Casio PS-3000 Piano User Manual

USER’S GUIDE

GUÍA DEL USUARIO

PS3000-ES-1

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417A-E-002A

NOTICE

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15

of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a

residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed

and used in accordance with the instructions, may cause harmful interference to radio communications. However,

there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful

interference to radio or television reception, which can be determined by turning the equipment off and on, the user

is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNING

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s

authority to operate the equipment.

Important!

Please note the following important information before using this product.

• Before using the optional AD-12 Adaptor to power the unit, be sure to check the AC Adaptor for

any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious

damage. Never let children use an AC adaptor that is seriously damaged.

• The product is not intended for children under 3 years.

• Use only CASIO AD-12 adaptor.

• The AC adaptor is not a toy.

• Be sure to disconnect the AC adaptor before cleaning the product.

CASIO ELECTRONICS CO., LTD.

Unit 6, 1000

North Circular Road

London NW2 7JD, U.K.

This mark is valid in the EU countries only.

Please keep all information for future reference.

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALIFIED SERVICE

PERSONNEL.

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E-1

Safety Precautions

Congratulations on your selection of the CASIO Digital

Piano. This digital piano is a sophisticated musical

instrument that blends the very best of traditional

piano feel and sound quality with the latest that

modern electronics technology has to offer.

• Before using the product, be sure to carefully read

through the instructions contained in this manual.

• Please keep all information for future reference.

Symbols

Various symbols are used in this user’s guide and on

the product itself to ensure that the product is used

safely and correctly, and to prevent injury to the user

and other persons as well as damage to property.

Those symbols along with their meanings are shown

below.

WARNING

This indication stipulates matters that have the risk

of causing death or serious injury if the product is

operated incorrectly while ignoring this indication.

CAUTION

This indication stipulates matters that have the risk

of causing injury as well as matters for which there

is the likelihood of occurrence of physical damage

only if the product is operated incorrectly while

ignoring this indication.

417A-E-003A

Symbol Examples

This triangle symbol ( ) means that the

user should be careful. (The example at

left indicates electrical shock caution.)

This circle with a line through it (

)

means that the indicated action must not

be performed. Indications within or

nearby this symbol are specifically

prohibited. (The example at left indicates

that disassembly is prohibited.)

The black dot (

) means that the

indicated action must be performed.

Indications within this symbol are actions

that are specifically instructed to be

performed. (The example at left indicates

that the power plug must be unplugged

from the electrical socket.)

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417A-E-004A

Safety Precautions

Never climb onto the piano or stand.

Never climb onto the piano or hang

from its edges. Doing so can cause

the piano to fall over, creating the

risk of personal injury. Special care

concerning this point is required in

households where there are small

children.

Never dispose of the piano by burning it.

Never dispose of the piano by

burning it. Doing so creates the risk

of fire and personal injury due to

explosion.

Do not place containers containing water or other

liquids on the product.

Do not place the following objects on the

instrument. Placing such objects on the

product may cause fire or electrical shock

if they spill and get inside the product.

• Containers filled with water or other

liquids (including vases, potted plants,

cups, cosmetics and medicines)

• Small metal objects (including hairpins,

sewing needles and coins)

• Flammable objects

• Naked flame sources, such as lighted

candles

In the event a foreign object should happen

to get inside the product, please take the

following actions:

1. Turn off power.

2. If you are using the AC adaptor for

power, unplug it from the wall outlet.

3. Contact your original retailer or an

authorized CASIO Service Provider.

Do not expose this piano to rain or moisture.

To reduce the risk of fire or electric shock,

do not expose this piano to rain or moisture.

Never try to take the piano apart or modify it.

Never try to take the piano apart or modify

it in any way. Doing so creates the risk of

electric shock, burn injury, or other personal

injury. Leave all internal inspection,

adjustment, and repair up to your original

retailer or an authorized CASIO service

provider.

WARNING

Smoke, Strange Odor, Overheating

Continued use of the product while it is

emitting smoke, a strange odor, or heat

creates the risk of fire and electric shock.

Take the following steps immediately.

1. Turn off power.

2. If you are using the AC adaptor for

power, unplug it from the wall outlet.

3. Contact your original retailer or an

authorized CASIO Service Provider.

AC Adaptor

Misuse of the AC adaptor creates the risk

of fire and electric shock. Always make sure

you observe the following precautions.

• Be sure to use only the AC adaptor that

is specified for this product.

• Use only a power source whose voltage

is the within the rating marked on the

AC adaptor.

• Do not overload electrical outlets and

extension cords.

AC Adaptor

Misuse of the AC adaptor’s electric cord

can damage or break it, creating the risk of

fire and electric shock. Always make sure

you observe the following precautions.

• Never place heavy objects on the cord or

subject it to heat.

• Never try to modify the cord or subject it

to excessive bending.

• Never twist or stretch the cord.

• Should the electric cord or plug become

damaged, contact your original retailer

or authorized CASIO Service Provider.

AC Adaptor

Never touch the AC adapter while your

hands are wet.

Doing so creates the risk of electric shock.

Do not locate the piano on an unstable surface.

Never locate the piano on a surface that is

wobbly, tilted, or otherwise unstable*. An

unstable surface can cause the piano to fall

over, creating the risk of personal injury.

* Avoid areas where there are multiple

layers of carpeting, and where cables are

running under the piano.

Always make sure you secure the

piano to the stand with the screws

that are provided. An unsecured

piano can fall from the stand,

creating the risk of personal injury.

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Safety Precautions

CAUTION

AC Adaptor

Misuse of the AC adaptor creates the risk

of fire and electric shock. Always make sure

you observe the following precautions.

• Do not locate the electric cord near a

stove or other sources of heat.

• Never pull on the cord when unplugging

from the electrical outlet. Always grasp

the AC adaptor when unplugging.

AC Adaptor

Misuse of the AC adaptor creates the risk

of fire and electric shock. Always make sure

you observe the following precautions.

• Insert the AC adaptor into the wall outlet

as far as it will go.

• Unplug the AC adaptor from the wall

outlet during lightening storms or before

leaving on a trip or other long-term

absence.

• At least once a year, unplug the AC

Adaptor from the wall outlet and wipe

away any dust that is built up in the area

around the prongs of the plug.

Relocating the Product

Before relocating the product, always

unplug the AC adaptor from the wall outlet

and disconnect all other cables and

connecting cords. Leaving cords connected

creates the risk of damage to the cords, fire,

and electric shock.

Cleaning

Before cleaning the product, always unplug

the AC adaptor from the wall outlet first.

Leaving the AC adaptor plugged in creates

the risk of damage to the AC adaptor, fire,

and electric shock.

Never climb onto the piano or stand.

Doing so can cause the piano to fall over,

creating the risk of personal injury. Special

care concerning this item is required in

households where there are small children.

Connector

Connect only the specified devices to the

piano's connectors. Connecting non-

specified items creates the risk of fire and

electric shock.

417A-E-005B

Avoid dropping the piano and other strong impact.

Continued use of the piano after it has been

damaged by dropping or by other external

impact creates the risk of fire and electric

shock. Immediately perform the following

steps whenever the piano is damaged by

impact.

1. Turn off power.

2. If you are using the AC adaptor for

power, unplug it from the wall outlet.

3. Contact your original retailer or an

authorized CASIO Service Provider.

Do not put plastic bags over your head or in your

mouth.

Never allow the plastic bags that the piano

and its accessories come in to be placed

over the head or swallowed. Doing so

creates the risk of suffocation. Special care

concerning this point is required in

households where there are small children.

Opening and closing the keyboard cover

Make sure that the keyboard cover is

completely opened as far as it will go. When

closing the keyboard cover, hold the front

of the cover and close it slowly. Pinching

your fingers between the piano and

keyboard cover creates the risk of personal

injury.

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417A-E-006A

Safety Precautions

Location

Avoid locating the piano in the following

types of areas. Subjecting the piano to the

conditions described below creates the risk

of fire and electric shock.

• Areas expose to high humidity or large

amounts of dust

• Near food preparation areas and other

areas where it is exposed to oil smoke

• Near a heater, on a heated carpet, in

direct sunlight, inside a closed

automobile parked in the sun, and any

other area subjected to very high

temperature

Never place the piano directly onto

furniture or other item that has a finished

surface. The rubber feet on the bottom of

the piano can react with the paint or other

coatings, resulting in soiling of or damage

to the finished surface. Be sure to lay felt or

some other material on the finished surface

before placing the piano on it.

Do not place heavy objects on the piano.

Never place heavy objects on top of the

piano. Doing so can cause the stand to tip

over and the object to fall, creating the risk

of personal injury.

Volume setting

Do not play at very loud volumes for a

long time. This precaution is especially

important when using the headphones.

Long-term exposure to very loud sound

can damage your hearing.

Assemble the stand properly.

Failure to do so can cause the stand to fall

over and the piano to fall from the stand,

creating the risk of personal injury.

Make sure your assemble the stand in

accordance with the instructions that come

with it, and ensure that all connections are

secure. Also make sure that you choose an

appropriate location for the stand.

• When placing the piano onto the stand,

take care that you do not pinch your

fingers between the piano and the stand.

• At least two people should lift

the piano when placing it onto

the stand or moving it. Trying to

move the piano alone can cause

the stand to fall over, creating

the risk of personal injury.

• Do not drag the stand or tilt it

forward or back when placing the

piano onto the stand or moving

it. Doing so can cause the piano

to fall over, creating the risk of

personal injury.

• Periodically check the screws that

secure the piano to the stand for

looseness. If a screw is loose,

retighten it. Loose screws can

cause the stand to tip over and

the piano to fall, creating the risk

of personal injury.

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417A-E-007B

❐ 8 versatile tones

• Eight instrument tones including piano and pipe organ provide plenty of performance versatility.

• Other features include digital effects that control the acoustical characteristic of tones, as well as three pedal effects for all the

nuances of an acoustic piano.

❐ Metronome

• A simple operation lets you set the tempo and the beat of the metronome to suit the tune you want to play. It’s the perfect

practice tool for players of all levels.

❐ 8 demo tunes

• Eight demo tunes demonstrate how to use each of the built-in tones.

❐ Memory

• Built-in memory lets you store a performance for later playback.

You can play along with playback on the keyboard, and even create an ensemble effect by using a keyboard tone that is different

from the recorded tone.

❐ Powerful keyboard setting functions

• A selection of powerful keyboard setting functions help you get create exactly the musical mood you want.

Transpose adjusts the key of the keyboard in semitone steps.

Tuning provides a means to tune with another musical instrument.

Touch Select adjusts the intensity of the output sound in accordance with the amount of pressure you apply to the keyboard.

❐ MIDI terminal

• Connecting to another MIDI musical instrument lets you play two instruments from the keyboard of this digital piano. You can

also connect to a commercially available MIDI sequencer to increase the number of parts you can play.

