volume, tempo, layer balance, sustain (off, on), sostenuto (off, on), soft (off,

on), arpeggio hold (off, on), play/stop, fill-in)

Other Functions Auto Resume, Operation Lock

MIDI 16-channel multi-timbre receive

Pitch Bend Wheel Pitch bend range: 0 to 24 semitones

Knobs 2

Knob sets (knob function presets): 14

Inputs/Outputs

PHONES jacks Stereo mini jacks (3.5mm) × 2

Power 12V DC

AUDIO IN jack Stereo mini jack (3.5mm)

Input impedance: 10kΩ

Input voltage: 200mV

LINE OUT R, L/MONO jacks Standard jacks (6.3mm) × 2

Output impedance: 2.3kΩ

Output voltage: 1.3V (RMS) MAX

USB port Type A, Type B

DAMPER PEDAL jack Standard jack (6.3mm)

EXPRESSION/ASSIGNABLE jack Standard jack (6.3mm)

PEDAL UNIT jack Proprietary jack

Acoustics

Amp output 8W + 8W

Speakers 16cm × 8cm (oval) × 2

Power Supply 2-way

Batteries 6 AA-size alkaline batteries

Continuous Operation: Approximately 2 hours

Playback of built-in demo tunes on alkaline batteries

Actual continuous operation time may be shorter due to battery type and

performance type.

AC Adaptor AD-A12150LW

Auto Power Off Approximately four hours (under AC adaptor power) or six minutes (under battery

power) after last operation, can be disabled.

Power Consumption 12V=15W

Dimensions 132.2 (W) × 23.2 (D) × 10.2 (H) cm (52 1/16 × 9 1/8 × 4 inch)

Weight Approximately 11.4kg (25.1 lbs) (without batteries)

EN-73

Reference

■ FINGERED 1, FINGERED 2 Chords

*1 With FINGERED 2, interpreted as Am7.

*2 With FINGERED 2, interpreted as Am7

*3 Inverted form not supported in some cases.

*4 These fingerings are special fingerings for Digital Piano

chord input, and so they are not suitable for normal

keyboard play.

*5 Chord consisting of root and 5th only.

*6 Not a standard chord, but used when you want Auto

Accompaniment with the root note only, or the root with an

octave added.

Fingering Guide

Cdim

Caug



Csus4

Csus2

CmM7

Cdim7

Cm6

CaugM7

CdimM7

Caug7

Cm7

CM7

Cm7



CM7



C7sus4



*4*4

Cmadd9

C69

Cm69

Cadd9

Cm7

(9)

(



(#9)

(#11)

CM7

(9)

Cm7

(11)

CmM7

(9)

(



13)

(13)

(9)

Reference

EN-74

■ FINGERED ON BASS, FULL RANGE CHORD

In addition to the chords that can be fingered with

FINGERED 1 and FINGERED 2, the chords below also are

recognized.

• With FINGERED ON BASS, the lowest note fingered is

interpreted as the base note. Inverted forms are not

supported.

• With FULL RANGE CHORD, when the lowest note fingered

is a certain distance from the neighboring note, the chord is

interpreted as a fraction chord.

• Unlike FINGERED 1, 2, and FINGERED ON BASS, FULL

RANGE CHORD requires pressing of at least three keys to

form a chord.





Ddim

Fdim

FM7







Gdim

Adim

Bdim



Fm7





zzzzz zz z z z

zz zz zz z





zzzzz zz

Gm7



add9

zz z z



dim



dim



dim

EN-75

Reference

• You can use the split point to change the size of the accompaniment keyboard range (page EN-16). *1 Root *2 Chord Type

Chord Example List

dim

aug

sus4

sus2



7sus4

add9

madd9

mM7

dim7

FCC



(



)

(



)



EN-76

Reference

• You can use the split point to change the size of the accompaniment keyboard range (page EN-16). *1 Root *2 Chord Type

dim

aug

sus4

sus2



7sus4

add9

madd9

mM7

dim7

(



)





(



)

(



)



