RED DIGITAL CINEMA 710-0361 KOMODO 6K Camera Production Pack User Manual

KOMODO 6K S35 | V1.5

RED.COM

KOMODO

OPERATION GUIDE

DISCLAIMER IV

SAFETY INSTRUCTIONS VI

1. INTRODUCTION

KOMODO 1

2. QUICK REFERENCE

PREPARING THE CAMERA HARDWARE 4

PREPARING THE CAMERA SYSTEM 4

CONFIGURING THE SETTINGS 4

RECORDING 4

PROCESSING FOOTAGE 4

3. CAMERA COMPONENTS

CAMERA BODY 5

CAMERA BODY CONTROLS AND FEATURES 5

FRONT 5

TOP 6

LEFT 7

RIGHT 8

BACK 9

BOTTOM 10

CAMERA BODY LEDS 11

BATTERIES 15

REDVOLT BP 15

CANON BP-955 16

CANON BP-975 16

LENSES AND ADAPTORS 17

COMPATIBLE LENSES 18

COMPATIBLE MOUNT ADAPTORS 18

ATTACHING LENSES 18

REMOVING LENSES 18

RED CFAST 2.0 READER 19

KOMODO EXPANDER MODULE 19

KOMODO LINK ADAPTOR 20

KOMODO OUTRIGGER HANDLE 20

KOMODO WING GRIP 21

LCD TOUCHSCREEN 21

STATUS BAR 27

STATUS PAGE 31

MONITORING TOOLS 32

HISTOGRAM 36

AUDIO TOOLS 37

PLAYBACK 40

RED CONTROL APP 44

4. MENUS

IMAGE / LUT MENU 46

ISO 47

SHUTTER 47

WHITE BALANCE 49

OUTPUT COLOR SPACE 52

OUTPUT TONE MAP 53

HIGHLIGHT ROLL-OFF 53

DISPLAY PRESET 54

3D LUT 55

CDL 57

EXPOSURE ADJUST 63

TABLE OF CONTENTS

PROJECT SETTINGS MENU 64

FORMAT 65

RECORDING FRAME RATE 69

PROJECT TIME BASE 70

FILE FORMAT 70

R3D QUALITY 73

PRORES RESOLUTION 73

PRORES CODEC 74

PRORES BAKED-IN SETTINGS 74

PRE-RECORD 75

SLATE 75

AUDIO / TC MENU 77

AUDIO SOURCE 79

INTERNAL MICROPHONE 80

EXTERNAL AUDIO 81

HEADPHONE 82

TIMECODE SOURCE 83

TIMECODE DISPLAY MODE 83

MONITORING MENU 84

LCD 85

SDI 87

LIVE STREAM 93

TOOLS 94

GUIDES 101

MEDIA MENU 109

EJECT 109

MEDIA INFO 110

SECURE FORMAT 110

PRESETS MENU 114

CREATE PRESET 114

ON MEDIA PRESETS 116

IN CAMERA PRESETS 116

AUTOFOCUS - BETA MENU 117

ENABLE 117

MODE 118

SIZE 118

POSITION 119

COMMUNICATION MENU 120

CAMERA 120

WI-FI 121

SERIAL 133

KOMODO LINK ADAPTOR 134

FTPS 138

SYSTEM SETTINGS MENU 139

DATE / TIME 140

LENS 142

POWER 144

INDICATORS 145

STATUS SETTINGS 145

SYSTEM STATUS 147

LANGUAGE MENU 149

MAINTENANCE MENU 149

CALIBRATE 150

CALIBRATION 151

SAVE LOG 152

RESET DEFAULTS 152

FACTORY RESET 153

UPGRADE 153

KOMODO

OPERATION GUIDE

5. HOW TO

WI-FI CONFIGURATION 154

CONNECTING WIRELESSLY TO AN EXISTING

WI-FI NETWORK 154

POWER 157

ATTACHING THE BATTERIES 157

REMOVING THE BATTERIES 157

POWER COMPONENTS 157

KOMODO POWER ADAPTOR 158

AUTO BOOT ON POWER 158

POWER CONSUMPTION 158

POWER PRIORITY 158

TURNING ON THE CAMERA 159

TURNING OFF THE CAMERA 160

MEDIA MANAGEMENT 160

EJECTING (UNMOUNTING) MEDIA 160

INSERTING THE MEDIA 162

SECURE FORMAT 164

MEDIA INFORMATION 165

FILE SYSTEM 165

CLIP NAMING CONVENTION 166

CLIP METADATA 166

MEDIA BEST PRACTICES 167

MONITORING 168

LCD TOUCHSCREEN 168

SDI OUTPUT TO A MONITOR 169

RED CONTROL 171

KOMODO LINK ADAPTOR 172

EXPOSURE 173

FALSE COLOR EXPOSURE TOOLS 175

FOCUS 176

FOCUS PEAKING MODE 176

EDGE PEAKING MODE 176

PEAKING PEAKING MODE 177

TIMECODE 177

TIME OF DAY 177

EDGECODE 179

ZEBRA MODES 180

ZEBRA OVERVIEW 180

PRE-RECORDING CONTENT 181

CALIBRATING THE SENSOR 182

WHEN TO CALIBRATE SENSOR 182

UPGRADING THE FIRMWARE 182

VERIFYING THE FIRMWARE VERSION 182

UPGRADING THE FIRMWARE 182

KOMODO LINK ADAPTOR 185

ANDROID CONFIGURATION 185

APPLE CONFIGURATION 191

NETWORK CONFIGURATION 198

FTPS CONFIGURATION 201

CAMERA SET-UP 201

SOFTWARE SET-UP (FILEZILLA) 202

ADDITIONAL INFORMATION 203

SYSTEM MAINTENANCE 204

EXTERIOR SURFACES 204

STORAGE 204

LCD SCREEN 205

WATER DAMAGE 205

6. TROUBLESHOOTING

GENERAL TROUBLESHOOTING TIPS 206

CONTACT SUPPORT 206

HARD RESET 207

FORCE UPGRADE 207

STATUS ICONS 208

7. MECHANICAL DRAWINGS

FRONT VIEW 210

BACK VIEW 211

RIGHT SIDE VIEW 211

LEFT SIDE VIEW 212

TOP VIEW 213

BOTTOM VIEW 213

EXTENSION PORT 214

9-PIN 0B ODU AUXILIARY PORT PINOUT 214

DC-INPUT 215

SPECIFICATIONS 215

ODU 0B 2-PIN CONNECTOR 215

CTRL (RS-232 CONTROL) 216

SPECIFICATIONS 216

ODU 00B 4-PIN CONNECTOR 216

8. MENU MAP 217

9. TECHNICAL SPECIFICATIONS 219

KOMODO

OPERATION GUIDE

DISCLAIMER

RED

has made every effort to provide clear and accurate information in

this document, which is provided solely for the user’s information. While

thought to be accurate, the information in this document is provided

strictly “as is” and RED will not be held responsible for issues arising

from typographical errors or user’s interpretation of the language used

herein that is different from that intended by RED. All safety and general

information is subject to change as a result of changes in local, federal

or other applicable laws.

RED reserves the right to revise this document and make changes from

time to time in the content hereof without obligation to notify any person

of such revisions or changes. In no event shall RED, its employees or

authorized agents be liable to you for any damages or losses, direct or

indirect, arising from the use of any technical or operational information

contained in this document.

This document was generated on 5/13/2021. To see earlier versions of

this document, submit a Support ticket at https://support.red.com.

For comments or questions about content in this document, send a

detailed email to [email protected].

All trademarks, trade names, logos, icons, images, written material,

code, and product names used in association with the accompanying

product are the copyrights, trademarks, or other intellectual property

owned and controlled exclusively by RED.COM, LLC. For a

comprehensive list, see www.red.com/trademarks.

TRADEMARK DISCLAIMER

All other company, brand, and product names are trademarks or

registered trademarks of their respective holders. RED has no affiliation

to, is not associated with or sponsored by, and has no express rights in

third-party trademarks. Adobe and Adobe Premiere Pro are registered

trademarks of Adobe Systems Incorporated. AJA is a registered

trademark of AJA Video Systems, Inc. Cooke and S4/i are registered

trademarks of Cooke Optics Limited. DaVinci is a registered trademark

of Blackmagic Design in the U.S. and other countries. Distagon, Makro-

Planar, and Otus are registered trademarks of Carl Zeiss AG. Fujinon is

a registered trademark of FUJIFILM CORPORATION. HDMI is a

registered trademark of HDMI Licensing LLC in the United States and

other countries. Leica is a registered trademark of Leica Microsystems.

Loctite is a registered trademark of Henkel AG & Company KGaA.

Nikkor and Nikon are registered trademarks of Nikon Corporation.

Canon is a registered trademark of Canon, U.S.A. Apple, iOS,

Macintosh, Final Cut Pro, and QuickTime are registered trademarks of

Apple Inc. in the U.S. and other countries. Windex is a registered

trademark of S. C. Johnson & Son, Inc. Windows is a registered

trademark of Microsoft Corporation. Sony is a registered trademark of

Sony Corporation. TORX is a registered trademark of Acument

Intellectual Properties, LLC in the United States or other countries. Avid

is a registered trademark of Avid Technology, Inc. DaVinci Resolve is a

registered trademark of Blackmagic Design in the U.S. and other

countries. EDIUS Pro is a registered trademark of Grass Valley. Vegas

Pro is a registered trademark of Sony Creative Software. IDX is a

registered trademark of IDX Company, Ltd.

COMPLIANCE STATEMENTS

INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS

This device complies with Industry Canada license-exempt RSS

standards RSS 139 and RSS 210. Operation is subject to the following

two conditions: (1) this device may not cause interference, and (2) this

device must accept any interference, including interference that may

cause undesired operation of the device.

This Class B digital apparatus complies with Canadian ICES-003.

To comply with FCC and Industry Canada RF exposure limits for general

population/ uncontrolled exposure, the antenna(s) used for this

transmitter must be installed to provide a separation distance of 70mm

from all persons and operating in conjunction with any other antenna or

transmitter, except in accordance with FCC multi-transmitter product

procedures.

Other user manual statements may apply.

Le présent appareil est conforme aux CNR d’Industrie Canada

applicables aux appareils radio exempts de licence. L’exploitation est

autorisée aux deux conditions suivantes : (1) l’appareil ne doit pas

produire de brouillage, et (2) l’utilisateur de l’appareil doit accepter tout

brouillage radioélectrique subi, même si le brouillage est susceptible

d’en compromettre le fonctionnement.

Cet appareil numérique de la classe B est conforme à la norme NMB-

003 du Canada.

Pour se conformer aux limites d’exposition aux RF de la FCC et

d’industries Canda pour la population générale/ exposition non

controlee, l’antenne(s) utilisée pour ce transmetteur doit être installé

pour fournir une distance de separation d’au moins 70mm de toutes les

personnes et fonctionnant conjointement avec une autre antenne ou

émetteur, saufen conformité avec les proceédures de produits multi-

émetteur FCC.

Autres d’eclarations manuel de l’utilisateur peuvent s’appliquer.

KOMODO

OPERATION GUIDE

FEDERAL COMMUNICATIONS COMMISSION (FCC) STATEMENTS

This equipment has been tested and found to

comply with the limits for a Class B digital

device, pursuant to part 15 of the FCC Rules.

These limits are designed to provide reasonable

protection against harmful interference in a

residential installation. This equipment

generates, uses and can radiate radio frequency

energy and, if not installed and used in accordance with the instructions,

may cause harmful interference to radio communications. However,

there is no guarantee that interference will not occur in a particular

installation. If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the equipment

off and on, the user is encouraged to try to correct the interference by

one or more of the following measures:

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and the receiver.

Connect the equipment to an outlet on a circuit different from that to

which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

To maintain compliance with FCC regulations, shielded cables must be

used with this equipment. Operation with non-approved equipment or

unshielded cables is likely to result in interference to radio and TV

reception. The user is cautioned that changes and modifications made

to the equipment without the approval of manufacturer could void the

users authority to operate this equipment.

NOTE: This device complies with Part 15 of the FCC Rules.

Operations subjected to the following two conditions (1) this device may

not cause harmful interference, and (2) this device must accept any

interference received, including that which may cause undesirable

interference.

CAUTION: Exposure to Radio Frequency Radiation.

The device shall be used in such a manner that the potential for human

contact is minimized.

This equipment complies with FCC radiation exposure limits set forth for

an uncontrolled environment. This equipment should be installed and

operated with a minimum distance of 20 cm between the radiator and

your body.

CAUTION: Regulations of the FCC and FAA prohibit airborne

operation of radio-frequency wireless devices because their

signals could interfere with critical aircraft instruments.

CAUTION: If the device is changed or modified without

permission from RED, the user may void his or her authority

to operate the equipment.

AUSTRALIA AND NEW ZEALAND STATEMENTS

RED declares that the radio equipment described in this document

complies with the following international standards:

IEC 62368-1 – Product Safety

ETSI EN 300 328 – Technical requirement for radio equipment

RED declares digital devices described in this document comply with

the following Australian and New Zealand standards:

AS/NZS CISPR 22 – Electromagnetic Interference

AS/NZS 61000.3.2 – Power Line Harmonics

AS/NZS 61000.3.3 – Power Line Flicker

SOUTH KOREA STATEMENTS

SINGAPORE STATEMENTS

Complies with

IMDS Standards

N3434-20.

THAILAND STATEMENTS

This telecommunication equipment conforms to

NTC/NBTC technical requirements.

JAPAN STATEMENTS

This equipment contains specified radio equipment that has been

certified to the Technical Regulation Conformity Certification under the

Radio Law.

SOUTH AFRICA STATEMENTS

KOMODO

OPERATION GUIDE

EUROPEAN UNION COMPLIANCE STATEMENTS

RED declares that the radio equipment

described in this document complies with the

EMC Directive (2014/30/EU) and the Low

Voltage Directive (2014/35/EU) issued by the

Commission of the European Community.

Compliance with this directive implies

conformity to the following European Norms (in brackets are the

equivalent international standards).

EN 62368-1 (IEC 62368-1) – Product Safety

ETSI EN 300 328 Technical requirement for radio equipment

ETSI EN 301 489 General EMC requirements for radio equipment

EN 55032 (CISPR 32) Electromagnetic Compatibility

EN 55035 (CISPR 35) Immunity Requirements

EN 61000-3-2 (IEC 61000-3-2) Harmonic Current Emissions

EN 61000-3-3 (IEC 61000-3-3) Voltage changes, voltage fluctuations

and flicker

EU 2015/863 RoHS Directive

WASTE ELECTRICAL AND ELECTRONIC EQUIPMENT (WEEE)

The Waste Electrical and Electronic Equipment

(WEEE) mark applies only to countries within

the European Union (EU) and Norway. This

symbol on the product and accompanying

documents means that used electrical and

electronic products should not be mixed with

general household waste. For proper treatment,

recovery and recycling, take this product to

designated collection points where it will be

accepted free of charge. Alternatively, in some

countries you may be able to return your

products to your local retailer upon purchase of an equivalent new

product.

Disposing of this product correctly will help save valuable resources and

prevent any potential negative effects on human health and the

environment, which could otherwise arise from inappropriate waste

handling. Contact your local authority for further details of your nearest

designated collection point. Penalties may be applicable for incorrect

disposal of this waste, in accordance with you national legislation.

For business users in the European Union, if you wish to discard

electrical and electronic equipment, contact your dealer or supplier for

further information.

RESPONSIBLE PARTY

RED Digital Cinema

94 Icon

Lake Forest, CA 92610

USA

SAFETY INSTRUCTIONS

DO NOT use the camera or accessories near water. Avoid exposing

your camera to moisture. The unit is not waterproof, so contact with

water could cause permanent damage to the unit as well as electric

shock and serious injury to the user. DO NOT use the camera in the

rain or under other conditions with high moisture without appropriate

protection, and immediately remove power source if camera or

accessories are exposed to moisture.

WARNING: To reduce the risk of fire or electric shock, do not

expose the camera to rain or moisture.

CAUTION: Proper camera ventilation requires a minimum

0.5" (1.25 cm) clearance between the camera ventilation

openings and external surfaces. Verify that objects that can

block the fan intake and exhaust ports do not impede airflow.

Failure to permit adequate airflow may result in overheating

of the camera, degraded operation and in extreme situations,

damage to the camera.

WARNING: CFast media cards can become very hot during

prolonged recording sessions. When ejecting the CFast

media card, let it cool before touching it with bare fingers.

DO NOT operate or store near any heat sources such as radiators,

heat registers, stoves, or any other apparatus that produce heat.

Store in a protected, level and ventilated place. Avoid exposure to

temperature extremes, damp, severe vibration, strong magnetic

fields, direct sunlight or local heat sources during storage. Remove

any batteries from the camera before storage. Recommended

storage and usage temperatures for your camera, lenses and other

accessories are:

Operating range: 0° C to 40° C (32° F to 104° F)

Storage range: –20° C to 50° C (–4° F to 122° F)

DO NOT expose the camera to laser beams, as laser beams may

damage the sensor.

DO NOT expose your camera to excessive vibration or impact

(shock). Be careful not to drop your camera. Internal mechanisms

may be damaged by severe shock. Mechanical alignment of optical

elements may be affected by excessive vibration.

ELECTROMAGNETIC INTERFERENCE: The use of devices using

radio or other communication waves may result in the malfunction or

interference with the unit and/or with audio and video signals.

Clean only using a dry cloth. When cleaning your camera, remember

that it is not waterproof and moisture can damage electronic

circuitry. DO NOT rinse or immerse any element of the camera, lens

or other accessory, keep them dry at all times. DO NOT use soaps,

detergents, ammonia, alkaline cleaners, and abrasive cleaning

compounds or solvents. These substances may damage lens

coatings and electronic circuitry.

Maintain sufficient ventilation—DO NOT block any ventilation

openings or obstruct cooling fan airflow.

KOMODO

OPERATION GUIDE

If there are any performance issues with your camera or accessories

when operating within this temperature range, submit a Support

ticket at https://support.red.com.

DO NOT bypass the third prong of the grounding-type plug on the

power cord of the included power Adaptor. A grounding-type plug

has two blades and a third “grounding” prong. The third prong is

provided for your safety. You must connect the plug to an outlet

with a protective earthen connection. If the grounding-type plug

does not fit into your outlet, do not attempt to modify the plug or

outlet, consult a qualified electrician.

Protect all power cords from being pinched, walked on, or driven

over by a vehicle. Replace any power cords suspected of sustaining

damage due to crushing or other forms physical damage.

CAUTION: Install this camera in a proper support system that

can handle the entire weight of the camera and the

accessories. Secure the camera by using the ¼-20 and/or the

3/8-16 mounting points located on the bottom of the camera

or on the Expander Module. Always verify that the screws are

tightened properly. When the camera is not properly

attached, or is placed on an unstable surface, the camera

can fall and cause injury or be damaged.

CAUTION: Products marked with this symbol are class 2

devices. These devices are not provided with a grounding

type plug.

CAUTION: The power cord plug for the included power

adaptor is used as the power disconnect. To disconnect all

power from the power adaptor, unplug the power cord plug

from the wall outlet. During use, the power cord plug should

remain easily accessible at all times.

Lithium-ion batteries may be subject to special handling

requirements pursuant to federal and local laws. Refer to specific

shipping instructions included with your battery regarding proper

transport of your battery. Do not handle your battery if it is damaged

or leaking. Disposal of batteries must be in accordance with local

environmental regulations. For example, California law requires that

all rechargeable batteries must be recycled by an authorized recycle

center. Storing batteries fully charged or in high temperature

conditions may permanently reduce the life of the battery. Available

battery capacity may also be temporarily lessened after storage in

low temperature conditions.

WARNING: DO NOT expose the battery to excessive heat.

CAUTION: Refer all service and repair to qualified RED

service personnel. To reduce the risk of electric shock, and

damage to the camera or accessories, DO NOT attempt to

perform any servicing other than any procedures that are

recommended in the operating instructions.

INDOOR USE ONLY: This device is designed primarily for

indoor use.

El aparato no debe quedar expuesto a goteo o salpicadureas por

líquidos.

BATTERY STORAGE AND HANDLING

WARNING: Failure to read, understand, and follow these

instructions may result in overheating, chemical leakage,

smoke emission, fire, or other potentially harmful results.

Read and adhere to all safety instructions provided by the

manufacturer of the batteries.

Always follow proper battery handling and storage practices.

Improper handling and failure to abide by proper storage

instructions may cause permanent damage to batteries, or degrade

battery charge holding capacity. Improper handling practices or

failure to comply with instructions may also put you at risk.

Lithium-Ion batteries, like the Canon BP-900 series, self-discharge

over time. When storing for long periods of time, store batteries

separately from the camera or charger and remember to charge

batteries to a capacity level of 40% to 60%. If batteries will be

stored for long periods of time, RED recommends that you check

the charge level at least once every six (6) months, and recharge

batteries to a capacity level of 40% to 60%.

When not in use, remove the battery from the camera or charger

and store the battery in a cool, dry place. Avoid extreme hot

temperatures (such as inside a hot car), corrosive gas, and direct

sunlight. The optimal storage temperature for batteries is between –

20° C to 20° C (–4° F to 68° F).

WARNING: Batteries stored in a discharged state for long

periods of time may self-discharge and lose the ability to hold

a charge.

WARNING: If recharging operation fails to complete even

when a specified recharging time has elapsed, immediately

stop further recharging.

DO NOT store batteries in a fully charged state for extended periods

of time.

DO NOT store batteries in a fully discharged state for extended

periods of time.

DO NOT store batteries in the camera or in a charger for extended

periods of time.

DO NOT use batteries for purposes other than their intended use.

DO NOT store batteries in extreme hot or cold temperatures.

DO NOT store batteries in direct sunlight.

DO NOT disassemble or modify the battery.

DO NOT overcharge batteries. Overcharging may increase internal

temperature beyond the recommended limits and cause permanent

damage to the battery.

DO NOT connect the positive (+) and negative (–) terminals to a

metal object such as a wire.

DO NOT transport or store the battery together with metal objects

such as jewelry, hairpins, etc. as they may generate heat if they

come into contact with the battery.

DO NOT discard the battery into fire or heat.

DO NOT store, use, or recharge the battery near a heat source such

as a fire or a heater.

DO NOT allow the battery to get wet.

DO NOT pierce the battery with pointed or other sharp objects.

DO NOT step on, throw, or strike the battery with a hammer.

DO NOT use a battery that appears to be deformed or damaged.

DO NOT directly solder the battery.

DO NOT put the battery into a microwave oven or a pressurized

container.

KOMODO

OPERATION GUIDE

DO NOT use or subject the battery to intense sunlight or hot

temperatures such as in a car in hot weather.

DO NOT use it in a location where static electricity may be present.

DO NOT exceed the recharging temperature range of 0˚ C to 40˚ C

(32˚ F to 104˚ F).

Store the battery in a location where children cannot reach it.

If the battery leaks or gives off a bad odor, discontinue use

immediately.

If the battery gives off an odor, generates heat, becomes discolored

or deformed, or in any way appears abnormal during use, recharging

or storage, immediately remove it from the equipment or battery

charger and discontinue use.