Main Features

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417A-E-008A

Contents

Safety Precautions .................... E-1

Main Features ............................ E-5

Contents..................................... E-6

General Guide............................ E-8

Power Supply .......................... E-10

Using the AC Adaptor .............................E-10

Connections ............................ E-11

Connecting Headphones ....................... E-11

Connecting to a PEDAL Jack ................. E-11

Accessories and Options ....................... E-11

Basic Operations..................... E-12

Using Tones ...........................................E-12

Using the Pedals ....................................E-14

Using the Metronome .............................E-14

Using the Memory ................... E-16

About the Memory ..................................E-16

Recording ...............................................E-16

Playback ................................................ E-17

Deleting Memory Contents .................... E-17

Using Demo Tunes.................. E-18

Keyboard Settings .................. E-19

Using Touch Select ................................E-19

Using Transpose ....................................E-19

Adjusting the Tuning of the Piano .......... E-20

MIDI........................................... E-21

What is MIDI? ........................................ E-21

What you can do with MIDI ....................E-21

MIDI Connections .................................. E-21

MIDI Channels ....................................... E-21

Simultaneous Receive Over Multiple

Channels (Multi-Timbre) .........................E-21

Setting the Keyboard Channel ...............E-22

Sending Memory Playback Data ............E-22

Program Change Number Settings ........E-23

Turning Local Control On and Off .......... E-24

MIDI Data Notes .................................... E-25

Troubleshooting ...................... E-26

Assembly Instructions............ E-27

Assembling the Stand ............................E-27

Attaching the AC Adaptor and

Pedal to the Piano .................................. E-29

Specifications .......................... E-30

Operational Precautions......... E-31

Appendix ....................................A-1

Initial Power On Settings .......................... A-1

MIDI Data Format.......................A-2

Channel Messages .................................. A-2

System Messages .................................... A-7

MIDI Implementation Chart

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417A-E-009A

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E-8

417A-E-010A

General Guide

• See page E-27 for details on the stand.

Front

POWER button

VOLUME knob

CONTROL button

RECORD button

START/STOP button

METRONOME button

GRAND PIANO button

POWER Indicator

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General Guide

417A-E-011A

CAUTION

• The keyboard cover is designed so it closes slowly. This is to avoid injury caused by pinching your fingers with the cover.

• When using the piano, make sure that you fully open the keyboard cover so it does not close accidentally as you play.

Music Stand

You can use the music stand when the keyboard cover is open, as shown in the illustration below.

Note Names A value next to a note name indicates the relative position of the note

on the keyboard as shown below.

CDEFGAB

(H)

▲

Bottom

DAMPER PEDAL jack,

SOFT/SOSTENUTO PEDAL jack

DC 12V jack

MIDI OUT terminal,

MIDI IN terminal

PHONES jack

Speaker connector

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E-10

You can power this digital piano by plugging it into a

standard household power outlet.

Be sure you turn off power and unplug the power cord from

the electrical outlet whenever the digital piano is not in use.

Using the AC Adaptor

Make sure that you use only the AC adaptor specified for

this digital piano.

Specified AC Adaptor: AD-12

[Bottom]

Also note the following important warnings and precautions

when using the AC adaptor.

WARNING

Misuse of the AC adaptor creates the risk of fire and electric

shock. Always make sure you observe the following

precautions.

• Be sure to use only the AC adaptor that is specified

for this product.

• Use only a power source whose voltage is within the

rating marked on the AC adaptor.

• Do not overload electrical outlets and extension cords.

• Never place heavy objects on the cord or subject it to

heat.

• Never try to modify the cord or subject it to excessive

bending.

• Never twist or stretch the cord.

• Should the electric cord or plug become damaged,

contact your original retailer or authorized CASIO

Service Provider.

• Never touch the AC adaptor while your hands are wet.

Doing so creates the risk of electric shock.

Power Supply

417A-E-012A

CAUTION

Misuse of the AC adaptor creates the risk of fire and electric

shock. Always make sure you observe the following precautions.

• Do not locate the electric cord near a stove or other

sources of heat.

• Never pull on the cord when unplugging from the

electrical outlet. Always grasp the AC adaptor when

unplugging.

• Insert the AC adaptor into the wall outlet as far as it

will go.

• Unplug the AC adaptor from the wall outlet during

lightening storms or before leaving on a trip or other

long-term absence.

• At least once a year, unplug the AC adaptor from the

wall outlet and wipe away any dust that is built up in

the area around the prongs of the plug.

IMPORTANT!

• Make sure that the product is turned off before

connecting or disconnecting the AC adaptor.

• Using the AC adaptor for a long time can cause it to

become warm to the touch. This is normal and does not

indicate malfunction.

AC adaptor AD-12

AC outlet

DC 12V jack

Figure 2

Figure 1

(a)

(b)

Using the Cable Clip

After connecting the AC adaptor and pedal (page E-14) to

the piano, use the cable clip to bundle their cables together.

• To fasten the clip

As shown in Figure 1, press down on (a) to force the tip of

the clip into the slot. Press down until you hear the clip

click securely into place.

• To release the clip

As shown in Figure 2, press (b) in the direction indicated

by the arrow.

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Connections

417A-E-013A

IMPORTANT!

• Whenever connecting external equipment, first set the

VOLUME knob of the digital piano and the volume

controller of the external equipment to relatively low

volume settings. You can later adjust volume to the level

you want after connections are complete.

• Be sure also to refer to the documentation that comes

with the external equipment for its proper connection

procedures.

Connecting Headphones

Connect commercially available headphones to the digital

piano’s headphones jack. This cuts off the built-in speakers,

which means you can practice even late at night without

disturbing others. To protect your hearing, make sure that

you do not set the volume level too high when using

headphones.

Connecting to a PEDAL Jack

Depending on the type of operation you want the pedal (SP-

20) to perform, connect the pedal’s cable to the digital piano’s

DAMPER jack or SOFT/SOSTENUTO jack. If you want to

use both jacks at the same time, you need to purchase another

optionally available SP-20 pedal.

See “Using the Pedals” on page E-14 for information about

using a pedal.

Accessories and Options

Use only the accessories and options specified for this digital

piano. Use of non-authorized items creates the danger of fire,

electric shock, and personal injury.

Headphones

SP-20

Bottom

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E-12

Basic Operations

417A-E-014A

Using Tones

The following procedures describe everything you need to

know about selecting and using tones.

Selecting a Tone

This digital piano has a selection of 8 built-in tones.

• The names of the tones are marked above the keyboard

keys to which they are assigned.

• The GRAND PIANO tone was recorded with stereo

sampling.

To select a tone

Press the POWER button to turn on the digital piano

power.

Select the tone you want.

• To select GRAND PIANO

Press the GRAND PIANO button. Note that GRAND

PIANO is the initial default tone setting whenever

you turn on power.

• To select one of the other tones

While holding down the CONTROL button, press the

keyboard key that corresponds to the tone you want

to select.

* A note does not sound when you press a keyboard

key while holding down the CONTROL button.

Use the VOLUME knob to adjust the volume.

• It is a good idea to set the volume to a relatively low

level at first.

• Moving the knob towards MIN decreases volume,

while moving it towards MAX increases volume.

Play something on the keyboard.

• Adjust volume to the level you want as you play.

After you are finished playing, press the POWER

button to turn off power.

Using Digital Effects

This digital piano provides you with a selection of digital

effects that you can apply to tones. The following provides

general descriptions of each effect, but the best way to find

out how they affect tones is to experiment for yourself.

Digital Effect Types

• REVERB

The REVERB effect gives you a choice of the four variations

listed below. Each one simulates the acoustics of different

environments.

ROOM ...... Small, intimate live house

STAGE ..... Small stage

HALL 1 .... Stage area of a large hall

HALL 2 .... Audience area of a large hall

• CHORUS

The CHORUS effect is most effective for the E.PIANO tone.

• The names of the settings are marked above the keyboard

keys to which they are assigned.

GRAND PIANO

button

A0 B0 C1 D1







MELLOW PIANO

ELEC PIANO 1

GRAND PIANO 2

HARPSICHORD

PIPE ORGAN

STRINGS

ELEC PIANO 2

Tone Keys







REVERB OFF

ROOM

STAGE

HALL 2

CHORUS OFF

CHORUS ON

HALL 1

Digital Effect Keys

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Basic Operations

417A-E-015A

To select a digital effect

While holding down the CONTROL button, press

the keyboard key that corresponds to the digital

effect you want to select.

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

Power on effect settings

The table below shows the effect settings that are assigned to

each tone whenever you turn on the digital piano power.

Tone Name

Digital Effect Setting

REVERB CHORUS

GRAND PIANO HALL 1 OFF

MELLOW PIANO HALL 1 OFF

GRAND PIANO 2 HALL 1 OFF

ELEC PIANO 1 HALL 1 ON

ELEC PIANO 2 HALL 1 ON

HARPSICHORD HALL 1 OFF

PIPE ORGAN HALL 1 OFF

STRINGS HALL 1 OFF

• The above digital effect settings can be changed after you

turn on power.

NOTE

• Selecting a tone automatically selects the digital effects

currently assigned to it.

• Changes you make to digital effect settings are assigned

to the currently selected tone only.

• Digital effect settings remain in effect until you turn off

the digital piano power.

• Demo tunes have their own digital effect settings, which

are automatically selected whenever you select a demo

tune.

More about tones

Polyphony

This piano can play up to 64 notes at the same time.

Also note that some of the tones offer only 32-note polyphony

(GRAND PIANO, MELLOW PIANO, ELEC PIANO 1,

HARPSICHORD, STRINGS).

Touch Response

The touch response feature of this piano causes the volume

of the tones and the sound of the tones themselves to change

slightly in accordance with how much pressure you apply to

the keyboard, just like with an acoustic piano. Touch response

affects the HARPSICHORD tone only slightly, because the

original musical instrument normally produces the same

sound, no matter how much pressure is applied.

Digitally Sampled Tones

The tones of this piano are produced using digitally recorded

samples of actual musical instruments. Not all of the

instruments, however, can produce tones across the entire

range played by this piano (A0 through C8). In such a case,

digital recordings are used for the range that actually can be

produced by the original instrument, and synthesized tones

are used for notes that cannot be produced naturally. Because

of this, you may notice very slight differences between natural

notes and synthesized notes in sound quality and in results

produced when using effects. These differences are normal

and do not indicate malfunction.

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E-14

Using the Metronome

The metronome provides a reference beat that you can use

during your performances or practice sessions. You can

change the beat and the tempo of the metronome.

• The names of the settings are marked above the keyboard

keys to which they are assigned.

Using the Metronome

PREPARATION

• Check to make sure that the indicator above the

RECORD button is off. If the indicator is on, press the

RECORD button to turn it off.

• See the section of this User’s Guide covering the

memory for details on using the metronome in

combination with the function.

To use the metronome

Press the METRONOME button to start the

metronome.

• This starts the metronome sound.

Set the beat of the metronome.

While holding down the CONTROL button, press the

keyboard key that corresponds to the beat setting you

want to select.

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

• The first value of the beat can be set to a value of 2

through 6, or 0 (unaccented beat).

B1 B2C2 D2 E2 F2 G2 C3 D3 E3 F3 G3A2





2 A



2 F



3 A





2 E



2 C



3 E



Beat Keys Tempo Keys

Number Input Keys

Metronome Volume Keys

Basic Operations

417A-E-016A

Using the Pedals

The digital piano is equipped with two pedal jacks, one for a

damper pedal and one for a soft/sostenuto pedal. Whether

the pedal connected to the SOFT/SOSTENUTO jack operates

as a soft pedal or sostenuto pedal depends on what you do

when you turn on the digital piano power.

SP-20

Pedal functions

• Damper pedal

Pressing this pedal causes notes to reverberate and to

sustain longer.

• Soft pedal

Pressing this pedal dampens notes and slightly reduces

their volume. Only notes played after the pedal is depressed

are affected, and any notes played before the pedal is

pressed sound at their normal volume.

• Sostenuto pedal

Like the damper pedal, this pedal causes notes to

reverberate and to sustain longer. The difference between

the two pedals is the timing when they are pressed. With

the sostenuto pedal, you press the pedal after depressing

the notes you want to sustain. Only the notes whose

keyboard keys are depressed when the sostenuto pedal is

pressed are affected.