EN-77

Reference

Versatile Tone Map

OTHERS: 056 VERSATILE NYLON GUITAR

OTHERS: 057 VERSATILE STEEL GUITAR

OTHERS: 058 VERSATILE SINGLE COIL

E.GUITAR

OTHERS: 107 VERSATILE ELECTRIC BASS 1

OTHERS: 108 VERSATILE ELECTRIC BASS 2

OTHERS: 144 VERSATILE BRASS 1

OTHERS: 145 VERSATILE BRASS 2

Key Velocity Sound

C-1 - B6 1-30 Normal mp

31-60 Normal mf

61-75 Ghost Note

76-90 Mute

91-105 Hammering

106-120 Glissando

121-127 Open Harmonics

C7 1-127 Strum 1

C{7 1-127 Strum 2

D7 1-127 Strum 3

E}7 1-127 Strum 4

E7 1-127 Strum 5

F7 1-127 Strum 6

F{7 1-127 Strum 7

G7 1-127 Strum 8

A}7 1-127 Strum 9

A7 1-127 Strum 10

B}7 1-127 Strum 11

B7 1-127 Strings Slap 1

C8 1-127 Strings Slap 2

C{8 1-127 Strings Slap 3

D8 1-127 Strings Slap 4

E}8 1-127 Strings Slap 5

E8 1-127 Body 1

F8 1-127 Body 2

F{81-127 Body 3

G8 1-127 Body 4

A}81-127 Body 5

A8 1-127 Body 6

B}81-127 Body 7

B8 1-127 Body 8

C9 1-127 Fret Noise1

C{9 1-127 Fret Noise2

D9 1-127 Fret Noise3

E}9 1-127 Fret Noise4

E9 1-127 Fret Noise5

F9 1-127 Head String1

F{9 1-127 Head String2

G9 1-127 Head String3

Key Velocity Sound

C-1 - B6 1-30 Normal mp

31-60 Normal mf

61-75 Ghost Note

76-90 Mute

91-105 Hammering

106-120 Glissando

121-127 Open Harmonics

C7 1-127 Strum 1

C{7 1-127 Strum 2

D7 1-127 Strum 3

E}7 1-127 Strum 4

E7 1-127 Strum 5

F7 1-127 Strum 6

F{7 1-127 Strum 7

G7 1-127 Strum 8

A}7 1-127 Strum 9

A7 1-127 Strings Slap 1

B}7 1-127 Strings Slap 2

B7 1-127 Strings Slap 3

C8 1-127 Strings Slap 4

C{8 1-127 Strings Slap 5

D8 1-127 Strings Slap 6

E}8 1-127 Strings Slap 7

E8 1-127 Body 1

F8 1-127 Body 2

F{8 1-127 Body 3

G8 1-127 Body 4

A}8 1-127 Body 5

A8 1-127 Body 6

B}8 1-127 Body 7

B8 1-127 Body 8

C9 1-127 Fret Noise1

C{9 1-127 Fret Noise2

D9 1-127 Fret Noise3

E}9 1-127 Fret Noise4

E9 1-127 Fret Noise5

F9 1-127 Head String1

F{9 1-127 Head String2

G9 1-127 Head String3

Key Velocity Sound

C-1 - B6 1-30 Normal mp

31-60 Normal mf

61-75 Ghost Note

76-90 Mute

91-105 Hammering

106-120 Glissando

121-127 Open Harmonics

C7 1-127 Strum 1

C{7 1-127 Strum 2

D7 1-127 Strum 3

E}7 1-127 Strum 4

E7 1-127 Strum 5

F7 1-127 Strum 6

F{7 1-127 Strum 7

G7 1-127 Strum 8

A}7 1-127 Strum 9

A7 1-127 Strum 10

B}7 1-127 Strum 11

B7 1-127 Strum 12

C8 1-127 Strum 13

C{8 1-127 Strum 14

D8 1-127 Low Ghost Note 1

E}8 1-127 Low Ghost Note 2

E8 1-127 Low Ghost Note 3

F8 1-127 Low Ghost Note 4

F{8 1-127 Low Ghost Note 5

G8 1-127 Low Ghost Note 6

A}8 1-127 Low Ghost Note 7

A8 1-127 Low Ghost Note 8

B}8 1-127 Low Ghost Note 9

B8 1-127 Low Ghost Note 10

C9 1-127 Fret Noise1

C{9 1-127 Fret Noise2

D9 1-127 Fret Noise3

E}9 1-127 Fret Noise4

E9 1-127 Fret Noise5

F9 1-127 Fret Noise6

F{9 1-127 Fret Noise7

G9 1-127 Fret Noise8

Key Velocity Sound

C-1 - B6 1-60 Normal mf

61-80 Normal ff

81-120 Ghost Note

121-127 Slap

C7 1-127 Gliss 1

C{7 1-127 Gliss 2

D7 1-127 Gliss 3

E}7 1-127 Gliss 4

E7 1-127 Gliss 5

F7 1-127 Gliss 6

F{7 1-127 Gliss 7

G7 1-127 Fret Noise 1

A}7 1-127 Fret Noise 2

Key Velocity Sound

C-1 - B6 1-60 Normal mf

61-80 Normal ff

81-120 Ghost Note

121-127 Slap

C7 1-127 Gliss 1

C{7 1-127 Gliss 2

D7 1-127 Gliss 3

E}7 1-127 Gliss 4

E7 1-127 Gliss 5

F7 1-127 Gliss 6

F{7 1-127 Gliss 7

G7 1-127 Fret Noise 1

A}7 1-127 Fret Noise 2

Key Velocity Sound

C-1 - G9 1-20 Normal mf

21-40 Normal f

41-60 Normal ff

61-80 Attack

81-90 Schoop

91-100 Shake

101-110 Falls Fast mf

111-120 Falls Fast f

121-127 Gliss up

Key Velocity Sound

C-1 - G9 1-30 Normal f

31-60 Normal ff

61-75 Attack

76-90 Schoop

91-105 Shake

106-120 Falls Fast f

121-127 Gliss up

EN-78

Reference

*1 Names of parameters included in the 58 “FREEZE” directory (“Freeze Function”, page EN-42). If you do not want settings made

with the knobs to be replaced when a registration function setup is recalled, select “On” as the settings of the FUNCTION

parameters in this column (Knob:

60, Effect: 64, Tone: 70, Accompaniment: 69).

For information about FUNCTION parameters, see “

Configuring Function Settings (FUNCTION Mode)” (page EN-53).

*2 The parameters affected by this knob set are two parameters that are automatically selected as being the most applicable to the

currently selected DSP (“

Using a DSP”, page EN-23). DSP Parameter 1 and DSP Parameter 2 are fixed according to the

selected DSP. For example, when preset DSP “15. Auto Pan” is selected, DSP Parameter 1 is LFO Rate, and DSP Parameter

2 is Manual.

Knob Set List

No.

