Advanced User Guide
These operating instructions assume you are using
EOS-1D X Mark III firmware version 1.4.0 or later.
E
CT2-D061-E
© CANON INC. 2021
Contents
Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Package Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Instruction Manuals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Quick Start Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
About This Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Compatible Cards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Safety Instructions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Handling Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Part Names. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Software. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Preparation and Basic Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Charging the Battery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Inserting/Removing Batteries. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Inserting/Removing Cards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Turning on the Power. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Attaching/Detaching Lenses. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Basic Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Menu Operations and Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Quick Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Touch-Screen Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Shooting Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
P: Program AE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Tv: Shutter-priority AE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Av: Aperture-priority AE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
M: Manual Exposure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
bulb: Long (Bulb) Exposures. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Shooting and Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Still Photo Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Tab Menus: Still Photo Shooting (Viewfinder Shooting). . . . . . . . . . . . . . . . 120
White Balance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Custom White Balance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
White Balance Correction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Color Space. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Picture Style Selection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Picture Style Customization. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Picture Style Registration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Clarity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Lens Aberration Correction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Image Quality. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
ISO Speed Settings for Still Photos. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Auto Lighting Optimizer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Long Exposure Noise Reduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
High ISO Speed Noise Reduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Highlight Tone Priority. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Image Review. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Shutter Release Without Card. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Mirror Lockup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Dust Delete Data Acquisition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Shooting With Speedlites. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Flash Function Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Anti-Flicker Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Multiple Exposures. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
HDR PQ Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
Metering Mode Selection. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Manual Exposure Compensation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Auto Exposure Bracketing (AEB). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Exposure Lock (AE Lock). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Using the Eyepiece Shutter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236
Using a Remote Switch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Still Photo Shooting (Live View Shooting). . . . . . . . . . . . . . . . . . . . . . . . . 238
Tab Menus: Still Photo Shooting (Live View Shooting). . . . . . . . . . . . . . . . . 239
Live View Shooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Shutter Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245
Exposure Simulation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Metering Timer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248
General Live View Shooting Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Movie Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Tab Menus: Movie Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Movie Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Movie Recording Quality. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
Sound Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 283
Time Code. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Canon Log Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Movie Digital IS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 300
Other Menu Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
General Movie Recording Precautions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 307
AF/Drive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309
Tab Menus: AF Tab (Viewfinder Shooting). . . . . . . . . . . . . . . . . . . . . . . . . . 310
Tab Menus: AF Tab (Live View Shooting). . . . . . . . . . . . . . . . . . . . . . . . . . . 313
Tab Menus: AF Tab (Movie Recording). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 316
AF Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Selecting the AF Area and AF Point (Viewfinder Shooting). . . . . . . . . . . . . . 323
AF Area Selection Modes (Viewfinder Shooting). . . . . . . . . . . . . . . . . . . . . . 331
Selecting the AF Method (Live View Shooting). . . . . . . . . . . . . . . . . . . . . . . 340
AI Servo AF/Servo AF Characteristics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 359
Customizing AF Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 370
AF Microadjustment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
Manual Focus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402
Selecting the Drive Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 410
Using the Self-Timer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413
Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415
Tab Menus: Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 417
Image Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
Magnified Image Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424
Index Display (Multiple-Image Display). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427
Voice Memo Recording and Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Movie Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 435
Editing a Movie's First and Last Scenes. . . . . . . . . . . . . . . . . . . . . . . . . . . . 438
4K Movie Frame Grab. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441
Playback on a TV Set. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443
Protecting Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 445
Rotating Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 451
Erasing Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453
Print Ordering (DPOF). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 460
Copying Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 466
Converting HEIF to JPEG. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 474
RAW Image Processing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 476
Cropping JPEG Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 484
Resizing JPEG Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 487
Rating Images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 489
Slide Show. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 495
Setting Image Search Conditions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 498
Browsing Images with the Main Dial. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 502
Customizing Playback Information Display. . . . . . . . . . . . . . . . . . . . . . . . . . 504
Displaying the Highlight Alert. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508
AF Point Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 509
Playback Grid. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 510
HDMI HDR Output. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 511
Communication Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 512
Tab Menus: Communication Functions Tab. . . . . . . . . . . . . . . . . . . . . . . . . 513
Available Communication Functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 514
Camera Connect Communication from Smartphones. . . . . . . . . . . . . . . . . . 516
Wi-Fi Connections with a Computer Using EOS Utility. . . . . . . . . . . . . . . . . 552
Basic Communication Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 559
Image Transfer to FTP Servers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 597
Remote Control (EOS Utility). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 626
Controlling the Camera with Browser Remote. . . . . . . . . . . . . . . . . . . . . . . . 643
Ending Connections or Reconnecting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 670
Checking and Editing Network Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 673
Syncing Time Between Cameras. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 695
GPS Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 701
Reference. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 709
Troubleshooting
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 716
Resetting Communication Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 732
Set-up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 733
Tab Menus: Set-up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 734
Selecting Cards for Recording/Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . 738
Folder Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 744
File Numbering. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 748
File Naming. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 753
Auto Rotate. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 756
Formatting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 758
Display Brightness. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 761
Display Color Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 762
Auto Power Off. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 763
Date/Time/Zone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 764
Language. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 768
Viewfinder Information Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 769
<INFO> Button Display Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 775
Custom Quick Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 779
Shooting Information Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 786
Shutter Button Function for Movies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 791
UI Magnification. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 793
Help. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 794
Video System. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 797
Touch Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 798
Beeps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 800
Battery Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 801
Sensor Cleaning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 803
HDMI Resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 808
Save/Load Settings on Card. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 809
Custom Shooting Mode (C1-C3). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 812
Resetting Camera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 815
Copyright Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 817
System Status Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 820
Other Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 824
Custom Functions/My Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 825
Tab Menus: Customization. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 826
Custom Function Setting Items. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 832
Custom Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 857
Tab Menus: My Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 879
Registering My Menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 880
Reference. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 887
Importing Images to a Computer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 888
Troubleshooting Guide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 892
Error Codes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 907
Compatible Lenses and Autofocusing (Viewfinder Shooting). . . . . . . . . . . . 908
System Map. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 927
Performance Data. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 929
Information Display. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 935
Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 948
Trademarks and Licensing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 964
Introduction
Before starting to shoot, be sure to read the following
To avoid shooting problems and accidents, first read the
Safety Instructions and Handling
Precautions. Also read this Advanced User Guide carefully to ensure that you use the
camera correctly.
Take some test shots, and understand about product liability
After shooting, play images back and check whether they have been properly recorded. If
the camera or memory card is faulty and the images cannot be recorded or downloaded to a
computer, Canon cannot be held liable for any loss or inconvenience caused.
Copyrights
Unauthorized public use of images captured with the camera that include copyrighted
subjects may be prohibited by law. Also be aware that certain public performances,
exhibitions, etc. may prohibit photography even for private enjoyment.
Firmware version
Outdated firmware will prevent you from using Browser Remote. In this case, download the
latest version from the Canon website and update the firmware.
Connecting other devices
Use the included interface cable or a Canon cable when connecting the camera to a
computer or other device. When connecting an interface cable, also use the included
cable protector (
).
• Package Contents
• Instruction Manuals
• Quick Start Guide
• About This Guide
• Compatible Cards
• Safety Instructions
• Handling Precautions
• Part Names
• Software
8
Package Contents
Before use, make sure the following items are included in the package. If anything is
missing, contact your dealer.
Camera
(with body cap and battery compartment cap)
Eyecup Eg
Battery Pack LP-E19
(with protective cover)
Battery Charger LC-E19
(with protective cover)
Strap
Interface Cable
9
Cable Protector
The camera does not come with a memory card ( ) or HDMI cable.
Attach Eyecup Eg to the viewfinder eyepiece.
Be careful not to lose any of these items.
No software CD-ROM is included. Software ( ) can be downloaded from the Canon
website.
Caution
The transmission rate when the included interface cable is used is equivalent to
SuperSpeed USB (USB 3.1 Gen 1).
10
Instruction Manuals
The Instruction Manual included with the camera describes camera features and
provides instructions up to turning the camera on.
Advanced User Guide
Complete instructions are provided in this Advanced User Guide.
For the latest Advanced User Guide, refer to the following website.
https://cam.start.canon/C001/
Lens/Software Instruction Manual
Download from the following website.
https://cam.start.canon/
Note
Select [ : Manual/software URL] to display the QR code on the camera screen.
11
Focus on the subject ( ).
Look through the viewfinder and center the subject on the screen.
Press the shutter button halfway, and the camera will focus on the
subject.
Take the picture ( ).
Press the shutter button completely to take the picture.
Review the picture.
The image just captured will be displayed for approx. 2 sec. on the
screen.
To display the image again, press the < > button ( ).
To shoot while looking at the screen, see Live View Shooting.
14
7.
8.
9.
About This Guide
Icons in This Guide
Basic Assumptions for Operational Instructions and Sample Photos
Icons in This Guide
<
>
Indicates the Main dial.
<
>
Indicates the Quick control dial.
<
>
Indicates the Multi-controller.
<
>
Indicates the Smart controller.
<
>
Indicates the Set button.
*
Indicates the duration (in * seconds) of the operation for the button you pressed, as
timed after you release the button.
In addition to the above, the icons and symbols used on the camera's buttons and
displayed on the screen are also used in this guide when discussing relevant operations
and functionality.
Links to pages with related topics.
Warning to prevent shooting problems.
Supplemental information.
Tips or advice for better shooting.
Troubleshooting advice.
15
Basic Assumptions for Operational Instructions and
Sample Photos
Before following any instructions, make sure the power switch is set to < > ( ).
It is assumed that all the menu settings and Custom Functions are set to their defaults.
Illustrations in this guide show the camera with the EF 50mm f/1.8 STM lens attached as
an example.
Sample photos in this guide are only for illustration.
16
Compatible Cards
The following cards can be used with the camera regardless of capacity. If the card is new
or was previously formatted (initialized) by another camera or computer, format the
card with this camera (
).
CFexpress cards
Type-B compatible
Cards That Can Record Movies
When recording movies, use a card with ample performance (fast enough writing and
reading speeds) for the movie recording quality (
).
In this guide, “card” refers to CFexpress cards.
* A card is not included. Please purchase it separately.
17
WARNING:
Safety Instructions
Be sure to read these instructions in order to operate the product safely.
Follow these instructions to prevent injury or harm to the operator of the product or others.
Denotes the risk of serious injury or death.
Keep the product out of the reach of young children.
A strap wrapped around a person's neck may result in strangulation.
The parts or provided items of cameras or accessories are dangerous if swallowed. If
swallowed, seek immediate medical assistance.
The battery is dangerous if swallowed. If swallowed, seek immediate medical assistance.
Use only power sources specified in this instruction manual for use with the product.
Do not disassemble or modify the product.
Do not expose the product to strong shocks or vibration.
Do not touch any exposed internal parts.
Stop using the product in any case of unusual circumstances such as the presence of
smoke or a strange smell.
Do not use organic solvents such as alcohol, benzine or paint thinner to clean the
product.
Do not get the product wet. Do not insert foreign objects or liquids into the product.
Do not use the product where flammable gases may be present.
This may cause electric shock, explosion or fire.
Do not leave a lens or a camera/camcorder with a lens attached, exposed without the
lens cap attached.
The lens may concentrate the light and cause fire.
For products featuring a viewfinder, do not look through the viewfinder at strong light
sources such as the sun on a bright day or lasers and other strong artificial light
sources.
This may harm your vision.
Do not touch the product connected to a power outlet during lightning storms.
This may cause electric shock.
Observe the following instructions when using commercially available batteries or
provided battery packs.
• Use batteries/battery packs only with their specified product.
• Do not heat batteries/battery packs or expose them to fire.
• Do not charge batteries/battery packs using non-authorized battery chargers.
• Do not expose the terminals to dirt or let them come into contact with metallic pins
or other metal objects.
• Do not use leaking batteries/battery packs.
• When disposing of batteries/battery packs, insulate the terminals with tape or other
means.
This may cause electric shock, explosion or fire.
If a battery/battery pack leaks and the material contacts your skin or clothing, flush the
exposed area thoroughly with running water. In case of eye contact, flush thoroughly with
copious amounts of clean running water and seek immediate medical assistance.
18
Observe the following instructions when using a battery charger.
• Periodically remove any dust buildup from the power plug and power outlet using a
dry cloth.
• Do not plug in or unplug the product with wet hands.
• Do not use the product if the power plug is not fully inserted into the power outlet.
• Do not expose the power plug and terminals to dirt or let them come into contact
with metallic pins or other metal objects.
Do not place heavy objects on the power cord. Do not damage, break or modify the
power cord.
Do not wrap the product in cloth or other materials when in use or shortly after use when
the product is still warm in temperature.
Do not unplug the product by pulling the power cord.
Do not leave the product connected to a power source for long periods of time.
Do not charge batteries/battery packs at temperatures outside the range of 5 - 40 °C
(41 - 104 °F).
This may cause electric shock, explosion or fire.
Do not allow the product to maintain contact with the same area of skin for extended
periods of time during use.
This may result in low-temperature contact burns, including skin redness and blistering,
even if the product does not feel hot. The use of a tripod or similar equipment is
recommended when using the product in hot places and for people with circulation problems
or less sensitive skin.
Follow any indications to turn off the product in places where its use is forbidden.
Not doing so may cause other equipment to malfunction due to the effect of electromagnetic
waves and even result in accidents.
19
CAUTION:
Denotes the risk of injury.
Do not fire the flash near the eyes.
It may hurt the eyes.
Do not look at the screen or through the viewfinder for prolonged periods of time.
This may induce symptoms similar to motion sickness. In such a case, stop using the
product immediately and rest for a while before resuming use.
Flash emits high temperatures when fired. Keep fingers, any other part of your body,
and objects away from the flash unit while taking pictures.
This may cause burns or malfunction of the flash.
Do not leave the product in places exposed to extremely high or low temperatures.
The product may become extremely hot/cold and cause burns or injury when touched.
Strap is intended for use on the body only. Hanging the strap with any product attached
on a hook or other object may damage the product. Also, do not shake the product or
expose the product to strong impacts.
Do not apply strong pressure on the lens or allow an object to hit it.
This may cause injury or damage to the product.
Only mount the product on a tripod that is sufficiently sturdy.
Do not carry the product when it is mounted on a tripod.
This may cause injury or may result in an accident.
Do not touch any parts inside the product.
This may cause injury.
If any abnormal skin reaction or irritation occurs during or following the use of this
product, refrain from further use and get medical advice/attention.
20
Handling Precautions
Camera care
This camera is a precision instrument. Do not drop it or subject it to physical shock.
The camera is not waterproof and cannot be used underwater.
To maximize the camera's dust- and drip- resistance, keep the terminal cover, battery
release handle, card slot cover, and all other covers firmly closed.
This camera is designed to be dust- and drip- resistant, in order to help prevent sand,
dust, dirt, or water that falls on it unexpectedly from getting inside, but it is impossible to
prevent dirt, dust, water, or salt from getting inside at all. As far as possible, do not allow
dirt, dust, water, or salt to get on the camera.
If water gets on the camera, wipe it off with a dry and clean cloth. If dirt, dust, or salt gets
on the camera, wipe it off with a clean, well-wrung wet cloth.
Using the camera in dusty or dirty locations may lead to damage.
Cleaning the camera after use is recommended. Allowing dirt, dust, water, or salt to
remain on the camera may cause a malfunction.
If you accidentally drop the camera into water or are concerned that moisture (water),
dirt, dust, or salt may have gotten inside it, promptly consult the nearest Canon Service
Center.
Never leave the camera near anything having a strong magnetic field such as a magnet
or electric motor. Also, avoid using or leaving the camera near anything emitting strong
radio waves, such as a large antenna. Strong magnetic fields can cause camera
malfunction or destroy image data.
Do not leave the camera in excessive heat, such as in a car in direct sunlight. High
temperatures can cause the camera to malfunction.
The camera contains precision electronic circuitry. Never attempt to disassemble the
camera yourself.
Do not block the mirror operation with your finger, etc. Doing so may cause a
malfunction.
Use only a commercially available blower to blow away dust when it adheres to the lens,
viewfinder, mirror, focusing screen, etc. Do not use cleaners that contain organic
solvents to clean the camera body or lens. For stubborn dirt, take the camera to the
nearest Canon Service Center.
Do not touch the camera's electrical contacts with your fingers. This is to prevent the
contacts from corroding. Corroded contacts can cause camera malfunction.
If the camera is suddenly brought in from the cold into a warm room, condensation may
form on the camera and internal parts. To prevent condensation, first put the camera in
a sealed plastic bag and let it adjust to the warmer temperature before taking it out of
the bag.
If condensation forms on the camera, to avoid damage, do not use the camera or
remove the lens, card, or battery. Turn the camera off and wait until the moisture has
fully evaporated before resuming use. Even after the camera is completely dry, if it is still
internally cold, do not remove the lens, card, or battery until the camera has adjusted to
the ambient temperature.
If the camera will not be used for an extended period, remove the battery and store the
camera in a cool, dry, well-ventilated location. Even while the camera is in storage,
press the shutter button a few times once in a while to check that the camera is still
working.
21
Avoid storing the camera where there are chemicals that result in rust and corrosion
such as in a chemical lab.
If the camera has not been used for an extended period, test all its functions before
using it. If you have not used the camera for some time or if there is an important shoot
such as a foreign trip coming up, have the camera checked by your nearest Canon
Service Center or check the camera yourself and make sure it is working properly.
The camera may become hot after repeated continuous shooting, Live View shooting, or
movie shooting over an extended period. This is not a malfunction.
If there is a bright light source inside or outside the image area, ghosting may occur.
Screen and LCD panels
Although the screen is manufactured with very high precision technology with over
99.99% effective pixels, 0.01% or fewer of the pixels may be dead, and there may also
be spots of black, red, or other colors. This is not a malfunction. They do not affect the
images recorded.
If the screen is left on for a prolonged period, screen burn-in may occur where you see
remnants of what was displayed. However, this is only temporary and will disappear
when the camera is left unused for a few days.
The screen display may seem slightly slow in low temperatures or may look black in
high temperatures. It will return to normal at room temperature.
Cards
To protect the card and its recorded data, note the following:
Do not drop, bend, or wet the card. Do not subject it to excessive force, physical shock,
or vibration.
Keep dust and foreign material out of the card opening.
Do not affix any stickers, etc. on the card.
Do not store or use the card near anything that has a strong magnetic field, such as a
television, speakers, or magnets. Also avoid places prone to having static electricity.
Do not leave the card in direct sunlight or near a heat source.
Store the card in a case.
Do not store the card in hot, dusty, or humid locations.
22
Lens
After detaching the lens from the camera, put down the lens with the rear end up and
attach the rear lens cap to avoid scratching the lens surface and electrical contacts
(1).
Smudges on the image sensor
Besides dust entering the camera from outside, in rare cases, lubricant from the camera's
internal parts may adhere to the front of the sensor. If smudges are visible on images, have
the sensor cleaned by a nearest Canon Service Center.
23
(1) Lens mount index
(2) Depth-of-field preview button
(3) Multi-function button 2
(4) Self-timer lamp
(5) Shutter button
(6) Grip
(7) Vertical-grip On/Off switch
(8) <
> Vertical-grip
AF area selection/
Vertical-grip AF method selection/
Vertical-grip multi-function/
Vertical-grip FE lock/
Vertical-grip multi-spot metering button
(9) Vertical-grip main dial
(10) Vertical-grip shutter button
(11) Hand strap mount
(12) Mirror
(13) Movie shooting microphone
(14) Lens lock pin
(15) Lens release button
(16) Lens mount
(17) Contacts
(18) Vertical-grip depth-of-field preview button
(19) Vertical-grip Multi-function button 2
(20) Tripod socket
(21) Serial number
(22) Accessory positioning hole
(23) Body cap
25
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(20)
(21)
(15)
(16)
(17)
(18)
(19)
26
(1) < > White balance selection button
(2) <
> LCD panel illumination button
(3) GPS antenna
(4) Hot shoe
(5) Flash sync contacts
(6) Eyecup
(7) Screen
(8) <
> Quick Control button
(9) <
> Vertical-grip
AF start button/
Vertical-grip smart controller
(10) Speaker
(11) <
> Exposure compensation/
Aperture value setting button
(12) <
> AF area selection/
AF method selection/
Multi-function/
FE lock/
Multi-spot metering button
(13) <
> ISO speed setting/Time display button
(14) <
> Main dial
(15) Strap mount
(16) <
> Multi-controller
(17) <
> Setting button
(18) <
> Quick control dial
(19) <
> Vertical-grip Multi-controller
(20) <
> Vertical-grip AE lock button
(21) <
> Vertical-grip AF point selection button
27
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)
(16)
(17)
(18)
(19)
(20)
(21)
(22)
28
(1) < > Flash exposure compensation/
Metering mode selection button
(2) <
> Shooting mode selection button
(3) <
> Drive mode/
AF operation selection button
(4) <
> AEB setting button
(5) System extension mounting hole
(6) Terminal cover
(7) System extension terminal
(8) <
> External microphone IN/
Line input terminal
(9) <
> Headphone terminal
(10) <
> Remote control terminal (N3 type)
(11) Top LCD panel
(12) <
> Live View shooting/
<
> Movie shooting switch
<
> Start/Stop button
(13) <
> AF start button/
Smart controller
(14) <
> AE lock button
(15) <
> AF point selection button
(16) Eyepiece shutter lever
(17) Viewfinder eyepiece
(18) Dioptric adjustment knob
(19) <
> Ethernet RJ-45 terminal
(20) <
> Digital terminal
(21) <
> HDMI mini OUT terminal
(22) <
> PC terminal
29
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)
(16)
(22)
(23)
(17)
(18)
(19)
(20)
(21)
30
(1) < > Focal plane mark
(2) <
> Info button
(3) <
> Menu button
(4) Strap mount
(5) <
> Network lamp
(6) Battery release handle
(7) Battery
(8) <
> Playback button
(9) <
> Card/Image size selection button
(10) <
> Index/Magnify/Reduce button
(11) Rear LCD panel
(12) Card slot 1
(13) Card slot 2
(14) Card slot cover
(15) Card 1 eject button
(16) Card 2 eject button
(17) Access lamp
(18) Card slot cover release handle
(19) Power/Multi-function lock switch
(20) Voice memo microphone
(21) <
/ > Protect/Voice memo button
(22) <
> Erase button
(23) Battery compartment cap
31
Viewfinder information display
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)
(16)
(23)
(27)
(17)
(18)
(19)
(20)
(21)
(22)
(25)
(26)
(29)
(28)
(24)
32
(1) Electronic level
(2) Spot metering circle
(3) Focusing screen
(4) Grid
(5) Metering mode
(6) Shooting mode
(7) White balance
(8) Drive mode
(9) Image type
(10) AF operation
(11) Large Zone AF frame
(12) Area AF frame
(13) <
> AF point
<
> Spot AF point
(14) Flicker detection
(15) Exposure level indicator
(metering/flash exposure levels)
(16) Maximum burst
Number of remaining multiple exposures
(17) <
> JPEG icon
(18) <
> RAW icon
(19) <
> Battery level
(20) <
> AF status indicator
(21) <
> Warning icon
(22) Exposure level scale
: 1-stop
: 1/3-stop
(23) Standard exposure index
(24) Overexposure
(25) Flash overexposure
(26) Exposure level
(27) Flash exposure level
Flash exposure compensation amount
Multi-spot metering amount
(28) Flash underexposure
(29) Underexposure
* The display will show only the settings currently applied.
* AF points light up in red.
33
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
34
(1) < > ISO speed
(2) Manual exposure
(3) <
> AE lock
AEB in progress
Multi-spot metering
(4) <
> Flash ready
FE lock out-of-range warning
(5) <
> FE lock
FEB in progress
<
> High-speed sync
(6) AF point selection
(
, , )
AF point registration
(
, , )
Current time
Card warning (
1/2/1,2)
(7) Shutter speed
Bulb (
)
FE lock (
)
Busy (
)
Multi-function lock warning (
)
No card warning (
)
Error codes (
)
(8) <
> Focus indicator
(9) <
> AF status indicator
(10) ISO speed
Dust Delete Data acquisition
(- - - - -)
(11) <
> Highlight tone priority
(12) Number of available shots
Card full warning (
)
Card error warning (
)
Error number
(13) Exposure level indicator (setting value)
Exposure compensation amount
AEB range
(14) Aperture value
AI Bounce mode active (
)
AEB amount
Dust Delete Data acquisition (- -)
35
Top LCD panel
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
36
(1) Shutter speed
Bulb (
)
Bulb exposure time (min.:sec.)
FE lock (
)
Busy (
)
Multi-function lock warning (
)
Cleaning image sensor (
)
AI Bounce mode active (
)
No-card warning (
)
Error codes (
)
(2) Shooting mode
Program AE
Aperture-priority AE
Manual exposure
Shutter-priority AE
/ / Custom shooting mode
(3) <
> Mirror lockup
(4) <
> White balance correction
(5) <
> Auto Lighting Optimizer
(6) Aperture value
AEB amount
Dust Delete Data acquisition (- -)
(7) AF point selection
(
, , )
AF point registration
(
, , )
Card warning (
1/2/1,2)
(8) Number of available shots
Self-timer countdown
Bulb exposure time (hours)
Custom white balance acquisition display ([ * ])
Card full warning (
)
Card error warning (
)
Error number
Remaining images to record
(9) AF operation
One-Shot AF
AI Servo AF
(10) Metering mode
Evaluative metering
Partial metering
Spot metering
Center-weighted average metering
* The display will show only the settings currently applied.
37
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(9)
(8)
(10)
(11)
(12)
38
(1) < > ISO speed
(2) <
> Highlight tone priority
(3) White balance
Auto (Ambience priority)
Auto (White priority)
Daylight
Shade
Cloudy
Tungsten light
White fluorescent light
Flash
Custom
Color temperature/Personal white balance
(4) <
> Monochrome shooting
(5) <
> Flash exposure compensation
(6) Exposure level indicator (setting value)
Exposure compensation amount
AEB range
Flash exposure compensation amount
(7) ISO speed
Color temperature
Custom white balance number
Personal white balance (PC-*)
Dust Delete Data acquisition (- - - - -)
(8) <
> HDR PQ
(9) Drive mode
Single shooting
High-speed continuous shooting
Medium-speed continuous shooting
Low-speed continuous shooting
Single Soft shooting
Soft continuous shooting
Soft low-speed continuous shooting
Self-timer: 10 sec.
Self-timer: 2 sec.
(10) <
> Multiple exposure shooting
(11) Battery level
(12) <
> AEB
39
Rear LCD panel
(2)
(1)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(11)
(10)
(12)
(13)
(14)
(15)
(1) < > GPS acquisition status*
1
(2) <
> Card 2 indicator
(3) <
> Card 2 selection icon
(4) <
> Card 1 indicator
(5) <
> Card 1 selection icon
(6) Image size
Large
Medium1
Medium2
Small
HEIF
RAW
Compact RAW
(7) <
> Logging function
(8) < > Wired LAN connection*
2
(9) <
> Paired via Bluetooth
(10) <
> Wi-Fi function
(11) <
> Wireless signal strength
(12) < > Data transfer icon*
3
(13) <
> Connected to WFT
(14) File number
(15) Folder number
* 1: Appears when built-in GPS features are used.
* 2: Appears when connected to a wired LAN.
* 3: Appears when connected to a computer or smartphone.
* The display will show only the settings currently applied.
40
Battery Pack LP-E19
(1)
(2)
(3)
(4)
(1) Battery lock lever
(2) Contacts
(3) Protective cover
(4) Battery release handle
41
Battery Charger LC-E19
Charger for Battery Pack LP-E19 (
).
(1)
(2)
(3)
(6)
(5)(4)
(7)
(8)
(1) Contacts
(2) Battery slots
(3) Power cord socket
(4) Recharge performance check button/Calibration button
(5) Charge lamp/Recharge performance check lamp/Discharge time lamp
(6) Calibration (discharge) lamp
(7) Protective cover (two included)
(8) Power cord
42
Attaching the Strap
Pass the end of the strap through the strap mount from the bottom, then pass it through the
strap buckle as shown. Pull the strap to take up any slack and make sure the strap will not
loosen from the buckle.
43
Using the Cable Protector
When connecting the camera to a computer, use the included interface cable or a Canon
cable.
When connecting an interface cable, also use the included cable protector. Using the
cable protector helps prevent accidental disconnection and terminal damage.
Using the included interface cable and a Canon HDMI cable (sold
separately)
1.
(1) Cable protector
(2) Clamp
2.
44
3.
(3) Included interface cable
4.
5.
45
6.
(4) HDMI cable (sold separately)
Using an optional Canon interface cable
When using an optional Canon interface cable, pass the cable through the clamp (5) as
shown before attaching the clamp to the cable protector.
Caution
Using the camera when the interface cable is connected without the cable protector
may damage the digital terminal.
Make sure the interface cable is securely connected to the digital terminal.
Note
HDMI Cable HTC-100 is recommended when connecting the camera to a
television. Also consider using the cable protector when connecting an HDMI cable.
46
Software
Software Overview
Downloading and Installing EOS Software or Other Dedicated Software
Downloading the Software Instruction Manual
Software Overview
This section summarizes software used with EOS cameras. Note that downloading and
installing the software requires an internet connection. The software cannot be downloaded
or installed in environments without an internet connection.
EOS Utility
Enables you to transfer your captured still photos and movies from the camera to a
connected computer, set various camera settings from the computer, and shoot remotely
from the computer.
Digital Photo Professional
Software recommended for users who shoot RAW images. Enables image viewing, editing,
printing, and more. Also enables RAW movie playback and editing.
Picture Style Editor
Enables you to edit existing Picture Styles or create and save original Picture Style files.
This software is for users who are familiar with image processing.
GPS Log File Utility
Utility for converting GPS log files (.LOG) to KMZ format.
47
Downloading and Installing EOS Software or Other
Dedicated Software
Always install the latest version of the software.
Update any previous versions that are installed by overwriting them with the latest version.
Caution
Do not connect the camera to a computer before you install the software. The
software will not be installed correctly.
The software cannot be installed unless the computer is connected to the internet.
Previous versions cannot display images from this camera correctly. Also,
processing RAW images from this camera is not possible.
48
1.
Download the software.
Connect to the internet from a computer and access the following
Canon website.
https://cam.start.canon/
Select your country or region of residence and download the software.
Depending on the software, you may need to enter the camera's serial
number. The serial number is on the bottom of the camera.
Decompress it on the computer.
For Windows
Click the displayed installer file to start the installer.
For macOS
A dmg file will be created and displayed. Follow the steps below to
startup the installer.
1.Double-click the dmg file.
• A drive icon and installer file will appear on the desktop.
If the installer file does not appear, double-click the drive
icon to display it.
2.Double-click the installer file.
• The installer starts.
2.
Follow the on-screen instructions to install the software.
49
Preparation and Basic Operations
This chapter describes preparatory steps before you start shooting and the basic camera
operations.
•
Charging the Battery
• Inserting/Removing Batteries
• Inserting/Removing Cards
• Turning on the Power
• Attaching/Detaching Lenses
• Basic Operations
• Menu Operations and Settings
• Quick Control
• Touch-Screen Operation
51
Charging the Battery
1.
Connect and plug in the battery charger.
Connect the power cord to the charger and plug the other end into a
power outlet.
All indicator lamps are off when no batteries are loaded.
2.
Remove the protective cover.
Remove the included protective covers from the charger and battery.
52
3.
Charge the battery.
Slide the battery in (in the opposite direction from protective cover
removal) and make sure it is securely attached to the charger.
You can load a battery into either slot or slot .
Charging begins, and the charge lamp blinks or lights up in green.
Charging is finished when all three charge lamps (50%/80%/100%)
are lit in green.
Charging takes approx. 2 hr. and 50 min. at room temperature (23°C/73°F) per
depleted battery. The time required to charge the battery will vary greatly depending on
the ambient temperature and the battery's remaining capacity.
For safety reasons, charging in low temperatures (5–10°C/41–50°F) will take longer (up
to approx. 5 hr.).
Caution
Use Battery Charger LC-E19 to charge Battery Pack LP-E19 (both included). This
battery cannot be charged with Battery Charger
LC-E4N/LC-E4.
Depending on the condition of the battery, charging to 100% capacity may not be
possible.
Note
If you load two batteries, they are charged one after another in the order you load
them.
Upon purchase, the battery is not fully charged.
Charge the battery before use.
53
Charge the battery on the day before or on the day it is to be used.
Charged batteries gradually lose their charge, even when they are not used.
After charging the battery, remove it and disconnect the charger from the power
outlet.
When not using the battery or charger, reattach the included protective covers.
Use the battery in an ambient temperature range of 0–45°C/32–113°F.
For optimal battery performance, use batteries where the ambient temperature is
10–30°C/50–86°F. Lower temperatures may temporarily lower battery performance and
reduce battery life.
When not using the camera, remove the battery.
If the battery is left in the camera for a prolonged period, a small amount of power
current will keep being released, resulting in excess discharge and shorter battery life.
Store the battery with the protective cover attached. Storing the battery when it is fully
charged may lower the battery performance.
The battery charger can also be used in foreign countries.
The battery charger is compatible with a 100 V AC to 240 V AC 50/60 Hz power source.
If necessary, attach a commercially available plug adapter for the respective country or
region. To avoid damage, do not connect to portable voltage transformers.
Check battery recharge performance, as needed.
Press the charger's <
> button during charging to check battery
recharge performance, as indicated by how many of the three lamps are lit in green.
: Battery's recharge performance is good.
: Battery's recharge performance is slightly degraded.
: Purchasing a new battery is recommended.
If the battery becomes exhausted quickly even after having been fully charged,
the battery has reached the end of its service life.
Check the battery's recharge performance ( ) and purchase a new battery.
54
The < > lamp blinks.
This display advises you to calibrate (discharge) the battery, which will enable accurate
charging capacity determination and battery level display on the camera.
When the < > lamp blinks in green, calibration is recommended. To charge the
battery at this time, wait approx. 10 sec., and charging will begin automatically.
To perform calibration, press the < > button while the < > lamp is
blinking in green. The <
> lamp now remains lit in green, and discharging begins.
Charging begins automatically after discharging, but note that the more fully charged the
battery is, the longer discharging will take. Estimated time required for discharging is
indicated by the <14h>, <4h>, and <2h> lamp, with a blinking green <14h> lamp
indicating a discharge time of approx. 4–16 hours.
Calibration drains the remaining battery level, and after this, charging the battery will
take approx. 2 hr. 50 min. To cancel calibration in progress and start charging, remove
and reload the battery in the charger.
Caution
Multiple cycles of charging and use without calibration may result in inaccurate
battery level display ( ).
One battery can be charged while another is calibrated, but two batteries cannot be
charged or calibrated at the same time.
When performing calibration, consider using a battery that is nearly depleted.
Calibrating and then charging Battery Pack LP-E19 when it is fully charged takes
approx. 18 hr. 50 min.
Only the <100%> lamp is lit immediately after a battery is loaded.
Illumination of only the <100%> lamp in green immediately after charging begins
indicates that the internal battery temperature is out of range. Charging begins
automatically when the internal temperature returns to 5–40°C/41–104°F.
With two batteries loaded, illumination of only the <100%> lamp in green on the side of
the second battery indicates standby status.
All three lamps are blinking.
Charging is not possible when batteries other than Battery Pack LP-E19 are loaded in
the charger. In this case, the three charge lamps and <
> lamp blink in green.
If the three charge lamps blink in green consecutively during charging (with or without
blinking of the <
> lamp in green), remove the battery and contact your dealer or
the nearest Canon Service Center.
If the three charge lamps blink during calibration, remove the battery and contact your
dealer or the nearest Canon Service Center.
55
Inserting/Removing Batteries
Insertion
Removal
Insert a fully charged Battery Pack LP-E19 into the camera.
Viewfinder brightness increases when a battery is inserted and decreases after
removal.
Insertion
1.
Remove the battery compartment cap.
2.
Insert the battery.
Insert the battery firmly, all the way in, then turn the battery release
handle as shown by the arrow.
56
Caution
There may be a slight delay before the camera turns on when a battery is used in
the camera for the first time.
You cannot use batteries other than the Battery Pack LP-E19.
Note
Wipe away any dirt on the battery's water-repellent rubber lining (1) with a
moistened cotton swab.
57
Removal
1.
Turn the battery release handle and remove the battery.
Make sure the power switch is set to < > ( ).
Flip out the battery release handle, turn it as shown by the arrow, and
remove the battery.
To prevent short-circuits, always attach the included protective cover
( ) to the battery.
When not using the camera, attach the battery compartment cap ( ).
58
Inserting/Removing Cards
Insertion
Removal
This camera accepts two cards. Recording is possible as long as there is at least one
card in the camera.
With two cards inserted, you can select one card to record to, or you can record the same
image to both cards at once ( ).
Insertion
1.
Open the cover.
Flip out the card slot cover release handle (1) and turn it as shown by
the arrow to open the cover.
59
2.
Insert the card.
Card 1
Card 2
The card in the left card slot is [ ], and the card on the right is [ ].
With the card label facing you, insert the open side of the card (2) into
the card slot. Inserting cards the wrong way may damage the
camera.
The gray card-eject button pops out.
3.
Close the cover.
Press the cover until it snaps shut.
60
4.
Set the power switch to <
> ( ).
(3) Number of available shots
(4) Card selection icon
(5) Card 1
(6) Card 2
The top LCD panel shows how many shots are available.
The rear LCD panel shows which cards are loaded.
Cards labeled with <
> are selected for recording.
Caution
Only CFexpress cards can be used.
Note
The number of shots available varies depending on remaining card capacity and
settings such as image quality and ISO speed.
Setting [ : Release shutter without card] to [Disable] will prevent you from
forgetting to insert a card ( ).
61
Removal
1.
Open the cover.
Set the power switch to < >.
Check that the access lamp (1) is off, then open the cover.
If [Saving...] is displayed on the screen, close the cover.
2.
Remove the card.
Press the card eject button to eject the card.
Pull the card straight out, then close the cover.
Caution
Do not remove cards immediately after display of a red
icon in Live View
shooting or movie recording. Cards may be hot, due to high internal camera
temperature. Set the power switch to <
> and stop shooting for a while before
removing cards. Removing hot cards immediately after shooting may cause you to drop
and damage them. Be careful when removing cards.
62
Caution
When the access lamp is lit or blinking, it indicates that images are being
written to, read from, or erased from the card, or data is being transferred. Do
not open the card slot cover during this time. To avoid corrupting image data
or damaging cards or the camera, never do any of the following while the
access lamp is lit or blinking.
• Removing the card.
• Removing the battery.
• Shaking or striking the camera.
• Unplugging or plugging in a power cord
(when using optional household power outlet accessories).
If the card already contains recorded images, the image number may not start from
0001 ( ).
If a card-related error message is displayed on the screen, remove and reinsert the
card. If the error persists, use a different card.
If you can transfer images on the card to a computer, transfer all the images and
then format the card with the camera ( ). The card may then return to normal.
63
Turning on the Power
Setting the Date, Time, and Time Zone
Changing the Interface Language
Automatic Sensor Cleaning
Battery Level Indicator
< >
The camera turns on.
< >
The camera turns on. Multi-function locking is engaged ( ).
< >
The camera is turned off and does not function. Set the power switch to this position
when not using the camera.
Note
If you set the power switch to < > while an image is being recorded to the
card, [Saving...] will be displayed and the power will turn off after the recording
finishes.
Setting the Date, Time, and Time Zone
If you turn on the camera and the date/time/zone setting screen appears, see Date/Time/
Zone to set the date/time/zone.
64
Automatic Sensor Cleaning
Whenever the power switch is set to < / > or < >, the sensor is
cleaned automatically (which may make a faint sound). During the sensor cleaning, the
screen will display <
>.
Even during sensor cleaning, you can stop cleaning and shoot immediately by pressing
the shutter button halfway ( ).
If you repeatedly turn the power switch to < / > or < > within a short
time period, the <
> icon may not be displayed, but this does not indicate the
camera is malfunctioning.
66
Battery Level Indicator
When the power switch is set to <
>, the battery level will be indicated.
Display
Level (%) 100–70 69–50 49–20 19–10 9–1 0
Note
Doing any of the following will exhaust the battery faster:
• Pressing the shutter button halfway for a prolonged period.
• Activating the AF frequently without taking a picture.
• Using the lens's Image Stabilizer.
• Using the Wi-Fi function or Bluetooth function.
• Using the screen frequently.
The number of available shots may decrease depending on the actual shooting
conditions.
Lens operations are powered by the camera's battery. Certain lenses may exhaust
the battery faster than others.
See [ : Battery info.] to check the battery status ( ).
67
Attaching/Detaching Lenses
Attaching a Lens
Detaching a Lens
All EF lenses can be used. The camera cannot be used with RF, EF-S, or EF-M lenses.
Caution
Do not look at the sun directly through any lens. Doing so may cause loss of vision.
When attaching or detaching a lens, set the camera's power switch to < >.
If the front part (focusing ring) of the lens rotates during autofocusing, do not touch
the rotating part.
Tips for avoiding smudges and dust
When changing lenses, do it quickly in a place with minimal dust.
When storing the camera without a lens attached, be sure to attach the body cap to
the camera.
Remove smudges and dust on the body cap before attaching it.
68
Attaching a Lens
1.
Remove the caps.
Remove the rear lens cap and the body cap by turning them as shown
by the arrows.
2.
Attach the lens.
Align the red mount index on the lens with the red mount index on the
camera and turn the lens as shown by the arrow until it clicks in place.
69
3.
Set the lens's focus mode switch to <
>.
< > stands for autofocus.
< > stands for manual focus. Autofocus will not operate.
4.
Remove the front lens cap.
70
Detaching a Lens
While pressing the lens release button, turn the lens as shown by the arrow.
Turn the lens until it stops, then detach it.
Attach lens caps to the lens you removed.
71
Basic Operations
Adjusting the Viewfinder
Holding the Camera
Shutter Button
< > Main Dial
< > Quick Control Dial
< > Multi-Controller
< >: Multi-Function Button
< >: AF Start Button/Smart Controller
< >: Multi-Function Lock
< > LCD Panel Illumination
Vertical Shooting
Time Display
Button Backlighting
< > Button
72
Adjusting the Viewfinder
1.
Detach the eyecup.
Grasp the eyecup on both sides and slide it up to detach it.
2.
Make the adjustment.
Turn the knob left or right to make the AF points in the viewfinder look
sharp.
Attach the eyecup.
Note
If the camera's dioptric adjustment still cannot provide a sharp viewfinder image,
using Dioptric Adjustment Lenses Eg series (sold separately) is recommended.
73
Holding the Camera
To obtain sharp images, hold the camera still to minimize camera shake.
(1) Horizontal shooting
(2) Vertical shooting
1. With your right hand, hold the camera firmly by the camera grip.
2. With your left hand, support the lens from below.
3. Rest your right index finger lightly on the shutter button.
4. Rest your arms and elbows lightly against the front of your body.
5. To maintain a stable stance, place one foot slightly ahead of the other.
6. Hold the camera near your face and look through the viewfinder.
Note
To shoot while looking at the screen, see Live View Shooting.
74
Shutter Button
The shutter button has two steps. You can press the shutter button halfway. Then you can
further press the shutter button completely.
Pressing halfway
This activates autofocusing and the automatic exposure system that sets the shutter speed
and aperture value.
The exposure value (shutter speed and aperture value) is displayed in the viewfinder and on
the top LCD panel for approx. 6 sec. (metering timer/
).
Pressing completely
This releases the shutter and takes the picture.
Preventing camera shake
Hand-held camera movement during the moment of exposure is called camera shake. It
can cause blurred pictures. To prevent camera shake, note the following:
• Hold the camera still, as shown in
Holding the Camera.
• Press the shutter button halfway to autofocus, then slowly press the shutter button
completely.
75
Note
The camera will still pause before taking a picture if you press the shutter button
completely without pressing it halfway first, or if you press the shutter button
halfway and immediately press it completely.
Even during menu display or image playback, you can return to shooting standby
by pressing the shutter button halfway.
76
< > Main Dial
(1) After pressing a button, turn the <
> dial.
When you press a button such as < > < > < >, or < >,
the respective function remains selectable for approx. 6 sec. (
). During this time, you can
turn the <
> dial to change the setting.
When the timer ends or if you press the shutter button halfway, the camera will go back to
shooting standby.
Used for operations such as selection of the shooting mode, AF operation, metering
mode, AF point, ISO speed, exposure compensation (when the <
> button is
pressed), or card.
(2) Turn only the <
> dial.
While looking at the viewfinder display or top LCD panel, turn the < > dial.
Use this dial to set the shutter speed, aperture value, etc.
77
< > Quick Control Dial
(1) After pressing a button, turn the <
> dial.
When you press a button such as < > < > < >, or < >,
the respective function remains selectable for approx. 6 sec. (
). During this time, you can
turn the <
> dial to change the setting.
When the timer ends or if you press the shutter button halfway, the camera will go back to
shooting standby.
Used for operations such as selection of the shooting mode, drive mode, flash exposure
compensation, AF point, ISO speed, exposure compensation (when the <
> button is
pressed), white balance, or image size.
(2) Turn only the <
> dial.
While looking at the viewfinder display or top LCD panel, turn the < > dial.
Use this dial to set the exposure compensation amount, the aperture value setting for
manual exposures, etc.
79
< > Multi-Controller
<
> is an eight-direction key with center button. To use it, press lightly with the tip of your
thumb.
Used for operations such as AF point selection, white balance correction, AF point/
magnifying frame movement in Live View shooting or movie recording, magnifying frame
movement during playback, or Quick Control settings.
Can also be used to select or set menu items.
81
< >: AF Start Button/Smart Controller
On this control, you can press the center or drag with your finger.
Pressing the < > button activates autofocusing. This is equivalent to pressing
the shutter button halfway.
You can move the AF point by dragging on the smart controller after pressing the
<
> button. You can also adjust the sensitivity—the amount the AF point moves in
response to dragging ( ).
[Direct AF point selection] can be assigned to this control by selecting [Smart
controller] in [
6: Custom Controls]. Assigning this function enables you to select an
AF point directly by dragging on the smart controller during metering, without pressing
the <
> button, and then pressing the < > button to focus.
Caution
Precautions when using the smart controller
In case of poor responsiveness if you are wearing gloves, use this control without
wearing the gloves.
The camera may not respond to touch operations with wet fingers.
83
< >: Multi-Function Lock
With [
6: Multi function lock] configured ( ) and the power switch set to < >,
you can prevent the settings from being changed by accidentally touching the Main dial,
Quick control dial, Multi-controller, smart controller, or touch-screen panel.
Note
Attempting to use any locked camera controls when the power switch is set to
<
> will cause < > to appear in the viewfinder and on the top LCD panel
and [
] on the Quick Control screen ( ).
By default, the < > dial is locked when the power switch is set to < >.
84
< > LCD Panel Illumination
You can illuminate the top LCD panel and rear LCD panel by pressing the < > button.
Each press of the <
> button switches illumination on ( ) and off.
During a bulb exposure, pressing the shutter button completely will turn off the LCD panel
illumination.
85
Vertical Shooting
Buttons, dial, and a Multi-controller for vertical shooting are arranged near the bottom of the
camera (
).
When using the controls for vertical shooting, set the vertical-grip On/Off switch to
<
>.
When you are not using these controls, set to < > to prevent unintended
operations.
Note
Vertical-grip Multi-function button 2 and the vertical-grip depth-of-field preview
button (
) can also be used with the vertical-grip On/Off switch set to < >.
86
Time Display
Press the < > button when you are looking through the viewfinder to display the time
(
).
87
Button Backlighting
< >, < >, < >, < >, < >, < >, and < / > button backlighting is
activated when the LCD panels are illuminated, or during menu or Quick Control screen
display or image playback. This makes it easier to see the button layout in low-light
locations. Button backlighting is deactivated when the metering timer starts, which is
triggered by pressing the shutter button halfway, for example.
88
Electronic level
Custom Quick Control screen Quick Control screen
< > Button
Each press of the < > button changes the information shown.
The following sample screens are for still photos.
89
Menu Screen
(1) Main tabs
(2) Secondary tabs
(3) Menu items
(4)
: Shooting
(5)
: Autofocus
(6)
: Playback
(7)
: Communication features
(8)
: Set-up
(9)
: Custom Functions
(10)
: My Menu
(11) Menu settings
91
Menu Setting Procedure
1.
Display the menu screen.
Press the < > button to display the menu screen.
2.
Select a tab.
Each time you press the < > button, the main tab (group of
functions) will switch.
Turn the < > dial to select a secondary tab.
3.
Select an item.
Turn the < > dial to select an item, then press < >.
92
4.
Select an option.
Turn the < > dial to select an option.
The current setting is indicated in blue.
5.
Set an option.
Press < > to set it.
6.
Exit the setting.
Press the < > button to return to shooting standby.
Note
The description of menu functions hereafter assumes that you have pressed the
<
> button to display the menu screen.
Menu operations are also possible by tapping on the menu screen or using < >.
To cancel the operation, press the < > button.
93
Dimmed Menu Items
Example: When Highlight tone priority has been set
Dimmed menu items cannot be set. The menu item is dimmed if another function setting is
overriding it.
You can see the overriding function by selecting the dimmed menu item and pressing
<
>.
If you cancel the overriding function's setting, the dimmed menu item will become settable.
Caution
You may not be able to see the overriding function for certain dimmed menu items.
Note
In [ : Reset camera], you can reset menu functions to the default settings by
selecting [Basic settings] in [Reset individual settings] ( ).
94
2.
Select a setting item.
Select with < >.
Example of a screen in viewfinder shooting
Example of a screen in Live View shooting
96
3.
Select an option.
Turn the < > or < > dial to adjust the setting. Some items are
set by pressing a button after this.
97
Note
If [ : Beep] is set to [Touch ], the beep will not sound for touch operations ( ).
Responsiveness to touch operations can be adjusted in [ : Touch control] ( ).
Touching the screen does not change settings (touch control is disabled) when [
(VF shoot) Safety lock] is selected in [ : Touch control] and you have specified
button operations (except for menu-based function setup) for the following
functions. This enables you to avoid changing settings accidentally by touching the
screen with your nose.
• White balance
• Exposure compensation
• ISO speed
• Shooting mode
• AF operation/drive mode
• Flash exposure compensation/Metering mode
• AEB setting
• AF point selection
99
Dragging
Sample screen (Menu screen)
Slide your finger while touching the screen.
100
P: Program AE
The camera automatically sets the shutter speed and aperture value to suit the subject's
brightness.
* <
> stands for Program.
* AE stands for Auto Exposure.
1.
Set the shooting mode to <
>.
Press the < > button and turn the < > or < > dial to
select <
>.
102
2.
Focus on the subject.
As you look through the viewfinder, aim the AF point over the subject,
then press the shutter button halfway.
After the camera focuses, the focus indicator < > in the lower right of
the viewfinder lights up (in One-Shot AF mode).
The shutter speed and aperture value are set automatically and
displayed in the viewfinder and on the top LCD panel.
3.
Check the display.
Standard exposure is available unless the shutter speed and aperture
value are blinking.
4.
Take the picture.
Compose the shot and press the shutter button completely.
103
Caution
If the “30"” shutter speed and the lowest aperture value blink, it indicates
underexposure.
Increase the ISO speed or use flash.
If the “8000” shutter speed and the highest aperture value blink, it indicates
overexposure.
Lower the ISO speed or use an ND filter (sold separately) to reduce the amount of
light entering the lens.
Note
Program shift
With Program AE, you can freely change the combination (program) of shutter
speed and aperture value set by the camera while maintaining the same exposure.
This is called Program shift.
With Program shift, you can press the shutter button halfway, then turn the < >
dial until the desired shutter speed or aperture value is displayed.
Program shift will be canceled automatically when the metering timer ( ) ends
(exposure setting display turns off).
Program shift cannot be used with flash.
104
Minimizing blurred photos
Effective options include Single Soft shooting ( ) and mirror lockup ( ).
Effective options for continuous shooting include Soft continuous shooting and Soft low
speed continuous shooting ( ).
Use a sturdy tripod that can bear the weight of the shooting equipment. Attach the
camera securely to the tripod.
Using a remote switch or similar accessory is recommended ( ).
FAQ
The focus indicator < > blinks, and the camera cannot focus.
Aim the Area AF frame over an area with good contrast, then press the shutter button
halfway. If you are too close to the subject, move away and shoot again.
Multiple AF points are displayed simultaneously.
Focus has been achieved at all those points. It is fine to shoot, as long as at least one of
the AF points is on the subject.
The focus indicator < > does not light up.
In this state, the camera focuses continuously with AI Servo AF, so the AF status
indicator <
> is displayed, but not the focus indicator < >.
Note that with AI Servo AF, shooting with the focus locked ( ) is not possible.
Pressing the shutter button halfway does not focus on the subject.
If the lens focus mode switch is set to <
> (manual focus), set it to < >
(autofocus).
The shutter speed and aperture value are blinking.
Since it is too dark, taking the picture may result in a blurred subject due to camera
shake. Using a tripod or a Canon EL/EX series Speedlite (sold separately, ) is
recommended.
The bottom of pictures taken with flash is unnaturally dark.
If a hood is attached to the lens, it may obstruct light from the flash. If the subject is
close, detach the hood before taking the picture with flash.
105
Tv: Shutter-Priority AE
In this mode, you set the shutter speed and the camera automatically sets the aperture
value to obtain the standard exposure matching the brightness of the subject. A faster
shutter speed can freeze the action of a moving subject. A slower shutter speed can create
a blurred effect, giving the impression of motion.
* <
> stands for Time value.
Blurred motion
(Slow speed: 1/30 sec.)
Frozen motion
(Fast speed: 1/2000 sec.)
1.
Set the shooting mode to <
>.
Press the < > button and turn the < > or < > dial to
select <
>.
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2.
Set the desired shutter speed.
Watch the top LCD panel as you turn the < > dial.
3.
Focus on the subject.
Press the shutter button halfway.
The aperture value is set automatically.
4.
Check the display and shoot.
As long as the aperture value is not blinking, the standard exposure will
be obtained.
107
Caution
If the lowest aperture value blinks, it indicates underexposure.
Turn the <
> dial to set a slower shutter speed until the aperture value stops
blinking or set a higher ISO speed.
If the highest aperture value blinks, it indicates overexposure.
Turn the <
> dial to set a faster shutter speed until the aperture value stops
blinking, or set a lower ISO speed.
Note
Shutter speed display
Shutter speeds from 8000 to 4 indicate the denominator of the fractional shutter
speed. For example, 125 indicates 1/125 sec. Additionally, 0"5 indicates 0.5 sec.
and 15", 15 sec.
108
Av: Aperture-Priority AE
Depth-of-Field Preview
In this mode, you set the desired aperture value and the camera sets the shutter speed
automatically to obtain the standard exposure matching the subject brightness. A higher f/
number (smaller aperture hole) will make more of the foreground and background fall within
acceptable focus. On the other hand, a lower f/number (larger aperture hole) will make less
of the foreground and background fall within acceptable focus.
* <
> stands for Aperture value (aperture opening).
Blurred background
(With a low aperture value: f/5.6)
Sharp foreground and background
(With a high aperture value: f/32)
1.
Set the shooting mode to <
>.
Press the < > button and turn the < > or < > dial to
select <
>.
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2.
Set the desired aperture value.
Watch the top LCD panel as you turn the < > dial.
3.
Focus on the subject.
Press the shutter button halfway.
The shutter speed is set automatically.
4.
Check the display and shoot.
As long as the shutter speed is not blinking, the standard exposure will
be obtained.
110
Caution
If the “30"” shutter speed blinks, it indicates underexposure.
Turn the <
> dial to decrease the aperture value (open the aperture) until the
shutter speed blinking stops or set a higher ISO speed.
If the “8000” shutter speed blinks, it indicates overexposure.
Turn the <
> dial to increase aperture value (close the aperture) until the
shutter speed blinking stops or set a lower ISO speed.
Note
Aperture value display
The higher the value, the smaller the aperture opening will be. The aperture value
displayed varies depending on the lens. If no lens is attached to the camera, “00”
will be displayed for the aperture.
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Depth-of-Field Preview
Press the depth-of-field preview button to stop down the lens to the current aperture setting
and check the area in focus (depth of field).
Note
The larger the aperture value, the wider the area (from the foreground to the
background) in focus, but the darker the viewfinder display.
The depth-of-field effect is readily apparent on the Live View image as you change
the aperture value and press the depth-of-field preview button ( ).
Exposure is locked (AE lock) as you hold down the depth-of-field preview button.
Pressing the depth-of-field preview button when a Speedlite 470EX-AI is attached
with the <
> switch set to < > (full-auto) starts AI.B full-auto distance
measurement.
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M: Manual Exposure
Exposure Compensation with ISO Auto
In this mode, you set both the shutter speed and aperture value as desired. To determine
the exposure, refer to the exposure level indicator in the viewfinder or use a commercially
available exposure meter.
* <
> stands for Manual.
1.
Set the shooting mode to <
>.
Press the < > button and turn the < > or < > dial to
select <
>.
2.
Set the ISO speed (
).
3.
Set the shutter speed and aperture value.
To set the shutter speed (1), turn the < > dial, and to set the
aperture value (2), turn the <
> dial.
If these settings cannot be set, set the power switch to < >, then
turn the <
> or < > dial.
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4.
Focus on the subject.
(1) Standard exposure index
(2) Exposure level mark
(3) Brighter (+)
(4) Darker (−)
Press the shutter button halfway.
The exposure value is displayed in the viewfinder and on the top LCD
panel.
To see how far the current exposure level < > is from standard
exposure <
>, check the exposure level indicator at right in the
viewfinder.
114
5.
Set the exposure and take the picture.
Check the exposure level indicator and set the desired shutter speed
and aperture value.
< > or < > is shown at the ends of the exposure level indicator if
the exposure level exceeds ±3 stops from standard exposure.
Exposure Compensation with ISO Auto
If the ISO speed is set to “ ” (AUTO) for manual exposure shooting, you can set exposure
compensation ( ) as follows:
With [ : Expo comp (hold btn, turn )] in [ 6: Custom Controls] ( )
Quick Control screen
Caution
Exposure may not be as expected when ISO Auto is set, because the ISO speed is
adjusted to ensure standard exposure for your specified shutter speed and
aperture value. In this case, set the exposure compensation.
Exposure compensation is not applied in flash photography with ISO Auto, even if
you have set an exposure compensation amount.
Note
In < > mode with ISO Auto, < > (Evaluative metering), and [ 2: AE lock
meter. mode after focus] set to the default setting ( ), holding down the shutter
button halfway will lock the ISO speed after focus is achieved with One-Shot AF.
When ISO Auto is set, you can press the < > button to lock the ISO speed.
If you press the < > button and recompose the shot, you can see the exposure
level difference on the exposure level indicator compared to when the <
>
button was pressed.
Any existing exposure compensation amount is maintained if you switch to < >
mode with ISO Auto after using exposure compensation in <
>, < >, or
<
> mode ( ).
To coordinate exposure compensation in ½-stop increments with ISO speed set in
⅓-stop increments when [
1: Exposure level increments] is set to [½-stop, Exp
comp ½-stop] and used with ISO Auto, exposure compensation is further adjusted
by adjusting shutter speed. However, the shutter speed displayed will not change.
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bulb: Long (Bulb) Exposures
In this mode, the shutter stays open as long as you hold down the shutter button completely,
and closes when you let go of the shutter button. Use bulb exposures for night scenes,
fireworks, astrophotography, and other subjects requiring long exposures.
1.
Set the shooting mode to <
>.
Press the < > button and turn the < > or < > dial to
select <
>.
2.
Set the desired aperture value.
Watch the top LCD panel as you turn the < > or < > dial.
116
3.
Take the picture.
(1) Minutes
(2) Seconds
(3) Hours
The exposure will continue for as long as you keep the shutter button
pressed completely.
Elapsed exposure time is displayed on the top LCD panel.
Caution
Do not point the camera toward an intense light source, such as the sun or an
intense artificial light source. Doing so may damage the image sensor or the
camera's internal components.
Long bulb exposures produce more noise in the image than usual.
If ISO Auto is set, ISO 400 will be set.
When shooting bulb exposures with both the self-timer and mirror lockup instead of
the bulb timer, keep pressing the shutter button completely (until the self-timer and
bulb exposure time have elapsed). No shot will be taken if you release the shutter
button during self-timer countdown, although a shutter-release sound will be
played.
Note
You can reduce the noise generated during long exposures by using [ : Long
exp. noise reduction] ( ).
Using a tripod is recommended for bulb exposures. You can also use mirror lockup
( ).
You can use Remote Switch RS-80N3 or Timer Remote Controller TC-80N3 (both
sold separately) for bulb exposures ( ).
117
Still Photo Shooting
•
Tab Menus: Still Photo Shooting (Viewfinder Shooting)
• White Balance
• Custom White Balance
• White Balance Correction
• Color Space
• Picture Style Selection
• Picture Style Customization
• Picture Style Registration
• Clarity
• Lens Aberration Correction
• Image Quality
• ISO Speed Settings for Still Photos
• Auto Lighting Optimizer
• Long Exposure Noise Reduction
• High ISO Speed Noise Reduction
• Highlight Tone Priority
• Image Review
• Shutter Release Without Card
• Mirror Lockup
• Dust Delete Data Acquisition
• Shooting With Speedlites
• Flash Function Settings
• Anti-Flicker Shooting
• Multiple Exposures
• HDR PQ Settings
• Metering Mode Selection
• Manual Exposure Compensation
• Auto Exposure Bracketing (AEB)
• Exposure Lock (AE Lock)
• Using the Eyepiece Shutter
• Using a Remote Switch
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Shooting 2
(1) quality
(2) Img type/size
(3) ISO speed settings
(4) Auto Lighting Optimizer
(5) Long exp. noise reduction
(6) High ISO speed NR
(7) Highlight tone priority
Shooting 3
(1) Image review
(2) Release shutter without card
(3) Mirror lockup
(4) Dust Delete Data
(5) External Speedlite control
(6) Anti-flicker shoot.
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White Balance
White Balance
[ ] Auto White Balance
[ ] Color Temperature
White balance (WB) is for making the white areas look white. Normally, the Auto [ ]
(Ambience priority) or [
] (White priority) setting will obtain the correct white balance. If
natural-looking colors cannot be obtained with Auto, you can select the white balance to
match the light source or set it manually by shooting a white object.
1.
Press the <
> button ( ).
2.
Select a white balance setting.
Watch the top LCD panel or look through the viewfinder as you turn the
<
> dial.
