E
Advanced User Guide
This manual is for the EOS 90D installed with fi rmware version 1.1.0 or
later.
2
Introduction
Before Starting to Shoot, Be Sure to Read the Following
To avoid shooting problems and accidents, fi rst read the “Safety Instructions”
(
=
25–
=
27) and “Handling Precautions” (
=
28–
=
30). Also,
read this manual carefully to ensure that you use the camera correctly.
Refer to This Manual while Using the Camera to Further
Familiarize Yourself with the Camera
While reading this manual, take a few test shots and see how they come
out. You can then better understand the camera. Be sure to store this
manual safely, too, so that you can refer to it again when necessary.
Testing the Camera Before Use and Liability
After shooting, play images back and check whether they have been
properly recorded. If the camera or memory card is faulty and the images
cannot be recorded or downloaded to a computer, Canon cannot be held
liable for any loss or inconvenience caused.
Copyrights
Copyright laws in some countries prohibit the unauthorized use of images
recorded with the camera (or music/images with music transferred to the
memory card) for purposes other than personal enjoyment. Also be aware
that certain public performances, exhibitions, etc. may prohibit photography
even for private enjoyment.
3
Item Check List
Before starting, check that all the following items are included with your
camera. If anything is missing, contact your dealer.
Strap
Camera
(with body cap)
Battery Charger
LC-E6/LC-E6E*
Battery Pack LP-E6N
(with protective cover)
* Battery Charger LC-E6 or LC-E6E is provided. (The LC-E6E comes with a power
cord.)
o
The camera does not come with a memory card (
=
10), interface cable, or HDMI
cable.
o
For details on the Advanced User Guide and Instruction Manuals, see the next page.
o
If you purchased a Lens Kit, check that the lenses are included.
o
Be careful not to lose any of the above items.
o
When you need Lens Instruction Manuals, download them from the Canon
website (
=
4).
The Lens Instruction Manuals (PDF fi les) are for lenses sold individually. Note
that when purchasing the Lens Kit, some of the accessories included with the
lens may not match those listed in the Lens Instruction Manual.
4
Instruction Manuals
The Instruction Manual included with the camera provides
basic instructions for the camera and Wi-Fi functions.
The Advanced User Guide (this PDF fi le) with complete
instructions and separate Supplemental Information PDF with
specifi cations and other details can be downloaded from the
Canon website to a computer or other device.
Downloading the Advanced User Guide/Instruction Manuals
The Advanced User Guide and Instruction Manuals for lenses and software
(PDF fi les) can be downloaded from the Canon website to a computer or
other device.
Download site
Advanced User Guide or Supplemental Information
www.canon.com/icpd
Lens Instruction Manual
www.canon.com/icpd
Software Instruction Manual
www.canon.com/icpd
o
To view the PDF fi
les, an Adobe PDF viewing software such as Adobe
Acrobat Reader DC (most recent version recommended) is required.
o
Adobe Acrobat Reader DC can be downloaded for free from the Internet.
o
Double-click the downloaded PDF fi le to open it.
o
T
o learn how to use PDF viewing software, refer to the software’
s Help section
or the like.
5
Instruction Manuals
Downloading the Advanced User Guide/Instruction Manuals
Using QR Code
The Advanced User Guide and Instruction Manuals for lenses and software
(PDF fi les) can be downloaded to a smartphone or tablet using the QR
code.
www.canon.com/icpd
o
A software app is required to read the QR code.
o
Select your country or region of residence, then download the Advanced User
Guide/Instruction Manuals.
o
Select [
5
: Manual/software URL] to display the QR code on the camera
screen.
6
Quick Start Guide
1
Insert the battery (
=
47).
Upon purchase, charge the battery
to start using (
=
44).
2
Insert the card (
=
48).
With the card’s label facing
toward the back of the
camera, insert it into the
card slot.
3
White index Red index
Attach the lens (
=
54).
Align the mount indexes on the lens
and camera (red or white) to attach
the lens.
4
Set the lens’s focus mode
switch to <AF> (
=
54).
5
Set the power switch to <
1
>,
then set the Mode dial to <
A
>
(
=
52).
Turn the Mode dial while holding
down the center.
All the necessary camera settings
will be set automatically.
7
Quick Start Guide
6
Flip out the screen (
=
51).
When the date/time/zone setting
screen is displayed, see
=
516.
7
Focus on the subject (
=
57).
Look through the viewfi nder and
center the subject on the screen.
Press the shutter button halfway,
and the camera will focus on the
subject.
If <
D
> blinks in the viewfi nder,
press the <
D
> button to raise the
built-in fl ash.
8
Take the picture (
=
57).
Press the shutter button completely
to take the picture.
9
Review the picture.
The image just captured will be
displayed for approx. 2 sec. on the
screen.
To display the image again, press
the <
x
> button (
=
332).
To shoot while looking at the screen, see “Live View Shooting” (
=
71).
8
About This Manual
Icons in this Manual
<
6
> : Indicates the Main dial.
<
5
> : Indicates the Quick control dial.
<
j
> <
9
> : Indicates Multi-controller 1 and 2.
<
W
/
X
/
Y
/
Z
> : Indicates the direction to press the Multi-controller.
<
0
> : Indicates the Setting button.
* : Indicates the duration (in * seconds) of the operation
for the button you pressed, as timed after you
release the button.
• In addition to the above, the icons and symbols used on the camera’s buttons and
displayed on the screen are also used in this manual when discussing relevant
operations and functionality.
M
: A
M
icon to the right of a page title indicates that the function is
available only in Creative Zone <
d
>, <
s
>, <
f
>, <
a
>, or
<
F
> mode.
=
*** : Reference page numbers for more information.
: Warning to prevent shooting problems.
: Supplemental information.
: Tips or advice for better shooting.
: Troubleshooting advice.
9
About This Manual
Basic Assumptions for Operational Instructions, Sample
Photos
Before following any instructions, make sure the power switch is set to
<
1
> and the Multi-function lock feature is off (
=
52,
=
60).
It is assumed that all the menu settings and Custom Functions are set to
their defaults.
The illustrations in this manual show the camera attached with the
EF-S18-135mm f/3.5-5.6 IS USM lens as an example.
The sample photos displayed on the camera and used in this manual are
for instructional purposes only.
10
Compatible Cards
The following cards can be used with the camera regardless of capacity.
If the card is new or was previously formatted (initialized) by another
camera or computer, format the card with this camera (
=
511).
SD/SDHC/SDXC memory cards
UHS-II and UHS-I cards supported.
Cards that Can Record Movies
When recording movies, use a high-capacity card with ample performance
(fast enough writing and reading speeds) for the movie recording size. For
details, see
=
618.
In this manual, “card” refers to SD memory cards, SDHC memory
cards, and SDXC memory cards.
* The camera does not come with a card for recording photos/
movies. Please purchase it separately.
12
Introduction 2
Item Check List ......................................................................................3
Instruction Manuals ................................................................................4
Quick Start Guide ...................................................................................6
About This Manual .................................................................................8
Compatible Cards ................................................................................10
Chapters...............................................................................................11
Contents ...............................................................................................12
Index to Features .................................................................................21
Safety Instructions ...............................................................................25
Handling Precautions ...........................................................................28
Part Names ..........................................................................................31
Preparation and Basic Operations 43
Charging the Battery ............................................................................44
Inserting/Removing the Battery ............................................................47
Inserting and Removing the Card ........................................................48
Using the Screen .................................................................................51
Turning on the Power ...........................................................................52
Attaching and Detaching a Lens ..........................................................54
Basic Operations ..................................................................................56
Menu Operations and Settings ............................................................63
Quick Control .......................................................................................67
Touch-Screen Operation ......................................................................70
Viewing the Screen as You Shoot (Live View Shooting) ......................71
Contents
13
Contents
Basic Zone 75
Fully Automatic Shooting (Scene Intelligent Auto) ...............................76
Special Scene Mode ............................................................................84
Shooting Portraits ................................................................................86
Shooting Group Photos ........................................................................87
Shooting Landscapes ..........................................................................88
Shooting Moving Subjects ...................................................................89
Photographing Children .......................................................................90
Panning ................................................................................................91
Shooting Close-ups ..............................................................................93
Shooting Food ......................................................................................94
Shooting Candlelight Portraits .............................................................95
Shooting Night Portraits (With a Tripod) ..............................................96
Handheld Shooting of Night Scenes ....................................................97
Shooting Backlit Scenes ......................................................................98
Cautions for the <SCN> Modes ...........................................................99
Shooting with Filter Eff ects Applied ....................................................103
Creative Zone 109
Program AE ........................................................................................110
Setting the Shutter Speed Before Shooting (Shutter-Priority AE) ......112
Setting the Aperture Value Before Shooting (Aperture-Priority AE) ...114
Setting the Exposure Before Shooting (Manual Exposure) ...............117
Long (Bulb) Exposures ......................................................................119
14
Contents
AF, Drive, and Exposure Settings 123
Selecting the AF Operation ................................................................124
Selecting the AF Area and AF Point (Viewfi nder Shooting)................128
Selecting the AF Method (Live View Shooting) ..................................135
Manual Focus.....................................................................................147
Selecting the Drive Mode ...................................................................150
Using the Self-Timer ..........................................................................153
Remote Control Shooting ...................................................................155
Eyepiece Cover ..................................................................................157
Selecting the Metering Mode .............................................................158
Exposure Compensation ....................................................................160
Locking the Exposure (AE Lock) ........................................................161
Flash Photography 163
Shooting With the Built-in Flash .........................................................164
Flash Function Settings .....................................................................168
Shooting With External Speedlites .....................................................179
Wireless Flash Photography Using
Optical Transmission ..........................................................................180
Shooting 191
Still Photo Shooting 192
Tab Menus: Still Photo Shooting (Viewfi nder Shooting) .....................193
Tab Menus: Still Photo Shooting (Live View Shooting) ......................196
Image Quality Settings .......................................................................199
Still Image Aspect Ratio .....................................................................202
15
Contents
Image Review Time............................................................................204
Card Reminder ...................................................................................205
Correction of Lens Aberrations due to Optical Characteristics ..........206
Auto Exposure Bracketing (AEB) .......................................................211
ISO Speed Settings for Still Photos ...................................................213
Auto Correction of Brightness and Contrast
(Auto Lighting Optimizer) ...................................................................218
Highlight Tone Priority Settings ..........................................................219
Metering Timer (Live View Shooting) .................................................220
Exposure Simulation (Live View Shooting) ........................................221
White Balance Settings ......................................................................222
White Balance Correction ..................................................................227
Color Space Settings .........................................................................229
Picture Style Selection .......................................................................230
Picture Style Customization ...............................................................233
Picture Style Registration ...................................................................236
Noise Reduction Settings ...................................................................238
Appending Dust Delete Data .............................................................241
Shutter Release Method (Live View Shooting) ..................................243
Multiple Exposures .............................................................................245
HDR (High Dynamic Range) Shooting ...............................................251
Focus Bracketing (Live View Shooting) .............................................255
Interval Timer Shooting ......................................................................258
Flicker Eff ect Reduction .....................................................................261
Mirror Lockup .....................................................................................263
16
Contents
Continuous AF (Live View Shooting) ..................................................265
Lens Electronic MF Settings ..............................................................266
AF-Assist Beam Settings ...................................................................267
General Still Photo Shooting Cautions ...............................................269
Movie Recording 273
Tab Menus: Movie Recording ............................................................274
Movie Recording ................................................................................277
HDR Movie Recording .......................................................................284
Movie Recording With Filter Eff ects Applied ......................................285
Movie Recording Quality Settings ......................................................288
Setting the Sound Recording .............................................................295
Movie Digital IS ..................................................................................298
Recording Time-lapse Movies ............................................................300
Recording Video Snapshots ...............................................................312
Movie Servo AF ..................................................................................317
Movie Servo AF Track Sensitivity .......................................................319
Movie Servo AF Speed ......................................................................320
Other Menu Functions .......................................................................322
General Movie Recording Cautions ...................................................326
Playback 329
Tab Menus: Playback .........................................................................330
Image Playback .................................................................................332
Index Display (Multiple-Image Display) ..............................................334
Magnifi ed Image Display ....................................................................336
Movie Playback ..................................................................................337
17
Contents
Editing a Movie’s First and Last Scenes ............................................340
Frame Extraction from 4K Movies or 4K Time-Lapse Movies ............342
Playback on a TV Set .........................................................................344
Protecting images ..............................................................................346
Image Rotation ...................................................................................349
Erasing Images ..................................................................................350
Digital Print Order Format (DPOF) .....................................................354
Specifying Images for a Photobook ...................................................358
Creative Filter Eff ects .........................................................................361
RAW Image Processing .....................................................................364
Processing With Your Preferred Eff ects Applied (Creative Assist) .....370
Selecting the Type of RAW Image Processing ..................................372
Red-Eye Correction............................................................................373
Editing Video Snapshot Albums .........................................................374
Cropping JPEG Images .....................................................................377
Resizing JPEG Images ......................................................................379
Image Ratings ....................................................................................380
Image Slide Shows (Auto Playback) ..................................................383
Filtering Images for Playback .............................................................385
Jump Display (Jumping Through Images) .........................................387
Customizing Playback Information Display ........................................389
Displaying the Highlight Alert .............................................................391
AF Point Display.................................................................................392
Grid Display........................................................................................393
Specifying Initial Image Display When Playback Begins ...................394
18
Contents
Wireless Features 395
Tab Menus: Wireless Tab ...................................................................396
Selection of Wi-Fi/Bluetooth Connection ...........................................397
Connecting to a Smartphone .............................................................399
Connecting to a Computer via Wi-Fi ..................................................426
Connecting to a Printer via Wi-Fi .......................................................434
Sending Images to a Web Service .....................................................444
Wi-Fi Connection via Access Points ..................................................458
Connecting to a Wireless Remote Control .........................................464
Reconnecting via Wi-Fi ......................................................................467
Registering Multiple Connection Settings ..........................................469
Wi-Fi Settings .....................................................................................470
Bluetooth Settings ..............................................................................471
Changing the Nickname .....................................................................472
Geotagging Images with GPS Information from Other Devices .........473
Changing or Deleting Connection Settings ........................................478
Clearing Wireless Communication Settings to Default ......................480
View Info Screen ................................................................................481
Virtual Keyboard Operations ..............................................................482
Responding to Error Messages .........................................................483
Wireless Communication Function Notes ..........................................494
Security ..............................................................................................496
Checking Network Settings ................................................................497
Wireless Communication Status ........................................................498
19
Contents
Set-up 501
Tab Menus: Set-up .............................................................................502
Creating and Selecting a Folder ........................................................505
File Numbering Methods ....................................................................507
The Auto Rotation of Vertical Images .................................................510
Formatting Memory Cards .................................................................511
Auto Power Off ...................................................................................513
Adjusting the Screen Brightness ........................................................514
Turning the Screen Off /On .................................................................515
Setting the Date, Time, and Time Zone .............................................516
Interface Language ............................................................................519
Video System .....................................................................................520
Touch Sensitivity Settings ..................................................................521
Beeping for Camera Operations ........................................................522
Headphone Volume ...........................................................................523
Checking the Battery Information .......................................................524
Sensor Cleaning ................................................................................528
Displaying the Shooting Mode Guide .................................................532
Feature Guide Display .......................................................................533
Help Features.....................................................................................534
Customization of Information in the Viewfi nder ..................................536
<
B
> Button Display Options .........................................................538
Customization of On-Screen Information ...........................................539
Shutter Button Customization for Movie Recording ...........................542
HDMI Output Resolution ....................................................................543
RAW Image Display on HDR TVs ......................................................544
20
Contents
Multi-Function Lock ............................................................................545
Registering Custom Shooting Modes ................................................546
Restoring Camera Defaults ................................................................547
Copyright Information .........................................................................548
Other Information ...............................................................................550
Custom Functions / My Menu 551
Tab Menus: Customization .................................................................552
Setting Custom Functions ..................................................................553
Custom Functions ..............................................................................554
Custom Function Setting Items ..........................................................556
Fine Adjustment of AF Position (AF Microadjustment) .......................575
Clearing Custom Function Settings ...................................................581
Tab Menus: My Menu .........................................................................582
Registering My Menu .........................................................................583
Reference 589
Software .............................................................................................590
Importing Images to a Computer .......................................................592
Battery Grip BG-E14 ..........................................................................594
Household Power Outlet Accessory ...................................................594
Troubleshooting Guide .......................................................................595
Error Codes ........................................................................................613
Performance Data ..............................................................................614
Information Display ............................................................................622
Index ..................................................................................................635
21
Index to Features
Power
Charging the battery (
=
44)
Battery level (
=
53)
Power saving (
=
513)
Checking battery information
(
=
524)
Cards
Releasing shutter without card
(
=
205)
Formatting (
=
511)
Cards compatible with movie
recording (
=
617)
Lens
Attaching (
=
54)
Detaching (
=
55)
Basic Settings
Date/Time/Zone (
=
516)
Language (
=
519)
Beeper (
=
522)
Clear all camera settings (
=
547)
Copyright information (
=
548)
Viewfi nder
Dioptric adjustment (
=
56)
Information display in viewfi nder
(
=
536)
Viewfi nder display format (
=
536)
Screen
Vari-angle (
=
51)
Touch control (
=
70)
Brightness (
=
514)
Help (
=
534)
Electronic level (
=
539)
AF
AF operation (
=
124)
AF method (
=
135)
AF point selection (
=
140)
Eye Detection AF (
=
142)
Manual focusing (
=
147)
MF peaking settings (
=
149)
Continuous AF (
=
265)
Electronic manual focus (
=
266)
AF-assist beam (
=
267)
Metering
Metering mode (
=
158)
Drive
Drive mode (
=
150)
Self-timer (
=
153)
Maximum burst (
=
201)
Image Recording Settings
Creating/Selecting a folder
(
=
505)
File numbering (
=
507)
22
Index to Features
Image Quality
Image quality (
=
199)
Still image aspect ratio (
=
202)
Lens aberration correction
(
=
206)
ISO speed (still photos) (
=
213)
Auto Lighting Optimizer (
=
218)
Highlight tone priority (
=
219)
White balance (
=
222)
Picture Style (
=
230)
Noise reduction for long exposures
(
=
238)
Noise reduction for high ISO
speeds (
=
239)
Reducing fl icker (
=
261)
Shooting
Shooting mode (
=
38)
Multi-function lock (
=
60)
Quick Control (
=
67)
Touch shutter (
=
72)
Creative Assist (
=
82)
Creative fi lters (
=
103)
Depth-of-fi eld preview (
=
116)
Bulb timer (
=
120)
Magnifi ed view (
=
144)
Remote control (
=
155)
Remote switch (
=
156)
Multiple exposures (
=
245)
HDR mode (
=
251)
Focus bracketing (
=
255)
Interval timer (
=
258)
Mirror lockup (
=
263)
Shooting information display
(
=
539)
Grid display (
=
540)
Error codes (
=
613)
Exposure
Exposure compensation with
M+ISO Auto (
=
118)
Exposure compensation (
=
160)
AE lock (
=
161)
AEB (
=
211)
Exposure simulation (
=
221)
Safety shift (
=
558)
Flash
Built-in fl ash (
=
164)
Flash exposure compensation
(
=
166)
FE lock (
=
167)
Flash function settings (
=
168)
External fl ash (
=
179)
Optical wireless fl ash photography
(
=
180)
23
Index to Features
Movie Recording
Autoexposure recording (
=
277)
Manual exposure recording
(
=
279)
HDR movie (
=
284)
Creative fi lters mode (
=
285)
Movie recording size (
=
288)
Wind fi lter (
=
295)
Sound recording (
=
295)
Microphone (
=
296)
Attenuator (
=
296)
Time-lapse movie (
=
300)
Video snapshot (
=
312)
Movie Servo AF (
=
317)
Movie Servo AF track sensitivity
(
=
319)
Movie Servo AF speed (
=
320)
ISO speed (movie) (
=
322)
Remote control shooting (
=
322)
Auto slow shutter (
=
324)
HDMI output (
=
325)
4K movie (
=
342)
Headphone (
=
523)
HDMI output resolution (
=
543)
Playback
Image review time (
=
204)
Single-image display (
=
332)
Touch playback (
=
335)
Magnifi ed view (
=
336)
Index display (
=
334)
Movie playback (
=
337)
Editing a movie’s fi rst and last
scenes (
=
340)
Frame Grab (4K) (
=
342)
Viewing images on a television
(
=
344)
Protect (
=
346)
Image rotation (
=
349)
Erasing (
=
350)
Rating (
=
380)
Slide show (
=
383)
Setting image search conditions
(
=
385)
Image browsing (Jump display)
(
=
387)
Playback information display
(
=
389)
Highlight alert (
=
391)
AF point display (
=
392)
Grid display (
=
393)
Shooting information display
(
=
539)
HDR output (
=
544)
24
Index to Features
Image Editing
Creative fi lters (
=
361)
RAW image processing (
=
364)
Red-eye correction (
=
373)
Video snapshot album (
=
374)
Cropping JPEGs (
=
377)
Resizing JPEGs (
=
379)
Print Order
Print order (DPOF) (
=
354)
Photobook Set-up (
=
358)
Customization
Custom shooting mode (
=
546)
Custom Functions (C.Fn) (
=
552)
Custom Controls (
=
571)
My Menu (
=
583)
Sensor Cleaning and Dust Reduction
Appending Dust Delete Data
(
=
241)
Sensor cleaning (
=
528)
Manual sensor cleaning (
=
530)
Software
Downloading and Installing
(
=
590)
Software Instruction Manuals
(
=
591)
Wireless Features
Connect to smartphones (
=
399)
Auto send images to smartphones
(
=
412)
Remote control (EOS Utility)
(
=
426)
Auto send images to computers
(
=
431)
Print from Wi-Fi printers (
=
434)
Upload to Web services (
=
444)
Connect to a wireless remote
control (
=
464)
Geotagging Images (
=
473)
Clear wireless settings (
=
480)
25
Safety Instructions
Be sure to read these instructions in order to operate the product safely.
Follow these instructions to prevent injury or harm to the operator of the
product or others.
WARNING
:
Denotes the risk of serious injury or death.
o
Keep the product out of the reach of young children.
A strap wrapped around a person’s neck may result in strangulation.
The parts or provided items of cameras or accessories are dangerous if
swallowed. If swallowed, seek immediate medical assistance.
The battery is dangerous if swallowed. If swallowed, seek immediate medical
assistance.
o
Use only power sources specifi ed in this instruction manual for use with the product.
o
Do not disassemble or modify the product.
o
Do not expose the product to strong shocks or vibration.
o
Do not touch any exposed internal parts.
o
Stop using the product in any case of unusual circumstances such as the presence
of smoke or a strange smell.
o
Do not use organic solvents such as alcohol, benzine or paint thinner to clean the
product.
o
Do not get the product wet. Do not insert foreign objects or liquids into the product.
o
Do not use the product where fl ammable gases may be present.
This may cause electric shock, explosion or fi re.
o
Do not leave a lens or a camera/camcorder with a lens attached, exposed without
the lens cap attached.
The lens may concentrate the light and cause fi re.
o
For products featuring a viewfi nder, do not look through the viewfi nder at strong light
sources such as the sun on a bright day or lasers and other strong artifi cial light
sources.
This may harm your vision.
o
Do not touch the product connected to a power outlet during lightning storms.
This may cause electric shock.
o
Observe the following instructions when using commercially available batteries or
provided battery packs.
Use batteries/battery packs only with their specifi ed product.
Do not heat batteries/battery packs or expose them to fi re.
Do not charge batteries/battery packs using non-authorized battery chargers.
Do not expose the terminals to dirt or let them come into contact with metallic pins
or other metal objects.
Do not use leaking batteries/battery packs.
When disposing of batteries/battery packs, insulate the terminals with tape or other
means.
This may cause electric shock, explosion or fi re.
26
Safety Instructions
If a battery/battery pack leaks and the material contacts your skin or clothing,
fl ush the exposed area thoroughly with running water. In case of eye contact,
fl ush thoroughly with copious amounts of clean running water and seek
immediate medical assistance.
o
Observe the following instructions when using a battery charger.
Periodically remove any dust buildup from the power plug and power outlet using a
dry cloth.
Do not plug in or unplug the product with wet hands.
Do not use the product if the power plug is not fully inserted into the power outlet.
Do not expose the power plug and terminals to dirt or let them come into contact
with metallic pins or other metal objects.
o
Do not place heavy objects on the power cord. Do not damage, break or modify the
power cord.
o
Do not wrap the product in cloth or other materials when in use or shortly after use
when the product is still warm in temperature.
o
Do not unplug the product by pulling the power cord.
o
Do not leave the product connected to a power source for long periods of time.
o
Do not charge batteries/battery packs at temperatures outside the range of 5 - 40 °C
(41 - 104 °F).
This may cause electric shock, explosion or fi re.
o
Do not allow the product to maintain contact with the same area of skin for extended
periods of time during use.
This may result in low-temperature contact burns, including skin redness and
blistering, even if the product does not feel hot. The use of a tripod or similar
equipment is recommended when using the product in hot places and for people
with circulation problems or less sensitive skin.
o
Follow any indications to turn off the product in places where its use is forbidden.
Not doing so may cause other equipment to malfunction due to the eff ect of
electromagnetic waves and even result in accidents.
27
Safety Instructions
CAUTION:
Denotes the risk of injury.
o
Do not fi re the fl ash near the eyes.
It may hurt the eyes.
o
Do not look at the screen or through the viewfi nder for prolonged periods of time.
This may induce symptoms similar to motion sickness. In such a case, stop using
the product immediately and rest for a while before resuming use.
o
Flash emits high temperatures when fi red. Keep fi ngers, any other part of your body,
and objects away from the fl ash unit while taking pictures.
This may cause burns or malfunction of the fl ash.
o
Do not leave the product in places exposed to extremely high or low temperatures.
The product may become extremely hot/cold and cause burns or injury when
touched.
o
Strap is intended for use on the body only. Hanging the strap with any product
attached on a hook or other object may damage the product. Also, do not shake the
product or expose the product to strong impacts.
o
Do not apply strong pressure on the lens or allow an object to hit it.
This may cause injury or damage to the product.
o
Only mount the product on a tripod that is suffi ciently sturdy.
o
Do not carry the product when it is mounted on a tripod.
This may cause injury or may result in an accident.
o
Do not touch any parts inside the product.
This may cause injury.
o
If any abnormal skin reaction or irritation occurs during or following the use of this
product, refrain from further use and get medical advice/attention.
28
Handling Precautions
Camera Care
This camera is a precision instrument. Do not drop it or subject it to
physical shock.
The camera is not waterproof and cannot be used underwater.
To maximize the camera’s dust- and drip- resistance, keep the terminal
cover, battery compartment cover, card slot cover, and all other covers
fi rmly closed.
This camera is designed to be dust- and drip- resistant, in order to help
prevent sand, dust, dirt, or water that falls on it unexpectedly from getting
inside, but it is impossible to prevent dirt, dust, water, or salt from getting
inside at all. As far as possible, do not allow dirt, dust, water, or salt to get
on the camera.
If water gets on the camera, wipe it off with a dry and clean cloth. If dirt,
dust, or salt gets on the camera, wipe it off with a clean, well-wrung wet
cloth.
Using the camera in a location with large amounts of dirt or dust may
cause a malfunction.
Cleaning the camera after use is recommended. Allowing dirt, dust, water,
or salt to remain on the camera may cause a malfunction.
If you accidentally drop the camera into water or are concerned that
moisture (water), dirt, dust, or salt may have gotten inside it, promptly
consult the nearest Canon Service Center.
Never leave the camera near anything having a strong magnetic fi eld
such as a magnet or electric motor. Also, avoid using or leaving the
camera near anything emitting strong radio waves, such as a large
antenna. Strong magnetic fi elds can cause camera malfunction or destroy
image data.
Do not leave the camera in excessive heat, such as in a car in direct
sunlight. High temperatures can cause the camera to malfunction.
The camera contains precision electronic circuitry. Never attempt to
disassemble the camera yourself.
29
Handling Precautions
Do not block the mirror operation with your fi nger, etc. Doing so may
cause a malfunction.
Use only a commercially available blower to blow away dust when it
adheres to the lens, viewfi nder, mirror, focusing screen etc. Do not use
cleaners that contain organic solvents to clean the camera body or lens.
For stubborn dirt, take the camera to the nearest Canon Service Center.
Do not touch the camera’s electrical contacts with your fi ngers. This is
to prevent the contacts from corroding. Corroded contacts can cause
camera malfunction.
If the camera is suddenly brought in from the cold into a warm room,
condensation may form on the camera and internal parts. To prevent
condensation, fi rst put the camera in a sealed plastic bag and let it adjust
to the warmer temperature before taking it out of the bag.
If condensation forms on the camera, to avoid damage, do not use the
camera or remove the lens, card, or battery.
Turn the camera off and wait until the moisture has fully evaporated
before resuming use. Even after the camera is completely dry, if it is still
internally cold, do not remove the lens, card, or battery until the camera
has adjusted to the ambient temperature.
If the camera will not be used for an extended period, remove the battery
and store the camera in a cool, dry, well-ventilated location. Even while
the camera is in storage, press the shutter button a few times once in a
while to check that the camera is still working.
Avoid storing the camera where there are chemicals that result in rust
and corrosion such as in a chemical lab.
If the camera has not been used for an extended period, test all its
functions before using it. If you have not used the camera for some time
or if there is an important shoot such as a foreign trip coming up, have
the camera checked by your nearest Canon Service Center or check the
camera yourself and make sure it is working properly.
If you repeat continuous shooting or perform Live View shooting or movie
shooting for a prolonged period, the camera may become hot. This is not
a malfunction.
If there is a bright light source inside or outside the image area, ghosting
may occur.
30
Handling Precautions
Screen and LCD Panel
Although the screen is manufactured with very high precision technology
with over 99.99% eff ective pixels, 0.01% or fewer of the pixels may be
dead, and there may also be spots of black, red, or other colors. This is
not a malfunction. They do not aff ect the images recorded.
If the screen is left on for a prolonged period, screen burn-in may occur
where you see remnants of what was displayed. However, this is only
temporary and will disappear when the camera is left unused for a few
days.
The screen display may seem slightly slow in low temperatures or
may look black in high temperatures. It will return to normal at room
temperature.
Cards
To protect the card and its recorded data, note the following:
Do not drop, bend, or wet the card. Do not subject it to excessive force,
physical shock, or vibration.
Do not touch the card’s electronic contacts with your fi ngers or anything
metallic.
Do not affi x any stickers, etc. on the card.
Do not store or use the card near anything that has a strong magnetic
fi eld, such as a television, speakers, or magnets. Also avoid places prone
to having static electricity.
Do not leave the card in direct sunlight or near a heat source.
Store the card in a case.
Do not store the card in hot, dusty, or humid locations.
Lens
After detaching the lens from the camera, put down
the lens with the rear end up and attach the rear lens
cap to avoid scratching the lens surface and electrical
contacts (1).
(1)
31
Part Names
(18)
(10)
(11)
(12)
(14)
(13)
(15)
(16)
(17)
(19)
(30)
(20)
(21)
(22)
(23)
(25)
(24)
(26)
(27)
(28)
(29)
(5)
(6)
(1)
(2)
(3)
(4)
(7)
(8)
(9)
(1) LCD panel
(2) <
i
> ISO speed setting button
(3) <
q
>
Metering mode selection button
(4) <
G
> AF area/AF method
selection button
(5) <
6
> Main dial
(6) <
U
>
LCD panel illumination button
(7) Shutter button
(8) Red-eye reduction/Self-timer/
Remote control lamp
(9) Remote control sensor
(10) Grip (Battery compartment)
(11) DC coupler cord hole
(12) Mirror
(13) Depth-of-fi eld preview button
(14) Contacts
(15) Lens mount
(16) Lens lock pin
(17) <
R
> Drive mode selection
button
(18) <AF> AF operation/AF method
selection button
(19)
Built-in fl ash/AF-assist beam emitter
(20) Flash sync contacts
(21) Hot shoe
(22) EF lens mount index
(23) EF-S lens mount index
(24) Mode dial
(25) Mode dial lock-release button
(26) <
D
> Flash button
(27) Strap mount
(28) Built-in microphones
(29) Lens release button
(30) Body cap
32
Part Names
(3)
(5)
(4)
(11)
(6)
(7)
(10)
(8)
(9)
(12)
(14)
(16)
(13)
(15)
(2)
(1)
(1) Eyecup
(2) Speaker
(3) <
B
> Info button
(4) Power switch
(5) Terminal cover
(6) <
p
> AF start button
(7) <
A
> AE lock/FE lock button
<
y
> Index/Reduce button
(8) <
S
> AF point selection/
<
v
> Magnify button
(9) Viewfi nder eyepiece
(10) <
Q
> Quick Control button
(11) <
M
> Menu button
(12) <
Y
> External microphone IN
terminal
(13) <
g
> Digital terminal
(14) <
n
> Headphone terminal
(15) <
D
> HDMI mini OUT
terminal
(16) <
F
> Remote control terminal
33
Part Names
(10)
(8)
(12)
(14)
(16)
(17)
(18)
(20)
(19)
(1)
(3)
(2)
(4)
(5)
(6)
(7)
(11)
(13)
(9)
(15)
(1) Accessory positioning hole
(2) Screen
(3) Serial number
(4) Tripod socket
(5) <
0
> Setting button
(6) <
9
> <
W
> <
X
> <
Y
> <
Z
>
Multi-controller 2
(7) <
x
> Playback button
(8) Dioptric adjustment knob
(9) <
V
> Focal plane mark
(10) <
A
> Live View shooting/
<
k
> Movie shooting switch
<
0
> Start/Stop button
(11) Access lamp
(12) Strap mount
(13) <
j
> Multi-controller 1
(14) Card slot cover
(15) Card slot
(16) Battery compartment cover lock
(17) Battery compartment cover
(18) Multi-function lock switch
(19) <
5
> Quick control dial
(20) <
L
> Erase button
34
Part Names
Viewfi nder Information Display
(1) Zone AF (Manual selection of
zone)
(2) 1-point AF (Manual selection)
(3) Spot AF (Manual selection)
(4) Focusing screen
(5) Aspect ratio line (1:1)
(6) Grid
(7) Spot metering circle
(8) Large Zone AF frame
(9) Electronic level
(10) Large Zone AF (Manual selection
of zone)
(11) Automatic selection AF
(12) <
S
> 1-point AF point
<
O
> Spot AF point
(13) Aspect ratio line (16:9)
(14) Area AF frame
(15) Aspect ratio line (4:3)
(16) <
G
> Flicker detection
(17) <
z
> Warning icon
* The display will show only the settings currently applied.
(6)
(7)
(3)
(2)
(1)
(12)
(11)
(10)
(16)
(14)
(13)
(15)
(17)
(9)
(8)
(5)
(4)
35
Part Names
(27)
(26)
(28)
(30)
(29)
(31)
(32)
(20)
(19)
(18)
(22)
(21)
(24)
(23)
(25)
(18) Aperture value
(19) AF point selection
(
AF, SEL [ ], SEL AF)
(20) Shutter speed
Bulb (buLb)
FE lock (FEL)
Busy/Charging the fl ash (buSY)
Multi-function lock warning (L)
No card warning (Card)
Card full warning (FuLL)
Card error warning (Card)
Error codes (Err)
(21) <
y
> Flash exposure
compensation
(22) <
z
> Battery level
(23) <
A
> AE lock
AEB in-progress
(24) <
D
>
Warning to use fl ash (blinking)
Flash ready (on)
FE lock out of range warning
(blinking)
(25) <
d
> FE lock
FEB in-progress
<
e
> High-speed sync
(26) <
i
> ISO speed
(27) Maximum burst
Number of remaining multiple
exposures
(28) <
o
> Focus indicator
(29) ISO speed
(30) <
A
> Highlight tone priority
(31) Exposure level indicator
Exposure compensation amount
AEB range
Red-eye reduction lamp on
indicator
(32) <
O
> Exposure compensation
* The display will show only the settings currently applied.
36
Part Names
* The display will show only the settings currently applied.
(1) Drive mode
(2) <
H
> Bulb timer/Interval
timer
(3) AF operation
(4) Shutter speed
Bulb (buLb)
FE lock (FEL)
Remaining number of shots for
time-lapse movie
Busy/Charging the fl ash (buSY)
Multi-function lock warning (L)
Cleaning image sensor (CLn)
No card warning (Card)
Card full warning (FuLL)
Card error warning (Card)
Error codes (Err)
(5) AF point selection
(
AF, SEL [ ], SEL AF)
(6) <
A
> Highlight tone priority
(7) <
i
> ISO speed
(8) ISO speed
(9) Metering mode
(10) Number of possible shots
Self-timer countdown
Bulb exposure time
Error number
Remaining images to record
(11) Aperture value
LCD Panel
(1)
(3)
(2)
(5)
(4)
(10)
(7)
(6)
(8)
(9)
(11)
37
Part Names
(14)
(13)
(12) (16)
(17)
(18)
(15)
(12) <
O
> Exposure compensation
(13) Exposure level indicator
Exposure compensation amount
AEB range
Red-eye reduction lamp on
indicator
(14) <
a
> Time-lapse movies
(15) <
l
> Wi-Fi function
(16) Battery level
(17) <
s
> Bluetooth function
(18) <
P
> Multiple exposures
38
Part Names
Mode Dial
Turn the Mode dial while holding down the lock-release button in the center.
(1)
(1) Basic Zone
All you do is press the shutter button. The camera sets everything to suit the
subject or scene for shooting.
A
: Scene Intelligent Auto (
=
76)
8
: Special scene (
=
84)
2
Portrait (
=
86)
4
Close-up (
=
93)
q
Group Photo (
=
87)
P
Food (
=
94)
3
Landscape (
=
88)
y
Candlelight (
=
95)
5
Sports (
=
89)
6
Night Portrait (
=
96)
C
Kids (
=
90)
F
Handheld Night Scene (
=
97)
r
Panning (
=
91)
G
HDR Backlight Control (
=
98)
U
: Creative fi lters (
=
103)
I
Grainy B/W (
=
105)
c
Miniature eff ect (
=
106)
W
Soft focus (
=
105)
A
HDR art standard (
=
106)
X
Fish-eye eff ect (
=
105)
B
HDR art vivid (
=
106)
Z
Water painting eff ect (
=
105)
C
HDR art bold (
=
106)
H
Toy camera eff ect (
=
105)
D
HDR art embossed (
=
106)
39
Part Names
(2)
(3)
(2) Creative Zone
These modes give you more control for shooting various subjects as
desired.
d
Program AE (
=
110)
s
Shutter-priority AE (
=
112)
f
Aperture-priority AE (
=
114)
a
Manual exposure (
=
117)
F
Bulb (
=
119)
(3) Custom shooting modes
You can assign <
d
>, <
s
>, <
f
>, <
a
>, <
F
>, AF operation, menu
functions, and more to <
w
>, or <
x
> (
=
546).
41
Part Names
Attaching the Strap
Pass the end of the strap through the
camera’s strap mount eyelet from the bottom.
Then pass it through the strap’s buckle as
shown in the illustration. Pull the strap to take
up any slack and make sure the strap will not
loosen from the buckle.
The eyepiece cover (1) is attached to the
strap (
=
157).
(1)
42
4343
Preparation and Basic
Operations
This chapter describes preparatory steps before you start shooting
and the basic camera operations.
44
Charging the Battery
1
Detach the protective cover
provided with the battery.
2
Insert the battery in the charger.
Do the opposite to remove the battery.
LC-E6
LC-E6E
3
Recharge the battery.
For LC-E6
As shown by the arrow, fl ip out the
battery charger’s prongs and insert the
prongs into a power outlet.
For LC-E6E
Connect the power cord to the charger
and insert the plug into a power outlet.
Recharging starts automatically and the
charge lamp blinks in orange.
45
Charging the Battery
Charge Level
Charge Lamp
Color Display
0–49%
Orange
Blinks once per second
50–74% Blinks twice per second
75% or higher
Blinks three times per
second
Fully charged Green Turned on
It takes approx. 2 hr. and 30 min. to fully recharge a completely
exhausted battery at room temperature (23°C / 73°F). The time
required to charge the battery will vary greatly depending on the ambient
temperature and the battery’s remaining capacity.
For safety reasons, charging in low temperatures (5–10°C / 41–50°F) will
take longer (up to approx. 4 hr.).
46
Charging the Battery
Upon purchase, the battery is not fully charged.
Charge the battery before use.
Recharge the battery on the day before or on the day it is to be
used.
Even during storage, a charged battery will gradually drain and lose its
capacity.
After recharging the battery, remove it and disconnect the charger
from the power outlet.
You can attach the protective cover in a
diff erent orientation to indicate whether the
battery is recharged or not.
If the battery is recharged, attach the protective
cover so that the battery-shaped hole < > is
aligned over the blue sticker on the battery. If the
battery is exhausted, attach the protective cover in
the opposite orientation.
When not using the camera, remove the battery.
If the battery is left in the camera for a prolonged period, a small amount
of power current will keep being released, resulting in excess discharge
and shorter battery life. Store the battery with the protective cover
attached. Storing the battery when it is fully charged may lower the
battery performance.
The battery charger can also be used in foreign countries.
The battery charger is compatible with a 100 V AC to 240 V AC 50/60 Hz
power source. If necessary, attach a commercially available plug adapter
for the respective country or region. Do not attach any portable voltage
transformer to the battery charger. Doing so may damage the battery
charger
.
If the battery becomes exhausted quickly even after having been
fully charged, the battery has reached the end of its service life.
Check the battery’s recharge performance (
=
524) and purchase a new
battery.
o
After disconnecting the charger’s power plug, do not touch the prongs for
approx. 10 sec.
o
If the battery’s remaining capacity (
=
524) is 94% or higher, the battery will
not be recharged.
o
The provided charger cannot charge any battery other than Battery Pack
LP-E6N/LP-E6.
47
Inserting/Removing the Battery
Insert a fully-charged Battery Pack LP-E6N (or LP-E6) into the camera.
Insertion
1
Slide the battery compartment
cover lock and open the cover.
2
Insert the battery.
Insert the end with the electrical
contacts.
Insert the battery until it locks in place.
3
Close the cover.
Press the cover until it snaps shut.
o
You cannot use batteries other than the Battery Pack LP-E6N or LP-E6.
Removal
Open the cover and remove the
battery.
Press the battery lock lever as shown by
the arrow and remove the battery.
To prevent short-circuits, always attach
the included protective cover (
=
44)
to the battery.
48
Inserting and Removing the Card
The captured images are recorded onto the card.
o
Make sure the card’s write-protect switch (1) is set upward to enable
writing and erasing.
Insertion
1
Slide the cover to open it.
(1)
2
Insert the card.
As shown by the illustration, face the
card’s label side toward you and insert it
until it clicks in place.
3
Close the cover.
Close the cover and slide it in the
direction shown by the arrows until it
snaps shut.
Formatting the Card
If the card is new or was previously formatted (initialized) by another camera
or computer, format the card with this camera (
=
511).
49
Inserting and Removing the Card
Removal
(1)
1
Open the cover.
Set the power switch to <
2
>.
Check that the access lamp (1) is off ,
then open the cover.
If [Saving...] is displayed on the screen,
close the cover.
2
Remove the card.
Gently push in the card, then let it go to
eject.
Pull the card straight out, then close the
cover.
o
The number of possible shots varies depending on the remaining capacity of
the card, the settings of image quality, ISO speed, etc.
o
Setting [
z
: Release shutter without card] to [Disable] will prevent you from
forgetting to insert a card (
=
205).
50
Inserting and Removing the Card
o
When the access lamp is lit or blinking, it indicates that images are
being written to, read from, or erased from the card, or data is being
transferred. Do not open the card slot cover during this time.
Also,
never do any of the following while the access lamp is lit or blinking.
Otherwise, it can damage the image data, card, or camera.
• Removing the card.
• Removing the battery.
• Shaking or striking the camera.
• Unplugging or plugging in a power cord when using household power
outlet accessories (sold separately,
=
594).
o
If the card already contains recorded images, the image number may not start
from 0001 (
=
507).
o
If a card-related error message is displayed on the screen, remove and
reinsert the card. If the error persists, use a diff
erent card.
If you can transfer images on the card to a computer, transfer all the images
and then format the card with the camera (
=
511). The card may then return
to normal.
o
Do not touch the card’s contacts with your fi ngers or metal objects. Do not
expose the contacts to dust or water
. If smudges adhere to the contacts,
contact failure may result.
o
Multimedia cards (MMC) cannot be used. (Card error will be disp
layed.)
o
Use of UHS-II microSDHC/SDXC cards with a microSD to SD adapter is not
recommended. When using UHS-II cards, use SDHC/SDXC cards.
51
Using the Screen
You can change the direction and angle of the screen.
1
Flip out the screen.
175°
180°
90°
2
Rotate the screen.
When the screen is swung out, you can
rotate it up, down, or over 180° to face
the subject.
The indicated angle is only approximate.
3
Face it toward you.
Normally, use the camera with the
screen facing you.
o
Be careful not to forcefully rotate the screen, putting much power on the
rotating axis (hinge).
o
When a cable is connected to a camera terminal, the rotation angle range of
the fl ipped-out screen will be limited.
o
When not using the camera, close the screen facing inward. You can protect
the screen.
52
Turning on the Power
<
1
>
The camera turns on.
<
2
>
The camera is turned off and does not
function. Set the power switch to this
position when not using the camera.
Setting the Date, Time, and Time Zone
If you turn on the power switch and the date/time/zone setting screen
appears, see
=
516 to set the date/time/zone.
Changing the Interface Language
To change the interface language, see
=
519.
Automatic Sensor Cleaning
Whenever you set the power switch to <
1
> or <
2
>, sensor cleaning
will be performed automatically. (A small sound may be audible.) During
the sensor cleaning, the screen will display <
f
>.
If you repeatedly turn the power switch <
1
>/<
2
> at a short
interval, the <
f
> icon may not be displayed. This is normal and not a
malfunction.
o
If you set the power switch to <
2
> while an image is being recorded to
the card, [Saving...] will be displayed and the power will turn off after the
recording fi nishes.
53
Turning on the Power
z
Battery Level Indicator
When the power switch is set to <
1
>, the battery level will be indicated.
Display
zxc
Level (%) 100–70 69–50 49–20
Display
m
bn
Level (%) 19–10 9–1 0
o
Doing any of the following will exhaust the battery faster:
• Pressing the shutter button halfway for a prolonged period.
• Activating the AF frequently without taking a picture.
• Using the lens’s Image Stabilizer.
• Using the Wi-Fi function or Bluetooth function.
• Using the screen frequently.
o
The number of possible shots may decrease depending on the actual shooting
conditions.
o
The lens operation is powered by the camera’s battery. Certain lenses may
exhaust the battery faster than others.
o
In low ambient temperatures, shooting may not be possible even with a
suffi
cient battery level.
o
See [
5
: Battery info.] to check the battery status (
=
524).
54
Attaching and Detaching a Lens
All EF and EF-S lenses can be used. The camera cannot be used with RF
or EF-M lenses.
Attaching a Lens
1
Remove the caps.
Remove the rear lens cap and the body
cap by turning them as shown by the
arrows.
(1) (2)
2
Attach the lens.
Align the white or red mount index on
the lens with the corresponding mount
index on the camera and turn the lens
as shown by the arrow until it clicks into
place.
(1) White index
(2) Red index
3
Set the lens’s focus mode switch
to <AF>.
<AF> stands for autofocus.
<MF> stands for manual focus.
Autofocus will not operate.
4
Remove the front lens cap.
55
Attaching and Detaching a Lens
Detaching the Lens
While pressing the lens release
button, turn the lens as shown by
the arrow.
Turn the lens until it stops, then detach
it.
Attach the rear lens cap to the detached
lens.
o
Do not look at the sun directly through any lens. Doing so may cause loss of
vision.
o
When attaching or detaching a lens, set the camera’s power switch to <
2
>.
o
If the front part (focusing ring) of the lens rotates during autofocusing, do not
touch the rotating part.
o
For instructions on how to use the lens, refer to the Lens Instruction Manual
(
=
4).
Shooting angle of view
Because the image area
is smaller than 35mm fi lm
format, the eff ective angle
of view corresponds to
approx. 1.6 times the lens’s
indicated focal length.
Image area (approx.)
(22.3×14.8 mm / 0.88 x 0.58 in.)
35mm fi lm format
(36×24 mm / 1.42 x 0.94 in.)
Tips for Avoiding Smudges and Dust
o
When changing lenses, do it quickly in a place with minimal dust.
o
When storing the camera without a lens attached, be sure to attach the body cap
to the camera.
o
Remove dust on the body cap before attaching it.
56
Basic Operations
Adjusting the Viewfi nder
Turn the dioptric adjustment knob left
or right so that the AF points in the
viewfi nder look sharp.
If the knob is diffi cult to turn, remove the
eyecup (
=
157).
o
If the camera’s dioptric adjustment still cannot provide a sharp viewfi nder
image, using E-series Dioptric Adjustment Lenses (sold separately) is
recommended.
Holding the Camera
To obtain sharp images, hold the camera still to minimize camera shake.
Horizontal shooting Vertical shooting
1. Wrap your right hand around the camera grip fi rmly.
2. Hold the lens bottom with your left hand.
3. Rest your right index fi nger lightly on the shutter button.
4. Press your arms and elbows lightly against the front of your body.
5. To maintain a stable stance, place one foot slightly ahead of the other.
6. Press the camera against your face and look through the viewfi nder.
o
To shoot while looking at the screen, see
=
71.
57
Basic Operations
Shutter Button
The shutter button has two steps. You can press the shutter button halfway.
Then you can further press the shutter button completely.
Pressing Halfway
This activates autofocusing and the
automatic exposure system that sets the
shutter speed and aperture.
The exposure setting (shutter speed and
aperture) is displayed in the viewfi nder
and on the LCD panel for approx. 4 sec.
(metering timer/
0
).
Pressing Completely
This releases the shutter and takes the
picture.
Preventing Camera Shake
Hand-held camera movement during the moment of exposure is called
camera shake. It can cause blurred pictures. To prevent camera shake,
note the following:
Hold and steady the camera as shown on the preceding page.
Press the shutter button halfway to autofocus, then slowly press the
shutter button completely.
o
If you press the shutter button completely without pressing it halfway fi rst, or if
you press the shutter button halfway and then press it completely immediately,
the camera will take a moment before it takes the picture.
o
Even during menu display or image playback, you can go back to shooting-
ready state by pressing the shutter button halfway
.
58
Basic Operations
Mode Dial
Turn the dial while holding down
the lock-release button at the
center of the dial.
Use it to set the shooting mode.
6
Main Dial
(1) After pressing a button, turn the
<
6
> dial.
When you press a button such as <AF>,
<
R
>, <
i
>, or <
q
>, the respective
function remains selectable for approx. 6
sec. (
9
). During this time, you can turn
the <
6
> dial to change the setting.
When the timer ends or if you press the
shutter button halfway, the camera will go
back to shooting-ready state.
Use this dial to select the AF operation,
drive mode, ISO speed, metering mode,
AF point, etc.
(2) Turn only the <
6
> dial.
While looking at the viewfi nder display or
LCD panel, turn the <
6
> dial.
Use this dial to set the shutter speed,
aperture value, etc.
o
The operations in (1) can be performed even when the <
R
> switch is set
upward (Multi-function lock,
=
60).
59
Basic Operations
5
Quick Control Dial
(1) After pressing a button, turn the
<
5
> dial.
When you press a button such as <AF>,
<
i
>, or <
q
>, the respective function
remains selectable for approx. 6 sec. (
9
).
During this time, you can turn the <
5
> dial
to change the setting.
When the timer ends or if you press the
shutter button halfway, the camera will go
back to shooting-ready state.
Use this dial to select the AF operation,
ISO speed, metering mode,
AF point,
etc.
(2) Turn only the <
5
> dial.
While looking at the viewfi nder display or
LCD panel, turn the <
5
> dial.
Use this dial to set the exposure
compensation amount, the aperture
setting for manual exposures, etc.
o
The operations in (1) can be performed even when the <
R
> switch is set
upward (Multi-function lock,
=
60).
60
Basic Operations
j
Multi-Controller 1/
9
Multi-Controller 2
<
j
> is an eight-direction key with
center button. To use it, press lightly with
the tip of your thumb.
<
9
> is an eight-direction key.
Used for operations such as AF point
selection, white balance correction, AF
point/magnifying frame movement in
Live View shooting or movie recording,
magnifying frame movement during
playback, or Quick Control settings.
Can also be used to select or set menu
items.
<
9
> can also be used for image
browsing during playback.
o
Correcting the white balance and moving the magnifying frame during
playback can be done even with the <
R
> switch set upward (Multi-function
lock).
R
Multi-Function Lock
With [
5
: Multi function lock] set and the <
R
> switch set upward, you
can prevent the settings from being changed by accidentally operating Main
dial, Quick control dial, or Multi-controller or by inadvertently tapping on the
touch-screen panel.
For [
5
: Multi function lock] details, see
=
545.
<
R
> switch set upward: Lock engaged
<
R
> switch set downward: Lock
released
o
By default, the <
5
> dial will be locked when the multi-function lock switch is
in the lock position.
61
Basic Operations
U
LCD Panel Illumination
You can illuminate the LCD panel by
pressing the <
U
> button. Turn on (
9
) or
off the LCD panel illumination by pressing
the <
U
> button.
o
During a bulb exposure, pressing the shutter button completely will turn off the
LCD panel illumination.
p
Button
In still photo shooting, has the same eff ect
as pressing the shutter button halfway, in
Creative Zone modes (
=
57).
In movie recording as well, enables
autofocusing in Creative Zone modes.
62
Basic Operations
B
button
Each press of the <
B
> button changes
the information shown.
The following sample screens are for still
photos.
When the Quick Control screen is
displayed, you can press the <
Q
> button
and confi gure shooting functions directly
(
=
67).
In viewfi nder shooting
Quick Control screen
Electronic
level
In Live View shooting
63
Menu Operations and Settings
(1)
(8)(5)
(3)
(2)
(4) (7)(6)
(1) <
M
> button
(2) <
B
> button
(3) Screen
(4) <
j
> Multi-controller 1
(5) <
9
> Multi-controller 2
(6) <
0
> button
(7) <
5
> Quick control dial
(8) <
6
> Main dial
Basic Zone Modes Menu Screen
* In Basic Zone modes, some tabs and menu items do not appear.
64
Menu Operations and Settings
Creative Zone Modes Menu Screen
(2)
(3)
(10)
(4) (5) (7) (8) (9)
(1)
(6)
(1) Main tabs
(2) Secondary tabs
(3) Menu items
(4)
z
: Shooting
(5)
3
: Playback
(6)
k
: Wireless features
(7)
5
: Set-up
(8)
8
: Custom Functions
(9)
9
: My Menu
(10) Menu settings
Menu Setting Procedure
1
Display the menu screen.
Press the <
M
> button.
2
Select a tab.
Each time you press the <
Q
> or
<
B
> button, the main tab (group of
functions) will switch.
Turn the <
6
> dial to select a
secondary tab.
65
Menu Operations and Settings
3
Select an item.
Turn the <
5
> dial to select an item,
then press <
0
>.
4
Select an option.
Turn the <
5
> dial to select an option.
The current setting is indicated in blue.
5
Set an option.
Press <
0
> to set it.
6
Exit the setting.
Press the <
M
> button to fi nish and
prepare for shooting.
o
The description of menu functions hereafter assumes that you have pressed
the <
M
> button to display the menu screen.
o
You can also tap on the menu screen or use <
j
> <
9
> to operate the menu.
o
To cancel the operation, press the <
M
> button.
66
Menu Operations and Settings
Dimmed Menu Items
Example: Highlight tone priority
Dimmed menu items cannot be set. The
menu item is dimmed if another function
setting is overriding it.
You can see the overriding function by
selecting the dimmed menu item and
pressing <
0
>.
If you cancel the overriding function’s
setting, the dimmed menu item will become
settable.
o
You may not be able to see the overriding function for certain dimmed menu
items.
o
With [
5
: Clear all camera settings], you can reset the menu functions to the
default settings (
=
547).
67
Quick Control
You can directly select and set the settings displayed on the screen.
In Viewfi nder Shooting
1
Press the <Q> button (7).
2
Select a setting item.
Press the <
W
> <
X
> <
Y
> <
Z
> keys for
selection.
Creative Zone
Press <
0
>.
Some items can be set by turning the
<
6
> or <
5
> dial without pressing
<
0
>.
Basic Zone
68
Quick Control
3
Select an option.
Turn the <
6
> or <
5
> dial, or press
the <
Y
> <
Z
> keys to change the
setting. Some items are set by pressing
a button after this.
Press <
0
> to return to the previous
screen.
If you have selected <
7
>, <
H
>, or
<
k
>, press the <
M
> button to exit.
To access the corresponding setting
screen from the Quick Control screen,
press the <
f
>, <
R
>, <
i
>,
<
q
>, <
S
>, or <
G
> button, then
adjust the setting with the <
6
> or
<
5
> dial, <
Y
> <
Z
> keys, or <
G
>
button.
In Live View Shooting/Movie Recording
1
Press the <Q> button (7).
2
Select a setting item.
Press the <
W
> <
X
> keys for selection.
3
Select an option.
Turn the <
6
> or <
5
> dial, or press
the <
Y
> <
Z
> keys to change the
setting. Some items are set by pressing
a button after this.
Press the <
Q
> button to return to the
previous screen.
69
Quick Control
During Playback
1
Press the <Q> button (7).
2
Select a setting item.
Press the <
W
> <
X
> keys for selection.
3
Select an option.
Turn the <
6
> or <
5
> dial, or press
the <
Y
> <
Z
> keys to change the
setting. Some items are set by pressing
a button after this.
Confi gure items labeled with a [
s
]
icon on the bottom of the screen by
pressing <
0
>.
To cancel this operation, press the
<
M
> button.
Press the <
Q
> button to return to the
previous screen.
o
Before rotating images, set [
5
: Auto rotate] to [On
z
D
] (
=
349). When
[
5
: Auto rotate] is set to [On
D
] or [Off ], images will be tagged with your
selected [
b
Rotate image] option but not rotated on the camera.
o
Pressing the <
Q
> button during index display will switch to single-image
display and show the Quick Control screen. Pressing the <
Q
> button again
returns to index display.
o
For images from other cameras, available options may be restricted.
70
Touch-Screen Operation
Tap
Sample screen (Quick Control)
Use your fi nger to tap on (touch briefl y
and then remove your fi nger from) the
screen.
For example, when you tap on [
Q
],
the Quick Control screen appears. By
tapping on [
Q
], you can return to the
preceding screen.
Drag
Sample screen (Menu screen)
Slide your fi nger while touching the
screen.
o
If [
5
: Beep] is set to [Touch
] or [Disable], the beep will not sound for
touch operations (
=
522).
o
Touch control settings can be adjusted in [
5
: Touch control] (
=
521).
71
Viewing the Screen as You Shoot (Live View
Shooting)
1
Set the Live View shooting/Movie
shooting switch to <A>.
2
Display the Live View image.
Press the <
0
> button.
The Live View image will be displayed
in the brightness level closely matching
that of the actual image to be captured.
3
Focus on the subject.
Press the shutter button halfway to
focus.
If <
D
> blinks, press the <
D
> button to
raise the built-in fl ash.
You can also tap on the screen to select
the face or subject (
=
72).
4
Take the picture.
Press the shutter button completely.
Press the <
0
> button to exit Live View
shooting.
72
Viewing the Screen as You Shoot (Live View Shooting)
Shooting with the Touch Shutter
Just by tapping on the screen, you can focus and take the picture
automatically.
1
Enable the Touch Shutter.
Tap [
y
] on the screen’s bottom left.
Each time you tap on the icon, it will
toggle between [
y
] and [
x
].
[
x
] (Touch Shutter: Enable)
The camera will focus on the spot you
tap on, then the picture will be taken.
[
y
] (T
ouch Shutter: Disable)
Y
ou can tap on a spot to perform
focusing on the spot. Press the shutter
button completely to take the picture.
2
Tap on the screen to shoot.
Tap on the face or subject on the screen.
