FF210001
Owner’s Manual
BL00005132-200
EN
ii
Introduction
Thank you for your purchase of this product. Be sure that
you have read this manual and understood its contents be-
fore using the camera. Keep the manual where it will be
read by all who use the product.
For the Latest Information
The latest versions of the manuals are available from:
http://fujifilm-dsc.com/en/manual/
The site can be accessed not only from your
computer but also from smartphones and
tablets. It also contains information on the
software license.
For information on rmware updates, visit:
https://fujifilm-x.com/support/download/firmware/cameras/
iii
Menu List
iv
1 Before You Begin
1
2 First Steps
33
3 Basic Photography and Playback
49
4 Movie Recording and Playback
55
5 Taking Photographs
63
6 The Shooting Menus
109
7 Playback and the Playback Menu
177
8 The Setup Menus
203
9 Shortcuts
245
10 Peripherals and Optional Accessories
261
11 Connections
277
12 Technical Notes
295
P
Chapter Index
iv
Menu List
Menu List
Camera menu options are listed below.
Shooting Menus
Adjust settings when shooting photos or movies.
N
See page 109 for details.
Photo Menus
N
Items marked with both x and F icons are available in both the still
photography and movie shooting menus. Changes to these items in
either menu also apply to the item in the remaining menu.
H IMAGE QUALITY SETTING
P
1⁄1⁄
IMAGE SIZE 110
IMAGE QUALITY 111
RAW RECORDING 112
FILM SIMULATION 113
MONOCHROMATIC COLOR 115
GRAIN EFFECT 115
COLOR CHROME EFFECT 115
COLOR CHROME FX BLUE 116
2⁄2⁄
SMOOTH SKIN EFFECT 116
DYNAMIC RANGE 117
D RANGE PRIORITY 118
WHITE BALANCE 119
TONE CURVE 123
COLOR 123
SHARPNESS 123
HIGH ISO NR 124
H IMAGE QUALITY SETTING
P
3⁄3⁄
CLARITY 124
LONG EXPOSURE NR 124
LENS MODULATION OPTIMIZER 125
COLOR SPACE 125
PIXEL MAPPING 126
EDIT/SAVE CUSTOM SETTING 126
AUTO UPDATE CUSTOM SETTING 126
xF MOUNT ADAPTOR SETTING
127
v
Menu List
Menu List
G AF/MF SETTING
P
1⁄1⁄
FOCUS AREA 130
AF MODE 130
STORE AF MODE BY ORIENTATION 131
RAPID AF 131
LOW LIGHT PRIORITY AF-S 131
AF POINT DISPLAY
yz
131
NUMBER OF FOCUS POINTS 132
PRE-AF 132
2⁄2⁄
xF AF ILLUMINATOR
132
FACE/EYE DETECTION SETTING 133
AF+MF 135
MF ASSIST 136
FOCUS CHECK 136
INTERLOCK SPOT AE & FOCUS AREA 137
xF INSTANT AF SETTING
137
xF DEPTH-OF-FIELD SCALE
138
3⁄3⁄
RELEASE/FOCUS PRIORITY 138
xF AF RANGE LIMITER
139
xF TOUCH SCREEN MODE
140
A SHOOTING SETTING
P
1⁄1⁄
SELF-TIMER 142
SAVE SELF-TIMER SETTING 143
SELF-TIMER LAMP 143
INTERVAL TIMER SHOOTING 144
INTERVAL TIMER SHOOTING
EXPOSURE SMOOTHING
145
AE BKT SETTING 146
FILM SIMULATION BKT 146
FOCUS BKT SETTING 146
2⁄2⁄
PHOTOMETRY 146
SHUTTER TYPE 147
FLICKER REDUCTION 148
ISO 148
IS MODE 149
35mm FORMAT MODE 150
xF
WIRELESS COMMUNICATION
151
F FLASH SETTING
P
FLASH FUNCTION SETTING 152
RED EYE REMOVAL 152
TTL-LOCK MODE 153
LED LIGHT SETTING 153
COMMANDER SETTING 154
CH SETTING 154
vi
Menu List
Movie Menus
N
Items marked with both x and F icons are available in both the still
photography and movie shooting menus. Changes to these items in
either menu also apply to the item in the remaining menu.
B MOVIE SETTING
P
1⁄1⁄
MOVIE MODE 155
FIX MOVIE CROP MAGNIFICATION
155
FULL HD MOVIE OUTPUT 156
HDMI OUTPUT INFO DISPLAY 157
HDMI REC CONTROL 157
F PHOTOMETRY
157
F IS MODE
158
F IS MODE BOOST
158
2⁄2⁄
F ISO
159
ZEBRA SETTING 159
ZEBRA LEVEL 159
MOVIE OPTIMIZED CONTROL oL
160
TALLY LIGHT 160
F EDIT/SAVE CUSTOM SETTING
161
AUTO UPDATE CUSTOM SETTING 161
xF
WIRELESS COMMUNICATION
161
H IMAGE QUALITY SETTING
P
1⁄1⁄
F FILM SIMULATION
162
F MONOCHROMATIC COLOR
162
F WHITE BALANCE
163
F TONE CURVE
163
F COLOR
163
F SHARPNESS
164
F HIGH ISO NR
164
F
PERIPHERAL LIGHT CORRECTION
165
2⁄2⁄
xF MOUNT ADAPTOR SETTING
165
vii
Menu List
Menu List
G AF/MF SETTING
P
1⁄1⁄
F FOCUS AREA
166
F AF MODE
166
xF AF ILLUMINATOR
166
F FACE/EYE DETECTION SETTING
167
F MF ASSIST
167
F FOCUS CHECK
168
xF INSTANT AF SETTING
168
xF DEPTH-OF-FIELD SCALE
168
2⁄2⁄
xF AF RANGE LIMITER
168
xF TOUCH SCREEN MODE
169
FOCUS CHECK LOCK 171
P AUDIO SETTING
P
INTERNAL MIC LEVEL ADJUSTMENT 172
EXTERNAL MIC LEVEL ADJUSTMENT 172
MIC JACK SETTING 173
MIC LEVEL LIMITER
173
WIND FILTER 173
LOW CUT FILTER 173
HEADPHONES VOLUME 173
Q TIME CODE SETTING
P
TIME CODE DISPLAY 174
START TIME SETTING 174
COUNT UP SETTING 174
DROP FRAME
175
HDMI TIME CODE OUTPUT 175
viii
Menu List
C PLAY BACK MENU
P
1⁄1⁄
SWITCH SLOT 183
RAW CONVERSION 184
ERASE 186
SIMULTANEOUSDELETE
(RAW SLOT1/JPG SLOT2)
188
CROP 188
RESIZE 189
PROTECT 190
IMAGE ROTATE 191
C PLAY BACK MENU
P
2⁄2⁄
RED EYE REMOVAL 192
VOICE MEMO SETTING 193
RATING 194
COPY 195
IMAGE TRANSFER ORDER 196
xF
WIRELESS COMMUNICATION
197
PHOTOBOOK ASSIST 198
PRINT ORDER (DPOF) 200
3⁄3⁄
instax PRINTER PRINT 201
DISP ASPECT 202
Before You Begin
The Playback Menu
Adjust playback settings.
N
See page 183 for details.
ix
Menu List
Menu List
Setup Menus
Adjust basic camera settings.
N
See page 203 for details.
D USER SETTING
P
1⁄1⁄
FORMAT 204
DATE/TIME 205
TIME DIFFERENCE 205
Q a
206
x MY MENU SETTING
206
F MY MENU SETTING
206
SENSOR CLEANING 207
BATTERY AGE 207
2⁄2⁄
RESET 208
REGULATORY 208
D SOUND SETTING
P
AF BEEP VOL. 209
SELF-TIMER BEEP VOL. 209
OPERATION VOL. 210
SHUTTER VOLUME 210
SHUTTER SOUND 210
PLAYBACK VOLUME 210
D SCREEN SETTING
P
1⁄1⁄
EVF BRIGHTNESS 211
EVF COLOR 211
EVF COLOR ADJUSTMENT 211
LCD BRIGHTNESS 212
LCD COLOR 212
LCD COLOR ADJUSTMENT 212
IMAGE DISP. 213
AUTOROTATE DISPLAYS 213
2⁄2⁄
PREVIEW EXP./WB IN MANUAL MODE 214
NATURAL LIVE VIEW 214
FRAMING GUIDELINE 215
AUTOROTATE PB 216
PLAYBACK MAGNIFICATION 216
FOCUS SCALE UNITS 216
DUAL DISPLAY SETTING 217
DISP. CUSTOM SETTING 217
3⁄3⁄
LARGE INDICATORS MODE(EVF) 218
LARGE INDICATORS MODE(LCD) 218
LARGE INDICATORS DISP. SETTING 219
INFORMATION CONTRAST ADJ. 219
SUB MONITOR SETTING 220
SUB MONITOR BACKGROUND COLOR
222
x
Q MENU BACKGROUND
223
F
Q MENU BACKGROUND
223
x
Menu List
D BUTTON/DIAL SETTING
P
1⁄1⁄
FOCUS LEVER SETTING 224
x EDIT/SAVE QUICK MENU
224
F EDIT/SAVE QUICK MENU
224
FUNCTION (Fn) SETTING 225
COMMAND DIAL SETTING 225
COMMAND DIAL DIRECTION 226
SHUTTER AF 226
SHUTTER AE 227
2⁄2⁄
SHOOT WITHOUT LENS 228
SHOOT WITHOUT CARD 228
FOCUS RING 229
FOCUS RING OPERATION 229
AE/AF-LOCK MODE 230
AWB-LOCK MODE 230
EXPO. COMP. BUTTON SETTING 230
TOUCH SCREEN SETTING 231
3⁄3⁄ LOCK 232
D POWER MANAGEMENT
P
AUTO POWER OFF 233
SHOOTING STAND BY MODE 234
AUTO POWER SAVE 234
AUTO POWER OFF TEMP. 234
D SAVE DATA SETTING
P
1⁄1⁄
FRAME NO. 235
SAVE ORG IMAGE 236
EDIT FILE NAME 236
x CARD SLOT SETTING
236
F CARD SLOT SETTING
237
SELECT SLOT(xSEQUENTIAL)
237
SELECT SLOT(FSEQUENTIAL)
237
SELECT FOLDER 238
2⁄2⁄ COPYRIGHT INFO 238
D CONNECTION SETTING
P
Bluetooth SETTINGS 239
NETWORK SETTING 240
instax PRINTER CONNECTION SETTING
241
CONNECTION MODE 242
USB POWER SUPPLY SETTING 243
GENERAL SETTINGS 244
INFORMATION 244
RESET WIRELESS SETTING 244
xi
P
Table of Contents
Introduction ....................................................................................................ii
For the Latest Information ................................................................................... ii
Menu List .........................................................................................................iv
Shooting Menus ........................................................................................................iv
The Playback Menu ...............................................................................................viii
Setup Menus ...............................................................................................................ix
Supplied Accessories ............................................................................. xxiii
About This Manual .................................................................................. xxiv
Symbols and Conventions .............................................................................xxiv
Terminology ............................................................................................................xxiv
1
Before You Begin 1Before You Begin 1
Parts of the Camera ......................................................................................2
The Serial Number Plate ........................................................................................5
The Memory Card Slot Cover (Detachable) ..............................................5
The Focus Stick (Focus Lever) .............................................................................5
The Mode Dial .............................................................................................................6
The STILL/MOVIE Mode Switch .........................................................................7
The DRIVE Button .......................................................................................................7
The Command Dials ................................................................................................8
The Indicator Lamp ..................................................................................................9
The LCD Monitor .....................................................................................................10
The Eye Cup ...............................................................................................................11
Focusing the View nder.....................................................................................11
Camera Displays..........................................................................................12
The Electronic View nder ..................................................................................12
The LCD Monitor .....................................................................................................14
Choosing a Display Mode .................................................................................16
Adjusting Display Brightness ........................................................................... 17
Display Rotation ...................................................................................................... 17
The DISP/BACK Button ........................................................................................18
The Dual Display......................................................................................................19
Customizing the Standard Display ..............................................................20
The Secondary LCD Monitor ........................................................................... 22
xii
Using the Menus ......................................................................................... 25
The Menus .................................................................................................................. 25
Selecting a Menu Tab ...........................................................................................26
Touch Screen Mode ...................................................................................27
Shooting Touch Controls ...................................................................................27
Playback Touch Controls ....................................................................................31
2
First Steps 33First Steps 33
Attaching the Strap ................................................................................... 34
Attaching a Lens ......................................................................................... 35
Inserting the Battery ................................................................................. 36
Inserting Memory Cards ..........................................................................38
Using Two Cards ......................................................................................................39
Compatible Memory Cards ..............................................................................40
Charging the Battery .................................................................................41
Turning the Camera On and O ............................................................ 44
Checking the Battery Level ..................................................................... 45
Basic Setup.................................................................................................... 46
Choosing a Di erent Language .................................................................... 48
Changing the Time and Date ..........................................................................48
3
Basic Photography and Playback 49Basic Photography and Playback 49
Taking Photographs (Mode P) ...............................................................50
Viewing Pictures ......................................................................................... 53
Deleting Pictures ........................................................................................ 54
4
Movie Recording and Playback 55Movie Recording and Playback 55
Recording Movies ....................................................................................... 56
Adjusting Movie Settings .................................................................................. 59
Viewing Movies ........................................................................................... 60
xiii
Table of Contents
5
Taking Photographs 63Taking Photographs 63
P, S, A, and M Modes ..................................................................................64
Mode P: Program AE .............................................................................................64
Mode S: Shutter-Priority AE .............................................................................. 66
Mode A: Aperture-Priority AE ..........................................................................68
Mode M: Manual Exposure ...............................................................................70
Custom Modes ......................................................................................................... 74
Autofocus ...................................................................................................... 80
Focus Mode ................................................................................................................81
Autofocus Options (AF Mode) ........................................................................83
Focus-Point Selection ..........................................................................................85
Manual Focus ............................................................................................... 88
Checking Focus........................................................................................................90
Sensitivity ...................................................................................................... 92
AUTO...............................................................................................................................93
Metering ........................................................................................................ 94
Exposure Compensation ......................................................................... 95
Focus/Exposure Lock ................................................................................ 96
Other Controls ..........................................................................................................97
Bracketing ..................................................................................................... 98
W ISO BKT .................................................................................................................. 99
V WHITE BALANCE BKT....................................................................................99
s Bracketing ......................................................................................................... 100
Continuous Shooting (Burst Mode) ...................................................103
Multiple Exposures ..................................................................................105
Pixel-Shift Multi-Shot ..............................................................................107
6
The Shooting Menus 109The Shooting Menus 109
IMAGE QUALITY SETTING (Still Photography) ................................110
IMAGE SIZE ............................................................................................................... 110
IMAGE QUALITY .................................................................................................... 111
RAW RECORDING ................................................................................................. 112
FILM SIMULATION ................................................................................................ 113
MONOCHROMATIC COLOR ........................................................................... 115
GRAIN EFFECT ........................................................................................................ 115
COLOR CHROME EFFECT ................................................................................ 115
xiv
COLOR CHROME FX BLUE ............................................................................... 116
SMOOTH SKIN EFFECT ...................................................................................... 116
DYNAMIC RANGE ................................................................................................. 117
D RANGE PRIORITY.............................................................................................. 118
WHITE BALANCE ................................................................................................... 119
TONE CURVE ........................................................................................................... 123
COLOR......................................................................................................................... 123
SHARPNESS .............................................................................................................. 123