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(Approx.)
Display Mode Color Temperature (K: Kelvin)
Auto: Ambience priority
3000–7000
Auto: White priority
Daylight 5200
Shade 7000
Cloudy, twilight, sunset 6000
Tungsten light 3200
White fluorescent light 4000
When using Flash Automatically set*
Custom 2000–10000
Color temperature 2500–10000
* Applicable with Speedlites having a color temperature transmission function. Otherwise, it will be
fixed to approx. 6000K.
Note
To set a personal white balance, select [ : PC-*] in step 2. For instructions on
registering a personal white balance to the camera, refer to the EOS Utility
Instruction Manual. Up to five personal white balances can be registered using
EOS Utility. Register separate ones for still photos and movies, as needed.
White Balance
The human eye adapts to changes in lighting so that white objects look white under all kinds
of lighting. Digital cameras determine white from the color temperature of lighting and, based
on this, apply image processing to make color tones look natural in your shots.
124
[ ] Auto White Balance
With [
], you can slightly increase the intensity of the image's warm color cast when
shooting a tungsten-light scene.
If you select [
], you can reduce the intensity of the image's warm color cast.
1.
Select [
: White balance].
2.
Select [
].
With [ ] selected, press the < > button.
3.
Select an option.
125
Caution
Precautions when set to [ ] (White priority)
The warm color cast of subjects may fade.
When multiple light sources are included in the scene, the warm color cast of the
picture may not be reduced.
When using flash, the color tone will be the same as with [ ] (Ambience priority).
126
[ ] Color Temperature
1.
Press the <
> button ( ).
2.
Select <
>.
Watch the top LCD panel as you turn the < > dial to select < >.
3.
Set the value.
Turn the < > dial to set the value.
The color temperature can be set from approx. 2500K to 10000K in
100K increments.
127
Caution
When setting the color temperature for an artificial light source, set the white
balance correction (magenta or green bias) as necessary.
When setting < > to a value measured with a commercially available color
temperature meter, take some test shots in advance and adjust the setting as
needed to compensate for any difference between the color temperature meter and
the camera.
128
Custom White Balance
Registering Custom White Balances
Selecting and Shooting with Custom White Balances
Naming Custom White Balances
With custom white balance, you can manually set the white balance for the specific light
source of the shooting location. Make sure to perform this procedure under the light source
at the actual location of the shoot.
Up to five custom white balances can be registered to the camera. You can also add a name
(caption) to registered custom white balances. Register separate ones for still photos and
movies, as needed.
Registering Custom White Balances
To register custom white balances, you can either register a picture taken during this
process or register an image recorded on a card.
Shooting and registering white balances
1.
Select [
: Set Custom WB].
129
2.
Select a custom white balance number to be registered.
Press < >.
Turn the < > dial to select a number from 1 to 5 for < *>, then
press <
>. The custom white balance will be registered to the
selected number.
3.
Select [Record and register WB].
The screen now turns off, and the selected number blinks on the top
LCD panel.
130
4.
Shoot a plain white object.
Look through the viewfinder and aim the outlined area over a plain
white object, so that white fills the area.
Focus manually and shoot with the standard exposure set for the white
object.
You can use any of the white balance settings.
The custom white balance is registered to the camera.
To shoot with the registered custom white balance, see Selecting and
Shooting with Custom White Balances.
Caution
If the exposure obtained in step 4 differs greatly from the standard exposure, a
correct white balance may not be obtained.
131
Note
Custom white balances can also be registered as follows.
1.Press the <
> button, then turn the < > dial to select < > ( ).
2.Next, turn the <
> dial to select a number to register the custom white
balance to.
3.Press the <
> button.
→ The number selected in step 2 blinks on the top LCD panel.
4.Shoot a plain white object as described in step 4.
→ The custom white balance will be registered to the selected number.
If [Correct WB may not be obtained with the selected image] is displayed in
step 4, return to step 1 and shoot again.
Your shot in step 4 is not recorded to a card.
More accurate white balance can be obtained by shooting a commercially available
gray card or standard 18% gray reflector instead of a white object.
Selecting an image recorded on a card
1.
Shoot a plain white object.
Shoot a plain white object as described in step 4 in Shooting and
registering white balances.
2.
On the [
] tab, select [Set Custom WB].
132
3.
Select a custom white balance number to be registered.
Press < >.
Turn the < > dial to select a number from 1 to 5 for < *>, then
press <
>. The custom white balance will be registered to the
selected number.
4.
Select [Select image on card].
Images recorded on the card are displayed.
5.
Select an image to register as the custom white balance.
Turn the < > dial to select the image captured in step 1, then press
<
>.
133
6.
Select [OK].
The custom white balance will be registered to the camera.
Check the message and select [OK] to return to the screen in step 3.
Caution
These images cannot be selected in step 5: Images captured with the Picture Style
set to [Monochrome], multiple-exposure images, HDR images, Frame Grab
images from 4K movies, and images shot with another camera.
Note
To shoot with a registered custom white balance, first select the number of the
registered custom white balance.
134
Selecting and Shooting with Custom White Balances
1.
Select the custom white balance number.
(1) Registered image
On the [Set Custom WB] screen, select the number of the registered
custom white balance.
2.
Select [Set as white balance].
The white balance setting changes to < *>.
3.
Take the picture.
The picture is taken with the < *> setting applied.
135
Note
You can also select registered custom white balance numbers while viewing the
top LCD panel. To do this, press the <
> button, then turn the < > dial to
select <
>. Next, turn the < > dial to select a registered custom white
balance number.
136
Naming Custom White Balances
You can add a name (caption) to the five registered custom white balances (custom white
balance nos. 1–5).
1.
Select the custom white balance number.
On the [Set Custom WB] screen, select the number of the registered
custom white balance to add a name to.
2.
Select [Edit WB name].
137
3.
Enter text.
Use the < > or < > dial to select a character, then press < > to
enter it.
By selecting [ ], you can change the input mode.
To delete single characters, select [ ] or press the < > button.
4.
Exit the setting.
Press the < > button, then press [OK].
The information is saved, and display returns to the screen in step 2.
The entered name is displayed below < *>.
Note
As names, it may be helpful to enter the names of places where you registered the
custom white balances, or the names of the light sources.
138
White Balance Correction
White Balance Correction
White Balance Auto Bracketing
You can correct the white balance that is set. This adjustment will have the same effect as
using a commercially available color temperature conversion filter or color compensating
filter.
White Balance Correction
1.
Select [
: WB Shift/Bkt.].
139
2.
Set the white balance correction.
Sample setting: A2, G1
Use < > to move the “■” mark on the screen to your preferred
position.
B is for blue, A for amber, M for magenta, and G for green. White
balance is corrected in the direction you move the mark.
On the right of the screen, [Shift] indicates the direction and correction
amount, respectively.
Pressing the < > button will cancel all the [WB Shift/Bkt.] settings.
Press < > to exit the setting.
Note
< > is displayed on the top LCD panel during white balance correction.
You can set the camera to display < > in the viewfinder to notify you if white
balance has been corrected ( ).
One level of the blue/amber correction is equivalent to approx. 5 mireds of a color
temperature conversion filter. (Mired: Unit of measure for color temperature used to
indicate values such as the density of a color temperature conversion filter.)
140
White Balance Auto Bracketing
White balance bracketing (WB Bkt.) enables you to capture three images at once with
different color tones.
Setting the white balance bracketing amount
In step 2 for “White Balance Correction”, when you turn the < > dial, the “■” mark on
the screen will change to “■ ■ ■” (3 points).
Turning the dial clockwise sets the B/A bracketing, and turning it counterclockwise sets
the M/G bracketing.
B/A bias ±3 levels
On the right of the screen, [Bracket] indicates the bracketing direction and correction
amount.
Pressing the < > button will cancel all the [WB Shift/Bkt.] settings.
Press < > to exit the setting.
Bracketing sequence
The images will be bracketed in the following sequence: 1. Standard white balance, 2. Blue
(B) bias, and 3. Amber (A) bias, or 1. Standard white balance, 2. Magenta (M) bias, and 3.
Green (G) bias.
141
Caution
During white balance bracketing, the maximum burst for continuous shooting will
be lower.
Since three images are recorded for one shot, it takes longer to record the image to
the card.
Note
You can also set white balance correction and AEB together with white balance
bracketing. If you set AEB in combination with white balance bracketing, a total of
nine images will be recorded for a single shot.
The white balance icon blinks to indicate that white balance bracketing has been
set.
You can change the bracketing sequence ( ) and number of shots ( ) for the
white balance bracketing.
Bracket stands for bracketing.
142
Color Space
Adobe RGB
The range of reproducible colors is called the “color space.” For normal shooting, sRGB is
recommended.
1.
Select [
: Color space].
2.
Set a color space option.
Select [sRGB] or [Adobe RGB], then press < >.
Adobe RGB
This color space is mainly used for commercial printing and other professional applications.
Recommended when using equipment such as Adobe RGB-compatible monitors or DCF 2.0
(Exif 2.21 or later) compatible printers.
Note
File names of still photos shot in the Adobe RGB color space begin with “_”.
The ICC profile is not appended. For the descriptions about the ICC profile, refer to
the Digital Photo Professional Instruction Manual (EOS software).
143
Picture Style Characteristics
Auto
The color tone will be adjusted automatically to suit the scene. The colors will look vivid
for blue skies, greenery and sunsets, particularly in nature, outdoor, and sunset scenes.
Note
If the desired color tone is not obtained with [Auto], use another Picture Style.
Standard
The image looks vivid, sharp, and crisp. Suitable for most scenes.
Portrait
For smooth skin tones, with slightly less sharpness. Suited for close-up portraits.
Skin tone can be adjusted by changing [Color tone] as described in Settings and
Effects.
Landscape
For vivid blues and greens, and very sharp and crisp images. Effective for impressive
landscapes.
Fine Detail
For detailed rendering of fine subject contours and subtle textures. The colors will be
slightly vivid.
Neutral
For retouching later on a computer. Makes images subdued, with lower contrast and
natural color tones.
Faithful
For retouching later on a computer. Faithfully reproduces the actual colors of subjects as
measured in daylight with a color temperature of 5200K. Makes images subdued, with
lower contrast.
145
Monochrome
Creates black-and-white images.
Caution
Color images cannot be recovered from JPEG images shot with the
[Monochrome] Picture Style.
Note
< > is displayed on the top LCD panel when [Monochrome] is set. You
can also set the camera to display <
> in the viewfinder ( ).
User Def. 1–3
You can add a new style based on presets such as [Portrait] or [Landscape] or a
Picture Style file, then adjust it as needed ( ). With any User Defined Picture Style that
has not yet been registered, pictures will be taken with the same characteristics settings
as with the default settings of [Standard].
146
Symbols
Icons on the Picture Style selection screen represent [Strength], [Fineness], and
[Threshold] for [Sharpness] as well as [Contrast] and other parameters. The numbers
indicate the values for these settings specified for the respective Picture Style.
Sharpness
Strength
Fineness
Threshold
Contrast
Saturation
Color tone
Filter effect (Monochrome)
Toning effect (Monochrome)
Caution
For movie recording, “*, *” is indicated for the [Fineness] and [Threshold]
parameters of [Sharpness]. [Fineness] and [Threshold] cannot be set for movie
recording.
147
Picture Style Customization
Settings and Effects
Monochrome Adjustment
You can customize any Picture Style by changing it from the default settings. For details on
customizing [Monochrome], see
Monochrome Adjustment.
1.
Select [
: Picture Style].
2.
Select a Picture Style.
Select the Picture Style to adjust, then press the < > button.
148
Note
For movie recording, [Fineness] and [Threshold] for [Sharpness] cannot be set
(not displayed).
By selecting [Default set.] in step 3, you can restore the parameter settings of the
respective Picture Style to the defaults.
To shoot with the Picture Style you adjusted, first select the adjusted Picture Style,
then shoot.
Settings and Effects
Sharpness
Strength 0: Weak outline emphasis 7: Strong outline emphasis
Fineness*
1
1: Fine 5: Grainy
Threshold*
2
1: Low 5: High
Contrast –4: Low contrast +4: High contrast
Saturation –4: Low saturation +4: High saturation
Color tone –4: Reddish skin tone +4: Yellowish skin tone
* 1: Indicates the edge thinness that enhancement applies to. The smaller the number, the finer the
outlines that can be emphasized.
* 2: Contrast threshold between edges and surrounding image areas, which determines edge
enhancement. The smaller the number, the more the outline will be emphasized when the contrast
difference is low. However, noise tends to be more noticeable when the number is smaller.
150
Monochrome Adjustment
Filter effect
With a filter effect applied to a monochrome image, you can make white clouds or green
trees stand out more.
Filter Sample Effects
N:None Normal black-and-white image with no filter effects.
Ye:Yellow Blue sky will look more natural, and white clouds will look crisper.
Or:Orange The blue sky will look slightly darker. The sunset will look more brilliant.
R:Red The blue sky will look quite dark. Fall leaves will look crisper and brighter.
G:Green
Skin tones and lips will appear muted. Green tree leaves will look crisper and
brighter.
Note
Increasing [Contrast] will make the filter effect more pronounced.
Toning effect
By applying a toning effect, you can create a monochrome image in the selected color.
Effective when you want to create memorable images.
151
Picture Style Registration
You can select a base Picture Style such as [Portrait] or [Landscape], adjust it as desired,
and register it under [User Def. 1] – [User Def. 3]. Useful when creating several Picture
Styles with different settings.
Picture Styles that you have registered on the camera using EOS Utility (EOS software,
)
can also be modified here.
1.
Select [
: Picture Style].
2.
Select [User Def.].
Select [User Def. *], then press the < > button.
152
3.
Press <
>.
With [Picture Style] selected, press < >.
4.
Select a base Picture Style.
Select the base Picture Style.
Also select styles this way when adjusting styles registered to the
camera with EOS Utility (EOS software).
5.
Select an item.
153
6.
Set the effect level.
For details, see Picture Style Customization.
Press the < > button to save the adjusted setting and return to
the Picture Style selection screen.
The base Picture Style will be indicated on the right of [User Def. *].
Blue style names in [User Def. *] have been changed from default
values.
Caution
If a Picture Style is already registered under [User Def. *], changing the base
Picture Style will clear the parameter settings of the previously registered User
Defined Picture Style.
Up to three Picture Styles can be registered using EOS Utility. Register separate
ones for still photos and movies, as needed.
You can restore the default [User Def. *] style and settings by selecting [Basic
settings] for [Reset individual settings] in [
: Reset camera].
Note
To shoot with a registered Picture Style, select the registered [User Def. *], then
shoot.
For instructions on registering a Picture Style file to the camera, refer to the EOS
Utility Instruction Manual.
154
Clarity
You can adjust image clarity, as determined by the contrast of image edges.
Set toward the negative end to make images look softer or toward the positive end for a
sharper appearance.
1.
Select [
: Clarity].
2.
Set the effect level.
Caution
Setting clarity may darken or lighten the areas around boundaries in high-contrast
images.
The effect of this setting is not shown in Live View images.
155
Lens Aberration Correction
Peripheral Illumination Correction
Distortion Correction
Digital Lens Optimizer
Chromatic Aberration Correction
Diffraction Correction
Vignetting, image distortion, and other issues may be caused by lens optical characteristics.
The camera can compensate for these phenomena by using [Lens aberration correction].
1.
Select [
: Lens aberration correction].
2.
Select an item.
156
3.
Select [Enable].
Confirm that the name of the attached lens and (except for diffraction
correction) [Correction data available] are displayed.
If [Correction data not available] or [ ] is displayed, see Digital Lens
Optimizer.
Peripheral Illumination Correction
Vignetting (dark image corners) can be corrected.
Caution
Depending on shooting conditions, noise may appear on the image periphery.
The higher the ISO speed, the lower the amount of correction will be.
Note
The amount of correction applied will be lower than the maximum correction
amount applied with Digital Photo Professional (EOS software).
157
Distortion Correction
Distortion (image warping) can be corrected.
Caution
To correct distortion, the camera captures a narrower image area than the area
seen in viewfinder shooting, which crops the image a little and slightly lowers the
apparent resolution.
For movie recording, [Distortion correction] will not appear. (Correction is not
possible.)
In Live View shooting, applying distortion correction may change the angle of view
slightly.
Areas outside the recording area may be displayed if you magnify edges of the
screen in Live View shooting.
Images with distortion correction applied will not have the Dust Delete Data ( )
appended. Also, the AF point may be displayed out of position, relative to the time
of shooting.
Magnifying the periphery of the image may display parts of the image that will not
be recorded.
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Digital Lens Optimizer
Various aberrations from lens optical characteristics can be corrected, along with diffraction
and low-pass filter-induced loss of resolution.
If [Correction data not available] or [
] is displayed by [Digital Lens Optimizer], you can
use EOS Utility to add the lens correction data to the camera. For details, refer to the EOS
Utility Instruction Manual.
Caution
Depending on shooting conditions, noise may be intensified together with the
effects of correction. Image edges may also be emphasized. Adjust Picture Style
sharpness or set [Digital Lens Optimizer] to [Disable] as needed before shooting.
The higher the ISO speed, the lower the amount of correction will be.
For movie recording, [Digital Lens Optimizer] will not appear. (Correction is not
possible.)
Note
With [Digital Lens Optimizer] set to [Enable(Std)], [Chromatic aberr corr] and
[Diffraction correction] are not displayed, but they are both set to [Enable] for
shooting.
159
Chromatic Aberration Correction
Chromatic aberration (color fringing around subjects) can be corrected.
Note
[Chromatic aberr corr] is not displayed when [Digital Lens Optimizer] is set to
[Enable(Std)].
160
Diffraction Correction
Diffraction (loss of sharpness caused by the aperture) can be corrected.
Caution
Depending on shooting conditions, noise may be intensified together with the
effects of correction.
The higher the ISO speed, the lower the amount of correction will be.
Note
“Diffraction correction” corrects degraded resolution not only from diffraction but
also from the low-pass filter and other factors. Thus, correction is also effective for
exposures with the aperture wide open.
[Diffraction correction] is not displayed when [Digital Lens Optimizer] is set to
[Enable(Std)].
Caution
General precautions for lens aberration correction
Lens aberration correction cannot be applied to existing JPEG images.
When using a non-Canon lens, setting the corrections to [Disable] is
recommended even if [Correction data available] is displayed.
The amount of correction (except diffraction correction) is less for lenses that do
not provide distance information.
Note
General notes for lens aberration correction
Effects of lens aberration correction vary by lens and shooting conditions. Also, the
effect may be difficult to discern depending on the lens used, shooting conditions,
etc.
If the correction is difficult to discern, magnifying and checking the image after
shooting is recommended.
Corrections are applied even when an extender or life-size converter is attached.
If the correction data for the attached lens is not registered to the camera, the result
will be the same as when the correction is set to [Disable] (except for diffraction
correction).
If necessary, refer to the EOS Utility Instruction Manual as well.
161
Image Quality
Image Size Selection
RAW Images
Guide to Image Quality Settings
Maximum Burst for Continuous Shooting
JPEG/HEIF Quality
Image Size Selection
You can specify
, , , or for JPEG images, for HEIF images, and or
for RAW images. Image size can be set in either of the following ways.
Setting size via the rear LCD panel
1.
Press the <
> button ( ).
162
2.
Select the desired image size.
Turn the < > dial to select the image size.
Both RAW and JPEG images will be captured when / and
/ / / are displayed together.
Both RAW and HEIF images will be captured when / and /
are displayed together.
Turn the < > dial to select the card for recording and playback
( ).
Note
To set separate image sizes for each card when [ Record func.] in [ : Record
func+card/folder sel.] is set to [Rec. separately] (
), turn the < > dial, select
a card, and set the image size.
“Image quality” in this guide refers to both image size and JPEG/HEIF quality ( ).
HEIF can be specified when [HDR shooting ] in [ : HDR PQ settings] is
set to [Enable]. You can convert these images to JPEG images after shooting ( ).
Setting size via the menu
1.
Select [
: Img type/size].
The screen displayed varies depending on [ Record func.] settings
in [
: Record func+card/folder sel.].
163
2.
Set the image size.
Standard/Auto switch card/Record to multiple
For RAW images, turn the < > dial, and for JPEG images, turn the
<
> dial.
Press < > to set it.
Record separately
When [ Record func.] in [ : Record func+card/folder sel.] is set
to [Rec. separately], turn the
<
> dial to select [ ] or [ ], then
press <
>. Note that recording separately to and is not
available for RAW images.
Select an image size on the screen displayed, then press < >.
164
Note
In the viewfinder, maximum display of the number of shots available is 1999.
is set automatically if you set both RAW and JPEG/HEIF to [ ].
Two versions of each shot are recorded at your specified image quality when you
have selected both RAW and JPEG/HEIF. Both images have the same file number
but each has a different file extension, with .JPG for JPEG, .HIF for HEIF and .CR3
for RAW.
< >/< > appears at the right in the viewfinder based on your JPEG/RAW
selection.
Meanings of image size icons are as follows: : RAW, : Compact RAW,
JPEG: JPEG, HEIF: HEIF,
: Large, : Medium 1, : Medium 2, : Small.
165
RAW Images
RAW images are raw data from the image sensor that are recorded to the card digitally as
or , based on your selection. produces RAW images with smaller file
sizes than
.
RAW images can be processed using [
: RAW image processing] ( ) to save them as
JPEG or HEIF images. As the RAW image itself does not change, you can process the
RAW image to create any number of JPEG or HEIF images with various processing
conditions.
You can use Digital Photo Professional (EOS software) to process RAW images. You can
make various adjustments to images depending upon how they will be used and can
generate JPEG, HEIF, or other types of images reflecting the effects of those adjustments.
Note
To display RAW images on a computer, using Digital Photo Professional (EOS
software, hereafter DPP) is recommended.
Older versions of DPP Ver. 4.x do not support display, processing, editing, or other
operations with RAW images captured by this camera. If a previous version of DPP
Ver. 4.x is installed on your computer, obtain and install the latest version of DPP
from the Canon website to update it ( ), which will overwrite the previous version.
Similarly, DPP Ver. 3.x or earlier does not support display, processing, editing, or
other operations with RAW images captured by this camera.
Commercially available software may not be able to display RAW images captured
by this camera. For compatibility information, contact the software manufacturer.
166
Maximum Burst for Continuous Shooting
Approximate maximum burst is shown at the right in the viewfinder, on the Quick Control
screen, and at the bottom of the Custom Quick Control screen.
Caution
Maximum burst is shown even without a card in the camera, so make sure a card is
inserted before shooting.
Note
If the maximum burst is displayed as “99”, it indicates that you can shoot 99 or
more shots continuously. Fewer shots are available for a value of 98 or lower, and
when [
] is displayed in the viewfinder and on the top LCD panel, internal
memory is full and shooting will stop temporarily. If you stop continuous shooting,
the maximum burst will increase. After all captured images have been written to a
card, you can once again shoot at the maximum burst listed in Performance Data.
168
JPEG/HEIF Quality
1.
Select [
: quality].
2.
Select the desired image size.
Select the image size, then press < >.
3.
Set the desired quality (compression).
Select the number, then press < >.
Higher numbers offer higher quality (lower compression).
Quality of 6–10 is indicated by < >, and 1–5, by < >.
169
Note
The higher the quality, the fewer shots will be available. In contrast, the lower the
quality, the more shots will be available.
170
ISO Speed Settings for Still Photos
ISO Speed Range When Set Manually
ISO Speed Range Used With ISO Auto
Minimum Shutter Speed for ISO Auto
Set the ISO speed (image sensor's sensitivity to light) to suit the ambient light level.
For details on ISO speed when recording movies, see
ISO Speed in < >, < >, and
< > Modes and ISO Speed in < > Mode.
1.
Press the <
> button ( ).
2.
Set the ISO speed.
Watch the top LCD panel or look through the viewfinder as you turn the
<
> or < > dial.
“ ” indicates ISO Auto. ISO speed is set automatically.
171
Caution
Image noise (dots of light or banding) and irregular colors may increase and
apparent resolution may decrease at H1, H2, or H3 (equivalent to ISO 204800,
409600, and 819200, respectively), because these are expanded ISO speeds.
Because L (equivalent to ISO 50) is an expanded ISO speed setting, the dynamic
range will be somewhat narrower compared to the standard setting.
Setting the ISO speed to L (equivalent to ISO 50) may result in loss of gradation in
highlights of your shots, even if gradation is visible in Live View image highlights.
Setting [ : Highlight tone priority] to [Enable] [Enhanced] ( ) will prevent you
from selecting L (equivalent to ISO 50), ISO 100/125/160, H1, H2, or H3
(equivalent to ISO 204800, 409600, and 819200, respectively).
When shooting with a high ISO speed, high temperature, long exposure, or multiple
exposure, image noise (graininess, dots of light, banding, etc.), irregular colors, or
color shift may become noticeable.
When shooting in conditions that produce an extreme amount of noise, such as a
combination of high ISO speed, high temperature, and long exposure, images may
not be recorded properly.
If you use a high ISO speed and flash to shoot a close subject, overexposure may
result.
Note
Low ISO speeds reduce image noise but may increase the risk of camera/subject
shake or reduce the area in focus (shallower depth of field), in some shooting
conditions.
High ISO speeds enable low-light shooting, a larger area in focus (deeper depth of
field), and longer flash range but may increase image noise.
Can also be set on the [ISO speed] screen in [ : ISO speed settings].
Shutter sounds after the camera shoots may vary depending on the ISO speed
setting.
172
ISO Speed Range When Set Manually
You can set the manual ISO speed setting range (minimum and maximum limits). You can
set the minimum limit within L (equivalent to ISO 50) to H2 (equivalent to ISO 409600), and
the maximum limit within ISO 100 to H3 (equivalent to ISO 819200).
1.
Select [
: ISO speed settings].
2.
Select [ISO speed range].
3.
Set [Minimum].
Select the [Minimum] box, then press < >.
Select the ISO speed, then press < >.
173
4.
Set [Maximum].
Select the [Maximum] box, then press < >.
Select the ISO speed, then press < >.
5.
Select [OK].
174
ISO Speed Range Used With ISO Auto
You can set the automatic ISO speed range for ISO Auto within ISO 100–102400. The
minimum can be set within ISO 100–51200 and the maximum within ISO 200–102400, in 1-
stop increments.
1.
Select [Auto range].
2.
Set [Minimum].
Select the [Minimum] box, then press < >.
Select the ISO speed, then press < >.
175
Minimum Shutter Speed for ISO Auto
To prevent shutter speeds from being set too low automatically, you can set the minimum
shutter speed for ISO Auto.
This is effective in <
> or < > mode when shooting subjects in motion with a wide-
angle lens, or when using a telephoto lens. It can also reduce camera shake and blurred
subjects.
1.
Select [Min. shutter spd.].
177
2.
Set the desired minimum shutter speed.
Automatically set
If you select [Auto], turn the < > dial to set the difference relative
to standard speed (toward Slower or Faster), then press <
>.
Manually set
If you select [Manual], turn the < > dial to select the shutter speed,
then press <
>.
Caution
If a correct exposure cannot be obtained with the maximum ISO speed limit set
with [Auto range], a shutter speed slower than the [Min. shutter spd.] will be set
to obtain the standard exposure.
This function will not be applied to flash photography.
Note
When [Auto(Standard)] is set, the minimum shutter speed will be the reciprocal of
the lens focal length. A single step from [Slower] to [Faster] is equivalent to a
single stop of the shutter speed.
178
Auto Lighting Optimizer
Brightness and contrast can be corrected automatically if shots look dark or contrast is too
low or high.
1.
Select [
: Auto Lighting Optimizer].
2.
Set a correction option.
Caution
Noise may increase and apparent resolution may change, under some shooting
conditions.
If the effect of Auto Lighting Optimizer is too strong and results are not at your
preferred brightness, set to [Low] or [Disable].
If a setting other than [Disable] is set and you use exposure compensation or flash
exposure compensation to darken the exposure, the image may still come out
bright. If you want a darker exposure, set this function to [Disable].
179
Note
To enable [ : Auto Lighting Optimizer] to be set even in < > and < >
modes, press the <
> button in step 2 to clear the checkmark [ ] for
[Disabled in M or B modes].
180
Long Exposure Noise Reduction
Noise that tends to occur in long exposures at shutter speeds of one sec. or slower can be
reduced.
1.
Select [
: Long exp. noise reduction].
2.
Set a reduction option.
Auto
For images exposed for 1 sec. or longer, noise reduction is performed
automatically if noise typical of long exposures is detected. This setting
is effective enough in most cases.
Enable
Noise reduction is performed for all images exposed for 1 sec. or
longer. The [Enable] setting may reduce noise that cannot be detected
with the [Auto] setting.
181
Caution
With [Auto] or [Enable] set, noise reduction after you shoot may take as long as
exposure for the shot.
Images may look grainier with the [Enable] setting than with the [Disable] or [Auto]
setting.
“ ” is displayed as noise is reduced, and no Live View image is displayed
until processing is finished, when you can shoot again.
182
High ISO Speed Noise Reduction
You can reduce the image noise generated. This function is especially effective when
shooting at high ISO speeds. When shooting at low ISO speeds, the noise in the darker
parts of the image (shadow areas) can further be reduced.
1.
Select [
: High ISO speed NR].
2.
Set the level.
183
Highlight Tone Priority
You can reduce overexposed, clipped highlights.
1.
Select [
: Highlight tone priority].
2.
Set an option.
[Enable]: Improves gradation in highlights. The gradation between the
grays and highlights becomes smoother.
[Enhanced]: Reduces overexposed highlights even more than
[Enable], under some shooting conditions.
Caution
Noise may increase slightly.
The available ISO range starts at ISO 200. Expanded ISO speeds cannot be set.
With [Enhanced], results in some scenes may not look as expected.
184
Image Review
To keep the image displayed immediately after you shoot, set to [Hold], and if you prefer not
to have the image displayed, set to [Off].
1.
Select [
: Image review].
2.
Set a time option.
Note
When [Hold] is set, images are displayed as long as the time set in [ : Auto
power off].
185
Shutter Release Without Card
You can set the camera not to shoot unless there is a card in the camera. The default
setting is [Enable].
1.
Select [
: Release shutter without card].
2.
Select [Disable].
186
Mirror Lockup
Mirror lockup keeps the mirror up in viewfinder shooting to reduce blur from mirror
movement. Useful when shooting close-ups (macro photography), using a super telephoto
lens, shooting at slow shutter speeds, etc.
1.
Select [
: Mirror lockup].
2.
Select an item.
Select [Enable] or [Enable:Mirror down w/ ], then press < >.
3.
Focus on the subject, then press the shutter button completely.
The mirror will swing up.
187
4.
Press the shutter button completely again.
The camera shoots.
When set to [Enable], the mirror is lowered after shooting.
When set to [Enable:Mirror down w/ ], the mirror remains up
after shooting. To lower the mirror, press <
>.
Caution
Do not point the camera toward an intense light source, such as the sun or an
intense artificial light source. Doing so may damage the image sensor or the
camera's internal components.
In very bright light, such as at the beach or a ski slope on a sunny day, take the
picture promptly after mirror lockup is stabilized.
During mirror lockup, shooting function settings and menu operations are disabled.
Note
Single shooting drive mode is used when this function is enabled. When set to
[Enable:Mirror down w/
], the camera shoots using the current drive mode.
You can also use the self-timer with mirror lockup.
If approx. 30 sec. elapse after the mirror has locked up, it will go back down
automatically. Pressing the shutter button completely locks up the mirror again.
Use of a tripod and Remote Switch RS-80N3 or Timer Remote Controller TC-80N3
(both sold separately) is recommended ( ).
188
Dust Delete Data Acquisition
Preparation
Dust Delete Data Appending
Dust Delete Data used to erase dust spots can be appended to images in case sensor
cleaning leaves dust on the sensor. The Dust Delete Data is used by Digital Photo
Professional (EOS software) to erase the dust spots automatically.
Preparation
Prepare a solid white object such as a sheet of paper.
Set the lens focal length to 50 mm or longer.
Set the lens's focus mode switch to < > and set the focus to infinity (∞). If the lens
has no distance scale, rotate the camera to face toward you and turn the focusing ring
clockwise all the way.
1.
Select [
: Dust Delete Data].
189
2.
Select [OK].
After the automatic self-cleaning of the sensor is performed, a message
will appear. Although there will be a mechanical sound of the shutter
during the cleaning, no picture is taken.
190
3.
Shoot a plain white object.
Shoot with a plain white object (such as a new sheet of white paper)
filling the screen, at a distance of 20–30 cm (0.7–1.0 ft.).
Since the image will not be saved, the data can still be obtained even if
there is no card in the camera.
When the picture is taken, the camera will start collecting the Dust
Delete Data. When the Dust Delete Data is obtained, a message will
appear.
If the data is not obtained successfully, an error message will appear.
Check the information in Preparation, select [OK], and shoot again.
191
Dust Delete Data Appending
The camera will append the Dust Delete Data obtained to all shots from now on. Acquiring
Dust Delete Data before shooting is recommended.
For details about using Digital Photo Professional (EOS software) to erase dust spots
automatically, refer to the Digital Photo Professional Instruction Manual.
File size is essentially unaffected by Dust Delete Data appended to images.
Caution
If the object has any pattern or design, it may be recognized as dust data and affect
the accuracy of the dust deletion with the Digital Photo Professional (EOS
software).
192
Shooting With Speedlites
EL/EX Series Speedlites for EOS Cameras
Canon Speedlites Other Than the EL/EX Series
Non-Canon Flash Units
EL/EX Series Speedlites for EOS Cameras
Features of EL/EX series Speedlites (sold separately) can be used in flash photography with
the camera.
For instructions, refer to the EL/EX series Speedlite's Instruction Manual.
Flash exposure compensation
You can adjust flash output (flash exposure compensation). Press the < >
button, then turn the <
> dial while looking at the viewfinder or top LCD panel.
FE lock
This enables you to obtain appropriate flash exposure for a specific part of the subject.
Aim the viewfinder center over the subject, press the camera's <
> button, then
compose the shot and take the picture.
Caution
Setting [ : Auto Lighting Optimizer] ( ) to an option other than [Disable] may
still cause images to look bright even if you set lower flash exposure compensation
for darker images.
When using flash in Live View shooting, set [ : Shutter mode] to an option other
than [Electronic] ( ).
No AF-assist beam is fired from external flash units in Live View shooting.
However, when needed, an AF-assist beam is fired from the LED light of EX series
Speedlites equipped with these lights.
The Auto flash feature of Speedlite EL-100 is not supported. The flash always fires,
even when set to <
> mode. Also note that linkage of flash power status with
camera power status is not supported.
193
Canon Speedlites Other Than the EL/EX Series
With an EZ/E/EG/ML/TL series Speedlite set to A-TTL or TTL autoflash mode, the flash
can be fired at full output only.
Set the camera's shooting mode to <
> or < > and adjust the aperture value
before shooting.
When using a Speedlite that has manual flash mode, shoot in the manual flash mode.
195
Non-Canon Flash Units
Sync speed
The camera can synchronize with non-Canon compact flash units at up to 1/250 sec.
With large studio flash units, the flash duration is longer than that of a compact flash unit
and varies depending on the model. Before shooting, confirm that flash sync is
performed correctly by taking some test shots at a sync speed of approx. 1/60 sec. to
1/30 sec.
PC terminal
The PC terminal enables you to use flash units with a sync cord. The terminal has
locking threads to prevent accidental cord detachment.
The PC terminal has no polarity. Sync cords can be connected regardless of
polarity.
Caution
Using the camera with a dedicated flash unit or flash accessory for cameras of
other manufacturers poses a risk of malfunction and even damage.
Do not connect flash units with an output voltage of 250 V or more to the camera's
PC terminal.
Do not attach a high-voltage flash unit to the camera's hot shoe. It may not fire.
Note
You can use one flash unit attached to the camera's hot shoe and another
connected to the PC terminal at the same time.
196
Note
Metered manual flash exposure
This feature enables you to set the flash exposure level manually for close-up shots.
Using a Speedlite with manual flash mode and a standard 18% gray card, follow
these steps.
1. Configure the camera and Speedlite settings.
• On the camera, set the shooting mode to <
> or < >.
• On the Speedlite, set the firing mode to Manual flash.
2. Focus on the subject.
3. Set up the standard 18% gray card.
• Place the card at the position of the subject.
• Place the card so that it fills the entire spot metering circle in the
viewfinder or on the screen.
4.
Press the <
> button ( ).
5. Set the flash exposure level.
• Adjust the Speedlite's manual flash level and the camera's aperture value
to align the flash exposure level with the standard exposure index.
6. Take the picture.
• Remove the card and shoot.
197
Flash Function Settings
Flash Firing
E-TTL Balance
E-TTL II Flash Metering
Continuous Flash Control
Flash Sync Speed in Av Mode
Flash Function Settings
Flash Custom Function Settings
Clearing Flash Function Settings/Clearing All Speedlite Custom Functions
Functions of EL/EX Series Speedlites compatible with flash function settings can be set via
a camera menu screen. Attach the Speedlite to the camera and turn on the Speedlite before
setting the flash functions.
For details on the Speedlite's functions, refer to the Speedlite's Instruction Manual.
1.
Select [
: External Speedlite control].
198
2.
Select an item.
Flash Firing
To enable flash photography, set to [Enable]. To enable only the AF-assist beam of the
Speedlite, set to [Disable].
199
E-TTL Balance
You can set your preferred appearance (balance) for flash shots. This setting enables you to
adjust the ratio of ambient light to Speedlite light output.
Set the balance to [Ambience priority] to lower the proportion of flash output and uses
ambient light to produce lifelike shots with a natural mood. Especially useful when
shooting dark scenes (indoors, for example). After switching to <
> mode, consider
setting [Flash sync. speed in Av mode] in [
: External Speedlite control] to [Auto]
and using slow-sync shooting.
Set the balance to [Flash priority] to make the flash the main source of light. Useful for
reducing shadows on subjects and in the background from ambient light.
Caution
Although [Ambience priority] is effective in dark scenes, there may be no
difference from results with [Standard] in some scenes.
200
E-TTL II Flash Metering
Set to [Eval (FacePrty)] for flash metering suitable for shots of people.
The continuous shooting speed for high-speed continuous shooting is slower than when
[Evaluative] or [Average] is selected.
Set to [Evaluative] for flash metering that emphasizes firing in continuous shooting.
If [Average] is set, the flash exposure will be averaged for the entire metered scene.
Note
Depending on the scene, flash exposure compensation may be necessary.
Caution
Even when [Eval (FacePrty)] is set, some subjects and shooting conditions may
prevent you from obtaining the expected result.
201
Continuous Flash Control
Set to [E-TTL each shot] to perform flash metering for each shot. Set to [E-TTL 1st shot] to
perform flash metering for only the first shot before continuous shooting. The flash output
level for the first shot is applied to all subsequent shots. Useful when prioritizing continuous
shooting speed without recomposing shots.
Caution
Any subject movement in continuous shooting may cause exposure problems.
202
Flash Sync Speed in Av Mode
You can set the flash-sync speed for flash photography in <
> mode.
: Auto
The shutter speed is set automatically within a range of 1/250 sec. to 30 sec. to suit the
brightness. High-speed sync is also possible.
: 1/250-1/60sec. auto
Prevents a slow shutter speed from being set automatically in low-light conditions. It is
effective for preventing subject blur and camera shake. Light from the flash provides
standard exposure for subjects, but note that backgrounds may be dark.
: 1/250 sec. (fixed)
The shutter speed is fixed at 1/250 sec., which is more effective in preventing subject
blur and camera shake than with [1/250-1/60sec. auto]. However, in low light, the
subject's background will come out darker than with [1/250-1/60sec. auto].
Caution
High-speed sync is not available in < > mode when set to [1/250-1/60sec.
auto] or [1/250 sec. (fixed)].
203
Flash Function Settings
The information displayed on the screen, position of display, and available options vary
depending on the Speedlite model, its Custom Function settings, the flash mode, and other
factors. For details on the Speedlite's functions, refer to the Speedlite's Instruction Manual.
Sample display
(1) Flash mode
(2) Wireless functions/
Firing ratio control (RATIO)
(3) Flash zoom (flash coverage)
(4) Shutter synchronization
(5) Flash exposure compensation
(6) Flash exposure bracketing
Caution
Functions are limited when using EX series Speedlites that are not compatible with
flash function settings.
204
Flash mode
You can select the flash mode to suit your desired flash photography.
[E-TTL II flash metering] is the standard mode of EL/EX series Speedlites for automatic
flash photography.
[Manual flash] is for setting the Speedlite's [Flash output level] yourself.
[CSP] (Continuous shooting priority mode) is available when using a compatible external
Speedlite. This mode automatically reduces flash output by one stop and increases ISO
speed by one stop. Useful in continuous shooting, and helps conserve flash battery
power.
Regarding other flash modes, refer to the Instruction Manual of a Speedlite compatible
with the respective flash mode.
Caution
Adjust exposure compensation ( ) as needed in case of overexposure from flash
photography with [CSP] in <
> or < > mode.
Note
With [CSP], ISO speed is automatically set to [Auto].
205
Wireless functions
You can use radio or optical wireless transmission to shoot with wireless multiple-flash
lighting.
For details on wireless flash, refer to the Instruction Manual of a Speedlite compatible with
wireless flash photography.
Firing ratio control (RATIO)
With a macro flash, you can set the firing ratio control.
For details on firing ratio control, refer to the Instruction Manual of the macro flash.
Flash zoom (flash coverage)
With Speedlites having a zooming flash head, you can set the flash coverage.
206
Shutter synchronization
Normally, set this to [First-curtain synchronization] so that the flash fires immediately after
the shooting starts.
Set to [Second-curtain synchronization] and use low shutter speeds for natural-looking
shots of subject motion trails, such as car headlights.
Set to [High-speed synchronization] for flash photography at higher shutter speeds than
the maximum flash sync shutter speed. This is effective when shooting with an open
aperture in <
> mode to blur the background behind subjects outdoors in daylight, for
example.
Caution
When using second-curtain synchronization, set the shutter speed to 1/50 sec. or
slower. If the shutter speed is 1/60 sec. or faster, first-curtain synchronization will
be applied automatically even if [Second-curtain synchronization] is set.
Flash exposure compensation
Just as exposure compensation is adjustable, you can also adjust flash output.
Note
If flash exposure compensation is set with the Speedlite, you cannot set the flash
exposure compensation with the camera. If it is set with both the camera and
Speedlite, the Speedlite's setting overrides the camera's.
207
Flash exposure bracketing
Speedlites equipped with flash exposure bracketing (FEB) can change the external flash
output automatically as three shots are taken at once.
208
Flash Custom Function Settings
For details on the Speedlite's Custom Functions, refer to the Instruction Manual of the
Speedlite.
1.
Select [Flash C.Fn settings].
2.
Set the desired functions.
Select the number.
Select an item.
Caution
With an EX series Speedlite, the Speedlite will always fire at full output if the [Flash
metering mode] Custom Function is set to [TTL flash metering] (autoflash).
The Speedlite's Personal Function (P.Fn) cannot be set or canceled from the
camera's [
: External Speedlite control] screen. Set it directly on the Speedlite.
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Clearing Flash Function Settings/Clearing All Speedlite
Custom Functions
1.
Select [Clear settings].
2.
Select the settings to be cleared.
Select [Clear flash settings] or [Clear all Speedlite C.Fn's].
Select [OK] on the confirmation screen to clear all flash settings or
Custom Function settings.
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Anti-Flicker Shooting
Uneven exposure and color may result if you shoot at fast shutter speeds under flickering
light sources such as fluorescent lights, due to uneven vertical exposure. Anti-flicker
shooting enables viewfinder shooting at moments when exposure and colors are less
affected by flickering.
1.
Select [
: Anti-flicker shoot.].
2.
Select [Enable].
3.
Take the picture.
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Caution
When [Enable] is set and you shoot under a flickering light source, the shutter-
release time lag may become longer. Also, the continuous shooting speed may
become slower, and the shooting interval may become irregular.
Not applied to mirror lockup shots, Live View shooting, or movie recording.
Flicker at a frequency other than 100 Hz or 120 Hz cannot be detected. Also, if the
flickering frequency of the light source changes during continuous shooting, effects
of the flicker cannot be reduced.
In the < > or < > mode, if the shutter speed changes during continuous
shooting or if you shoot multiple shots of the same scene at different shutter
speeds, the color tone may become inconsistent. To avoid inconsistent color tone,
shoot in <
> or < > mode at a fixed shutter speed.
Color tone of captured images may vary between [Enable] and [Disable].
Shutter speed, aperture value, and ISO speed may change when you start
shooting with AE lock.
If the subject is against a dark background or if there is a bright light in the image,
flicker may not be properly detected.
Flicker reduction may not be possible under special lighting.
Depending on the light source, flicker may not be detected properly.
Depending on the light sources or shooting conditions, the expected result may not
be obtained even if you use this function.
Note
Taking test shots in advance is recommended.
When you shoot with flicker reduction, < > will light up. If < >
is not displayed in the viewfinder, add a checkmark [
] to [Flicker detection] in
[Show/hide in viewfinder] in [
: Viewfinder display] ( ). Under a light source
that does not flicker or with no flicker detected, <
> will not be displayed.
< > will blink in the viewfinder as a warning when metering under
flickering light sources with a checkmark [
] in [Flicker detection] and with [ :
Anti-flicker shoot.] set to [Disable].
The expected result may not be obtained for wireless flash photography.
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Multiple Exposures
Merging Multiple Exposures with a RAW Image Recorded on the Card
Checking and Deleting Multiple Exposures During Shooting
You can shoot multiple (2–9) exposures to merge into a single image. In Live View shooting,
you can see in real time how the exposures are merged when you shoot multiple-exposure
images.
1.
Select [
: Multiple exposure].
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2.
Set [Multiple exposure].
Select an option, then press < >.
To exit shooting multiple exposures, select [Disable].
On:Func/Ctrl
Convenient when shooting multiple exposures gradually as you check
the results. During continuous shooting, the continuous shooting speed
will decrease greatly.
On:ContShtng
Used for continuous multiple exposures of moving subjects.
Continuous shooting is possible, but the following operations are
disabled during shooting: menu screen viewing, image review after
capture, image playback, and undo last image ( ).
Note that the single exposures used for merging are discarded, and
only the multiple-exposure image is saved.
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3.
Set [Multi-expos ctrl].
Select a merging option, then press < >.
Additive
The exposure of each single image captured is added cumulatively.
Based on [No. of exposures], set negative exposure compensation.
Follow these basic guidelines to set the exposure compensation
amount.
Exposure compensation setting guidelines, by number of
exposures
Two exposures: –1 stop, three exposures: –1.5 stops, four exposures:
–2 stops
Average
Based on the [No. of exposures], negative exposure compensation is
set automatically as you shoot multiple exposures. If you shoot multiple
exposures of the same scene, the exposure of the subject's
background will be automatically controlled to obtain the standard
exposure.
Bright/Dark
Brightness (or darkness) of the base image and added images is
compared at the same position, and bright (or dark) portions are
retained. Some overlapping colors may be mixed, depending on the
relative brightness (or darkness) of the images.
215
4.
Set [No. of exposures].
Select the number of exposures, then press < >.
5.
Specify the images to save.
To save all single exposures and the multiple-exposure image, select
[All images] and press <
>.
To save only the multiple-exposure image, select [Result only] and
press <
>.
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6.
Set [Continue Mult-exp].
Select an option, then press < >.
With [1 shot only], multiple-exposure shooting will be canceled
automatically after the shooting ends.
With [Continuously], multiple-exposure shooting continues until the
setting in step 2 is set to [Disable].
7.
Shoot the first exposure.
When [On:Func/Ctrl] is set, the captured image will be displayed.
The < > icon blinks.
You can check the number of remaining exposures, as displayed at
right in the viewfinder or on the screen (1).
Pressing the < > button enables you to view the captured image
( ).
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8.
Shoot the next exposures.
Images captured so far are displayed merged in Live View shooting.
For only Live View image display, press the <
> button
repeatedly.
To view the multiple-exposure image so far, check exposure, and see
how the images will be merged, hold down the depth-of-field preview
button (or the button assigned to [Depth-of-field preview] in [
6:
Custom Controls] ) in Live View shooting.
Multiple-exposure shooting will end when the set number of exposures
are taken.
Note
With [On:Func/Ctrl], you can press the < > button to view the multiple-
exposure image so far or delete the previous single exposure ( ).
As shooting information, the multiple-exposure image has information captured for
the last shot.
Caution
The image quality, ISO speed, Picture Style, high ISO speed noise reduction, color
space, etc. set for the first single exposure will also be set for the subsequent
exposures.
If [ : Picture Style] is set to [Auto], [Standard] will be applied for shooting.
With [On:Func/Ctrl] and [Additive] set, any noise, irregular colors, banding, or
similar issues affecting images displayed as you shoot may look different in the
final multiple-exposure image.
With multiple exposures, the more exposures there are, the more noticeable the
noise, irregular colors, and banding will be.
Image processing after you finish shooting multiple exposures takes longer when
[Additive] is set (which causes the access lamp to be illuminated longer).
Brightness and noise of the multiple-exposure image captured in step 8 will be
different in the resulting multiple-exposure image.
Multiple-exposure shooting is canceled if you set the power switch to < >,
replace batteries or cards, or switch to movie recording.
Switching to < >, < >, or < > shooting mode ends multiple-exposure
shooting in progress.
If you connect the camera to a computer, multiple-exposure shooting will not be
possible. If you connect the camera to a computer during shooting, multiple-
exposure shooting will end.
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Merging Multiple Exposures with a RAW Image Recorded
on the Card
You can select a RAW image recorded on the card as the first single exposure. The
selected RAW image will remain intact.
1.
Select [Select image for multi. expo.].
2.
Select the first image.
Turn the < > dial to select the first image, then press < >.
Select [OK].
The file number of the selected image will be displayed at the bottom of
the screen.
3.
Take the picture.
When you select the first image, the number of remaining exposures as
set with [No. of exposures] will decrease by 1.
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Caution
JPEG/HEIF images cannot be selected.
These images cannot be selected as the first single exposure: images shot with
[
: Highlight tone priority] set to [Enable] or [Enhanced], or images with
cropping information.
[Disable] is applied for [ : Lens aberration correction] and [ : Auto Lighting
Optimizer], regardless of the settings of the image selected as the first single
exposure.
The ISO speed, Picture Style, high ISO speed noise reduction, color space, etc. set
for the first image will also be applied for the subsequent images.
If Picture Style is [Auto] for the image selected as the first image, [Standard] will
be applied for shooting.
You cannot select an image taken with another camera.
Images that cannot be merged may be displayed.
Note
You can also select a RAW image used in multiple-exposure shooting.
Select [Deselect img] to cancel image selection.
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Checking and Deleting Multiple Exposures During
Shooting
To view the multiple-exposure image so far, check exposure, and see how the images are
layered, you can press the <
> button before you finish shooting your specified number
of exposures (when [On:Func/Ctrl] is set, but not with [On:ContShtng]).
Pressing the <
> button will display the operations possible during multiple-exposure
shooting.
Operation Description
Return to previous
screen
The screen before you pressed the <
> button will reappear.
Undo last image
Deletes the last image you shot (enabling you to replace it by shooting again).
The number of remaining exposures will increase by 1.
Save and exit
With [Save source imgs: All images], saves all single exposures and the
multiple-exposure image created so far and exits multiple-exposure shooting.
With [Save source imgs: Result only], saves only the multiple-exposure
image created so far and exits multiple-exposure shooting.
Exit without saving
Exits the multiple-exposure shooting without saving the image.
Caution
During multiple-exposure shooting, you can only play back multiple-exposure
images.
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FAQ
Are there any restrictions on the image quality?
All single exposures and the multiple-exposure image are captured at your specified
image quality.
Can I merge images recorded on the card?
With [Select image for multi. expo.], you can select the first single exposure from the
images recorded on the card ( ). Note that you cannot merge multiple images already
recorded on the card.
How are multiple-exposure files numbered?
With the camera set to save all images, multiple-exposure image files are named with
the next number after the number of the last single exposure used to create them.
Will auto power off take effect during multiple-exposure shooting?
During multiple-exposure shooting, auto power off will not take effect. Note that before
you start multiple-exposure shooting, auto power off automatically takes effect at the
time set in [
: Auto power off], which will cancel multiple-exposure shooting.
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HDR PQ Settings
PQ in HDR PQ refers to the gamma curve of the input signal for displaying HDR images.
HDR PQ settings enable the camera to produce HDR images conforming to the PQ
specification defined in ITU-R BT.2100 and SMPTE ST.2084 (with actual display depending
on monitor performance).
Shots are captured as HEIF or RAW images.
* HDR stands for High Dynamic Range.
* PQ stands for Perceptual Quantization.
1.
Select [
: HDR PQ settings].
2.
Select [HDR shooting
].
Select [Enable].
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3.
Set [HDR assist disp: shooting].
Converted images are displayed on the screen in Live View shooting,
giving an impression similar to how they would appear on an HDR
display device.
Select [Exposure prior. (mid-tones)] or [Tones prior. (highlights)].
[ ] Exposure prior. (mid-tones)
Provides reference display that emphasizes exposure of subjects (such
as people) with intermediate brightness.
[ ] Tones prior. (highlights)
Provides reference display that emphasizes gradation of bright subjects
(such as the sky).
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4.
Set [HDR assist disp: playback].
Converted images are displayed on the screen for playback, giving an
impression similar to how they would appear on an HDR display
device.
Select [Exposure prior. (mid-tones)] or [Tones prior. (highlights)].
[ ] Exposure prior. (mid-tones)
Provides reference display that emphasizes exposure of subjects (such
as people) with intermediate brightness.
[ ] Tones prior. (highlights)
Provides reference display that emphasizes gradation of bright subjects
(such as the sky).
5.
Set the image quality.
For details, see Image Quality.
Note
Settings for [HDR assist disp: shooting] also apply to images displayed on the
screen immediately after you shoot.
Caution
HEIF images are captured at L size.
Expanded ISO speeds (L, H1, H2, H3) are not available in HDR shooting.
Some scenes may look different from how they appear on an HDR display device.
Histograms of images captured with [HDR shooting ] set to [Enable] are
not based on images as converted for HDR assist display. Image areas shown in
gray in the histogram roughly indicate signal values that are not used.
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Evaluative metering
General-purpose metering mode suited even for backlit subjects. The camera adjusts the
exposure automatically to suit the scene.
Partial metering
Effective where there are much brighter lights around the subject due to backlight, etc.
Spot metering
Effective when metering a specific part of the subject. The spot metering circle will be
displayed in the viewfinder.
Center-weighted average
Metering over the entire area is averaged, with the center of the viewfinder weighted more
heavily.
Note
By default, the camera will set the exposure as follows.
With <
>, holding down the shutter button halfway locks the exposure (AE lock)
after the camera focuses with One-Shot AF. With <
> / < > / < >,
exposure is set at the moment the picture is taken (without locking the exposure
value when the shutter button is pressed halfway).
You can link spot metering to all AF points by setting [ 1: Spot meter. linked to
AF pt] to [Linked to active AF point] ( ).
With [ 2: AE lock meter. mode after focus] ( ), you can set whether or not to
lock the exposure (AE lock) when focus is achieved with One-Shot AF.
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Multi-Spot Metering
By specifying multiple areas for spot metering, you can determine an overall exposure level
based on the average of your selected areas. Multi-spot metering is available in <
>,
<
>, and < > modes.
1.
Set the metering mode to <
> (spot metering).
2.
Press the <
> button ( ).
Aim the spot metering circle over each area for exposure comparison,
one after another, and press the
<
> button in each area.
Relative exposure levels of each spot metering area are displayed at
right in the viewfinder. These levels are averaged to obtain the current
exposure level.
While referring to the three points on the exposure level indicator, you
can set exposure compensation in this state and determine the final
exposure level for the desired result.
Note
Spot metering with up to eight points is possible.
Stored exposure values are cleared in the following cases.
• When the metering timer elapses after the last spot metering (
)
• When you press any of these buttons: < >, < >,
<
>, < >, < >, < >, or < >
Multi-spot metering is available even when [ 1: Spot meter. linked to AF pt] is
set to [Linked to active AF point] ( ).
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Manual Exposure Compensation
Exposure compensation can brighten (increased exposure) or darken (decreased exposure)
the standard exposure set by the camera.
For details on exposure compensation when <
> mode and ISO Auto are both set, see
M: Manual Exposure.
1.
Check the exposure.
Press the shutter button halfway ( ) and check the exposure level
indicator.
2.
Set the compensation amount.
Increased exposure, to brighten images
Decreased exposure, to darken images
Turn the < > dial while looking at the viewfinder or top LCD panel.
If the setting cannot be set, move the power switch to < >, then
turn the <
> dial.
The exposure compensation range is ±5 stops in viewfinder shooting
and ±3 stops in Live View shooting.
The exposure compensation range shown in the viewfinder and on the
top LCD panel is up to ±3 stops. To specify more than ±3 stops,
configure the corresponding Quick Control setting.
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3.
Take the picture.
To cancel exposure compensation, set the exposure level < / > to
the standard exposure index (<
/ >).
Caution
If [ : Auto Lighting Optimizer] ( ) is set to any setting other than [Disable], the
image may still look bright even if decreased exposure compensation is set to
darken images.
Note
Can also be set by pressing the < > button and turning the < > or < >
dial.
The exposure compensation amount will remain in effect even after you set the
power switch to <
>.
To prevent accidental changes to the exposure compensation amount after setting
it, set the power switch to <
>.
If the exposure compensation amount exceeds ±3 stops, the end of the exposure
level indicator will display <
/ > or < / >.
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Auto Exposure Bracketing (AEB)
In exposure bracketing, three consecutive images are captured at different exposures within
your specified range of up to ±3 stops (in 1/3-stop increments) by automatically adjusting the
shutter speed or aperture value. This is called AEB.
* AEB stands for Auto Exposure Bracketing.
1.
Press the <
> and < > button simultaneously
(
).
< > and <0.0>
appear on the top LCD panel.
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Standard exposure Decreased exposure Increased exposure
2.
Set the AEB range.
(1) AEB amount
(2) AEB range
Turn the < > or < > dial to set the AEB range.
3.
Take the picture.
Three bracketed shots are taken, according to the specified drive
mode, in this sequence: Standard exposure, decreased exposure, and
increased exposure.
AEB will not be automatically canceled. To cancel AEB, follow step 2 to
set the AEB amount to “0.0.”
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Note
During AEB shooting, the < > icon in the viewfinder and the < > icon on the
top LCD panel blink.
If the drive mode is set to < / >, press the shutter button three times for each
shot.
In <
/ / / / > modes, holding down the shutter button
completely captures three images, one after another, before the camera
automatically stops shooting. When <
or > is set, three consecutive shots
are captured after a delay of approx. 10 or 2 sec.
You can set AEB in combination with exposure compensation.
Ends of the exposure level indicator are displayed as < / > or < / > when
the AEB range exceeds ±3 stops.
AEB is not available in flash photography or bulb exposures.
AEB will be canceled automatically if you do any of the following: Setting the power
switch to <
> or when the flash is fully charged.
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Exposure Lock (AE Lock)
AE Lock Effects
You can lock the exposure when you want to set the focus and exposure separately or when
you will take multiple shots at the same exposure setting. Press the <
> button to lock the
exposure, then recompose and take the picture. This is called AE lock. It is effective for
shooting backlit subjects, etc.
1.
Focus on the subject.
Press the shutter button halfway.
The exposure value will be displayed.
2.
Press the <
> button ( ).
A < > icon is displayed in the viewfinder, indicating that the
exposure is locked (AE lock).
Each time you press the < > button, the current exposure setting is
locked.
234
3.
Recompose and take the picture.
The AE lock exposure value and current exposure value are shown in
real time at right in the viewfinder.
When you are to take more pictures while maintaining the AE lock,
keep holding down the <
> button and press the shutter button to
take another picture.
Note
AE lock is not possible with bulb exposures.
AE Lock Effects
Metering Mode
Selection
Selecting the AF Area and AF Point
Automatic Selection Manual Selection
Exposure value centered on the AF
point in focus is locked.
Exposure value centered on the
selected AF point is locked.
AE lock is applied at the center AF point.
* When the <
> is set and the lens's focus mode switch is set to < >, AE lock is applied with
the exposure value weighted on the center AF point.
235
Using the Eyepiece Shutter
Light that enters the viewfinder if you shoot without looking through it (in self-timer shooting,
bulb exposures, or remote switch shooting) may cause shots to be underexposed. To
prevent this, slide the eyepiece shutter lever as shown by the arrow to cover the viewfinder
eyepiece.
Note that covering the viewfinder eyepiece is not necessary in Live View shooting or movie
recording.
236
Using a Remote Switch
You can connect Remote Switch RS-80N3, Timer Remote Controller TC-80N3 (both sold
separately), or other optional EOS shooting accessories equipped with an N3-type terminal
(
).
For operating instructions, refer to the Instruction Manual of the accessory.
1.
Open the terminal cover.
2.
Connect the plug to the remote control terminal.
Connect as shown.
To disconnect, hold the silver part of the plug and pull it out.
237
Still Photo Shooting (Live View Shooting)
You can shoot while viewing live images on the camera screen. This is called “Live View
shooting.”
• Tab Menus: Still Photo Shooting (Live View Shooting)
• Live View Shooting
• Shutter Mode
• Exposure Simulation
• Metering Timer
• General Live View Shooting Precautions
238
Live View Shooting
1.
Set the Live View shooting/Movie shooting switch to <
>.
2.
Display the Live View image.
Press the < > button.
Live View images are displayed nearly as bright as your shots.
3.
Select a shooting mode.
Press the < > button and turn the < > or < > dial to
select the shooting mode.
242
4.
Focus on the subject.
When you press the shutter button halfway, the camera will focus with
the current AF method ( ).
You can also tap the screen to select the face or subject.
5.
Take the picture.
Press the shutter button completely.
Press the < > button to exit Live View shooting.
Caution
Live View images viewed outdoors on a sunny day may look different from the
actual brightness and mood of your shots. For image display unaffected by ambient
light, set the brightness in [
: Disp. brightness] to level 4.
243
Note
The field of view is approx. 100% (with image size set to JPEG/ ).
The camera will turn off automatically if left idle for the time set in [ : Auto power
off] ( ). When the setting is set to [Disable], the camera exits Live View shooting
automatically in approx. 30 min. and remains on.
With HDMI Cable HTC-100, you can display Live View images on a television ( ).