On the point you tap, the camera will
focus (Touch AF) with the AF method
that was set (
=
135–
=
136).
When [
x
] is set, the
AF point turns
green when focus is achieved, then the
picture is taken automatically.
If focus is not achieved, the AF point
turns orange and the picture cannot be
taken. Tap on the face or subject on the
screen again.
73
Viewing the Screen as You Shoot (Live View Shooting)
o
The camera shoots in single shooting mode regardless of the drive mode
setting.
o
Tapping the screen focuses with [One-Shot AF] regardless of the AF
operation setting.
o
Tapping on the screen in magnifi ed view will not focus or take the picture.
o
Regardless of where you tap to shoot with the Fish-eye eff
ect Creative fi
lter,
your shots will be in focus at the AF point in the center of the screen.
o
Touch Shutter has no eff
ect when you shoot with the Miniature eff ect Creative
fi lter.
o
If you shoot with [
z
: Image review] set to [Hold]
, you can press the shutter
button halfway to take the next shot.
o
In bulb exposures, tap once to start exposure and again to stop exposure. Be
careful not to shake the camera when tapping on the screen.
74
7575
Basic Zone
This chapter describes how to use the Basic Zone modes on the
Mode dial for best results.
With Basic Zone modes, all you do is point and shoot, and the
camera sets everything automatically.
76
Fully Automatic Shooting (Scene Intelligent
Auto)
<
A
> is a fully automatic mode. The camera analyzes the scene
and sets the optimum settings automatically. It can also adjust focus
automatically on either the still or moving subject by detecting the motion of
the subject (
=
80).
1
Set the Mode dial to <A>.
2
Press <0>.
Read the message and select [OK].
(1)
3
Aim the camera at what you will
shoot (the subject).
Essentially, the camera focuses on the
closest subject.
In viewfi nder shooting, you can assist
with focusing by centering the Area AF
frame (1) over the subject.
In Live View shooting, when a frame (AF
point) appears on the screen, aim it over
the subject.
77
Fully Automatic Shooting (Scene Intelligent Auto)
4
Focus on the subject.
Press the shutter button halfway to
focus.
If <
D
> blinks, press the <
D
> button to
raise the built-in fl ash.
With viewfi nder shooting
When achieving focus, the AF point that
has achieved focus will be displayed.
At the same time, the beeper will sound
and the focus indicator <
o
> in the
viewfi
nder will light up. In low light, the
AF point(s) will light up briefl y in red.
Under low light, the AF-assist beam
(continuous fl ash) fi
res automatically as
needed when the built-in fl ash is raised.
With Live View shooting
Once the subject is in focus, that AF
point turns green and the camera beeps.
The AF point in focus on a moving
subject turns blue and tracks subject
movement. The camera does not beep.
5
Take the picture.
Press the shutter button completely to
take the picture.
The image just captured will be
displayed for approx. 2 sec. on the
screen.
To retract the built-in fl ash, push it down
with your fi ngers.
78
Fully Automatic Shooting (Scene Intelligent Auto)
o
Subject movement (whether subjects are still or moving) may not be detected
correctly for some subject or shooting conditions.
o
The <
A
> mode makes the colors look more impressive in nature, outdoor,
and sunset scenes. If you do not obtain the desired color tones, change the
mode to a Creative Zone mode (
=
39) and select a Picture Style other than
<
D
>, then shoot again (
=
230).
Minimizing Blurred Photos
Be careful about camera shake in handheld shots. To avoid camera
shake, consider using a tripod. Use a sturdy tripod that can bear the
weight of the shooting equipment. Attach the camera securely to the
tripod.
Using a remote switch (sold separately,
=
156) or a wireless remote
control (sold separately,
=
155) is recommended.
FAQ
Focusing is not possible (indicated by a blinking <
o
> in the
viewfi nder, in viewfi nder shooting, or by an orange AF point
in Live View shooting).
Aim the AF point over an area with good contrast, then press the shutter
button halfway (
=
57). If you are too close to the subject, move away
and shoot again.
Multiple AF points are displayed simultaneously.
Focus has been achieved at all those points.
Pressing the shutter button halfway does not focus the
subject.
If the focus mode switch on the lens is set to <MF>, set it to <AF>.
The shutter speed display is blinking.
Since it is too dark, taking the picture may result in a blurred subject due
to camera shake. Using a tripod, the built-in fl ash, or an external fl ash
(
=
179) is recommended.
79
Fully Automatic Shooting (Scene Intelligent Auto)
Pictures are too dark.
Raise the built-in fl ash to enable automatic fl ash fi ring, in case subjects in
daytime shots are backlit, or when shooting under low light.
The built-in fl ash fi red repeatedly when raised while
shooting under low light.
To make autofocusing easier, the built-in fl ash may fi re repeatedly when
you press the shutter button halfway (
=
126).
Pictures taken with fl ash are too bright.
Pictures may be bright (overexposed) if you shoot subjects at close range
in fl ash photography. Move away from the subject and shoot again.
The bottom part of pictures taken with fl ash is unnaturally
dark.
Shooting subjects that are too close may make the shadow of the lens
visible in your shots. Move away from the subject and shoot again. Also
remove the lens hood before shooting.
Note the following if you are not using the built-in fl ash.
o
Under low light where camera shake tends to occur, the viewfi nder’s shutter
speed display will blink. Hold the camera steady or use a tripod. When using
a zoom lens, you can reduce the blur caused by camera shake by setting the
lens to the wide-angle end.
o
When shooting portraits under low light, tell subjects to stay still until you have
fi
nished shooting. Any movement as you shoot will make the person look
blurry in the picture.
80
Fully Automatic Shooting (Scene Intelligent Auto)
Recomposing the Shot
Depending on the scene, positioning the subject toward the left or right
to include a balanced background will result in a picture with better
perspective.
Pressing the shutter button halfway to focus on a still subject will lock the
focus on that subject. Recompose the shot while keeping the shutter button
pressed halfway, and then press the shutter button completely to take the
picture. This is called “focus lock”.
o
In Live View shooting, the camera continues to focus on any faces initially
detected and focused on, even if you recompose the shot.
Shooting a Moving Subject
Pressing the shutter button halfway tracks moving subjects to keep them in
focus.
Keep the subject in the Area AF frame (in viewfi nder shooting) or on the
screen (in Live View shooting) as you hold down the shutter button halfway,
and at the decisive moment, press the shutter button completely.
81
Fully Automatic Shooting (Scene Intelligent Auto)
Scene Icons
The camera detects the scene type and
sets everything automatically to suit the
scene. In Live View shooting, an icon
representing the type of scene detected
appears in the upper left of the screen
(
=
627).
Adjusting Settings
In viewfi nder shooting, you can adjust drive
mode, built-in fl ash fi ring, and Creative
Assist settings by pressing the <
Q
>
button.
In Live View shooting, you can adjust
image quality, Touch Shutter, and Creative
Assist settings by touching icons.
82
Fully Automatic Shooting (Scene Intelligent Auto)
Shooting with Eff ects Applied (Creative Assist)
1
Press the <Q> button.
In viewfi nder shooting, use the <
Y
>
<
Z
> keys to select [Creative Assist],
then press <
0
>.
In Live View shooting, read the message
and select [OK].
2
Select an eff ect.
Use the <
Y
> <
Z
> keys to select an
eff ect, then press <
0
>.
You can also turn the <
6
> or <
5
>
dial to select it.
3
Select the eff ect level and other
details.
Use the <
Y
> <
Z
> keys to set it, then
press <
0
>.
To reset the setting, press the <
A
>
button, then select [OK].
You can also turn the <
6
> or <
5
>
dial to set it.
Creative Assist Eff ects
[
] Preset
Select one of the preset eff ects.
Note that [Saturation], [Color tone 1], and [Color tone 2] are not
available with [B&W].
83
Fully Automatic Shooting (Scene Intelligent Auto)
[ ] Background blur
Adjust background blur. Choose higher values to make backgrounds
sharper, or lower values to make them blurrier. [Auto] adjusts background
blurring to match the brightness. Depending on lens brightness (f/
number), some positions may not be available.
[ ] Brightness
Adjust image brightness.
[ ] Contrast
Adjust contrast.
[ ] Saturation
Adjust the vividness of colors.
[ ] Color tone 1
Adjust amber/blue color tone.
[ ] Color tone 2
Adjust green/magenta color tone.
[ ] Monochrome
Set the toning eff ect for monochrome shooting.
o
[Background blur] is not available when the fl
ash is used.
o
These settings are reset when you switch shooting modes or set the power
switch to <
2
>. To save the settings, set [
z
: Retain Creative Assist data]
to [Enable].
Saving Eff ects
To save the current setting to the camera, press the <
B
> button on the
Creative Assist setting screen, then select [OK]. Up to three presets can be
saved as [USER*]. After three have been saved, an existing [USER*] preset
must be overwritten to save a new one.
84
Special Scene Mode
The camera will automatically choose the appropriate settings when you
select a shooting mode for your subject or scene.
* <
8
> stands for Special Scene.
1
Set the Mode dial to <8>.
2
Press <0>.
3
Select a shooting mode.
Press the <
W
> <
X
> keys to select the
shooting mode, then press <
0
>.
Selection is also possible by turning the
<
6
> or <
5
> dial.
o
Cautions on each shooting mode are listed together (
=
99). Read the
cautions before shooting.
o
When [
5
: Mode guide] is set to [Disable], after step 1, press the <
Q
>
button, use the <
Y
> <
Z
> keys to select [Choose scene], use the <
W
> <
X
>
keys to select a shooting mode, then press <
0
>.
85
Special Scene Mode
Available Shooting Modes in the
8
Mode
Shooting Mode Page Shooting Mode Page
2
Portrait
=
86
4
Close-up
=
93
q
Group Photo
=
87
P
Food
=
94
3
Landscape
=
88
y
Candlelight
=
95
5
Sports
=
89
6
Night Portrait
=
96
C
Kids
=
90
F
Handheld Night Scene
=
97
r
Panning
=
91
G
HDR Backlight Control
=
98
o
Live View shooting is not available in <
y
> mode.
86
Shooting Portraits
The <
2
> (Portrait) mode blurs the background to make the human subject
stand out. It also makes skin tones and hair look softer.
Shooting Tips
Select the location where the distance between the subject
and the background is the farthest.
The further the distance between the subject and background, the more
blurred the background will look. The subject will also stand out better
against an uncluttered dark background.
Use a telephoto lens.
If you have a zoom lens, use the telephoto end to fi ll the frame with the
subject from the waist up.
Focus on the face.
As you focus before shooting, make sure that an AF point is displayed on
the face (in viewfi nder shooting), or that the AF point on the face is green
(in Live View shooting). When shooting close-ups of the face in Live View
shooting, you can set [
z
: Eye Detection AF] to [Enable] to shoot with
the subject’s eyes in focus.
Shoot continuously.
The default setting is <
i
> (Low-speed continuous shooting). If you keep
holding down the shutter button, you can shoot continuously to capture
changes in the subject’s facial expression and pose.
87
Shooting Group Photos
Use the <
q
> (Group Photo) mode to shoot group photos. You can take a
picture in which both the people in the front and people in the back are all in
focus.
Shooting Tips
Use a wide-angle lens.
When using a zoom lens, use the wide-angle end to make it easy to get
all the people in the group in focus at once, from the front row to the back.
Also, if you place a little distance between the camera and the subjects (so
that the subjects’ entire bodies are in the shot), the focus range increases
in depth.
Take multiple shots of the group.
It is recommended to shoot multiple photos in case some people close
their eyes.
o
Using a tripod is recommended when shooting indoors or under low light.
88
Shooting Landscapes
Use the <
3
> (Landscape) mode for expansive scenery or to have
everything in focus from near to far. For vivid blues and greens, and sharp
and crisp images.
Shooting Tips
With a zoom lens, use the wide-angle end.
When using a zoom lens, set the lens to the wide-angle end to make the
objects near and far in focus. It also adds breadth to landscapes.
Keep the camera steady when shooting night scenes.
Using a tripod is recommended.
89
Shooting Moving Subjects
Use the <
5
> (Sports) mode to shoot a moving subject, such as a running
person or a moving vehicle.
Shooting Tips
Use a telephoto lens.
Use of a telephoto lens is recommended to enable shooting from a
distance.
Track the subject with the Area AF frame.
In viewfi nder shooting, aim the Area AF frame over the subject and press
the shutter button halfway to start focusing. During autofocusing, the
beeper will continue beeping softly. If focus cannot be achieved, the focus
indicator <
o
> will blink.
In Live View shooting, an Area AF frame appears after you press the
shutter button halfway. Once the subject is in focus, the AF point turns
blue.
Shoot continuously.
The default setting is <
o
> (High-speed continuous shooting). At the
decisive moment, press the shutter button completely to take the shot. To
track the subject and capture changes as it moves, keep holding down
the shutter button to shoot continuously.
90
Photographing Children
To photograph the children running around, use the <
C
> (Kids) mode. Skin
tones will look healthy.
(1)
(2)
Shooting Tips
Track the subject with the Area AF frame.
In viewfi nder shooting, aim the Area AF frame (1) over the subject and
press the shutter button halfway to start focusing. During autofocusing,
the beeper will continue beeping softly. If focus cannot be achieved, the
focus indicator <
o
> will blink.
In Live View shooting, an Area AF frame (2) appears after you press the
shutter button halfway. Once the subject is in focus, the AF point turns
blue.
Shoot continuously.
The default setting is <
o
> (High-speed continuous shooting). At
the decisive moment, press the shutter button completely to take the
shot. To track the subject and capture changes in facial expression and
movement, keep holding down the shutter button to shoot continuously.
When <
D
> blinks
Press the <
D
> button to raise the built-in fl ash.
91
Panning
If you want to take a picture with the feel of speed and a blurred motion
eff ect on the subject’s background, use the <
r
> (Panning) mode. If you
use a lens supporting the <
r
> mode, subject blur is detected, corrected,
and reduced.
Shooting Tips
Turn the camera to follow the moving subject.
When shooting, turn the camera smoothly as you track the moving
subject. Aim the AF point over the part of the moving subject where you
want to focus, then press the shutter button halfway and keep holding
it down as you turn the camera to match the subject’s speed and
movement. Press the shutter button completely while moving the camera
to take the picture. Keep tracking the subject with the camera.
92
Panning
Set the level of background motion blur.
With [Eff ect], you can set the level of background motion blur. The [Max]
setting will set a slower shutter speed to increase the background motion
blur around the subject. If the subject blur is noticeable, set [Eff ect] to
[Med] or [Min] to reduce the blur.
Shoot continuously.
By default, <
i
> (Continuous shooting) is set. At the decisive moment,
press the shutter button completely to take the picture. You can track
moving subjects by panning the camera as you keep holding down the
shutter button to shoot continuously.
o
To see which lenses support the <
r
> mode, refer to the Canon website.
o
With lenses that support <
r
> mode, the camera automatically corrects
subject blur and (based on the [Eff
ect] setting) adjusts shutter speed,
regardless of the lens IS setting.
o
The AF Area selection mode’s default setting is Zone AF with the center of the
screen selected.
o
The AF method can only be set to [1-point
AF] or [Zone AF]. By default, it is
set to [Zone AF], with the zone in the center of the screen selected.
o
To prevent camera shake, it is recommended that you hold the camera with
both hands, tighten your arms close to your body, and track the subject’
s
movement smoothly to take pictures.
o
This eff
ect is most eff ective with trains, cars, etc. that move at a constant
speed in one direction.
o
Taking test shots or checking the image by playing it back immediately after
shooting is recommended.
o
With telephoto lenses, be careful about camera shake and subjec
t blur
. To
avoid camera shake, consider using a tripod or monopod.
93
Shooting Close-ups
When you want to shoot fl owers or small things up close, use the <
4
>
(Close-up) mode. To make small things appear much larger, use a macro
lens (sold separately).
Shooting Tips
Use a simple background.
A simple background makes small objects such as fl owers stand out
better.
Move in as close as possible to the subject.
Check the lens for its minimum focusing distance. The lens minimum
focusing distance is measured from the <
V
> (focal plane) mark on the
top of the camera to the subject. Focusing is not possible if you are too
close.
With a zoom lens, use the telephoto end.
If you have a zoom lens, using the telephoto end will make the subject
look larger.
When <
D
> blinks
Press the <
D
> button to raise the built-in fl ash.
94
Shooting Food
When you want to take pictures of food, use the <
P
> (Food) mode. The
photo will look bright and appetizing. Also, depending on the light source,
the reddish tinge will be suppressed in the pictures taken under tungsten
lights, etc.
Shooting Tips
Change the color tone.
You can change [Color tone]. To increase the food’s reddish tinge, set it
toward [Warm] (red). Set it toward [Cool] (blue) if it looks too red.
95
Shooting Candlelight Portraits
When you want to photograph a person in candlelight, use the <
y
>
(Candlelight) mode. The atmosphere of candlelight is refl ected in the color
tones of the picture.
Shooting Tips
Use the center AF point to focus.
Aim the center AF point in the viewfi nder on the subject, then shoot.
Prevent camera shake if the numeric display (shutter speed)
in the viewfi nder blinks.
Under low light where camera shake tends to occur, the viewfi nder’s
shutter speed display will blink. When using a zoom lens, consider
zooming out and either holding the camera steady or using a tripod.
When using a zoom lens, you can reduce the blur caused by camera
shake by setting the lens to the wide-angle end.
Change the color tone.
You can change [Color tone]. To increase the candlelight’s reddish tinge,
set toward [Warm tone] (red), or set toward [Cool tone] (blue) if it looks
too red.
Adjust brightness.
You can change [Brightness]. To brighten the image, set toward +, or set
toward – if the image is too bright.
o
The AF method can only be set to [1-point AF].
96
Shooting Night Portraits (With a Tripod)
When you want to photograph people at night and obtain a natural-looking
night scene in the background, use the <
6
> (Night Portrait) mode. Note
that shooting in this mode requires the built-in fl ash or an external
Speedlite. Using a tripod is recommended.
Shooting Tips
Use a wide-angle lens and a tripod.
When using a zoom lens, use the wide-angle end to obtain a wide night
view. Because camera shake occurs in handheld shooting, using a tripod
is also recommended.
Check the image brightness.
It is recommended to play back the captured image on location to check
the image brightness. If the subject looks dark, move nearer and shoot
again.
Also shoot in other shooting modes.
Since camera shake is prone to occur with night shots, shooting also with
<
A
> and <
F
> modes is recommended.
o
If you use the self-timer together with a fl ash, the self-timer lamp will light up
briefl y after the picture is taken.
97
Handheld Shooting of Night Scenes
The <
F
> (Handheld Night Scene) mode enables you to shoot night scenes
even while handholding the camera. In this shooting mode, four shots are
taken consecutively for each picture, and the resulting one image with
reduced camera shake is recorded.
Shooting Tips
Hold the camera steady.
Keep your elbows close to your body to hold the camera steady (
=
56).
In this mode, four shots are aligned and merged into a single image.
However, if there is signifi cant misalignment in any of the four shots due
to camera shake, they may not align properly in the fi nal image.
For portraits, use fl ash.
If your shots will include people, use the built-in fl ash or an external
Speedlite. To take a nice portrait, the fi rst shot will use fl ash. Tell the
subject not to move until all four consecutive shots are taken.
98
Shooting Backlit Scenes
When shooting a scene having both the bright and dark areas, use the
<
G
> (HDR Backlight Control) mode. When you take one picture in this
mode, three consecutive shots are taken at diff erent exposures. This results
in one image, with a wide tonal range, that has minimized the clipped
shadows caused by backlighting.
* HDR stands for High Dynamic Range.
Shooting Tips
Hold the camera steady.
Keep your elbows close to your body to hold the camera steady (
=
56).
In this mode, three shots are aligned and merged into a single image.
However, if there is signifi cant misalignment in any of the three shots due
to camera shake, they may not align properly in the fi nal image.
99
Cautions for the <SCN> Modes
q
: Group Photo
o
The angle of view changes slightly, due to distortion correction.
o
Depending on the shooting conditions, focus may not be attained for everyone
from the front to the back of the image.
3
: Landscape
o
The built-in fl ash will not fi re, even if it is raised when you shoot.
o
Speedlites will not fi re either, if used.
5
: Sports
o
Under low light where camera shake tends to occur, the shutter speed value in
the lower left will blink. Hold the camera steady and shoot.
o
Using a fl ash will decrease the continuous shooting speed.
C
: Kids
o
Continuous shooting speed is slower when a fl ash fi res during continuous Live
View shooting. The camera keeps shooting at the lower continuous shooting
speed even after the fl ash stops fi ring.
r
: Panning
o
The shutter speed will become slower. Therefore, this mode is not suitable for
any shooting except for panning.
o
<
o
> or <
M
> cannot be selected.
o
Flash photography is not possible.
o
Although lens IS is applied to images captured with lenses supporting <
r
>
mode, the eff
ect is not shown in the viewfi nder or on the screen as you shoot.
(IS and subject blur correction are activated when you shoot, regardless of the
lens IS setting.)
o
If the lens does not support the <
r
> mode, subject blur will not be corrected.
However
, the automatic shutter speed adjustment alone will take eff ect
according to the setting of [Eff ect].
o
When shooting under bright light such as a sunny summer day or
when
shooting a slow subject, the set degree of panning eff
ect may not be obtained.
100
Cautions for the <SCN> Modes
r
: Panning (continued)
o
With a lens supporting the <
r
> mode, subject blur may not be corrected
properly when shooting the following subjects or under the following shooting
conditions.
•
Subjects with very low contrast.
• Subjects in low light.
• Strongly backlit or refl ective subjects.
• Subjects with repetitive patterns.
• Subjects with less patterns or monotonous patterns.
• Subjects with refl ections (images refl ected in glass, etc.).
• Subjects smaller than the Zone AF frame.
• When there are multiple subjects moving within the Zone AF frame.
• Subjects moving in irregular directions or at irregular speeds.
• Subjects whose movements are partly irregular. (For example, the vertical
movement of a runner.)
• Subjects whose speed changes dramatically. (For example, right after the
start of movement or while turning along a curve.)
• When you move the camera too fast or too slow.
• When the camera’s movement does not match the subject’s movement.
• When the lens focal length is long.
P
: Food
o
The warm color cast of subjects may fade.
o
When multiple light sources are included in the scene, the warm color cast of
the picture may not be reduced.
o
If you use a fl ash, [Color tone] will be set to Standard.
o
If there are people in the picture, the skin tone may not be reproduced
properly
.
y
: Candlelight
o
The fl ash will not fi re. However, raising the fl ash beforehand is recommended,
to enable fi ring of the AF-assist beam (
=
126).
101
Cautions for the <SCN> Modes
6
: Night Portrait
o
Tell subjects to remain still for a moment after the fl ash fi res.
o
During Live View shooting, achieving focus may be diffi cult when the face of
the subject looks dark. In this case, set the lens’s focus mode switch to <MF>
and focus manually.
o
When you shoot a night scene with Live View shooting, achieving
focus with
AF may be diffi
cult if point sources of light are found in the AF point. In this
case, set the lens’s focus mode switch to <MF> and focus manually.
o
The Live View image displayed will not look exactly the same as
the actual
captured image.
F
: Handheld Night Scene
o
Compared to other shooting modes, the image area will be smaller.
o
RAW image quality cannot be set.
o
When you shoot a night scene with Live View shooting, achieving focus with
AF may be diffi cult if point sources of light are found in the AF point. In this
case, set the lens’s focus mode switch to <MF> and focus manually.
o
The Live View image displayed will not look exactly the same as
the actual
captured image.
o
If you use a fl ash and the subject is close, overexposure may result.
o
If you use a fl
ash for a night scene with limited lighting, the shots may not align
correctly. This may result in a blurry picture.
o
If you use a fl ash with a human subject close to the background that is also
illuminated by the fl ash, the shots may not align correctly
. This may result in a
blurry picture. Unnatural shadows and unsuitable colors may also appear.
o
Flash coverage angle with an external Speedlite:
•
When using a Speedlite with automatic fl
ash coverage setting, the zoom
position will be fi xed to the wide (wide-angle) end regardless of the lens’s
zoom position.
• When using a Speedlite requiring manual fl
ash coverage setting, set the
fl ash head to the normal position.
102
Cautions for the <SCN> Modes
F
: Handheld Night Scene
(continued)
o
If you shoot a moving subject, the subject’s movement may leave afterimages
or the surrounding area of the subject may become dark.
o
The image alignment may not function properly with repetitive patterns (lattice,
stripes, etc.), fl at or single-tone images, or images signifi cantly misaligned due
to camera shake.
o
It takes some time to record images to the card since they are merged after
shooting. During the processing of the images, “buSY” will be displayed in the
viewfi
nder and on the LCD panel, and you cannot take another pi
cture until
the processing is complete.
G
: HDR Backlight Control
o
Compared to other shooting modes, the image area will be smaller.
o
RAW image quality cannot be set.
o
Flash photography is not possible.
o
Note that the image may not be rendered with a smooth gradation and may
look irregular or have signifi
cant noise.
o
HDR Backlight Control may not be eff ective for excessively backlit scenes or
extremely high-contrast scenes.
o
When shooting subjects that are suffi ciently bright as they are, for example for
normally lit scenes, the image may look unnatural due to the HD
R eff
ect.
o
If you shoot a moving subject, the subject’s movement may leave afterimages
or the surrounding area of the subject may become dark.
o
The image alignment may not function properly with repetitive patterns (lattice,
stripes, etc.), fl
at or single-tone images, or images signifi cantly misaligned due
to camera shake.
o
It takes some time to record images to the card since they are merged after
shooting. During the processing of the images, “buSY” will be displayed in the
viewfi
nder and on the LCD panel, and you cannot take another picture until
the processing is complete.
103
Shooting with Filter Effects Applied
You can shoot with fi lter eff ects applied. In Live View shooting, you can
preview fi lter eff ects before shooting.
1
Set the Mode dial to <U>.
2
Display the Live View image.
Set the Live View shooting/Movie
shooting switch to <
A
>, then press the
<
0
> button.
3
Select [ Creative fi lters] on the
Quick Control screen.
Press the <
Q
> button. (
7
)
Use the <
W
> <
X
> keys to select an
icon in the upper left, then press <
0
>.
4
Select a fi lter eff ect.
Use the <
W
> <
X
> keys to select a fi lter
eff ect (
=
104–
=
106), then press
<
0
>.
The image is shown with the fi lter eff ect
applied.
o
If you prefer to confi gure the setting without a Live View preview, press the
<
Q
> button after step 1 and select [Choose fi lter].
104
Shooting with Filter Eff ects Applied
5
Adjust the eff ect and shoot.
Press the <
Q
> button and select an
icon below [Creative fi lters] (except
c
,
A
,
B
,
C
, or
D
).
Use the <
Y
> <
Z
> keys to adjust the
eff ect, then press <
0
>.
o
RAW and RAW+JPEG are not available. When RAW image quality is set,
images are captured with
73
image quality. When RAW+JPEG image quality
is set, images are captured with the specifi ed JPEG image quality.
o
Continuous shooting is not available when <
I
>, <
W
>, <
X
>, <
Z
>, <
H
>, or
<
c
> is set.
o
Images shot with the fi sh-eye eff
ect applied will not have Dust Delete Data
(
=
241) appended.
In Live View Shooting
o
With Grainy B/W, the grainy preview will diff er somewhat from the appearance
of your shots.
o
With Soft focus or Miniature eff ect options, the soft focus preview may diff er
somewhat from the appearance of your shots.
o
No histogram is displayed.
o
A magnifi ed view is not available.
o
In Live View shooting in Creative Zone modes, some Creative fi
lter settings
are available from the Quick Control screen.
105
Shooting with Filter Eff ects Applied
Creative Filter Characteristics
I
Grainy B/W
Makes the image grainy and black and white. By adjusting the contrast,
you can change the black-and-white eff ect.
W
Soft focus
Gives the image a soft look. By adjusting the blur, you can change the
degree of softness.
X
Fish-eye eff
ect
Gives the eff ect of a fi sh-eye lens. The image will have barrel distortion.
Depending on the level of this fi lter eff ect, the area trimmed along the
periphery of the image changes. Also, because this fi lter eff ect magnifi es
the center of the image, the apparent resolution at the center may
degrade depending on the number of recorded pixels, so set the fi lter
eff ect while checking the resulting image. One AF point is used, fi xed at
the center.
Z
W
ater painting eff ect
Makes the photo look like a watercolor painting with soft colors. By
adjusting the eff ect, you can change the color density. Note that night
scenes or dark scenes may not be rendered with a smooth gradation and
may look irregular or have signifi cant noise.
H
T
oy camera eff ect
Shifts colors to those typical of toy cameras and darkens the four corners
of the image. Color tone options can be used to change the color cast.
106
Shooting with Filter Eff ects Applied
c
Miniature eff ect
Creates a diorama eff ect.
Shooting under the default setting will keep the center looking sharp.
In Live View shooting, you can move the area that looks sharp (the scene
frame) as described in “Miniature Eff ect Operations” (
=
108). 1-point AF
is used as the AF method. Shooting with the AF point and scene frame
aligned is recommended.
In viewfi nder shooting, aim the center AF point shown in the viewfi nder
on the subject, then shoot.
A
HDR art standard
Photos retain more detail in highlights and shadows. With reduced
contrast and fl atter gradation, the fi nish resembles a painting. The subject
outlines will have bright (or dark) edges.
B
HDR art vivid
The colors are more saturated than with [HDR art standard], and the low
contrast and fl at gradation create a graphic art eff ect.
C
HDR art bold
The colors are the most saturated, making the subject pop out, and the
picture looks like an oil painting.
D
HDR art embossed
The color saturation, brightness, contrast and gradation are decreased to
make the picture look fl at. The picture looks faded and old. The subject
outlines will have bright (or dark) edges.
o
With <
A
>, <
B
>, <
C
>, and <
D
>, you can shoot high dynamic range
photos that retain detail in highlights and shadows of high-contrast scenes.
Three consecutive images are captured at diff erent brightnesses each time
you shoot and used to create a single image. See the cautions on
=
107.
107
Shooting with Filter Eff ects Applied
<
A
>, <
B
>, <
C
>, and <
D
> Notes
o
Compared to other shooting modes, the image area will be smaller.
o
Live View previews of the fi lter eff ects will not look exactly the same as your
shots.
o
If you shoot a moving subject, the subject’s movement may leave afterimages
or the surrounding area of the subject may become dark.
o
The image alignment may not function properly with repetitive patterns (lattice,
stripes, etc.), fl
at or single-tone images, or images signifi cantly misaligned due
to camera shake.
o
Be careful about camera shake in handheld shots.
o
The color gradation of the sky or white walls may not be reprod
uced correctly
.
Irregular colors, irregular exposure or noise may appear.
o
Shooting under fl uorescent or LED lighting may result in unnatural color
reproduction of the illuminated areas.
o
It takes some time to record images to the card since they are merged after
shooting. During the processing of the images, “buSY” will be displayed in the
viewfi
nder and on the LCD panel, and you cannot take another picture until
the processing is complete.
o
Flash photography is not possible. However, raising the fl ash beforehand is
recommended, to enable fi
ring of the AF-assist beam (
=
126).
108
Shooting with Filter Eff ects Applied
Miniature Eff ect Operations
1
Move the AF point.
Move the AF point to the position to
focus on.
2
Move the scene frame and shoot.
Move the scene frame if the AF point
is outside of it, so that the AF point is
aligned with it.
To make the scene frame movable
(displayed in orange), press the <
v
>
button or tap [
r
] in the lower right of the
screen. By tapping [
T
], you can also
switch between vertical and horizontal
scene frame orientation. Switching
scene frame orientation is also possible
with the <
Y
> <
Z
> keys when in
horizontal orientation and <
W
> <
X
>
keys when in vertical orientation.
Use the <
W
> <
X
> or <
Y
> <
Z
> keys
to move the scene frame. To center the
scene frame again, press the <
B
>
button.
To confi rm the position of the scene
frame, press <
0
>.
109109
Creative Zone
Creative Zone modes give you the
freedom to shoot in a variety of ways
by setting your preferred shutter speed,
aperture value, exposure, and more.
To clear the shooting mode description displayed when you turn
the Mode dial, press <
0
> (
=
532).
o
Make sure the Multi-function lock feature is off .
110
Program AE
The camera automatically sets the shutter speed and aperture to suit the
subject’s brightness.
* <
d
> stands for Program.
* AE stands for Auto Exposure.
1
Set the Mode dial to <d>.
2
Focus on the subject.
Aim the AF point over the subject and
press the shutter button halfway.
3
Check the display and shoot.
As long as the exposure value is not
blinking, standard exposure will be
obtained.
o
If the “30"” shutter speed and the lowest f/number blink,
it indicates underexposure.
Increase the ISO speed or use fl ash.
o
If the “8000” shutter speed and the highest f/number
blink, it indicates overexposure.
Lower the ISO speed or use an ND fi lter (sold
separately) to reduce the amount of light entering the
lens.
111
Program AE
Diff erences Between <
d
> and <
A
> Modes
o
In <
A
> mode, many functions, such as the AF method and metering mode,
are set automatically to prevent spoiled shots. The functions you can set
are limited. On the other hand, with <
d
> mode, only the shutter speed and
aperture are set automatically. You can freely set the AF method, metering
mode, and other functions.
Program Shift
o
To adjust the combination of shutter speed and aperture value while
maintaining the same exposure, press the shutter button halfway and turn the
<
6
> dial. This is called Program shift.
o
Program shift will be canceled automatically when the metering timer ends
(exposure setting display turns off )
.
o
Program shift cannot be used with fl ash.
112
Setting the Shutter Speed Before Shooting
( Shutter-Priority AE)
In this mode, you set the shutter speed and the camera automatically sets
the aperture to obtain the standard exposure matching the brightness of the
subject. A faster shutter speed can freeze the action of a moving subject.
A slower shutter speed can create a blurred eff ect, giving the impression of
motion.
* <
s
> stands for Time value.
Blurred motion
(Slow speed: 1/30 sec.)
Frozen motion
(Fast speed: 1/2000 sec.)
1
Set the Mode dial to <s>.
2
Set the desired shutter speed.
Set with the <
6
> dial.
3
Focus on the subject.
Press the shutter button halfway.
4
Check the display and shoot.
As long as the aperture value is not
blinking, the standard exposure will be
obtained.
113
Setting the Shutter Speed Before Shooting (Shutter-Priority AE)
o
If the lowest f/number blinks, it indicates underexposure.
Use the <
6
> dial to decrease the shutter speed until
the aperture value stops blinking, or set a higher ISO
speed.
o
If the highest f/number blinks, it indicates overexposure.
Use the <
6
> dial to increase the shutter speed until
the aperture value stops blinking, or set a lower ISO
speed.
Shutter Speed Display
o
The shutter speeds from “8000”* to “4” indicate the denominator of the
fractional shutter speed. For example, “125” indicates 1/125 sec. Additionally,
“0"5” indicates 0.5 sec. and “15"”, 15 sec.
* “16000” when [
z
: Shutter mode] is set to [Electronic] in Live View
shooting.
114
Setting the Aperture Value Before Shooting
( Aperture-Priority AE)
In this mode, you set the desired aperture and the camera sets the shutter
speed automatically to obtain the standard exposure matching the subject
brightness. A higher f/number (smaller aperture hole) will make more of the
foreground and background fall within acceptable focus. On the other hand,
a lower f/number (larger aperture hole) will make less of the foreground and
background fall within acceptable focus.
* <
f
> stands for Aperture value (aperture opening).
Blurred background
(With a low aperture
f/number: f/5.6)
Sharp foreground and background
(With a high aperture
f/number: f/32)
1
Set the Mode dial to <f>.
2
Set the desired aperture.
Set with the <
6
> dial.
3
Focus on the subject.
Press the shutter button halfway.
4
Check the display and shoot.
As long as the shutter speed is not
blinking, the standard exposure will be
obtained.
115
Setting the Aperture Value Before Shooting (Aperture-Priority AE)
o
If the “30"” shutter speed blinks, it indicates
underexposure.
Use the <
6
> dial to decrease the f/number (open the
aperture) until the shutter speed stops blinking, or set a
higher ISO speed.
o
If the “8000” shutter speed blinks, it indicates
overexposure.
Use the <
6
> dial to increase the f/number (close the
aperture) until the shutter speed stops blinking, or set a
lower ISO speed.
Aperture Value Display
o
The higher the f/number, the smaller the aperture opening will be. The f/
number displayed varies depending on the lens. If no lens is attached to the
camera, “00” will be displayed for the aperture.
116
Setting the Aperture Value Before Shooting (Aperture-Priority AE)
Checking the Area in Focus
M
Press the depth-of-fi eld preview button to
stop down the lens to the current aperture
setting and check the area in focus ( depth
of fi eld).
o
The larger the aperture value, the wider the area (from the foreground to the
background) in focus, but the darker the viewfi nder display.
o
The depth-of-fi eld eff ect is readily apparent on the Live View image as
you change the aperture value and press the depth-of-fi eld preview button
(
=
71).
o
Exposure is locked (AE lock) as you hold down the depth-of-fi eld preview
button.
o
Pressing the depth-of-fi
eld preview button when a Speedlite 470EX-AI is
attached with the <
X
> switch set to <
Z
> (full-auto) starts
AI.B full-auto
distance measurement.
117
Setting the Exposure Before Shooting
( Manual Exposure)
In this mode, you set both the shutter speed and aperture as desired.
To determine the exposure, refer to the exposure level indicator or use a
commercially available exposure meter.
* <
a
> stands for Manual.
1
Set the Mode dial to <a>.
2
Set the ISO speed (=213).
With ISO Auto, you can set exposure
compensation (
=
118).
(1) (2)
3
Set the shutter speed and aperture.
Set the shutter speed with the <
6
>
dial and aperture value with the <
5
>
dial.
(1) Shutter speed
(2) Aperture value
(2)
(1)
4
Focus on the subject.
Press the shutter button halfway.
Check the exposure level mark <
s
> to
see how far the current exposure level is
from the standard exposure level.
(1) Standard exposure index
(2) Exposure level mark
5
Set the exposure and take the
picture.
Check the exposure level indicator
and set the desired shutter speed and
aperture.
If the exposure level exceeds ±3 stops
from the standard exposure, the end of
the exposure level indicator will display
<
I
> or <
J
>.
118
Setting the Exposure Before Shooting (Manual Exposure)
Exposure Compensation with ISO Auto
If the ISO speed is set to [A] (AUTO) for manual exposure shooting, you
can set exposure compensation (
=
160) as follows:
[
z
: Expo.comp./AEB]
[
: Expo comp (hold btn, turn )] in [
8
C.Fn III-3: Custom
Controls]
Quick Control screen
o
If ISO Auto is set, the ISO speed setting will change to obtain the standard
exposure with the set shutter speed and aperture. Therefore, you may
not obtain the desired exposure eff ect. In this case, set the exposure
compensation.
o
With the camera set to the <
a
> mode + ISO Auto + <
q
> (Evaluative
metering) and [
8
C.Fn I-8: AE lock meter. mode after focus] set to the
default setting (
=
558), holding down the shutter button halfway will lock the
ISO speed after focus is achieved with One-Shot AF.
o
To compare the current exposure to the exposure when you pressed the <
A
>
button initially with an automatically set ISO speed, press the <
A
> button,
recompose the shot, and check the exposure level indicator
.
o
With ISO Auto set and [
8
C.Fn I-1: Exposure level increments] set to
[1/2-stop], any 1/2-stop exposure compensation will be implemented with the
ISO speed (1/3 stop) and shutter speed. However
, the shutter speed displayed
will not change.
119
Long (Bulb) Exposures
In this mode, the shutter stays open as long as you hold down the shutter
button completely, and closes when you let go of the shutter button. Use
bulb exposures for night scenes, fi reworks, the heavens, and other subjects
requiring long exposures.
1
Set the Mode dial to <F>.
2
Set the desired aperture.
Set with the <
6
> or <
5
> dial.
3
Take the picture.
The exposure will continue for as long
as you keep the shutter button pressed
completely.
The elapsed exposure time will be
displayed on the LCD panel.
o
Do not point the camera toward an intense light source, such as the sun or an
intense artifi cial light source. Doing so may damage the image sensor or the
camera’s internal components.
o
Long bulb exposures produce more noise in the image than usual.
o
If ISO Auto is set, ISO 400 will be set (
=
614).
o
Keep pressing the shutter button completely after you start shooting a bulb
exposure with the self-timer
, until shooting is fi nished. No shot will be taken if
you release the shutter button during self-timer countdown, although a
shutter-release sound will be played.
120
Long (Bulb) Exposures
o
With [
z
: Long exp. noise reduction], you can reduce the noise generated
during long exposures (
=
238).
o
For bulb exposures, using a tripod and bulb timer is recommended. You can
also use mirror lockup (
=
263) in combination.
o
You can shoot bulb exposures by using Remote Switch RS-60E3 (sold
separately,
=
156).
o
You can also use Remote Controller RC-6 (sold separately,
=
155)
or Wireless Remote Control BR-E1 (sold separately,
=
156) for bulb
exposures. When you press the remote controller
’s release (transmit) button,
the bulb exposure will start immediately or 2 sec. later. Press
the button again
to stop the bulb exposure.
Bulb Timer
M
Using the bulb timer eliminates the need to keep holding down the shutter
button during exposure.
1
Select [z: Bulb timer].
2
Select [Enable].
Select [Enable], then press the <
B
>
button.
3
Set the desired exposure time.
Select the hour, minute, or second.
Press <
0
> to display <
r
>.
Set the desired number, then press
<
0
>. (Returns to <
s
>.)
121
Long (Bulb) Exposures
4
Select [OK].
When you exit the menu, <
H
> is
displayed on the LCD panel.
(1)
(2)
5
Take the picture.
Press the shutter button completely, and
after shooting begins, release it.
To stop shooting in progress, press the
shutter button completely again and
release it.
To cancel the timer setting, set [Disable]
in step 2.
(1) Bulb timer
(2) Elapsed exposure time
o
While the bulb timer is operating, if you press the shutter button completely
and let go of it, the bulb exposure will stop.
o
If you keep pressing the shutter button completely, the bulb exposure will
continue even after the set exposure time elapses.
o
The bulb timer is canceled and the setting reverts to [Disable] when you set
the power switch to <
2
> or change to movie recording or a shooting mode
other than <
F
>.
122
123123
AF, Drive, and Exposure
Settings
This chapter describes how to confi gure AF, drive mode, metering
mode, and related settings.
A
M
icon to the right of a page title indicates that the function is
available only in Creative Zone.
In Basic Zone, the AF operation is set automatically.
o
<AF> stands for autofocus. <MF> stands for manual focus.
124
M
Selecting the AF Operation
1
Set the lens’s focus mode switch
to <AF>.
2
Turn the Mode dial to a Creative
Zone.
3
Press the <AF> button (9).
4
Select the AF operation.
Turn the <
6
> or <
5
> dial.
X
: One-Shot AF
9
: AI Focus AF
Z
: AI Servo AF
In Live View shooting, press the <
Y
>
<
Z
> keys.
X
: One-Shot AF
K
: Servo AF
125
Selecting the AF Operation
One-Shot AF for Still Subjects
This AF operation is suited for still subjects. When you press the shutter
button halfway, the camera will focus only once.
In viewfi nder shooting, once the subject is in focus, that AF point is
displayed, the focus indicator <
o
> in the viewfi nder lights up, and the
camera beeps.
In Live View shooting, once the subject is in focus, that AF point turns
green and the camera beeps.
The focus remains locked while you hold down the shutter button halfway,
allowing you to recompose the image before taking the picture.
o
If [
5
: Beep] is set to [Disable], the beeper will not sound when focus is
achieved.
AI Servo AF ( Viewfi nder Shooting) or Servo AF (Live View
Shooting) for Moving Subjects
This AF operation is suited for moving subjects. While you hold down
the shutter button halfway, the camera will keep focusing on the subject
continuously.
In viewfi nder shooting, once the subject is in focus, that AF point is
displayed.
In Live View shooting, once the subject is in focus, the AF point turns
blue.
The exposure is set at the moment the picture is taken.
o
The beeper will not sound even when focus is achieved.
o
The focus indicator <
o
> in the viewfi nder will not light up.
126
Selecting the AF Operation
AI Focus AF (Viewfi nder Shooting) for Automatic Switching
of AF Operation
AI Focus AF switches the AF operation from One-Shot AF to AI Servo AF
automatically if a still subject starts moving.
After the camera uses One-Shot AF to focus on a subject, if it detects
subject movement, a change in distance, or similar changes, it switches
to AI Servo AF and continues to track the moving subject.
o
The camera continues beeping quietly when subjects are in focus using the
servo.
o
The focus indicator <
o
> in the viewfi nder does not light up when subjects are
in focus using the servo.
o
Shooting with the focus locked is not possible when the servo is used.
o
In <
A
> mode in Live V
iew shooting, AI Focus AF is used to focus. Note that
Servo AF is used to focus on moving subjects. When focus is achieved, the
AF point will turn blue. Note that the camera will not switch to Servo AF if the
subject moves during continuous shooting.
AF-Assist Beam
In viewfi nder shooting, the built-in fl ash can emit an AF-assist beam to
make autofocusing easier under low light or in other conditions where
autofocusing is diffi cult. The AF-assist beam will be emitted as needed
after you press the <
I
> button to raise the fl ash and press the shutter
button halfway.
The AF-assist beam is not emitted in Live View shooting, even if the built-
in fl ash is raised.
o
The fl ash does not emit an AF-assist beam when AF operation is set to
[AI Focus AF] or [AI Servo AF].
o
To disable AF-assist beam fi ring, set [
z
: AF-assist beam fi ring] to [Disable].
128
Selecting the AF Area and AF Point
(Viewfinder Shooting)
Depending on the lens used, the number of usable AF points, AF point
patterns, Area AF frame shape, etc. vary. For details, see “Supplemental
Information”.
AF Area Selection Mode
N: Spot AF (Manual selection)
The camera focuses in a narrower area
than 1-point AF.
Eff ective for pinpoint focusing or
focusing on overlapping subjects such
as an animal in a cage.
Because the AF area is narrow, focusing
may be diffi cult in some shooting
conditions.
E : 1-point AF (Manual selection)
The camera focuses using a single AF
point.
F : Zone AF (Manual selection of
zone)
The camera focuses in a zone consisting
of nine AF points. Subjects are easier to
acquire than with 1-point AF.
Generally focuses on the nearest
subject. Note that any detected faces
are given priority in focusing.
With AI Servo AF, focusing continues as
long as subjects can be tracked within
the zone.
129
Selecting the AF Area and AF Point (Viewfi nder Shooting)
G : Large Zone AF (Manual
selection of zone)
The AF area is divided into three
focusing zones (left, center, and right)
for focusing.
Subjects are easier to acquire than with
Zone AF.
Generally focuses on the nearest
subject. Note that any detected faces
are given priority in focusing.
With AI Servo AF, focusing continues as
long as subjects can be tracked within
the large zone.
H : Automatic selection AF
The Area AF frame (entire AF area) is
used to focus.
With One-Shot AF, generally focuses
on the nearest subject. Note that any
detected faces are given priority in
focusing.
With AI Servo AF, you can set the initial
position for AI Servo AF (
=
133). As
long as the Area AF frame can track the
subject during shooting, focusing will
continue.
130
Selecting the AF Area and AF Point (Viewfi nder Shooting)
o
AF points may not track subjects under some shooting conditions when AI
Servo AF is used with Zone AF, Large Zone AF, or Automatic selection AF.
o
Focusing may be diffi cult when using a peripheral AF point or a wide-angle or
telephoto lens. In such a case, use the center AF point or an AF point close to
the center.
o
When the AF point(s) light up, part or all of the viewfi
nder may light up in red.
This is a characteristic of AF point display.
o
In low temperatures, the AF point display may be diffi cult to see or have a
slower tracking response due to the characteristics of AF point
display device
(using liquid crystal).
o
With [
8
C.Fn II-10: Orientation linked AF point], you can set the AF area
selection mode + AF point or only the AF point separately for the horizontal
and vertical orientations (
=
565).
131
Selecting the AF Area and AF Point (Viewfi nder Shooting)
Selecting the AF Area Selection Mode
1
Press the <S> or <G> button
(9).
2
Press the <G> button.
Each time you press the <
G
> button,
the AF area selection mode changes.
o
With [
8
C.Fn II-7: Select AF area selec. mode], you can limit the selectable
AF area selection modes to only those you want to use (
=
563).
o
If you set [
8
C.Fn II-9: AF area selection method] to [1:
G
9
Main dial],
you can select the AF area selection mode by pressing the <
S
> or <
G
>
button, then turning the <
6
> dial (
=
564).
132
Selecting the AF Area and AF Point (Viewfi nder Shooting)
Selecting the AF Point or Zone Manually
1
Press the <S> or <G> button
(9).
2
Select an AF point or zone.
Use <
j
> <
9
> or the <
6
> or <
5
>
dial to select an AF point.
To select the center AF point or zone,
press <
0
> or <
j
>.
o
When you keep holding down the <
Q
> button and turn the <
6
> dial, you
can select an AF point in vertical direction.
o
The following information is shown on the LCD panel.
• Spot AF and 1-point AF: SEL
(Center), SEL AF (Off center)
• Zone AF, Large Zone AF, and Automatic selection AF:
AF
133
Selecting the AF Area and AF Point (Viewfi nder Shooting)
Meaning of Lit or Blinking AF Points
Pressing the <
S
> or <
G
> button lights up the AF points that are cross-
type AF points for high-precision autofocusing. The blinking AF points are
horizontal-line or vertical-line sensitive. For details, see “Supplemental
Information”.
Setting the Initial AI Servo AF Position
When [
8
C.Fn II-11: Initial Servo AF pt,
/
c
] is [1:Initial AF pt set
for /
c
] (
=
566), you can manually set the initial position for AI Servo
AF.
1
Set the AF area selection mode to [H Auto selection AF]
(=131).
2
Set AF operation to [AI Servo AF] (=124).
3
Set the AF point (=132).
134
Selecting the AF Area and AF Point (Viewfi nder Shooting)
Shooting Conditions that Make Focusing Diffi cult
Subjects with very low contrast
(Example: Blue skies, solid-color fl at surfaces, etc.)
Subjects in very low light
Strongly backlit or refl ective subjects
(Example: Cars with highly refl ective bodies, etc.)
Near and distant subjects positioned close to an AF point
(Example: Animals in cages, etc.)
Light source such as dots of light positioned close to an AF point
(Example: Night scenes, etc.)
Subjects with repetitive patterns
(Example: Skyscraper windows, computer keyboards, etc.)
Subjects with fi ner patterns than an AF point
(Example: Faces or fl owers as small as or smaller than an AF point, etc.)
In such cases, focus in either of the following two ways.
(1) With One-Shot AF, focus on an object at the same distance as the
subject and lock the focus, then recompose the shot (
=
125).
(2) Set the lens’s focus mode switch to <MF> and focus manually
(
=
147).
o
Depending on the subject, focus may be achieved by slightly recomposing the
shot and performing AF operation again.
135
Selecting the AF Method (Live View
Shooting)
AF Method
: Face+Tracking
The camera detects and focuses on
people’s faces. <
p
> (an AF point) appears
over any face detected, which is then
tracked.
If no face is detected, the entire AF area is used for auto selection AF.
With Servo AF, you can set the initial position for AF (
=
143). As long
as the Area AF frame can track the subject during shooting, focusing will
continue.
: Spot AF
The camera focuses in a narrower area
than 1-point AF.
: 1-point AF
The camera focuses using a single AF
point <
S
>.
136
Selecting the AF Method (Live View Shooting)
: Zone AF
Uses auto selection AF in Zone AF frames
to cover a large area, which makes
focusing easier than with 1-point AF.
Prioritizes focusing on the nearest subject. Faces of any people in the Zone
AF frame are also given priority in focusing.
AF points in focus are displayed with <
S
>.
137
Selecting the AF Method (Live View Shooting)
Selecting the AF Method
1
Press the <G> button.
2
Select the AF method.
Each time you press the <
G
> button,
the AF method changes.
You can also make your selection from
[
z
: AF method].
o
In <
A
> mode, [
u
+Tracking] is set automatically.
o
In <
r
> mode, only [1-point AF] or [Zone AF] can be set.
o
The descriptions on
=
138–
=
141 assume that the AF operation is set to
[One-Shot AF] (
=
125). With [Servo AF] (
=
125) set, the AF point will
turn blue when focus is achieved.
o
Regarding the Touch Shutter (AF and shutter release by touch op
eration), see
=
72.
o
With [
8
C.Fn II-9: AF area selection method] set to [1:
G
9
Main dial], you
can select the AF method by pressing the <
G
> button and then turning the
<
6
> dial.
138
Selecting the AF Method (Live View Shooting)
u
(face)+T
racking:
c
The camera detects and focuses on human faces. If a face moves, the
AF point <
p
> also moves to track the face.
You can set [Eye Detection AF] to [Enable] to shoot with the subject’s
eyes in focus (
=
142).
1
Check the AF point.
<
p
> (an AF point) appears over any
face detected.
You can choose a face to focus on
with the <
Y
> <
Z
> keys when <
h
>
appears.
Press <
j
> to move the AF point to the
face of the person in the center.
2
Focus and take the picture.
Once you press the shutter button
halfway and the subject is in focus, the
AF point turns green and the camera
beeps.
An orange AF point indicates that the
camera could not focus on subjects.
139
Selecting the AF Method (Live View Shooting)
Tapping a Face for Focus
Tapping a face or subject to focus on changes the AF point to <
> and
focuses where you tap.
Even if the face or subject moves on the screen, the AF point < > moves to
track it.
o
If the subject’s face is signifi cantly out of focus, face detection will not
be possible. Adjust the focus manually (
=
147) so that the face can be
detected, then perform AF.
o
An object other than a human face may be detected as a face.
o
Face detection will not work if the face is very small or large in the picture, too
bright or too dark, or partially hidden.
o
AF cannot detect subjects or people’s faces at the edges of the screen.
Recompose the shot to center the subject or bring the subject closer to the
center
.
o
The <
p
> may cover only a part of the face, not the whole face.
o
The size of the AF point changes depending on the subject.
140
Selecting the AF Method (Live View Shooting)
Spot AF / 1-point AF / Zone AF
You can manually set the AF point or Zone AF frame. Here, 1-point AF
screens are used as an example.
(1)
1
Check the AF point.
The AF point (1) will appear.
With Zone AF, the Zone AF frame is
displayed.
2
Move the AF point.
Use <
j
> <
9
> to move the AF point to
where you want to focus (but note that
with some lenses, it may not move to
the edge of the screen).
You can also tap the screen to move the
AF point.
To center the AF point or Zone AF frame,
press <
j
> or the <
0
> or <
L
> button.
141
Selecting the AF Method (Live View Shooting)
3
Focus and take the picture.
Aim the AF point over the subject and
press the shutter button halfway.
When focus is achieved, the AF point
will turn green and the beeper will
sound.
If focus is not achieved, the AF point will
turn orange.
o
AF points may not track subjects under some shooting conditions when Servo
AF is used with Zone AF.
o
Focusing may be diffi cult when using a peripheral AF point. In this case, select
an AF point in the center.
o
With [
8
C.Fn II-10: Orientation linked AF point], you can set separate AF
points for vertical and horizontal shooting (
=
565).
142
Selecting the AF Method (Live View Shooting)
Eye Detection AF
With the AF method set to [
u
+Tracking], you can shoot with the subject’s
eyes in focus.
1
Select [z: Eye Detection AF].
2
Select [Enable].
3
Aim the camera at the subject.
An AF point is displayed around their
eye.
You can tap the screen to select an eye
for focus.
The entire face is selected when you tap
other facial features, such as their nose
or mouth. Eyes to focus on are selected
automatically
.
Depending on the [Eye Detection AF]
setting, you can choose an eye for focus
with the <
Y
> <
Z
> keys when <
>
appears.
4
Take the picture.
143
Selecting the AF Method (Live View Shooting)
o
Subject eyes may not be detected correctly, depending on the subject and
shooting conditions.
o
To disable Eye Detection AF without using menu operations, press these
buttons, one after another: <
G
>, and <
B
>. To resume Eye Detection AF,
press the <
B
> button again.
Setting the Initial Servo AF Position
You can freely set the initial position for Servo AF when [
8
C.Fn II-11:
Initial Servo AF pt,
/
c
] is [1:Initial AF pt set for /
c
] (
=
566).
1
Set the AF method to [u+Tracking]
(=137).
2
Set the AF operation to [Servo AF]
(=124).
(1)
3
Set the AF point (=132).
Use <
j
> <
9
> or tap the screen to
move the AF point (1), then set it.
Pressing <
j
> or the <
0
> or <
L
>
button will return the AF point to the
screen center.
144
Selecting the AF Method (Live View Shooting)
Magnifi ed View
To check the focus when the AF method is other than [
u
+Tracking],
magnify display by approx. 5× or 10× by pressing the <
v
> button (or
tapping <
u
>).
Magnifi cation is centered on the AF point for [Spot AF] or [1-point AF]
and on the Zone AF frame for [Zone AF].
Autofocusing is performed with magnifi ed display if you press the shutter
button halfway when set to [1-point AF], and [Spot AF]. When set to
other AF methods, autofocusing is performed after restoring normal
display.
With Servo AF, if you press the shutter button halfway in the magnifi ed
view, the camera will return to the normal view for focusing.
o
If focusing is diffi cult in the magnifi ed view, return to the normal view and
perform AF.
o
If you perform AF in the normal view and then use the magnifi ed view,
accurate focus may not be achieved.
o
AF speed diff ers between the normal view and magnifi
ed view.
o
Continuous AF is not available when display is magnifi ed.
o
With the magnifi ed view, achieving focus becomes more diffi cult due to
camera shake. Using a tripod is recommended.
145
Selecting the AF Method (Live View Shooting)
AF Shooting Tips
Even when focus is achieved, pressing the shutter button halfway will
focus again.
Image brightness may change during autofocusing.
Depending on the subject and shooting conditions, it may take longer to
focus, or the continuous shooting speed may decrease.
If the light source changes as you shoot, the screen may fl icker, and
focusing may be diffi cult. In this case, restart the camera and resume
shooting with AF under the light source you will use.
If focusing is not possible with AF, focus manually (
=
147).
For subjects at the edge of the screen that are slightly out of focus, try
centering the subject (or AF point, or Zone AF frame) to bring them into
focus, then recompose the shot before shooting.
With certain lenses, it may take more time to achieve focus with
autofocus, or accurate focusing may not be achieved.
146
Selecting the AF Method (Live View Shooting)
Shooting Conditions that Make Focusing Diffi cult
Subject with low-contrast such as the blue sky, solid-color fl at surfaces or
when highlight or shadow details are clipped.
Subjects in low light.
Stripes and other patterns where there is contrast only in the horizontal
direction.
Subjects with repetitive patterns (Example: Skyscraper windows,
computer keyboards, etc.).
Fine lines and subject outlines.
Under a light source whose brightness, color, or pattern keeps changing.
Night scenes or points of light.
The image fl ickers under fl uorescent or LED lighting.
Extremely small subjects.
Subjects at the edge of the screen.
Strongly backlit or refl ective subjects (Example: Car with a highly
refl ective body, etc.).
Near and distant subjects covered by an AF point (Example: Animal in a
cage, etc.).
Subjects that keep moving within the AF point and will not stay still due to
camera shake or subject blur.
Performing AF when the subject is very far out of focus.
Soft focus eff ect is applied with a soft focus lens.
A special eff ect fi lter is used.
Noise (dots of light, banding, etc.) appears on the screen during AF.
AF Range
The available autofocus range varies depending on the lens and aspect
ratio used and whether you are recording using features such as 4K movie
cropping or Movie digital IS.
147
Manual Focus
If focus cannot be achieved with autofocus, follow the procedure below to
focus manually.
In Viewfi nder Shooting
(1)
1
Set the lens’s focus mode switch
to <MF>.
2
Focus on the subject.
Turn the lens focusing ring (1) until the
subject looks sharp in the viewfi nder.
o
If you press the shutter button halfway during manual focusing, the AF point
that achieved focus will be displayed, and the focus indicator <
o
> will light up
in the viewfi nder.
o
With Automatic selection AF, when the center AF point achieves focus, the
focus indicator <
o
> will light up.