To use the SOFT/SOSTENUTO pedal as a soft pedal

Press the POWER button to turn on the digital piano power.

Soft pedal is the normal effect of the pedal connected to the

SOFT/SOSTENUTO jack.

To use the SOFT/SOSTENUTO pedal as a sostenuto pedal

While holding down the pedal connected to the SOFT/

SOSTENUTO jack, turn on the digital piano power.

NOTE

• The following shows how pedal effects are applied during

different types of operations.

Memory playback, demo tune play

................... Pedal effects applied to notes played on the

keyboard only.

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E-15

Basic Operations

417A-E-017A

Change the tempo setting as described below.

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

• While holding down the CONTROL button, press

keyboard key A



2 (–) to decrease tempo or B



2 (+) to

increase it. Holding down either keyboard key

changes the setting at high speed. Pressing keyboard

key A2 (120) changes the tempo setting to 120.

• You can also change the tempo setting(beats per

minute) by holding down the CONTROL button and

using keyboard keys B2 through A



3 to input values

from 0 to 9. You can input a two-digit or three-digit

tempo value. Note that the tempo value you input is

applied when you release the CONTROL button. The

tempo setting does not change if you input a one-digit

value or a value that is outside of the allowable setting

range.

• The tempo can be set within the range of 30 to 255

(beats per minute).

4 When you want to stop the metronome, press the

METRONOME button again.

• Pressing the METRONOME button again restarts the

metronome sound using the current beat and tempo

setting.

• If you want to change both the tempo and the beat

before restarting the metronome, perform the above

procedure here.

NOTE

• You can change metronome beat and tempo settings at

any time, even while the metronome is sounding.

• You can also use the metronome in combination with

memory play. See the section of this User’s Guide

covering the function for details.

Adjusting the Metronome Volume

Use the following procedure to increase and decrease the

volume of the metronome beat.

To adjust the metronome volume

While holding down the CONTROL button, press

the keyboard key that corresponds to the

metronome volume setting you want to select.

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

• You can set a value from 1 to 3.

NOTE

• The metronome volume is automatically set to 2

whenever you turn on piano power.

PS3000_e_08_15.p65 03.10.8, 2:22 PM15

E-16

417A-E-018A

This section describes how to record keyboard play to

memory and playback data from memory.

About the Memory

Memory Capacity

Memory can hold up to 2,500 notes (one song).

• Recording stops automatically and the indicator above the

RECORD button goes out whenever memory becomes full.

Recorded Data

The following is a list of the data that can be recorded in

memory once recording starts.

• Anything you played on the keyboard (Received MIDI data

is not recorded.)

• Tone settings and any tone setting changes

• Beat setting used during recording

• Pedal operations

Recorded Data Storage

This piano has a lithium battery to supply power to retain

memory contents even while power is off.* The life of the

lithium battery is five years after the date of manufacture of

the piano. Be sure to contact your CASIO dealer about having

the lithium battery replaced every five years.

* Never turn off the digital piano power while a record

operation is in progress.

IMPORTANT!

• Recording new data to a song memory area

automatically deletes any data previously stored in that

song memory area.

• Turning off power while a record operation is in progress

deletes anything recorded up to that point.

• CASIO shall not be held responsible for any losses by

you or any third party due to loss of data caused by

malfunction or repair of this piano, or by battery

replacement.

Using the Memory

Recording

To record notes from the keyboard

PREPARATION

• Select the tone and effects you want to start with.

• If you want to use the metronome during recording, start

the metronome. Use the procedure under “Using the

Metronome” on page E-14 to set the beat and the tempo.

Press the RECORD button to put the piano into

record standby.

• The indicator above the RECORD button flashes.

• You can also change the metronome’s beat setting at

this time.

• If you want the metronome to sound while you are

recording, press the METRONOME button here to

start the metronome.

Play something on the keyboard to start recording.

• When you start recording, the indicator above the

RECORD button stops flashing and remains lit.

• What you play sounds from the speakers and is

recorded into memory.

• You can also start recording by pressing the START/

STOP button. In this case, blank space is inserted in

memory from the point that you press the START/

STOP button up to the point you start to play on the

keyboard.

After you are finished recording, press the START/

STOP button to stop the record operation.

• At this time the indicator above the RECORD button

goes out.

• To stop the metronome, press the METRONOME

button.

• Here you can press the START/STOP button and

playback the data you just recorded.

PS3000_e_16_20.p65 03.10.8, 2:22 PM16

E-17

Using the Memory

417A-E-019A

Playback

Use the following procedure to play back from memory.

To playback from memory

If you want the metronome to sound during

playback of your recording, hold down the

CONTROL button and press keyboard key B

3 to

turn on the metronome.

• Using the metronome comes in handy, for example,

when you want to record the left-hand part and then

practice the right hand-part while playing back.

Press the START/STOP button to start playback.

• If you turned on the metronome in step 1, the

metronome sounds during playback.

• You can toggle the playback metronome sound on and

off by pressing the METRONOME button.

• Playback stop automatically when the end of the tune

is reached.

• To stop part way through, press the START/STOP

button.

• To stop the metronome, press the METRONOME

button.

NOTE

• You can change the playback tempo while playing back

from memory.

• You cannot change the tone when playing back from

memory.

Setting Range



3 (black key): Metronome OFF

3: Metronome ON

Deleting Memory Contents

IMPORTANT!

• The delete operation cannot be undone. Make sure you

play back memory contents and confirm that you no

longer need it before performing the following procedure.

To delete memory contents

Press the RECORD button to put the piano into

record standby.

Press the START/STOP button twice to delete the

contents of the selected song area.

PS3000_e_16_20.p65 03.10.8, 2:22 PM17

E-18

Using Demo Tunes

417A-E-020A

This digital piano comes with eight built-in demo tunes, each

of which features one of the eight built-in tones.

To play the demo tunes in sequence

While holding down the CONTROL button, press

the START/STOP button.

• All the demo tunes play in sequence, starting from

the Tune 1.

To play a specific demo tune

• To play the first of the demo tunes, start sequential demo

tune play and then press the GRAND PIANO button.

• To play another of the demo tunes, start sequential demo

tune play and then hold down the CONTROL button and

press the keyboard key that corresponds to the tune you

want to play.

• The tune you select continues to repeat until you stop it.

To stop demo tune play

Press the START/STOP button to stop demo tune

play.

NOTE

• You cannot change the tempo or tone, or turn on the

metronome while a demo tune is playing.

• Playing on the keyboard during demo tune play plays

notes using the demo tune’s tone.

• You can adjust volume while demo playback is in

progress.

• Tone, digital effect, transpose, and tuning settings are

changed automatically when a demo tune is played.

These changes are temporary, and remain in effect only

while the demo tune is playing.

• Pedal operations performed during demo tune play are

applied to notes played on the keyboard only. They are

not applied to demo tune playback.

• Demo tune notes cannot be sent as MIDI data.

A0 B0 C1 D1







MELLOW PIANO

ELEC PIANO 1

GRAND PIANO 2

HARPSICHORD

PIPE ORGAN

STRINGS

ELEC PIANO 2

Tone Keys

Demo Tune List

Tone (Keyboard Key) Title Composer Time

GRAND PIANO Valse brillante Op.34-1 F.F.Chopin 2’01”

MELLOW PIANO Träumerei R.Schumann 2’04”

GRAND PIANO 2 Variatio 30 [Goldberg-Variationen] J.S.Bach 1’05”

ELEC PIANO 1 Original — 1’59”

ELEC PIANO 2 Original — 1’01”

HARPSICHORD Praeludium [Partita 1] J.S.Bach 1’51”

PIPE ORGAN Jesus Bleibet Meine Freude J.S.Bach 1’18”

STRINGS Original — 1’35”

NOTE

• Note that demo tunes are arranged in order to highlight the features of this digital piano, and so they may sound different

from their original versions.

PS3000_e_16_20.p65 03.10.8, 2:22 PM18

E-19

417A-E-021A

Using Touch Select

This setting lets you adjust the touch of the keyboard to suit

your own playing style. This means you can select a stronger

touch for those with powerful hands, and a lighter touch for

beginners and anyone else with less strength.

Use the keys shown below to change the Touch Select setting.

Keyboard Settings

Touch Select Settings

C4 .................... <OFF>



4 ................... <LIGHT>

This setting produces strong output, even when

light pressure is applied to the keyboard.

D4 .................... <MIDDLE>

This is the standard setting.



4 ................... <HEAVY>

This setting requires relatively strong keyboard

pressure to produce normal output.

To change the Touch Select setting

While still holding down the CONTROL button,

select the key touch by pressing one of the keyboard

keys illustrated below.

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

NOTE

• Touch select is automatically set to MIDDLE whenever

you turn on the digital piano power.

Using Transpose

Transpose lets you adjust the pitch of this digital piano in

semitone steps. This means you can change the key of the

piano to suit the voice of a vocalist or the key of another

musical instrument, without having to learn to play a piece

in another key.

Use the keys shown below to change the transpose setting.

To change the transpose setting

While holding down the CONTROL button, select

a key by pressing one of the keyboard illustrated

below.

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

NOTE

• The transpose value is automatically set to 0 (C)

whenever you turn on the digital piano power.

Setting Range



4 (black key)

(black key) C





4 (black key): HEAVYC4 : OFF

4 : MIDDLE



4 (black key): LIGHT

Setting Range



4 (black key)

C5: Standard key

(black key) F



4 F5

Higher

Lower

PS3000_e_16_20.p65 03.10.8, 2:22 PM19

E-20

Keyboard Settings

Adjusting the Tuning of the Piano

You can adjust the overall tuning of the piano for play along

with another instrument. You can adjust tuning within a

range of ±50 cents from A4 = 440.0Hz.

Use the keyboard keys noted below to adjust the tuning of

the piano.

417A-E-022A

To adjust the tuning of the piano

Adjust the tuning as described below.

While holding down the CONTROL button, press

keyboard key E

4 (–) to lower the tuning or F4 (+) to

raise it. Each press of a key changes the tuning by

about 0.8 cents (1/128 semitone).

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

NOTE

• Holding down the CONTROL button and pressing

keyboard keys E4 (–) and F4 (+) at the same time returns

tuning to the standard A4 = 440.0Hz.

* 100 cents is equivalent to one semitone.

Setting Range

4: – (lowers the pitch)

4: + (raises the pitch)

PS3000_e_16_20.p65 03.10.8, 2:22 PM20

E-21

417A-E-023A

MIDI

What is MIDI?

The letters MIDI stand for Musical Instrument Digital

Interface, which is the name of a worldwide standard for

digital signals and connectors that makes it possible to

exchange musical data between musical instruments and

computers (machines) produced by different manufacturers.

MIDI compatible equipment can exchange keyboard key

press, key release, tone change, and other data as messages.

Though you do not need any special knowledge about MIDI

to use this digital piano as a stand-alone unit, MIDI operations

require a bit of specialized knowledge. This section provides

you with an overview of MIDI that will help to get you going.

What you can do with MIDI

Send

*1 Keyboard play and memory playback data can be sent as

MIDI data. Demo tunes cannot be sent as MIDI data.

*2 A device that contains memory storage for MIDI data.

Some MIDI sequencers feature external storage

capabilities, which let you record a virtually unlimited

number of tunes.

MIDI Connections

Two MIDI cables, one for sending and one for receiving, are

required for two-way recording and playback capabilities

with a connected MIDI sequencer or other device.