Knob Set

(displayed)

(K1) knob (K2) knob

Applicable Part

Parameter Freeze*

1 Filter Cut Off Frequency Knob Resonance Knob Upper1

2 Brilliance/Rev Brilliance Effect Reverb Send Knob Upper1

3 Up1 Cho/Rev Chorus Send Effect Reverb Send Sound Mode Upper1

4 Amp Envelope Attack Time Knob Release Time Knob Upper1

5 Vibrato Vibrato Rate Knob Vibrato Depth Knob Upper1

6 Delay Vibrato Delay Vibrato Time Knob Vibrato Depth Knob Upper1

7 Porta./Mod. Portamento Time Knob Modulation Depth Knob Upper1

8 Layer Modify Layer Volume Balance Tone Upper2 Fine Tune Knob Upper1, Upper2

9 Layer Panning Upper1 Pan Knob Upper2 Pan Knob Upper1, Upper2

10 Lower Modify Lower Volume Tone Lower Pan Knob Lower

11 Kbd Cho/Rev Keyboard Chorus Send Effect Keyboard Reverb Send Sound Mode Upper1, Upper2,

Lower

12 Kbd/Acmp Vol. Keyboard Volume Tone Accompaniment Volume Accompaniment Upper1, Upper2,

Lower

13 Kbd/Song Vol. Keyboard Volume Tone Song Volume – Upper1, Upper2,

Lower

14 DSP Param.*

DSP Parameter 1 Tone DSP Parameter 2 Tone Upper1

EN-79

Reference

DSP Effect List

Preset DSP List

No.

DSP Name

(Display)