Note that no sound will be output.
You can view a histogram when [ : Expo. simulation] is set to [Enable] ( ) by
pressing the <
> button repeatedly.
White display of the [ ] icon indicates that brightness of Live View images will
closely match the brightness of your shots.
If the [ ] icon is blinking, it indicates that the image is displayed at a brightness
that differs from the actual shooting result because of low- or bright-light conditions.
However, the actual image recorded will reflect the exposure setting. Note that the
noise may be more noticeable than the actual image recorded.
Exposure simulation may not be performed under some shooting settings. The
[
] icon and histogram will be displayed in gray. The image will be displayed on
the screen at the standard brightness. The histogram may not be properly
displayed in low- or bright-light conditions.
244
Shutter Mode
You can choose the method of shutter release.
1.
Select [
: Shutter mode].
2.
Select an option.
Mechanical
Shooting activates the mechanical shutter. Recommended when shooting with the
aperture of a bright lens wide open.
Elec. 1st-curtain
Shooting only activates the second-curtain shutter. Camera shake may be suppressed
by [Mechanical] depending on the shooting condition. Note that in <
> drive mode,
mechanical shutter is used for the second and subsequent shots.
Electronic
Enables you to shoot without a shutter sound.
In continuous shooting, the camera always shoots at high speed (up to approx.
20 shots/sec.). Also during continuous shooting, the white frame is displayed repeatedly.
245
Caution
Defocused image areas may be incomplete when shooting near maximum aperture
at high shutter speeds, depending on shooting conditions. If you dislike the
appearance of defocused image areas, shooting as follows may give better results.
• Shoot with an option other than [Elec. 1st-curtain].
• Lower the shutter speed.
• Increase the aperture value.
Precautions when set to [Electronic]
Be responsible when using electronic shutter, and respect subject privacy and
portrait rights.
Some restrictions on shutter speed apply. Shutter speeds slower than 0.5 sec. are
not available.
The continuous shooting speed may become slower depending on the shooting
conditions.
In shots of fast-moving subjects, the subject may be distorted, or in continuous
shooting with Servo AF, shots may be out of focus.
With some lenses and under some shooting conditions, lens focusing and aperture
adjustment may be audible.
Bands of light may be displayed and captured images may be affected by light and
dark banding if you shoot with electronic shutter during flash firing by other
cameras or under fluorescent lighting or other flickering light sources.
Zooming during continuous shooting may cause changes in exposure even at the
same f/number. For details, refer to the Canon website.
[Elec. 1st-curtain] is used for bulb exposures.
AEB shooting and flash photography are not available.
Some functions will be restricted, but you can return to shooting with previous
settings by switching to a setting other than [Electronic] or switching to viewfinder
shooting.
246
Exposure Simulation
With exposure simulation, image brightness more closely matches the actual brightness
(exposure) of your shots.
1.
Select [
: Expo. simulation].
2.
Set an option.
Enable ( )
The displayed image brightness will be close to the actual brightness (exposure) of the
resulting image. If you set exposure compensation, the image brightness will change
accordingly.
During
Normally, Live View images are displayed at standard brightness, so they are easy to
see (
). Only when you hold down the depth-of-field preview button will image
brightness resemble actual brightness (exposure) of the resulting image (
).
Disable ( )
Live View images are displayed at standard brightness, so they are easy to see. Even if
you set exposure compensation, the image is displayed at the standard brightness.
247
Metering Timer
You can set how long the metering timer runs (which determines the duration of exposure
display/AE lock) after it is triggered by an action such as pressing the shutter button halfway.
1.
Select [
: Metering timer].
2.
Set a time option.
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General Live View Shooting Precautions
Caution
Do not point the camera toward an intense light source, such as the sun or an
intense artificial light source. Doing so may damage the image sensor or the
camera's internal components.
Image quality
When you shoot at high ISO speeds, noise (such as dots of light and banding) may
become noticeable.
Shooting in high temperatures may cause noise and irregular colors in the image.
Live View shooting over an extended period may cause high internal temperatures
and affect image quality. Exit Live View shooting when you are not shooting.
If you shoot a long exposure while the camera's internal temperature is high, image
quality may decline. Exit Live View shooting and wait a few minutes before
shooting again.
White [
] and red [ ] internal temperature warning icons
White [ ] or red [ ] icons indicate high internal camera temperature, caused by
factors such as extended Live View shooting or Live View shooting in hot
environments.
The white [ ] icon indicates that the image quality of still photos will decline. Stop
Live View shooting for a while and allow the camera to cool down.
Shooting at low ISO speeds instead of high speeds is recommended when the
white [
] icon is displayed.
The red [ ] icon indicates that Live View shooting will soon stop automatically.
Shooting will not be possible again until the camera cools down internally, so stop
Live View shooting temporarily or turn off the camera and let it cool down a while.
Live View shooting in hot environments over extended periods will cause the white
[
] or red [ ] icon to appear sooner. When you are not shooting, always turn off
the camera.
If the camera's internal temperature is high, the quality of images shot with a high
ISO speed or long exposure may decline even before the white [
] icon is
displayed.
Shooting results
In magnified view, the shutter speed and aperture value will be displayed in red. If
you take the picture in magnified view, the exposure may not come out as desired.
Return to the normal view before taking the picture.
Even if you take the picture in magnified view, the image will be captured with the
image area of the normal view.
249
Live View image
Under low- or bright-light conditions, the displayed image may not reflect the
brightness of the captured image.
Although noise may be noticeable in Live View images under low light (even at low
ISO speeds), there will be less noise in your shots, due to differences in image
quality between Live View images and captured images.
The screen may flicker if the light source (lighting) changes. In this case, stop Live
View shooting temporarily before you continue shooting under the light source you
will use.
Pointing the camera at different direction may momentarily prevent correct display
of brightness. Wait until the brightness level stabilizes before shooting.
If there is a very bright light source in the image, the bright area may appear black
on the screen. However, the actual captured image will correctly show the bright
area.
Under low light, bright [ : Disp. brightness] settings may cause noise or irregular
colors in Live View images. However, the noise or irregular colors will not be
recorded in the captured image.
When you magnify the image, the image sharpness may look more pronounced
than in the actual image.
Custom Functions
Some Custom Functions are not available in Live View shooting (some settings
have no effect).
Lens and flash
If the attached lens has an Image Stabilizer and you set the Image Stabilizer switch
to <
>, the Image Stabilizer will operate at all times even if you do not press
the shutter button halfway. The Image Stabilizer consumes battery power and may
decrease the number of available shots depending on the shooting conditions.
When the Image Stabilizer is not necessary, such as when using a tripod, it is
recommended that you set the Image Stabilizer switch to <
>.
Focus preset is available in Live View shooting only when using (super) telephoto
lenses equipped with this function released in and after the second half of 2011.
Modeling flash is not available when a Speedlite is used.
250
Movie Recording
For movie recording, set the Live View shooting/Movie shooting switch to < >.
Caution
When switching from still photo shooting to movie recording, check the camera
settings again before recording movies.
• Tab Menus: Movie Recording
• Movie Recording
• Movie Recording Quality
• Sound Recording
• Time Code
• Canon Log Settings
• Movie Digital IS
• Other Menu Functions
• General Movie Recording Precautions
251
Tab Menus: Movie Recording
Shooting 1
(1) White balance
(2) Set Custom WB
(3) WB correction
(4) Picture Style
• Picture Style Selection
• Picture Style Customization
• Picture Style Registration
(5) Clarity
(6) Lens aberration correction
Shooting 2
(1) ISO speed settings
•
ISO Speed in < >, < >, and < > Modes
• ISO Speed in < > Mode
(2) Auto Lighting Optimizer
(3) High ISO speed NR
(4) Highlight tone priority
252
Movie Recording
Program AE
Shutter-Priority AE
Aperture-Priority AE
ISO Speed in < >, < >, and < > Modes
Manual Exposure Recording
ISO Speed in < > Mode
Shutter Speed
Still Photo Shooting
Information Display (Movie Recording)
Program AE
In <
> recording mode, exposure is controlled automatically to suit the brightness.
1.
Set the Live View shooting/Movie shooting switch to <
>.
254
2.
Set the recording mode to <
>.
Press the < > button, then turn the < > or < > dial for
selection.
3.
Focus on the subject.
Before recording a movie, focus with AF ( ) or manual focus ( ).
By default, [ : Movie Servo AF] is set to [Enable] so that the
camera always keeps focusing ( ).
When you press the shutter button halfway, the camera will focus with
the current AF method.
255
4.
Record the movie.
Press the < > button to start recording a movie.
While the movie is being recorded, the [ REC] icon (1) will be
displayed in the upper right of the screen.
Sound is recorded with the movie microphone (2).
To stop recording the movie, press the < > button again.
256
Shutter-Priority AE
<
> recording mode enables you to set your preferred shutter speed for movies. ISO
speed and aperture values are set automatically to suit the brightness and obtain standard
exposure.
1.
Set the Live View shooting/Movie shooting switch to <
>.
2.
Set the recording mode to <
>.
Press the < > button, then turn the < > or < > dial for
selection.
257
Caution
Avoid adjusting shutter speed while recording movies, which will record changes in
exposure.
When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec.
to 1/125 sec. is recommended. The faster the shutter speed, the less smooth the
subject's movement will look.
If you change the shutter speed while recording under fluorescent or LED lighting,
image flicker may be recorded.
259
Aperture-Priority AE
<
> recording mode enables you to set your preferred aperture value for movies. ISO
speed and shutter speed are set automatically to suit the brightness and obtain standard
exposure.
1.
Set the Live View shooting/Movie shooting switch to <
>.
2.
Set the recording mode to <
>.
Press the < > button, then turn the < > or < > dial for
selection.
260
Note
Notes for <
>, < >, and < > modes
You can lock the exposure (AE lock) by pressing the < > button. After applying
AE lock during movie recording, you can cancel it by pressing the <
> button.
(AE lock setting is retained until you press the <
> button.)
Exposure compensation can be set in a range of up to ±3 stops by turning the
<
> dial.
In < > mode, the ISO speed, shutter speed, and aperture value are not
recorded in movie Exif information.
The camera is compatible with Speedlite functionality to activate the LED light
automatically under low light when recording movies in <
>, < >, and
<
> modes. For details, refer to the Instruction Manual of the EX series
Speedlite equipped with an LED light.
262
Manual Exposure Recording
You can manually set the shutter speed, aperture value, and ISO speed for movie recording.
1.
Set the Live View shooting/Movie shooting switch to <
>.
2.
Set the recording mode to <
>.
Press the < > button, then turn the < > or < > dial for
selection.
3.
Set the ISO speed.
Press the < > button.
Turn the < > or < > dial to set it.
264
4.
Set the shutter speed (1) and aperture value (2).
Press the shutter button halfway and check the exposure level
indicator.
To set the shutter speed, turn the < > dial. To set the aperture
value, turn the <
> dial.
The available shutter speeds vary depending on the frame rate.
5.
Focus and record the movie.
The procedure is the same as steps 3 and 4 for Program AE.
265
Caution
ISO speed cannot be expanded to L, H2, or H3 (equivalent to ISO 50, ISO 409600,
and ISO 819200, respectively) in movie recording.
During movie recording, avoid changing the shutter speed, aperture value, or ISO
speed, which may record changes in the exposure or create more noise at high
ISO speeds.
When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec.
to 1/125 sec. is recommended. The faster the shutter speed, the less smooth the
subject's movement will look.
If you change the shutter speed while recording under fluorescent or LED lighting,
image flicker may be recorded.
Note
Exposure compensation with ISO Auto can be set in a range of ±3 stops when [
6: Custom Controls] is set to [ : Expo comp (hold btn, turn )] ( ).
When ISO Auto is set, you can press the < > button to lock the ISO speed. After
locking the ISO speed during movie recording, you can cancel it by pressing the
<
> button. (ISO speed lock is maintained until you press the < > button.)
If you press the < > button and recompose the shot, you can see the exposure
level difference on the exposure level indicator (
) compared to when the < >
button was pressed.
266
Shutter Speed
Available shutter speeds in <
> and < > mode vary depending on the frame rate of
your specified movie recording quality.
Frame Rate
Shutter Speed (Sec.)
Normal Movie Recording High Frame Rate Movie Recording
–
1/4000–1/125
1/4000–1/100
1/4000–1/8 –
268
Still Photo Shooting
Still photos cannot be taken during movie recording. To take still photos, stop the movie
recording and perform viewfinder shooting or Live View shooting.
269
Information Display (Movie Recording)
For details on the icons on the movie recording screen, see
Information Display.
Caution
Precautions for movie recording
Do not point the camera toward an intense light source, such as the sun or an
intense artificial light source. Doing so may damage the image sensor or the
camera's internal components.
If you record something that has fine detail, moire or false colors may result.
If < > or < > set and the ISO speed or aperture value changes during
movie recording, the white balance may also change.
If you record a movie under fluorescent or LED lighting, the movie image may
flicker.
If you perform AF with a USM lens during movie recording in low light, horizontal
banding noise may be recorded in the movie. The same type of noise may occur if
you focus manually with certain lenses equipped with an electronic focusing ring.
Recording a few test movies is recommended if you intend to perform zooming
during movie recording. Zooming as you record movies may cause exposure
changes or lens sounds to be recorded, an uneven audio level, inaccurate lens
aberration correction, or loss of focus.
Large aperture values may delay or prevent accurate focusing.
Performing AF during movie recording may cause the following kinds of issues:
significant temporary loss of focus, recording of changes in movie brightness,
temporary stopping of movie recording, or recording of mechanical lens sounds.
Avoid covering the built-in movie microphone with your fingers or other objects.
Connecting or disconnecting an HDMI cable during movie recording will end
recording.
Also see General Movie Recording Precautions.
Also see General Live View Shooting Precautions, as needed.
270
Note
Notes for movie recording
Each time you record a movie, a new movie file is created on the card.
Field of view (coverage) is approx. 100%.
Focusing is also possible by pressing the < > button.
To enable starting/stopping movie recording by pressing the shutter button
completely, set [Fully-press] for [
: Shutter btn function for movies] to [Start/
stop mov rec] ( ).
Monaural sound is recorded with the built-in microphone for movie recording ( ).
Stereo sound can be recorded by connecting an external microphone such as
Directional Stereo Microphone DM-E1 (sold separately) to the camera's external
microphone IN terminal, which will be used instead of the built-in microphone ( ).
Most external microphones equipped with a 3.5 mm mini-jack can be used.
Focus preset during movie recording is available when using (super) telephoto
lenses equipped with this function released in and after the second half of 2011.
271
Movie Recording Quality
Movie Recording Size
4K Movie Recording
Image Area
Cards That Can Record Movies
High Frame Rate
Movie Files Exceeding 4 GB
Total Movie Recording Time and File Size Per Minute
Movie Recording Time Limit
You can set the image size, frame rate, compression method, and recording format in the
[Movie rec. size] menu of [
: Movie rec quality].
The frame rate displayed on the [Movie rec. size] screen switches automatically depending
on the [
: Video system] setting ( ).
A different screen is displayed when [ Rec options] in [ : Record func+card/folder
sel.] is set to [
, ].
• (1) The recording time of the card with less available time is displayed.
• Movies in RAW format are recorded at 5472×2886 and movies in MP4 format at
4096×2160 IPB (Standard).
272
Caution
The card's writing/reading speeds required for recording movies (card
performance requirements) vary depending on the movie recording quality.
Before recording movies, see Cards That Can Record Movies to check card
performance requirements.
Movie Recording Size
Image size
Image Size Aspect Ratio
5472×2886 17:9
4096×2160 17:9
*
4096×2160 17:9
3840×2160 16:9
1920×1080 16:9
* Movies can be cropped around the center of the image, as if recorded with a telephoto lens.
Caution
If you change the [ : Video system] setting, also set [ : Movie rec quality]
again.
Other devices may not play movies such as 4K, / , and High Frame
Rate movies normally, because playback is processing-intensive.
Apparent resolution and noise vary slightly depending on movie recording quality
and settings for the lens used.
Note
To obtain better performance with the card, formatting the card with the camera
before recording movies is recommended ( ).
Movies cannot be recorded in HD or VGA quality.
273
4K Movie Recording
Recording 4K movies requires a stable card with a fast writing speed. For details, see
Cards That Can Record Movies.
4K or High Frame Rate movie recording greatly increases the processing load, which
may increase the internal camera temperature faster or higher than for regular movies. If
a red
icon appears during movie recording, the card may be hot, so stop
recording the movie and let the camera cool down before removing the card. (Do
not remove the card immediately.)
From a 4K movie, you can select any frame to save to the card as a JPEG still image
( ).
Caution
AF is not used to focus when / or / is set. No AF
points are displayed. Also note that the focus guide is not displayed, even with the
lens's focus mode switch set to <
>.
274
Image Area
The movie image area varies depending on factors such as movie recording quality settings
and the lens used.
(1) Still images (5472×3648) (JPEG L)
(2)
(1920×1080)
(3) RAW movies (5472×2886)/
(4096×2160)
(4)
(3840×2160)
(5)
(4096×2160)
Caution
Recording with Movie digital IS ( ) further crops the image around the center of
the screen.
Frame rate (fps: frames per second)
[ ] 119.9fps/[ ] 59.94fps/[ ] 29.97fps
For areas where the TV system is NTSC (such as North America, Japan, South Korea,
and Mexico). For
, see High Frame Rate.
[ ] 100.00fps/[ ] 50.00fps/[ ] 25.00fps
For areas where the TV system is PAL (such as Europe, Russia, China, and Australia).
For
, see High Frame Rate.
[ ] 23.98fps/[ ] 24.00fps
Mainly for cinematic purposes.
(23.98 fps) is available when [ : Video system] is
set to [For NTSC].
275
Compression method
[ ] RAW (Light)
Since the movie is recorded at a bit rate lower than with RAW (Standard), the file size
will be smaller than with RAW (Standard) and the playback compatibility will be higher.
This will make the available recording time longer than with RAW (Standard) (with a
card having the same capacity).
[ ] ALL-I (For editing/I-only)
Compresses each frame, one at a time, for recording. Although file sizes are larger than
with IPB (Standard), movies are more suitable for editing.
[ ] IPB (Standard)
Compresses multiple frames at a time efficiently for recording. File sizes are smaller
than with ALL-I (For editing), which enables movie recording over longer periods (with a
card of the same capacity).
[ ] IPB (Light)
Since the movie is recorded at a bit rate lower than with IPB (Standard), the file size will
be smaller than with IPB (Standard) and the playback compatibility will be higher. This
will make the available recording time longer than with IPB (Standard) (with a card
having the same capacity).
Movie recording format
[ ] RAW
When [
] or [ ] is selected, movies are recorded as RAW movie files (file
extension “.CRM”).
[ ] MP4
When [
], [ ], or [ ] is selected, movies are recorded as MP4 movie files
(file extension “.MP4”). This file format provides higher compatibility for playback than
with MOV.
RAW movies
RAW movies are raw, unprocessed data from the image sensor that are recorded to the
card digitally.
You can use Digital Photo Professional (EOS software) to process RAW movies. You can
make various adjustments to images depending upon how they will be used and can
generate JPEG, HEIF, or other types of images reflecting the effects of those adjustments.
Caution
RAW movies cannot be processed with [ : RAW image processing].
276
Note
To display RAW movies on a computer, using Digital Photo Professional (EOS
software, hereafter DPP) is recommended.
Older versions of DPP Ver.4.x do not support display, processing, editing, or other
operations with RAW movies recorded by this camera. If a previous version of DPP
Ver.4.x is installed on your computer, obtain and install the latest version of DPP
from the Canon website to update it ( ). (The previous version will be overwritten.)
Similarly, DPP Ver.3.x or earlier does not support display, processing, editing, or
other operations with RAW movies recorded by this camera.
Commercially available software may not be able to display RAW movies recorded
by this camera. For compatibility information, contact the software manufacturer.
To prioritize gradation in highlights, specify Canon Log. For RAW movies, consider
setting the color matrix to CINEMA EOS Original.
277
Cards That Can Record Movies
For details on cards that can record at each level of movie recording quality, check the
Canon website.
Test cards by recording a few movies to make sure they can record correctly at your
specified size (
).
Caution
Before recording 4K movies, format cards by selecting [Low level format] in [ :
Format card] ( ).
If you use a slow-writing card when recording movies, the movie may not be
recorded properly. Also, if you play back a movie on a card with a slow reading
speed, the movie may not be played back properly.
When recording movies, use high-performance cards with a writing speed
sufficiently higher than the bit rate.
When movies cannot be recorded properly, format the card and try again. If
formatting the card does not resolve the problem, refer to the card manufacturer's
website, etc.
Note
To obtain better performance with the card, formatting the card with the camera
before recording movies is recommended ( ).
278
High Frame Rate
You can record Full HD movies at a high frame rate of 119.9 fps or 100.0 fps. This is ideal
for recording movies that will be played back in slow motion. The maximum recording time
per movie is 7 min. 29 sec.
Movies are recorded in or quality.
Sound is not recorded in High Frame Rate movies.
Time code display during movie recording advances 4 sec. per second.
Because High Frame Rate movies are recorded as 29.97 fps/25.00 fps movie files, they
are played in slow motion at 1/4 speed.
Caution
Precautions when set to [High Frame Rate: Enable]
Time codes are not recorded when [Count up] is set to [Free run] in [ : Time
code] ( ).
Check the [Movie rec. size] setting if you return this setting to [Disable].
The screen may flicker if you record High Frame Rate movies under fluorescent or
LED lighting.
For a moment when you start or stop recording High Frame Rate movies, the
movie is not updated, and the frame stops momentarily. Be aware of this when
recording movies to external devices via HDMI.
Movie frame rates shown on the screen as you record High Frame Rate movies do
not correspond to the frame rate of the movie recorded.
Headphones cannot be used (no sound is audible).
279
Movie Files Exceeding 4 GB
Even if you record a movie exceeding 4 GB, you can keep recording without interruption.
Caution
When importing movie files exceeding 4 GB to a computer, use either EOS Utility
or a card reader ( ). It may not be possible to save movie files exceeding 4 GB if
you attempt this using standard features of the computer's operating system.
280
Movie Recording Time Limit
When recording non-High Frame Rate movies
The maximum recording time per movie is 29 min. 59 sec. Once 29 min. 59 sec. is
reached, recording automatically stops. You can start recording a movie again by
pressing the <
> button (which records the movie as a new file).
When recording High Frame Rate movies
The maximum recording time per movie is 7 min. 29 sec. Once 7 min. 29 sec. is
reached, recording automatically stops. You can start recording a High Frame Rate
movie again by pressing the <
> button (which records the movie as a new file).
282
Sound Recording
Sound Recording/Sound-Recording Level
Wind Filter
Attenuator
You can record movies while recording sound with the built-in monaural microphone or an
external stereo microphone. You can also freely adjust the sound-recording level.
Use [
: Sound recording] to set sound recording functions.
Caution
Sounds from Wi-Fi operations may be captured with built-in or external
microphones. During sound recording, using the wireless communication function
is not recommended.
When connecting an external microphone or headphones to the camera, be sure to
insert the plug all the way in.
If AF operations are performed or you control the camera or lens during movie
recording, the camera's built-in microphone may also record mechanical sounds of
the lens or sounds of camera/lens operations. In this case, using an external
microphone may reduce these sounds. If the sounds are still distracting with an
external microphone, it may be more effective to remove the external microphone
from the camera and position it away from the camera and lens.
Line input up to +6 dBV is supported, but levels higher than the standard input level
of –8 dBV may cause worse distortion. Taking test shots in advance is
recommended.
For line input, always set [Sound rec.] to [Line input]. Supplying audio when it is
not set to [Line input] may damage the camera.
Setting the sound recording option to [Line input] disables recording by the built-in
movie microphone. Additionally, [Wind filter] and [Attenuator] are not available.
Noise reduction is not applied to the audio played through headphones. Thus, the
audio recorded with the movie will be different.
Do not change the [Manual] or [Line input] settings when listening with
headphones. This may cause sudden loud output that may hurt your ears.
283
Note
Audio is also output when the camera is connected to televisions via HDMI, except
when [Sound rec.] is set to [Disable]. In case of feedback from television audio
output, move the camera away from the television or turn down the volume.
The sound volume balance between L (left) and R (right) cannot be adjusted.
Sound is recorded at a 48 kHz/16-bit sampling rate.
Sound Recording/Sound-Recording Level
Auto
The sound-recording level is adjusted automatically. Auto level control will take effect
automatically in response to the sound level.
Manual
You can adjust the sound-recording level as needed. Select [Rec. level] and turn the
<
> dial while looking at the level meter to adjust the sound-recording level. Look at
the peak hold indicator, and adjust so that the level meter sometimes lights up on the
right of the “12” (–12 dB) mark for the loudest sounds. If it exceeds “0”, the sound will be
distorted.
Line input
Line input can be used as the audio source. Audio supplied this way is combined with
video to record movies. You can adjust the recording level to one of 64 levels. The
adjustment method is the same as for [Manual].
Disable
Sound will not be recorded.
284
Wind Filter
Set to [Enable] to reduce wind noise when there is wind outdoors. Only activated when the
camera's built-in microphone is used. When the wind filter function takes effect, part of the
low bass sounds will also be reduced.
285
Attenuator
Automatically suppresses sound distortion caused by loud noises. Even if [Sound rec.] is
set to [Auto] or [Manual] for recording, sound distortion may still result if there is a very loud
sound. In this case, setting it to [Enable] is recommended.
Microphone
Normally, monaural sound is recorded with the built-in movie microphone.
Stereo sound can be recorded by connecting an external microphone with a 3.5 mm
mini-jack to the camera's external microphone IN terminal (
), which the camera will
use instead. Using an external microphone such as Directional Stereo Microphone
DM-E1 (sold separately) is recommended.
Line input
Direct input is supported for line-out stereo sound from mixers or other devices. Audio
from a 3.5 mm mini-jack connected to the camera's line input terminal (
) is combined
with video to record movies with stereo sound. The standard input level is –8 dBV.
Adjust the audio recording level to suit the line-out level.
Headphones
By connecting commercially available headphones with a 3.5 mm mini-jack to the
headphone terminal (
), you can listen to the sound as movies are recorded. You can
listen in stereo to audio from an external stereo microphone. To adjust headphone
volume, press the <
> button, select < >, then turn the < > dial for adjustment
( ).
You can also use headphones during movie playback.
286
Time Code
Count Up
Start Time Setting
Movie Recording Count
Movie Play Count
HDMI
Drop Frame
Time codes record the time automatically as movies are recorded. Time codes always
record elapsed hours, minutes, seconds, and frames. They are mainly used when movies
are edited.
To set up the time code, use [
: Time code].
Caution
Time codes may not be displayed correctly if your movies are played back on
devices other than the camera.
287
Count Up
Rec run
The time code advances only during movie recording. Time codes in each movie file
recorded continue from the last time code in the previous file.
Free run
The time code keeps advancing, even when you are not recording.
Caution
When set to [Free run], time codes are not added to High Frame Rate movies that
you record.
When set to [Free run], time codes will be affected by any changes to settings for
time, zone, or daylight saving time ( ).
288
Start Time Setting
You can set the initial time of the time code.
Manual input setting
Enables you to set any starting hour, minute, second, and frame.
Reset
Resets the time set with [Manual input setting] or [Set to camera time] to “00:00:00.”
or “00:00:00:” ( ).
Set to camera time
Matches the hour, minute, and second set as the time on the camera. Sets the frame
value to “00.”
289
Movie Recording Count
You can select how time is displayed on the movie recording screen.
Rec time
Displays the elapsed time since movie recording began.
Time code
Displays the time code during movie recording.
290
Movie Play Count
You can select how time is displayed on the movie playback screen.
Rec time
Displays the recording or playback time during movie playback.
Time code
Displays the time code during movie playback.
Note
Time codes are always recorded to movie files (except for High Frame Rate movies
set to [Free run]), regardless of the [Movie rec count] setting.
The [Movie play count] setting in [ : Time code] is linked to the [ : Movie
play count], so that these settings always match.
The “frame” count is not displayed during movie recording or playback.
291
HDMI
Time code
Time codes can be added to movies as you record them to an external device via HDMI.
• Off
No time code is added to HDMI video output.
• On
Time codes are added to HDMI video output. When [On] is set, [Rec Command] is
displayed.
Rec Command
For HDMI video output recorded by an external device, you can synchronize recording
to when you start and stop recording movies on the camera.
• Off
Recording is started and stopped by the external device.
• On
Recording by an external device is synchronized to starting/stopping recording on
the camera.
Caution
Time codes are not added to HDMI video output when you record High Frame Rate
movies with [Count up] in [Time code] set to [Free run].
To determine compatibility of external recording devices with [Time code] and [Rec
Command] functions, check with the device manufacturer.
Even with [Time code] set to [Off], external recording devices may add time codes
to movies, depending on their specifications. For details on device specifications
relevant to adding time code to HDMI input, check with the device manufacturer.
292
Drop Frame
The time code's frame count will cause a discrepancy between the actual time and the time
code if the frame rate is set to
(119.9 fps), (59.94 fps), or (29.97 fps). The
discrepancy is corrected automatically when [Enable] is set. This correction function is
called “drop frame.”
Enable
Corrects the discrepancy automatically by skipping time code numbers (DF: drop
frame).
Disable
The discrepancy is not corrected (NDF: non-drop frame).
Time codes are displayed as follows.
• Enable (DF)
00:00:00. (Playback: 00:00:00.00)
• Disable (NDF)
00:00:00: (Playback: 00:00:00:00)
Note
Drop frame is not used for (100.0 fps), (50.00 fps), (25.00 fps),
(24.00 fps), or (23.98 fps) frame rates. (The [Drop frame] setting item is
not displayed when
/ / / / is set, or when [ : Video system]
is set to [For PAL].)
293
Canon Log Settings
Shooting Settings
Canon Log Image Quality
Canon Log gamma curve takes full advantage of image sensor characteristics to ensure
wide dynamic range for movies that will be processed in postproduction. With minimal loss
of detail in shadows and highlights, movies retain more visual information across the
dynamic range.
To work with Canon Log movies in postproduction, you can apply look-up tables (LUTs).
LUT data can be downloaded from the Canon website.
1.
Select [
: Canon Log settings].
2.
Select [Canon Log].
294
View Assist.
When played on the camera, these movies may look darker and have lower contrast than
movies recorded with a Picture Style applied, due to Canon Log image characteristics,
which are intended to ensure a wide dynamic range. For clearer display that makes it easier
to check details, set [View Assist.] to [On].
Setting this feature to [On] does not affect movies recorded to the card, which are
recorded using Canon Log. Similarly, HDMI video output has Canon Log characteristics,
and View Assist is not used for it.
Note
[ ] is shown on the information display screen during movie recording with View
Assist.
When set to [On], View Assist is also used with magnified display.
Color Matrix
Using a color matrix, you can specify how colors are reproduced, to plan for postproduction
processing.
Cinema EOS Original
Reproduces colors equivalent to those of the EOS-1D C.
Neutral
Reproduces colors similar to actual subject colors.
296
Characteristics
Adjust as needed. Select an item ([Sharpness: Strength], [Saturation], or [Hue]), adjust
the effect level, then press <
>.
Sharpness: Strength 0: Weak outline emphasis 7: Strong outline emphasis
Saturation −4: Low +4: High
Hue*
Reds −4: Toward magenta +4: Toward yellow
Greens –4: Toward yellow +4: Toward cyan
Blues –4: Toward cyan +4: Toward magenta
* Reds, greens, and blues cannot be adjusted separately.
Color space
[Color space] can be set when [Canon Log] is set to [On] and [Color Matrix] to [Neutral].
Choose [BT.709] or [BT.2020] as the color space for HDMI output.
297
Shooting Settings
Manually setting the ISO speed to 100–320 will make the dynamic range narrower.
Canon Log offers a dynamic range of approx. 800% at ISO 400 or higher.
ISO 100, 125, 160, 200, 250, and 320 are expanded ISO speeds. [ ] is displayed when
an ISO speed is set.
298
Canon Log Image Quality
Noise may increase slightly.
Caution
General Canon Log shooting precautions
With Canon Log, autofocusing may be more difficult for subjects under low light, or
for low-contrast subjects.
Canon Log 2 and Canon Log 3 are not supported.
Note
Playing movies recorded with Canon Log
View Assist is not used during movie playback.
299
Movie Digital IS
The camera's Movie digital IS feature reduces camera shake as movies are recorded. Movie
digital IS can provide effective stabilization even when your lens is not equipped with Image
Stabilizer. When using a lens equipped with Image Stabilizer, set the lens's Image Stabilizer
switch to <
>.
1.
Select [
: Movie digital IS].
2.
Select an option.
Disable ( )
Image stabilization with Movie digital IS is disabled.
Enable ( )
Camera shake will be corrected. The image will be slightly magnified.
Enhanced ( )
Compared to when [Enable] is set, stronger camera shake can be corrected. The image
will be more magnified.
300
Caution
Movie digital IS will not function when the lens's optical Image Stabilizer switch is
set to <
>.
Although movies can also be recorded with Movie digital IS when [ ] is set, the
image area is further reduced.
With a lens whose focal length is longer than 800 mm, Movie digital IS will not
function.
Stabilization by Movie digital IS may be less effective at some movie recording
sizes.
The wider the angle of view (wide angle), the more effective the image stabilization
will be. The narrower the angle of view (telephoto), the less effective the image
stabilization will be.
When using a tripod, setting Movie digital IS to [Disable] is recommended.
Depending on the subject and shooting conditions, the subject may blur noticeably
(the subject momentarily looks out of focus) due to the effects of the Movie digital
IS.
When using a TS-E lens, fish-eye lens, or non-Canon lens, setting Movie digital IS
to [Disable] is recommended.
Since Movie digital IS magnifies the image, the image looks more grainy. Noise,
dots of light, etc. may also become noticeable.
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[ 2]
ISO speed settings
• ISO speed
In <
> mode, you can set the ISO speed manually. You can also select ISO
Auto.
• ISO speed range
For <
> mode, you can set the manual ISO speed setting range (minimum and
maximum limits).
• Max for Auto
You can set the maximum limit for ISO Auto in movie recording in <
>/< >/
<
> mode or in < > mode with ISO Auto.
Highlight tone priority
You can reduce overexposed, clipped highlights as you record movies. For details on
Highlight tone priority, see
Highlight Tone Priority.
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[ 3]
Auto slow shutter
You can choose whether to record movies that are brighter and less affected by image
noise than when set to [Disable] by automatically slowing the shutter speed under low
light.
Available in <
> or < > recording mode. Applies when the frame rate of the
movie recording size is
or .
• Disable
Enables you to record movies with smoother, more natural movement, less affected
by subject shake than when set to [Enable]. Note that under low light, movies may
be darker than when set to [Enable].
• Enable
Enables you to record brighter movies than when set to [Disable] by automatically
reducing the shutter speed to 1/30 sec. (NTSC) or 1/25 sec. (PAL) under low light.
Note
Setting to [Disable] is recommended when recording moving subjects under
low light, or when afterimages such as trails may occur.
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[ 4]
HDMI display
You can specify how movies are displayed as they are recorded via HDMI to an external
device. Movie output itself is either 4K or Full HD, depending on the [Movie rec. size]
setting.
The default setting is [
+ ].
+
• Enables movie display both on the camera screen and on the other device, via
HDMI output.
• Camera operations such as image playback or menu display are shown on the other
device via HDMI, not on the camera.
• Deactivates the camera screen during output via HDMI, so that the screen is blank.
• Shooting information, AF points, and other information is shown on the external
device via HDMI, but you can stop output of this information by pressing the
<
> button.
• Before recording movies externally, confirm that no information is being sent by the
camera by making sure no shooting information, AF points, and so on is displayed
on external monitors or other devices.
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For longer HDMI output
To continue HDMI output for longer than 30 min., select [
+ ], then set [ : Auto power
off] to [Disable] ( ).
Caution
HDMI output without information prevents display of warnings about the card
space, battery level, or high internal temperature ( ) via HDMI.
During HDMI output, display of the next image may take some time if you switch
between movies of different recording qualities or frame rates.
Avoid operating the camera when recording movies to external devices, which may
cause information to be displayed in the HDMI video output.
Brightness and color of movies recorded with the camera may look different from
that of HDMI video output recorded by external devices, depending on the viewing
environment.
Note
By pressing < > the button, you can change the information displayed.
Time codes can be added to HDMI video output ( ).
Audio is also output via HDMI, except when [Sound rec.] is set to [Disable].
306
General Movie Recording Precautions
Caution
Red < > internal temperature warning icon
If the camera's internal temperature increases due to prolonged movie recording or
under a high ambient temperature, a red <
> icon will appear.
The red < > icon indicates that movie recording will soon be terminated
automatically. If this happens, you will not be able to shoot again until the camera's
internal temperature decreases, so turn off the power and let the camera cool down
a while. Note that the time until movie recording stops automatically when the red
<
> icon is displayed varies depending on shooting conditions.
Recording a movie at a high temperature for a prolonged period will cause the red
<
> icon to appear earlier. When you are not recording, always turn off the
camera.
Recording and image quality
If the attached lens has an Image Stabilizer and you set the Image Stabilizer switch
to <
>, the Image Stabilizer will operate at all times even if you do not press the
shutter button halfway. This will consume battery power, and it may reduce the total
movie recording time. When the Image Stabilizer is not necessary, such as when
using a tripod, it is recommended that you set the Image Stabilizer switch to
<
>.
If the brightness changes as you record a movie with Program AE or shutter priority
AE, the movie may appear to stop momentarily. In this case, record movies with
manual exposure.
If there is a very bright light source in the image, the bright area may appear black
on the screen. Movies are recorded almost exactly as they appear on the screen.
Image noise or irregular colors may occur when shooting at high ISO speeds, high
temperatures, slow shutter speeds, or under low light. Movies are recorded
essentially as they appear on the screen, except with Canon Log View Assist.
Video and audio quality of recorded movies may be worse on other devices, and
playback may not be possible, even if the devices support the camera's recording
formats.
If you use a card with a slow writing speed, an indicator may appear on the right
of the screen during movie recording. The indicator shows how much data has
not yet been written to the card (remaining capacity of the internal buffer
memory), and it increases more quickly the slower the card is. If the indicator (1)
becomes full, movie recording will stop automatically.
307
If the card has a fast writing speed, the indicator will not appear or the level (if
displayed) will not increase much. First, record a few test movies to see if the card
can write fast enough.
If the indicator shows that the card is full, and movie recording stops automatically,
the sound near the end of the movie may not be recorded properly.
If the card's writing speed is slow (due to fragmentation) and the indicator appears,
formatting the card may make the writing speed faster.
Audio restrictions
Note that the following restrictions apply with [Movie rec. size] compression set to
or or [ 7: Audio compression] set to [Enable].
• Sound will not be recorded for approx. the last two frames.
• When you play back movies in Windows, movie images and sound may
become slightly out of synchronization.
308
AF/Drive
This chapter describes autofocus operation and drive modes and introduces menu settings
on the [
: AF] tab.
Caution
< > stands for autofocus. < > stands for manual focus.
• Tab Menus: AF Tab (Viewfinder Shooting)
• Tab Menus: AF Tab (Live View Shooting)
• Tab Menus: AF Tab (Movie Recording)
• AF Operation
• Selecting the AF Area and AF Point (Viewfinder Shooting)
• AF Area Selection Modes (Viewfinder Shooting)
• Selecting the AF Method (Live View Shooting)
• AI Servo AF/Servo AF Characteristics
• Customizing AF Functions
• AF Microadjustment
• Manual Focus
• Selecting the Drive Mode
• Using the Self-Timer
309
AF3
(1) Electronic full-time MF
(2) Lens electronic MF
(3) AF-assist beam firing
(4) One-Shot AF release prior.
AF4
(1) Subject tracking settings
(2) Lens drive when AF impossible
(3) Selectable AF point
(4) Select AF area selec. mode
(5) AF area selection method
(6) Orientation linked AF point
(7) Initial Servo AF pt, /
311
3.
Select the AF operation.
While looking at the top LCD panel or viewfinder, turn the < > dial.
: One-Shot AF
: AI Servo AF
In Live View shooting, turn the < > dial.
: One-Shot AF
: Servo AF
Note
AF is also possible by pressing the < > button.
In Live View shooting, AF operation can also be selected from [ : AF
operation].
319
One-Shot AF for Still Subjects
This AF operation is suited for still subjects. When you press the shutter button halfway, the
camera will focus only once.
Viewfinder shooting
• Once a subject is in focus, the focusing AF point (1) flashes in red, the focus
indicator (2) <
> in the viewfinder lights up, and the camera beeps. The focus
indicator <
> blinks if the camera cannot focus.
Live View shooting
• Once a subject is in focus, the focusing AF point turns green and the camera beeps.
If focus is not achieved, the AF point will turn orange.
Note
If [ : Beep] is set to [Disable], the beeper will not sound when focus is achieved.
The focus remains locked while you hold down the shutter button halfway, allowing
you to recompose the image before taking the picture. This is called “focus lock.”
See Lens electronic MF when using a lens that supports electronic manual
focusing.
320
AI Servo AF/Servo AF for Moving Subjects
This AF operation is suited for moving subjects. While you hold down the shutter button
halfway, the camera will keep focusing on the subject continuously.
Viewfinder shooting (AI Servo)
• Once a subject is in focus, the focusing AF point is displayed. The focus indicator
<
> in the viewfinder does not light up when subjects are in focus.
• The beeper will not sound even when focus is achieved.
• The exposure is set at the moment the picture is taken.
Live View shooting (Servo AF)
• Once a subject is in focus, the focusing AF point turns blue.
• The beeper will not sound even when focus is achieved.
• The exposure is set at the moment the picture is taken.
Caution
Depending on the lens used, the distance to the subject and the subject's speed,
the camera may not be able to achieve correct focus.
Zooming during continuous shooting may throw off the focus. Zoom first, then
recompose and shoot.
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AF Status Indicator (Viewfinder Shooting)
< > appears in the lower right of the viewfinder's field of view as the camera continues
autofocusing while you press the shutter button halfway.
In One-Shot AF mode, the icon also appears while you press the shutter button halfway
after the camera has focused on a subject.
Note
You can change the display position of the AF status indicator to outside the
viewfinder's field of view ( ).
322
Selecting the AF Area and AF Point (Viewfinder
Shooting)
AF Area Selection Mode
Selecting the AF Area Selection Mode
Selecting the AF Point or Zone Manually
Meaning of Lit or Blinking AF Points
Registering AF Points
The number of available AF points, the focusing patterns, and the Area AF frame shape vary
by lens. For details, refer to Compatible Lenses and Autofocusing (Viewfinder Shooting).
AF Area Selection Mode
Seven AF area selection modes are available. For instructions on choosing a mode, see
Selecting the AF Area Selection Mode.
Spot AF (manual selection)
For pinpoint focusing.
323
1-point AF (manual selection)
Select one AF point for focusing.
AF point expansion (manual selection )
Focuses using your manually selected AF point < > and AF points outlined here in blue.
AF point expansion (manual selection: surround)
Focuses using your manually selected AF point < > and AF points outlined here in blue.
324
Zone AF (manual selection of zone)
The AF area is divided into nine focusing zones for focusing.
Large Zone AF (manual selection of zone)
The AF area is divided into three focusing zones (left, center, and right) for focusing.
Automatic selection AF
The Area AF frame (entire AF area) is used to focus.
325
Selecting the AF Area Selection Mode
1.
Press the <
> button ( ).
2.
Press the <
> button.
Look through the viewfinder and press the < > button.
Each time you press the < > button, the AF area selection mode
changes.
Note
With [ : Select AF area selec. mode], you can limit the selectable AF area
selection modes to only those you want to use ( ).
If you set [ : AF area selection method] to [ →Main Dial], you can select
the AF area selection mode by pressing the
<
> button, then turning the
<
> dial ( ).
326
Selecting the AF Point or Zone Manually
1.
Press the <
> button ( ).
AF points are displayed in the viewfinder.
With AF area expansion, surrounding AF points are also displayed.
With Zone AF or Large Zone AF, your selected zone is displayed.
2.
Select an AF point or zone.
Tilt < > toward an AF point to select it. To select the center AF point
or zone, press <
> straight in.
You can also select an AF point by dragging on the smart controller.
To select AF points horizontally and vertically, you can also turn the
<
> dial and < > dial, respectively.
Turning the < > or < > dial switches zones (or cycles through
Zone AF zones) in Zone AF and Large Zone AF modes.
327
Note
Using these selection methods, you can manually select the initial AI Servo AF
position when [
: Initial Servo AF pt, / ] is set to [Initial AF pt set for
/ ] ( ).
Pressing the < > button displays following information on the top LCD panel.
• Zone AF, Large Zone AF, and Automatic selection AF:
• Spot AF, 1-point AF, AF point expansion: (Center)/ (Off
center)
328
Meaning of Lit or Blinking AF Points
Pressing the <
> button lights up the AF points that are cross-type AF points for high-
precision autofocusing. The blinking AF points are horizontal-line or vertical-line sensitive.
329
Registering AF Points
You can register the position of a frequently used AF point. For instant switching from the
current AF point to your registered AF point, you can use a button you assign on advanced
setting screens for [Metering and AF start], [Switch to registered AF point], [Direct AF
point selection], or [Register/recall shooting func], in [
6: Custom Controls] ( ).
For instructions on registering AF points, see Custom Controls.
330
AF Area Selection Modes (Viewfinder Shooting)
Spot AF (Manual Selection)
1-Point AF (Manual Selection)
AF Point Expansion (Manual Selection )
AF Point Expansion (Manual Selection: Surround)
Zone AF (Manual Selection of Zone)
Large Zone AF (Manual Selection of Zone)
Automatic Selection AF
Shooting Conditions That Make Focusing Difficult
Caution
The camera continues to switch the active AF point < > to track subjects when
Automatic selection AF, Large Zone AF, or Zone AF is set to AI Servo AF, but
tracking may not be possible under some shooting conditions, such as when
subjects are small.
Focusing with the AF-assist beam of a Speedlite may be difficult when using Spot
AF.
Focusing with the AF-assist beam of a Speedlite may be difficult when using a
peripheral AF point or a wide-angle or telephoto lens. In such a case, use the
center AF point or an AF point close to the center.
Wearing polarized sunglasses or similar eyewear may make it difficult to see AF
points in the viewfinder.
Note
With [ : Orientation linked AF point], you can set the AF area selection mode
+ AF point or only the AF point separately for the horizontal and vertical
orientations (
).
With [ : Selectable AF point], you can change the number of AF points
available for manual selection ( ).
331
Spot AF (Manual Selection)
The camera focuses in a narrower area than 1-point AF. Select one AF point < > for
focusing.
Effective for pinpoint focusing or focusing on overlapping subjects such as an animal in a
cage.
Note that the small Spot AF area may make focusing difficult in handheld shooting or for
moving subjects.
332
1-Point AF (Manual Selection)
Select one AF point < > for focusing.
333
AF Point Expansion (Manual Selection )
Focuses using your manually selected AF point <
> and surrounding AF points. Effective
for moving subjects, which are difficult to track with 1-point AF.
Although with AI Servo AF, the camera must be able to focus on your initially selected AF
point <
>, this mode makes it easier to focus on targeted subjects than with Zone AF.
With One-Shot AF, after the camera focuses with expanded AF points, those AF points
<
> are displayed with your manually selected AF point < >.
334
AF Point Expansion (Manual Selection: Surround)
Focuses using your manually selected AF point <
> and surrounding AF points. Enables
focusing over a wider area than AF point expansion (manual selection
). Effective for
moving subjects, which are difficult to track with 1-point AF.
AI Servo AF and One-Shot AF operation is the same as in AF point expansion (manual
selection
) ( ).
335
Zone AF (Manual Selection of Zone)
The AF area is divided into nine focusing zones for focusing. All AF points in your selected
zone are used for automatic selection AF, which makes focusing easier than with 1-point AF
or AF point expansion and effective for moving subjects.
Focusing areas are determined not only based on the nearest subject but also based on a
variety of other conditions such as faces, subject motion, or subject distance. Note that
faces of any people in the Zone AF frame are given priority in focusing.
AF points in focus are displayed with <
>.
336
Large Zone AF (Manual Selection of Zone)
The AF area is divided into three focusing zones (left, center, and right) for focusing. Covers
a larger area than Zone AF, using all AF points in your selected zone for automatic selection
AF, which makes focusing easier than with 1-point AF or AF point expansion and effective
for moving subjects.
Focusing areas are determined not only based on the nearest subject but also based on a
variety of other conditions such as faces, subject motion, or subject distance. Note that
faces of any people in the Zone AF frame are given priority in focusing.
AF points in focus are displayed with <
>.
337
Automatic Selection AF
The Area AF frame (entire AF area) is used to focus. AF points in focus are displayed with
<
>.
With One-Shot AF, pressing the shutter button halfway displays the AF points < > that are
focusing on the subject. Display of multiple AF points indicates that each point is in focus.
Focusing areas are determined not only based on the nearest subject but also based on a
variety of other conditions such as faces and subject distance.
With AI Servo AF, you can set the initial position for AI Servo AF in [ : Initial Servo AF
pt,
/ ] ( ). As long as the Area AF frame can track the subject during shooting,
focusing will continue. Focusing areas are determined not only based on the nearest subject
but also based on a variety of other conditions such as faces, subject motion, or subject
distance.
338
Shooting Conditions That Make Focusing Difficult
Subjects with very low contrast.
(Example: Blue skies, solid-color flat surfaces, etc.)
Subjects in very low light.
Strongly backlit or reflective subjects.
(Example: Cars with highly reflective surfaces, etc.)
Near and distant subjects positioned close to an AF point.
(Example: Animals in cages, etc.)
Light source such as dots of light positioned close to an AF point.
(Example: Night scenes, etc.)
Subjects with repetitive patterns.
(Example: Skyscraper windows, computer keyboards, etc.)
Subjects with finer patterns than an AF point.
(Example: Faces or flowers as small as or smaller than an AF point, etc.)
In such cases, focus in either of the following two ways.
1. With One-Shot AF, focus on an object at the same distance as the subject and lock the
focus, then recompose the shot ( ).
2. Set the lens's focus mode switch to <
> and focus manually ( ).
Note
Depending on the subject, focus may be achieved by slightly recomposing the shot
and performing AF operation again.
339
Selecting the AF Method (Live View Shooting)
AF Method
Selecting the AF Method
(Face)+Tracking:
Spot AF / 1-Point AF / AF Point Expansion ( ) / AF Point Expansion: Around / Zone
AF / Large Zone AF: Vertical / Large Zone AF: Horizontal
Magnified View
AF Shooting Tips
Shooting Conditions That Make Focusing Difficult
AF Range
AF Method
: Face+Tracking
The camera detects and focuses on people's faces. An AF point < > appears over any
face detected, which is then tracked.
When no face is detected, focusing areas are determined not only based on the nearest
subject but also based on a variety of other conditions such as subject motion and distance.
With Servo AF, you can set the initial position for Servo AF ( ). As long as the Area AF
frame can track the subject during shooting, focusing will continue.
340
: Spot AF
The camera focuses in a narrower area than 1-point AF.
Effective for pinpoint focusing or focusing on overlapping subjects such as an animal in a
cage.
Note that the small Spot AF area may make focusing difficult in handheld shooting or for
moving subjects.
: 1-point AF
The camera focuses using a single AF point < >.
341
: Expand AF area:
Focuses using one AF point < > and AF points outlined here in blue. Effective for moving
subjects, which are difficult to track with 1-point AF.
Focusing on your preferred subject is easier than with Zone AF.
When Servo AF is used, first you will focus using an AF point <
>.
: Expand AF area: Around
Focuses using one AF point < > and surrounding AF points outlined here in blue, which
makes it easier to focus on moving subjects than with AF point expansion (
). Servo AF
operation is the same as for AF point expansion (
).
342
: Zone AF
Uses auto selection AF in Zone AF frames to cover a larger area than AF point expansion,
which makes focusing easier than with AF point expansion.
Focusing areas are determined not only based on the nearest subject but also based on a
variety of other conditions such as faces, subject motion, or subject distance.
AF points in focus are displayed with <
>.
: Large Zone AF: Vertical
Uses auto selection AF in a vertical Large Zone AF frame to cover a larger area than Zone
AF, which makes focusing easier than with 1-point AF/AF point expansion and also effective
for moving subjects.
Focusing areas are determined not only based on the nearest subject but also based on a
variety of other conditions such as faces, subject motion, or subject distance.
AF points in focus are displayed with <
>.
343
: Large Zone AF: Horizontal
Uses auto selection AF in a horizontal Large Zone AF frame to cover a larger area than
Zone AF, which makes focusing easier than with 1-point AF/AF point expansion and also
effective for moving subjects.
Focusing areas are determined not only based on the nearest subject but also based on a
variety of other conditions such as faces, subject motion, or subject distance.
AF points in focus are displayed with <
>.
344
Selecting the AF Method
1.
Press the <
> button.
2.
Select the AF method.
Each time you press the < > button, the AF method changes.
Note
You can also make your selection from [ : AF method].
The following descriptions apply to the camera with AF operation set to [One-Shot
AF] ( ). With [Servo AF] ( ) set, the AF point will turn blue when focus is
achieved.
345
(Face)+Tracking:
The camera detects and focuses on people's faces. If a face moves, the AF point < >
also moves to track the face.
You can set [
: Eye Detection AF] to [Enable] to shoot with the subject's eyes in focus
( ).
1.
Check the AF point.
An AF point < > appears over any face detected.
To choose a face to focus on when multiple faces can be detected,
press the <
> button to change the AF point to < >, then use
<
>. As you use < >, the AF point changes again to < >.
You can also tap the screen to choose a face.
346
2.
Focus and take the picture.
Once you press the shutter button halfway and the subject is in focus,
the AF point turns green and the camera beeps.
An orange Area AF frame indicates that the camera could not focus on
subjects.
347
AF point display
After automatic face detection by the camera
(single frame)
After manual face selection
(double frame)
Note
Selecting a face manually by tapping the screen or using < > locks onto that
subject for tracking, and the camera tracks the subject even if it moves within the
screen. To release locked tracking, tap [
].
Caution
Tapping the screen to focus will focus with [One-Shot AF], regardless of the AF
operation setting.
If the subject's face is significantly out of focus, face detection will not be possible.
Adjust the focus manually ( ) so that the face can be detected, then perform AF.
An object other than a human face may be detected as a face.
Face detection will not work if the face is very small or large in the picture, too
bright or too dark, or partially hidden.
AF may not detect subjects or people's faces at the edges of the screen.
Recompose the shot to center the subject or bring the subject closer to the center.
The camera will keep moving the active AF point to track subjects when Servo AF
is set, but under some shooting conditions (such as when subjects are small), it
may not be possible to track the subject.
348
Note
The active < > may cover only a part of the face, not the whole face.
The size of the AF point changes depending on the subject.
349
Eye Detection AF
With the AF method set to [
+Tracking], you can shoot with the subject's eyes in focus.
1.
Select [
: Eye Detection AF].
2.
Select [Enable].
350
3.
Aim the camera at the subject.
An AF point is displayed around their eye.
To choose an eye to focus on, press the < > button to change the
AF point to <
>, then use < >. As you use < >, the AF point
changes again to <
>.
You can also tap the screen to choose an eye.
If your selected eye is not detected, an eye to focus on is selected
automatically.
4.
Take the picture.
Caution
Subject eyes may not be detected correctly, depending on the subject and shooting
conditions.
Note
To switch to [Eye Detection AF: Disable] without using menu operations, press
the <
> button and then the < > button. To switch to [Eye Detection AF:
Enable], press the
<
> button again.
351
Setting the initial Servo AF position
You can manually set the initial Servo AF position when [
: Initial Servo AF pt, /
] is set to [Initial AF pt set for / ] ( ).
1.
Set the AF method to [
+Tracking] ( ).
2.
Set AF operation to [Servo AF] (
).
3.
Set the AF point.
To move the AF point (1), use < > or tap the screen.
To return the AF point to the center of the screen, press < > or the
<
> or < > button.
352
Spot AF / 1-Point AF / AF Point Expansion ( ) / AF Point
Expansion: Around / Zone AF / Large Zone AF: Vertical /
Large Zone AF: Horizontal
You can manually set the AF point or Zone AF frame. Here, 1-point AF screens are used as
an example.
1.
Check the AF point.
The AF point (1) will appear.
With AF point expansion ( ) or AF point expansion: Around, adjacent
AF points are also displayed.
With Zone AF, Large Zone AF: Vertical, or Large Zone AF: Horizontal,
the specified Zone AF frame is displayed.
2.
Move the AF point.
Use < > to move the AF point into position for focusing (but note that
with some lenses, it may not move to the edge of the screen).
You can also focus by tapping a position on the screen.
To center the AF point or Zone AF frame, press < > or the < > or
<
> button.
353
3.
Focus and take the picture.
Aim the AF point over the subject and press the shutter button halfway.
When focus is achieved, the AF point will turn green and the beeper
will sound.
If the camera cannot focus, the AF point or Zone AF frame turns
orange.
Caution
The camera continues to switch the active AF point < > to track subjects when
Zone AF or Large Zone AF (vertical or horizontal) is set to Servo AF, but tracking
may not be possible under some shooting conditions, such as when subjects are
small.
Focusing may be difficult when using a peripheral AF point. In this case, select an
AF point in the center.
Tapping the screen to focus will focus with [One-Shot AF], regardless of the AF
operation setting.
Note
With [ : Orientation linked AF point], you can set separate AF points for
vertical and horizontal shooting ( ).
354
Magnified View
To check the focus when the AF method is other than [
+Tracking], magnify display by
approx. 5× or 10× by pressing the <
> button (or tapping < >).
Magnification is centered on the AF point for [Spot AF], [1-point AF], [Expand AF area:
], and [Expand AF area: Around] and on the Zone AF frame for [Zone AF], [Large
Zone AF: Vertical], and [Large Zone AF: Horizontal].
Autofocusing is performed with magnified display if you press the shutter button halfway
when set to [Spot AF], and [1-point AF]. When set to AF methods other than [Spot AF]
and [1-point AF], autofocusing is performed after restoring normal display.
With Servo AF, if you press the shutter button halfway in the magnified view, the camera
will return to the normal view for focusing.
Caution
If focusing is difficult in the magnified view, return to the normal view and perform
AF.
If you perform AF in the normal view and then use the magnified view, accurate
focus may not be achieved.
AF speed differs between the normal view and magnified view.
Continuous AF and Movie Servo AF are not available when display is magnified.
With the magnified view, achieving focus becomes more difficult due to camera
shake. Using a tripod is recommended.
355
AF Shooting Tips
Even when focus is achieved, pressing the shutter button halfway will focus again.
Image brightness may change during autofocusing.
Depending on the subject and shooting conditions, it may take longer to focus, or the
continuous shooting speed may decrease.
If the light source changes as you shoot, the screen may flicker, and focusing may be
difficult. In this case, restart the camera and resume shooting with AF under the light
source you will use.
If focusing is not possible with AF, focus manually ( ).
For subjects at the edge of the screen that are slightly out of focus, try centering the
subject (or AF point, or Zone AF frame) to bring them into focus, then recompose the
shot before shooting.
With certain lenses, it may take more time to achieve focus with autofocus, or accurate
focusing may not be achieved.
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Shooting Conditions That Make Focusing Difficult
Subject with low-contrast such as the blue sky, solid-color flat surfaces or when highlight
or shadow details are clipped.
Subjects in low light.
Stripes and other patterns where there is contrast only in the horizontal direction.
Subjects with repetitive patterns (Example: Skyscraper windows, computer keyboards,
etc.).
Fine lines and subject outlines.
Under light sources with constantly changing brightness, colors, or patterns.
Night scenes or points of light.
The image flickers under fluorescent or LED lighting.
Extremely small subjects.
Subjects at the edge of the screen.
Strongly backlit or reflective subjects (Example: Car with a highly reflective surfaces,
etc.).
Near and distant subjects covered by an AF point (Example: Animal in a cage, etc.).
Subjects that keep moving within the AF point and will not stay still due to camera shake
or subject blur.
Performing AF when the subject is very far out of focus.
Soft focus effect is applied with a soft focus lens.
A special effect filter is used.
Noise (dots of light, banding, etc.) appears on the screen during AF.
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AF Range
The available autofocus range varies depending on the lens used and settings such as
recording size and Movie digital IS.
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AI Servo AF/Servo AF Characteristics
Case Details
Case 1: Versatile Multi-Purpose Setting
Case 2: Continue to Track Subjects, Ignoring Possible Obstacles
Case 3: Instantly Focus on Subjects Suddenly Entering AF Points
Case 4: For Subjects That Accelerate or Decelerate Quickly
Case A: Tracking Automatically Adapts to Subject Movement
Parameters
Adjusting Case Parameters
Shooting with AI Servo AF/Servo AF can be easily tailored to your subjects or shooting
situations by selecting a Case option. This feature is called the “AF Configuration Tool.”
1.
Select the [
1] tab.
In Live View shooting, select the [ 3] tab.
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2.
Select a case.
Turn the < > dial to select a case icon, then press < >.
Your selected case is now set. Selected cases are displayed in blue.
Case Details
Cases 1 to A are five combinations of settings for “
Tracking sensitivity” and “Accel./decel.
tracking.” Referring to the following table, select the case for your subject and shooting
situation.
Case Icon Description
Examples of Shooting
Situations
Case 1
/
Versatile multi purpose setting Moving subjects in general
Case 2
Continue to track subjects,
ignoring possible obstacles
Tennis, freestyle skiing
Case 3
Instantly focus on subjects
suddenly entering AF points
Start of a cycling race, downhill
skiing
Case 4
/
For subjects that accelerate or
decelerate quickly
Soccer, rhythmic gymnastics,
motorsports, basketball
Case A
Tracking automatically adapts to
subject movement
Moving subjects in general,
especially in dynamic shooting
situations
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Case 1: Versatile Multi-Purpose Setting
Default
• Tracking sensitivity: 0
• Accel./decel. tracking: 0
Standard setting suited to moving subjects in general. Suitable for many kinds of subjects
and scenes.
In the following situations, select [Case 2] to [Case 4] instead: non-subjects moving across
AF points, elusive subjects, or subjects that suddenly appear or change speed.
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Case 2: Continue to Track Subjects, Ignoring Possible
Obstacles
Default
• Tracking sensitivity: Locked on: –1
• Accel./decel. tracking: 0
Setting to continue focusing on the subject even if non-subjects move across AF points, or if
the subject strays from AF points. Effective if you prefer the focus not to switch to non-
subjects or the background.