MIDI Channels

MIDI allows you to send the data for multiple parts at the

same time, with each part being sent over a separate MIDI

channel. There are 16 MIDI channels, numbered 1 through

16, and MIDI channel data is always included whenever you

exchange data (key press, pedal operation, etc.).

Both the sending machine and the receiving machine must

be set to the same channel for the receiving unit to correctly

receive and play data. If the receiving machine is set to

Channel 2, for example, it receives only MIDI Channel 2 data,

and all other channels are ignored.

This digital piano is equipped with multi-timbre capabilities,

which means it can receive messages over all 16 MIDI

channels and play up to 16 parts at the same time.

Keyboard and pedal operations performed on this digital

piano are sent out by selecting a MIDI channel (1 to 16) and

then sending the appropriate message.

Simultaneous Receive Over

Multiple Channels (Multi-Timbre)

The Multi-Timbre mode makes it possible to assign the

piano’s built-in tones to MIDI channels 1 through 16. Then

you can simultaneously sound multiple channels to play from

a commercially available multi-track sequencer.

NOTE

• See “Assigning Tones to Individual Channels” on page

E-22 for details on assigning tones to each channel.

• Up to 16 channels can be received simultaneously

(Channel 1 through channel 16).

• The number of channels to be received simultaneously

must be predetermined. If it becomes necessary to

cancel a channel, the cancel operation must be

performed on the sending side.

• The digital piano can be used to sound notes sent as MIDI

messages from a connected device.

• Commercially available MIDI piano data can be sent from

a MIDI sequencer*

or MIDI-capable personal computer

for playback on the digital piano. Up to 16 parts can be

played simultaneously by the digital piano.

• What you play on the digital piano can be sent to the

connected device as MIDI messages*

. The connected

device sounds notes in accordance with the messages it

receives.

• MIDI messages*

can be sent from the digital piano to a

commercially available MIDI sequencer*

for recording.

Receive

OUT

MIDI cable: MK-5

SenderReceiver

MIDI musical instrument

MIDI sequencer

Other MIDI device

OUT

MIDI cable: MK-5

Sender Receiver

MIDI musical instrument

MIDI sound module

MIDI sequencer

Other MIDI device

PS3000_e_21_25.p65 03.10.8, 2:22 PM21

E-22

Setting the Keyboard Channel

This parameter sets the channel for MIDI messages to an

external device. You can set any MIDI channel in the range

of 1 to 16 as the keyboard channel.

To set the Keyboard Channel

While still holding down the CONTROL button,

select the Keyboard channel by pressing one of the

keyboard keys illustrated below.

Example: Channel 8

417A-E-024A

MIDI

Sending Memory Playback Data

You can send memory playback as MIDI data. The send

channel used depends on the Keyboard Channel setting, as

shown in the table below.

• A note does not sound when you press a keyboard

key while holding down the CONTROL button.

NOTE

• The Keyboard Channel is automatically set to 1

whenever you turn on the digital piano power.

Assigning Tones to Individual

Channels

You can assign tones to channels using a Program Change

message sent from a connected MIDI device. You cannot

change the tone assigned to each channel from the the digital

piano.

NOTE

• The tone GRAND PIANO is automatically assigned to

all channels whenever you turn on the digital piano

power.



7 (black key)



5 (black key)

Keyboard Play Keyboard Channel

Memory Keyboard Channel + 1*

* When you have Channel 16 set as the keyboard channel,

memory playback is send over Channel 1.

• Pedal effect data recorded to the memory is applied to

playback from the memory, and does not affect your

performance on the keyboard. Likewise, pedal operations

on the digital piano are applied to the keyboard only, and

not to playback from the memory.

PS3000_e_21_25.p65 03.10.8, 2:22 PM22

E-23

MIDI

417A-E-025A

Program Change Number Settings

The tones of this digital piano have two different sets of program numbers: Type 1 sequential numbers and Type 2 numbers that

correspond to the General MIDI System (see “General MIDI” on page E-24). The tables below show the program numbers that are

assigned, depending on whether you select Type 1 or Type 2 using the procedure under “To change the program change number

type” on page E-24.

GRAND PIANO 0 0 0 0 0 0

MELLOW PIANO 0 0 1 0 0 1

GRAND PIANO 2 0 0 2 0 0 2

ELEC PIANO 1 0 0 3 0 0 3

ELEC PIANO 2 0 0 4 0 0 4

HARPSICHORD 0 0 5 0 0 5

PIPE ORGAN 0 0 6 0 0 6

STRINGS 0 0 7 0 0 7

Tone Name

Type 1

Send Receive

Bank Select

MSB LSB

Program

numbers

Bank Select

MSB LSB

Program

numbers

GRAND PIANO 2 0 0 2 0 0 —

MELLOW PIANO 3 0 0 3 0 0 —

GRAND PIANO 2 0 0 0 0 0 0 Acoustic Grand Piano

ELEC PIANO 1 16 0 4 16 0 4 —

ELEC PIANO 2 0 0 4 0 0 4 Electric Piano 1

HARPSICHORD 0 0 6 0 0 6 Harpsichord

PIPE ORGAN 24 0 19 24 0 19 —

STRINGS 0 0 48 0 0 48 Strings Ensemble 1

Tone Name

Type 2

Send Receive

Bank Select

MSB LSB

Program

numbers

Bank Select

MSB LSB

Program

numbers

Corresponding

General MIDI Sound

PS3000_e_21_25.p65 03.10.8, 2:22 PM23

E-24

Turning Local Control On and Off

This setting effectively determines whether or not the

keyboard and pedals of the digital piano are connected to

the digital piano’s sound source, as illustrated below.

MIDI

417A-E-026A

To change the program change number type

While still holding down the CONTROL button,

select the Program Change Mode by pressing one

of the keyboard keys illustrated below.

• A note does not sound when you press a keyboard key

while holding down the CONTROL button.

• See the table on page E-23 for detailed information about

Type 1 and Type 2.

General MIDI

The General MIDI System is a set of specifications for sound

generating devices agreed upon by world MIDI

manufacturers. These specifications were developed to allow

the creation of music data that is not limited to specific

equipment makers and models. Among other things, General

MIDI defines the tone number sequence and the number of

MIDI channels that can be used. Any device equipped with a

sound source that supports General MIDI is able to produce

sounds of similar nuances, regardless of the manufacturer or

model.

The Type 2 program change numbers of this digital piano

assign program numbers to tones so they comply with the

General MIDI System.

Type 2 program change numbers make it possible to receive

General MIDI System data from a connected sequencer or

other device, and play it using the digital piano’s tones. Tone

switching is performed only when a program number that

corresponds to any of the digital piano’s non-bass tones is

received. No tone switching is performed when any other

program number is received.

The table on page E-23 shows the program number

assignments for Type 1 and Type 2.

A5: TYPE 2



5 (black key): TYPE 1

When Local Control is on (the normal setting), anything

played on the keyboard is sounded by the internal sound

source and simultaneously output from the MIDI OUT

terminal. When off, anything played on the keyboard is

output from the MIDI OUT terminal only, without being

sounded by the sound source.

Local Control can be turned off when you are using the digital

piano as the sound source of a connected sequencer or other

device, and you want to guard against sound being produced

should the digital piano keyboard be pressed accidentally.

To turn Local Control on and off

While still holding down the CONTROL button, switch

Local Control on and off by pressing one of the keyboard

keys illustrated below.

Local Control

Pedals

Sound

source

OFF

Keyboard

• A note does not sound when you press a keyboard key

while holding down CONTROL.

NOTE

• Note that no sound will be produced from the digital

piano’s speakers if you press the keyboard while Local

Control is turned off.

• Local Control is turned on automatically whenever you

turn on the digital piano power or play a demo tune.

G5: ON



5 (black key): OFF

PS3000_e_21_25.p65 03.10.8, 2:22 PM24

E-25

MIDI

417A-E-027A

MIDI Data Notes

This section provides details about the MIDI data this digital

piano sends and receives. You can also find further technical

information in the “MIDI Data Format” and “MIDI

Implementation Chart”* at the end of this User’s Guide.

* The MIDI Implementation Chart is a standard format

summary of how data is transferred between this digital

piano and a connected MIDI device.

Keyboard Data (Note On, Note Off,

Note Number, Velocity)

The following four types of keyboard data can be sent and

received.

Data Meaning

Note On Keyboard key is pressed.

Note Off Keyboard key is released.

Note Number Which key is pressed.

Velocity Pressure applied

Tone Change Data (Program Change)

Whenever you change the tone on the digital piano, tone

change data (Program Change) is also sent out as MIDI data.

Conversely, receipt of a Program Change from a connected

MIDI device causes the digital piano to change to the

applicable tone. See “Program Change Number Settings” on

page E-23 for details.

Pedal and Effect Operation Data

(Control Change and Universal System

Exclusive Message)

Control Change is used to send and receive data about

damper, soft, and sostenuto pedal* depress and release

operations, as well as data about digital effects.

* You can connect up to two pedals to this digital piano. You

can also specify either soft or sostenuto as the effect of the

pedal connected to the SOFT/SOSTENUTO jack. Pressing

a pedal connected to the SOFT/SOSTENUTO jack sends

data that corresponds to the effect (soft or sostenuto)

currently selected for the pedal.

PS3000_e_21_25.p65 03.10.8, 2:22 PM25

E-26

Troubleshooting

Symptom Possible Cause Action

Reference

No sound produced when

keyboard keys are pressed.

Keyboard out of tune.

Pedal effect continues to be

applied even though pedals are

not pressed.

No sound produced by demo

tune play.

Memory contents deleted.

No sound produced by

connected external MIDI sound

source when the digital piano

keys are pressed.

1. VOLUME knob set to MIN.

2. Headphones connected to the

piano.

3. Local Control turned off.

1. Transpose is set to a value other

than 0.

2. Incorrect tuning setting

Problem with the connection

between the pedals and piano.

1. VOLUME knob set to MIN.

2. Headphones connected to the

piano.

Lithium battery is dead.

1. The digital piano Keyboard

Channel does not match the

Keyboard Channel of the MIDI

sound source.

2. Volume or expression setting of

the external sound source is set

to 0.

1. Move VOLUME knob more

towards the MAX side.

2. Disconnect the headphones from

the piano.

3. Turn on Local control.

1. Change the transpose setting to

0, or turn the digital piano power

off and then back on again.

2. Correct the tuning setting, or turn

the digital piano power off and

then back on again.

Turn off the digital piano power and

then check to make sure that the

pedal plug is securely connected to

the piano’s PEDAL jack.

1. Move VOLUME knob more

towards the MAX side.

2. Disconnect the headphones from

the piano.

Contact your CASIO Service

Provider for replacement of the

lithium battery.

1. Change the Keyboard Channel

settings so they are identical.

2. Change the volume or expression

setting of the external sound

source to an appropriate value.

Page E-12

Page E-11

Page E-24

Page E-19

Page E-20

Page E-11

Page E-12

Page E-11

Page E-31

Page E-22

See the

documen-

tation that

comes with

the external

sound

source.

417A-E-028B

PS3000_e_26_31.p65 03.10.8, 2:22 PM26

E-27

Assembly Instructions

Figure 1

Caution

• This stand should be assembled by two people working

together.

• When assembling the stand, you should have the piano

standing up with its back facing downwards, as shown in

Figure 3.

• Do not remove the tape securing the keyboard cover in

place until assembly is complete. Removing the tape can

cause the keyboard cover to open and close during

assembly, creating the risk of personal injury to your hands

and fingers.

• During assembly, be sure to exercise sufficient caution to

avoid personal injury.