If electrolyte begins leaking from the battery and comes into contact

with your skin or clothing, immediately wash it away with running

water. Failure to do this may result in skin inflammation.

If the battery leaks and the electrolyte reaches the eyes, do not rub

them. Instead, rinse the eyes with clean running water and

immediately seek medical attention. Failure to do this may result in

eye injury.

KOMODO

OPERATION GUIDE

1. INTRODUCTION

Figure: KOMODO camera

KOMODO

6K is the latest breakthrough product in RED's long line of innovative image capture technology. The

newest entrant into the RED lineup is a compact, all-in-one, and highly powerful cinema camera. It features RED’s

cinema grade image quality, color science, and sensor technology in a portable form factor cinematographers can take

anywhere and adapt to any shooting scenario.

The new sensor in KOMODO is a 6K S35 global shutter CMOS sensor. This sensor breaks new technical ground by

retaining wide dynamic range and delivering unmatched RED imagery, without compromising creative or technical

features. KOMODO includes a built-in Canon RF-style mount allowing users the flexibility to use RF-type lenses and

several lens Adaptors, such as EF-type, PL, and Leica M mount.

The KOMODO records using R3D or ProRes formats written to a CFast 2.0 media card. The RED KOMODO is powered

by REDVOLT BP batteries or a power cable. Control the KOMODO features with the top LCD Touchscreen, or you can

use the screen to watch playback.

QUICK REFERENCE

Refer to the Quick Reference section to get familiar with this guide and the camera.

KOMODO

OPERATION GUIDE

R3D FILE FORMAT AND REDCODE

All videos and frames are recorded to the R3D

file format. The R3D file format was developed by RED to provide an

efficient and manageable RAW video data format that promotes advanced post production editing capabilities. In the

R3D file format, the digital image received from the sensor is formatted as a pixel-defect corrected (but in all other

aspects unprocessed) 16-bit per pixel RAW data frame. Each RAW frame, or sequence of RAW frames in a clip, is

compressed using proprietary REDCODE

RAW compression, then stored to media.

RAW data is recorded independently of any RGB domain color processing such as ISO, White Balance, or other RGB

color space settings. Instead, color parameters are saved as reference metadata; that is, color is not burned into the

recorded RAW data. This recording technique promotes flexibility in RGB color processing, which can be deferred to

post production or adjusted in the field, without affecting the recorded RAW data image quality or dynamic range.

REDCODE is a compression codec that reduces R3D RAW files into a manageable size, allowing longer recording times

on media. The ability to compress RAW data is one of the significant technologies that RED has brought to the industry.

GLOBAL SHUTTER

This camera employs global shutter technology. This technology exposes all of the sensor's pixels in each frame

simultaneously, unlike a rolling shutter that exposes lines of pixels (each with a delay) causing image artifacts on fast-

moving objects. Global shutter technology not only improves the visual appearance of this camera's images, it also

eliminates tracking and matte-painting distortions during post production.

IMAGE PROCESSING PIPELINE

This camera uses the new RED Image Processing Pipeline 2 (IPP2). In IPP2, the advanced RED color space

(REDWideGamutRGB) allows the camera to use every color its sensor can generate without clipping. The camera then

encodes the image using Log3G10, a gamma curve that retains extreme highlight and shadow detail. Using the

advanced color space and gamma curve, RED IPP2 allows you to grade and make color adjustments in post

production, instead of in-camera. IPP2 also allows the camera to use CDL for grading. For more information about IPP2,

refer to the RED IPP2 support page.

SHOOT FOR VIDEO AND STILLS

High resolution video, such as the digital footage captured by the camera, has surpassed the detail necessary to

produce professional full-sized prints. Because of the ability to record at high frame rates and resolution, the camera is

ideally suited to capture video and still images, simultaneously.

KOMODO

OPERATION GUIDE

POST PRODUCTION

Many non-linear editing systems (NLEs) can open and edit RED footage. Each NLE version may have specific

compatibility requirements, such as camera firmware version or camera type. Before shooting, check all compatibility

requirements.

The following programs can be used to open and/or edit R3D files:

REDCINE-X PRO: RED's proprietary application. Download REDCINE-X PRO for Windows or REDCINE-X PRO for

Mac from www.red.com/downloads.

Adobe Premiere Pro

Avid Media Composer

DaVinci Resolve

Final Cut Pro X: Requires you to download the RED Apple Workflow Installer from www.red.com/downloads.

Adobe PhotoShop: Can open .R3D files, however, you must download the RED Adobe PhotoShop Installer for

Windows or RED Adobe PhotoShop Installer for Mac from www.red.com/downloads.

Foundry Nuke

Assimilate Scratch

AutoDesk Flame

ColorFront Transkoder (beta for latest support)

NOTE: Third-party applications may have limited compatibility with R3D files. Third-party developers must use the most

recent R3D SDK to offer compatibility with the latest RED firmware.

POST PRODUCTION WITH REDCINE-X PRO

REDCINE-X PRO is a professional one-light coloring tool set, equipped with an integrated time line, and with a

collection of post effects software. These tools provide the ideal environment to review recorded footage, edit metadata,

organize projects, and prepare your R3D files. You can use REDCINE-X PRO or any of the compatible third-party NLEs

to edit R3D files.

ADDITIONAL RESOURCES

RED.com: Check the official RED website for the latest information about RED products.

RED Downloads: Go to RED Downloads to download the latest firmware, operation guides, and post production

software.

RED 101 Articles: RED offers in-depth technical articles about RED cameras, post production, and digital

cinematography.

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KOMODO

OPERATION GUIDE

2. QUICK REFERENCE

Congratulations new RED KOMODO camera owner. This quick reference topic helps you get familiar with this guide and

the Camera Body. It includes links to topics about configuring the camera to fit your recording requirements, and for

learning the basic operation of the camera.

PREPARING THE CAMERA HARDWARE

Prepare the camera hardware for recording by:

Installing compatible Lenses and Adaptors

Inserting the Media

Connecting a power source (refer to Power or KOMODO Power Adaptor)

Turning On the Camera

PREPARING THE CAMERA SYSTEM

Configure the camera settings to prepare for recording (refer to the System Settings Menu).

CONFIGURING THE SETTINGS

Configuring the camera system settings

Upgrading the Firmware

Calibrating the camera using the Calibrate feature

Formatting the media (refer to Secure Format)

Specifying the desired recording resolution (refer to Format)

Configuring the Recording Frame Rate and Project Time Base

Setting the exposure (refer to Shutter)

Configuring the monitoring tools and reviewing the monitored image (refer to the Monitoring Menu)

Reviewing the camera status (refer to System Status)

RECORDING

Start recording your project.

Record by pressing the REC button on the Camera Body or KOMODO Outrigger Handle

Record by using the LCD Touchscreen

Record by using an external trigger (refer to Extension Port and KOMODO Expander Module)

Record by using USB-C (refer to KOMODO Link Adaptor)

Record by using Wi-Fi (refer to the Communication Menu)

PROCESSING FOOTAGE

Perform post-production using any of the standard applications.

Adobe® Premiere® Pro

Avid® Media Composer®

DaVinci Resolve®

Final Cut Pro X®

KOMODO

OPERATION GUIDE

3. CAMERA COMPONENTS

CAMERA BODY

This section describes the Front, Top, Left, Right, Back, and Bottom of the camera, and identifies the controls, buttons,

Camera Body LEDs, and the lens mount on the body.

CAMERA BODY CONTROLS AND FEATURES

This section describes the controls and features of the camera.

FRONT

Figure: Camera Body Front Controls and Features

ITEM DESCRIPTION

Lens mount Lens mount for RF type lenses and adaptors (refer to Lenses and Adaptors)

Mic 1 Left Internal Microphone channel

Mic 2 Right Internal Microphone channel

Tally Light Tally light (refer to Camera Body LEDs and Indicators)

KOMODO

OPERATION GUIDE

TOP

Figure: Camera Body Top Controls and Features

ITEM DESCRIPTION

LCD Touchscreen Camera LCD Touchscreen

MENU (BACK) Button Menu button, Back button

Up Arrow (LOCK)

Button

Navigates up in the menu and locks/unlocks the UI when pressed along with the other

Lock button

Down Arrow (LOCK)

Button

Navigates down in the menu and locks/unlocks the UI when pressed along with the

other Lock button

Select (FN) Button Selects the highlighted menu item and enables the (Function) buttons

Playback Button Opens the Playback screen

1/4-20 Mounting Holes 1/4-20 mounting holes for optional accessories (refer to KOMODO Outrigger Handle)

Accessory Port Connection port for accessories (refer to KOMODO Outrigger Handle)

KOMODO

OPERATION GUIDE

LEFT

Figure: Camera Body Left Controls and Features

ITEM DESCRIPTION

External Mic Jack 3.5 mm stereo microphone input

Headphone Jack 3.5 mm stereo headphone output

Media Bay CFast 2.0 media bay

CFast LED CFast status indicator (refer to Camera Body LEDs)

EJECT Button Left battery release button

M4 Mounting Holes Two (2) M4 mounting points for accessories

Focus Plane Focus plane indicator symbol

Beep Speaker Camera beep speaker

KOMODO

OPERATION GUIDE

RIGHT

Figure: Camera Body Right Controls and Features

ITEM DESCRIPTION

Power LED Displays the camera ready status (refer to Camera Body LEDs)

ON/OFF Switch Slide up to turn on the camera and slide down to turn off the camera

EJECT Button Right battery release button

Wireless Antenna Wi-Fi antenna mounted to a female RP-SMA connector. Supports dual band 2.4 GHz or 5

GHz

REC button Press and release the

REC

button to toggle between record start and stop

Record LED Displays the camera recording status (refer to Camera Body LEDs)

Air Intake Air intake for thermal management

Focus Plane Focus plane indicator symbol

M4 Mounting

Holes

Two (2) M4 mounting points for accessories

KOMODO

OPERATION GUIDE

BACK

Figure: Camera Body Rear Controls and Features

ITEM DESCRIPTION

Battery mounts Two mounts for the batteries (refer to Batteries)

Eject buttons Right and left battery release buttons

9-pin Extension Port 9-pin 0B ODU port (refer to KOMODO Expander Module)

12G-SDI port Full-size 12G-SDI BNC port for SDI monitor connection

1,2

2-pin DC-Input port 2-pin 0B ODU for DC-IN with wide input voltage support (7-17 Volts)

DC-IN/Battery LED Displays the camera power status (refer to DC/Battery LED)

1. Use certified 12G-SDI cables.

2. WARNING: Always connect the DC power cable (or batteries) before connecting the BNC SDI cable. Always remove the BNC SDI cable before

removing the DC power cable (or batteries).

KOMODO

OPERATION GUIDE

BOTTOM

Figure: Camera Body Bottom Controls and Features

# ITEM DESCRIPTION

1 Mounting Points One (1) 1/4"-20 mounting hole and one (1) 3/8"-16 mounting hole (refer to KOMODO

Expander Module)

2 Registration Points Indented alignment points for the KOMODO Expander Module

3 Service Port For RED service only - DO NOT REMOVE

KOMODO

OPERATION GUIDE

CAMERA BODY LEDS

FRONT LED

Figure: KOMODO 6K LED, Front

ITEM COLOR DESCRIPTION

Tally Indicator LED Red When enabled, this LED is ON when the camera is

recording. For information about enabling this LED, refer to

Indicators.

KOMODO

OPERATION GUIDE

LEFT SIDE LED

Figure: KOMODO 6K LED, Left Side

ITEM COLOR/FLASHING DESCRIPTION

CFast Media LED Off No media mounted

Green Preview; media mounted with > 10% of

media space available

Amber Recording finalizing or playback mode

Amber flashing slow Formatting media

Red flashing slow Media mounted with >5% and <= 10% of

media space available

Red flashing fast Media mounted with <= 5% of media space

available

Red Recording

KOMODO

OPERATION GUIDE

RIGHT SIDE LEDS

Figure: KOMODO 6K LED, Right Side

ITEM COLOR/FLASHING DESCRIPTION

Power Status (ON) Off Camera OFF

Amber Camera booting

Green Camera ON

Amber flashing Camera on; 5 to 10 min of battery time available

Red flashing Camera on; < 5 min of battery time available

Red Camera shutting down

Record Status (REC) Off No media present

Green Ready to record

Red Recording

Amber Finalizing

Red flashing slow Media mounted with >5% and <= 10% of media

space available

Red flashing fast Media mounted with <= 5% of media space

available

Power and Record Both flashing green Firmware update in progress

Both flashing red Firmware update error (refer to Upgrading the

Firmware)

KOMODO

OPERATION GUIDE

DC/BATTERY LED

Figure: KOMODO 6K, DC/Battery LED

ITEM COLOR DESCRIPTION

DC-IN Green DC-IN is present and / or the battery is fully charged

Flashing Amber Communicating with, and evaluating the battery

Amber Charging connected batteries

Red Error charging the batteries

KOMODO

OPERATION GUIDE

BATTERIES

The camera has two battery slots for REDVOLT BP batteries. The camera also accepts Canon BP-900 series batteries.

The left battery slot (facing the back of the camera) has priority over the right battery slot. Refer to Power Priority for

more information.

The camera charges the batteries when the camera is off and a power cable is connected.

WARNING: Use RED-compatible batteries only.

This camera is designed to achieve optimum performance when used with RED-compatible batteries. For a list of RED-compatible batteries, refer to

RED.COM.

RED shall not be liable for any damage to this product and/or accidents such as malfunction, fire, etc., caused by the failure of incompatible batteries

(e.g., a leakage and/or explosion of a battery pack). Please note that repairs arising out of the malfunction of incompatible batteries will not be

covered by the warranty for repairs.

Using the batteries with an incompatible battery charger or product may result in malfunction or accidents for which RED cannot be held liable.

REDVOLT BP

Battery Type: Rechargeable Lithium-ion battery

Operating Temperature: 10° C~45° C (50° F~113° F )

Rated Voltage: 7.2 V

Capacity: 6300 mAh / 45 Wh

Dimensions: Height: 2.78 in. (70.5 mm), Width: 1.52 in. (38.7 mm), Depth: 1.71 in. (43.5 mm)

Weight: 7.8 ounces

KOMODO

OPERATION GUIDE

CANON BP-955

Battery Type: Rechargeable Lithium-Ion battery

Operating Temperature: 32° - 104° F (0° - 40° C)

Rated Voltage: 7.4 V DC

Capacity: 5200 mAh typical / 4900 mAh (37 Wh) minimum

Dimensions: Width=1.504", Height=2.773", Depth=1.7"

Weight: 7.8 ounces

4 LEDs indicate the remaining battery life.

CANON BP-975

Battery Type: Rechargeable Lithium-Ion battery

Operating Temperature: 32° - 104° F (0° - 40° C)

Rated Voltage: 7.4 V DC

Capacity: 7800 mAh typical / 7350 mAh (55 Wh) minimum

Dimensions: Width=1.504", Height=2.773", Depth=2.45"

Weight: 11.3 ounces

As much as 50% more recording time than the BP-955. 4 LEDs indicate the remaining battery life.

KOMODO

OPERATION GUIDE

LENSES AND ADAPTORS

This section lists the compatible lenses and Adaptors for the camera. It also provides the steps for Attaching Lenses

and Removing Lenses.

For more information on a specific lens or Adaptor, refer to the original manufacturer’s instructions.

WARNING: When the camera is not in use, protect lenses and the camera sensor by attaching the lens caps and

camera mount cap.

Figure: Camera with mount cap installed.

Incompatible lenses do not register on the camera UI and they will not show any UI lens information or menu controls.

The camera can control compatible lenses electronically, including the following features:

Iris - The UI menu is enabled and the camera can control the lens Iris

Autofocus - The UI menu is enabled for lenses that support autofocus

Image Stabilization - The UI indicates that image stabilization is present

Control Ring - The UI menu is enabled and the camera can use the control ring

For more information, refer to the Lens menu.

KOMODO

OPERATION GUIDE

COMPATIBLE LENSES

RED tested the following lenses and confirmed the functionality for use with the camera:

Canon RF 15-35 mm f/2.8 L IS USM Canon EF 14 mm f/2.8L II USM

Canon RF 24-70 mm f/2.8 L IS USM Canon EF 24 mm f/1.4L II USM

Canon RF 24-105 mm f/4 L IS USM Canon EF 35 mm f/1.4L II USM

Canon RF 24-240 mm f/4-6.3 IS USM Canon EF 50 mm f/1.2L USM

Canon RF 28-70 mm f/2 L USM Canon EF 85 mm f/1.2L II USM

Canon RF 35 mm f/1.8 Macro IS STM Canon EF-S 17-55 f/2.8 IS USM

Canon RF 50 mm f/1.2 L USM Canon EF 24-70 f/2.8L II USM

Canon RF 70-200 mm f/2.8 L IS USM Canon EF 16-35 f/2.8L III USM

Canon RF 85 mm f/1.2 L USM DS Canon EF 24-105 f/4L IS II USM

Canon RF 100-500 mm f/4.5 - 7.1 L IS USM Canon EF 70-200 mm f/2.8L IS III USM

Canon RF 800 mm f/11 IS STM

LENS WEIGHT AND LENS SUPPORT

Use a lens support system when mounting heavy or long lenses to your camera.

When mounting a heavy or long lens, ensure that the full weight of the lens is never directly on the camera or lens

mount. Mount the lens to the support system first, and then carefully mount the lens to the camera.

COMPATIBLE MOUNT ADAPTORS

RED tested the following adaptors and determined that they are compatible with the camera:

Canon Mount Adaptor EF-EOS R

Canon Drop-In Filter Mount Adaptor EF-EOS R with Variable ND Filter / Clear Filter / Circular Polarizer

ATTACHING LENSES

1. Remove the mount cap from the camera.

2. Remove the mount cap from the mount end of the lens.

3. Align the red dots and insert the lens in the camera.

4. Turn the lens clockwise until it clicks in place.

5. Store the mount caps.

REMOVING LENSES

1. Press and hold the lens release button on the camera. While holding the lens release button, turn the lens counter-

clockwise until it stops and remove it from the camera.

2. Align the red dot on the camera mount cap with the red dot on the camera and attach the mount cap to the camera.

3. Turn the camera mount cap clockwise until it clicks in place.

4. Align the red dot on the lens mount cap with the red dot on the lens and attach the mount cap to the lens.

5. Turn the lens mount cap clockwise until it clicks in place.

6. Store the lens with the caps attached to both ends.

KOMODO

OPERATION GUIDE

RED CFAST 2.0 READER

The RED CFast 2.0 Card Reader provides a fast USB-C

connection with the capability of write- protect.

Set the Write-Protect switch to the Lock position to

prevent connected devices from adding any unwanted

files to your CFast 2.0 card.

NOTE: You can use the RED CFast 2.0 card reader with Write-Protect to prevent the Mac OS from indexing your CFast

2.0 card. For more information refer to the How To section (Media Best Practices).

KOMODO EXPANDER MODULE

The KOMODO Expander Module provides extra hardware mounting points and connections for GPI, Genlock,

Timecode, and CTRL (RS-232 control).

The KOMODO Expander Module connects to the camera through the Extension Port.

# CONNECTOR CONNECTOR TYPE DETAILS

1 Module cable 9-pin 0B ODU Attaches to the back of the Camera Body

2 GPI BNC Connection for remote trigger

3 Genlock BNC Connection for external Genlock device

4 Timecode BNC Connection for external Timecode device

5 CTRL 4-pin 00B ODU CTRL (RS-232 Control) port for external RS-

232 connection

KOMODO

OPERATION GUIDE

KOMODO LINK ADAPTOR

The KOMODO

Link Adaptor provides KOMODO with a USB-C interface to

extend the usability of the camera. Directly connect the KOMODO Link

Adaptor to an iPhone or Android device, and experience a live preview with

minimal latency using the RED Control app. Attach a USB-C to Ethernet

adapter (not included) to the KOMODO Link Adaptor and you can remotely

control the camera using an Ethernet-connected device.

Remote control allows you to:

Access the camera remotely over long distances

Transfer data over FTPS

Connect to the camera when Wi-Fi is not an option

Control a wired camera array (through the use of RCP2 API commands)

NOTE: The KOMODO Link Adaptor is mounted on the top front of the

camera, which prevents the mounting of the KOMODO Outrigger Handle.

For more information, refer to the How To section (KOMODO Link Adaptor).

KOMODO OUTRIGGER HANDLE

The KOMODO Outrigger Handle offers a low profile, 360° adjustable ergonomic pistol grip and integrated Record

Start/Stop button. Mounted to the Top Handle Port on your camera, the KOMODO Outrigger Handle provides comfort,

stability, and additional 1/4-20 mounting points for your peripheral camera components. The built-in Record button puts

Start/Stop functionality right at your fingertips. You are always ready to capture the perfect shot.

The KOMODO Outrigger Handle is ideal for shooters who use one hand on the handle, for grip and record button

access, and the other for lens adjustments or support.

KOMODO

OPERATION GUIDE

KOMODO WING GRIP

The KOMODO Wing Grip offers comfort and utility for carrying or shooting with your KOMODO.

Featuring an ergonomic machined grip with tactical 1/4-20 mounting points. It is lightweightand offers a seamless low-

profilehand-held option.

The KOMODO Wing Grip is a simple handle and that provides extra mounting options for your camera.

LCD TOUCHSCREEN

This section describes the structure and layout of the graphical user

interface (GUI) for the built-in camera touchscreen LCD. Advanced GUI

menu controls enable convenient access to menus, camera features, and

critical camera information.

NOTE: After 1 hour of inactivity, the touchscreen will go to sleep. Tap the

touchscreen or touch any button to wake the touchscreen. The

touchscreen will not sleep while the camera is recording.

KOMODO

OPERATION GUIDE

The LCD Touchscreen home page contains the following features:

STATUS BAR

The Status Bar contains the button for displaying the Home screen and Menu screen. It also contains status icons for

various camera settings and inputs.

When you tap the Home/Menu toggle button (RED logo), the camera toggles the display between the menu page and

the home page:

When you tap the Status bar icons the Status Page displays:

KOMODO

OPERATION GUIDE

EXPOSURE

The Exposure section of the LCD home page displays the RGB exposure levels for the camera.

Exposure

Meter

Overexposed

Example

Underexposed

Example

Balanced

Example

RGB Exposure displays the pixel exposure quantity of the separate RGB channels and indicates when a channel is

underexposed or overexposed. This meter measures the raw image data regardless of the ISO and LUT settings.

The top and bottom RGB lights illuminate when a small amount of pixels on the sensor are overexposed or

underexposed. This indicates that a small bright or dark area is in the image.

The level bars show the levels of overexposed and underexposed RGB pixels on the sensor. Adjust the settings on the

camera to compensate.

Tap the Exposure section to toggle between this display and the Monitoring Tools page display.

MEDIA / HISTOGRAM

The Media section of the LCD home page displays the Timecode or Edgecode, clip

ID, clip duration, resolution/format, and frame rate for the camera. Tap the Media

section to toggle between this display and the Histogram display.

The Histogram section of the LCD home page displays the image color histogram.