Note
Try setting [Tracking sensitivity] to [–2] if non-subjects tend to steal the focus or
AF points tend to stray from the subject much of the time, preventing the camera
from tracking the target subject under default settings ( ).
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Case 3: Instantly Focus on Subjects Suddenly Entering
AF Points
Default
• Tracking sensitivity: Responsive: +1
• Accel./decel. tracking: +1
Setting to focus on a series of subjects at different distances in the AF points, one after
another. Focus switches to any new subject that appears in front of the target subject. Also
effective when you want to always focus on the closest subject.
Note
Try setting [Tracking sensitivity] to [+2] if you prefer focusing that immediately
switches to new subjects that appear suddenly ( ).
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Case 4: For Subjects That Accelerate or Decelerate
Quickly
Default
• Tracking sensitivity: Responsive: 0
• Accel./decel. tracking: +1
Setting to keep tracking and focusing on subjects even if they suddenly change speed.
Effective for subjects having sudden movements, sudden acceleration/deceleration, or
sudden stops.
Note
Try setting [Accel./decel. tracking] to [+2] to keep up with subjects that change
speed significantly from moment to moment ( ).
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Case A: Tracking Automatically Adapts to Subject
Movement
Useful when you prefer to shoot with parameters set automatically, based on how subjects
change.
Tracking sensitivity and acceleration/deceleration tracking are set automatically.
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Parameters
Tracking sensitivity
Setting for AI Servo AF/Servo AF subject-tracking sensitivity in response to non-subjects
moving across AF points or subjects straying from AF points.
0
Standard setting. Suitable for moving subjects in general.
Locked on: –2 / Locked on: –1
The camera will try to continue focusing on the subject even if non-subjects move
across AF points or if the subject strays from the AF points. The –2 setting makes the
camera keep tracking the target subject longer than the –1 setting.
However, if the camera focuses on a wrong subject, it may take slightly longer to switch
and focus on the target subject.
Responsive: +2 / Responsive: +1
The camera can focus consecutively on subjects at different distances that are covered
by the AF points. Also effective when you want to always focus on the closest subject.
The +2 setting is more responsive than the +1 setting when focusing on the next
subject.
However, the camera will be more prone to focus on an unintended subject.
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Accel./decel. tracking
Setting for AI Servo AF/Servo AF subject-tracking sensitivity in response to sudden,
significant changes in speed, as when subjects suddenly start or stop moving.
0
Suited for subjects that move at a steady speed (minor changes in moving speed).
–2 / –1
Suited for subjects that move at a steady speed (minor changes in moving speed).
Effective when a setting of 0 makes focus unstable, due to slight subject movement or
an obstruction in front of the subject.
+2 / +1
Effective for subjects having sudden movements, sudden acceleration/deceleration, or
sudden stops. Even if the moving subject's speed suddenly changes significantly, the
camera continues to focus on the target subject. For example, the camera is less likely
to focus behind a subject that suddenly starts approaching you, or in front of an
approaching subject that suddenly stops moving. Setting +2 can track dramatic changes
in the moving subject's speed better than with +1.
However, since the camera will be sensitive to even slight movements of the subject,
focusing may become unstable for short periods.
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Adjusting Case Parameters
You can manually adjust the parameters ((1) Tracking sensitivity and (2) Acceleration/
deceleration tracking) for cases 1 to 4.
1.
Select a case.
Turn the < > dial to select the number of a case to adjust.
2.
Press the <
/ > button.
The selected parameter is outlined in purple.
3.
Select a parameter to adjust.
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4.
Make the adjustment.
Default settings are indicated by a light gray [ ] icon.
To confirm the adjustment, press < >.
To return to the screen in step 1, press the < / > button.
Note
To restore default parameter settings for (1) and (2) to each case, press the
<
/ > button in step 2, then press the < > button.
You can also register (1) and (2) parameter settings to My Menu ( ). This enables
you to adjust settings for the selected case.
To shoot with a case you have adjusted, first select the adjusted case, then shoot.
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Viewfinder Shooting
[
2]
AI Servo 1st image priority
You can set the AF operation characteristics and shutter-release timing for the first shot with
AI Servo AF.
[ ] Equal priority
Equal priority is given to focusing and shutter-release timing.
[ ] Release
Pressing the shutter button takes the picture immediately even if focus has not been
achieved. Useful when you want to give priority to capturing the decisive moment rather
than achieving focus.
[ ] Focus
Pressing the shutter button does not take the picture until focus is achieved. Useful
when you want to achieve focus before taking the picture.
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AI Servo 2nd image priority
With AI Servo AF for continuous shooting, you can preset the AF operation characteristics
and shutter-release timing for the subsequent shots after the first shot in continuous
shooting.
[0] Equal priority
Equal priority is given to focusing and continuous shooting speed. In low light or with
low-contrast subjects, continuous shooting speed may slow down.
[–2]/[–1] Shooting speed priority
Priority is given to the continuous shooting speed instead of achieving focus. –2
maintains fast continuous shooting better than –1.
[+2]/[+1] Focus
Priority is given to achieving focus instead of the continuous shooting speed. The picture
will not be taken until focus is achieved. +2 enables easier focusing than +1 in low-light
conditions, but continuous shooting may be slower under these conditions.
Caution
Even if [-1] or [-2] is set, shooting conditions that activate flicker reduction ( ) may
cause slower continuous shooting or an inconsistent interval between shots.
Note
If the camera cannot focus in low-light conditions when set to [0: Equal priority],
try setting to [+1] or [+2].
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[ 3]
Electronic full-time MF
Operation of manual focus adjustment using the electronic focusing ring when certain lenses
are attached is customizable. Check the Canon website for compatible lenses.
Disable
Operation of manual focus adjustment corresponds to the [Lens electronic MF] setting.
Enable
Manual focus adjustment is available whenever the camera is on.
Lens electronic MF
For EF lenses equipped with electronic manual focusing, you can specify how manual focus
adjustment is used with One-Shot AF.
[ ] Disable after One-Shot
After the AF operation, manual focusing adjustment is disabled.
[ ] One-Shot→enabled
You can manually adjust the focus after the AF operation if you keep holding down the
shutter button halfway.
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[ ] One-Shot→enabled (magnify)
You can manually adjust the focus after the AF operation if you keep holding down the
shutter button halfway. You can magnify the area in focus and adjust the focus manually
by turning the lens focusing ring in Live View shooting.
[ ] Disable in AF mode
Manual focus adjustment is disabled when the lens's focus mode switch is set to
<
>.
Caution
With [One-Shot→enabled (magnify)], display may not be magnified even if you
turn the lens focusing ring while pressing the shutter button halfway immediately
after shooting. If so, you can magnify display by releasing the shutter button,
waiting for <
> display, then pressing the shutter button halfway as you turn the
lens focusing ring.
Note
For details on your lens's manual focus specifications, refer to the Lens Instruction
Manual.
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AF-assist beam firing
You can enable or disable the AF-assist beam of a Speedlite for EOS cameras.
[ ] Enable
Enables firing of the AF-assist beam, when needed.
[ ] Disable
Disables firing of the AF-assist beam. Set if you prefer not to fire the AF-assist beam.
[ ] IR AF assist beam only
Enables infrared AF-assist beam firing by external Speedlites equipped with this feature,
when these flash units are attached.
Caution
If a Speedlite's [AF-assist beam firing] Custom Function is set to [Disable], the
AF-assist beam will not be emitted.
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One-Shot AF release prior.
You can set the AF operation characteristics and shutter-release timing for One-Shot AF.
[ ] Focus
The picture will not be taken until focus is achieved. Useful when you want to achieve
focus before capturing the image.
[ ] Release
Prioritizes shutter release over focus. Useful when capturing the decisive moment is
most important.
Note that the camera shoots whether or not the subject is in focus.
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[ 4]
Subject tracking settings
You can specify conditions for automatic selection of the main subject to track, as well as
ease of AF point switching to track other subjects.
Applies to Zone AF/Large Zone AF/Auto selection AF area selection modes in viewfinder
shooting, and to
+Tracking/Zone AF/Large Zone AF (vertical or horizontal) AF methods in
Live View shooting.
AF priority (People)
• Disable
Main subjects to track are determined based on subject information.
• Enable
Prioritizes people's faces or heads as the main subjects to track, which are
determined based on subject information.
When a person's face or head is not detected, the camera may track other body
parts.
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Subject switching
• Initial priority
Tracks the subject initially determined for AF, to the extent possible.
• On subject
Generally tracks the subject initially determined for AF. May switch to other subjects
if the current subject is no longer suitable for AF.
• Switch subject
Switches to track other subjects in response to shooting conditions.
Caution
Precautions when set to [Initial priority]
The camera may not be able to continue tracking subjects under some subject
conditions.
• If subjects move vigorously
• If subjects face a different direction or change their posture
• If AF points stray from subjects, or if subjects are hidden behind
obstructions and you can no longer see them
With [AF priority (People)] set to [Enable], the camera may switch to the face
or head, depending on subject conditions.
Subjects selected by touch are tracked to the extent possible, regardless of the
option selected in [Subject tracking settings].
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Lens drive when AF impossible
You can specify lens operation that applies when autofocusing on a subject is not possible.
[ ] Continue focus search
If focus cannot be achieved with autofocus, the lens is driven to search for the precise
focus.
[ ] Stop focus search
If autofocus starts and the focus is far off or if focus cannot be achieved, the lens drive
will not be performed. This prevents the lens from becoming grossly out of focus due to
the focus search drive.
Caution
[Stop focus search] is recommended for super telephoto lenses or other lenses
that are driven over a large focus area, to avoid significant delay from focus search
drive if the lens becomes greatly out of focus.
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Selectable AF point
You can change the number of AF points available for manual selection. Note that
regardless of the [Selectable AF point] setting, autofocusing for Zone AF, Large Zone AF,
or Automatic selection AF uses the corresponding AF area selection mode.
[ ] All points
All AF points are available for manual selection.
[ ] Only cross-type AF points
Only cross-type AF points are available for manual selection. The number of AF points
varies depending on the lens used.
[ ] 61 points
The main 61 AF points are available for manual selection.
[ ] 15 points
The main 15 AF points are available for manual selection.
[ ] 9 points
The main 9 AF points are available for manual selection.
Caution
With some lenses, fewer AF points can be manually selected.
Note
Even settings other than [All points] can be used with AF point expansion (Manual
selection
) or AF point expansion (manual selection: surround), Zone AF, and
Large Zone AF .
AF points not available for manual selection are not shown in the viewfinder when
you press the <
> button.
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Select AF area selec. mode
You can limit the selectable AF area selection modes to suit your shooting preferences.
Select the desired AF area selection mode and press <
> to add a checkmark [ ]. Select
[OK] to register the setting. The AF area selection modes are described on AF Area
Selection Modes (Viewfinder Shooting).
Caution
The [ ] mark cannot be removed from [Manual selection:1 pt AF].
Even if you add a checkmark [ ] in [Select AF area selec. mode], some AF area
selection modes are not available with certain lenses.
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AF area selection method
You can set the method for switching AF area/AF method selection modes.
[ ] →M-Fn button
After you press the <
> button, pressing the < > button will change the AF
area/AF method selection mode.
[ ] →Main Dial
After you press the <
> button, turning the < > dial will change the AF area/AF
method selection mode.
Note
When [ →Main Dial] is set, use < > to move the AF point horizontally.
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Orientation linked AF point
You can set separate AF points to use in vertical and horizontal shooting, or you can set
both separate AF points and separate AF area selection modes.
[ ] Same for both vert/horiz
The same AF area selection mode and manually selected AF point (or zone) are used in
both vertical and horizontal shooting.
[ ] Separate AF pts: Area+pt
Separate AF area selection modes and AF points (or zones) can be set for each camera
orientation ((1) Horizontal, (2) Vertical with the grip up, (3) Vertical with the grip down).
When you manually select the AF area selection mode and AF point (or zone) for each
of the three camera orientations, they will be registered for the respective orientation.
Whenever you change camera orientations during shooting, the camera switches to the
corresponding AF area selection mode and manually selected AF point (or zone). Note
that in Live View shooting, operation is the same as for [Separate AF pts: Pt only].
[ ] Separate AF pts: Pt only
Separate AF point (or zone) positions can be set for each camera orientation ((1)
Horizontal, (2) Vertical with the grip up, (3) Vertical with the grip down). Useful for
switching to AF points (or zones) in other positions automatically based on camera
orientation.
AF points (or zones) you assign to each of the three camera orientations are retained.
Caution
The default setting of [Same for both vert/horiz] is restored if, in [ : Reset
camera], you select [Basic settings] in [Reset individual settings] (
). Settings
for orientations (1)–(3) are cleared, and the camera is set to use the center AF
point in 1-point AF.
The setting may be cleared if you switch lenses.
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Initial Servo AF pt, /
You can set the initial AF point for AI Servo AF/Servo AF when the AF area selection mode
is set to [Auto selection AF], or when the AF method is set to [
+Tracking].
: Auto
The initial AF point for AI Servo AF/Servo AF is set automatically to suit the shooting
conditions.
[ ] Initial AF pt set for /
AI Servo AF/Servo AF starts from the manually selected AF point when the AF area
selection mode is set to [Auto selection AF], or when the AF method is set to [
+Tracking].
[ ] AF pt set for
AI Servo AF/Servo AF starts from the AF point that was set manually before switching
from Spot AF, 1-point AF, or AF point expansion (Manual selection
) or AF point
expansion (manual selection: surround) to [Auto selection AF] or [
+Tracking].
Useful for starting AI Servo AF/Servo AF from the AF point set before switching to [Auto
selection AF] or [
+Tracking].
Note
When [AF pt set for ] is set, AI Servo AF/Servo AF starts from a zone
corresponding to your manually selected AF point even if you switch the AF area
selection mode to Zone AF or Large Zone AF, or switch the AF method to Zone AF
or Large Zone AF (vertical or horizontal).
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[ 5]
AF point selection movement
When AF points are selected, you can set whether selection stops at the outermost AF point
or continues to the first AF point on the opposite side.
[ ] Stops at AF area edges
Useful if you often use the outermost AF point.
[ ] Continuous
Instead of stopping at the outer edge, the selection of AF point continues to the opposite
side.
Note
Also applies when the initial AF point for AI Servo AF is selected with [ : Initial
Servo AF pt,
/ ] set to [Initial Servo AF pt, / ].
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AF point display during focus
You can set whether AF points are displayed throughout autofocusing: when AF begins and
is in progress, when subjects are in focus, and after this, while the metering timer is active.
○: Displayed, ×: Not displayed
AF point display during focus
AF point
selected
Before AF starts
(shooting standby)
At AF start
Selected AF point ○ × ○
All AF points ○ × ○
Selected pt (focused,
)
○ × ○
Selected AF pt (focused) ○ × ○
Disable display ○ × ×
AF point display during focus During AF Focus achieved
After focusing, during the
metering timer
Selected AF point ○ ○ ○
All AF points ○ ○ ○
Selected pt (focused,
)
× ○ ○
Selected AF pt (focused) × ○ ×
Disable display × × ×
Caution
Display of AF points is different for Zone AF, Large Zone AF, and Automatic
selection AF, which show a Zone AF frame, Large Zone AF frame, or Area AF
frame.
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AF point brightness
AF point brightness in the viewfinder is adjustable.
AF status in viewfinder
You can select whether to show the AF status indicator inside or outside of the viewfinder's
field of view.
[ ] Show in field of view
<
> is displayed in the lower right within the viewfinder's field of view.
[ ] Show outside view
<
> is displayed below the focus indicator < >, outside the viewfinder's field of
view.
Note
For AF status indicator details, see AF Status Indicator (Viewfinder Shooting).
AF Microadjustment
You can make fine adjustments for the AF's point of focus. For details, see
AF
Microadjustment.
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Other Menu Functions
Live View shooting
These descriptions apply to menus only available in Live View Shooting.
[ 1]
Continuous AF
This function keeps subjects generally in focus. The camera is ready to focus immediately
when you press the shutter button halfway. Note that fewer shots are available when set to
[Enable], because the lens is driven continuously and battery power is consumed.
[ 5]
Limit AF methods
You can limit the AF methods available to those that you will use. Select AF methods and
press <
> to add a checkmark [ ] and make them available. Select [OK] to register the
setting. For details on AF methods, see Selecting the AF Method (Live View Shooting).
Caution
The [ ] mark cannot be removed from [1-point AF].
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Movie recording
These descriptions apply to menus only available in movie recording.
[
1]
Movie Servo AF
With this function enabled, the camera focuses on the subject continuously during movie
recording.
[Enable]
• The camera focuses on the subject continuously even when you are not pressing
the shutter button halfway.
• To keep the focus at a specific position, or if you prefer not to record mechanical
sounds from the lens, you can temporarily stop Movie Servo AF by tapping [
] in
the lower left of the screen.
• Movie Servo AF stops when you press the button assigned to [Pause Movie Servo
AF] (
) in [ 6: Custom Controls]. Movie Servo AF resumes when you press the
button again.
• Movie Servo AF stops while you hold down the button assigned to [AF stop] ( ).
Movie Servo AF resumes when you release the button.
• When Movie Servo AF is paused, if you return to movie recording after operations
such as pressing the <
> or < > button or changing the AF method,
Movie Servo AF will resume.
[Disable]
Press the shutter button halfway or press the <
> button to focus.
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Caution
When set to [Movie Servo AF: Enable]
Shooting conditions that make focusing difficult
• A fast-moving subject approaching or moving away from the camera.
• A subject moving at a close distance to the camera.
• When shooting with a higher aperture value.
• Also see Shooting Conditions That Make Focusing Difficult in the section on AF
area selection modes (for viewfinder shooting).
Since the lens is driven continuously and the battery power is consumed, the
possible movie recording time ( ) will be shortened.
If AF operations are performed or you control the camera or lens during movie
recording, the camera's built-in microphone may also record mechanical sounds of
the lens or sounds of camera/lens operations. In this case, using an external
microphone may reduce these sounds. If the sounds are still distracting with an
external microphone, it may be more effective to remove the external microphone
from the camera and position it away from the camera and lens.
Movie Servo AF will pause during zooming or magnified view.
During movie recording, if a subject approaches or moves away or if the camera is
moved vertically or horizontally (panning), the recorded movie image may
momentarily expand or contract (change in image magnification).
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[ 3]
Movie Servo AF speed
You can set the Movie Servo AF's AF speed and its operation conditions. The function is
enabled when using a lens supporting slow focus transition during movie recording.*
When active
You can set [Always on] to have the AF speed take effect at all times for movie
recording (before and during movie recording) or set [During shooting] to have the AF
speed take effect only during movie recording.
AF speed
You can adjust the AF speed (focus transition speed) from the standard speed (0) to
slow (one of seven levels) or fast (one of two levels) to obtain the desired effect for the
movie creation.
* Lenses supporting slow focus transition during movie recording
USM and STM lenses released in and after 2009 are compatible. For details, refer to the
Canon website.
Caution
With certain lenses, even if you adjust the AF speed, the speed may not change.
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Note
Available when [ : Movie Servo AF] is set to [Enable] and [ : AF method] is
set to [Spot AF] or [1-point AF].
Operation when [ : AF method] is set to an option other than [Spot AF] or [1-
point AF] is equivalent to setting [AF speed] to [Standard(0)].
An asterisk “*” to the right of [ : Movie Servo AF speed] indicates that the
default setting has been modified.
Movie Servo AF track sens.
You can adjust the tracking sensitivity (to one of seven levels), which affects responsiveness
if the subject strays from the AF point during Movie Servo AF, as when interfering objects
move across AF points or when you pan.
Locked on: –3/–2/–1
With this setting, the camera is less likely to track a different subject if the main subject
strays from the AF point. The closer the setting is to the minus (–) symbol, the less the
camera is inclined to track a different subject. It is effective when you want to prevent
the AF points from rapidly tracking something that is not the intended subject during
panning or when an obstacle cuts across the AF points.
Responsive: +1/+2/+3
This makes the camera more responsive when tracking a subject that covers the AF
point. The closer the setting is to the plus (+) symbol, the more responsive the camera
is. It is effective when you want to keep tracking a moving subject as its distance from
the camera changes or to rapidly focus on another subject.
Note
Available when [ : Movie Servo AF] is set to [Enable] and [ : AF method] is
set to [Spot AF] or [1-point AF].
With [ : AF method] set to an option other than [Spot AF] or [1-point AF],
operation is equivalent to a setting of [0].
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AF Microadjustment
Adjusting for All Lenses by the Same Amount
Adjusting for Individual Lenses
Clearing All AF Microadjustments
Fine adjustment of the point of focus is possible when autofocusing in viewfinder shooting.
Before adjustment, also refer to Precautions for AF Microadjustment and Notes for AF
Microadjustment.
Caution
Normally there is no need to adjust the position of focus. Perform this
adjustment only if necessary. Make sure to note that performing this
adjustment may prevent accurate focusing from being achieved.
Adjusting for All Lenses by the Same Amount
Keep adjusting, shooting, and checking the results to set the adjustment amount manually.
During AF, regardless of the lens used, the point of focus will always be shifted by the
adjustment amount.
1.
Select [
: AF Microadjustment].
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2.
Select [All by same amount].
3.
Press the <
> button.
4.
Make the adjustment.
Set the adjustment amount. The adjustment range is ±20 steps.
Setting it toward “–: ” will shift the point of focus in front of the
standard point of focus.
Setting it toward “+: ” will shift the point of focus to behind the
standard point of focus.
After making the adjustment, press < >.
Select [All by same amount], then press < >.
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5.
Check the result of the adjustment.
Take a picture and view it ( ) to check the results of adjustment.
Adjust toward “+: ” to correct focusing in front of your targeted
position, and adjust toward “–:
” to correct focusing behind it.
Repeat the adjustment as necessary.
Caution
If [All by same amount] is selected, separate AF adjustment will not be possible
for the wide-angle and telephoto ends of zoom lenses.
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Adjusting for Individual Lenses
You can make the adjustment for each lens and register the adjustment in the camera. You
can register the adjustment for up to 40 lenses. When you autofocus with a lens whose
adjustment is registered, the point of focus will always be shifted by the adjustment amount.
Keep adjusting, shooting, and checking the results to set the adjustment amount manually. If
you use a zoom lens, make the adjustment for the wide-angle (W) and telephoto (T) ends.
1.
Select [Adjust by lens].
2.
Press the <
> button.
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3.
Check and change the lens information.
(1) Registered number
Displaying lens information
Press the < > button.
The lens name is displayed with a 10-digit serial number. When the
serial number is displayed, select [OK] and go to step 4.
“0000000000” is displayed if the lens serial number is not recognized,
and in this case, enter the number manually.
For details on the asterisk “*” preceding some lens numbers, see Lens
Serial Number.
Entering serial numbers
Select the digit to be entered, then press < > so < > is displayed.
Enter the number, then press < >.
After entering all the digits, select [OK].
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Lens serial numbers
In step 3, if the asterisk “*” appears in front of the 10-digit lens
serial number, you can register only one unit of the same lens
model. Even if you enter the serial number, the asterisk “*” will
remain displayed.
The serial number on the lens may differ from the serial number
displayed on the screen in step 3. This is not a malfunction.
If the lens serial number includes letters, enter only the numbers.
If the lens serial number is eleven digits or longer, enter only the last
ten digits.
The location of the serial number varies depending on the lens.
Certain lenses may not have a serial number inscribed. To register a
lens that has no serial number inscribed, enter any serial number.
Note
If [Adjust by lens] is selected and an extender is used, the
adjustment will be registered for the lens and extender
combination.
If 40 lenses have already been registered, a message will appear.
After you select a lens whose registration is to be erased
(overwritten), you can register another lens.
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4.
Make the adjustment.
Single focal length lens
Zoom lens
For a zoom lens, select the wide-angle (W) or telephoto (T) end.
Pressing <
> clears the purple frame and enables adjustment.
Set the adjustment amount, then press < >. The adjustment range is
±20 steps.
Setting it toward “–: ” will shift the point of focus in front of the
standard point of focus.
Setting it toward “+: ” will shift the point of focus to behind the
standard point of focus.
For a zoom lens, repeat this procedure and adjust it for the wide-angle
(W) and telephoto (T) ends.
After completing the adjustment, press the < > button to return
to the screen in step 1.
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Select [Adjust by lens], then press < >.
5.
Check the result of the adjustment.
Take a picture and view it ( ) to check the results of adjustment.
Adjust toward “+: ” to correct focusing in front of your targeted
position, and adjust toward “–:
” to correct focusing behind it.
Repeat the adjustment as necessary.
Note
When shooting with the intermediate range (focal length) of a
zoom lens, the AF's point of focus is corrected automatically
relative to the adjustments made for the wide-angle and telephoto
ends. Even if only the wide-angle or telephoto end is adjusted, a
correction will be made automatically for the intermediate range.
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Clearing All AF Microadjustments
When [
Clear all] appears at the bottom of the screen, pressing the < > button will clear
all the adjustments made for [All by same amount] and [Adjust by lens].
Caution
Precautions for AF Microadjustment
The AF's point of focus will vary slightly depending on the subject conditions,
brightness, zoom position, and other shooting conditions. Therefore, even if you
perform AF Microadjustment, focus may still not be achieved at the suitable
position.
The adjustment amount of one step varies depending on the maximum aperture
value of the lens. Keep adjusting, shooting, and checking the results until you are
satisfied.
The adjustment will not be applied to AF in Live View shooting or movie recording.
When checking the results of adjustment, set to One-Shot AF and set [ : One-
Shot AF release prior.] to [Focus] before focusing.
Note
Notes for AF Microadjustment
It is best to make the adjustment at the actual location where you will shoot. This
will make the adjustment more precise.
Using a tripod when making the adjustment is recommended.
When you will check the results of adjustment, consider shooting with image size
set to JPEG
(Large) and JPEG/HEIF quality (compression) set to 8 or higher.
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Manual Focus
Viewfinder Shooting
Live View Shooting
If focus cannot be achieved with autofocus, follow the procedure below to focus manually.
Viewfinder Shooting
1.
Set the lens's focus mode switch to <
>.
2.
Focus on the subject.
Turn the lens focusing ring (1) until the subject looks sharp in the
viewfinder.
Note
The focus indicator < > is lit when subjects are in focus as you press the shutter
button halfway in manual focusing.
With Automatic selection AF, when the center AF point achieves focus, the focus
indicator <
> will light up.
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Live View Shooting
You can magnify the image when focusing.
1.
Set the lens's focus mode switch to <
>.
Turn the lens focusing ring to set the approximate focus.
2.
Magnify the image.
Each press of the < > button changes the magnification ratio, as
follows.
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3.
Move the magnified area.
Use < > to move the magnified area into position for focusing.
To return the magnified area to the center of the screen, press < >
straight in or press the <
> or < > button.
4.
Focus manually.
While looking at the magnified image, turn the lens focusing ring to
focus.
After achieving focus, press the < > button to return to the normal
view.
Note
In magnified view, the exposure is locked.
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Setting MF peaking (outline emphasis)
In Live View shooting, edges of subjects in focus can be displayed in color to make focusing
easier. You can set the outline color and adjust the sensitivity (level) of edge detection.
1.
Select [
: MF peaking settings].
2.
Select [Peaking].
Select [On].
3.
Set the level and color.
Set it as necessary.
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Caution
In magnified view, peaking display is not shown.
During HDMI output, peaking display is not shown on equipment connected via
HDMI. Note that peaking display is shown on the camera screen when [
: HDMI
display] is set to [
+ ].
MF peaking may be hard to discern at high ISO speeds, especially when ISO
expansion is set. If necessary, lower the ISO speed or set [Peaking] to [Off].
Note
Peaking display shown on the screen is not recorded in images.
MF peaking may be hard to discern when Canon Log is set. If necessary, set [View
Assist.] to [On].
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Focus guide
Setting [Focus guide] to [On] in Live View shooting provides a guide frame that shows
which direction to adjust focus and the extent of adjustment needed. The guide frame is
displayed near any eyes that are detected for the main subject when [
: AF method] is
set to [
+Tracking] and [ : Eye Detection AF] is set to [Enable].
1.
Select [
: Focus guide].
2.
Select [On].
You can use < > to move the guide frame in the direction you press.
You can also tap the screen to move the guide frame.
To return the guide frame to the center of the screen, press < >
straight in or press the <
> or < > button.
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The guide frame indicates the current position in focus and adjustment amount as follows.
Significantly out of focus toward infinity
Slightly out of focus toward infinity
In focus
Slightly out of focus toward close range
Significantly out of focus toward close range
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Adjustment information not detected
Caution
Under difficult shooting conditions for AF ( ), the guide frame may not be
displayed correctly.
No AF points are displayed while the guide frame is displayed.
No adjustment information is detected for apertures darker than f/8 when MP-E
65mm f/2.8 1-5× Macro Photo is used or darker than f/11 for other lenses, as
indicated by the Focus Guide appearance.
The guide frame is not displayed in these situations.
• When the lens's focus mode switch is set to <
>
• When display is magnified
The guide frame is not displayed correctly during shifting or tilting of TS-E lenses.
Note
The camera's auto power off counter does not count time spent adjusting the focus
with a lens's electronic focusing ring.
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Selecting the Drive Mode
1.
Press the <
> button ( ).
2.
Select the drive mode.
While looking at the top LCD panel or viewfinder, turn the < > dial.
[ ] Single shooting
When you hold down the shutter button completely, only one shot will be taken.
[ ( )] High-speed continuous shooting
When you hold down the shutter button completely, you can shoot continuously at max.
approx. 16 shots/sec. (Live View shooting: 20 shots/sec.) while you keep holding it
down, using LP-E19 or using DR-E19 and AC-E19.
[ ] Medium-speed continuous shooting
When you hold down the shutter button completely, you can shoot continuously at max.
approx. 10 shots/sec. (Live View shooting with [
: Shutter mode] set to
[Mechanical
]: 8.0 shots/sec.)
while you keep holding it down.
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[ ] Low-speed continuous shooting
When you hold down the shutter button completely, you can shoot continuously at max.
approx. 3.0 shots/sec. while you keep holding it down.
[ ( )] Single Soft shooting
Enables slower mirror movement and shutter cocking in viewfinder shooting than in
normal shooting.* No mechanical operation is performed until the shutter button returns
to the halfway-pressed position.
* Mechanical sounds are essentially the same as in normal shooting.
[ ( )] Soft continuous shooting
In viewfinder shooting, enables slower mirror movement and shutter cocking than when
set to <
>.* You can shoot continuously at max. approx. 8.0 shots/sec. (Live
View shooting: 10 shots/sec., or with [
: Shutter mode] set to [Mechanical], 8.0
shots/sec.).
* Mechanical sounds are essentially the same as in normal shooting.
[ ( )] Soft low-speed continuous shooting
In viewfinder shooting, enables slower mirror movement and shutter cocking than when
set to <
>.* You can shoot continuously at max. approx. 3.0 shots/sec.
* Mechanical sounds are essentially the same as in normal shooting.
[ ] ( ) Self-timer: 10 sec.
[
] Self-timer: 2 sec.
For details on self-timer shooting, see Using the Self-Timer.
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Caution
Maximum high-speed continuous shooting speed is available when shooting with a
fully charged battery at a 1/1000 sec. or faster shutter speed and maximum
aperture (which varies by lens*) at room temperature (23°C/73°F) with flicker
reduction disabled.
* For details, refer to the Canon website.
Using a Speedlite will decrease the maximum continuous shooting speed.
Setting the drive mode to < >, < >, or < > has essentially no effect on
mechanical sounds in Live View shooting or with [Enable:Mirror down w/
]
set for mirror lockup.
< > High-speed continuous shooting may be slower depending on the type of
power used, the ambient temperature, ISO speed, flicker reduction, shutter speed,
aperture value, subject conditions, brightness, type of lens, use of flash, shooting
settings, and other conditions.
With [ : Anti-flicker shoot.] set to [Enable] ( ), shooting under flickering light
may decrease the maximum continuous shooting speed. Also, the continuous
shooting interval may become irregular and the release time lag may become
longer.
With AI Servo AF/Servo AF, the maximum continuous shooting speed may become
slower depending on the subject conditions and the lens used.
Maximum continuous shooting speed may be slower in low-light conditions.
Maximum continuous shooting speed is slower when the camera's internal
temperature is high and the drive mode icon is blinking, in order to prevent internal
damage to the camera. Even higher internal temperature from continued shooting
may cause significantly slower maximum continuous shooting speed, and the
camera may be temporarily unable to shoot until it cools down. If the drive mode
icon is blinking, allowing the camera to cool down with the power switch set to
<
> is recommended.
Low temperatures may cause the battery itself to become very cold, and the drive
mode icon may blink, in which case maximum continuous shooting speed is lower.
There is a longer time lag than usual with < >, < >, or < > until the
shutter is released after you press the shutter button completely.
When internal memory becomes full during continuous shooting, the continuous
shooting speed may drop off because shooting will be temporarily disabled ( ).
Note
Continuous shooting speed indicated for each drive mode is the speed under
default camera settings. You can set the continuous shooting speed for each drive
mode in [
4: Continuous shooting speed] ( ).
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Using the Self-Timer
1.
Press the <
> button ( ).
2.
Select the self-timer.
While looking at the top LCD panel or viewfinder, turn the < > dial.
: Shoot in 10 sec.
: Shoot in 2 sec.
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3.
Take the picture.
Look through the viewfinder, focus, then press the shutter button
completely.
You can check self-timer operation by watching the blinking of the self-
timer lamp and the countdown display (in seconds) on the top LCD
panel.
The self-timer lamp blinks faster approx. 2 sec. before the shot.
Caution
If you will not look through the viewfinder when pressing the shutter button, close
the eyepiece shutter before shooting ( ). Light that enters the viewfinder may
prevent suitable exposure.
Note
< > can be used to start shooting without touching the camera and avoid
camera shake when it is mounted on a tripod for still-life or long exposure shots.
After taking self-timer shots, playing back the image ( ) to check focus and
exposure is recommended.
When using the self-timer to shoot yourself, use focus lock ( ) on an object at the
same distance as where you will stand.
The camera does not beep during self-timer shots, even if [ : Beep] is set to
[Enable].
To cancel self-timer shooting in progress, set the power switch to < >.
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Playback
This chapter covers topics related to playback—playing back captured still photos and
movies—and introduces menu settings on the Playback ([
]) tab.
Caution
Normal display or selection on this camera may not be possible for images
captured on other cameras, or images from this camera that have been edited or
renamed on a computer.
Images that cannot be used with playback functions may be displayed.
Note
You can set [Disp. brightness] ( ) during playback by pressing the < > button.
• Tab Menus: Playback
• Image Playback
• Magnified Image Display
• Index Display (Multiple-Image Display)
• Voice Memo Recording and Playback
• Movie Playback
• Editing a Movie's First and Last Scenes
• 4K Movie Frame Grab
• Playback on a TV Set
• Protecting Images
• Rotating Images
• Erasing Images
• Print Ordering (DPOF)
• Copying Images
• Converting HEIF to JPEG
• RAW Image Processing
• Cropping JPEG Images
• Resizing JPEG Images
• Rating Images
• Slide Show
• Setting Image Search Conditions
• Browsing Images with the Main Dial
• Customizing Playback Information Display
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Image Playback
Single-Image Display
Shooting Information Display
Touch Playback
Single-Image Display
1.
Switch to playback.
Press the < > button.
The last image captured or played back is displayed.
2.
Browse images.
To play back images starting with your most recent shot, turn the
<
> dial counterclockwise. To play back images starting with the first
captured image, turn the dial clockwise.
Each time you press the < > button, the display will change.
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No information Basic information display
Shooting information display
Caution
When played back, images captured with [ 7: Add cropping
information] set to an option other than [Off (aspect ratio 3:2)]
( ) are displayed with lines indicating the image area.
3.
Exit image playback.
Press the < > button to exit image playback and return to shooting
standby.
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Touch Playback
The camera features a touch-screen panel that you can touch to control playback.
Supported touch operations are like those used with smartphones and similar devices. First,
press the <
> button to prepare for touch playback.
Browse images
Jump display
Index display
422
Magnified view
Note
You can also magnify display by double-tapping with one finger.
423
Magnified Image Display
Setting the Initial Magnification Ratio and Position
You can magnify captured images by approx. 1.5× to 10×.
1.
Magnify the image.
Magnification is possible at these times: 1. During image playback
(single-image display), 2. During image review after shooting, and 3.
When the camera is ready to shoot.
Press the < > button.
The magnified view will appear. The position of the magnified area (1)
is displayed in the lower right of the screen, along with [
].
To magnify images, turn the < > dial clockwise. You can magnify
images up to approx. 10×.
To reduce magnification, turn the < > dial counterclockwise. Index
display (
) can be accessed by turning the dial further (at the times of
1. and 3. only).
424
2.
Scroll the image.
Use < > to scroll around the magnified image.
With the Smart controller, you can also move the magnified area itself.
Press the < > or < > button to exit magnified view.
Note
To switch to other images while maintaining magnified view, turn the < > dial (at
the times of 1. and 3. only).
Magnification is not available for movies.
425
Setting the Initial Magnification Ratio and Position
You can set the initial magnification ratio and magnified position by selecting [ :
Magnificatn (apx)].
1x (no magnification)
The image is not magnified. The magnified view will start with the single-image display.
2x, 4x, 8x, 10x (magnify from center)
The magnified view starts at the image center at the selected magnification ratio.
Actual size (from selected pt)
The recorded image's pixels will be displayed at approx. 100%. The magnified view
starts at the AF point that achieved focus. If the photo is taken with manual focus, the
magnified view starts at the image center.
Same as last magnif. (from ctr)
The magnification will be the same as the last time you exited the magnified view with
the <
> or < > button. The magnified view starts at the image center.
426
Index Display (Multiple-Image Display)
1.
Press the <
> button.
During image playback, press the < > button.
[ ] will be displayed in the lower right of the screen.
2.
Switch to the index display.
Turn the < > dial counterclockwise.
The 4-image index display will appear. The selected image is
highlighted with an orange frame.
Turning the < > dial further counterclockwise will switch the display
from 9 to 36 to 100 images. Turning the dial clockwise cycles through
100, 36, 9, 4, and single-image display.
427
428
3.
Browse images.
Use < > or the < > dial to move the orange frame for image
selection.
To display images on the next or previous screen, press the < >
button to clear the [
] icon, then turn the < > dial.
Press < > in the index display to display the selected image in the
single-image display.
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Voice Memo Recording and Playback
Recording Voice Memos
Playing Voice Memos
You can add (record) voice memos to your shots. Voice memos are recorded as WAV audio
files with the same file number as the image. They can be played back by the camera or a
computer.
Recording Voice Memos
1.
Switch to playback.
2.
Select an image to add a voice memo to.
Turn the < > dial to select an image to add a voice memo to.
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3.
Record a voice memo.
Hold down the < / > button for approx. 2 sec.
Keep holding down the button after [Recording memo...] appears, and
speak into the voice memo microphone (1). Each recording can be up
to approx. 30 sec.
To end the voice memo, release the button.
A [ ] icon is displayed at the top of the screen.
Caution
Voice memos cannot be added to movies or protected images.
Voice memos cannot be recorded with an external microphone.
431
Note
Audio quality of voice memo recording can be changed in [ 7: Memo audio
quality].
To record voice memos longer than 30 sec., repeat step 2.
You can record a single voice memo during image review (immediately after
shooting) by following step 2.
Even during transfer to an FTP server, you can add a voice memo to images from
the playback screen. However, voice memos cannot be added to the image
currently being transferred.
432
Playing Voice Memos
1.
Select [
6: / button function].
2.
Select [Play memo(Hold:Rec. memo)].
3.
Select an image for voice memo playback.
Press the < > button to switch to image playback.
Turn the < > dial to select an image labeled with a [ ] icon at the
top of the screen.
433
4.
Play back the voice memo.
(1) Speaker
Press the < / > button to play back the voice memo.
You can adjust the sound volume by turning the < > dial.
Press the < / > button to stop playback.
Note
Multiple voice memos added to an image are played back consecutively.
Added voice memos cannot be erased by themselves using the camera.
Erasing images ( ) also erases any voice memos added to the images.
434
Movie Playback
1.
Switch to playback.
Press the < > button.
2.
Select a movie.
Turn the < > dial to select a movie to play.
In single-image display, the < > icon displayed in the upper
left of the screen indicates a movie.
In index display, perforations at the left edge of a thumbnail indicate a
movie. Movies cannot be played back from index display, so press
<
> to switch to single-image display.
435
3.
In the single-image display, tap <
> or press < >.
4.
Press <
> to play back the movie.
(1) Speaker
The movie will start playing back.
You can pause playback and display the movie playback panel by
pressing <
>. Press it again to resume the playback.
Turn the < > dial to adjust the volume (even during playback).
436
Movie playback panel
Item Playback Operations
Playback Pressing < > toggles between playback and stop.
Slow motion
Adjust the slow motion speed by turning the <
> dial. The slow
motion speed is indicated in the upper right of the screen.
Skip backward Skips backward approx. 4 sec. each time you press < >.
Previous frame
Displays the previous frame each time you press <
>. Holding
<
> down will rewind the movie.
Next frame
Plays the movie frame-by-frame each time you press <
>. Holding
<
> down will fast forward the movie.
Skip forward Skips forward approx. 4 sec. each time you press < >.
Edit
Displays the editing screen (
).
Frame Grab
Available when you play 4K movies. Enables you to extract the current
frame and save it as a JPEG still image (
).
Playback position
mm' ss"
Playback time (minutes:seconds, when [Movie play count] is set to
[Rec time])
hh:mm:ss.ff (DF)
hh:mm:ss.ff (NDF)
Time code (hours:minutes:seconds:frames, when [Movie play count]
is set to [Time code])
Volume
Turn the <
> dial to adjust the volume of the built-in speaker ( )
or headphones.
Press the < > button to return to single-image display.
Caution
Adjust the volume using television controls when the camera is connected to a
television for movie playback ( ), because volume cannot be adjusted by turning
the <
> dial.
Movie playback may stop if the card's read speed is too slow or movie files have
corrupted frames.
High internal camera temperature may prevent movie playback. Movie playback
may also stop if the camera becomes hot during playback.
437
Editing a Movie's First and Last Scenes
You can edit out the first and last scenes of a movie in approx. 1-sec. increments.
1.
In single-image display, press <
>.
2.
On the movie playback panel, select [
].
438
3.
Specify the part to be edited out.
Select either [ ] (Cut beginning) or [ ] (Cut end).
Press < > left or right to go back or forward one frame. Keep
pressing the multi-controller to fast rewind or fast forward frames. Each
turn of the <
> dial goes back or forward one frame.
After deciding which part to edit out, press < >. The portion indicated
by a line at the bottom of the screen will remain.
4.
Check the edited movie.
Select [ ] to play back the edited movie.
To change the edited part, go back to step 3.
To cancel the editing, press the < > button.
439
5.
Save the image.
Select [ ] (1).
The save screen will appear.
To save it as a new file, select [New file], or to save it and overwrite the
original movie file, select [Overwrite].
On the confirmation screen, select [OK] to save the edited movie and
return to the movie playback screen.
Caution
Because editing is performed in approx. 1 sec. increments (at the position indicated
by [
] at the bottom of the screen), the actual position where movies are trimmed
may differ from your specified position.
Movies recorded with another camera and RAW movies cannot be edited with this
camera.
You cannot edit a movie when the camera is connected to a computer.
440
4K Movie Frame Grab
From 4K movies, you can select individual frames to save as JPEG still images. This
function is called “Frame Grab (4K frame capture)”.
1.
Select a 4K movie.
Turn the < > dial to select a 4K quality movie.
On the shooting information screen ( ), 4K movies are labeled with
[
], [ ], and [ ] icons.
In index display, press < > to switch to single-image display.
2.
In the single-image display, press <
>.
The movie playback panel will appear.
3.
Select a frame to grab.
Use the movie playback panel to select the frame to grab as a still
image.
For movie playback panel instructions, see Movie playback panel.
441
4.
Select [
].
5.
Save the image.
Select [OK] to save the current frame as a JPEG still image.
Check the destination folder and image file number.
6.
Select the image to display.
Select [View original movie] or [View extracted still image].
Caution
Frame grabbing is not possible from the following 4K movies.
• RAW movies
• Movies recorded with Canon Log set
• Movies recorded with other cameras
Frame grabbing is not possible while the camera is connected to a computer.
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Playback on a TV Set
By connecting the camera to a television with an HDMI cable, you can play back the
captured still photos and movies on the television. Using the HDMI Cable HTC-100 (sold
separately) is recommended.
If the image does not appear on the TV screen, confirm that [
: Video system] is
correctly set to [For NTSC] or [For PAL] (depending on the video system of your
television).
1.
Connect the HDMI cable to the camera.
With the plug's < HDMI MINI> logo facing the front of the camera,
insert it into the <
> terminal.
2.
Connect the HDMI cable to the television.
Connect the HDMI cable to the television's HDMI IN port.
3.
Turn on the television and switch the television's video input to select
the connected port.
4.
Set the camera's power switch to <
>.
443
5.
Press the <
> button.
Images are now displayed on the television, with nothing displayed on
the camera screen.
The images will automatically be displayed at the optimum resolution
matching the connected television.
Caution
Adjust movie sound volume with the television. The sound volume cannot be
adjusted with the camera.
Before connecting or disconnecting the cable between the camera and television,
turn off the camera and television.
Depending on the television, part of the image displayed may be cut off.
Do not connect any other device's output to the camera's < >
terminal. Doing so may cause a malfunction.
Certain televisions may not display the images due to incompatibility.
It may take some time before images are displayed. To avoid delay, set [ : HDMI
resolution] to [1080p] ( ).
Touch-screen operations are not supported while the camera is connected to a
television.
444
Protecting Images
Protecting Individual Images with the < / > Button
Protecting Individual Images via the Menu
Specifying the Range of Images to Protect
Protecting All Images in a Folder or on a Card
You can protect important images from being accidentally erased.
Caution
If you format the card ( ), the protected images will also be erased.
Note
Once an image is protected, it cannot be erased by the camera's erase function. To
erase a protected image, you must first cancel the protection.
If you erase all the images ( ), only the protected images will remain. This is
convenient when you want to erase all unneeded images at once.
Protecting Individual Images with the < / > Button
1.
Select the image to protect.
Turn the < > dial to select an image to protect.
445
2.
Protect the image.
Press the < / > button to protect the image, after which it will be
labeled with a <
> icon (1) at the top of the screen.
To cancel protection and clear the < > icon, press the < / >
button again.
To protect another image, repeat steps 1 and 2.
446
Protecting Individual Images via the Menu
1.
Select [
: Protect images].
2.
Select [Select images].
3.
Select the image to protect.
Turn the < > dial to select an image to protect.
447
4.
Protect the image.
Press < > to protect the selected image, after which it will be labeled
with a <
> icon (1) at the top of the screen.
To cancel protection and clear the < > icon, press < > again.
To protect another image, repeat steps 3 and 4.
448
Specifying the Range of Images to Protect
While looking at the images in the index display, you can specify the first and last images for
a range to protect all the specified images at once.
1.
Select [Select range].
2.
Specify the range of images.
Select the first image (start point).
Next, select the last image (end point). The images in the specified
range will be protected and the <
> icon will appear.
To select another image to protect, repeat step 2.
449
Protecting All Images in a Folder or on a Card
You can protect all the images in a folder or on a card at once.
When you select [All images in folder] or [All images on card] in [ : Protect
images], all the images in the folder or on the card will be protected.
To cancel protection, select [Unprotect all images in folder] or [Unprotect all images
on card].
If the search conditions are set with [ : Set image search conditions] ( ), the
display will change to [All found images] and [Unprotect all found].
• If you select [All found images], all the images filtered by the search conditions will
be protected.
• If you select [Unprotect all found], the protection of all the filtered images will be
canceled.
Note
Protecting or unprotecting images by selecting [All images on card] or [Unprotect
all images on card] applies to the card selected in [
: Record func+card/folder
sel.] (in either [
Record/play]/[ Record/play] or [ Play]/[ Play]).
450
Rotating Images
You can use this feature to rotate the displayed image to the desired orientation.
1.
Select [
: Rotate image].
2.
Select an image to rotate.
Turn the < > dial to select the image.
3.
Rotate the image.
Each time you press < >, the image will rotate clockwise as follows:
90°→270°→0°.
To rotate another image, repeat steps 2 and 3.
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Erasing Images
Erasing Images Individually
Selecting ([ ]) Multiple Images to Erase Together
Specifying the Range of Images to Erase
Erasing All Images in a Folder or on a Card
You can either select and erase unnecessary images individually or erase them in one
batch. Protected images ( ) will not be erased.
Caution
Once an image is erased, it cannot be recovered. Make sure you no longer
need the image before erasing it. To prevent important images from being
erased accidentally, protect them.
Erasing Images Individually
1.
Press the <
> button.
2.
Select the image to be erased.
Turn the < > dial to select the image to erase.
3.
Press the <
> button.
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4.
Erase the images.
JPEG/HEIF/RAW images or movies
Select [Erase].
RAW+JPEG/RAW+HEIF images
Select an item.
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Selecting ([ ]) Multiple Images to Erase Together
By adding checkmarks to the images to be erased, you can erase all those images at once.
1.
Select [
: Erase images].
2.
Select [Select and erase images].
3.
Select an image.
Turn the < > dial to select an image to erase, then press < >.
To select another image to be erased, repeat step 3.
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4.
Erase the images.
Press the < > button, then press [OK].
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Specifying the Range of Images to Erase
While looking at the images in the index display, you can specify the first and last images for
a range to erase all the specified images at once.
1.
Select [Select range].
2.
Specify the range of images.
Select the first image (start point).
Next, select the last image (end point).
To select another image to be erased, repeat step 2.
3.
Press the <
> button.
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4.
Erase the images.
Select [OK].
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Erasing All Images in a Folder or on a Card
You can erase all the images in a folder or on a card at once.
When you select [All images in folder] or [All images on card] in [ : Erase images],
all the images in the folder or on the card will be erased.
If the search conditions are set with [ : Set image search conditions] ( ), the
display will change to [All found images].
• If you select [All found images], all the images filtered by the search conditions will
be erased.
Note
To erase all the images including protected images, format the card ( ).
Erasing images by selecting [All images on card] applies to the card selected in
[
: Record func+card/folder sel.] (in either [ Record/play]/[ Record/play]
or [
Play]/[ Play]).
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Print Ordering (DPOF)
Setting Print Options
Selecting Images for Printing
DPOF (Digital Print Order Format) enables you to print images recorded on the card
according to your printing instructions such as the image selection, quantity to print, etc. You
can print multiple images in one batch or create a print order for a photofinisher.
You can set the print settings such as print type, date imprinting, file number imprinting, etc.
The print settings will be applied to all the images specified for printing. (They cannot be set
individually for each image.)
Setting Print Options
1.
Select [
: Print order].
2.
Select [Set up].
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3.
Set the options as desired.
Set [Print type], [Date], and [File No.] options.
Print type
Standard Prints one image on one sheet.
Index
Multiple thumbnail images are printed
on one sheet.
Both
Prints both the standard and index
prints.
Date
On
[On] imprints the recorded date of the captured
image.
Off
File No.
On
[On] imprints the file number.
Off
4.
Exit the setting.
Press the < > button.
Next, select [Sel.Image] or [Multiple] to specify the images to be
printed.
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Caution
If you print an image with a large image size using the [Index] or [Both] setting
( ), the index print may not be printed with certain printers. In this case, resize the
image ( ), then print the index print.
Even if [Date] and [File No.] are set to [On], the date or file number may not be
imprinted, depending on the print type setting and printer.
With [Index] prints, the [Date] and [File No.] cannot both be set to [On] at the same
time.
When printing with DPOF, use the card for which print order specifications are set.
You cannot print in the specified print order if you extract just the images from the
card for printing.
Certain DPOF-compliant printers and photofinishers may not be able to print the
images as you specified. When using a printer, refer to the printer's instruction
manual. When requesting service from a photofinisher, ask in advance.
Do not use this camera to configure print settings for images with DPOF settings
set up on another camera. All the print orders may be overwritten inadvertently.
Also, the print order may not be possible, depending on the image type.
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Selecting Images for Printing
Sel.Image
Select and specify the images individually.
Press the <
> button to save the print order to the card.
Standard/Both
(1) Quantity
(2) Total images selected
Press <
> to print a copy of the displayed image. By turning the < > dial, you can
set a print quantity of up to 99 copies.
Index
(3) Checkmark
(4) Index icon
Press <
> to add a checkmark to the box [ ]. The image will be included in the index
print.
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Multiple
Select range
Select [Select range] in [Multiple]. Selecting the first and last images of the range
marks all the images in the range with a checkmark [
], and one copy of each image
will be specified for printing.
All images in a folder
Select [Mark all in folder] and select the folder. A print order for one copy of all the
images in the folder will be specified.
If you select [Clear all in folder] and select the folder, the print order for all the images
in the folder will be canceled.
All images on a card
If you select [Mark all on card], one copy of all the images on the card will be specified
for printing.
If you select [Clear all on card], the print order will be cleared for all the images on the
card.
If the search conditions are set with [ : Set image search conditions] ( ) and you
select [Multiple], the display will change to [Mark all found images] and [Clear all found
images].
All found images
If you select [Mark all found images], one copy of all the images filtered by the search
conditions will be specified for printing.
If you select [Clear all found images], all the print order of the filtered images will be
cleared.
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Caution
RAW images or movies cannot be specified for printing. Note that RAW images or
movies will not be specified for printing even if you specify all images with
[Multiple].
When using a PictBridge-compatible printer, do not specify more than 400 images
for one print order. If you specify more than this, not all images may be printed.
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Copying Images
Copying Individual Images
Copying a Range of Images
Copying All Images in a Folder or on a Card
You can copy the images on one card to the other card to save duplicates.
All images in a folder or on a card can also be copied at the same time.
Caution
If the target folder or card already has an image with the same file number, [Skip
image and continue], [Replace existing image], and [Cancel copy] are
displayed. Select a copying method, then press <
>.
• [Skip image and continue]: Any images with the same file number are
skipped and not copied.
• [Replace existing image]: Any images with the same file number (including
protected images) are overwritten.
Overwriting images that had print order information ( ) will require you to set the
print order information again.
Print order and image transfer information is not included in copies of images.
Shooting is not possible during the copying process. Select [Cancel] before
shooting.
Note
Images are copied from the card selected in [ : Record func+card/folder sel.] (in
either [
Record/play]/[ Record/play] or [ Play]/[ Play]).
Copies of images have the same file name as the original image.
With [Sel.Image], images in multiple folders cannot be copied at the same time.
Select images to copy from one folder at a time.
Any voice memos added to images are also copied.
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Copying Individual Images
1.
Select [
: Image copy].
2.
Select [Sel.Image].
Check the source and target card numbers and the free space on the
target card.
Select [Sel.Image], then press < >.
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3.
Select the folder.
(1) Number of images in folder
(2) Lowest file number
(3) Folder name
(4) Highest file number
Select the source folder, then press < >.
When selecting the folder, refer to the images displayed at right of the
screen.
4.
Select an image to copy.
(1) Total images selected
Turn the < > dial to select an image to copy, then press < >.
To select another image to copy, repeat step 4.
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5.
Press the <
/ > button.
After selecting all images to copy, press the < / > button.
6.
Select [OK].
Check the target card, then select [OK].
7.
Select the target folder.
Select the folder to copy the image to, then press < >.
To create a new folder, select [Create folder].
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8.
Select [OK].
Check the information about the source and target card, then select
[OK].
Results are displayed after copying is finished. Select [OK] to return to
the screen in step 2.
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Copying a Range of Images
You can copy all specified images at once by selecting the first and last images in a range
as you look at images in the index display.
1.
Select [Range].
2.
Select the folder.
Select the source folder, then press < >.
When selecting the folder, refer to the images displayed at right of the
screen.
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3.
Specify the range of images.
Select the first image (start point).
Next, select the last image (end point). A checkmark [ ] will be
appended to all the images within the range between first and last
images.
To select another image to copy, repeat step 3.
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Copying All Images in a Folder or on a Card
You can copy all the images in a folder or on a card at once.
Selecting [Sel.
] or [All images] in [ : Image copy] copies all the images it contains.
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Converting HEIF to JPEG
You can convert HEIF images captured in HDR shooting and save them as JPEG images.
Converted JPEGs resemble how the original HEIF image appears on an HDR display
device.
1.
Select [
: HEIF→JPEG conversion].
2.
Select an image.
Turn the < > dial to select an HEIF image to convert to JPEG.
Press < > to convert to JPEG.
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3.
Save the image.
Select [OK] to save the JPEG image.
• Check the destination folder and image file number, then select
[OK].
• To convert another image, repeat steps 2 and 3.
Note
Some scenes may look different after conversion if the original and converted
images are compared.
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RAW Image Processing
Magnified View
RAW Image Processing Options
You can process or images with the camera to create JPEG or HEIF images.
RAW images are not affected, so different conditions can be applied to create JPEG or HEIF
images.
You can also use Digital Photo Professional (EOS software) to process RAW images.
Caution
Processing into HEIF is not available for or images captured with
multiple exposure, expanded ISO speed (L or H), or electronic shutter selected.
1.
Select [
: RAW image processing].
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2.
Select an item, then select images.
You can select multiple images to process at once.
Selecting images
Turn the < > dial to select images to process, then press < >.
Press the < > button.
Selecting range
Select the first image (start point).
Next, select the last image (end point).
Press the < > button.
To process other images, repeat this step.
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3.
Set the desired processing conditions.
Use shot settings
Images are processed using image settings at the time of capture.
RAW images captured in HDR shooting are processed to create HEIF
images, and other RAW images are processed to create JPEGs.
Set up processing→JPEG/Set up processing→HEIF
Turn the < > dial to select an item.
Turn the < > or < > dial to switch the setting.
Press < > to access the function setting screen.
To return to the image settings at the time of shooting, press the < >
button.
Comparison screen
You can switch between the [After change] and [Shot settings]
screens by pressing the
<
> button and turning the < > dial.
Items in orange on the [After change] screen have been modified
since the time of capture.
Press the < > button.
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4.
Save the image.
When using [Set up processing→JPEG] or [Set up processing→
HEIF], select [
] (Save).
Read the message and select [OK].
To process other images, select [Yes] and repeat steps 2–4.
5.
Select the image to display.
Select [Original image] or [Processed img.].
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Magnified View
You can magnify images displayed for [Set up processing→JPEG] or [Set up processing
→HEIF] by pressing the <
> button. The magnification ratio varies depending on the
[Image quality] setting. With <
>, you can scroll around the magnified image.
To cancel the magnified view, press the <
> button again.
Caution
Results of processing with [Digital Lens Optimizer] set to [High] are only applied
in magnified view. Results are not applied in normal display.
480
RAW Image Processing Options
Brightness adjustment
You can adjust the image brightness up to ±1 stop in 1/3-stop increments.
White balance ( )
You can select the white balance. Selecting [ ] enables you to select [Auto:
Ambience priority] or [Auto: White priority]. If you select [
], you can set the color
temperature.
Picture Style ( )
You can select the Picture Style. You can adjust the sharpness, contrast, and other
parameters.
* [
], [ ], [ ], and [ ] are not available when [Set up processing→HEIF] is set.
Clarity ( )
You can adjust clarity in a range of
–4 to +4.
*
Not available when [Set up processing→HEIF] is set.
Auto Lighting Optimizer ( )
You can set the Auto Lighting Optimizer.
* Not available when [Set up processing→HEIF] is set.
High ISO speed NR ( )
You can set the noise reduction processing for high ISO speeds. If the effect is difficult
to discern, magnify the image (
).
Image quality ( )
You can set the image quality (image size and JPEG quality) when creating a JPEG
image. Press <
> up or down to select the image size and JPEG quality.
When creating an HEIF image, you can only set the HEIF quality.
Color space ( )
You can select either sRGB or Adobe RGB. Since the camera screen is not compatible
with Adobe RGB, the difference in the image will hardly be perceptible when either color
space is set.
* [
] is displayed when [Set up processing→HEIF] is set but is not an option for
selection.
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Lens aberr correction
• Peripheral illum corr ( )
A phenomenon that makes the image corners look darker due to the lens
characteristics can be corrected. If [Enable] is set, the corrected image will be
displayed. If the effect is difficult to discern, magnify the image (
) and check the
four corners. Less correction is applied than for maximum correction with Digital
Photo Professional (EOS software,
). If the effects of correction are not apparent,
use Digital Photo Professional to apply the peripheral illumination correction.
•
Distortion correction
Image distortion due to lens characteristics can be corrected. If [Enable] is set, the
corrected image will be displayed. The image periphery will be trimmed in the
corrected image.
Since the image resolution may look slightly lower, adjust the sharpness with the
Picture Style's sharpness parameter setting as necessary.
•
Digital Lens Optimizer
Correct lens aberration, diffraction, and low-pass filter-induced loss of resolution by
applying optical design values. To check the effect of setting this option to [High] or
[Standard], use magnified view (
). Without magnification, the effect when Digital
Lens Optimizer is set to [High] is not applied. Selecting [High] or [Standard]
corrects both chromatic aberration and diffraction, although these options are not
displayed.
• Chromatic aberr corr ( )
Chromatic aberrations (color fringing along the subject's outline) due to the lens
characteristics can be corrected. If [Enable] is set, the corrected image will be
displayed. If the effect is difficult to discern, magnify the image (
).
•
Diffraction correction
The diffraction by the lens aperture degrading the image sharpness can be
corrected. If [Enable] is set, the corrected image will be displayed. If the effect is
difficult to discern, magnify the image (
).
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Caution
Processing RAW images in the camera will not produce exactly the same results
as processing RAW images with Digital Photo Professional (EOS software).
If you perform [Brightness adjustment], noise, banding, etc. may be intensified
with the effects of adjustment.
When [Digital Lens Optimizer] is set, noise may be intensified together with the
effects of correction.
When [Digital Lens Optimizer] is set, image edges may be emphasized, under
some shooting conditions. Adjust sharpness of the Picture Style as needed.
Processing with [Digital Lens Optimizer] set to [High] may take some time.
Dust Delete Data ( ) is not added to images when processing is performed with
[Distortion correction] set to [Enable].
Note
Lens correction data for lenses compatible with this feature is registered (stored) on
the camera.
Effects of lens aberration correction vary by lens and shooting conditions. Also, the
effect may be difficult to discern depending on the lens used, shooting conditions,
etc.