Module 1 Module 2 Module 3 Module 4

1 Mono 1BandEQ Mono 1-Band EQ

2 Mono 2BandEQ Mono 2-Band EQ

3 Mono 3BandEQ Mono 3-Band EQ

4 Stereo1BndEQ Stereo 1-Band EQ

5 Stereo2BndEQ Stereo 2-Band EQ

6 Stereo3BndEQ Stereo 3-Band EQ

7 Tone Control Tone Control

8 Compressor Compressor

9 Limiter Limiter

10 Enhancer Enhancer

11 Phaser Phaser

12 Chorus Chorus

13 Flanger Flanger

14 Tremolo Tremolo

15 Auto Pan Auto Pan

16 Rotary Rotary

17 Drive Rotary Drive Rotary

18 LFO Wah LFO Wah

19 Auto Wah Auto Wah

20 Modeling Wah Modeling Wah

21 Pitch Pitch Shifter

22 Ring Mod Ring Modulator

23 Piano Effect Piano Effect

24 Distortion Distortion

25 Drive Drive Tone Control

26 Amp Cab Amp Cab

27 Re-Amp 1 Compressor Amp Cab Enhancer Tone Control

28 Re-Amp 2 Compressor Limiter Amp Cab Delay

29 Re-Amp 3 Compressor Limiter Amp Cab Mono 2-Band EQ

30 Re-Amp 4 Compressor Limiter Amp Cab Delay

31 Re-Amp 5 Distortion Delay

32 Drive Amp 1 Mono 3-Band EQ Drive Tone Control Amp Cab

33 Drive Amp 2 Drive Tone Control Amp Cab Tremolo

34 Drive Amp 3 Drive Tone Control Amp Cab AutoPan

35 Drive Amp 4 Drive Tone Control Amp Cab Phaser

36 Drive Amp 5 Drive Tone Control Amp Cab Flanger

37 Drive Amp 6 Drive Tone Control Amp Cab Pitch Shifter

38 OctaveDrvAmp Pitch Shifter Drive Tone Control Amp Cab

39 PhaseDrvAmp Phaser Drive Tone Control Amp Cab

40 DelayDrvAmp Drive Tone Control Amp Cab Delay

41 Comp Amp 1 Compressoror Drive Mono 1-Band EQ Amp Cab

42 Comp Amp 2 Drive Compressoror Mono 1-Band EQ Amp Cab

43 Deley OD Amp Drive Enhancer Amp Cab Delay

44 Wah Drv Amp Modeling Wah Drive Amp Cab

45 DelayWahAmp LFO Wah Drive Amp Cab Delay

46 Auto Wah Amp Auto Wah Drive Amp Cab Delay

47 DriveAmpMod1 Drive Amp Cab Phaser Flanger

48 DriveAmpMod2 LFO Wah Drive Amp Cab Tremolo

49 S/H DriveAmp LFO Wah Drive Amp Cab Auto Pan

50 PhaseDrvAmp2 Drive Amp Cab Phaser Delay

51 FlngrDelyAmp Drive Amp Cab Flanger Delay

EN-80

Reference

52 PitchModAmp Drive Amp Cab Pitch Shifter Delay

53 Drive Rotary Drive Rotary

54 DrvRotaryEQ Drive Rotary Stereo 3-Band EQ

55 DrvRotaryPan Drive Rotary Auto Pan

56 PhaserAmpPan Drive Amp Cab Phaser Auto Pan

57 FlangrAmpPan Drive Amp Cab Flanger Auto Pan

58 ReflctAmpPan Drive Amp Cab Reflection Auto Pan

59 DualDriveAmp Drive Drive Mono 2-Band EQ Amp Cab

60 DualDrvAmpDl Drive Drive Amp Cab Delay

61 BassAmpAmbi Tone Control Compressor Amp Cab Delay

62 Comp Ambi 1 Tone Control Compressor Enhancer Reflection

63 Comp Ambi 2 Tone Control Compressor Amp Cab Delay

64 Comp Ambi 3 Drive Compressor Amp Cab Delay

65 Comp Ambi 4 Drive Compressor Amp Cab Delay

66 EnhanceAmbi1 Drive Enhancer Amp Cab Delay

67 EnhanceAmbi2 Drive Reflection Amp Cab Delay

68 Comp Mod 1 Tone Control Compressor Tremolo Tone Control

69 Comp Mod 2 Tone Control Compressor Phaser Reflection

70 Comp Mod 3 Tone Control Compressor Flanger Phaser

71 Comp Mod 4 Compressor Tremolo Flanger Delay

72 Comp Mod 5 Compressor Tremolo Phaser Delay

73 EQ Mod 1 Tone Control Tone Control Phaser Amp Cab

74 EQ Mod 2 Tone Control Flanger Tone Control Delay

75 EQ Mod 3 Tone Control Chorus Tone Control Delay

76 EQ Mod 4 Tone Control Tremolo Chorus Delay

77 Double Phase Amp Cab Phaser Phaser Enhancer

78 DoubleFlang1 Amp Cab Flanger Flanger Tone Control

79 DoubleFlang2 Amp Cab Flanger Flanger Phaser

80 Tremolo Spin Tremolo Drive Rotary Tone Control

81 AmbientEnh 1 Enhancer Reflection Delay Tone Control

82 AmbientEnh 2 Tone Control Enhancer Reflection Delay

83 AmbientEnh 3 Tone Control Drive Amp Cab Delay

84 AmbientEnh 4 Piano Effect Delay Tone Control

85 AmbientEnh 5 Enhancer Delay Tone Control

86 AmbientEnh 6 Drive Delay Tone Control

87 Pitch Delay Delay Pitch Shifter Phaser Auto Pan

88 ReflectDelay Reflection Enhancer Auto Pan Delay

89 Drive Delay Drive Delay Tone Control

90 Pitch Mod 1 Tone Control Phaser Delay Pitch Shifter

91 Pitch Mod 2 Pitch Shifter Delay Phaser Tone Control

92 Double Enhan Amp Cab Enhancer Enhancer

93 Drive Enhan Drive Enhancer Enhancer

94 Reflection 1 Reflection Delay Tone Control

95 Reflection 2 Delay Reflection Enhancer Tone Control

96 Mod Tremolo Phaser Chorus Flanger Tremolo

97 Wah Phase LFO Wah Phaser Delay Tone Control

98 Wah Flanger Flanger Flanger LFO Wah Tone Control

99 Lo Cut EQ Tone Control Tone Control Tone Control

100 Hi Cut EQ Tone Control Tone Control Tone Control

No.

DSP Name

(Display)

Module 1 Module 2 Module 3 Module 4

EN-81

Reference

DSP Module List

Module

Number

Module Name Display Description



Mono 1-Band EQ Mono 1EQ This is a single-band monaural equalizer.



Mono 2-Band EQ Mono 2EQ This is a dual-band monaural equalizer.



Mono 3-Band EQ Mono 3EQ This is a three-band monaural equalizer.



Stereo 1-Band EQ Streo1EQ This is a single-band stereo equalizer.



Stereo 2-Band EQ Streo2EQ This is a dual-band stereo equalizer.



Stereo 3-Band EQ Streo3EQ This is a three-band stereo equalizer.



Tone Control ToneCtrl

Provides monaural tone control for adjusting low-range, mid-range, and

high-range frequencies.



Tremolo Tremolo Shifts the volume of the input signal using an LFO.



Auto Pan Auto Pan Shifts the continual left-right panning of the input signal using an LFO.



Compressor Compress

Compresses the input signal, which can have the effect of suppressing level

variation.



Limiter Limiter Limits the input signal level so it does not rise above a preset level.



Enhancer Enhancer Enhances the profiles of the low range and high range of the input signal.



Phaser Phaser

Produces a distinctive pulsating, broad sound by using an LFO to change

the phase of the input signal and then mixes it with the original input signal.



Chorus Chorus Gives notes depth and breadth.



Flanger Flanger

Applies wildly pulsating and metallic reverberation to notes. Selects the LFO

waveform.



Rotary Rotary This effect is a rotary speaker simulator.



Drive Rotary DriveRot This is a rotary speaker simulator that makes overdrive possible.



Pitch Shifter Pitch This effect transforms the pitch of the input signal.



Ring Modulator Ring Mod

Multiplies the input signal with an internal oscillator signal to create a metallic

sound.



Reflection Reflect

Simulates the initial reflection of reverberation. Applies acoustic ambiance

and presence to notes.



Delay Delay Delays the input signal and feeds it back to create a repeating effect.



Piano Effect Piano This effect is suited to acoustic piano play.



LFO Wah LFO Wah

This is a “wah” effect that can automatically affect the frequency using an

LFO.



Auto Wah Auto Wah

This is a “wah” effect that can automatically shift the frequency in

accordance with the level of the input signal.



Modeling Wah ModelWah

Simulates various types of wah pedals. This effect can automatically shift

the frequency in accordance with the level of the input signal.



Distortion Distort Distortion, wah, and amp simulator combined into a single effect.



Drive Drive Simulates the drive of a musical instrument amplifier.



Amp Cab Amp Cab Simulates the amp and speaker cabinet without drive and distortion.

EN-82

Reference

DSP Parameter List

Module Name

Description Settings

Display Parameter Data



Mono 1-Band EQ

This is a single-band monaural equalizer.

EQ Freq EQ Frequency Adjusts the center frequency of Equalizer. *

EQ Gain EQ Gain Adjusts the gain of Equalizer. –12 to 00 to 12

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Mono 2-Band EQ

This is a dual-band monaural equalizer.