Tap this area to toggle between this display and the Media display. For more

information, refer to

Histogram

KOMODO

OPERATION GUIDE

AUDIO

The Audio section of the LCD home page displays the audio levels for the camera. Tap the Audio

section to toggle between this display and the

Audio Tools

display.

The Audio VU meters display the audio levels in decibel (dB) for the selected channels. Refer to the

Audio / TC Menu section for more information about the audio channels.

In this example, channel 2 displays the VU meter clipping at maximum dB.

CAMERA DESIGNATION AND REC BUTTON

The Camera Designation and Record button on the LCD touchscreen home page displays the camera letter assigned to

the camera (refer to Slate and Camera ID). You can tap this area to start pre-recording, and to start and stop recording.

Pre-recording: Recording:

KOMODO

OPERATION GUIDE

QUICK SETTINGS

The Quick Settings section of the LCD home page displays the Quick Settings buttons for changing the most often used

camera settings. These settings include Recording Frame Rate, ISO, IRIS (refer to Lens), Shutter, and White Balance.

Tap on a button to change the settings.

Swipe the setting left or right to make a selection.

Tap on the Quick Setting button to close the selection

screen.

BUTTON NAVIGATION

Pressing the Menu button next to the LCD touchscreen opens the main menu page. You can select the desired menu

items by using the Up, Down, and Select (SEL) buttons. Pressing the Menu button also navigates backwards (BACK)

from submenus in the menu tree.

Pressing the Up arrow and the Down arrow simultaneously locks/unlocks the touchscreen and the menu buttons. The

Lock icon in the Status bar displays the lock status. The REC button is not locked and it functions normally.

Pressing the Playback button starts and stops playback (refer to Playback for more information).

Home Screen Menu Screen

KOMODO

OPERATION GUIDE

The menus include:

MENUS DETAILS

Image / LUT Menu ISO, Shutter, White Balance, Output Color Space, Output Tone Map, Highlight Roll-

Off, Display Preset, 3D LUT, CDL, Exposure Adjust

Project Settings Menu Format, Recording Frame Rate, Project Time Base, File Format, R3D Quality, ProRes

Resolution, ProRes Codec, ProRes Baked-In Settings, Pre-Record, Slate

Audio / TC Menu Audio Source, Internal Audio, External Audio, Headphone, Timecode Source, Jam

Timecode to TOD, Timecode Display Mode

Monitoring Menu LCD, SDI, Live Stream, Tools, Guides

Media Menu Eject, Media Info, Secure Format

Presets Menu Create Preset, On Media, In Camera

Autofocus - BETA Menu Enable, Mode, Size, Position, Start AF

Communication Menu Camera, Wi-Fi, Serial, Link, FTPS

System Settings Menu Date / Time, Lens, Power, Indicators, Status Settings, System Status

Language Menu English, Chinese, French, German, Japanese, Spanish

Maintenance Menu Calibrate, Calibration, Save Log, Reset Defaults, Factory Reset, Upgrade

KOMODO

OPERATION GUIDE

STATUS BAR

The top of the LCD screens display the camera status bar.

The Status Bar contains the following button and icons:

Home / Menu Button

CFast Status Icon

Temperature / Exposure Icon

Timecode Icon

Genlock Icon

SYNC Icon

3D LUT Icon

Camera Status Icon

FTPS Activity Icon

LCD Lock Icon

Wi-Fi Icon

DC-In Icon

Battery Icon

HOME / MENU BUTTON

This button toggles the LCD display between the Home screen and the Menu screen. The arrow on the button changes

direction when toggled.

Home Screen: Menu Screen:

KOMODO

OPERATION GUIDE

CFAST STATUS ICON CAMERA STATUS ICON

This icon displays the status of the CFast 2.0 media card, and

it displays the recording time remaining for the current camera

settings.

The status displayed includes:

Good

Missing

Incompatible

This icon indicates the state of the camera

hardware. The different icons and their

corresponding status include:

Good

Overheating Warning

Overheating

Shutting Down

FTPS ACTIVITY ICON TEMPERATURE / EXPOSURE ICON

This icon indicates the state of FTPS data transfer.

Gray indicates that the FTPS is not transferring data.

Green indicates that the camera is transferring FTPS data.

This icon displays the temperature (T) and

exposure (E) calibration indicators.

• When T is yellow or red, it indicates that the

camera requires sensor re-calibration.

• When E is yellow or red, it indicates that the

camera requires sensor re-calibration.

Refer to Calibrating the Sensor.

LCD LOCK ICON TIMECODE ICON

This icon indicates the state of the LCD Lock. The states

include:

Gray and open indicates that the camera LCD is unlocked.

White and closed indicates that the camera LCD is locked.

This icon indicates the state of the Timecode

generator connection.

Gray indicates that no Timecode generator

signal is detected.

Green indicates that the Timecode source

is connected and jammed.

Red indicates that the Timecode source is

connected and not jammed.

White indicates that the Timecode source is

jammed and not connected.

Yellow indicates that the Timecode source

is cross-jammed (at a different Project Time Base).

KOMODO

OPERATION GUIDE

WI-FI ICON GENLOCK ICON

This icon indicates the state of Wi-Fi connection.

Gray and empty indicates that no Wi-Fi signal is

detected.

White bars indicate that Wi-Fi signal is detected

(Infrastructure).

White antenna indicates that Wi-Fi signal is

broadcasting (Ad-hoc).

This icon indicates the state of the Genlock connection.

Gray indicates that no Genlock signal is

detected.

Green indicates that the camera is receiving

and is locked to a Genlock signal.

Red indicates that the camera is receiving and

is not locked to a Genlock signal.

SYNC ICON DC-IN ICON

This icon indicates that the Timecode and Genlock

signals are synchronized to the camera's frames per

second (FPS) settings.

Gray indicates that no synchronization is

detected.

Green indicates that the camera's

sensor is synchronized with Timecode and that the

camera's output is synchronized with Genlock.

Yellow indicates that the camera's

sensor is NOT synchronized with Timecode and that

the camera's output is synchronized with a single

camera or a Genlock signal.

This icon indicates the state of DC power connection.

Gray indicates that no DC power is connected.

Green indicates that the camera is receiving DC power.

KOMODO

OPERATION GUIDE

3D LUT ICON BATTERY ICON

This icon indicates the activation status of 3D LUTs.

Gray indicates that no 3D LUTs are in use.

White indicates that the camera is using a 3D

LUT.

This icon indicates the state of the battery connection

and charge level.

Gray indicates that no battery is connected.

White indicates that the battery is connected and

green shows the relative level of charge remaining.

Yellow indicates 10 minutes of power remaining.

Red indicates less then 5 minutes of power

remaining.

Gray question mark indicates no communication with

the battery and no power.

White question mark indicates no communication with

the battery and power.

Gray exclamation point indicates error communicating

with the battery and no power.

KOMODO

OPERATION GUIDE

STATUS PAGE

The Status page contains camera status information and shortcuts to the associated camera menus:

The camera status and menu shortcuts include:

ITEM DETAILS

Media Displays the media status and a link to the Media Menu

Power Displays the power status and a link to the Power settings menu

System Status Displays the camera temperature status and a link to the System Status menu

Project Settings Displays the project status and a link to the Project Settings Menu

Lens Displays the lens status and a link to the Lens settings menu

Wi-Fi Displays the communication status and a link to the Wi-Fi settings menu

Maintenance Displays the Temperature and Exposure calibration, the external connection status, and a link

to the Maintenance Menu

KOMODO

OPERATION GUIDE

MONITORING TOOLS

Open the Monitoring tools by tapping on the Exposure section of the LCD home page.

Return to the LCD home page by tapping the arrow button

The Monitoring tools provide an easy way to toggle many of the monitoring features on and off.

When the features are selected, the buttons indicate the selection.

KOMODO

OPERATION GUIDE

LCD SWITCHES

The LCD switches allow you to view or hide the enabled LCD monitor Guides and Tools on this LCD screen.

When the switches are selected, the gray bar turns green on the left side of the switch.

The LCD Guides switch displays the Monitoring Guides (frame guides and center guide) on the LCD.

The LCD Tools switch displays the Monitoring Tools (false color, peaking, zebra) on the LCD and on Live Stream.

SDI SWITCHES

The SDI switches allow you to view or hide the enabled SDI monitor Guides and Tools on this LCD screen.

When the switches are selected, the gray bar turns green on the left side of the switch.

The SDI Guides switch displays the Monitoring Guides (frame guides and center guide) on the SDI output.

The SDI Tools switch displays the Monitoring Tools (false color, peaking, zebra) on the SDI output.

KOMODO

OPERATION GUIDE

MAGNIFY

The Magnify section allows you to enable or disable magnification on the camera LCD and the SDI monitor output.

When the switches are selected, the gray bar turns green on the left side of the switch.

FOCUS

The Focus section allows you to enable or disable one of the focus tools. The focus tool button you select will turn red.

For information about using the Focus tools, refer to Tools.

KOMODO

OPERATION GUIDE

EXPOSURE

The Exposure section allows you to enable or disable one of the exposure tools. The Exposure tool button you select

will turn red.

For information about using the Exposure tools, refer to Tools.

ZEBRA

The Zebra section allows you to enable or disable the Zebra 1 and Zebra 2 modes. When the modes are selected, the

gray bar turns green on the left side of the switch.

For information about using the two Zebra modes, refer to Zebra 1 and Zebra 2.

KOMODO

OPERATION GUIDE

HISTOGRAM

Tap the histogram area to toggle between the Histogram display and the Media display.

The Histogram area of the LCD home page displays an RGB exposure distribution histogram of the final image as it

appears on screen. The histogram takes into account exposure elements such as ISO, LUTs, and white balance.

The histogram displays the darkest image elements at the far left, the midtones in the middle, and the lightest image

elements at the far right. This provides a quick visual tool you can use to determine your overall image exposure levels.

Overexposed Example Underexposed Example

KOMODO

OPERATION GUIDE

AUDIO TOOLS

Open the Audio tools by tapping on the Audio section of the LCD home page.

Return to the LCD home page by tapping the arrow .

The Audio tools provide an easy way to control many of the audio features.

When the features are selected, the buttons indicate the selection.

KOMODO

OPERATION GUIDE

HEADPHONE

The headphone section allows you to enable/disable the headphone output, to select input from Internal Microphone, or

External, and to adjust the headphone volume with a slider.

AUDIO SOURCE

The Audio Source section allows you to select the audio source the camera will record to the clip. You can select

Internal Microphone, External, both, or none. Use the sliders to adjust the gain for each channel. You can use the Link

button to link channels 1 and 2, or to link channels 3 and 4. This allows you to adjust both of the internal or external

channels together.

KOMODO

OPERATION GUIDE

AUDIO VU METER

The Audio VU Meter section displays the audio input received by the camera from the four channels.

As the input increases, the level indicator changes from green to yellow to orange to red. When the audio input clips,

the channel number at the top of the VU meter turns red:

KOMODO

OPERATION GUIDE

PLAYBACK

When you press on the Playback button, the LCD Touchscreen displays the Playback screen.

To close the Playback screen, press the Playback button.

NOTE: When you open playback, it disables many of the menu settings.

PLAYBACK SCREEN

The Playback screen displays the clip image along with the following:

Clip Slider

RGB Exposure

Histogram

Audio VU Meters

Clip Information

Playback Screen Buttons

KOMODO

OPERATION GUIDE

CLIP SLIDER

Use your finger to move forward and backward through the frames by swiping the image to the left and the right. The

Clip Slider shows where in the timeline the displayed frame is located in the clip.

RGB EXPOSURE

RGB Exposure displays the exposure levels of the separate RGB channels and indicates when a channel is

underexposed or overexposed. This meter measures the raw image data regardless of the ISO and LUT settings.

HISTOGRAM

The histogram displays the darkest image elements at the far left, the midtones in the middle, and the lightest image

elements at the far right. This gives you a quick way to view your overall image exposure levels.

KOMODO

OPERATION GUIDE

AUDIO VU METERS

The Audio VU meters display the audio levels in the played clip.

CLIP INFORMATION

The Clip Information displays the name, duration, time base, and format of the clip.

PLAYBACK SCREEN BUTTONS

With the Playback screen buttons you can view the Clip list, move one clip back, move one frame back, play/pause,

move one frame forward, and move one clip forward.

KOMODO

OPERATION GUIDE

CLIP LIST

The Clip List button displays the list of clips recorded on the media card.

Each clip displays the first frame of the clip, the clip information, and the clip file format.

Swipe up and down to scroll through the list of clips. Tap the down arrow to open the clip information screen.

When you tap the Load button, the camera loads the clip to the Playback screen.

KOMODO

OPERATION GUIDE

RED CONTROL APP

The RED Control app provides remote and tethered access to the camera from a device. Access is available through

Wi-Fi, USB-C, and Ethernet.

The RED Control app is free through the Google Play store and the Apple App store.

The RED Control app allows you to control all of the KOMODO features while viewing the image.

For more information about connecting the camera to RED Control, refer to the How To section (KOMODO Link

Adaptor).

KOMODO

OPERATION GUIDE

4. MENUS

This section describes the menus and sub-menus for the camera. To access the menus, navigate to a menu item from

the LCD Touchscreen.

MENUS DETAILS

Image / LUT Menu ISO, Shutter, White Balance, Output Color Space, Output Tone Map, Highlight Roll-Off,

Display Preset, 3D LUT, CDL, Exposure Adjust

Project Settings Menu Format, Recording Frame Rate, Project Time Base, File Format, R3D Quality, ProRes

Resolution, ProRes Codec, ProRes Baked-In Settings, Pre-Record, Slate

Audio / TC Menu Audio Source, Internal Audio, External Audio, Headphone, Timecode Source, Jam

Timecode to TOD, Timecode Display Mode

Monitoring Menu LCD, SDI, Live Stream, Tools, Guides

Media Menu Eject, Media Info, Secure Format

Presets Menu Create Preset, On Media, In Camera

Autofocus - BETA Menu Enable, Mode, Size, Position, Start AF

Communication Menu Camera, Wi-Fi, Serial, Link, FTPS

System Settings Menu Date / Time, Lens, Power, Indicators, Status Settings,

System Status

Language Menu English, Chinese, French, German, Japanese, Spanish

Maintenance Menu Calibrate, Calibration, Save Log, Reset Defaults, Factory Reset, Upgrade

KOMODO

OPERATION GUIDE

IMAGE / LUT MENU

The Image / LUT menu contains the settings you use to configure your image.

From the camera LCD touchscreen menu, select Image / LUT:

Use the Image / LUT menu to configure the camera's image and lookup table (LUT) settings:

ITEM DETAILS

ISO Adjusts the sensitivity of the sensor to light

Shutter Adjusts the amount of light exposed to the sensor

White Balance Adjusts the colors to compensate for the light source temperature

Output Color Space Adjusts on-set working color space

Output Tone Map Adjusts the image contrast

Highlight Roll-Off Adjusts image highlight compression

Display Preset Adjusts on-set working gamma space

3D LUT Manage the camera's look up tables (LUTs).

CDL Opens the Color Decision List (CDL) menu

Exposure Adjust Manually fine-tunes the midtone exposure level

KOMODO

OPERATION GUIDE

ISO

Use the ISO setting to adjust the image’s exposure in the monitoring path.

The ISO range is ISO 250 to ISO 12,800. The default ISO is ISO 800.

Higher ISO values create brighter images in the monitor path, and lower ISO values create darker images in the monitor

path.

When you record using the R3D File Format, the ISO settings are stored as metadata and you can adjust them later in

post-processing with REDCINE-X PRO or other editing tools that support R3D files.

RED recommends setting the ISO to the default of 800, then adjusting the aperture, lighting, and ND filters to match.

The ISO can later be adjusted for fine-tuning.

SHUTTER

Use Shutter to select the amount of time the sensor is exposed to light per frame (shutter speed / shutter angle). You

can change the shutter settings while recording.

You can switch between angle and time by using the Status Settings.

Decreasing shutter speed increases the amount of time that light hits the sensor, which increases exposure and motion

blur of moving objects. Increasing shutter speed decreases the amount of time that light hits the sensor, which

decreases exposure and motion blur of moving objects.

KOMODO

OPERATION GUIDE

SHUTTER ANGLE

Enter the exposure value as a shutter angle (xx°). The shutter angle range is 0° to 360°. The default shutter angle is

180°. Click Edit to enter an exact shutter angle or shutter speed.

EXPOSURE CONVERSIONS

The table below lists common shutter angle and shutter speed equivalents. The calculations in the table use a recording

frame rate of 23.98 fps.

SHUTTER

ANGLE (°)

SHUTTER SPEED

(1/XX SEC)

SHUTTER

ANGLE (°)

SHUTTER SPEED

(1/XX SEC)

360˚ 1/23.98 105˚ 1/82.20

288˚ 1/29.97 90˚ 1/95.90

270˚ 1/31.97 72˚ 1/119.88

240˚ 1/35.96 45˚ 1/191.81

225˚ 1/38.36 22.5˚ 1/383.62

180˚ 1/47.95 11.2˚ 1/770.66

172.8˚ 1/49.95 8.6˚ 1/1003.65

144˚ 1/59.94 4˚ 1/2157.84

135˚ 1/63.95 1˚ 1/8000 (max)

120˚ 1/71.93

SHUTTER SPEED

Enter the exposure value as a shutter speed (1/xx sec).

The slowest shutter speed is 1/(recording frame rate). For example, if the recording frame rate is 23.98 fps, the slowest

available shutter speed is 1/23.98 sec. The fastest shutter speed is 1/8000 sec. The default shutter speed is 1/47.95

sec.

CONVERT SHUTTER SPEED TO SHUTTER ANGLE

Shutter Angle = (Shutter Speed x Frame Rate x 360)

Example: (1/47.95 x 23.98 x 360) = 180

CONVERT SHUTTER ANGLE TO SHUTTER SPEED

Shutter Speed = 1/(Frame Rate x 360/Angle)

Example: 1/(23.98 x 360/180) = 1/47.95

KOMODO

OPERATION GUIDE

WHITE BALANCE

Use the White Balance menu to adjust the Color Temperature, Color Temperature Presets, Tint and execute the Auto

White Balance.

When shooting in R3D format, the camera stores white balance as metadata, which you can adjust non-destructively in

post production after filming.

Use the White Balance menu to configure the color temperature and tint settings for your image:

ITEMS DETAILS

Color Temperature Image color temperature correction

Color Temperature Presets Tap a button to select a preset color temperature

Tint Adjust magenta-green color component

Auto White Balance The camera automatically sets the color temperature and tint

COLOR TEMPERATURE

Use Color Temperature to adjust the image's color temperature in Kelvin units (K) or by selecting presets.

KOMODO

OPERATION GUIDE

When the image's light source color temperature is warm, you can compensate by setting the camera to a warmer color

temperature. When the image's light source color temperature is cool, you can compensate by setting the camera to a

cooler temperature.

The color temperature range is 1,700 K to 10,000 K. The default color temperature is 5600 K.

When the White Balance List Mode (refer to Status Settings) is set to Presets, the Color Temperature menu list uses the

preset temperatures instead of the Kelvin temperatures.

COLOR TEMPERATURE PRESETS

Use Color Temperature Presets to select a pre-configured color temperature.

The color temperature presets you can select include:

ITEMS DETAILS ITEMS DETAILS

Incandescent 2800 K Daylight 5600 K

Tungsten 3200 K Cloudy 7000 K

Fluorescent 4500 K Shade 8000 K

Flash 5500 K

KOMODO

OPERATION GUIDE

TINT

Use Tint to adjust the image's color tint.

Color temperature calculations assume a pure light source that may not be true in the specific scene the camera is

imaging. To compensate for any residual colorcast, the Tint setting adjusts the RGB color balance with a compensating

magenta-green color component.

Tint range is –100.000 to 100.000. The default Tint setting is 0.000.

Use Edit to open the keypad screen where you can enter a specific Tint value.

KOMODO

OPERATION GUIDE

AUTO WHITE BALANCE

Use Auto White Balance to use the camera's automatic white balance adjustment.

When shooting in R3D format, the camera stores white balance as metadata, which you can adjust non-destructively in

post production after filming.

To use Auto White Balance:

1. Place an 18% gray chart in the center of the image under the correct exposure.

2. From the White Balance menu tap OK next to Auto White Balance.

3. The camera automatically sets the color temperature and tint settings.

NOTE: Place the chart in the same location as your subject, and illuminate it with the same lighting.

OUTPUT COLOR SPACE

Use Output Color Space to select the desired Color Space to use when displaying the camera output.

The Output Color Space selections include:

DCI-P3 - Digital Cinema Initiatives theater projector standard color space

Rec. 709 - Standard Color Space for HDTV (default)

Rec. 2020 - Standard Color Space for UHD and HDR

REDWideGamutRGB - Color space encompassing all of the colors the RED camera can generate without clipping.

KOMODO

OPERATION GUIDE

OUTPUT TONE MAP

Use Output Tone Map to adjust the image contrast when displaying the camera output.

When shooting in R3D format, the camera stores this as metadata, which you can adjust non-destructively in post

production after filming.

The Output Tone Map selections include:

Low Contrast - Low contrast is applied to the image

Medium Contrast - Medium contrast is applied to the image (default)

High Contrast - High contrast is applied to the image

None - No contrast is applied to the image

HIGHLIGHT ROLL-OFF

Use Highlight Roll-Off to select the desired highlight compression to use when displaying the camera output.

When shooting in R3D format, the camera stores this as metadata, which you can adjust non-destructively in post

production after filming.

KOMODO

OPERATION GUIDE

The Highlight Roll-Off selections include:

Very Soft - The lightest compression is applied to the image highlights

Soft - Soft compression is applied to the image highlights (default)

Medium - Medium compression is applied to the image highlights

Hard - The highest compression is applied to the image highlights

None - Nothing is applied to the image highlights

DISPLAY PRESET

Use Display Preset to select the gamma of the displayed preview image:

When shooting in R3D format, the camera stores this as metadata, which you can adjust non-destructively in post

production after filming.

The Display Preset allows you to select the gamma for the camera preview and monitor output.

Each monitor is designed to display using a specific gamma. Most monitors use SDR. However, some support HDR and

HLG gamma signals. Select the display preset that works best with your monitor.

The selections are:

SDR - Standard Dynamic Range (default)

HDR - High Dynamic Range

HLG - Hybrid Log-Gamma

STANDARD DYNAMIC RANGE

Standard-dynamic-range (SDR) video describes images or video using a conventional gamma curve signal. The

conventional gamma curve is based on the limits of the cathode ray tube which allowed for a maximum luminance of

100 candelas per square meter (cd/m

HIGH DYNAMIC RANGE

High Dynamic Range (HDR) images are recorded using the SMPTE-2084 PQ curve. This technology captures and

outputs a greater range of luminance than images recorded using Standard Dynamic Range (SDR) methods.

KOMODO

OPERATION GUIDE

HYBRID LOG-GAMMA

Hybrid Log-Gamma (HLG) delivers HDR resolution without the need for metadata. This allows HLG to display well on

SDR and HDR monitors.

BACKGROUND

NHK and the BBC developed HLG in a joint effort to create a more compatible signal for a wide variety of television

sets.

Hybrid Log-Gamma is an open-source standard HDR (High Dynamic Range) video format. Video dynamic range is the

measurement between the brightness between black and white (luminosity).