For details on the correction data used with Digital Lens Optimizer, see Digital Lens
Optimizer.
RAW movies cannot be processed. Process them with Digital Photo Professional
(EOS software).
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Cropping JPEG Images
You can crop a captured JPEG image and save it as another image. Cropping an image is
possible only with JPEG images. Cropping is not available for HEIF or RAW images, or for
frame-grab images from 4K movies.
1.
Select [
: Cropping].
2.
Select an image.
Turn the < > dial to select the image to crop.
Press < > to display the cropping frame.
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3.
Set the cropping frame.
The image area within the cropping frame will be cropped.
Resizing the cropping frame size
Turn the <
> dial to resize the cropping frame size. The smaller the
cropping frame, the more magnified the cropped image will look.
Changing the cropping frame aspect ratio and orientation
Turn the <
> dial to change the cropping frame aspect ratio and
orientation.
Moving the cropping frame
Use <
> to move the cropping frame vertically or horizontally.
Correcting tilt
You can correct image tilt by ±10°. Press the <
> button. While
checking tilt relative to the grid, turn the
<
> dial (in 0.1° increments)
or tap the left or right arrow (in 0.5° increments) in the upper left of the
screen to correct tilt. After completing the tilt correction, press <
>.
4.
Check the image area to be cropped.
Press the < > button. The image area to crop is displayed.
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5.
Save the image.
Press < > and select [OK] to save the cropped image.
Check the destination folder and image file number, then select [OK].
To crop another image, repeat steps 2 to 5.
Caution
The position and size of the cropping frame may change depending on the angle
set for tilt correction.
Once a cropped image is saved, it cannot be cropped again or resized.
AF point display information ( ) and Dust Delete Data ( ) will not be appended
to the cropped images.
Available aspect ratios vary depending on whether you use [ : Cropping] or [
7: Add cropping information].
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Resizing JPEG Images
You can resize a JPEG image to make the pixel count lower and save it as a new image.
Resizing an image is possible only with JPEG
/ / images. Resizing is not available
for JPEG
, HEIF, or RAW images, or for frame-grab images from 4K movies.
1.
Select [
: Resize].
2.
Select an image.
Turn the < > dial to select the image to resize.
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3.
Select the desired image size.
Press < > to display the image sizes.
Select the desired image size (1).
4.
Save the image.
Select [OK] to save the resized image.
Check the destination folder and image file number, then select [OK].
To resize another image, repeat steps 2 to 4.
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Rating Images
Rating Individual Images
Rating by Specifying the Range
Rating All Images in a Folder or on a Card
You can rate images on a scale of 1–5 ( / / / / ). This function is called rating.
* Rating images can help you organize them.
Rating Individual Images
1.
Select [
: Rating].
2.
Select [Select images].
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3.
Select the image to be rated.
Turn the < > dial to select the image to be rated.
4.
Rate the image.
Press < >, and a blue highlight frame will appear as shown in the
screen shown above.
Turn the < > dial to select a rating mark, then press < >.
When you append a rating mark to the image, the number beside the
set rating will increase by one.
To rate another image, repeat steps 3 and 4.
Note
By pressing the < / > button, you can also rate images during playback ( ).
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Rating by Specifying the Range
While looking at the images in the index display, you can specify the first and last images for
a range to rate all the specified images at once.
1.
Select [Select range].
2.
Specify the range of images.
Select the first image (start point).
Next, select the last image (end point).
A checkmark [
] will be appended to all the images within the range
between first and last images.
3.
Press the <
> button.
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4.
Rate the images.
Turn the < > dial to select a rating mark, then select [OK].
All the images in the specified range will be rated (same rating) at
once.
492
Rating All Images in a Folder or on a Card
You can rate all the images in a folder or on a card at once.
Under [ : Rating], when you select [All images in folder] or [All images on card], all
the images in the folder or on the card will be rated.
Turn the < > dial to select a rating, then select [OK].
When you are not rating images or canceling the rating, select [ ].
If the search conditions are set with [ : Set image search conditions] ( ), the
display will change to [All found images].
If you select [All found images], all the images filtered by the search conditions will be
rated as specified.
493
Note
Values next to ratings are displayed as [###] if more than 1,000 images have that
rating.
With [ : Set image search conditions] and [ : Image jump w/ ], you can
display only the images given a specific rating.
494
Slide Show
You can play back the images on the card as an automatic slide show.
1.
Specify the images to be played back.
To play back all the images on the card, go to step 2.
If you want to specify the images to be played back in the slide show,
filter the images with [
: Set image search conditions] ( ).
2.
Select [
: Slide show].
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3.
Set the playback as desired.
Select [Set up].
Set the [Display time] and [Repeat] (repeated playback) settings for
the still photos.
After completing the settings, press the < > button.
Display time
Repeat
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4.
Start the slide show.
Select [Start].
After [Loading image...] is displayed, the slide show will start.
5.
Exit the slide show.
To exit the slide show and return to the setting screen, press the
<
> button.
Note
To pause the slide show, press < >. During pause, [ ] will be displayed in the
upper left of the screen. Press <
> again to resume the slide show.
During the automatic playback of still photos, you can press the < > button to
switch the display format ( ).
During movie playback, you can adjust the sound volume by turning the < >
dial.
During auto playback or when playback is paused, you can turn the < > dial to
view another image.
During auto playback, auto power off will not take effect.
The display time may differ depending on the image.
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Setting Image Search Conditions
Clearing the Search Conditions
You can filter image display according to your search conditions. After setting the image
search conditions, you can play back and display only the found images. You can also
protect, rate, play a slide show, erase, and apply other operations to filtered images.
1.
Select [
: Set image search conditions].
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2.
Set the search conditions.
Turn the < > dial to select an item.
Turn the < > dial to set the option.
A checkmark [ ] (1) is appended to the left of the item. (Specified as
the search condition.)
If you select the item and press the < > button, the checkmark
[
] will be removed (which cancels the search condition).
Item Description
Rating
Displays images with the selected (rating) condition.
Date
Displays images taken on the selected shooting date.
Folder
Displays images in the selected folder.
Protect
Displays images with the selected (protect) condition.
Type of file (1)
Displays images of the selected file type.
Type of file (2)
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3.
Apply the search conditions.
Press < > and read the message displayed.
Select [OK].
The search condition is applied.
4.
Display the found images.
Press the < > button.
Only the images that match the set conditions (filtered) will be played
back.
When the images are filtered for display, the screen will have an outer
yellow frame (2).
Caution
If no images match the search conditions, < > cannot be pressed in step 3.
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Note
Search conditions may be cleared after operations involving camera power or card
changes and editing, adding, or erasing images.
Auto power off time may be extended while the [ : Set image search
conditions] screen is displayed.
Clearing the Search Conditions
Access the screen in step 2, then press the <
> button to clear all the search conditions.
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Browsing Images with the Main Dial
In single-image display, you can turn the <
> dial to jump through the images forward or
backward according to the jump method set.
1.
Select [
: Image jump w/ ].
2.
Select the jump method.
Note
With [Jump images by the specified number], you can turn the
<
> dial to select the number of images to jump by.
With [Display by image rating], turn the
<
> dial to select the
rating (
). Selecting will show all rated images as you
browse.
502
3.
Browse by jumping.
(1) Jump method
(2) Playback position
Press the < > button.
In single-image display, turn the < > dial.
You can browse by the jump method set.
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2.
Add a checkmark [
] next to the number of screens to display.
Select numbers with the < > dial.
Press < > to add a checkmark [ ].
Repeat these steps to add a checkmark [ ] to the number of each
screen to display, then select [OK].
Your selected information can be accessed by pressing the < >
button during playback, or by using <
> when shooting information is
displayed.
Histogram
The histograms show signal levels across the tonal range. Brightness display (for checking
the general exposure level and overall gradation) and RGB display (for checking saturation
and gradation of red, green, and blue) are available. You can switch the histogram displayed
by pressing the <
> button when [ ] is displayed in the lower left of the [ :
Playback information display] screen.
505
[Brightness] display
This histogram is a graph showing the distribution of the image's brightness level, with
the horizontal axis indicating the brightness level (darker on the left and brighter on the
right) and the vertical axis indicating the pixel count at each brightness level. The more
pixels there are toward the left, the darker the image, and the more pixels there are
toward the right, the brighter the image. If there are too many pixels on the left, detail in
shadows will be lost, and if there are too many pixels on the right, detail in highlights will
be lost. The gradation in-between will be reproduced. By checking the image and its
brightness histogram, you can see the exposure level inclination and the overall
gradation.
Sample histograms
Dark image
Normal brightness
Bright image
506
[RGB] display
This histogram is a graph showing the distribution of each primary color's brightness
level in the image (RGB or red, green, and blue), with the horizontal axis indicating the
color's brightness level (darker on the left and brighter on the right) and the vertical axis
indicating the pixel count at each color brightness level. The more pixels there are
toward the left, the darker and less prominent the color, and the more pixels there are
toward the right, the brighter and denser the color. If there are too many pixels on the
left, the corresponding color information will be lacking, and if there are too many pixels
on the right, the color will be too saturated, without gradation. By checking the image's
RGB histogram, you can see the color's saturation and gradation conditions, as well as
the white balance bias.
507
Displaying the Highlight Alert
You can specify blinking display of overexposed highlights on the playback screen. To
obtain more detailed gradation in the blinking areas where you want the gradation to be
faithfully reproduced, set the exposure compensation to a negative amount and shoot again
for a better result.
1.
Select [
: Highlight alert].
2.
Select [Enable].
508
AF Point Display
You can display the AF points that were used to focus, which will be outlined in red on the
playback screen. If automatic AF point selection is set, multiple AF points may be displayed.
1.
Select [
: AF point disp.].
2.
Select [Enable].
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Playback Grid
You can display a grid over still photos shown in single-image display on the playback
screen. This function is convenient for checking the image's vertical or horizontal tilt as well
as composition.
1.
Select [
: Playback grid].
2.
Select an item.
510
HDMI HDR Output
You can view RAW or HEIF images in HDR by connecting the camera to an HDR TV.
1.
Select [
: HDMI HDR output].
2.
Select [On].
Caution
HDR display in HDMI output is not available for RAW images captured with [HDR
PQ settings] set to [Disable].
Note
Make sure the HDR TV is set up for HDR input. For details on how to switch inputs
on the TV, refer to the TV manual.
Depending on the TV used, images may not look as expected.
On HDR TVs, some information may not be displayed.
Quick Control RAW processing of displayed images is recommended if you will
process RAW images while viewing HDMI HDR output.
511
Communication Functions
This chapter describes how communication functions are used to connect the camera to a
smartphone or computer over Wi-Fi or a wired LAN and send images, control the camera
remotely, or perform other operations.
Caution
Important
Note that Canon cannot be held liable for any loss or damage caused by erroneous
network settings when using the camera. In addition, Canon cannot be held liable
for any other loss or damage caused by use of the camera.
Take security measures that you deem necessary when using a network, at your
discretion. Canon cannot be held liable for any loss or damage caused by
unauthorized access or other security breaches.
• Tab Menus: Communication Functions Tab
• Available Communication Functions
• Camera Connect Communication from Smartphones
• Wi-Fi Connections with a Computer Using EOS Utility
• Basic Communication Settings
• Image Transfer to FTP Servers
• Remote Control (EOS Utility)
• Controlling the Camera with Browser Remote
• Ending Connections or Reconnecting
• Checking and Editing Network Settings
• Syncing Time Between Cameras
• GPS Features
• Reference
• Troubleshooting
• Resetting Communication Settings
512
Tab Menus: Communication Functions Tab
(1) Network settings
(2) Bluetooth settings
(3) Nickname
(4) GPS settings
(5) Image transfer
(6) Reset communication settings
Caution
Wi-Fi connections are not possible while the camera is connected to a computer or
other device via an interface cable.
Other devices, such as computers, cannot be used with the camera by connecting
them with an interface cable while the camera is connected to devices via Wi-Fi.
Network connections are terminated if you switch camera to < > or open the
card slot cover.
Auto power off is not activated while connected to a network.
513
Available Communication Functions
Smartphone ( )
Using the dedicated Camera Connect app on smartphones or tablets (hereafter, collectively
referred to as “smartphones”), you can browse images on the camera, shoot remotely, and
perform other operations. After pairing the camera with a smartphone supporting Bluetooth
low energy technology (hereafter, “Bluetooth”), you only need to use the smartphone to
connect via Wi-Fi.
EOS Utility
Using EOS Utility (EOS software installed on a computer), you can import images from the
camera, shoot remotely, and perform other operations.
See Wi-Fi Connections with a Computer Using EOS Utility for instructions on joining a
Wi-Fi network via an access point compatible with WPS (PBC mode) to connect the
camera to a computer.
See instructions starting with Basic Communication Settings for other ways to connect
the camera to a computer wirelessly or over a wired LAN connection.
FTP transfer (
)
Your shots can be transferred to an FTP server.
Besides automatically transferring images as you shoot, you can manually select and
transfer images later.
Browser Remote (
)
From a computer or smartphone browser, connecting to the camera is like accessing a
webpage, and you can shoot remotely, browse camera images, or configure FTP transfer
settings.
Syncing time between cameras (
)
The time on multiple EOS-1D X Mark III cameras can be synchronized over a wired LAN
connection.
Wireless File Transmitter
By attaching an optional Wireless File Transmitter WFT-E9, you can use wireless LAN
features. For details, refer to the WFT-E9 Instruction Manual.
Note that Camera Connect cannot be used to access the camera from smartphones over a
wireless LAN connection established by WFT-E9.
GPS (
)
Built-in GPS features can be used to geotag images, log routes traveled with the camera,
and more.
514
Available communication functions and connection methods (besides GPS)
Available Features
Connection Method
Wired
LAN
Wi-Fi
(Built-In)
Wireless LAN
(Wireless File
Transmitter
WFT-E9)
Camera Connect communication from
smartphones
○
Using EOS Utility ○ ○ ○
Image transfer to FTP servers ○ ○ ○
Using Browser Remote ○ ○
Syncing time between cameras ○ ○
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Camera Connect Communication from Smartphones
Connecting to a Bluetooth-compatible Smartphone via Wi-Fi
Camera Connect Functions
Canceling the Pairing
Wi-Fi Connection Without Using Bluetooth
Automatic Image Transfer as You Shoot
Sending Images to a Smartphone from the Camera
Settings to Make Images Viewable from Smartphones
General Precautions on Camera Connect Communication from Smartphones
By using the dedicated Camera Connect app installed on a smartphone or tablet
(collectively referred to hereafter as “smartphones”), you can pair the camera and
smartphone via Bluetooth or establish a Wi-Fi connection between the devices.
Features available over a Bluetooth connection
You can establish a Wi-Fi connection using only a smartphone.
You can shoot still photos or record movies by using your smartphone as a remote
control.
Features available over a Wi-Fi connection
You can use a smartphone to browse images on the camera and save them to the
smartphone.
You can control the camera remotely from a smartphone.
You can use the camera to send images to a smartphone.
The dedicated app Camera Connect (free of charge) must be installed on the
smartphone on which Android or iOS is installed. Camera Connect can be installed from
Google Play or App Store.
Caution
Use the latest version of the smartphone OS.
516
Note
You can also access Google Play or App Store from QR codes displayed when you
pair the smartphone and camera.
For the operating system versions supported by Camera Connect, refer to the
download site of Camera Connect.
Sample screens and other details in this guide may not match the actual user
interface elements after camera firmware updates or updates to Camera Connect,
Android, or iOS.
Connecting to a Bluetooth-compatible Smartphone via
Wi-Fi
These instructions describe how to establish a Wi-Fi connection with a Bluetooth enabled
smartphone and use Camera Connect to control the camera.
Caution
Bluetooth pairing with a smartphone is not possible while the camera is connected
to other devices via Wi-Fi or connected to a wireless LAN by means of a WFT. End
the Wi-Fi or wireless LAN connection by selecting [Connection settings] in
[Network settings], then selecting [Disconnect].
Steps on the smartphone (1)
Turn on Bluetooth and Wi-Fi from the smartphone settings screen. Note that pairing with the
camera is not possible from the smartphone's Bluetooth settings screen.
Steps on the camera (1)
1.
On the camera, press the <
> button.
517
2.
Select [
: Network settings].
3.
Select [Enable].
4.
Select [Bluetooth settings].
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5.
Set [Bluetooth] to [Enable].
6.
Select [Pairing].
7.
Select an option.
If Camera Connect is already installed, select [Do not display].
If Camera Connect is not installed, select [Android] or [iOS], scan the
displayed QR code with the smartphone to access Google Play or App
Store and install Camera Connect.
519
Steps on the smartphone (2)
8.
Start Camera Connect.
9.
Tap the camera for pairing.
If you are using an Android smartphone, go to step 11.
10.
Tap [Pair] (iOS only).
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Steps on the camera (2)
11.
Select [OK].
12.
Press the <
> button.
Pairing is now complete, and the camera is connected to the
smartphone via Bluetooth.
A Bluetooth icon appears on the main Camera Connect screen.
Caution
Bluetooth connection consumes battery power even after the camera's auto power
off is activated. Therefore, the battery level may be low when you use the camera.
The camera can be paired with one smartphone. Before pairing with a different
smartphone, clear the information about the currently paired smartphone ( ).
Keeping pairing records for previously paired cameras on your smartphone will
prevent it from pairing with this camera. Before you try pairing again, remove
pairing records for previously paired cameras from your smartphone's Bluetooth
settings screen.
521
Steps on the smartphone (3)
13.
Tap a Camera Connect function.
In iOS, tap [Join] when a message is displayed to confirm camera
connection.
After the devices are connected via Wi-Fi, a screen for the selected
function is displayed on the smartphone.
The Bluetooth and Wi-Fi icons are now displayed on the main Camera
Connect screen, after you return to that screen.
The camera's < > lamp is lit in green.
Terminating Wi-Fi connections
Disconnect by tapping [ ] on the Camera Connect screen.
Terminating the Wi-Fi connection will switch the camera to the Bluetooth connection.
Reconnecting
To reconnect via Wi-Fi, start Camera Connect and tap the function you will use.
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Camera Connect Functions
Images on camera
Images can be browsed, deleted, or rated.
Images can be saved on a smartphone.
Remote live view shooting
Enables remote shooting as you view a live image on the smartphone.
Auto transfer
Enables camera and app setting adjustment for automatic transfer of your shots ( ).
Bluetooth remote controller
Enables remote control of the camera from a smartphone paired via Bluetooth. (Not
available when connected via Wi-Fi.)
Auto power off is disabled while you are using the Bluetooth remote controller feature.
Location information
Not supported on this camera.
Camera settings
Camera settings can be changed.
524
Canceling the Pairing
Cancel pairing with a smartphone as follows.
1.
Select [Check/clear connection info].
2.
Press the <
> button.
3.
Select [OK].
4.
Clear the camera information on the smartphone.
In the smartphone's Bluetooth setting menu, clear the camera
information registered on the smartphone.
525
Note
To check the camera's Bluetooth address, select [Bluetooth address].
526
Wi-Fi Connection Without Using Bluetooth
These instructions describe how to establish a direct Wi-Fi connection with a smartphone
and use Camera Connect to control the camera.
Steps on the camera (1)
1.
On the camera, press the <
> button.
2.
Select [
: Network settings].
3.
Select [Enable].
4.
Select [Connection settings].
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5.
Select [SET* Unspecified].
6.
Select [Create with wizard].
7.
Select [Configure online].
Select [OK].
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8.
Select [Smartphone].
Select [OK].
9.
Press the <
> button.
Select [OK].
10.
Select [New settings].
Select [OK].
529
11.
Select [Camera access point mode].
12.
Select [Easy connection].
Select [OK].
13.
Select [OK].
530
14.
Press the <
> button.
15.
Select [New settings].
Select [OK].
16.
Check the SSID (network name) and password.
Check the SSID (1) and password (2) displayed on the camera screen.
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Steps on the smartphone
17.
Operate the smartphone to establish a Wi-Fi connection.
Activate the smartphone's Wi-Fi function, then tap the SSID (network
name) you checked in step 16.
In the password field, enter the password you checked in step 16, then
tap [Join].
18.
Start Camera Connect and tap the camera to connect to via Wi-Fi.
532
21.
Press <
>.
The main window of Camera Connect will be displayed on the
smartphone.
The camera's < > lamp is lit in green.
The Wi-Fi connection to a smartphone is now complete.
Operate the camera using Camera Connect ( ).
When connected via Wi-Fi, you can send images to a smartphone from
the Quick Control screen during playback ( ).
Terminating Wi-Fi connections (
)
Reconnecting (
)
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Automatic Image Transfer as You Shoot
Your shots can be automatically sent to a smartphone. Before following these steps, make
sure the camera and smartphone are connected via Wi-Fi.
1.
Select [
: Network settings].
2.
Select [Connection option settings].
3.
Select [Smartphone settings].
535
4.
Set [Auto send] to [Enable].
If necessary, specify [Size to send].
536
Sending Images to a Smartphone from the Camera
You can use the camera to send images to a smartphone paired via Bluetooth (Android
devices only) or connected via Wi-Fi.
1.
Switch to playback.
2.
Press the <
> button.
3.
Select [
Send images to smartphone].
If you perform this step while connected via Bluetooth, a message is
displayed, and the connection switches to a Wi-Fi connection.
4.
Select sending options and send the images.
537
Sending images individually
1.
Select an image to send.
Turn the < > dial to select an image to send, then press < >.
You can press the < > button and turn the < > dial
counterclockwise to select the image using the index display.
2.
Select [Send img shown].
In [Size to send], you can select the image sending size.
Sending multiple selected images
1.
Press <
>.
538
2.
Select [Send selected].
3.
Select images to send.
Turn the < > dial to select images to send, then press < >.
To switch to three-image display for image selection, press the < >
button and turn the <
> dial counterclockwise. To return to the
single-image display, press the <
> button.
After selecting the images to send, press the < > button.
539
4.
Select [Size to send].
On the displayed screen, select an image size.
5.
Select [Send].
540
Sending a specified range of images
1.
Press <
>.
2.
Select [Send range].
3.
Specify the range of images.
Select the first image (start point).
Select the last image (end point).
To cancel the selection, repeat this step.
To change the number of images in index display, press the < >
button, then turn the <
> dial.
541
4.
Confirm the range.
Press the < > button.
5.
Select [Size to send].
On the displayed screen, select an image size.
6.
Select [Send].
542
Sending all images on the card
1.
Press <
>.
2.
Select [Send all card].
3.
Select [Size to send].
On the displayed screen, select an image size.
543
Note
You can cancel the image transfer by selecting [Cancel] during the transfer.
You can select up to 999 files at a time.
With a Wi-Fi connection established, disabling the smartphone's power saving
function is recommended.
Selecting the reduced size for still photos applies to all still photos sent at that time.
Note that
size still photos are not reduced.
When you use a battery to power the camera, make sure it is fully charged.
546
Settings to Make Images Viewable from Smartphones
Images can be specified after the Wi-Fi connection is terminated.
1.
Select [Network settings].
2.
Select [Manual setting].
3.
Select [Function settings].
547
4.
Select [Smartphone].
5.
Select [Change].
6.
Select [Viewable imgs].
548
7.
Select an option.
Select [OK] to access the setting screen.
[All images]
All images stored on the card become viewable.
[Images from past days]
Specify viewable images on the shooting-date basis. Images shot up to
nine days ago can be specified.
When [Images shot in past days] is selected, images shot up to the
specified number of days before the current date become viewable.
Use the <
> < > keys to specify the number of days, then press
<
> to confirm the selection.
Once you select [OK], the viewable images are set.
Caution
If [Viewable imgs] is set to any setting other than [All images],
remote shooting is not possible.
549
[Select by rating]
Specify viewable images depending on whether a rating is appended (or
not appended) or by the type of rating.
Once you select the type of rating, the viewable images are set.
[File number range] (Select range)
Select the first and last images from images arranged by the file number to
specify the viewable images.
1. Press <
> to display the image selection screen.
Use the <
> dial to select images.
You can press the <
> button and turn the < > dial
counterclockwise to select the image using the index display.
2. Select an image as the starting point (1).
3. Use the < > dial to select an image as the ending point (2).
4. Select [OK].
550
General Precautions on Camera Connect Communication
from Smartphones
Caution
If the Wi-Fi connection is terminated while recording a movie with remote shooting,
the following will occur.
• If the Live View shooting/Movie shooting switch is set to <
>, movie
recording will continue.
• If the Live View shooting/Movie shooting switch is set to <
>, movie
recording will stop.
With a Wi-Fi connection to a smartphone established, certain functions are
unavailable.
In remote shooting, the AF speed may become slower.
Depending on the communication status, image display or shutter release timing
may be delayed.
When saving images to a smartphone, you cannot take a picture even if you press
the camera's shutter button. Also, the camera screen may turn off.
Note
With a Wi-Fi connection established, disabling the smartphone's power saving
function is recommended.
551
Wi-Fi Connections with a Computer Using EOS Utility
Connecting to a Computer via Wi-Fi
Using EOS Utility, you can browse images on the camera and save them to the computer.
Also in EOS Utility, you can shoot by controlling the camera remotely and change camera
settings.
Install EOS Utility on the computer before connecting via Wi-Fi ( ).
Connecting to a Computer via Wi-Fi
This section describes how to prepare for camera operations in EOS Utility by connecting
the camera and a computer via Wi-Fi using a WPS (PBC mode) compatible access point.
First, check the position of the WPS button and how long to press it.
It may take approx. 1 min. to establish a Wi-Fi connection.
For computer operating instructions, refer to the computer user manual.
See the instructions starting in Basic Communication Settings for details on connecting
the camera to a wired LAN or using non-WPS (PBC mode) access points.
Steps on the camera (1)
1.
On the camera, press the <
> button.
2.
Select [
: Network settings].
552
3.
Select [Enable].
4.
Select [Connection settings].
5.
Select [SET* Unspecified].
553
6.
Select [Create with wizard].
7.
Select [Configure online].
Select [OK].
8.
Select [EOS Utility].
Select [OK].
554
9.
Select [Wi-Fi].
Select [OK].
10.
Select [New settings].
Select [OK].
11.
Select [Connect with WPS].
555
12.
Select [WPS (PBC mode)].
Select [OK].
Steps on the access point
13.
Connect to the access point via Wi-Fi.
Press the access point's WPS button.
Steps on the camera (2)
14.
Select [OK].
556
15.
Select [Auto setting].
Select [OK].
16.
Select [Disable].
Select [OK].
17.
Press <
>.
557
Basic Communication Settings
Preparation
Displaying the Connection Wizard
Checking the Type of Access Point
Connecting via WPS (PBC Mode)
Connecting via WPS (PIN Mode)
Connecting Manually to Detected Networks
Connecting Manually by Specifying Networks
Connecting in Infrastructure Mode
Connecting in Camera Access Point Mode
Setting the IP Address
Configuring Communication Function Settings
Before using the following camera communication functions, configure camera and
computer settings as described starting in the preparation section.
Image transfer to FTP servers
Remote control (EOS Utility)
Controlling the camera with Browser Remote
Caution
Regarding settings for multiple networks, only infrastructure settings are available
when you connect wirelessly. Multiple network settings are not available for wired
LAN or camera access point settings.
559
Preparation
[FTP trans.]
A computer running one of the following OSes is required. The computer must also be
set up in advance to function as an FTP server.
• Windows 10 (ver. 1607 or later)
• Windows 8.1, Windows 8.1 Pro
For instructions on setting up the computer to function as an FTP server, refer to
documentation for your computer.
[EOS Utility]
A computer with EOS Utility (EOS software) installed is required.
For EOS Utility installation instructions, visit the Canon website.
[Browser Remote]
Use of [Browser Remote] requires a computer with one of the following browsers
installed.
• iOS 13: Safari 13
• iPadOS 13: Safari 13
• Android 8, 9, or 10: Chrome
• macOS: Safari 13
• Windows 10: Chrome
• Windows 10: Edge (Chromium-based)
* Operation in these browsers is not ensured on all computers.
* Cannot be used unless cookies are enabled in the browser.
* Cannot be used unless JavaScript is enabled in the browser.
* Movie playback is not available unless the browser supports HTML5.
Sync time between cameras
See
Syncing Time Between Cameras.
GPS
See
GPS Features.
560
When connecting via Wi-Fi
Connect the computer for the Wi-Fi connection to the access point in advance.
Caution
Transferring movies
Each movie file is large, and transferring large files over Wi-Fi may take some time.
Referring to Communication Function Precautions, arrange your network
environment for stable communication between devices and the access point.
When connecting via wired LAN
Before using the following features over a wired LAN connection, connect a LAN cable to
the Ethernet terminal of the camera and the computer or access point.
• Image transfer to FTP servers
• Using EOS Utility
• Using Browser Remote
Use a highly shielded Category 5e or higher STP (Shielded Twisted Pair) Gigabit Ethernet
cable.
561
Displaying the Connection Wizard
This section describes the process of following the connection wizard instructions to add
connection settings. If an error is displayed, see
Troubleshooting and check the settings.
Be careful not to press the shutter button or other controls (which will close the
connection wizard) until configuration is complete.
[ : Network settings] is only available when [ : Multiple exposure] is set to
[Disable].
1.
On the camera, press the <
> button.
2.
Select [
: Network settings].
3.
Select [Enable].
562
4.
Select [Connection settings].
5.
Select [SET*].
6.
Select [Create with wizard].
Selecting [Create from list] when multiple communication and function
settings are registered on the camera enables you to combine
registered settings to add new connection settings.
You can also add new connection settings by using connection settings
saved to a card. Configure settings this way by selecting [Load
settings from card] ( ).
563
7.
Select a setting method.
Select an option and then [OK] to go to the next screen.
Select [Configure online] to configure connection settings and then
join the network.
Select [Configure offline] if you only wish to configure [FTP trans.]
and [Browser Remote] connection settings.
8.
Select a communication function.
[Configure online] options
[Configure offline] options
Referring to Preparation, select a communication function.
Select an option and then [OK] to go to the next screen.
564
9.
Select an item.
The options displayed vary depending on the [Select communication
function] setting.
Select [OK].
10.
Select [New settings].
Select [OK].
By selecting [Select from list] when communication settings are
already registered on the camera, you can apply the registered
settings.
565
[Configure online] options
If you selected [Wired] in step 9, configure the setting as follows.
Select an option, then select [OK].
For details on IP address settings, see Setting the IP Address.
Select an option, then select [OK].
For details on IPv6 address settings, see Setting the IP Address.
If you selected [Wi-Fi] in step 9, configure the setting as follows.
• For details on connections with other devices via an access point, see
Checking the Type of Access Point.
• For details on direct connections with other devices, see Connecting in
Camera Access Point Mode.
566
[Configure offline] options
If you selected [Wired] in step 9, configure the setting as follows.
Select an option, then select [OK].
For details on IP address settings, see Setting the IP Address.
Select an option, then select [OK].
For details on IPv6 address settings, see Setting the IP Address.
If you selected [Wi-Fi] in step 9, configure the setting as follows.
• For details on Wi-Fi connections with other devices via an access point,
see Connecting in Infrastructure Mode.
• For details on direct Wi-Fi connections with other devices, see
Connecting in Camera Access Point Mode.
567
Checking the Type of Access Point
When connecting via an access point, check whether the access point supports WPS*,
which simplifies connections between Wi-Fi devices.
If you are unsure about WPS compatibility, refer to the access point user manual or other
documentation.
* Stands for Wi-Fi Protected Setup.
When WPS is supported
Two connection methods are available, as follows. You can connect more easily via
WPS in PBC mode.
• Connecting via WPS (PBC Mode) (
)
• Connecting via WPS (PIN Mode) ( )
When WPS is not supported
• Connecting manually to detected networks (
)
• Connecting manually by specifying networks ( )
Access point encryption
The camera supports the following options for [Authentication] and [Encryption settings].
For this reason, the encryption used by the access point must be set to one of the following
when you will connect to detected networks manually.
[Authentication]: Open system, shared key, or WPA/WPA2-PSK
[Encryption settings]: WEP, TKIP, or AES
Caution
Connections may not be possible when access point stealth functions are
enabled. Deactivate stealth functions.
Ask any network administrator in charge of networks you will join for setting details.
Note
If MAC address filtering is used on networks you will join, add the camera's MAC
address to the access point. The MAC address can be checked on the [MAC
address] screen ( ).
568
Connecting via WPS (PBC Mode)
Instructions in this section are continued from
Checking the Type of Access Point.
This is a connection method used with access points compatible with WPS. In pushbutton
connection mode (PBC mode), the camera and access point can be connected simply by
pressing the WPS button on the access point.
Connecting may be more difficult if multiple access points are active nearby. If so, try to
connect with [WPS (PIN mode)].
Check the position of the WPS button on the access point in advance.
It may take approx. 1 min. to establish a connection.
1.
Select [Connect with WPS].
2.
Select [WPS (PBC mode)].
Select [OK].
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3.
Connect to the access point.
Press the access point's WPS button. For details on where the button
is and how long to press it, refer to the access point user manual.
Select [OK] to initiate connection with the access point.
The following screen is displayed once the camera is connected to the
access point.
Go to Setting the IP Address.
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Connecting via WPS (PIN Mode)
Instructions in this section are continued from
Checking the Type of Access Point.
This is a connection method used with access points compatible with WPS. In PIN code
connection mode (PIN mode), an 8-digit identification number indicated on the camera is
entered on the access point to establish a connection.
Even if multiple access points are active nearby, connecting by using this shared
identification number is relatively reliable.
It may take approx. 1 min. to establish a connection.
1.
Select [Connect with WPS].
2.
Select [WPS (PIN mode)].
Select [OK].
571
3.
Enter the PIN code.
On the access point, enter the 8-digit PIN code displayed on the
camera screen.
For instructions on entering PIN codes on the access point, refer to the
access point's Instruction Manual.
After entering the PIN code, select [OK] on the camera.
4.
Connect to the access point.
Select [OK] to initiate connection with the access point.
The following screen is displayed once the camera is connected to the
access point.
Go to Setting the IP Address.
572
Connecting Manually to Detected Networks
Instructions in this section are continued from
Checking the Type of Access Point.
Connect to an access point by selecting its SSID (or ESS-ID) in a list of active access points
nearby.
Selecting the access point
1.
Select an access point.
(1) SSID
(2) Security icon (only for encrypted access points)
(3) Channel used
Turn the < > dial to select the access point to connect to in the list of
access points.
Note
[Refresh]
To display [Refresh], scroll down the screen in step 1.
Select [Refresh] to search for access points again.
Entering the access point encryption key
Enter the encryption key (password) set on the access point. For details on the
encryption key that has been set, refer to the access point's user manual.
The screens displayed in steps 2–3 vary depending on the authentication and
encryption set on the access point.
Go to Setting the IP Address if the [IP address set.] screen is displayed instead of the
screens shown for steps 2
–3.
573
2.
Select a key index.
The [Key index] screen is displayed for WEP-encrypted access points.
Select the key index number set on the access point.
Select [OK].
3.
Enter the encryption key.
Press < > to access the virtual keyboard ( ), then enter the
encryption key.
Select [OK] to initiate connection with the access point.
The following screen is displayed once the camera is connected to the
access point.
Go to Setting the IP Address.
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Connecting Manually by Specifying Networks
Instructions in this section are continued from
Checking the Type of Access Point.
Connect to an access point by entering its SSID (or ESS-ID).
Entering the SSID
1.
Select [Manual settings].
2.
Enter the SSID (network name).
Press < > to access the virtual keyboard ( ), then enter the
encryption key.
Select [OK].
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Setting the access point authentication method
3.
Select the authentication method.
Select an option and then [OK] to go to the next screen.
On the [Encryption settings] screen displayed if [Open system] is
selected, select [Disable] or [WEP].
Entering the access point encryption key
Enter the encryption key (password) set on the access point. For details on the
password that has been set, refer to the access point's user manual.
The screens displayed in steps 4–5 vary depending on the authentication and
encryption set on the access point.
Go to Setting the IP Address if the [IP address set.] screen is displayed instead of the
screens shown for steps 4–5.
4.
Select a key index.
The [Key index] screen is displayed if you have selected [Shared Key]
or [WEP] in step 3.
Select the key index number set on the access point.
Select [OK].
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Connecting in Infrastructure Mode
Instructions in this section are continued from
Displaying the Connection Wizard.
Connect to an access point by entering its SSID (or ESS-ID).
Entering the SSID
1.
Select [Infrastructure].
Select [OK].
2.
Enter the SSID (network name).
Press < > to access the virtual keyboard ( ), then enter the
encryption key.
Select [OK].
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Setting the access point authentication method
3.
Select the authentication method.
Select an option and then [OK] to go to the next screen.
On the [Encryption settings] screen displayed if [Open system] is
selected, select [Disable] or [WEP].
Entering the access point encryption key
Enter the encryption key (password) set on the access point. For details on the
encryption key that has been set, refer to the access point's user manual.
The screens displayed in steps 4–5 vary depending on the authentication and
encryption set on the access point.
Go to Setting the IP Address if the [IP address set.] screen is displayed instead of the
screens shown for steps 4–5.
4.
Select a key index.
The [Key index] screen is displayed if you have selected [Shared Key]
or [WEP] in step 3.
Select the key index number set on the access point.
Select [OK].
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Connecting in Camera Access Point Mode
Instructions in this section are continued from
Displaying the Connection Wizard.
Camera access point mode is a connection method for directly connecting the camera and
other devices via Wi-Fi without using an access point. Two connection methods are
available, as follows.
Connecting with Easy connection
Network settings for camera access point mode are configured automatically.
Establishing a connection also requires operations on the other device (computer or
smartphone). For details, refer to the device user manual.
1.
Select [Camera access point mode].
[Configure online] options
[Configure offline] options
Select [OK] on the [Conn. method] to go to the next screen.
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2.
Select [Easy connection].
Select [OK].
3.
Select [OK].
The next screen is displayed.
4.
Select [OK].
The next screen is displayed.
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5.
Select [New settings].
Select [OK].
For [Configure online], go to step 6.
For [Configure offline], go to step 2 in Configuring Communication
Function Settings.
By selecting [Select from list] when communication function settings
are already registered on the camera, you can apply the registered
settings.
6.
Use the other device to connect to the camera.
(1) SSID (network name)
(2) Encryption key (password)
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Computer's screen (sample)
Smartphone's screen (sample)
Activate Wi-Fi on the other device, then select the SSID (network
name) shown on the camera screen.
For the password, enter the encryption key (password) shown on the
camera screen.
Once a connection is established, the settings screen for the
communication function is displayed.
Go to step 2 in Configuring Communication Function Settings.
Note
When you are connecting by selecting [Easy connection], the SSID ends with
“_Canon0A.”
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Connecting with Manual connection
Network settings for camera access point mode are configured manually. Set [SSID],
[Channel setting], and [Encryption settings] on each screen displayed.
1.
Select [Manual connection].
Select [OK].
2.
Enter the SSID (network name).
Press < > to access the virtual keyboard ( ), then enter the SSID.
After input, press <
>.
Select [OK].
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3.
Select a channel setting option.
To specify the settings manually, select [Manual setting], then turn the
<
> dial.
Select [OK] to initiate connection with the access point.
4.
Select an encryption setting option.
For encryption, select [AES].
Select [OK].
When [AES] is selected, the [Password] screen is displayed. Press
<
> to access the virtual keyboard ( ), then enter the encryption
key. After input, press the <
> button.
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8.
Select [New settings].
Select [OK].
For [Configure online], go to step 9.
For [Configure offline], go to step 2 in Configuring Communication
Function Settings.
By selecting [Select from list] when communication function settings
are already registered on the camera, you can apply the registered
settings.
9.
Use the other device to connect to the camera.
(1) SSID (network name)
(2) Encryption key (password)
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Computer's screen (sample)
Smartphone's screen (sample)
Activate Wi-Fi on the other device, then select the SSID (network
name) shown on the camera screen.
For the password, enter the encryption key (password) shown on the
camera screen.
Once a connection is established, the settings screen for the
communication function is displayed.
Go to step 2 in Configuring Communication Function Settings.
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Setting the IP Address
Instructions in this section are continued from
settings used for access point connections.
Select a method of setting the IP address, and then set the IP address on the camera. When
IPv6 is used, the camera only connects via IPv6. IPv4 connections are disabled.
Setting the IP address automatically
Set up the IP address settings automatically.
1.
Select [Auto setting].
Select [OK].
If an error is displayed for [Auto setting], set the IP address manually
( ).
2.
Select an IPv6 option.
Select an option and then [OK] to go to the next screen.
When selecting [Enable], configure IPv6 settings after all settings are
complete ( ).
The next screen is displayed after settings are complete.
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2.
Select an option to configure.
Select an option to access the screen for numerical input.
To use a gateway or DNS address, select [Enable], then select
[Address].
3.
Enter the number.
Turn the < > dial to switch to other input fields at the top of the
screen, and turn the <
> dial to select numbers to enter. Press
<
> to enter the selected number.
To set the entered numbers and return to the screen for step 2, press
the <
> button.
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4.
Select [OK].
When you have completed setting the necessary items, select [OK].
The next screen is displayed.
If you are unsure what to enter, see Checking Network Settings or ask
the network administrator or other person in charge of the network.
5.
Select an IPv6 option.
Select an option and then [OK] to go to the next screen.
When selecting [Enable], configure IPv6 settings after all settings are
complete ( ).
The next screen is displayed after settings are complete.
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Configuring Communication Function Settings
The following instructions are for settings that vary depending on the communication
function. Refer to the page that introduces your selected communication function.
1.
Select [New settings].
Select [OK] to go to the next screen.
By selecting [Select from list] when communication function settings
are already registered on the camera, you can apply the registered
settings.
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Image Transfer to FTP Servers
Configuring FTP Server Connection Settings
Transferring Images Individually
Transferring Multiple Images at Once
Adding a Caption Before Transfer
Auto Retry If Transfer Fails
Viewing Transferred Images
By connecting to an FTP server, you can send images on the camera to a computer.
With FTP transfer, you can automatically transfer each image to the FTP server as you
shoot or transfer a set of images together.
Configuring FTP Server Connection Settings
These instructions are continued from
Configuring Communication Function Settings.
1.
Select an FTP mode.
[SFTP] is not displayed when the camera will connect via Wi-Fi.
For secure FTP transfer using a root certificate, select [FTPS]. For
details on root certificate settings, see Importing a root certificate for
FTPS.
For secure FTP transfer over an SSH connection, select [SFTP]. Login
settings are configured in step 5.
Select [OK] to go to the next screen.
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2.
Select [Address setting].
Select [OK] to go to the next screen.
The virtual keyboard is displayed if you have specified [Auto setting]
for the IP address or [Manual setting] for the DNS address.
A screen for numerical input is displayed if you have specified
[Disable] for the DNS address.
3.
Enter the FTP server IP address.
Virtual keyboard
Use the virtual keyboard ( ) to enter the IP address. If DNS is used,
enter the domain name.
To set the entered values and return to the screen for step 2, press the
<
> button.
Numerical input screen
Turn the < > dial to switch to other input fields at the top of the
screen, and turn the <
> dial to select numbers to enter. Press
<
> to enter the selected number.
To set the entered values and return to the screen for step 2, press the
<
> button.
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4.
Configure the port number.
Normally, set [Port number setting] to 00021 (for FTP/FTPS) or
00022 (for SFTP).
Select [OK] to go to the next screen.
Go to step 6 if you selected [FTP] or [FTPS] in step 1. Go to step 5 if
you selected [SFTP].
5.
Configure the SSH login authentication settings.
Select [User name] and [Password] to access the virtual keyboard
( ) and enter the user name and password for SSH password
authentication.
Select [OK] to go to the next screen.
6.
Configure the passive mode setting.
Not displayed if you selected [SFTP] in step 1.
Select [OK] to go to the next screen.
If an Error 41 (Cannot connect to FTP server) is displayed in step 9,
setting [Passive mode] to [Enable] may resolve it.
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7.
Configure proxy server settings.
Not displayed if you selected [FTPS] or [SFTP] in step 1.
Select [OK] to go to the next screen.
8.
Configure the login method.
Not displayed if you selected [SFTP] in step 1.
Select [OK] to go to the next screen.
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9.
Specify a target folder.
Select [Root folder] to have images saved in the root folder, as
specified in FTP server settings ( ).
Select [Select folder] to specify a target folder in the root folder. If the
folder does not exist, it is created automatically.
Select [OK] to go to the next screen.
The camera's < > lamp is lit in green.
When the following message appears, select [OK] to trust the target
server.
10.
Select [OK].
Not displayed in offline configuration.
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11.
Select [OK].
12.
Select [OK].
Display returns to the [Network settings] screen.
Connection settings for FTP transfer are now complete.
During image transfer, the camera's <
> lamp blinks in green.
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Importing a root certificate for FTPS
If you specified [FTPS] FTP mode when configuring connection settings, the root certificate
used by the FTP server must be imported to the camera.
Only the root certificate with a file name of “ROOT.CER,” “ROOT.CRT,” or “ROOT.PEM”
can be imported to the camera.
Only one root certificate file can be imported to the camera. Insert a card containing the
root certificate file in advance.
The priority card selected for [Record/play] or [Playback] in [ : Record func+card/
folder sel.] is used to import a certificate.
It may not be possible to trust servers you try to connect to in FTPS connections with a
self-signed certificate.
1.
Select [
: Network settings].
2.
Select [Connection option settings].
3.
Select [FTP transfer settings].
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4.
Select [Set root certif].
5.
Select [Load root certif from card].
6.
Select [OK].
The root certificate is imported.
Select [OK] on the confirmation screen to return to the [Set root certif]
screen.
Note
To delete the root certificate imported to the camera, select [Delete root
certificate] on the screen in step 5. To check who it was issued to and issued by,
the period of validity, and other information, select [View root certificate details].
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Transferring Images Individually
Automatic transfer after each shot
Transferring the current image
Specifying sizes or types of images to transfer
Automatic transfer after each shot
Each image can be immediately transferred to the FTP server automatically after your shot.
You can continue shooting still photos as usual while images are being transferred.
Before shooting, make sure a card is in the camera. If you shoot without recording
images, they cannot be transferred.
Automatic transfer of movies during recording is not supported. After recording, transfer
movies as described in Transferring Multiple Images at Once or Adding a Caption
Before Transfer.
1.
Select [
: Network settings].
2.
Select [Connection option settings].
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3.
Select [FTP transfer settings].
4.
Select [Automatic transfer].
5.
Select [Enable].
6.
Take the picture.
The captured image is transferred to the FTP server.
Caution
Images cannot be erased during image transfer.
No voice memo can be added when [Automatic transfer] is set to [Enable].
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Note
During continuous shooting, images are transferred to the FTP server in the order
they are captured.
Captured images are also stored on the card.
Any images for which transfer fails or is interrupted will be transferred automatically
when the connection is recovered ( ). These images can also be transferred
together manually at a later time ( ).
Repeated automatic transfer is not attempted if network settings (such as FTP
server settings) are changed before automatic FTP transfer begins.
Transferring the current image
Enables you to transfer the image you are viewing simply by pressing <
>. You can
continue shooting still photos as usual while images are being transferred.
1.
Access the [FTP transfer settings] screen.
Follow steps 1–3 in Automatic transfer after each shot.
2.
Select [Transfer with SET].
3.
Select [Enable].
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4.
Select an image.
On the camera, press the < > button.
Select an image to transfer, then press < > to transfer the image.
You can add a voice memo to the current image before transfer. For
details, see Recording Voice Memos.
Movies cannot be transferred this way. Selecting a movie and pressing
<
> will display the movie playback panel.
Specifying sizes or types of images to transfer
You can specify which images to transfer when recording images of different sizes to the
CFexpress cards, or when shooting RAW+JPEG or RAW+HEIF images.
1.
Access the [FTP transfer settings] screen.
Follow steps 1–3 in Automatic transfer after each shot.
2.
Select [Transfer type/size].
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3.
Select the size of images to transfer.
Select [JPEG size to trans.], then select [Larger JPEG] or
[SmallerJPEG].
To transfer smaller JPEGs when the camera is set to record larger
JPEGs to one CFexpress card and smaller JPEGs to the other, set
[JPEG size to trans.] to [SmallerJPEG].
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4.
Select the type of images to transfer.
RAW+JPEG transfer
• Select [RAW+JPEG transfer], then select [JPEG only], [RAW
only], or [RAW+JPEG].
RAW+HEIF transfer
• Select [RAW+HEIF transfer], then select [HEIF only], [RAW only],
or [RAW+HEIF].
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Note
When the camera is set to record RAW images to one CFexpress card and JPEGs
or HEIFs to the other, specify which images to transfer in the [RAW+JPEG
transfer] or [RAW+HEIF transfer] setting. Similarly, specify your transfer
preference when RAW+JPEG images or RAW+HEIF images are simultaneously
recorded to a single card.
Captured images are also stored on the card.
When images of the same size are recorded to both cards simultaneously, images
recorded to the card selected for [
Record/play] or [ Play] in [ : Record
func+card/folder sel.] are given priority for transfer.
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Transferring Multiple Images at Once
Selecting images to transfer
Selecting multiple images
Transferring RAW+JPEG or RAW+HEIF images
After shooting, you can select multiple images and transfer them all at once, or you can
transfer unsent images or images that could not be sent previously.
You can continue shooting still photos as usual during transfer.
Caution
Image transfer in progress is paused while the Live View shooting/movie shooting
switch is set to <
>. To resume image transfer, set it to < >.
Selecting images to transfer
1.
Select [
: Image transfer].
2.
Select [Image sel./transfer].
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3.
Select [FTP transfer].
4.
Select [Sel.Image].
5.
Select the images to transfer.
Use the < > dial to select an image to transfer, then press < >.
Use the < > dial to add a [ ] in the upper left, then press < >.
For three-image display, press the < > button and turn the < >
dial left. To return to single-image display, turn the <
> dial right.
To select other images to transfer, repeat step 5.
After image selection, press the < > button.
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6.
Select [Transfer].
7.
Select [OK].
The selected images are transferred to the FTP server.
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Selecting multiple images
Multiple images can be transferred at once after you choose a selection method. You can
continue shooting still photos as usual while images are being transferred.
1.
Access the [Image sel./transfer] screen.
Follow steps 1–3 in Selecting images to transfer.
2.
Select a selection method.
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In a folder
Select [Sel. ].
Select your preferred selection method.
• Selecting [Select transfer failed images] selects all images in the selected folder
for which transfer failed.
• Selecting [Select images not transferred] selects all unsent images in the selected
folder.
• Selecting [Sel transfer fail img (
only)] selects all protected images in the
selected folder for which transfer failed.
• Selecting [Sel img not transfer. (
only)] selects all unsent protected images in
the selected folder.
• Selecting [Clear transfer history] clears the transfer history of images in the
selected folder.
• After clearing the transfer history, you can select [Select images not transferred]
and transfer all images in the folder again.
• After clearing the transfer history, you can select [Sel img not transfer. (
only)]
and transfer all protected images in the folder again.
Select a folder.
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Select [OK] to transfer the selected images to the FTP server.
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In a card
Select [All images].
Select your preferred selection method.
• Selecting [Select transfer failed images] selects all images on the card for which
transfer failed.
• Selecting [Select images not transferred] selects all unsent images on the card.
• Selecting [Sel transfer fail img (
only)] selects all protected images on the card
for which transfer failed.
• Selecting [Sel img not transfer. (
only)] selects all unsent protected images on
the card.
• Selecting [Clear transfer history] clears the transfer history of images on the card.
• After clearing the transfer history, you can select [Select images not transferred]
and transfer all images recorded on the card again.
• After clearing the transfer history, you can select [Sel img not transfer. (
only)]
and transfer all protected images recorded on the card again.
Select [OK] to transfer the selected images to the FTP server.
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Select range
Select [Range].
Selecting the first and last images of the range marks all the images in the range with a
checkmark [
], and one copy of each image will be sent.
After image selection, press the < > button.
Select [OK] to transfer the selected images to the FTP server.
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Transferring RAW+JPEG or RAW+HEIF images
For RAW+JPEG or RAW+HEIF images, you can specify which image to transfer.
1.
Select [
: Image transfer].
2.
Select the type of images to transfer.
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RAW+JPEG transfer
• Select [RAW+JPEG transfer], then select [JPEG only], [RAW
only], or [RAW+JPEG].
RAW+HEIF transfer
• Select [RAW+HEIF transfer], then select [HEIF only], [RAW only],
or [RAW+HEIF].
Caution
Some menu items are not available during image transfer.
Note
This setting is linked to [RAW+JPEG transfer] and [RAW+HEIF transfer] settings
on the [Transfer type/size] screen ( ).
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Adding a Caption Before Transfer
You can add a registered caption to each image before transfer. This is convenient if you
want to inform the recipient of the printing quantity, for example. Captions are also added to
images saved to the camera.
You can check captions added to images by examining the Exif information, in the user
comments.
Captions can be created and registered with EOS Utility ( ) or Browser Remote ( ).
1.
Select [
: Image transfer].
2.
Select [Transfer with caption].
The last image viewed is displayed.
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3.
Specify the caption.
Select [Caption], and on the screen displayed, select the content of the
caption.
4.
Select [Transfer].
The image is transferred with the caption. After transfer, display returns
to the [Image transfer] screen.
Caution
Other images cannot be selected from the [Transfer with caption] screen. To
select another image for transfer with a caption, view that image before following
these steps.
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Auto Retry If Transfer Fails
If transfer fails, the camera's <
> lamp blinks in red. In this case, the following screen
is displayed after you press the <
> button and select [ : Network settings].
To resolve the error displayed, see Troubleshooting.
Once you have resolved the issue, the images that could not be sent initially will be
transferred automatically. With this option activated, transfer is attempted again
automatically after failure, whether automatic transfer is used or captured images are
transferred manually via FTP. Note that if you cancel transfer or turn the camera off, auto
retry is not attempted.
See Transferring Multiple Images at Once and transfer images as needed.
Note
To automatically log off and disconnect from the LAN after transfer, you can
configure power-saving on the [FTP transfer settings] screen ( ).
If you prefer not to disconnect from the LAN, set [Power saving] on the [FTP
transfer settings] screen ( ) to [Disable].
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Viewing Transferred Images
Images transferred to the FTP server are stored in the following folder as specified in the
FTP server settings.
Target folder of the FTP server
Under the default settings of the FTP server, images are stored in [C drive] → [Inetpub]
folder → [ftproot] folder, or in a subfolder of this folder.
If the root folder of the transfer destination has been changed in the FTP server settings,
ask the FTP server administrator where images are transferred.
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Remote Control (EOS Utility)
Configuring EOS Utility Connection Settings
Using EOS Utility
Direct Transfer
Creating and Registering Captions
Using EOS Utility, you can browse images on the camera and save them to the computer.
Also in EOS Utility, you can shoot by controlling the camera remotely and change camera
settings.
Install EOS Utility on the computer before setting up a connection ( ).
See Wi-Fi Connections with a Computer Using EOS Utility for instructions on preparing
for camera operations in EOS Utility by connecting the camera to a computer by joining
a Wi-Fi network via an access point compatible with WPS (PBC mode).
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Configuring EOS Utility Connection Settings
These instructions are continued from
Configuring Communication Function Settings.
Establishing a connection also requires operations on the computer. For details, refer to
the computer documentation.
Steps on the camera (1)
1.
Select [OK].
The following message is displayed.
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Steps on the computer
2.
Start EOS Utility on the computer.
3.
In EOS Utility, click [Pairing over Wi-Fi/LAN].
If a firewall-related message is displayed, select [Yes].
4.
Click [Connect] on the computer.
Select the camera to connect to, then click [Connect].
If multiple cameras are listed, identify the camera to connect to by MAC
address, as shown on the camera screen.
The camera MAC address can be checked on the [MAC address]
screen ( ).
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Steps on the camera (2)
5.
Select [OK].
This message is displayed after the camera detects the computer
where you clicked [Connect] in step 4.
Select [OK].
6.
Select [OK].
7.
Select [OK].
Display returns to the [Network settings] screen.
The camera's < > lamp is lit in green.
Setting information is stored on the camera.
Connection settings for EOS Utility are now complete.
Manually pairing the camera and computer after this is no longer necessary, as long as
you do not change the settings after you have paired the devices once.
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Using EOS Utility
For EOS Utility instructions, refer to the EOS Utility Instruction Manual. Remote shooting is
only one of the many camera operations available.
Caution
Some menu items are not available when the camera is connected to a network.
In remote shooting, the AF speed may become slower.
Depending on the communication status, image display or shutter release timing
may be delayed.
In Remote Live View shooting, the rate of image transmission is slower compared
to a connection via an interface cable. Therefore, moving subjects cannot be
displayed smoothly.
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Direct Transfer
With the camera connected to EOS Utility and the main EOS Utility window displayed, you
can use the camera to transfer images to computer.
Selecting images to transfer
1.
Select [
: Image transfer].
2.
Select [Image sel./transfer].
3.
Select [Direct transfer].
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4.
Select [Sel.Image].
5.
Select an image to transfer.
Use the < > dial to select an image to transfer, then press < >.
Use the < > dial to add a [ ] in the upper left of the screen, then
press <
>.
For three-image display, press the < > button and turn the < >
dial left. To return to single-image display, turn the
<
> dial right.
To select other images to transfer, repeat step 5.
After image selection, press the < > button.
6.
Select [Transfer].
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7.
Select [OK].
The selected images are transferred to the computer.
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In a folder
Select [Sel. ].
Select your preferred selection method.
• Selecting [Select transfer failed images] selects all images in the selected folder
for which transfer failed.
• Selecting [Select images not transferred] selects all unsent images in the selected
folder.
• Selecting [Sel transfer fail img (
only)] selects all protected images in the
selected folder for which transfer failed.
• Selecting [Sel img not transfer. (
only)] selects all unsent protected images in
the selected folder.
• Selecting [Clear transfer history] clears the transfer history of images in the
selected folder.
• After clearing the transfer history, you can select [Select images not transferred]
and transfer all images in the folder again.
• After clearing the transfer history, you can select [Sel img not transfer. (
only)]
and transfer all protected images in the folder again.
Select a folder.
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Select [OK] to transfer the selected images to the computer.
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In a card
Select [All images].
Select your preferred selection method.
• Selecting [Select transfer failed images] selects all images on the card for which
transfer failed.
• Selecting [Select images not transferred] selects all unsent images on the card.
• Selecting [Sel transfer fail img (
only)] selects all protected images on the card
for which transfer failed.
• Selecting [Sel img not transfer. (
only)] selects all unsent protected images on
the card.
• Selecting [Clear transfer history] clears the transfer history of images on the card.
• After clearing the transfer history, you can select [Select images not transferred]
and transfer all images recorded on the card again.
• After clearing the transfer history, you can select [Sel img not transfer. (
only)]
and transfer all protected images recorded on the card again.
Select [OK] to transfer the selected images to the computer.
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Select range
Select [Range].
Selecting the first and last images of the range marks all the images in the range with a
checkmark [
], and one copy of each image will be sent.
After image selection, press the < > button.
Select [OK] to transfer the selected images to the computer.
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Transferring RAW+JPEG or RAW+HEIF images
For RAW+JPEG or RAW+HEIF images, you can specify which image to transfer.
1.
Select [
: Image transfer].
2.
Select the type of images to transfer.
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RAW+JPEG transfer
• Select [RAW+JPEG transfer], then select [JPEG only], [RAW
only], or [RAW+JPEG].
RAW+HEIF transfer
• Select [RAW+HEIF transfer], then select [HEIF only], [RAW only],
or [RAW+HEIF].
Caution
Some menu items are not available during image transfer.
Note
This setting is linked to [RAW+JPEG transfer] and [RAW+HEIF transfer] settings
on the [Transfer type/size] screen ( ).
Image transfer in progress is paused while the Live View shooting/movie shooting
switch is set to <
>.
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Creating and Registering Captions
You can create captions and register them on the camera to use them as described in
Adding a Caption Before Transfer.
1.
Start EOS Utility and select [Camera settings].
2.
Select [WFT Captions].
3.
Enter the caption or captions.
Enter up to 31 characters (in ASCII format).
To acquire caption data stored on the camera, select [Load settings].
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4.
Set the captions on the camera.
Select [Apply to camera] to set your new captions on the camera.
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Controlling the Camera with Browser Remote
Configuring Browser Remote Connection Settings
Displaying Browser Remote
Browsing Images
Shooting Remotely
Registering IPTC Information
Configuring FTP Server Settings
Creating and Registering Captions
Using a browser, you can browse and save camera images, shoot remotely, and perform
other operations on a computer or smartphone.
Caution
The following operations cannot be performed when the camera's Live View
shooting/Movie shooting switch is set to <
>.
• View image
• Register IPCT information
• FTP server settings
• Create and register caption
Configuring Browser Remote Connection Settings
These instructions are continued from
Configuring Communication Function Settings.
Specify a login name and password for accessing the camera from a computer. The login
name and password you specify here are used when connecting to the camera.
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1.
Select [Full control] or [Browser *].
Browser Remote enables camera access by users at up to three
computers at once.
The [Full control] account can use all Browser Remote features. This
account is only available on one computer.
The [Browser *] account is limited to browsing images on the camera
and saving them to the computer. This account is available on up to
two computers.
2.
Configure the [Login name] or [Password].
Select [Login name] and [Password] to access the virtual keyboard
( ) and enter the login name and password.
Select [OK] to return to the screen in step 1. Follow steps 1–2 for each
account to be used.
3.
Select [OK].
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4.
Select [OK].
5.
Select [OK].
Display returns to the [Network settings] screen.
Setting information is stored on the camera.
Connection settings for Browser Remote are now complete.
Note
You can change WFT account settings on the [WFT account] screen ( ),
accessed by selecting [Browser Remote settings] in [Connection option
settings]. The port number setting can also be changed on the [Browser Remote
settings] screen by selecting [Port no. (HTTP)] or [Port no. (HTTPS)]. Note that
there is normally no need to change the port number (80 for HTTP, 443 for
HTTPS).
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Displaying Browser Remote
From a browser, log in to the Browser Remote page on the camera. Make sure the camera
and computer are already connected via a wired LAN connection.
Checking the camera's IP address
The camera's IP address, as displayed in step 5, must be entered in the browser address
bar to access the camera from a browser.
1.
Select [
: Network settings].
2.
Select [Connection settings].
3.
Select [SET* Browser Remote].
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4.
Select [Confirm settings].
Setting details are displayed.
5.
Check the settings.
Turn the < > dial to access other pages.
Write down the IP address.