IMPORTANT!

• Be sure to assemble the stand on a flat surface.

• This stand does not include any of the tools required to

assemble it. You should have a large Phillips head (+)

screwdriver on hand for assembly.

• Check the items that come with the unit to make sure that

everything shown in Figure 1 (A through F) is included.

All screws are in a plastic bag inside of the packing card-

board.

417A-E-029B

• Before starting assembly of the stand, divide the polystyrene

foam packing material into four parts (Figure 2).

Figure 2

쎹8 ·····

쎹1 ·····

쎹8 ·····

A Side panel

B Side panel

c Speaker box

D Screws

҂8

Screw caps

҂8

F Cable clip

҂1

Figure 3

Assembling the Stand

When assembling the stand, you should have the piano

standing up with its back facing downwards.

PREPARATION

• Use the four pieces of polystyrene foam to secure side

panels A and B in place. There should be some space

between the edges of the side panels and the floor as

shown in Figure 3.

• If you do not have any packing material available, use a

magazine or some other thick item.

Polystyrene foam

PS3000_e_26_31.p65 03.10.8, 2:22 PM27

E-28

Assembly Instructions

417A-E-030B

Perform the following steps.

Figure 4

1. Attach side panel A to the piano. Secure the side panel in

place using two screws D (Figure 4).

• Be sure to tighten the screws securely.

2. Attach side panel B to the other side of the piano. Secure

the side panel in place using two screws D (Figure 4).

• In this case, do not tighten the screws all the way. If you

do, you will not be able to insert the speaker box C in

the following steps.

3. Attach speaker box C to side panels A and B .

• Secure the speaker box in place using four screws D

(Figure 4).

4. Lift up the speaker box C so its screw holes align with the

screw holes in the side panels, and then tighten the screws

5. Partially tighten the screws on one side of the speaker box

C and then tighten the screws on the other side completely.

6. Fully tighten the two screws you partially tightened in step

2, above.

7. Next, fully tighten the screws that you partially tightened

on one side of the speaker box.

Figure 5

8. After ensuring that all of the screws are fully tightened,

remove the packing material and stand up the piano (Figure

5).

• Two people, one at either end, should hold the front and

back of the piano when standing it up.

• Connect the cable to the speaker connector (

★

in Figure

5).

• Install the screw caps E on each of the eight screws

(Figure 4, 5) .

D D

★

Figure 6

F Cable clip

9. Attach the cable clip F to the bottom of the piano (Figure

6).

• Use the cable clip to bundle the adapter and pedal cables

together.

• See “Power Supply” on page E-10 for information about

using the cable clip.

PS3000_e_26_31.p65 03.10.8, 2:22 PM28

E-29

Assembly Instructions

Figure 7

417A-E-031A

Protecting the Piano Against Tipping

Over

Locating the piano against a wall is normally enough to

protect it against tipping over. If you need to locate it away

from a wall, be sure to perform the following steps in order

to ensure that it is secure.

1. Remove the metal pieces at the bottom of side panels A

and B.

2. Repositioning the metal pieces so they are facing outwards

reinstall them onto the side panels (Figure 7).

• If you have trouble inserting the bolts that come pre-

installed in the side panels into the joint connector screw

holes, use a screwdriver to rotate the joint connector so

the bolts can enter the holes (

★

in Figure 7).

Attaching the AC Adaptor and

Pedal to the Piano

After assembling the stand, connect the AC adaptor and pedal

to the bottom of the piano. For details, see “Power Supply”

on page E-10 and “Connections” on page E-11.

Side panel

PS3000_e_26_31.p65 03.10.8, 2:22 PM29

E-30

Specifications

417A-E-032A

Model: PS-3000

Keyboard: 88 piano keys (with touch response)

Polyphony: 64 notes, maximum

Tones: 8

Digital Effects: Reverb (4 types), Chorus

Demo Tunes

Number of Tunes: 8

Playback: Repeat (all tunes, one tune)

Memory

Operations: Real-time recording, playback

Capacity: Approximately 2,500 notes (one song)

Memory Backup: Built-in lithium battery (Battery Life: 5 years)

Pedals: Damper, Soft/Sostenuto (Selectable)

Other Functions

Metronome: Beat (6 types), Tempo ( = 30 to 255)

Touch Select: 3 types, off

Transpose: 1 octave (F



to C to F)

Tuning: A4 = 440Hz ±50 cents (adjustable)

MIDI: 16 multi-timbre receive

Input/Output

Headphones: Stereo mini jacks × 2

Pedal: Standard jacks × 2

Power: 12V DC

MIDI (OUT) (IN)

Speakers:

12 cm × 2 (Output: 8.0W + 8.0W)

Power Supply: AC Adaptor : AD-12

Power Consumption: 12V 18W

Dimensions

Piano + Stand: 135.9 × 29.9 × 76.3 cm (53

× 11

× 30

inch)

Weight

Piano + Stand: Approximately 36.5 kg (80.5 lbs)

• Design and specifications are subject to change without notice.

PS3000_e_26_31.p65 03.10.8, 2:22 PM30

E-31

Locating the Unit

Avoid the following locations.

• Areas exposed to direct sunlight and high humidity.

• Areas subjected to very low temperatures.

• Near a radio, TV, video deck, or tuner (unit can cause interference with audio or video signals)

Care of the Unit

• Never use benzene, alcohol, thinner or other such chemicals to clean the exterior of the unit.

• To clean the keyboard, use a soft cloth dampened with a weak solution of a mild neutral detergent and water. Wring out all

excess moisture from the cloth before wiping.

• Severe impact can cause problems.

When transporting the piano, use soft cloth to pack around the keyboard and buttons to protect them against damage.

• Never try to repair or modify any part of the piano.

Any attempt to repair or modify the piano can cause problems with operation.

• Avoid using this piano near televisions, radios, etc.

Because this piano uses digital circuitry, it may cause interference with other electronic devices such as televisions, radios, etc.

• In case of a problem, check that buttons and connections are correct, as indicated in this manual. If the piano still does not work

properly, contact your retailer or a nearby dealer. Never try to repair the piano yourself.

Lithium Battery

This unit is equipped with a lithium battery to provide power needed to retain memory contents while unit power is turned off.

Should the lithium battery go dead, all memory contents will be lost whenever you turn unit power off. The normal life of the

lithium battery is five years from the time that the battery was installed. Be sure to periodically contact your retailer or authorized

service provider to have the lithium battery replaced. Note that you will be charged separately for lithium battery replacement.

• Note that CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising

from corruption or loss of data caused by malfunction or repair of the unit, or from battery replacement.

You may notice lines in the finish of the case of this piano. These lines are the result of the molding process used to shape the

plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.

NOTE

• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising from

use of this product or this manual.

• The contents of this manual are subject to change without notice.

Operational Precautions

417A-E-033A

PS3000_e_26_31.p65 03.10.8, 2:22 PM31

A-1

Appendix/Apéndice

417A-E–067A

Initial Power On Settings

The table below shows the initial settings of the digital piano whenever power is turned on.

Ajustes iniciales al activarse la alimentación

La tabla siguiente muestra los ajustes iniciales del piano digital siempre que se activa la alimentación.

Item Ajuste

Afinación A4 = 440,0Hz

Canal de teclado Canal 1

Control local Activado

Modo de cambio de programa

Tipo 1

Item Ajuste

Sonido GRAND PIANO

Reverberación HALL 1 (GRAND PIANO)

Coro Desactivado (GRAND PIANO)

Selección de toque MIDDLE

TransposiciónC

Item Setting

Tone GRAND PIANO

Reverb HALL 1 (GRAND PIANO)

Chorus Off (GRAND PIANO)

Touch Select MIDDLE

Transpose C

Item Setting

Tuning A4 = 440.0Hz

Keyboard Channel Channel 1

Local Control On

Program Change Mode Type 1

PS3000_es_Appendix.p65 03.10.8, 2:22 PM1

A-2

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Note Number = 00H to 7FH

vv .... Note Off Velocity = 00H to 7FH

Remarks

Note Off Velocity value is ignored.

Send

Format

417A-E–068A

MIDI Data Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

mm .. Data entry MSB value for the parameter that is se-

lected by RPN and NRPN

ll ....... Data entry LSB value for the parameter that is se-

lected by RPN and NRPN

Items marked “★” are receive only.

Channel Messages

Note Messages

Note Off

Recognition

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Note Number = 15H to 6CH

vv .... Note Off Velocity = 40H

Note On

Recognition

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Note Number = 00H to 7FH

vv .... Note Off Velocity = 00H to 7FH

Send

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Note Number = 15H to 6CH

vv .... Note Off Velocity = 01 to 7FH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

mm .. Bank Number MSB = 00H, 02H, 03H, 10H, 18H

ll ....... Bank Number LSB = 00H

Send

A Bank Select message is sent at the same time when you

select a tone on the instrument.

Modulation Wheel

★

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Modulation Depth = 00H to 7FH

Portamento Time

★

Format

Control Change

Bank Select

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Portamento Time = 00H to 7FH

Data Entry

Format

Byte 1 Byte 2 Byte 3

8nH kkH vvH

9nH kkH 00H

Byte 1 Byte 2 Byte 3

BnH 01H vvH

Byte 1 Byte 2 Byte 3

BnH 05H vvH

Byte 1 Byte 2 Byte 3

BnH 00H mmH (Bank Select MSB)

BnH 20H llH (Bank Select LSB)

Byte 1 Byte 2 Byte 3

BnH 06H mmH (Data Entry MSB)

BnH 26H llH (Data Entry LSB)

Byte 1 Byte 2 Byte 3

8nH kkH vvH

Byte 1 Byte 2 Byte 3

9nH kkH vvH

Byte 1 Byte 2 Byte 3

9nH kkH vvH

PS3000_e_MIDI Data.p65 03.10.8, 2:22 PM2

A-3

MIDI Data Format

417A-E–069A

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Pan = 00H (left) to 40H (center) to 7FH (right)

Expression Controller

★

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Expression = 00H to 7FH

Hold 1 (Damper Pedal)

Format

Recognition

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Hold 1 = 00H to 7FH (00H to 3FH:OFF, 40H to

7FH:ON)

Send

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Hold 1 = 00H,7FH(00H:OFF, 7FH:ON)

Portamento

★

Format

Recognition

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Portamento = 00H to 7FH (00H to 3FH:OFF, 40H

to 7FH:ON)

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Volume = 00H to 7FH

Pan

★

Format

Byte 1 Byte 2 Byte 3

BnH 07H vvH

Recognition

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Sostenuto = 00H to 7FH (00H to 3FH:OFF, 40H to

7FH:ON)

Send

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Sostenuto = 00H, 7FH (00H:OFF, 7FH:ON)

Soft

Format

Recognition

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Soft = 00H to 7FH (00H to 3FH:OFF, 40H to

7FH:ON)

Send

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Soft = 00H, 7FH(00H:OFF, 7FH:ON)

Resonance

★

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Filter Resonance = 00H to 7FH

Release Time

★

Format

Channel Volume

★

Format

Sostenuto

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... AMP Release Time = 00H to 7FH

Attack Time

★

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... AMP Attack Time = 00H to 7FH

Byte 1 Byte 2 Byte 3

BnH 0AH vvH

Byte 1 Byte 2 Byte 3

BnH 0BH vvH

Byte 1 Byte 2 Byte 3

BnH 40H vvH

Byte 1 Byte 2 Byte 3

BnH 41H vvH

Byte 1 Byte 2 Byte 3

BnH 42H vvH

Byte 1 Byte 2 Byte 3

BnH 43H vvH

Byte 1 Byte 2 Byte 3

BnH 47H vvH

Byte 1 Byte 2 Byte 3

BnH 48H vvH

Byte 1 Byte 2 Byte 3

BnH 49H vvH

PS3000_e_MIDI Data.p65 03.10.8, 2:22 PM3

A-4

MIDI Data Format

417A-E-070A

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Reverb Send Level = 00H to 7FH

Effect 3 Depth (Chorus Send Level)

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

kk .... Source Note Number = 00H to 7FH

Effect 1 Depth (Reverb Send Level)

Format

See “Vibrato Rate” through “TVF/TVA Envelope Release

Time” for the data entry MSB value range and other details.