EQ1 Freq EQ1 Frequency Adjusts the center frequency of Equalizer 1. *

EQ1 Gain EQ1 Gain Adjusts the gain of Equalizer 1. –12 to 00 to 12

EQ2 Freq EQ2 Frequency Adjusts the center frequency of Equalizer 2. *

EQ2 Gain EQ2 Gain Adjusts the gain of Equalizer 2. –12 to 00 to 12

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Mono 3-Band EQ

This is a three-band monaural equalizer.

EQ1 Freq EQ1 Frequency Adjusts the center frequency of Equalizer 1. *

EQ1 Gain EQ1 Gain Adjusts the gain of Equalizer 1. –12 to 00 to 12

EQ2 Freq EQ2 Frequency Adjusts the center frequency of Equalizer 2. *

EQ2 Gain EQ2 Gain Adjusts the gain of Equalizer 2. –12 to 00 to 12

EQ3 Freq EQ3 Frequency Adjusts the center frequency of Equalizer 3. *

EQ3 Gain EQ3 Gain Adjusts the gain of Equalizer 3. –12 to 00 to 12

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Stereo 1-Band EQ

This is a single-band stereo equalizer.

EQ Freq EQ Frequency Adjusts the center frequency of Equalizer. *

EQ Gain EQ Gain Adjusts the gain of Equalizer. –12 to 00 to 12

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

EN-83

Reference



Stereo 2-Band EQ

This is a dual-band stereo equalizer.

EQ1 Freq EQ1 Frequency Adjusts the center frequency of Equalizer 1. *

EQ1 Gain EQ1 Gain Adjusts the gain of Equalizer 1. –12 to 00 to 12

EQ2 Freq EQ2 Frequency Adjusts the center frequency of Equalizer 2. *

EQ2 Gain EQ2 Gain Adjusts the gain of Equalizer 2. –12 to 00 to 12

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Stereo 3-Band EQ

This is a three-band stereo equalizer.

EQ1 Freq EQ1 Frequency Adjusts the center frequency of Equalizer 1. *

EQ1 Gain EQ1 Gain Adjusts the gain of Equalizer 1. –12 to 00 to 12

EQ2 Freq EQ2 Frequency Adjusts the center frequency of Equalizer 2. *

EQ2 Gain EQ2 Gain Adjusts the gain of Equalizer 2. –12 to 00 to 12

EQ3 Freq EQ3 Frequency Adjusts the center frequency of Equalizer 3. *

EQ3 Gain EQ3 Gain Adjusts the gain of Equalizer 3. –12 to 00 to 12

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Tone Control

Provides monaural tone control for adjusting low-range, mid-range, and high-range

frequencies.

Low Freq Low Frequency Adjusts the cutoff frequency of Low-range. *

Low Gain Low Gain Adjusts the Low-range gain. –12 to 00 to 12

Mid Freq Mid Frequency Adjusts the center frequency of Mid-range. *

Mid Gain Mid Gain Adjusts the Mid-range gain. –12 to 00 to 12

HighFreq High Frequency Adjusts the cutoff frequency of High-range. *

HighGain High Gain Adjusts the High-range gain. –12 to 00 to 12

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Module Name

Description Settings

Display Parameter Data

EN-84

Reference



Tremolo

Shifts the volume of the input signal using an LFO.

Rate LFO Rate Adjusts the LFO rate. 000 to 127

Depth LFO Depth Adjusts the LFO depth. 000 to 127

Waveform LFO Waveform Selects the LFO waveform. Sine, Triangle,

Trapzoid

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Auto Pan

Shifts the continual left-right panning of the input signal using an LFO.

Rate LFO Rate Adjusts the LFO rate. 000 to 127

Depth LFO Depth Adjusts the LFO depth. 000 to 127

Waveform LFO Waveform Selects the LFO waveform. Sine, Triangle,

Trapzoid

Manual Manual Adjusts the pan (stereo position). –64 is full left, 0 is center, and

+63 is full right.

–64 to 00 to 63

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Compressor

Compresses the input signal, which can have the effect of suppressing level variation.

Attack Attack Adjusts the time until compression goes into effect. A smaller

value causes prompt compressor operation, which suppresses

the attack of the input signal. A larger values delays compressor

operation, which causes the attack of the input signal to be

output as-is.

000 to 127

Release Release Adjusts the time until compression is released after the input

signal drops below a prescribed level. When an attack feeling is

desired (no compression at the onset of the sound), set this

parameter to as low a value as possible. To have compression

applied at all times, set a high value.

000 to 127

Ratio Ratio Adjusts the compression ratio of the audio signal. 1:1, 2:1, 4:1, 8:1,

16:1, 32:1, Inf:1

WetLevel Wet Level Adjusts the level of the effect sound. Output volume changes in

accordance with the Ratio setting and the characteristics of the

input tone.

000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Module Name

Description Settings

Display Parameter Data

EN-85

Reference



Limiter

Limits the input signal level so it does not rise above a preset level.

Limit Limit Adjusts the volume level of the limit at which limiting is applied. 000 to 127

Attack Attack Adjusts the time until the compression effect starts. A smaller

value causes prompt limiter operation, which suppresses the

attack of the input signal. A larger values delays limiter operation,

which causes the attack of the input signal to be output as-is.

000 to 127

Release Release Adjusts the time until compression is released after the input

signal drops below a prescribed level.

000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. Output volume changes in

accordance with the Limit setting and the characteristics of the

input tone. Use this parameter to correct for such changes.

000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Enhancer

Enhances the profiles of the low range and high range of the input signal.