In Live View Shooting
You can magnify the image when focusing.
1
Set the lens’s focus mode switch
to <MF>.
Turn the lens focusing ring to focus
roughly.
148
Manual Focus
2
Magnify the image.
Press the <
v
> button to activate
magnifi ed display.
3
Determine an area to magnify.
Use <
j
> <
9
> to move the magnifi ed
area into position for focusing.
To center the magnifi ed area, press
<
j
> or the <
0
> or <
L
> button.
Each press of the <
v
> button changes
the magnifi cation ratio, as follows.
1× → 5× → 10×
4
Focus on the subject.
While looking at the magnifi ed image,
turn the lens focusing ring to focus.
After achieving focus, press the <
v
>
button to return to the normal view.
o
In magnifi ed view, the exposure is locked.
o
You can use the Touch Shutter to take a picture during normal display.
149
Manual Focus
Setting MF Peaking (Outline Emphasis)
In Live View shooting, edges of subjects in focus can be displayed in
color to make focusing easier. You can set the outline color and adjust the
sensitivity (level) of edge detection (except in <
A
> mode).
1
Select [z: MF peaking settings].
2
Select [Peaking].
Select [On].
3
Set the level and color.
Set it as necessary.
o
Peaking display is not shown during magnifi ed display.
o
MF peaking may be hard to discern at high ISO speeds, especially when ISO
expansion is set. If necessary, lower the ISO speed or set [Peaking] to [Off ].
o
Peaking display shown on the screen is not recorded in images.
150
Selecting the Drive Mode
1
Press the <R> button (9).
2
Select the drive mode.
Turn the <
6
> dial.
u
:
Single shooting
When you press the shutter button completely, only one shot will be
taken.
o
:
High-speed continuous shooting
When you hold down the shutter button completely, you can shoot
continuously at max. approx. 10 shots/sec. in viewfi nder shooting or
11 shots/sec. in Live View shooting while you keep holding it down.
When the AF operation is set to [Servo AF] in Live View shooting, the
continuous shooting speed will be max. approx. 7.0 shots/sec.
151
Selecting the Drive Mode
i
:
Low-speed continuous shooting/Continuous shooting
When you hold down the shutter button completely, you can shoot
continuously at max. approx. 3.0 shots/sec. while you keep holding
it down. (In <
r
> mode, at max. approx. 5.7 shots/sec. in viewfi nder
shooting, and at max. approx. 4.3 shots/sec. in Live View shooting.)
B
: Silent single shooting
You can perform single shooting with quieter mechanical sounds during
viewfi nder shooting. This cannot be set for Live View shooting.
M
: Silent continuous shooting
You can shoot continuously (at max. approx. 3.0 shots/sec.) with
quieter mechanical sounds during viewfi nder shooting. This cannot be set
for Live View shooting.
Q
:
Self-timer: 10 sec./remote control
k
:
Self-timer: 2 sec./remote control
q
: Self-timer: Continuous shooting
For self-timer shooting, see
=
153. For remote control shooting, see
=
155.
152
Selecting the Drive Mode
o
Approx. 10 shots/sec. is the maximum <
o
> high-speed continuous shooting
speed (
=
150) under these conditions: shooting with a fully charged Battery
Pack LP-E6N at a 1/1000 sec. or faster shutter speed and maximum aperture
(depending on the lens), Image Stabilizer off
(depending on the lens), at room
temperature (+23°C / 73°F), with fl icker reduction disabled.
o
The continuous shooting speed for <
o
> may decrease depending on
factors such as temperature, battery level, fl icker reduction, shutter speed,
aperture value, subject conditions, brightness, AF operation, lens, live view
shooting, built-in fl ash use, and shooting function settings.
o
With [
z
:
Anti-fl
icker shoot.] set to [Enable] (
=
261), shooting under
fl ickering light may decrease the maximum continuous shooting speed.
Also,
the continuous shooting interval may become irregular and the release time
lag may become longer.
o
With AI Servo AF/Servo AF, the maximum continuous shooting speed may
become slower depending on the subject conditions and the lens used.
o
The high-speed continuous shooting speed may be lower when using Battery
Grip BG-E14 (sold separately) with
AA/R6 batteries.
o
If the battery temperature is low due to a low ambient temperature, the
maximum continuous shooting speed may decrease.
o
If <
B
> or <
M
> is set, the time lag from when you press the shutter button
completely until the shutter is released may be longer than normal.
o
When internal memory becomes full during continuous shooting, the
continuous shooting speed may drop off
because shooting will be temporarily
disabled (
=
201).
153
Using the Self-Timer
1
Press the <R> button (9).
2
Select the self-timer.
Turn the <
6
> dial.
Q: Shoot in 10 sec.
Remote control shooting is also
possible (
=
155).
k: Shoot in 2 sec.
Remote control shooting is also
possible (
=
155).
q: Shoot continuously in 10 sec.
for the specifi ed number of shots
Use the <
5
> dial to set the number
of shots to take (2–10). Remote
control shooting is not possible.
3
Take the picture.
Focus on the subject, then press the
shutter button completely.
You can check the self-timer operation
with the self-timer lamp, beeper, and
countdown display (in seconds) on the
LCD panel.
154
Using the Self-Timer
o
With <
q
>, the shooting interval may become longer under some shooting
conditions, depending on image quality, use of fl ash, and other factors.
o
If you will not look through the viewfi nder when pressing the shutter button,
attach the eyepiece cover (
=
157). Light that enters the viewfi nder may
prevent suitable exposure.
o
<
k
> enables you to shoot without touching the camera mounted on a
tripod. This prevents camera shake if you shoot still-life or long exposures.
o
After taking self-timer shots, playing back the image (
=
332) to check focus
and exposure is recommended.
o
When using the self-timer to shoot yourself, use focus lock (
=
80) on an
object at the same distance as where you will stand.
o
To cancel the self-timer after it starts, either tap the screen or press the <
0
>
or <
R
> button.
o
If remote control shooting is enabled, the auto power off
will take eff ect in
approx. 2 min. even if [
5
: Auto power off ] is set to 1 min. or slower.
o
If [
z
: Bulb timer] is set to [Enable], <
q
> (
[Self-timer:Continuous])
cannot be selected.
155
Remote Control Shooting
For remote control shooting, you can use Remote Controller RC-6, Wireless
Remote Control BR-E1, or Remote Switch RS-60E3 (infrared, Bluetooth,
and wired connections, respectively; sold separately).
Remote Controller RC-6
You can shoot remotely up to approx. 5 meters/16.4 feet away from the front
of the camera. You can either shoot immediately or with a 2-sec. delay.
1
Press the <R> button (9).
2
Select the self-timer/remote
control.
Turn the <
6
> dial to select <
Q
> or
<
k
>.
(1)
3
Press the remote controller’s
release (transmit) button.
Point the remote controller toward the
camera’s remote control sensor (1), then
press the release (transmit) button.
Autofocusing is performed when the
focus mode switch is set to <AF>.
The remote control lamp lights up and
the picture is taken.
156
Remote Control Shooting
o
Infrared remote controllers such as the RC-6 cannot be used for remote
control shooting when the camera is paired via Bluetooth with a smartphone
or wireless remote control.
o
Fluorescent or LED lighting may cause camera misoperation by triggering the
shutter inadvertently
. Try to keep the camera away from such light sources.
o
If you point a remote controller for a TV set toward the camera and operate it,
it may cause camera misoperation by triggering the shutter inadvertently.
o
If fl
ash light is emitted from a fl ash on another camera around this camera,
it may cause camera malfunction by triggering the shutter inadvertently. Do
not expose the remote control sensor to fl
ash light from a fl ash on another
camera.
Wireless Remote Control BR-E1
You can shoot remotely up to approx. 5 meters/16.4 feet away from the
camera.
After pairing the camera and BR-E1 (
=
464), set the drive mode to <
Q
>
or <
k
> (
=
151).
For operation procedures, refer to the BR-E1 instruction manual.
RC-6 and BR-E1
o
If remote control shooting is enabled, the auto power off will take eff ect in
approx. 2 min.
o
RC-6 or BR-E1 can also be used for movie recording (
=
322).
Remote Switch RS-60E3
Once connected to the camera, the switch enables you to shoot remotely
over a wired connection.
For operation procedures, refer to the RS-60E3 instruction manual.
1
Open the terminal cover.
2
Connect the plug to the remote
control terminal.
157
Eyepiece Cover
Shots taken without looking through the viewfi nder (as when using the self-
timer or a remote control) may be underexposed. To prevent this, use the
eyepiece cover (
=
41) attached to the camera strap.
Note that attaching the eyepiece cover is not necessary in Live View
shooting or movie recording.
1
Detach the eyecup.
Push the bottom of the eyecup to detach
it.
2
Attach the eyepiece cover.
Slide the eyepiece cover down into the
eyepiece groove to attach it.
After you fi nish shooting, detach the
eyepiece cover and attach the eyecup.
158
M
Selecting the Metering Mode
You can select how the camera determines subject brightness. In Basic
Zone, evaluative metering is set automatically. (In the <
8
:
y
> or
<
U
:
X
> mode, center-weighted average metering is set automatically.)
1
Press the <q> button (7).
You can also press the <
Q
> button and
confi gure this setting from the Quick
Control screen.
2
Select the metering mode.
Turn the <
6
> or <
5
> dial.
q
Evaluative metering
General-purpose metering mode suited even for backlit subjects. The
camera adjusts the exposure automatically to suit the scene.
w
Partial metering
Eff ective where there are much brighter lights around the subject due
to backlight, etc. Covers approx. 6.5% of the area at the center of the
screen in viewfi nder shooting or 4.5% in Live View shooting.
r
Spot metering
Eff ective when metering a specifi c part of the subject or scene. Covers
approx. 2.0% of the area at the center of the screen in viewfi nder
shooting or 2.6% in Live View shooting. The spot metering circle will be
displayed in the viewfi nder.
e
Center-weighted average metering
The metering across the screen is averaged, with the center of the screen
weighted more heavily.
159
Selecting the Metering Mode
o
By default, the camera will set the exposure as follows.
With <
q
>, holding down the shutter button halfway will lock the exposure
setting (AE lock) after focus is achieved with One-Shot AF. In the <
w
>, <
r
>,
and <
e
> modes, the exposure is set at the moment the picture is taken.
(Pressing the shutter button halfway does not lock the exposure.)
o
With [
8
C.Fn I-8:
AE lock meter. mode after focus], you can set whether or
not to lock the exposure (AE lock) when focus is achieved with One-Shot AF
(
=
558).
160
M
Exposure Compensation
Exposure compensation can brighten (increased exposure) or darken
(decreased exposure) the standard exposure set by the camera.
Exposure compensation can be set in the <
d
>, <
s
>, <
f
>, and <
a
>
shooting modes.
For details on exposure compensation when <
a
> mode and ISO Auto are
both set, see
=
118.
1
Check the exposure.
Press the shutter button halfway and
check the exposure level indicator.
Increased exposure for a
brighter image
Decreased exposure for a
darker image
2
Set the compensation amount.
Set with the <
5
> dial.
The exposure compensation range is
±5 stops in viewfi nder shooting and ±3
stops in Live View shooting.
As shown in the viewfi nder and on the
LCD panel, the exposure compensation
range is ±3 stops. To set exposure
compensation beyond ±3 stops, use the
Quick Control (
=
71) screen or follow
the instructions for [
z
: Expo.comp./
AEB] (
=
211).
3
Take the picture.
To cancel exposure compensation,
return the exposure level indicator <
N
>
to <
C
>, the standard exposure index.
o
If [
z
: Auto Lighting Optimizer] (
=
218) is set to any setting other than
[Disable], the image may still look bright even if a decreased exposure
compensation for a darker image is set.
o
The exposure compensation amount will remain in eff ect even after you set
the power switch to <
2
>.
o
If the exposure compensation amount exceeds ±3 stops, the end of the
exposure level indicator will display <
I
> or <
J
>.
161
M
Locking the Exposure ( AE Lock)
You can lock the exposure when you want to set the focus and exposure
separately or when you are to take multiple shots at the same exposure
setting. Press the <
A
> button to lock the exposure, then recompose and
take the picture. It is eff ective for shooting backlit subjects, etc.
1
Focus on the subject.
Press the shutter button halfway.
2
Press the <A> button (0).
A <
A
> icon is displayed in the
viewfi nder or on the screen, indicating
that the exposure is locked (AE lock).
Each time you press the <
A
> button,
the current exposure setting is locked.
3
Recompose and take the picture.
When you are to take more pictures
while maintaining the AE lock, keep
holding down the <
A
> button and
press the shutter button to take another
picture.
AE Lock Eff ects
Metering
Mode
(
=
158)
AF Point Selection Method (
=
131,
=
132)
Automatic Selection Manual Selection
q
Exposure centered on the AF point
in focus is locked.
Exposure centered on the selected
AF point is locked.
wre
AE lock is applied at the center AF point.
* When the <
q
> is set and the lens’s focus mode switch is set to <MF>, AE lock is
applied with the exposure weighted on the center AF point.
o
AE lock is not possible with bulb exposures.
162
163163
Flash Photography
This chapter describes how to shoot with the built-in fl ash or an
external fl ash (EL/EX Speedlites).
o
Flash cannot be used while you are recording movies.
o
AEB is not available in fl ash photography.
164
Shooting With the Built-in Flash
Using the built-in fl ash is recommended when the <
I
> icon appears in the
viewfi nder or on the screen, when subjects in daytime shots are backlit, or
when shooting under low light.
1
Press the <I> button.
2
Press the shutter button halfway.
Confi rm that a <
I
> icon appears in the
viewfi nder or on the screen.
3
Take the picture.
The built-in fl ash fi res according to
[Flash fi ring] settings (
=
169).
To retract the built-in fl ash after shooting,
push it down with your fi ngers until it
clicks into place.
Approximate Built-in Flash Range
(approx. range in meters / feet)
ISO Speed
(
=
213)
EF-S18-135mm f/3.5-5.6 IS USM
Wide-angle End Telephoto End
f/3.5 f/5.6
100 1–3.4 / 3.3–11.2 1–2.1 / 3.3–6.9
400 1–6.9 / 3.3–22.6 1–4.3 / 3.3–14.1
1600 1.7–13.7 / 5.6–44.9 1.1–8.6 / 3.6–28.2
6400 3.4–27.4 / 11.2–89.9 2.1–17.1 / 6.9–56.1
* It may not be possible to obtain standard exposure when shooting distant subjects at
high ISO speeds, or under certain subject conditions.
165
Shooting With the Built-in Flash
Shutter Speed and Aperture Value in Flash Photography
Shooting Mode Shutter Speed Aperture Value
d
Auto (1/250–1/30 sec.)* Automatically set
s
Manual (1/250–30 sec.) Automatically set
f
Auto (1/250–30 sec.)* Manually set
4
Manual (1/250–30 sec.) Manually set
F
Exposure continues as long as you hold
down the shutter button, or until the bulb timer
elapses.
Manually set
* When [Slow synchro] under [
z
: Flash control] is set to [1/250-30sec. auto].
o
Do not use the built-in fl ash unless it is fully raised.
o
The bottom of images may be dark if light from the built-in fl ash is obstructed
by a lens hood, or by a subject that is too close.
o
If the bottom of images is dark when you use super telephoto or large-diameter
lenses, consider using an external Speedlite (sold separately,
=
179).
Flash Photography in <
f
> Mode
Flash output is automatically adjusted to provide suitable fl ash exposure for
your specifi ed aperture value.
In low light, the main subject is exposed with autofl ash metering and the
background with a slow shutter speed, to provide standard exposure for
both the subject and background. Using a tripod is recommended.
166
Shooting With the Built-in Flash
Flash Exposure Compensation
M
Just as exposure compensation is adjustable, you can also adjust fl ash
output of the built-in fl ash.
1
Press the <Q> button.
2
Select [y].
3
Set the compensation amount.
To make fl ash exposure brighter, set the
compensation amount toward [Brighter]
(positive compensation), or to make it
darker, set it toward [Darker] (negative
compensation).
After you are fi nished shooting, follow
steps 1–3 to return the compensation
amount to zero.
o
When [
z
: Auto Lighting Optimizer] (
=
218) is set to any setting other
than [Disable], images may still look bright even if negative compensation is
set.
o
The exposure compensation amount will remain in eff ect even after you set
the power switch to <
2
>.
o
You can also set fl ash exposure compensation with [Built-in fl ash settings]
in [
z
: Flash control] (
=
168).
o
The camera can also be used to set the external Speedlite’s fl ash exposure
compensation in the same way as with the built-in fl ash.
167
Shooting With the Built-in Flash
A
Shooting With FE Lock
M
Viewfi nder shooting with FE (fl ash exposure) Lock provides suitable fl ash
exposure over your specifi ed area of the subject.
1
Press the <I> button.
2
Press the shutter button halfway.
Press the shutter button halfway and
confi rm that a <
I
> icon appears in the
viewfi nder or on the screen.
3
Press the <A> button (8).
Center the subject in the viewfi nder or
on the screen, then press the <
A
>
button.
A prefl ash is fi red by the fl ash, and the
required fl ash output level is retained.
[FEL] appears briefl y in the viewfi nder
or on the screen, and <
d
> lights up.
Each time you press the <
A
> button,
a prefl
ash is fi red, and the fl ash output
required for shooting is retained.
4
Take the picture.
Compose the shot and press the shutter
button completely.
o
The <
D
> icon blinks when subjects are too far away and your shots would be
dark. Approach the subject and repeat steps 2–4.
168
Flash Function Settings
Functions of the built-in fl ash or external EL/EX series Speedlites can be set
from menu screens on the camera.
Before setting functions of external Speedlites, attach the Speedlite and turn
it on.
For details on external Speedlite functions, refer to the Speedlite’s
instruction manual.
1
Select [z: Flash control].
2
Select an item.
169
Flash Function Settings
Flash Firing
Set to [
a
] (in Basic Zone or <
d
> modes)
to have the fl ash fi re automatically, based
on shooting conditions.
Set to [
D
] to have the fl ash always fi re
when you shoot.
Select [
b
] (in Creative Zone modes) to
keep the fl ash off , or if you will use the AF-
assist beam.
E-TTL II Flash Metering
M
Set to [Eval (FacePrty)] for fl ash metering
suitable for shots of people.
Continuous shooting speed for [
o
] will
become slower than when [Evaluative] or
[Average] is selected.
Set to [Evaluative] for fl ash metering that
emphasizes fi ring in continuous shooting.
If [Average] is set, the fl ash exposure will
be averaged for the entire metered scene.
o
Even with setting [Eval (FacePrty)], the expected result may not be obtained
depending on the shooting conditions and subject.
Red-eye Reduction
Set to [Enable] to reduce red-eye by
emitting the red-eye reduction lamp before
fi ring the fl ash.
170
Flash Function Settings
Slow Synchro
M
You can set the fl ash-sync speed for fl ash
photography in <
f
> aperture-priority AE
mode or <
d
> Program AE mode.
[ ] 1/250-30sec. auto
The fl ash sync speed is set automatically within a range of 1/250 sec. to
30 sec. to suit the scene’s brightness. Slow-sync shooting is used under
some shooting conditions, in low-light locations, and shutter speed is
automatically lowered.
[ ] 1/250-1/60sec. auto
Prevents a slow shutter speed from being set automatically in low-light
conditions. It is eff ective for preventing subject blur and camera shake.
However, while the subject will be properly exposed with the fl ash, the
background may come out dark.
[ ] 1/250 sec. (fi xed)
The fl ash sync speed is fi xed at 1/250 sec. This more eff ectively
prevents subject blur and camera shake than with [1/250-1/60sec. auto].
However, in low light, the subject’s background will come out darker than
with [1/250-1/60sec. auto].
o
To use slow-sync shooting in <
f
> or <
d
> mode, set to [1/250-30sec.
auto].
171
Flash Function Settings
Built-in Flash Function Settings
M
Flash mode
Set to [E-TTL II] to shoot in E-TTL II/E-TTL
fully automatic fl ash mode.
Set to [ Manual fl ash] to specify your
preferred fl ash output manually.
Shutter synchronization
Normally, set this to [1st curtain] so
that the fl ash fi res immediately after the
exposure starts.
Set to [ 2nd curtain] and use low shutter
speeds for natural-looking shots of subject
motion trails, such as car headlights.
o
When using second-curtain synchronization, set the shutter speed to
1/80 sec. or slower. If the shutter speed is faster than 1/80 sec., fi rst-curtain
synchronization will be applied automatically even if [2nd curtain] is set.
172
Flash Function Settings
Flash exposure compensation
Just as exposure compensation is
adjustable, you can also adjust fl ash output
of the built-in fl ash (
=
166).
Wireless functions
You can use another Canon Speedlite
compatible with optical wireless fl ash
photography to shoot with wireless multiple-
fl ash lighting (
=
180).
173
Flash Function Settings
External Flash Function Settings
M
The information displayed, position of display, and available options vary
depending on the Speedlite model, its Custom Function settings, the fl ash
mode, and other factors. Refer to the instruction manual of your fl ash unit
for details on its functions.
Sample display
(1)
(4)
(2
)
(3
)
(6
)
(5
)
(1) Flash mode
(2) Wireless functions / Firing ratio
control
(3) Flash zoom (Flash coverage)
(4) Shutter synchronization
(5) Flash exposure compensation
(6) Flash exposure bracketing
o
Functions are limited when using EX series Speedlites that are not compatible
with fl ash function settings.
174
Flash Function Settings
Flash mode
You can select the fl ash mode to suit your desired fl ash photography.
[E-TTL II] is the standard mode of EL/
EX series Speedlites for automatic fl ash
photography.
[Manual fl ash] is for setting the Speedlite’s
[Flash output] yourself.
[CSP] (continuous shooting priority mode) is available when using a
compatible external Speedlite. This mode automatically reduces fl ash output
by one stop and increases ISO speed by one stop. Useful in continuous
shooting, and helps conserve fl ash battery power.
Regarding other fl ash modes, refer to the Instruction Manual of a Speedlite
compatible with the respective fl ash mode.
o
Adjust exposure compensation (
=
160) as needed in case of overexposure
from fl ash photography with [CSP] in <
s
> or <
a
> mode.
o
With [CSP], ISO speed is automatically set to [Auto].
175
Flash Function Settings
Wireless functions
You can use radio or optical wireless
transmission to shoot with wireless multiple-
fl ash lighting.
For details on wireless fl ash, refer to
the Instruction Manual of a Speedlite
compatible with wireless fl ash photography.
Firing ratio control
With a macro fl ash, you can set the fi ring
ratio control.
For details on fi ring ratio control, refer to
the macro fl ash’s Instruction Manual.
Flash zoom (Flash coverage)
With Speedlites having a zooming fl ash
head, you can set the fl ash coverage.
176
Flash Function Settings
Shutter synchronization
Normally, set this to [First-curtain synchronization] so that the fl ash fi res
immediately after the exposure starts.
Set to [ Second-curtain synchronization] and use low shutter speeds for
natural-looking shots of subject motion trails, such as car headlights.
Set to [High-speed synchronization] for fl ash photography at higher
shutter speeds than the maximum fl ash sync shutter speed. This is eff ective
when shooting with an open aperture in <
f
> mode to blur the background
behind subjects outdoors in daylight, for example.
o
When using second-curtain synchronization, set the shutter speed to
1/80 sec. or slower. If the shutter speed is faster than 1/80 sec., fi rst-curtain
synchronization will be applied automatically even if [Second-curtain
synchronization] is set.
Flash exposure compensation
Just as exposure compensation is
adjustable, you can also adjust fl ash output
of external Speedlites.
o
If fl ash exposure compensation is set with the Speedlite, you cannot set the
fl ash exposure compensation with the camera. Note that the Speedlite’s
setting overrides the camera’s if both are set at the same time.
177
Flash Function Settings
Flash exposure bracketing
External Speedlites equipped with fl ash
exposure bracketing (FEB) can change the
external fl ash output automatically as three
shots are taken at once.
External Flash Custom Function Settings
For details on the external Speedlite’s
Custom Functions, refer to the Speedlite’s
Instruction Manual.
o
With an EL/EX series Speedlite, the Speedlite will always fi re at full output if
the [Flash metering mode] Custom Function is set to [TTL
fl ash metering]
(autofl ash).
o
The external Speedlite’s Personal Function (P.Fn) cannot be set or canceled
from the camera’s [
z
: External Speedlite control] screen. Set it directly on
the external Speedlite.
178
Flash Function Settings
Clearing Flash Function Settings/Flash C.Fn Settings
M
1
Select [Clear settings].
2
Select the settings to be cleared.
Select [Clear built-in fl ash set.], [Clear
external fl ash set.], or [Clear ext. fl ash
C.Fn set.].
On the confi rmation dialog, select [OK].
Then the fl ash settings or Custom
Function settings will all be cleared.
179
Shooting With External Speedlites
EL/EX Series Speedlites for EOS Cameras
The camera supports fl ash photography using all functions of EL/EX series
Speedlites (sold separately).
For operation procedures, refer to the EL/EX series Speedlite’s Instruction
Manual.
Canon Speedlites Other Than the EL/EX Series
With an EZ/E/EG/ML/TL-series Speedlite set to A-TTL or TTL autofl ash
mode, the fl ash can be fi red at full output only.
Set the camera’s shooting mode to <
a
> or <
f
> and adjust the
aperture value before shooting.
When using a Speedlite that has manual fl ash mode, shoot in the manual
fl ash mode.
Non-Canon Flash Units
Sync Speed
The camera can synchronize with non-Canon compact fl ash units at up to
1/250 sec. With large studio fl ash units, the fl ash duration is longer than
that of a compact fl ash unit and varies depending on the model. Be sure to
check before shooting if fl ash sync is properly performed by test shooting at
a sync speed of approx. 1/60 sec. to 1/30 sec.
o
Retract the built-in fl ash before attaching an external Speedlite.
o
When using an external Speedlite in Live View shooting, set [
z
: Shutter
mode] to an option other than [Electronic] (
=
243).
o
If the camera is used with a fl ash unit or fl ash accessory dedicated to another
camera brand, the camera not only may not operate properly
, but malfunction
may result.
o
Do not attach a high-voltage fl
ash unit to the camera’s hot shoe. It may not be
fi red.
180
M
Wireless Flash Photography Using
Optical Transmission
You can use the built-in fl ash as the sender for external Canon Speedlites
compatible with optical wireless fl ash photography to shoot with wireless
multiple-fl ash lighting.
Receiver Setup and Positioning
Referring to the instruction manual of the external Speedlite (receiver),
confi gure the following settings.
Set up the Speedlite as a receiver.
Set the camera and Speedlite to the same channel.
To control the fl ash ratio, set the receiver’s fl ash group.
Position the camera and receiver within the following range.
Arrange the receiver with its wireless sensor facing the camera.
Approx. 80°
Approx. 7 m
Approx. 5 m
Approx. 10 m
Outdoors
Indoors
Approx. 7 m
Canceling Receiver Auto Power Off
Press the camera’s <
A
> button. For manual fl ash, cancel by pressing the
receiver’s test fl ash button.
181
Wireless Flash Photography Using Optical Transmission
Methods of Wireless Flash Photography Using Optical
Transmission
External Speedlite
Built-in
Flash
Page
Settings
No. of
Units
A:B
Firing
Ratio
Wireless
Functions
Firing Group
Fully
automatic
shooting
(E-TTL II
autofl ash)
1 ――
=
182
01
All
1 ― Used
=
184
0
:
3
―
Multiple ――
=
185
01
All
Multiple Settings ―
=
186
01
(A:B)
Multiple ― Used
=
187
0
+
31
All and
2
Multiple Settings Used
0
+
31
(A:B)
2
• Flash exposure compensation
=
188
• FE lock
External Speedlite
Built-in
Flash
Page
Settings
No. of
Units
A:B
Firing
Ratio
Wireless
Functions
Firing Group
Manual
fl ash
1/multiple ――
=
189
01
All
Multiple Settings ―
01
(A:B)
1/multiple ― Used
0
+
31
All and
2
Multiple Settings Used
0
+
31
(A:B)
2
*
0
/
1
: external Speedlite;
3
/
2
: built-in fl ash
o
To control receivers optically, the built-in fl ash fi res even when you have set it
to disable fi ring.
182
Wireless Flash Photography Using Optical Transmission
Fully Automatic Shooting With One Receiver
Fully automatic wireless fl ash photography
using one receiver and one sender.
Steps 1–4 and 6 apply to all wireless fl ash
photography.
1
Press the <I> button.
2
Select [Flash control].
Select [
z
: Flash control].
3
Select [Built-in fl ash settings].
183
Wireless Flash Photography Using Optical Transmission
4
Set to [Flash mode: E-TTL II].
5
Set [Wireless func.] to [0].
6
Confi gure [Channel].
Set the same optical channel (1–4) as
the receiver.
7
Set [Firing group] to [1All].
8
Take the picture.
Just as in normal fl ash photography,
shoot after confi guring the camera.
To stop wireless fl ash photography, set
[Wireless func.] to [Disable].
184
Wireless Flash Photography Using Optical Transmission
Autofl ash With One Receiver
You can adjust how shadows form on
subjects by changing the ratio of fl ash
output from a receiver and a sender.
1
Set [Wireless func.] to [0:3].
Set [Wireless func.] to [
0
:
3
] as
described in step 5 on
=
183.
2
Set the ratio of fl ash output of the
external Speedlite to the built-in
fl ash.
Select [
0
:
3
] and set the fl ash ratio
within 8:1 to 1:1.
o
If there is insuffi cient fl ash output from the sender, increase the ISO speed
(
=
213).
o
Flash ratios from 8:1 to 1:1 correspond to 3:1 to 1:1 (in 1/2-stop increments)
when converted to number of stops of exposure.
185
Wireless Flash Photography Using Optical Transmission
Autofl ash With Multiple Receivers
Multiple receivers can be treated as a single fl ash unit or, if you prefer to
adjust the fl ash ratio, as separate groups.
Basic settings are as follows.
Set these basic settings.
Flash mode : E-TTL II
Wireless functions :
0
Channel : (same as receiver)
[
1
All] Firing multiple receivers as a single fl ash unit
All fl ash units fi re at the same output,
and the total, combined output is
automatically controlled to provide
standard exposure.
Set [Firing group] to [1All].
186
Wireless Flash Photography Using Optical Transmission
[
1
(A:B)] Autofl ash with two receiver groups
AB
Receivers can be assigned as fl ash
groups A and B, and you can adjust the
relative output of each.
Exposure is automatically controlled,
so that the groups’ combined output
provides standard exposure.
1
Set [Firing group] to [1(A:B)].
2
Set [A:B fi re ratio].
o
Flash units in group C will not fi re when [Flash group] is set to [
1
(A:B)].
o
Flash ratios from 8:1 to 1:1 correspond to 3:1 to 1:1 (in 1/2-stop increments)
when converted to number of stops of exposure.
187
Wireless Flash Photography Using Optical Transmission
Autofl ash With Multiple Receivers and a Sender
You can include a sender in the wireless fl ash photography arrangements
described from
=
185 to
=
186.
1
Set these basic settings.
Flash mode : E-TTL II
Wireless functions :
0
+
3
Channel : (same as receiver)
2
Set [Firing group].
Select [
1
All and
2
] or [
1
(A:B)
2
].
Before shooting with [
1
(A:B)
2
], set
the A:B fl ash ratio.
[
1
All and
2
]
AB
[
1
(A:B)
2
]
188
Wireless Flash Photography Using Optical Transmission
Advanced Wireless Flash Photography
Flash exposure compensation
Available when [Flash mode] is set to [E-TTL II]. Note that the setting items
available for fl ash exposure compensation (see below) vary depending on
[Wireless func.] and [Firing group] setting details.
Flash exposure compensation
The same amount of fl ash exposure
compensation is set for the built-in fl ash
and all external Speedlites.
2 Flash exposure compensation
Set fl ash exposure compensation for the
sender.
1 Flash exposure compensation
The same amount of fl ash exposure
compensation is set for all receivers.
FE lock
You can lock the fl ash exposure (FE Lock,
=
167) by pressing the <
A
>
button.
189
Wireless Flash Photography Using Optical Transmission
Wireless Multiple-Flash Photography with Specifi ed Output
Available when [Flash mode] is set to [Manual fl ash]. Available fl ash
output options (such as [
1
fl ash output] and [Group A output]) vary
depending on [Wireless func.] setting details (see below).
Wireless functions: 0
Firing group:
1
All
The same manual fl ash output is set for
all receivers.
Firing group:
1
(A:B)
Receivers can be assigned to fl
ash
groups
A or B, and you can set the fl ash
output of each.
Wireless functions: 0+3
Firing group:
1
All and
2
You can set the fl ash output of senders
and receivers separately.
Firing group:
1
(A:B)
2
Receivers can be assigned to fl ash
groups A or B, and you can set the fl
ash
output of each. Flash output can also be
set for the sender.
190
191191
Shooting
This chapter describes shooting and introduces menu settings on
the shooting ([
z
]) tab.
192192
Still Photo Shooting
A
M
icon to the right of a page title indicates that the function is available
only in Creative Zone.
199
Image Quality Settings
1
Select [z: Image quality].
2
Set the image quality.
To select the RAW quality, turn the
<
6
> dial, and to select the JPEG
quality, press the <
Y
> <
Z
> keys.
Press <
0
> to set it.
o
Number of shots available as indicated by [****] on the image quality setting
screen always applies to a setting of [3:2], regardless of the actual aspect
ratio setting (
=
202).
o
If [–] is set for both the RAW image and JPEG image,
73
will be set.
o
If you select both RAW and JPEG, each time you shoot, the image will be
recorded simultaneously to the card in both RAW and JPEG at the image-
recording qualities that were set. The two images will be recorded with the
same fi le numbers (fi le extension: .JPG for JPEG and .CR3 for RA
W).
o
b
is in
7
(Fine) quality.
o
Meaning of image quality icons:
1
RAW,
F
Compact RAW, JPEG,
7
Fine,
8
Normal,
3
Large,
4
Medium,
6
Small.
200
Image Quality Settings
RAW Images
RAW images are raw data from the image sensor that are recorded to the
card digitally as
1
or
F
(smaller than
1
) fi les, depending on your
selection.
RAW images can be processed using [
3
: RAW image processing]
(
=
364) to save them as JPEGs. As the RAW image itself does not
change, you can process the RAW image to create any number of JPEG
images with various processing conditions.
You can use Digital Photo Professional (EOS software) to process RAW
images. You can make various adjustments to images depending upon how
they will be used and can generate JPEG or other types of images refl ecting
the eff ects of those adjustments.
o
To display RAW images on a computer, using Digital Photo Professional
(hereafter DPP, EOS software) is recommended.
o
Older versions of DPP (Ver.4.x) do not support display, processing, editing,
or other operations with RAW images captured by this camera. If a previous
version of DPP (Ver.4.x) is installed on your computer, obtain and install the
latest version of DPP from the Canon website to update it (
=
590). (The
previous version will be overwritten.) Similarly
, DPP Ver.3.x or earlier does
not support display, processing, editing, or other operations with RAW images
captured by this camera.
o
Commercially available software may not be able to display RAW images
taken with this camera. For compatibility information, contact the software
manufacturer
.
Guide to Image Quality Settings
For guidelines on fi le sizes, number of possible shots, and maximum burst
shots, see
=
615.
201
Image Quality Settings
Maximum Burst for Continuous Shooting
The approximate maximum burst is shown
on the shooting screen and in the lower
right of the viewfi nder.
o
If the maximum burst is displayed as “99”, it indicates that you can shoot 99
or more shots continuously. The value starts decreasing once it reaches 98 or
less. [ buSY] display in the viewfi nder and LCD panel indicates that the internal
buff er memory is full and shooting will stop temporarily. If you stop continuous
shooting, the maximum burst will increase. After all the captured images are
written to the card, you can resume continuous shooting and shoot up to the
maximum burst listed in the table on
=
615.
202
M
Still Image Aspect Ratio
You can change the image’s aspect ratio.
1
Select [z: Still img aspect ratio].
2
Set the aspect ratio.
Select an aspect ratio, then press <
0
>.
JPEG images
The images will be recorded with the set aspect ratio.
RAW images
The images will always be recorded in the [3:2] aspect ratio. The selected
aspect ratio information is added to the RAW image fi le. When you
process the RAW image with Digital Photo Professional (EOS software),
this allows you to generate an image with the same aspect ratio set for
shooting.
203
Still Image Aspect Ratio
Aspect Ratio
4:3 16:9 1:1
With
viewfi nder
shooting
With Live
View
shooting
o
The picture will be taken at the [3:2] aspect ratio setting for the multiple-
exposures.
o
When you play back RAW images shot in the [4:3], [16:9], or [1:1] aspect
ratio, they will be displayed with lines indicating the respective aspect ratio.
(These lines are not recorded in the image.)
204
Image Review Time
To keep the captured image displayed, set [Hold]. To not have the captured
image displayed, set [Off ].
1
Select [z: Image review].
2
Set a time option.
o
When [Hold] is set, images are displayed until the time set in [
5
: Auto power
off ] elapses.
205
Card Reminder
You can set the camera not to shoot unless there is a card in the camera.
The default setting is [Enable].
1
Select [z: Release shutter without
card].
2
Select [Disable].
206
M
Correction of Lens Aberrations due to
Optical Characteristics
Vignetting, image distortion, and other issues may be caused by lens optical
characteristics. The camera can compensate for these phenomena by using
[Lens aberration correction].
1
Select [z: Lens aberration
correction].
2
Select an item.
3
Select [Enable].
Confi rm that the name of the attached
lens and (except for diff raction
correction) [Correction data available]
are displayed.
If [Correction data not available]
or [
] is displayed, see “Digital Lens
Optimizer” on
=
208.
207
Correction of Lens Aberrations due to Optical Characteristics
Peripheral Illumination Correction
Vignetting (dark image corners) can be corrected.
o
Depending on shooting conditions, noise may appear on the image periphery.
o
The higher the ISO speed, the lower the correction amount will be.
o
The correction amount applied will be lower than the maximum correction
amount that applied with Digital Photo Professional (EOS software).
o
Peripheral illumination is corrected automatically in Basic Zone modes when
correction data is registered on the camera.
Distortion Correction
Distortion (image warping) can be corrected.
o
To correct distortion, the camera captures a narrower image area than the
area seen when shooting, which crops the image a little and slightly lowers the
apparent resolution.
o
Setting distortion correction may change the angle of view slightly
.
o
When you magnify images, distortion correction is not applied to the images
displayed.
o
Distortion correction is not applied in movie recording.
o
Images with distortion correction applied will not have the Dust Delete Data
(
=
241) appended.
Also, the AF point may be displayed out of position,
relative to the time of shooting.
o
Distortion is corrected automatically when <
8
> mode is set to <
q
> mode
and correction data is registered on the camera.
208
Correction of Lens Aberrations due to Optical Characteristics
Digital Lens Optimizer
Various aberrations from lens optical characteristics can be corrected, along
with diff raction and low-pass fi lter-induced loss of clarity.
If [Correction data not available] or [
] is displayed by [Digital Lens
Optimizer], you can use EOS Utility to add the lens correction data to the
camera. For details, refer to the EOS Utility Instruction Manual.
o
Depending on shooting conditions, noise may be intensifi ed together with the
eff ects of correction. Image edges may also be emphasized. Adjust Picture
Style sharpness or set [Digital Lens Optimizer] to [Disable] as needed
before shooting.
o
The higher the ISO speed, the lower the correction amount will be.
o
For movie recording, [Digital Lens Optimizer] will not appear
. (Correction is
not possible.)
o
Enabling [Digital Lens Optimizer] corrects both chromatic aberration and
diff raction, although these options are not displayed.
o
Digital Lens Optimizer is applied automatically in Basic Zone modes when
correction data is registered on the camera.
209
Correction of Lens Aberrations due to Optical Characteristics
Chromatic Aberration Correction
Chromatic aberration (color fringing around subjects) can be corrected.
o
[Chromatic aberr corr] is not displayed when [Digital Lens Optimizer] is
enabled.
Diff raction Correction
Diff raction (loss of sharpness caused by the aperture) can be corrected.
o
Depending on shooting conditions, noise may be intensifi ed together with the
eff ects of correction.
o
The higher the ISO speed, the lower the correction amount will be.
o
For movie recording, [Diff
raction correction] will not appear. (Correction is
not possible.)
o
With “Diff raction correction”, degraded resolution due to the low-pass fi lter, etc.
is corrected in addition to diff raction. Therefore, correction is eff ective even at
an aperture close to the open aperture.
o
[Diff raction correction] is not displayed when [Digital Lens Optimizer] is
enabled.
210
Correction of Lens Aberrations due to Optical Characteristics
General Cautions for Lens Aberration Correction
o
Peripheral illumination correction, chromatic aberration correction, distortion
correction, and diff raction correction cannot be applied to JPEG images
already taken.
o
When using a non-Canon lens, setting the corrections to [Disable] is
recommended even if [Correction data available] is displayed.
o
Magnifying the periphery of the image may display parts of the image that will
not be recorded.
o
The correction amount will be less (except for diff
raction correction) if the lens
used does not have distance information.
General Notes for Lens Aberration Correction
o
The eff ect of the lens aberration correction varies depending on the lens used
and shooting conditions. Also, the eff ect may be diffi cult to discern depending
on the lens used, shooting conditions, etc.
o
If the correction is diffi
cult to discern, magnifying and checking the image after
shooting is recommended.
o
Corrections can be applied even when an extender or life-size converter is
attached.
o
If the correction data for the attached lens is not registered to the camera, the
result will be the same as when the correction is set to [Disable] (except for
diff
raction correction).
o
If necessary, refer to the EOS Utility Instruction Manual as well.
211
M
Auto Exposure Bracketing (AEB)
You can capture three images at diff erent shutter speeds, aperture values,
and ISO speeds, as adjusted by the camera. This is called AEB.
* AEB stands for Auto Exposure Bracketing.
1
Select [z: Expo.comp./AEB].
(1)
2
Set the AEB range.
Turn the <
6
> dial to set the AEB
range (1). Press the <
Y
> <
Z
> keys to
set the exposure compensation level.
Press <
0
> to set it.
When you close the menu, the AEB
range will be displayed on the screen.
Standard exposure
Decreased exposure
Increased exposure
3
Take the picture.
Three bracketed shots will be taken
according to the drive mode set in
this sequence: Standard exposure,
decreased exposure, and increased
exposure.
AEB will not be automatically canceled.
To cancel AEB, follow step 2 to turn off
the AEB range display.
212
Auto Exposure Bracketing (AEB)
o
If [
z
: Auto Lighting Optimizer] (
=
218) is set to any setting other than
[Disable], the eff ect of AEB may be reduced.
o
If the drive mode is set to <
u
>, press the shutter button three times for each
shot. When <
o
> or <
i
> is set and you hold down the shutter button
completely, the three bracketed shots will be taken consecutively and the
camera will automatically stop shooting. When <
m
> or <
l
> is set, the
three bracketed shots will be taken consecutively after a 10-sec. or 2-sec.
delay. When set to <
q
>, three times the specifi ed number of shots are taken
in continuous shooting.
o
You can set AEB in combination with exposure compensation.
o
AEB cannot be used with fl ash, Multi Shot Noise Reduction, focus bracketing,
or in HDR mode.
o
AEB will be canceled automatically if you do any of the following: Setting the
power switch to <
2
> or when the fl
ash is fully charged.
213
M
ISO Speed Settings for Still Photos
Set the ISO speed (image sensor’s sensitivity to light) to suit the ambient
light level. In Basic Zone modes, ISO speed is set automatically.
Regarding the ISO speed during movie recording, see
=
620.
1
Press the <i> button (9).
You can also press the <
Q
> button and
confi gure this setting from the Quick
Control screen.
2
Set the ISO speed.
Turn the <
6
> or <
5
> dial.
Select [A] or [AUTO] to set the ISO
speed automatically (
=
614).
ISO Speed Guide
Low ISO speeds reduce image noise but may increase the risk of
camera/subject shake or reduce the area in focus (shallower depth of
fi eld), in some shooting conditions.
High ISO speeds enable low-light shooting, a larger area in focus (deeper
depth of fi eld), and longer fl ash range but may increase image noise.
214
ISO Speed Settings for Still Photos
o
Image noise (such as dots of light or banding) may increase and apparent
resolution may decrease at H (equivalent to ISO 51200), because this is an
expanded ISO speed.
o
ISO 100/125/160 or an expanded ISO speed cannot be selected when
[
z
: Highlight tone priority] is set to [Enable] or [Enhanced] (
=
219).
o
When shooting with a high ISO speed, high temperature, long exposure, or
multiple exposure, image noise (rough grain, dots of light, banding, etc.),
irregular colors, or color shift may become noticeable.
o
When shooting in conditions that produce an extreme amount of noise, such
as a combination of high ISO speed, high temperature, and long exposure,
images may not be recorded properly
.
o
If you use a high ISO speed and fl
ash to shoot a close subject, overexposure
may result.
215
ISO Speed Settings for Still Photos
ISO Speed Range When Set Manually
1
Select [z: zISO speed settings].
2
Select [ISO speed range].
3
Set the minimum limit.
Select the minimum limit box, then press
<
0
>.
Select the ISO speed, then press <
0
>.
4
Set the maximum limit.
Select the maximum limit box, then
press <
0
>.
Select the ISO speed, then press <
0
>.
5
Select [OK].
216
ISO Speed Settings for Still Photos
ISO Speed Range Used With ISO Auto
1
Select [Auto range].
2
Set the minimum limit.
Select the minimum limit box, then press
<
0
>.
Select the ISO speed, then press <
0
>.
3
Set the maximum limit.
Select the maximum limit box, then
press <
0
>.
Select the ISO speed, then press <
0
>.
4
Select [OK].
o
The [Minimum] and [Maximum] settings will also function as the minimum
and maximum speeds for ISO speed safety shift (
=
558).
217
ISO Speed Settings for Still Photos
Minimum Shutter Speed for ISO Auto
This can help reduce camera shake and subject blur in <
d
> or <
f
>
mode when shooting moving subjects with a wide-angle lens, or when using
a telephoto lens.
1
Select [Min. shutter spd.].
Automatically set
2
Set the desired minimum shutter
speed.
If you select [Auto], turn the <
6
> dial
to set a slower or faster speed, then
press <
0
>.
Manually set
If you select [Manual], turn the <
6
>
dial to select the shutter speed, then
press <
0
>.
o
If a correct exposure cannot be obtained with the maximum ISO speed limit
set with [Auto range], a shutter speed slower than the [Min. shutter spd.] will
be set to obtain the standard exposure.
o
This function will not be applied to fl ash photography and movie recording.
o
When [Auto(Standard)] is set, the minimum shutter speed will be the
reciprocal of the lens focal length. A single step from [Slower] to [Faster] is
equivalent to a single stop of the shutter speed.
218
M
Auto Correction of Brightness and
Contrast ( Auto Lighting Optimizer)
Brightness and contrast can be corrected automatically if shots look dark or
contrast is too low or high.
1
Select [z: Auto Lighting
Optimizer].
2
Set a correction option.
o
Noise may increase and clarity may change, under some shooting conditions.
o
If the eff ect of Auto Lighting Optimizer is too strong and results are not at your
preferred brightness, set to [Low] or [Disable].
o
If a setting other than [Disable] is set and you use exposure compensation
or fl
ash exposure compensation to darken the exposure, the image may still
come out bright. If you want a darker exposure, set this function to [Disable].
o
Maximum burst is lower with [High]. Image recording to the card also takes
longer
.
o
In step 2, if you press the <
B
> button and remove the checkmark [
X
] for
[Disabled in M or B modes] setting, [
z
: Auto Lighting Optimizer] can also
be set even in <
a
> and <
F
> modes.
219
M
Highlight Tone Priority Settings
You can reduce overexposed, clipped highlights.
1
Select [z: Highlight tone priority].
2
Set an option.
[Enable]: Improves gradation in
highlights. The gradation between the
grays and highlights becomes smoother.
[Enhanced]: Reduces overexposed
highlights even more than [Enable],
under some shooting conditions.
o
Noise may increase slightly.
o
The available ISO range starts at ISO 200. Expanded ISO speeds cannot be
set.
o
[Enhanced] is not available when recording movies.
o
With [Enhanced], results in some scenes may not look as expected.
220
M
Metering Timer (Live View Shooting)
You can set how long the metering timer runs (which determines the
duration of exposure display/AE lock) after it is triggered by an action such
as pressing the shutter button halfway.
1
Select [z: Metering timer].
2
Set a time option.
221
M
Exposure Simulation (Live View
Shooting)
Exposure simulation simulates and displays how the brightness (exposure)
of the actual image will look.
1
Select [z: Expo. simulation].
2
Set an option.
Enable (
g
)
The displayed image brightness will be close to the actual brightness
(exposure) of the resulting image. If you set exposure compensation, the
image brightness will change accordingly.
During
e
Normally, the image is displayed at standard brightness, so it is easy to
see (
E
). Image brightness will only be close to the actual brightness
(exposure) of the resulting image while you hold down the button you
have assigned to [Depth-of-fi eld preview] (using [
8
C.Fn III-3 :
Customize buttons], (
=
571)) (
g
).
Disable (
E
)
The image is displayed at standard brightness, so it is easy to see. Even
if you set exposure compensation, the image is displayed at the standard
brightness.
222
M
White Balance Settings
White balance (WB) is for making the white areas look white. Normally, the
Auto [
Q
] (Ambience priority) or [
Q
w] (White priority) setting will obtain
the correct white balance. If natural-looking colors cannot be obtained with
Auto, you can select the white balance to match the light source or set it
manually by shooting a white object.
1
Select [z: White balance].
2
Select an item.
(Approx.)
Display Mode Color Temperature (K: Kelvin)
Q
Auto (Ambience priority,
=
224)
3000–7000
Q
w
Auto (White priority,
=
224)
W
Daylight 5200
E
Shade 7000
R
Cloudy, twilight, sunset 6000
Y
Tungsten light 3200
U
White fl uorescent light 4000
D
Flash Automatically set*
O
Custom (
=
225)
2000–10000
P
Color temperature (
=
226)
2500–10000
* Applicable with Speedlites having a color temperature transmission function.
Otherwise, it will be fi xed to approx. 6000K.
223
White Balance Settings
White Balance
To the human eye, a white object looks white regardless of the type of
lighting. With a digital camera, the white for color correction basis is decided
depending on the color temperature of the illumination, and then the color
is adjusted with software to make the white areas look white. With this
function, you can take the pictures with natural color tones.
224
White Balance Settings
[
Q
] Auto White Balance
With [
Q
], you can slightly increase the intensity of the image’s warm color
cast when shooting a tungsten-light scene. If you select [
Q
w], you can
reduce the intensity of the image’s warm color cast.
1
Select [z: White balance].
2
Select [Q].
With [
Q
] selected, press the <
B
>
button.
3
Select an item.
Cautions for Setting [
Q
w]
o
The warm color cast of subjects may fade.
o
When multiple light sources are included in the scene, the warm color cast of
the picture may not be reduced.
o
When using fl ash, the color tone will be the same as with [
Q
].
225
White Balance Settings
[
O
] Custom White Balance
With custom white balance, you can manually set the white balance for
the specifi c light source of the shooting location. Make sure to perform this
procedure under the light source at the actual location of the shoot.
1
Shoot a white object.
Aim the camera at a plain white subject,
so that white fi lls the screen.
Focus manually and shoot with the
standard exposure set for the white
object.
You can use any of the white balance
settings.
2
Select [z: Custom White Balance].
3
Import the white balance data.
Press the <
Y
> <
Z
> keys to select the
image captured in step 1, then press
<
0
>.
Select [OK] to import the data.
4
Select [z: White balance].
5
Select the custom white balance.
Select [
O
].
226
White Balance Settings
o
If the exposure obtained in step 1 diff ers greatly from the standard exposure, a
correct white balance may not be obtained.
o
These images cannot be selected: Images captured with Picture Style set to
[Monochrome], images with a Creative fi
lter applied before or after shooting,
multiple-exposure images, cropped images, or images shot with another
camera.
o
Images that cannot be used in the setting may be displayed.
o
Instead of shooting a white object, you can also shoot a gray chart or standard
18% gray refl ector (commercially-available).
[
P
] Color Temperature
1
Select [z: White balance].
2
Set the color temperature.
Select [
P
].
Turn the <
6
> dial to set the desired
color temperature, then press <
0
>.
The color temperature can be set from
approx. 2500K to 10000K in 100K
increments.
o
When setting the color temperature for an artifi cial light source, set the white
balance correction (magenta or green bias) as necessary.
o
If you set [
P
] to the reading taken with a commercially available color
temperature meter, take test shots and adjust the setting to compensate
for the diff erence between the color temperature meter’s reading and the
camera’s color temperature reading.
227
M
White Balance Correction
White balance correction has the same eff ect as using a commercially
available color temperature conversion fi lter or color compensating fi lter.
White Balance Correction
1
Select [z: WB Shift/Bkt.].
Sample setting: A2, G1
2
Set the white balance correction.
Use <
j
> <
9
> to move the “
■
” mark to
your preferred position.
B is for blue, A for amber, M for
magenta, and G for green. The image’s
color balance will be adjusted toward the
color in the direction of the move.
On the right of the screen, “Shift”
indicates the direction and correction
amount, respectively.
Pressing the <
L
> button will cancel all
the [WB Shift/Bkt.] settings.
Press <
0
> to exit the setting.
o
One level of the blue/amber correction is equivalent to approx. 5 mireds
of a color temperature conversion fi lter. (Mired: Unit of measure for color
temperature used to indicate values such as the density of a color temperature
conversion fi lter.)
228
White Balance Correction
White Balance Auto Bracketing
White balance bracketing ( WB Bkt.) enables you to capture three images at
once with diff erent color tones.
B/A bias ±3 levels
Set the white balance bracketing
amount.
In step 2 for “White Balance Correction”,
when you turn the <
5
> dial, the “
■
”
mark on the screen will change to “
■ ■ ■
”
(3 points).
Turning the dial clockwise sets
the B/A bracketing, and turning
it counterclockwise sets the M/G
bracketing.
On the right, “Bracket” indicates the
bracketing direction and correction
amount.
Pressing the <
L
> button will cancel all
the [WB Shift/Bkt.] settings.
Press <
0
> to exit the setting.
o
During white balance bracketing, the maximum burst for continuous shooting
will be lower.
o
Since three images are recorded for one shot, it takes longer to record the
image to the card.
o
The images will be bracketed in the following sequence: 1. Standard white
balance, 2. Blue (B) bias, and 3. Amber (A) bias, or 1. Standard white balance,
2. Magenta (M) bias, and 3. Green (G) bias.
o
You can also set white balance correction and AEB together with white
balance bracketing. If you set
AEB in combination with white balance
bracketing, a total of nine images will be recorded for a single shot.
o
The white balance icon blinks when white balance bracketing is set in Live
V
iew shooting.
o
“Bracket” stands for bracketing.
229
M
Color Space Settings
The range of reproducible colors is called “color space”. For normal
shooting, sRGB is recommended.
1
Select [z: Color space].
2
Set a color space option.
Adobe RGB
This color space is mainly used for commercial printing and other industrial
uses. Recommended when using equipment such as Adobe RGB-
compatible monitors or DCF 2.0 (Exif 2.21 or later) compatible printers.
o
If the still photo is shot in the Adobe RGB color space, the fi rst character in the
fi le name will be an underscore “_”.
o
The ICC profi le is not appended. For the descriptions about the ICC profi le,
refer to the Digital Photo Professional Instruction Manual (EOS software).
o
In Basic Zone modes, [sRGB] is set automatically.
230
M
Picture Style Selection
Just by selecting a preset Picture Style, you can obtain image characteristics
eff ectively matching your photographic expression or the subject.
1
Select [z: Picture Style].
2
Select a Picture Style.
Picture Style Characteristics
[
D
] Auto
The color tone will be adjusted automatically to suit the scene. The colors
will look vivid for blue skies, greenery and sunsets, particularly in nature,
outdoor and sunset scenes.
o
If the desired color tone is not obtained with [Auto], use another Picture Style.
[
P
] Standard
The image looks vivid, sharp, and crisp. This is a general-purpose Picture
Style suitable for most scenes.
[
Q
] Portrait
For nice skin tones. The image looks softer. Suited for close-up portraits.
By changing the [Color tone] (
=
234), you can adjust the skin tone.
231
Picture Style Selection
[
R
] Landscape
For vivid blues and greens, and very sharp and crisp images. Eff ective for
impressive landscapes.
[
u
] Fine Detail
Suited for detailed outline and fi ne texture description of the subject. The
colors will be slightly vivid.
[
S
] Neutral
Suited for processing the image with a computer. For natural colors and
subdued images with modest brightness and color saturation.
[
U
] Faithful
Suited for processing the image with a computer. The color of a subject
that is captured in sunlight at a color temperature of 5200K will be
adjusted to match the subject’s colorimetrical color. For subdued images
with modest brightness and color saturation.
[
V
] Monochrome
Creates black-and-white images.
o
Color images cannot be recovered from JPEG images shot with the
[Monochrome] Picture Style.
o
You can set the camera to display <
z
> in the viewfi nder for when
[Monochrome] is set (
=
570).
[
W
] User Defi ned 1–3
You can register a basic style such as [Portrait], [Landscape], a Picture
Style fi le, etc. and adjust it as desired (
=
236). With any of the User
Defi ned Picture Style that has not yet been set, pictures will be taken with
the same characteristics settings as with the default settings of [Auto].
232
Picture Style Selection
Symbols
The Picture Style selection screen has icons for [Strength], [Fineness], or
[Threshold] for [Sharpness] as well as [Contrast] and other settings. The
numbers indicate the values for these settings specifi ed for the respective
Picture Style.
g
Sharpness
A
Strength
B
Fineness
C
Threshold
h
Contrast
i
Saturation
j
Color tone
k
Filter eff ect (Monochrome)
l
Toning eff ect (Monochrome)
o
During movie recording, an asterisk “*” will be displayed for both [Fineness]
and [Threshold] for [Sharpness]. [Fineness] and [Threshold] will not be
applied to movies.
233
M
Picture Style Customization
You can customize any Picture Style by changing it from the default settings.
To customize [Monochrome], see
=
235.
1
Select [z: Picture Style].
2
Select a Picture Style.
Select the Picture Style to adjust, then
press the <
B
> button.
3
Select an item.
See the next page for details on the
settings and eff ects.
234
Picture Style Customization
4
Set the eff ect level.
Press the <
M
> button to save the
adjusted setting and return to the Picture
Style selection screen.
Any settings you change from default
values are displayed in blue.
Settings and Eff ects
g
Sharpness
A
Strength 0: Weak outline emphasis 7: Strong outline emphasis
B
Fineness*
1
1: Fine 5: Grainy
C
Threshold*
2
1: Low 5: High
h
Contrast –4: Low contrast +4: High contrast
i
Saturation –4: Low saturation +4: High saturation
j
Color tone –4: Reddish skin tone +4: Yellowish skin tone
*1: Indicates the fi neness of the outlines to be emphasized. The smaller the number,
the fi ner the outlines that can be emphasized.
*2: Sets how much the outline is emphasized based on the diff erence in contrast
between the subject and the surrounding area. The smaller the number, the more
the outline will be emphasized when the contrast diff erence is low. However, noise
tends to be more noticeable when the number is smaller.
o
For movie recording, [Fineness] and [Threshold] for [Sharpness] cannot be
set (not displayed).
o
By selecting [Default set.] in step 3, you can revert the parameter settings of
the respective Picture Style to their defaults.
o
To shoot with the Picture Style you adjusted, fi rst select the adjusted Picture
Style, then shoot.
235
Picture Style Customization
[
V
] Monochrome Adjustment
[
k
] Filter eff ect
With a fi lter eff ect applied to a monochrome
image, you can make white clouds or green
trees stand out more.
Filter Sample Eff ects
N: None Normal black-and-white image with no fi lter eff ects.
Ye: Yellow
The blue sky will look more natural, and the white clouds will look
crisper.
Or: Orange
The blue sky will look slightly darker. The sunset will look more
brilliant.
R: Red
The blue sky will look quite dark. Fall leaves will look crisper and
brighter.