NRPN (Non-Registered Parameter Numbers)

★

With the instrument, NRPN are defined as tone editing

parameters and drawbar parameters. The MSB and LSB of

an NRPN specify the parameter being controlled, while the

specified parameter’s value is set in accordance with the

subsequent data entry.

The following table shows the relationship between

parameters and NRPN as defined by the instrument.

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Chorus Send Level = 00H to 7FH

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

pm ... MSB of NRPN

pl ..... LSB of NRPN

Recognition

• NRPN messages not defined by the instrument can also

be received, but subsequent data entry values after

undefined NRPN messages are ignored.

• After the NRPN MSB and LSB are received and the

applicable control parameters settings are made, the

value is set by receipt of the MSB of the subsequent

data entry. The data entry LSB is ignored.

Vibrato Rate

NRPN MSB = 01H

NRPN LSB = 08H

Data Entry MSB = mmH

mm .. Vibrato Rate = 00H to 40H to 7FH (-64 to 0 to +63)

Recognition

When the instrument receives this message, the preset

Vibrato Rate value for the tone is changed to the Vibrato

Rate value that corresponds to the data entry MSB of the

received message. There is no change when the value of

the data entry MSB is 40H(0).

Vibrato Depth

NRPN MSB = 01H

NRPN LSB = 09H

Data Entry MSB = mmH

mm .. Vibrato Depth = 00H to 40H to 7FH (-64 to 0 to

+63)

Recognition

When the instrument receives this message, the preset

Vibrato Depth value for the tone is changed to the value

that corresponds to the data entry MSB of the received

message. There is no change when the value of the data

entry MSB is 40H(0).

Vibrato Delay

NRPN MSB = 01H

NRPN LSB = 0AH

Data Entry MSB = mmH

mm .. Vibrato Delay = 00H to 40H to 7FH (-64 to 0 to +63)

Recognition

When the instrument receives this message, the preset

Vibrato Delay value for the tone is changed to the value

that corresponds to the data entry MSB of the received

message. There is no change when the value of the data

entry MSB is 40H(0).

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Filter Cutoff Frequency = 00H to 7FH

Portamento Control

★

Format

Brightness

★

Format

Byte 1 Byte 2 Byte 3

BnH 4AH vvH

Byte 1 Byte 2 Byte 3

BnH 5AH vvH

Byte 1 Byte 2 Byte 3

BnH 5BH vvH

Byte 1 Byte 2 Byte 3

BnH 5DH vvH

NRPN MSB NRPN LSB

Parameter

01H 08H Vibrato Rate

01H 09H Vibrato Depth

01H 0AH Vibrato Delay

01H 20H TVF Cut Off Frequency

01H 21H TVF Resonance

01H 63H TVF/TVA Envelope Attack Time

01H 64H TVF/TVA Envelope Decay Time

01H 66H

TVF/TVA Envelope Release Time

Byte 1 Byte 2 Byte 3

BnH 63H pmH (MSB)

BnH 62H plH (LSB)

PS3000_e_MIDI Data.p65 03.10.8, 2:22 PM4

A-5

MIDI Data Format

417A-E-071A

Filter/AMP Envelope Release Time

NRPN MSB = 01H

NRPN LSB = 66H

Data Entry MSB = mmH

mm .. Filter/AMP Envelope Release Time = 00H to 40H

to 7FH (-64 to 0 to +63)

Recognition

When the instrument receives this message, the preset

Filter/AMP Envelope Release Time value for the tone is

changed to the value that corresponds to the data entry

MSB of the received message. There is no change when

the value of the data entry MSB is 40H(0).

RPN (Registered Parameter Numbers)

On the instrument, RPNs are defined as settings for the

following parameters.

Filter Cut Off Frequency

NRPN MSB = 01H

NRPN LSB = 20H

Data Entry MSB = mmH

mm .. Cut Off Frequency = 00H to 40H to 7FH (-64 to 0 to

+63)

Recognition

When the instrument receives this message, the preset

Filter Cut off Frequency value for the tone is changed to

the value that corresponds to the data entry MSB of the

received message. There is no change when the value of

the data entry MSB is 40H(0).

Filter Resonance

NRPN MSB = 01H

NRPN LSB = 21H

Data Entry MSB = mmH

mm .. Filter Resonance= 00H to 40H to 7FH (-64 to 0 to

+63)

Recognition

When the instrument receives this message, the preset

Filter Resonance value for the tone is changed to the val-

ue that corresponds to the data entry MSB of the received

message. There is no change when the value of the data

entry MSB is 40H(0).

Filter/AMP Envelope Attack Time

NRPN MSB = 01H

NRPN LSB = 63H

Data Entry MSB = mmH

mm .. Filter/AMP Envelope Attack Time = 00H to 40H

to 7FH (-64 to 0 to +63)

Recognition

When the instrument receives this message, the preset

Filter/AMP Envelope Attack Time value for the tone is

changed to the value that corresponds to the data entry

MSB of the received message. There is no change when

the value of the data entry MSB is 40H(0).

Filter/AMP Envelope Decay Time

NRPN MSB = 01H

NRPN LSB = 64H

Data Entry MSB = mmH

mm .. Filter/AMP Envelope Decay Time = 00H to 40H

to 7FH (-64 to 0 to +63)

Recognition

When the instrument receives this message, the preset

Filter/AMP Envelope Decay Time value for the tone is

changed to the value that corresponds to the data entry

MSB of the received message. There is no change when

the value of the data entry MSB is 40H(0).

The MSB and LSB of an RPN specify the parameter be-

ing controlled, while the specified parameter’s value is

set in accordance with the MSB of the subsequent data

entry.

See “Pitch Bend Sensitivity” through “RPN Null” for the

data entry MSB value range and other details.

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

qm ... MSB of RPN

ql ..... LSB of RPN

Recognition

• RPN messages not defined by the instrument can also

be received, but subsequent data entry values after un-

defined RPN messages are ignored.

• After the MSB and LSB of an RPN are received and the

applicable control parameters settings are made, the

value is set by receipt of the MSB of the subsequent

data entry. The data entry LSB is ignored.

Send

An RPN is sent whenever an operation that changes the

parameter assigned to the RPN is performed.

NRPN MSB NRPN LSB Parameter

00H 00H Pitch Bend Sensitivity

00H 01H Master Fine Tuning

00H 02H Master Coarse Tuning

7FH 7FH RPN Null

Byte 1 Byte 2 Byte 3

BnH 65H qmH (MSB)

BnH 64H qlH (LSB)

PS3000_e_MIDI Data.p65 03.10.8, 2:22 PM5

A-6

417A-E-072A

MIDI Data Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

Receipt of this message immediately mutes all tones play-

ing over the MIDI channels.

Reset All Controller

★

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

Receipt of the Reset All Controller message causes the

following controllers to be reset.

Controller Name Reset Value

Modulation Wheel vvH = 00H

Expression Controller vvH = 7FH

Hold 1 vvH = 00H

Portamento vvH = 00H

Sostenuto vvH = 00H

Soft vvH = 00H

NRPN msb = 7FH, lsb = 7FH

RPN msb = 7FH, lsb = 7FH

Pitch Bend Change llH mmH = 00H 40H

Byte 1 Byte 2

CnH ppH

pp .... Program Number = 00H to 7FH

Send

Program Change messages are sent when you select a

tone on the instrument.

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

ll ....... Pitch Bend Change LSB = 00H to 7FH

mm .. Pitch Bend Change MSB = 00H to 7FH

Recognition

• The value llH mmH is 00H 00H at the lowest pitch,

00H 40H at mid-pitch, and 7FH 7FH at the highest

pitch.

• You have to set both the LSB and MSB together to form

a 14-bit value and make a Pitch Bend Change message

recognized by the instrument.

Channel Mode Message

All Sound Off

★

Format

Pitch Bend Sensitivity

★

RPN MSB = 00H

RPN LSB = 00H

Data Entry MSB = mmH

mm .. Pitch Bend Sensitivity = 00H to 18H (0 to 24 semi-

tones)

Recognition

The data entry LSB is always ignored.

Master Fine Tuning

RPN MSB = 00H

RPN LSB = 01H

Data Entry MSB = mmH

Data Entry LSB = llH

mm ll Master Fine Tuning = 00 00H to 40H 00H to 7FH

7FH (-100 to 0 to +99.99 cents)

Master Coarse Tuning

RPN MSB = 00H

RPN LSB = 02H

Data Entry MSB = mmH

mm .. Master Coarse Tuning = 28H to 40H to 58H (-24 to

0 to +24 semitones)

Recognition

The data entry LSB is always ignored.

RPN Null

RPN MSB = 7FH

RPN LSB = 7FH

Recognition

Once an RPN Null is sent, all received data entry MSBs

and LSBs are ignored until another RPN message other

than RPN Null or an NRPN message is received.

Program Change

Format

Pitch Bend Change

★

Format

Byte 1 Byte 2 Byte 3

EnH llH mmH

Byte 1 Byte 2 Byte 3

BnH 78H 00H

Byte 1 Byte 2 Byte 3

BnH 79H 00H

PS3000_e_MIDI Data.p65 03.10.8, 2:22 PM6

A-7

MIDI Data Format

417A-E-073A

All Note Off

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

Receipt of the All Note Off message mutes all tones be-

ing played by data received over the MIDI channels (note

off).

If Hold 1 or Sostenuto is turned on when the All Note

Off message is received, notes are sustained in accordance

with the corresponding pedal operation.

Send

This message is sent when the CONTROL button is

pressed and when memory playback is stopped.

Omni Mode Off

★

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

Receipt of an Omni Mode On message does not turn on

the instrument Omni Mode. Receipt of an Omni Mode

On message is treated as an All Note Off message.

Omni Mode On

★

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Recognition

Receipt of an Omni Mode On message does not turn on

the instrument Omni Mode. Receipt of an Omni Mode

On message is treated as an All Note Off message.

Mono Mode On

★

Format

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

vv .... Number of Mono Mode Channels = 00H to 10H

Recognition

Receipt of a Mono Mode On message does not turn on

the instrument Mono Mode. Receipt of a Mono Mode On

message is treated as an All Sound Off message.

n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)

Receive

Receipt of a Poly Mode On message by the instrument

sets Channel n to Mode 3 and is processed as if an All

Sound Off message and All Note Off message were re-

ceived.

System Messages

Universal System Exclusive Message

GM System On

★

Format

F0H 7EH 7FH 09H 01H F7H

Send

This message cannot be sent.