Low Freq Low Frequency Adjusts the low range enhancer frequency. 000 to 127

Low Gain Low Gain Adjusts the low range enhancer gain. 000 to 127

HighFreq High Frequency Adjusts the high range enhancer frequency. 000 to 127

HighGain High Gain Adjusts the high range enhancer gain. 000 to 127

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Phaser

Produces a distinctive pulsating, broad sound by using an LFO to change the phase of

the input signal and then mixes it with the original input signal.

Resonanc Resonance Adjusts the strength of feedback. 000 to 127

Manual Manual Adjusts the reference phaser shift amount. –64 to 00 to 63

Rate LFO Rate Adjusts the LFO rate. 000 to 127

Depth LFO Depth Adjusts the LFO depth. 000 to 127

Waveform LFO Waveform Selects the LFO waveform. Sine, Triangle,

Random

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Module Name

Description Settings

Display Parameter Data

EN-86

Reference



Chorus

Gives notes depth and breadth.

Rate LFO Rate Adjusts the LFO rate. 000 to 127

Depth LFO Depth Adjusts the LFO depth. 000 to 127

Waveform LFO Waveform Selects the LFO waveform. Sine, Triangle

Feedback Feedback Adjusts the strength of feedback. –64 to 00 to 63

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

Polarity Polarity Inverts the LFO of one channel. Negative, Positive

In Level Input Level Adjusts the input level. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Flanger

Applies wildly pulsating and metallic reverberation to notes. Selects the LFO waveform.

Rate LFO Rate Adjusts the LFO rate. 000 to 127

Depth LFO Depth Adjusts the LFO depth. 000 to 127

Waveform LFO Waveform Selects the LFO waveform. Sine, Triangle,

Random

Feedback Feedback Adjusts the strength of feedback. –64 to 00 to 63

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

In Level Input Level Adjusts the input level. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Rotary

This effect is a rotary speaker simulator.

Type Type Selects the rotary speaker type. 0 to 3

Speed Speed Switches the speed mode between fast and slow. Slow, Fast

Brake Brake Stops speaker rotation. Rotate, Stop

FallAcel Fall Accel Adjusts acceleration when the speed mode is switched from fast

to slow.

000 to 127

RiseAcel Rise Accel Adjusts acceleration when the speed mode is switched from slow

to fast.

000 to 127

SlowRate Slow Rate Adjusts the speaker rotation speed in the slow speed mode. 000 to 127

FastRate Fast Rate Adjusts the speaker rotation speed in the fast speed mode. 000 to 127

Vib/Cho Vibrato/Chorus Selects the vibrato and the chorus type. Off, Vibrato1,

Chorus 1, Vibrato2,

Chorus 2, Vibrato3,

Chorus 3

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Module Name

Description Settings

Display Parameter Data

EN-87

Reference



Drive Rotary

This is a rotary speaker simulator that makes overdrive possible.

Type Type Selects the rotary speaker type. 0 to 3

OD Gain Overdrive Gain Adjusts overdrive gain. 000 to 127

OD Level Overdrive Level Adjusts the overdrive output level. 000 to 127

Speed Speed Switches the speed mode between fast and slow. Slow, Fast

Brake Brake Stops speaker rotation. Rotate, Stop

FallAcel Fall Accel Adjusts acceleration when the speed mode is switched from fast

to slow.

000 to 127

RiseAcel Rise Accel Adjusts acceleration when the speed mode is switched from slow

to fast.

000 to 127

SlowRate Slow Rate Adjusts the speaker rotation speed in the slow speed mode. 000 to 127

FastRate Fast Rate Adjusts the speaker rotation speed in the fast speed mode. 000 to 127

Vib/Cho Vibrato/Chorus Selects the vibrato and the chorus type. Off, Vibrato1,

Chorus 1, Vibrato2,

Chorus 2, Vibrato3,

Chorus 3

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Pitch Shifter

This effect transforms the pitch of the input signal.

Pitch Pitch Adjusts the pitch shift amount in quarter tone steps. –24 to 00 to 24

HighDamp High Damp Adjusts the high-range damp. A smaller number increases

damping.

000 to 127

Feedback Feedback Adjusts the feedback amount. 000 to 127

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Fine Fine Adjusts the pitch shift amount. –50 is a quarter note decrease,

while +50 is a quarter note increase.

–50 to 00 to 50



Ring Modulator

Multiplies the input signal with an internal oscillator signal to create a metallic sound.

OSC Freq OSC Frequency Sets the reference frequency of the internal oscillator. 000 to 127

Rate LFO Rate Adjusts the LFO rate. 000 to 127

Depth LFO Depth Adjusts the LFO depth. 000 to 127

Tone Tone Adjusts the timbre of the ring modulator input sound. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Module Name

Description Settings

Display Parameter Data

EN-88

Reference



Reflection

Simulates the initial reflection of reverberation. Applies acoustic presence to notes.

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

Feedback Feedback Adjusts the repeat of the reflected sound. 000 to 127

Tone Tone Adjusts the tone of the reflected sound. 000 to 127

In Level Input Level Adjusts the input level. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Delay

Delays the input signal and feeds it back to create a repeating effect.

Time Delay Time Adjusts the total delay time in 1 ms units. 0001 to 1099

TmRatioL Delay Ratio L Adjusts the ratio of the left channel relative to the total delay time. 000 to 127

TmRatioR Delay Ratio R Adjusts the ratio of the right channel relative to the total delay

time.

000 to 127

Level L Delay Level L Adjusts the level of the left channel. 000 to 127

Level R Delay Level R Adjusts the level of the right channel. 000 to 127

FdbkType Feedback Type Selects the feedback type.