HIGH ISO NR ............................................................................................................ 124
CLARITY ...................................................................................................................... 124
LONG EXPOSURE NR .......................................................................................... 124
LENS MODULATION OPTIMIZER ................................................................. 125
COLOR SPACE ......................................................................................................... 125
PIXEL MAPPING ..................................................................................................... 126
EDIT/SAVE CUSTOM SETTING ....................................................................... 126
AUTO UPDATE CUSTOM SETTING ............................................................. 126
xF MOUNT ADAPTOR SETTING ............................................................ 127
AF/MF SETTING (Still Photography) ...................................................130
FOCUS AREA ........................................................................................................... 130
AF MODE ................................................................................................................... 130
STORE AF MODE BY ORIENTATION ............................................................ 131
RAPID AF ................................................................................................................... 131
LOW LIGHT PRIORITY AF-S ............................................................................. 131
AF POINT DISPLAY yz ................................................................................ 131
NUMBER OF FOCUS POINTS ......................................................................... 132
PRE-AF......................................................................................................................... 132
xF AF ILLUMINATOR .................................................................................... 132
FACE/EYE DETECTION SETTING .................................................................. 133
AF+MF ........................................................................................................................ 135
MF ASSIST ................................................................................................................. 136
FOCUS CHECK ........................................................................................................ 136
INTERLOCK SPOT AE & FOCUS AREA ....................................................... 137
xF INSTANT AF SETTING ........................................................................... 137
xF DEPTH-OF-FIELD SCALE .................................................................... 138
RELEASE/FOCUS PRIORITY ............................................................................. 138
xv
Table of Contents
xF AF RANGE LIMITER ................................................................................ 139
xF TOUCH SCREEN MODE ....................................................................... 140
SHOOTING SETTING (Still Photography) ..........................................142
SELF-TIMER ............................................................................................................... 142
SAVE SELF-TIMER SETTING ............................................................................. 143
SELF-TIMER LAMP ................................................................................................ 143
INTERVAL TIMER SHOOTING .......................................................................... 144
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING ................. 145
AE BKT SETTING .................................................................................................... 146
FILM SIMULATION BKT ...................................................................................... 146
FOCUS BKT SETTING .......................................................................................... 146
PHOTOMETRY ........................................................................................................ 146
SHUTTER TYPE ....................................................................................................... 147
FLICKER REDUCTION ......................................................................................... 148
ISO ................................................................................................................................. 148
IS MODE ..................................................................................................................... 149
35mm FORMAT MODE ..................................................................................... 150
xF WIRELESS COMMUNICATION ......................................................... 151
FLASH SETTING (Still Photography) ...................................................152
FLASH FUNCTION SETTING ........................................................................... 152
RED EYE REMOVAL .............................................................................................. 152
TTL-LOCK MODE ................................................................................................... 153
LED LIGHT SETTING ............................................................................................ 153
COMMANDER SETTING .................................................................................... 154
CH SETTING ............................................................................................................. 154
MOVIE SETTING (Movie Recording) ...................................................155
MOVIE MODE.......................................................................................................... 155
FIX MOVIE CROP MAGNIFICATION ............................................................ 155
FULL HD MOVIE OUTPUT ................................................................................ 156
HDMI OUTPUT INFO DISPLAY ...................................................................... 157
HDMI REC CONTROL.......................................................................................... 157
F PHOTOMETRY ................................................................................................. 157
F IS MODE .............................................................................................................. 158
F IS MODE BOOST ............................................................................................ 158
F ISO .......................................................................................................................... 159
ZEBRA SETTING ..................................................................................................... 159
xvi
ZEBRA LEVEL ........................................................................................................... 159
MOVIE OPTIMIZED CONTROL oL ......................................................... 160
TALLY LIGHT ............................................................................................................. 160
F EDIT/SAVE CUSTOM SETTING ............................................................... 161
AUTO UPDATE CUSTOM SETTING ............................................................. 161
xF WIRELESS COMMUNICATION ......................................................... 161
IMAGE QUALITY SETTING (Movie Recording) ................................162
F FILM SIMULATION ........................................................................................ 162
F MONOCHROMATIC COLOR .................................................................... 162
F WHITE BALANCE ............................................................................................ 163
F TONE CURVE .................................................................................................... 163
F COLOR ................................................................................................................. 163
F SHARPNESS ...................................................................................................... 164
F HIGH ISO NR ..................................................................................................... 164
F PERIPHERAL LIGHT CORRECTION ....................................................... 165
xF MOUNT ADAPTOR SETTING ............................................................ 165
AF/MF SETTING (Movie Recording) ...................................................166
F FOCUS AREA .................................................................................................... 166
F AF MODE ........................................................................................................... 166
xF AF ILLUMINATOR .................................................................................... 166
F FACE/EYE DETECTION SETTING ........................................................... 167
F MF ASSIST .......................................................................................................... 167
F FOCUS CHECK ................................................................................................ 168
xF INSTANT AF SETTING ........................................................................... 168
xF DEPTH-OF-FIELD SCALE .................................................................... 168
xF AF RANGE LIMITER ................................................................................ 168
xF TOUCH SCREEN MODE ....................................................................... 169
FOCUS CHECK LOCK .......................................................................................... 171
AUDIO SETTING (Movie Recording) ...................................................172
INTERNAL MIC LEVEL ADJUSTMENT ........................................................ 172
EXTERNAL MIC LEVEL ADJUSTMENT ....................................................... 172
MIC JACK SETTING .............................................................................................. 173
MIC LEVEL LIMITER .............................................................................................. 173
WIND FILTER ............................................................................................................ 173
LOW CUT FILTER ................................................................................................... 173
HEADPHONES VOLUME ................................................................................... 173
xvii
Table of Contents
TIME CODE SETTING (Movie Recording) ..........................................174
TIME CODE DISPLAY ........................................................................................... 174
START TIME SETTING .......................................................................................... 174
COUNT UP SETTING ........................................................................................... 174
DROP FRAME .......................................................................................................... 175
HDMI TIME CODE OUTPUT ............................................................................ 175
7
Playback and the Playback Menu 177Playback and the Playback Menu 177
The Playback Display ...............................................................................178
The DISP/BACK Button ..................................................................................... 179
Viewing Pictures .......................................................................................181
Playback Zoom ...................................................................................................... 182
Multi-Frame Playback ........................................................................................ 182
The Playback Menu ..................................................................................183
SWITCH SLOT .......................................................................................................... 183
RAW CONVERSION .............................................................................................. 184
ERASE .......................................................................................................................... 186
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2) ........................... 188
CROP ............................................................................................................................ 188
RESIZE ......................................................................................................................... 189
PROTECT .................................................................................................................... 190
IMAGE ROTATE ....................................................................................................... 191
RED EYE REMOVAL .............................................................................................. 192
VOICE MEMO SETTING ..................................................................................... 193
RATING ........................................................................................................................ 194
COPY ............................................................................................................................ 195
IMAGE TRANSFER ORDER ................................................................................ 196
xF WIRELESS COMMUNICATION ......................................................... 197
PHOTOBOOK ASSIST .......................................................................................... 198
PRINT ORDER (DPOF) ......................................................................................... 200
instax PRINTER PRINT ......................................................................................... 201
DISP ASPECT ........................................................................................................... 202
xviii
8
The Setup Menus 203The Setup Menus 203
USER SETTING ............................................................................................204
FORMAT ..................................................................................................................... 204
DATE/TIME ................................................................................................................ 205
TIME DIFFERENCE ................................................................................................ 205
Qa ......................................................................................................... 206
x MY MENU SETTING ..................................................................................... 206
F MY MENU SETTING ...................................................................................... 206
SENSOR CLEANING ............................................................................................. 207
BATTERY AGE .......................................................................................................... 207
RESET ........................................................................................................................... 208
REGULATORY .......................................................................................................... 208
SOUND SETTING .......................................................................................209
AF BEEP VOL. ........................................................................................................... 209
SELF-TIMER BEEP VOL. ....................................................................................... 209
OPERATION VOL. ................................................................................................... 210
SHUTTER VOLUME ............................................................................................... 210
SHUTTER SOUND ................................................................................................. 210
PLAYBACK VOLUME ............................................................................................ 210
SCREEN SETTING.......................................................................................211
EVF BRIGHTNESS................................................................................................... 211
EVF COLOR ............................................................................................................... 211
EVF COLOR ADJUSTMENT .............................................................................. 211
LCD BRIGHTNESS.................................................................................................. 212
LCD COLOR .............................................................................................................. 212
LCD COLOR ADJUSTMENT ............................................................................. 212
IMAGE DISP. .............................................................................................................. 213
AUTOROTATE DISPLAYS ................................................................................... 213
PREVIEW EXP./WB IN MANUAL MODE ..................................................... 214
NATURAL LIVE VIEW ............................................................................................ 214
FRAMING GUIDELINE ......................................................................................... 215
AUTOROTATE PB ................................................................................................... 216
PLAYBACK MAGNIFICATION .......................................................................... 216