G: Green
Skin tones and lips will appear muted. Green tree leaves will look
crisper and brighter.
o
Increasing [Contrast] will make the fi lter eff ect more pronounced.
[
l
] Toning eff ect
By applying a toning eff ect, you can create
a monochrome image in the selected color.
Eff ective when you want to create more
impressive images.
236
M
Picture Style Registration
You can select a base Picture Style such as [Portrait] or [Landscape],
adjust it as desired, and register it under [User Def. 1], [User Def. 2], or
[User Def. 3]. Useful when creating several Picture Styles with diff erent
settings.
Picture Styles that you have registered on the camera using EOS Utility
(EOS software) can also be modifi ed here.
1
Select [z: Picture Style].
2
Select [User Def.].
Select [User Def. *], then press the
<
B
> button.
3
Press <0>.
With [Picture Style] selected, press
<
0
>.
4
Select the base Picture Style.
Select the base Picture Style.
Also select styles this way when
adjusting styles registered to the camera
with EOS Utility (EOS software).
237
Picture Style Registration
5
Select an item.
6
Set the eff ect level.
For details, see “Picture Style
Customization” (
=
233).
Press the <
M
> button to save the
adjusted setting and return to the Picture
Style selection screen.
The base Picture Style will be indicated
on the right of [User Def. *].
Blue style names indicate that you
have changed the settings from default
values.
o
If a Picture Style is already registered under [User Def. *], changing the base
Picture Style will clear the parameter settings of the previously registered User
Defi ned Picture Style.
o
If you perform [
5
: Clear all camera settings] (
=
547), all the [User Def. *]
settings will revert to their defaults.
o
To shoot with a registered Picture Style, select the registered [User Def. *],
then shoot.
o
Regarding the procedure to register a Picture Style fi le to the camera, refer to
the EOS Utility Instruction Manual.
238
M
Noise Reduction Settings
Long Exposure Noise Reduction
For images exposed for 1 sec. or longer, noise (dots of light and banding)
typical of long exposures can be reduced.
1
Select [z: Long exp. noise
reduction].
2
Set a reduction option.
[AUTO] Auto
For exposures of 1 sec. or longer, noise reduction is performed
automatically if noise typical of long exposures is detected. This [Auto]
setting is eff ective enough in most cases.
[ON] Enable
Noise reduction is performed for all exposures of 1 sec. or longer. The
[Enable] setting may reduce noise that cannot be detected with the [Auto]
setting.
o
With [Auto] or [Enable] set, the noise reduction process after the picture is
taken may take the same amount of time as that for the exposure.
o
Images may look grainier with the [Enable] setting than with the [Disable] or
[Auto] setting.
o
With [Enable] set, noise reduction processing (indicated by “buSY” display)
when you shoot long exposures during Live V
iew display will pause Live View
display, and you cannot shoot again until processing is fi nished.
239
Noise Reduction Settings
High ISO Speed Noise Reduction
This function reduces the noise generated in the image. This function is
especially eff ective when shooting at high ISO speeds. When shooting at
low ISO speeds, the noise in the darker parts of the image (shadow areas)
can further be reduced.
1
Select [z: High ISO speed NR].
2
Set the level.
[
M
] Multi Shot Noise Reduction
Applies the noise reduction with higher image quality than [High]. For a
single photo, four shots are taken continuously and aligned and merged
automatically into a single JPEG image.
If the image quality is set to RAW or RAW+JPEG, you cannot set [Multi
Shot Noise Reduction].
240
Noise Reduction Settings
Cautions for Setting Multi Shot Noise Reduction
o
If there is signifi cant misalignment in the image due to camera shake, the
noise reduction eff ect may become smaller.
o
If you are handholding the camera, keep it steady to prevent camera shake.
Using a tripod is recommended.
o
If you shoot a moving subject, the moving subject may leave afterimages.
o
Auto image alignment may not function properly with repetitive patterns (lattice,
stripes, etc.) or fl
at, single-tone images.
o
If the subject’s brightness changes as the four consecutive shots are taken,
irregular exposure in the image may result.
o
After shooting, it may take some time to record an image to the card after
performing noise reduction and merging the images. “buSY” appears in the
viewfi
nder and on the LCD panel as images are processed, and shooting is
not possible until processing is fi
nished.
o
[Multi Shot Noise Reduction] is not available with bulb shooting, shooting
with AEB or WB bracketing, shooting RAW or RAW+JPEG images, or with
features such as long exposure noise reduction, multiple exposures, or HDR
mode.
o
Flash photography is not possible. Note that the AF-assist beam of
EOS-dedicated, external Speedlites will be emitted according to the
[
z
:
AF-assist beam fi
ring] setting.
o
[Multi Shot Noise Reduction] is not available (not displayed) when recording
movies.
o
Automatically switches to [Standard] if you set the power switch to <
2
>,
replace the battery or card, switch to a Basic Zone or <
F
> shooting mode, or
switch to movie recording.
241
M
Appending Dust Delete Data
Dust Delete Data used to erase dust spots can be appended to images in
case sensor cleaning leaves dust on the sensor. The Dust Delete Data is
used by Digital Photo Professional (EOS software) to erase the dust spots
automatically.
Preparation
Prepare a solid white object such as a sheet of paper.
Set the lens focal length to 50 mm or longer.
Set the lens’s focus mode switch to <MF> and set the focus to infi nity (∞).
Dust Delete Data Acquisition
1
Select [z: Dust Delete Data].
2
Select [OK].
After the automatic self-cleaning of
the sensor is performed, a message
will appear. Although there will be a
mechanical sound of the shutter during
the cleaning, no picture is taken.
242
Appending Dust Delete Data
3
Shoot a plain white object.
Shoot with a plain white object (such
as a new sheet of white paper) fi lling
the screen, at a distance of 20–30 cm
(0.7–1.0 ft.).
Since the image will not be saved, the
data can still be obtained even if there is
no card in the camera.
When the picture is taken, the camera
will start collecting the Dust Delete Data.
When the Dust Delete Data is obtained,
a message will appear.
If the data is not obtained successfully,
an error message will appear
. Follow
the “Preparation” procedure on the
preceding page, then select [OK]. Take
the picture again.
Dust Delete Data Appending
The camera will append the Dust Delete Data obtained to all shots from
now on. Acquiring Dust Delete Data before shooting is recommended.
For details about using Digital Photo Professional (EOS software) to erase
dust spots automatically, refer to the Digital Photo Professional Instruction
Manual.
File size is essentially unaff ected by Dust Delete Data appended to images.
o
If the object has any pattern or design, it may be recognized as dust data and
aff ect the accuracy of the dust deletion with the Digital Photo Professional (EOS
software).
243
M
Shutter Release Method (Live View
Shooting)
You can choose how the shutter is released in Live View shooting.
1
Select [z: Shutter mode].
2
Select an item.
Mechanical
Shooting activates the mechanical shutter. Be sure to set it to
[Mechanical] if you use a TS-E lens (except TS-E17mm f/4L or
TS-E24mm f/3.5L II) for shifting or tilting the lens or if you use an
extension tube. If [Elec. 1st-curtain] or [Electronic] is set, the standard
exposure may not be obtained, or an irregular exposure may result.
Elec. 1st-curtain
Shooting only activates the second-curtain shutter. The shutter is quieter
than with [Mechanical].
Electronic
Enables you to shoot at a maximum 1/16000 sec. shutter speed without a
shutter sound.
Available with drive modes other than <
o
>, <
i
>, or <
q
>.
Flash photography is not possible.
244
Shutter Release Method (Live View Shooting)
o
[Electronic] is not available in viewfi
nder shooting with the drive mode set to
<
o
>, <
i
>, or <
B
>.
o
Defocused image areas may be incomplete when shooting near maximum
aperture at high shutter speeds, depending on shooting conditions. If you
dislike the appearance of defocused image areas, shooting as follows may
give better results.
•
Shoot without electronic fi rst curtain.
• Lower the shutter speed.
• Increase the aperture value.
o
With
[Electronic], camera shake or subject motion may cause image
distortion.
o
Setting the shutter mode to [Electronic]
under fl
ickering light may cause
noticeable screen fl ickering, and images may be captured with horizontal
stripes (noise) or irregular exposure.
245
M
Multiple Exposures
You can shoot multiple exposures to merge into a single image. With Live
View shooting, you can see in real time how the exposures are merged
when you shoot multiple-exposure images.
1
Select [z: Multiple exposure].
2
Set a [Multiple exposure] option.
Select [Enable].
To exit shooting multiple exposures,
select [Disable].
3
Set [Multi-expos ctrl].
Additive
The exposure of each single image captured is added cumulatively.
Based on the [No. of exposures], set a negative exposure
compensation. Follow the basic guide below to set the exposure
compensation amount.
Exposure Compensation Setting Guide by Number of Exposures
Two exposures: –1 stop, three exposures: –1.5 stop, four exposures:
–2 stops
Average
Based on the [No. of exposures], negative exposure compensation is
set automatically as you shoot multiple exposures. If you shoot multiple
exposures of the same scene, the exposure of the subject’s background
will be automatically controlled to obtain the standard exposure.
246
Multiple Exposures
4
Set the [No. of exposures].
Select the number of exposures, then
press <
0
>.
5
Set a [Continue Mult-exp] option.
With [1 shot only], multiple-exposure
shooting will be canceled automatically
after the shooting ends.
With [Continuously], multiple-exposure
shooting continues until the setting in
step 2 is set to [Disable].
(1)
6
Shoot the fi rst exposure.
The captured image will be displayed.
In (1) on the screen, you can check the
number of exposures left.
Pressing the <
x
> button enables you
to view the captured image (
=
249).
7
Shoot the next exposures.
Images captured so far are displayed
merged. For image-only display, press
the <
B
> button repeatedly.
To view the multiple-exposure image
so far, check exposure, and see how
the images will be merged, hold down
the depth-of-fi eld preview button (or
the button assigned to [Depth-of-fi eld
preview]) in Live View shooting.
Multiple-exposure shooting will end
when the set number of exposures are
taken.
247
Multiple Exposures
o
During continuous shooting, the continuous shooting speed will decrease
greatly.
o
Only the merged multiple-exposure image will be saved. The images taken in
steps 6 and 7 for the multiple-exposure image will not be saved.
o
The image quality, ISO speed, Picture Style, high ISO speed noise reduction,
color space, etc. set for the fi
rst single exposure will also be set for the
subsequent exposures.
o
You cannot set an aspect ratio for multiple-exposure shooting. Images will be
taken with a 3:2 aspect ratio.
o
If white balance bracketing, Multi Shot Noise Reduction, HDR mode, or a
Creative fi
lter is set, multiple-exposure shooting cannot be set.
o
During multiple-exposure shooting, the settings of [
z
: Lens aberration
correction]
, [
z
:
Auto Lighting Optimizer], and [
z
: Highlight tone
priority] will be automatically switched to [Disable].
o
If [
z
: Picture Style]
is set to [Auto], [Standard] will be applied for shooting.
o
With multiple exposures, the more exposures there are, the more noticeable
the noise, irregular colors, and banding will be.
o
If [Additive] is set, the image processing after taking the multiple exposures
will take time. (The access lamp will light up longer.)
o
If you perform Live View shooting with [Additive] set, the Live View function
will stop automatically when the multiple-exposure shooting end
s.
o
In step 7, the brightness and noise of the multiple-exposure image displayed
during shooting will be diff erent from those of the fi
nal multiple-exposure
image recorded.
o
Multiple-exposure shooting is canceled if you set the power switch to <
2
>
or switch batteries or cards.
o
Multiple-exposure shooting ends if you switch to a Basic Zone m
ode or to
<
w
/
x
>.
o
If you connect the camera to a computer, multiple-exposure shooting will
not be possible. If you connect the camera to a computer during shooting,
multiple-exposure shooting will end.
o
The shooting information for the last shot will be recorded and appended to
the multiple-exposure image.
248
Multiple Exposures
Merging Multiple Exposures with a RAW Image Recorded on
the Card
You can select a RAW image recorded on the card as the fi rst single
exposure. The selected RAW image will remain intact.
1
Select [Select image for multi.
expo.].
2
Select the fi rst image.
Use the <
Y
> <
Z
> keys to select the
fi rst image, then press <
0
>.
Select [OK].
The fi le number of the selected image
will be displayed at the bottom of the
screen.
3
Take the picture.
When you select the fi rst image, the
number of remaining exposures as set
with [No. of exposures] will decrease
by 1.
o
JPEG images cannot be selected.
o
These images cannot be selected as the fi rst single exposure: Images
captured with [
z
: Highlight tone priority] set to [Enable] or [Enhanced], or
images captured with [
z
: Still img aspect ratio] not set to [3:2].
o
[Disable] is applied for [
z
: Lens aberration correction] and [
z
: Auto
Lighting Optimizer] regardless of the settings of the image selected as the
fi rst single exposure.
o
The ISO speed, Picture Style, high ISO speed noise reduction, color space,
etc. set for the fi rst image will also be applied for the subsequent images.
o
If Picture Style is [Auto]
for the image selected as the fi rst image, [Standard]
will be applied for shooting.
o
You cannot select an image taken with another camera.
o
Images that cannot be merged may be displayed.
o
You can also select a RAW image used in multiple-exposure shooting.
o
Select [Deselect img] to cancel image selection.
249
Multiple Exposures
Checking and Deleting Multiple Exposures During Shooting
Before you fi nish shooting your specifi ed
number of exposures, you can press the
<
x
> button to view the multiple-exposure
image so far, check exposure, and see how
the images will be merged.
Pressing the <
L
> button will display
the operations possible during multiple-
exposure shooting.
Operation Description
2
Return to previous
screen
The screen before you pressed the <
L
> button will
reappear.
q
Undo last image
Deletes the last image you shot (shoot another image). The
number of remaining exposures will increase by 1.
W
Save and exit
Saves shots up to that point as a multiple-exposure image
and exits multiple-exposure shooting.
r
Exit without saving
The multiple-exposure shooting will end without saving the
image.
o
During multiple-exposure shooting, you can only play back multiple-exposure
images.
250
Multiple Exposures
FAQ
Are there any restrictions on the image quality?
All single exposures and the multiple-exposure image are captured at
your specifi ed image quality.
Can I merge images recorded on the card?
With [Select image for multi. expo.], you can select the fi rst single
exposure from the images recorded on the card (
=
248). Note that you
cannot merge multiple images already recorded on the card.
Will auto power off take eff ect during multiple-exposure
shooting?
During multiple-exposure shooting, auto power off will not take eff ect.
Before starting the multiple-exposure shooting, the auto power off will
take eff ect at the time set with the camera, and multiple-exposure settings
will be canceled.
251
M
HDR (High Dynamic Range) Shooting
You can shoot still photos with clipped highlights and shadows reduced for a
high dynamic range of tones even in high-contrast scenes. HDR shooting is
eff ective for landscape and still-life shots.
With HDR shooting, three images of diff erent exposures (standard
exposure, underexposure, and overexposure) are captured consecutively
for each shot and then merged together automatically. The HDR image is
recorded as a JPEG image.
* HDR stands for High Dynamic Range.
1
Select [z: HDR Mode].
2
Set [Adjust dyn range].
Selecting [Auto] will have the dynamic
range set automatically depending on
the image’s overall tonal range.
The higher the number, the wider the
dynamic range will be.
3
Set [Eff ect].
252
HDR (High Dynamic Range) Shooting
Eff ects
[
P
] Natural
For images preserving a wide tonal range where the highlight and
shadow details would otherwise be lost. Clipped highlights and shadows
will be reduced.
[
A
] Art standard
While the clipped highlights and shadows will be reduced more than with
[Natural], the contrast will be lower, and the gradation fl atter to have the
picture look like a painting. The subject outlines will have bright (or dark)
edges.
[
B
] Art vivid
The colors are more saturated than with [Art standard], and the low
contrast and fl at gradation create a graphic art eff ect.
[
C
] Art bold
The colors are the most saturated, making the subject pop out, and the
picture looks like an oil painting.
[
D
] Art embossed
The color saturation, brightness, contrast and gradation are decreased to
make the picture look fl at. The picture looks faded and old. The subject
outlines will have bright (or dark) edges.
Art Standard Art Vivid Art Bold Art Embossed
Saturation Standard High Higher Low
Outline
emphasis
Standard Weak Strong Stronger
Brightness Standard Standard Standard Dark
Tone Flat Flat Flat Flatter
o
Each eff ect will be applied based on the characteristics of the Picture Style
currently set (
=
230).
253
HDR (High Dynamic Range) Shooting
4
Set a [Continuous HDR] option.
With [1 shot only], HDR shooting will
be canceled automatically after the
shooting ends.
With [Every shot], HDR shooting
continues until the setting in step 2 is set
to [Disable HDR].
5
Set [Auto Image Align] and shoot.
For handheld shooting, select [Enable].
When using a tripod, select [Disable].
o
RAW HDR images are captured in JPEG
73
image quality. RAW+JPEG HDR
images are captured in the specifi ed JPEG image quality.
o
HDR shooting is not possible with expanded ISO speeds (H).
o
HDR shooting will automatically have the following set to [Disable]: [Distortion
correction] under [
z
: Lens aberration correction], [
z
: Auto Lighting
Optimizer], and [
z
: Highlight tone priority].
o
AEB shooting and fl ash photography are not available.
o
If you shoot a moving subject, the moving subject may leave afterimages.
o
In HDR shooting, three images are captured with diff
erent shutter speeds set
automatically
. Even in the <
s
> and <
a
> shooting modes, the shutter speed
will be shifted based on the shutter speed you set.
o
To prevent camera shake, a high ISO speed may be set.
In Live View Shooting
o
Live View eff ect previews will not look exactly the same as your shots.
254
HDR (High Dynamic Range) Shooting
o
When shooting HDR images with [Auto Image Align] set to [Enable], AF
point display information (
=
392) and Dust Delete Data (
=
241) will not be
appended to the image.
o
If you perform handheld HDR shooting with [Auto Image
Align] set to
[Enable], image periphery will be slightly trimmed and resolution will be slightly
lowered. Also, if the images cannot be aligned properly due to camera shake,
etc., auto image alignment may not take eff ect. Note that when shooting with
excessively bright (or dark) exposure settings, auto image alignment may not
work properly.
o
If you perform handheld HDR shooting with [Auto Image Align] set to
[Disable]
, the three images may not be properly aligned and the HDR eff ect
may be reduced. Using a tripod is recommended.
o
Auto image alignment may not function properly with repetitive patterns (lattice,
stripes, etc.) or fl at, single-tone images.
o
The color gradation of the sky or white walls may not be reproduced correctly.
Irregular colors, irregular exposure or noise may appear.
o
HDR shooting under fl
uorescent or LED lighting may result in unnatural color
reproduction of the illuminated areas.
o
With HDR shooting, the images will be merged, then saved to the card, so
it may take some time. During the processing of the images, “buSY
” will
be displayed in the viewfi nder and on the LCD panel, and you ca
nnot take
another picture until the processing is complete.
255
M
Focus Bracketing (Live View Shooting)
Focus bracketing* enables continuous shooting with the focal distance
changed automatically after a single shot. From these images, you can
create a single image in focus over a wide area by using an application
that supports depth compositing, such as Digital Photo Professional (EOS
software).
* “Bkt.” stands for bracketing.
1
Select [z: Focus bracketing].
2
Specify [Focus bracketing].
Select [Enable].
3
Set the number of images.
Specify the number of images captured
per shot.
Can be set in a range of [2]–[999].
256
Focus Bracketing (Live View Shooting)
4
Set [Focus increment].
Specify how much to shift the focus.
This amount is automatically adjusted
to suit the aperture value at the time of
shooting.
Because larger aperture values increase
the focus shift, focus bracketing covers
a wider range under the same [Focus
increment] and [Number of shots]
settings in that case.
After completing the settings, press
<
0
>.
5
Set [Exposure smoothing].
You can suppress changes in image
brightness during focus bracketing
by setting [Exposure smoothing] to
[Enable], which adjusts diff erences
relative to the actual aperture value
(eff ective f/number) that changes with
the focal position.
6
Take the picture.
To save your shots in a new folder, tap
[
] and select [OK].
Focus at the nearer end of your
preferred focal range, then press the
shutter button completely.
Once shooting begins, release the
shutter button.
The camera shoots continuously, shifting
the focal position toward infi nity.
Shooting ends after your specifi ed
number of images, or at the far end of
the focal range.
257
Focus Bracketing (Live View Shooting)
o
Focus bracketing is intended for still photo shooting on a tripod.
o
Shooting with a wider angle of view is recommended. After depth compositing,
you can crop the image if necessary.
o
The following lenses can be used (as of April 2019).
• EF16-35mm f/4L IS USM
•
EF24-70mm f/4L IS USM
• EF100mm f/2.8L MACRO IS USM
• EF180mm f/3.5L MACRO USM
•
EF-S35mm f/2.8 MACRO IS STM
• EF-S60mm f/2.8 MACRO USM
• EF-S18-135mm f/3.5-5.6 IS USM
o
Set [Exposure smoothing] to [Disable] with the following lenses, because
they may cause changes in image brightness.
•
EF100mm f/2.8 L MACRO IS USM
• EF180mm f/3.5 L MACRO USM
• EF-S60mm f/2.8 MACRO USM
o
Suitable [Focus increment] settings vary by subject.
An unsuitable [Focus
increment] setting may cause unevenness in composite images, or shooting
may take more time because more shots are taken. T
ake some test shots to
decide a suitable [Focus increment] setting.
o
Combining images may take some time when the [Number of shots] setting
is high.
o
Flash photography is not possible.
o
Shooting under fl ickering light may cause uneven images. In thi
s case,
lowering the shutter speed may give better results.
o
Focus bracketing is not available when the lens’s focus mode switch is set to
<MF>.
o
Canceling shooting in progress may cause exposure problems in the last
image.
Avoid using the last image when combining the images in Digital Photo
Professional.
o
Use of a tripod, remote switch (sold separately,
=
156), or wireless remote
control (sold separately,
=
156) is recommended.
o
For best results, set the aperture value in a range of f/5.6–11 before shooting.
o
Details such as shutter speed, aperture value, and ISO speed are determined
by conditions for the fi
rst shot.
o
To cancel shooting, press the shutter button completely again.
o
[Focus bracketing] switches to [Disable] when the power switch is set to
<
2
>.
258
Interval Timer Shooting
With the interval timer in viewfi nder shooting, you can set the shooting
interval and number of shots to have the camera repeatedly shoot once at
the specifi ed interval.
1
Select [z: Interval timer].
2
Select [Enable].
Select [Enable], then press the <
B
>
button.
3
Set the shooting interval and
number of shots.
Select an item to set (hours : minutes :
seconds / number of shots).
Press <
0
> to display <
r
>.
Set the desired number, then press
<
0
>. (Returns to <
s
>.)
Interval
Can be set in a range of [00:00:01]–[99:59:59].
Number of shots
Can be set in a range of [01]–[99]. To keep the interval timer on
indefi nitely until you stop it, set [00].
259
Interval Timer Shooting
(1) (2)
4
Select [OK].
The interval timer settings will be
displayed on the menu screen.
(1) Interval
(2) Number of shots
5
Take the picture.
First shot is taken and shooting
continues according to the interval timer
settings.
During interval timer shooting, <
H
>
will blink on the LCD panel.
After the set number of shots are taken,
the interval timer shooting will stop and
be automatically canceled.
o
Using a tripod is recommended.
o
Taking test shots in advance is recommended.
o
Even during interval timer shooting, you can still shoot as usual by pressing
the shutter button completely. Note that the camera will prepare for the next
interval timer shot approx. 5 sec. in advance, which will temporarily prevent
operations such as adjusting shooting settings, accessing menus, and playing
back images.
o
If the next scheduled interval timer shot is not possible because the camera is
shooting or processing images, it will be skipped.
o
Even during interval timer operation, auto power off
is triggered after approx.
8 sec. of inactivity, as long as [
5
:
Auto power off ] is not set to [Disable]. The
camera will automatically turn on again approx. 1 min. before the next shot.
o
Can also be combined with AEB, white balance bracketing, multip
le
exposures, and HDR mode.
o
To stop interval timer shooting, set the power switch to <
2
>.
260
Interval Timer Shooting
o
Do not point the camera toward an intense light source, such as the sun or an
intense artifi cial light source. Doing so may damage the image sensor or the
camera’s internal components.
o
Setting the lens focus mode switch to <AF> prevents the camera from
shooting unless subjects are in focus. Setting it to <MF> and focusing
manually before shooting is recommended.
o
If the shooting time is long, using the household power outlet accessories (sold
separately) is recommended.
o
Shooting long exposures or using shutter speeds longer than the shooting
interval will prevent shooting at the specifi
ed interval. For this reason, fewer
shots than specifi ed will be taken. Using shutter speeds nearly the same as
the shooting interval may also reduce the number of shots.
o
If the time it takes to record to the card exceeds the shooting interval due to
the shooting functions set or card performance, some of the shots may not be
taken with the set intervals.
o
When using fl
ash with interval timer shooting, set an interval longer than the
fl
ash charge time. Intervals that are too short may prevent the fl ash from fi ring.
o
Intervals that are too short may prevent shooting or autofocusing.
o
Interval timer shooting will be canceled and reset to [Disable]
if you set the
power switch to <
2
>, set the shooting mode to <
F
> or <
w
/
x
>, or use
EOS Utility (EOS software).
o
During interval timer shooting, you cannot use remote control shooting
(
=
155) or remote-release shooting with a Speedlite.
261
M
Flicker Effect Reduction
If you shoot an image with a fast shutter speed under a light source such
as fl uorescent light, the blinking of the light source causes fl icker and the
image may be vertically unevenly exposed. If continuous shooting is used
under these conditions, uneven exposures or colors across the images may
result. Anti-fl icker shooting enables viewfi nder shooting at moments when
exposure and colors are less aff ected by fl ickering.
1
Select [z: Anti-fl icker shoot.].
2
Select [Enable].
3
Take the picture.
o
When [Enable] is set and you shoot under a fl ickering light source, the
shutter-release time lag may become longer. Also, the continuous shooting
speed may become slower, and the shooting interval may become irregular.
o
Not applied to mirror lockup shots, Live View shooting, or movie recording.
o
Flicker at a frequency other than 100 Hz or 120 Hz cannot be detected.
Also, if the fl
ickering frequency of the light source changes during continuous
shooting, eff ects of the fl icker cannot be reduced.
262
Flicker Eff ect Reduction
o
In the <
d
> or <
f
> mode, if the shutter speed changes during continuous
shooting or if you shoot multiple shots of the same scene at diff erent shutter
speeds, the color tone may become inconsistent. To avoid inconsistent color
tones, use the <
a
> or <
s
> mode at a fi xed shutter speed.
o
Color tone of captured images may vary between [Enable] and [Disable].
o
Shutter speed, aperture value, and ISO speed may change when you start
shooting with
AE lock.
o
If the subject is against a dark background or if there is a bright light in the
image, fl icker may not be properly detected.
o
Flicker reduction may not be possible under special lighting.
o
Depending on the light source, fl
icker may not be detected properly
.
o
Depending on the light sources or shooting conditions, the expected result
may not be obtained even if you use this function.
o
Taking test shots in advance is recommended.
o
When you shoot with fl icker reduction, <
G
> will light up. If <
G
>
does not appear in the viewfi nder, set [Flicker detection] in [Viewfi nder
display]
to [Show] (
=
536). Under a light source that does not fl icker or with
no fl icker detected, <
G
> will not be displayed.
o
Even if you set [
z
:
Anti-fl icker shoot.] to [Disable], with [Flicker detection]
set to [Show], <
G
> in the viewfi nder will blink to warn you if the camera
meters under a fl ickering light source.
o
Although <
G
> is not displayed in Basic Zone modes, the eff
ects of
fl ickering are still reduced when you shoot.
o
The expected result may not be obtained for wireless fl ash photography.
263
M
Mirror Lockup
Mirror lockup keeps the mirror up in viewfi nder shooting to reduce blur from
mirror movement. Useful when shooting close-ups (macro photography),
using a super telephoto lens, shooting at slow shutter speeds, etc.
1
Select [z: Mirror lockup].
2
Select [Enable].
3
Focus on the subject, then press
the shutter button completely.
The mirror will swing up.
4
Press the shutter button completely
again.
The picture is taken and the mirror goes
back down.
264
Mirror Lockup
o
Do not point the camera toward an intense light source, such as the sun or an
intense artifi cial light source. Doing so may damage the image sensor or the
camera’s internal components.
o
In very bright light, such as at the beach or a ski slope on a sunny day
, take
the picture promptly after mirror lockup is stabilized.
o
During mirror lockup, shooting function settings and menu operations are
disabled.
o
Single shooting drive mode is used when this function is enabled.
o
You can also use the self-timer with mirror lockup.
o
If approx. 30 sec. elapse after the mirror has locked up, it will go back down
automatically. Pressing the shutter button completely locks up the mirror
again.
o
Consider using a tripod and remote controller (Remote Switch RS-60E3,
Remote Controller RC-6, or Wireless Remote Control BR-E1, all sold
separately).
265
Continuous AF (Live View Shooting)
This function keeps subjects generally in focus in Live View shooting. The
camera is ready to focus immediately when you press the shutter button
halfway.
1
Select [z: Continuous AF].
2
Select [Enable].
o
Enabling this function reduces the number of shots available, because the
lens is driven continuously and battery power is consumed.
266
M
Lens Electronic MF Settings
For EF, or EF-S lenses equipped with electronic manual focusing, you can
specify how manual focus adjustment is used with One-Shot AF.
1
Select [z: Lens electronic MF].
2
Select an item.
Disable after One-Shot AF
Manual focus adjustment after the AF operation is disabled.
Enable after One-Shot AF
You can manually adjust the focus after the AF operation if you keep
holding down the shutter button halfway.
o
For details on your lens’s manual focus specifi cations, refer to the lens
instruction manual.
267
AF-Assist Beam Settings
You can specify to use the AF-assist beam of the built-in fl ash or a Speedlite
in viewfi nder shooting.
1
Select [z: AF-assist beam fi ring].
2
Select an item.
[ON] Enable
Enables fi ring of the AF-assist beam, when needed.
Press the <
D
> button to fi re the AF-assist beam from the built-in fl ash.
[OFF] Disable
Disables fi ring of the AF-assist beam. Set if you prefer not to fi re the
AF-assist beam.
[
1
] Enable external fl ash only
Enables fi ring of the AF-assist beam when needed, only when external
Speedlites are used.
[IR] IR AF assist beam only
Enables infrared AF-assist beam fi ring by external Speedlites equipped
with this feature, when these fl ash units are attached.
268
AF-Assist Beam Settings
o
If an external Speedlite’s [AF-assist beam fi ring] Custom Function is set to
[Disable], the AF-assist beam will not be emitted.
o
The AF-assist beam of an attached EX series Speedlite equipped with an LED
light will fi re as needed from the Speedlite’s LED light in Live View shooting
when you specify [Enable] or [Enable external fl ash only].
269
General Still Photo Shooting Cautions
Applies to Both Viewfi nder and Live View Shooting
Image Quality
o
When you shoot at high ISO speeds, noise (such as dots of light and banding)
may become noticeable.
o
Shooting in high temperatures may cause noise and irregular colors in the
image.
With Live View shooting
o
Do not point the camera toward an intense light source, such as the sun or an
intense artifi cial light source. Doing so may damage the image sensor or the
camera’s internal components.
Image Quality
o
Frequent shooting over an extended period may cause the camera’s internal
temperature to rise and aff ect image quality. When you are not shooting,
always turn off the camera.
o
If you shoot a long exposure while the camera’s internal temperature is high,
image quality may decline. Stop shooting and wait a few minutes before
shooting again.
White [
s
] and Red [
E
] Icons
o
If the camera’s internal temperature rises from extended shooting or use in hot
environments, a white [
s
] or red [
E
] icon will appear.
o
The white [
s
] icon indicates that the image quality of still photos will decline.
Stop shooting for a while and allow the camera to cool down.
o
Shooting at low ISO speeds instead of high speeds is recommended when a
white [
s
] icon is displayed.
o
The red [
E
] icon indicates that shooting will soon end automatically
. Shooting
will not be possible again until the camera cools down internally, so stop
shooting temporarily or turn off the camera and let it cool down a while.
o
Shooting in hot environments over extended periods will cause the white [
s
]
or red
[
E
] icon to appear sooner
. When you are not shooting, always turn off
the camera.
o
If the camera’s internal temperature is high, the quality of images shot with a
high ISO speed or long exposure may decline even before the white [
s
] icon
is displayed.
Shooting Results
o
In magnifi ed view, the shutter speed and aperture will be displayed in red.
If you take the picture in magnifi ed view, the exposure may not come out as
desired. Return to the normal view before taking the picture.
o
Even if you take the picture in magnifi
ed view, the image will be captured with
the image area of the normal view.
270
General Still Photo Shooting Cautions
Images and Display
o
Under low- or bright-light conditions, the displayed image may not refl ect the
brightness of the captured image.
o
Under low light, noise may be noticeable in image display even at low ISO
speeds, but there will be less noise in your shots, because image quality
varies between display and captured images.
o
The screen or exposure value may fl icker if the light source (lighting) changes.
In this case, stop shooting temporarily and resume under the light source you
will use.
o
Pointing the camera at diff
erent direction may momentarily prevent correct
display of brightness. Wait until the brightness level stabilizes before shooting.
o
If there is a very bright light source in the image, the bright area may appear
black on the screen. However, the actual captured image will correctly show
the bright area.
o
In low light, if you set the [
5
: Disp. brightness] to a bright setting, noise
or irregular colors may appear in the image. However
, the noise or irregular
colors will not be recorded in the captured image.
o
When you magnify the image, the image sharpness may look more
pronounced than in the actual image.
Custom Functions
o
Some Custom Functions are not available (some settings have no eff ect).
Lens and Flash
o
If the attached lens has an Image Stabilizer and you set the Image Stabilizer
(IS) switch to <
1
>, the Image Stabilizer will operate at all times even if
you do not press the shutter button halfway. The Image Stabilizer consumes
battery power and may decrease the number of possible shots depending on
the shooting conditions. When the Image Stabilizer is not necessary, such as
when using a tripod, it is recommended that you set the IS switch to <
2
>.
o
With EF lenses, focus preset during shooting is only available when using
(super) telephoto lenses equipped with this function released in and after the
second half of 201
1.
o
FE lock is not available with the built-in fl ash. FE lock and modeling fl
ash will
not work if an external Speedlite is used.
271
General Still Photo Shooting Cautions
o
With the HDMI Cable HTC-100 (sold separately), you can display the image
on a television (
=
344). Note that no sound will be output.
Information Display in Live View Shooting
For details on the icons displayed for still photo shooting, see
=
623.
o
When [
g
] is displayed in white, it indicates that the image is displayed at
the brightness level closely matching that of the actual image to be captured.
o
If [
g
] is blinking, it indicates that the image is displayed at a brightness that
diff ers from the actual shooting result because of low- or bright-light conditions.
However, the actual image recorded will refl ect the exposure setting. Note that
the noise may be more noticeable than the actual image recorded.
o
Exposure simulation may not be performed under some shooting settings.
The [
g
] icon and histogram will be displayed in gray
.
The image will be
displayed on the screen at the standard brightness. The histogram may not be
properly displayed in low- or bright-light conditions.
o
The histogram can be displayed when [
z
: Expo. simulation] is set to
[Enable] (
=
221).
272
273273
Movie Recording
For movie recording, set the Live View shooting/
Movie shooting switch to <
k
>.
A
M
icon to the right of a page title indicates that the function is available
only in Creative Zone.
o
When switching from still photo shooting to movie recording, check the camera
settings again before recording movies.
277
Movie Recording
y
/
k
Autoexposure Recording
Autoexposure control will take eff ect to suit the scene’s current brightness.
1
Set the Mode dial to a mode other
than <8>, <U>, or <a>.
2
Set the Live View shooting/Movie
shooting switch to <k>.
3
Focus on the subject.
Before recording a movie, focus with AF
or manual focus (
=
135,
=
147).
By default, [
z
: Movie Servo AF] is set
to [Enable] so that the camera always
keeps focusing (
=
317).
When you press the shutter button
halfway, the camera will focus with the
current AF method.
4
Record the movie.
Press the <
0
> button to start recording
a movie.
While the movie is being recorded, the
“
o
REC” mark will be displayed on the
upper right of the screen.
Sound is recorded by the built-in
microphone (
=
31).
To stop recording the movie, press the
<
0
> button again.
278
Movie Recording
ISO Speed in Basic Zone Modes
The ISO speed will be set automatically within ISO 100–12800.
ISO Speed in the <
d
>, <
s
>, <
f
>, and <
F
> Modes
Will be set according to the details of [
z
:
k
ISO speed settings]
(
=
322).
o
When the <
8
> mode is set, HDR movie recording takes eff ect (
=
284).
o
Even if you set the <
s
> or <
f
> mode, movie recording with priority given
to shutter speed or aperture cannot be performed. Autoexposure recording
takes eff ect as in the <
d
> mode.
o
Regarding the ISO speed for time-lapse movie recording, see
=
322.
o
Recording in Basic Zone modes produces the same results as for <
A
>
mode. In the <
A
> mode, the scene icon detected by the camera is displayed
in the upper left of the screen (
=
627).
o
In Creative Zone modes, you can press the <
A
> button (
=
161) to lock the
exposure (AE lock).
After applying AE lock during movie recording, you can
cancel it by pressing the <
S
> button. (AE lock setting is retained until you
press the <
S
> button.)
o
Exposure compensation in Creative Zone modes can be set in a range of up
to ±3 stops.
o
ISO speed, shutter speed, and aperture are not recorded in movie Exif
information.
o
With autoexposure movie recording (except in time-lapse movie recording),
this camera supports the Speedlite’
s function to turn on the LED light
automatically in low-light conditions. For details, refer to the Instruction Manual
of the EX-series Speedlite equipped with an LED light.
279
Movie Recording
M
Manual Exposure Recording
You can manually set the shutter speed, aperture, and ISO speed for movie
recording.
1
Set the Live View shooting/Movie
shooting switch to <k>.
2
Set the Mode dial to <a>.
3
Set the ISO speed.
Press the <
i
> button.
The ISO speed setting appears on the
screen.
Set with the <
6
> or <
5
> dial.
(
1
)
(
2
)
4
Set the shutter speed and aperture.
Press the shutter button halfway and
check the exposure level indicator.
To set the shutter speed (1), turn the
<
6
> dial. To set the aperture (2), turn
the <
5
> dial.
5
Focus and record the movie.
The procedure is the same as steps 3
and 4 for “Autoexposure Recording”
(
=
277).
280
Movie Recording
o
During movie recording, avoid changing the shutter speed, aperture, or ISO
speed. Doing so may record the changes in the exposure or create more
noise at high ISO speeds.
o
When recording a movie of a moving subject, a shutter speed of approx.
1/25 sec. to 1/125 sec. is recommended.
The faster the shutter speed, the
less smooth the subject’s movement will look.
o
If you change the shutter speed while recording under fl uorescent or LED
lighting, image fl
icker may be recorded.
o
With ISO Auto, exposure compensation can be set in a range of ±3 stops.
o
When ISO Auto is set, you can press the <
A
> button to lock the ISO speed.
After locking the ISO speed during movie recording, you can cancel it by
pressing the <
S
> button. (ISO speed lock is maintained until you press the
<
S
> button.)
o
If you press the <
A
> button and recompose the shot, you can see the
exposure level diff
erence on the exposure level indicator compared to when
the <
A
> button was pressed.
o
With the camera ready to shoot in the <
4
> mode, you can display the
histogram by pressing the <
B
> button.
ISO Speed in <
a
> Mode
You can set the ISO speed manually or select [AUTO]. For details on the
ISO speed, see
=
620.
281
Movie Recording
Available Shutter Speeds
Shutter speed in <
a
> mode can be set in a range of 1/4000–1/8 sec.
o
The available shutter speeds will diff er for time-lapse movie recording
(
=
300).
Still Photo Shooting
Still photos cannot be taken during movie recording. To take still
photos, stop the movie recording and perform viewfi nder shooting or Live
View shooting.
Information Display (Movie Recording)
For details on the icons displayed for movie recording, see
=
625.
282
Movie Recording
Cautions for Movie Recording
o
Do not point the camera toward an intense light source, such as the sun or an
intense artifi cial light source. Doing so may damage the image sensor or the
camera’s internal components.
o
If you shoot something that has fi
ne detail, moire or false colors may result.
o
If [
Q
] or [
Q
w] is set and the ISO speed or aperture changes during movie
recording, the white balance may also change.
o
If you record a movie under fl
uorescent or LED lighting, the movie image may
fl
icker.
o
If you perform AF with a USM lens during movie recording in low light,
horizontal banding noise may be recorded in the movie. The same type of
noise may occur if you focus manually with certain lenses equip
ped with an
electronic focusing ring.
o
Recording a few test movies is recommended if you intend to perform zooming
during movie recording. Zooming as you record movies may cause exposure
changes or lens sounds to be recorded, an uneven audio level, or loss of
focus.
o
Large aperture values may delay or prevent accurate focusing.
o
When you press the shutter button halfway to perform AF during movie
recording, any of the following may occur:
The focus is temporarily greatly
thrown off
, changes in movie brightness is recorded, the movie recording
stops momentarily, and the mechanical sound of the lens is recorded.
o
Avoid covering the built-in microphones (
=
277) with your fi
ngers or other
objects.
o
“General Movie Recording Cautions” are on
=
326–
=
327.
o
If necessary, also read “General Still Photo Shooting Cautions” on
=
269–
=
271.
283
Movie Recording
Notes for Movie Recording
o
Each time you record a movie, a new movie fi le is created on the card.
o
The movie’s fi eld of view coverage for recording 4K, Full HD, and HD movies
is approx. 100%.
o
To enable starting or stopping movie recording by pressing the shutter button
completely
, set [Fully-press] for [
5
: Shutter btn function for movies] to
[Start/stop mov rec].
o
Stereo sound is recorded by the camera’s built-in microphone (
=
277).
o
Any external microphones such as Directional Stereo Microphone DM-E1 (sold
separately) connected to the camera’s external microphone IN terminal are
used instead of the built-in microphones (
=
296).
o
Most external microphones equipped with a 3.5 mm diameter mini plug can be
used.
o
With EF lenses, focus preset during movie recording is available when using
(super) telephoto lenses equipped with this function released in and after the
second half of 201
1.
o
YCbCr 4:2:0 (8-bit) color sampling and the Rec. ITU-R BT.709 color space are
used for 4K, Full HD, and HD movies.
284
HDR Movie Recording
You can shoot high dynamic range movies that retain detail in highlights of
high-contrast scenes.
1
Set the Mode dial to <8>.
2
Record an HDR movie.
Record the movie in the same way as
normal movie recording.
o
Since multiple frames are merged to create an HDR movie, certain parts of
the movie may look distorted. This is more noticeable in shots aff ected by
camera shake, so consider using a tripod. Note that even if a tripod is used for
recording, afterimages or noise may become more noticeable when the HDR
movie is played back frame-by-frame or in slow-motion compared to normal
playback.
o
The recording size is
L6X
(NTSC) or
L5X
(PAL).
o
ISO speed is set automatically when you record HDR movies.
285
Movie Recording With Filter Effects Applied
In <
U
> (creative fi lters) mode, you can record movies with fi lter eff ects
applied.
1
Set the Mode dial to <U>.
2
Press the <Q> button (7).
The Quick Control screen will appear.
3
Select [f].
Use the <
W
> <
X
> keys to select [
f
]
(Shooting mode) in the upper left, then
press <
0
>.
4
Select a fi lter eff ect.
Use the <
W
> <
X
> keys to select a fi lter
eff ect (
=
286–
=
287), then press
<
0
>.
The image is shown with the fi lter eff ect
applied.
For Miniature eff ect movie, move the AF
point to the position to focus on. Move
the scene frame if the AF point is outside
of it, so that the AF point is aligned with
it.
286
Movie Recording With Filter Eff ects Applied
5
Adjust the fi lter eff ect level.
Press the <
Q
> button to select the icon
below [Shooting mode].
Use the <
Y
> <
Z
> keys to adjust the
eff ect, then press <
0
>.
When setting up miniature eff ect movies,
select the playback speed.
6
Record the movie.
o
A magnifi ed view is not available.
o
No histogram is displayed.
o
Not available for video snapshots, time-lapse movies, or Movie digital IS.
o
In Creative Zone modes, Creative fi lter settings are available from the Quick
Control screen (
=
103).
Creative Filter Characteristics
f
Dream
Applies a soft, dreamy, otherworldly appearance. Gives the movie a
soft look overall, blurring the periphery of the screen. You can adjust the
blurry areas along the screen edges.
q
Old Movies
Creates an atmosphere like an old fi lm by adding wavering, scratches,
and fl ickering eff ects to the image. The top and bottom of the screen are
masked in black. You can modify the wavering and scratch eff ects by
adjusting the fi lter eff ect.
p
Memory
Creates the atmosphere of a distant memory. Gives the movie a soft
look overall, reducing brightness of the periphery of the screen. You can
modify the overall saturation and the dark areas along the screen edges
by adjusting the fi lter eff ect.
287
Movie Recording With Filter Eff ects Applied
n
Dramatic B&W
Creates an atmosphere of dramatic realism with high-contrast black and
white. You can adjust the graininess and black-and-white eff ect.
o
Miniature eff
ect movie
You can record movies with a miniature (diorama) eff ect. Select the
playback speed and shoot. To make the scene frame movable, press
the <
v
> button in step 4 (or tap [
r
] in the lower right of the screen),
and after it turns orange, move it with the <
W
> <
X
> keys. To center the
frame again, press the <
B
> button. To switch between vertical and
horizontal scene frame orientation, tap [
i
] in the lower left of the screen.
Press <
0
> to confi rm the position of the scene frame. In step 5, set the
playback speed to [5x], [10x], or [20x] before recording. Live 1-point AF
is used as the AF method, focusing on subjects centered in the white
frame. The white frame is hidden during recording.
Speed and playback time (for a 1-minute movie)
Speed Playback Time
5× Approx. 12 sec.
10× Approx. 6 sec.
20× Approx. 3 sec.
o
The color gradation of the sky or white walls may not be reproduced correctly.
Irregular colors, irregular exposure or noise may appear.
[
o
] (Miniature Eff ect Movies)
o
Sound is not recorded.
o
Movie Servo AF will not function.
o
Editing is not available for movies with a playback time less than 1 sec.
(
=
338).
288
Movie Recording Quality Settings
Under the [
z
: Movie rec quality] tab,
set the image size, frame rate, and
compression method. The movie will be
recorded as an MP4 fi le.
The frame rate displayed on the [Movie
rec. size] screen switches automatically
depending on the [
5
: Video system]
setting (
=
520).
o
The card’s writing and reading speeds required for recording movies
(card performance requirements) vary depending on the movie recording
size. Before recording movies, see
=
617 to check the performance
requirements of the card.
Image Size
[
H
] 3840×2160
The movie is recorded in 4K quality. The aspect ratio is 16:9.
[
L
] 1920×1080
The movie will be recorded in Full High-Defi nition (Full HD) quality. The
aspect ratio is 16:9.
[
w
] 1280×720
The movie is recorded in High-Defi nition (HD) quality. The aspect ratio is
16:9.
289
Movie Recording Quality Settings
o
If you change the [
5
: Video system] setting, also set [
z
: Movie rec. size]
again.
o
Normal playback of 4K and
L8
/
7
movies may not be possible on
other devices, because playback is processing-intensive.
o
Clarity and noise vary depending on movie recording quality and cropped
shooting settings.
o
Movies cannot be recorded in VGA quality.
4K Movie Recording
Recording 4K movies requires a high-performance card. For details, see
“Cards that Can Record Movies” on
=
617.
Recording 4K movies greatly increases the processing load, which may
cause the camera’s internal temperature to increase faster or become
higher than for regular movies. If a red
E
icon or [
x
] appears during
movie recording, the card may be hot, so stop recording the movie
and let the camera cool down before removing the card. (Do not
remove the card immediately.)
From a 4K movie, you can select any frame to save as an
approx. 8.3 megapixel (3840×2160) JPEG still image to the card
(
=
342).
With [
H
movie cropping] set to [Enable], you can record movies
cropped around the center of the screen, as if shot using a telephoto
lens. Note that time-lapse movies are not recorded cropped even when
[Enable] is set.
Recording coverage
(1)
(2)
(1) [Disable]
(2) [Enable]
290
Movie Recording Quality Settings
Frame Rate (fps: frame per second)
[
8
] 59.94fps / [
6
] 29.97fps / [
4
] 23.98fps
For areas where the TV system is NTSC (North America, Japan, South
Korea, Mexico, etc.).
[
7
] 50.00fps / [
5
] 25.00fps
For areas where the TV system is PAL (Europe, Russia, China, Australia,
etc.).
Compression Method
[
X
] IPB (Standard)
Compresses multiple frames at a time effi ciently for recording.
[ ] IPB (Light)
Since the movie is recorded at a bit rate lower than with IPB (Standard),
the fi le size will be smaller than with IPB (Standard) and the playback
compatibility will be higher. This will make the possible recording time
longer than with IPB (Standard) (with a card having the same capacity).
Movie Recording Format
[
C
] MP4
All movies you shoot with the camera are recorded as movie fi les in MP4
format (fi le extension “.MP4”).
291
Movie Recording Quality Settings
Cards that Can Record Movies
For details on cards you can use for various movie recording sizes, see
=
617.
When recording movies, use a high-capacity card with a writing/reading
speed (as specifi ed in card performance requirements) shown in the
table on
=
617 or higher than the standard specifi cation. Test cards by
recording a few movies to make sure they can record correctly at your
specifi ed size (
=
288).
o
Format cards before recording 4K movies (
=
511).
o
If you use a slow-writing card when recording movies, the movie may not be
recorded properly. Also, if you play back a movie on a card with a slow reading
speed, the movie may not be played back properly.
o
When recording movies, use high-performance cards with a writing speed
suffi
ciently higher than the bit rate.
o
When movies cannot be recorded normally, format the card and tr
y again.
If formatting the card does not resolve the problem, refer to the card
manufacturer’s website, etc.
o
To obtain better performance with the card, formatting the card with the
camera before recording movies is recommended (
=
511).
o
To check the card’s writing/reading speed, refer to the card manufacturer’s
website, etc.
292
Movie Recording Quality Settings
High Frame Rate
You can record Full HD movies at a high frame rate of 119.88 fps or 100.0
fps. This is ideal for recording movies that will be played back in slow
motion. The maximum recording time per movie is 7 min. 29 sec.
Movies are recorded as
L
2
X
or
L
3
X
.
They are recorded cropped
around the center of the shooting screen.
Movie Servo AF and Movie digital IS have
no eff ect when recording High Frame Rate
movies. AF is not used to focus.
(1) Full HD recording
(2) High Frame Rate recording
(1) (2)
Because High Frame Rate movies are recorded as 29.97 fps/25.00 fps
movie fi les, they are played back in slow motion at 1/4 speed.
o
Check the [Movie rec. size] setting if you return this setting to [Disable].
o
The screen may fl icker if you record High Frame Rate movies under
fl uorescent or LED lighting.
o
For a moment when you start or stop recording High Frame Rate movies, the
movie is not updated, and the frame stops momentarily. Be aware of this when
recording movies to external devices via HDMI.
o
Movie frame rates shown on the screen as you record High Frame Rate
movies do not correspond to the frame rate of the movie recorded.
o
Sound is not recorded.
293
Movie Recording Quality Settings
Movie Files Exceeding 4 GB
Even if you record a movie exceeding 4 GB, you can keep recording without
interruption.
Using SD/SDHC cards formatted with the camera
If you use the camera to format an SD/SDHC card, the camera will format
it in FAT32.
With a FAT32-formatted card, if you record a movie and the fi le size
exceeds 4 GB, a new movie fi le will be created automatically.
When you play back the movie, you will have to play back each movie
fi le individually. Movie fi les cannot be played back automatically in
consecutive order. After the movie playback ends, select the next movie
and play it back.
Using SDXC cards formatted with the camera
If you use the camera to format an SDXC card, the camera will format it
in exFAT.
When using an exFAT-formatted card, even if the fi le size exceeds 4 GB
during movie recording, the movie will be saved as a single fi le (rather
than being split into multiple fi les).
o
When importing movie fi les exceeding 4 GB to a computer, use either EOS
Utility or a card reader (
=
593). It may not be possible to save movie fi les
exceeding 4 GB if you attempt this using standard features of the computer’s
operating system.
294
Movie Recording Quality Settings
Total Movie Recording Time and File Size Per Minute
For details on fi le sizes and the recording time available at each movie
recording size, see
=
618.
Movie Recording Time Limit
When recording non-High Frame Rate movies
The maximum recording time per movie is 29 min. 59 sec. Once 29 min.
59 sec. is reached, recording automatically stops. You can start recording
a movie again by pressing the movie shooting button (which records the
movie as a new fi le).
When recording High Frame Rate movies
The maximum recording time per movie is 7 min. 29 sec. Once 7 min.
29 sec. is reached, recording automatically stops. Y
ou can start recording
a High Frame Rate movie again by pressing the movie shooting button
(which records the movie as a new fi le).
295
Setting the Sound Recording
You can record movies while recording
sound with the built-in stereo microphone
or an external stereo microphone. You can
also freely adjust the sound-recording level.
Use [
z
: Sound recording] to set sound
recording functions.
Sound Recording/Sound-Recording Level
Auto
The sound-recording level is adjusted automatically. Auto level control will
take eff ect automatically in response to the sound level.
Manual
You can adjust the sound-recording level as needed.
Select [Rec. level] and press the <
Y
> <
Z
> keys while looking at the
level meter to adjust the sound-recording level. Look at the peak hold
indicator, and adjust so that the level meter sometimes lights up on the
right of the “12” (–12 dB) mark for the loudest sounds. If it exceeds “0”,
the sound will be distorted.
Disable
Sound will not be recorded.
Wind Filter
Set to [Auto] to reduce wind noise automatically when there is wind
outdoors. Only activated when the camera’s built-in microphone is used.
When the wind fi lter function takes eff ect, part of the low bass sounds will
also be reduced.
296
Setting the Sound Recording
Attenuator
Automatically suppresses sound distortion caused by loud noises. Set
[Sound rec.] to [Enable] if distortion occurs when set to [Auto] or [Manual].
External Microphone
If an external microphone equipped with a miniature stereo plug (3.5 mm
diameter) is connected to the camera’s external microphone IN terminal, the
external microphone will be given the priority. Using the Directional Stereo
Microphone DM-E1 (sold separately) is recommended.
Headphones
By connecting commercially available headphones with a 3.5 mm mini
plug to the headphone terminal, you can listen to the sound as movies are
recorded or played back. To adjust headphone volume, access
[
5
: Headphone volume] (
=
523), or press the <
Q
> button, select [
n
],
then adjust with the <
Y
> <
Z
> keys.
297
Setting the Sound Recording
o
Sounds from Wi-Fi operations may be captured with built-in or external
microphones. During sound recording, using the wireless communication
function is not recommended.
o
When connecting an external microphone or headphones to the camera,
make sure the plug is fully inserted.
o
The camera’s built-in microphone will also record the operation sound and
mechanical sound of the camera during shooting. Using Directional Stereo
Microphone DM-E1 (sold separately) may reduce such sounds in the movie.
o
Do not connect anything other than an external microphone to the camera’
s
external microphone IN terminal.
o
Because noise reduction is not applied to audio played through headphones, it
will sound diff erent from the audio recorded with movies.
o
Do not change the [Sound recording] settings when listening with
headphones. This may cause sudden loud output that may hurt you
r ears.
o
In Basic Zone modes, the settings available for [Sound recording] are [On]
or [Off ]. Set to [On] for automatic adjustment of the recording level.
o
Audio is also output when the camera is connected to televisions via HDMI,
except when [Sound rec.] is set to [Disable].
o
The sound volume balance between L (left) and R (right) cannot be adjusted.
o
Sound is recorded at a 48 kHz/16-bit sampling rate.
298
Movie Digital IS
The camera’s Movie digital IS feature reduces camera shake as movies are
recorded. Movie digital IS can provide eff ective stabilization even when your
lens is not equipped with Image Stabilizer. When using a lens equipped with
Image Stabilizer, set the lens’s Image Stabilizer switch to <
1
>.
1
Select [z: Movie digital IS].
2
Select an item.
Disable (
v
)
Image stabilization with Movie digital IS is disabled.
Enable (
w
)
Camera shake will be corrected. The image will be slightly magnifi ed.
Enhanced (
x
)
Compared to when [Enable] is set, stronger camera shake can be
corrected. The image will be more magnifi ed.
299
Movie Digital IS
o
Movie digital IS will not function when the lens’s optical Image Stabilizer switch
is set to <
2
>.
o
With a lens whose focal length is longer than 800 mm, Movie digital IS will not
function.
o
Movie digital IS cannot be set in <
8
> or <
U
> mode or when High Frame
Rate, time-lapse movie, or Creative fi
lter is set.
o
The wider the angle of view, the more eff ective the image stabilization will be.
The narrower the angle of view, the less eff ective the image stabilization will
be.
o
When using a TS-E lens, fi
sh-eye lens, or non-Canon lens, setting Movie
digital IS to [Disable] is recommended.
o
Eff
ects of Movie digital IS are not applied to images during magnifi ed display.
o
Since Movie digital IS magnifi es the image, the image looks more grainy.
Noise, dots of light, etc. may also become noticeable.
o
Depending on the subject and shooting conditions, the subject m
ay blur
noticeably (the subject momentarily looks out of focus) due to the eff ects of
the Movie digital IS.
o
When Movie digital IS is set, the size of
AF points will also change.
o
When using a tripod, setting Movie digital IS to [Disable] is recommended.
300
Recording Time-lapse Movies
Still photos shot at a set interval can be stitched together automatically to
create a 4K or Full HD time-lapse movie. A time-lapse movie shows how
a subject changes in a much shorter period of time than the actual time
it took. It is eff ective for a fi xed-point observation of changing scenery,
growing plants, celestial motion, etc.
Time-lapse movies will be recorded in MP4 format at the following
quality:
H6W
(NTSC)/
H5W
(PAL) for 4K shooting, and
L 6 W
(NTSC)/
L 5 W
(PAL) for Full HD shooting.
Note that the frame rate will be switched automatically according to the [
5
:
Video system] setting (
=
520).
1
Select a shooting mode.
Autoexposure recording is used in
<
A
>, <
d
>, <
s
>, <
f
>, or <
F
>
mode.
Manual exposure recording is used in
<
4
> mode.
2
Set the Live View shooting/Movie
shooting switch to <k>.
3
Select [z: Time-lapse movie].
4
Select [Time-lapse].
301
Recording Time-lapse Movies
5
Select a scene.
Select a scene to suit the shooting
situation.
For greater freedom when setting the
shooting interval and number of shots
manually, select [Custom].
(1) (2)
6
Set the shooting interval.
Select [Interval/shots].
Select [Interval] (sec.). Use the <
Y
>
<
Z
> keys to set a value, then press
<
0
>.
Refer to [
k
: Time required] (1) and
[
3
: Playback time] (2) to set the
number.
When [Custom] is set
Select [Interval] (min.:sec.). (An interval
of once per second is not available.)
Press <
0
> to display <
r
>.
Set the desired number with the <
W
>
<
X
> keys, then press <
0
>. (Returns
to <
s
>.)
Select [OK] to register the setting.
302
Recording Time-lapse Movies
7
Set the number of shots.
Select [No. of shots]. Use the <
Y
>
<
Z
> keys to set a value, then press
<
0
>.
Refer to the [
k
: Time required] and
[
3
: Playback time] to set the number.
When [Custom] is set
Select the digit.
Press <
0
> to display <
r
>.
Set the desired number with the <
W
>
<
X
> keys, then press <
0
>. (Returns
to <
s
>.)
Check that [
3
: Playback time] is not
displayed in red.
Select [OK] to register the setting.
o
With [Scene**], available intervals and numbers of shots are restricted, to suit
the type of scene.
o
For cards that can record time-lapse movies (card performance requirements),
see
=
617.
o
If the number of shots is set to 3600, the time-lapse movie will be approx. 2
min. in NTSC and approx. 2 min. 24 sec. in P
AL.