Reverb Type

Format

F0 7F 7F 04 05 01 01 01 01 01 00 vv F7

Poly Mode On

★

Format

Byte 1 Byte 2 Byte 3

BnH 7BH 00H

Byte 1 Byte 2 Byte 3

BnH 7CH 00H

Byte 1 Byte 2 Byte 3

BnH 7DH 00H

Byte 1 Byte 2 Byte 3

BnH 7EH vvH

Byte 1 Byte 2 Byte 3

BnH 7FH 00H

Chorus Type

Format

F0 7F 7F 04 05 01 01 01 01 02 00 vv F7

Parameter (vv) Setting GM Level 2 Equivalent

00H ROOM Small Room

02H STAGE Large Room

03H HALL 1 Medium Hall

04H HALL 2 Large Hall

Parameter (vv) Setting GM Level 2 Equivalent

02H CHORUS Chorus 3

PS3000_e_MIDI Data.p65 03.10.8, 2:22 PM7

A-8

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

kk .... Número de nota = 00H a 7FH.

vv .... Velocidad de presión = 00H a 7FH.

Observaciones

El valor de la velocidad de desactivación de nota es

ignorado.

Envío

Formato

417A-E–074A

Formato de datos MIDI

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

mm .. Valor MSB de ingreso de datos para el parámetro

que se selecciona mediante RPN y NRPN.

ll ....... Valor LSB de ingreso de datos para el parámetro

que se selecciona mediante RPN y NRPN.

Solamente se reciben los ítemes marcados con “★” .

Mensajes de canales

Mensajes de nota

Desactivación de nota

Reconocimiento

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

kk .... Número de nota = 15H a 6CH.

vv .... Velocidad de desactivación de nota = 40H.

Nota activada

Reconocimiento

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

kk .... Número de nota = 00H a 7FH.

vv .... Velocidad de desactivación de nota = 00H a 7FH.

Envío

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

kk .... Número de nota = 15H a 6CH.

vv .... Velocidad de desactivación de nota = 01 a 7FH.

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

mm .. MSB de número de banco = 00H, 02H, 03H, 10H,

18H.

ll ....... LSB de número de banco = 00H.

Envío

Un mensaje de selección de banco es enviado al mismo

tiempo cuando selecciona un sonido en el instrumento.

Perilla de modulación

★

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al 16).

vv .... Profundidad de modulación = 00H a 7FH.

Tiempo de portamento

★

Formato

Cambio de control

Selección de banco

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Tiempo de portamento = 00H a 7FH.

Ingreso de datos

Formato

1er. byte 2do. byte 3r. byte

8nH kkH vvH

9nH kkH 00H

1er. byte 2do. byte 3r. byte

BnH 01H vvH

1er. byte 2do. byte 3r. byte

BnH 05H vvH

1er. byte 2do. byte 3r. byte

8nH kkH vvH

1er. byte 2do. byte 3r. byte

9nH kkH vvH

1er. byte 2do. byte 3r. byte

9nH kkH vvH

1er. byte 2do. byte 3r. byte

BnH 00H

mmH (MSB de selección de banco)

BnH 20H

llH (LSB de selección de banco)

1er. byte 2do. byte 3r. byte

BnH 06H

mmH (MSB de ingreso de datos)

BnH 26H

llH (LSB de ingreso de datos)

PS3000_s_MIDI Data.p65 03.10.22, 2:54 PM8

A-9

Formato de datos MIDI

417A-E–075A

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Efecto panorámico = 00H (izquierdo) a 40H (centro)

a 7FH (derecho).

Controlador de expresión

★

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Expresión = 00H a 7FH.

Retención 1 (Pedal amortiguador)

Formato

Reconocimiento

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Retención 1 = 00H a 7FH (00H a 3FH:OFF, 40H a

7FH:ON).

Envío

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Retención 1 = 00H,7FH (00H:OFF, 7FH:ON).

Portamento

★

Formato

Reconocimiento

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Portamento = 00H a 7FH (00H a 3FH:OFF, 40H a

7FH:ON).

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Volumen = 00H a 7FH

Efecto panorámico

★

Formato

1er. byte 2do. byte 3r. byte

BnH 07H vvH

Reconocimiento

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Sostenuto = 00H a 7FH (00H a 3FH:OFF, 40H a

7FH:ON).

Envío

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Sostenuto = 00H,7FH (00H:OFF, 7FH:ON).

Suave

Formato

Reconocimiento

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Suave = 00H a 7FH (00H a 3FH:OFF, 40H a

7FH:ON).

Envío

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Suave = 00H,7FH (00H:OFF, 7FH:ON).

Resonancia

★

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Filtro de resonancia TVF = 00H a 7FH.

Tiempo de liberación

★

Formato

Volumen de canal

★

Formato

Sostenuto

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Tiempo de liberación AMP = 00H a 7FH.

Tiempo de ataque

★

Formato

n .......

Número de canal de voz = 0H a FH (canal 1 al canal 16).

vv .... Tiempo de ataque de AMP = 00H a 7FH.

1er. byte 2do. byte 3r. byte

BnH 0AH vvH

1er. byte 2do. byte 3r. byte

BnH 0BH vvH

Byte 1 Byte 2 Byte 3

BnH 40H vvH

1er. byte 2do. byte 3r. byte

BnH 41H vvH

1er. byte 2do. byte 3r. byte

BnH 42H vvH

1er. byte 2do. byte 3r. byte

BnH 43H vvH

1er. byte 2do. byte 3r. byte

BnH 47H vvH

1er. byte 2do. byte 3r. byte

BnH 48H vvH

1er. byte 2do. byte 3r. byte

BnH 49H vvH

PS3000_s_MIDI Data.p65 03.10.22, 2:54 PM9

A-10

Formato de datos MIDI

417A-E-076A

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Nivel de envío de reverberación = 00H a 7FH.

Profundidad de efecto 3 (Nivel de envío de coro)

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

kk .... Número de nota de fuente = 00H a 7FH.

Profundidad de efecto 1 (Nivel de envío de reverberación)

Formato

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Nivel de envío de coro = 00H a 7FH.

NRPN (Números de parámetros sin registrar)

★

Con el instrumento, los NRPN son definidos como parámetros

de edición de sonido y parámetros de barra de arrastre. Los

MSB y LSB de un NRPN especifican el parámetro que está sien-

do controlado, mientras el valor del parámetro especificado se

ajusta de acuerdo con el ingreso de dato subsiguiente.

La tabla siguiente muestra la relación entre los parámetros y

NRPN como lo define el instrumento.

n ....... Número de canal de voz = 0H a FH (canal 1 al canal

16).

vv .... Frecuencia de corte de filtro = 00H a 7FH.

Control de portamento

★

Formato

Brillo

★

Formato

1er. byte 2do. byte 3r. byte

BnH 4AH vvH

1er. byte 2do. byte 3r. byte

BnH 5AH vvH

1er. byte 2do. byte 3r. byte

BnH 5BH vvH

1er. byte 2do. byte 3r. byte

BnH 5DH vvH

NRPN MSB NRPN LSB

Parámetro

01H 08H Régimen de vibrato

01H 09H Profundidad de vibrato

01H 0AH Retardo de vibrato

01H 20H Frecuencia de corte de TVF

01H 21H Resonancia de TVF

01H 63H Tiempo de ataque de envolvente

TVF/TVA.

01H 64H Tiempo de extinción de

envolvente TVF/TVA.

01H 66H Tiempo de liberación de

envolvente TVF/TVA.

Para la gama de valores de ingreso de datos y otros detalles

vea “Regimen de vibrato” a “Tiempo de liberacion de en-

volvente de TVF/TVA”.

Formato

1er. byte 2do. byte 3r. byte

BnH 63H pmH (MSB)

BnH 62H plH (LSB)

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

pm ... MSB de NRPN.

pl ..... LSB de NRPN.

Reconocimiento

• Los mensajes NRPN no definidos por el instrumento

también pueden ser recibidos, pero los valores de

ingreso de datos subsiguientes después de los mensajes

NRPN sin definir son ignorados.

• Después que se reciben los NRPN MSB y LSB y se

realizan los ajustes de parámetros de control

aplicable, el valor se ajusta por la recepción del MSB

del ingreso de datos subsiguientes. El ingreso de

datos LSB es ignorado.

Régimen de vibrato

NRPN MSB = 01H

NRPN LSB = 08H

MSB de ingreso de datos = mmH

mm .. Régimen de vibrato = 00H a 40H a 7FH (-64 a 0 a

+63).

Reconocimiento

Cuando el instrumento recibe este mensaje, el valor de

régimen de vibrato para el sonido es cambiado al valor

de régimen de vibrato que corresponde al MSB de ingreso

de datos del mensaje recibido. No hay cambio cuando el

valor de MSB de ingreso de datos es 40H(0).

Profundidad de vibrato

NRPN MSB = 01H

NRPN LSB = 09H

MSB de ingreso de datos = mmH

mm .. Profundidad de vibrato = 00H a 40H a 7FH (-64 a 0

a +63).

Reconocimiento

Cuando el instrumento recibe este mensaje, el valor de

profundidad de vibrato para el sonido es cambiado al

valor que corresponde al MSB de ingreso de datos del

mensaje recibido. No hay cambio cuando el valor de MSB

de ingreso de datos es 40H(0).

Extinción de vibrato

NRPN MSB = 01H

NRPN LSB = 0AH

MSB de ingreso de datos = mmH

mm .. Extinción de vibrato = 00H a 40H a 7FH (-64 a 0 a

+63).

PS3000_s_MIDI Data.p65 03.10.22, 2:54 PM10

A-11

Formato de datos MIDI

417A-E-077A

Reconocimiento

Cuando el instrumento recibe este mensaje, el valor de

extinción de vibrato preajustado para el sonido es

cambiado al valor que corresponde al MSB de ingreso de

datos del mensaje recibido. No hay cambio cuando el

valor de MSB de ingreso de datos es 40H(0).

Frecuencia de corte de filtro

NRPN MSB = 01H

NRPN LSB = 20H

MSB de ingreso de datos = mmH

mm .. Frecuencia de corte = 00H a 40H a 7FH (-64 a 0 a

+63).

Reconocimiento

Cuando el instrumento recibe este mensaje, el valor de

frecuencia de corte de filtro para el sonido es cambiado

al valor que corresponde al MSB de ingreso de datos del

mensaje recibido. No hay cambio cuando el valor de MSB

de ingreso de datos es 40H(0).

Filtro de resonancia

NRPN MSB = 01H

NRPN LSB = 21H

MSB de ingreso de datos = mmH

mm .. Filtro de resonancia = 00H a 40H a 7FH (-64 a 0 a

+63).

Reconocimiento

Cuando el instrumento recibe este mensaje, el valor de

resonancia de filtro preajustado para el sonido es

cambiado al valor que corresponde al MSB de ingreso de

datos del mensaje recibido. No hay cambio cuando el

valor de MSB de ingreso de datos es 40H(0).

Tiempo de ataque de envolvente de AMP/Filtro

NRPN MSB = 01H

NRPN LSB = 63H

MSB de ingreso de datos = mmH

mm .. Tiempo de ataque de envolvente de AMP/Filtro =

00H a 40H a 7FH (-64 a 0 a +63).

Reconocimiento

Cuando el instrumento recibe este mensaje, el valor del

tiempo de ataque de envolvente AMP/Filtro para el

sonido es cambiado al valor que corresponde al MSB de

ingreso de datos del mensaje recibido. No hay cambio

cuando el valor de MSB de ingreso de datos es 40H(0).

Tiempo de extinción de envolvente de AMP/Filtro

NRPN MSB = 01H

NRPN LSB = 64H

MSB de ingreso de datos = mmH

mm ..

Tiempo de extinción de envolvente de AMP/Filtro

= 00H a 40H a 7FH (-64 a 0 a +63).