FOCUS SCALE UNITS .......................................................................................... 216
DUAL DISPLAY SETTING ................................................................................... 217
xix
Table of Contents
DISP. CUSTOM SETTING.................................................................................... 217
LARGE INDICATORS MODE(EVF) ................................................................. 218
LARGE INDICATORS MODE(LCD) ................................................................ 218
LARGE INDICATORS DISP. SETTING ............................................................ 219
INFORMATION CONTRAST ADJ. .................................................................. 219
SUB MONITOR SETTING ................................................................................... 220
SUB MONITOR BACKGROUND COLOR ................................................... 222
x Q MENU BACKGROUND ........................................................................... 223
F Q MENU BACKGROUND ........................................................................... 223
BUTTON/DIAL SETTING ..........................................................................224
FOCUS LEVER SETTING ..................................................................................... 224
x
EDIT/SAVE QUICK MENU .......................................................................... 224
F
EDIT/SAVE QUICK MENU .......................................................................... 224
FUNCTION (Fn) SETTING ................................................................................. 225
COMMAND DIAL SETTING ............................................................................. 225
COMMAND DIAL DIRECTION ....................................................................... 226
SHUTTER AF ............................................................................................................ 226
SHUTTER AE ............................................................................................................ 227
SHOOT WITHOUT LENS .................................................................................... 228
SHOOT WITHOUT CARD .................................................................................. 228
FOCUS RING ............................................................................................................ 229
FOCUS RING OPERATION ................................................................................ 229
AE/AF-LOCK MODE ............................................................................................. 230
AWB-LOCK MODE ................................................................................................ 230
EXPO. COMP. BUTTON SETTING .................................................................. 230
TOUCH SCREEN SETTING ................................................................................ 231
LOCK ............................................................................................................................ 232
POWER MANAGEMENT ..........................................................................233
AUTO POWER OFF ............................................................................................... 233
SHOOTING STAND BY MODE ........................................................................ 234
AUTO POWER SAVE............................................................................................. 234
AUTO POWER OFF TEMP. ................................................................................. 234
SAVE DATA SETTING ................................................................................235
FRAME NO. ............................................................................................................... 235
SAVE ORG IMAGE ................................................................................................. 236
xx
EDIT FILE NAME .....................................................................................................236
x CARD SLOT SETTING .................................................................................. 236
F CARD SLOT SETTING ................................................................................... 237
SELECT SLOT(xSEQUENTIAL) .................................................................... 237
SELECT SLOT(FSEQUENTIAL) ..................................................................... 237
SELECT FOLDER .................................................................................................... 238
COPYRIGHT INFO ................................................................................................. 238
CONNECTION SETTING ..........................................................................239
Bluetooth SETTINGS........................................................................................... 239
NETWORK SETTING ............................................................................................ 240
instax PRINTER CONNECTION SETTING ................................................. 241
CONNECTION MODE ......................................................................................... 242
USB POWER SUPPLY SETTING ...................................................................... 243
GENERAL SETTINGS ............................................................................................ 244
INFORMATION ........................................................................................................ 244
RESET WIRELESS SETTING ............................................................................... 244
9
Shortcuts 245Shortcuts 245
Shortcut Options ......................................................................................246
MY MENU ....................................................................................................247
MY MENU SETTING ............................................................................................. 247
The Quick Menu ........................................................................................249
The Quick Menu Display ................................................................................. 249
Viewing and Changing Settings................................................................. 251
Editing the Quick Menu ................................................................................... 252
Function Controls .....................................................................................255
The Function Buttons ........................................................................................255
Touch-Function Gestures ............................................................................... 259
10
Peripherals and Optional Accessories 261Peripherals and Optional Accessories 261
Lenses ...........................................................................................................262
Lens Parts .................................................................................................................. 262
Lens Care ................................................................................................................... 263
Removing Lens Caps ......................................................................................... 263
Attaching Lens Hoods ...................................................................................... 263
Aperture Rings....................................................................................................... 264
xxi
Table of Contents
External Flash Units .................................................................................265
Flash Settings ......................................................................................................... 266
SYNC TERMINAL .................................................................................................... 267
SHOE MOUNT FLASH ........................................................................................ 268
COMMANDER(OPTICAL) .................................................................................. 271
Handgrips ....................................................................................................275
Attaching the Handgrip .................................................................................. 275
11
Connections 277Connections 277
HDMI Output..............................................................................................278
Connecting to HDMI Devices ...................................................................... 278
Shooting .................................................................................................................... 279
Playback ..................................................................................................................... 279
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi) ............280
Smartphones and Tablets: FUJIFILM Camera Remote .................. 280
Tethered Shooting: Capture One Pro Fuji lm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM Tether
Shooting Plug-in PRO for GFX/FUJIFILM X Acquire ..................... 282
Connecting via USB .................................................................................283
Tethered Shooting: Capture One Pro
Fuji lm/Adobe® Photoshop® Lightroom®
Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX/
FUJIFILM X Acquire/FUJIFILM Pixel Shift Combiner ..................... 286
Copying Pictures from a Memory Card to a Computer ............... 287
Using Your Camera as a Webcam (FUJIFILM X Webcam) ........... 287
Converting RAW Images: FUJIFILM X RAW STUDIO ....................... 288
Backing up and Restoring Camera Settings
(FUJIFILM X Acquire) ....................................................................................... 288
Connecting to Smartphones ....................................................................... 289
instax SHARE Printers ..............................................................................292
Establishing a Connection ............................................................................. 292
Printing Pictures.................................................................................................... 293
xxii
Table of Contents
12
Technical Notes 295Technical Notes 295
Accessories from Fuji lm .......................................................................296
Software for Use with Your Camera ...................................................298
FUJIFILM Camera Remote .............................................................................. 298
RAW FILE CONVERTER EX powered by SILKYPIX .............................. 298
Capture One Express Fuji lm ....................................................................... 298
Capture One Pro Fuji lm ................................................................................. 298
Adobe® Photoshop® Lightroom® Classic CC +
FUJIFILM Tether Shooting Plug-in PRO for GFX .............................. 299
FUJIFILM X Acquire ............................................................................................. 299
FUJIFILM X Webcam .......................................................................................... 299
FUJIFILM X RAW STUDIO ................................................................................. 300
FUJIFILM Pixel Shift Combiner ..................................................................... 300
For Your Safety ...........................................................................................301
Product Care ...............................................................................................311
Cleaning the Image Sensor ...................................................................312
Firmware Updates ....................................................................................313
Checking the Firmware Version .................................................................. 313
Troubleshooting .......................................................................................314
Warning Messages and Displays .........................................................322
Memory Card Capacity ...........................................................................326
Speci cations .............................................................................................327
xxiii
Supplied Accessories
The following are included with the camera:
•
NP-W235 rechargeable battery
•
AC-5VJ AC power adapter
•
Plug adapter
•
USB cable (approx. 0.6m/2ft.)
•
Body cap (comes attached to camera)
•
Shoulder strap
•
Cable protector
•
Hot shoe cover (comes attached to hot shoe)
•
Basic Manual
O
The battery is not charged at shipment. Charge the battery before use
(P 41).
N
•
The plug adapter supplied varies with the country or region.
•
For information on compatible computer software, see “Software for
Use with Your Camera” (P 298).
xxiv
About This Manual
This manual contains instructions for your FUJIFILM GFX50S II
digital camera. Be sure you have read and understood its
contents before proceeding.
Symbols and Conventions
The following symbols are used in this manual:
O
Information that should be read to prevent damage to the
product.
N
Additional information that may be helpful when using the
product.
P
Pages on which related information may be found.
Menus and other text in the displays are shown in bold. Illustrations
are for explanatory purposes only; drawings may be simpli ed,
while photographs are not necessarily taken with the model of
camera described in this manual.
Terminology
The optional SD, SDHC, and SDXC memory cards the camera
uses to store pictures are referred to as “memory cards”. The elec-
tronic view nder may be referred to as the “EVF” and the LCD
monitor as the “LCD”. Smartphones and tablets are referred to as
“smartphones”.
1
Before You Begin
2
1
Before You Begin
Parts of the Camera
A
Fn2 button ..................................................... 255
B
Fn3 button ..................................................... 255
C
Secondary LCD monitor................................22
D
Microphone ............................................ 57, 172
E
Hot shoe .........................................................266
F
Diopter adjustment control .........................11
G
Dial lock release .......................................50, 56
H
Mode dial ............................................................6
I
STILL/MOVIE mode switch ....................50, 56
J
Strap clip............................................................34
K
Connector cover 1
L
Connector cover 2
M
AF-assist illuminator...................................132
Self-timer lamp ............................................142
Tally light ........................................................160
N
Lens signal contacts
O
Lens release button ........................................35
P
Fn4 button ..................................................... 255
Q
Front command dial ...............................8, 225
R
ON/OFF switch .................................................44
S
Shutter button .................................................52
T
Fn1 button ..................................................... 255
d (exposure compensation) button ......95
U
Hot shoe cover ..............................................266
V
Body cap ............................................................35
W
Microphone jack .............................................57
X
Headphone jack ........................................... 173
Y
USB connector (Type-C) ..................... 41, 283
Z
HDMI Micro connector (Type D) .............278
a
Sync terminal ................................................267
3
1
Before You Begin
Parts of the Camera
b
DRIVE button ......................................................7
c
b (delete) button ...........................................54
d
Electronic viewfi nder (EVF)
.....................................................12, 16, 17, 27
e
Eye cup (lockable) ...........................................11
f
VIEW MODE button .........................................16
g
Secondary monitor backlight button .......24
h
Focus mode selector ......................................81
i
AFON button ........................................... 97, 255
j
Rear command dial .......................8, 181, 225
k
Q (quick menu) button ...............................249
l
Indicator lamp ..........................................9, 160
Tally light ........................................................160
m
Remote release connector cover ................73
n
Memory card slot cover latch ......................38
o
Memory card slot cover (detachable) .......38
p
Battery-chamber cover latch ......................36
q
Battery-chamber cover .................................36
r
DISP (display)/BACK button ............... 18, 179
s
a (playback) button ...................................53
t
Speaker .................................................... 60, 210
u
MENU/OK button .............................................25
v
AEL (exposure lock) button ................ 97, 255
w
Focus stick (focus lever)...................5, 85, 224
x
Tripod mount
y
LCD monitor .......................................10, 14, 16
Touch screen .................................27, 140, 231
z
Eye sensor ..........................................................16
0
Remote release connector ............................73
1
Memory card slot2 ........................................38
2
Memory card slot1 ........................................38
3
Battery latch ....................................................37
4
Battery chamber .............................................36
4
1
Before You Begin
The Cable Protector
Attach the protector as shown to prevent accidental disconnection.