303
Recording Time-lapse Movies
8
Select the desired movie recording
size.
H
(3840×2160)
The movie is recorded in 4K quality. The aspect ratio is 16:9.
The frame rate is 29.97 fps (
6
) for NTSC and 25.00 fps (
5
) for
PAL, and movies are recorded in MP4 (
C
) format with ALL-I (
W
)
compression.
Time-lapse movies are not recorded cropped, even when [
H
movie
cropping] is set to [Enable] in [Movie rec. size].
L
(1920×1080)
The movie will be recorded in Full High-Defi nition (Full HD) quality. The
aspect ratio is 16:9.
The frame rate is 29.97 fps (
6
) for NTSC and 25.00 fps (
5
) for
PAL, and movies are recorded in MP4 (
C
) format with ALL-I (
W
)
compression.
304
Recording Time-lapse Movies
9
Confi gure [Auto exposure].
Fixed 1st frame
When taking the fi rst shot, metering is performed to set the exposure
automatically to match the brightness. The exposure setting for the fi rst
shot will be applied to subsequent shots. Other shooting-related settings
for the fi rst shot will also be applied for subsequent shots.
Each frame
Metering is also performed for each subsequent shot to set the exposure
automatically to match the brightness. Note that if functions such as
Picture Style and white balance are set to [Auto], they will be set
automatically for each subsequent shot.
10
Confi gure [Screen auto off ].
Disable
Even during time-lapse movie recording, the image will be displayed. (The
screen turns off only at the time of shooting.) Note that the screen will
turn off when approx. 30 min. elapse after the shooting started.
Enable
Note that the screen will turn off when approx. 10 sec. elapse after the
shooting started.
o
During time-lapse movie recording, you can press the <
B
> button to turn
on/off the screen.
305
Recording Time-lapse Movies
11
Set the beeper.
Select [Beep as img taken].
If [Disable] is set, the beeper will not
sound for shooting.
(1) (2)
12
Check the settings.
(1) Time required
Indicates the time required to shoot the set number of shots with the
set interval. If it exceeds 24 hours, “*** days” will be displayed.
(2) Playback time
Indicates the movie recording time (time required to play back the
movie) when creating the time-lapse movie in 4K movie or Full HD
movie from the still photos taken with the set intervals.
13
Close the menu.
Press the <
M
> button to turn off the
menu screen.
306
Recording Time-lapse Movies
14
Read the message.
Read the message and select [OK].
15
Take test shots.
As with still photo shooting, set the
exposure and shooting functions, then
press the shutter button halfway to
focus.
Press the shutter button completely to
take test shots. The still photos will be
recorded to the card.
If there are no problems with the test
shots, go to the next step.
To take test shots again, repeat this
step.
o
Test shots are captured in JPEG
73
quality.
o
If you have set [Half-press] under [
5
: Shutter btn function for movies] to
[Meter.+
k
Servo AF], it is automatically changed to [Meter.+One-Shot AF]
when you set up time-lapse movie recording.
307
Recording Time-lapse Movies
16
Press the <0> button.
The camera will be ready to start
recording a time-lapse movie.
To return to step 15, press the movie
shooting button again.
(1) (2)
17
Record the time-lapse movie.
Press the <
B
> button and check
again the “Time required (1)” and
“Interval (2)” displayed on the screen.
Press the shutter button completely to
start recording the time-lapse movie.
AF will not work during time-lapse movie
recording.
While the time-lapse movie is recorded,
the “
o
REC” mark will be displayed
on the upper right of the screen, and
<
a
> will blink on the LCD panel.
To cancel recording time-lapse movies,
set [Time-lapse] to [Disable].
308
Recording Time-lapse Movies
o
If the card does not have enough free space to record the set number of shots,
[Playback time] will be displayed in red.
Although the camera can continue
shooting, the shooting will stop when the card becomes full.
o
If the movie fi le size exceeds 4 GB with the [No. of shots] settings and the
card is not formatted in exF
AT (
=
512), [Playback time] will be displayed
in red. If you keep shooting in this condition and the movie fi le size reaches 4
GB, the time-lapse movie recording will stop.
o
Do not point the camera toward an intense light source, such as the sun or an
intense artifi
cial light source. Doing so may damage the image sensor or the
camera’s internal components.
o
[Time-lapse movie] cannot be set to an option other than [Disable] when the
camera is connected to a computer with the interface cable, or when an HDMI
cable is connected.
o
Movie Servo
AF will not function.
o
If the shutter speed is 1/30 sec. or slower, the exposure of the movie may not
be displayed properly (may diff
er from that of the resulting movie).
o
Do not zoom the lens during time-lapse movie recording. Zooming the lens
may cause the image to be out of focus, the exposure to change, or the lens
aberration correction not to function properly.
o
When recording a time-lapse movie under a fl ickering light, noticeable image
fl
ickering, horizontal stripes (noise), or irregular exposures
may be recorded.
o
Images that are displayed while time-lapse movies are being recorded
may look diff
erent from the resulting movie. (For example, there may be
inconsistent brightness from fl ickering light sources, or noise
from a high ISO
speed.)
o
When recording a time-lapse movie under low light, the image displayed
during shooting may look diff
erent from what is actually recorded in the movie.
In such cases, the [
g
] icon will blink.
o
If you move the camera from left to right (panning) or shoot a
moving subject
during time-lapse movie recording, the image may look extremely distorted.
o
During time-lapse movie recording, auto power off
will not take eff ect. Also,
you cannot adjust the shooting function and menu function settings, play back
images, etc.
o
Sound is not recorded for time-lapse movies.
o
With time-lapse movie recording, you can press the shutter button completely
to start or stop the movie recording regardless of the [
5
: Shutter btn
function for movies] setting.
o
With [Interval] set to less than 3 sec. and
[Auto exposure] set to [Each
frame], if the brightness diff
ers greatly from the preceding shot, the camera
may not shoot at the set interval.
309
Recording Time-lapse Movies
o
If the shutter speed exceeds the shooting interval (such as for long
exposures), or if a slow shutter speed is set automatically, the camera may
not be able to shoot at the set interval. Shooting may also be prevented by
shooting intervals nearly the same as the shutter speed.
o
If the next scheduled shot is not possible, it will be skipped.
This may shorten
the recording time of the created time-lapse movie.
o
If the time it takes to record to the card exceeds the shooting interval due to
the shooting functions set or card performance, some of the shots may not be
taken with the set intervals.
o
Even if [Screen auto off ] is set to [Disable], the screen will turn off
during the
exposure. Also note that images may not be displayed if the interval between
shots is too brief.
o
The captured images are not recorded as still photos. Even if y
ou cancel the
time-lapse movie recording after only one shot is taken, it will be recorded as
a movie fi
le.
o
If you connect the camera to a computer with the interface cable and use EOS
Utility (EOS software), set [
z
: T
ime-lapse movie]
to [Disable]. If an option
other than [Disable]
is selected, the camera cannot communicate with the
computer.
o
During time-lapse movie recording, the lens’s Image Stabilizer will not operate.
o
Time-lapse movie recording ends if the power switch is set to <
2
> or auto
power off is activated, and the setting is changed to [Disable].
o
Even if a fl
ash is used, it will not fi re.
o
The following operations cancel standby for time-lapse movie recording and
switch the setting to [Disable].
•
Selecting either [Clean now
f
]
under [
5
: Sensor cleaning] or selecting
[
5
: Clear all camera settings].
• Setting the Mode dial to <
8
> or <
U
>.
310
Recording Time-lapse Movies
o
If you start time-lapse movie recording while the white [
s
] icon (
=
326)
is displayed, the image quality of the time-lapse movie may deteriorate. It is
recommended that you start time-lapse movie recording after the white [
s
]
icon disappears (camera’
s internal temperature decreases).
o
With [Auto exposure] set to [Each frame], ISO speed, shutter speed, and
aperture may not be recorded in the time-lapse movie Exif information in some
modes.
o
Using a tripod is recommended.
o
Taking test shots as in step 15 and recording test movies for time-lapse
movies beforehand is recommended.
o
The movie’s fi eld of view coverage for both the 4K and Full HD time-lapse
movie recording is approx. 100%.
o
To cancel the time-lapse movie recording in progress, either press the shutter
button completely or press the <
0
> button.
The time-lapse movie shot so far
will be recorded on the card.
o
If the time required for shooting is more than 24 hours but not more than
48 hours, “2 days” will be indicated. If three or more days are required, the
number of days will be indicated in 24-hour increments.
o
Even if the time-lapse movie’s playback time is less than 1 sec., a movie fi
le
will still be created. For [Playback time], “00'00"” will be displayed.
o
If the shooting time is long, using the household power outlet accessories (sold
separately) is recommended.
o
YCbCr 4:2:0 (8-bit) color sampling and the Rec. ITU-R BT.709 co
lor space are
used for 4K/Full HD time-lapse movies.
311
Recording Time-lapse Movies
You can use Remote Controller RC-6 (sold separately) or Wireless Remote
Control BR-E1 (sold separately) to start and stop the time-lapse movie recording.
Set [
z
: Remote control] to [Enable] beforehand.
With Remote Controller RC-6
Camera Status/Remote
Control Setting
<2> 2-sec. Delay
<
o
> Immediate
Release
Test-shooting screen To shooting-ready Still photo shooting
Shooting-ready
To test-shooting
screen
Starts shooting
During time-lapse movie
recording
Ends recording Ends recording
With Wireless Remote Control BR-E1
• First, pair the BR-E1 with the camera (
=
464).
• Take test shots, then when the camera is ready to shoot (as in step 16 on
=
307), set the BR-E1’s release mode/movie shooting switch to <
o
>
(immediate release) or <2> (release after 2-sec. delay).
• If the remote control’s switch has been set to <
k
>, the time-lapse movie
recording cannot start.
Camera Status/Remote
Control Setting
<
o
> Immediate
Release
<2> 2-sec. Delay
<
k
> Movie
Recording
Test-shooting screen Still photo shooting To shooting-ready
Shooting-ready Starts shooting
To test-shooting
screen
During time-lapse movie
recording
Ends recording Ends recording
Total Possible Time for Time-lapse Movie Recording
For guidelines on how long you can record time-lapse movies (until the
battery runs out), see
=
619.
312
Recording Video Snapshots
Record a series of short video snapshots, each a few seconds long, and
the camera will combine them to create a video snapshot album that shows
these highlights of your trip or event.
Video snapshots are available when the movie recording size is set to
L6X
(NTSC) /
L5X
(PAL).
Video snapshot albums can also be played back with background music
(
=
376).
Creating a Video Snapshot Album
Video
snapshot 1
Video
snapshot 2
Video
snapshot **
Video snapshot album
Confi guring the Video Snapshot Settings
1
Set the Mode dial to a mode other
than <U>.
2
Specify [z: Video snapshot].
Select [Enable].
3
Specify [Album settings].
Select [Create a new album].
Read the message and select [OK].
313
Recording Video Snapshots
4
Specify [Playback time].
Specify playback time per video
snapshot.
5
Specify [Playback eff ect].
This setting determines how fast albums
are played back.
6
Specify [Show confi rm msg].
Select [Enable].
(1)
7
Check the required recording time.
The time required to record each video
snapshot is indicated (1), based on the
playback time and eff ect.
314
Recording Video Snapshots
(2)
8
Close the menu.
Press the <
M
> button to close the
menu.
A blue bar is displayed to indicate the
recording time (2).
Creating a Video Snapshot Album
9
Record the fi rst video snapshot.
Press the movie shooting button to start
recording.
The blue bar indicating recording time
gradually decreases, and after the
specifi ed time elapses, recording stops
automatically.
A confi rmation message is displayed
(
=
315).
10
Save as a video snapshot album.
Select [
J
Save as album].
The clip is saved as the fi rst video
snapshot in the album.
11
Record your next video snapshots.
Repeat step 9 to record the next video
snapshot.
Select [
J
Add to album].
To create another album, select [
W
Save as a new album].
Repeat step 11 as needed.
315
Recording Video Snapshots
12
Stop recording video snapshots.
Set [Video snapshot] to [Disable]. To
return to normal movie recording, be
sure to specify [Disable].
Press the <
M
> button to close
the menu and return to normal movie
recording.
Options in Steps 10 and 11
Function Description
J
Save as album (step 10)
Saves the clip as the fi rst video snapshot in an
album.
J
Add to album (step 11)
Adds the current video snapshot to the album
recorded most recently.
W
Save as a new album (step 11)
Creates a new album and saves the clip as the
fi rst video snapshot. This album fi le is diff erent
from the one recorded most recently.
W
Playback video snapshot
(steps 10, 11)
Plays the video snapshot just recorded.
r
Do not save to album (step 10)
r
Delete without saving to album
(step 11)
Deletes the recently recorded video snapshot
without saving it to an album. Select [OK] on the
confi rmation dialog.
o
If you prefer to record the next video snapshot immediately, set [Show
confi
rm msg] under [
z
: Video snapshot] to [Disable]. This setting enables
you to record the next video snapshot immediately, without a confi rmation
message.
316
Recording Video Snapshots
Adding to an Existing Album
1
Select [Add to existing album].
Follow step 3 on
=
312 to select [Add
to existing album].
2
Select an existing album.
Turn the <
5
> dial to select an existing
album, then press <
0
>.
Select [OK].
Some video snapshot settings will be
updated to match settings of the existing
album.
3
Close the menu.
Press the <
M
> button to close the
menu.
The video snapshot recording screen is
displayed.
4
Record a video snapshot.
Record the video snapshot, referring
to “Creating a Video Snapshot Album”
(
=
314).
o
You cannot select an album shot with another camera.
General Video Snapshot Precautions
o
No sound is recorded when you set [Playback eff ect] to [1/2x speed] or [2x
speed].
o
Recording time per video snapshot is only approximate. It may diff er slightly
from the actual recording time indicated during playback, due to the frame rate
and other factors.
317
Movie Servo AF
With this function enabled, the camera focuses on the subject continuously
during movie recording.
1
Select [z: Movie Servo AF].
2
Select [Enable].
When [Enable] is set:
The camera focuses on the subject continuously even when you are
not pressing the shutter button halfway.
To keep the focus at a specifi c position, or if you prefer not to record
mechanical sounds from the lens, you can temporarily stop Movie
Servo AF by touching [
Z
] in the lower left of the screen.
When Movie Servo AF is paused, if you return to movie recording after
operations such as pressing the <
M
> or <
x
> button or changing
the AF method, Movie Servo AF will resume.
When [Disable] is set:
Press the shutter button halfway or press the <
p
> button to
focus.
318
Movie Servo AF
Cautions When [Movie Servo AF] is Set to [Enable]
o
Shooting Conditions that Make Focusing Diffi
cult
• A fast-moving subject approaching or moving away from the camera.
• A subject moving at a close distance to the camera.
• When shooting with a higher f/number
.
• Also see “Shooting Conditions that Make Focusing Diffi cult” on
=
146.
o
Since the lens is driven continuously and the battery power is consumed, the
possible movie recording time (
=
618) will be shortened.
o
With certain lenses, the mechanical sound for focusing may be recorded. In
this case, using Directional Stereo Microphone DM-E1 (sold separately) may
reduce such sounds in the movie.
o
Movie Servo AF will pause during zooming or magnifi ed view.
o
During movie recording, if a subject approaches or moves away or if the
camera is moved vertically or horizontally (panning), the recorded movie
image may momentarily expand or contract (change in image magnifi
cation).
319
M
Movie Servo AF Track Sensitivity
You can adjust the tracking sensitivity (to one of seven levels), which aff ects
responsiveness if the subject strays from the AF point during Movie Servo
AF, as when interfering objects move across AF points or when you pan.
1
Select [z: Movie Servo AF track
sens.].
Locked on: –3/–2/–1
With this setting, the camera is less
likely to track a diff erent subject if the
main subject strays from the AF point.
The closer the setting is to the minus (–)
symbol, the less the camera is inclined
to track a diff erent subject. It is eff ective
when you want to prevent the AF points
from rapidly tracking something that is
not the intended subject during panning
or when an obstacle cuts across the AF
points.
Responsive: +1/+2/+3
This makes the camera more responsive when tracking a subject that
covers the AF point. The closer the setting is to the plus (+) symbol,
the more responsive the camera is. It is eff ective when you want
to keep tracking a moving subject as its distance from the camera
changes or to rapidly focus on another subject.
o
Available when [
z
: Movie Servo AF] is set to [Enable] and [
z
: AF
method] is set to [1-point AF].
o
Operation when [
z
: AF method] is set to an option other than [1-point AF]
is equivalent to a setting of [0].
320
M
Movie Servo AF Speed
You can set the Movie Servo AF’s AF speed and its operation conditions.
The function is enabled when using a lens supporting slow focus transition
during movie recording*.
1
Select [z: Movie Servo AF speed].
When active:
You can set [Always on] to have the AF
speed take eff ect at all times for movie
recording (before and during movie
recording) or set [During shooting] to
have the AF speed take eff ect only during
movie recording.
AF speed:
You can adjust the AF speed (focus
transition speed) from the standard speed
(0) to slow (one of seven levels) or fast
(one of two levels) to obtain the desired
eff ect for the movie creation.
* Lenses supporting slow focus transition during movie
recording
USM and STM lenses released in and after 2009 are compatible. For
details, refer to the Canon website.
321
Movie Servo AF Speed
o
With certain lenses, even if you adjust the AF speed, the speed may not
change.
o
Available when [
z
: Movie Servo AF] is set to [Enable] and [
z
: AF
method] is set to [1-point AF].
o
Operation when [
z
: AF method] is set to an option other than [1-point AF]
is equivalent to setting [AF speed] to [Standard (0)].
o
An asterisk to the right of [
z
: Movie Servo AF speed] indicates that the
default setting has been modifi
ed.
322
Other Menu Functions
[
z
1]
Lens aberration correction
M
Peripheral illumination and chromatic aberration can be corrected as you
record movies. For details on lens aberration correction, see
=
206.
Remote control shooting
When [Enable] is set, you can start or stop movie recording using
Remote Controller RC-6 or Wireless Remote Control BR-E1 (sold
separately).
With Remote Controller RC-6
The [
R
] is displayed on the LCD panel. Set the release timing switch to
the <2> position, then press the Transmit button. When set to the <
o
>
(immediate shooting) position, operation follows the [
5
: Shutter btn
function for movies] setting.
With Wireless Remote Control BR-E1
First, pair the BR-E1 with the camera (
=
464).
Set the release mode/movie shooting switch to the <
k
> position, then
press the release button.
For details on Time-lapse movie recording, see
=
311.
[
z
2]
k
ISO speed settings
M
ISO speed
In [
M
] mode, you can set the ISO speed manually. You can also
select ISO Auto.
ISO speed range
For movie recording, you can set the manual ISO speed setting range
(minimum and maximum limits).
Max for Auto
You can set the maximum limit for ISO Auto in movie recording in [
k
]
mode or in [
M
] mode with ISO Auto.
323
Other Menu Functions
a
Max for Auto
You can set the maximum limit for ISO Auto in 4K time-lapse/Full HD
time-lapse movie recording in [
k
] mode or in [
M
] mode with ISO
Auto.
o
ISO 25600 is an expanded ISO speed (indicated by [H]).
o
ISO 25600 is not available when recording 4K movies, 4K time-lapse movies,
or Full HD time-lapse movies.
Highlight tone priority
M
You can reduce overexposed, clipped highlights as you record movies.
For details on Highlight tone priority, see
=
219.
o
[Enhanced] is not available (not displayed) when recording movies with
[
z
: Highlight tone priority] set.
324
Other Menu Functions
k
Auto slow shutter
M
You can choose whether to record movies
that are brighter and less aff ected by
image noise than when set to [Disable]
by automatically slowing the shutter speed
under low light.
Available in [
k
] shooting mode. Applies
when the frame rate of the movie recording
size is
8
or
7
.
Disable
Enables you to record movies with smoother, more natural movement,
less aff ected by subject shake than when set to [Enable]. Note that
under low light, movies may be darker than when set to [Enable].
Enable
Enables you to record brighter movies than when set to [Disable] by
automatically reducing the shutter speed to 1/30 sec. (NTSC) or
1/25 sec. (PAL) under low light.
o
Setting to [Disable] is recommended when recording moving subjects under
low light, or when afterimages such as trails may occur.
325
Other Menu Functions
[
z
3]
HDMI info disp
M
You can confi gure information display for
image output via an HDMI cable.
With info
The image, shooting information, AF points, and other information is
shown on the other device via HDMI. Note that the camera screen
goes off .
Recorded movies are saved to the card.
Clean /
H
output
HDMI output consists solely of 4K movies. Shooting information and
AF points are also displayed on the camera, but no image is recorded
to the card. Note that Wi-Fi communication is not available.
Clean /
L
output
HDMI output consists solely of Full HD movies. Shooting information
and AF points are also displayed on the camera, but no image is
recorded to the card. Note that Wi-Fi communication is not available.
326
General Movie Recording Cautions
Red [
E
] Internal Temperature Warning Icon
o
If the camera’s internal temperature increases due to prolonged movie
recording or under a high ambient temperature, a red [
E
] icon will appear.
o
The red [
E
] icon indicates that movie recording will soon be terminated
automatically. If this happens, you will not be able to shoot again until the
camera’s internal temperature decreases. Turn off the power and let the camera
rest for a while. Note that the time until movie recording stops automatically
when the red [
E
] icon is displayed varies depending on shooting conditions.
o
Recording a movie at a high temperature for a prolonged period will cause the
red [
E
] icon to appear earlier. When you are not shooting, always turn off the
camera.
[
x
] Display
o
The camera’s internal temperature may rise and [
x
] may be displayed after
extended movie recording, or after extended Live View use with [
H
movie
cropping] set to [Enable]. Movie recording is not possible as long as [
x
]
is displayed. If [
x
] appears during movie recording, the camera will turn off
automatically in approx. 3 min.
o
Wait and allow the camera to cool down when [
x
] is displayed or the camera
stops movie recording in progress, either by turning it off
or canceling movie
recording mode.
Recording and Image Quality
o
If the attached lens has an Image Stabilizer and you set the Image Stabilizer
(IS) switch to <
1
>, the Image Stabilizer will operate at all times even if
you do not press the shutter button halfway. The Image Stabilizer consumes
battery power and may shorten the total movie recording time depending on
the shooting conditions. When the Image Stabilizer is not necessary, such as
when using a tripod, it is recommended that you set the IS switch to <
2
>.
o
If the brightness changes as you record a movie with auto exposure, the
movie may appear to stop momentarily
. In this case, record movies with
manual exposure.
o
If there is a very bright light source in the image, the bright area may appear
black on the screen. Movies are recorded almost exactly as they appear on
the screen.
o
Image quality may be lower when recording movies under a combination of
conditions such as high ISO speeds, high temperatures, low shutter speeds,
and low light.
o
Recording movies over an extended period may cause the camera’s internal
temperature to rise and aff
ect image quality. Turn off the camera when
possible if you are not recording movies.
o
If you play back a movie with other devices, image or sound quality may
decline or playback may not be possible (even if the devices support MP4
format).
327
General Movie Recording Cautions
Recording and Image Quality
o
If you use a card with a slow writing speed, an indicator
may appear on the right of the screen during movie
recording. It indicates how much data has not yet been
written to the card (remaining capacity of the internal
buff
er memory). The slower the card, the faster the
indicator will climb upward. If the indicator (1) becomes
full, movie recording will stop automatically.
o
If the card has a fast writing speed, the indicator will
either not appear or the level (if displayed) will hardly go upward. First, record
a few test movies to see if the card can write fast enough.
o
If the indicator indicates that the card is full and movie recording stops
automatically
, the sound near the end of the movie may not be recorded
properly.
o
If the card’s writing speed is slow (due to fragmentation) and the indicator
appears, formatting the card may make the writing speed faster
.
Audio Restrictions
o
Note that the following restrictions apply when [Movie rec. size] is set to
L6V
(NTSC) or
L5V
(PAL), when [
8
C.Fn III-9: Audio
compression] is set to [Enable], and for Basic Zone or video snapshots.
• Sound will not be recorded for approx. the last two frames.
• When you play back movies on Windows, movie images and sound may
become slightly out of synchronization.
(1)
328
329329
Playback
This chapter covers topics related to playback—playing back
captured still photos and movies—and introduces menu settings
on the Playback ([
x
]) tab.
o
Normal display or selection on this camera may not be possible for
images captured on other cameras, or images from this camera
that have been edited or renamed on a computer.
o
Images that cannot be used with playback functions may be
displayed.
332
Image Playback
Single-Image Display
1
Play back the image.
Press the <
x
> button.
The last image captured or played back
will appear.
2
Select an image.
To play back images starting with
the most recent, turn the <
5
> dial
counterclockwise. To play back images
starting with the fi rst captured image,
turn the dial clockwise.
Images can also be selected with <
9
>.
Each time you press the <
B
> button,
the display will change.
No information Basic information
display
Shooting information
display
333
Image Playback
3
Exit the image playback.
Press the <
x
> button to exit the image
playback and return to shooting-ready
state.
o
When RAW images shot with [
z
: Still img aspect ratio] set to an option
other than [3:2] (
=
202) are played back, frame lines indicating the image
area will be displayed.
o
If the search conditions are set with [
3
: Set image search conditions]
(
=
385), only the fi
ltered images will be displayed.
Shooting Information Display
With the shooting information screen displayed (
=
332), you can press
the <
W
> <
X
> keys to change the shooting information displayed at the
screen bottom as follows.
Detailed information
Lens / Histogram
information
Record of sent images
GPS information
White balance
information
Picture Style
information 1
Lens aberration correction
information 1
Picture Style
information 2
Color space /
Noise reduction information
Lens aberration correction
information 2
334
Index Display (Multiple-Image Display)
1
Switch to the index display.
During image playback, press the
<
r
> button.
The 4-image index display will appear.
The selected image is highlighted with
an orange frame.
Pressing the <
r
> button again
switches display from 9 images to 36,
and then to 100.
Pressing the <
v
> button switches
display from 100 images to 36, 9, 4, and
then single-image display
.
BBBB
2
Select an image.
Turn the <
6
> or <
5
> dial to move
the orange frame, then select the image.
Press <
0
> in the index display to
display the selected image in the single-
image display.
335
Index Display (Multiple-Image Display)
Touch Playback
The camera features a touch-screen panel that you can touch to control
playback. Supported touch operations are like those used with smartphones
and similar devices. First, press the <
x
> button to prepare for touch
playback.
Image browsing
Magnifi ed view
Index displayJump display
o
You can also magnify display by double-tapping with one fi nger.
336
Magnified Image Display
(1)
1
Magnify the image.
During image playback, press the <
v
>
button.
The magnifi ed view will appear. The
magnifi ed area position (1) will be
displayed on the lower right of the
screen.
Each press of the <
v
> button enlarges
display
.
Each press of the <
r
> button
reduces display. For index display
(
=
334), press the <
r
> button
again after the fi nal reduction.
2
Scroll the image.
Use <
j
> <
9
> to scroll the image
vertically and horizontally.
To cancel the magnifi ed view, press the
<
x
> button or tap [
2
].
337
Movie Playback
1
Play back the image.
Press the <
x
> button.
2
Select a movie.
Use the <
5
> dial to select the movie to
play back.
In the single-image display, the
<
s1
> icon displayed on the upper
left indicates a movie.
In the index display, perforations at
the left edge of a thumbnail indicate
a movie. As movies cannot be played
back from the index display, press <
0
>
to switch to the single-image display.
3
In the single-image display, press
<0>.
4
Press <0> to play back the movie.
The movie will start playing back.
(1)
You can pause playback and display
the movie playback panel by pressing
<
0
>. Press it again to resume the
playback.
You can also adjust the volume during
movie playback by using the <
W
> <
X
>
keys.
(1) Speaker
338
Movie Playback
Movie Playback Panel
Item Playback Operations
7
Play Pressing <
0
> toggles between playback and stop.
8
Slow motion
Adjusts the slow motion speed with the <
5
> dial. The slow
motion speed is indicated on the upper right of the screen.
T
Skip backward Skips backward 4 sec. each time you press <
0
>.
3
Previous frame
Displays the previous frame each time you press <
0
>.
Holding <
0
> down will rewind the movie.
6
Next frame
Plays the movie frame-by-frame each time you press <
0
>.
Holding <
0
> down will fast forward the movie.
v
Skip forward Skips forward 4 sec. each time you press <
0
>.
X
Edit
Displays the editing screen (
=
340).
I
Frame Grab
Available when you play 4K or 4K time-lapse movies.
Enables you to extract the current frame and save it as a
JPEG still image (
=
342).
y
Background music
Plays back a movie with the selected background music
(
=
376).
Playback position
mm’ ss” Playback time (minutes:seconds)
Volume
Use the <
W
> <
X
> keys to adjust the speaker volume
(
=
337).
339
Movie Playback
Movie Playback Panel (Video Snapshot Albums)
Item Playback Operations
7
Play Pressing <
0
> toggles between playback and stop.
8
Slow motion
Adjusts the slow motion speed with the <
5
> dial. The slow
motion speed is indicated on the upper right of the screen.
T
Previous clip Displays the fi rst frame of the previous video snapshot.
3
Previous frame
Displays the previous frame each time you press <
0
>.
Holding <
0
> down will rewind the movie.
6
Next frame
Plays the movie frame-by-frame each time you press <
0
>.
Holding <
0
> down will fast forward the movie.
v
Next clip Displays the fi rst frame of the next video snapshot.
Erase clip
Erases the current video snapshot.
X
Edit
Displays the editing screen (
=
340).
y
Background
music
Plays back an album with the selected background music
(
=
376).
Playback position
mm’ ss” Playback time (minutes:seconds)
Volume
Use the <
W
> <
X
> keys to adjust the speaker volume
(
=
337).
o
Adjust the volume using television controls when the camera is connected to a
television for movie playback (
=
344). (Volume cannot be adjusted with the
<
W
> <
X
> keys.)
o
Movie playback may stop if the card’s read speed is too slow or movie fi
les
have corrupted frames.
o
For details on the movie recording time available, see
=
618.
340
Editing a Movie’s First and Last Scenes
1
In the single-image display, press
<0>.
The movie playback panel will appear.
2
On the movie playback panel,
select [X].
3
Specify the part to be edited out.
Select either [
U
] (Cut beginning) or
[
V
] (Cut end).
Press the <
Y
> <
Z
> keys to go back or
forward one frame (or video snapshot)
at a time. Keep holding down the <
Z
>
key to fast forward the frames.
After deciding which part to edit out,
press <
0
>. The portion indicated by
a line at the bottom of the screen will
remain.
4
Check the edited movie.
Select [
7
] to play the edited movie.
To change the edited part, go back to
step 3.
To cancel the editing, press the <
M
>
button.
341
Editing a Movie’s First and Last Scenes
(1) (2)
5
Save the image.
Select [
W
] (1).
The save screen will appear.
To save it as a new movie, select [New
fi le]. To save it and overwrite the original
movie fi le, select [Overwrite].
Select [
] (2) to save a compressed
version of the fi le. 4K movies are
converted to Full HD movies before
compression.
On the confi rmation dialog, select [OK]
to save the edited movie and return to
the movie playback screen.
o
Because editing is performed in approx. 1-sec. increments (at the position
indicated by [
] at the bottom of the screen), the actual position where movies
are trimmed may diff er from your specifi ed position.
o
Movies shot with another camera cannot be edited with this camera.
o
You cannot edit a movie when the camera is connected to a computer
.
o
Compress and save is not available for movie recording sizes of
L6V
(NTSC) or
L5V
(PAL).
o
For instructions on editing video snapshot albums, see “Editing Video
Snapshot Albums” (
=
374).
342
Frame Extraction from 4K Movies or 4K
Time-Lapse Movies
From 4K movies or 4K time-lapse movies, you can select individual frames
to save as approx. 8.3 megapixel (3840×2160) JPEG still images. This
function is called “Frame Grab (4K frame capture)”.
1
Play back the image.
Press the <
3
> button.
2
Select a 4K movie or 4K time-lapse
movie.
Select with <
5
>.
On the shooting information screen
(
=
631), 4K movies and 4K time-lapse
movies are indicated by an [
H
] icon.
In index display, press <
0
> to switch to
single-image display.
3
In the single-image display, press
<0>.
The movie playback panel will appear.
4
Select a frame to grab.
Use the movie playback panel to select
the frame to grab as a still photo.
For movie playback panel instructions,
see
=
338.
5
Select [I].
343
Frame Extraction from 4K Movies or 4K Time-Lapse Movies
6
Save the image.
Select [OK] to save the current frame as
a JPEG still image.
7
Select the image to display.
Check the destination folder and image
fi le number.
Select [View original movie] or [View
extracted still image].
o
Frame grabbing is not possible with Full HD movies, Full HD time-lapse
movies, or with 4K movies or 4K time-lapse movies from a diff erent camera.
344
Playback on a TV Set
By connecting the camera to a television with an HDMI cable, you can play
back the captured still photos and movies on the television. Using the HDMI
Cable HTC-100 (sold separately) is recommended.
If the image does not appear on the TV screen, check if the [
5
: Video
system] is correctly set to [For NTSC] or [For PAL] (depending on the
video system of your television).
1
Connect the HDMI cable to the
camera.
With the plug’s <
d
HDMI MINI> logo
facing the front of the camera, insert it
into the <
D
> terminal.
2
Connect the HDMI cable to the
television.
Connect the HDMI cable to the
television’s HDMI IN port.
3
Turn on the television and switch
the television’s video input to
select the connected port.
4
Set the camera’s power switch to
<1>.
5
Press the <x> button.
The image will appear on the TV screen.
(Nothing will be displayed on the camera
screen.)
The images will automatically be
displayed at the optimum resolution
matching the connected television.
345
Playback on a TV Set
o
Adjust movie sound volume with the TV set. The sound volume cannot be
adjusted with the camera.
o
Before connecting or disconnecting the cable between the camera and
television, turn off the camera and television.
o
Depending on the television, part of the image displayed may be cut off .
o
Do not connect any other device’s output to the camera’s <
D
>
terminal. Doing so may cause a malfunction.
o
Certain televisions may not display the images due to incompatibility
.
o
It may take some time before images are displayed. To avoid delay
, set [
5
:
HDMI resolution] to [1080p] (
=
543).
o
Touch-screen operations are not supported while the camera is c
onnected to
a television.
346
Protecting images
You can protect important images from being accidentally erased.
Protecting a Single Image
1
Select [3: Protect images].
2
Select [Select images].
3
Select an image.
Turn the <
5
> dial to select the image
to be protected.
(1)
4
Protect the image.
Press <
0
> to protect the selected
image. The <
K
> icon (1) will appear at
the top of the screen.
To cancel the image protection, press
<
0
> again. The <
K
> icon will
disappear.
To protect another image, repeat steps 3
and 4.
347
Protecting images
Specifying the Range of Images to be Protected
While looking at the images in the index display, you can specify the fi rst
and last images for a range to protect all the specifi ed images at once.
1
Select [Select range].
Select [Select range] in [
3
: Protect
images].
2
Specify the range of images.
Select the fi rst image (start point).
Next, select the last image (end point).
The images in the specifi ed range will
be protected and the <
J
> icon will
appear.
To select another image to be protected,
repeat step 2.
348
Protecting images
Protecting All Images in a Folder or on a Card
You can protect all the images in a folder or on a card at once.
When you select [All images in folder]
or [All images on card] in [
3
: Protect
images], all the images in the folder or on
the card will be protected.
To cancel the selection, select [Unprotect
all images in folder] or [Unprotect all
images on card].
If the search conditions are set with [
3
: Set image search conditions]
(
=
385), the display will change to [All found images] and [Unprotect all
found].
If you select [All found images], all the
images fi ltered by the search conditions will
be protected.
If you select [Unprotect all found], the
protection of all the fi ltered images will be
canceled.
o
If you format the card (
=
511), the protected images will also be erased.
o
Once an image is protected, it cannot be erased by the camera’s erase
function. To erase a protected image, you must fi rst cancel the protection.
o
If you erase all the images (
=
353), only the protected images will remain.
This is convenient when you want to erase all unnecessary images at once.
349
Image Rotation
You can use this feature to rotate the displayed image to the desired
orientation.
1
Select [3: Rotate image].
2
Select an image.
Select with <
5
>.
3
Rotate the image.
Each time you press <
0
>, the image
will rotate clockwise as follows: 90° →
270° → 0°.
To rotate another image, repeat steps 2
and 3.
o
If you set [
5
: Auto rotate] to [On
z
D
] (
=
510) before taking vertical
shots, you need not rotate the image with this function.
o
If the rotated image is not displayed in the rotated orientation during image
playback, set [
5
: Auto rotate] to [On
z
D
].
350
Erasing Images
You can either select and erase unnecessary images one by one or erase
them in one batch. Protected images (
=
346) will not be erased.
o
Once an image is erased, it cannot be recovered. Make sure you no
longer need the image before erasing it. T
o prevent important images
from being erased accidentally, protect them.
Erasing a Single Image
1
Select the image to be erased.
Press the <
x
> button.
Select with <
5
>.
2
Press the <L> button.
3
Erase the images.
JPEG or RAW images or movies
Select [Erase].
RAW+JPEG images
Select an item.
351
Erasing Images
Checkmarking [
X
] Images to Be Erased in a Batch
By adding checkmarks to the images to be erased, you can erase all those
images at once.
1
Select [3: Erase images].
2
Select [Select and erase images].
3
Select an image.
Turn the <
5
> dial to select the image
to be erased, then press <
0
>.
To select another image to be erased,
repeat step 3.
4
Erase the images.
Press the <
L
> button, then press [OK].
352
Erasing Images
Specifying the Range of Images to Be Erased
While looking at the images in the index display, you can specify the fi rst
and last images for a range to erase all the specifi ed images at once.
1
Select [Select range].
Select [Select range].
2
Specify the range of images.
Select the fi rst image (start point).
Next, select the last image (end point).
3
Press the <L> button.
4
Erase the images.
Select [OK].
353
Erasing Images
Erasing All Images in a Folder or on a Card
When [
3
: Erase images] is set to [All
images in folder] or [All images on card],
all the images in the folder or on the card
will be erased.
If the search conditions are set with [
3
: Set image search conditions]
(
=
385), the display will change to [All found images].
If you select [All found images], all the
images fi ltered by the search conditions will
be erased.
o
To erase all the images including protected images, format the card (
=
511).
354
Digital Print Order Format (DPOF)
DPOF (Digital Print Order Format) enables you to print images recorded on
the card according to your printing instructions such as the image selection,
quantity to print, etc. You can print multiple images in one batch or create a
print order for a photofi nisher.
You can set the print settings such as print type, date imprinting, fi le number
imprinting, etc. The print settings will be applied to all the images specifi ed
for printing. (They cannot be set individually for each image.)
Print Options
1
Select [3: Print order].
2
Select [Set up].
3
Set the options as desired.
Set the [Print type], [Date], and [File
No.].
Print type
K
Standard Prints one image on one sheet.
L
Index
Multiple thumbnail images are printed on one
sheet.
K
Both Prints both the standard and index prints.
L
Date
On
[On] imprints the recorded date of the captured image.
Off
File number
On
[On] imprints the fi le number.
Off
355
Digital Print Order Format (DPOF)
4
Exit the setting.
Press the <
M
> button.
Next, select [Sel.Image] or [Multiple] to
specify the images to be printed.
o
If you print an image with a large image size using the [Index] or [Both]
setting (
=
354), the index print may not be printed with certain printers. In
this case, resize the image (
=
379), then print the index print.
o
Even if [Date] and [File No.] are set to [On], the date or fi
le number may not
be imprinted, depending on the print type setting and printer.
o
With [Index] prints, the [Date] and [File No.] cannot both be set to [On]
at the
same time.
o
When printing with DPOF, use the card for which print order specifi
cations are
set. You cannot print in the specifi ed print order if you extract just the images
from the card for printing.
o
Certain DPOF-compliant printers and photofi nishers may not be able to print
the images as you specifi
ed. Refer to the printer’s instruction manual before
printing, or check with your photofi nisher about compatibility when ordering
prints.
o
Do not use this camera to confi
gure print settings for images with DPOF
settings set up on another camera.
All the print orders may be overwritten
inadvertently. Also, the print order may not be possible, depending on the
image type.
356
Digital Print Order Format (DPOF)
Selection of Images for Printing
Selecting Images
Select and specify the images one by
one.
Press the <
M
> button to save the
print order to the card.
(1) (2)
Standard/Both
Press <
0
> to print a copy of the
displayed image. By turning the <
5
>
dial, you can specify to print up to 99
copies.
(1) Quantity
(2) Total images selected
(3) (4)
Index
Press <
0
> to add a checkmark to the
box [
X
]. The image will be included in
the index print.
(3) Checkmark
(4) Index icon
Selecting Multiple Images
Select Range
Under [Multiple], select [Select range].
Selecting the fi rst and last images of the
range marks all the images in the range
with a checkmark [
X
], and one copy of
each image will be printed.
357
Digital Print Order Format (DPOF)
All Images in a Folder
Select [Mark all in folder] and select the folder. A print order for one
copy of all the images in the folder will be specifi ed.
If you select [Clear all in folder] and select the folder, the print order
for all the images in the folder will be canceled.
All Images on a Card
If you select [Mark all on card], one copy of all the images on the
card will be specifi ed for printing.
If you select [Clear all on card], the print order will be cleared for all
the images on the card.
If the search conditions are set with [
3
: Set image search conditions]
(
=
385) and you select [Multiple], the display will change to [Mark all
found images] and [Clear all found images].
All Found Images
If you select [Mark all found images], one copy of all the images
fi ltered by the search conditions will be specifi ed for printing.
If you select [Clear all found images], all the print order of the fi ltered
images will be cleared.
o
RAW images or movies cannot be specifi ed for printing. Note that RAW
images or movies will not be specifi ed for printing even if you specify all
images with [Multiple].
o
When using a PictBridge-compatible printer, do not specify more than 400
images for one print order
. If you specify more than this, the images may not
all be printed.
358
Specifying Images for a Photobook
You can specify up to 998 images for printing in a photobook. When you use
EOS Utility (EOS software) to import images to a computer, the specifi ed
images for a photobook will be copied to a dedicated folder. This function is
useful for ordering photobooks online.
Specifying One Image at a Time
1
Select [3: Photobook Set-up].
2
Select [Select images].
3
Select the image to be specifi ed.
Turn the <
5
> dial to select the image to
be specifi ed for a photobook, then press
<
0
>.
To select other images to be specifi ed
for a photobook, repeat step 3.
359
Specifying Images for a Photobook
Specifying the Image Range for a Photobook
While looking at the images in the index display, you can specify the range
(start point to end point) of images to be specifi ed for a photobook at once.
1
Select [Multiple].
Under [
3
: Photobook Set-up], select
[Multiple].
2
Select [Select range].
3
Specify the range of images.
Select the fi rst image (start point).
Next, select the last image (end point).
A checkmark [
X
] will be appended to
all the images within the range between
fi rst and last images.
360
Specifying Images for a Photobook
Specifying All Images in a Folder or on a Card
You can specify all the images in a folder or on a card at once for a
photobook.
Under [
x
: Photobook Set-up], you can
set [Multiple] to [All images in folder]
or [All images on card] to specify all the
images in the folder or on the card for a
photobook.
To cancel the selection, select [Clear all in
folder] or [Clear all on card].
If the search conditions are set with [
3
: Set image search conditions]
(
=
385) and you select [Multiple], the display will change to [Mark all
found images] and [Clear all found images].
If you select [All found images], all the
images fi ltered by the search conditions will
be specifi ed for the photobook.
If you select [Clear all found images], all
the photobook order of the fi ltered images
will be cleared.
o
RAW images or movies cannot be specifi ed for the photobook. Note that RAW
images or movies will not be specifi ed for the photobook even if you specify all
images with [Multiple].
o
Do not use this camera to confi
gure photobook settings for images with
photobook settings set up on another camera. All the photobook settings may
be overwritten inadvertently.
361
Creative Filter Effects
You can apply the following fi lter processing to an image and save it as a
separate image: Grainy B/W, Soft focus, Fish-eye eff ect, Art bold eff ect,
Water painting eff ect, Toy camera eff ect, and Miniature eff ect.
1
Select [3: Creative fi lters].
2
Select an image.
Select an image with <
5
>, then press
<
0
>.
You can press the <
H
y
> button to
select the image using the index display
.
3
Select a fi lter eff ect (=362).
4
Adjust the fi lter eff ect.
Adjust the fi lter eff ect, then press <
0
>.
For the Miniature eff ect, press the <
W
>
<
X
> <
Y
> <
Z
> keys to move the white
frame indicating the area that looks
sharp, then press <
0
>.
362
Creative Filter Eff ects
5
Save the image.
Select [OK].
Check the destination folder and image
fi le number displayed, then select [OK].
To apply fi lter processing to other
images, repeat steps 2–5.
o
For images captured in RAW+JPEG shooting, fi lter processing is applied to
the RAW image, and the results are saved as a JPEG.
o
For RAW images captured at a specifi c aspect ratio, the resulting image is
saved at that aspect ratio after fi lter processing.
o
Images processed using the fi sh-eye eff ect fi lter will not have Dust Delete
Data (
=
241) appended.
Creative Filter Characteristics
I
Grainy B/W
Makes the image grainy and black and white. By adjusting the contrast,
you can change the black-and-white eff ect.
W
Soft focus
Gives the image a soft look. By adjusting the blur, you can change the
degree of softness.
363
Creative Filter Eff ects
X
Fish-eye eff
ect
Gives the eff ect of a fi sh-eye lens. The image will have barrel distortion.
Depending on the level of this fi lter eff ect, the area trimmed along the
periphery of the image changes. Also, because this fi lter eff ect magnifi es
the center of the image, the apparent resolution at the center may
degrade depending on the number of recorded pixels, so set the fi lter
eff ect in step 4 while checking the resulting image.
Y
Art bold eff ect
Makes the photo look like an oil painting and the subject look more three-
dimensional. By adjusting the eff ect, you can change the contrast and
saturation. Note that subjects such as the sky or white walls may not
be rendered with a smooth gradation and may look irregular or have
signifi cant noise.
Z
W
ater painting eff ect
Makes the photo look like a watercolor painting with soft colors. By
adjusting the eff ect, you can change the color density. Note that night
scenes or dark scenes may not be rendered with a smooth gradation and
may look irregular or have signifi cant noise.
H
T
oy camera eff ect
Shifts colors to those typical of toy cameras and darkens the four corners
of the image. Color tone options can be used to change the color cast.
c
Miniature eff
ect
Creates a diorama eff ect. You can change where the image looks sharp.
To switch between vertical and horizontal orientation of the sharp area
(white frame), press the <
B
> button in step 4 (or tap [
T
] on the
screen).
364
M
RAW Image Processing
You can process
1
or
F
images with the camera to create JPEG
images.
RAW images are not aff ected, so diff erent conditions can be
applied to create JPEGs.
You can also use Digital Photo Professional (EOS software) to process
RAW images.
1
Select [3: RAW image
processing].
2
Select an item, then select images.
You can select multiple images to
process at once.
Select images
Turn the <
5
> dial to select images to
process, then press <
0
>.
Press the <
Q
> button.
Select range
Select the fi rst image (start point).
Next, select the last image (end point).
Press the <
Q
> button.
365
RAW Image Processing
3
Set the desired processing
conditions.
Use shot settings
Images are processed using image
settings at the time of capture.
Customize RAW processing
Select an item with <
j
> <
9
>.
Turn the <
6
> or <
5
> dial to switch
the setting.
Press <
0
> to access the function
setting screen.
To return to the image settings at the
time of shooting, press the <
L
> button.
Comparison screen
You can switch between the [After
change] and [Shot settings] screens
by pressing the <
B
> button and
turning the <
5
> dial.
Items in orange on the [After change]
screen have been modifi ed since the
time of capture.
Press the <
M
> button.
4
Save the image.
When using [Customize RAW
processing], select [
W
] (Save).
Read the message and select [OK].
To process other images, select [Yes]
and repeat steps 2–4.
366
RAW Image Processing
5
Select the image to display.
Select [Original image] or [Processed
img.].
Magnifi ed View
You can magnify images displayed for [Customize RAW processing] by
pressing the <
v
> button. Magnifi cation varies depending on the [Image
quality] setting. With <
j
> <
9
>, you can scroll around the magnifi ed
image.
To cancel the magnifi ed view, tap [
2
] or press the <
r
> button.
Processing Images with Specifi ed Aspect Ratios
JPEG images at the specifi ed aspect ratio are created when you process
RAW images shot with [
z
: Still img aspect ratio] (
=
202) set to an
option other than [3:2].
o
Some settings cannot be changed when multiple-exposure
1
or
F
images are processed.
367
RAW Image Processing
RAW Image Processing Options
[ ] Brightness adjustment
You can adjust the image brightness up to ±1 stop in 1/3-stop increments.
[ ] White balance (
=
222)
You can select the white balance. If you select [
Q
], you can select [Auto:
Ambience priority] or [Auto: White priority]. If you select [
P
], you
can set the color temperature.
[ ] Picture Style (
=
230)
You can select the Picture Style. You can adjust the sharpness, contrast,
and other parameters.
[ ] Auto Lighting Optimizer (
=
218)
You can set the Auto Lighting Optimizer.
[ ] High ISO speed noise reduction (
=
239)
You can set the noise reduction processing for high ISO speeds. If the
eff ect is diffi cult to discern, magnify the image (
=
336).
[
73
] Image quality (
=
199)
You can set the image quality when creating a JPEG image.
368
RAW Image Processing
[ ] Color space (
=
229)
You can select either sRGB or Adobe RGB. Since the camera screen is
not compatible with Adobe RGB, the diff erence in the image will hardly be
perceptible when either color space is set.
[ ] Lens aberration correction
[ ] Peripheral illumination correction (
=
207)
A phenomenon that makes the image corners look darker due to the
lens characteristics can be corrected. If [Enable] is set, the corrected
image will be displayed. If the eff ect is diffi cult to discern, magnify
the image (
=
336) and check the four corners. The peripheral
illumination correction applied with the camera will be less pronounced
than that applied with the Digital Photo Professional (EOS software)
at maximum correction amount. If the eff ects of correction are not
apparent, use Digital Photo Professional to apply the peripheral
illumination correction.
[ ] Distortion correction (
=
207)
Image distortion due to lens characteristics can be corrected. If
[Enable] is set, the corrected image will be displayed. The image
periphery will be trimmed in the corrected image.
Since the image resolution may look slightly lower, adjust the
sharpness with the Picture Style’s [Sharpness] parameter setting as
necessary.
[ ] Digital Lens Optimizer (
=
208)
Correct lens aberration, diff raction, and low-pass fi lter-induced loss
of sharpness by applying optical design values. Selecting [Enable]
corrects both chromatic aberration and diff raction, although these
options are not displayed.
369
RAW Image Processing
[ ] Chromatic aberration correction (
=
209)
Chromatic aberrations (color fringing along the subject’s outline) due
to the lens characteristics can be corrected. If [Enable] is set, the
corrected image will be displayed. If the eff ect is diffi cult to discern,
magnify the image (
=
336).
[ ] Diff raction correction (
=
209)
The diff raction by the lens aperture degrading the image sharpness
can be corrected. If [Enable] is set, the corrected image will be
displayed. If the eff ect is diffi cult to discern, magnify the image
(
=
336).
o
Processing RAW images in the camera will not produce exactly the same
results as processing RAW images with Digital Photo Professional (EOS
software).
o
If you perform [Brightness adjustment], noise, banding, etc. may be
intensifi
ed with the eff ects of adjustment.
o
When [Digital Lens Optimizer] is set, noise may be intensifi ed together with
the eff
ects of correction. Image edges may also be emphasized. Adjust Picture
Style sharpness or set [Digital Lens Optimizer] to [Disable]
, as needed.
o
The eff ect of the lens aberration correction varies depending on the lens used
and shooting conditions. Also, the eff ect may be diffi cult to discern depending
on the lens used, shooting conditions, etc.
370
Processing With Your Preferred Effects
Applied (Creative Assist)
You can process RAW images by applying your preferred eff ects and saving
as JPEGs.
1
Select [3: Creative Assist].
2
Select an image.
Turn the <
5
> dial to select images to
process, then press <
0
>.
3
Select an eff ect level.
Use the <
Y
> <
Z
> keys to select the
eff ect.
By selecting [Preset] and pressing
<
0
>, you can choose [VIVID], [SOFT],
or other preset eff ects. [AUTO1],
[AUTO2], and [AUTO3] are eff ects
recommended by the camera based on
image conditions.
371
Processing With Your Preferred Eff ects Applied (Creative Assist)
You can select eff ects such as
[Brightness] or [Contrast] by pressing
<
0
> and then using the <
Y
> <
Z
>
keys.
Press <
0
> when adjustment is
fi nished.
To reset the eff ect, press the <
A
>
button.
To confi rm the eff ect, press the <
S
>
button.
4
Select [OK] to save the image.
372
Selecting the Type of RAW Image
Processing
You can select the type of RAW image processing performed from the Quick
Control screen.
1
Select [3: Quick Control RAW
processing].
2
Select an item.
Creative Assist
RAW processing that applies your
preferred eff ect (
=
370).
RAW image processing
RAW processing according to conditions
you specify (
=
364).
373
Red-Eye Correction
Automatically corrects relevant portions of images aff ected by red-eye. The
image can be saved as a separate fi le.
1
Select [3: Red-eye correction].
2
Select an image with <5>.
After image selection, either touch [
E
]
or press <
0
>.
White frames are displayed around
corrected image areas.
3
Select [OK].
The image is saved as a separate fi le.
o
Some images may not be corrected accurately.
374
Editing Video Snapshot Albums
1
Select [3: Create album].
2
Select an album to edit.
Press <
0
> to add a checkmark [
X
].
After selection, press the <
Q
> button.
3
Select an editing option.
375
Editing Video Snapshot Albums
Option Description
T
Rearrange video
snapshots
Turn the <
5
> dial to select a video snapshot to move, then
press <
0
>. Turn the <
5
> dial to move it, then press <
0
>.
L
Remove video
snapshot
Turn the <
5
> dial to select a video snapshot to delete, then
press <
0
>. Selected video snapshots are labeled [
L
]. To clear
the selection and remove [
L
], press <
0
> again.
7
Play video
snapshot
Turn the <
5
> dial to select a video snapshot to play, then press
<
0
>. Use the <
W
> <
X
> keys to adjust the volume.
4
Finish editing.
Press the <
M
> button when you are
fi nished editing.
Select [
W
] (Finish editing).
5
Save the image.
To play an album with background
music, use [Background music] to
select the music (
=
376).
To check your editing, select [Preview].
Selecting [Save] saves the edited album
as a new album.
o
Video snapshot albums can only be edited once.
376
Editing Video Snapshot Albums
Selection of Background Music
Albums and slideshows can be played with background music once you
copy the music to the card, using EOS Utility (EOS software).
1
Select [Background music].
Set [Background music] to [On].
2
Select the background music.
Turn the <
6
> dial to select the music,
then press <
0
>. For [Slide show], you
can select multiple tracks.
3
Listen to a sample.
To listen to a sample, press the <
B
>
button.
Use the <
W
> <
X
> keys to adjust the
volume. Press the <
B
> button again
to stop playback.
To delete the music, turn the <
6
> dial
to select it, then press the <
L
> button.
o
For instructions on copying background music to cards, refer to the EOS Utility
Instruction Manual.
377
Cropping JPEG Images
You can crop a captured JPEG image and save it as another image.
Cropping an image is possible only with JPEG images. Images shot in RAW
cannot be cropped.
1
Select [x: Cropping].
2
Select an image.
Turn the <
5
> dial to select the image
you want to crop.
3
Set the cropping frame.
Press <
0
> to display the cropping
frame.
The image area within the cropping
frame will be cropped.
Changing the Cropping Frame Size
Press the <
v
> button to change the cropping frame size. The smaller
the cropping frame, the more magnifi ed the cropped image will look.
Changing the Aspect Ratio and Orientation
Turn the <
5
> dial to select <
e
>. Press <
0
> to change the cropping
frame’s aspect ratio.
378
Cropping JPEG Images
Moving the Cropping Frame
Use <
j
> <
9
> to move the frame vertically or horizontally. Move the
cropping frame until it covers the desired image area.
Correcting the Tilt
You can correct image tilt by ±10°. Turn the <
5
> dial to select <
c
>,
then press <
0
>. While checking the tilt against the grid, turn the <
5
>
dial (in 0.1° increments) or tap the left or right wedge (in 0.5° increments)
on the upper left of the screen to correct the tilt. After completing the tilt
correction, press <
0
>.
4
Check the image area to be
cropped.
Turn the <
5
> dial to select <
b
>.
The image area to crop is displayed.
5
Save the image.
Turn the <
5
> dial to select <
W
>.
Select [OK] to save the cropped image.
Check the destination folder and image
fi le number, then select [OK].
To crop another image, repeat steps 2 to
5.
o
The position and size of the cropping frame may change depending on the
angle set for tilt correction.
o
Once a cropped image is saved, it cannot be cropped again or resized.
o
AF point display information (
=
392) and Dust Delete Data (
=
241) will not
be appended to the cropped images.
379
Resizing JPEG Images
You can resize a JPEG image to make the pixel count lower and save it as
a new image. Resizing an image is possible only with JPEG
3
,
4
, and
a
images. JPEG
b
and RAW images cannot be resized.
1
Select [3: Resize].
2
Select an image.
Turn the <
5
> dial to select the image
you want to resize.
(1)
3
Select the desired image size.
Press <
0
> to display the image sizes.
Select the desired image size (1).
4
Save the image.
Select [OK] to save the resized image.
Check the destination folder and image
fi le number, then select [OK].
To resize another image, repeat steps 2
to 4.
o
For details on image sizes of resized images, see
=
621.
380
Image Ratings
You can rate images on a scale of 1–5 (
l
/
m
/
n
/
o
/
p
). This function is
called rating.
* Rating images can help you organize them.
Rating a Single Image
1
Select [3: Rating].
2
Select [Select images].
3
Select the image to be rated.
Turn the <
5
> dial to select the image
to be rated.
4
Rate the image.
Press <
0
>, and a blue highlight frame
will appear as shown in the screen
shown on the left.
Use the <
W
> <
X
> keys to select a
rating mark, then press <
0
>.
When you append a rating mark to the
image, the number beside the set rating
will increase by one.
To rate another image, repeat steps 3
and 4.
381
Image Ratings
Rating by Specifying the Range
While looking at the images in the index display, you can specify the fi rst
and last images for a range to rate all the specifi ed images at once.
1
Select [Select range].
Select [Select range] in [
3
: Rating].
2
Specify the range of images.
Select the fi rst image (start point).
Next, select the last image (end point).
A checkmark [
X
] will be appended to
all the images within the range between
fi rst and last images.
3
Press the <Q> button.
4
Rate the image.
Turn the <
6
> dial to select a rating
mark, then select [OK].
All the images in the specifi ed range will
be rated (same rating) at once.
382
Image Ratings
Rating All Images in a Folder or on a Card
You can rate all the images in a folder or on a card at once.
Under [
3
: Rating], when you select [All
images in folder] or [All images on card],
all the images in the folder or on the card
will be rated.
Turn the <
6
> dial to select a rating, then
select [OK].
When you are not rating images or
cancelling the rating, select [OFF].
If the search conditions are set with [
3
: Set image search conditions]
(
=
385), the display will change to [All found images].
If you select [All found images], all the
images fi ltered by the search conditions will
be rated as specifi ed.
o
Values next to ratings are displayed as [###] if more than 1,000 images have
that rating.
o
With [
3
: Set image search conditions] and [
3
: Image jump w/
6
], you
can display only the images given a specifi c rating.
383
Image Slide Shows (Auto Playback)
You can play back the images on the card as an automatic slide show.
1
Specify the images to be played
back.
To play back all the images on the card,
go to step 2.
If you want to specify the images to be
played back in the slide show, fi lter the
images with [
3
: Set image search
conditions] (
=
385).
2
Select [3: Slide show].
3
Set the playback as desired.
Select [Set up].
Set the [Display time], [Repeat]
(repeated playback), and [Transition
eff ect] (eff ect when changing images)
for the still photos.