After checking, press the < > button to close the confirmation
screen.
Logging in to Browser Remote
6.
Start a browser.
Start a browser on the computer.
7.
Enter the URL.
In the address bar, enter the IP address you noted in step 5.
Press the <Enter> key.
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8.
Enter the information for [Login name] and [Password].
In [Login name] (user name) and [Password], enter the information
you specified in Configuring Browser Remote Connection Settings.
Select [OK] to display the top Browser Remote menu screen.
9.
Configure default settings as needed.
Select [ ] to display the menu.
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• Language
Enables you to select the display language.
• Display theme
You can set the Browser Remote background color.
• AF for still photo shooting
Displayed if you select [Shooting] in step 9.
Enables you to configure autofocus operation for still photo
shooting.
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• Shutter mode
Displayed if you select [Shooting] in step 9.
You can set the shutter method for shooting still images.
• Secure transfer
Enables you to download a root certificate and access an FTP
server, when you will connect to the FTP server via HTTPS.
• Log out
Select to end the Browser Remote connection.
Caution
Browser Remote is not available unless the browser support JavaScript.
Some menu items are not available when connected to the camera.
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Browsing Images
Enables you to browse images on cards in the camera.
1.
Select [Playback].
The image browsing screen is displayed.
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2.
Select a card and folder.
Select a card in the pull-down list at left.
Select a folder in the pull-down list at right.
3.
Perform image operations as needed.
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The image taken is automatically displayed by turning on [Auto
update].
With [Select] selected, you can select multiple images.
Selecting individual thumbnails selects each image separately.
Selecting thumbnails again clears the selection.
Selecting [Select all] marks all images on the browsing screen as
selected.
Selecting [Clear all] clears selection of all images.
Selecting [Cancel] returns to the browsing screen.
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Selecting a thumbnail switches to the playback screen and shows the
image enlarged.
Still photo playback screen
Movie playback screen
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Audio playback screen
Selecting an image and then [ ] erases the image.
Selecting an image and then the [ ] button downloads the image to
the computer.
Note
Computer performance and the browser used may prevent or delay image display
or prevent image downloading.
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Shooting Remotely
You can use Browser Remote to shoot remotely.
Shooting still photos
1.
Select [Shooting].
The remote shooting screen is displayed.
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(1) Still photo shooting button
(2) Movie shooting button
(3) Multi-function lock icon
(4) Shutter button
(5) MF toggle button
(6) HDR shooting
(7) Image quality
(8) Browser Remote connection
(9) Battery level
(10) Drive mode
(11) Available shots
(12) AF operation
(13) AF button
(14) Shooting mode
(15) Shutter speed
(16) Aperture value
(17) Exposure compensation
(18) ISO speed
(19) Picture Style
(20) White balance
(21) Color temperature
(22) White balance correction
(23) AF method
(24) Metering mode
(25) MF button
(26) Live View shooting button
(27) Live View image quality toggle button
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2.
Select (1) Still photo shooting button.
3.
Set the lens's focus mode switch to <
>.
4.
Display the Live View image.
To activate or deactivate Live View, select (26) Live View shooting
button.
For more responsive Live View image display, select (27) Live View
image quality toggle button, which will reduce Live View image quality
to improve responsiveness. Select it again to restore the original image
quality.
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5.
Set up shooting.
Select setting items (such as image quality) to view the setting details,
which you can configure.
Configure the settings as needed.
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6.
Focus on the subject.
When using autofocus
To start AF with [AF button] selected in the [AF for still photo
shooting] menu, select the (13) AF button.
If you selected [Shutter button for AF/shooting] on the [AF for still
photo shooting] menu, when you select the Shutter button (4) AF is
performed and a picture is taken.
When focusing manually
To show/hide (25) MF button display, select (5) MF toggle button.
Select (25) MF button, then focus manually. To adjust focus toward the
foreground, use [
], and to adjust focus toward the background,
use [
].
Three levels of focus adjustment are available.
[
] [ ]: Coarse
[
] [ ]: Intermediate
[
] [ ]: Fine
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7.
Take the picture.
Select the Shutter button (4) to take a picture.
Captured images are saved to the card in the camera.
To browse and download images, see Browsing Images.
Caution
Depending on the communication status, image display or shutter release timing
may be delayed.
Still photo shooting is not possible with the camera's Live View shooting/movie
shooting switch set to <
>.
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4.
Record the movie.
Movie recording standby
Movie recording in progress
Select (4) Shutter button, and when you release the button, movie
recording begins.
During movie recording, the red [○] on (4) Shutter button changes to a
white [□].
To stop movie recording, select (4) Shutter button again and release
the button.
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Registering IPTC Information
Enables you to edit and register IPTC* information (comments on images, such as captions,
credits, and shooting locations) on the camera. Images can be tagged with IPTC information
registered on the camera.
*
International Press Telecommunications Council
1.
Select [IPTC info].
A screen for editing IPTC information is displayed.
2.
Select [Load from file].
Selecting [Load from file] enables you to load IPTC information (in
XMP format) that was saved using EOS Utility.
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3.
Edit and register information as needed.
Selecting [Add to camera] to applies the edited IPTC information to
the camera.
This also sets the camera's Custom Function [ 8: Add IPTC
information] option to [
].
Selecting [Clear camera info] deletes all IPTC information registered
on the camera.
This also sets the camera's Custom Function [ 8: Add IPTC
information] option to [
].
Selecting [Clear] clears all IPTC information.
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2.
Select registered connection settings of the FTP server to use.
3.
Select [Change setting].
The camera's connection settings are changed to your selected
settings.
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2.
Enter the caption or captions.
Enter up to 31 characters (in ASCII format).
To acquire caption data stored on the camera, select [Get from
camera].
3.
Set the captions on the camera.
Select [Add to camera] to set your new captions on the camera.
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Reconnecting
1.
Select [
: Network settings].
2.
Select [Connection settings].
3.
Select [SET*].
In the saved settings, select settings to use for the connection.
4.
Select [Connect].
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5.
Select [OK].
The devices are connected again.
If settings were changed on the target device, restore the previous
settings to enable connections by the camera.
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Checking and Editing Network Settings
Checking and Editing Connection Settings
Manually Editing Connection Settings
Specifying Connection Options
Checking the MAC Address
Checking and Editing Connection Settings
You can check, change, or delete connection settings saved on the camera.
1.
Select [
: Network settings].
2.
Select [Connection settings].
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3.
Select [SET*].
In the saved settings, select settings to use for the connection.
4.
Check or change the settings.
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Connect
• Select to re-establish a connection ( ).
Change with wizard/Change from list
• Change connection settings ( ).
Save/load settings on card
• Save connection settings to a card, or load saved connection settings from a card
into the camera ( ).
Delete settings
• Select to delete connection settings.
• Selecting [OK] deletes the settings.
Confirm settings
• Select to check connection settings.
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Changing connection settings
Settings originally completed using the connection wizard can be changed as follows.
Change with wizard
You can use the connection wizard to change connection settings saved on the camera.
1.
Access the [Connection settings] screen.
Follow steps 1–3 in Checking and Editing Connection Settings.
2.
Select [Change with wizard].
3.
Use the connection wizard to change connection settings.
See instructions starting with Displaying the Connection Wizard.
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Change from list
You can use communication and function settings saved on the camera to change
connection settings saved on the camera. You can also register settings names.
1.
Access the [Connection settings] screen.
Follow steps 1–3 in Checking and Editing Connection Settings.
2.
Select [Change from list].
3.
Select an item and change setting details as needed.
Settings name
• Select to name sets of settings. Use the virtual keyboard ( ) to enter text.
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NW*/Comm settings*
• Select to change, add, or clear communication settings.
• Selecting [Select from list] lists communication settings saved on the camera.
Select the communication settings to use.
• Selecting [Clear selected] clears communication settings with registered connection
settings. Select [OK] on the confirmation screen.
MODE*/Function settings*
• Select to change, add, or clear function settings.
• Selecting [Select from list] lists function settings saved on the camera. Select the
function settings to use.
• Selecting [Clear selected] clears function settings with registered connection
settings. Select [OK] on the confirmation screen.
Note
You can register two sets of communication and function settings to a single set of
connection settings.
Clearing all function settings also clears communication settings, and the
connection settings will be labeled [Unspecified].
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Saving and loading settings
Connection settings can be saved on a card and applied to other cameras. Connection
settings configured on other cameras can also be applied to the camera you will use.
Note
[ : Save/load cam settings on card] enables you to save all communication
settings on the camera to a card or load all communication settings for another
camera from a card.
Saving settings
1.
Access the [Connection settings] screen.
Follow steps 1–3 in Checking and Editing Connection Settings.
2.
Select [Save/load settings on card].
3.
Select [Save settings to card].
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4.
Select [OK].
The file name is determined automatically by the camera: WFTNPF,
followed by a number (01 to 40) and the extension NIF. To rename the
file as desired, press the <
> button.
The settings are saved to the card.
The settings file is saved to an area of the card shown when the card is
opened (in the root directory).
Caution
40 settings files can be saved on one card from the camera. To save more than 41,
use another card.
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5.
Select [OK].
Information from the settings file is loaded into the selected settings
number.
Caution
Even if a computer or other device is used to save more than 41 settings files on a
card, only 40 are displayed on the camera's screen for loading settings. To load
more than 40 settings files, load 40 from one card, then load remaining files from
another card.
Note
[ : Save/load cam settings on card] enables you to save all communication
settings on the camera to a card or load all communication settings for another
camera from a card.
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Manually Editing Connection Settings
You can add, change, or delete communication and function settings saved on the camera.
You can also configure settings that are not set using the connection wizard, such as a
setting that determines what happens if files with the same name as existing files are sent to
the FTP server.
Editing communication settings
1.
Select [
: Network settings].
2.
Select [Manual setting].
3.
Select [Comm settings].
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4.
Select [NW*].
Select settings labeled [Unspecified] or other saved settings to edit.
5.
Change, delete, or check the settings as needed.
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Change
• Select to change individual settings in sets of communication settings.
• Selecting [Wireless LAN] enables you to change the target SSID, for example.
• Selecting [TCP/IPv4] enables you to configure network-related settings such as the
IP address.
• Selecting [TCP/IPv6] enables you to configure settings used for IPv6 ( ).
• Depending on the communication setting, not all items may be displayed.
Delete settings
• Select to delete communication settings.
• Selecting [OK] deletes the settings.
Confirm settings
• Select to check communication settings.
• If 2 communication settings are registered, you can switch the display with the
<
> button.
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Editing function settings
1.
Select [
: Network settings].
2.
Select [Manual setting].
3.
Select [Function settings].
4.
Select [MODE*].
Select settings labeled [Unspecified] or other saved settings to edit.
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5.
Change, delete, or check the settings as needed.
Change
• Only available when editing FTP transfer settings.
• Selecting [FTP server] enables you to configure settings related to the FTP server.
Directory Structure of the Target Folder
Overwriting Files of the Same Name
Passive Mode
Trusting Target Servers
Delete settings
• Select to delete function settings.
• Selecting [OK] deletes the settings.
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Confirm settings
• Select to check function settings.
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Directory structure of the target folder
Configured in [FTP server] → [Directory structure].
With [Default], the root folder is used for image storage. If you have created a subfolder in
the root folder by changing the [Target folder] setting, images are saved in that folder.
Selecting [Camera] automatically creates a folder structure matching that of the camera's
(such as A/DCIM/100EOS1D) in the server's root folder for image storage. If you have
created a subfolder in the root folder by changing the [Target folder] setting, a folder
structure such as A/DCIM/100EOS1D is automatically created in that folder for image
storage.
Overwriting files of the same name
Configured in [FTP server] → [Overwrite same file].
With [Overwrite same file] set to [Disable]
If there is already a file with the same name in the target folder on the FTP server, the new
file is saved with an extension consisting of an underscore and a number, as in
IMG_0003_1.JPG.
When you resend images if initial transfer fails
Even if the camera is configured to overwrite files of the same name, if you resend an image
file that could not be transferred initially, the existing file may not be overwritten in some
cases. If this happens, the new file is saved with an extension consisting of an underscore, a
letter, and a numeral, as in IMG_0003_a1.JPG.
Passive mode
Configured in [FTP server] → [Passive mode].
Enable this setting in network environments protected by a firewall. If an Error 41 occurs
(Cannot connect to FTP server), setting passive mode to [Enable] may enable access to the
FTP server.
Trusting target servers
Configured in [FTP server] → [Trust target server].
Set to [Enable] if you prefer to connect to FTP servers even when trust cannot be
established based on the root certificate used. In this case, take suitable security measures.
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Specifying Connection Options
You can configure settings used for FTP transfer and Browser Remote. Settings are also
available for authentication information used in LAN environments with 802.1X
authentication.
1.
Select [
: Network settings].
2.
Select [Connection option settings].
3.
Select an item to configure.
FTP transfer settings
Browser Remote settings
802.1X authentication
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FTP transfer settings
Selecting [FTP transfer settings] enables you to configure settings related to FTP transfer
and power saving.
Automatic transfer/Transfer type/size/Transfer with SET/Set root certif
• For details, see Image Transfer to FTP Servers.
Power saving
• When [Enable] is set and no image is transferred for a certain period, the camera
will log off from the FTP server and disconnect from the LAN. The connection is re-
established automatically when the camera is ready for image transfer again. If you
prefer not to disconnect from the LAN, set to [Disable].
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Browser Remote settings
Selecting [Browser Remote settings] enables you to set the account used for Browser
Remote access and configure HTTP/HTTPS communication settings.
WFT account
• For details, see Configuring Browser Remote Connection Settings.
Port no. (HTTP)/Port no. (HTTPS)
• You can change the port number used for HTTP/HTTPS communication. There is
normally no need to change the port number (80 for HTTP, 443 for HTTPS).
HTTPS
• Selecting [Enable] enables HTTPS communication for Browser Remote access.
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802.1X authentication
Selecting [802.1X authentication] enables you to set, check, or delete 802.1X
authentication settings, using a setup wizard.
Configure these settings when connecting to networks that require 802.1X authentication.
First, save the certificate for the type of 802.1X authentication used to a card in the camera.
File types and names that can be loaded using this function are as follows.
Type File Name
Root certificate
8021X_R.CER
8021X_R.CRT
8021X_R.PEM
Client certificate
8021X_C.CER
8021X_C.CRT
8021X_C.PEM
Private key 8021X_C.KEY
Note that the camera supports following protocols.
Protocol Supported Authentication
EAP-TLS X.509
EAP-TTLS MSCHAPv2
PEAP MSCHAPv2
Setup wizard
• Follow the wizard to configure the authentication settings.
Confirm settings
• Select to check authentication settings.
Delete settings
• Select to delete authentication settings. Selecting [OK] on the screen displayed
deletes the settings.
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Checking the MAC Address
You can check the camera's MAC address.
1.
Select [
: Network settings].
2.
Select [MAC address].
3.
Check the MAC address.
The MAC addresses for [Wi-Fi] and [Wired] are displayed.
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Syncing Time Between Cameras
Preparing for Time Syncing
Syncing the Time
You can set the sender camera time on up to 10 receiver cameras. Note that even after
synchronization, a slight margin of error applies between sender and receiver camera time
(of ±0.05 seconds, at most).
Caution
Always use cameras of the same model to sync the time. Synchronizing the time
on receiver cameras is not possible with different models of the sender and
receiver cameras.
This feature will not be available after 2038.
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Preparing for Time Syncing
When using a single receiver camera, connect a LAN cable to the Ethernet terminal of the
sender and receiver cameras.
(A) Sender camera
(B) Receiver camera
(C) LAN cable
When using multiple receiver cameras, connect a LAN cable from the Ethernet terminal of
the sender and receiver cameras to a hub. Up to 10 receiver cameras can be connected.
(A) Sender camera
(B) Receiver camera
(C) LAN cable
(D) Hub
Use a highly shielded Category 5e or higher STP (Shielded Twisted Pair) Gigabit Ethernet
cable.
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Syncing the Time
Preparing the sender camera
First, set up the camera to use as a sender.
1.
On the camera, press the <
> button.
2.
Select [
: Network settings].
3.
Select [Enable].
4.
Select [Sync time between cameras].
If the camera is already connected to another device, [Set
[Connection settings] to [Disconnect]] is displayed. Select [OK] to
end the connection.
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5.
Select [OK].
6.
Select [OK].
7.
Select [Sender].
Select [OK] to go to the next screen.
After the screen is displayed, the camera is ready.
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Preparing receiver cameras
Set up cameras to use as receivers.
1.
Follow steps 1–6 in Preparing the Sender Camera.
2.
Select [Receiver].
Select [OK] to go to the next screen.
3.
Select [OK].
The following screen is displayed.
To set the time on multiple receiver cameras, follow steps 1–2 on each
receiver camera.
The number of receiver cameras detected is displayed on the sender
camera screen.
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Syncing time between sender and receiver cameras
Sync the time on the sender and receiver cameras as follows.
1.
Follow steps 1–6 in Preparing the sender camera and steps 1–3 in
Preparing receiver cameras.
2.
On the sender camera, select [OK].
Check the number of receiver cameras, then select [OK].
After the time is synchronized, the next screen is displayed.
3.
Select [OK] on all of the cameras.
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GPS Features
GPS Settings
GPS Precautions
GPS features of the camera can be used to geotag images, set the time, and more. The
camera can receive signals from GPS satellites (USA), GLONASS satellites (Russia), and
the Quasi-Zenith Satellite System “Michibiki” (Japan).
Caution
Geotag information may not be recorded or inaccurate information may be
recorded where GPS signal coverage is poor, such as in the following places.
• Indoors, underground, near or between buildings, in tunnels or forests
• Near high-voltage power lines or mobile phones operating on the 1.5 GHz band
• When the camera is carried in a bag or other container
• When traveling long distances
• When traveling through different environments
• Even in conditions other than these, GPS satellite movement over time may
interfere with geotagging and cause missing or inaccurate geotag information.
The information may also indicate that the camera was used along a route
even if it was used at one location.
Elevation is not as accurate as latitude or longitude, due to the nature of GPS.
Inside the camera, the GPS antenna is near the front of the hot shoe. Although
GPS signals can also be acquired with a Speedlite attached, acquisition sensitivity
will be slightly lower.
When carrying the camera in a bag or other container, make sure it is face-up with
nothing covering it.
Set the camera time and date as accurately as possible. Also set the correct time
zone and daylight saving time for the shooting location.
Fewer shots are available in locations with poor signal coverage.
Remaining battery capacity may be lower when GPS features are used. Charge the
battery as needed, or consider purchasing a spare battery (sold separately).
Others may be able to locate or identify you by using information in your geotagged
still photos or movies. Be careful when sharing these images with others, as when
posting images online where many people can view them.
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GPS Settings
1.
Select [
: GPS settings].
2.
Configure GPS details.
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[GPS]
Specify the GPS operating mode.
In [Mode 1], the camera continues to acquire GPS signals at regular intervals with the
power switch set to <
> or even < >.
In [Mode 2], the camera acquires GPS signals with the power switch set to < >.
Setting the power switch to <
> also deactivates GPS features. Note that after
auto power off is activated, the camera continues to receive GPS signals at regular
intervals.
When acquiring GPS signals, use the camera outdoors where the sky is unobstructed and
aim it up, keeping your hand and other objects off the top. Signal acquisition under favorable
conditions takes approx. 30–60 sec., and then [
] is lit on the rear LCD panel or screen.
Shots taken when [
] is lit are geotagged.
Caution
When [Mode 1] is set, the camera continues to acquire GPS signals at regular
intervals even with the power switch set to <
>, which drains the battery
faster and reduces the number of shots available. Set to [Disable] if you will not
use the camera for some time.
If auto power off continues for an extended period in [Mode 2], the battery will be
drained faster and fewer shots will be available. Set the power switch to <
> if
you will not use the camera for some time.
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[Auto time setting]
Time information acquired from GPS signals can be set on the camera. The margin of error
is approx. ±0.02 sec. Selecting [Auto update] will update the time when GPS signals are
received while the camera is on.
Caution
The time cannot be automatically updated unless signals from at least five GPS
satellites can be acquired. [Set now] will be grayed-out and unavailable.
Even if [Set now] can be selected, time adjustment may not be possible,
depending on the timing of GPS signal acquisition.
Setting [Auto time setting] to [Auto update] prevents the date or time from being
manually set with [
: Date/Time/Zone] ( ).
If you have performed [Sync time between cameras] and prefer not to have the
time adjusted, set [Auto time setting] to [Disable].
[Position update intvl]
You can set the positioning interval (time) for updating geotag information. Although tagging
is more accurate when the geotag information is updated at shorter intervals, this reduces
the number of shots available because it drains the battery faster.
Caution
Some inconsistency in positioning intervals is inevitable, due to the nature of GPS.
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[GPS information display]
Shows acquired GPS information.
The <
> icon indicates signal conditions. When [ ] is displayed, elevation is also
recorded. Note that elevation is not recorded when [
] is displayed.
You can check geotag information by displaying a shot, pressing the < > button to
access the shooting information screen, and then pressing <
>.
(1) Latitude
(2) Longitude
(3) Elevation
(4) Coordinated Universal Time (UTC)
Note
Movies are tagged with the geotag information acquired when you start recording.
Note that signal reception conditions are not recorded.
Coordinated Universal Time, abbreviated as UTC, is essentially the same as
Greenwich Mean Time.
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GPS Logger
By setting [Log GPS position] to [Enable], you can automatically record geotag information
at specific intervals along the route that the camera travels. Geotag information is recorded
at the interval set in [Position update intvl] as log data saved in the camera's internal
memory by date. You can also view the route traveled on a map displayed on a computer.
Position update intervals and log data capacity (in days) are as follows.
(Approx.)
Update Interval Log Data Update Interval Log Data
Every sec. 4.1 days Every 30 sec. 100 days
Every 5 sec. 20 days Every min. 100 days
Every 10 sec. 41 days Every 2 min. 100 days
Every 15 sec. 61 days Every 5 min. 100 days
* With one day being equivalent to eight hours of log data
Names of daily log files consist of the date and number (such as 19101000). New log file
are created if the camera enters a new time zone ( ).
When the camera's internal memory becomes full, old log data is overwritten with new
data.
Caution
In [Mode 1], GPS logging continues even with the power switch set to < >.
In [Mode 2], setting the power switch to < > deactivates GPS logging.
However, GPS logging continues during auto power off.
Geotag information added to images may be inaccurate under some traveling
conditions, in some locations, or under some GPS settings.
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Transferring log data to a card
You can transfer recorded log data to a card selected in [Transfer log data to card].
Transferring log data to a card erases the data from the camera's internal memory.
Log files transferred to a card are stored in the “GPS” folder within the “MISC” folder.
They are saved with a “.LOG” file extension.
Log files (.LOG) can be converted to KMZ format with GPS Log File Utility ( ).
Deleting log data
To delete log data in internal memory, select [Delete log data], then select [OK]. It may take
approx. 1 min. to delete the data.
Position data retention
To continue geotagging images even where satellite coverage is poor (if you go indoors, for
example) by using geotag information in log data, setting [Position data retention] to
[Unlimited] is recommended. The most recently acquired geotag information is added to log
data until new information can be acquired.
When a time such as [10 min.] is set, after geotag information cannot be acquired, the most
recent geotag information is added to log data for the specified period.
707
GPS Precautions
Countries/regions permitting use of GPS functions
Use of GPS features is restricted in some countries and regions, and illegal use may be
punishable under national or local regulations. To avoid violating GPS regulations, visit the
Canon website to check where use is allowed.
Note that Canon cannot be held liable for any problems arising from use of GPS functions in
other countries and regions.
Because the use of GPS may be restricted in some countries and regions, follow local
laws and regulations where you will use the camera. Be particularly careful about using
GPS functions outside your home country.
Be careful about using GPS functions where the operation of electronic devices is
restricted.
Others may be able to locate or identify you by using location data in your geotagged
still images or movies. Be careful when sharing these geotagged still images, movies, or
GPS log files with others, such as when posting them online where many people can
view them.
GPS signal reception may take a longer time in some cases.
708
Reference
Changing the Camera Nickname
Virtual Keyboard Operations
Configuring IPv6
Changing the Camera Nickname
You can change the nickname of this camera (displayed on connected devices) as desired.
1.
Select [
: Nickname].
2.
Enter text using the
virtual keyboard.
When you finish entering characters, press the < > button.
709
3.
Select [OK].
710
Virtual Keyboard Operations
(1) Input area, for entering text
(2) Cursor keys, for moving in the input area
(3) Current no. of characters/no. available
(4) Keyboard
(5) Switch input modes
(6) Space
(7) Delete a character in the input area
(8) Exit input
Use
<
> or the < > or < > dial to move within (2) and (4)–(7).
Press <
> to confirm input or when switching input modes.
711
Configuring IPv6
To use IPv6, configure the settings manually.
Note
If you are unsure what to enter, ask the network administrator or other person in
charge of the network.
1.
Select [
: Network settings].
2.
Select [Manual setting].
3.
Select [Comm settings].
712
4.
Select the communication settings that will use IPv6.
5.
Select [Change].
6.
Select [TCP/IPv6].
7.
Select an item to configure.
713
Use TCP/IPv6
• Select [Enable] or [Disable] for IPv6.
Manual setting
• To set the IP address manually, select [Enable]. [DNS server] is set to [Manual
setting], and you can configure [DNS address], [Manual address], [Prefix length],
and [Gateway].
DNS server
• To set the DNS server IP address manually, select [Manual setting].
• Select [Disable] if you will not use a DNS server.
• If the setting is currently [Auto assign], setting [Manual setting] to [Enable]
changes it to [Manual setting].
714
DNS address/Manual address/Gateway
• Select an item and enter the IP address.
Prefix length
• To set the prefix length, turn the < > dial to select a value (1–128).
715
Troubleshooting
Responding to Error Messages
Troubleshooting Guide
Communication Function Precautions
Security
Checking Network Settings
Responding to Error Messages
Resolve any errors displayed on the camera screen by referring to these examples of
corrective actions. When errors occur, the <
> lamp on the camera blinks and the
error number is shown on the LCD panel. You can also check error details by accessing
[
: Network settings] → [Error description].
Click the following error numbers to jump to the corresponding section.
11 12
21 22 23
41 43 44 45 46 47 48
61 63 64 65 66 67 68 69
71 72 73
81 83
91
716
11: Connection target not found
In the case of [Smartphone], is Camera Connect running?
• Establish a connection using Camera Connect ( ).
In the case of [EOS Utility], is EOS Utility running?
• Start EOS Utility and try to connect again ( ).
Are the camera and the access point set to use the same encryption key for
authentication?
• This error occurs if the encryption keys do not match when the authentication
method for encryption is [Open system].
Check upper- and lower-case letters, and make sure the correct encryption key for
authentication is set on the camera ( ).
12: Connection target not found
Are the target device and access point turned on?
• Turn on the target device and access point, then wait a while. If a connection still
cannot be established, perform the procedures to establish the connection again.
717
21: No address assigned by DHCP server
What to check on the camera
On the camera, the IP address is set to [Auto setting]. Is this the correct setting?
• If no DHCP server is used, configure the setting after setting the IP address to
[Manual setting] on the camera ( ).
What to check on the DHCP server
Is the power of the DHCP server on?
• Turn on the DHCP server.
Are there enough addresses for assignment by the DHCP server?
• Increase the number of addresses assigned by the DHCP server.
• Remove devices assigned addresses by the DHCP server from the network to
reduce the number of addresses in use.
Is the DHCP server working correctly?
• Check the DHCP server settings to make sure it is working correctly as a DHCP
server.
• If applicable, ask your network administrator to ensure the DHCP server is available.
What to check on the network as a whole
Does your network include a router or similar device that serves as a gateway?
• If applicable, ask your network administrator for the network gateway address and
set it on the camera ( , ).
• Make sure that the gateway address setting is correctly entered on all network
devices including the camera.
Note
Responding to error messages 21–23
Also check the following points when responding to errors numbered 21–23.
Are the camera and the access point set to use the same password for
authentication?
• This error occurs if the passwords do not match when the authentication
method for encryption is set to [Open system]. Check upper- and lower-case
letters, and make sure the correct password for authentication is set on the
camera (
).
718
22: No response from DNS server
What to check on the camera
On the camera, the DNS address is set to [Manual setting]. Is this the correct
setting?
• If no DNS server is used, set the camera's DNS address setting to [Disable] ( ).
On the camera, does the DNS server's IP address setting match the server's
actual address?
• Configure the IP address on the camera to match the actual DNS server address
( , ).
What to check on the DNS server
Is the power of the DNS server on?
• Turn on the DNS server.
Are the DNS server settings for IP addresses and the corresponding names
correct?
• On the DNS server, make sure IP addresses and the corresponding names are
entered correctly.
Is the DNS server working correctly?
• Check the DNS server settings to make sure it is working correctly as a DNS server.
• If applicable, ask your network administrator to ensure the DNS server is available.
What to check on the network as a whole
Does your network include a router or similar device that serves as a gateway?
• If applicable, ask your network administrator for the network gateway address and
set it on the camera ( , ).
• Make sure that the gateway address setting is correctly entered on all network
devices including the camera.
23: Device with same IP address exists on selected network
Is another device on the camera network using the same IP address as the
camera?
• Change the camera's IP address to avoid using the same address as another
device on the network. Otherwise, change the IP address of the device that has a
duplicate address.
• If the camera's IP address is set to [Manual setting] in network environments using
a DHCP server, change the setting to [Auto setting] ( ).
719
41: Cannot connect to FTP server
What to check on the camera
The camera's proxy server setting is [Enable]. Is this the correct setting?
• If no proxy server is used, set the camera's proxy server setting to [Disable] ( ).
Do the camera's [Address setting] and [Port No.] settings match those of the
proxy server?
• Configure the camera's proxy server address and port number to match those of the
proxy server (
).
Are the camera's proxy server settings correctly set on the DNS server?
• Make sure the proxy server's [Address] is correctly set on the DNS server.
On the camera, does the FTP server's IP address setting match the server's actual
address?
• Configure the IP address on the camera to match the actual FTP server address
( ).
Are the camera and the access point set to use the same encryption key for
authentication?
• This error occurs if the encryption keys do not match when the authentication
method for encryption is [Open system].
Check upper- and lower-case letters, and make sure the correct encryption key for
authentication is set on the camera ( ).
On the camera, does the [Port number setting] for the FTP server match the actual
port number of the FTP server?
• Configure the same port number (usually 21 for FTP/FTPS or 22 for SFTP) on the
camera and FTP server. Configure the port number on the camera to match the
actual FTP server port number ( ).
Are the camera's FTP server settings correctly set on the DNS server?
• Make sure the FTP server's [Server name] is correctly set on the DNS server. Make
sure the [Server name] for the FTP server is correctly set on the camera ( ).
What to check on the FTP server
Is the FTP server working correctly?
• Configure the computer correctly to function as an FTP server.
• If applicable, ask your network administrator for the FTP server address and port
number, then set them on the camera.
Is the FTP server on?
• Turn on the FTP server. The server may have been turned off because of an
energy-saving mode.
720
On the camera, does the FTP server's IP address setting (in [Address]) match the
server's actual address?
• Configure the IP address on the camera to match the actual FTP server address
( ).
Is the FTP server configured to restrict access to only some IP addresses?
• Check the camera's IP address in [Confirm settings] ( ) and change the FTP
server settings.
Is a firewall or other security software enabled?
• Some security software uses a firewall to restrict access to the FTP server. Change
the firewall settings to allow access to the FTP server.
• You may be able to access the FTP server by setting [Passive mode] to [Enable]
on the camera ( ).
Are you connecting to the FTP server via a broadband router?
• Some broadband routers use a firewall to restrict access to the FTP server. Change
the firewall settings to allow access to the FTP server.
• You may be able to access the FTP server by setting [Passive mode] to [Enable]
on the camera ( ).
What to check on the proxy server
Is the proxy server on?
• Turn on the proxy server.
Is the proxy server working correctly?
• Check the proxy server settings to make sure the server is working correctly as a
proxy server.
• If applicable, ask your network administrator for the proxy server's address setting
and port number, then set them on the camera.
What to check on the network as a whole
Does your network include a router or similar device that serves as a gateway?
• If applicable, ask your network administrator for the network gateway address and
set it on the camera ( , ).
• Make sure that the gateway address setting is correctly entered on all network
devices including the camera.
721
43: Cannot connect to FTP server. Error code received from server.
What to check on the proxy server
Is the proxy server on?
• Turn on the proxy server.
Is the proxy server working correctly?
• Check the proxy server settings to make sure the server is working correctly as a
proxy server.
• If applicable, ask your network administrator for the proxy server's address setting
and port number, then set them on the camera.
What to check on the network as a whole
Does your network include a router or similar device that serves as a gateway?
• If applicable, ask your network administrator for the network gateway address and
set it on the camera ( , ).
• Make sure that the gateway address setting is correctly entered on all network
devices including the camera.
What to check on the FTP server
Have you exceeded the maximum number of FTP server connections?
• Disconnect some network devices from the FTP server or increase the maximum
number of connections.
44: Cannot disconnect FTP server. Error code received from server.
This error occurs from a failure to disconnect from the FTP server for some
reason.
• Restart the FTP server and camera.
722
45: Cannot login to FTP server. Error code received from server.
What to check on the camera
On the camera, is the [Login name] set correctly?
• Check the login name for accessing the FTP server. Check upper- and lower-case
letters, and make sure the correct login name is set on the camera ( ).
On the camera, is the [Login password] set correctly?
• Check upper- and lower-case letters, and make sure the correct login password is
set on the camera ( ).
What to check on the FTP server
Do the user rights for the FTP server allow reading, writing, and log access?
• Configure the FTP server's user rights to allow reading, writing, and log access.
Is the folder specified as the transfer destination on the FTP server named with
ASCII characters?
• Use ASCII characters for the folder name.
46: For the data session, error code received from FTP server
What to check on the FTP server
The connection was terminated by the FTP server.
• Restart the FTP server.
Do the user rights for the FTP server allow reading, writing, and log access?
• Configure the FTP server's user rights to allow reading, writing, and log access.
Do user rights allow access to the target folder on the FTP server?
• Configure the user rights for access to the target folder on the FTP server to allow
saving images from the camera.
Is the FTP server on?
• Turn on the FTP server. The server may have been turned off because of an
energy-saving mode.
Is the hard disk of the FTP server full?
• Increase available space on the hard disk.
723
47: Image file transfer completion not confirmed by FTP server
This error occurs from a failure to receive confirmation from the FTP server that
image file transfer is complete for some reason.
• Restart the FTP server and camera and send the images again.
48: Security of the connection to the target server cannot be verified.
If you trust this server and connect, set [Trust target server] to
[Enable].
This error occurs from a failure to confirm security of the target server connection
when connecting via FTPS.
• Confirm that the certificate is set correctly.
• Change [Trust target server] to [Enable] if you prefer to trust target servers
regardless of certificate settings.
61: Selected SSID wireless LAN network not found
Are any obstacles blocking the line of sight between the camera and the antenna
of the access point?
• Move the antenna of the access point to a position clearly visible from the point of
view of the camera.
What to check on the camera
Does the SSID set on the camera match that of the access point?
• Check the SSID at the access point, then set the same SSID on the camera ( ).
What to check at the access point
Is the access point turned on?
• Turn on the power of the access point.
If filtering by MAC address is active, is the MAC address of the camera in use
registered at the access point?
• Register the MAC address of the camera used to the access point (
).
724
63: Wireless LAN authentication failed
Are the camera and the access point set to use the same encryption key for
authentication?
• Check upper- and lower-case letters, and make sure the correct encryption key for
authentication is set on the camera ( ).
If filtering by MAC address is active, is the MAC address of the camera in use
registered at the access point?
• Register the MAC address of the camera at the access point. The MAC address can
be checked on the [MAC address] screen ( ).
64: Cannot connect to wireless LAN terminal
Are the camera and the access point set to use the same encryption method?
• The camera supports the following encryption methods: WEP, TKIP, and AES ( ).
If filtering by MAC address is active, is the MAC address of the camera in use
registered at the access point?
• Register the MAC address of the camera used to the access point. The MAC
address can be checked on the [MAC address] screen ( ).
65: Wireless LAN connection lost
Are any obstacles blocking the line of sight between the camera and the antenna
of the access point?
• Move the antenna of the access point to a position clearly visible from the point of
view of the camera.
The wireless LAN connection was lost, for some reason, and the connection
cannot be restored.
• The following are possible reasons: excessive access to the access point from
another device, a microwave oven or similar appliance in use nearby (interfering
with IEEE 802.11n/g/b (2.4 GHz band)), or influence of rain or high humidity.
66: Incorrect wireless LAN password
Are the camera and the access point set to use the same encryption key for
authentication?
• Check upper- and lower-case letters, and make sure the correct encryption key for
authentication is set on the camera and access point ( ).
Note that if the encryption authentication method is [Open system], an Error 41 is
displayed ( ).
725
67: Incorrect wireless LAN encryption method
Are the camera and the access point set to use the same encryption method?
• The camera supports the following encryption methods: WEP, TKIP, and AES ( ).
If filtering by MAC address is active, is the MAC address of the camera in use
registered at the access point?
• Register the MAC address of the camera used to the access point. The MAC
address can be checked on the [MAC address] screen ( ).
68: Cannot connect to wireless LAN terminal. Retry from the
beginning.
Did you hold down the access point's WPS (Wi-Fi Protected Setup) button for the
specified period of time?
• Hold down the WPS button for the period of time specified in the access point's
instruction manual.
Are you trying to establish a connection near the access point?
• Try establishing the connection when both devices are within reach of each other.
69: Multiple wireless LAN terminals have been found. Cannot
connect. Retry from the beginning.
Connection is in progress by other access points in Pushbutton Connection
mode (PBC mode) of WPS (Wi-Fi Protected Setup).
• Wait a while before trying to establish the connection, or try to establish a
connection in PIN code connection mode (PIN mode, (
)).
71: Cannot connect to receiver camera
Are you following the correct procedure to establish the connection with receiver
cameras?
• Operate receiver cameras by following the correct instructions.
Are the receiver cameras too far from the sender camera?
• Bring the receiver cameras closer to the sender camera.
726
72: Cannot connect to sender camera
Are you following the correct procedure to establish the connection with the
sender camera?
• Operate the sender camera by following the correct instructions.
Is the sender camera too far from the receiver cameras?
• Bring the sender camera closer to the receiver cameras.
73: Could not synchronize the time
Are you following the correct procedure to establish a connection between the
sender and receiver camera?
• Operate the sender and receiver cameras by following the correct instructions ( ).
Is the sender camera too far from the receiver cameras?
• Bring the sender and receiver cameras closer together.
81: Wired LAN connection lost
Is the LAN cable securely connected?
• Reconnect the LAN cable between the camera and server. Because the cable may
be severed, try using another cable to connect the devices.
Is the hub or router on?
• Turn on the hub or router.
Is the server on?
• Turn on the server. The server may have been turned off because of an energy-
saving mode.
83: Network connection terminated due to overheating
Communication has temporarily stopped due to high internal camera temperature,
and the camera has ended the wired LAN connection.
• Allow the camera to cool down, as by shading it from direct sunlight. Once the
camera has cooled down, the connection will be restored automatically.
91: Other error
A problem other than error code number 11 to 83 occurred.
• Turn the camera's power switch off and on.
727
Troubleshooting Guide
Troubleshoot camera issues by checking the camera and connected devices as described in
this section. If troubleshooting does not resolve the problem, contact a Canon Service
Center for product information and advice on product handling.
Cannot transfer images to an FTP server.
Set the Live View shooting/movie recording switch to < > if you will transfer images
to an FTP server after shooting.
Image transfer is not possible with the Live View shooting/movie shooting switch set to
<
>.
Cannot perform linked shooting.
When performing linked shooting, set the Live View shooting/movie shooting switch to
<
>.
Linked shooting is not possible with the Live View shooting/movie shooting switch set to
<
>.
The camera heats up, and the transmission rate drops.
Continuous wireless operation over an extended period in high temperatures may cause
the camera's internal temperature to rise and slow down transfers. Error 83 may be
displayed if the camera becomes hotter, and wireless operation may stop ( ).
728
Communication Function Precautions
In case of slower transmission, lost connections, choppy image display, or other problems
when using communication functions, try the following corrective actions.
Access point and antenna installation location
When using the camera indoors, install the access point in the same room where you
are shooting.
Install the device where people or objects do not come between the device and the
camera.
Install the device higher than the camera.
Install the device as close as possible to the camera. In particular, note that during
outdoor use in poor weather, rain may absorb radio waves and disrupt the connection.
Nearby electronic devices
If the wireless LAN transmission rate drops due to interference from the following electronic
devices, stop using them or establish a connection away from them. Otherwise, switching to
a wired LAN can resolve the issue.
In IEEE 802.11b/g/n wireless networks, the camera communicates on the 2.4 GHz
band. For this reason, the wireless LAN transmission rate may drop if there are nearby
Bluetooth devices, microwave ovens, cordless telephones, microphones, smartphones,
or similar devices operating on the same frequency band.
729
Security
If security settings have not been properly set, the following problems may occur.
Transmission monitoring
Third parties with malicious intent may monitor wireless LAN transmissions and attempt
to acquire the data you are sending.
Unauthorized network access
Third parties with malicious intent may gain unauthorized access to the network you are
using to steal, modify, or destroy information. Additionally, you could fall victim to other
types of unauthorized access such as impersonation (where someone assumes an
identity to gain access to unauthorized information) or springboard attacks (where
someone gains unauthorized access to your network as a springboard to cover their
tracks when infiltrating other systems).
It is recommended to make use of the systems and functions to thoroughly secure your
network, preventing these types of problems from occurring.
730
Checking Network Settings
Windows
Open the Windows [Command Prompt], then enter ipconfig/all and press the <Enter>
key. In addition to the IP address assigned to the computer, the subnet mask, gateway,
and DNS server information are also displayed.
macOS
In macOS, open the [Terminal] application, enter ifconfig -a, and press the <Return>
key. The IP address assigned to the computer is indicated in the [en0] item next to
[inet], in the format “***.***.***.***”.
For information about the [Terminal] application, refer to the macOS help.
To avoid using the same IP address for the computer and other devices on the network
when manually configuring the IP address assigned to the camera ( ), change the
rightmost number.
Example: 192.168.1.10
731
Resetting Communication Settings
All settings of network features can be cleared. This can prevent the information from being
leaked if you lend the camera or transfer ownership.
1.
Select [
: Reset communication settings].
2.
Select [OK].
Caution
If you have paired the camera with a smartphone, on the smartphone's Bluetooth
settings screen, delete the connection information of the camera for which you
restored default wireless communication settings.
732
Set-up
This chapter describes menu settings on the set-up ([
: Set-up]) tab.
•
Tab Menus: Set-up
• Card Selection for Recording/Playback
• Folder Settings
• File Numbering
• File Naming
• Auto Rotation
• Card Formatting
• Display Brightness
• Display Color Tone
• Auto Power Off
• Date/Time/Zone
• Language
• Viewfinder Information Display
• <INFO> Button Display Options
• Custom Quick Control
• Shooting Information Display
• Shutter Button Function for Movies
• UI Magnification
• Help
• Video System
• Touch Control
• Beeps
• Battery Information
• Sensor Cleaning
• HDMI Resolution
• Save/Load Settings on Card
• Custom Shooting Mode (C1–C3)
• Resetting Camera
• Copyright Information
• System Status Display
• Other Information
733
Tab Menus: Set-up
Set-up 1
(1) Record func+card/folder sel.
• Card Selection for Recording/Playback
• Creating a Folder
(2) File numbering
(3) File name
(4) Auto rotate
(5) Format card
(6) Disp. brightness
(7) Disp. color tone
Set-up 2
(1) Auto power off
(2) Date/Time/Zone
(3) Language
(4) Viewfinder display
(5) button display options
(6) Custom Quick Control
734
Set-up 5
(1) System status display
(2) Manual/software URL
(3) Certification Logo Display
(4) Firmware
Caution
[Firmware] is not displayed in Live View shooting or movie recording.
In Live View shooting, the following screen is displayed for [ 2].
(1) Auto power off
(2) Date/Time/Zone
(3)
Language
(4) Shooting info. disp.
736
Card Selection for Recording/Playback
Recording Method with Two Cards Inserted
Recording/Playback Selection with Two Cards Inserted
Recording is possible when card [ ] or [ ] is in the camera (except under some
conditions). With only one card inserted, there is no need to follow these steps.
With two cards inserted, you can select the recording method and card to use for recording
and playback as follows.
Recording Method with Two Cards Inserted
1.
Select [
: Record func+card/folder sel.].
738
2.
Set the recording method.
/ separate
Select [Enable] for automatic configuration of the recording method for
still photos and movies. Still photos are recorded to card
and
movies to card
. Still photo shooting is not possible if card is full
or not inserted. Movie recording is not possible if card
is full or not
inserted.
Caution
Specifying [Enable] will make [ Rec options], [ Rec
options], [
Record/play], and [ Record/play]
unavailable.
739
Rec options
Set the recording method for still photos.
• Standard
Records still photos to the card selected in [
Record/play].
• Auto switch card
Same as [Standard], but additionally, the camera switches to the
other card when one card becomes full. When the camera switches
cards, a new folder is created.
• Rec. separately
Enables you to set a specific image quality for each card ( ). For
each shot, a still photo is recorded to card
and in your
specified image quality.
Note that recording separately to
and is not available
for RAW images.
• Rec. to multiple
For each shot, a still photo is recorded to card
and in the
same image quality.
Caution
Maximum burst for [Rec. separately] is lower if you specify
different image sizes for cards
and ( ).
740
Note
Rec. separately/Rec. to multiple
Images are recorded with the same file number to card
and .
The number of shots available shown in the viewfinder and
top LCD panel is the quantity on the card with less available
space.
[Card* full] is displayed when one of the cards becomes full,
and shooting is no longer possible. To continue shooting,
either replace the card or set [
Rec options] to [Standard]
and select the card with free space.
See Folder Settings for details on [Folder] in [ : Record func
+card/folder sel.].
Rec options
• Standard
Records movies to the card selected in [
Record/play].
• Auto switch card
Same as [Standard], but shooting ends when the card becomes
full. When you resume shooting, the camera switches to the other
card. At this time, a new folder is created.
•
,
For each recording, a RAW movie is recorded to card and an
MP4 movie to card
, both with the same file number. When one
card becomes full, recording is no longer possible.
RAW movies are recorded at [5472×2886] and MP4 at [4096×2160
].
741
Recording/Playback Selection with Two Cards Inserted
With [
Rec options]/[ Rec options] set to [Standard] or [Auto switch card], select
the card for recording and playback.
With [
Rec options] set to [Rec. separately] or [Rec. to multiple], or with [ Rec
options] set to [
, ], select the card for playback.
Setting size via the menu
Standard/Auto switch card
Select [Record/play].
• Select [
Record/play] for still photos or [ Record/play] for movies.
: Use card 1 for recording and playback
: Use card 2 for recording and playback
Rec. separately/Rec. to multiple/ ,
Select [Playback].
• Select [ Play] for still photos or [ Play] for movies.
• Pressing the [
] button in still photo shooting mode plays images from the card
selected in [
Play].
• Pressing the [ ] button in movie recording mode plays images from the card
selected in [
Play].
742
Note
With [Priority: ] set, the camera switches to the priority card when cards are
inserted or removed.
Setting size via the rear LCD panel
1.
Press the <
> button ( ).
2.
Select a card.
Turn the < > dial to select a card.
The card labeled with < > is used for recording and playback.
743
3.
Select [Create folder].
4.
Select [OK].
To rename the folder, select [Change folder name].
745
Renaming Folders
1.
Enter letters and numbers of your choice.
You can enter five characters.
By selecting [ ], you can change the input mode.
To delete single characters, select [ ] or press the < > button.
Use the < > or < > dial to select a character, then press < > to
enter it.
2.
Exit the setting.
Press the < > button, then press [OK].
746
Selecting a Folder
(1) Number of images in folder
(2) Lowest file number
(3) Folder name
(4) Highest file number
Select a folder on the folder selection screen.
Captured images are stored in your selected folder.
Note
Folders
Folders are named as in “100EOS1D,
” with a three-digit folder number followed by
five letters or numbers. A folder can contain up to 9999 images (file number 0001
–
9999). When a folder becomes full, a new folder with the folder number increased
by one is created automatically. Also, if manual reset ( ) is executed, a new folder
will be created automatically. Folders numbered from 100 to 999 can be created.
Creating folders with a computer
With the card open on the screen, create a new folder with “DCIM” as the name.
Open the DCIM folder and create as many folders as necessary to save and
organize your images.
“
100ABC_D” is the required format for folder names, and
the first three digits must be a folder number in the range 100
–999. The last five
characters can be any combination of upper- and lower-case letters from A to Z,
numerals, and the underscore “_”. The space cannot be used. Also note that two
folder names cannot share the same three-digit folder number (for example,
“100ABC_D” and “100W_XYZ”) even if the remaining five characters in each name
are different.
747
2.
Set the item.
Select [Numbering].
Select [Continuous] or [Auto reset].
If you want to reset the file numbering, select [Manual reset] ( ).
Select [OK] to create a new folder, and the file number will start with
0001.
Caution
If the file number in folder 999 reaches 9999, shooting will not be possible even if
the card still has free space. After a message requesting you to replace the card is
displayed, switch to a new card.
749
Continuous
For continuous file numbering regardless of switching cards or
creating folders
File numbering is continuous up to 9999, even if you replace a card, create a folder, or
switch the target card (as in
→ ). This is useful when you want to save images
numbered anywhere between 0001 to 9999 on multiple cards or in multiple folders into one
folder on a computer.
Note that file numbering may continue from any existing images in cards or folders that you
switch to. If you want to use continuous file numbering, it is recommended that you use a
newly formatted card each time.
File numbering after replacing cards or switching target cards
Card A (
)
Card B ( )
(1) Next sequential file number
File numbering after creating a folder
Card A
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Auto Reset
For restarting file numbering from 0001 after switching cards or
creating folders
File numbering is reset to 0001 if you replace a card, create a folder, or switch the target
card (as in
→ ). This is useful if you want to organize images by cards or folders.
Note that file numbering may continue from any existing images in cards or folders that you
switch to. If you want to save images with the file numbering starting from 0001, use a newly
formatted card each time.
File numbering after replacing cards or switching target cards
Card A (
)
Card B ( )
(1) File numbering is reset
File numbering after creating a folder
Card A
751
Manual Reset
For resetting file numbering to 0001 or starting from 0001 in new
folders
When you reset the file numbering manually, a new folder is created automatically and the
file numbering of images saved to that folder starts from 0001.
This is useful, for example, if you want to use different folders for the images taken
yesterday and the ones taken today.
752
File Naming
Registering/Changing File Names
File names consist of four alphanumeric characters followed by a four-digit file number ( )
and file extension. You can change the first four alphanumeric characters, which by default
are unique for each camera and set when the camera is shipped.
User setting 1 enables you to register four characters of your choice. User setting 2 adds
three initial, registered characters of your choice to a fourth character representing the
image size that is added automatically after you shoot.
(Example)
Registering/Changing File Names
1.
Select [
: File name].
2.
Select [Change User setting*].
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3.
Enter letters and numbers of your choice.
Enter four characters for User setting 1 or three for User setting 2.
By selecting [ ], you can change the input mode.
To delete single characters, select [ ] or press the < > button.
Use the < > or < > dial to select a character, then press < > to
enter it.
4.
Exit the setting.
Press the < > button, then press [OK].
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5.
Select a registered file name.
Select [File name], then choose a registered file name.
Caution
An underscore (“_”) cannot be used as the first character.
Note
User setting 2
Shooting after you have selected “*** + image size” (as registered to User setting 2)
will add a character representing the current image size to your file name as the
fourth character. Meanings of added characters are as follows.
“***L”:
, , or
“***C”:
“***M”:
“***N”:
“***S”:
The automatically added fourth character enables you to determine image sizes
without opening the files after transferring them to a computer. Based on file
extensions, you can also distinguish RAW, JPEG, and HEIF images.
Movies recorded with User setting 2 are named with the fourth character as an
underscore.
755
Auto Rotation
You can change the auto rotation setting that straightens images shot in vertical orientation
when they are displayed.
1.
Select [
: Auto rotate].
2.
Select an item.
On
Automatically rotates images for display on both the camera and
computers.
On
Automatically rotates images only for display on computers.
Off
Images are not automatically rotated.
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Caution
Images captured with auto rotation set to [Off] will not rotate during playback even
if you later set auto rotation to [On].
Note
If a picture is taken while the camera is aimed up or down, automatic rotation to the
proper orientation for viewing may not be performed correctly.
If images are not rotated automatically on a computer, try using EOS software.
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Card Formatting
If the card is new or was previously formatted (initialized) by another camera or computer,
format the card with this camera.
Caution
When the card is formatted, all images and data on the card will be erased.
Even protected images will be erased, so make sure there is nothing you
need to keep. If necessary, transfer the images and data to a computer, etc.
before formatting the card.
1.
Select [
: Format card].
2.
Select a card.
[ ] represents card 1, and [ ], card 2.
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3.
Format the card.
Select [OK].
For low-level formatting, press the < > button to add a checkmark
<
> to [Low level format], then select [OK].
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Conditions requiring card formatting
The card is new.
The card was formatted by a different camera or a computer.
The card is full of images or data.
A card-related error is displayed ( ).
Low-level formatting
Perform low-level formatting if the card's writing or reading speed seems slow or if you
want to totally erase the data on the card.
Since low-level formatting will format all recordable sectors on the card, the formatting
will take longer than normal formatting.
Card file formats
CFexpress cards are exFAT formatted.
In movie recording, movies exceeding 4 GB are recorded as a single file (which results in a
movie file larger than 4 GB) instead splitting them into multiple files.
Caution
It may not be possible to use CFexpress cards formatted with this camera in other
cameras.
Formatting or erasing data on a card does not completely erase the data. Be aware
of this when selling or discarding the card. When disposing of cards, take steps to
protect personal information if necessary, as by physically destroying cards.
Note
The card capacity displayed on the card format screen may be smaller than the
capacity indicated on the card.
This device incorporates exFAT technology licensed from Microsoft.
760
Display Brightness
1.
Select [
: Disp. brightness].
2.
Make the adjustment.
Referring to the gray image, turn the < > dial to adjust brightness,
then press <
>.
Note
To check the image's exposure, referring to the histogram is recommended ( ).
You can also access the screen in step 2 by pressing the < > button during
playback.
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Display Color Tone
1.
Select [
: Disp. color tone].
2.
Make the adjustment.
Turn the < > dial to select an item, then press < >.
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Auto Power Off
You can change the idle auto power off time.
1.
Select [
: Auto power off].
2.
Select an item.
Note
The screen turns off in approx. 30 min. even when set to [Disable]. Note that the
camera remains on.
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Date/Time/Zone
When you turn on the power for the first time or if the date/time/zone have been reset, follow
these steps to set the time zone first.
By setting the time zone first, you can simply adjust this setting as needed in the future and
the date/time will be updated to match it.
Since the captured images will be appended with the shooting date and time information, be
sure to set your date/time.
1.
Select [
: Date/Time/Zone].
2.
Set the time zone.
Turn the < > dial to select [Time zone].
Press < >.
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Turn the < > dial to select the time zone, then press < >.
If your time zone is not listed, press the < > button, then set the
difference from UTC in [Time difference].
Turn the < > dial to select a [Time difference] item (+/–/hour/
minute), then press <
>.
Turn the < > dial, then press < >.
After entering the time zone or time difference, turn the < > dial to
select [OK], then press <
>.
3.
Set the date and time.
Turn the < > dial to select an item, then press < >.
Turn the < > dial, then press < >.
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4.
Set daylight saving time.
Set it as necessary.
Turn the < > dial to select [ ], then press < >.
Turn the < > dial to select [ ], then press < >.
When the daylight saving time is set to [ ], the time set in step 3 will
advance by 1 hour. If [
] is set, the daylight saving time will be
canceled and the time will go back by 1 hour.
5.
Exit the setting.
Turn the < > dial to select [OK].
Caution
The date, time, and time zone settings may be reset when the camera is stored
without the battery, when the battery is exhausted, or when it is exposed to freezing
temperatures for an extended period. If this happens, set them once again.
After changing [Zone/Time difference], check that the correct date/time are set.
When you will use [Sync time between cameras] over a wired LAN or with a
Wireless File Transmitter, use other EOS-1D X Mark III cameras. [Sync time
between cameras] cannot be used with different models.
766
Language
1.
Select [
: Language ].
2.
Set the desired language.
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3.
Select [Show].
(1) 1°
(2) 4° or more
(3) 1°
(4) 7°
(5) 7.5° or more
Caution
There may be a margin of error of approx. ±1°.
770
Grid
Displays a grid in the viewfinder to help you check camera tilt and shot composition.
1.
Select [
: Viewfinder display].
2.
Select [Grid display].
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Information Display in Viewfinder
Setting information can be displayed in the viewfinder for these shooting functions: shooting
mode, metering mode, white balance, drive mode, image quality, AF operation, and flicker
detection.
By default, only flicker detection is selected ([
]).
1.
Select [
: Viewfinder display].
2.
Select [Show/hide in viewfinder].
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3.
Add a checkmark [
] to items to display.
Select information to display and press < > to add a checkmark [ ].
Repeat this step to add a checkmark [ ] to all information to display,
then select [OK].
Note
Regardless of the [ ] setting, relevant information appears in the viewfinder when
you press the <
>/< >/< >/< > buttons, move
the lens focus mode switch, or turn the focusing ring of an electronic MF-equipped
lens to switch between AF/MF ( ).
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<INFO> Button Display Options
Electronic Level
Quick Control Screen
Custom Quick Control Screen
You can specify the information displayed in response to pressing the < > button when
the camera is ready to shoot.
1.
Select [
: button display options].
2.
Select an item.
Select the desired display option, then add a checkmark [ ].
Select [OK].
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Electronic Level
The red line turns green when the image is essentially straight.
(1) Vertical
(2) Horizontal
Caution
There may be a margin of error of approx. ±1°.
If the camera is very tilted, the electronic level's margin of error will be larger.
776
Custom Quick Control
Resetting the Custom Quick Control Screen or Clearing All Items
Unlike the fixed layout and predetermined shooting features on the Quick Control screen
( ), this screen can be customized with your preferred shooting features and layout. This
function is called “Custom Quick Control.”
1.
Select [
: Custom Quick Control].
2.
Select [Start editing layout].
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3.
Review the instructions and select [OK].
By default, the layout includes the items shown here.
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4.
Add an item.
Press the < > button.
Turn the < > dial or use < > to select an item to add, then press
<
>.
To remove an item, either select the item and press the < > button or
select [Clear all items] in step 2.
For items with a customizable display size, once more, turn the < >
dial or use <
> to select a size, then press < >.
For details on the items available for the layout and their display sizes,
see Available items and display sizes for the screen layout.
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5.
Arrange the item.
Turn the < > or < > dial or use < > to move the added item
(in the frame with arrows) into position.
To change the display size, press the < > button and resize the
item as needed.
Press < > to confirm the position. Any existing items in that position
will be overwritten (deleted).
To rearrange an item, select the item, then press < > and move the
item as needed.
Note
To start by removing all items from the default layout, select
[Clear all items] in step 2, then go to step 4.
Sample layout
Arrange items in your preferred layout by repeating steps 4 and 5.
To remove an item from the layout, select it and press the < >
button.
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6.
Exit the setting.
When finished, press the < > button to return to the screen in
step 2.
7.
Review your setting screen.
Sample screen
Confirm that [Custom Quick Control screen] in [ : button
display options] has a checkmark [
] ( ).
Press the < > button to display the Custom Quick Control screen
( ), then check the layout.
783
Resetting the Custom Quick Control Screen or Clearing
All Items
To restore the default Custom Quick Control screen layout, select [Revert layout to default]
in step 2 (
).
To remove all items from the layout (so that the screen is blank except for the bottom row),
select [Clear all items].
Available items and display sizes for the screen layout
(Vertical × horizontal cells)
Item and Size 1×1 1×2 1×3 1×5 2×2 2×3 3×1 4×1
Shooting mode ○ ○
Shutter speed ○ ○
Aperture ○ ○
ISO speed ○ ○
Exposure comp./AEB setting ○ ○ ○
Flash exposure compensation ○ ○ ○
Picture Style ○ ○
White balance ○ ○
WB Shift/Bkt. ○ ○
Auto Lighting Optimizer ○
Custom Controls ○
AF operation ○ ○
AF point selection ○ ○
Metering mode ○
Drive mode ○
Rec function/card selection ○ ○ ○
Date/Time/Zone ○ ○ ○ ○
External Speedlite control ○
Highlight tone priority ○
Viewfinder grid ○
Sensor cleaning ○
Exposure level ○ ○
GPS settings ○
784
Caution
The amount of information that can be shown and the features available for Quick
Control vary by item, due to differences in display size.
The same item cannot be arranged in multiple positions on the screen.
785
3.
Select screens.
Turn the < > dial to select screens of information to show on the
camera.
For information you prefer not to display, press < > to clear the
checkmark [
].
To edit the screen, press the < > button.
4.
Edit the screen.
Turn the < > dial to select items to show on the screen of
information.
For items you prefer not to display, press < > to clear the checkmark
[
].
Select [OK] to register the setting.
787
Grid
1.
Select [
: Shooting info. disp.].
2.
Select [Grid display].
3.
Select an item.
788
Histogram
1.
Select [
: Shooting info. disp.].
2.
Select [Histogram disp].
3.
Select an item.
Select the content ([Brightness] or [RGB]) and display size ([Large] or
[Small]).
Press < > button to confirm the setting.
789
Clearing Settings
1.
Select [
: Shooting info. disp.].
2.
Select [Reset].
3.
Select [OK].
790
Shutter Button Function for Movies
You can set the functions performed by pressing the shutter button halfway or completely
during movie recording.
Caution
In movie recording, the [Shutter btn function for movies] setting overrides any
function assigned to the shutter button in [
6: Custom Controls].
1.
Select [
: Shutter btn function for movies].
791
2.
Select an item.
Half-press
Specify the function performed by pressing the shutter button halfway.
Fully-press
Specify the function performed by pressing the shutter button
completely.
With [Fully-press] set to [Start/stop mov rec], you can start/stop movie
recording not only with the movie shooting button but also by pressing the
shutter button completely, or by using Remote Switch RS-80N3 or Timer
Remote Controller TC-80N3 (both sold separately).