A
Insert the tab on the connector into the matching slot on the camera.
B
Position the protector on the camera.
C
Tighten the lock screw.
D
Connect the cable and pass it through the protector as shown.
5
1
Before You Begin
Parts of the Camera
The Serial Number Plate
Do not remove the serial number plate,
which provides the CMIITID, serial num-
ber, and other important information.
Serial number plate
The Memory Card Slot Cover (Detachable)
The memory card slot cover can be re-
moved by lowering the interior latch. Re-
move the cover for ease of access when
a camera rig is attached or in other sit-
uations that make it di cult to open or
close the cover.
The Focus Stick (Focus Lever)
Tilt or press the focus stick to select the fo-
cus area. The focus stick can also be used
to navigate the menus.
6
1
Before You Begin
The Mode Dial
To select a shooting mode, rotate the dial until
the icon for the desired mode aligns with the
index.
ModeMode DescriptionDescription
PP
A
P (PROGRAM AE) Aperture and shutter speed can be ad-
justed using program shift.
64
B
S (SHUTTER PRIORITY AE)
A (APERTURE PRIORITY AE)
M (MANUAL)
Select for full control over camera set-
tings, including aperture (M and A)
and/or shutter speed (M and S).
66
68
70
C
C1/C2/C3/C4/C5/C6
(CUSTOM 1/2/3/4/5/6)
Take pictures using previously-stored
settings.
74
O
Rotate the mode dial only after pressing the dial lock release to release
the dial.
7
1
Before You Begin
Parts of the Camera
The STILL/MOVIE Mode Switch
Slide the STILL/MOVIE mode switch to STILL
to take photographs or to MOVIE to record
movies.
The DRIVE Button
Press the DRIVE button to adjust shooting settings. The options
displayed vary with the position of the STILL/MOVIE mode switch.
•
Pressing the button when STILL is select-
ed displays drive mode options.
ModeMode
B
Single frame
I
Burst mode
W
ISO BKT
V
WHITE BALANCE BKT
ModeMode
BKT Bracketing
j
Multiple Exposure
p
PIXEL SHIFT MULTI SHOT
•
Pressing the button when MOVIE is selected displays frame rate
options.
8
1
Before You Begin
The Command Dials
Rotate or press the command dials to:
Front command dial Rear command dial
RotateRotate
•
Select menu tabs or page
through menus
•
Adjust aperture
1, 2
•
View other pictures during
playback
•
Highlight menu items
•
Choose the desired combina-
tion of shutter speed and aper-
ture (program shift)
•
Choose a shutter speed
1, 4
•
Adjust exposure compensation by
pressing the d button and rotat-
ing the dial
1
•
Adjust settings in the quick menu
•
Choose the size of the focus frame
•
Zoom in or out in full frame play-
back
•
Zoom in or out in multi-frame
playback
PressPress
•
Switch between aperture and
ISO sensitivity
2
•
Press and hold to choose the op-
tion selected for D BUTTON/
DIAL SETTING> COMMAND
DIAL SETTING in the D(setup)
menu
•
Zoom in on the active focus point
3
•
Press and hold to choose the
manual focus mode focus display
3
•
Zoom in on the active focus
point during playback
1 Can be changed using D BUTTON/DIAL SETTING> COMMAND DIAL SETTING.
2 If the lens is equipped with an aperture ring with an “A” or “C” position, the aperture ring
must be in the A or C position.
3 Available only if FOCUS CHECK is assigned to a function button.
4 Only if a value other than auto is selected for shutter speed.
N
The rotation direction for the command dials can be selected using
D BUTTON/DIAL SETTING> COMMAND DIAL DIRECTION.
9
1
Before You Begin
Parts of the Camera
The Indicator Lamp
Camera status is shown by the indicator
lamp.
Indicator lampIndicator lamp Camera statusCamera status
Glows green Focus locked.
Blinks green Focus or slow shutter speed warning. Pictures can be taken.
Blinks green and
orange
•
Camera on: Recording pictures, or picture displayed for con-
fi rmation after being taken with option other than OFF
selected for D SCREEN SETTING> IMAGE DISP. (ad-
ditional pictures can be taken).
•
Camera o : Uploading pictures to a smartphone or tablet.
*
Glows orange
Recording pictures. No additional pictures can be taken at
this time.
Blinks orange Flash charging; fl ash will not fi re when picture is taken.
Blinks red Lens or memory error.
* Displayed only if pictures are selected for upload.
N
•
Warnings may also appear in the display.
•
The indicator lamp remains o while your eye is to the view nder.
•
The B MOVIE SETTING> TALLY LIGHT option can be used to
choose the lamp (indicator or AF-assist) that lights during movie re-
cording and whether the lamp blinks or remains steady.
10
1
Before You Begin
The LCD Monitor
The LCD monitor can be tilted for eas-
ier viewing, but be careful not to touch
the wires or trap ngers or other objects
behind the monitor. Touching the wires
could cause camera malfunction.
N
The LCD monitor also functions as a touch screen that can be used for:
•
Touch photography (P 28)
•
Focus area selection (P 27)
•
Function selection (P 30)
•
Movie optimized control oL (P 29)
•
Playback (P 31)
“Tall” (Portrait) Orientation
The display can also be tilted to take pictures from high or low angles when
the camera is rotated to take pictures in “tall” (portrait) orientation.
•
Press the tilt lock release and tilt the display as shown in Figure 1.
•
To take high-angle shots, hold the camera in the orientation shown in
Figure 2.
Figure 1 Figure 2
11
1
Before You Begin
Parts of the Camera
The Eye Cup
To remove the eye cup, hold the buttons
on either side and slide eye cup up.
Focusing the View nder
If the indicators displayed in the view nder are blurred, put your
eye to the view nder and rotate the diopter adjustment control
until the display is in sharp focus.
To focus the view nder:
A
Lift the diopter adjustment control.
B
Rotate the control to adjust view nder focus.
C
Return the control to its original position and lock it in place.
O
Lift the control before use. Failure to observe this precaution could
cause product malfunction.
12
1
Before You Begin
Camera Displays
This section lists the indicators that may be displayed
during shooting.
O
For illustrative purposes, displays are shown with all indicators lit.
The Electronic View nder
OLPQ R STUV
J K M N
a
X
Y
W
b
dcefghkl
ijmnop
w
q
r
t
s
Z
u
v
DB
AC
x
EFGHI
13
1
Before You Begin
Camera Displays
A
Crop factor ..................................................... 155
B
IS mode
2
......................................................... 149
C
Flash (TTL) mode ......................................... 268
D
Flash compensation ................................... 268
E
Self-timer indicator ..................................... 142
F
Continuous mode ........................................ 103
G
Shutter type ................................................... 147
H
AF+MF indicator
2
........................................135
I
Bluetooth ON/OFF .......................................239
J
White balance .............................................. 119
K
AWB lock ........................................................230
L
Film simulation ............................................ 113
M
Dynamic range ............................................117
N
D-range priority ...........................................118
O
Image transfer status ........................239, 280
P
Date and time ..................................46, 48, 205
Q
Movie mode ...........................................56, 155
R
Recording time available/
elapsed recording time ..............................57
S
Card slot options ................................... 39, 236
T
Number of available frames
1
...................326
U
Image size ...................................................... 110
V
Image quality................................................111
W
Touch screen mode .............................. 27, 140
X
Temperature warning ................................325
Y
Control lock
3
..................................................232
Z
Virtual horizon .................................................21
a
Focus frame ...............................................85, 96
b
Histogram .........................................................21
c
Power supply ....................................................43
d
Battery level ......................................................45
e
Sensitivity ..........................................................92
f
Exposure compensation ...............................95
g
Aperture ...............................................65, 68, 70
h
Shutter speed .....................................65, 66, 70
i
TTL lock ..................................................153, 258
j
AE lock ...................................................... 97, 230
k
Metering ............................................................94
l
Shooting mode ...............................................64
m
Focus mode
2
....................................................81
n
Focus indicator
2
..............................................82
o
Manual focus indicator
2
........................81, 88
p
AF lock ...................................................... 97, 230
q
Distance indicator
2
........................................90
r
Recording level
2
............................................172
s
Time code ....................................................... 174
t
Exposure indicator ...................................70, 95
u
Location data download status .....244, 280
v
35mm format mode ...................................150
w
Depth-of-fi eld preview ...........................69, 90
x
Focus check ............................................ 91, 136
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP> LARGE INDICATORS
MODE(EVF).
3 Displayed when controls have been locked by pressing and holding the MENU/OK button.
Control lock can be ended by pressing and holding the MENU/OK button again.
14
1
Before You Begin
The LCD Monitor
P
Q
S
T
U
BACEDHIJKLM
O
R
v
t
s
q
u
x
w
r
p
hilmno
V
W
X
Y
aZbcdegfjk
NFG
15
1
Before You Begin
Camera Displays
A
Crop factor ..................................................... 155
B
Focus check ............................................ 91, 136
C
Depth-of-fi eld preview ...........................69, 90
D
Location data download status .....244, 280
E
35mm format mode ...................................150
F
Bluetooth ON/OFF .......................................239
G
Image transfer status ........................239, 280
H
Movie mode ...........................................56, 155
I
Recording time available/
elapsed recording time ..............................57
J
Card slot options ................................... 39, 236
K
Number of available frames
1
...................326
L
Image size ...................................................... 110
M
Image quality................................................111
N
Date and time ..................................46, 48, 205
O
Touch screen mode
3
............................ 27, 140
P
AWB lock ........................................................230
Q
White balance .............................................. 119
R
Film simulation ............................................ 113
S
Dynamic range ............................................117
T
D-range priority ...........................................118
U
Control lock
4
..................................................232
V
Temperature warning ................................325
W
Virtual horizon .................................................21
X
Histogram .........................................................21
Y
Focus frame ...............................................85, 96
Z
Power supply ....................................................43
a
Battery level ......................................................45
b
Distance indicator
2
........................................90
c
Sensitivity ..........................................................92
d
Exposure compensation ...............................95
e
Aperture ...............................................65, 68, 70
f
Time code ....................................................... 174
g
Shutter speed .....................................65, 66, 70
h
TTL lock ..................................................153, 258
i
AE lock ...................................................... 97, 230
j
Metering ............................................................94
k
Shooting mode ...............................................64
l
Focus mode
2
....................................................81
m
Focus indicator
2
..............................................82
n
Manual focus indicator
2
........................81, 88
o
AF lock ...................................................... 97, 230
p
AF+MF indicator
2
........................................135
q
Shutter type ................................................... 147
r
Recording level
2
............................................172
s
Continuous mode ........................................ 103
t
Self-timer indicator ..................................... 142
u
Exposure indicator ...................................70, 95
v
Flash compensation ................................... 268
w
Flash (TTL) mode ......................................... 268
x
IS mode
2
......................................................... 149
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP> LARGE INDICATORS
MODE(LCD).