Many monitors offer HDR. However, unlike resolution parameters (1080p, 4K, etc.), HDR is related to luminosity.

Luminosity can vary between how an image is captured on a camera and how the image is broadcast to a monitor.

HDR, using Perceptual Quantizer (PQ), sends a signal along with metadata. This metadata is read by the monitor which

then displays the signal using the luminosity information supplied by the metadata.

HLG sends a combination (hybrid) of the normal Gamma curve for light coding and a logarithmic curve to deliver the

HDR aspects of the signal.

3D LUT

Use the 3D LUT menu to apply and manage the camera's Look-Up Tables (LUTs).

SELECT LUT

When you are recording in the ProRes format, you can chose to irreversibly encode (bake) the 3D LUT into the recorded

file. For more information, refer to the ProRes Baked-In Settings section.

KOMODO

OPERATION GUIDE

When you are recording in the R3D format, this LUT will be saved along with each clip on which it is activated during

recording. The LUT is non-destructive, and it is reversible, when recording in the R3D format.

To apply a 3D LUT, follow the instructions below:

1. Go to MENU > IMAGE / LUT > 3D LUT > LUT.

2. Select a LUT from the LUT list.

ON MEDIA LUTS

To import 3D LUTs from media, go to MENU > IMAGE / LUT > 3D LUT > On Media LUTs.

3D LUTs can be imported from media to the camera. When importing 3D LUTs from media to the camera, the 3D LUTs

must be saved on the root path of your media, in a folder titled "luts".

From On Media LUTs you can:

Import the selected 3D LUT from the media to the camera

Import all 3D LUTs from the media to the camera.

IN CAMERA LUTS

To export and delete 3D LUTs stored in the camera, go to MENU > IMAGE / LUT > 3D LUT > In Camera LUTs.

KOMODO

OPERATION GUIDE

You can export 3D LUTs stored on the camera, to media, to use on other cameras. When you export 3D LUTs from the

camera to media, the 3D LUTs are saved to a folder on the media called “luts.”

NOTE: When a LUT is active during record, it will automatically be saved along with the recorded clip.

From In Camera LUTs you can:

Delete a selected 3D LUT from the camera

Export a selected 3D LUT from the camera to the media

Export all 3D LUTs from the camera to the media.

CDL

The Color Decision List (CDL) allows you define the look of the camera's colors in your project.

Use the CDL menu to:

Enable the CDLs

Configure CDL Power

Configure CDL Slope

Configure CDL Offset

Configure CDL Saturation

MANAGE CDLS

Use the CDLs menu to import and export CDLs.

CDLs can be stored on the camera or transferred to media to be shared with other cameras. When exporting CDLs from

camera to media, the CDLs are saved to a folder on the media called “cdls”. When importing CDLs from media to the

camera, the CDLs must be stored on the media in a folder called “cdls.”

NOTE: When you record with a CDL in both ProRes and R3D formats, the camera automatically saves the CDL together

with the clip.

To export selected CDLs from the camera to the media, refer to the In Camera CDLs section.

To import selected CDLs from the media to the camera, refer to the On Media CDL section.

CDL OVERVIEW

A Color Decision List (CDL) is a metadata file format developed by the American Society of Cinematographers (ASC) to

exchange standard color correction information between post production tools. This non-destructive color adjustment

layer simplifies the versioning of looks by updating simple metadata without the need to re-transfer the image data.

KOMODO

OPERATION GUIDE

CDLs are very common in VFX workflows because the VFX artist needs both the ungraded shot and the intended look.

The ungraded shot allows the artist to comp in truly linear light, and the intended look is needed to confirm that the

individual plates still hold together after the grade is applied.

SLOPE, OFFSET AND POWER

The three CDL tone curve parameters are Slope, Offset and Power. These algorithms allow the camera to modify the

recorded image.

Slope multiplies the incoming data

Offset is sum of the incoming data

Power is a power function to the incoming data

These three relate to Gain, Lift, and Gamma in the following ways:

Slope = Gain

Gain Adjusts highlights.

Offset = Lift

Lift Increases the value of dark colors.

Power = Gamma

Gamma adjusts midtones.

These three relate to each other in the following ways:

Slope= input x slope

Offset= (input x slope) + offset

Power= ((input x slope) + offset) ^ power

The formula for ASC CDL color correction is:

where

is the color graded pixel code value

is the input pixel code value (0=black, 1=white)

is slope (any number 0 or greater, nominal value is 1.0)

is offset (any number, nominal value is 0)

is power (any number greater than 0, nominal value is 1.0)

The formula is applied to the three color values for each pixel using the corresponding slope, offset, and power

numbers for each color channel.

SATURATION

A fourth parameter “Saturation” is achieved by converting the out data in a Luma and Chroma component. The Chroma

Signal is then multiplied by the “Saturation” parameter.

KOMODO

OPERATION GUIDE

FILM GRADE AND VIDEO GRADE

With Slope and Offset you can produce both a Film Grade “Exposure” and “Contrast” and a Video Grade “Lift” and

“Gain”.

Exposure is achieved by Offset

Contrast is achieved by a combination of Offset and Slope

Gain is achieved by Slope

Lift is achieved by a combination of Offset and Slope

Gamma is achieved by Power

CDL POWER

The CDL defines the image settings for the red, green, and blue channel. The three CDL tone curve parameters are

Slope, Offset and Power. These algorithms allow the camera to modify the recorded image. The CDL Power settings

control the power of the Red, Green, Blue, color data.

The Camera LCD Menu for CDL Power:

Use the CDL Power menu to adjust the power of the Red, Green, and Blue CDL data.

CDL POWER SETTINGS

The CDL Power settings range from 0.00000 to 4.00000. The default CDL Power setting for each color is 1.00000. The

Edit button opens the keypad where you can enter a specific CDL Power value.

KOMODO

OPERATION GUIDE

CDL SLOPE

The CDL defines the image settings for the red, green, and blue channel. The three CDL tone curve parameters are

Slope, Offset and Power. These algorithms allow the camera to modify the recorded image. The CDL Slope settings

multiply the incoming RGB data.

The Camera LCD Menu for CDL Slope:

Use the CDL Slope menu to set the slope of the red, green, and blue signals.

SLOPE SETTINGS

The CDL Slope settings range from 0.00000 to 2.00000. The default CDL Slope settings are 1.00000. The Edit button

opens a keypad where you can enter a specific CDL Slope value.

KOMODO

OPERATION GUIDE

CDL OFFSET

The CDL defines the image settings for the red, green, and blue channel. The three CDL tone curve parameters are

Slope, Offset and Power. These algorithms allow the camera to modify the recorded image. The CDL Offset settings

control the offset of the RGB color data.

The Camera LCD Menu for CDL Offset:

Use the CDL Offset menu to adjust the offset of the CDL Slope for the Red, Green, and Blue CDL data.

RED GREEN AND BLUE OFFSETS

These CDL Offset settings range from -1.00000 to 1.00000. The default CDL Offset setting for each is 0.00000. The Edit

button opens the keypad, where you can enter a specific CDL Offset value.

KOMODO

OPERATION GUIDE

CDL SATURATION

The CDL defines the image settings for the red, green, and blue channel.

The three CDL tone curve parameters are Slope, Offset and Power. These

algorithms allow the camera to modify the recorded image. The CDL

Saturation settings control the intensity of the color data.

Use the CDL Saturation menu to adjust the intensity of the image color.

The CDL Saturation settings range from 0.00000 to 4.00000. The default CDL Saturation setting is 1.00000. The Edit

button opens a keypad where you can enter a specific CDL Saturation value.

ON MEDIA CDL

Use On Media CDLs to copy CDLs stored on the media and store them on the camera.

CDLs can be imported from media to the camera. When importing CDLs

from media to the camera, the CDLs are saved to a folder on the camera

called “cdls”.

From On Media CDLs you can import the selected CDL from the media to

the camera or import all of the CDLs from the media to the camera.

KOMODO

OPERATION GUIDE

IN CAMERA CDLS

Use In Camera CDLs to copy CDLs stored on the camera and store them on the media. You can also select which

stored CDLs you want the camera to use.

CDLs can be exported from the camera to the media. When exporting CDLs from camera to the media, the CDLs are

saved to a folder on the media called “cdls.”

From In Camera CDLs you can apply the selected CDL to the camera, delete the selected CDL from the camera, export

the selected CDL from the camera to the media, or export all of the CDLs from the camera to the media

EXPOSURE ADJUST

Use Exposure Adjust to manually fine-tune the midtone exposure level.

The Exposure Adjust range is –8.000 to 8.000. The default is 0.000.

Exposure Adjust allows you to adjust the midtone exposure levels while preserving the highlights and shadows, even

when changed substantially. The Exposure Adjust setting is expressed in terms of relative exposure value (EV), where

each unit represents a 1-stop change in midtone exposure level.

KOMODO

OPERATION GUIDE

PROJECT SETTINGS MENU

The Project Settings menu contains the settings you use to enter your cinematography project information.

From the camera LCD touchscreen menu, tap Project Settings:

Use the Project Settings menu to configure the settings for your cinematography project:

ITEMS DETAILS

Format Size of the area captured by the sensor

Recording Frame Rate Frames recorded per second

Project Time Base Image playback rate

File Format R3D or ProRes file formats

R3D Quality Compression level of the recorded image file

ProRes Resolution Resolution of the recorded ProRes image file

ProRes Codec ProRes codec selection

ProRes Baked-In Settings Bake in RWG/Log3G10 or 3D LUT settings

Pre-Record Enable and configure a pre-record clip

Slate Camera ID and camera position

KOMODO

OPERATION GUIDE

FORMAT

Use the Format setting to designate how much of the sensor the camera should use to capture images.

Use the Format menu to configure the camera's sensor capture area settings:

ITEMS DETAILS

Super 35 (6K) Select from Super 35 sensor capture areas

Super 35 Anamorphic (6K) Select from Super 35 anamorphic sensor capture areas

All Formats Select from all sensor capture areas

The available aspect ratios are determined by the selected resolution. The default format setting is 6K 17:9.

When you lower the resolution on the camera, only a portion of the sensor is used. The camera does not downscale

from the 6K 17:9 format when recording RAW.

NOTE: The anamorphic formats are only available when the project file format is set to R3D (refer to File Format).

KOMODO

OPERATION GUIDE

SUPER 35 (6K)

Use the Super 35 (6K) format setting to designate how much of the sensor the camera should use to capture images.

The available aspect ratios are determined by the selected resolution.

When you lower the resolution on the camera, only a portion of the sensor is used. The camera does not downscale

from the 6K 17:9 format when recording RAW.

SUPER 35 (6K) FORMAT SPECIFICATIONS

This table contains the dimensions of the sensor area in Pixels and in Millimeters used by each Super 35 (6K) format.

The default format is 6K 17:9.

FORMAT DIMENSION (PIXELS) DIMENSIONS (MM)

WIDTH HEIGHT WIDTH HEIGHT DIAGONAL

6K 17:9

6144 3240 27.03 14.26 30.56

6K 2:1

6144 3072 27.03 13.52 30.22

6K 2.4:1

6144 2574 27.03 11.32 29.30

6K 16:9

5760 3240 25.34 14.26 29.08

KOMODO

OPERATION GUIDE

SUPER 35 ANAMORPHIC (6K)

Use the Super 35 Anamorphic Format setting to designate how much of the sensor the camera should use to capture

images.

NOTE: The anamorphic formats are only available when the project file format is set to R3D (refer to File Format).

The available aspect ratios are determined by the selected resolution.

When you lower the resolution on the camera, only a portion of the sensor is used. The camera does not downscale

from the 6K 17:9 format when recording RAW.

SUPER 35 ANAMORPHIC (6K) FORMAT SPECIFICATIONS

This table contains the effective dimensions of the sensor area in Pixels and in Millimeters used by each Super 35

Anamorphic (6K) format.

The default setting is 6K 4:3 2x.

FORMAT DIMENSION (PIXELS) DIMENSION DESQUEEZED

(PIXELS)

DIMENSIONS (MM)

WIDTH HEIGHT WIDTH HEIGHT WIDTH HEIGHT DIAGONAL

6K 4:3 2x

4320 3240 8640 3240 18.61 14.26 23.45

6K 6:5 2x

3888 3240 7776 3240 17.11 14.26 22.27

6K 3:2 1.8x

4860 3240 8748 3240 21.38 14.26 25.70

6K 4:3 1.8x

4320 3240 7776 3240 19.01 14.26 23.76

6K 3:2 1.6x

4860 3240 7776 3240 21.38 14.26 25.70

6K 16:9 1.5x

5760 3240 8640 3240 25.34 14.26 29.08

6K 17:9 1.3x

6144 3240 8192 3240 27.03 14.26 30.56

6K 17:9 1.25x

6144 3240 7680 3240 27.03 14.26 30.56

KOMODO

OPERATION GUIDE

ALL FORMATS

Use the All Formats setting to select from all of the possible formats to designate how much of the sensor the camera

should use to capture images.

The available aspect ratios are determined by the selected resolution.

When you lower the resolution on the camera, only a portion of the sensor is used. The camera does not downscale

from the 6K 17:9 format when recording RAW.

FORMAT SPECIFICATIONS

This table contains the dimensions of the sensor area in Pixels and in Millimeters used by all of the camera formats. The

default setting is 6K 17:9.

FORMAT DIMENSION (PIXELS) DIMENSIONS (MM)

WIDTH HEIGHT WIDTH HEIGHT DIAGONAL

6K 17:9

6144 3240 27.03 14.26 30.56

6K 2:1

6144 3072 27.03 13.52 30.22

6K 2.4:1

6144 2574 27.03 11.32 29.30

6K 16:9

5760 3240 25.34 14.26 29.08

6K 4:3 2x

4320 3240 18.61 14.26 23.45

6K 6:5 2x

3888 3240 17.11 14.26 22.27

6K 3:2 1.8x

4860 3240 21.38 14.26 25.70

6K 4:3 1.8x

4320 3240 19.01 14.26 23.76

6K 3:2 1.6x

4860 3240 21.38 14.26 25.70

6K 16:9 1.5x

5760 3240 25.34 14.26 29.08

6K 17:9 1.3x

6144 3240 27.03 14.26 30.56

6K 17:9 1.25x

6144 3240 27.03 14.26 30.56

5K 17:9

5120 2700 22.53 11.88 25.47

4K 17:9

4096 2160 18.02 9.50 20.37

4K 16:9

3840 2160 16.90 9.50 19.39

2K 17:9

2048 1080 9.01 4.75 10.19

KOMODO

OPERATION GUIDE

RECORDING FRAME RATE

Use Recording Frame Rate to select the recording frame rate (also referred to as the capture frame rate).

The recording frame rate is the number of frames per second (FPS) that are recorded. The recording frame rate is

different from the project time base, which is the rate at which the footage will be played back.

The maximum frame rate for each format is determined by Project Time Base and Format.

When you select a Project Time Base it will automatically set the Recording Frame Rate to match (when possible). You

must select the Recording Frame Rate after the Project Time Base to select a different Recording Frame Rate.

A Recording Frame Rate highlighted in

yellow

will result in playback

occurring at a different frame rate than the original recording, and will

record varispeed audio.

KOMODO

OPERATION GUIDE

PROJECT TIME BASE

Use the Project Time Base setting to choose the playback rate for the recorded footage.

The following project time bases are available:

• 23.98 FPS (Default) • 25.00 FPS • 30.00 FPS • 59.94 FPS

• 24.00 FPS • 29.97 FPS • 50.00 FPS • 60.00 FPS

When you select the Project Time Base, it changes the Recording Frame Rate to the same setting (when possible).

When you change the Format, the Recording Frame Rate and Project Time Base do not automatically update. You must

select the Project Time Base after you change the Format setting.

NOTE: When the Recording Frame Rate is set to a higher speed than the Project Time Base setting, audio is recorded

as varispeed audio.

FILE FORMAT

Use File Format to select the format that the camera uses to record image files.

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When you change the file format, a message warns you that the camera must be rebooted to complete the change:

R3D REDCODE FILE FORMAT

The RED R3D file format records images in a compressed RAW format. In comparison to Apple ProRes, REDCODE

RAW data does not bake in image settings like ISO, saturation, or LUTs, allowing more flexibility in post-processing

workflows without reducing image quality or dynamic range. Instead R3D files store the image settings as Metadata.

You can open and process R3D files with REDCINE-X PRO or with non-linear editing (NLE) software that supports the

RED SDK.

R3D is the camera's default file format.

APPLE PRORES FORMAT

This section provides general information about recording Apple ProRes files with the camera, including:

Recording Apple ProRes is only available:

When recording to Apple ProRes only

When recording to the Apple ProRes 422 HQ or ProRes 422 codec

QuickTime files have the same metadata that is in the REDCODE RAW files. The metadata is per clip, and not per

frame. At this time, there is no tool for extracting that metadata from the QuickTime files.

You can select a Format from the Project Settings Menu and the camera will scale it to the target resolution you

select in ProRes Resolution.

Recording 4K ProRes files are limited to 4K and above Formats. When in ProRes, Formats below 4K will

automatically be recorded as 2K.

For more information about Apple ProRes, including the data rates for each codec, refer to the Apple ProRes White

Paper.

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APPLE PRORES DESCRIPTION

The table below describes each supported Apple ProRes codec.

NAME CHROMA SAMPLING DATA RATE

ProRes 422 HQ Y' C

4:2:2 754 Mbps at 4K (4096 x 2160) and 24 FPS

ProRes 422 Y' C

4:2:2 503 Mbps at 4K (4096 x 2160) and 24 FPS

FILE STRUCTURE OF RECORDED APPLE PRORES FILES

When you record using ProRes format, this is the file structure of the recorded files on the media:

.RDM Folder

.RDC Folder

.mov

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R3D QUALITY

Use R3D Quality to select the R3D data rate the camera uses to record the image files.

The R3D Quality selections include:

HQ - High data rate - Up to ~ 280 MB/s (~30 minutes recording time)*

MQ - Medium data rate (default) - ~175 MB/s (~48 minutes recording time)*

LQ - Lowest data rate - ~110 MB/s (~1 hour and 17 minutes recording time)*

* Data rate assumes camera settings at 6K 17:9, 23.98 FPS. Recording time assumes a 512 GB CFast card. Your actual data rate will depend on

complexity of the shooting scene and capture settings. Data rates subject to change with future updates.

For high complexity scenes, VFX, and stills from motion workflows, RED recommends the HQ setting. For cinema (non-

VFX) and high-end TV, RED recommends the MQ setting. For TV, online content, documentary and interviews, RED

recommends the LQ setting.

PRORES RESOLUTION

When you enable ProRes as the File Format you can select the ProRes resolution.

The ProRes Resolution selections include:

UHD

4K (default)

The camera will downscale to achieve the selected ProRes resolution when the aspect ratios of your format and ProRes

resolution do not match. It is recommended to shoot 4K or 2K ProRes when the format is 17:9, and to shoot UHD or HD

when the format is 16:9.

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PRORES CODEC

When you enable ProRes as the File Format you can select the ProRes Codec.

The ProRes Codec selections include:

ProRes 422 HQ

ProRes 422

PRORES BAKED-IN SETTINGS

When you enable ProRes as the File Format you can select the ProRes Baked-In settings.

The ProRes Baked-In Settings include:

RWG/Log3G10 - REDWideGamutRGB color space and Log3G10 gamma curve

Image / LUT - Applies all Image / LUT settings for Output Color Space, Display Preset, 3D LUT, and CDL

NOTE: All ProRes Baked-In settings bake in both the ISO and the White Balance settings.

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PRE-RECORD

Use the Pre-Record menu to enable or disable Pre-Record, and to adjust the length of the Pre-Recorded clip.

Pre-Record allows you to continually capture images to a small amount of memory while waiting to begin recording.

This allows you to capture unexpected events such as, a whale breaching the water, or a an athlete scoring a goal.

When you begin recording, the pre-recorded clip is added to the beginning of the recording.

You can set the Pre-Record clip to record from half a second up to 30 seconds, depending on the format, file type,

resolution, and quality. The default setting is 2 seconds at the default Project Time Base of 23.98 FPS.

For more information, refer to Pre-Recording Content.

SLATE

Use the Slate menu to assign a camera ID and camera position to the clip.

The settings you can assign to a clip include:

Camera ID (also populates in the Media menu when formatting media)

Camera Position (also populates in the Media menu when formatting media)

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CAMERA ID

Use Camera ID to assign a camera ID to the clip.

NOTE: You can also change the Camera ID by using Secure Format (refer to Secure Format)

The camera IDs you can assign to a clip include the letters A-Z.

CAMERA POSITION

Use Camera Position to assign a camera position description to the clip.

The camera positions you can assign to a clip include the letters A-Z.

NOTE: When you select camera positions other than L, and R, the camera position in the SDI output signal HANC data

is set to “C.” For more information refer to RED.com/developers.

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AUDIO / TC MENU

The Audio / TC menu contains the settings you use to configure your camera audio and Timecode.

From the camera LCD touchscreen menu, select Audio / TC:

Use the Audio / TC menu to configure the audio and Timecode settings for the camera:

ITEMS DETAILS

Audio Source Audio input source

Internal Microphone Left and Right internal microphone levels

External Audio Left and Right external microphone levels

Headphone Headphone volume levels

Timecode Source Timecode source

Jam Timecode to TOD Button to Jam Timecode to Time of Day (TOD)

Timecode Display Mode Timecode to display

AUDIO DETAILS

The camera is equipped with two integrated microphones suitable for scratch-track audio, and it is equipped with one

3.5 mm stereo microphone input.

You can link the gain for the two channels together. This allows you to adjust the two internal (or external) channels

together as one.

You can record audio from the internal microphones, from the external audio connector (2-channel recording), or from

internal and external sources combined as 24-bit 48 kHz uncompressed audio tracks.

For external audio, you can only use a microphone level signal (not line level) and adjust it by using the appropriate

camera gain-settings (-52.5 dB to 36.0 dB). The default camera gain setting is 0 dB.

The camera's audio data is synchronized with video and timecode, and it is embedded in the R3D file. You can export

the audio data as separate audio files by using REDCINE-X PRO, if needed. The camera also embeds the audio in the

SDI output.

You can monitor the audio during recording and playback by using the equipped 3.5 mm stereo headphone port.

VARISPEED AUDIO

Firmware versions 1.5 and higher support recording audio when the camera's Recording Frame Rate is set to a higher

speed than the Project Time Base setting (Varispeed mode).

NOTE: The camera records the audio as a separate WAV file and stores it in the clip's RDC folder on the media drive.

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TIMECODE DETAILS

Timecode provides a mechanism to reference frames from the camera's recorded clips to external devices such as,

other cameras or audio recorders. Some devices can also gather additional data such as, lens metadata, or camera

orientation, which Timecode can later use for merging the data back together in post-processing.

The camera provides two separate Timecode formats:

Time Of Day (TOD) - The camera records the time of day as the Timecode for each clip

Edgecode - The camera records elapsed time as the Timecode for each clip. The time is reset to 01:00:00 when a

new media card is inserted in the camera. All of the clips on the media will have a continuous Timecode track.