792
UI Magnification
You can magnify menu screens by double-tapping with two fingers. Double-tap again to
restore the original display size.
Magnification is also available on the Quick Control screen in viewfinder shooting, the
Custom Quick Control screen, and the electronic level screen.
1.
Select [
: UI magnification].
2.
Select [Enable].
Caution
Use camera controls when configuring menu functions with the display magnified.
Touch-screen operations are not supported.
793
Example: [ 6: Multi function lock]
< >
795
Changing the Help Text Size
1.
Select [
: Help text size].
2.
Select an item.
796
Video System
Set the video system of any television used for display. This setting determines the frame
rates available when you record movies.
1.
Select [
: Video system].
2.
Select an item.
For NTSC
For areas where the TV system is NTSC (such as North America,
Japan, South Korea, and Mexico).
For PAL
For areas where the TV system is PAL (such as Europe, Russia,
China, and Australia).
797
Touch Control
1.
Select [
: Touch control].
2.
Select an item.
[Sensitive] makes the touch-screen panel more responsive than
[Standard].
To disable touch operations, select [Disable].
Caution
Precautions for touch-screen operations
Do not use sharp objects such as fingernails or ballpoint pens for touch operations.
Do not use wet fingers for touch operations. If the screen has any moisture or if
your fingers are wet, the touch-screen panel may not respond or malfunction may
occur. In this case, turn off the power and wipe off the moisture with a cloth.
Attaching any commercially available protective sheet or sticker on the screen may
impair responsiveness to touch operations.
The camera may not respond as well if you quickly perform touch operation when
[Sensitive] is set.
798
Note
Touch-activated shooting (touch shutter) is not supported.
799
Beeps
1.
Select [
: Beep].
2.
Select an item.
Enable
The camera beeps after focusing and in response to touch operations.
Touch
Disables beeping for touch operations.
Disable
Disables beeping after focusing and in response to touch operations.
800
Battery Information
You can check the conditions of the battery you are using.
1.
Select [
: Battery info.].
(1) Model of battery or household power outlet accessory used.
(2) Battery level indicator ( ) with the remaining battery level, in 1%
increments.
(3) The number of shots taken with the current battery. The number is reset
when the battery is charged ( ).
(4) Battery recharge performance level.
(Green): Battery's recharge performance is good.
(Green): Battery's recharge performance is slightly degraded.
(Red): Purchasing a new battery is recommended.
Caution
Using a genuine Canon Battery Pack LP-E19 is recommended. If you use batteries
that are not genuine Canon products, the camera's full performance may not be
attained or malfunction may result.
801
2.
Select [Clean now
].
Select [OK] on the confirmation screen.
Note
Even if you repeat the sensor cleaning, the result will not improve much. Note that
[Clean now
] may not be available immediately after cleaning.
Dots of light may appear in captured images or on the shooting screen if the sensor
is affected by cosmic rays or similar factors. By selecting [Clean now
], their
appearance may be suppressed ( ).
804
Cleaning Automatically
1.
Select [Auto cleaning
].
2.
Select an item.
Turn the < > dial to select an item, then press < >.
805
Cleaning Manually
Dust that could not be removed by automatic cleaning can be removed manually with a
commercially available blower or similar tool.
Always use a fully charged battery.
The image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it
done by a Canon Service Center is recommended.
1.
Select [
: Sensor cleaning].
2.
Select [Clean manually].
3.
Select [OK].
<CLn> blinks on the top LCD panel.
806
4.
Remove the lens and clean the sensor.
5.
End the cleaning.
Set the power switch to < >.
Note
Using the household power outlet accessories (sold separately) is recommended.
Caution
While cleaning the sensor, never do any of the following. If the power is cut
off, the shutter will close and the reflex mirror will go back down. These may
result in damaging the image sensor, shutter curtains, and reflex mirror.
• Setting the power switch to <
>.
• Removing or inserting the battery.
Do not move the reflex mirror with your hand. This may damage the mirror.
The surface of the image sensor is extremely delicate. Clean the sensor with care.
Use a plain blower without any brush attached. A brush can scratch the sensor.
Do not insert the blower tip inside the camera beyond the lens mount. If the power
is turned off, the shutter will close and the shutter curtains or reflex mirror may get
damaged.
Never use pressurized air or gas to clean the sensor. Pressurized air may damage
the sensor, and sprayed gas may freeze on the sensor and scratch it.
If the battery level becomes low while cleaning the sensor, the beeper will sound as
a warning. Stop cleaning the sensor.
If a smudge that cannot be removed with a blower remains, having the sensor
cleaned by a Canon Service Center is recommended.
807
HDMI Resolution
Set the image output resolution used when the camera is connected to a television or
external recording device with an HDMI cable.
1.
Select [
: HDMI resolution].
2.
Select an item.
Auto
The images will automatically be displayed at the optimum resolution
matching the connected television.
1080p
Output at 1080p resolution. Select if you prefer to avoid display or
delay issues when the camera switches resolution.
808
Save/Load Settings on Card
Saving Camera Settings
Loading Camera Settings
Current camera settings such as shooting, menu, and Custom Function settings can be
saved to a card as a camera settings file. By loading a camera settings file, you can apply
the state of the settings as saved. This enables you to save optimal settings for particular
scenes or subjects, or load settings files on other EOS-1D X Mark III cameras to use the
cameras with the same settings.
Saving Camera Settings
1.
Select [
: Save/load cam settings on card].
2.
Select [Save to card].
809
3.
Select [OK].
(1) Target card
The camera settings are saved to the card.
To rename the file to an 8-character name of your choice before saving
it, press the <
> button on the screen in step 3.
For instructions, see File Naming. The steps are the same.
Caution
Camera settings files saved by a camera other than an EOS-1D X Mark III cannot
be loaded on this camera.
It may not be possible to load camera settings files that were saved by a camera
with a different firmware version.
Note
Up to ten camera settings files can be saved on a card. If a card already has ten
camera settings files, either overwrite existing files or use a different card.
810
Loading Camera Settings
In step 2, select [Load from card] to display up to ten camera settings files on the card.
Select a file, and the camera will load it and apply the state of the settings as saved.
811
Custom Shooting Mode (C1–C3)
Automatic Update of Registered Settings
Canceling Registered Custom Shooting Modes
You can register current camera settings such as shooting, menu, and Custom Function
settings as Custom shooting modes assigned to <
> to < > modes. You can register
different functions to use when shooting still photos or movies.
To use <
> or < >, first enable < > and < > in [ 3: Restrict shooting
modes] ( ).
1.
Select [
: Custom shooting mode (C1-C3)].
2.
Select [Register settings].
812
3.
Register the desired items.
Select the Custom shooting mode to register, then select [OK] on the
[Register settings] screen.
The current camera settings are registered to Custom shooting mode
C*.
Automatic Update of Registered Settings
If you change a setting while shooting in Custom shooting mode, the mode can be
automatically updated with the new setting (Auto update). To enable this automatic update,
set [Auto update set.] to [Enable] in step 2.
813
Canceling Registered Custom Shooting Modes
If you select [Clear settings] in step 2, the settings of each mode can be restored to default
settings, as they were before registration.
Note
You can also change shooting and menu settings in Custom shooting modes.
814
Resetting Camera
The camera's settings for shooting functions and menu functions can be restored to their
defaults.
1.
Select [
: Reset camera].
2.
Select an item.
Reset individual settings
Settings for individual selected items can be reset.
Factory reset
Resets all settings to defaults.
3.
Clear the settings.
Select [OK] on the confirmation screen.
815
Note
For details on clearing all Custom Function settings, see Clear all Custom Func.
(C.Fn).
For details on clearing Custom Controls settings, see Custom Controls.
Still photo Custom shooting modes are reset when [Custom shooting mode (C1-
C3)] in [Reset individual settings] is selected in still photo shooting mode, and
movie Custom shooting modes are reset when this option is selected in movie
recording mode.
816
Copyright Information
Checking the Copyright Information
Deleting the Copyright Information
When you set the copyright information, it will be recorded to the image as Exif information.
Caution
If the entry for “Author” or “Copyright” is long, it may not be displayed entirely when
you select [Display copyright info.].
Note
You can also set or check copyright information with EOS Utility (EOS
software, ).
1.
Select [
: Copyright information].
2.
Select an item.
817
3.
Enter text.
Use the < > or < > dial to select a character, then press < > to
enter it.
By selecting [ ], you can change the input mode.
To delete single characters, select [ ] or press the < > button.
4.
Exit the setting.
Press the < > button, then select [OK].
Checking the Copyright Information
When you select [Display copyright info.] in step 2, you can check the [Author] and
[Copyright] information that you entered.
818
Deleting the Copyright Information
When you select [Delete copyright information] in step 2, you can delete the [Author] and
[Copyright] information.
819
System Status Display
Checking the Error Log
Clearing the Camera Status Log
You can check the camera's serial number, firmware version, and shutter-release cycles on
this screen. You can also check the status log for past errors.
Checking camera status with this feature and requesting any required maintenance at a
Canon Service Center can reduce camera problems.
Checking the Error Log
You can check a record of past errors, as well as lens, flash, and battery usage at the time
of occurrence.
1.
Select [
: System status display].
820
2.
Check the details as needed.
Note
The camera status log screen lists the five most recent error
records. If more than five records are logged, the oldest record is
deleted automatically.
Shutter-release cycles are indicated in units of 1,000.
3.
Check the log as needed.
On the screen in step 2, press the < > button.
“Err **” indicates error information ( ).
821
4.
Check the details as needed.
Turn the < > dial to select an item, then press the < > button to
view error details.
Turn the < > dial to check details.
822
Clearing the Camera Status Log
To clear all log information displayed, press the <
> button in step 3.
823
Other Information
Manual/software URL
To download instruction manuals, select [ : Manual/software URL] and scan the
displayed QR code with a smartphone. You can also use a computer to access the
website at the URL displayed and download software.
Certification Logo Display
Select [ : Certification Logo Display] to display some of the logos of the camera's
certifications. Other certification logos can be found on the camera body and packaging.
Firmware
Select [
: Firmware] to update the firmware of the camera or current lens, flash, or
Wireless File Transmitter.
824
Custom Functions/My Menu
You can fine-tune camera functions and change the functionality of buttons and dials to suit
your shooting preferences. You can also add menu items and Custom Functions that you
adjust frequently to My Menu tabs.
•
Tab Menus: Customization
• Custom Function Setting Items
• Custom Controls
• Tab Menus: My Menu
• Registering My Menu
825
Tab Menus: Customization
1
: Setting disabled (do not work)
Viewfinder Shooting
LV Shooting Movie Recording
(1) Exposure level increments ○ ○ ○
(2)
ISO speed setting increments ○ ○
mode
(3) Bracketing auto cancel ○ ○
(4)
Bracketing sequence ○ ○
(5)
Number of bracketed shots ○ ○
(6)
Spot meter. linked to AF pt ○
826
2
: Setting disabled (do not work)
Viewfinder Shooting
LV Shooting Movie Recording
(1) Safety shift ○ ○
(2)
Same expo. for new aperture ○ ○
(3)
AE lock meter. mode after focus ○ ○
3
: Setting disabled (do not work)
Viewfinder Shooting
LV Shooting Movie Recording
(1) Restrict shooting modes ○ ○ ○
(2)
Restrict metering modes ○ ○
(3) Metering used in manual exp ○ ○
(4) Set shutter speed range ○ ○ ○
(5) Set aperture range ○ ○ ○
(6) AE Microadjustment ○ ○ ○
(7)
FE Microadjustment ○ ○
827
4
: Setting disabled (do not work)
Viewfinder Shooting
LV Shooting Movie Recording
(1) Continuous shooting speed ○
(2)
Limit continuous shot count ○ ○
(3)
Restrict drive modes ○ ○
5
: Setting disabled (do not work)
Viewfinder Shooting
LV Shooting Movie Recording
(1) Viewfinder info. during exp. ○
(2)
LCD panel illumi. during Bulb ○ ○
(3) Rec card, img size setting ○ ○ ○
828
7
: Setting disabled (do not work)
Viewfinder Shooting
LV Shooting Movie Recording
(1)
switching ( / )
○ ○ ○
(2)
Smart controller
○ ○ ○
(3)
Add cropping information ○ ○
(4)
Timer duration *1
(5)
Shutter release time lag ○
(6)
Memo audio quality (During playback)
(7)
Audio compression ○
* 1: [Timer after release] only
8
: Setting disabled (do not work)
Viewfinder Shooting
LV Shooting Movie Recording
(1) Default Erase option ○ ○
(2) Retract lens on power off ○ ○ ○
(3)
Add IPTC information ○ ○
830
C.Fn1
Exposure level increments
1/3: ⅓-stop, Exp comp ⅓-stop
Sets 1/3-stop increments for the shutter speed, aperture value, exposure compensation
amount, AEB range, and flash exposure compensation amount.
1/1: 1-stop, Exp comp ⅓-stop
Sets whole-stop increments for the shutter speed and aperture value, and 1/3-stop
increments for the exposure compensation amount, AEB range, and flash exposure
compensation amount.
1/2: ½-stop, Exp comp ½-stop
Sets 1/2-stop increments for the shutter speed, aperture value, exposure compensation
amount, AEB range, and flash exposure compensation amount.
Note
Display of the exposure level indicator is as follows when [½-stop, Exp comp ½-
stop] is set.
ISO speed setting increments
You can change the manual ISO speed setting increment to a whole stop.
1/3: 1/3-stop
1/1: 1-stop
Note
Even if [1-stop] is set, ISO speed will be automatically set in 1/3-stop increments
when ISO Auto is set.
833
Bracketing auto cancel
You can specify to cancel AEB and white balance bracketing when the power switch is set
to <
>.
ON: Enable
OFF: Disable
Bracketing sequence
The AEB shooting sequence and white balance bracketing sequence can be changed.
0–+: 0, -, +
–0+: -, 0, +
+0–: +, 0, -
AEB
White Balance Bracketing
B/A Direction M/G Direction
0: Standard exposure 0: Standard white balance 0: Standard white balance
–: Underexposure –: Blue bias –: Magenta bias
+: Overexposure +: Amber bias +: Green bias
834
Number of bracketed shots
The number of shots taken with AEB and white balance bracketing can be changed.
When [Bracketing sequence] is set to [0, -, +], the bracketed shots will be taken as shown
in the following table.
3: 3 shots
2: 2 shots
5: 5 shots
7: 7 shots
(1-stop/step increments)
1st Shot 2nd Shot 3rd Shot 4th Shot 5th Shot 6th Shot 7th Shot
3: 3 shots Standard (0) –1 +1
2: 2 shots Standard (0) ±1
5: 5 shots Standard (0) –2 –1 +1 +2
7: 7 shots Standard (0) –3 –2 –1 +1 +2 +3
Note
If [2 shots] is set, you can select the + or – side when setting the AEB range. With
WB bracketing, the second shot is adjusted toward the negative side for the B/A or
M/G direction.
Spot meter. linked to AF pt
You can enable AF point-linked spot metering in < > metering mode.
Center AF point only
Spot metering is always performed at the center of the viewfinder, regardless of the AF
area selection mode or selected AF point.
Linked to active AF point
Spot metering is linked to the manually selected AF point. Note that spot metering is
performed at the center of the viewfinder when the AF area selection mode is Automatic
selection AF, Zone AF, or Large Zone AF.
With an external flash, FE lock linked to a manually selected AF point is available, and
this function can also be used with metered manual flash exposure ( ).
835
C.Fn2
Safety shift
If the subject brightness changes and the standard exposure cannot be obtained within the
autoexposure range, the camera will automatically change the manually selected setting to
obtain the standard exposure. [Shutter speed/Aperture] applies to <
> or < >
mode. [ISO speed] applies to <
>, < >, or < > mode.
OFF: Disable
Tv/Av: Shutter speed/Aperture
ISO: ISO speed
Note
When [ISO speed] is set, safety shift also applies to AEB shooting in < > mode.
Safety shift overrides any changes to [Range for stills] or [Min. shutter spd.] from
default settings in [
: ISO speed settings] if standard exposure cannot be
obtained.
The minimum and maximum limits for the safety shift with the ISO speed are
determined by [Auto range] ( ). However, if the manually set ISO speed exceeds
the [Auto range], the safety shift will take effect up or down to the manually set
ISO speed.
Safety shift will take effect as necessary even when flash is used.
836
Same expo. for new aperture
The maximum aperture value may decrease (the lowest f/number may increase) in < >
mode (manual exposure shooting) with ISO speed set manually (except when set to ISO
Auto) if you (1) Change lenses, (2) Attach an extender, or (3) Use a zoom lens with a
variable maximum aperture value. This function prevents the corresponding underexposure
by adjusting ISO speed or shutter speed (Tv) automatically to maintain the same exposure
as before (1), (2), or (3).
With [ISO speed/Shutter speed], the ISO speed is automatically adjusted within the ISO
speed range. If exposure cannot be maintained by adjusting ISO speed, shutter speed (Tv
value) is automatically adjusted.
OFF: Disable
ISO: ISO speed
ISO/Tv: ISO speed/Shutter speed
Tv: Shutter speed
Caution
Does not respond to changes in effective aperture value from changes in
magnification when macro lenses are used.
Cannot provide the same exposure as before (1), (2), or (3) if [ISO speed] is set
and the exposure cannot be maintained at speeds set in [ISO speed range].
Cannot provide the same exposure as before (1), (2), or (3) if [Shutter speed] is
set and the exposure cannot be maintained at speeds set in [
3: Set shutter
speed range].
Note
Also responds to changes in the highest f/number (minimum aperture).
The original exposure setting is restored if you perform (1), (2), or (3) with [ISO
speed], [ISO speed/Shutter speed], or [Shutter speed] set and do not adjust ISO
speed, shutter speed, or aperture value before returning the camera to the original
state, before (1), (2), or (3).
Shutter speed may change to maintain exposure if the ISO speed increases to an
expanded ISO speed when [ISO speed] is set.
837
AE lock meter. mode after focus
For each metering mode, you can specify whether to lock the exposure (AE lock) once
subjects are in focus with One-Shot AF. The exposure will be locked while you keep
pressing the shutter button halfway. Select metering modes for AE lock and add a
checkmark [
]. Select [OK] to register the setting.
838
C.Fn3
Restrict shooting modes
You can restrict the shooting modes available with the < > button.
Select shooting modes (<
/ / / / / / / >), then press < > to
add a checkmark <
>. Select [OK] to register the setting.
Caution
Restricted shooting mode settings are not registered to < >, < >, or < >.
The < > mark cannot be cleared from all eight modes at the same time.
Restrict metering modes
You can restrict the metering modes available with the < > button.
Select metering modes (<
/ / / >), then press < > to add a checkmark
<
>. Select [OK] to register the setting.
Caution
The < > mark cannot be cleared from all four modes at the same time.
Metering used in manual exp
You can set the metering mode used in <
> shooting mode.
: Specified metering mode
The current metering mode is used.
: Evaluative metering
: Partial metering
: Spot metering
: Center-weighted average
Caution
Setting < / / / > will prevent you from selecting the metering mode by
pressing the <
> button in manual exposure shooting.
839
Set shutter speed range
You can set the shutter speed range. In < > or < > mode, you can set the shutter
speed manually within your specified range. In <
> or < > mode, the shutter speed is
set automatically within your specified range (except for movie recording). Select [OK] to
register the setting.
Lowest speed
Can be set in a range of 30 sec.–1/4000 sec.
Highest speed
Can be set in a range of 1/8000 sec.–15 sec.
Set aperture range
You can set the aperture value range. In < >, < >, or < > mode, you can set the
aperture value manually within your specified range. In <
> or < > mode, the aperture
value is set automatically within your specified range. Select [OK] to register the setting.
Max. aperture
Can be set in a range of f/1.0–f/64.
Min. aperture
Can be set in a range of f/91–
f/1.4.
Note
The available aperture value range varies depending on the lens's minimum and
maximum aperture value.
840
AE Microadjustment
Caution
Normally, this adjustment is not required. Perform this adjustment only if
necessary. Note that performing this adjustment may prevent you from
obtaining suitable exposure.
You can fine-tune the standard exposure level. Effective if images in autoexposure shooting
without exposure compensation usually seem underexposed or overexposed.
OFF: Disable
ON: Enable
To access the adjustment screen, select [Enable], then press the <
> button.
Standard exposure can be adjusted in a range of ±1 stop, in 1/8-stop increments. Set on
the positive side if shots tend to be underexposed and on the negative side if they tend
to be overexposed.
Caution
The effective exposure compensation range available in movie recording remains
unchanged if you adjust standard exposure with AE Microadjustment, and only the
standard exposure level is changed. An exposure compensation amount equivalent
to the AE Microadjustment amount is not applied to resulting images if the effective
exposure compensation range in movie recording is exceeded (for example, an
exposure compensation amount of +1 stop is not applied if AE Microadjustment is
set to +1 stop and exposure compensation to +3 stops).
Note
Exposure compensation can be set up to ±5 stops from the adjusted standard
exposure for viewfinder shooting and ±3 stops for Live View shooting.
841
FE Microadjustment
Caution
Normally, this adjustment is not required. Perform this adjustment only if
necessary. Note that performing this adjustment may prevent you from
obtaining suitable flash exposure.
You can fine-tune the standard flash exposure level. Effective if main subjects in autoflash
shooting without flash exposure compensation usually seem underexposed or overexposed.
OFF: Disable
ON: Enable
To access the adjustment screen, select [Enable], then press the <
> button.
Standard flash exposure can be adjusted in a range of ±1 stop, in 1/8-stop increments.
Set on the positive side if main subjects tend to be underexposed and on the negative
side if they tend to be overexposed.
842
C.Fn4
Continuous shooting speed
You can set the continuous shooting speed for < > high-speed continuous shooting,
<
> medium-speed continuous shooting, < > low-speed continuous shooting,
<
> soft continuous shooting, and < > soft low-speed continuous shooting.
Select [OK] to register the setting.
High speed
The default setting is 16 shots/sec. Can be set in a range of 16–3 shots/sec.
Continuous shooting
The default setting is 10 shots/sec. Can be set in a range of 15–2 shots/sec.
Low speed
The default setting is 3.0 shots/sec. Can be set in a range of 14–1 shots/sec.
Soft contin shoot
The default setting is 8.0 shots/sec. Can be set in a range of 8–2 shots/sec.
Soft LS continuous
The default setting is 3.0 shots/sec. Can be set in a range of 7–1 shots/sec.
Caution
Even if you set a continuous shooting speed, continuous shooting at the specified
speed may not be possible under some shooting conditions. For precautions on
continuous shooting, see Selecting the Drive Mode.
Limit continuous shot count
You can limit the maximum burst for continuous shooting, so that while you keep holding
down the shutter button with continuous shooting set, the camera automatically stops
shooting after the specified number of continuous shots.
You can set it from 99 to 2 exposures. Pressing the <
> button returns the setting to
[Disable].
When [Disable] is set, continuous shooting can continue up to the maximum burst shown at
right in the viewfinder.
843
Restrict drive modes
You can restrict the drive modes available with the < > button.
Select drive modes (<
/ / / / / / / / >), then press
<
> to add a checkmark < >. Select [OK] to register the setting.
Caution
The < > mark cannot be cleared from all modes at the same time.
844
C.Fn5
Viewfinder info. during exp.
For viewfinder shooting, you can set whether to display shooting information in the
viewfinder during exposure.
OFF: Disable
ON: Enable
Shooting information remains displayed in the viewfinder during exposure. Useful when
you want to check exposure, number of shots available, and other information during
continuous shooting.
Caution
Not applied (even if [Enable] is set) in bulb shooting mode.
LCD panel illumi. during Bulb
You can set LCD panel operation in response to bulb exposures that you shoot while it is
illuminated—either to remain lit or turn off when exposure begins, or to illuminate briefly
when the <
> button is pressed.
OFF: Off
When bulb exposures begin, LCD panel illumination turns off. Pressing the <
> button
during bulb exposures illuminates the LCD panel for approx. 6 sec.
ON: On during Bulb
LCD panel illumination remains on until bulb exposures end. Useful when you shoot
bulb exposures in low light and want to check the exposure time.
845
Rec card, img size setting
As the display used when the < > button is pressed to select a card or set the image size,
you can specify the rear LCD panel or the screen.
: Rear LCD panel
After pressing the <
> button, you can watch the rear LCD panel while turning the
<
> or < > dial.
: Screen
Pressing the <
> button displays the [Img type/size] or [Record func+card/folder
sel.] screen (or [Movie rec quality] screen in movie recording), and then each press of
the button switches between these two screens.
OFF: Disable button
Disables the <
> button for card selection or setting image size. This can prevent
unintended changes to the selected card or image size if the <
> button is pressed
accidentally. Use menu screens to select cards or set the image size.
846
C.Fn6
Warnings in viewfinder
The < > icon can be displayed in the field of view of the viewfinder when any of the
following functions are set ( ). Select the function for which you want the warning icon to
appear, then press <
> to add a checkmark [ ]. Select [OK] to register the setting.
When monochrome set
The warning icon appears when the Picture Style is set to [Monochrome] ( ).
When WB is corrected
The warning icon appears when white balance correction is set ( ).
When one-touch img qual set
The warning icon appears when image quality is changed with the one-touch image
quality setting ( ).
Dial direction during Tv/Av
: Normal
: Reverse direction
Dial turning direction when setting the shutter speed and aperture value can be
reversed.
In <
> shooting mode, the turning direction of the < > and < > dial will be
reversed. In other shooting modes, the turning direction of only the <
> dial will be
reversed. The direction of the <
> dial in < > mode matches the direction to set
exposure compensation in <
>, < >, and < > modes.
Av setting without lens
You can specify whether the aperture value can still be set without a lens attached.
OFF: Disable
ON: Enable
Aperture value can still be set without a lens attached. Convenient when you want to
prepare for shooting and have already decided about the aperture value.
847
Multi function lock
With the power switch set to < >, this function can prevent settings from being
changed by accidentally touching <
>, < >, < >, < >, or the touch-screen
panel.
Select the camera controls to lock by setting the switch to <
>, then press < > to
add a checkmark [
]. Select [OK] to register the setting.
: Main Dial
The Main dial and vertical-grip Main dial will be locked.
: Quick Control Dial
The Quick control dial will be locked.
: Multi-controllers
The Multi-controller and vertical-grip Multi-controller will be locked.
: Touch control
Touch operations will be locked.
: Smart controller
The Smart controller will be locked.
Note
Attempting to use any locked camera controls (except [ Touch control]) causes
<
> to appear in the viewfinder and top LCD panel and [ ] to appear on
the Quick Control screen ( ) and Custom Quick Control screen ( ).
By default, the < > dial is locked when the power switch is set to < >.
Custom Controls
You can assign frequently used functions to camera buttons or dials according to your
preferences for easy operations. For details, see Custom Controls.
848
/ button function
You can change the function of the < / > button. During image playback, you can
protect images, record voice memos, and rate images.
/ : Protect(Hold:Record memo)
To protect an image, press the <
/ > button. To start recording a voice memo, hold
down the <
/ > button for approx. 2 sec., and release it to stop recording.
: Rec.memo( disabled)
Pressing the <
/ > button starts recording a voice memo immediately, and releasing
it stops recording.
/ : Play memo(Hold:Rec. memo)
Press the <
/ > button to play voice memos of images with voice memos while you
are viewing these images. To start recording a voice memo, hold down the <
/ >
button for approx. 2 sec., and release it to stop recording.
: Rating ( and disabled)
Press the <
/ > button to rate images. Each press of the button switches the rating
as follows:
/ / / / / .
Note
To protect images when [Rec.memo( disabled)], [Play memo(Hold:Rec.
memo)], or [Rating (
and disabled)] is set, use the [ : Protect images]
screen.
With [Rating ( and disabled)] selected, pressing the < > button enables you
to set the ratings that are available with the <
/ > button.
849
C.Fn7
switching ( / )
: Enable /
: Disable
When set to [Disable ], setting the Live View shooting/Movie shooting switch to
<
> does not enable movie recording. This enables still photo shooting at all times.
Smart controller
Enables you to move AF points by dragging on the smart controller after pressing the
<
> button.
ON: Enable
Enables use of the smart controller in both vertical and horizontal shooting.
: Disable vertical only
Restricts available smart controllers to the smart controller for horizontal shooting.
OFF: Disable
Disables the smart controller.
Caution
This function is not available if you have set the [ ] button to [Disable] using
Custom Controls.
Note
With [Enable] or [Disable vertical only] selected, you can press the < >
button to adjust sensitivity, which changes the amount of AF point movement in
response to dragging on the smart controller.
850
Add cropping information
Adding cropping information displays vertical lines for the aspect ratio specified in Live View
shooting, so that you can compose shots as if shooting with a medium- or large-format
camera (6×6 cm, 4×5 inch, and so on).
When you shoot, instead of cropping images recorded to the card, the camera adds aspect
ratio information to images for cropping in the Digital Photo Professional (EOS software).
You can import images to Digital Photo Professional on a computer and easily crop images
to the aspect ratio set at the time of shooting.
OFF: Off (aspect ratio 3:2)
6:6: Aspect ratio 6:6
3:4: Aspect ratio 3:4
4:5: Aspect ratio 4:5
6:7: Aspect ratio 6:7
5:6: Aspect ratio 10:12
5:7: Aspect ratio 5:7
Caution
Cropping information is also added in viewfinder shooting, but the cropping range is
not displayed.
JPEG or HEIF images are not saved at the cropped size if you use the camera to
process RAW images with cropping information ( ). In this case, RAW processing
produces JPEG or HEIF images with cropping information.
Note
Vertical lines are displayed in the viewfinder when set to [Aspect ratio 6:6].
851
Timer duration
You can change how long a function setting associated with a button remains in effect after
you release the button. Can be set in a range of 0–59 sec. or 1–60 min.
6 sec. timer
You can set how long to continue metering and AE lock.
16 sec. timer
You can set how long to continue FE lock and multi-spot metering.
Timer after release
You can set how long to continue metering after shutter release. Normally, metering
continues for approx. 2 sec. after you shoot. Setting a longer time makes it easier to
keep shooting with AE lock at the same exposure.
Shutter release time lag
Normally, the camera controls shooting so that the shutter-release time lag is consistent, but
by setting [Shortened], you can disable this control to shorten the shutter-release time lag.
: Standard
: Shortened
Although the shutter-release time lag is normally as short as approx. 0.055 sec., you can
shorten it to as little as approx. 0.029 sec.
Caution
Shutter-release time lag varies by shooting conditions, type of lens, aperture value,
and other factors.
Memo audio quality
You can set the audio quality for recording voice memos.
48 kHz: High quality (48 kHz)
Enables voice memo recording at the same level of audio quality as movies.
8 kHz: Low quality (8 kHz)
Enables smaller voice memo file sizes than with [High quality (48 kHz)].
Caution
Additional voice memo recording for images with existing voice memos is
performed at the same level of audio quality as the first recording, regardless of this
setting.
852
Audio compression
Sets audio compression for movie recording. [Disable] allows higher audio quality than
when audio is compressed, but file sizes are larger.
ON: Enable
OFF: Disable
Caution
Editing movie files recorded with [Disable] and then saving them with compression
will also compress the audio.
Audio is compressed even if [Disable] is selected when [Movie rec quality] is set
to
(NTSC) or (PAL).
853
C.Fn8
Default Erase option
You can set which option is selected by default in the erase menu ( ), which is accessed
by pressing the <
> button during image playback or during review after shooting.
By setting an option other than [Cancel], you can simply press <
> to erase images
quickly.
: [Cancel] selected
: [Erase] selected
: [Erase ] selected
: [Erase non- ] selected
Caution
Be careful not to erase images accidentally when an option other than [Cancel] is
set.
Retract lens on power off
You can set whether to retract gear-type STM lenses (such as EF40mm f/2.8 STM)
automatically when the camera's power switch is set to <
>.
ON: Enable
OFF: Disable
Caution
With auto power off, the lens will not retract regardless of the setting.
Before detaching the lens, make sure that it is retracted.
Note
When [Enable] is set, this function takes effect regardless of the lens's focus mode
switch setting (AF or MF).
854
Add IPTC information
Registering IPTC (International Press Telecommunications Council) information to the
camera from the EOS application EOS Utility enables you to record (add) this information to
JPEG/HEIF/RAW still photos at the time of shooting. This is helpful in file management
and other tasks using the IPTC information.
For instructions on registering IPTC information to the camera and details on the
information you can register, refer to the EOS Utility Instruction Manual.
OFF: Disable
ON: Enable
Caution
IPTC information is not added when you record movies.
Note
During playback, you can check whether IPTC information was added.
You can use Digital Photo Professional (EOS software) to check IPTC information
in images.
855
C.Fn9
Clear all Custom Func. (C.Fn)
Selecting [ 9: Clear all Custom Func. (C.Fn)] clears all Custom Function settings.
Note
Customized operations for [ 6: Custom Controls], [ 7: switching ( /
)], and [ 7: Smart controller] are not cleared if you perform [ 9: Clear
all Custom Func. (C.Fn)]. Note that although information added using [
8: Add
IPTC information] is retained, the setting changes to [Disable].
Settings for [ 3: AE Microadjustment] and [ 3: FE Microadjustment] are set
to [Disable] but not cleared when [
9: Clear all Custom Func. (C.Fn)] is
performed.
856
Custom Controls
: Metering and AF Start
: Switch to Registered AF Function
: Switch to Registered AF Point
: Direct AF Point Selection
: Select AF Point, ( During Met)
: Set ISO, ( During Met)
: Image Size Selection
: One-Touch Image Quality Setting
: One-Touch Image Quality (Hold)
: Register/Recall Shooting Function
: Unlock While Button Pressed
: Switch to Custom Shooting Mode
: Cycle Between the Set Functions
: Illuminate Info in Viewfinder
You can assign frequently used functions to camera buttons or dials according to your
preferences for easy operations.
1.
Select [
6: Custom Controls].
857
2.
Select a camera control.
3.
Select a function to assign.
Press < > to set it.
You can configure advanced settings for functions labeled with
in the lower left of the screen by pressing the < > button.
Note
Default settings can be restored by pressing the < > button with the screen in
step 2 displayed. Note that [
6: Custom Controls] settings are not cleared even
if you select [
9: Clear all Custom Func. (C.Fn)].
858
Functions available for camera controls
AF
Function
○ ○ ○ ○
Metering and AF
start
○ ○ ○ ○ ○
AF stop
○ ○ ○
Switch to
registered AF
function
○ ○ ○ ○ ○
ONE SHOT
AI SERVO
○ ○ ○
Switch to
registered AF
point
○ ○ ○
Direct AF point
selection
○
Select AF point,
(
during met)
859
Exposure
Function
○ ○ ○
Metering start
○ ○ ○ ○ ○ ○
AE lock
○
AE lock (while
button pressed)
○ ○ ○ ○ ○ ○
AE lock (hold)
○ ○
AE lock, AF stop
○ ○ ○ ○ ○
FE lock
○
Set ISO speed
○
Set ISO speed
(hold button, turn
)
○
Set ISO speed
(
during meter)
○
Set ISO,
( during
met)
○ ○ ○ ○ ○ ○
Exposure
compensation
(hold button, turn
)
860
○ ○
Shutter speed
setting in M mode
○ ○
Aperture setting
in M mode
Movies
Function
○ ○ ○
Pause Movie
Servo AF
○ ○ ○ ○
Start movie
recording (when
set)
Image
Function
○
Image size
selection
○ ○ ○
One-touch image
quality setting
○ ○ ○
One-touch image
quality (hold)
○
Record function
and card/folder
select
○
Picture Style
selection
○
White balance
selection
861
Operation
Function
○ ○
Depth-of-field
preview
○ ○ ○
IS start
○
Menu display
○ ○
Register/recall
shooting function
○ ○
Unlock while
button pressed
○
Switch to Custom
shooting mode
○
Image replay
○
Magnify/Reduce
(press
, turn
)
○ ○
Magnify/Reduce
button
○ ○
Playback button
○ ○
Info button
○ ○
Erase button
○ ○
Protect button
862
○
Cycle between
the set functions
○
Flash function
settings
○ ○ ○ ○
Flash firing
○ ○ ○ ○
Illuminate info in
viewfinder
○ ○ ○ ○
Network settings
○ ○ ○ ○
Create folder
○ ○ ○ ○ ○ ○ ○ ○ ○ ○
No function
(disabled)
Caution
Assigning [Disable] to the < > button also disables the Smart controller.
Note
< >: “AF stop button” on super telephoto lenses equipped with Image
Stabilizer.
The following section describes some examples of Custom Controls settings.
863
: Metering and AF Start
Pressing the button assigned to this function starts metering and AF.
* 1: When the < > or < > button is assigned, pressing the < > button with the
setting screen displayed enables you to set detailed AF settings. Pressing the <
> or
<
> button as you shoot starts AF under the configured settings.
AF start position
When set to [Registered AF point], pressing the <
> or < > button switches
to the registered AF point.
Registering the AF point
1.Set the AF area selection mode to one of the following: Spot AF, 1-point AF, Expand
AF area:
, Expand AF area: Surround, or Auto selection AF. Zone AF and Large
Zone AF are not available.
2.Select an AF point manually.
3.Hold down the <
> button, then press the < > button, after which the camera
beeps and registers the AF point. The registered AF point blinks unless you have
set the AF area selection mode to an option other than Auto selection AF.
Note
The following information is displayed when an AF point is registered.
• Auto selection AF:
(HP: home position)
• Spot AF, 1-point AF, Expand AF area: (manual selection), or Expand AF
area: Surround:
(center)/ (other than center)
To clear registered AF points, hold down the < > button and press the
<
> button.
AI Servo AF characteristics ( )
Pressing the <
> or < > button starts AF with characteristics of your
specified case [Case *].
AF operation ( )
Pressing the <
> or < > button starts AF with your specified AF operation.
864
AF area selection mode ( )
Pressing the <
> or < > button starts AF in your specified AF area selection
mode.
To continue using the current AF point when you press the <
> or < > button,
set [AF start position] to [Manually selected AF point], and to continue using the current
AI Servo AF characteristics, AF operation, and AF area selection mode, select [Maintain
current setting].
Note
You can register separate AF points for vertical (grip up or down) and horizontal
shooting when [
: Orientation linked AF point] is set to [Separate AF pts:
Area+pt] or [Separate AF pts: Pt only].
[Registered AF point] takes precedence if both [Registered AF point] and [AF
area selection mode] are set in [AF start position].
865
: Switch to Registered AF Function
As long as you hold down the button assigned to this function, you can switch AF operation
to your registered AF function. This is useful if you want to change AF characteristics during
AI Servo AF.
* 2: To access the detailed settings screen when the setting screen is displayed, press the < >
button. Turn the <
> or < > dial to select an item, then press < > to add a checkmark
[
]. To configure function details, select an item, then press < >. Default settings can be
restored by pressing the <
> button.
Caution
Setting details for [Tracking sensitivity] and [Accel./decel. tracking] are not
applied when [Case A] is selected in [
: AI Servo AF/Servo AF].
866
: Switch to Registered AF Point
Pressing the button assigned to this function during metering enables you to switch to the
registered AF point.
*
3: To select [Switch only when btn is held] or [Switch each time btn is pressed], press the
<
> button when the setting screen is displayed. For instructions on registering AF points,
see
Registering the AF Point.
867
: Direct AF Point Selection
During metering, you can select an AF point directly with the <
> or < > dial without
pressing the <
> button.
* 4: To set the direction for switching AF points with the < > dial, press the < > button when
the Quick control dial setting screen is displayed. [Horizontal] and [Vertical] settings for
[Direction: AF point switching] apply to Spot AF, 1-point AF, Expand AF area: (manual
selection), and Expand AF area: Surround, and [Cycle through the zones], [Horizontal], and
[Vertical] settings for [Direction: Zone AF frame switch] apply to Zone AF.
* 5: To select AF point switching ([Switch to center AF point] or [Switch to registered AF point])
when you press the center of <
>, press the < > button when the Multi-controller setting
screen is displayed. For instructions on registering AF points, see
Registering the AF Point.
868
: Select AF Point, ( During Met)
During metering, you can select an AF point directly with the <
> dial without pressing the
<
> button. Setting this function switches the functions of the < > and < > buttons.
You can set exposure compensation or the aperture value by holding down the <
>
button and turning the <
> dial.
* 6: To set the direction for switching AF points with the <
> dial, press the < > button when
the setting screen is displayed. [Horizontal] and [Vertical] settings for [Direction: AF point
switching] apply to Spot AF, 1-point AF, Expand AF area: (manual selection), and Expand AF
area: Surround, and [Cycle through the zones], [Horizontal], and [Vertical] settings for
[Direction: Zone AF frame switch] apply to Zone AF.
869
: Set ISO, ( During Met)
During metering, you can set the ISO speed by turning the <
> dial. Setting this function
switches the functions of the <
> and < > buttons. You can set exposure
compensation or the aperture value by pressing the <
> button and turning the < >
dial.
870
: Image Size Selection
You can select a card or set the image size by pressing <
> while watching the rear LCD
panel. To select a card, turn the <
> dial. To set the image size, turn the < > dial.
871
: One-Touch Image Quality Setting
Pressing the button assigned to this function enables you to switch to the image size set
here. While the camera switches the image size,
icons blink in the viewfinder and
the image size blinks on the rear LCD panel. One-touch image quality setting is canceled
after you finish shooting, and the camera reverts to the original image size.
* 7: To set the image size for this function, press the <
> button when the setting screen is
displayed.
872
: One-Touch Image Quality (Hold)
Pressing the button assigned to this function enables you to switch to the image size set
here. While the camera switches the image size,
icons blink in the viewfinder and
the image size blinks on the rear LCD panel. One-touch image quality setting is not
canceled after you shoot. To return to the original image size, press the button assigned to
this function again.
* 7: To set the image size for this function, press the <
> button when the setting screen is
displayed.
873
: Register/Recall Shooting Function
You can manually set the main shooting functions and register them to the camera. As long
as you hold down the button assigned to this function, you can apply your registered
shooting function settings as you shoot.
* 8: To access the detailed settings screen when the setting screen is displayed, press the < >
button. Turn the <
> or < > dial to select an item, then press < > to add a checkmark
[
]. To configure function details, select an item, then press < >. Default settings can be
restored by pressing the <
> button.
To register the camera's current settings, select [Register current settings]. For instructions on
registering AF points, see
Registering the AF Point.
Caution
These setting details are not applied when a Speedlite EL-100 is attached.
874
: Unlock While Button Pressed
Even with the power switch set to <
>, by holding down the button assigned to this
function, you can use camera controls that are locked by [
6: Multi function lock].
875
: Switch to Custom Shooting Mode
You can switch to registered Custom shooting modes (
) by pressing the < > button
in shooting modes other than <
>, < >, or < >. When you have added a [ ] to
[
], [ ], and [ ] in [ 3: Restrict shooting modes], each press of the < >
button switches from
to to to the current shooting mode.
876
: Cycle Between the Set Functions
Each press of the <
> button switches from one shooting function setting to the next.
* 9: To access the detailed settings screen when the setting screen is displayed, press the < >
button. You can set the the functions that the camera switches among. Turn the
<
> dial to
select an item, then press <
> to add a checkmark [ ]. Select [OK] to register the setting.
877
: Illuminate Info in Viewfinder
By pressing the button assigned to this function, you can activate red illumination for
information in the viewfinder. To deactivate the illumination, either press the button assigned
to this function again or a button that starts the metering timer, such as the shutter button.
Caution
Pressing the button assigned to this function during AE lock cancels AE lock and
illuminates information in the viewfinder.
878
Creating and Adding My Menu Tabs
1.
Select [Add My Menu tab].
2.
Select [OK].
You can create up to five My Menu tabs by repeating steps 1 and 2.
881
Registering Menu Items on My Menu Tabs
1.
Select [MY MENU*: Configure].
2.
Select [Select items to register].
3.
Register the desired items.
Select an item, then press < >.
Select [OK] on the confirmation screen.
You can register up to six items.
To return to the screen in step 2, press the < > button.
882
My Menu Tab Settings
You can sort and delete items on the menu tab, and rename or delete the menu tab itself.
Sort registered items
You can change the order of the registered items in My Menu. Select [Sort registered
items], select an item to rearrange, then press <
>. With [ ] displayed, turn the
<
> dial to rearrange the item, then press < >.
Delete selected items/Delete all items on tab
You can delete any of the registered items. [Delete selected items] deletes one item at
a time, and [Delete all items on tab] deletes all the registered items on the tab.
Delete tab
You can delete the current My Menu tab. Select [Delete tab] to delete the [MY MENU*]
tab.
883
Rename tab
You can rename the My Menu tab from [MY MENU*].
1.
Select [Rename tab].
2.
Enter text.
To delete single characters, select [ ] or press the < > button.
Use the < > or < > dial to select a character, then press
<
> to enter it.
By selecting [ ], you can change the input mode.
3.
Confirm input.
Press the < > button, then select [OK].
884
Deleting All My Menu Tabs/Deleting All Items
You can delete all the created My Menu tabs or My Menu items registered on them.
Delete all My Menu tabs
You can delete all My Menu tabs you created. When you select [Delete all My Menu
tabs], all the tabs from [MY MENU1] to [MY MENU5] will be deleted and the [
] tab will
revert to its default.
Delete all items
You can delete all the items registered under the [MY MENU1] to [MY MENU5] tabs. The
tabs themselves will remain. When [Delete all items] is selected, all the items registered
on all the created tabs will be deleted.
Caution
Performing [Delete tab] or [Delete all My Menu tabs] will also delete tab names
renamed with [Rename tab].
885
Menu Display Settings
You can select [Menu display] to set the menu screen that is to appear first when you press
the <
> button.
Normal display
Displays the last displayed menu screen.
Display from My Menu tab
Displays with the [
] tab selected.
Display only My Menu tab
Restricts display to the [
] tab ([ ]/[ ]/[ ]/[ ]/[ ]/[ ] tabs are not displayed).
886
Importing Images to a Computer
Connecting to a Computer with an Interface Cable
Using a Card Reader
Connecting to a Computer via Wi-Fi
You can use EOS software to import images from the camera to a computer. There are
three ways to do this.
Connecting to a Computer with an Interface Cable
1.
Install EOS Utility (
).
2.
Connect the camera to the computer.
Use the interface cable included with the camera.
When connecting the cable to the camera, use the cable protector ( )
and insert the plug in the digital terminal.
Insert the other end of the cable into the computer's USB terminal
(Type-C).
3.
Use EOS Utility to import the images.
Refer to the EOS Utility Instruction Manual.
888
Using a Card Reader
You can use a card reader to import images to a computer.
1.
Install Digital Photo Professional (
).
2.
Insert the card into the card reader.
3.
Use Digital Photo Professional to import the images.
Refer to the Digital Photo Professional Instruction Manual.
Note
When downloading images from the camera to a computer with a card reader
without using EOS software, copy the DCIM folder on the card to the computer.
890
Troubleshooting Guide
Power-related problems
Shooting-related problems
Problems with wireless features
Operation problems
Display problems
Playback problems
Sensor cleaning problems
Computer connection problems
If a problem occurs with the camera, first refer to this Troubleshooting Guide. If this
Troubleshooting Guide does not resolve the problem, contact your dealer or nearest Canon
Service Center.
Power-related problems
The battery does not charge.
The included Battery Charger LC-E19 is designed exclusively for Battery Pack LP-E19.
In case of charging or charger issues, see Charging the Battery.
The camera is not activated even when the power switch is set to
<
>.
Make sure the battery is inserted properly in the camera ( ).
Make sure the card slot cover is closed ( ).
Charge the battery ( ).
The access lamp still lights or blinks even when the power switch is set
to <
>.
If the power is turned off while an image is being recorded to the card, the access lamp
will remain on or continue to blink for a few seconds. When the image recording is
complete, the power will turn off automatically.
892
[Battery communication error. Does this battery/do these batteries
display the Canon logo?] is displayed.
Do not use any battery packs other than a genuine Canon Battery Pack LP-E19.
Remove and install the battery again ( ).
If the electrical contacts are dirty, use a soft cloth to clean them.
The battery becomes exhausted quickly.
Use a fully charged battery ( ).
The battery performance may have degraded. See [ : Battery info.] to check the
battery's recharge performance level ( ). If the battery performance is poor, replace the
battery with a new one.
The number of available shots will decrease with any of the following operations:
• Pressing the shutter button halfway for a prolonged period.
• Activating the AF frequently without taking a picture.
• Using the lens's Image Stabilizer.
• Using GPS.
• Using the screen frequently.
• Continuing Live View shooting or movie recording for a prolonged period.
• Using the wireless communication functions.
The camera turns off by itself.
Auto power off is in effect. To deactivate auto power off, set [ : Auto power off] to
[Disable] ( ).
Even if [ : Auto power off] is set to [Disable], the screen still turns off after the camera
is left idle for approx. 30 min. (although the camera itself remains on).
893
Shooting-related problems
The lens cannot be attached.
The camera cannot be used with RF, EF-S, or EF-M lenses ( ).
The viewfinder is dark.
Install a charged battery in the camera ( ).
No images can be shot or recorded.
Make sure the card is properly inserted ( ).
If the card is full, replace the card or delete unnecessary images to make space
( , ).
Shooting is not possible during One-Shot AF when the focus indicator < > in the
viewfinder is blinking, or when the AF point is orange during Live View shooting or movie
recording. Press the shutter button halfway again to refocus automatically, or focus
manually ( ).
The card cannot be used.
If a card error message is displayed, see Inserting/Removing Cards and Error Codes.
I have to press the shutter button twice to take a picture.
Set [ : Mirror lockup] to [Disable].
The image is out of focus or blurred.
Set the lens's focus mode switch to < > ( ).
Press the shutter button gently to prevent camera shake ( , ).
With a lens equipped with an Image Stabilizer, set the Image Stabilizer switch to
<
>.
In low light, the shutter speed may become slow. Use a faster shutter speed ( ), set a
higher ISO speed (
), use flash ( ), or use a tripod.
See Minimizing Blurred Photos.
There are fewer AF points or the Area AF frame shape is different.
Depending on the lens used, the number of usable AF points, AF point patterns, Area
AF frame shape, etc. vary ( ).
894
The AF point is blinking or two AF points are displayed.
See Selecting the AF Area and AF Point (Viewfinder Shooting) for details on AF point
blinking or illumination when the <
> button is pressed.
AF points in registered positions are blinking ( , ).
Manually selected AF points (or zones) and registered AF points are displayed ( , ).
I cannot lock the focus and recompose the shot.
Set the AF operation to One-Shot AF ( ). Shooting with the focus locked is not
possible with AI Servo AF/Servo AF ( ).
The continuous shooting speed is slow.
High-speed continuous shooting may be slower depending on the type of power used,
the battery level, ambient temperature, ISO speed, flicker reduction, shutter speed,
aperture value, state of the aperture during continuous shooting, subject conditions,
brightness, type of lens, use of flash, shooting function settings, and other conditions.
For details, see Selecting the Drive Mode.
The maximum burst during continuous shooting is lower.
If you shoot a subject that has fine detail such as a field of grass, the file size will be
larger, and the actual maximum burst may be lower than the number listed in
Performance Data.
Even after I change the card, the maximum burst displayed for
continuous shooting does not change.
Estimated maximum burst indicated in the viewfinder does not change when you switch
cards, even if you switch to a high-speed card. The maximum burst shown in the table in
Performance Data is based on the standard Canon test card, so the faster the card's
writing speed, the higher the actual maximum burst will be. For this reason, estimated
maximum burst as indicated in the viewfinder may differ from actual maximum burst.
ISO speeds cannot be selected for still photo shooting.
The minimum speed in the ISO speed range is ISO 200 when [ : Highlight tone
priority] is set to [Enable] or [Enhanced].
895
Expanded ISO speeds cannot be selected for still photo shooting.
Check the [ISO speed range] setting under [ : ISO speed settings].
Expanded ISO speeds are not available when [ : Highlight tone priority] is set to
[Enable] or [Enhanced].
Expanded ISO speeds are not available when [ : HDR shooting ] is set to
[Enable].
Even if I set a decreased exposure compensation, the image comes out
bright.
Set [ : Auto Lighting Optimizer] to [Disable] ( ). When [Low], [Standard], or
[High] is set, even if you set a decreased exposure compensation or flash exposure
compensation, the image may come out bright.
I cannot set the exposure compensation when both manual exposure
and ISO Auto are set.
See M: Manual Exposure to set the exposure compensation.
Exposure compensation is not performed in flash photography.
Not all the lens aberration correction options are displayed.
Although [Chromatic aberr corr] and [Diffraction correction] are not displayed when
[Digital Lens Optimizer] is set to [Enable], both functions are applied in shooting, as
when set to [Enable].
During movie recording, [Digital Lens Optimizer] or [Distortion correction] will not be
displayed.
Images are not displayed after shooting in multiple-exposure shooting.
When [On:ContShtng] is set, images are not displayed for review after capture, and
image playback is not available ( ).
Using flash in <
> mode lowers the shutter speed.
To provide suitable exposure for subjects and backgrounds, the shutter speed is
automatically reduced (slow-sync shooting) for shots under low light in night scenes or
with similar backgrounds. To prevent a slow shutter speed, set [Flash sync. speed in
Av mode] in [
: External Speedlite control] to [1/250-1/60sec. auto] or [1/250 sec.
(fixed)] ( ).
896
The flash does not fire.
Make sure the flash unit (or sync cord) is securely attached to the camera.
When using flash in Live View shooting, set [ : Shutter mode] to an option other than
[Electronic] ( ).
The flash always fires at full output.
Flash units other than EL/EX series Speedlites used in autoflash mode always fire at full
output ( ).
When the flash Custom Function setting for [Flash metering mode] is set to [TTL flash
metering] (autoflash), the flash will always fire at full output ( ).
Flash exposure compensation cannot be set.
If flash exposure compensation is already set with the Speedlite, flash exposure
compensation cannot be set with the camera. When the external Speedlite's flash
exposure compensation is canceled (set to 0), flash exposure compensation can be set
with the camera.
High-speed sync is not available in <
> mode.
Set [Flash sync. speed in Av mode] in [ : External Speedlite control] to [Auto]
( ).
I cannot shoot with Live View.
Set [ : Live View shoot.] to [Enable].
During Live View shooting, a white or red icon is displayed.
It indicates that the camera's internal temperature is high. Image quality of still photos
may be worse when a white [
] icon is displayed. If the red [ ] icon is displayed, it
indicates that the Live View shooting will soon stop automatically ( ).
During movie recording, the red
icon is displayed.
It indicates that the camera's internal temperature is high. If the red [ ] icon is
displayed, it indicates that the movie recording will soon stop automatically ( ).
897
Movie recording stops by itself.
If the card's writing speed is slow, movie recording may stop automatically. For cards
that can record movies, see Performance Data. To find out the card's writing speed,
refer to the card manufacturer's website, etc.
Perform low-level formatting to initialize the card if the card's writing or reading speed
seems slow ( ).
Recording stops automatically once your movie reaches 29 min. 59 sec. (or
7 min. 29 sec. for a High Frame Rate movie).
The ISO speed cannot be set for movie recording.
ISO speed is set automatically in < >/< >/< > recording mode. In < >
mode, you can manually set the ISO speed ( ).
The minimum speed in the ISO speed range is ISO 200 when [ : Highlight tone
priority] is set to [Enable] or [Enhanced].
Expanded ISO speeds cannot be selected for movie recording.
Check the [ISO speed range] setting under [ : ISO speed settings].
Expanded ISO speeds are not available when [ : Highlight tone priority] is set to
[Enable] or [Enhanced].
Expanded ISO speeds are not available when the camera is set for RAW movies.
The exposure changes during movie recording.
If you change the shutter speed or aperture value during movie recording, the changes
in the exposure may be recorded.
Recording a few test movies is recommended if you intend to perform zooming during
movie recording. Zooming as you record movies may cause exposure changes or lens
sounds to be recorded, an uneven audio level, inaccurate lens aberration correction, or
loss of focus.
The image flickers or horizontal stripes appear during movie recording.
Flickering, horizontal stripes (noise), or irregular exposures can be caused by
fluorescent lighting, LED lighting, or other light sources during movie recording. Also,
changes in the exposure (brightness) or color tone may be recorded. In
<
> or
<
> mode, using a slower shutter speed may reduce the problem.
The subject looks distorted during movie recording.
If you move the camera to the left or right (panning) or shoot a moving subject, the
image may look distorted.
898
Sound is not recorded in movies.
Sound is not recorded in High Frame Rate movies.
A time code is not added.
Time codes are not added when you record High Frame Rate movies with [Count up] in
[
: Time code] set to [Free run] ( ). Additionally, no time code is added to HDMI
video output ( ).
Time codes advance faster than the actual time.
Time codes in High Frame Rate recording advance 4 sec. per second ( ).
I cannot take still photos during movie recording.
Still photos cannot be taken during movie recording. To take still photos, stop the movie
recording and perform viewfinder shooting or Live View shooting.
899
Problems with wireless features
Cannot pair with a smartphone.
Use a smartphone compliant with Bluetooth Specification Version 4.1 or later.
Turn on Bluetooth from the smartphone settings screen.
Pairing with the camera is not possible from the smartphone's Bluetooth settings screen.
Install the dedicated app Camera Connect (free of charge) on the smartphone ( ).
Pairing with a previously paired smartphone is not possible if pairing information
registered for another camera remains on the smartphone. In this case, remove the
camera's registration retained in the Bluetooth settings on the smartphone and try
pairing again ( ).
Wi-Fi functions cannot be set.
If the camera is connected to a computer or another device with an interface cable,
Wi-Fi functions cannot be set. Disconnect the interface cable before setting any
functions.
A device connected with an interface cable cannot be used.
Other devices, such as computers, cannot be used with the camera by connecting them
with an interface cable while the camera is connected to devices via Wi-Fi. Terminate
the Wi-Fi connection before connecting the interface cable.
Operations such as shooting and playback are not possible.
With a Wi-Fi connection established, operations such as shooting and playback may not
be possible. Terminate the Wi-Fi connection, then perform the operation.
Cannot reconnect to a smartphone.
Even with a combination of the same camera and smartphone, if you have changed the
settings or selected a different setting, reconnection may not be established even after
selecting the same SSID. In this case, delete the camera connection settings from the
Wi-Fi settings on the smartphone and set up a connection again.
A connection may not be established if Camera Connect is running when you
reconfigure connection settings. In this case, quit Camera Connect for a moment and
then restart it.
900
Operation problems
Settings change when I switch from still photo shooting to movie
recording or vice versa.
Separate settings are retained for use when shooting still photos and recording movies.
Settings cannot be changed with <
>, < >, < >, < >, or < >.
Set the power switch to < > ( ).
Check the [ 6: Multi function lock] setting ( ).
Settings cannot be changed with <
>, < >, or < > for vertical
shooting.
Set the vertical-grip On/Off switch to < > ( ).
Set [ 7: Smart controller] to [Enable] ( ).
Touch operation is not possible.
Make sure [ : Touch control] is set to [Standard] or [Sensitive] ( ).
A camera button or dial does not work as expected.
Check the [ 6: Custom Controls] setting ( ).
901
Display problems
The display starts with [ ] My Menu, or the [ ] tab alone is displayed.
[Menu display] on the [ ] tab is set to [Display from My Menu tab] or [Display only
My Menu tab]. Set [Normal display] ( ).
The file name's first character is an underscore (“_”).
Set [ : Color space] to [sRGB]. If [Adobe RGB] is set, the first character will be an
underscore ( ).
The fourth character in the file name changes.
[ : File name] is set to [*** + image size]. Select either the camera's unique file name
or the file name registered in User setting 1 ( ).
The file numbering does not start from 0001.
If the card already contains recorded images, the image number may not start from
0001 ( ).
The shooting date and time displayed are incorrect.
Make sure the correct date and time are set ( ).
Check the time zone and daylight saving time ( ).
The date and time are not in the image.
The shooting date and time do not appear in the image. The date and time are recorded
in the image data as shooting information. When printing, you can imprint the date and
time in the picture, using the date and time recorded in the shooting information ( ).
[###] is displayed.
If the number of images recorded on the card exceeds the number the camera can
display, [###] will be displayed.
The screen does not display a clear image.
If the screen is dirty, use a soft cloth to clean it.
The screen display may seem slightly slow in low temperatures or may look black in
high temperatures, but it will return to normal at room temperature.
902
Playback problems
Part of the image blinks in black.
[ : Highlight alert] is set to [Enable] ( ).
A red box is displayed on the image.
[ : AF point disp.] is set to [Enable] ( ).
During image playback, the AF points are not displayed.
AF points are not displayed in playback of cropped images.
The image cannot be erased.
If the image is protected, it cannot be erased ( ).
Still photos and movies cannot be played back.
The camera may not be able to play back images taken with another camera.
Movies edited with a computer cannot be played back with the camera.
Only few images can be played back.
The images have been filtered for playback with [ : Set image search conditions]
( ). Clear the image search conditions.
Mechanical sounds or sounds of camera operations can be heard
during movie playback.
If AF operations are performed or you control the camera or lens during movie
recording, the camera's built-in microphone may also record mechanical sounds of the
lens or sounds of camera/lens operations. In this case, using an external microphone
may reduce these sounds. If the sounds are still distracting with an external microphone,
it may be more effective to remove the external microphone from the camera and
position it away from the camera and lens.
Movie playback stops by itself.
Extended movie playback or movie playback under high ambient temperature may
cause the camera's internal temperature to rise, and movie playback may stop
automatically.
If this happens, playback is disabled until the camera's internal temperature decreases,
so turn off the power and let the camera cool down a while.
903
The movie appears to freeze momentarily.
Significant change in the exposure level during Program AE recording may cause
recording to stop momentarily until the brightness stabilizes. In such a case, shoot in the
<
> mode ( ).
The movie is played in slow motion.
High Frame Rate movies are recorded at 29.97 fps or 25.00 fps, so they are played in
slow motion at 1/4 speed.
No picture appears on the television.
Make sure [ : Video system] is set to [For NTSC] or [For PAL] correctly for the video
system of your television.
Make sure the HDMI cable's plug is inserted all the way in ( ).
My card reader does not recognize the card.
CFexpress cards may not be correctly recognized by some card readers or in some
operating systems. In this case, connect the camera to the computer with the interface
cable, then import the images to the computer using EOS Utility (EOS software, ).
Images cannot be resized or cropped.
JPEG images, RAW images, images captured with [ : HDR shooting ] in
[
: HDR PQ settings] set to [Enable], and frame-grab images from 4K movies saved
as still photos cannot be resized with the camera ( ).