To play background music, use
[Background music] to select the
music (
=
376).
After completing the settings, press the
<
M
> button.
384
Image Slide Shows (Auto Playback)
Display time Repeat
Transition eff ect Background music
4
Start the slide show.
Select [Start].
After [Loading image...] is displayed,
the slide show will start.
5
Exit the slide show.
To exit the slide show and return to
the setting screen, press the <
M
>
button.
o
To pause the slide show, press <
0
>. During pause, [
G
] will be displayed on
the upper left of the image. Press <
0
> again to resume the slide show.
o
During the automatic playback of still photos, you can press the <
B
>
button to switch the display format (
=
332).
o
Volume during movie playback can be adjusted by turning the <
W
> <
X
> keys.
o
During auto playback or pause, you can turn the <
5
> dial to view another
image.
o
During auto playback, auto power off
will not take eff ect.
o
The display time may diff er depending on the image.
385
Filtering Images for Playback
You can fi lter image display according to your search conditions. After
setting the image search conditions, you can play back and display only the
found images.
You can also protect, rate, erase, play a slide show, and apply other
operations to fi ltered images.
1
Select [3: Set image search
conditions].
(1)
2
Set the search conditions.
Turn the <
5
> dial to select an item.
Turn the <
6
> dial to set the setting.
A checkmark [
X
] (1) is appended to the
left of the item. (Specifi ed as the search
condition.)
If you select the item and press the
<
B
> button, the checkmark [
X
] will
be removed. (The search condition is
canceled.)
Item Description
9
Rating Displays images with the selected (rating) condition.
d
Date Displays images taken on the selected shooting date.
n
Folder Displays images in the selected folder.
J
Protect Displays images with the selected (protect) condition.
f
Type of fi le Displays images in the selected fi le type.
386
Filtering Images for Playback
3
Apply the search conditions.
Press <
0
> and read the message
displayed.
Select [OK].
The search condition is specifi ed.
(2)
4
Display the found images.
Press the <
3
> button.
Only the images that match the set
conditions (fi ltered) will be played back.
When the images are fi ltered for display,
the screen will have an outer yellow
frame (2).
Clearing the Search Conditions
Access the screen in step 2, then press the <
L
> button to clear all the
search conditions.
o
If no images match the search conditions, <
0
> cannot be pressed in step 3.
o
Search conditions may be cleared if you perform power, card, or image editing
operations.
o
Auto power off time may be extended while the [
3
: Set image search
conditions] screen is displayed.
387
Jump Display (Jumping Through Images)
In the single-image display, you can turn the <
6
> dial to jump through the
images forward or backward according to the jump method set.
1
Select [x: Image jump w/6].
2
Select the jump method.
o
With [Jump images by the specifi ed number], you can turn the <
6
> dial
to select the number of images to jump by.
o
When you select [Display by image rating], turn the <
6
> dial to specify the
rating (
=
380). If you browse images with
9
selected, all the rated images
will be displayed.
388
Jump Display (Jumping Through Images)
(1) (2)
3
Browse by jumping.
Press the <
x
> button.
In the single-image display, turn the
<
6
> dial.
You can browse by the set method.
(1) Jump method
(2) Playback position
o
To search images by shooting date, select [
g
: Date].
o
To search images by folder, select [
h
: Folder].
o
If the card contains both movies and still photos, select [
i
: Movies] or [
j
:
Stills] to display one or the other.
389
Customizing Playback Information Display
You can specify screens and accompanying information displayed during
image playback.
1
Select [3: Playback information
display].
2
Add a checkmark [X] next to the
number of screens to display.
Select numbers with <
5
>.
Press <
0
> to add a checkmark [
X
].
Repeat these steps to add a checkmark
[
X
] to the number of each screen to
display, then select [OK].
Your selected information can be
accessed by pressing the <
B
> button
during playback, or by using the <
W
>
<
X
> keys when shooting information is
displayed.
Histogram
The brightness histogram shows the
exposure level distribution and overall
brightness. The RGB histogram is for
checking the color saturation and gradation.
You can switch the histogram displayed by
pressing the <
B
> button when <
z
>
is displayed in the lower left of the [
x
:
Playback information display] screen.
390
Customizing Playback Information Display
[Brightness] display
This histogram is a graph showing the distribution
of the image’s brightness level. The horizontal
axis indicates the brightness level (darker on the
left and brighter on the right) while the vertical
axis indicates how many pixels exist for each
brightness level. The more pixels there are
toward the left, the darker the image. The more
pixels there are toward the right, the brighter the
image. If there are too many pixels on the left, the
shadow detail will be lost. If there are too many
pixels on the right, the highlight detail will be lost.
The gradation in-between will be reproduced. By
checking the image and its brightness histogram,
you can see the exposure level inclination and
the overall gradation.
Dark image
Normal brightness
Bright image
Sample
Histograms
[RGB] display
This histogram is a graph showing the distribution of each primary
color’s brightness level in the image (RGB or red, green, and blue). The
horizontal axis indicates the color’s brightness level (darker on the left
and brighter on the right), while the vertical axis indicates how many
pixels exist for each color brightness level. The more pixels there are
toward the left, the darker and less prominent the color. The more pixels
there are toward the right, the brighter and denser the color. If there
are too many pixels on the left, the respective color information will be
lacking. If there are too many pixels on the right, the color will be too
saturated with no gradation. By checking the image’s RGB histogram,
you can see the color’s saturation and gradation condition, as well as
white balance inclination.
391
Displaying the Highlight Alert
You can specify blinking display of overexposed highlights on the playback
screen. To obtain more detailed gradation in the blinking areas where
you want the gradation to be faithfully reproduced, set the exposure
compensation to a negative amount and shoot again for a better result.
1
Select [3: Highlight alert].
2
Select [Enable].
392
AF Point Display
You can display the AF points that were used to focus, which will be outlined
in red on the playback screen. If automatic AF point selection is set, multiple
AF points may be displayed.
1
Select [3: AF point disp.].
2
Select [Enable].
393
Grid Display
You can display a grid over still photos shown in single-image display on
the playback screen. This function is convenient for checking the image’s
vertical or horizontal tilt as well as composition.
1
Select [3: Playback grid].
2
Select an item.
394
Specifying Initial Image Display When
Playback Begins
1
Select [3: View from last seen].
2
Select an item.
[Enable]: Playback resumes from the
last image displayed (except when you
have just fi nished shooting).
[Disable]: Playback resumes from your
most recent shot whenever the camera
is restarted.
395395
Wireless Features
This chapter describes how to connect the camera to a
smartphone wirelessly via Bluetooth
®
or Wi-Fi
®
and send images
to devices or Web services, how to control the camera from a
computer or wireless remote control, and other operations.
Important
Note that Canon cannot be held liable for any loss or damage
from erroneous wireless communication settings when using the
camera. In addition, Canon cannot be held liable for any other
loss or damage caused by use of the camera.
When using wireless communication functions, establish
appropriate security at your own risk and discretion. Canon
cannot be held liable for any loss or damage caused by
unauthorized access or other security breaches.
396
Tab Menus: Wireless Tab
Wireless 1
=
397
=
470
=
471
=
472
=
473
=
480
o
Wireless communication is not available while the camera is connected via an
interface cable to a computer or other device.
o
Other devices, such as computers, cannot be used with the camera by
connecting them with an interface cable while the camera is connected to
devices via Wi-Fi.
o
The camera cannot be connected via Wi-Fi if there is no card in the camera
(except for [
D
]).
Also, for [
l
] and Web services, the camera cannot be
connected via Wi-Fi if there are no images saved on the card.
o
The Wi-Fi connection will be terminated if you set the camera’s power to
<
2
>, or open the card slot/battery compartment cover
.
o
With a Wi-Fi connection established, the camera’s auto power off does not
function.
397
Selection of Wi-Fi/Bluetooth Connection
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select an item for the camera to
connect to.
q
Connect to smartphone
(
=
399)
Control the camera remotely and browse images on the camera over a
Wi-Fi connection by using the dedicated Camera Connect app on
smartphones or tablets (collectively referred to as “smartphones” in this
manual).
D
Use with EOS software or other dedicated software
(
=
426)
Connect the camera to a computer via Wi-Fi and operate the camera
remotely using EOS Utility (EOS software). With the dedicated application
Image Transfer Utility 2, images on the camera can also be sent to a
computer automatically.
l
Print from Wi-Fi printer
(
=
434)
Connect the camera to a printer supporting PictBridge (Wireless LAN) via
Wi-Fi to print images.
398
Selection of Wi-Fi/Bluetooth Connection
R
Upload to Web service (
=
444)
Share images with friends or family on social media or the CANON iMAGE
GATEWAY online photo service for Canon customers after you complete
member registration (free of charge).
K
Connect to Wireless Remote
This camera can also be connected to Wireless Remote Control BR-E1 (sold
separately) via Bluetooth for remote control shooting (
=
464).
399
Connecting to a Smartphone
You can do the following after pairing the camera with a smartphone
compatible with Bluetooth low energy technology (hereafter, “Bluetooth”).
Establish a Wi-Fi connection using only the smartphone (
=
400).
Establish a Wi-Fi connection with the camera even when it is off (
=
405).
Geotag images with GPS information acquired by the smartphone
(
=
475).
Control the camera remotely from a smartphone (
=
404).
You can also do the following after connecting the camera to a smartphone
via Wi-Fi.
Browse and save images on the camera from a smartphone (
=
404).
Control the camera remotely from a smartphone (
=
404).
Send images to a smartphone from the camera (
=
413).
Turning on Bluetooth and Wi-Fi on a Smartphone
Turn on Bluetooth and Wi-Fi from the smartphone settings screen. Note that
pairing with the camera is not possible from the smartphone’s Bluetooth
settings screen.
o
To establish a Wi-Fi connection via an access point, see “Wi-Fi Connection via
Access Points” (
=
458).
Installing Camera Connect on a Smartphone
The dedicated app Camera Connect (free of charge) must be installed on
the smartphone on which Android or iOS is installed.
Use the latest version of the smartphone OS.
Camera Connect can be installed from Google Play or App Store. Google
Play or App Store can also be accessed using the QR codes that appear
when the camera is paired or connected via Wi-Fi to a smartphone.
o
For the operating system versions supported by Camera Connect, refer to the
download site of Camera Connect.
o
Sample screens and other details in this guide may not match the actual user
interface elements after camera fi rmware updates or updates to Camera
Connect, Android, or iOS.
400
Connecting to a Smartphone
Connecting to a Bluetooth-compatible Smartphone via Wi-Fi
Steps on the Camera (1)
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select [qConnect to smartphone].
3
Select [Add a device to connect to].
4
Select an item.
If Camera Connect is already installed,
select [Do not display].
If Camera Connect is not installed,
select [Android] or [iOS], scan the
displayed QR code with the smartphone
to access Google Play or App Store and
install Camera Connect.
401
Connecting to a Smartphone
5
Select [Pair via Bluetooth].
Pairing now begins.
To pair with a diff erent smartphone after
pairing with one initially, select [OK] on
the screen at left.
Steps on the Smartphone (1)
6
Start Camera Connect.
7
Tap the camera for pairing.
If you are using an Android smartphone,
go to step 9.
8
Tap on [Pair] (iOS only).
402
Connecting to a Smartphone
Steps on the Camera (2)
9
Select [OK].
10
Press <0>.
Pairing is now complete, and the camera
is connected to the smartphone via
Bluetooth.
A Bluetooth icon appears on the main
Camera Connect screen.
o
The camera cannot be connected to two or more devices at the same time via
Bluetooth. To switch to a diff erent smartphone for the Bluetooth connection,
see
=
478.
o
Bluetooth connection consumes battery power even after the camera’
s auto
power off is activated. Therefore, the battery level may be low when you use
the camera.
Troubleshooting Pairing
o
Keeping pairing records for previously paired cameras on your smartphone
will prevent it from pairing with this camera. Before you try pairing again,
remove pairing records for previously paired cameras from your smartphone’s
Bluetooth settings screen.
o
With a Bluetooth connection established, you can operate the camera to send
images to the smartphone (
=
413).
403
Connecting to a Smartphone
Steps on the Smartphone (2)
11
Tap on a Camera Connect function.
In iOS, tap [Join] when a message is
displayed to confi rm camera connection.
For the Camera Connect functions, see
=
404.
When a Wi-Fi connection is established,
the screen for the selected function will
appear.
[
q
Wi-Fi on] is displayed on the camera.
The Bluetooth and Wi-Fi icons are lit on
the main Camera Connect screen.
The Wi-Fi connection to a Bluetooth-compatible smartphone is now
complete.
For how to terminate the Wi-Fi connection, see “Terminating Wi-Fi
Connections” (
=
421).
Terminating the Wi-Fi connection will switch the camera to the Bluetooth
connection.
To reconnect via Wi-Fi, start Camera Connect and tap the function you
will use.
[
q
Wi-Fi on] Screen
Disconnect,exit
Terminates the Wi-Fi connection.
Confi rm set.
You can check the settings.
Error details
When a Wi-Fi connection error occurs, you can check the details of the
error.
404
Connecting to a Smartphone
Camera Connect Functions
Images on camera
Images can be browsed, deleted, or rated.
Images can be saved on a smartphone.
Remote live view shooting
Enables remote shooting as you view a live image on the smartphone.
Auto transfer
Enables camera and app setting adjustment to send shots to a
smartphone automatically as they are captured (
=
412).
Bluetooth remote controller
Enables remote control of the camera from a smartphone paired via
Bluetooth. (Not available when connected via Wi-Fi.)
Auto power off is disabled while you are using the Bluetooth remote
controller feature.
Location information
Not supported on this camera.
Camera settings
Camera settings can be changed.
405
Connecting to a Smartphone
Maintaining a Wi-Fi Connection When the Camera Is Off
Even when the camera power switch is set to <
2
>, as long as it is paired
to a smartphone via Bluetooth, you can use the smartphone to connect via
Wi-Fi.
1
Select [k: Bluetooth settings].
2
Set [Stay conn. if off ] to [Enable].
With the camera power switch set to
<
2
>, tap [Images on camera] in the
Camera Connect menu to start the Wi-Fi
connection.
In iOS, tap [Join] when a message is
displayed to confi rm camera connection.
Images on the camera are listed when
the Wi-Fi connection is established.
You can use Camera Connect to save images to the smartphone, and
you can delete images on the camera.
To terminate the Wi-Fi connection, tap on [
] on the main Camera
Connect screen (
=
421).
o
This function can no longer be used if the wireless settings are reset or the
smartphone connection information is erased.
406
Connecting to a Smartphone
Canceling the Pairing
Cancel pairing with a smartphone as follows.
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select [qConnect to smartphone].
If the history (
=
467) is displayed,
switch the screen with the <
Y
> <
Z
>
keys.
3
Select [Edit/delete device].
4
Select the smartphone to cancel
paring with.
Smartphones currently paired with the
camera are labeled [
s
].
407
Connecting to a Smartphone
5
Select [Delete connection
information].
6
Select [OK].
7
Clear the camera information on
the smartphone.
In the smartphone’s Bluetooth setting
menu, clear the camera information
registered on the smartphone.
408
Connecting to a Smartphone
Wi-Fi Connection Without Using Bluetooth
Steps on the Camera (1)
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select [qConnect to smartphone].
If the history (
=
467) is displayed,
switch the screen with the <
Y
> <
Z
>
keys.
3
Select [Add a device to connect to].
4
Select an item.
If Camera Connect is already installed,
select [Do not display].
409
Connecting to a Smartphone
5
Select [Connect via Wi-Fi].
(1)
(2)
6
Check the SSID (network name)
and password.
Check the SSID (1) and password (2)
displayed on the camera screen.
In [Wi-Fi settings], if you set
[Password] to [None], the password will
not be displayed or required (
=
470).
o
By selecting [Switch network] in step 6, you can establish a Wi-Fi connection
via an access point (
=
458).
410
Connecting to a Smartphone
Steps on the Smartphone
Smartphone’s screen
(sample)
7
Operate the smartphone to
establish a Wi-Fi connection.
Activate the smartphone’s Wi-Fi
function, then tap the SSID (network
name) checked in step 6.
For the password, enter the password
checked in step 6.
8
Start Camera Connect and tap the
camera to connect to via Wi-Fi.
Steps on the Camera (2)
9
Select [OK].
To specify viewable images, press the
<
B
> button. See step 5 on
=
423
to set them.
411
Connecting to a Smartphone
The main window of Camera Connect
will be displayed on the smartphone.
The Wi-Fi connection to a smartphone is
now complete.
Operate the camera using Camera
Connect (
=
404).
For how to terminate the Wi-Fi connection, see “Terminating Wi-Fi
Connections” (
=
421).
To reconnect via Wi-Fi, see “Reconnecting via Wi-Fi” (
=
467).
o
When connected via Wi-Fi, you can send images to a smartphone from the
Quick Control screen during playback (
=
413).
412
Connecting to a Smartphone
Automatic Image Transfer as You Shoot
Your shots can be automatically sent to a smartphone. Before following
these steps, make sure the camera and smartphone are connected via
Wi-Fi.
1
Select [k: Wi-Fi settings].
2
Select [Send to smartphone after
shot].
3
In [Auto send], select [Enable].
4
Set [Size to send].
5
Take the picture.
413
Connecting to a Smartphone
Sending Images to a Smartphone from the Camera
You can use the camera to send images to a smartphone paired via
Bluetooth (Android devices only) or connected via Wi-Fi.
1
Play back the image.
2
Press the <Q> button.
3
Select [qSend images to
smartphone].
If you perform this step while connected
via Bluetooth, a message is displayed,
and the connection switches to a Wi-Fi
connection.
4
Select sending options and send
the images.
414
Connecting to a Smartphone
(1) Sending Images Individually
1
Select an image to send.
Press the <
Y
> <
Z
> keys or turn the
<
5
> dial to select an image to send,
then press <
0
>.
You can press the <
r
> button to
select the image using the index display.
2
Select [Send img shown].
In [Size to send], you can select the
image sending size.
When sending movies, you can select
the image quality of movies to send in
[Quality to send].
(2) Sending Multiple Selected Images
1
Press <0>.
2
Select [Send selected].
415
Connecting to a Smartphone
3
Select images to send.
Press the <
Y
> <
Z
> keys or turn the
<
5
> dial to select images to send, then
press <
0
>.
You can press the <
r
> button to
select the images from 3-image display.
To return to the single-image display,
press the <
v
> button.
After selecting the images to send, press
the <
Q
> button.
4
Select [Size to send].
On the displayed screen, select an
image size.
When sending movies, select the image
quality in [Quality to send].
5
Select [Send].
416
Connecting to a Smartphone
(3) Sending a Specifi ed Range of Images
1
Press <0>.
2
Select [Send range].
3
Specify the range of images.
Select the fi rst image (start point).
Select the last image (end point).
To cancel the selection, repeat this step.
You can press the <
r
> button to
change the number of images shown in
the index display.
4
Confi rm the range.
Press the <
M
> button.
417
Connecting to a Smartphone
5
Select [Size to send].
On the displayed screen, select an
image size.
When sending movies, select the image
quality in [Quality to send].
6
Select [Send].
418
Connecting to a Smartphone
(4) Sending All Images on the Card
1
Press <0>.
2
Select [Send all card].
3
Select [Size to send].
On the displayed screen, select an
image size.
When sending movies, select the image
quality in [Quality to send].
4
Select [Send].
419
Connecting to a Smartphone
(5) Sending Images that Match the Search Conditions
Send all the images that match the search conditions set in [Set image
search conditions] at once.
For [Set image search conditions], refer to “Filtering Images for Playback”
(
=
385).
1
Press <0>.
2
Select [Send all found].
3
Select [Size to send].
On the displayed screen, select an
image size.
When sending movies, select the image
quality in [Quality to send].
4
Select [Send].
420
Connecting to a Smartphone
Ending Image Transfer
Sending Images from the Camera When Paired via Bluetooth (Android)
Press the <
M
> button on the image
transfer screen.
Select [OK] on the screen on the left
to end image transfer and the Wi-Fi
connection.
Sending Images from the Camera over a Wi-Fi Connection
Press the <
M
> button on the image
transfer screen.
To terminate the Wi-Fi connection,
see “Terminating Wi-Fi Connections”
(
=
421).
421
Connecting to a Smartphone
o
During the image transfer operation, a picture cannot be taken even if the
camera’s shutter button is pressed.
o
You can cancel the image transfer by selecting [Cancel] during the transfer.
o
You can select up to 999 fi les at a time.
o
With a Wi-Fi connection established, disabling the smartphone’s power saving
function is recommended.
o
Selecting the reduced size for still photos applies to all still photos sent at that
time. Note that
b
size still photos are not reduced.
o
Selecting compression for movies applies to all movies sent at that time.
o
When you use a battery to power the camera, make sure it is fully charged.
Terminating Wi-Fi Connections
Perform either of the following operations.
On the Camera Connect screen, tap
on [
].
On the [qWi-Fi on] screen, select
[Disconnect,exit].
If the [
q
Wi-Fi on] screen is not
displayed, select [
k
: Wi-Fi/Bluetooth
connection].
Select [Disconnect,exit], then select
[OK] on the confi rmation dialog.
422
Connecting to a Smartphone
Settings to Make Images Viewable from Smartphones
Images can be specifi ed after the Wi-Fi connection is terminated.
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select [qConnect to smartphone].
If the history (
=
467) is displayed,
switch the screen with the <
Y
> <
Z
>
keys.
3
Select [ Edit/delete device].
4
Select a smartphone.
Select the name of the smartphone on
which you want to make the images
viewable.
423
Connecting to a Smartphone
5
Select [Viewable imgs].
6
Select an item.
Select [OK] to access the setting
screen.
[All images]
All images stored on the card become viewable.
[Images from past days]
Specify viewable images on the shooting-
date basis. Images shot up to nine days
ago can be specifi ed.
When [Images shot in past days] is
selected, images shot up to the specifi e
d
number of days before the current date
become viewable. Use the <
W
> <
X
>
keys to specify the number of days, then
press <
0
> to confi rm the selection.
Once you select [OK], the viewable
images are set.
o
If [Viewable imgs] is set to any setting other than [All images], remote
shooting is not possible.
424
Connecting to a Smartphone
[Select by rating]
Specify viewable images depending on
whether a rating is appended (or not
appended) or by the type of rating.
Once you select the type of rating, the
viewable images are set.
[File number range] (Select range)
(1) (2)
Select the fi rst and last images from images
arranged by the fi le number to specify the
viewable images.
1. Press <
0
> to display the image
selection screen.
Select an image using the <
Y
> <
Z
>
keys or <
5
> dial.
You can press the <
r
> button to
select the image using the index display.
2. Select an image as the starting point (1).
3. Use <
Z
> to select an image as the
ending point (2).
4. Select [OK].
425
Connecting to a Smartphone
o
If the Wi-Fi connection is terminated while recording a movie with remote
shooting, the following will occur.
• If the Live View shooting/Movie shooting switch is set to <
k
>, movie
recording will continue.
• If the Live View shooting/Movie shooting switch is set to <
A
>, movie
recording will stop.
o
With a Wi-Fi connection to a smartphone established, certain functions are
unavailable.
o
In remote shooting, the AF speed may become slower.
o
Depending on the communication status, image display or shutter release
timing may be delayed.
o
When saving images to a smartphone, you cannot take a picture even if you
press the camera’
s shutter button. Also, the camera screen may turn off .
o
With a Wi-Fi connection established, disabling the smartphone’s power saving
function is recommended.
426
Connecting to a Computer via Wi-Fi
This section describes how to connect the camera to a computer via
Wi-Fi and perform camera operations using EOS software or other
dedicated software. Install the latest version of software on the computer
before setting up a Wi-Fi connection.
For computer operating instructions, refer to the computer user manual.
Operating the Camera Using EOS Utility
Using EOS Utility (EOS software), you can import images from the camera,
control the camera, and perform other operations.
Steps on the Camera (1)
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select [DRemote control (EOS
Utility)].
If the history (
=
467) is displayed,
switch the screen with the <
Y
> <
Z
>
keys.
3
Select [Add a device to connect to].
427
Connecting to a Computer via Wi-Fi
(1)
(2)
4
Check the SSID (network name)
and password.
Check the SSID (1) and password (2)
displayed on the camera screen.
In [Wi-Fi settings], if you set
[Password] to [None], the password
will not be displayed or required. For
details, see
=
470.
Steps on the Computer (1)
Computer’s screen (sample)
5
Select the SSID, then enter the
password.
On the computer’s network setting
screen, select the SSID checked in step
4.
For the password, enter the password
checked in step 4.
428
Connecting to a Computer via Wi-Fi
Steps on the Camera (2)
6
Select [OK].
The following message is displayed.
“******” represents the last six digits of
the MAC address of the camera to be
connected.
Steps on the Computer (2)
7
Start EOS Utility.
8
In EOS Utility, click [Pairing over
Wi-Fi/LAN].
If a fi rewall-related message is
displayed, select [Yes].
9
Click [Connect].
Select the camera to connect to, then
click [Connect].
429
Connecting to a Computer via Wi-Fi
Steps on the Camera (2)
10
Establish a Wi-Fi connection.
Select [OK].
[
D
Wi-Fi on] Screen
Disconnect,exit
Terminates the Wi-Fi connection.
Confi rm set.
You can check the settings.
Error details
When a Wi-Fi connection error occurs,
you can check the details of the error.
The Wi-Fi connection to a computer is now complete.
Operate the camera using EOS Utility on the computer.
To reconnect via Wi-Fi, see “Reconnecting via Wi-Fi” (
=
467).
430
Connecting to a Computer via Wi-Fi
o
If the Wi-Fi connection is terminated while recording a movie with remote
shooting, the following will occur.
• If the Live View shooting/Movie shooting switch is set to <
k
>, movie
recording will continue.
• If the Live View shooting/Movie shooting switch is set to <
A
>, movie
recording will stop.
o
When the Live View shooting/Movie shooting switch is set to <
k
> and the
camera is set to the movie recording mode using EOS Utility
, you cannot
operate the camera to shoot.
o
With a Wi-Fi connection to EOS Utility established, certain functions are
unavailable.
o
In remote shooting, the AF speed may become slower.
o
Depending on the communication status, image display or shutter release
timing may be delayed.
o
In Remote Live View shooting, the rate of image transmission is slower
compared to a connection via an interface cable.
Therefore, mov
ing subjects
cannot be displayed smoothly.
431
Connecting to a Computer via Wi-Fi
Sending Images on the Camera Automatically
With the dedicated software Image Transfer Utility 2, you can send images
on the camera to a computer automatically.
Steps on the Computer (1)
1
Connect the computer and access
point and start Image Transfer
Utility 2.
The screen to set up pairing is shown
when you follow the instructions
displayed the fi rst time Image Transfer
Utility 2 starts up.
Steps on the Camera (1)
2
Select [Auto send images to
computer].
Select [
k
: Wi-Fi settings].
Select [Auto send images to
computer].
3
In [Auto send], select [Enable].
4
Select [OK].
432
Connecting to a Computer via Wi-Fi
5
Connect to an access point via
Wi-Fi.
Establish a Wi-Fi connection between
the camera and the access point
connected to the computer. For
connection instructions, see
“Wi-Fi Connection via Access Points”
(
=
458).
6
Select the computer to pair the
camera with.
Steps on the Computer (2)
7
Pair the camera and computer.
Select the camera, then click [Pairing].
433
Connecting to a Computer via Wi-Fi
Steps on the Camera (2)
8
Select [Auto send images to
computer].
Select [
k
: Wi-Fi settings].
Select [Auto send images to
computer].
9
Select [Image sending options].
10
Select what to send.
If you select [Selected imgs] in [Range
to send], specify the images to send on
the [Select images to send] screen.
After the settings are complete, turn the
camera off .
Images on the camera are automatically sent to the active computer when
you turn the camera on within range of the access point.
o
If images are not sent automatically, try restarting the camera.
434
Connecting to a Printer via Wi-Fi
This section describes how to print images by directly connecting the
camera to a printer supporting PictBridge (Wireless LAN) via Wi-Fi. For
printer operating instructions, refer to the printer user manual.
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select [lPrint from Wi-Fi printer].
If the history (
=
467) is displayed,
switch the screen with the <
Y
> <
Z
>
keys.
3
Select [Add a device to connect to].
(1)
(2)
4
Check the SSID (network name)
and password.
Check the SSID (1) and password (2)
displayed on the camera screen.
In [Wi-Fi settings], if you set
[Password] to [None], the password will
not be displayed or required (
=
470).
435
Connecting to a Printer via Wi-Fi
5
Set up the printer.
On the Wi-Fi settings menu of the printer
to be used, select the SSID you have
checked.
For the password, enter the password
checked in step 4.
6
Select the printer.
In the list of detected printers, select the
printer to connect to via Wi-Fi.
If your preferred printer is not listed,
selecting [Search again] may enable
the camera to fi nd and display it.
o
To establish a Wi-Fi connection via an access point, see “Wi-Fi Connection via
Access Points” (
=
458).
436
Connecting to a Printer via Wi-Fi
Image Printing
Printing Images Individually
1
Select the image to be printed.
Press the <
Y
> <
Z
> keys or turn the
<
5
> dial to select an image to print,
then press <
0
>.
You can press the <
r
> button to
select the image using the index display.
2
Select [Print image].
3
Print the image.
For the print setting procedures, see
=
439.
Select [Print], then [OK] to start printing.
437
Connecting to a Printer via Wi-Fi
Printing According to Specifi ed Image Options
1
Press <0>.
2
Select [Print order].
3
Set the printing options.
For the setting procedures, refer to
“Digital Print Order Format (DPOF)”
(
=
354).
If the print order is complete before
establishing a Wi-Fi connection, go to
step 4.
4
Select [Print].
[Print] can be selected only when an
image is selected and the printer is
ready to print.
5
Set the [Paper settings] (=439).
438
Connecting to a Printer via Wi-Fi
6
Print the image.
When [OK] is selected, printing starts.
o
Shooting is not possible while connected to a printer via Wi-Fi.
o
Movies cannot be printed.
o
Before printing, be sure to set the paper size.
o
Certain printers may not be able to imprint the fi le number.
o
If [Bordered] is set, certain printers may imprint the date on the border
.
o
Depending on the printer, the date may appear faint if it is imprinted on a
bright background or on the border.
o
RAW images cannot be printed by selecting [Print order]. When printing,
select [Print image] and print.
o
When you use a battery to power the camera, make sure it is fully charged.
o
Depending on the image’s fi le size and image quality, it may take some time to
start printing after you select [Print].
o
To stop printing, press <
0
> while [Stop] is displayed, then select [OK].
o
When printing with [Print order], if you stopped printing and want to resume
printing of the remaining images, select [Resume]. Note that printing will not
resume if any of the following occurs.
•
You change the print order or delete any of the print ordered images before
resuming printing.
• When index is set, you change the paper setting before resuming printing.
o
If a problem occurs during printing, see
=
443.
439
Connecting to a Printer via Wi-Fi
Print Settings
The screen display and setting options vary depending on the printer.
Also, certain settings may not be available. For details, refer to the printer’s
instruction manual.
Print setting screen
(1)
(2)
(3)
(4)
(5)
(6)
(
7
)(
8
)
(1) Sets date or fi le number printing (
=
441).
(2) Sets the printing eff ects (
=
441).
(3) Sets the number of copies to print (
=
441).
(4) Sets the print area (
=
442).
(5) Sets the paper size, type, and layout (
=
440).
(6) Returns to the image selection screen.
(7) Starts the printing.
(8) The paper size, type, and layout you have set are displayed.
* Depending on the printer, certain settings may not be selectable.
Paper Settings
Select [Paper settings].
440
Connecting to a Printer via Wi-Fi
[
Q
] Setting the Paper Size
Select the size of the paper in the
printer.
[
Y
] Setting the Paper Type
Select the type of the paper in the
printer.
[
U
] Setting the Page Layout
Select the page layout.
o
If the image’s aspect ratio is diff erent from the printing paper’s aspect ratio,
the image may be cropped signifi cantly when you print it as a borderless print.
Images may also be printed at lower resolution.
441
Connecting to a Printer via Wi-Fi
[
I
] Setting the Date/File Number Imprinting
Select [
I
].
Select what to print.
[
E
] Setting the Printing Eff ects (Image Optimization)
Select [
E
].
Select printing eff ects.
o
If you imprint shooting information on an image shot at an expanded ISO
speed (H), the correct ISO speed may not be imprinted.
o
The [Default] setting for printing eff ects and other options are the printer’s
own default settings as set by the printer’s manufacturer. Refer to the printer’
s
instruction manual to fi nd out what the [Default] settings are.
[
R
] Setting the Number of Copies
Select [
R
].
Select the number of copies to print.
442
Connecting to a Printer via Wi-Fi
Cropping the Image
Set cropping immediately before
printing. Changing other print settings after
you crop images may require you to crop
the images again.
1
On the print setting screen, select [Cropping].
2
Set the cropping frame size, position, and aspect ratio.
The image area within the cropping frame will be printed. The shape
of the frame (aspect ratio) can be changed with [Paper settings].
Changing the Cropping Frame Size
Turn the <
v
> <
r
> dial to change the cropping frame size.
Moving the Cropping Frame
Use <
j
> <
9
> to move the frame vertically or horizontally.
Switching the Orientation of the Cropping Frame
Pressing the <
B
> button will toggle the cropping frame between the
vertical and horizontal orientations.
3
Press <0> to exit the cropping.
You can check the cropped image area on the upper left of the print
setting screen.
443
Connecting to a Printer via Wi-Fi
o
Depending on the printer, the cropped image area may not be printed as you
specifi ed.
o
The smaller the cropping frame, the lower the resolution at which images are
printed.
Handling Printer Errors
o
If printing does not resume after you resolve a printer error (no ink, no paper,
etc.) and select [Continue], operate the buttons on the printer. For details on
resuming printing, refer to the printer’s instruction manual.
Error Messages
o
If a problem occurs during printing, an error message will appear on the
camera screen. After fi xing the problem, resume printing. For details on how to
fi x a printing problem, refer to the printer’s instruction manual.
Paper Error
o
Confi rm that paper is loaded correctly.
Ink Error
o
Check the printer’s ink level and the waste ink tank.
Hardware Error
o
Check for any printer problems other than paper and ink problems.
File Error
o
The selected image cannot be printed. Images taken with a diff erent camera
or images edited with a computer may not be printable.
444
Sending Images to a Web Service
This section describes how to use Web services to send images.
Registering Web Services
Use a smartphone or computer to add your Web services to the camera.
A smartphone or computer with a browser and Internet connection is
required to complete camera settings for CANON iMAGE GATEWAY and
other Web services.
Visit the CANON iMAGE GATEWAY website for details on versions of
browsers (such as Microsoft Internet Explorer) and settings required for
CANON iMAGE GATEWAY access.
For information on countries and regions where CANON iMAGE
GATEWAY is available, visit the Canon website (http://www.canon.com/
cig/).
For CANON iMAGE GATEWAY instructions and setting details, refer to
the help information for CANON iMAGE GATEWAY.
If you also intend to use Web services other than CANON iMAGE
GATEWAY, you must have an account with the services you intend to
use. For further details, check the websites for each Web service you will
register.
Fees to connect to your provider and communication fees to access your
provider’s access point are charged separately.
445
Sending Images to a Web Service
Registering CANON iMAGE GATEWAY
Link the camera and CANON iMAGE GATEWAY by adding CANON iMAGE
GATEWAY as a destination Web service on the camera.
You will need to enter an email address used on your computer or
smartphone.
Steps on the Camera (1)
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select [RUpload to Web service].
3
Select [I Agree].
4
Establish a Wi-Fi connection.
Connect to an access point via Wi-Fi.
Go to step 6 on
=
460.
446
Sending Images to a Web Service
5
Enter your email address.
Enter your email address, then select
[OK].
6
Enter a four-digit number.
Enter a four-digit number of your choice,
then select [OK].
7
Select [OK].
The [
R
] icon changes to [
].
447
Sending Images to a Web Service
Steps on the Computer or Smartphone
8
Set up camera web link.
Access the page in the notifi cation
message.
Follow the instructions to complete the
settings on the camera web link settings
page.
Steps on the Camera (2)
9
Add CANON iMAGE GATEWAY as a
destination.
Select [
].
CANON iMAGE GATEWAY is now
added.
448
Sending Images to a Web Service
Registering Other Web Services
Steps on the Computer or Smartphone
1
Confi gure the Web service you
want to use.
Visit the CANON iMAGE GATEWAY
website and access the camera web link
settings page.
Follow the on-screen instructions to
complete settings for Web services you
want to use.
Steps on the Camera
2
Add the Web service you
confi gured as a destination.
Select [
k
: Wi-Fi/Bluetooth
connection].
Select [
].
449
Sending Images to a Web Service
Sending Images
You can share images with your family and friends by sending images from
the camera to a Web service registered on the camera or by sending Web
links of the online albums.
Connecting to Web Services via Wi-Fi
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select a Web service.
If the history (
=
467) is displayed,
switch the screen with the <
Y
> <
Z
>
keys.
A screen to select a destination may be
displayed, depending on the type and
settings of the Web service (
=
462).
450
Sending Images to a Web Service
Sending Images Individually
1
Select an image to send.
Press the <
Y
> <
Z
> keys or turn the
<
5
> dial to select an image to send,
then press <
0
>.
You can press the <
r
> button to
select the image using the index display.
2
Select [Send img shown].
In [Size to send], you can select the
image sending size.
On the screen after images are sent,
select [OK] to end the Wi-Fi connection.
When the [Terms of use] screen is
displayed, thoroughly read the message,
then select [I Agree].
To scroll the screen, use the <
W
> <
X
>
keys.
451
Sending Images to a Web Service
Sending Multiple Selected Images
1
Press <0>.
2
Select [Send selected].
3
Select images to send.
Press the <
Y
> <
Z
> keys or turn the
<
5
> dial to select images to send, then
press <
0
>.
You can press the <
r
> button to
select the image from 3-image display.
To return to the single-image display,
press the <
v
> button.
After selecting the images to send, press
the <
Q
> button.
452
Sending Images to a Web Service
4
Select [Size to send].
When YouTube is selected as the
destination, [Size to send] is not
displayed.
On the displayed screen, select an
image size.
5
Select [Send].
On the screen after images are sent,
select [OK] to end the Wi-Fi connection.
When the [Terms of use] screen is
displayed, thoroughly read the message,
then select [I Agree].
To scroll the screen, use the <
W
> <
X
>
keys.
453
Sending Images to a Web Service
Sending a Specifi ed Range of Images
Specify the range of images to send all the images in the range at once.
1
Press <0>.
2
Select [Send range].
3
Specify the range of images.
Select the fi rst image (start point).
Select the last image (end point).
Images will be selected and [
X
] will
appear.
To cancel the selection, repeat this step.
You can press the <
r
> button to
change the number of images shown in
the index display
.
4
Confi rm the range.
Press the <
Q
> button.
454
Sending Images to a Web Service
5
Select [Size to send].
On the displayed screen, select an
image size.
6
Select [Send].
On the screen after images are sent,
select [OK] to end the Wi-Fi connection.
When the [Terms of use] screen is
displayed, thoroughly read the message,
then select [I Agree].
To scroll the screen, use the <
W
> <
X
>
keys.
Sending All Images on the Card
1
Press <0>.
2
Select [Send all card].
455
Sending Images to a Web Service
3
Select [Size to send].
On the displayed screen, select an
image size.
4
Select [Send].
On the screen after images are sent,
select [OK] to end the Wi-Fi connection.
When the [Terms of use] screen is
displayed, thoroughly read the message,
then select [I Agree].
To scroll the screen, use the <
W
> <
X
>
keys.
456
Sending Images to a Web Service
Sending Images that Match the Search Conditions
Send all the images that match the search conditions set in [Set image
search conditions] at once.
For [Set image search conditions], refer to “Filtering Images for Playback”
(
=
385).
1
Press <0>.
2
Select [Send all found].
3
Select [Size to send].
On the displayed screen, select an
image size.
457
Sending Images to a Web Service
4
Select [Send].
On the screen after images are sent,
select [OK] to end the Wi-Fi connection.
When the [Terms of use] screen is
displayed, thoroughly read the message,
then select [I Agree].
To scroll the screen, use the <
W
> <
X
>
keys.
o
With a Wi-Fi connection to a Web service established, a picture cannot be
taken even if the camera’s shutter button is pressed.
o
When sending an image to a Web service other than CANON iMAGE
GATEWAY, a send error message may not be displayed even if the image has
not been sent to the Web service successfully. Since such send errors can be
checked on the CANON iMAGE GA
TEWAY site, check the error content, then
try sending the image again.
o
Depending on the Web service, the type or number of images that can be sent
and the length of movies will be limited.
o
Certain images may not be able to be sent with [Send range], [Send all
card], or [Send all found].
o
When you reduce the image size, all images to be sent at the same time are
resized. Note that movies or
b
size still photos are not reduced.
o
[Reduced] is enabled only for still photos shot with cameras of the same
model as this camera. Still photos shot with other models are sent without
resizing.
o
When accessing CANON iMAGE GATEWAY, you can check the send history
for the W
eb services that the images were sent to.
o
When you use a battery to power the camera, make sure it is fully charged.
458
Wi-Fi Connection via Access Points
This section describes how to join a Wi-Fi network via an access point
compatible with WPS (PCB mode).
First, check the position of the WPS button and how long to press it.
It may take approx. one minute to establish a Wi-Fi connection.
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select an item.
If the history (
=
467) is displayed,
switch the screen with the <
Y
> <
Z
>
keys.
3
Select [Add a device to connect to].
When [
q
Connect to smartphone]
is selected, the screen on the left is
displayed. If Camera Connect is already
installed, select [Do not display].
On the [Connect to smartphone]
screen displayed next, select [Connect
via Wi-Fi].
460
Wi-Fi Connection via Access Points
6
Select [WPS (PBC mode)].
Select [OK].
7
Connect to the access point via
Wi-Fi.
Press the access point’s WPS button.
Select [OK].
8
Select [Auto setting].
Select [OK] to access the setting screen
for the Wi-Fi function.
If an error occurs with [Auto setting],
see
=
462.
461
Wi-Fi Connection via Access Points
9
Specify the settings for the Wi-Fi
function.
[qConnect to smartphone]
On the smartphone’s Wi-Fi setting
screen, tap the SSID (network name)
shown on the camera, then enter the
password of the access point for the
connection.
Go to step 8 on
=
410.
[DRemote control (EOS Utility)]
Go to step 7 or 8 on
=
428.
[lPrint from Wi-Fi printer]
Go to step 6 on
=
435.
Registering CANON iMAGE
GATEWAY
Go to step 5 on
=
446.
462
Wi-Fi Connection via Access Points
Send To Screen
A screen to select a destination may be displayed depending on the Web
service.
To register destinations or to specify the settings, you must use a computer.
For more information, refer to the EOS Utility Instruction Manual.
The [Send to] screen may be displayed.
Select the destination from the list of
registered destinations.
The procedures for setting up a
connection and sending images are the
same as those for other Web services.
Camera Access Point Mode
Camera access point mode is a connection
mode for connecting the camera directly to
each device via Wi-Fi.
Displayed when [
q
], [
D
], or [
l
] is
selected in [Wi-Fi function].
Manual IP Address Setup
The items displayed vary depending on the Wi-Fi function.
1
Select [Manual setting].
Select [OK].
463
Wi-Fi Connection via Access Points
2
Select an item.
Select an item to access the screen for
numerical input.
To use a gateway, select [Enable], then
select [Address].
3
Enter the desired values.
Turn the <
6
> dial to move the input
position in the upper area and use the
<
Y
> <
Z
> keys to select the number.
Press <
0
> to enter the selected
number.
To set the entered values and return to
the screen for step 2, press the <
M
>
button.
4
Select [OK].
When you have completed setting the
necessary items, select [OK].
If you are not sure what to enter, see
“Checking Network Settings” (
=
497),
or ask the network administrator or
another person knowledgeable about
the network.
464
Connecting to a Wireless Remote Control
This camera can also be connected to Wireless Remote Control BR-E1 (sold
separately) via Bluetooth for remote control shooting (
=
156).
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select [KConnect to Wireless
Remote].
3
Select [Add a device to connect to].
4
Press <0>.
5
Pair the devices.
When the [Pairing] screen appears,
press and hold the <W> and <T>
buttons on the BR-E1 simultaneously for
at least 3 sec.
After a message confi rms that the
camera is paired with the BR-E1, press
<
0
>.
465
Connecting to a Wireless Remote Control
6
Set up the camera for remote
shooting.
When shooting still photos, select [
Q
]
or [
k
] as the drive mode (
=
153).
When recording movies, set [
z
:
Remote control] to [Enable].
For instructions after the pairing
is complete, refer to the BR-E1’s
Instruction Manual.
o
Bluetooth connections consume battery power even after the camera’s auto
power off is activated.
o
When you do not use the Bluetooth function, setting it to [Disable] in step 1 is
recommended.
466
Connecting to a Wireless Remote Control
Canceling the Pairing
Before pairing with a diff erent BR-E1, clear the information about the
connected remote control.
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select [KConnect to Wireless
Remote].
3
Select [Delete connection
information].
4
Select [OK].
467
Reconnecting via Wi-Fi
Follow these steps to reconnect to devices or Web services with registered
connection settings.
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select an item.
Select the item to connect to via Wi-Fi
from the displayed history. If the item is
not displayed, use the <
Y
> <
Z
> keys
to switch screens.
If [Connection history] is set to
[Hide], the history will not be displayed
(
=
470).
3
Operate the connected device.
[q] Smartphone
Start Camera Connect.
If the smartphone’s connection destination has been changed,
restore the setting to connect via Wi-Fi to the camera or the same
access point as the camera.
When directly connecting the camera to a smartphone via Wi-Fi,
“_Canon0A” is displayed at the end of the SSID.
468
Reconnecting via Wi-Fi
[D] Computer
On the computer, start the EOS software.
If the computer’s connection destination has been changed, restore
the setting to connect via Wi-Fi to the camera or the same access
point as the camera.
When directly connecting the camera to a computer via Wi-Fi,
“_Canon0A” is displayed at the end of the SSID.
[l] Printer
If the printer’s connection destination has been changed, restore the
setting to connect via Wi-Fi to the camera or the same access point
as the camera.
When directly connecting the camera to a printer via Wi-Fi,
“_Canon0A” is displayed at the end of the SSID.
469
Registering Multiple Connection Settings
You can register up to 10 connection settings for the wireless communication
functions.
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select an item.
If the history (
=
467) is displayed,
switch the screen with the <
Y
> <
Z
>
keys.
For details on [
q
Connect to
smartphone], see “Connecting to a
Smartphone” (
=
399).
For details on [
D
Remote control (EOS
Utility)], see “Connecting to a Computer
via Wi-Fi” (
=
426).
For details on [
l
Print from Wi-Fi
printer], see “Connecting to a Printer
via Wi-Fi” (
=
434).
When sending images to a Web service,
see “Sending Images to a Web Service”
(
=
444).
o
To delete connection settings, see
=
478.
470
Wi-Fi Settings
1
Select [k: Wi-Fi settings].
2
Select an item.
Wi-Fi
When the use of electronic devices and wireless devices is prohibited,
such as on board airplanes or in hospitals, set it to [Disable].
Password
Set to [None] to allow a Wi-Fi connection to be established without a
password (except when connecting to an access point via Wi-Fi).
Connection history
You can set whether to [Show] or [Hide] the history of the Wi-Fi
connected devices.
Auto send images to computer
With the dedicated software Image Transfer Utility 2, you can send
images on the camera to a computer automatically (
=
431).
Send to smartphone after shot
Your shots can be sent to a smartphone automatically (
=
412).
MAC address
You can check the MAC address of the camera.
471
Bluetooth Settings
1
Select [k: Bluetooth settings].
2
Select an item.
Bluetooth
If you will not use the Bluetooth function, select [Disable].
Check connection information
You can check the name and communication status of the paired device.
Bluetooth address
You can check the camera’s Bluetooth address.
Stay conn. if off
Displayed after the camera is paired with a smartphone via Bluetooth.
Selecting [Enable] lets you view images on the camera and control it in
other ways by connecting via Wi-Fi even if the camera is off
(
=
405).
473
Geotagging Images with GPS Information
from Other Devices
You can geotag images with GPS Receiver GP-E2 (sold separately) or a
Bluetooth enabled smartphone.
GP-E2
1
Attach GP-E2 to the camera.
Attach GP-E2 to the camera’s hot shoe
and turn it on. For details, refer to the
GP-E2 Instruction Manual.
2
Select [k: GPS device settings].
3
In [Select GPS device], select [GPS
receiver].
4
Take the picture.
For details on [Set up], refer to the
GP-E2 Instruction Manual.
474
Geotagging Images with GPS Information from Other Devices
Precautions When Using GP-E2
o
Be sure to check the countries and regions where its use is allowed, and use
the function in accordance with the laws and regulations of the country or
region.
o
Make sure the GP-E2 fi rmware is updated to Ver. 2.0.0 or later. Firmware
updating requires an interface cable. For updating instructions, visit the Canon
website.
o
The cable cannot be used to connect the camera to the GP-E2.
o
The camera does not record the shooting direction.
475
Geotagging Images with GPS Information from Other Devices
Smartphone
Complete these settings after installing the dedicated Camera Connect app
(
=
399) on the smartphone.
1
On the smartphone, activate
location services.
2
Establish a Bluetooth connection.
Connect the camera to a smartphone
via Bluetooth (
=
400).
3
Select [k: GPS device settings].
4
Select [Smartphone] in [Select GPS
device].
After these settings are complete, start
Camera Connect.
5
Take the picture.
Images are geotagged with the
information from the smartphone.
476
Geotagging Images with GPS Information from Other Devices
GPS Connection Display
You can check the status of smartphone location information acquisition in
the GPS connection icon on the screens for still photo or movie shooting
(
=
623 and
=
625, respectively).
Gray: Location services are off
Blinking: Location information cannot be acquired
On: Location information acquired
For details on how GPS connection status is indicated when the GP-E2 is
used, refer to the GP-E2 Instruction Manual.
Geotagging images as you shoot
Images you shoot while the GPS icon is on are geotagged.
Geotagging information
You can check the location information added to your shots on the shooting
information screen (
=
332,
=
389).
(1)
(2)
(3)
(4)
(1) Latitude
(2) Longitude
(3) Elevation
(4) UTC (Coordinated Universal
Time)
477
Geotagging Images with GPS Information from Other Devices
o
The smartphone can acquire location information only while it is paired with
the camera via Bluetooth.
o
Direction information is not acquired.
o
Acquired location information may not be accurate, depending on traveling
conditions or smartphone status.
o
It may take some time to acquire location information from the smartphone
after you turn the camera on.
o
Location information is no longer acquired after any of the following
operations.
•
Pairing with a wireless remote control via Bluetooth
• Turning the camera off
• Quitting Camera Connect
• Deactivating location services on the smartphone
o
Location information is no longer acquired in any of the following situations.
•
The camera power turns off
•
The Bluetooth connection is ended
• The smartphone’s remaining battery level is low
o
Coordinated Universal Time, abbreviated as UTC, is essentially the same as
Greenwich Mean Time.
o
For movies, the GPS information initially acquired is added.
478
Changing or Deleting Connection Settings
To change or delete the connection settings, terminate the Wi-Fi connection
fi rst.
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Select an item.
If the history (
=
467) is displayed,
switch the screen with the <
Y
> <
Z
>
keys.
3
Select [Edit/delete device].
You can change the Bluetooth
connection by selecting a smartphone
labeled with [
s
] in gray. After the
[Connect to smartphone] screen is
displayed, select [Pair via Bluetooth],
then press <
0
> on the next screen.
4
Select the device for which to
change or delete the connection
settings.
479
Changing or Deleting Connection Settings
5
Select an item.
Change or delete the connection
settings on the displayed screen.
Change device nickname
You can change the nickname using the virtual keyboard (
=
482).
Viewable imgs (
=
422)
Displayed when [
q
Connect to smartphone] is selected. Settings will
appear at the bottom of the screen.
Delete connection information
When deleting connection information for a paired smartphone, also
delete the camera information registered on the smartphone (
=
406).
o
For Web services, visit the CANON iMAGE GATEWAY website to delete the
connection settings.
480
Clearing Wireless Communication Settings
to Default
All wireless communication settings can be deleted. By deleting the wireless
communication settings, you can prevent their information from being
exposed when you lend or give your camera to other people.
1
Select [k: Clear wireless settings].
2
Select [OK].
o
Performing [
5
: Clear all camera settings] does not delete the wireless
communication setting information.
o
If you have paired the camera with a smartphone, on the smartphone’s
Bluetooth settings screen, delete the connection information of the camera for
which you restored default wireless communication settings.
481
View Info Screen
You can check error details and the camera’s MAC address.
1
Select [k: Wi-Fi/Bluetooth
connection].
2
Press the <B> button.
The [View info] screen will appear.
When an error has occurred, press <
0
> to display the error content.
482
Virtual Keyboard Operations
(1) (2)
(3
)
(4
)
(5) (7) (8) (9)
(6)
(1) Input area, for entering text
(2) Cursor keys, for moving in the
input area
(3) Current no. of characters/no.
available
(4) Keyboard
(5) Switch input modes
(6) Space
(7) Delete a character in the input
area
(8) Change the type of keyboard
(9) Finish the text entry
Use <
j
> <
9
> to move within 2 and 4–8.
Press <
0
> to confi rm input or when switching input modes.
483
Responding to Error Messages
When an error occurs, display the details of the error by following one of the
procedures below. Then, eliminate the cause of the error by referring to the
examples shown in this chapter.
On the [View info] screen, press <
0
> (
=
481).
Select [Error details] on the [Wi-Fi on] screen.
Click the error code number’s page in the following chart to jump to the
corresponding page.
11 (
=
484) 12 (
=
484) 21 (
=
485) 22 (
=
486)
23 (
=
487) 61 (
=
488) 63 (
=
489) 64 (
=
489)
65 (
=
490) 66 (
=
490) 67 (
=
490) 68 (
=
491)
69 (
=
491) 91 (
=
491) 121 (
=
491) 125 (
=
492)
126 (
=
492) 127 (
=
492) 141 (
=
492) 142 (
=
492)
151 (
=
493) 152 (
=
493)
o
When an error occurs, [Err**] is displayed on the upper right of the
[Wi-Fi/Bluetooth connection] screen. It disappears when the camera’s
power is set to <
2
>.
484
Responding to Error Messages
11: Connection target not found
In the case of [
q
], is Camera Connect running?
g
Establish a connection using Camera Connect (
=
410).
In the case of [
D
], is the EOS software running?
g
Start the EOS software and reestablish the connection (
=
428).
In the case of [
l
], is the power of the printer on?
g
Turn on the printer.
Are the camera and the access point set to use the same password for
authentication?
g
This error occurs if the passwords do not match when the
authentication method for encryption is set to [Open system].
The setting is case-sensitive, so check upper- and lower-case
characters. Make sure that the correct password for authentication is
set on the camera (
=
482).
12: Connection target not found
Is the power of the target device and access point on?
g
Turn on the target device and access point, then wait a while. If a
connection still cannot be established, perform the procedures to
establish the connection again.
485
Responding to Error Messages
21: No address assigned by DHCP server
What to check on the camera
On the camera, IP address is set to [Auto setting]. Is this the correct
setting?
g
If no DHCP server is used, specify the settings after setting the IP
address to [Manual setting] on the camera (
=
462).
What to check on the DHCP server
Is the power of the DHCP server on?
g
Turn on the DHCP server.
Are there enough addresses for assignment by the DHCP server?
g
Increase the number of addresses assigned by the DHCP server.
g
Remove devices assigned addresses by the DHCP server from the
network to reduce the number of addresses in use.
Is the DHCP server working correctly?
g
Check the DHCP server settings to make sure it is working correctly
as a DHCP server.
g
If applicable, ask your network administrator to ensure the DHCP
server is available.
486
Responding to Error Messages
22: No response from DNS server
What to check on the camera
On the camera, does the DNS server’s IP address setting match the
server’s actual address?
g
Set the IP address to [Manual setting]. Then, on the camera, set
the IP address that matches the address of the DNS server used
(
=
497,
=
462).
What to check on the DNS server
Is the power of the DNS server on?
g
Turn on the DNS server.
Are the DNS server settings for IP addresses and the corresponding
names correct?
g
On the DNS server, make sure IP addresses and the corresponding
names are entered correctly.
Is the DNS server working correctly?
g
Check the DNS server settings to make sure it is working correctly
as a DNS server.
g
If applicable, ask your network administrator to ensure the DNS
server is available.
What to check on the network as a whole
Does the network that you are trying to connect to via Wi-Fi include a
router or similar device that serves as a gateway?
g
If applicable, ask your network administrator for the network gateway
address and enter it on the camera (
=
497,
=
462).
g
Make sure that the gateway address setting is correctly entered on
all network devices including the camera.
487
Responding to Error Messages
23: Device with same IP address exists on selected network
What to check on the camera
Do the camera and another device connected via Wi-Fi to the same
network have the same IP address?
g
Change the camera’s IP address to avoid using the same address
as another device on the network. Otherwise, change the IP address
of the device that has a duplicate address.
g
If the camera’s IP address is set to [Manual setting] in network
environments using a DHCP server, change the setting to [Auto
setting] (
=
460).
Responding to Error Messages 21–23
o
Also check the following points when responding to errors numbered 21–23.
o
Are the camera and the access point set to use the same password for
authentication?
•
This error occurs if the passwords do not match when the authentication
method for encryption is set to [Open system]. The setting is
case-sensitive, so check upper- and lower-case characters. Make sure that
the correct password for authentication is set on the camera (
=
482).
488
Responding to Error Messages
61: Selected SSID wireless LAN network not found
Are any obstacles blocking the line of sight between the camera and the
antenna of the access point?
g
Move the antenna of the access point to a position clearly visible
from the point of view of the camera (
=
494).
What to check on the camera
Does the SSID set on the camera match that of the access point?
g
Check the SSID at the access point, then set the same SSID on the
camera.
What to check at the access point
Is the access point turned on?
g
Turn on the power of the access point.
If fi ltering by MAC address is active, is the MAC address of the camera in
use registered at the access point?
g
Register the MAC address of the camera used to the access point.
The MAC address can be checked on the [View info] screen
(
=
481).
489
Responding to Error Messages
63: Wireless LAN authentication failed
Are the camera and the access point set to use the same authentication
method?
g
The camera supports the following authentication methods: [Open
system], [Shared key], and [WPA/WPA2-PSK].
Are the camera and the access point set to use the same password for
authentication?
g
The setting is case-sensitive, so check upper- and lower-case
characters. Make sure that the correct password for authentication is
set on the camera.
If fi ltering by MAC address is active, is the MAC address of the camera in
use registered at the access point?
g
Register the MAC address of the camera used to the access point.
The MAC address can be checked on the [View info] screen
(
=
481).
64: Cannot connect to wireless LAN terminal
Are the camera and the access point set to use the same encryption
method?
g
The camera supports the following encryption methods: WEP, TKIP,
and AES.
If fi ltering by MAC address is active, is the MAC address of the camera in
use registered at the access point?
g
Register the MAC address of the camera used to the access point.
The MAC address can be checked on the [View info] screen
(
=
481).
490
Responding to Error Messages
65: Wireless LAN connection lost
Are any obstacles blocking the line of sight between the camera and the
antenna of the access point?
g
Move the antenna of the access point to a position clearly visible
from the point of view of the camera (
=
494).
The Wi-Fi connection was lost for some reason, and the connection
cannot be restored.
g
The following are possible reasons: excessive access to the access
point from another device, a microwave oven or similar appliance in
use nearby (interfering with IEEE 802.11b/g/n (2.4 GHz band)), or
infl uence of rain or high humidity (
=
494).
66: Incorrect wireless LAN password
Are the camera and the access point set to use the same password for
authentication?
g
The setting is case-sensitive, so check upper- and lower-case
characters. Make sure that the correct password for authentication is
set on the camera.
67: Incorrect wireless LAN encryption method
Are the camera and the access point set to use the same encryption
method?
g
The camera supports the following encryption methods: WEP, TKIP,
and AES.