NRPN MSB NRPN LSB Parámetros

00H 00H

Sensibilidad de

inflexión de altura tonal

00H 01H

Afinación fina maestra

00H 02H

Afinación gruesa maestra

7FH 7FH

RPN nulo

Los MSB y LSB de un RPN especifican el parámetro que

está siendo controlado, mientras el valor de parámetro

especificado se ajusta de acuerdo con el MSB del ingreso

de datos subsiguientes.

Para la gama de valores MSB y otros detalles vea

“Sensibilidad de inflexión de altura tonal” al “RPN nulo”.

Formato

1er. byte 2do. byte 3r. byte

BnH 65H qmH (MSB)

BnH 64H qlH (LSB)

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

pm ... MSB de RPN.

pl ..... LSB de RPN.

Reconocimiento

• Los mensajes RPN no definidos por el instrumento

también pueden ser recibidos, pero los valores de

ingreso de datos subsiguientes después de los mensajes

RPN sin definir son ignorados.

• Después que se reciben los MSB y LSB de un RPN y se

realizan los ajustes de parámetros de control aplicable,

el valor se ajusta mediante la recepción del MSB del

ingreso de datos subsiguientes. El ingreso de datos LSB

es ignorado.

Reconocimiento

Cuando el instrumento recibe este mensaje, el valor del

tiempo de extinción de envolvente de AMP/Filtro para

el sonido es cambiado al valor que corresponde al MSB

de ingreso de datos del mensaje recibido. No hay cambio

cuando el valor de MSB de ingreso de datos es 40H(0).

Tiempo de liberación de envolvente de AMP/Filtro

NRPN MSB = 01H

NRPN LSB = 66H

MSB de ingreso de datos = mmH

mm ..

Tiempo de liberación de envolvente de AMP/Filtro

= 00H a 40H a 7FH (-64 a 0 a +63).

Reconocimiento

Cuando el instrumento recibe este mensaje, el valor del

tiempo de liberación de envolvente de AMP/Filtro para

el sonido es cambiado al valor que corresponde al MSB

de ingreso de datos del mensaje recibido. No hay cambio

cuando el valor de MSB de ingreso de datos es 40H(0).

RPN (Números de parámetros registrados)

En el instrumento, los RPN son definidos como ajustes para

los parámetros siguientes.

PS3000_s_MIDI Data.p65 03.10.22, 2:54 PM11

A-12

417A-E-078A

Formato de datos MIDI

1er. byte 2do. byte

CnH ppH

pp .... Número de programa = 00H a 7FH

Envío

Los mensaje de cambio de programa son enviados cuando

selecciona un sonido en el instrumento.

1er. byte 2do. byte 3r. byte

EnH llH mmH

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

ll ....... LSB de cambio de inflexión de altura tonal = 00H a

7FH.

mm .. MSB de cambio de inflexión de altura tonal = 00H

a 7FH.

Reconocimiento

• El valor 11H mmH es 00H 00H en la altura tonal más

baja, 00H 40H en la altura tonal media y 7FH 7FH en la

altura tonal más alta.

• Para formar un valor de 14 bit para hacer que el mensaje

de cambio de altura tonal sea reconocido por el

instrumento, tiene que ajustar LSB y MSB juntos.

Mensaje de modo de canal

Todos los sonidos desactivados

★

Formato

1er. byte 2do. byte 3r. byte

BnH 78H 00H

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

Reconocimiento

La recepción de este mensaje silencia inmediatamente

todos los sonidos que se ejecutan sobre los canales MIDI.

Controlador de reposición completa

★

Formato

1er. byte 2do. byte 3r. byte

BnH 79H 00H

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

Reconocimiento

La recepción del mensaje del controlador de reposición

completa ocasiona que los controladores siguientes se

reposicionen.

Envío

Un RPN es enviado siempre que una operación cambia

el parámetro asignado al RPN.

Sensibilidad de inflexión de altura tonal

★

NRPN MSB = 00H

NRPN LSB = 00H

MSB de ingreso de datos = mmH

mm .. Sensibilidad de inflexión de altura tonal = 00H a

18H (0 a 24 semitonos).

Reconocimiento

El LSB de ingreso de datos es siempre ignorado.

Afinación fina maestra

RPN MSB = 00H

RPN LSB = 01H

MSB de ingreso de datos = mmH

LSB de ingreso de datos = 11H

mm ll ... Afinación fina maestra = 00 00H a 40H 00H a

7FH 7FH (-100 a 0 a +99,99 centésimas).

Afinación gruesa maestra

RPN MSB = 00H

RPN LSB = 02H

MSB de ingreso de datos = mmH

mm ... Afinación fina maestra = 28H a 40H a 58H (-24 a 0

a +24 semitonos).

Reconocimiento

El LSB de ingreso de datos siempre es ignorado.

RPN nulo

RPN MSB = 7FH

RPN LSB = 7FH

Reconocimiento

Una vez que se envía un RPN nulo, todos los MSB y LSB

de ingreso de datos recibidos son ignorados, hasta que

se reciba otro mensaje RPN diferente a RPN nulo o un

mensaje NRPN.

Cambio de programa

Formato

Nombre de controlador Valor de reposición

Perilla de modulación vvH = 00H

Controlador de expresión vvH = 7FH

Retención 1 vvH = 00H

Portamento vvH = 00H

Sostenuto vvH = 00H

Suave vvH = 00H

NRPN msb = 7FH, lsb = 7FH

RPN msb = 7FH, lsb = 7FH

Cambio de inflexión de altura tonal

llH mmH = 00H 40H

Cambio de inflexión de altura tonal

★

Formato

PS3000_s_MIDI Data.p65 03.10.22, 2:54 PM12

A-13

Formato de datos MIDI

417A-E-079A

Desactivación de nota completa

Formato

1er. byte 2do. byte 3r. byte

BnH 7BH 00H

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

Reconocimiento

La recepción del mensaje de desactivación de nota

completa silencia todos los sonidos que están siendo

reproducidos por los datos recibidos sobre los canales

MIDI (desactivación de nota).

Si retención 1 o sostenuto es activado cuando se recibe

el mensaje de desactivación de nota completa, las notas

son sostenidas de acuerdo con la operación de pedal

correspondiente.

Envío

Este mensaje es enviado cuando se presiona el botón

CONTROL y caundo se para la reproducción de la

memoria.

Desactivación de modo Omni

★

Formato

1er. byte 2do. byte 3r. byte

BnH 7CH 00H

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

Reconocimiento

La recepción del mensaje de activación de modo Omni

no activa el modo Omni del instrumento. La recepción

de un mensaje de activación del modo Omni es tratado

como un mensaje de desactivación de nota completa.

Activación del modo Omni

★

Formato

1er. byte 2do. byte 3r. byte

BnH 7DH 00H

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

Reconocimiento

La recepción del mensaje de activación de modo Omni

no activa el modo Omni del instrumento. La recepción

de un mensaje de activación del modo Omni es tratado

como un mensaje de desactivación de nota completa.

Activación de modo monofónico

★

Formato

1er. byte 2do. byte 3r. byte

BnH 7EH vvH

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

vv .... Número de canales del modo monofónico = 00H a

10H.

Reconocimiento

La recepción de un mensaje de activación de modo

monofónico no activa el modo monofónico del

instrumento. La recepción de un mensaje de activación

del modo monofónico es tratado como un mensaje de

desactivación de sonido completo.

Activación de modo polifónico

★

Formato

1er. byte 2do. byte 3r. byte

BnH 7FH 00H

n ....... Número de canal de voz = 0H a FH (canal 1 al ca-

nal 16).

Recepción

La recepción de un mensaje de activación de modo

polifónico por el instrumento ajusta el canal n al modo 3,

y es procesado como si se estuviera recibiendo un mensaje

de desactivación de sonido completo y mensaje de

desactivación de nota completa.

Mensajes de sistema

Mensaje exclusivo de sistema universal

Activación del sistema GM

★

Formato

F0H 7EH 7FH 09H 01H F7H

Envío

Este mensaje no puede ser enviado.

Tipo de reverberación

Formato

F0 7F 7F 04 05 01 01 01 01 01 00 vv F7

Parámetro (vv) Ajuste

Equivalente al nivel GM 2

00H ROOM Small Room

02H STAGE Large Room

03H HALL 1 Medium Hall

04H HALL 2 Large Hall

Tipo de coro

Formato

F0 7F 7F 04 05 01 01 01 01 02 00 vv F7

Parámetro (vv) Ajuste

Equivalente al nivel GM 2

02H CHORUS Chorus 3

PS3000_s_MIDI Data.p65 03.10.22, 2:54 PM13

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417A-E-080A

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417A-E-081A

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417A-E-082A

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417A-E-083A

PS3000_s_MIDI Data.p65 03.10.22, 2:54 PM17

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417A-E-084A

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417A-E-085A

PS3000_s_MIDI Data.p65 03.10.22, 2:54 PM19

417A-E-086A

Model PS-3000

MIDI Implementation Chart

Version: 1.0

Function ..

Transmitted

Recognized

Remarks

Basic Default

Channel Changed

Default

Mode Messages

Altered

Note

Number: True voice

Velocity Note ON

Note OFF

After Key’s

Touch Ch’s

Pitch Bend

0, 32

Control 5

Change 6, 38

1-16

Mode 3

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

21-108

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

9nH V = 1-127

8nH V = 64

** = no relation

Bank select

Modulation

Portamento Time

Data entry

Volume

Pan

Expression

Damper

Portamento

Sostenuto

Soft

Resonance

Release Time

Attack Time

Brightness

Portamento Control

Reverb send

1-16

Mode 3

0-127

9nH V = 1-127

9nH V = 0, 8nH V =

PS3000_es_MIDI Chart.p65 03.10.8, 2:22 PM2

417A-E-087A

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO

: Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

: No

98, 99

100, 101

120

121

Program

Change: True #

System Exclusive

System : Song Pos

Common : Song Sel

: Tune

System : Clock

Real Time : Commands

Aux : Local ON/OFF

: All notes OFF

Messages : Active Sense

: System Reset

Remarks

0-7

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

Brightness

Portamento Control

Reverb send

Chorus send

NRPN LSB, MSB

RPN LSB, MSB

All sound off

Reset all controller

Equipped with General MIDI

compatible mode (switchable

type).

0-7

Fine tune and coarse tune send/receive, and RPN Null, pitch bend sense, vibrato rate, vibrato depth,

vibrato delay, Filter cut off frequency, Filter resonance, Filter/AMP envelope attack time, Filter/AMP

envelope decay time and Filter/AMP envelope release time receives

GM System On [F0][7E][7F][09][01][F7]

Reverb Type [F0][7F][7F][04][05][01][01][01][01][01][00][XX][F7]

XX=00:ROOM, 02:STAGE, 03:HALL 1, 04:HALL 2

Chorus Type [F0][7F][7F][04][05][01][01][01][01][02][00][YY][F7]

YY=02:CHORUS

PS3000_es_MIDI Chart.p65 03.10.8, 2:22 PM3

This recycle mark indicates that the packaging conforms to

the environmental protection legislation in Germany.

Esta marca de reciclaje indica que el empaquetado conforma

a la legislación de protección ambiental en Alemania.

MA0305-B Printed in China

PS3000-ES-1

CASIO COMPUTER CO.,LTD.

6-2, Hon-machi 1-chome

Shibuya-ku, Tokyo 151-8543, Japan

PS3000_es_cover.p65 03.10.8, 2:22 PM2

Casio PS-3000 Piano

Product's Documents

User’s guide

Specifications

Casio PS-3000 Questions and Answers