3 Camera functions can also be accessed via touch controls.
4 Displayed when controls have been locked by pressing and holding the MENU/OK button.
Control lock can be ended by pressing and holding the MENU/OK button again.
16
1
Before You Begin
Choosing a Display Mode
Press the VIEW MODE button to cycle
through the following display modes.
OptionOption DescriptionDescription
EE EYE SENSOR EYE SENSOR
Putting your eye to the viewfi nder turns the viewfi nder
on and the LCD monitor off ; taking your eye away turns
the viewfi nder off and LCD monitor on.
EVF ONLYEVF ONLY Viewfi nder on, LCD monitor off .
LCD ONLYLCD ONLY LCD monitor on, viewfi nder off .
EVF ONLY + EVF ONLY + EE
Putting your eye to the viewfi nder turns the viewfi nder
on; taking it away turns the viewfi nder off . The LCD mon-
itor remains off .
EE EYE SENSOR + LCD EYE SENSOR + LCD
IMAGE DISP.IMAGE DISP.
Putting your eye to the viewfi nder during shooting
turns the viewfi nder on, but the LCD monitor is used for
the display of images once you remove your eye from
the viewfi nder after shooting. The options selected for
D SCREEN SET-UP> IMAGE DISP. apply to display
in the LCD monitor.
The Eye Sensor
•
The eye sensor may respond to objects other
than your eye or to light shining directly on
the sensor.
•
The eye sensor is disabled while the LCD mon-
itor is tilted.
Eye sensor
17
1
Before You Begin
Camera Displays
Adjusting Display Brightness
The brightness and saturation of the view nder and LCD monitor
can be adjusted using the items in the D SCREEN SET-UP menu.
Choose EVF BRIGHTNESS or EVF COLOR to adjust view nder
brightness or saturation, LCD BRIGHTNESS or LCD COLOR to do
the same for the LCD monitor.
Display Rotation
When ON is selected for D SCREEN SET-UP> AUTOROTATE
DISPLAYS, the indicators in the view nder and LCD monitor au-
tomatically rotate to match camera orientation.
18
1
Before You Begin
The DISP/BACK Button
The DISP/BACK button controls the display
of indicators in the view nder and LCD
monitor.
N
Indicators for the EVF and LCD must be
selected separately. To choose the EVF dis-
play, place your eye to the view nder while
using the DISP/BACK button.
Viewfi nder
Full screen
Full screen
(no indicators)
Dual display
(manual focus mode only)
Standard indicators
Standard (no indicators)
19
1
Before You Begin
Camera Displays
LCD Monitor
Standard indicators No indicators
Dual display
(manual focus mode only)
Info display
The Dual Display
The dual display consists of a large full-frame window and a
smaller close-up of the focus area.
20
1
Before You Begin
Customizing the Standard Display
To choose the items shown in the standard indicator display:
1
Display standard indicators.
Use the DISP/BACK button to display standard indicators.
2
Select DISP. CUSTOM SETTING.
Select D SCREEN SET-UP> DISP. CUSTOM SETTING in the
setup menu.
3
Choose items.
Highlight items and press MENU/OK to select or deselect.
ItemItem
DefaultDefault
STILLSTILL MOVIEMOVIE
FRAMING GUIDELINE
RR
ELECTRONIC LEVEL
RR
FOCUS FRAME
RR
AF DISTANCE INDICATOR
RR
MF DISTANCE INDICATOR
RR
HISTOGRAM
RR
LIVE VIEW HIGHLIGHT ALERT
RR
SHOOTING MODE
RR
APERTURE/S-SPEED/ISO
RR
INFORMATION BACKGROUND
RR
Expo. Comp. (Digit)
RR
Expo. Comp. (Scale)
RR
FOCUS MODE
RR
PHOTOMETRY
RR
SHUTTER TYPE
R
−
FLASH
R
−
ItemItem
DefaultDefault
STILLSTILL MOVIEMOVIE
CONTINUOUS MODE
R
−
DUAL IS MODE
RR
TOUCH SCREEN MODE
RR
WHITE BALANCE
RR
FILM SIMULATION
RR
DYNAMIC RANGE
R
−
FRAMES REMAINING
R
−
IMAGE SIZE/QUALITY
R
−
MOVIE MODE & REC. TIME
−
R
35mm FORMAT MODE
R
−
IMAGE TRANSFER ORDER
RR
MIC LEVEL
−
R
GUIDANCE MESSAGE
RR
BATTERY LEVEL
RR
FRAMING OUTLINE
RR
4
Press DISP/BACK to save changes.
5
Press DISP/BACK as needed to exit the menus and return to the
shooting display.
21
1
Before You Begin
Camera Displays
Virtual Horizon
Selecting ELECTRONIC LEVEL displays a virtu-
al horizon. The camera is level when the two
lines overlap. Note that the virtual horizon may
not be displayed if the camera lens is pointed
up or down. For a 3D display (shown), press the
function button to which ELECTRONIC LEVEL
is assigned (P 225, 255).
Pitch Roll
Framing Outline
Enable FRAMING OUTLINE to make the borders of the frame easier to see
against dark backgrounds.
Histograms
Histograms show the distribution of tones in the image. Brightness is
shown by the horizontal axis, the number of pixels by the vertical axis.
Number of pixels
Shadows Highlights
Pixel brightness
•
Optimal exposure: Pixels are distributed in an even curve
throughout the tone range.
•
Overexposed: Pixels are clustered on the right side of
the graph.
•
Underexposed: Pixels are clustered on the left side of
the graph.
To view separate RGB histograms and a dis-
play showing areas of the frame that will be
overexposed at current settings superimposed
on the view through the lens, press the func-
tion button to which HISTOGRAM is assigned
(P 225, 255).
A
Overexposed areas blink
B
RGB histograms
22
1
Before You Begin
The Secondary LCD Monitor
Among the settings that can be viewed
in the secondary LCD monitor are shutter
speed, aperture, and ISO sensitivity.
Secondary LCD monitor
KK
DD EE FF GG
HH
IIJJ
AA
BB
CC
DefaultDefault
A
SHUTTER SPEED
G
FILM SIMULATION
B
APERTURE
H
BATTERY LEVEL
C
ISO
I
FRAMES REM.
D
SHOOTING MODE
J
CARD SLOT OPTIONS
E
IMAGE SIZE/QUALITY
K
d Scale
F
WHITE BALANCE
N
The settings displayed can be selected using D SCREEN SET-UP>
SUB MONITOR SETTING.
23
1
Before You Begin
Camera Displays
Cycling Through Indicators in the Secondary LCD Monitor
The indicators displayed in the second-
ary LCD monitor change each time the
secondary LCD monitor mode button is
pressed.
INFORMATION DIALS
HISTOGRAM
24
1
Before You Begin
Camera Displays
The secondary monitor backlight button
To turn on the secondary LCD monitor back-
light when you nd the secondary LCD monitor
too dark to read, press the secondary monitor
backlight button. Press the button again to turn
the backlight o .
Background Color
The background color (black or white) for the secondary LCD monitor can
be selected using the D SCREEN SET-UP> SUB MONITOR BACKGROUND
COLOR option in the D(setup) menu. Note that the background is dis-
played in white whenever the secondary LCD monitor backlight is on.
25
1
Before You Begin
Using the Menus
To display the menus, press MENU/OK.
The Menus
Di erent menus are displayed during still photography, movie
recording, and playback.
ShootingShooting
EXIT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
GRAIN EFFECT
FILM SIMULATION
RAW RECORDING
IMAGE QUALITY
IMAGE SIZE
IMAGE QUALITY SETTING
MONOCHROMATIC COLOR
STILL/MOVIE mode switch
set to STILL
EXIT
FIS MODE
FIS MODE BOOST
FPHOTOMETRY
HDMI OUTPUT INFO DISPLAY
FULL HD MOVIE OUTPUT
FIX MOVIE CROP MAGNIFICATION
MOVIE MODE
MOVIE SETTING
HDMI REC CONTROL
STILL/MOVIE mode switch
set to MOVIE
PlaybackPlayback
EXIT
PROTECT
IMAGE ROTATE
RESIZE
SIMULTANEOUS DELETE (RAW SLOT1/JPG SLOT2)
ERASE
RAW CONVERSION
SWITCH SLOT
CROP
PLAY BACK MENU
During playback
26
1
Before You Begin
Using the Menus
Selecting a Menu Tab
To navigate the menus:
1
Press MENU/OK to display the menus.
EXIT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
GRAIN EFFECT
FILM SIMULATION
RAW RECORDING
IMAGE QUALITY
IMAGE SIZE
IMAGE QUALITY SETTING
MONOCHROMATIC COLOR
2
Press the focus stick (focus lever)
left to highlight the tab for the cur-
rent menu.
EXIT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
GRAIN EFFECT
FILM SIMULATION
RAW RECORDING
IMAGE QUALITY
IMAGE SIZE
IMAGE QUALITY SETTING
MONOCHROMATIC COLOR
Tab
3
Press the focus stick up or down to highlight the tab contain-
ing the desired item.
4
Press the focus stick right to place the cursor in the menu.
N
Use the front command dial to select menu tabs or page through
menus and the rear command dial to highlight menu items.
27
1
Before You Begin
Touch Screen Mode
The LCD monitor also functions as a touch screen.
Shooting Touch Controls
To enable touch controls, select ON for
D BUTTON/DIAL SETTING> TOUCH
SCREEN SETTING> x TOUCH SCREEN
SETTING.
TOUCH SCREEN SETTINGS
DOUBLE TAP SETTING
TOUCH SCREEN SETTING
TOUCH FUNCTION
EVF TOUCH SCREEN AREA SETTINGS
TOUCH SCREEN SETTING
ON
OFF
EVF
The LCD monitor can be used to select the focus area while pic-
tures are being framed in the electronic view nder (EVF). Use
D BUTTON/DIAL SETTING> TOUCH SCREEN SETTING> EVF
TOUCH SCREEN AREA SETTINGS to choose the area of the mon-
itor employed for touch controls.
N
If FACE SELECT op is enabled when FACE DETECTION ON is select-
ed for G AF/MF SETTING> FACE/EYE DETECTION SETTING, the face
used for focus can be chosen via touch controls.
28
1
Before You Begin
LCD Monitor
The operation performed can be selected
by tapping the touch screen mode indica-
tor in the display. Touch controls can be
used for the following operations:
ModeMode DescriptionDescription
AF
AFOFF
•
In focus mode S (AF-S), the camera focuses when you tap your
subject in the display. Focus locks at the current distance until
you tap the AFOFF icon.
•
In focus mode C (AF-C), the camera initiates focus when you
tap your subject display. The camera will continue to adjust
focus for changes in the distance to the subject until you tap
the AFOFF icon.
•
In manual focus mode (MF), you can tap the display to focus
on the selected subject using autofocus.