Stereo: Stereo feedback

Cross: Cross feedback

Stereo, Cross

Fdbk Lvl Feedback Adjusts the feedback amount. 000 to 127

Hi Damp High Damp Adjusts the high-range damp. A smaller number increases

damping.

000 to 127

TmpoSync Delay Tempo

Sync

Specifies how the actual total delay time is synced with tempo.

Off: Uses Delay Time value.

1/4 to 1: Uses value in accordance with number of beats.

Off, 1/4, 1/3, 3/8, 1/2,

2/3, 3/4, 1

In Level Input Level Adjusts the input level. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127



Piano Effect

This effect is suited to acoustic piano play.

Lid Type Lid Type Adjusts how sound resonates in accordance with the opening

state of a piano lid.

Closed, SemiOpen,

FullOpen

RefLevel Reflection Level Adjusts the level of the initial reflection. 000 to 127

In Level Input Level Adjusts the input level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Module Name

Description Settings

Display Parameter Data

EN-89

Reference



LFO Wah

This is a “wah” effect that can automatically affect the frequency using an LFO.

In Level Input Level Adjusts the input level. The input signal can become distorted

when the level of the sound being input, the number of chords, or

the Resonance value is large. Adjust this parameter to eliminate

such distortion.

000 to 127

Resonanc Resonance Adjusts the strength of feedback. 000 to 127

Manual Manual Adjusts the wah filter reference frequency. 000 to 127

Rate LFO Rate Adjusts the LFO rate. 000 to 127

Depth LFO Depth Adjusts the LFO depth. 000 to 127

Waveform LFO Waveform Selects the LFO waveform. Sine, Triangle,

Random

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Auto Wah

This is a “wah” effect that can automatically shift the frequency in accordance with the

level of the input signal.

In Level Input Level Adjusts the input level. The input signal can become distorted

when the level of the sound being input, the number of chords, or

the Resonance value is large. Adjust this parameter to eliminate

such distortion.

000 to 127

Resonanc Resonance Adjusts the strength of feedback. 000 to 127

Manual Manual Adjusts the wah filter reference frequency. 000 to 127

Depth Depth Adjusts the depth of the wah in accordance with the level of the

input signal. Setting a positive value causes the wah filter to open

in direct proportion with the size of the input signal, producing a

bright sound. Setting a negative value causes the wah filter to

close in direct proportion with the size of the input signal,

producing a dark sound.

–64 to 00 to 63

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Module Name

Description Settings

Display Parameter Data

EN-90

Reference



Modeling Wah

Simulates various types of wah pedals. This effect can automatically shift the frequency

in accordance with the level of the input signal.

OutLevel Level Adjusts the wah level. 000 to 127

Type Type Selects the wah type. 1 to 8

Manual Manual Adjusts the wah filter reference frequency. 000 to 127

Depth Depth Adjusts the depth of the wah in accordance with the level of the

input signal. Setting a positive value causes the wah filter to open

in direct proportion with the size of the input signal, producing a

bright sound. Setting a negative value causes the wah filter to

close in direct proportion with the size of the input signal,

producing a dark sound.

–64 to 00 to 63

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Distortion

Distortion, wah, and amp simulator combined into a single effect.

DistGain Dist Gain Adjusts the distortion input signal gain. 000 to 127

Dist Lvl Dist Level Adjusts the distortion output level. 000 to 127

Dist Low Dist Low Adjusts the distortion low-range gain. 000 to 127

DistHigh Dist High Adjusts the distortion high-range gain. 000 to 127

Wah Type Wah Type Specifies the wah type. 1 to 6

WahDepth Wah Depth Adjusts the depth of the wah in accordance with the level of the

input signal.

–64 to 00 to 63

Wah Manu Wah Manual Adjusts the wah filter reference frequency. 000 to 127

Routing Routing Specifies the distortion and wah connection. Dist, Wah, Wah-Dist,

Dist-Wah

Amp Amp Specifies the amp type. 0 to 16

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Module Name

Description Settings

Display Parameter Data

1 CAE 3 IBZ 5 FAT 7 7STR

2 CRY 4 VO 6 LIGHT 8 RESO

1 LPF 3 V-Wah 5 L-Wah

2 C-Wah 4 F-Wah 6 H-Wah

0 Bypass 5 FD-DXRV 10 FD-TWRV2 15 FD-BMAN

1 FD-PRNST 6 VX-AC3 11 SL-SLO 16 BASS-STK

2 FD-TWRV1 7 ML-DC3 12 MB-RCTF

3 RL-J12 8 MB-MK1 13 PV-51-SK

4 FD-TWD 9 MS-STK 14 BASS-CMB

EN-91

Reference

*1 100Hz, 125Hz, 160Hz, 200Hz, 250Hz, 315Hz, 400Hz, 500Hz, 630Hz, 800Hz, 1.0kHz, 1.3kHz, 1.6kHz, 2.0kHz, 2.5kHz, 3.2kHz,

4.0kHz, 5.0kHz, 6.3kHz, 8.0kHz

*2 50Hz, 63Hz, 80Hz, 100Hz, 125Hz, 160Hz, 200Hz, 250Hz, 315Hz, 400Hz, 500Hz, 630Hz, 800Hz

*3 2.0kHz, 2.5kHz, 3.2kHz, 4.0kHz, 5.0kHz, 6.0kHz, 8.0kHz, 10kHz, 13kHz, 16kHz



Drive

Simulates the drive of a musical instrument amplifier.

Type Drive Type Selects the drive type.*

1 to 20

Gain Gain Adjusts the driver input signal gain. 000 to 127

OutLevel Level Adjusts the drive output level. 000 to 127

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127



Amp Cab

Simulates the amp and speaker cabinet without drive and distortion.