However, each new media card will default to a Timecode track starting at 01:00:00. You can change the Edgecode

to begin at any desired time by using the Media Format menu (refer to Edgecode).

The camera synchronizes (jams) the TOD Timecode to an external Timecode generator (when one is connected to the

Extension Port) or it jams the Timecode to its internal real-time clock.

The camera stores TOD and Edge Timecode in the R3D file. You can select which one you want to display on the LCD

Touchscreen.

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AUDIO SOURCE

Use the Audio Source settings to select the audio input source.

NOTE: When the Recording Frame Rate and Project Time Code settings are different, this menu is disabled, and the

camera cannot record audio.

The audio input sources include:

None

Internal Microphone - enables the Internal Microphone channels 1 and 2 (default)

External - enables the 3.5 mm Audio Input port for External Audio channels 3 and 4

Internal and External - enables the Internal Microphone and 3.5 mm Audio input port for all channels 1 through 4.

NOTE: The headphones can only monitor two channels. You can either monitor channels 1 and 2 (internal

microphone) or you can monitor channels 3 and 4 (external port). Refer to Audio Tools for more information.

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INTERNAL MICROPHONE

Use the Internal Microphone settings to set the left and right internal microphone levels. This menu is only enabled when

the Audio Source is set to Internal Microphone or Internal and External.

NOTE: When the Recording Frame Rate is set to a higher speed than the Project Time Base setting, audio is recorded

as varispeed audio.

The Internal Microphone is represented as Channels 1 and 2 on the UI VU Meters (refer to Playback for more

information). The left channel is channel 1 (Ch 1) and the right channel is channel 2 (Ch 2).

You can adjust the internal audio levels for left and right from -52.5 dB to 36.0 dB.

The default setting is 0 dB.

When you enable Link Left & Right Gain, the adjustments you make to either channel of gain will adjust both channels to

the same setting.

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EXTERNAL AUDIO

Use the External Audio settings to set the left and right external audio levels. This menu is only enabled when the Audio

Source is set to External or set to Internal and External.

NOTE: When the Recording Frame Rate is set to a higher speed than the Project Time Base setting, audio is recorded

as varispeed audio.

The External Microphone is represented as Channels 3 and 4 on the UI VU Meters (refer to Playback for more

information).

You can adjust the external audio levels for Ch 3 and Ch 4 from -52.5 dB to 36.0 dB.

The default setting is 0 dB.

When you enable Link Ch 3 & Ch 4 Gain, the adjustments you make to either channel of gain will adjust both channels

to the same setting.

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HEADPHONE

Use the Headphone settings to enable the headphone jack and to adjust the headphone volume.

You can enable and disable the headphone audio jack by tapping the Enable toggle to the right (green) and to the left

(red).

You can adjust the headphone volume from 0 to 100.

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TIMECODE SOURCE

Use Timecode source to configure the Timecode source the camera applies to the recordings.

You can set the Timecode source as Internal Time of Day (TOD) or External.

When you set the camera Timecode source to External, you can connect an external Timecode generator to the

Extension Port.

TIMECODE DISPLAY MODE

Use Timecode Display Mode to configure the Timecode display type that the camera applies to the recordings.

You can set the Timecode Display Mode as Time of Day (TOD) or Edge.

TOD DISPLAY MODE

Time of Day (TOD) display mode displays the Timecode as the time of day that the frame was recorded.

EDGE DISPLAY MODE

Edge display mode displays the Timecode as the sequential recording time that has elapsed starting with the first

frame.

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MONITORING MENU

The Monitoring menu contains the settings you use to configure your camera monitoring options.

From the LCD Touchscreen menu, select Monitoring:

Use the Monitoring menu to configure the monitoring settings:

ITEMS DETAILS

LCD LCD Touchscreen settings

SDI SDI port resolution, frequency, look, guides, tools, overlay, and overlay mode

Live Stream Enable or disable Wi-Fi live streaming

Tools Various monitoring tools including False Color, Peaking, and Zebra Modes

Guides Frame guides and a center guide

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LCD

Use LCD to configure the LCD Touchscreen settings.

The LCD settings you can configure include:

ITEMS DETAILS

Brightness Adjust the LCD touchscreen brightness

Look Select the Image / LUT, or RWG and Log3G10 image preview look

Guides Enable or Disable the camera guides

Tools Enable or Disable the camera tools

Magnify Enable or Disable LCD magnification

Prism Finder Mode Enable or Disable the prism finder mode (horizontally flip the LCD)

BRIGHTNESS

You can adjust the camera's top LCD brightness from 10% to 100%. The default is 80%

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LOOK

You can select the look of the image preview on the LCD. The selections include:

REDWideGamutRGB / Log3G10

Image / LUT (default).

GUIDES

Use the toggle to enable (default) or disable the camera guides.

TOOLS

Use the toggle to enable (default) or disable the camera tools.

MAGNIFY

Use the toggle to enable or disable (default) LCD magnification.

PRISM FINDER MODE

Use the toggle to enable or disable (default) the LCD flip view.

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SDI

Use SDI to configure the SDI port settings.

WARNING: Under certain circumstances, it is possible for an SDI connector to incur damage when connected to an

accessory and powered without using shielded cables. RED recommends only using high quality, shielded BNC cables

that are rated for 12G-SDI signals and only using shielded power cables for powering SDI accessories.

Make sure power is connected to the SDI accessory at all times before you connect the BNC to the camera.

Ungrounded power from SDI accessories can damage the camera’s SDI port. To avoid this possible damage, attach the

power source to the accessory before attaching it to the BNC cable. When using RED Approved Third Party battery

plates, unplug BNC prior to hot swapping.

When possible, avoid using P-Tap (also known as D-Tap) cables to power accessories. To avoid damage when using P-

Tap/D-Tap, it’s imperative that the connect/disconnect sequence (below) is followed precisely.

BNC ATTACHMENT INSTRUCTIONS

When attaching SDI accessories:

Connect a power source to the SDI accessory; power on the SDI accessory.

Ensure a power source is connected to the camera. This ensures both are grounded prior to connecting the BNC.

The camera's power state does not have an impact on SDI attachment sequence.

Connect the BNC cable to the accessory, then to the camera.

When detaching an accessory mounted to an SDI output, ensure that you remove the BNC connection to the camera

before removing power to the SDI device:

Shutdown the SDI accessory.

Disconnect the BNC cable from camera.

Disconnect the power source from SDI accessory.

When you need to swap out a battery on an accessory mounted to the camera’s SDI port, you must:

Shutdown the SDI accessory.

Disconnect the BNC cable from the camera.

Replace the battery on the SDI accessory.

Connect the BNC cable to the camera.

Power on the SDI accessory.

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The SDI port settings you can configure include:

ITEMS DETAILS

Resolution Select the SDI port resolution

Frequency Select the SDI port frequency

Look Set the look of the playback between RWG / Log3G10 or Image / LUT

Guides Enable or disable the monitor guides

Tools Enable or disable the monitor tools

Magnify Enable or disable monitor magnification

Overlay Enable or disable the monitor overlay

Overlay Mode Select the overlay type

RESOLUTION

Use resolution to select one of the following SDI port resolution settings:

• 1080p (default)

• 2K DCI

• 4K UHD

• 4K DCI

The resolution selected here controls the SDI output resolution of the

preview page.

SCALING PREVIEW

When monitoring in 1080p or 4K UHD while capturing in a 17:9 format, the entire 17:9 image will be down-scaled to the

16:9 aspect ratio of 1080p or 4K UHD. Small black bars will only appear on the top and bottom of the frame in the

monitor path and not on the recorded image.

FREQUENCY

Use Frequency to select one of the following SDI port frequency

settings:

• 23.98 Hz (default)

• 29.97 Hz

• 59.94 Hz

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LOOK

You can select the look of the image preview signal sent to the SDI

port.

The selections include:

• REDWideGamutRGB / Log3G10

• Image / LUT (default)

GUIDES

Use Guides to enable or disable (default) the viewing of guides. Tap the switch to toggle between enabled and disabled.

TOOLS

Use Tools to enable or disable (default) the viewing of tools. Tap the switch to toggle between enabled and disabled.

MAGNIFY

Use Magnify to enable or disable (default) monitor magnification. Tap the switch to toggle between enabled and

disabled.

OVERLAY

Use Overlay to enable (default) or disable the viewing of the overlay. Tap the switch to toggle between enabled and

disabled.

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OVERLAY MODE

Use Overlay Mode to select one of the following SDI port overlay

modes:

• Simple - minimal image information is displayed (default)

• Advanced - many image and camera details are displayed

SIMPLE MODE

Simple mode displays the clip name and the elapsed time. When the camera is recording, the elapsed time turns red,

and a red dot appears in the top right corner.

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ADVANCED MODE

Advanced mode displays the following:

TOP BOTTOM

• Camera Number

• Recording Frame Rate

• f-Stop

• Focus Length

• Shutter Angle

• ISO

• White Balance

• Clip Name

• Exposure Meter

• Histogram

• CFast Time Remaining

• Temp / Exp Calibration

• Timecode, Genlock, Sync

• DC-In, Battery

• Format, File Type, Rate

• VU Meter

• Elapsed time

When the camera is recording, the elapsed time turns red, and a red dot appears in the top right corner.

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SDI PORT DESCRIPTION

The Serial Digital Interface (SDI) port allows the camera to deliver 12 Gbps of image bandwidth with greater resolution,

frame rates, and color fidelity. This single BNC cable solution makes it ideal for the 4Kp60 format.

WARNING: Under certain circumstances, it is possible for an SDI connector to incur damage when connected to an

accessory and powered without using shielded cables. RED recommends only using high quality, shielded BNC cables

that are rated for 12G-SDI signals and only using shielded power cables for powering SDI accessories.

Make sure power is connected to the SDI accessory at all times before you connect the BNC to the camera.

Ungrounded power from SDI accessories can damage the camera’s SDI port. To avoid this possible damage, attach the

power source to the accessory before attaching it to the BNC cable. When using RED Approved Third Party battery

plates, unplug BNC prior to hot swapping.

When possible, avoid using P-Tap (also known as D-Tap) cables to power accessories. To avoid damage when using P-

Tap/D-Tap, it’s imperative that the connect/disconnect sequence (below) is followed precisely.

BNC ATTACHMENT INSTRUCTIONS

When attaching SDI accessories:

Connect a power source to the SDI accessory; power on the SDI accessory.

Ensure a power source is connected to the camera. This ensures both are grounded prior to connecting the BNC.

The camera's power state does not have an impact on SDI attachment sequence.

Connect the BNC cable to the accessory, then to the camera.

When detaching an accessory mounted to an SDI output, ensure that you remove the BNC connection to the camera

before removing power to the SDI device:

Shutdown the SDI accessory.

Disconnect the BNC cable from camera.

Disconnect the power source from SDI accessory.

When you need to swap out a battery on an accessory mounted to the camera’s SDI port, you must:

Shutdown the SDI accessory.

Disconnect the BNC cable from the camera.

Replace the battery on the SDI accessory.

Connect the BNC cable to the camera.

Power on the SDI accessory.

For more information about the SDI standard, refer to the

SMPTE (Society of Motion Picture and Television Engineers)

standard SMPTE ST-2082.

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LIVE STREAM

Use Live Stream to enable or disable live streaming over Wi-Fi. The Live Stream image is controlled by the LCD

monitoring tools (the Guides are not displayed). Refer to Monitoring Tools for more information.

NOTE: When live streaming, select 5 GHz as the Wi-Fi band (refer to Ad-Hoc).

ENABLE

Use Enable to enable or disable (default) the Live Stream feature.

QUALITY FACTOR

Use Quality Factor, when Live Streaming is enabled, to control the video quality the camera's output stream. Lower

quality can stream over a longer distance.

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TOOLS

The Tools menu provides access to the monitoring tools.

The monitoring tools that you can use include:

ITEMS DETAILS

False Color Enable and configure the False Color Exposure Mode and the False Color Video Mode

Peaking Enable and configure focus indicating modes

Log View Enable or disable (default) Log View

Zebra 1 Enable and configure Zebra 1 settings

Zebra 2 Enable and configure Zebra 2 settings

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FALSE COLOR

Use False Color to configure the False Color tool settings.

The False Color tool settings you can configure include:

ITEMS DETAILS

Enable Enable or disable the False Color tool modes

False Color Mode Select the False Color tool mode

ENABLE

Use Enable to enable or disable the False Color tool.

FALSE COLOR MODE

False Color Modes include:

ITEMS DETAILS

False Color Exposure Mode Use false colors to determine an optimal balance between overexposure and

underexposure.

False Color Video Mode Access scene exposure in varying light without relying on the LCD image brightness.

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NOTE: False Color modes display on video recorded through SDI to an external recorder when the Tools are enabled in

the Monitor menu. When recording through SDI, use False Color modes only to help determine scene exposure

settings, and then disable the mode before recording.

FALSE COLOR EXPOSURE MODE

When this monitoring False Color mode is activated, most of the tonal range will appear in monochrome.

The Exposure Mode is able to indicate exactly where middle gray is falling, and indicate which highlights or shadows

are problematic in the logarithmic representation of the image. Exposure mode is judging the exposure after ISO and

White Balance adjustments are made, and before any sort of LUT or transform is applied to the Log3G10 image.

RED FALSE COLOR OVERLAY

When the False Color Mode overlays the color red within the subject of interest, or anywhere except bright lights and

direct reflections, then the image is likely overexposed. When the False Color Mode does not overlay the color red on

the image, then the exposure is likely okay for the selected ISO.

PURPLE FALSE COLOR OVERLAY

When the False Color Mode overlays the color purple on key image detail that is not located in the shadows, then the

scene is likely underexposed. When the False Color Mode does not overlay the color purple on the image, then the

exposure is likely okay for the selected ISO.

For more information, refer to Exposure in the How To section.

FALSE COLOR VIDEO MODE

NOTE: For best results, Video Mode should be viewed at or above ISO 800.

Video Mode displays a color overlay that indicates the video level of the RGB monitor path (calibrated to the SMPTE

test signal).

The colors used are based on the RGB levels of the video out signal (that is, the “cooked” look, and not RAW data). The

camera's RGB settings can change the appearance of the Video Mode colors.

The Video Mode colors represent the following IRE values (at all other values, the desaturated image represents the

luminance value of the ISO adjusted image):

Purple: IRE 0–4

Blue: IRE 5

Teal: IRE 10–12

Green: IRE 41–48

Pink: IRE 61–70

Straw: IRE 92–93

Yellow: IRE 94–95

Orange: IRE 96–98

Red: IRE 99–100

For more information, refer to Exposure in the How To section.

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Green is where you will want 18% gray, Pink is typically the brightness of Caucasian skin tones, Straw, Yellow, and

Orange are strong highlights and increasingly closer to white, Teal is deep shadows and Blue is on the verge of

becoming untextured black. In general, Pink and Green are most helpful when calibrating based on a known reference,

whereas the other colors indicate the extremes of a tonal range.

A potential disadvantage of False Color Video mode is that all the false colors can distract from the underlying preview.

Many prefer to use this mode only during initial set-up, and then they use False Color Exposure Mode under a wider

range of scenarios.

IN PRACTICE

In False Color Exposure Mode, use the purple and red indicators to adjust your lighting or lens aperture. Use this

strategy to achieve an optimal balance between clipping from overexposure and image noise from underexposure. With

most scenes, you can often have a surprising range of exposure latitude before excessive red or purple indicators begin

to appear.

If necessary, use False Color Video mode or Zebra Modes to fine-tune how the scene will appear over SDI, or use it to

adjust your suggested look when sending footage for post-production.

The Zebra and Video modes are also an objective way to assess the scene exposure under varying ambient light

without relying on the LCD image to evaluate brightness.

PEAKING

The Peaking tools display contrast, outlines, or colors to assist with focusing.

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The Peaking modes you can use include:

ITEMS DETAILS

Focus Use enhanced contrast and edges for focusing

Edge Show outlines of focused objects

Peaking Select a colored overlay to indicate objects in focus

FOCUS PEAKING MODE

Focus Peaking mode emphasizes contrast and edges in the image without changing the brightness or the image

content. This mode makes it easier to judge focus. Adjust the zoom and focus to easily see which objects are coming

into focus.

EDGE PEAKING MODE

When you enable Edge Peaking mode, the display shows the edges or outlines of objects that are in focus.

PEAKING PEAKING MODE

The Peaking Peaking mode displays a color overlay on top of in-focus edges. Select a Level of 1 to 10 (weak to strong)

for the intensity of the color overlay. The RGB settings can change the appearance of the selected color overlay.

The Peaking Peaking mode indicator is applied after the image is scaled to a monitor, making the indicators appear

differently on various monitors.

For more information about Peaking, refer to Focus in the How To section.

LOG VIEW

Use Log View to display camera images in REDWideGamutRGB and Log3G10 for the ISO, Exposure Adjust, Color

Temperature, and Tint settings. This allows you to quickly see ungraded footage that remains unaffected by creative

decisions such as the choice of 3D LUT or CDL.

Log View is passed through the SDI port when recording to an external recorder. You can view the Log image in

playback on the LCD and on the monitor. However, Log View is not recorded to the file recorded on the media card.

Log View is only enabled on R3D files and not on ProRes files.

Use the slider to switch from Enabled to Disabled:

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ZEBRA 1

Use Zebra 1 to display one set of diagonal stripes to indicate highlight exposure levels. For more information, refer to

Zebra Modes.

Zebra 1 is disabled by default.

The Zebra 1 mode includes:

ITEMS DETAILS

Enable Enables red zebra stripes to indicate highlight exposure

Low IRE Sets the lower threshold for the indicator

High IRE Sets the higher threshold for the indicator

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ENABLE

The Enable toggle switch allows you to enable or disable the Zebra 1 stripes.

LOW IRE

Provides a keypad that allows you to set the low threshold for the Zebra stripe. The default setting is 98 IRE.

HIGH IRE

Provides a keypad that allows you to set the high threshold for the Zebra stripe. The default setting is 100 IRE.

NORMAL VIEW ZEBRA 1 VIEW

ZEBRA 2

Use Zebra 2 to display a second set of diagonal stripes to indicate mid-tone and shadow levels. For more information,

refer to Zebra Modes.

Zebra 2 is disabled by default.

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The Zebra 2 mode includes:

ITEMS DETAILS

Enable Enables green zebra stripes to indicate mid-tone and shadow exposure

Low IRE Sets the lower threshold for the indicator

High IRE Sets the higher threshold for the indicator

ENABLE

The Enable toggle switch allows you to enable or disable the Zebra 2 stripes.

LOW IRE

Provides a keypad that allows you to set the low threshold for the Zebra stripe. The default setting is 40 IRE.

HIGH IRE

Provides a keypad that allows you to set the high threshold for the Zebra stripe. The default setting is 48 IRE.

NORMAL VIEW ZEBRA 1 VIEW

ZEBRA 2 VIEW

GUIDES

Use Guides to enable and configure the camera's monitoring guides.

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The monitoring Guides that you can use include:

ITEMS DETAILS

Frame Guides Guides you can configure to aid in framing a shot

Center Guide A center cross hair or dot you can use to center your shot

FRAME GUIDES

Use Frame Guides to frame the scene using various shapes and sizes. You can configure up to 3 Frame Guides to

display on your monitor.

Configure the Frame Guides using the following:

ITEMS DETAILS

Enable Enables the Frame Guide

Mode Select aspect ratios, User, and Absolute modes

User Aspect Ratio Enabled by selecting User mode

Scale Percentage of the image the Frame Guide occupies

Offset X, Y Percentage of horizontal and vertical offset

Absolute X, Y, W, H Absolute mode - set the exact number of size and offset pixels

Line Style Select the Frame Guide line type - solid, dashed or bracket

Line Color Select the Frame Guide line color

Line Opacity Select the Frame Guide line opacity percentage

KOMODO

OPERATION GUIDE

MODE

Use Mode to select the Frame Guide mode you want to use to configure the frame guide.

The modes you can select include aspect ratios from Full to 2.4:1, User, and Absolute. The User and Absolute modes

enable settings that are specific to those modes.

USER ASPECT RATIO

This item is enabled when the User mode is selected.

Use the keypad to enter your desired aspect ratio.

KOMODO

OPERATION GUIDE

SCALE

Use scale to configure the percentage of the image area that the Frame Guide will frame.

Use the keypad to enter the percentage of the image the Frame Guide contains.

OFFSET X, Y

Use offset to configure the X and Y offset of the Frame Guide.

Use the keypad to enter the percentage of offset from center you want to apply to the Frame Guide.

KOMODO

OPERATION GUIDE

ABSOLUTE X, Y, W, H

Use the Absolute settings to configure the absolute dimensions and position of the Frame Guide.

Use the keypad to enter the number of pixels for X/Y offset and for the width and height of the Frame Guide. The

Absolute items are only enabled when you select Absolute Mode.

LINE STYLE

Use Line Style to select the type of line the Frame Guide uses.

Select Solid (default), Dashed, or Bracket for the Frame Guide line style.

KOMODO

OPERATION GUIDE

LINE COLOR

Use Line Color to select the color of the Frame Guide line.

Use Line Color to select one of the following colors for the Frame Guide line:

Black Green Cyan

Red Yellow Dark Gray

Blue Magenta White (default)

LINE OPACITY

Use Line Opacity to select how transparent the Frame Guide line appears.

Use Line Opacity to select the percentage of opacity for the Frame Guide line:

25%

50% (default)

75%

100%

KOMODO

OPERATION GUIDE

CENTER GUIDE

Use Center Guide to enable and configure the Center Guide.

Configure the Center Guide by using the following:

ITEMS DETAILS

Enable Enables the Center Guide

Type Select Center Guide type - dot or cross

Color Select a color for the Center Guide

Opacity Percentage of opacity of the guide color

TYPE

Use Type to select the type of Center Guide to display.

Use Type to select a center dot or cross (default) for the Center Guide.

KOMODO

OPERATION GUIDE

COLOR

Use Color to select the color used by the Center Guide.

Use Color to select one of the following colors for the Center Guide:

Black Green Cyan

Red Yellow Dark Gray

Blue Magenta White (default)

OPACITY

Use Opacity to select how transparent the Center Guide appears.

Use Opacity to select the percentage of opacity for the Center Guide:

25%

50% (default)

75%

100%

KOMODO

OPERATION GUIDE

MEDIA MENU

The Media menu contains the settings you use to configure your media.

From the camera LCD touchscreen menu, select Media:

Use the Media menu to configure the camera's storage media settings and to view the media information:

ITEMS DETAILS

Eject Eject the CFast media card

Media Info View the CFast media card information

Secure Format Performs a secure format of the CFast media card

EJECT

Use Eject to safely unmount the CFast media card electronically from the camera before removing it physically.

WARNING: The media can get extremely hot. Use caution when removing media.

WARNING: Do not attach a label to the CFast media card. The heat generated by the media can weaken the label's

adhesive, causing the label to detach inside of the camera. Labels can also diminish heat dissipation and cause

excessive wear to the internal components. Removing a label from a CFast media card can possibly deform the card

body.

Access Eject from the LCD Touchscreen Media menu:

For more information, refer to Media Management.