RAW images, images captured with [ : HDR shooting ] in [ : HDR PQ
settings] set to [Enable], and frame-grab images from 4K movies saved as still photos
cannot be cropped with the camera ( ).
Dots of light appear on the image.
White, red, or blue dots of light may appear in captured images if the sensor is affected
by cosmic rays or similar factors. Their appearance may be reduced by performing
[Clean now
] under [ : Sensor cleaning] ( ).
904
Sensor cleaning problems
The shutter makes a sound during sensor cleaning.
Although there is a mechanical sound from the shutter during cleaning after [Clean now
] is selected, no image is recorded to the card ( ).
Automatic sensor cleaning does not work.
If you repeatedly turn the power switch < > and < > within a short time
period, the <
> icon may not be displayed ( ).
905
Computer connection problems
I cannot import images to a computer.
Install EOS Utility (EOS software) on the computer ( ).
Make sure the main EOS Utility window is displayed.
If the camera is already connected via Wi-Fi, it cannot communicate with any computer
connected with an interface cable.
Check the version of the application.
906
Error Codes
(1) Error number
(2) Cause and countermeasures
If there is a problem with the camera, an error message will appear. Follow the on-screen
instructions.
If the problem persists, write down the error code (Errxx) and request service.
907
Compatible Lenses and Autofocusing (Viewfinder
Shooting)
Group A
Group B
Group C
Group D
Group E
Group F
Group G
Group H
Group I
Group J
Group Classification of Lenses
Caution
Although the camera has 191 AF points, lenses are classified into 10 groups (A–
J) which vary in the number of AF points available, AF point patterns, Area
AF frame shapes, and other details.
When lenses in groups F–J are used, fewer AF points are available.
See Group Classification of Lenses for lenses you will use.
Note
AF points in positions indicated by [ ] blink when the < > button is pressed
(while [
/ / ] points remain lit). For details on AF point blinking/illumination, see
Meaning of Lit or Blinking AF Points.
For updates on “Group Classification of Lenses,” visit the Canon website or others.
Some lenses may not be available in certain countries or regions.
908
Group A
Autofocusing with 191 points is possible. All the AF area selection modes are available.
: Dual cross-type AF point. Offers superior subject tracking and higher focusing precision
than other AF points.
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines.
909
Group B
Autofocusing with 191 points is possible. All the AF area selection modes are selectable.
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines.
910
Group C
Autofocusing with 191 points is possible. All the AF area selection modes are selectable.
: Dual cross-type AF point. Offers superior subject tracking and higher focusing precision
than other AF points.
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines.
911
Group D
Autofocusing with 191 points is possible. All the AF area selection modes are selectable.
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines.
912
Group E
Autofocusing with 191 points is possible. All the AF area selection modes are selectable.
With an extender attached to extendable lenses, AF is available when maximum aperture is
f/8 (in a range of f/5.6–f/8).
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines.
Caution
If the maximum aperture value is slower than f/5.6 (greater than f/5.6 but not
exceeding f/8), focus may not be achieved with AF when shooting low-contrast or
low-light subjects.
If the maximum aperture value is slower than f/8 (greater than f/8), AF is not
possible during viewfinder shooting.
913
Group F
Not all 191 AF points can be used for autofocusing, but the 139 points shown here are
available. All the AF area selection modes are selectable. During automatic AF point
selection, the outer frame marking the AF area (Area AF frame) will be different from 191-
point Automatic selection AF.
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines.
: Disabled AF points (not displayed).
914
Group G
Not all 191 AF points can be used for autofocusing, but the 87 points shown here are
available. All the AF area selection modes are selectable. During automatic AF point
selection, the outer frame marking the AF area (Area AF frame) will be different from 191-
point Automatic selection AF.
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines.
: Disabled AF points (not displayed).
915
Group H
The 23 AF points shown here are available for autofocusing. As the AF area selection mode,
choose from Spot AF, 1-point AF, Expand AF area:
, Zone AF (manual selection), or 23-
point Automatic selection AF.
With an extender attached to extendable lenses, AF is available when maximum aperture is
f/8 (in a range of f/5.6–f/8).
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines (AF points left and right of the center) or vertical
lines (AF points above and below the center).
: Disabled AF points (not displayed).
Caution
Expand AF area: applies to the 23 available AF points. Expansion for manually
selected AF points that are not surrounded by active AF points is limited to any
available adjacent points.
If the maximum aperture value is slower than f/5.6 (greater than f/5.6 but not
exceeding f/8), focus may not be achieved with AF when shooting low-contrast or
low-light subjects.
If the maximum aperture value is slower than f/8 (greater than f/8), AF is not
possible during viewfinder shooting.
916
Group I
The 15 AF points shown here are available for autofocusing. As the AF area selection mode,
choose from Spot AF, 1-point AF, Expand AF area:
, or 15-point Automatic selection AF.
With an extender attached to extendable lenses, AF is available when maximum aperture is
f/8 (in a range of f/5.6–f/8).
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines (AF points left and right of the center) or vertical
lines (AF points above and below the center).
: Disabled AF points (not displayed).
Caution
AF point expansion (manual selection ) applies to the 15 available AF points.
Expansion for manually selected AF points that are not surrounded by active AF
points is limited to any available adjacent points.
If the maximum aperture value is slower than f/5.6 (greater than f/5.6 but not
exceeding f/8), focus may not be achieved with AF when shooting low-contrast or
low-light subjects.
If the maximum aperture value is slower than f/8 (greater than f/8), AF is not
possible during viewfinder shooting.
917
Group J
The 9 AF points shown here are available for autofocusing. As the AF area selection mode,
choose from Spot AF, 1-point AF, or Expand AF area:
.
: Cross-type AF point. Offers excellent subject tracking and high-precision focusing.
: AF points sensitive to horizontal lines (AF points to the left and right of the center) or
vertical lines (AF points above and below the center). Manual selection is not available.
Enabled only when Expand AF area: manual selection is selected.
: Disabled AF points (not displayed).
918
Group Classification of Lenses
EF 14mm f/2.8 L USM A
EF 14mm f/2.8 L II USM A
EF 15mm f/2.8 Fisheye A
EF 20mm f/2.8 USM A
EF 24mm f/1.4 L USM A
EF 24mm f/1.4 L II USM A
EF 24mm f/2.8 A
EF 24mm f/2.8 IS USM A
EF 28mm f/1.8 USM A
EF 28mm f/2.8 C
EF 28mm f/2.8 IS USM A
EF 35mm f/1.4 L USM A
EF 35mm f/1.4 L II USM A
EF 35mm f/2 A
EF 35mm f/2 IS USM A
EF 40mm f/2.8 STM C
EF 50mm f/1.0 L USM A
EF 50mm f/1.2 L USM A
EF 50mm f/1.4 USM A
EF 50mm f/1.8 A
EF 50mm f/1.8 II A
EF 50mm f/1.8 STM A
EF 50mm f/2.5 Compact Macro B
EF 50mm f/2.5 Compact Macro + LIFE SIZE Converter EF E
EF 85mm f/1.2 L USM A
EF 85mm f/1.2 L II USM A
EF 85mm f/1.4 L IS USM A
EF 85mm f/1.8 USM A
EF 100mm f/2 USM A
EF 100mm f/2.8 Macro B
EF 100mm f/2.8 Macro USM E
EF 100mm f/2.8 L Macro IS USM B
919
EF 135mm f/2 L USM A
EF 135mm f/2 L USM + Extender EF 1.4x I/II/III A
EF 135mm f/2 L USM + Extender EF 2x I/II/III B
EF 135mm f/2.8 (Softfocus) A
EF 180mm f/3.5 L Macro USM G
EF 180mm f/3.5 L Macro USM + Extender EF 1.4x I/II/III G
EF 200mm f/1.8 L USM A
EF 200mm f/1.8 L USM + Extender EF 1.4x I/II/III A*
EF 200mm f/1.8 L USM + Extender EF 2x I/II/III B*
EF 200mm f/2 L IS USM A
EF 200mm f/2 L IS USM + Extender EF 1.4x I/II/III A
EF 200mm f/2 L IS USM + Extender EF 2x I/II/III B
EF 200mm f/2.8 L USM A
EF 200mm f/2.8 L USM + Extender EF 1.4x I/II/III B
EF 200mm f/2.8 L USM + Extender EF 2x I/II/III E
EF 200mm f/2.8 L II USM A
EF 200mm f/2.8 L II USM + Extender EF 1.4x I/II/III B
EF 200mm f/2.8 L II USM + Extender EF 2x I/II/III E
EF 300mm f/2.8 L USM A
EF 300mm f/2.8 L USM + Extender EF 1.4x I/II/III B*
EF 300mm f/2.8 L USM + Extender EF 2x I/II/III E*
EF 300mm f/2.8 L IS USM A
EF 300mm f/2.8 L IS USM + Extender EF 1.4x I/II/III B
EF 300mm f/2.8 L IS USM + Extender EF 2x I/II/III E
EF 300mm f/2.8 L IS II USM A
EF 300mm f/2.8 L IS II USM + Extender EF 1.4x I/II/III B
EF 300mm f/2.8 L IS II USM + Extender EF 2x I/II/III E
EF 300mm f/4 L USM B
EF 300mm f/4 L USM + Extender EF 1.4x I/II/III E
EF 300mm f/4 L USM + Extender EF 2x I/II I (f/8)
EF 300mm f/4 L USM + Extender EF 2x III H (f/8)
EF 300mm f/4 L IS USM B
EF 300mm f/4 L IS USM + Extender EF 1.4x I/II/III E
EF 300mm f/4 L IS USM + Extender EF 2x I/II I (f/8)
EF 300mm f/4 L IS USM + Extender EF 2x III H (f/8)
920
EF 400mm f/2.8 L USM A
EF 400mm f/2.8 L USM + Extender EF 1.4x I/II/III B*
EF 400mm f/2.8 L USM + Extender EF 2x I/II/III E*
EF 400mm f/2.8 L II USM A
EF 400mm f/2.8 L II USM + Extender EF 1.4x I/II/III B*
EF 400mm f/2.8 L II USM + Extender EF 2x I/II/III E*
EF 400mm f/2.8 L IS USM A
EF 400mm f/2.8 L IS USM + Extender EF 1.4x I/II/III B
EF 400mm f/2.8 L IS USM + Extender EF 2x I/II/III E
EF 400mm f/2.8 L IS II USM A
EF 400mm f/2.8 L IS II USM + Extender EF 1.4x I/II/III B
EF 400mm f/2.8 L IS II USM + Extender EF 2x I/II/III E
EF 400mm f/2.8 L IS III USM A
EF 400mm f/2.8 L IS III USM + Extender EF 1.4x I/II/III B
EF 400mm f/2.8 L IS III USM + Extender EF 2x I/II/III E
EF 400mm f/4 DO IS USM B
EF 400mm f/4 DO IS USM + Extender EF 1.4x I/II/III E
EF 400mm f/4 DO IS USM + Extender EF 2x I/II I (f/8)
EF 400mm f/4 DO IS USM + Extender EF 2x III E (f/8)
EF 400mm f/4 DO IS II USM B
EF 400mm f/4 DO IS II USM + Extender EF 1.4x I/II/III E
EF 400mm f/4 DO IS II USM + Extender EF 2x I/II I (f/8)
EF 400mm f/4 DO IS II USM + Extender EF 2x III E (f/8)
EF 400mm f/5.6 L USM E
EF 400mm f/5.6 L USM + Extender EF 1.4x I/II I (f/8)
EF 400mm f/5.6 L USM + Extender EF 1.4x III E (f/8)
EF 500mm f/4 L IS USM B
EF 500mm f/4 L IS USM + Extender EF 1.4x I/II/III E
EF 500mm f/4 L IS USM + Extender EF 2x I/II I (f/8)
EF 500mm f/4 L IS USM + Extender EF 2x III E (f/8)
EF 500mm f/4 L IS II USM B
EF 500mm f/4 L IS II USM + Extender EF 1.4x I/II/III E
EF 500mm f/4 L IS II USM + Extender EF 2x I/II I (f/8)
EF 500mm f/4 L IS II USM + Extender EF 2x III E (f/8)
EF 500mm f/4.5 L USM E
EF 500mm f/4.5 L USM + Extender EF 1.4x I/II I (f/8)*
EF 500mm f/4.5 L USM + Extender EF 1.4x III E (f/8)*
921
EF 600mm f/4 L USM B
EF 600mm f/4 L USM + Extender EF 1.4x I/II/III E*
EF 600mm f/4 L USM + Extender EF 2x I/II I (f/8)*
EF 600mm f/4 L USM + Extender EF 2x III E (f/8)*
EF 600mm f/4 L IS USM B
EF 600mm f/4 L IS USM + Extender EF 1.4x I/II/III E
EF 600mm f/4 L IS USM + Extender EF 2x I/II I (f/8)
EF 600mm f/4 L IS USM + Extender EF 2x III E (f/8)
EF 600mm f/4 L IS II USM B
EF 600mm f/4 L IS II USM + Extender EF 1.4x I/II/III E
EF 600mm f/4 L IS II USM + Extender EF 2x I/II I (f/8)
EF 600mm f/4 L IS II USM + Extender EF 2x III E (f/8)
EF 600mm f/4 L IS III USM B
EF 600mm f/4 L IS III USM + Extender EF 1.4x I/II/III E
EF 600mm f/4 L IS III USM + Extender EF 2x I/II I (f/8)
EF 600mm f/4 L IS III USM + Extender EF 2x III E (f/8)
EF 800mm f/5.6 L IS USM F
EF 800mm f/5.6 L IS USM + Extender EF 1.4x I/II/III I (f/8)
EF 1200mm f/5.6 L USM G
EF 1200mm f/5.6 L USM + Extender EF 1.4x I/II/III I (f/8)*
EF 8-15mm f/4 L Fisheye USM B
EF 11-24mm f/4 L USM D
EF 16-35mm f/2.8 L USM A
EF 16-35mm f/2.8 L II USM A
EF 16-35mm f/2.8 L III USM A
EF 16-35mm f/4 L IS USM B
EF 17-35mm f/2.8 L USM A
EF 17-40mm f/4 L USM B
EF 20-35mm f/2.8 L A
EF 20-35mm f/3.5-4.5 USM E
EF 22-55mm f/4-5.6 USM F
EF 24-70mm f/2.8 L USM A
EF 24-70mm f/2.8 L II USM A
EF 24-70mm f/4 L IS USM B
EF 24-85mm f/3.5-4.5 USM E
EF 24-105mm f/3.5-5.6 IS STM E
EF 24-105mm f/4 L IS USM B
EF 24-105mm f/4 L IS II USM B
922
EF 28-70mm f/2.8 L USM A
EF 28-70mm f/3.5-4.5 F
EF 28-70mm f/3.5-4.5 II F
EF 28-80mm f/2.8-4 L USM B
EF 28-80mm f/3.5-5.6 F
EF 28-80mm f/3.5-5.6 USM F
EF 28-80mm f/3.5-5.6 II F
EF 28-80mm f/3.5-5.6 II USM F
EF 28-80mm f/3.5-5.6 III USM F
EF 28-80mm f/3.5-5.6 IV USM F
EF 28-80mm f/3.5-5.6 V USM F
EF 28-90mm f/4-5.6 E
EF 28-90mm f/4-5.6 USM E
EF 28-90mm f/4-5.6 II E
EF 28-90mm f/4-5.6 II USM E
EF 28-90mm f/4-5.6 III E
EF 28-105mm f/3.5-4.5 USM E
EF 28-105mm f/3.5-4.5 II USM E
EF 28-105mm f/4-5.6 F
EF 28-105mm f/4-5.6 USM F
EF 28-135mm f/3.5-5.6 IS USM E
EF 28-200mm f/3.5-5.6 E
EF 28-200mm f/3.5-5.6 USM E
EF 28-300mm f/3.5-5.6 L IS USM E
EF 35-70mm f/3.5-4.5 F
EF 35-70mm f/3.5-4.5 A F
EF 35-80mm f/4-5.6 F
EF 35-80mm f/4-5.6 PZ F
EF 35-80mm f/4-5.6 USM F
EF 35-80mm f/4-5.6 II F
EF 35-80mm f/4-5.6 III F
EF 35-105mm f/3.5-4.5 E
EF 35-105mm f/4.5-5.6 J
EF 35-105mm f/4.5-5.6 USM J
EF 35-135mm f/3.5-4.5 E
EF 35-135mm f/4-5.6 USM E
EF 35-350mm f/3.5-5.6 L USM F
EF 38-76mm f/4.5-5.6 E
923
EF 50-200mm f/3.5-4.5 E
EF 50-200mm f/3.5-4.5 L E
EF 55-200mm f/4.5-5.6 USM E
EF 55-200mm f/4.5-5.6 II USM E
EF 70-200mm f/2.8 L USM A
EF 70-200mm f/2.8 L USM + Extender EF 1.4x I/II/III B**
EF 70-200mm f/2.8 L USM + Extender EF 2x I/II/III E**
EF 70-200mm f/2.8 L IS USM A
EF 70-200mm f/2.8 L IS USM + Extender EF 1.4x I/II/III B
EF 70-200mm f/2.8 L IS USM + Extender EF 2x I/II/III E
EF 70-200mm f/2.8 L IS II USM A
EF 70-200mm f/2.8 L IS II USM + Extender EF 1.4x I/II/III B
EF 70-200mm f/2.8 L IS II USM + Extender EF 2x I/II/III E
EF 70-200mm f/2.8 L IS III USM A
EF 70-200mm f/2.8 L IS III USM + Extender EF 1.4x I/II/III B
EF 70-200mm f/2.8 L IS III USM + Extender EF 2x I/II/III E
EF 70-200mm f/4 L USM B
EF 70-200mm f/4 L USM + Extender EF 1.4x I/II/III E
EF 70-200mm f/4 L USM + Extender EF 2x I/II I (f/8)
EF 70-200mm f/4 L USM + Extender EF 2x III H (f/8)
EF 70-200mm f/4 L IS USM B
EF 70-200mm f/4 L IS USM + Extender EF 1.4x I/II/III E
EF 70-200mm f/4 L IS USM + Extender EF 2x I/II I (f/8)
EF 70-200mm f/4 L IS USM + Extender EF 2x III H (f/8)
EF 70-200mm f/4 L IS II USM B
EF 70-200mm f/4 L IS II USM + Extender EF 1.4x I/II/III E
EF 70-200mm f/4 L IS II USM + Extender EF 2x I/II I (f/8)
EF 70-200mm f/4 L IS II USM + Extender EF 2x III H (f/8)
EF 70-210mm f/3.5-4.5 USM E
EF 70-210mm f/4 B
EF 70-300mm f/4-5.6 IS USM E
EF 70-300mm f/4-5.6 IS II USM E
EF 70-300mm f/4-5.6 L IS USM E
EF 70-300mm f/4.5-5.6 DO IS USM E
924
EF 75-300mm f/4-5.6 E
EF 75-300mm f/4-5.6 USM E
EF 75-300mm f/4-5.6 II E
EF 75-300mm f/4-5.6 II USM E
EF 75-300mm f/4-5.6 III E
EF 75-300mm f/4-5.6 III USM E
EF 75-300mm f/4-5.6 IS USM E
EF 80-200mm f/2.8 L A
EF 80-200mm f/4.5-5.6 E
EF 80-200mm f/4.5-5.6 USM F
EF 80-200mm f/4.5-5.6 II F
EF 90-300mm f/4.5-5.6 E
EF 90-300mm f/4.5-5.6 USM E
EF 100-200mm f/4.5 A E
EF 100-300mm f/4.5-5.6 USM E
EF 100-300mm f/5.6 E
EF 100-300mm f/5.6 L E
EF 100-400mm f/4.5-5.6 L IS USM E
EF 100-400mm f/4.5-5.6 L IS USM + Extender EF 1.4x I/II I (f/8)
EF 100-400mm f/4.5-5.6 L IS USM + Extender EF 1.4x III E (f/8)
EF 100-400mm f/4.5-5.6 L IS II USM E
EF 100-400mm f/4.5-5.6 L IS II USM + Extender EF 1.4x I/II I (f/8)
EF 100-400mm f/4.5-5.6 L IS II USM + Extender EF 1.4x III E (f/8)
EF 200-400mm f/4 L IS USM Extender 1.4x D
EF 200-400mm f/4 L IS USM Extender 1.4x: Built-in Ext. 1.4x E
EF 200-400mm f/4 L IS USM Extender 1.4x + Extender EF 1.4x I/II/III E
EF 200-400mm f/4 L IS USM Extender 1.4x: Built-in Ext. 1.4x + Extender EF 1.4x I/II I (f/8)
EF 200-400mm f/4 L IS USM Extender 1.4x: Built-in Ext. 1.4x + Extender EF 1.4x III E (f/8)
EF 200-400mm f/4 L IS USM Extender 1.4x + Extender EF 2x I/II I (f/8)
EF 200-400mm f/4 L IS USM Extender 1.4x + Extender EF 2x III E (f/8)
TS-E 17mm f/4 L B
TS-E 24mm f/3.5 L B
TS-E 24mm f/3.5 L II B
TS-E 45mm f/2.8 A
TS-E 50mm f/2.8 L Macro B
TS-E 90mm f/2.8 A
TS-E 90mm f/2.8 L Macro B
TS-E 135mm f/4 L Macro B
925
Caution
AF is not available with Extender EF 2x (I/II/III) attached to the EF 180mm f/3.5 L
Macro USM lens.
Precise autofocusing may not be achieved if you use a lens and Extender EF1.4x
III/EF2x III combination marked with an asterisk or a lens and extender in a
combination marked with two asterisks. In this case, refer to the Instruction Manual
of the lens or extender used.
Note
If you use a TS-E lens, manual focusing is required. TS-E lens group designations
apply only when tilt or shift is not used.
926
System Map
(1)
(18)
(27)
(26)
(31) (32)
(28)
(11) (14)(12) (13) (15) (16)
(17)
(34)
(35)
(36)
(39)
(40)
(37)
(38)
(33)
(30)
(29)
(22)
(23)
(24) (25)
(19)
(20)
(21)
(2) (3) (4) (5) (6) (7) (9)
(8) (10)
: Bundled accessories
(1) Speedlite Transmitter ST-E2
(2) Speedlite Transmitter ST-E3-RT
(3) Speedlite 270EX II
(4) Speedlite EL-100
(5) Speedlite 430EX III-RT/430EX III
(6) Speedlite 470EX-AI
(7) Speedlite 600EX II-RT
(8) Speedlite EL-1
(9) Macro Ring Lite MR-14EX II
(10) Macro Twin Lite MT-26EX-RT
(11) Directional Stereo Microphone DM-E1
(12) Stereo Microphone DM-E100
(13) Headphones
(14) Timer Remote Controller TC-80N3
(15) Remote Switch RS-80N3
(16) Wireless Controller LC-5
(17) EF lenses
(18) Dioptric Adjustment Lenses Eg
(19) Anti-Fog Eyepiece Eg
(20) Angle Finder C
927
(21) Hand Strap E2
(22) Eyecup Eg
(23) Strap
(24) AC Adapter AC-E19
(25) DC Coupler DR-E19
(26) Battery Pack LP-E19
*1
(27) Battery Charger LC-E19
(28) Cable protector
(29) Interface Cable IFC-100U (approx. 1 m/3.3 ft.)
*2, *3
(30) Interface Cable IFC-400U (approx. 4m/13.1 ft.)
*2, *4
(31) CFexpress card
(32) Card reader
(33) HDMI Cable HTC-100 (approx. 2.9m/9.5 ft.)
*5
(34) Wireless File Transmitter WFT-E9
(35) Wireless LAN access point
(36) Wireless LAN adapter
(37) Ethernet port
(38) USB port
(39) TV/monitor
(40) Computer
*
1: The battery charger is designed exclusively for Battery Pack LP-E19.
* 2: Camera and computer end: USB Type-C.
* 3: The transmission rate when IFC-100U is used is equivalent to SuperSpeed USB (USB 3.1 Gen 1).
* 4: The transmission rate when IFC-400U is used is equivalent to Hi-Speed USB (USB 2.0).
* 5: 4K 59.94p/50.00p (4:2:2) output is not supported. When connecting an external device that supports 4K 59.94p/50.00p
(4:2:2) video, use a commercially available compatible cable.
928
Performance Data
Still Photo Shooting
Movie Recording
ISO Speed in Movie Recording
Image Playback
Still Photo Shooting
Number of available shots
(Approx. number of shots)
Temperature Room Temperature (23°C/73°F) Low Temperature (0°C/32°F)
In viewfinder shooting 2850 2360
In Live View shooting 610 530
• Based on using a fully charged Battery Pack LP-E19, and following CIPA (Camera &
Imaging Products Association) testing standards.
• With [
: Bluetooth settings] and [ : GPS settings] set to [Disable].
ISO Auto range
Shooting Mode
ISO Speed
No Flash With Flash
/ / /
ISO 100
*1, *2
–102400
*2
ISO 100
*1, *2
–6400
*2, *3
ISO 400
*4
ISO 400
*4
* 1: ISO 200 when [Highlight tone priority] is set to [Enable] or [Enhanced].
* 2: The actual ISO speed range depends on the [Minimum] and [Maximum] set with [Auto range].
* 3: ISO 1600 for lenses that do not support variable control of maximum ISO Auto limit for E-TTL. For
details, refer to the Canon website.
* 4: Changed to the value nearest ISO 400 if out of the setting range.
929
Guide to image size settings (approx.)
Image Size Pixels Recorded File Size (MB) Available Shots Maximum Burst
JPEG
20 M 7.6 40650 1,000 or more
13 M 5.4 56960 1,000 or more
8.9 M 4.1 74070 1,000 or more
5.0 M 2.8 109110 1,000 or more
HEIF
20 M 7.6 39650 1,000 or more
RAW
20 M 22.1 14150 1,000 or more
20 M 13.1 27560 1,000 or more
RAW+JPEG
20 M
20 M
22.1
7.6
10500 1,000 or more
20 M
20 M
13.1
7.6
16420 1,000 or more
RAW+HEIF
20 M
20 M
24.3
7.6
9620 350
20 M
20 M
13.7
7.6
14380 420
• Number of shots available and maximum burst as measured in viewfinder shooting with
a 325 GB card conforming to Canon testing standards.
• Varies depending on shooting conditions (such as when JPEG/HEIF image quality is set
to 8, as well as the subject, memory card brand, ISO speed, Picture Style, and Custom
Functions).
930
Movie Recording
Total movie recording time and file size per minute
(Approx.)
Movie Recording Size
Total Available Recording Time on Card
File Size
(Approx. ** MB/min.)
64 GB 256 GB 1 TB
3 min. 13 min. 50 min. 18711
5 min. 22 min. 1 hr. 27 min. 10860
4 min. 18 min. 1 hr. 13 min. 12937
11 min. 44 min. 2 hr. 53 min. 5507
14 min. 56 min. 3 hr. 39 min. 4351
9 min. 36 min. 2 hr. 21 min. 6734
36 min. 2 hr. 27 min. 9 hr. 35 min. 1656
1 hr. 10 min. 4 hr. 43 min. 18 hr. 28 min. 860
18 min. 1 hr. 12 min. 4 hr. 42 min. 3373
1 hr. 10 min. 4 hr. 40 min. 18 hr. 17 min. 869
2 hr. 21 min. 9 hr. 26 min. 36 hr. 52 min. 431
9 min. 36 min. 2 hr. 21 min. 6734
36 min. 2 hr. 27 min. 9 hr. 35 min. 1656
1 hr. 10 min. 4 hr. 43 min. 18 hr. 28 min. 860
18 min. 1 hr. 12 min. 4 hr. 42 min. 3373
1 hr. 10 min. 4 hr. 40 min. 18 hr. 17 min. 869
2 hr. 21 min. 9 hr. 26 min. 36 hr. 52 min. 431
9 min. 36 min. 2 hr. 21 min. 6734
36 min. 2 hr. 27 min. 9 hr. 35 min. 1656
1 hr. 10 min. 4 hr. 43 min. 18 hr. 28 min. 860
18 min. 1 hr. 12 min. 4 hr. 42 min. 3373
1 hr. 10 min. 4 hr. 40 min. 18 hr. 17 min. 869
2 hr. 21 min. 9 hr. 26 min. 36 hr. 52 min. 431
931
23 min. 1 hr. 34 min. 6 hr. 8 min. 2586
47 min. 3 hr. 8 min. 12 hr. 14 min. 1298
2 hr. 18 min. 9 hr. 14 min. 36 hr. 6 min. 440
4 hr. 1 min. 16 hr. 7 min. 63 hr. 1 min. 252
1 hr. 33 min. 6 hr. 12 min. 24 hr. 16 min. 655
4 hr. 30 min. 18 hr. 2 min. 70 hr. 27 min. 226
11 hr. 35 min. 46 hr. 23 min. 181 hr. 13 min. 88
Caution
An increase of the camera's internal temperature may cause movie recording to
stop before the total recording time shown in the table ( ).
Total possible time for movie recording
(Approx.)
Temperature Room Temperature (23°C/73°F) Low Temperature (0°C/32°F)
4 hr. 40 min. 4 hr. 10 min.
• With a fully charged Battery Pack LP-E19.
• With [Movie Servo AF] set to [Disable].
• With [ : Bluetooth settings] and [ : GPS settings] set to [Disable].
932
ISO Speed in Movie Recording
The maximum limit is not expanded when the camera is set for RAW movies, even with
[Max for Auto] set to [H(51200)], [H(102400)], or [H(204800)].
In <
>/< >/< > mode
The ISO speed will be set automatically within ISO 100–25600.
Setting [Max for Auto] in [ : ISO speed settings] to [H1(204800)] ( ) expands
the maximum speed in the automatic setting range to H1 (equivalent to ISO 204800).
The minimum speed in the automatic setting range is ISO 200 when [ : Highlight
tone priority] is set to [Enable] or [Enhanced] ( ). The maximum limit is not
expanded, even when expansion is set in [Max for Auto].
The minimum speed in the automatic setting range is ISO 400 when Canon Log is set
(
).
In <
> mode
With ISO speed set to [ ], the speed is automatically set in a range of ISO 100–
25600.
When ISO Auto is set, setting [Max for Auto] in [ : ISO speed settings] to
[H1(204800)] ( ) expands the maximum speed in the automatic setting range to H1
(equivalent to ISO 204800).
ISO speed can be set manually in a range of ISO 100–25600. Note that setting [ISO
speed range] in [
: ISO speed settings] to [H1(204800)] ( ) expands the
maximum speed in the manual setting range to H1 (equivalent to ISO 204800).
The minimum speed in the automatic or manual setting range is ISO 200 when [ :
Highlight tone priority] is set to [Enable] or [Enhanced] ( ). Even when ISO speed
expansion is set, the maximum limit will not be expanded.
The minimum speed in the automatic setting range is ISO 400 when Canon Log is set
( ). ISO 100–320 represents an expanded ISO speed (L).
Caution
Expanded ISO speeds are not available when the camera is set for RAW movies.
933
Image Playback
Resize options, by original JPEG image quality
Original Image Quality
Available Resize Settings
○ ○ ○
○ ○
○
934
Information Display
Quick Control Screen (in Viewfinder Shooting)
Button Operations on the Quick Control/Custom Quick Control Screen
Live View Shooting Screen
Movie Recording Screen
Playback Screen
Quick Control Screen (in Viewfinder Shooting)
(23)
(24)
(25)
(26)
(17)
(16)
(15)
(20)
(19)
(18)
(21)
(22)
(9)
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(11)
(10)
(12)
(13)
(14)
* The display will show only the settings currently applied.
935
(1) Exposure compensation
(2) Aperture value
(3) White balance correction
(4) White balance
(5) Shutter speed
(6) Shooting mode
(7) Picture Style
(8) Auto Lighting Optimizer
(9) AF operation
(10) Quick Control icon
(11) Battery level
(12) Mirror lockup
(13) Flash ready/FE lock/High-speed sync
(14) Metering mode
(15) AE lock
(16) Highlight tone priority
(17) ISO speed
(18) Flash exposure compensation
(19) Exposure level indicator
(20) Custom Controls
(21) Focus indicator
(22) AF operation indicator/Auto cleaning
(23) Available shots
(24) Drive mode
(25) Maximum burst/Number of remaining multiple exposures
(26) Multiple exposures
936
Button Operations on the Quick Control/Custom Quick
Control Screen
Press the <
>/< >/< >/< >/< >/< >/< >
buttons to access the corresponding setting screen, then use <
>/< >/< >/
<
> to set the function.
Shooting mode
AF operation/drive mode
937
Metering mode/flash exposure compensation
AF point selection
ISO speed
Exposure compensation
938
White balance
AEB setting
939
Live View Shooting Screen
Each time you press the <
> button, the information display will change.
The display will show only the settings currently applied.
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)
(16)
(17)
(18)
(1) Maximum burst
(2) Available shots/Sec. until self-timer shoots
(3) Multiple exposures
(4) Shooting mode
(5) AF method
(6) AF operation
(7) Drive mode
(8) Metering mode
(9) AF point (1-point AF)
(10) Battery level
(11) Number of remaining multiple exposures
(12) Temperature warning
(13) Electronic level
(14) Histogram
(15) Quick Control button
(16) White balance/White balance correction
(17) Picture Style
(18) Auto Lighting Optimizer
940
(21)
(20)
(19)
(22)
(23)
(24)
(25)
(26)
(27)
(31)
(32)
(33)
(34)
(29)
(30)
(28)
(35)
(36)
(19) GPS acquisition status
(20) AEB/FEB
(21) View Assist
(22) HDR PQ
(23) Flash ready/FE lock/High-speed sync
(24) Electronic shutter
(25) AE lock
(26) Shutter speed/Multi-function lock warning
(27) Aperture value
(28) Wi-Fi function
(29) Wi-Fi signal strength
(30) Bluetooth function
(31) Exposure simulation
(32) Magnify button
(33) ISO speed
(34) Highlight tone priority
(35) Exposure compensation
(36) Exposure level indicator (metering levels)
Note
You can specify the information displayed in response to pressing the < >
button ( ).
The electronic level is not displayed when the camera is connected via HDMI to a
television.
Other icons may be displayed temporarily after setting adjustments.
941
Movie Recording Screen
Each time you press the <
> button, the information display will change.
The display will show only the settings currently applied.
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)
(16)
(19)
(18)
(17)
(1) Temperature warning
(2) Battery level
(3) Time available per recording/Elapsed recording time
(4) Movie recording mode/High Frame Rate movie
(5) AF method
(6) Movie recording size
(7) Movie digital IS
(8) Audio recording level (manual/line input)
(9) Headphone volume
(10) Movie Servo AF
(11) AF point (1-point AF)
(12) Histogram (for manual exposure)
(13) Movie recording in progress
(14) White balance/White balance correction
(15) Picture Style
(16) Auto Lighting Optimizer
(17) Electronic level
(18) GPS acquisition status
(19) Magnify button
942
(30)
(31)
(25)
(27)
(26)
(28)
(29)
(20)
(22)
(21)
(23)
(24)
(20) Audio recording level indicator (manual/line input)
(21) Canon Log
(22) AE lock
(23) Shutter speed
(24) Aperture value
(25) Wi-Fi function
(26) Wi-Fi signal strength
(27) Bluetooth function
(28) ISO speed
(29) Highlight tone priority
(30) Exposure compensation
(31) Exposure level indicator (metering levels)
Caution
You can specify the information displayed in response to pressing the < >
button ( ).
The electronic level is not displayed when the camera is connected via HDMI to a
television.
The electronic level, grid lines, and histogram cannot be displayed during movie
recording (and if they are currently displayed, recording a movie will clear the
display).
Time available per recording changes to elapsed time after movie recording begins.
Note
Other icons may be displayed temporarily after setting adjustments.
943
Playback Screen
Basic information display for still photos
(2)
(1)
(11)
(10)
(17)
(16)
(15)
(14)
(13)
(12)
(18)
(4)
(5)
(6)
(7)
(8)
(9)
(3)
(1) HDR output status/View Assist
(2) Bluetooth function
(3) Wi-Fi signal strength
(4) Wi-Fi function
(5) Battery level
(6) Current image no./Total images/No. of images found
(7) Shutter speed
(8) Aperture value
(9) Exposure compensation amount
(10) Already sent to a computer/smartphone
(11) Voice memo
(12) Rating
(13) Image protection
(14) Card no.
(15) Folder no.-File no.
(16) Image quality/Edited image/Cropping/Frame Grab
(17) ISO speed
(18) Highlight tone priority
944
Caution
If the image was taken by another camera, certain shooting information may not be
displayed.
It may not be possible to play back images taken with this camera on other
cameras.
945
Detailed information display for still photos
(2)
(1)
(11)
(20)
(12)
(15)
(17)
(18)
(19)
(13)
(14)
(16)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(3)
(1) Aperture value
(2) Picture Style/Settings
(3) Shutter speed
(4) WB correction/Bracketing
(5) Shooting mode/Multiple exposure/Frame Grab
(6) White balance
(7) Auto Lighting Optimizer
(8) AE Microadjustment
(9) FE Microadjustment
(10) AF Microadjustment
(11) Exposure compensation amount
(12) Shooting date and time
(13) Histogram (Brightness/RGB)
(14) ISO speed
(15) Scroll bar
(16) Flash exposure compensation amount/Bounce
(17) Metering mode
(18) File size
(19) Highlight tone priority
(20) Image quality/Edited image/Cropping
*
For images captured in RAW+JPEG/HEIF shooting, indicates RAW file sizes.
*
For images with added cropping information, lines are shown to indicate the image area.
* During flash photography without flash exposure compensation, <
> will be displayed.
* <
> will be displayed for images shot with bounce flash photography.
* <
> will be displayed for images shot in multiple-exposure shooting.
* <
> indicates images created and saved by performing RAW image processing, resizing, cropping, or frame-grabbing.
* <
> will be displayed for images cropped and then saved.
946
Detailed information display for movies
(2)
(1)
(8)
(7)
(6)
(4)
(5)
(3)
(1) Movie playback
(2) Movie recording mode/High Frame Rate
(3) Image size
(4) Frame rate
(5) Compression method
(6) Movie digital IS
(7) Recording time
(8) Movie recording format
* For simplicity, explanations are omitted for items that are also included in basic/detailed information display for still photos,
which are not shown here.
Note
During movie playback, “*, *” is displayed for the [Fineness] and [Threshold]
parameters of [Sharpness] in [Picture Style].
947
Specifications
Type
Type Digital single-lens reflex AF/AE camera
Recording media
CFexpress memory card
* Type B compatible: 2 card slots
Image sensor size Approx. 35.9×23.9 mm
Compatible lenses
Canon EF lens product groups
* Excluding EF-S and EF-M lenses
(Effective angle of view is approx. equivalent to the indicated focal length.)
Lens mount Canon EF mount
Image sensor
Type CMOS sensor
Effective pixels
Approx. 20.1 megapixels
* Rounded to the nearest 100,000.
Aspect ratio 3:2
Dust deletion Auto/Manual, Appending Dust Delete Data
948
Recording system
Recording format DCF 2.0
Image type
JPEG (8-bit), HEIF (10-bit), RAW (14-bit Canon original)
RAW+JPEG simultaneous recording possible
RAW+HEIF simultaneous recording possible
* RAW images shot with the electronic shutter are 12-bit after A/D conversion.
Pixels recorded
Image Quality Pixel Count
JPEG
L Approx. 20.0 megapixels (5472×3648)
M1 Approx. 12.7 megapixels (4368×2912)
M2 Approx. 8.9 megapixels (3648×2432)
S Approx. 5.0 megapixels (2736×1824)
HEIF L Approx. 20.0 megapixels (5472×3648)
RAW RAW/C-RAW Approx. 20.0 megapixels (5472×3648)
* Rounded to the nearest 100,000.
Recording features
Still photo/movie separate, Still photo recording options, Movie recording
options, Still photo record/play, Movie record/play
Folder creation and selection Available
File naming Preset code, User Defined 1, User Defined 2
File numbering Continuous, Auto reset, Manual reset
949
Image processing during shooting
Picture Style
Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome,
User Defined 1–3
White balance
Auto (Ambience priority), Auto (White priority), Preset (Daylight, Shade, Cloudy,
Tungsten light, White fluorescent light, Flash), Custom (5 settings), Color
temperature setting (approx. 2500–10000 K)
White balance correction and bracketing available
* Flash color temperature information transmission possible
White balance correction
Blue/amber correction: ±9 levels
Magenta/green correction: ±9 levels
White balance bracketing ±3 stops, in 1 stop increments
Automatic image brightness
correction
Auto Lighting Optimizer
Noise reduction Applicable to high ISO speed shots and long exposures
Highlight tone priority Available
Lens aberration correction
Peripheral illumination correction, Distortion correction, Digital Lens Optimizer,
Chromatic aberration correction, Diffraction correction
Viewfinder
Type Eye-level pentaprism
Field of view (coverage) Vertical/Horizontal approx. 100% (with eyepoint approx. 20 mm)
Magnification
Approx. 0.76× (−1 m
−1
with 50 mm lens at infinity)
Eyepoint
Approx. 20 mm (from eyepiece lens end at –1 m
–1
)
Dioptric adjustment range
Approx. –3.0 to +1.0 m
–1
(dpt)
Eyepiece shutter Built-in
Focusing screen Fixed
Mirror Quick-return type
Depth-of-field preview Available
950
Autofocus (viewfinder shooting)
Focus method
TTL secondary image-registration, phase-difference detection with the
dedicated AF sensor
AF points
191 points max. (cross-type AF points: 155 points max.)
* Number of available AF points, Dual cross-type AF points, and Cross-type AF points
vary depending on the lens used.
* Dual cross-type focusing at f/2.8 with center AF point
Focusing brightness range
EV –4 to 21 (with the center AF point supporting f/2.8, One-Shot AF, room
temperature, ISO 100)
Focus operation One-Shot AF, AI Servo AF, manual focusing (MF)
AF area selection mode
Spot AF (manual selection), 1-point AF (manual selection), AF point expansion
(manual selection, vertical/horizontal), AF point expansion (manual selection:
surround), Zone AF (manual selection of zone), Large zone AF (manual
selection of zone), Auto selection AF
Subject detection AF
EOS iTR AF setting (can recognize color information, faces, and heads)
*
iTR: Intelligent Tracking and Recognition
AF Configuration Tool Cases 1–4, Case A
AI Servo AF characteristics Tracking sensitivity, Acceleration/deceleration tracking
AF fine adjustment AF Microadjustment (All lenses by the same amount, Adjust by lens)
AF-assist beam Fired by an external flash unit for EOS cameras
951
Autofocus (Live View shooting/Movie recording)
Focus method Dual Pixel CMOS AF
AF method
Face+Tracking, Spot AF, 1-point AF, Expand AF area (vertically/horizontally),
Expand AF area: Around, Zone AF, Large Zone AF: Vertical, Large Zone AF:
Horizontal
Available AF point positions
Max. 3869
* When selected with the Multi-controller
Available AF areas when
automatically selected
Max. 525
Eye Detection AF Available
Magnified view Approx. 5×/10×
AF area
Horizontal: Approx. 90%, Vertical: Approx. 100%
Horizontal: Approx. 80%, Vertical: Approx. 80%
* Varies depending on the lens used
Manual focus (MF) MF peaking, Focus guide
[Live View shooting]
AF operation One-Shot AF, Servo AF
Continuous AF Available
Focusing brightness range
EV –6 to 18
(f/1.2, center AF point, at room temperature, ISO 100, One-Shot AF)
AF Configuration Tool Cases 1–4, Case A
Servo AF characteristics Tracking sensitivity, Acceleration/deceleration tracking
[Movie recording]
Focusing brightness range
EV –4 to 18
(f/1.2, center AF point, at room temperature, ISO 100, One-Shot AF, 29.97 fps)
Movie Servo AF Available
Movie Servo AF characteristics Tracking sensitivity, AF speed
952
Exposure control
Metering mode
Viewfinder shooting: 216-zone (18×12) TTL open-aperture metering with an
approx. 400,000-pixel RGB+IR metering sensor
Live View shooting/movie recording: 384-zone (24×16) metering with signals
from the image sensor
Viewfinder shooting:
Evaluative metering
Partial metering (approx. 6.2% of screen)
Spot metering (approx. 1.5% of screen)
* Options include spot metering linked to AF points and multi-spot metering
Center-weighted average metering
Live View shooting: Evaluative metering, Partial metering (approx. 5.8% of
screen), Spot metering (approx. 2.9% of screen)
Movie recording: Center-weighted average metering, Evaluative metering
* Set automatically based on shooting conditions
Metering brightness range
Viewfinder shooting: EV 0 to 20 (at room temperature, ISO 100)
Live View shooting: EV –3 to 20 (at room temperature, ISO 100)
Movie recording: EV –1 to 20 (at room temperature, ISO 100)
Shooting mode
Still photo shooting:
Program AE, Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb
exposure, Custom shooting modes (C1/C2/C3)
Movie recording:
Program AE, Shutter-priority AE, Aperture-priority AE, Manual exposure,
Custom shooting modes (C1/C2/C3)
ISO speed (recommended exposure
index)
Still photo shooting:
ISO Auto (automatically set within ISO 100–102400), manually set within ISO
100–102400 (in 1/3- or 1-stop increments), expandable to L (equivalent to ISO
50), H1 (equivalent to ISO 204800), H2 (equivalent to ISO 409600), or H3
(equivalent to ISO 819200)
* ISO 200–102400 with Highlight tone priority set
Movie recording:
Program AE/Av/Tv: ISO Auto (automatically set within ISO 100–25600),
expandable to H1 (equivalent to ISO 204800)
M: ISO Auto (automatically set within ISO 100–25600), manually set within ISO
100–25600 (in 1/3- or 1-stop increments), expandable to H1 (equivalent to ISO
204800)
* ISO 200–25600 with Highlight tone priority set
ISO speed settings
Still photo shooting:
ISO speed range, Auto range, Minimum shutter speed
Movie recording:
ISO speed range, Max for Auto
Exposure compensation
Manual: ±5 stops in 1/3- or 1/2-stop increments (viewfinder shooting), or ±3
stops in 1/3- or 1/2-stop increments (Live View shooting, movie recording)
AEB: ±3 stops in 1/3- or 1/2-stop increments (can be combined with manual
exposure compensation)
AE lock
Still photo shooting:
Auto: AE lock when focus is achieved can be enabled or disabled for each
metering mode with a Custom Function
Manual: With AE lock button
Movie recording: With AE lock button
Flicker reduction Available (viewfinder shooting)
953
Multiple exposures
Shooting method Function/control priority, Continuous shooting priority
Number of multiple exposures 2 to 9 exposures
Multiple-exposure control Additive, Average, Bright, Dark
HDR shooting (still photo HDR PQ)
Recording format HEIF
Bit depth 10-bit
Color sampling YCbCr 4:2:2
HDR specification ITU-R BT.2100 (PQ)
Shutter
Type Electronically controlled, focal-plane shutter
Shutter mode
Viewfinder shooting: Mechanical
Live View shooting: Mechanical, Electronic 1st-curtain, Electronic
Shutter speed
Mechanical/Electronic 1st-curtain set: 1/8000 sec. to 30 sec., Bulb
Electronic set: 1/8000 sec. to 0.5 sec.
Max. shutter speed with flash sync: 1/250 sec.
* Setting range differs when recording movies
954
Drive system
Drive mode
Single shooting, High-speed continuous shooting, Medium-speed continuous
shooting, Low-speed continuous shooting, Single Soft shooting, Soft continuous
shooting, Soft low speed continuous shooting, Self-timer: 10 sec, Self-timer:
2 sec
Continuous shooting speed
Drive Mode Viewfinder Shooting
Live View
Shooting
*2
High-speed
continuous
shooting
*1
One-Shot AF
Max. approx. 16 shots/sec.
(setting range: 3
–16 shots/
sec.)
Max. approx. 20
shots/sec.
AI Servo AF/
Servo AF
Medium-speed
continuous
shooting
One-Shot AF
Approx. 10 shots/sec.
(setting range: 2
–15 shots/
sec.)
Approx. 10 shots/
sec.*
3
AI Servo AF/
Servo AF
Low-speed
continuous
shooting
One-Shot AF
Approx. 3.0 shots/sec.
(setting range: 1
–14 shots/
sec.)
Approx. 3.0 shots/
sec.
AI Servo AF/
Servo AF
Soft continuous shooting
Approx. 8.0 shots/sec.
(setting range: 2–8 shots/
sec.)
Approx. 10 shots/
sec.*
3
Soft low speed continuous
Approx. 3.0 shots/sec.
(setting range: 1–7 shots/
sec.)
Approx. 3.0 shots/
sec.
*
1: May be lower depending on conditions such as shutter speed, aperture, state of
aperture during continuous shooting, use of flash, use of flicker reduction, battery level,
temperature, subject conditions, brightness (as when shooting under low light), type of
lens, type of power, and if internal memory becomes full (which temporarily disables
shooting).
*
2: With the electronic shutter, continuous shooting speed is equivalent to the speed in
high-speed continuous shooting.
* 3: With the mechanical shutter, continuous shooting speed is approx. 8.0 shots/sec.
Maximum burst
JPEG Large: 1,000 shots or more
HEIF Large: 1,000 shots or more
RAW: 1,000 shots or more
RAW+JPEG Large: 1,000 shots or more
RAW+HEIF Large: approx. 350 shots
* In viewfinder shooting with a 325 GB card conforming to Canon testing standards
* Varies depending on shooting conditions (such as when JPEG/HEIF image quality is
set to 8, as well as the subject, memory card brand, ISO speed, Picture Style, and
Custom Functions)
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External Speedlite
Compatible Speedlites EL/EX series Speedlites
Flash metering E-TTL II autoflash
Flash exposure compensation ±3 stops in 1/3- or 1/2-stop increments
FE lock Available
PC terminal Available
Flash control Flash function settings, Flash Custom Function settings
Movie recording
Normal movies
Canon Log
Off On
Recording format MP4
Compression MPEG-4 H.264/AVC MPEG-4 H.265/HEVC
Video signal recording range Full range (0–255) Full range (128–1016)
Color sampling YCbCr 4:2:0 (8-bit) YCbCr 4:2:2 (10-bit)
Color Matrix Rec.ITU-R BT.709 Rec.ITU-R BT.709/BT.2020
Audio
ALL-I/IPB AAC/Linear PCM*
IPB (Light) AAC
* AAC or Linear PCM can be selected in [C.Fn7-7: Audio compression]
RAW movies
Canon Log
Off On
Recording format RAW (12-bit)
Audio Linear PCM
Movie recording size
RAW (5472×2886), 4K DCI (4096×2160), 4K DCI cropped (4096×2160), 4K UHD
(3840×2160), Full HD (1920×1080)
Frame rate
119.9p/59.94p/29.97p/24.00p/23.98p (with NTSC)
100.0p/50.00p/25.00p/24.00p (with PAL)
*
119.9p/100.0p used for High Frame Rate movies
Compression method ALL-I (For editing), IPB (Standard), IPB (Light)
956
Bit rate
RAW (59.94p/50.00p) Approx. 2600 Mbps
RAW (Light) (59.94p/50.00p) Approx. 1500 Mbps
RAW (29.97p/25.00p/24.00p/23.98p) Approx. 1800 Mbps
RAW (29.97p/25.00p) Approx. 760 Mbps
RAW (24.00p/23.98p) Approx. 600 Mbps
4K DCI (59.94p/50.00p)/ALL-I Approx. 940 Mbps
4K DCI (59.94p/50.00p)/IPB Approx. 230 Mbps
4K DCI (59.94p/50.00p)/IPB (Light) Approx. 120 Mbps
4K DCI (29.97p/25.00p/24.00p/23.98p)/ALL-I Approx. 470 Mbps
4K DCI (29.97p/25.00p/24.00p/23.98p)/IPB Approx. 120 Mbps
4K DCI (29.97p/25.00p/24.00p/23.98p)/IPB (Light) Approx. 60 Mbps
4K DCI cropped (59.94p/50.00p)/ALL-I Approx. 940 Mbps
4K DCI cropped (59.94p/50.00p)/IPB Approx. 230 Mbps
4K DCI cropped (59.94p/50.00p)/IPB (Light) Approx. 120 Mbps
4K DCI cropped (29.97p/25.00p/24.00p/23.98p)/ALL-I Approx. 470 Mbps
4K DCI cropped (29.97p/25.00p/24.00p/23.98p)/IPB Approx. 120 Mbps
4K DCI cropped (29.97p/25.00p/24.00p/23.98p)/IPB (Light) Approx. 60 Mbps
4K UHD (59.94p/50.00p)/ALL-I Approx. 940 Mbps
4K UHD (59.94p/50.00p)/IPB Approx. 230 Mbps
4K UHD (59.94p/50.00p)/IPB (Light) Approx. 120 Mbps
4K UHD (29.97p/25.00p/23.98p)/ALL-I Approx. 470 Mbps
4K UHD (29.97p/25.00p/23.98p)/IPB Approx. 120 Mbps
4K UHD (29.97p/25.00p/23.98p)/IPB (Light) Approx. 60 Mbps
Full HD (119.9p/100.0p)/ALL-I Approx. 360 Mbps
Full HD (59.94p/50.00p)/ALL-I Approx. 180 Mbps
Full HD (59.94p/50.00p)/IPB Approx. 60 Mbps
Full HD (59.94p/50.00p)/IPB (Light) Approx. 35 Mbps
Full HD (29.97p/25.00p/23.98p)/ALL-I Approx. 90 Mbps
Full HD (29.97p/25.00p/23.98p)/IPB Approx. 30 Mbps
Full HD (29.97p/25.00p/23.98p)/IPB (Light) Approx. 12 Mbps
Time code Can be added
Drop frame 119.9p/59.94p/29.97p supported
Sound recording
Built-in monaural microphone; external stereo microphone terminal included,
and line input supported
Sound-recording level adjustable, wind filter provided, attenuator provided
957
Headphone Headphone terminal provided, volume adjustable
Movie Digital IS Available
Canon Log Available as a shooting option
Still photo shooting Not available during movie recording
HDMI output
Image output without information display available
* 4K output supported; Auto/1080p selectable
958
Screen
Type TFT color, liquid-crystal monitor
Screen size and dots Approx. 8.01 cm (3.15 in.) (3:2) with approx. 2.1 million dots
Brightness adjustment Manual (7 levels)
Color tone adjustment Warm tone, Standard, Cool tone 1, Cool tone 2
Interface languages 29
Touch-screen panel Capacitive sensing
System status display Available for reference
959
Playback
Image display format
Without shooting information, with basic information, with detailed shooting
information, index display (4/9/36/100 images)
Highlight alert Overexposed highlights blink
AF point display Available (except under certain shooting conditions)
Grid display 3 types
Magnified view Approx. 1.5×–10×, initial magnification and position settable
Image search Search conditions settable (by rating, date, folder, protected, type of file)
Image browsing
1 image, 10 images, Specified number, Date, Folder, Movies, Stills, Protect,
Rating
Image rotation Available
Image protection Available
Rating Available
Voice memo Recording and playback
Movie playback Available
Start/end movie scene editing Available
4K movie frame grab Extraction of specified movie frames and saving as JPEG images
Slide show
All images or images matching the search conditions are played back
automatically.
Image copying Available
Converting HEIF to JPEG Available
In-camera RAW image processing
Brightness adjustment, White balance, Picture Style, Clarity, Auto Lighting
Optimizer, High ISO speed noise reduction, Image quality, Color space, Lens
aberration correction (Peripheral illumination correction, Distortion correction,
Digital Lens Optimizer, Chromatic aberration correction, Diffraction correction)
Resizing Available
Cropping Available
Print order DPOF Version 1.1 compatible
960
Communication Functions
[Wi-Fi]
Standards compliance IEEE 802.11b/g/n
Transmission method DS-SS modulation (IEEE 802.11b), OFDM modulation (IEEE 802.11g/n)
Transmission frequency (central
frequency)
Frequency: 2412 to 2462 MHz
Channels: 1
–11
Connection method
Camera access point mode, infrastructure*
* Wi-Fi Protected Setup supported
Security
Authentication method: Open system, Shared key, or WPA/WPA2-PSK
Encryption: WEP, TKIP, AES
Compatible devices Smartphone, computer, FTP server
[Wired LAN]
Type Ethernet
Standards compliance IEEE 802.3u (10BASE-T/100BASE-TX/1000BASE-T)
Compatible devices
Access point, computer, EOS-1D X Mark III*
* When syncing time between cameras
[Bluetooth]
Standards compliance
Bluetooth Specification Version 4.2 compliant
(Bluetooth low energy technology)
Transmission method GFSK modulation
Compatible devices Smartphone
GPS features
Compatible satellites
GPS satellites (USA), GLONASS satellites (Russia), Quasi-Zenith Satellite
System Michibiki (Japan)
Image geotagging
Latitude, longitude, elevation, Coordinated Universal Time (UTC), signal
acquisition status
Position update interval 1, 5, 10, 15, or 30 sec., or 1, 2, or 5 min.
Position data retention 10 min., 30 min., 1 hr., 3 hr., 6 hr., unlimited
Time adjustment Camera time can be set from GPS time data
Log data
One file generated daily, NMEA format
* Change of time zone creates a separate file
* Log data in internal memory can be transferred to cards or imported to a computer as
log files
Log data deletion Available
961
Customization features
Custom Functions 38 functions
Custom Quick Control Available
Saving camera settings Up to 10 settings can be registered on a card
Custom shooting modes Still photo C1/C2/C3 modes, movie C1/C2/C3 modes
My Menu Up to 5 screens can be registered
Copyright information Text entry and appending possible
IPTC information Can be added
Interfaces
Digital terminal
SuperSpeed Plus USB (USB 3.1 Gen 2) equivalent, USB Type-C
Computer communication
HDMI mini OUT terminal Type C (auto switching of resolution)
External microphone input/line input
terminal
3.5 mm diameter stereo mini-jack
Directional Stereo Microphone DM-E1, Stereo Microphone DM-E100, or
commercially available external microphones can be connected
Headphone terminal 3.5 mm diameter stereo mini-jack
Remote control terminal For N3-type remote control units
System extension terminal Wireless File Transmitter WFT-E9 connection
Ethernet terminal RJ-45 terminal
Power
Battery
Battery Pack LP-E19, quantity: 1
*
AC power usable with household power outlet accessories
Battery information Power source, Battery level, Shutter count, Recharge performance possible
Number of available shots
Viewfinder shooting:
Approx. 2850 shots at room temperature (23°C/73°F), approx. 2360 shots at low
temperatures (0°C/32°F)
Live View shooting:
Approx. 610 shots at room temperature (23°C/73°F), approx. 530 shots at low
temperatures (0°C/32°F)
* With a fully charged Battery Pack LP-E19.
Movie recording time available
Total approx. 4 hr. 40 min. at room temperature (23°C/73°F)
Total approx. 4 hr. 10 min. at low temperatures (0°C/32°F)
* Using a fully charged Battery Pack LP-E19 with Movie Servo AF disabled to record Full
HD 29.97p/25.00p IPB (Standard)
962
Dimensions and weight
Dimensions (W×H×D) Approx. 158.0×167.6×82.6 mm/6.22×6.60×3.25 in.
Weight
Approx. 1440 g/50.80 oz. (including battery pack and card)/Approx. 1250 g/
44.09 oz. (body only)
Operating environment
Working temperature range 0–45°C (32–113°F)
Working humidity 85% or less
All data above is based on Canon testing standards and CIPA (Camera & Imaging Products Association)
testing standards and guidelines.
Dimensions and weight listed above are based on CIPA Guidelines (except weight for camera body only).
Product specifications and appearance are subject to change without notice.
If a problem occurs with a non-Canon lens attached to the camera, contact the respective lens manufacturer.
963
Trademarks and Licensing
Trademarks
About MPEG-4 Licensing
Accessories
Trademarks
Adobe is a trademark of Adobe Systems Incorporated.
Microsoft and Windows are trademarks or registered trademarks of Microsoft
Corporation in the United States and/or other countries.
App Store and macOS are trademarks of Apple Inc., registered in the U.S. and other
countries.
Google Play and Android are trademarks of Google LLC.
IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and
is used under license.
QR Code is a trademark of Denso Wave Inc.
CFexpress is a trademark of the CFA (CompactFlash Association).
HDMI, HDMI logo, and High-Definition Multimedia Interface are trademarks or registered
trademarks of HDMI Licensing LLC.
The Wi-Fi CERTIFIED logo and the Wi-Fi Protected Setup mark are trademarks of the
Wi-Fi Alliance.
The Bluetooth
®
word mark and logos are registered trademarks owned by Bluetooth
SIG, Inc. and any use of such marks by Canon Inc. is under license. Other trademarks
and trade names are those of their respective owners.
All other trademarks are the property of their respective owners.
964
About MPEG-4 Licensing
“This product is licensed under AT&T patents for the MPEG-4 standard and may be used for
encoding MPEG-4 compliant video and/or decoding MPEG-4 compliant video that was
encoded only (1) for a personal and non-commercial purpose or (2) by a video provider
licensed under the AT&T patents to provide MPEG-4 compliant video. No license is granted
or implied for any other use for MPEG-4 standard.”
THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO LICENSE FOR
THE PERSONAL USE OF A CONSUMER OR OTHER USES IN WHICH IT DOES NOT
RECEIVE REMUNERATION TO (i) ENCODE VIDEO IN COMPLIANCE WITH THE AVC
STANDARD (''AVC VIDEO'') AND/OR (ii) DECODE AVC VIDEO THAT WAS ENCODED BY
A CONSUMER ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM
A VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO. NO LICENSE IS GRANTED
OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION MAY BE
OBTAINED FROM MPEG LA, L.L.C. SEE
HTTP://WWW.MPEGLA.COM
* Notice displayed in English as required.
965
Accessories
Use of genuine Canon accessories is recommended
This product is designed to achieve optimum performance when used with genuine Canon
accessories. Therefore, using this product with genuine accessories is highly recommended.
Canon shall not be liable for any damage to this product and/or accidents such as
malfunction, fire, etc. caused by the failure of non-genuine Canon accessories (e.g., a
leakage and/or explosion of a battery). Please note that repairs arising out of the malfunction
of non-genuine accessories will not be covered by the warranty for repairs, although you
may request such repairs on a chargeable basis.
Caution
Battery Pack LP-E19 is dedicated to Canon products only. Using it with an
incompatible battery charger or product may result in malfunction or accidents for
which Canon cannot be held liable.
966