If fi ltering by MAC address is active, is the MAC address of the camera in
use registered at the access point?
g
Register the MAC address of the camera used to the access point.
The MAC address can be checked on the [View info] screen
(
=
481).
491
Responding to Error Messages
68: Cannot connect to wireless LAN terminal. Retry from the
beginning.
Did you hold down the access point’s WPS (Wi-Fi Protected Setup)
button for the specifi ed period of time?
g
Hold down the WPS button for the period of time specifi ed in the
access point’s instruction manual.
Are you trying to establish a connection near the access point?
g
Try establishing the connection when both devices are within reach
of each other.
69: Multiple wireless LAN terminals have been found. Cannot
connect. Retry from the beginning.
Connection is in progress by other access points in Pushbutton
Connection mode (PBC mode) of WPS (Wi-Fi Protected Setup).
g
Wait a while before trying to establish the connection.
91: Other error
A problem other than error code number 11 to 69 occurred.
g
Turn the camera’s power switch off and on.
121: Not enough free space on server
The target Web server does not have enough free space.
g
Delete unnecessary images on the Web server, check the free space
on the Web server, then try sending the data again.
492
Responding to Error Messages
125: Check the network settings
Is the network connected?
g
Check the connection status of the network.
126: Could not connect to server
CANON iMAGE GATEWAY is under maintenance or load is concentrated
temporarily.
g
Try connecting to the Web service again later.
127: An error has occurred
A problem other than error code number 121 to 126 occurred while the
camera is connected to the Web service.
g
Try again to establish the Wi-Fi connection to the Web service.
141: Printer is busy. Try connecting again.
Is the printer performing a printing process?
g
Try again to establish the Wi-Fi connection to the printer after the
printing process is fi nished.
Is another camera connected to the printer via Wi-Fi?
g
Try again to establish the Wi-Fi connection to the printer after the
Wi-Fi connection to the other camera has been terminated.
142: Could not acquire printer information. Reconnect to try
again.
Is the power of the printer on?
g
Try again to establish the Wi-Fi connection after turning on the
printer.
493
Responding to Error Messages
151: Transmission canceled
Automatic image transfer to the computer was somehow interrupted.
g
To resume automatic image transfer, set the camera’s power switch
to <
2
>, and then set it to <
1
>.
152: Card’s write protect switch is set to lock
Is the card’s write protect switch set to the locked position?
g
Slide the card’s write protect switch to the writing position.
494
Wireless Communication Function Notes
If the transmission rate drops, the connection is lost, or other problems
occur when using the wireless communication functions, try the following
corrective actions.
Distance Between the Camera and the Smartphone
If the camera is too far from the smartphone, a Wi-Fi connection may not be
established even when Bluetooth connection is possible. In this case, bring
the camera and the smartphone closer together, then establish a
Wi-Fi connection.
Installation Location of Access Point Antenna
When using indoors, install the device in the room where you are using
the camera.
Install the device where people or objects do not come between the
device and the camera.
Nearby Electronic Devices
If the Wi-Fi transmission rate drops because of the infl uence of the following
electronic devices, stop using them or move further away from the devices
to transmit communication.
The camera communicates over Wi-Fi via IEEE 802.11b/g/n using radio
waves in the 2.4 GHz band. For this reason, the Wi-Fi transmission
rate will drop if there are Bluetooth devices, microwave ovens, cordless
telephones, microphones, smartphones, other cameras, or similar
devices operating on the same frequency band nearby.
Cautions for Using Multiple Cameras
When connecting multiple cameras to one access point via Wi-Fi, make
sure the cameras’ IP addresses are diff erent.
When multiple cameras are connected to one access point via Wi-Fi, the
transmission rate drops.
When there are multiple IEEE 802.11b/g/n (2.4 GHz band) access points,
leave a gap of fi ve channels between each Wi-Fi channel to reduce radio
wave interference. For example, use channels 1, 6, and 11, channels 2
and 7, or channels 3 and 8.
495
Wireless Communication Function Notes
Using the Wireless Remote Control BR-E1
BR-E1 cannot be used while the camera and smartphone are paired
via Bluetooth. Change the camera connection to the wireless remote
control in [Connect to Wireless Remote] under [
k
: Wi-Fi/Bluetooth
connection].
496
Security
If security settings have not been properly set, the following problems may
occur.
Transmission monitoring
Third parties with malicious intent may monitor the Wi-Fi transmissions
and attempt to acquire the data you are sending.
Unauthorized network access
Third parties with malicious intent may gain unauthorized access to
the network you are using to steal, modify, or destroy information.
Additionally, you could fall victim to other types of unauthorized access
such as impersonation (where someone assumes an identity to gain
access to unauthorized information) or springboard attacks (where
someone gains unauthorized access to your network as a springboard to
cover their tracks when infi ltrating other systems).
It is recommended to make use of the systems and functions to thoroughly
secure your network, preventing these types of problems from occurring.
497
Checking Network Settings
Windows
Open the Windows [Command Prompt], then type ipconfi g/all and press
the <Enter> key.
In addition to the IP address assigned to the computer, the subnet mask,
gateway, and DNS server information are also displayed.
Mac OS
In Mac OS X, open the [Terminal] application, enter ifconfi g -a, and press
the <Return> key. The IP address assigned to the computer is indicated
in the [en0] item next to [inet], in the format “***.***.***.***”.
* For information about the [Terminal] application, refer to the Mac OS X help.
To avoid using the same IP address for the computer and other devices on
the network, change the rightmost number when setting up the IP address
assigned to the camera in the processes described on
=
462.
Example: 192.168.1.10
498
Wireless Communication Status
Wireless communication status can be checked on the screen and LCD
panel.
Screen
Quick Control screen Information display screen
during playback
(3)
(1)
(1) (2)
(2)
(3)
LCD Panel
(1)
(2)
(1) Wi-Fi function
(2) Bluetooth function
(3) Wireless signal strength
499
Wireless Communication Status
Communication Status
Screen LCD Panel
Wi-Fi Function
Wireless
Signal
Strength
Wi-Fi Function
Not
connected
Wi-Fi:
Disable
Off
Wi-Fi:
Enable
Connecting
(Blinking)
(Blinking)
Connected
Sending data
(
)
Connection error
(Blinking) (Blinking)
Bluetooth Function Indicator
Bluetooth
Function
Connection Status Screen LCD Panel
[Enable]
Bluetooth
connected
ss
Bluetooth not
connected
s s
[Disable]
Bluetooth not
connected
Not displayed Not displayed
o
“Bluetooth connected” status is indicated when connected to smartphones via
Wi-Fi and during automatic image transfer to computers.
o
“Bluetooth not connected” status is indicated when connected to computers,
printers, or Web services via Wi-Fi.
500
501501
Set-up
This chapter describes menu settings on the set-up ([
5
]) tab.
A
M
icon to the right of a page title indicates that the function is
available only in Creative Zone.
505
Creating and Selecting a Folder
You can freely create and select the folder where the captured images are
to be saved.
Creating a Folder
1
Select [5: Select folder].
2
Select [Create folder].
3
Select [OK].
506
Creating and Selecting a Folder
Selecting a Folder
(1) (2)
(3) (4)
Select a folder on the folder selection
screen.
Captured images are stored in your
selected folder.
(1) Number of images in folder
(2) Lowest fi le number
(3) Folder name
(4) Highest fi le number
Folders
o
A folder can contain up to 9999 images (fi le number 0001–9999). When a
folder becomes full, a new folder with the folder number increased by one
is created automatically. Also, if manual reset (
=
509) is executed, a new
folder will be created automatically. Folders numbered from 100 to 999 can be
created.
Creating Folders with a Computer
o
With the card open on the screen, create a new folder named “DCIM”. Open
the DCIM folder and create as many folders as necessary to save and
organize your images. The folder name must follow the format “100ABC_D”.
The fi rst three digits are always the folder number from 100 to 999. The last
fi ve characters can be any combination of upper- and lower-case letters from
A to Z, numerals, and the underscore “_”. The space cannot be used. Also
note that two folder names cannot share the same three-digit folder number (for
example, “100ABC_D” and “100W_XYZ”) even if the remaining fi ve characters
in each name are diff erent.
507
File Numbering Methods
The captured images saved in a folder are
assigned a fi le number from 0001 to 9999.
You can change how the image fi les are
numbered.
1
Select [5: File numbering].
2
Set the item.
Select [Numbering].
Select [Continuous] or [Auto reset].
If you want to reset the fi le numbering,
select [Manual reset] (
=
509).
Select [OK] to create a new folder, and
the fi le number will start with 0001.
o
If the fi le number in folder 999 reaches 9999, shooting will not be possible
even if the card still has storage capacity. The screen will display a message
telling you to replace the card. Replace it with a new card.
(Example)
IMG_0001.JPG
File number
508
File Numbering Methods
Continuous
When you wish to continue the fi le numbering sequence even
after the card is replaced or a new folder is created.
Even after you replace the card or create a new folder, the fi le numbering
continues in sequence up to 9999. This is useful when you want to save
images numbered anywhere between 0001 to 9999 on multiple cards or in
multiple folders into one folder on a computer.
If the replacement card or existing folder already contains images recorded
previously, the fi le numbering of the new images may continue from the fi le
numbering of the existing images on the card or in the folder. If you want
to use continuous fi le numbering, it is recommended that you use a newly-
formatted card each time.
0051 0052
(1)
File numbering
after replacing the card
100
0051
101
0052
File numbering
after creating a folder
Card 2Card 1 Card 1
(1) Next sequential fi le number
509
File Numbering Methods
Auto Reset
When you wish to restart the fi le numbering from 0001 each
time the card is replaced or a new folder is created.
When you replace the card or create a folder, the fi le numbering restarts
from 0001 for the new images saved. This is useful if you want to organize
images by cards or folders.
If the replacement card or existing folder already contains images recorded
previously, the fi le numbering of the new images may continue from the fi le
numbering of the existing images on the card or in the folder. If you want
to save images with the fi le numbering starting from 0001, use a newly
formatted card each time.
0051 0001
(1)
File numbering after
replacing the card
100
0051
101
0001
File numbering after
creating a folder
Card 2Card 1 Card 1
(1) File numbering is reset
Manual Reset
When you wish to reset the fi le numbering to 0001 or to start
from fi le number 0001 in a new folder.
When you reset the fi le numbering manually, a new folder is created
automatically and the fi le numbering of images saved to that folder starts
from 0001.
This is useful, for example, if you want to use diff erent folders for the images
taken yesterday and the ones taken today.
510
The Auto Rotation of Vertical Images
You can change the auto rotation setting that
straightens images shot in vertical orientation when
they are displayed.
1
Select [5: Auto rotate].
2
Select an item.
On
z
D
Automatically rotates images for display on both the camera and
computers.
On
D
Automatically rotates images only for display on computers.
Off
o
Images captured with auto rotation set to [Off ] will not rotate during playback
even if you later set auto rotation to [On].
o
If a picture is taken while the camera is pointing up or down, automatic rotation
to the proper orientation for viewing may not be performed correctly.
o
If images are not rotated automatically on a computer, try using EOS software.
511
Formatting Memory Cards
If the card is new or was previously formatted (initialized) by another camera
or computer, format the card with this camera.
o
When the card is formatted, all images and data on the card will be
erased. Even protected images will be erased, so make sure there is
nothing you need to keep. If necessary
, transfer the images and data to a
computer, etc. before formatting the card.
1
Select [5: Format card].
2
Format the card.
Select [OK].
For low-level formatting, press the <
L
>
button to add a checkmark <
X
> to [Low
level format], then select [OK].
o
The card capacity displayed on the card format screen may be smaller than
the capacity indicated on the card.
o
This device incorporates exFAT technology licensed from Microsoft.
512
Formatting Memory Cards
Conditions Requiring Card Formatting
The card is new.
The card was formatted by a diff erent camera or a computer.
The card is full of images or data.
A card-related error is displayed (
=
613).
Low-Level Formatting
Perform low-level formatting if the card’s writing or reading speed seems
slow or if you want to totally erase the data on the card.
Since low-level formatting will format all recordable sectors on the card,
the formatting will take longer than normal formatting.
During low-level formatting, you can cancel formatting by selecting
[Cancel]. Even in this case, normal formatting will already be complete
and you can use the card as usual.
Card’s File Formats
SD/SDHC cards will be formatted in FAT32. SDXC cards will be
formatted in exFAT.
When recording a movie with a card formatted in exFAT, the movie will be
recorded in a single fi
le (instead of being split into multiple fi les) even if it
exceeds 4 GB. (The movie fi le will exceed 4 GB.)
o
It may not be possible to use SDXC cards formatted with this camera in other
cameras. Also note that exFAT-formatted cards may not be recognized by
some computer operating systems or card readers.
o
Formatting or erasing data on a card does not completely erase the data. Be
aware of this when selling or discarding the card. When disposing of cards,
take steps to protect personal information if necessary
, as by physically
destroying cards.
513
Auto Power Off
You can change the camera’s auto power off time.
1
Select [5: Auto power off ].
2
Select an item.
o
The screen turns off in approx. 30 min. even when set to [OFF]. Note that the
camera remains on.
515
Turning the Screen Off/On
You can set the camera so that the screen turns off and on as you press the
shutter button halfway in viewfi nder shooting.
1
Select [5: Screen off /on btn].
2
Select an item.
Remains on
The screen does not turn off when you press the shutter button halfway.
To turn off the screen, press the <
B
> button.
Shutter btn.
The screen turns off when you press the shutter button halfway. To turn
on the screen, release the button.
516
Setting the Date, Time, and Time Zone
When you turn on the power for the fi rst time or if the date/time/zone have
been reset, follow the steps below to set the time zone fi rst.
By setting the time zone fi rst, you can simply adjust this setting as needed
in the future and the date/time will be updated to match it.
Since the captured images will be appended with the shooting date and
time information, be sure to set your date/time.
1
Select [5: Date/Time/Zone].
2
Set the time zone.
Use the <
Y
> <
Z
> keys to select [Time
zone].
Press <
0
>.
Press <
0
>.
Use the <
W
> <
X
> keys to select the
time zone, then press <
0
>.
If your time zone is not listed, press the
<
M
> button, then set the diff erence
from UTC in [Time diff erence].
517
Setting the Date, Time, and Time Zone
Use the <
Y
> <
Z
> keys to select
a [Time diff erence] item (+/–/hour/
minute), then press <
0
>.
Use the <
W
> <
X
> keys to set it, then
press <
0
>.
After entering the time zone or time
diff erence, use the <
Y
> <
Z
> keys to
select [OK], then press <
0
>.
3
Set the date and time.
Use the <
Y
> <
Z
> keys to select an
item, then press <
0
>.
Use the <
W
> <
X
> keys to set it, then
press <
0
>.
4
Set the daylight saving time.
Set it as necessary.
Use the <
Y
> <
Z
> keys to select [
Y
],
then press <
0
>.
Use the <
W
> <
X
> keys to select [
Z
],
then press <
0
>.
When the daylight saving time is set to
[
Z
], the time set in step 3 will advance
by 1 hour. If [
Y
] is set, the daylight
saving time will be canceled and the
time will go back by 1 hour.
5
Exit the setting.
Use the <
Y
> <
Z
> keys to select [OK].
518
Setting the Date, Time, and Time Zone
o
The date, time, and time zone settings may be reset when the camera is
stored without the battery, when its battery becomes exhausted, or when
it is exposed to below freezing temperatures for a prolonged period. If this
happens, set them once again.
o
After changing [Zone/T
ime diff erence], check that the correct date/time are
set.
o
Auto power off time may be extended while the [
5
: Date/Time/Zone] screen
is displayed.
519
Interface Language
1
Select [5: LanguageK].
2
Set the desired language.
520
Video System
Set the video system of any television used for display. This setting
determines the frame rates available when you record movies.
1
Select [5: Video system].
2
Select an item.
For NTSC
For areas where the TV system is NTSC
(North America, Japan, South Korea,
Mexico, etc.).
For P
AL
For areas where the TV system is PAL
(Europe, Russia, China, Australia, etc.).
521
Touch Sensitivity Settings
1
Select [5: Touch control].
2
Select an item.
[Sensitive] provides a more reactive
touch-screen panel response than
[Standard].
To disable touch operations, select
[Disable].
Cautions for Touch Control Operations
o
Do not use sharp objects such as fi ngernails or ballpoint pens for touch
operations.
o
Do not use wet fi ngers for touch operations. If the screen has any moisture or
if your fi ngers are wet, the touch-screen panel may not respond or malfunction
may occur. In this case, turn off the power and wipe off the moisture with a
cloth.
o
Attaching any commercially available protective sheet or sticke
r on the screen
may degrade the touch operation response.
o
If you quickly perform touch operation when [Sensitive] is set, the touch
operation response may be poor
.
522
Beeping for Camera Operations
1
Select [5: Beep].
2
Select an item.
Touch
Disables beeping for touch operations.
Disable
Disables beeping for focus confi rmation,
self-timer shooting, and touch operations.
523
Headphone Volume
1
Select [5: Headphone volume].
2
Make the adjustment.
Use the <
Y
> <
Z
> keys to adjust it,
then press <
0
>.
o
You can check sound from the built-in microphone or an external microphone
on headphones when [
z
: Sound recording] is set to an option other than
[Disable].
524
Checking the Battery Information
You can check the conditions of the battery you are using. By registering
multiple batteries to the camera, you can check their approximate remaining
capacity and usage history.
1
Select [5: Battery info.].
(1) (2)
(3)
(4)
(5)
(1) Battery position
(2) Model of battery or household power
source used.
(3) The battery level indicator (
=
53) is
displayed together with the remaining
battery level shown in 1% increments.
(4) The number of shots taken with the
current battery. The number is reset
when the battery is recharged.
(5) Battery’s recharge performance level
is displayed.
(Green) : Battery’s recharge
performance is good.
(Green) : Battery’s recharge
performance is slightly
degraded.
(Red) :
Purchasing a new
battery is recommended.
o
Using a genuine Canon Battery Pack LP-E6N/LP-E6 is recommended. If
you use batteries that are not genuine Canon products, the camera’s full
performance may not be attained or malfunction may result.
525
Checking the Battery Information
o
The shutter count is the number of still photos taken. (Movie recording is not
counted.)
o
Battery information is also displayed when you are using Battery Grip BG-E14
(sold separately) with LP-E6N/LP-E6 battery packs. With AA/R6 batteries, only
the battery level is displayed.
o
If a battery communication error message is displayed, follow the instructions
in the message.
Battery Registration
You can register up to six LP-E6N/LP-E6 batteries to the camera. To register
multiple batteries to the camera, follow the procedure below for each
battery.
1
Press the <B> button.
With the battery info. screen displayed,
press the <
B
> button.
If the battery is not registered, it will be
grayed out.
2
Select [Register].
3
Select [OK].
The battery is now displayed in white.
o
The battery cannot be registered if the household power outlet accessories
are used.
526
Checking the Battery Information
Labeling Batteries with Serial Numbers
It is convenient to label registered LP-E6N/LP-E6 battery packs with their
serial numbers, using commercially available labels.
(1)
1
On a label approx. 25×15 mm, write
the serial number (1).
7c400300
2
Apply the label.
Set the power switch to <
2
>.
Remove the battery from the camera.
Apply the label as shown in the
illustration (on the side with no electrical
contacts).
o
Do not apply the label on any part other than as shown in the illustration in
step 2. Otherwise, the misplaced label may make it diffi cult to insert the battery
or impossible to turn on the power.
o
When you use Battery Grip BG-E14 (sold separately), the label may peel off
as you repeatedly insert and remove the battery into the battery magazine. If it
peels off
, apply a new label.
527
Checking the Battery Information
Checking the Remaining Capacity of a Registered Battery
You can check the remaining capacity of batteries not currently in use, as
well as their last date of use.
(1) (3)
(2)
Look for the serial number.
Refer to the battery’s serial number label
and look for the battery’s serial number
(1) on the battery history screen.
You can check the respective battery’s
approximate remaining capacity (2) and
the date when it was last used (3).
Deletion of Battery Information
1
Select [Delete info.].
Follow step 2 on
=
525 to select [Delete info.].
2
Select the battery information to delete.
[
X
] will appear.
3
Press the <L> button.
Select [OK] on the confi rmation dialog.
528
Sensor Cleaning
Activating Immediate Cleaning
1
Select [5: Sensor cleaning].
2
Select [Clean nowf].
Select [OK] on the confi rmation dialog.
529
Sensor Cleaning
Setting Auto Cleaning
1
Select [Auto cleaningf].
2
Select an item.
Use the <
Y
> <
Z
> keys to select an
item, then press <
0
>.
o
For best results, clean with the camera in a stable position on a desk or other
fl at surface.
o
Even if you repeat the sensor cleaning, the result will not improve much. Note
that [Clean now
f
] may not be available immediately after cleaning.
o
Dots of light may appear in captured images or on the shooting screen if
the sensor is aff
ected by cosmic rays or similar factors. By selecting [Clean
now
f
], their appearance may be suppressed (
=
528).
530
Sensor Cleaning
Manual Sensor Cleaning
M
Dust that could not be removed by automatic cleaning can be removed
manually with a commercially available blower or similar tool.
Always use a fully charged battery.
The image sensor is extremely delicate. If the sensor needs to be cleaned
directly, having it done by a Canon Service Center is recommended.
1
Select [5: Sensor cleaning].
2
Select [Clean manually].
3
Select [OK].
“CLn” will blink on the LCD panel.
4
Remove the lens and clean the
sensor.
5
End the cleaning.
Set the power switch to <
2
>.
o
Using the household power outlet accessories (sold separately) is
recommended.
531
Sensor Cleaning
o
While cleaning the sensor, never do any of the following. If the power
is cut off
, the shutter will close and the refl ex mirror will go back down.
These may result in damaging the image sensor, shutter curtains, and
refl ex mirror.
• Setting the power switch to <
2
>.
• Removing or inserting the battery
.
o
The surface of the image sensor is extremely delicate. Clean the sensor with
care.
o
Use a plain blower without any brush attached. A brush can scratch the
sensor
.
o
Do not insert the blower tip inside the camera beyond the lens mount. If the
power is turned off , the shutter will close and the shutter curtains or refl ex
mirror may get damaged.
o
Never use pressurized air or gas to clean the sensor. Pressurized air may
damage the sensor
, and sprayed gas may freeze on the sensor and
scratch it.
o
If the battery level becomes low while cleaning the sensor, the beeper will
sound as a warning. Stop cleaning the sensor
.
o
If a smudge that cannot be removed with a blower remains, having the sensor
cleaned by a Canon Service Center is recommended.
532
Displaying the Shooting Mode Guide
A brief description of the shooting mode can be displayed when you switch
shooting modes.
1
Select [5: Mode guide].
2
Select [Enable].
3
Turn the Mode dial.
A brief description of the selected
shooting mode is displayed.
To display more details, press the <
X
>
key.
To clear the mode guide, press <
0
>.
In <
8
> or <
U
> mode, the shooting
mode selection screen is displayed.
533
Feature Guide Display
A brief description of functions and items can be displayed when you use
Quick Control setting.
1
Select [5: Feature guide].
2
Select [Enable].
o
To clear a description, either tap it or continue performing operations.
534
Help Features
When [
z
Help] is displayed , you can display a description about the
feature by pressing the <
B
> button. Press it again to exit Help display.
To scroll the screen when a scrollbar (1) appears on the right, turn the <
5
>
dial.
Example: [
z
: High ISO speed NR]
<
B
>
B
(1
)
Example: [
5
: Multi function lock]
<
B
>
B
535
Help Features
Text Size Adjustment
1
Select [5: Help text size].
2
Select an item.
536
Customization of Information in the
Viewfinder
1
Select [5: Viewfi nder display].
2
Select an item.
Select with the <
W
> <
X
> keys, then
press <
0
>.
Electronic Level Display
The electronic level (1) appears when you press the shutter button halfway.
This level also works with vertical shooting.
(3
)
(4
)
(2
)
(1)
(2) Horizontal (3) Tilted 1° (4) Tilted 2° or more
537
Customization of Information in the Viewfi nder
o
Only horizontal tilt can be checked. (Forward/backward tilt is not displayed.)
o
There may be a margin of error of approx. ±1°.
o
An asterisk next to [
5
: Viewfi nder display] indicates that the default
viewfi nder display setting has been changed.
Grid Display
You can display a grid in the viewfi nder to help you check the camera tilt or
compose the shot.
o
You can display a grid on the screen during Live View shooting and before you
start recording a movie (
=
540).
Displaying the Flicker Detection
M
If you set this function, <
G
> will appear in the viewfi nder when the
camera detects fl icker caused by the blinking of the light source.
o
If you set [
z
: Anti-fl icker shoot.] to [Enable], you can shoot with reduced
unevenness of exposure caused by the fl icker (
=
261).
538
<
B
> Button Display Options
You can select the information displayed on the screen in response to
pressing the <
B
> button when the camera is ready to shoot.
1
Select [5: B button display
options].
2
Select an item.
Select the desired display option, then
add a checkmark [
X
].
Select [OK].
Electronic Level Display
The red line turns green when the image is essentially straight.
Horizontal
o
There may be a margin of error of approx. ±1°.
o
If the camera is very tilted, the electronic level’s margin of error will be larger.
o
The electronic level is not displayed in Live View shooting when the AF
method is set to [
u
+Tracking].
o
For [Quick Control screen], see
=
622.
539
Customization of On-Screen Information
You can customize on-screen display in Live View shooting or movie
recording.
Select [5: Shooting info. disp.].
Customizing Information on the Screen
1
Select [Screen info. settings].
2
Select screens.
Use the <
W
> <
X
> keys to select
screens of information to show on the
camera.
For information you prefer not to display,
press <
0
> to clear the checkmark [
X
].
To edit the screen, press the <
B
>
button.
3
Edit the screen.
Use the <
W
> <
X
> keys to select items
to show on the screen.
For items you prefer not to display, press
<
0
> to clear the checkmark [
X
].
Select [OK] to register the setting.
540
Customization of On-Screen Information
Grid Display
1
Select [Grid display].
2
Select an item.
Setting the Histogram
1
Select [Histogram disp].
2
Select an item.
Select the content ([Brightness] or
[RGB]) and display size ([Large] or
[Small]).
Press <
M
> button to confi rm the
setting.
541
Customization of On-Screen Information
Clearing Settings
1
Select [Reset].
2
Select [OK].
542
Shutter Button Customization for Movie
Recording
You can set the functions performed by pressing the shutter button halfway
or completely during movie recording.
1
Select [5: Shutter btn function for
movies].
2
Select an item.
Half-press
Specify the function performed by
pressing the shutter button halfway.
Fully-press
Specify the function performed by
pressing the shutter button completely.
With [Fully-press] set to [Start/stop mov rec], you can start/stop movie
recording not only by pressing the movie shooting button but also by
pressing the shutter button completely or by using Remote Controller RC-6,
Wireless Remote Control BR-E1, or Remote Switch RS-60E3.
o
Even if you set [Fully-press] to [No function], the camera will start or stop
recording time-lapse movies if the shutter button is pressed completely when
the camera is set up for time-lapse movies.
543
HDMI Output Resolution
Set the image output resolution used when the camera is connected to a
television or external recording device with an HDMI cable.
1
Select [5: HDMI resolution].
2
Select an item.
Auto
The images will automatically be
displayed at the optimum resolution
matching the connected television.
1080p
Output at 1080p resolution. Select if you
prefer to avoid display or delay issues
when the camera switches resolution.
544
RAW Image Display on HDR TVs
You can view RAW images in HDR by connecting the camera to an HDR
TV.
1
Select [5: HDMI HDR output].
2
Select [On].
o
Image operations such as RAW processing are not available during HDR
display.
o
JPEG images are used for HDR display in the case of multiple-exposure RAW
images.
o
Make sure the HDR TV is set up for HDR input. For details on how to switch
inputs on the TV, refer to the TV manual.
o
Depending on the TV used, images may not look as expected.
o
Some image eff
ects and information may not be displayed on an HDR TV.
545
Multi-Function Lock
Specify camera controls to lock when the Multi-function lock is enabled. This
can help prevent accidentally changing settings.
1
Select [5: Multi function lock].
2
Select camera controls to lock.
Press <
0
> to add a checkmark [
X
].
Select [OK].
Setting the <
R
> switch to <
R
>
locks the selected [
X
] camera controls.
o
In Basic Zone modes, only [Touch control] can be set. Note that in <
U
>
mode, you can also use the <
6
> or <
5
> dial.
o
If it is changed from the default setting, an asterisk “*” will be displayed on the
right edge of [
5
: Multi function lock].
546
M
Registering Custom Shooting Modes
Current camera settings such as shooting, menu, and Custom Function
settings can be registered as Custom shooting modes.
1
Select [5: Custom shooting mode
(C1, C2)].
2
Select [Register settings].
3
Register the desired items.
On the [Register settings] screen,
select [C*], then press <
0
>.
Select [OK] on the [Custom shooting
mode: C*] screen.
The current camera settings are
registered to Custom shooting mode C*.
Automatic Update of Registered Settings
If you change a setting while shooting in Custom shooting mode, the mode
can be automatically updated with the new setting (Auto update). To enable
this automatic update, set [Auto update set.] to [Enable] in step 2.
Canceling Registered Custom Shooting Modes
If you select [Clear settings] in step 2, the settings of respective modes
can be reverted to the default settings with no Custom shooting modes
registered.
o
You can also change shooting and menu settings in Custom shooting modes.
548
M
Copyright Information
When you set the copyright information, it will be recorded to the image as
Exif information.
1
Select [5: Copyright information].
2
Select an item.
3
Enter text.
Use <
j
> <
9
> or the <
5
> dial to
select a character, then press <
0
> to
enter it.
By selecting [
], you can change the
input mode.
To delete single characters, select [ ]
or press the <
L
> button.
4
Exit the setting.
Press the <
M
> button, then press
[OK].
549
Copyright Information
Checking the Copyright Information
When you select [Display copyright info.]
in step 2, you can check the [Author] and
[Copyright] information that you entered.
Deleting the Copyright Information
When you select [Delete copyright information] in step 2, you can delete
the [Author] and [Copyright] information.
o
If the entry for “Author” or “Copyright” is long, it may not be displayed entirely
when you select [Display copyright info.].
o
You can also set or check the copyright information with EOS Utility (EOS
software).
550
Other Information
Downloading instruction manuals or software
To download instruction manuals, select [
5
: Manual/software URL] and
scan the displayed QR code with a smartphone.
You can also use a computer to access the website at the URL displayed
and download software.
Displaying certifi cation logos
M
Select [
5
: Certifi cation Logo Display] to display some of the logos of
the camera’s certifi cations. Other certifi cation logos can be found in this
Instruction Manual, on the camera body, and on the camera’s package.
Firmware version
M
Select [
5
: Firmware] to update the fi rmware of the camera or current
lens.
551551
Custom Functions /
My Menu
You can fi ne-tune camera functions and change the functionality of
buttons and dials to suit your shooting preferences. You can also
add menu items and Custom Functions that you adjust frequently
to My Menu tabs.
553
M
Setting Custom Functions
1
Select [C.Fn I:Exposure],
[C.Fn II:Autofocus], or
[C.Fn III:Operation/Others].
(1)
2
Select a Custom Function number.
Use the <
Y
> <
Z
> keys to select the
Custom Function number (1) to set up.
3
Change the setting as desired.
Use the <
W
> <
X
> keys to select a
setting (number).
To set up another Custom Function,
repeat steps 2–3.
At the bottom of the screen, the current
Custom Function settings are indicated
below the respective function numbers.
Any options changed from defaults are
displayed in blue.
4
Exit the setting.
Press the <
M
> button.
The screen in step 1 is displayed again.
554
M
Custom Functions
Custom Functions indicated by
have no eff ect (the setting is
disabled) in Live View (LV) shooting and movie recording.
C.Fn I: Exposure
A
LV
Shooting
k
Movie
Recording
1 Exposure level increments
=
556
kk
2 ISO speed setting increments
=
556
k
a
mode
3 Bracketing auto cancel
=
556
k
4 Bracketing sequence
=
557
k
5 Number of bracketed shots
=
557
k
6 Safety shift
=
558
k
7 Exposure compensation auto cancel
=
558
k
8 AE lock metering mode after focus
=
558
k
C.Fn II: Autofocus
A
LV
Shooting
k
Movie
Recording
1 Tracking sensitivity
=
559
k
2 Acceleration/deceleration tracking
=
560
k
3 AF point auto switching
=
561
k
4 AI Servo 1st image priority
=
561
5 AI Servo 2nd image priority
=
562
6 Lens drive when AF impossible
=
563
kk
7 Select AF area selection mode
=
563
8 Limit AF methods*
=
564
kk
9 AF area selection method
=
564
kk
10 Orientation linked AF point
=
565
k
11
Initial Servo AF point,
/
c
=
566
k
12 Auto AF point selection: EOS iTR AF
=
567
13 AF point selection movement
=
568
14 AF point display during focus
=
568
15 Viewfi nder display illumination
=
569
16 AF Microadjustment
=
569
* Function used for Live View shooting.
556
M
Custom Function Setting Items
You can customize camera features on the [
8
] tab to suit your shooting
preferences.
C.Fn I:Exposure
C.Fn I-1: Exposure level increments
Sets 1/2-stop increments for the shutter speed, aperture, exposure
compensation, AEB, fl ash exposure compensation, etc.
0: 1/3-stop
1: 1/2-stop
o
When [1/2-stop] is set, the display will be as shown below.
C.Fn I-2: ISO speed setting increments
You can change the manual ISO speed setting increments to a whole-stop.
0: 1/3-stop
1: 1-stop
o
Even if [1-stop] is set, ISO speed will be automatically set in 1/3-stop
increments when ISO Auto is set.
C.Fn I-3: Bracketing auto cancel
You can specify to cancel AEB and white balance bracketing when the
power switch is set to <
2
>.
0: Enable
1: Disable
557
Custom Function Setting Items
C.Fn I-4: Bracketing sequence
The AEB shooting sequence and white balance bracketing sequence can
be changed.
0: 0, –, +
1: –, 0, +
2: +, 0, –
AEB
White Balance Bracketing
B/A Direction M/G Direction
0 : Standard exposure 0 : Standard white balance 0 : Standard white balance
– : Underexposure – : Blue bias – : Magenta bias
+ : Overexposure + : Amber bias + : Green bias
C.Fn I-5: Number of bracketed shots
The number of shots taken with AEB and white balance bracketing can be
changed.
When [Bracketing sequence] is set to [0, –, +], the bracketed shots will be
taken as shown in the table below.
0: 3 shots
1: 2 shots
2: 5 shots
3: 7 shots
(1-stop/step increments)
1st Shot 2nd Shot 3rd Shot 4th Shot 5th Shot 6th Shot 7th Shot
3: 3
shots
Standard
(0)
–1 +1
2: 2
shots
Standard
(0)
±1
5: 5
shots
Standard
(0)
–2 –1 +1 +2
7: 7
shots
Standard
(0)
–3 –2 –1 +1 +2 +3
o
If [2 shots] is set, you can select the + or – side when setting the AEB range.
With WB bracketing, the 2nd shot will be adjusted toward either the B/A or
M/G direction.
558
Custom Function Setting Items
C.Fn I-6: Safety shift
If the subject brightness changes and the standard exposure cannot be
obtained within the autoexposure range, the camera will automatically
change the manually selected setting to obtain the standard exposure.
When set to [Shutter speed/Aperture], this setting applies to <
s
> and
<
f
> modes. When set to [ISO speed], this setting applies to <
d
>,
<
s
>, and <
f
> modes.
0: Disable
1: Shutter speed/Aperture
2: ISO speed
o
Under [
z
:
z
ISO speed settings], even if [ISO speed range] or [Min.
shutter spd.] is changed from the default setting, safety shift will override it if
the standard exposure cannot be obtained.
o
The minimum and maximum limits for the safety shift with the ISO speed are
determined by [Auto range] (
=
216). However
, if the manually set ISO
speed exceeds the [Auto range], the safety shift will take eff ect up or down to
the manually set ISO speed.
o
Safety shift will take eff
ect as necessary even when fl ash is used.
C.Fn I-7: Exposure compensation auto cancel
0: Disable
The exposure compensation setting will not be canceled even if you set
the power switch to <
2
>.
1: Enable
When you set the power switch to <
2
>, the exposure compensation
setting will be canceled.
C.Fn I-8: AE lock metering mode after focus
For each metering mode, you can specify
whether to lock the exposure (AE lock)
once subjects are in focus with One-Shot
AF. The exposure will be locked while you
keep pressing the shutter button halfway.
Select metering modes for AE lock and add
a checkmark [
X
]. Select [OK] to register
the setting.
559
Custom Function Setting Items
C.Fn II: Autofocus
C.Fn II-1: Tracking sensitivity
You can set the subject-tracking sensitivity, which aff ects responsiveness to
interfering objects that move across AF points or subjects that stray from AF
points during AI Servo AF/Servo AF.
0
Standard setting. Suitable for moving subjects in general.
Locked on: –2 / Locked on: –1
The camera will try to continue focusing on the subject even if an obstacle
cuts across the AF points or if the subject strays from the AF points. The
–2 setting makes the camera keep tracking the target subject longer than
the –1 setting.
However, if the camera focuses on a wrong subject, it may take slightly
longer to switch and focus on the target subject.
Responsive: +2 / Responsive: +1
The camera can focus consecutively on subjects at diff erent distances
that are covered by the AF points. Also eff ective when you want to always
focus on the closest subject. The +2 setting is more responsive than the
+1 setting when focusing on the next subject.
However, the camera will be more prone to focus on an unintended
subject.
560
Custom Function Setting Items
C.Fn II-2: Acceleration/deceleration tracking
Sets the AI Servo AF/Servo AF tracking sensitivity for subjects that change
speed suddenly, as by suddenly moving or stopping.
0
Suited for subjects that move at a steady speed (minor changes in
moving speed).
–2 / –1
Suited for subjects that move at a steady speed (minor changes in
moving speed). Eff ective when a setting of 0 makes focus unstable, due
to slight subject movement or an obstruction in front of the subject.
+2 / +1
Eff ective for subjects having sudden movements, sudden acceleration/
deceleration, or sudden stops. Even if the moving subject’s speed
suddenly changes dramatically, the camera continues to focus on
the target subject. For example, the camera is less likely to focus
behind a subject that suddenly starts approaching you, or in front of an
approaching subject that suddenly stops moving. Setting +2 can track
dramatic changes in the moving subject’s speed better than with +1.
However, since the camera will be sensitive to even slight movements of
the subject, focusing may become unstable for short periods.
561
Custom Function Setting Items
C.Fn II-3: AF point auto switching
This sets the switching sensitivity of the AF points as they track the subject
moving dramatically up, down, left, or right.
Applies in [Auto selection AF], [Zone AF], or [Large Zone AF] AF area
selection modes, or with [
u
+Tracking] or [Zone AF] AF methods.
0
Standard setting for gradual AF point switching.
+2 / +1
Even if the target subject moves dramatically up, down, left, or right
and moves away from the AF point, the camera switches its focus to
neighboring AF points to continue focusing on the subject. The camera
switches to the AF point deemed most likely to focus on the subject
based on the subject’s continual movement, contrast, etc. Setting +2
makes the camera more prone to switch the AF point than with +1.
However, with a wide-angle lens having a wide depth of fi eld or if
the subject is too small in the frame, the camera may focus with an
unintended AF point.
C.Fn II-4: AI Servo 1st image priority
You can set the AF operation characteristics and shutter-release timing for
the fi rst shot with AI Servo AF.
Equal priority
Equal priority is given to focusing and shutter release.
Release priority
Pressing the shutter button takes the picture immediately even if focus
has not been achieved. Useful when you want to give priority to capturing
the decisive moment rather than achieving focus.
Focus priority
Pressing the shutter button does not take the picture until focus is
achieved. Useful when you want to achieve focus before capturing the
image.
562
Custom Function Setting Items
C.Fn II-5: AI Servo 2nd image priority
With AI Servo AF for continuous shooting, you can preset the AF operation
characteristics and shutter-release timing for the subsequent shots after the
fi rst shot in continuous shooting.
Equal priority
Equal priority is given to focusing and continuous shooting speed. In low
light or with low-contrast subjects, continuous shooting speed may slow
down.
Shooting speed priority
Priority is given to the continuous shooting speed instead of achieving
focus.
Focus priority
Priority is given to achieving focus instead of the continuous shooting
speed. The picture will not be taken until focus is achieved.
o
Even if [Shooting speed priority] is set, under shooting conditions that
activate fl icker reduction (
=
261), the continuous shooting speed may
become slower or the shooting interval may become irregular.
o
If focus cannot be achieved in low-light conditions when [Equal priority] is
set, setting [Focus priority] may give better results.
563
Custom Function Setting Items
C.Fn II-6: Lens drive when AF impossible
You can specify lens operation in cases when the camera cannot autofocus
on a subject.
0: Continue focus search
If focus cannot be achieved with autofocus, the lens is driven to search
for the precise focus.
1: Stop focus search
If autofocus starts and the focus is far off or if focus cannot be achieved,
the lens drive will not be performed. This prevents the lens from
becoming grossly out of focus due to the focus search drive.
o
[1:Stop focus search] is recommended for super telephoto lenses or other
lens that cover a large area, to avoid signifi
cant delay from focus search drive
if the lens becomes greatly out of focus.
C.Fn II-7: Select AF area selection mode
You can limit the selectable AF area
selection modes to suit your shooting
preferences. Select the desired AF area
selection mode and press <
0
> to add a
checkmark [
X
]. Select [OK] to register the
setting.
The AF area selection modes are described
on
=
128–
=
129.
o
The [
X
] mark cannot be removed from [Manual selection:1 pt AF].
o
You cannot use certain AF area selection modes even if you add a checkmark
[
X
] in [Select AF area selec. mode].
564
Custom Function Setting Items
C.Fn II-8: Limit AF methods
You can limit the AF methods available to those that you will use.
For details on AF methods, see
=
135–
=
137.
Add a checkmark [
X
] to the AF methods to make available. Select [OK] to
register the setting.
o
The [
X
] mark cannot be removed from [1-point AF].
C.Fn II-9: AF area selection method
0:
S
9
AF area selection button
After you press the <
S
> or <
G
> button, pressing the <
G
> button will
change the AF area selection mode.
1:
S
9
Main Dial
After you press the <
S
> or <
G
> button, turning the <
6
> dial will
change the AF area selection mode.
o
When [1:
S
9
Main dial] is set, use <
j
> <
9
> to move the AF point
horizontally.
565
Custom Function Setting Items
C.Fn II-10: Orientation linked AF point
0: Same for both vertic./horiz.
The same AF area selection mode or manually selected AF points (or AF
points or Zone AF frames in the same position) are used for both vertical
shooting and horizontal shooting.
1: Separate AF pts:
G
+
S
(
S
in LV)
The AF area selection mode and AF point or zone AF frame can be set
separately for each camera orientation (1. Horizontal, 2. Vertical with the
camera grip at the top, 3. Vertical with the camera grip at the bottom).
When you manually select the AF area selection mode and AF point (or
zone) for each of the three camera orientations, they will be registered for
the respective orientation. Whenever you change the camera orientation
during shooting, the camera will switch to the AF area selection mode
and manually-selected AF point or zone AF frame set for that orientation.
2: Separate AF pts:
S
only
Separate AF point or Zone AF frame positions can be assigned for
each camera orientation (1. Horizontal, 2. Vertical with the camera grip
above, 3. Vertical with the camera grip below). Useful when switching to
AF points or Zone AF frames in other positions automatically based on
camera orientation.
AF points or Zone AF frames assigned to each of the three camera
orientations are retained.
o
If [
8
: Clear all Custom Func. (C.Fn)] is selected (
=
581), the settings for
the 1., 2., and 3. orientations will be cleared.
o
Setting may be cleared if a lens not used at the time of setup is attached.
566
Custom Function Setting Items
C.Fn II-11: Initial Servo AF point, /
c
You can set the initial AF point for AI Servo AF or Servo AF when the AF
area selection mode is set to [Auto selection AF], or when the AF method
is set to [
u
+Tracking].
0: Auto
The AF point that AI Servo AF or Servo AF starts with is set automatically
to suit the shooting conditions.
1: Initial Servo AF pt for
/
c
AI Servo AF or Servo AF starts from the manually set AF point when AF
operation is set to [AI Servo AF] and the AF area selection mode to [Auto
selection AF], or when AF operation is set to [Servo AF] and the AF
method to [
u
+Tracking].
2: AF pt set for
If you switch from [Spot AF] or [1-point AF] to [Auto selection AF] or
[
u
+Tracking], AI Servo AF or Servo AF starts from the AF point that was
manually set before switching. Useful for starting AI Servo AF or Servo
AF from the AF point set before switching to [Auto selection AF] or
[
u
+Tracking].
567
Custom Function Setting Items
C.Fn II-12: Auto AF point selection: EOS iTR AF
Use this function to autofocus in viewfi nder shooting by recognizing people.
This function works when the AF area selection mode is set to Zone AF
(manual selection of zone), Large Zone AF (manual selection of zone), or
Automatic selection AF.
0: EOS iTR AF (Face priority)
Faces are given greater priority than with [1:Enable] when the camera
selects AF points.
In One-Shot AF mode, this makes it easier to focus on faces of still
human subjects in the AF area.
Also makes it easier to focus on faces in the AF area in AI Servo AF
mode.
Once focus is achieved, AF points are automatically selected to keep
focusing on the faces initially in focus.
1: Enable
The camera selects AF points automatically based on AF information and
information on recognized people.
In One-Shot AF mode, focusing on a still human subject in the AF area is
made easier.
In AI Servo AF mode, focusing on a human subject in the AF area is
made easier. If no people are detected, the camera focuses on the
nearest subject. Once focus is achieved, AF points are automatically
selected so that the camera continues to focus on the color of the area it
focused on fi rst.
2: Disable
AF points are automatically selected based only on AF information.
o
With setting [0:EOS iTR AF (Face priority)] or [1:Enable], focusing will take
slightly longer than with setting [2:Disable].
o
Even with setting [0:EOS iTR AF (Face priority)] or [1:Enable], the expected
result may not be obtained depending on the shooting conditions and subject.
o
Under low light, where external Speedlites for EOS cameras automatically
emit an AF-assist beam, AF points are selected automatically based only on
AF information. (Information on recognized people is not used for AF
.)
568
Custom Function Setting Items
C.Fn II-13: AF point selection movement (Viewfi nder shooting)
0: Stops at AF area edges
Useful if you often use the AF point at the outer edge.
1: Continuous
Instead of stopping at the outer edge, the selection of AF point continues
to the opposite side.
o
Also applies when the initial AF point for AI Servo AF is selected with
[
8
C.Fn II-11: Initial Servo AF pt,
/
c
] set to [1:Initial AF pt set for /
c
].
C.Fn II-14: AF point display during focus (Viewfi nder shooting)
You can set whether to display the AF point(s) when AF point is selected,
before AF starts (shooting ready), when AF starts, during AF, when focus is
achieved, and when the metering timer is active after focus is achieved.
k
: Displayed,
l
: Not displayed
AF Point Display During Focus
With AF
Point
Selected
Before
AF Starts
(Shooting
Ready)
At AF Start
0: Selected (constant)
kk k
1: All (constant)
kk k
2: Selected (pre-AF,focused)
kk k
3: Selected AF pt (focused)
kl k
4: Disable display
kl l
AF Point Display During Focus During AF
Focus
Achieved
Metering
Active After
Achieving
Focus
0: Selected (constant)
kk k
1: All (constant)
kk k
2: Selected (pre-AF,focused)
lk k
3: Selected AF pt (focused)
lk l
4: Disable display
ll l
569
Custom Function Setting Items
C.Fn II-15: Viewfi nder display illumination
0: Auto
The AF points achieving focus in low light or with a dark subject will
automatically light up in red.
1: Enable
The AF points light up in red regardless of the ambient light level.
2: Disable
The AF points do not light up in red.
With [Auto] or [Enable] set, you can set whether the AF points are to light
up in red when you press the <
Q
> button during AI Servo AF.
OFF: Non illuminated
The AF points will not light up during AI Servo AF.
ON: Illuminated
The AF points used for focusing light up in red during AI Servo AF. The
AF points also light up during continuous shooting.
If set to [2:Disable], this function will not work.
o
When you press the <
S
> or <
G
> button, the AF points will light up in red
regardless of this setting.
o
The aspect ratio lines, electronic level, and grid in the viewfi nder will also light
up in red.
C.Fn II-16: AF Microadjustment
You can make fi ne adjustments for the AF’s point of focus (
=
575).
570
Custom Function Setting Items
C.Fn III: Operation/Others
C.Fn III-1: Warnings
z
in viewfi nder
When any of the following functions are set, the <
z
> icon can be displayed
in the viewfi nder and on the LCD panel (
=
34).
Select the function for which you want the warning icon to appear, then
press <
0
> to add a checkmark [
X
]. Select [OK] to register the setting.
When monochrome
V
set
If [
z
: Picture Style] is set to [Monochrome] (
=
231), the warning
icon will appear.
When WB is corrected
If white balance correction is set (
=
227), the warning icon will appear.
When
M
is set
If [
z
: High ISO speed NR] is set to [Multi Shot Noise Reduction]
(
=
238), the warning icon will appear.
When HDR is set
If [
z
: HDR mode] is set (
=
251), the warning icon will appear.
o
If you set any of the checkmarked [
X
] functions, <
z
> will also appear for the
respective setting displayed on the Creative Zone screen (
=
67).
C.Fn III-2: Dial direction during Tv/Av
Dial turning direction when setting the shutter speed and aperture can be
reversed.
In the <
a
> shooting mode, the turning direction of the <
6
> and <
5
>
dial will be reversed. In other shooting modes, the turning direction of only
the <
6
> dial will be reversed. The direction of the <
5
> dial in <
a
>
mode matches the direction to set exposure compensation in <
d
>, <
s
>,
and <
f
> modes.
0: Normal
1: Reverse direction
571
Custom Function Setting Items
C.Fn III-3: Custom Controls
You can assign frequently used functions to camera buttons or dials
according to your preferences for easy operations.
1
Select a part of the bar.
2
Select a function to assign.
Press <
0
> to set it.
o
With the screen in step 1 displayed, you can press the <
L
> button to revert
the Custom Control settings to their defaults. Customized operations are not
cleared if you select [Clear all Custom Func. (C.Fn)].
572
Custom Function Setting Items
Functions Available for Camera Controls
Function
AF
Metering and AF start
kk
AF stop
k
ONE SHOT
z
AI SERVO/SERVO
k
Direct AF point selection
Pause Movie Servo AF
Exposure
Metering start
k
AE lock/FE lock
k
AE lock (hold)
k
AE lock
k
AE lock (while button pressed)
k
FE lock
k
Set ISO speed (hold button, turn )
k
Exposure compensation (hold button, turn )
k
Flash exposure compensation
Shutter speed setting in M mode
Aperture setting in M mode
Image
Image quality
Picture Style
White balance
Create folder
Operation
Depth-of-fi eld preview
IS start
Menu display
Flash function settings
Wi-Fi/Bluetooth connection
No function (disabled)
k
573
Custom Function Setting Items
j
kk
kkk
kkk
k
k
kkk
kkk
kkk
kkk
kk
kk
k
kk
kk
k
k
k
k
kk
kk
k
k
k
kk k k
o
< > stands for “AF stop button” provided on super telephoto lenses
equipped with Image Stabilizer.
574
Custom Function Setting Items
C.Fn III-4: Retract lens on power off
You can set whether to retract gear-type STM lenses (such as EF40mm
f/2.8 STM) automatically when the camera’s power switch is set to <
2
>.
0: Enable
1: Disable
o
With auto power off , the lens will not retract regardless of the setting.
o
Before detaching the lens, make sure that it is retracted.
o
When [0:Enable] is set, this function takes eff ect regardless of the lens’s
focus mode switch setting (AF or MF).
C.Fn III-5: Audio compression
Sets audio compression for movie recording. [1:Disable] allows higher
audio quality than when audio is compressed, but fi le sizes are larger.
0: Enable
1: Disable
o
Editing movie fi les recorded with [1:Disable] and then saving them with
compression will also compress the audio.
o
Audio is compressed even if [1:Disable] is selected when [Movie rec. size] is
set to
L6V
(NTSC) or
L5V
(PAL).
o
Audio for Basic Zone or video snapshots is compressed even when [1:Disable]
is selected.
575
M
Fine Adjustment of AF Position
( AF Microadjustment)
Fine adjustment of the point of focus is possible when autofocusing in
viewfi nder shooting.
o
Normally, AF microadjustment is not required. Perform this adjustment
only if necessary
. Make sure to note that performing this adjustment may
prevent accurate focusing from being achieved.
1: Adjust All by Same Amount
Set the adjustment amount manually by repeatedly making adjustments,
shooting, and checking the results until the desired result is achieved.
During AF, regardless of the lens used, the point of focus will always be
shifted by the adjustment amount.
1
Select [C.Fn II:Autofocus].
2
Select [16: AF Microadjustment].
3
Select [1:All by same amount].
4
Press the <Q> button.
576
Fine Adjustment of AF Position (AF Microadjustment)
5
Make the adjustment.
Setting it toward “–: ” will shift the point
of focus in front of the standard point of
focus.
Setting it toward “+: ” will shift the point
of focus to behind the standard point of
focus.
After making the adjustment, press
<
0
>.
Press <
0
> again.
6
Check the result of the adjustment.
Take a picture to check the results of
adjustment.
Repeat the adjustment as necessary.
o
If [1:All by same amount] is selected, separate AF adjustment will not be
possible for the wide-angle and telephoto ends of zoom lenses.
577
Fine Adjustment of AF Position (AF Microadjustment)
2: Adjust by Lens
You can make the adjustment for each lens and register the adjustment in the
camera. You can register the adjustment for up to 40 lenses. When you autofocus
with a lens whose adjustment is registered, the point of focus will always be
shifted by the adjustment amount.
Set the adjustment amount manually by repeatedly making adjustments, shooting,
and checking the results until the desired result is achieved. If you use a zoom
lens, make the adjustment for the wide-angle (W) and telephoto (T) ends.
1
Select [2:Adjust by lens].
2
Press the <Q> button.
(1)
3
Check and change the lens information.
Displaying the Lens Information
Press the <
B
> button to display the
lens name and a 10-digit serial number.
When the serial number is displayed,
select [OK] and go to step 4.
If the lens’s serial number cannot be
confi rmed, “0000000000” will be displayed.
In this case, enter the number by following
the instructions on the next page.
Regarding the asterisk “*” displayed in
front of some lens serial numbers, see the
next page.
(1) Registered number
578
Fine Adjustment of AF Position (AF Microadjustment)
Entering the Serial Number
Select the digit to be entered, then press
<
0
> so <
r
> is displayed.
Enter the number, then press <
0
>.
After entering all the digits, select [OK].
Lens Serial Number
In step 3, if “*” appears in front of the 10-digit lens serial number,
you can register only one unit of the same lens model. Even if you
enter the serial number, “*” will remain displayed.
The serial number on the lens may diff er from the serial number
displayed on the screen in step 3. This is not a malfunction.
If the lens serial number includes letters, enter only the numbers.
If the lens serial number is eleven digits or longer, enter only the last ten
digits.
The location of the serial number varies depending on the lens.
Certain lenses may not have a serial number inscribed.
To register a lens
that has no serial number inscribed, enter any serial number.
o
If [2: Adjust by lens] is selected and an extender is used, the adjustment will
be registered for the lens and extender combination.
o
If 40 lenses have already been registered, a message will appear. After you
select a lens whose registration is to be erased (overwritten), you can register
another lens.
579
Fine Adjustment of AF Position (AF Microadjustment)
Single focal length lens
4
Make the adjustment.
For a zoom lens, select the wide-angle
(W) or telephoto (T) end. Pressing <
0
>
will turn off the orange frame and make
the adjustment possible.
Set the adjustment amount, then press
<
0
>.
Setting it toward “–: ” will shift the point
of focus in front of the standard point of
focus.
Setting it toward “+: ” will shift the point
of focus to behind the standard point of
focus.
For a zoom lens, repeat this procedure
and adjust it for the wide-angle (W) and
telephoto (T) ends.
After completing the adjustment, press
the <
M
> button to return to the
screen in step 1.
Zoom lens
5
Check the result of the adjustment.
Take a picture to check the adjustment
result.
Repeat the adjustment as necessary.
580
Fine Adjustment of AF Position (AF Microadjustment)
o
When shooting with the intermediate range (focal length) of a zoom lens, the
AF’s point of focus is corrected automatically relative to the adjustments made
for the wide-angle and telephoto ends. Even if only the wide-angle or telephoto
end is adjusted, a correction will be made automatically for the intermediate
range.
Clearing All AF Microadjustments
When [
Clear all] appears at the bottom of the screen, pressing the <
L
>
button will clear all the adjustments made for [1:All by same amount] and
[2:Adjust by lens].
Cautions for AF Microadjustment
o
The AF’s point of focus will vary slightly depending on the subject conditions,
brightness, zoom position, and other shooting conditions. Therefore, even
if you perform AF Microadjustment, focus may still not be achieved at the
suitable position.
o
The adjustment amount of one step varies depending on the maximum
aperture of the lens. Keep adjusting, shooting, and checking the focus
repeatedly to adjust the
AF’s point of focus.
o
The adjustment will not be applied to AF in Live View shooting or movie
recording.
o
The adjustments will be retained even if you do [
8
: Clear all Custom Func.
(C.Fn)] (
=
581). However
, the setting will be [0:Disable].
o
To check adjustment results, focus with One-Shot AF.
Notes for AF Microadjustment
o
It is best to make the adjustment at the actual location where you will shoot.
This will make the adjustment more precise.
o
Using a tripod when making the adjustment is recommended.
o
For making adjustments, shooting at the
73
image-recording quality is
recommended.
581
Clearing Custom Function Settings
Selecting [
8
: Clear all Custom Func. (C.Fn)] clears all Custom Function
settings. Note that [Custom Controls] settings are not cleared.
583
M
Registering My Menu
Under My Menu tab, you can register menu items and Custom Functions
whose settings you change frequently.
Creating and Adding My Menu Tab
1
Select [Add My Menu tab].
2
Select [OK].
You can create up to fi ve My Menu tabs
by repeating steps 1 and 2.
Registering Menu Items under the My Menu Tab(s)
1
Select [MY MENU*: Confi gure].
584
Registering My Menu
2
Select [Select items to register].
3
Register the desired items.
Select the item to be set, then press
<
0
>.
Select [OK] on the confi rmation dialog.
You can register up to six items.
To return to the screen in step 2, press
the <
M
> button.
My Menu Tab Settings
You can sort and delete items under the
menu tab, and rename or delete the menu
tab.
Sort registered items
You can change the order of the registered items in My Menu. Select [Sort
registered items], select an item to rearrange, then press <
0
>. With
[
z
] displayed, use the <
5
> dial to move the item, then press <
0
>.
Delete selected items/Delete all items on tab
You can delete any of the registered items. [Delete selected items]
deletes one item at a time, and [Delete all items on tab] deletes all the
registered items under the tab.
585
Registering My Menu
Delete tab
You can delete the current My Menu tab. Select [Delete tab] to delete the
[MY MENU*] tab.
Rename tab
You can rename the My Menu tab from [MY MENU*].
1
Select [Rename tab].
2
Enter text.
Select [
] or press the <
L
> button to
delete any unneeded characters.
Use <
j
> <
9
> to select a character,
then press <
0
>.
By selecting [ ], you can change the
input mode.
3
Confi rm input.
Press the <
M
> button, then press
[OK].
586
Registering My Menu
Deleting all My Menu tabs/Deleting all items
You can delete all the created My Menu
tabs or My Menu items registered under
them.
Delete all My Menu tabs
You can delete all My Menu tabs you created. When you select [Delete
all My Menu tabs], all the tabs from [MY MENU1] to [MY MENU5] will
be deleted and the [
9
] tab will revert to its default.
Delete all items
You can delete all the items registered under the [MY MENU1] to
[MY MENU5] tabs. The tab(s) will remain. When [Delete all items]
is selected, all the items registered under all the created tabs will be
deleted.
o
If you perform [Delete tab] or [Delete all My Menu tabs], tab names renamed
with [Rename tab] will also be deleted.