Type Type Selects the amp cabinet type.*

1 to 92

Vari Variation Selects a variation that changes the setup of the currently

selected amp. The number of variations*

depends on the amp

type.

1 to 4

WetLevel Wet Level Adjusts the level of the effect sound. 000 to 127

DryLevel Dry Level Adjusts the level of the direct sound. 000 to 127

Settings Drive Type Display Description

1 to 4 Clean1 to 4 Clean1 to 4 Simulates a clean sound with little distortion.

5 to 8 Crunch1 to 4 Crunch1 to 4 Simulates a crisp crunch sound with little distortion.

9 to 12 Overdrive1 to 4 Overdrv1 to 4 Simulates an overdrive sound with mellow distortion.

13 to 16 Distortion1 to 4 Distort1 to 4 Simulates a hard, straight distortion sound.

17 to 20 Metal1 to 4 Metal1 to 4 Simulates an extreme and weighty distortion sound that is suitable for

heavy metal music.

Module Name

Description Settings

Display Parameter Data

EN-92

Reference

*5 (V: Number of variations)

Settings V Display

11FD-PRNST

21FD-TWRV1

31RL-J12

41FD-TWD

51FD-DXRV

6 1 VX-AC3

7 1 ML-DC3

81MB-MK1

91MS-STK

10 1 FD-TWRV2

11 1 SL-SLO

12 1 MB-RCTF

13 1 PV-51-SK

14 1 BASS-CMB

15 1 FD-BMAN

16 1 BASS-STK

17 3 65-MQ

18 3 AD-MP+CA

19 2 BC-HC30

20 3 BN-SHV

21 3 BN-ECS

22 3 BN-UBR

23 3 CV-LG3

24 2 DR-MZ38

25 2 DZ-V4

26 2 DZ-HA

27 4 EG-TWK

28 3 EG-VEN

29 2 EN-G15

30 1 EN-INV

31 1 EN-BM

32 2 EN-53+DI

33 4 EV-51III

34 3 FD-CHMP

35 3 FD-TWN

36 3 FD-TWRV3

37 2 FU-OD

38 2 GB-LANC

39 3 HK-TM18

40 3 HK-SBL

41 2 KH-STDT

42 3 KR-RV

43 4 LY-IRST

44 3 MB-MK3

45 3 MB-F3+DI

46 1 MB-D5

47 4 MB-DRCT

48 1 MB-TX+.5

Settings V Display

49 4 MB-TX+DI

50 4 MS-VS80

51 4 MS-J800

52 2 MS-J2401

53 3 MS-J2000

54 2 MS-J2+MB

55 3 MS-PLX

56 2 MS-J1+DI

57 4 MT-CFT

58 4 OR-O15

59 2 PN-P7

60 3 PR-SE3

61 4 PV-51II

62 4 PV-65MH

63 3 RA-NBK

64 2 RL-J20

65 2 RL-J120

66 2 RV-30

67 4 SA-PS1

68 2 SL-X8

69 2 SL-X9

70 3 SP-1624

71 3 SP-1695

72 3 SU-BGR3

Settings V Display

73 2 VH-SP6

74 3 VX-A15

75 2 VX-A15TB

76 3 VX-A30

77 3 VX-A30TB

78 4 YM-DG8

79 2 AC-360

80 2 AP-SV4DI

81 2 EB-C450

82 2 FD-BMNtw

83 2 FD-BMNsv

84 2 FD-BMNbk

85 2 FD-STBAS

86 3 GK-150

87 3 MK-T501

88 3 SW-PB20

89 3 SW-SM50

90 1 RL-CBKB

91 1 LY-3C-AC

92 4 AC-SIM

Settings V Display

Function Transmitted Recognized Remarks

Basic

Channel

1 - 16

Default

Changed

Note

Number

0 - 127

True Voice

After

Touch

Control

Change

Pitch Bender

Key’s

Ch’s

Velocity

9nH v = 1 - 127

8nH v = 0 - 127, 9nH v = 0

9nH v = 1 - 127

8nH v = 64

Note ON

Note OFF

Mode

Mode 3

Default

Messages

Altered

6, 38

Bank select

Modulation

Portamento time

Data entry LSB, MSB

Volume

Pan

Expression

Hold 1

Portamento switch

Sostenuto

Soft pedal

Filter resonance

Release time

Attack time

Model: PX-S3100 Version : 1.0

MIDI Implementation Chart

Program

Change

0 - 127:True #

System Exclusive

System

Common

: Song Pos

: Song Sel

: Tune

Aux

Messages

Notes

: All Sound Off

Reset All Controller

: Local ON/OFF

: All Notes OFF

: Active Sense

: System Reset

System

Real Time

: Clock

: Commands

100, 101

Filter cutoff

Vibrato rate

Vibrato depth

Vibrato delay

Portamento control

High resolution velocity prefix

Reverb send level

Chorus send level

Delay send level

RPN LSB, MSB

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

O : Yes

X : No

*1: Depends on tone.

*2: Output in accordance with knob set setting.

*3: Output in accordance with pedal effect setting.

*4: For details about RPN and system exclusive messages, see MIDI Implementation at

https://world.casio.com/.

*5: Note ON only

*6: Output along with certain operations.

MA2107-A

PXS3100-E-3A

Casio PX-S3100BK Privia PX-S3100 88-Key Slim-Body Portable Digital Piano

Product's Documents

User Manual

Specifications

Casio PX-S3100BK Questions and Answers