KOMODO

OPERATION GUIDE

MEDIA INFO

Use Media Info to display the CFast media card information.

Access Media Info from the LCD Touchscreen Media menu:

Media Info displays the following:

SETTING DETAILS

Status Displays the CFast media card status

Model Number Displays the CFast media card model number

Serial Number Displays the CFast media card serial number

Firmware Version Displays the CFast media card firmware version

Capacity Displays the CFast media card total capacity

Available Displays the CFast media card's remaining storage

Time Remaining Displays the recording time remaining on the CFast media card

SECURE FORMAT

Use Secure Format to format the CFast media card down to the file system level.

A secure format allows you to rebuild the card file system.

KOMODO

OPERATION GUIDE

Use the Secure Format menu to update the following information:

SETTING DETAILS

Camera ID Select the camera ID (default is A)

Camera Position Select the camera position (default is C)

Reel Number Select the reel number (default is 1)

Edgecode Enter the time number (default is 01:00:00)

Format Starts the Secure formatting process

For more information, refer to Secure Format.

CAMERA ID

Use Camera ID to assign a camera ID letter to the media.

The Camera ID letters you can assign range from A-Z. For more information, refer to Secure Format.

CAMERA POSITION

Use Camera Position to select the camera position label for the CFast media card.

The Camera Position letters you can assign range from A-Z. For more information, refer to Secure Format.

KOMODO

OPERATION GUIDE

REEL NUMBER

Use Reel Number to assign a reel number to the media.

Use the keypad to enter a unique reel number to the media.

NOTE: It is best practice to keep your reel numbers to no longer than seven characters in length to conform with all EDL

formats.

For more information, refer to Secure Format.

EDGECODE

Use Edgecode to assign an edge code to the media.

Use the keypad to enter a unique edge code number to the media.

Edge Code is a SMPTE Timecode track that by default starts at 01:00:00 on the first frame of each CFast media card. It

is a sequential code that is continuous from frame to frame and also between clips. Edge Code is equivalent to RUN

RECORD as used on broadcast cameras.

For more information, refer to Secure Format.

KOMODO

OPERATION GUIDE

FORMAT

Use Format to execute a secure format of the media.

For more information, refer to Secure Format.

KOMODO

OPERATION GUIDE

PRESETS MENU

The Presets menu contains the settings you use to quickly set up your camera.

From the camera LCD touchscreen menu, select Presets:

Use the Presets menu to build and select pre-configured settings for the camera:

ITEMS DETAILS

Create Preset Create camera setting presets

On Media Presets Manage presets stored on the media

In Camera Presets Manage presets stored in the camera

CREATE PRESET

KOMODO

OPERATION GUIDE

Use Create Preset to select the current camera settings you want to use to create a preset list of settings.

You can select settings individually:

You can also use the ALL ENABLED SETTINGS checkmark button to select all of the current camera settings as a

preset:

Click OK to create the preset. The Create Preset screen opens.

Use the Create Preset screen to name the preset.

KOMODO

OPERATION GUIDE

ON MEDIA PRESETS

You can import presets from the media to the camera. When importing

presets from the media to the camera, the presets are saved to a folder on

the camera called “presets”.

From On Media Presets, you can import the selected preset from the

media to the camera or import all of the presets from the media to the

camera.

IN CAMERA PRESETS

You can export presets from the camera to the media. When exporting

presets from the camera to the media, the presets are saved to a folder on

the media called “presets”.

From In Camera Presets, you can apply the selected preset to the camera,

delete the selected preset from the camera, export the selected preset

from the camera to the media, or export all of the presets from the camera

to the media.

KOMODO

OPERATION GUIDE

AUTOFOCUS - BETA MENU

Use Autofocus to enable and configure the camera's Autofocus feature. The lens must support autofocus for this

feature to work.

Use the Autofocus menu to perform camera autofocus tasks:

ITEM DETAILS

Enable Enable/Disable the autofocus feature

Mode Select the autofocus mode

Size Select the size of the autofocus area

Position Select the position of the autofocus area

Start AF Button that you tap to start the Autofocus feature

ENABLE

Use Enable to enable or disable the Autofocus - BETA Menu feature. The lens must support autofocus for the camera to

use this feature.

KOMODO

OPERATION GUIDE

MODE

Use Mode to select the autofocus mode for the camera. The lens must support autofocus for the camera to use this

feature.

SINGLE MODE (DEFAULT)

Use single mode to autofocus and then stop at that focus position.

CONTINUOUS MODE

Use Continuous mode to continue to change focus to keep a moving subject in focus.

SIZE

Use Size to choose what size area you want the camera to use for the autofocus feature. The lens must support

autofocus for the camera to use this feature.

The Size selections for the autofocus area are Small (default), Medium, Large, Wide, and Vertical.

KOMODO

OPERATION GUIDE

POSITION

Use Position to specify the position of the autofocus area on the sensor. The lens must support autofocus for the

camera to use this feature.

The Position selections include:

Left Upper Middle Upper Right

Upper Left Center (default) Lower Right

Lower Left Lower Middle Right

The Autofocus Position rectangle displays on the screen:

You can move the position manually on the LCD screen. The menu will change to display Custom.

KOMODO

OPERATION GUIDE

COMMUNICATION MENU

The Communication menu contains the settings you use to configure your camera to communicate with other devices.

Use the Communication menu to configure the camera's communication settings:

ITEMS DETAILS

Camera Setting for the camera name

Wi-Fi Settings for Wi-Fi communication

Serial Settings for the Extension Port serial connection

KOMODO Link Adaptor* IP address for linked device

FTPS File transfer protocol secure settings

*Requires KOMODO Link Adaptor

CAMERA

Use the Camera Communication menu to select the camera communication settings.

Use the Camera communication settings to configure the camera name.

KOMODO

OPERATION GUIDE

CAMERA NAME

Use Camera name to enter a camera name.

WI-FI

Use Wi-Fi to configure the camera to work with a Wi-Fi connection.

Use the Wi-Fi menu to configure the camera's Wi-Fi settings:

ITEMS DETAILS

Mode Disable Wi-Fi or select the camera Wi-Fi settings

Ad-Hoc Configure the camera as a Wi-Fi hot spot

Infrastructure Settings for connecting to an existing Wi-Fi network

MAC Displays the camera device MAC address

KOMODO

OPERATION GUIDE

MODE

From Mode you can disable the Wi-Fi network, or you can enable the camera's Ad-Hoc or Infrastructure Wi-Fi settings.

The default setting is Disabled.

AD-HOC

Use Ad-Hoc to configure the camera as a Wi-Fi hot spot.

NOTE: The Ad-Hoc menu is enabled when the Wi-Fi Mode is set to Ad-Hoc.

Use the Ad-Hoc menu to configure the Wi-Fi hot spot settings:

ITEMS DETAILS

SSID Enter the name of the Wi-Fi network the camera generates

Passphrase Enter the password for the Wi-Fi network

Band Select the Wi-Fi frequency band

Channel Select the optimal channel for the Wi-Fi band

Encryption Displays the encryption type

Status Displays the connection status

IP Address Displays the IP address

Netmask Displays the Netmask

KOMODO

OPERATION GUIDE

SSID

Use the keypad to enter the camera's Wi-Fi network name.

PASSPHRASE

Use the keypad to enter the camera's Wi-Fi passphrase.

KOMODO

OPERATION GUIDE

BAND

Select the camera's Wi-Fi network frequency band.

Use 5 GHz for optimal wireless video streaming performance (default)

Use 2.4 GHz for long range remote control (when not utilizing wireless video streaming)

CHANNEL

Select the optimal channel for the selected band, one which receives the least interference from the surrounding Wi-Fi

signals.

ENCRYPTION

The camera uses WPA2 security encryption.

KOMODO

OPERATION GUIDE

STATUS

Displays the camera's Ad-Hoc Wi-Fi connection status.

The Ad-Hoc status can include:

Offline

Online

IP ADDRESS

When online and broadcasting a network, the camera displays an IP address.

NETMASK

When online and broadcasting a network, the camera displays the Netmask for the IP address.

KOMODO

OPERATION GUIDE

INFRASTRUCTURE

Use Infrastructure to configure the camera to connect to an existing Wi-Fi network.

NOTE: The Infrastructure menu is enabled when the Wi-Fi Mode is set to Infrastructure. Refer to the Wi-Fi section for

more information.

Use the Infrastructure menu to configure the Wi-Fi settings to connect to an existing Wi-Fi infrastructure:

ITEMS DETAILS

SSID Displays the name of the connected Wi-Fi network

Networks Scan for, select, or enter the Wi-Fi network

Status Displays the Wi-Fi connection status

DHCP Enable or disable DHCP

IP Address View or enter the Wi-Fi IP address

Netmask View or enter the Wi-Fi Netmask address

Gateway View or enter the Wi-Fi Gateway (router) address

KOMODO

OPERATION GUIDE

SSID

When a network is selected, the SSID displays the Wi-Fi network name (SSID).

NETWORKS

Use Networks to select an existing network, scan for an available network, or to configure a new network.

CONNECT: The CONNECT button connects the camera to the sellected network.

FORGET: The FORGET button erases the connection informatio for the selected network.

SCAN: The SCAN button searches for available networks.

OTHER: The OTHER button opens the OTHERNETWORKS screen where you can manually enter an SSID and a

Passphrase.

Tap SSID to open the SSID editing screen and enter the desired network SSID:

KOMODO

OPERATION GUIDE

Tap Passphrase to open the Passphrase editing screen and enter the desired passphrase for the network:

Tap Connect to connect to the new network:

KOMODO

OPERATION GUIDE

STATUS

Displays the connection status of the camera to the selected Wi-Fi network.

DHCP

When connected to a selected Wi-Fi network, this allows you to enable or disable Dynamic Host Configuration Protocol

(DHCP).

KOMODO

OPERATION GUIDE

IP ADDRESS

When connected to a Wi-Fi network and with DHCP enabled, IP Address displays the Wi-Fi network IP address.

When DHCP is not enabled, you can manually enter a static IP address.

After you enter the static IP address, the Netmask entry screen opens.

KOMODO

OPERATION GUIDE

NETMASK

When connected to a Wi-Fi network and with DHCP enabled, Netmask displays the Wi-Fi network Netmask address.

When DHCP is not enabled, you can manually enter a Netmask address. This screen opens automatically after you

enter a static IP address.

KOMODO

OPERATION GUIDE

GATEWAY

When connected to a Wi-Fi network and with DHCP enabled, Gateway displays the Wi-Fi network Gateway address

(router address).

When DHCP is not enabled, you can manually enter a Gateway address.

KOMODO

OPERATION GUIDE

SERIAL

Use Serial to configure the serial connection to the Extension Port.

The settings you can configure for the serial connection through the Extension Port include:

ITEMS DETAILS

Baud Rate Select the serial port baud rate

IP Address Enter the IP address for the PPP protocol

BAUD RATE

The Baud rate controls how fast data is transmitted over the serial connection. The higher the speed, the more likely

that errors can occur. The Baud rates you can choose include:

BAUD RATES

9600 115200* 576000 1500000

19200 230400 921600 2000000

38400 460800 1000000 2500000

57600 500000 1152000 3000000

* Default

KOMODO

OPERATION GUIDE

IP ADDRESS

Use the keypad to enter the internet provider's IP address.

KOMODO LINK ADAPTOR

Use the KOMODO Link Adaptor menu to view the IP address of the connected Ethernet, Android or iOS device.

This menu item only displays when the KOMODO Link Adaptor is attached to the camera.

DHCP

When connected to a network, this allows you to enable or disable Dynamic Host Configuration Protocol (DHCP).

KOMODO

OPERATION GUIDE

IP ADDRESS

When connected to a Wi-Fi network and with DHCP enabled, IP Address displays the Wi-Fi network IP address.

When DHCP is not enabled, you can manually enter a static IP address.

KOMODO

OPERATION GUIDE

NETMASK

When connected to a Wi-Fi network and with DHCP enabled, Netmask displays the Wi-Fi network Netmask address.

When DHCP is not enabled, you can manually enter a Netmask address. This screen opens automatically after you

enter a static IP address.

KOMODO

OPERATION GUIDE

GATEWAY

When connected to a Wi-Fi network and with DHCP enabled, Gateway displays the Wi-Fi network Gateway address

(router address).

When DHCP is not enabled, you can manually enter a Gateway address.

For more information, refer to the How To section (KOMODO Link Adaptor).

KOMODO

OPERATION GUIDE

FTPS

Use FTPS to configure the camera to work with a File Transfer Protocol Secure (FTPS) connection.

Use the FTPS menu to configure the camera's FTPS settings:

ITEMS DETAILS

Username Static username ftp1

Password User-editable password

Settings Access Enable FTP access to the camera settings

Media Access Enable read-only access to the media

Connection Status Displays the FTPS actions occurring

PASSWORD

Use Password to enter an FTPS password. When you tap on the password, the Password editing screen appears.

The password must contain a minimum of 8 characters.

KOMODO

OPERATION GUIDE

SYSTEM SETTINGS MENU

The System Settings menu contains the camera system configuration settings.

Use the System Settings menu to configure the camera system settings:

ITEMS DETAILS

Date / Time Date and time settings

Lens View lens status information and access the Aperture menu

Power DC and Battery status

Indicators Enable or disable the camera's front Tally LED

Status Settings Shutter mode, Aperture increments, and Focus length units settings

System Status Information about the camera's type, PIN, FW, and runtime

KOMODO

OPERATION GUIDE

DATE / TIME

Use the Date / Time menu to reset the internal clock of the camera. The time and date are timestamped on R3D

files

when recording to the media. The camera uses the 24-hour clock convention (military time). For example, enter 2:35

p.m. as 14:35:00.

The Date / Time menu items include:

ITEMS DETAILS

Date Date in YYYY-MM-DD format

Time 24-hour format

Timezone Global time zones

DATE

Use Date to enter the date using the touchscreen keypad:

KOMODO

OPERATION GUIDE

TIME

Use Time to enter the time in 24 hour military format using the touchscreen keypad:

TIMEZONE

Use Timezone to select the local timezone for where the camera is located.

KOMODO

OPERATION GUIDE

LENS

Use Lens to view information about the attached lens.

The information you can view from Lens includes:

ITEMS DETAILS

Focal Length Displays the lens focal length value

Focus Distance Displays the lens focal distance value

Iris Lens Iris menu

Image Stabilization Displays the lens image stabilization status

Control Ring Enables the lens control ring

Control Ring Mode Control Ring Mode settings

KOMODO

OPERATION GUIDE

IRIS

Use the Iris menu to select the camera lens f-stop. Tap Edit to open the keypad and enter the f-stop manually.

CONTROL RING MODE

Use Control Ring Mode to select the camera setting you want the Control Ring to adjust.

The modes you can select include Aperture (Iris, default), Shutter, ISO, White Balance, LCD Magnify, SDI Magnify, LCD

+ SDI Magnify, False Color Cycle, Peaking Cycle, and Tools Cycle.

KOMODO

OPERATION GUIDE

POWER

Use the Power menu to view the various camera power status indicators:

The Power indicators you can view include:

ITEMS DETAILS

DC-IN Voltage When DC is connected, this displays the DC Voltage

DC-IN Amperage When DC is connected, this displays the DC Amps

BAT-1 Voltage When a battery is connected in the left #1 slot, this displays the battery Voltage

BAT-1 % Remaining When a compatible battery is connected in the left #1 slot, this displays the % of battery

charge remaining

BAT-1 Time Remaining When a battery is connected in the left #1 slot, this displays the camera operating time

remaining

BAT-1 Amperage When a battery is connected in the left #1 slot, this displays the battery Amps

BAT-2 Voltage When a battery is connected in the right #2 slot, this displays the battery Voltage

BAT-2 % Remaining When a compatible battery is connected in the right #2 slot, this displays the % of

battery charge remaining

BAT-2 Time Remaining When a battery is connected in the right #2 slot, this displays the camera operating time

remaining

BAT-2 Amperage When a battery is connected in the right #2 slot, this displays the battery Amps

Power Out Enables or disables the 5 V / 500 mA power out of the Extension Port

KOMODO

OPERATION GUIDE

INDICATORS

Use the Indicators menu to enable or disable the tally light (refer to the Camera Body section for more information about

the camera LEDs).

STATUS SETTINGS

Use the Status Settings menu to select the shutter display mode, aperture increment, and focus distance units

displayed in the camera's menus.

The Status Settings that you can configure include:

ITEMS DETAILS

Shutter Display Mode Select a time-fraction or an angle for the shutter menu display unit

Aperture Increments Select 1/4 or 1/3 f-stop increments

Focus Distance Select the focus distance units (Metric or Imperial)

White Balance List Mode Select Kelvin or White Balance Presets

KOMODO

OPERATION GUIDE

SHUTTER DISPLAY MODE

Use Shutter Display mode to select the way that the camera displays the Shutter setting in the menu.

When select Angle, the Shutter menu displays the choices in degrees. When you select Time, the Shutter menu displays

the choices in fractions of a second.

APERTURE INCREMENTS

Use Aperture Increments to select one fourth increments or one third increments for the camera f-stop settings. The

default is 1/3 Stop.

FOCUS DISTANCE

Use Focus Distance to select Imperial or Metric units for the Lens Focus Distance display. The default is Imperial.

KOMODO

OPERATION GUIDE

WHITE BALANCE LIST MODE

Use White Balance List Mode to select Kelvin or Presets for the White Balance Color Temperature menu. The default is

Kelvin.

SYSTEM STATUS

Use the System Status menu to view camera information and to view temperature readings.

The system status information you can view includes:

ITEMS DETAILS

Camera Info Camera information

Temperature Camera temperatures

KOMODO

OPERATION GUIDE

CAMERA INFO

The camera information you can view includes:

ITEMS DETAILS

Camera Type Displays the camera description

Camera PIN Displays the camera personal identification number (PIN)

Version Displays the firmware version number installed on the camera

Runtime Displays the total number of hours that the camera has run

TEMPERATURE

The camera temperatures you can view include:

ITEMS DETAILS

Camera Status Displays Good (green) or Overheating (yellow)

Logic Board 0 Displays the Celsius temperature of Logic Board 0

Logic Board 1 Displays the Celsius temperature of Logic Board 1

Power Board Displays the Celsius temperature of the power IC board

STM Displays the Celsius temperature of the power STM IC

Sensor Displays the Celsius temperature of the sensor

KOMODO

OPERATION GUIDE

LANGUAGE MENU

The Language menu contains the languages you can select for the user interface (UI).

From the camera LCD touchscreen menu, tap Language:

The languages you can select include:

English

Simplified Chinese

French

German

Japanese

Spanish

MAINTENANCE MENU

The Maintenance menu contains the settings you use to perform various maintenance tasks on your camera.

From the camera LCD touchscreen menu, select Maintenance:

KOMODO

OPERATION GUIDE

Use the Maintenance menu to perform the following camera maintenance tasks:

ITEM DETAILS

Calibrate Performs the selected Calibration

Calibration List of calibration options

Save Log Saves the camera log files to the media

Reset Defaults Resets the camera settings to their default settings

Factory Reset Restores the camera to the factory settings

Upgrade Updates the firmware

CALIBRATE

Use Calibrate to start the camera calibration process and create your User calibration profile.

Only calibrate the camera after it has reached its operational temperature. This occurs usually within ten minutes after

you turn on the camera in the filming environment. Do not calibrate immediately after powering on.

NOTE: Make sure that the mount cap is installed on the camera before you calibrate the camera.

Tap OK on the touchscreen to begin calibrating the camera.

KOMODO

OPERATION GUIDE

When the camera is finished calibrating, the touchscreen displays the Calibration status message:

or:

CALIBRATION

Use Calibration to select the active camera Calibration.

You should always select User calibration. The first time you calibrate the camera, the only choice is Factory. After you

perform a calibration, the User calibration profile is added to the list and the camera makes it the default calibration.

Every time you calibrate the camera, the User profile is updated. The only time the User profile is removed, is when you

perform a Factory Reset.

If User calibration is not available, the camera defaults to Factory calibration. Calibrate the camera to generate the new

User calibration profile.

KOMODO

OPERATION GUIDE

SAVE LOG

Use Save Log to save the camera log to the media.

When the media is full, or missing, the camera will display an error message. When there is no error, the success

message is displayed.

Error: Success:

RESET DEFAULTS

Use Reset Defaults to reset the camera to the factory default settings.

NOTE: Resetting the camera will delete all of your menu settings.

KOMODO

OPERATION GUIDE

NOTE: The camera turns off, and then back on to complete the reset process.

Tap Yes on the touchscreen to reset the camera menus to the defaults settings.

FACTORY RESET

Use Factory Reset to reset the camera to the factory settings.

NOTE: Resetting the camera will delete all of your settings and remove all imported files. The camera turns off, and then

back on to complete the reset process.

Tap Yes on the touchscreen to reset the camera to the factory settings.

UPGRADE

Use Upgrade to perform a camera firmware update.

For more information about upgrading the firmware, refer to Upgrading the Firmware.

KOMODO

OPERATION GUIDE

5. HOW TO

This section describes how you can use the camera features.

WI-FI CONFIGURATION

The camera offers a wireless (802.11g) connection that provides communication support for third-party applications. As

with all wireless devices, the communication range varies with the environment and any radio frequency (RF)

interference that may be present. You can select a wireless frequency of 2.4 GHz or 5 GHz. For optimal performance,

do not obstruct the antenna with any accessory, mounting plate, or mounting rail.

The camera uses Ad-Hoc mode to set up the camera as a Wi-Fi hot spot.

The camera uses Infrastructure mode to connect to existing Wi-Fi infrastructure.

CONNECTING WIRELESSLY TO AN EXISTING WI-FI NETWORK

This camera uses the WPA2 Wi-Fi protocol.

1. Navigate to the Wi-Fi menu MENU > COMMUNICATION > Wi-Fi.

2. From the Mode option, select Infrastructure.

3. From the Infrastructure menu, select Networks:

KOMODO

OPERATION GUIDE

4. Select the network name from the Networks list menu:

or tap SCAN to scan for available networks and update the Networks list:

5. Tap CONNECT. The CONNECT screen displays:

KOMODO

OPERATION GUIDE

6. Tap Passphrase. The Passphrase entry screen displays:

7. Enter the passphrase for the selected network. The passphrase must use a minimum of 8 characters.

8. Tap OK on the completed Passphrase entry screen. The completed CONNECT screen displays.

9. Tap the Connect button. The camera connects to the selected network:

KOMODO

OPERATION GUIDE

POWER

ATTACHING THE BATTERIES

Insert at least one compatible battery (refer to Batteries) in the left battery slot. Slide the battery until it clicks.

The camera can charge the batteries when they are attached to the camera and the DC power Adaptor is connected.

The camera charges the batteries only when the camera is off and the power Adaptor is connected. While the batteries

are charging the DC Power LED blinks amber until communication is established. The LED is solid amber when

communication is established and the batteries are charging. The LED is green when communication is not established

(incompatible battery) and the batteries are not charging.

NOTE: Incompatible batteries will not charge on the camera.

REMOVING THE BATTERIES

You can hot swap a dead battery when you have another charged battery attached, and you can continue recording

while you make the swap.