587
Registering My Menu
Menu Display Settings
You can select [Menu display] to set the
menu screen that is to appear fi rst when
you press the <
M
> button.
Normal display
Displays the last displayed menu screen.
Display from My Menu tab
Displays with the [
9
] tab selected.
Display only My Menu tab
Only the [
9
] tab is displayed. (The [
z
], [
3
], [
k
], [
5
], and [
8
] tabs
will not be displayed.)
588
589589
Reference
This chapter provides reference information on camera features.
590
Software
Downloading and Installing the EOS Software or Other
Dedicated Software
Always install the latest version of the software.
Update any previous versions that are installed by overwriting them with the
latest version.
o
Do not connect the camera to a computer before you install the software. The
software will not be installed correctly.
o
The software cannot be installed unless the computer is connected to the
Internet.
o
Previous versions cannot display images from this camera correctly
. Also,
processing RAW images from this camera is not possible.
1
Download the software.
Connect to the Internet from a computer and access the following
Canon website.
www.canon.com/icpd
Enter the serial number on the bottom of the camera, then download
the software.
Decompress it on the computer.
For Windows
Click the displayed installer fi le to start the installer.
For Macintosh
A dmg fi le will be created and displayed. Follow the steps below to
startup the installer.
591
Software
(1) Double-click the dmg fi le.
g
A drive icon and installer fi le will appear on the desktop.
If the installer fi le does not appear, double-click the drive icon
to display it.
(2) Double-click the installer fi le.
g
The installer starts.
2
Follow the on-screen instructions to install the software.
Downloading the Software Instruction Manuals
Software Instruction Manuals (PDF fi les) can be downloaded from the
Canon website to your computer.
Software Instruction Manual Download Site
www.canon.com/icpd
o
To view the Instruction Manuals (PDF fi
les), an Adobe PDF viewing
software such as Adobe Acrobat Reader DC (most recent version
recommended) is required.
o
Adobe Acrobat Reader DC can be downloaded for free from the Internet.
o
Double-click the downloaded Instruction Manual (PDF fi
le) to open it.
o
To learn how to use PDF viewing software, refer to the software
’s Help section.
592
Importing Images to a Computer
You can use EOS software to import images from the camera to a computer.
There are three ways to do this.
Connecting to a Computer via an Interface Cable (sold
separately)
1
Install the software (=590).
2
Connect the camera to the
computer with Interface Cable
IFC-600PCU (computer end: USB
Type-A).
Insert the plug into the camera’s digital
terminal.
Connect the cord’s plug to the
computer’s USB terminal.
3
Use EOS Utility to import the
images.
Refer to the EOS Utility Instruction
Manual.
o
With Wi-Fi connection established, the camera cannot communicate with the
computer even if they are connected with an interface cable.
593
Importing Images to a Computer
Card Reader
You can use a card reader to import images to a computer.
1
Install the software (=590).
2
Insert the card into the card reader.
3
Use Digital Photo Professional to
import the images.
Refer to the Digital Photo Professional
Instruction Manual.
o
When downloading images from the camera to a computer with a card
reader without using EOS software, copy the DCIM folder on the card to the
computer.
Connecting to a Computer via Wi-Fi
You can connect the camera to the computer via Wi-Fi and import images to
the computer (
=
426).
594
Battery Grip BG-E14
BG-E14 is a battery grip you can use with two LP-E6N/LP-E6 battery packs,
or with AA/R6 batteries. It provides controls to use in vertical shooting, such
as a shutter button and Main dial. For instructions on attachment and use,
refer to the BG-E14 Instruction Manual.
Household Power Outlet Accessory
You can power the camera with a household power outlet by using the
DC Coupler DR-E6 and AC Adapter AC-E6N (each sold separately).
For instructions on attachment and use, refer to the DR-E6 and AC-E6N
instruction manuals.
o
Do not use an AC adapter other than the AC-E6N.
o
While the camera’s power switch is on, do not connect or disconnect the
power cord or connector or do not disconnect the DC coupler.
o
After using the camera, unplug the power plug from the power outlet.
o
AC Adapter Kit ACK-E6 can also be used.
595
Troubleshooting Guide
If a problem occurs with the camera, fi rst refer to this Troubleshooting
Guide. If this Troubleshooting Guide does not resolve the problem, contact
your dealer or nearest Canon Service Center.
Power-Related Problems
The battery does not recharge.
If the battery’s remaining capacity (
=
524) is 94% or higher, the battery
will not be recharged.
Do not use any battery other than genuine Canon Battery Pack LP-E6N/
LP-E6.
The charger’s lamp blinks at high speed.
If (1) the battery charger or battery has a problem or (2) communication
with the battery failed (with a non-Canon battery pack), the protection
circuit will stop charging, and the charge lamp will blink in orange at a
constant high speed. In the case of (1), unplug the charger’s power plug
from the power outlet. Detach and reattach the battery to the charger.
Wait a few minutes, then reconnect the power plug to the power outlet.
If the problem persists, contact your dealer or nearest Canon Service
Center.
The charger’s lamp does not blink.
If the internal temperature of the battery attached to the charger is
high, the charger will not charge the battery for safety reasons (lamp
off ). During charging, if the battery’s temperature becomes high for any
reason, charging will stop automatically (lamp blinks). When the battery
temperature goes down, charging will resume automatically.
The camera is not activated even when the power switch is set
to <
1
>.
Make sure the battery compartment cover is closed (
=
47).
Make sure the battery is installed properly in the camera (
=
47).
Charge the battery (
=
44).
Make sure the card slot cover is closed (
=
48).
596
Troubleshooting Guide
The access lamp still lights or blinks even when the power
switch is set to <
2
>.
If the power is turned off while an image is being recorded to the card, the
access lamp will remain on or continue to blink for a few seconds. When
the image recording is complete, the power will turn off automatically.
[Does this battery/do these batteries display the Canon logo?] is
displayed.
Do not use any battery other than genuine Canon Battery Pack LP-E6N/
LP-E6.
Remove and install the battery again (
=
47).
If the electrical contacts are dirty, use a soft cloth to clean them.
The battery becomes exhausted quickly.
Use a fully charged battery (
=
44).
The battery performance may have degraded. See [
5
: Battery info.] to
check the battery’s recharge performance level (
=
524). If the battery
performance is poor, replace the battery with a new one.
The number of possible shots will decrease with any of the following
operations:
Pressing the shutter button halfway for a prolonged period.
Activating the AF frequently without taking a picture.
Using the lens’s Image Stabilizer.
Using the screen frequently.
Continuing Live View shooting or movie recording for a prolonged period.
Using the wireless communication functions.
The camera turns off by itself.
Auto power off is in eff ect. To deactivate auto power off , set [
5
: Auto
power off ] to [Disable] (
=
513).
Even if [
5
: Auto power off ] is set to [Disable], the screen will still turn
off after the camera is left idle for approx. 30 min. (The camera’s power
does not turn off .)
The camera does not work with AA/R6 batteries in the battery grip.
Reinstalling the battery magazine and restarting the camera may restore
camera operation.
597
Troubleshooting Guide
Shooting-Related Problems
The lens cannot be attached.
The camera cannot be used with RF or EF-M lenses (
=
54).
The viewfi nder is dark.
Install a recharged battery in the camera (
=
44).
No images can be shot or recorded.
Make sure the card is properly inserted (
=
48).
Slide the card’s write-protect switch to the Write/Erase setting (
=
48).
If the card is full, replace the card or delete unnecessary images to make
space (
=
48,
=
350).
You cannot take a picture when focusing with One-Shot AF and the focus
indicator <
o
> in the viewfi nder is blinking or when the AF point is orange
during Live View/movie shooting. Press the shutter button halfway again
to refocus automatically, or focus manually (
=
57,
=
147).
598
Troubleshooting Guide
The card cannot be used.
If a card error message is displayed, see
=
50 or
=
613.
An error message is displayed when the card is inserted in
another camera.
Since SDXC cards are formatted in exFAT, if you format a card with this
camera and then insert it into another camera, an error may be displayed
and it may not be possible to use the card.
I have to press the shutter button twice to take a picture.
Set [
z
: Mirror lockup] to [Disable].
The image is out of focus or blurred.
Set the lens’s focus mode switch to <AF> (
=
54).
Press the shutter button gently to prevent camera shake (
=
56,
=
57).
With a lens equipped with an Image Stabilizer, set the IS switch to <
1
>.
In low light, the shutter speed may become slow. Use a faster shutter
speed (
=
112), set a higher ISO speed (
=
213), use fl ash (
=
164,
=
179), or use a tripod.
See “Minimizing Blurred Photos” on
=
78.
There are fewer AF points or the Area AF frame shape is
diff erent.
Depending on the lens used, the number of usable AF points, AF point
patterns, Area AF frame shape, etc. vary.
599
Troubleshooting Guide
The AF point is blinking or two AF points are displayed.
Regarding the AF points lighting up or blinking when you press the <
S
>
or <
G
> button, see
=
133.
The AF points do not light up in red.
The AF points light up in red when you shoot under low light or when
focus is achieved on a dark subject.
In the <
d
>, <
s
>, <
f
>, <
a
>, or <
F
> mode, you can set whether to
have the AF points light up in red for when focus is achieved (
=
569).
I cannot lock the focus and recompose the shot.
Set the AF operation to One-Shot AF. Focus lock is not possible in the
AI Servo AF/Servo AF mode or when servo takes eff ect in AI Focus AF
mode (
=
80,
=
125).
The continuous shooting speed is slow.
The continuous shooting speed for high-speed continuous shooting may
be lower, depending on conditions such as these: temperature, battery
level, fl icker reduction, shutter speed, aperture, subject conditions,
brightness, AF operation, type of lens, live view shooting, use of fl ash,
and shooting settings, etc. For details, see
=
150 or
=
152.
The maximum burst during continuous shooting is lower.
If you shoot a subject that has fi ne detail such as a fi eld of grass, the fi le
size will be larger, and the actual maximum burst may be lower than the
number listed on
=
615.
600
Troubleshooting Guide
Even after I change the card, the maximum burst displayed for
continuous shooting does not change.
The maximum burst displayed does not change when you switch cards,
even if you switch to a high-speed card. The maximum burst shown in
the table on
=
615 is based on Canon’s testing card. (The faster the
card’s writing speed, the higher the actual maximum burst will be.) For
this reason, the maximum burst displayed may diff er from the actual
maximum burst.
Even if I set a decreased exposure compensation, the image
comes out bright.
Set [
z
: Auto Lighting Optimizer] to [Disable] (
=
218). When [Low],
[Standard], or [High] is set, even if you set a decreased exposure
compensation or fl ash exposure compensation, the image may come out
bright.
I cannot set the exposure compensation when both manual
exposure and ISO Auto are set.
See
=
118 to set the exposure compensation.
Not all the lens aberration correction options are displayed.
Although [Chromatic aberr corr] and [Diff raction correction] are
not displayed when [Digital Lens Optimizer] is set to [Enable], both
functions are applied in shooting, as when set to [Enable].
During movie recording, [Digital Lens Optimizer], [Diff raction
correction], or [Distortion correction] will not be displayed.
The built-in fl ash does not fi re.
Shooting with the fl ash may be temporarily disabled to protect the fl ash
head if the built-in fl ash is used repeatedly over a short period.
601
Troubleshooting Guide
The external Speedlite does not fi re.
Make sure the external Speedlite is securely attached to the camera.
When using non-Canon fl ash units in Live View shooting,
set [
z
: Shutter mode] to an option other than [Electronic] (
=
243).
The external Speedlite always fi res at full output.
If you use a fl ash unit other than an EL/EX series Speedlite, the fl ash will
always fi re at full output (
=
179).
When [Flash metering mode] in the external fl ash Custom Function
settings is set to [TTL fl ash metering] (autofl ash), the fl ash always fi res
at full output (
=
179).
External fl ash exposure compensation cannot be set.
If external fl ash exposure compensation was already set on the
Speedlite, it cannot be set on the camera. When the external Speedlite’s
fl ash exposure compensation is canceled (set to 0), fl ash exposure
compensation can be set with the camera.
Remote control shooting is not possible.
When taking still photos, set the drive mode to <
Q
> or <
k
> (
=
151).
When recording movies, set [
z
: Remote control] to [Enable] (
=
322).
Check the position of the remote control’s release timing switch.
If you are using Wireless Remote Control BR-E1, see
=
156.
Infrared remote controllers such as the RC-6 cannot be used for
remote control shooting when the camera is paired via Bluetooth with
a smartphone or wireless remote control. Set [Bluetooth settings] to
[Disable].
To use a remote control for time-lapse movie recording, see
=
311.
602
Troubleshooting Guide
Enabling Live View Shooting
Set [
z
: Live View shoot.] to [Enable].
The shutter makes two release sounds during Live View
shooting.
If you use fl ash with Live View shooting, the shutter will make two release
sounds each time you shoot.
During Live View shooting, a white
s
or red
E
icon is
displayed.
It indicates that the camera’s internal temperature is high. Image quality
of still photos may be worse when a white [
s
] icon is displayed. If the
red [
E
] icon is displayed, it indicates that the Live View shooting will
soon stop automatically (
=
269).
Expanded ISO speeds cannot be selected for still photo
shooting.
Check the [ISO speed range] setting under [
z
:
z
ISO speed
settings].
Expanded ISO speeds are not available when [
z
: Highlight tone
priority] is set to [Enable] or [Enhanced].
During movie recording, the red
E
icon is displayed.
It indicates that the camera’s internal temperature is high. If the red [
E
]
icon is displayed, it indicates that the movie recording will soon stop
automatically (
=
326).
During movie recording, [
x
] is displayed.
It indicates that the camera’s internal temperature is high. Movie
recording is not possible as long as [
x
] is displayed. If [
x
] appears
during movie recording, the camera will turn off automatically in approx.
3 min. (
=
326).
603
Troubleshooting Guide
Movie recording stops by itself.
If the card’s writing speed is slow, movie recording may stop
automatically. For cards that can record movies, see
=
617. To fi nd out
the card’s writing speed, refer to the card manufacturer’s website, etc.
If you shoot a movie for 29 min. 59 sec., the movie recording will stop
automatically.
The ISO speed cannot be set for movie recording.
In shooting modes other than <
a
>, the ISO speed is set automatically.
In the <
a
> mode, you can manually set the ISO speed (
=
280).
The manually set ISO speed changes when switching to movie
recording.
For viewfi nder shooting and Live View shooting, the ISO speed will be
set according to [ISO speed range] under [
z
:
z
ISO speed settings]
(
=
215). For movie recording, the ISO speed will be set according to
[ISO speed range] under [
z
:
k
ISO speed settings] (
=
322).
Expanded ISO speeds cannot be selected for movie recording.
Check the [ISO speed range] setting under [
z
:
k
ISO speed
settings].
Expanded ISO speeds are not available when [
z
: Highlight tone
priority] is set to [Enable].
The exposure changes during movie recording.
If you change the shutter speed or aperture during movie recording, the
changes in the exposure may be recorded.
Shooting a few test movies is recommended if you intend to perform
zooming during movie recording. Zooming during movie recording may
result in recording of changes in exposure or mechanical sound of the
lens, or images may be out of focus.
604
Troubleshooting Guide
The image fl ickers or horizontal stripes appear during movie
recording.
Flickering, horizontal stripes (noise), or irregular exposures can be
caused by fl uorescent lighting, LED lighting, or other light sources during
movie recording. Also, changes in the exposure (brightness) or color tone
may be recorded. In the <
a
> mode, a slow shutter speed may reduce
the problem. The problem may be more noticeable in time-lapse movie
recording.
The subject looks distorted during movie recording.
If you move the camera to the left or right (panning) or shoot a moving
subject, the image may look distorted.
I cannot take still photos during movie recording.
Still photos cannot be taken during movie recording. To take still photos,
stop the movie recording and perform viewfi nder shooting or Live View
shooting.
605
Troubleshooting Guide
Problems with Wireless Features
Cannot pair with a smartphone.
Use a smartphone compliant with Bluetooth Specifi cation Version 4.1 or
later.
Turn on Bluetooth from the smartphone settings screen.
Pairing with the camera is not possible from the smartphone’s Bluetooth
settings screen. Install the dedicated app Camera Connect (free of
charge) on the smartphone (
=
399).
A previously paired smartphone cannot be paired with the camera again
if the camera’s registration is retained on the smartphone. In this case,
remove the camera’s registration retained in the Bluetooth settings on the
smartphone and try pairing again (
=
406).
Wi-Fi function cannot be set.
If the camera is connected to a computer or another device with an
interface cable, Wi-Fi functions cannot be set. Disconnect the interface
cable before setting any functions (
=
396).
A device connected with an interface cable cannot be used.
Other devices, such as computers, cannot be used with the camera by
connecting them with an interface cable while the camera is connected to
devices via Wi-Fi. Terminate the Wi-Fi connection before connecting the
interface cable.
Operations such as shooting and playback are not possible.
With a Wi-Fi connection established, operations such as shooting and
playback may not be possible.
Terminate the Wi-Fi connection, then perform the operation.
606
Troubleshooting Guide
Cannot reconnect to a smartphone.
Even with a combination of the same camera and smartphone, if you
have changed the settings or selected a diff erent setting, reconnection
may not be established even after selecting the same SSID. In this case,
delete the camera connection settings from the Wi-Fi settings on the
smartphone and set up a connection again.
A connection may not be established if Camera Connect is running when
you reconfi gure connection settings. In this case, quit Camera Connect
for a moment and then restart it.
607
Troubleshooting Guide
Operation Problems
I cannot change the setting with <
6
>, <
5
>, <
j
>, <
9
>, or
<
d
>.
Set the <
R
> switch downward (lock release) (
=
60).
Check the [
5
: Multi function lock] setting (
=
545).
Touch operation is not possible.
Make sure [
5
: Touch control] is set to [Standard] or [Sensitive]
(
=
521).
A camera button or dial does not work as expected.
Check these settings: [
8
: C.Fn II-7: Select AF area selec. mode],
[
8
: C.Fn II-9: AF area selection method], and [
8
: Custom Controls]
(
=
563,
=
564,
=
571).
Display Problems
The menu screen shows fewer tabs and items.
Certain tabs and options do not appear in Basic Zone or for Live View
shooting and movie recording.
The display starts with [
9
] My Menu, or the [
9
] tab alone is
displayed.
[Menu display] on the [
9
] tab is set to [Display from My Menu tab] or
[Display only My Menu tab]. Set [Normal display] (
=
587).
The fi le name’s fi rst character is an underscore (“_”).
Set [
z
: Color space] to [sRGB]. If [Adobe RGB] is set, the fi rst
character will be an underscore (
=
229).
608
Troubleshooting Guide
The fi le name starts with “MVI_”.
It is a movie fi le (
=
507).
The fi le numbering does not start from 0001.
If the card already contains recorded images, the image number may not
start from 0001 (
=
507).
The shooting date and time displayed are incorrect.
Make sure the correct date and time are set (
=
516).
Check the time zone and daylight saving time (
=
516,
=
517).
The date and time are not in the image.
The shooting date and time do not appear in the image. The date and
time are recorded in the image data as shooting information. When
printing, you can imprint the date and time in the picture, using the date
and time recorded in the shooting information (
=
354).
[###] is displayed.
If the number of images recorded on the card exceeds the number the
camera can display, [###] will be displayed.
In the viewfi nder, the AF point display speed is slow.
In low temperatures, the display speed of the AF points may become
slower due to the AF point display device’s (liquid crystal) characteristics.
The display speed will return to normal at room temperature.
The screen does not display a clear image.
If the screen is dirty, use a soft cloth to clean it.
The screen display may seem slightly slow in low temperatures or
may look black in high temperatures. It will return to normal at room
temperature.
609
Troubleshooting Guide
Playback Problems
Part of the image blinks in black.
[
3
: Highlight alert] is set to [Enable] (
=
391).
A red box is displayed on the image.
[
3
: AF point disp.] is set to [Enable] (
=
392).
During image playback, the AF points are not displayed.
The AF points are not displayed when the following types of images are
played back:
Images taken in the <
8
:
FG
> modes.
Images taken in the HDR mode.
Images taken in the <
U
:
ABCD
> modes.
Images taken with Multi Shot Noise Reduction applied.
Cropped images.
The image cannot be erased.
If the image is protected, it cannot be erased (
=
346).
Still photos and movies cannot be played back.
The camera may not be able to play back images taken with another
camera.
Movies edited with a computer cannot be played back with the camera.
Only few images can be played back.
The images have been fi ltered for playback with [
3
: Set image search
conditions] (
=
385). Clear the image search conditions.
610
Troubleshooting Guide
Operation sound and mechanical sound can be heard during
movie playback.
If you operate the camera’s dials or lens during movie recording, the
operation sound will also be recorded. Using the Directional Stereo
Microphone DM-E1 (sold separately) is recommended (
=
296).
The movie appears to freeze momentarily.
If there is a drastic change in the exposure level during autoexposure
movie recording, the recording will stop momentarily until the brightness
stabilizes. In such a case, shoot in the <
a
> mode (
=
279).
No picture appears on the television.
Make sure [
5
: Video system] is set to [For NTSC] or [For PAL]
correctly for the video system of your television.
Make sure the HDMI cable’s plug is inserted all the way in (
=
344).
There are multiple movie fi les for a single movie recording.
If the movie fi le size reaches 4 GB, another movie fi le will be created
automatically (
=
293). However, if you use an SDXC card formatted
with the camera, you can record a movie in a single fi le even if it exceeds
4 GB.
611
Troubleshooting Guide
My card reader does not recognize the card.
Depending on the card reader used and the computer’s operating system,
SDXC cards may not be correctly recognized. In this case, either connect
the camera to a computer with an interface cable (sold separately) and
use EOS Utility (EOS software,
=
590) or connect the camera to a
computer via Wi-Fi (
=
426) to import the images on the camera.
The image cannot be resized.
With this camera, you cannot resize JPEG
b
and RAW images
(
=
379).
The image cannot be cropped.
With this camera, you cannot crop RAW images (
=
377).
Dots of light appear on the image.
White, red, or blue dots of light may appear in captured images if the
sensor is aff ected by cosmic rays or similar factors. Their appearance
may be reduced by performing [Clean now
f
] under [
5
: Sensor
cleaning] (
=
528).
612
Sensor Cleaning Problems
The shutter makes a sound during sensor cleaning.
Under [
5
: Sensor cleaning], when you select [Clean now
f
], the
shutter will make a mechanical sound during the cleaning, but no picture
will be recorded to the card (
=
528).
Automatic sensor cleaning does not work.
If you repeatedly turn the power switch <
1
> and <
2
> within a short
time period, the <
f
> icon may not be displayed (
=
52).
Computer Connection Problems
I cannot import images to a computer.
Install EOS Utility (EOS software) in the computer (
=
590).
If the camera is already connected via Wi-Fi, it cannot communicate with
any computer connected with an interface cable (sold separately).
Communication between the connected camera and computer
does not work.
When using EOS Utility (EOS software), set [
z
: Time-lapse movie] to
[Disable] (
=
301).
613
Error Codes
(2)
(1)
If there is a problem with the camera, an
error message will appear. Follow the
on-screen instructions. If the problem
persists, write down the error code (Errxx)
and contact a Customer Support Help
Desk.
(1) Error number
(2) Cause and countermeasures
614
Performance Data
Still Photo Shooting
Number of Possible Shots
(Approx. number of shots)
Temperature
Room Temperature
(23°C / 73°F)
Low Temperature
(0°C / 32°F)
No fl ash
In viewfi nder shooting 1860 1850
In Live View shooting 510 500
Flash output:
50%
In viewfi nder shooting 1300 1200
In Live View shooting 450 440
• Using a fully charged Battery Pack LP-E6N
• Based on CIPA (Camera & Imaging Products Association) testing standards
• Estimated shots with Battery Grip BG-E14 (sold separately):
Using two LP-E6N battery packs: approx. twice as many shots as the camera alone
Using AA/LR6 alkaline batteries (at a room temperature of 23°C/73°F): in viewfi nder
shooting, approx. 210 shots without fl ash or 200 shots at 50% fl ash output, and in
Live View shooting, approx. 50 shots without fl ash or 50 shots at 50% fl ash output.
ISO Auto Range
Shooting Mode
ISO Speed
No Flash With Flash
d
/
s
/
f
/
a
ISO 100–25600* ISO 100–1600*
F
ISO 400* ISO 400*
* The actual ISO speed range depends on the [Minimum] and [Maximum] set with
[Auto range].
• In Basic Zone modes, ISO speed is set automatically.
615
Performance Data
Guide to Image Quality Settings
(Approx.)
Image
Quality
Pixels
Recorded
File Size
(MB)
Possible
Shots
Maximum Burst
Standard High Speed
JPEG
73
32M
11.1 2720 57 58
83
5.6 5380 57 58
74
15M
5.8 5190 55 55
84
3.0 9860 57 56
7
a
8.1M
3.6 8390 57 57
8
a
2.0 14600 57 57
b
3.8M 1.6 18390 57 57
RAW
1
32M 35.6 850 24 25
F
32M 20.4 1490 39 39
RAW+JPEG
1
73
32M
32M
35.6
11.1
650 23 24
F
73
32M
32M
20.4
11.1
960 37 36
• The number of possible shots is based on Canon’s testing standards and an 32 GB
card.
• Maximum burst measured under conditions and with an SD card conforming to Canon
testing standards (32 GB standard/UHS-II card, <
o
> High-speed continuous
shooting, 3:2 aspect ratio, ISO 100, Standard Picture Style).
• The fi le size, number of possible shots, and maximum burst will vary depending
on the subject, card brand, still image aspect ratio, ISO speed, Picture Style,
Custom Functions, and other settings.
o
Even if you use a high-speed SD card, maximum burst indicator will not
change. The maximum burst in the table will apply instead.
616
Performance Data
Pixel Count at Specifi c Aspect Ratios
(Approx. pixels)
Image Quality 3:2 4:3
1
/
F
6960 × 4640 (32.3 megapixels) 6960 × 4640 (32.3 megapixels)
3
6960 × 4640 (32.3 megapixels) 6160 × 4640 (28.6 megapixels)*
a
4800 × 3200 (15.4 megapixels) 4256 × 3200 (13.6 megapixels)*
a
3472 × 2320 (8.1 megapixels)* 3072 × 2320 (7.1 megapixels)*
b
2400 × 1600 (3.8 megapixels) 2112 × 1600 (3.4 megapixels)*
Image Quality 16:9 1:1
1
/
F
6960 × 4640 (32.3 megapixels) 6960 × 4640 (32.3 megapixels)
3
6960 × 3904 (27.2 megapixels)* 4640 × 4640 (21.5 megapixels)
a
4800 × 2688 (12.9 megapixels)* 3200 × 3200 (10.2 megapixels)
a
3472 × 1952 (6.8 megapixels)* 2320 × 2320 (5.4 megapixels)
b
2400 × 1344 (3.2 megapixels)* 1600 × 1600 (2.6 megapixels)
o
The actual aspect ratio of images in the sizes marked with an asterisk “*” will
diff er from the aspect ratio indicated.
o
The image area displayed for the asterisked “*” aspect ratio may be slightly
diff erent from the actual image area. Check the captured images on the LCD
monitor during shooting.
o
For details on JPEG fi le sizes, see the values on
=
615. Under equivalent
shooting conditions, fi
le sizes will be smaller than when [
z
: Still img aspect
ratio] is set to [3:2].
617
Performance Data
Movie Recording
Cards that Can Record Movies
Movie Recording Size SD Card
H 654 X
UHS-I, UHS Speed Class 3 or higher
L
23
X
87 X
SD Speed Class 10 or higher
654 X
SD Speed Class 4 or higher
HDR movie
65 V
w87X
4K time-lapse movie Reading speed of 40 Mbps or faster
Full HD time-lapse movie Reading speed of 20 Mbps or faster
• When Movie digital IS are disabled.
618
Performance Data
Total Movie Recording Time and File Size Per Minute
(Approx.)
Movie Recording Size
Total Possible Recording Time on Card
File Size
8 GB 32 GB 128 GB
H 654 X
8 min. 35 min. 2 hr. 21 min. 860 MB/min.
L
23
X
8 min. 35 min. 2 hr. 22 min. 858 MB/min.
87 X
17 min. 1 hr. 10 min. 4 hr. 43 min. 431 MB/min.
654 X
35 min. 2 hr. 20 min. 9 hr. 23 min. 216 MB/min.
HDR movie
65 V
1 hr. 26 min. 5 hr. 47 min. 23 hr. 11 min. 87 MB/min.
w87 X
40 min. 2 hr. 42 min. 10 hr. 49 min. 187 MB/min.
• When Movie digital IS are disabled.
o
An increase of the camera’s internal temperature may cause movie recording
to stop before the total recording time shown in the table (
=
326).
Total Possible Time for Movie Recording
(Approx.)
Temperature
Room Temperature
(23°C / 73°F)
Low Temperature
(0°C / 32°F)
Possible recording time 2 hr. 40 min. 2 hr. 30 min.
• With a fully charged Battery Pack LP-E6N.
• With [
z
: Movie rec. size] set to
H
or
L
and [
z
: Movie Servo AF] set to
[Enable].
619
Performance Data
Total Possible Time for Time-lapse Movie Recording
(Approx.)
Time-lapse Movie Recording
Room Temperature
(23°C / 73°F)
Low Temperature
(0°C / 32°F)
Interval Screen Auto Off
2 sec.
Disable 5 hr. 10 min. 5 hr. 10 min.
Enable 7 hr. 30 min. 7 hr. 30 min.
10 sec.
Disable 4 hr. 10 min. 4 hr. 10 min.
Enable 8 hr. 40 min. 8 hr. 40 min.
• With a fully charged Battery Pack LP-E6N.
• The possible movie recording time varies depending on the shooting conditions.
620
Performance Data
ISO Speed in Movie Recording
In [
k
] Mode
The ISO speed will be set automatically within ISO 100–12800.
Under [
z
:
k
ISO speed settings], setting [Max for Auto] to [H (25600)]
(
=
322) expands the maximum limit of the automatic ISO speed setting
range to H (equivalent to ISO 25600).
In [
M
] Mode
With ISO speed set to [AUTO], the speed is automatically set in a range
of ISO 100–12800.
When ISO Auto is set, under [
z
:
k
ISO speed settings], setting [Max
for Auto] to [H (25600)] (
=
322) expands the maximum limit of the
automatic ISO speed setting range to H (equivalent to ISO 25600).
ISO speed can be set manually in a range of ISO 100–12800. Note that
under [
z
:
k
ISO speed settings], setting [ISO speed range] to
[H (25600)] (
=
322) expands the maximum speed in the manual ISO
speed setting range to H (equivalent to ISO 25600).
o
[H (25600)] is not available when recording 4K movies, 4K time-lapse movies,
or Full HD time-lapse movies.
621
Performance Data
Image Playback
Resize Options by Original Image Quality
Original Image
Quality
Available Resize Settings
4
ab
3
*
kkk
4
kk
a
k
Size for Resized Images
(Approx. pixels)
Image
Quality
3:2 4:3
4
15.4 megapixels (4800 × 3200) ―
a
8.1 megapixels (3472 × 2320) ―
b
3.8 megapixels (2400 × 1600) 3.4 megapixels (2112 × 1600)
Image
Quality
16:9 1:1
4
12.9 megapixels (4800 × 2688) 10.2 megapixels (3200 × 3200)
a
6.8 megapixels (3472 × 1952) 5.4 megapixels (2320 × 2320)
b
3.2 megapixels (2400 × 1344) 2.6 megapixels (1600 × 1600)
o
The actual aspect ratio of images in the sizes marked with an asterisk “*” will
diff er from the aspect ratio indicated.
o
The image may be cropped slightly depending on the resizing conditions.
622
Information Display
Quick Control Screen (in Viewfi nder Shooting)
Each time you press the <
B
> button, the information display will change.
The display will show only the settings currently applied.
(1) (16)
(17)
(18)
(19)
(21)
(22)
(23)
(20)
(24)
(25)
(26)
(27)
(28)
(29)
(30)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)
(1) Aperture value
(2) Shutter speed
(3) Shooting mode
(4) Exposure level indicator
(5) Exposure compensation
(6) White balance correction
(7) Picture Style
(8) AF operation
(9) Battery level
(10) Quick Control icon
(11) White balance
(12) Wi-Fi function
(13) AF area selection mode/
AF point selection
(14) Wireless signal strength
(15) Bluetooth function
(16) AE lock
(17) Highlight tone priority
(18) ISO speed
(19) Flash exposure compensation
(20) Wi-Fi/Bluetooth connection
(21) White balance bracketing
(22) Custom Controls
(23) Image quality
(24) Maximum burst/Number of
remaining multiple exposures
(25) Possible shots/Auto cleaning
(26) Auto Lighting Optimizer
(27) Multiple exposures/HDR/Multi
Shot Noise Reduction
(28) Drive mode
(29) GPS acquisition status
(30) Metering mode
623
Information Display
Live View Shooting Screen
Each time you press the <
B
> button, the information display will change.
The display will show only the settings currently applied.
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)
(16)
(17)
(18)
(19)
(20)
(21)
(1) Maximum burst
(2) Possible shots/Sec. until
self-timer shoots
(3) Focus bracketing/HDR/Multiple
exposures/Multi Shot Noise
Reduction/Bulb timer/Interval
timer
(4) Shooting mode/Scene icon
(5) AF method
(6) AF operation
(7) Drive mode
(8) Metering mode
(9) Image quality
(10) AF point (1-point AF)
(11) Battery level
(12) No. of shots left for focus
bracketing/multiple exposures/
interval timer
(13) Temperature warning
(14) Electronic level
(15) Histogram
(16) Quick Control button
(17) White balance/White balance
correction
(18) Picture Style
(19) Auto Lighting Optimizer
(20) Creative fi lters
(21) Create folder
624
Information Display
(23)
(22)
(24)
(25)
(26)
(27)
(28)
(29)
(30)
(31)
(33)
(32)
(34)
(35)
(36)
(37)
(38)
(39)
(22) Warning to use fl ash (blinking)/
Flash ready (on)/FE Lock/High-
speed sync
(23) Electronic Shutter
(24) Touch Shutter
(25) AE lock
(26) Shutter speed/Multi-function lock
warning
(27) Flash exposure compensation
(28) Aperture value
(29) AEB/FEB
(30) Exposure level indicator
(31) GPS acquisition status
(32) Wi-Fi function
(33) Magnify button
(34) ISO speed
(35) Highlight tone priority
(36) Exposure simulation
(37) Exposure compensation
(38) Bluetooth function
(39) Wi-Fi signal strength
o
You can set what is displayed for when you press the <
B
> button (
=
539).
o
The electronic level is not displayed when the AF method is set to
[
u
+Tracking] or the camera is connected via HDMI to a television.
o
Other icons may be displayed temporarily after setting adjustments.
625
Information Display
Movie Recording Screen
Each time you press the <
B
> button, the information display will change.
The display will show only the settings currently applied.
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
(11)
(12)
(13)
(14)
(15)
(16)
(17)
(18)
(21)
(19)
(20)
(1) Temperature warning
(2) Battery level
(3) Movie recording time available/
Elapsed recording time
(4) Movie recording mode/
Time-lapse movie/Scene icon
(5) AF method
(6) Movie recording size
(7) Movie digital IS
(8) Sound-recording level (manual)
(9) Headphone volume
(10) Movie Servo AF
(11) AF point (1-point AF)
(12) 4K movie cropping prohibited
(13) Histogram (for manual exposure)
(14) Movie recording in progress
(15) White balance/White balance
correction
(16) Picture Style
(17) Auto Lighting Optimizer
(18) Creative fi lters
(19) Video snapshot
(20) Electronic level
(21) Magnify button
626
Information Display
(22)
(23)
(24)
(25)
(26) (33)
(32)
(29)
(28)
(27)
(30)
(31)
(22) Sound-recording level indicator
(manual)
(23) AE lock
(24) Shutter speed
(25) Aperture value
(26) Exposure compensation
(27) Exposure level indicator
(28) GPS acquisition status
(29) Bluetooth function
(30) ISO speed
(31) Highlight tone priority
(32) Wi-Fi signal strength
(33) Wi-Fi function
o
You can set what is displayed for when you press the <
B
> button (
=
539).
o
The electronic level is not displayed when the AF method is set to
[
u
+Tracking] or the camera is connected via HDMI to a television.
o
The electronic level, grid lines, or histogram cannot be displayed during movie
recording. (The display will disappear when you start recording a movie.)
o
When movie recording starts, the movie recording remaining time will change
to the elapsed time.
o
Other icons may be displayed temporarily after setting adjustments.
627
Information Display
Scene Icons
In <
A
> mode, in Live View shooting or when recording movies, the
camera detects the type of scene and sets all settings automatically to suit
the scene. The detected scene type is indicated on the upper left of the
screen.
Subject
Background
Portrait Non-Portrait
Background
Color
In
Motion*
1
Nature/
Outdoor
Scene
In
Motion*
1
Close*
2
Bright
Gray
Backlit
Blue Sky Included
Light blue
Backlit
Sunset *
3
*
3
Orange
Spotlight
Dark blueDark
With Tripod*
1
*
4
*
5
*
3
*
4
*
5
*
3
*1: Not displayed during movie recording.
*2: Displayed when the attached lens has distance information. With an extension
tube or close-up lens, the icon displayed may not match the actual scene.
*3: The icon of the scene selected from the detectable scenes will be displayed.
o
For certain scenes or shooting conditions, the icon displayed may not match
the actual scene.
628
Information Display
*4: Displayed when all the following conditions apply:
The shooting scene is dark, it is a night scene, and the camera is mounted on a
tripod.
*5: Displayed with any of the lenses below:
• EF-S18-55mm f/3.5-5.6 IS II • EF-S55-250mm f/4-5.6 IS II
• EF300mm f/2.8L IS II USM • EF400mm f/2.8L IS II USM
• EF500mm f/4L IS II USM • EF600mm f/4L IS II USM
• Image Stabilizer lenses released in and after 2012.
*4+*5: If the conditions in both *4 and *5 are met, the shutter speed will slow down.
629
Information Display
Playback Screen
Basic information display for still photos
(1) (8)
(14)
(13)
(12)
(11)
(10)
(9)
(15)
(3)
(4)
(5)
(6)
(7)
(2)
(1) Wi-Fi function
(2) Wi-Fi signal strength
(3) Battery level
(4) Playback No./Total images/
Number of found images
(5) Shutter speed
(6) Aperture value
(7) Exposure compensation amount
(8) Bluetooth function
(9) Already sent to a computer/
smartphone
(10) Rating
(11) Image protection
(12) Folder number-File number
(13) Image quality/Edited image/
Cropping
(14) Highlight tone priority
(15) ISO speed
o
If the image was taken by another camera, certain shooting information may
not be displayed.
o
It may not be possible to play back images taken with this camera on other
cameras.
630
Information Display
Detailed information display for still photos
(1)
(8)
(13)
(12)
(11)
(10)
(9)
(15)
(14)
(16)
(17)
(3)
(4)
(5)
(6)
(7)
(2)
(1) Aperture value
(2) Shutter speed
(3) Shooting mode/Multiple exposure
(4) White balance
(5) Auto Lighting Optimizer
(6) White balance correction
(7) Picture Style/Settings
(8) Exposure compensation amount
(9) Shooting date and time
(10) Histogram (Brightness/RGB)
(11) ISO speed
(12) Highlight tone priority
(13) Scroll bar
(14) Flash exposure compensation/
Bounce/HDR shooting/Multi Shot
Noise Reduction
(15) Metering mode
(16) File size
(17) Image quality/Edited image/
Cropping
* When you shoot in RAW+JPEG image quality, the RAW image fi le size will be
displayed.
* Lines indicating the image area will be displayed for images taken with the aspect ratio
set (
=
202) and with RAW or RAW+JPEG set for image quality.
* During fl ash photography without fl ash exposure compensation, <
0
> will be displayed.
* <
> will be displayed for images shot with bounce fl ash photography.
* An icon for the eff ect (
=
252) and the dynamic range adjustment amount will be
displayed for images shot with HDR shooting.
* <
P
> will be displayed for images shot with multiple-exposure shooting.
* <
M
> will be displayed for images shot with Multi Shot Noise Reduction.
* <
u
> will be displayed for images created and saved after performing RAW image
processing, resizing, cropping, or Creative Assist.
* <
N
> will be displayed for images cropped and then saved.
631
Information Display
Detailed information display for movies
(1)
(2)
(7)
(8)
(6)
(3)
(4)
(5)
(1) Movie playback
(2) Movie recording mode/Time-lapse
movie/Video snapshot
(3) Image size
(4) Frame rate
(5) Compression method
(6) Movie digital IS
(7) Recording time
(8) Movie recording format
* <
G
> will be displayed for still photos taken as test shots for time-lapse movies.
o
During movie playback, “*, *” will be displayed for [Fineness] and [Threshold]
of [Picture Style]’s [Sharpness].
632
Trademarks
o
Adobe is a trademark of Adobe Systems Incorporated.
o
Microsoft and Windows are trademarks or registered trademarks of Microsoft
Corporation in the United States and/or other countries.
o
Macintosh and Mac OS are trademarks of Apple Inc., registered in the U.S. and
other countries.
o
SDXC logo is a trademark of SD-3C, LLC.
o
HDMI, HDMI logo, and High-Defi nition Multimedia Interface are trademarks or
registered trademarks of HDMI Licensing LLC.
o
The Wi-Fi CERTIFIED logo and the Wi-Fi Protected Setup mark are trademarks
of the Wi-Fi
Alliance.
o
WPS used on camera settings screens and in this manual stands for Wi-Fi
Protected Setup.
o
The Bluetooth® word mark and logos are registered trademarks owned by
Bluetooth SIG, Inc. and any use of such marks by Canon Inc. is under license.
Other trademarks and trade names are those of their respective owners.
o
All other trademarks are the property of their respective owners.
633
About MPEG-4 Licensing
“This product is licensed under AT&T patents for the MPEG-4 standard and
may be used for encoding MPEG-4 compliant video and/or decoding MPEG-4
compliant video that was encoded only (1) for a personal and non-commercial
purpose or (2) by a video provider licensed under the AT&T patents to provide
MPEG-4 compliant video. No license is granted or implied for any other use for
MPEG-4 standard.”
THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO
LICENSE FOR THE PERSONAL USE OF A CONSUMER OR OTHER USES
IN WHICH IT DOES NOT RECEIVE REMUNERATION TO (i) ENCODE
VIDEO IN COMPLIANCE WITH THE AVC STANDARD(‘’AVC VIDEO’’)AND/
OR (ii) DECODE AVC VIDEO THAT WAS ENCODED BY A CONSUMER
ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM A
VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO. NO LICENSE IS
GRANTED OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL
INFORMATION MAY BE OBTAINED FROM MPEG LA, L.L.C.
SEE HTTP://WWW.MPEGLA.COM
* Notice displayed in English as required.
Third party software
This product includes third party software.
● AES-128 Library
Copyright (c) 1998-2008, Brian Gladman, Worcester, UK. All rights
reserved.
LICENSE TERMS
The redistribution and use of this software (with or without changes) is allowed
without the payment of fees or royalties provided that:
1. source code distributions include the above copyright notice, this list of conditions
and the following disclaimer;
2. binary distributions include the above copyright notice, this list of conditions and
the following disclaimer in their documentation;
3. the name of the copyright holder is not used to endorse products built using this
software without specifi c written permission.
DISCLAIMER
This software is provided ‘as is’ with no explicit or implied warranties in respect of its
properties, including, but not limited to, correctness and/or fi tness for purpose.
634
Use of Genuine Canon Accessories Is Recommended
This product is designed to achieve optimum performance when used with
genuine Canon accessories. Therefore, using this product with genuine
accessories is highly recommended.
Canon shall not be liable for any damage to this product and/or accidents
such as malfunction, fi re, etc. caused by the failure of non-genuine Canon
accessories (e.g., a leakage and/or explosion of a battery). Please note that
repairs arising out of the malfunction of non-genuine accessories will not be
covered by the warranty for repairs, although you may request such repairs
on a chargeable basis.
o
Battery Pack LP-E6N/LP-E6 is dedicated to Canon products only. Using it
with an incompatible battery charger or product may result in malfunction or
accidents for which Canon cannot be held liable.
635
Numbers
1-point AF : 128, 135, 140
4K frame capture : 342
4K (movie) : 288
A
Acceleration/deceleration tracking : 560
Access lamp : 49
Accessories : 3
Adobe RGB : 229
AEB (Auto Exposure Bracketing) : 211,
556
AE lock : 161
AF
AF area selection mode : 128, 131
AF-assist beam : 126
AF method : 135
AF Microadjustment : 575
AF operation : 124, 145
AF point red illumination : 127
AF point selection : 132, 140
AF speed : 320
Area AF frame : 89, 90
Beep (Beeper) : 522
Continuous AF : 265
Eye detection AF : 142
Lens drive when AF impossible : 563
Lens electronic MF : 266
Limit AF methods : 564
Manual focusing : 147
Recomposing : 80
AF area selection mode : 128, 131
AF point automatic selection : 129
AF point auto switching : 561
AF start (AF-ON) button : 61
AI FOCUS (AI Focus AF) : 126
AI SERVO (AI Servo AF) : 125
Tracking sensitivity : 559, 561
Album (video snapshot) : 312, 374
Ambience priority (AWB) : 224
Anti-fl icker shooting : 261
Aperture-priority AE : 114
Area AF frame : 89, 90
Art bold eff ect : 363
<A+> (Scene Intelligent Auto) : 76
Aspect ratio → Still image aspect ratio
Attenuator : 296
Autofocus → AF
Auto Lighting Optimizer : 218
Automatic selection (AF) : 129
Auto playback : 383
Auto power off : 513
Auto reset : 509
Auto rotate : 510
Av (Aperture-priority AE) : 114
B
Background blur : 83
Background music : 376
Basic information display : 629
Basic Zone : 38
Battery → Power
Battery grip : 594
B (Bulb) : 119
Beep (Beeper) : 522
Bluetooth function : 399, 464
Address : 471
Connecting : 400
Index
636
Index
Bracketing
AEB (Auto Exposure Bracketing) : 211
FEB (Flash Exposure Bracketing) :
177
Focus bracketing : 255
White balance bracketing : 228
Built-in fl ash : 164
Bulb exposure : 119
Bulb timer : 120
buSY : 201
C
[C1]/[C2] (Custom shooting) : 546
Camera
Camera vibration blur : 120, 154, 156
Default settings : 547
Holding the camera : 56
Camera shake : 78
Candlelight : 95
Card requirements : 291, 617
Cards : 10, 30, 48
Card reminder : 205
Formatting : 511
Low-level formatting : 511
Troubleshooting : 50, 598
Write protection : 48
Center-weighted average metering : 158
Certifi cation Logo : 550
Charger : 40, 44
Charging : 44
Chromatic aberration correction : 369
Cleaning (image sensor) : 528
Clipped highlights : 391
Close-up : 93
Color space : 229, 368
Color temperature : 226
Color tone : 234
Continuous (fi le numbering) : 508
Continuous shooting : 150
Contrast : 218, 234
Copyright information : 548
Creative Assist : 82, 370
Creative fi lters : 103, 285, 361
Creative fi lters for movies : 285
Creative Zone : 39
Cropping (images) : 377
Custom Controls : 571
Custom Functions : 551
Customize buttons : 571
Custom shooting mode : 546
Custom white balance : 225
D
Date/time : 516
Daylight saving time : 517
DC coupler : 594
Default settings : 547
Custom Functions : 581
Customizing operations : 581
Custom shooting mode : 546
Flash function settings : 178
My Menu : 586
Depth of fi eld : 116
Depth-of-fi eld preview : 116
Diff raction correction : 209, 369
Digital Lens Optimizer : 208, 368
Digital terminal : 32, 592
Dioptric adjustment : 56
Direct selection (AF point) : 572
Distortion correction : 207, 368
Double-tap : 335
637
Index
DPOF (Digital Print Order Format) : 354
Dragging : 70
Drive mode : 150
Dust Delete Data : 241
E
Electronic level : 539
Erasing (images) : 350
Err (error codes) : 613
Error messages : 613
Evaluative metering : 158
exFAT : 293, 512
Expanded ISO speed : 213, 215, 322,
620
Exposure compensation : 211
Exposure compensation in M mode with
ISO Auto : 118
Exposure level increments : 556
Exposure level indicator : 624
Exposure simulation : 221
External microphone : 296
External Speedlite → Flash
Eyecup : 157
Eye detection AF : 142
Eyepiece cover : 41
F
Face+Tracking : 135, 138
FAT32 : 293, 512
Feature guide : 533
FEB (Flash Exposure Bracketing) : 177
FE lock : 167
File extension : 199, 290
File name : 507
File size : 293, 615, 618
Filter eff ect (Monochrome) : 235
Fine (Image quality) : 199
Firmware : 550
First-curtain synchronization : 176
Fish-eye eff ect : 105, 363
Flash exposure compensation : 166, 172
Flash mode : 171, 174
Flash (Speedlite)
Built-in fl ash : 164
Custom Functions : 177
Eff ective range : 164
External fl ash units : 179
FEB (Flash Exposure Bracketing) :
177
FE lock : 166
Flash control (function settings) : 168
Flash exposure compensation : 172
Flash sync speed : 179
Manual fl ash : 171, 174
Red-eye reduction : 169
Shutter synchronization (1st/2nd
curtain) : 171, 176
Slow synchro : 170
Wireless : 172, 175
Flash sync contacts : 31
Focus bracketing : 255
Focusing → AF
Focusing point (AF point) : 128
Focus lock : 80
Focus mode switch : 54
Folder creation/selection : 505
Food : 94
Formatting : 511
Formatting (card initialization) : 511
Frame Grab : 342
638
Index
Frame rate : 290, 520
Full High-Defi nition (Full HD) : 288
Full High-Defi nition (Full HD) (movie) :
288
Fully-press : 542
G
GPS : 473
Grainy B/W : 105, 362
Grid display : 393, 540
Group Photo : 87
H
Half-press : 542
Handheld night scene : 97
HDMI : 325, 344, 543
HDMI HDR : 544
HDMI output : 325
HDR art bold : 106
HDR art embossed : 106
HDR art standard : 106
HDR art vivid : 106
HDR Backlight Control : 98
HDR movie recording : 284
HDR shooting : 251
Headphones : 296
Help : 534
Text size : 535
High-Defi nition : 288
High-Defi nition (HD) (movie) : 288
High dynamic range → HDR
High ISO speed noise reduction : 239
Highlight alert : 391
Highlight tone priority : 219
High-speed continuous shooting : 150
Histogram : 389, 540
Hot shoe : 31, 179
Household power : 594
I
ICC profi le : 229
Icons : 8
Image browsing (jump display) : 387
Image quality : 199, 615
Image review time : 204
Images
AF point display : 392
Auto playback : 383
Auto reset : 509
Auto rotation : 510
Continuous (fi le numbering) : 508
Erasing : 350
File numbering : 507
Highlight alert : 391
Histogram : 389
Image review time : 204
Importing (to computer) : 592
Index display : 334
Jump display (image browsing) : 387
Magnifying images : 336
Manual reset : 509
Manual rotation : 349
Playback : 329
Protecting images : 346
Rating : 380
Search conditions : 385
Shooting information : 333, 630
Slide show : 383
TV display : 344
639
Index
Image search : 385
Importing images to a computer : 592
Index display : 334
INFO button : 62, 332, 538, 622, 623,
625
Interval timer : 258
IPB : 290
ISO speed : 213, 322
Automatic setting range : 216
Auto range (Still photos) : 216
ISO Auto range : 216, 614
ISO expansion : 215
ISO speed range : 322
Manual setting range : 215
Minimum shutter speed for ISO Auto
(Still photos) : 217
Setting increments : 556
J
JPEG : 615
Jump display : 387
K
Kids : 90
L
Landscape : 88
Language : 519
Large (image quality) : 199
Large Zone AF : 129
LCD panel : 36
Lens
Chromatic aberration correction : 209,
369
Diff raction correction : 209, 369
Digital Lens Optimizer : 208, 368
Distortion correction : 207, 368
Focus mode switch : 54
Lock release : 55
Optical aberration correction : 206,
368
Peripheral illumination correction :
207, 368
Lens electronic MF : 266
Live View shooting : 71, 77
1-point AF : 135
AF method : 135
AF operation : 124
Aspect ratio : 202
Creative fi lters : 103
Exposure simulation : 221
Eye detection AF : 142
Face+Tracking : 138
Focus bracketing : 255
Grid display : 393, 540
Information display : 622
Manual focusing : 147
Metering timer : 220
Possible shots : 614
Quick Control : 67
Spot AF : 135
Zone AF : 136
Location information : 473
LOCK : 545
Long (bulb) exposures : 119
Long Exposure Noise Reduction : 238
Low-speed continuous shooting : 151
640
Index
M
Macro photography : 93
Magnifying images : 144, 147
Main dial : 58
Malfunction : 595
Manual exposure : 117
Manual focus : 147
Manual reset : 509
Manual selection(AF point) : 132
Maximum burst : 201, 615
Medium (image quality) : 199
Memory cards → Cards
Menu : 63
Custom Functions : 552
Dimmed menu items : 66
Function settings : 502
Movie recording : 274
My Menu : 583
Playback : 330
Setting procedure : 64
Still photo shooting : 193
Wireless communication functions :
396
Metering mode : 158
Metering timer : 220
MF (Manual focusing) : 147
MF peaking : 149
Microphone : 296
Miniature eff ect : 106, 108, 363
Miniature eff ect movie : 287
Mirror lockup : 263
M (Manual exposure) : 117
Mode dial : 38, 58
Monochrome : 83, 231, 235
Movies : 273
AE lock : 278
AF method : 135
Attenuator : 296
Autoexposure recording : 277
Auto slow shutter : 324
Cards that can record movies : 617
Compression method : 290
Creative fi lters : 285
Editing : 340
Editing out fi rst and last scenes : 340
External microphone : 296
File size : 293, 618
Frame Grab : 342
Frame rate : 290
Grid display : 540
HDMI output : 325, 543
HDR movie recording : 284
Headphones : 296
Information display : 622, 625
Manual exposure recording : 279
Metering timer : 220
Microphone : 296
Movie digital IS : 298
Movie recording size : 288
Movie Servo AF : 317, 319, 320
Movie shooting button : 33
Playback : 337
Quick Control : 67
Recording coverage : 289
Recording time : 294, 618
Servo AF speed : 320
641
Index
Servo AF tracking sensitivity : 319
Sound recording/Sound-recording
level : 295
Time-lapse movie : 300
TV display : 344
Video snapshot : 312
Video snapshot album : 312
Wind fi lter : 295
MP4 : 290
Multi-Controller 1/Multi-Controller 2 : 60
Multi-function lock : 545
Multiple exposure : 245
Multi Shot Noise Reduction : 239
My Menu : 583
N
Night Portrait : 96
Noise reduction
High ISO speed : 239
Long exposures : 238
Non-Canon fl ash units : 179
Normal (Image quality) : 199
NTSC : 290, 520
Number of pixels : 615
O
One-Shot AF : 125
P
PAL : 290, 520
Panning : 91
Partial metering : 158
Part names : 31
Peripheral illumination correction : 207,
368
Photobook set-up : 358
Picture Style : 230, 233, 236
Playback : 329
Portrait : 86
Positioning hole : 33
Possible recording time (movie) : 618
Possible shots : 614
Power : 52
Auto power off : 513
Battery information : 524
Battery level : 53
Charging : 44
Household power : 594
Recharge performance : 524
P (Program AE) : 110
Pressing completely : 57
Pressing halfway : 57, 542
Printing
Photobook set-up : 358
Print order (DPOF) : 354
Program AE : 110
Program shift : 111
Protecting images : 346
Q
[Q] (Quick Control) : 67
Quick Control : 67
Quick control dial : 59
R
Rating : 380
RAW : 199, 200
RAW image processing : 364
RAW+JPEG : 199, 615
Red-eye reduction : 169
642
Index
Reduced display : 334
Release shutter without card : 205
Remote controller : 155
Remote control terminal : 156
Remote switch : 156
Resizing : 379
Rotating (images) : 349, 510
S
Safety instructions : 25
Safety shift : 558
Saturation : 234
Scene icons : 81
Scene Icons : 627
Scene Intelligent Auto : 76
<SCN> (Special scene mode) : 38, 84
Screen : 30, 51
Angle adjustment : 51
Brightness : 514
SD/SDHC/SDXC cards → Cards
Second-curtain synchronization : 171,
176
Self-timer : 153
Sensitivity → ISO speed
Sensor cleaning : 528
Sepia (Monochrome) : 235
Serial number : 33
Servo AF
Initial AF Point : 566
Movie Servo AF : 317, 319, 320
SERVO : 125
SERVO (Servo AF) : 125
Sharpness : 234
Shooting information display : 539, 622
Shooting mode
<A+> (Scene Intelligent Auto) : 76
Av (Aperture-priority AE) : 114
B (Bulb) : 119
[C1]/[C2] (Custom shooting) : 546
Creative fi lters : 103
M (Manual exposure) : 117
P (Program AE) : 110
SCN (Special scene mode) : 84
Tv (Shutter-priority AE) : 112
Shooting mode guide : 532
Shutter button : 57
Shutter button functions : 542
Shutter-priority AE : 112
Shutter synchronization : 171, 176
Single-image display : 332
Single shooting : 150
Slide show : 383
Small (image quality) : 199
Soft focus : 105, 362
Software : 590
Instruction Manual : 591
Sound recording/Sound-recording level :
295
Speaker : 32
Special scene mode (SCN) : 84
Sports : 89
Spot AF : 128, 135, 140
Spot metering : 158
sRGB : 229
Still image aspect ratio : 202, 616
Strap : 41
643
Index
T
Temperature warning : 269, 326
Tilt correction : 378
Time-lapse movie : 300
Time zone : 516
Tone priority : 219
Toning eff ect (Monochrome) : 235
Touch beeping : 522
Touch operation : 70, 335, 521
Touch Shutter : 72
Toy camera eff ect : 105, 363
Tracking sensitivity : 559
Tripod socket : 33
Troubleshooting : 595
TV display : 344
Tv (Shutter-priority AE) : 112
U
UHS-II/UHS-I : 10
USB (digital) terminal : 592
UTC (Coordinated Universal Time) : 477
V
Vari-angle screen : 51
Video snapshot : 312
Video system : 520
Viewfi nder
Dioptric adjustment : 56
Electronic level : 536
Grid lines : 540
Information display : 536
Volume (movie playback) : 338, 339
W
Warning icon : 570
Water painting eff ect : 105, 363
WB (White balance) : 222
White balance (WB) : 222
Ambience priority : 224
Auto : 224
Bracketing : 228
Color temperature setting : 226
Correction : 227
Custom : 225
White priority (AWB) : 224
Wi-Fi function : 395
Android : 399
Camera access point mode : 462
Camera Connect : 399, 404
CANON iMAGE GATEWAY : 444
Clearing wireless communication
settings : 480
Connection history : 467
Edit device information : 422, 478
EOS Utility : 426
Erase connection information : 479
Image Transfer Utility 2 : 431
iOS : 399
IP address : 462
MAC address : 481
Network : 409, 427, 434
Network settings : 497
Nickname : 479
Notes : 494
PictBridge : 434
644
Index
Printer : 434
Printing : 436
Print order : 439
Reconnecting : 467
Remote operation : 404
Resize image : 412, 417, 452
Sending all images on the card : 418,
454
Sending images that match search
conditions : 419, 456
Send selected : 414, 451
SSID : 409, 427, 434
Switch network : 459
Viewable images : 422
View info screen : 481
Viewing images : 404
Virtual keyboard : 482
Wi-Fi settings : 470
WPS (Wi-Fi Protected Setup) : 458
Wind fi lter : 295
Wireless communication : 395
Wireless fl ash photography : 180
Z
Zone AF : 128, 136, 140
645
The descriptions in this Instruction Manual are current as of September 2019.
For information on the compatibility with any products introduced after this date,
contact any Canon Service Center. For the latest version Instruction Manual,
refer to the Canon Web site.
CT2-D037-B © CANON INC. 2019