AREAAREA
Tap to select a point for focus or zoom. The focus frame will
move to the selected point.
OFFOFF
Touch controls disabled.
O
Di erent touch controls are used during focus zoom (P141).
N
•
To disable touch controls and hide the touch screen mode indica-
tor, select OFF for DBUTTON/DIAL SETTING> TOUCH SCREEN
SETTING> x TOUCH SCREEN SETTING.
•
Touch control settings can be adjusted using G AF/MF SETTING>
xF TOUCH SCREEN MODE. For information on the touch
controls available during movie recording, see “Movie Recording
(xF TOUCH SCREEN MODE; P 169)”.
29
1
Before You Begin
Touch Screen Mode
MOVIE OPTIMIZED CONTROL oL
Selecting ON for B MOVIE SETTING>
MOVIE OPTIMIZED CONTROL oL or
tapping the movie-optimized mode but-
ton in the shooting display optimizes the
command dials and touch controls for
movie recording. This can be used to pre-
vent camera sounds being recorded with
movie footage.
•
SHUTTER SPEED
•
APERTURE
•
EXPOSURE COMPENSATION
•
ISO
•
INTERNAL MIC LEVEL
ADJUSTMENT/EXTERNAL MIC
LEVEL ADJUSTMENT
•
WIND FILTER
•
HEADPHONES VOLUME
•
F FILM SIMULATION
•
F WHITE BALANCE
•
F IS MODE
•
F IS MODE BOOST
N
•
Enabling movie-optimized controls disables the aperture ring.
•
When movie-optimized control is enabled, the movie-optimized
mode button can be used to change shooting settings or disable
movie-optimized control.
Movie-optimized
mode button
30
1
Before You Begin
Touch Function
Functions can be assigned to the follow-
ing ick gestures in much the same way
as function buttons (P 255):
•
Flick up: T-Fn1
•
Flick left: T-Fn2
•
Flick right: T-Fn3
•
Flick down: T-Fn4
N
•
In some cases, touch-function ick ges-
tures display a menu; tap to select the
desired option.
SET CANCEL
25.5
INTERNAL MIC LEVEL ADJUSTMENT
•
Touch-function gestures are disabled by default. To enable
touch-function gestures, select ON for D BUTTON/DIAL SETTING>
TOUCH SCREEN SETTING> c TOUCH FUNCTION.
31
1
Before You Begin
Touch Screen Mode
Playback Touch Controls
When ON is selected for D BUTTON/DIAL SETTING > TOUCH
SCREEN SETTING> a TOUCH SCREEN SETTING, touch controls
can be used for the following playback operations:
•
Swipe: Swipe a nger across the display to
view other images.
•
Pinch-out: Place two ngers on the display
and spread them apart to zoom in.
•
Pinch-in: Place two ngers on the display
and slide them together to zoom out.
N
Pictures can be zoomed out until the entire image is visible but no
further.
•
Double-tap: Tap the display twice to zoom in
on the focus point.
•
Drag: View other areas of the image during
playback zoom.
32
MEMO
33
First Steps
34
2
First Steps
Attaching the Strap
Attach the strap.
Attach the strap to the two strap clips as shown below.
O
To avoid dropping the camera, be sure the strap is correctly secured.
35
2
First Steps
Attaching a Lens
The camera can be used with lenses for the FUJIFILM
G-mount.
Remove the body cap from the camera
and the rear cap from the lens. Place the
lens on mount, keeping the marks on the
lens and camera aligned (
A
), and then
rotate the lens until it clicks into place
(
B
).
O
•
When attaching lenses, ensure that dust or other foreign matter does
not enter the camera.
•
Be careful not to touch the camera’s internal parts.
•
Rotate the lens until it clicks securely into place.
•
Do not press the lens release button while attaching the lens.
Removing Lenses
To remove the lens, turn the camera o , then
press the lens release button (
A
) and rotate the
lens as shown (
B
).
O
To prevent dust accumulating on the lens
or inside the camera, replace the lens caps
and camera body cap when the lens is not
attached.
Lenses and Other Optional Accessories
The camera can be used with lenses and accessories for the FUJIFILM
G-mount.
O
Observe the following precautions when attaching or removing (ex-
changing) lenses.
•
Check that the lenses are free of dust and other foreign matter.
•
Do not change lenses in direct sunlight or under another bright light
source. Light focused into the interior of the camera could cause it to
malfunction.
•
Attach the lens caps before exchanging lenses.
•
See the manual provided with the lens for information on use.
36
2
First Steps
Inserting the Battery
Insert the battery in the camera as described below.
1
Open the battery-chamber cover.
Slide the battery-chamber cover
latch as shown and open the bat-
tery-chamber cover.
O
•
Do not open the battery-chamber
cover when the camera is on. Fail-
ure to observe this precaution could
damage image les or memory
cards.
•
Do not use excessive force when
handling the battery-chamber cover.
2
Insert the battery as shown.
O
•
Insert the battery in the orientation
shown. Do not use force or attempt
to insert the battery upside down or
backwards.
•
Con rm that the battery is securely
latched.
37
2
First Steps
Inserting the Battery
3
Close the battery-chamber cover.
Close and latch the cover.
O
If the cover does not close, check that
the battery is in the correct orienta-
tion. Do not attempt to force the cov-
er shut.
Removing the Battery
Before removing the battery, turn the camera o and open the battery-cham-
ber cover.
To remove the battery, press the battery latch to
the side, and slide the battery out of the camera
as shown.
O
The battery may become hot when used in high-temperature environ-
ments. Observe caution when removing the battery.
38
2
First Steps
Inserting Memory Cards
Pictures are stored on memory cards (sold separately).
N
The camera can be used with two cards, one in each of its two slots.
1
Open the memory card slot cover.
Unlatch and open the cover.
O
Do not turn the camera o or remove the memory card while the
memory card is being formatted or data are being recorded to or de-
leted from the card. Failure to observe this precaution could dam-
age the card.
2
Insert the memory card.
Holding the card in the orientation
shown, slide it in until it clicks into
place at the back of the slot. Close
and latch the memory card slot cover.
O
Be sure card is in the correct orientation; do not insert at an angle
or use force.
39
2
First Steps
Inserting Memory Cards
Removing Memory Cards
Before removing memory cards, turn the camera o and open the memory
card slot cover.
Press and release the card to eject it part way (to
prevent the card falling from the slot, press the
center of the card and release it slowly, without
removing your nger from the card). The card
can then be removed by hand.
Using Two Cards
The camera can be used with two cards, one in each of its two
slots. At default settings, photos are saved to the card in the sec-
ond slot only when the card in the rst slot is full. This can be
changed using D SAVE DATA SET-UP> x CARD SLOT SETTING
(P 236). The card used to store movies can be selected using
D SAVE DATA SET-UP> F CARD SLOT SETTING (P 237).
OptionOption DescriptionDescription DisplayDisplay
SEQUENTIAL
(default)
The card in the second slot is used only when the card in
the fi rst slot is full. If the second slot is selected for D SAVE
DATA SET-UP> SELECT SLOT(xSEQUENTIAL), re-
cording will start on the card in the second slot and switch
to the fi rst slot when the card in the second slot is full.
BACKUP Each picture is recorded twice, once to each card.
RAW / JPEG
As for SEQUENTIAL, except that the RAW copy of pic-
tures taken with SUPER FINE+RAW, FINE+RAW, or
NORMAL+RAW selected for
H
IMAGE QUALITY
SETTING> IMAGE QUALITY will be saved to the card
in the fi rst slot and the JPEG copy to the card in the second
slot.
40
2
First Steps
Inserting Memory Cards
Compatible Memory Cards
•
The camera can be used with SD, SDHC, and SDXC memory
cards. Both the UHS-I and UHS-II bus interfaces are supported.
•
Use a UHS Speed Class1 or better memory card when record-
ing movies.
•
A list of supported memory cards is available on the Fuji lm
website. For details, visit:
https://fujifilm-x.com/support/compatibility/cameras/
.
O
•
Do not turn the camera o or remove the memory card while the memo-
ry card is being formatted or data are being recorded to or deleted from
the card. Failure to observe this precaution could damage the card.
•
Memory cards can be locked, making it
impossible to format the card or to record
or delete images. Before inserting a mem-
ory card, slide the write-protect switch to
the unlocked position.
•
Memory cards are small and can be swallowed; keep out of reach of
children. If a child swallows a memory card, seek medical assistance
immediately.
•
miniSD or microSD adapters that are larger or smaller than memory
cards may not eject normally; if the card does not eject, take the cam-
era to an authorized service representative. Do not forcibly remove
the card.
•
Do not a x labels or other objects to memory cards. Peeling labels
can cause camera malfunction.
•
Movie recording may be interrupted with some types of memory card.
•
Formatting a memory card in the camera creates a folder in which
pictures are stored. Do not rename or delete this folder or use a com-
puter or other device to edit, delete, or rename image les. Always
use the camera to delete pictures; before editing or renaming les,
copy them to a computer and edit or rename the copies, not the
originals. Renaming the les on the camera can cause problems
during playback.
41
2
First Steps
Charging the Battery
For reasons of safety, the battery is not charged at ship-
ment. The camera will not function if the battery is not
charged; be sure to charge the battery before use. Before
charging the battery, turn the camera o .
O
•
An NP-W235 rechargeable battery is supplied with the camera.
•
Charging takes about 180minutes.
1
Attach the plug adapter to the AC power adapter.
Attach the plug adapter as shown, making
sure that it is fully inserted and clicks into
place on the AC power adapter terminals.
O
•
The supplied plug adapter is for use exclu-
sively with the AC-5VJ AC power adapter.
Do not use it with other devices.
•
The shape of the plug adapter varies with
the country of sale.
2
Charge the battery.
Connect the camera to the supplied AC power adapter using
the supplied USB cable. Then plug the AC power adapter into
an indoor power outlet.
O
•
Connect the cable to the camera’s USB connector (Type-C).
•
Be sure the connectors are fully inserted.
42
2
First Steps
Charge Status
The indicator lamp shows battery charge status
as follows:
Indicator lampIndicator lamp Battery statusBattery status
On Battery charging
Off Charging complete
Blinks Charging error
O
•
The supplied AC power adapter is compatible with power supplies of
100 to 240 V (a plug adapter may be needed for overseas use).
•
Do not use the AC power adapter or USB cable with other devices, as
this could cause malfunction.
•
Do not a x labels or other objects to the battery. Failure to observe
this precaution could make it impossible to remove the battery from
the camera.
•
Do not short the battery terminals. The battery could overheat.
•
Read the cautions in “The Battery and Power Supply”.
•
Use only genuine Fuji lm rechargeable batteries designated for use
in this camera. Failure to observe this precaution could result in prod-
uct malfunction.
•
Do not remove the labels from the battery or attempt to split or peel
the outer casing.
•
The battery gradually loses its charge when not in use. Charge the
battery one or two days before use.
•
If the battery fails to hold a charge, it has reached the end of its
charging life and must be replaced.
•
Unplug the AC power adapter from the power outlet when it is not
in use.
•
If the battery is left for long periods without charging, you may nd
that its quality degrades or that it no longer holds a charge. Charge
the battery regularly.
•
Remove dirt from the battery terminals with a clean, dry cloth. Failure
to observe this precaution could prevent the battery from charging.
•
Note that charging times increase at low or high temperatures.
43
2
First Steps
Charging the Battery
N
•
If the camera is turned on during charging,
charging will end and the USB connection
will instead be used to power the camera.