1. While holding the attached battery, press the Eject Button.

2. Slide and lift the battery out.

POWER COMPONENTS

You can power the KOMODO camera with the RED KOMODO Power Adaptor, an External DC Power Source, or with

the rear-mounted Batteries.

For information about charging, storing, or maintaining the batteries, refer to the manufacturer's instructions.

KOMODO

OPERATION GUIDE

KOMODO POWER ADAPTOR

The KOMODO 45 Watt AC power Adaptor connects to the camera's DC-Input port to provide DC power for operating

the camera and for recharging the attached Batteries.

The camera charges the batteries when the camera is off and the power Adaptor is connected.

AUTO BOOT ON POWER

The camera supports the Auto Boot on Power feature. This means that if all power sources are removed, and the Power

Switch is set to ON, then when a power source is attached, the camera turns on.

POWER CONSUMPTION

The camera draws various levels of power depending on the configuration and operating conditions. The power

consumption guidelines are:

The camera uses between 20 Watts and 24 Watts of power in its basic configuration

Additional power may be necessary based on ambient temperature and changes to camera firmware in future

updates (up to an additional 5 Watts)

Up to an additional 8 Watts might be required for additional accessories attached to the top pogo port and the EXT

port

Maximum power consumption is not expected to exceed 37 Watts

POWER PRIORITY

When multiple power sources are connected to the camera, power consumption is prioritized in this sequence:

1. Any power supply connected to the DC IN port.

2. Attached battery in the left slot (facing the back of the camera) then the battery attached in the right slot.

WARNING: Always attach the power or batteries before attaching the SDI BNC cable. Always remove the SDI BNC

cable before removing the power or batteries.

KOMODO

OPERATION GUIDE

TURNING ON THE CAMERA

1. Attach a power source (Batteries or DC-Input) to the camera.

2. Slide the Power Switch up to the ON position.

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OPERATION GUIDE

TURNING OFF THE CAMERA

NOTE: Do not turn off the camera while the camera is recording, or formatting media.

Slide the Power Switch down to the OFF position.

MEDIA MANAGEMENT

This section explains how to use, record, format, and offload media for the camera.

WARNING: Do not attach a label to the CFast media card. The heat generated by the media can weaken the label's

adhesive, causing the label to detach inside of the camera. Labels can also diminish heat dissipation and cause

excessive wear to the internal components. Removing a label from a CFast media card can possibly deform the card

body.

The camera supports exFAT as the file system for the media card to accommodate larger files and data rates. exFAT is

supported both on macOS and MS Windows.

EJECTING (UNMOUNTING) MEDIA

IMPORTANT: To ensure data integrity, media must always be ejected (unmounted) prior to removal from the camera.

This ensures that power is removed from the media and any open data files are closed. Failure to properly eject

(unmount) media may result in lost data or corrupted files.

To eject (unmount) media from the camera, use the LCD Touchscreen and select Menu > Media.

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Tap the Eject OK button:

The Success message displays:

The media is now ejected (unmounted) and all media related items are grayed out in the menu.

WARNING: The media can get extremely hot. Use caution when removing media.

Removing a CFast media card without ejecting (unmounting) first does not damage the media, however, it does

increase the risk of file corruption. It is good practice to eject the media before removing or disconnecting. Ejecting the

media provides the following benefits:

Protects the integrity of your recorded data

Mounts clips instantly to your workstation in post production

NOTE: If you remove media without ejecting (unmounting) first, you receive a warning notification: “Media removed

without first ejecting. Data integrity risk.” Always eject media before physically removing the CFast media card to

protect your media and footage.

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OPERATION GUIDE

INSERTING THE MEDIA

The camera contains a covered compartment on the right side where you insert the CFast media card.

WARNING: Do not attach a label to the CFast media card. The heat generated by the media can weaken the label's

adhesive, causing the label to detach inside of the camera. Labels can also diminish heat dissipation and cause

excessive wear to the internal components. Removing a label from a CFast media card can possibly deform the card

body.

INSERTING THE CFAST MEDIA CARD

1. Slide the media door latch back, and open the media door.

2. Insert the CFast media card in the slot with the top of the card facing toward the front of the camera. Insert the card

until it is firmly seated.

3. Close the media door and make sure that the door latch clicks.

4. If needed, format the CFast media card. Refer to Secure Format for more information.

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REMOVING THE CFAST MEDIA CARD

NOTE: Do not remove the CFast card while the camera is recording or formatting media. Refer to Media Management

for more information.

WARNING: The media can get extremely hot. Use caution when removing media.

1. If the camera is on, go to Menu >Media and select Eject.

2. Slide the media door latch back and open the media door.

3. Press the card eject button above the CFast media card.

4. Let the CFast media card cool before gently pulling the card out of the slot.

WARNING: The media can get extremely hot. Use caution when removing media.

5. Close the media door and make sure that the door latch clicks.

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SECURE FORMAT

A secure format is a low level format that rebuilds the CFast card file system. A secure format erases all data on the

card.

Perform a secure format when the camera is reporting media-related errors.

PERFORMING A SECURE FORMAT

CAUTION: Ensure all data is backed up before formatting a card. Data erased during formatting cannot be

recovered.

WARNING: The media can get extremely hot. Use caution when removing media.

To perform a secure format, follow the instructions below:

1. Go to MENU > MEDIA > SECURE FORMAT:

2. From the Secure Format menu, select the desired Camera ID, Camera Position,Reel Number and Edgecode. Tap the

Format button to start the Secure Format process:

The confirmation message displays:

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3. Tap Yes to begin formatting.

FORMATTING MEDIA ON A COMPUTER

RED recommends that you only format your CFast media card from a computer when you cannot mount the media to

the camera.

MEDIA INFORMATION

Use the Media Info menu to display the CFast media card information.

Media information includes the following:

SETTING DETAILS

Status Displays the CFast media card status

Model Number Displays the CFast media card model number

Serial Number Displays the CFast media card serial number

Firmware Version Displays the CFast media card firmware version

Percentage Remaining Displays the CFast media card's remaining

storage*

Time Remaining Displays the recording time remaining on the

CFast media card*

* with the current project settings

FILE SYSTEM

The KOMODO camera formats the CFast media card using exFAT. Both Mac

and Windows

-based computers

support CFast media cards with this format. Refer to the documentation for your operating system to determine whether

there are any limitations to its file format support.

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CLIP NAMING CONVENTION

When you record a clip, the camera creates a unique name for the clip folder that uses the format described in the table

below:

NAME DESCRIPTION EXAMPLE

Camera ID The letter assigned to the camera (refer to Camera ID) A

Reel ID The reel number assigned to the media (refer to Reel Number) 004

Camera Position The camera position letter (A-Z) followed by three digits starting with 001 (refer

to Camera Position)

C001

Month Month that the clip is recorded (refer to Date / Time) 12

Day Day that the clip is recorded (refer to Date / Time) 04

Two Characters Two random alphanumeric characters generated by the camera to prevent any

possibility of duplicates

.RDC Clip folder extension .RDC

For example, a sequence of clip folders within a media folder on Camera A may look like this:

A001_C001_12046M.RDC

A001_C002_1204CE.RDC

A001_C003_1204R5.RDC

CLIP METADATA

The following metadata is recorded for each frame of each clip:

Audio Data LTC User Bits (3 32-bit word reg-dump from ISP)

Clip Media Serial Number

Configuration, Camera Name, Network, Model,

Model ID, Serial Number

Production Name

REDCODE

Date and GMT Reel

Filename Scene

Firmware Version Stereo Setup

Frame Guides Take

Jamsync Setting Timecode

Lens and Shutter Speed/Angle Parameters Unit

Lens Name, Brand, ID, Near Focus, Far Focus

Location

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MEDIA BEST PRACTICES

This section describes best practices to ensure that your CFast cards continue to provide reliable storage and fast data

rates. Following these best practices may prevent your CFast card from becoming fragmented, which can lead to data

integrity errors.

The only files that should be saved from your computer to your CFast card are Preset files, Firmware Upgrade files,

and LUTs. DO NOT save other files, folders, or applications to your media.

DONOT back up your hard drive to the CFast card. If using a Mac, the system may ask if you want to back up your

files to the CFast card using Time Machine; DONOT use the CFast card as a backup disk.

DO NOT delete clips off of your CFast card using a computer. Delete clips only by formatting your CFast card in-

camera. For more information about formatting your CFast card, refer to Secure Format.

DO NOT format your CFast card using a computer, unless the CFast card cannot mount to the camera. For more

information, refer to Secure Format.

When ejecting the CFast card from a computer, ensure that the icon has completely disappeared from the Finder

window (Mac) or from Windows Explorer (Windows) before removing the CFast card. Sometimes, the pop-up saying

that the CFast card has ejected displays too early.

When the reader has a write-protect switch (such as the RED CFast 2.0 Reader), it is recommended that you set the

card reader to write-protect when uploading clips to prevent connected devices from adding any unwanted data to

your CFast 2.0 card.

INDEXING ON A MAC

NOTE: You can use the RED CFast 2.0 card reader with Write-Protect to prevent the Mac OS from indexing your CFast

2.0 card (refer to RED CFast 2.0 Reader).

Most newer versions of the Mac OS automatically index all external drives when you connect them. This includes when

you connect CFast cards.

Indexing makes the connection process take longer. While the CFast card connects to the Mac, DONOT remove the

card. Indexing writes hidden files to the CFast card. When you insert an indexed CFast card in the camera, it can take

the camera a while to recognize the hidden files and connect to the CFast card. While waiting for the CFast card to

connect, DONOT remove the CFast card or turn off the camera. After the camera successfully connects to the CFast

card, perform a secure format to remove the hidden files. For more information, refer to Secure Format.

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OPERATION GUIDE

MONITORING

The camera provides several methods for monitoring the image. These monitoring methods include:

LCD touchscreen

SDI output to a monitor

RED Control over Wi-Fi to iOS or Android devices

RED Control over KOMODO Link Adaptor to iOS or Android devices

KOMODO Link Adaptor over a USB-C to Ethernet adapter to a computer

Live Stream

LCD TOUCHSCREEN

The LCD touchscreen provides a live image from the camera sensor. By using the Monitoring Tools menu you can

display guides, exposure tools, focus tools, and a magnified image.

Tap on the Exposure meter to open the Monitoring tools.

In this example the LCD magnification and LCD guides are enabled. The Autofocus rectangle is also displayed.

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SDI OUTPUT TO A MONITOR

The SDI port provides a 12G SDI signal to allow viewing of the camera image on a 4K SDI monitor.

Use the Monitor menu to select the settings for SDI output, Tools, and Guides (refer to Monitoring Menu

WARNING: Under certain circumstances, it is possible for an SDI connector to incur damage when connected to an

accessory and powered without using shielded cables. RED recommends only using high quality, shielded BNC cables

that are rated for 12G-SDI signals and only using shielded power cables for powering SDI accessories.

Make sure power is connected to the SDI accessory at all times before you connect the BNC to the camera.

Ungrounded power from SDI accessories can damage the camera’s SDI port. To avoid this possible damage, attach the

power source to the accessory before attaching it to the BNC cable. When using RED Approved Third Party battery

plates, unplug BNC prior to hot swapping.

When possible, avoid using P-Tap (also known as D-Tap) cables to power accessories. To avoid damage when using P-

Tap/D-Tap, it’s imperative that the connect/disconnect sequence (below) is followed precisely.

BNC ATTACHMENT INSTRUCTIONS

When attaching SDI accessories:

Connect a power source to the SDI accessory; power on the SDI accessory.

Ensure a power source is connected to the camera. This ensures both are grounded prior to connecting the BNC.

The camera's power state does not have an impact on SDI attachment sequence.

Connect the BNC cable to the accessory, then to the camera.

When detaching an accessory mounted to an SDI output, ensure that you remove the BNC connection to the camera

before removing power to the SDI device:

Shutdown the SDI accessory.

Disconnect the BNC cable from camera.

Disconnect the power source from SDI accessory.

When you need to swap out a battery on an accessory mounted to the camera’s SDI port, you must:

Shutdown the SDI accessory.

Disconnect the BNC cable from the camera.

Replace the battery on the SDI accessory.

Connect the BNC cable to the camera.

Power on the SDI accessory.

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Figure: SDI monitor with SDI Advanced Mode enabled

SDI port specifications:

Integrated 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes

12G-SDI: Up to 4096 × 2160 4:2:2 for 60p

6G-SDI: Up to 4096 × 2160 4:2:2 for 30p

3G-SDI: Up to 2048 × 1080 4:2:2 for 60p

1.5G-SDI: Up to 2048 × 1080 4:2:2 for 30p and 24p

SMPTE Timecode

HANC Metadata

24-bit 48 kHz Audio

You can enable or disable the image magnification, the focus and exposure tools, and the guides displayed on images

sent to the SDI monitor by using the Monitoring tools (refer to Monitoring Tools).

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Tap on the Exposure meter to open the Monitoring tools.

You can enable the following monitoring tools on SDI:

Magnify

SDI Guides (refer to Guides)

SDI Tools (refer to Tools)

RED CONTROL

RED Control allows you to use Wi-Fi to connect to the camera and send monitor images to iOS and Android devices.

NOTE: You must enable live streaming under MENU > MONITORING > LIVE STREAM to enable the image feed.

Figure: RED Control phone monitor over Wi-Fi

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KOMODO LINK ADAPTOR

The KOMODO Link Adaptor allows you to use a USB-C cable to connect to the camera and send monitor images in

real-time to USB-C devices.

Figure: KOMODO Link Adaptor connected to an Android phone with RED Control

With the use of an Ethernet to USB-C adapter, you can also connect Ethernet devices.

Figure: KOMODO Link Adaptor connected to an Ethernet web browser

You can add :9090 to the end of the URL in your browser to bring up an image-only feed for remote viewing.

NOTE: You must enable live streaming under MENU > MONITORING > LIVE STREAM to enable the image feed.

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OPERATION GUIDE

EXPOSURE

The camera offers multiple tools to determine the current image exposure levels and provides the tools to adjust the

exposure to the desired levels.

When using the R3D file format, you can correct color temperature and ISO settings at any time. The aperture and

exposure time however, are two of the parameters that you cannot corrected later in R3D files.

NOTE: ProRes file format burns in ISO and White Balance, and does not allow you to adjust these settings post-

recording like you can with the R3D format.

While the correct exposure is always an artistic decision, there are best practices for capturing the most dynamic range

while also allowing post production to preserve the intended image information.

The goal is to reduce clipping in the bright and dark parts of the image as much as possible. Otherwise the sensor

information is lost in the overexposed and underexposed areas.

The primary tool for determining the exposure levels is the histogram. It shows the exact luminance levels of the red,

green, and blue pixels after you apply the ISO and White Balance settings. Monitors have their own color gamuts and

brightness levels which makes the monitor less than optimal for determining the camera's exposure levels.

This camera includes a full Histogram and a simple RGB raw pixel exposure meter, which allows you to determine

proper exposure regardless of the set ISO or camera look (for more information refer to LCD Touchscreen).

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The full histogram provides information about how the brightness is distributed in the image. This allows you to see how

close a scene is to clipping in the light and dark areas, which makes it easy to choose aperture, exposure, and ND

filters solutions accordingly.

Example of overexposure

with histogram and exposure meter:

Example of underexposure

with histogram and exposure meter:

Example of a balanced exposure

with histogram and exposure meter:

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OPERATION GUIDE

FALSE COLOR EXPOSURE TOOLS

While the histogram provides information about the brightness distribution and clipping of the image, it does not show

you the areas in the image that are near, or that have reached, clipping. For this, the camera provides image overlays

that provide false colors to indicate precise exposure levels.

FALSE COLOR EXPOSURE MODE

The False Color Exposure mode overlay provides information where the image is close to clipping or already clipping in

the highlights (red), midtones (green), and shadows (purple). For more information, refer to False Color Exposure Mode.

Example of Exposure Mode:

FALSE COLOR VIDEO MODE

The False Color Video mode provides more gradual information about the brightness in different parts of the image. This

is helpful when you want to expose skin color at the right level, while ignoring the fact that backgrounds might be

overexposed or underexposed (refer to False Color Video Mode).

Example of Video Mode:

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OPERATION GUIDE

FOCUS

Focus, like Exposure and Recording Frame Rate is a property that cannot be fixed easily in post-production. To make

sure the camera is focused correctly when you begin recording, it is important to rely on focus tools that do not rely on

the visibility on the LCD Touchscreen or a monitor.

The camera interface includes the focus tools you can use to reach the desired image focus (refer to Peaking).

FOCUS PEAKING MODE

The Focus Peaking mode applies a sharpening filter to the image that emphasizes edges of the subject in focus.

Example of Focus Peaking:

EDGE PEAKING MODE

The Edge Peaking mode hides the image and only shows the edges. This provides the best visual representation of the

subject that is currently in focus.

Example of Edge Peaking mode:

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PEAKING PEAKING MODE

The Peaking Peaking mode emphasizes the edges, and it also highlights them by using a selectable color.

Example of Peaking Peaking mode:

TIMECODE

Timecode provides a mechanism to reference frames from the camera's recorded clips to other devices like cameras

and audio recorders. Some devices can also gather other data like lens metadata or camera orientation that is

referenced by Timecode to merge the data back together in post-processing.

KOMODO provides two separate Timecode concepts: Time of Day (TOD) and Edgecode. Both TOD and Edgecode are

stored in the R3D file. The user can select which Timecode displays on the LCD Touchscreen by setting the preference

in Timecode Display Mode.

TIME OF DAY

TOD Timecode reflects the time and date the camera recorded each frame. KOMODO synchronizes the TOD Timecode

to an external Timecode generator (when one is connected to the Extension Port) or synchronizes to the internal real-

time clock of the camera.

SETTING UP TOD TIMECODE

To set up TOD Timecode on the camera, perform the following:

1. Open the Audio / Timecode menu: MENU > AUDIO / TC:

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2. Select Timecode Source. The Timecode Source menu opens:

3. Select Internal TOD to use the camera's internal real time clock, or select External to use an external Timecode

generator connected to the Extension Port.

4. When you select Internal TOD, you can use the JAM Timecode to TOD button to syncronize the Timecode to the

camera's internal clock.

The camera displays the Timecode on the LCD Touchscreen

NOTE: The timecode is reset when the camera is turned off, unless an external power source remains connected and

powered.

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EDGECODE

Edgecode only advances while the camera is recording frames. Each frame is sequential. When the media is replaced,

the new media starts the timer over. You can set the Edgecode timer manually by using the Secure Format menu.

SETTING UP EDGECODE TIMECODE

To set up Edgecode Timecode on the camera, perform the following:

1. Open the Audio / Timecode menu: MENU > AUDIO / TC:

2. Swipe the touchscreen up to scroll down to Timecode Display Mode:

3. Select Timecode Display Mode. The Timecode Display Mode menu opens:

4. Select Edge and tap OK to use Edgecode. The camera displays the Edgecode on the LCD Touchscreen

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ZEBRA MODES

Use Zebra mode to enable and adjust the upper and lower values for two (2) independent zebra indicators. Use Zebra 1

for highlight exposure, and use Zebra 2 for mid-tones or shadows. Zebras are disabled by default.

For more information, refer to the Exposure with RED Cameras: False Color and Zebra Tools article, available at

www.red.com/red-101/exposure-false-color-zebra-tools.

ENABLING THE ZEBRA 1 INDICATOR

1. Go to MENU > MONITORING > TOOLS and select ZEBRA 1.

2. Set a Low IRE of 98.

3. Set a High IRE of 100.

Areas of the image exposed within the IRE range are indicated by red diagonal lines at –45°.

The default settings are Low IRE = 98 and High IRE = 100.

ENABLING THE ZEBRA 2 INDICATOR

1. Go to MENU > MONITORING > TOOLS and select ZEBRA 2.

2. Set a Low IRE of 41.

3. Set a High IRE of 48.

Areas of the image exposed within the IRE range are indicated by green diagonal lines at 45°.

The default settings are Low IRE = 41 and High IRE = 48.

ZEBRA OVERVIEW

Zebra is a specialty mode that is capable of showing up to two customized overlays with arbitrary IRE ranges. Unlike

the other two modes, Zebra indicators appear as diagonal stripes, they are fully configurable, and they have the

advantage of preserving a full-color base image.

With traditional video cameras, many used a single zebra to indicate highlight detail. It would often be set at 70% (70

IRE), in part because this is where a white piece of paper would begin to have minimal texture when rendered using a

typical contrast curve. Skin tones or skies would be exposed to appear just darker or brighter than these lines. If

enabled, a second zebra would typically indicate either mid-tones or shadows. For deep shadows, you can set the

second indicator to below 10% intensity or 10 IRE, and set the first indicator to highlights above 85 IRE.

However, as with other IRE-based modes, Zebra mode is only applicable for the current ISO settings (such as with SDI

output), not for the raw image data. If anything is changed in post-production, the indicators won't be representative of

the final output tones. In those situations, Zebra mode is more of a preview and output brightness tool than an exposure

tool.

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OPERATION GUIDE

PRE-RECORDING CONTENT

This section explains how to use the Pre-Record feature.

To start pre-recording, press the Record button.

The LCD changes from the Ready appearance to the Pre-Record appearance:

Press the Record button again to start recording.

When you start recording, the appearance of the LCD changes from the Pre-Record appearance to the Record

appearance:

The camera adds the Pre-Record clip to the beginning of your recording.

You can touch and hold the Record button on the LCD to disable Pre-Record.

For information about enabling and configuring Pre-Record, refer to Pre-Record.

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OPERATION GUIDE

CALIBRATING THE SENSOR

Sensor calibration is a process during which the camera optimizes image quality by ensuring that pixel sensitivity

remains consistent throughout the sensor.

WHEN TO CALIBRATE SENSOR

Calibration is required:

When shooting in an environment where the temperature is significantly different (+/- 30° F...) from the current

calibration. The T in the T/E Status Bar indicator will turn yellow.

After an extreme change in exposure time (+/– 1/2 sec). The E in the T/E Status Bar indicator will turn yellow.

After each firmware upgrade.

UPGRADING THE FIRMWARE

Your camera functionality may be upgraded by installing the latest firmware. Make a habit of frequently visiting RED

Downloads at www.red.com/downloads to check for new versions of camera firmware, updated operation guides, and

post production software.

VERIFYING THE FIRMWARE VERSION

To see the firmware version that is currently installed on your camera, open MENU > SYSTEM SETTINGS > SYSTEM

STATUS > CAMERAINFO:

A higher number reflects a later release.

UPGRADING THE FIRMWARE

Install the most recent firmware. Unless otherwise specified in the release notes, you do not need to upgrade to any

firmware in between your current version and the most recent version available online.

NOTE: You must calibrate the sensor after upgrading the camera. For more information, refer to Calibrating the Sensor.

1. Download the most recent firmware for your camera from RED Downloads at www.red.com/downloads.

2. Unzip the firmware zip file.

3. In the unzipped folder, navigate to the upgrade folder.

4. Copy the upgrade folder and its contents to the root level of the CFast media card directory.

5. Eject the CFast media card from your computer and remove it.

6. Insert the CFast media card in the camera.

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7. From the camera UI, navigate to the Maintenance Menu.