The battery level will begin to gradually
decline (P 243).
•
The camera will display a “power supply” icon when powered via USB.
Charging via Computer
The camera can be charged via USB. USB charging is available with com-
puters with a manufacturer-approved operating system and USB interface.
Leave the computer on during charging.
O
•
The battery will not charge while the camera is on.
•
Connect the supplied USB cable.
•
Connect the camera directly to the computer; do not use a USB hub
or keyboard.
•
Charging stops if the computer enters sleep mode. To resume
charging, activate the computer and disconnect and reconnect the
USB cable.
•
Charging may not be supported depending on the model of com-
puter, computer settings, and the computer’s current state.
•
The battery takes about 600 minutes to charge with a charging input
of 5 V/500 mA.
44
2
First Steps
Turning the Camera On and O
Use the ON/OFF switch to turn the camera on and o .
Slide the switch to ON to turn the camera
on, or to OFF to turn the camera o .
O
Fingerprints and other marks on the lens or view nder can a ect pic-
tures or the view through the view nder. Keep the lens and view nd-
er clean.
N
•
Pressing the a button during shooting starts playback.
•
Press the shutter button halfway to return to shooting mode.
•
The camera will turn o automatically if no operations are performed
for the length of time selected for D POWER MANAGEMENT>
AUTO POWER OFF. To reactivate the camera after it has turned o
automatically, press the shutter button halfway or turn the ON/OFF
switch to OFF and then back to ON.
45
2
First Steps
Checking the Battery Level
After turning the camera on, check the battery level in the
display.
Battery level is shown as follows:
IndicatorIndicator DescriptionDescription
e
Battery partially discharged.
f
Battery about 80% full.
g
Battery about 60% full.
h
Battery about 40% full.
i
Battery about 20% full.
i
(red)
Low battery. Charge as soon as possible.
j
(blinks red)
Battery exhausted. Turn camera off and recharge battery.
46
2
First Steps
Basic Setup
When you turn the camera on for the rst time, you can
choose a language and set the camera clock. At default
settings, you can also pair the camera with a smartphone
or tablet so that you can later synchronize the clocks or
download pictures. Follow the steps below when turning
the camera on for the rst time.
N
If you intend to pair the camera with a smartphone or tablet, install
and launch the latest version of the FUJIFILM Camera Remote App on
the smart device before proceeding. For more information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
1
Turn the camera on.
A language-selection dialog will be
displayed.
2
Choose a language.
Highlight a language and press
MENU/OK.
3
Pair the camera with the smartphone or tablet.
Press MENU/OK to pair the camera with
a smartphone or tablet running the
FUJIFILM Camera Remote app.
N
To skip pairing, press DISP/BACK.
SCAN QR CODE OR SEARCH FOR "FUJIFILM
Camera Remote" APP ON THE WEB
TO SMARTPHONE BY PAIRING
IMAGES CAN BE EASILY TRANSFERRED
PAIR WITH SMARTPHONE?
PAIRING REGISTRATION
SKIP HELPSET
47
2
First Steps
Basic Setup
4
Check the time.
When pairing is complete, you will be
prompted to set the camera clock to
the time reported by the smartphone
or tablet. Check that the time is cor-
rect.
PAIRING REGISTRATION
PAIRING COMPLETE
SET DATE/TIME FROM SMARTPHONE?
SET CANCEL
12/ 31/2021 12:10 AM
N
To set the clock manually, press DISP/BACK (P 48).
5
Synchronize the camera settings with
the settings confi gured on your smart-
phone or tablet.
SET
SMARTPHONE SYNC. SETTING
LOCATION
TIME
LOCATION&TIME
OFF
N
The option selected can be changed at any time using
D CONNECTION SETTING> Bluetooth SETTINGS.
6
Set the clock.
Press MENU/OK to set the camera clock to the time reported by
the smartphone or tablet and exit to shooting mode.
7
Format the memory card (P 204).
O
Format memory cards before rst use, and be sure to reformat all
memory cards after using them in a computer or other device.
N
If the battery is removed for an extended period, the camera clock will
be reset and the language-selection dialog will be displayed when the
camera is turned on.
Skipping the Current Step
If you skip a step, a con rmation dialog will be displayed; select NO to avoid
repeating any steps you skipped the next time the camera is turned on.
48
2
First Steps
Basic Setup
Choosing a Di erent Language
To change the language:
1
Display language options.
Select D USER SETTING> Qa.
2
Choose a language.
Highlight the desired option and press MENU/OK.
Changing the Time and Date
To set the camera clock:
1
Display DATE/TIME options.
Select D USER SETTING> DATE/TIME.
2
Set the clock.
Press the focus stick (focus lever) left or right to highlight the
year, month, day, hour, or minute and press up or down to
change. Press MENU/OK to set the clock.
49
Basic Photography and
Playback
50
3
Basic Photography and Playback
Taking Photographs (Mode P)
This section describes how to take pictures using program
AE (mode P). See pages 64–73 for information on S, A,
and M modes.
1
Slide the STILL/MOVIE mode switch to
STILL.
2
Rotate the focus mode selector to S.
3
Rotate the mode dial to P.
O
Rotate the mode dial only after pressing the dial lock release to
release the dial.
4
Con rm that P appears in the display.
51
3
Basic Photography and Playback
Taking Photographs (Mode P)
5
Ready the camera.
•
Hold the camera steady with both
hands and brace your elbows
against your sides. Shaking or un-
steady hands can blur your shots.
•
To prevent pictures that are out of
focus or too dark (underexposed),
keep your ngers and other objects
away from the lens and AF-assist
illuminator.
6
Frame the picture.
Lenses with Zoom Rings
Use the zoom ring to frame the picture in
the display. Rotate the ring left to zoom
out, right to zoom in.
52
3
Basic Photography and Playback
Taking Photographs (Mode P)
7
Focus.
Press the shutter button halfway to
set focus and exposure.
Focus indicator
Focus frame
•
If the camera is able to focus, the focus frame and focus indicator
will glow green.
•
If the camera is unable to focus, the focus frame will turn red, s
will be displayed, and the focus indicator will blink white.
N
•
If the subject is poorly lit, the AF-assist illuminator may light to
assist the focus operation.
•
Focus and exposure will lock when the shutter button is
pressed halfway. Focus and exposure remain locked while the
button is kept in this position (AF/AE lock).
•
The camera will focus on subjects at any distance in the macro
and standard focus ranges for the lens.
8
Shoot.
Smoothly press the shutter button the rest of the way down
to take the picture.
53
3
Basic Photography and Playback
Viewing Pictures
Pictures can be viewed in the view nder or LCD monitor.
To view pictures full frame, press a.
100-0001
Additional pictures can be viewed by pressing the focus stick (fo-
cus lever) left or right or rotating the front command dial. Press
the focus stick or rotate the dial right to view pictures in the order
recorded, left to view pictures in reverse order. Keep the focus
stick pressed to scroll rapidly to the desired frame.
N
Pictures taken using other cameras are marked with a m (“gift image”)
icon to warn that they may not display correctly and that playback
zoom may not be available.
Two Memory Cards
If two memory cards are inserted, you can press and hold the a button
to choose a card for playback. You can also select a card using the C PLAY
BACK MENU> SWITCH SLOT option.
54
3
Basic Photography and Playback
Deleting Pictures
Use the b button to delete pictures.
O
Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.
1
With a picture displayed full frame, press the b button and
select FRAME.
FRAME
SELECTED FRAMES
ALL FRAMES
ERASE
2
Press the focus stick (focus lever) left or right to scroll through
pictures and press MENU/OK to delete (a con rmation dialog is
not displayed). Repeat to delete additional pictures.
N
•
Protected pictures cannot be deleted. Remove protection from any
pictures you wish to delete (P 190).
•
Pictures can also be deleted from the menus using the C PLAY BACK
MENU> ERASE option (P 186).
55
Movie Recording and
Playback
56
4
Movie Recording and Playback
Recording Movies
This section describes how to lm movies in auto mode.
1
Slide the STILL/MOVIE mode switch to
MOVIE.
2
Rotate the mode dial to P.
AUTO will appear in the display.
O
Rotate the mode dial only after pressing the dial lock release to release
the dial.
57
4
Movie Recording and Playback
Recording Movies
3
Press the shutter button all the way
down.
Recording will start.
•
A recording indicator (V) is dis-
played while recording is in prog-
ress.
•
The time remaining is shown by a
countdown display, while another
display counts up to show the re-
cording time.
Recording time
Time remaining
4
Press the button again to end recording. Recording ends
automatically when the maximum length is reached or the
memory card is full.
Temperature Warnings
The camera automatically turns o to protect itself when its temperature or
the temperature of the battery rises. If a temperature warning is displayed,
image noise may increase. Turn the camera o and wait for it to cool before
turning it on again (P 234, 325).
Using an External Microphone
Sound can be recorded with external micro-
phones that connect using jacks 3.5 mm in di-
ameter; microphones that require plug-in pow-
er cannot be used. See the microphone manual
for details.
O
•
Sound is recorded via the built-in microphone or an optional external
microphone. Do not cover the microphone during recording.
•
Note that the microphone may pick up lens noise and other sounds
made by the camera during recording.
•
Vertical or horizontal streaks may appear in movies containing very
bright subjects. This is normal and does not indicate a malfunction.
58
4
Movie Recording and Playback
N
•
The indicator lamp lights while recording is in progress (the B MOVIE
SETTING> TALLY LIGHT option can be used to choose the lamp—
indicator or AF-assist—that lights during movie recording and
whether the lamp blinks or remains steady). During recording, you
can change exposure compensation by up to ±2EV and adjust zoom
using the zoom ring on the lens (if available).
•
While recording is in progress, you can:
-
Adjust sensitivity
-
Refocus using any of the following methods:
•
Press the shutter button halfway
•
Press a function button to which AF-ON is assigned
•
Use touch screen controls
-
Display a histogram or arti cial horizon by pressing the button to
which HISTOGRAM or ELECTRONIC LEVEL has been assigned
•
Recording may be unavailable at some settings, while in other cases
settings may not apply during recording.
•
To choose the focus area for movie recording, select G AF/MF
SETTING> FOCUS AREA and use the focus stick (focus lever) and
rear command dial (P 85).
59
4
Movie Recording and Playback
Recording Movies
Adjusting Movie Settings
•
Pressing MENU/OK when MOVIE is selected with the STILL/MOVIE
mode switch displays the movie menu.
•
The frame rate can be selected using B MOVIE SETTING>
MOVIE MODE.
•
To choose the card used to store movies, use D SAVE DATA
SET-UP > F CARD SLOT SETTING.
•
Focus mode is selected using the focus mode selector; for con-
tinuous focus adjustment, select C, or choose S and enable In-
telligent Face Detection. Intelligent Face Detection is not avail-
able in focus mode M.
Depth of Field
Choose low f-numbers to soften background details. Aperture can be ad-
justed when the mode dial is set to A(aperture-priority AE) or M(manual).
60
4
Movie Recording and Playback
Viewing Movies
View movies on the camera.
In full-frame playback, movies are identi-
ed by a W icon. Press the focus stick (fo-
cus lever) down to start movie playback.