8. From the Maintenance menu, tap the OK button next to Upgrade.

The Firmware Upgrade confirmation screen displays:

9. Tap Upgrade to confirm. The Firmware Upgrade progress screen displays:

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During the upgrade, the fans run at high speed and the following occurs:

• The camera displays the Shutting Down... message and reboots.

• The camera restarts and displays the Initializing... message.

• The camera displays the Firmware Upgrade progress screen:

The Firmware Upgrade success message screen displays with a Restart button:

10. Tap the Restart button. The camera displays the Shutting Down... message and reboots again.

• The new Initializing progress screen displays.

• The Firmware Upgrade progress screen displays.

11. The camera restarts displaying the KOMODO start screen, the Initializing progress screen, and then the Software

License Agreement (SLA) displays:

12. Select Agree. If you do not agree to the SLA, the camera cannot be used. The SLA continues to display until it is

accepted.

13. Recalibrate the camera before recording.

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KOMODO LINK ADAPTOR

The KOMODO Link Adaptor offers a USB-C connection that provides communication support for Android devices,

Apple devices, and Ethernet devices.

This section includes instructions for:

Android Configuration

Apple Configuration

Network Configuration

ANDROID CONFIGURATION

The KOMODO Link Adaptor offers a USB-C connection that provides communication support for Android devices.

CONNECTING TO AN ANDROID DEVICE

You must install the KOMODO Link Adaptor before you can use USB-C to connect the camera to an Android device.

1. From the Google Play store, download the RED Control App to the Android device.

2. Connect the Android device to the camera with a USB-C cable.

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3. Navigate to the KOMODO Communication menu and select KOMODO Link Adaptor.

4. Open the Android device settings by tapping the Settings icon (gear).

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5. Select Connections. 6. Select Mobile Hotspot and Tethering.

NOTE: Mobile Hotspot and Tethering is only available on Android devices with cellular capability.

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7. Enable USB Tethering.

The camera displays the Android device's IP address in the KOMODO Link Adaptor screen:

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8. From the Android device, tap the RED Control icon to open the RED Control app.

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The RED Control app displays the camera connection icon.

9. Tap the icon to open the RED Control app tools for the tethered camera.

From here you can use the RED Control App to monitor and control the camera.

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APPLE CONFIGURATION

The KOMODO Link Adaptor offers a USB-C connection that provides communication support for Apple devices.

CONNECTING TO AN APPLE DEVICE

You must install the KOMODO Link Adaptor before you can use USB-C to connect the camera to an Apple device.

1. From the Apple store, download the RED Control App to the Apple device.

Note: Scroll to the bottom of the user agreement to accept the agreement.

2. Connect the Apple device to the camera with a USB-C cable.

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3. Navigate to the KOMODO Communication menu and select KOMODO Link Adaptor.

4. Open the Apple device settings by tapping the Settings icon.

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5. Select Personal Hotspot.

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6. Allow others to join.

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7. The Apple device prompts you to acknowledge that you trust the computer (camera).

The camera displays the Apple device's IP address in the KOMODO Link Adaptor screen:

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8. From the Apple device, tap the RED Control icon to open the RED Control app.

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The RED Control app displays the camera connection icon. The word LINK is visible after the IP address.

9. Tap the icon to open the RED Control app tools for the connected camera.

From here you can use the RED Control App to monitor and control the camera.

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NETWORK CONFIGURATION

The KOMODO Link Adaptor offers a USB-C connection that provides communication support for Ethernet networks.

CONNECTING TO AN ETHERNET NETWORK

You must install the KOMODO Link Adaptor on the camera before you can use a USB-C to Ethernet adapter to connect

the camera to an Ethernet network.

1. Connect the camera to the Ethernet network using the USB-C to Ethernet adapter.

2. From a Wi-Fi-enabled device, select the Wi-Fi connection to which the camera is connected.

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3. Open RED Control on the

Wi-Fi-enabled device.

4. Tap RE-SCAN.

The camera icon displays.

The camera icon displays the camera's Ethernet IP address:

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5. Tap the camera icon to open the RED Control app tools for the networked camera.

6. Open a browser from a computer connected to the Ethernet network.

7. In the browser address field, enter the camera IP address displayed on the RED Control camera icon. The RED

Control tools are displayed in the browser.

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FTPS CONFIGURATION

The File Transfer Protocol Secure (FTPS) offers a fast and secure system for transferring data to and from the camera.

FTPS is supported by firmware versions 1.5 and higher. FTPS is available when the camera is enabled and connected

to a network over WiFi or through the KOMODO Link Adaptor's USB-C port to an Ethernet adaptor.

The settings for using FTPS on the camera include:

Protocol: FTP or FTPS

Host: [IP ADDRESS OF THE CAMERA]

Port: 21

Encryption: TLS/SSL Explicit encryption

Username: [USERNAME IN FTPS MENU SETTINGS]

Password: [PASSWORD IN FTPS MENU SETTINGS]

Logon Type: Normal

NOTE:

File transfer speeds may vary depending on the strength of the signal (when using WiFi) and the amount of network

traffic. For the fastest and most reliable data transfer, we recommend using a hard-wired connection.

Steps may differ depending on which FTP software you wish to use, consult your software’s user guide for additional

assistance.

When setting up FTP, make sure you use FTP or FTPS and not SFTP as these are different protocols.

For security reasons, the FTPS host name and password are only displayed on the camera FTPS menu.

CAMERA SET-UP

Connect your camera to the network with the desired connection method (Ad-Hoc, Infrastructure or hard-wired) and

verify the connection. A successful connection is confirmed when the camera displays an IP address in the WiFi or

KOMODO Link Adapter settings menus.

KOMODO

OPERATION GUIDE

Navigate to Menu > Communication > FTPS. Take note of the username and password. You can also enter a new

password.

Enable the permissions you want users to have access to by toggling Settings Access or Media Access to the on or

off position. The media folder will display as an empty folder on the FTP App when Media Access is disabled (off).

The camera is now set-up on the network.

SOFTWARE SET-UP (FILEZILLA)

In FileZilla, enter the following settings:

Host: ftp://Camera's IP Address - Example: ftp://192.168.1.93

Username: Username displayed in FTPS menu

Password: Password displayed in FTPS menu

Port: leave blank

KOMODO

OPERATION GUIDE

Press Quickconnect. Depending on the permissions you will now have access to the desired folders.

The camera FTPS menu Connection Status displays Connected:

ADDITIONAL INFORMATION

When uploading files to the camera make sure that you use the ‘upload’ folder & then the desired sub-directory of luts,

cdls, presets or upgrade. Media cannot be uploaded to the camera.

The data rate of the FTPS transfer with encryption maxes out at roughly Gigabit Ethernet speeds.

Estimated download time for a full 256 GB is approximately 47 minutes when using a wired connection.

KOMODO

OPERATION GUIDE

SYSTEM MAINTENANCE

All RED products are designed for rugged durability, but precision instruments demand proper care. Follow the

instructions in this section to clean, maintain, and store your devices.

WARNING: DO NOT rinse or immerse the camera or other accessories in water. Keep dry at all times.

WARNING: DO NOT use soaps, detergents, ammonia, acetone, alkaline cleaners, abrasive cleaning compounds, or

solvents. These substances may damage lens coatings and electronic circuitry.

WARNING: DO NOT use an excess of cleaning solution.

WARNING: DO NOT reuse swabs or wipes.

WARNING: DO NOT attempt to clean the sensor or optical cavity for any reason. If the sensor becomes dirty, submit a

Support ticket at https://support.red.com.

WARNING: DO NOT attempt to modify, dismantle, or open the camera, lens, or other accessory as doing so may

expose you to electric shock and serious injury. There are no user-serviceable parts inside. Alteration or repairs made to

the camera or accessories, except by a RED authorized service facility, voids all warranties.

WARNING: Use caution with compressed air and gas dusters, since the high pressure, oily residue, cold air,

particulates, and moisture may cause damage. You may use a filtered, non-residue gas duster to clean non-critical

areas, such as around the fans and other recesses on the exterior of the camera. Damage to the camera or other

components of the camera system caused by using compressed air or gas dusters is not covered under warranty.

WARNING: DO NOT use compressed air and gas dusters on the sensor or on any optics.

WARNING: DO NOT use compressed air and gas dusters on or around the integrated microphones on the front of the

camera.

EXTERIOR SURFACES

Use a filtered, non-residue gas duster to clean non-critical areas, such as around the fans and other recesses on the

exterior of the camera.

Clean with a dry lint-free cloth. When cleaning your camera and accessories, remember that the devices are not

waterproof and moisture can damage electronic circuitry.

STORAGE

WARNING: DO NOT store the camera or accessories in any place with extreme temperatures, direct sunlight, high

humidity, severe vibration, or strong magnetic fields.

KOMODO

OPERATION GUIDE

LCD SCREEN

This section explains how to clean the built-in LCD screen.

APPROVED LCD SCREEN CLEANERS

Use only the following products to clean the built-in LCD screen:

Ionized rubber air bulb

Delkin Devices Sensor Solution

Lens swabs

Dry optical wipes

NOTE: Before cleaning the screen with swabs or wipes and a cleaning solution, ALWAYS use an ionized rubber air bulb

to remove any solid particles. Cleaning the screen without removing solid particles increases the risk of scratching the

screen.

PROHIBITED LCD SCREEN CLEANERS

DO NOT use any of the items listed below to clean the built-in LCD screen. These products have not been tested on

RED products and may cause damage or streaking.

• Windex• Solvents• Gas dusters• Compressed air• Rubbing alcohol• Isopropyl alcohol

• Third-party cleaning kits • Pancro Professional Lens Cleaner (or equivalent)

• Pre-packaged lens cleaner containing any additives, such as detergent, anti-static compounds, or fragrance.

WARNING: Damage to the LCD screen or other components of the camera system caused by using prohibited cleaners

is not covered under warranty.

WATER DAMAGE

If your device has come in contact with water or you suspect water damage, submit a Support ticket at

https://support.red.com immediately.

WARNING: DO NOT attempt to power any device that may have water damage.

WARNING: DO NOT place the device in a container of rice, silica gel, or desiccant packets in an attempt to dry the

device.

KOMODO

OPERATION GUIDE

6. TROUBLESHOOTING

GENERAL TROUBLESHOOTING TIPS

This section describes general troubleshooting tips:

Check the current firmware on the camera. If newer firmware is available from RED, download and install that

firmware.

Check the Known Issues List to see if the issue has already been identified by RED.

Turn the camera off and on.

Try using fresh media.

Try different cables and make sure that the cables are properly attached.

Remove all accessories and then re-attach them one-by-one. This process may help you identify whether the issue

is specific to a particular accessory.

Reset the camera to its default settings.

CONTACT SUPPORT

If you are unable to resolve an issue, submit a Support ticket. Include the following with the request:

A Log file. For more information, go to Save Log.

A list of devices, lens, and third-party accessories that were attached when the issue occurred.

The camera power source used when the issue occurred (include battery types, power devices, and power cables).

A description of the issue that occurred.

KOMODO

OPERATION GUIDE

HARD RESET

When the camera is experiencing firmware issues that do not respond to normal remedies, you can perform a hard

reset. Performing this reset will clear all user files (presets, LUTs, etc.) in addition to resetting all user settings to their

default settings.

To perform a hard factory reset, perform the following:

Switch the camera power switch OFF.

Press and hold the REC button on the right side.

Switch the camera power switch ON.

When the "Initializing" screen display, release the REC key.

The camera resets all of the settings to default values.

FORCE UPGRADE

When the camera is experiencing malfunctions that prevent you from upgrading the firmware, you can perform a Force

upgrade. You must download the firmware zip file from RED Downloads and extract the zipped files before performing

the Force upgrade.

To perform a Force upgrade:

Format the CFast media using a media reader and a computer to access a disk formatting utility capable of

formatting the media to FAT32.

Create a new folder on the card and name it force_upgrade.

Copy the upgrade.bin file from the firmware file and copy it to the force_upgrade folder.

Make sure the camera is turned OFF and the AC power adaptor is connected.

Make sure that the camera is free of any peripheral connections.

Insert the CFast media in the camera media bay.

Turn the camera power ON. The camera detects the firmware and performs the Force upgrade automatically.

KOMODO

OPERATION GUIDE

STATUS ICONS

The following is a table of the camera's status icons.

ICON DESCRIPTION

The CFast 2.0 media card is good ( and recording time remaining)

The CFast 2.0 media card is missing

The CFast 2.0 media card is incompatible

The sensor temperature (T) and exposure (E) calibration are good

The sensor temperature (T) requires calibration

The sensor exposure (E) requires calibration

Gray indicates that no Timecode generator signal is detected

Green indicates that the Timecode source is connected and jammed

Red indicates that the Timecode source is connected and not jammed

White indicates that the Timecode source is jammed and not connected

Yellow indicates that the Timecode source is cross-jammed (at a different Project Time Base)

Gray indicates that no Genlock signal is detected

Green indicates that the camera is receiving and is locked to a Genlock signal

Red indicates that the camera is receiving and is not locked to a Genlock signal

Gray indicates that no synchronization is detected

Green indicates that the camera's sensor is synchronized with Timecode and that the camera's output

is synchronized with a Genlock signal

Yellow indicates that the camera's sensor is NOT synchronized with Timecode and that the camera's

output is synchronized with a single camera or a Genlock signal

Gray indicates that no 3D LUTs are in use

White indicates that the camera is using a 3D LUT

Camera temperature is good

Camera overheating warning

KOMODO

OPERATION GUIDE

ICON DESCRIPTION

Camera overheating

Camera shutting down

Gray indicates no FTPS data is transferring

Green arrows indicate FTPS data is transferring

Gray and open indicates that the camera LCD is unlocked

White and closed indicates that the camera LCD is locked

Gray and empty indicates that no Wi-Fi signal is detected

White bars indicate the strength of the Wi-Fi signal detected (Infrastructure)

White antenna indicates that Wi-Fi signal is broadcasting (Ad-hoc)

Gray indicates that no DC power is connected

Green indicates that the camera is receiving DC power

Gray indicates that no battery is connected

White indicates that the battery is connected and green shows the relative level of charge remaining

Yellow indicates 10 minutes of power remaining

Red indicates less then 5 minutes of power remaining

Gray question mark indicates no communication with the battery and no power

White question mark indicates no communication with the battery and power

Gray exclamation point indicates error communicating with the battery and no power

KOMODO

OPERATION GUIDE

7. MECHANICAL DRAWINGS

NOTE: Dimensions are shown in mm.

FRONT VIEW

Figure: Camera Front View

KOMODO

OPERATION GUIDE

BACK VIEW

Figure: Camera Back View

RIGHT SIDE VIEW

Figure: Camera Side View (Right)

KOMODO

OPERATION GUIDE

LEFT SIDE VIEW

Figure: Camera Side View (Left)

KOMODO

OPERATION GUIDE

TOP VIEW

Figure: Camera Top View

BOTTOM VIEW

Figure: Camera Bottom View

KOMODO

OPERATION GUIDE

EXTENSION PORT

The Extension port is located on the back of the camera body.

The 9-pin 0B ODU Extension port supports RS-232 RX, RS-232 TX, and a General Purpose Input (GPI) trigger (active-

low switch closure), General Purpose Output (GPO), Timecode, and Genlock. The connector also offers auxiliary 5 Volt

power out, with a maximum sustained current draw of 500 mA.

To operate the GPI contact closure style trigger, short pin 6 (GPI) to pin 9 (ground).

Figure: Front Face of the Extension port (Looking at the Camera)

NOTE: The required mating connector is 9-pin 0L Straight Plug Connector (ODU, part# SX0L0X-P09MCC0-0001).

9-PIN 0B ODU AUXILIARY PORT PINOUT

PIN SIGNAL DESCRIPTION

1 5 V AUX 5 Volt AUX (500 mA Max) enabled using the Power menu

2 Timecode Out Timecode Out – SMPTE 12M

3 GPO General Purpose Out, Tally or Sync, 3.3 Volt Logic Level

4 UART TX RS-232 Transmit

5 UART RX RS-232 Receive

6 GPI General Purpose In, 3.3 Volt Logic Level

7 Timecode In Timecode In – SMPTE 12M

8 Genlock Tri-Level Genlock In (SMPTE 296M and 274M)

9 GND Signal and Power Ground

1. Not currently supported.

2. The signal path includes a resistor pulling the signal high, which is designed to work with a closure switch connected to GND.

KOMODO

OPERATION GUIDE

DC-INPUT

The DC-IN port is located on the back of the camera body.

Connect the 2-pin 0B ODU DC power Adaptor plug to this port to provide the camera with continuous DC power. The

RED power Adaptor provides DC power to operate the camera and to recharge the attached Batteries.

NOTE: The camera cannot charge batteries while it is turned on.

SPECIFICATIONS

The 2-pin 0B connector accepts unregulated (+) 7 to 17 Volts (V) Direct Current (DC) power.

The power consumption guidelines are:

The camera uses between 20 Watts and 24 Watts of power in its basic configuration

Additional power may be necessary based on ambient temperature and changes to camera firmware in future

updates (up to an additional 5 Watts)

Up to an additional 8 Watts might be required for additional accessories attached to the top pogo port and the EXT

port

Maximum power consumption is not expected to exceed 37 Watts

Figure: Front Face of DC-IN Port (looking at the back of the camera)

NOTE: The required mating connector is a 2-pin 0B Straight Plug Connector (ODU, part# SX0LCX-P02LJG0-0001).

ODU 0B 2-PIN CONNECTOR

PIN SIGNAL DESCRIPTION DIRECTION

1 7 to 17 Volts DC Power to the camera and batteries In

2 GROUND Common ground N/A

KOMODO

OPERATION GUIDE

CTRL (RS-232 CONTROL)

The CTRL port is located on the back of the KOMODO Expander Module.

Connect to this port to provide communication between the camera and external devices.

SPECIFICATIONS

The 4-pin 00B CTRL Connector supports RS-232 remote control for 3D camera communication and third-party

metadata ingest applications.

The General Purpose Out (GPO) tally presents 3.3 V at a maximum of 0.04 A between pins 1 and 3. When used as a

record tally, the rising edge of the pulse indicates the start of record, and the falling edge represents the end of record.

For more information about controlling the camera using RS-232, download the RCP2 documentation.

Figure: Front Face of CTRL Port (looking at the back of the KOMODO Expander Module)

ODU 00B 4-PIN CONNECTOR

PIN SIGNAL DESCRIPTION DIRECTION

1 GROUND Common ground N/A

2 232 RX RS-232 receive In

3 SS/GPO Shutter sync and general purpose output Out

4 232 TX RS-232 transmit Out

KOMODO

OPERATION GUIDE

8. MENU MAP

KOMODO

OPERATION GUIDE

KOMODO

OPERATION GUIDE

9. TECHNICAL SPECIFICATIONS

Technical specifications reflect both current and projected information. Everything is subject to change.

KOMODO

CAMERA

SPECIFICATION DESCRIPTION

Sensor Type KOMODO

19.9 MP, Super 35 mm Global Shutter, CMOS

Effective Pixels 6144 x 3240

Sensor Size

27.03 mm × 14.26 mm (Diagonal: 30.56 mm)

Dynamic Range 16+ stops

Mount Type

RF mount with electronic communication

Accepts Canon RF mount-based lens adapters for diverse lens choices

Supports Canon EF with full electronic communication using compatible Canon RF mount

adapters

Max Data Rates Up to 280 MB/s using RED Pro CFast or other qualified CFast 2.0 media cards

REDCODE

RAW

Maximum Frame Rates

40 FPS at 6K 17:9 (6144 × 3240)

50 FPS at 6K 2.4:1 (6144 x 2592)

48 FPS at 5K 17:9 (5120 × 2700)

60 FPS at 4K 17:9 (4096 × 2160)

120 FPS at 2K 17:9 (2048 × 1080)

Playback Frame Rates

(Project Time Base)

23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 FPS, at all resolutions

Best Available REDCODE

Settings

REDCODE HQ, MQ, and LQ at 6K 17:9 (6144 × 3240) up to 40 FPS

REDCODE HQ, MQ, and LQ at 4K 17:9 (4096 × 2160) up to 60 FPS

REDCODE HQ, MQ, and LQ at 2K 17:9 (2048 × 1080) up to 120 FPS

REDCODE

RAW Acquisition

Formats

6K 17:9 (6144 × 3240), 2:1, 2.4:1 and 16:9 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x

5K 17:9 (5120 × 2700)

4K 17:9 (4096 × 2160) and 16:9

2K 17:9 (2048 × 1080)

Apple

ProRes 4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps

2K (2048 × 1080) at ProRes 422 HQ and ProRes 422 up to 120 fps

Construction Aluminum Alloy

Weight

2.10 lb without the body cap and the CFast 2.0 media card

Battery Type Two slots for REDVOLT BP batteries

DC Power +7 to +17 V DC using the integrated 2-pin DC-Input port

Operating Temperature 0˚ C to 40˚ C (32˚ F to 104˚ F)

Storage Temperature –20˚ C to 50˚ C (–4˚ F to 122˚ F)

Relative Humidity 0% to 85% non-condensing

Color Management Image Processing Pipeline 2 (IPP2)

Supports 33×33×33 3D LUTs

Supports import of CDLs

Audio Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz

Additional dual channel integrated 3.5 mm audio jack, uncompressed, 24-bit 48 kHz

KOMODO

OPERATION GUIDE

KOMODO

CAMERA

SPECIFICATION DESCRIPTION

Remote Control Wi-Fi for camera control and media access through an interchangeable dual band (2.4 GHz or 5

GHz) antenna mounted to a female RP-SMA connector.

Genlock, Timecode In, GPIO and Ctrl

(RS-232) using the integrated 9-pin EXT Port. Wired camera control and media access through the

KOMODO Link Adaptor, using USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter

required) allowing camera control and live MJPEG preview video feed

Monitor Outputs Integrated 12G-SDI with 6G-SDI, 3G-SDI, and 1.5G-SDI modes

12G-SDI: Up to 4096 × 2160 4:2:2 for 60p

6G-SDI: Up to 4096 × 2160 4:2:2 for 30p

3G-SDI: Up to 2048 × 1080 4:2:2 for 60p

1.5G-SDI: Up to 2048 × 1080 4:2:2 for 30p and 24p

SMPTE Timecode, HANC Metadata, and 24-bit 48 kHz Audio

Monitor Options Integrated 2.9" 1440 x 1440 touchscreen LCD with preview and camera control

Wireless live preview video feed through 2.4 GHz or 5 GHz Wi-Fi for framing

SOFTWARE

RED Control App Access full camera controls and live preview from Android and iOS devices. Available from the

Apple App Store and Google Play Store. RED Control works wirelessly or wired over USB-C, using

the KOMODO Link Adaptor (sold separately)

1. For more information on approved mount adaptors, lenses, batteries, accessories and CFast 2.0 cards, refer to RED Third-Party Accessories

2. Secure media and file access over FTPS requires camera firmware 1.5.0 or higher

KOMODO

OPERATION GUIDE

RED DIGITAL CINEMA 710-0361 KOMODO 6K Camera Production Pack

Product's Documents

User Manual

Specifications

RED DIGITAL CINEMA 710-0361 Questions and Answers