+1.0
12800
PLAYPLAY
The following operations can be per-
formed while a movie is displayed:
Focus stickFocus stick
(focus lever)(focus lever) Full-frame playbackFull-frame playback
Playback in Playback in
progress (progress (xx))
Playback Playback
paused (paused (yy))
Up — End playback
Down Start playback Pause playback Start/resume playback
Left/right
View other pictures
Adjust speed
Single frame rewind/
advance
Progress is shown in the display during
playback.
O
Do not cover the speaker during playback.
29m59s
PAUSESTOP
N
Press MENU/OK to pause playback and display volume controls. Press
the focus stick (focus lever) up or down to adjust the volume; press
MENU/OK again to resume playback. Volume can also be adjusted using
D SOUND SET-UP> PLAYBACK VOLUME.
61
4
Movie Recording and Playback
Viewing Movies
Playback Speed
Press the focus stick (focus lever) left or right to
adjust playback speed during playback. Speed
is shown by the number of arrows (M or N).
29m59s29m59s
Arrows
62
MEMO
63
Taking Photographs
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5
Taking Photographs
P, S, A, and M Modes
P, S, A, and M modes give you varying degrees of control
over shutter speed and aperture.
Mode P: Program AE
Let the camera choose shutter speed and aperture for optimal
exposure. Other values that produce the same exposure can be
selected with program shift.
1
Slide the STILL/MOVIE mode switch to
STILL.
2
Rotate the mode dial to P.
P will appear in the display.
O
•
If the subject is outside the metering range of the camera, the shutter
speed and aperture displays will show “– – –”.
•
Rotate the mode dial only after pressing the dial lock release to re-
lease the dial.
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5
Taking Photographs
P, S, A, and M Modes
Program Shift
If desired, you can rotate the rear command dial
to select other combinations of shutter speed
and aperture without altering exposure (pro-
gram shift).
Aperture
Shutter speed
O
Program shift is not available in any of the following circumstances:
•
When TTL is selected for F FLASH SETTING > FLASH FUNCTION
SETTING
•
When an auto option is selected for H IMAGE QUALITY SETTING>
DYNAMIC RANGE
•
In movie mode
N
To cancel program shift, turn the camera o .
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5
Taking Photographs
Mode S: Shutter-Priority AE
Choose a shutter speed and let the camera adjust aperture for
optimal exposure.
1
Slide the STILL/MOVIE mode switch to
STILL.
2
Rotate the mode dial to S.
S will appear in the display.
3
Rotate the rear command dial to
choose the shutter speed.
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5
Taking Photographs
P, S, A, and M Modes
O
•
If the correct exposure cannot be achieved at the selected shutter
speed, aperture will be displayed in red.
•
If the subject is outside the metering range of the camera, the aper-
ture display will show “– – –”.
•
Rotate the mode dial only after pressing the dial lock release to re-
lease the dial.
N
•
Shutter speed can be adjusted while the shutter button is pressed
halfway.
•
At shutter speeds slower than 1 second, a count-down timer will be
displayed while the exposure is in progress.
•
To reduce “noise” (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING> LONG EXPOSURE NR. Note that
this may increase the time needed to record images after shooting.
•
The picture will go out of focus if the camera is moved during a long
time-exposure; use of a tripod is recommended.
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Taking Photographs
Mode A: Aperture-Priority AE
Choose an aperture and let the camera adjust shutter speed for
optimal exposure.
1
Slide the STILL/MOVIE mode switch to
STILL.
2
Rotate the mode dial to A.
A will appear in the display.
3
Rotate the lens aperture ring to choose an aperture.
N
•
If the lens is not equipped with an aperture ring, aperture can be
adjusted using the front command dial on the camera.
•
If the lens is equipped with an aperture ring with an “A” or “C” po-
sition, the front command dial can be used to adjust aperture
when the aperture ring is rotated to A or C.
•
The roles played by the front command dial can be changed us-
ing D BUTTON/DIAL SETTING> COMMAND DIAL SETTING.
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5
Taking Photographs
P, S, A, and M Modes
O
•
If the correct exposure cannot be achieved at the selected aperture,
shutter speed will be displayed in red.
•
If the subject is outside the metering range of the camera, the shutter
speed display will show “– – –”.
•
Rotate the mode dial only after pressing the dial lock release to re-
lease the dial.
N
Aperture can be adjusted even while the shutter button is pressed
halfway.
Previewing Depth of Field
When PREVIEW DEPTH OF FIELD is assigned
to a function button, pressing the button dis-
plays a L icon and stops aperture down to the
selected setting, allowing depth of eld to be
previewed in the display.
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5
Taking Photographs
Mode M: Manual Exposure
In manual mode, the user controls both shutter speed and aperture.
Shots can be deliberately overexposed (brighter) or underexposed
(darker), opening the door for a variety of individual creative ex-
pression. The amount the picture would be under- or over-exposed
at current settings is shown by the exposure indicator; adjust shut-
ter speed and aperture until the desired exposure is reached.
1
Slide the STILL/MOVIE mode switch to
STILL.
2
Rotate the mode dial to M.
M will appear in the display.
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5
Taking Photographs
P, S, A, and M Modes
3
Rotate the rear command dial to
choose a shutter speed and the lens
aperture ring to choose the aperture.
N
•
The manual exposure display includes an exposure indicator
that shows the amount the picture would be under- or over-ex-
posed at current settings.
•
If the lens is not equipped with an aperture ring, aperture can be
adjusted using the front command dial on the camera.
•
If the lens is equipped with an aperture ring with an “A” or “C” po-
sition, the front command dial can be used to adjust aperture
when the aperture ring is rotated to A or C.
•
The roles played by the front command dial can be changed us-
ing D BUTTON/DIAL SETTING> COMMAND DIAL SETTING.
O
Rotate the mode dial only after pressing the dial lock release to release
the dial.
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Taking Photographs
BULB
Select a shutter speed of BULB for long time-exposures in which
you open and close the shutter manually. Use of a tripod is rec-
ommended to prevent the camera moving during the exposure.
1
Set shutter speed to BULB.
2
Press the shutter button all the way down.
•
The shutter will remain open for up to 60 minutes while the
shutter button is pressed.
•
The display shows the time elapsed since the exposure
started.
•
Releasing the shutter button closes the shutter, ending the
exposure. Processing will begin, and the camera will display
the processing time remaining.
N
•
Selecting an aperture of A xes shutter speed at 30 s.
•
To reduce “noise” (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING> LONG EXPOSURE NR. Note that
this may increase the time needed to record images after shooting.
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5
Taking Photographs
P, S, A, and M Modes
Using a Remote Release
A remote release can be used for long time-ex-
posures. When using an optional RR-100 remote
release or an electronic release from third-party
suppliers, connect it to the camera’s remote re-
lease connector.
Exposure Preview
To preview exposure in the LCD monitor, select PREVIEW EXP./WB for
D SCREEN SET-UP> PREVIEW EXP./WB IN MANUAL MODE.
N
Select an option other than PREVIEW EXP./WB when using the ash
or on other occasions on which exposure may change when the pic-
ture is taken.
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5
Taking Photographs
Custom Modes
Rotate the mode dial to any of modes
C1 (CUSTOM 1) through C6 (CUSTOM 6)
to take pictures using previously-saved
shooting menu settings. Settings can be
saved or edited using H IMAGE QUALITY
SETTING> EDIT/SAVE CUSTOM SETTING.
Saving Current Settings
Save current settings in a custom settings bank.
1
Select H IMAGE QUALITY SETTING> EDIT/SAVE CUSTOM
SETTING in the shooting menu and press MENU/OK.
2
Highlight a destination bank for cur-
rent settings (C1 through C6) and
press MENU/OK.
EXIT
EDIT/SAVE CUSTOM SETTING
CUSTOM 1
CUSTOM 2
CUSTOM 6
CUSTOM 5
CUSTOM 4
CUSTOM 3
3
Highlight SAVE CURRENT SETTINGS
and press MENU/OK.
RESET THE CHANGES
COPY
RESET CUSTOM SETTING
EDIT CUSTOM NAME
SAVE CURRENT SETTINGS
EDIT/CHECK
SAVE THE CHANGES
CUSTOM 1
EXIT
4
Highlight OK and press MENU/OK.
Current settings will be saved to the
selected bank.
CUSTOM 1
SAVE THE CHANGES OK?
OK
CANCEL
SAVE CURRENT SETTINGS
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5
Taking Photographs
P, S, A, and M Modes
Editing Custom Settings
Edit existing custom settings banks.
1
Select H IMAGE QUALITY SETTING> EDIT/SAVE CUSTOM
SETTING in the shooting menu and press MENU/OK.
2
Highlight the desired custom set-
tings bank and press MENU/OK.
EXIT
EDIT/SAVE CUSTOM SETTING
CUSTOM 1
CUSTOM 2
CUSTOM 6
CUSTOM 5
CUSTOM 4
CUSTOM 3
3
Highlight EDIT/CHECK and press
MENU/OK.
RESET THE CHANGES
COPY
RESET CUSTOM SETTING
EDIT CUSTOM NAME
SAVE CURRENT SETTINGS
EDIT/CHECK
SAVE THE CHANGES
CUSTOM 1
EXIT
4
The camera will display a list of shoot-
ing menu items; highlight an item
you wish to edit and press MENU/OK.
Adjust the selected item as desired.
CUSTOM 1
EXIT
EXP. COMPENSATION
DRIVE MODE
APERTURE
SHUTTER SPEED
SHOOTING MODE
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5
Taking Photographs
5
Press MENU/OK to save the changes and return to the shooting
menu list.
Adjust additional items as desired.
N
If DISABLE is selected for H IMAGE QUALITY SETTING> AUTO
UPDATE CUSTOM SETTING, red dots will appear next to the edit-
ed items but the changes will not be saved automatically.
•
To save the changes for selected items, highlight the items in the
list and press Q.
•
To save changes for all items, return to Step 3 and select SAVE
THE CHANGES. To cancel all changes and restore the previous
settings, select RESET THE CHANGES.
•
If you copy an item marked by a red dot, the item will be copied
with the changes intact.
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5
Taking Photographs
P, S, A, and M Modes
Copying Custom Settings
Copy custom settings from one bank to another, overwriting the
settings in the destination bank. If the source bank has been re-
named, the name will also be copied to the destination bank.
1
Select H IMAGE QUALITY SETTING> EDIT/SAVE CUSTOM
SETTING in the shooting menu and press MENU/OK.
2
Highlight the source bank and press
MENU/OK.
EXIT
EDIT/SAVE CUSTOM SETTING
CUSTOM 1
CUSTOM 2
CUSTOM 6
CUSTOM 5
CUSTOM 4
CUSTOM 3
3
Highlight COPY and press MENU/OK.
RESET THE CHANGES
COPY
RESET CUSTOM SETTING
EDIT CUSTOM NAME
SAVE CURRENT SETTINGS
EDIT/CHECK
SAVE THE CHANGES
CUSTOM 1
EXIT
4
Highlight the destination bank (C1
through C6) and press MENU/OK.
A con rmation dialog will be displayed.
N
Any changes to custom settings in the
destination bank will be overwritten.
COPY TO
CUSTOM 1
CUSTOM 2
CUSTOM 6
CUSTOM 5
CUSTOM 4
CUSTOM 3
5
Highlight OK and press MENU/OK.
The selected settings will be copied
to the destination bank, overwriting
any existing settings.
OK
CANCEL
COPY
CUSTOM 1
CUSTOM 2
COPY OK?
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Taking Photographs
Resetting Custom Settings
Reset selected custom settings banks.
1
Select H IMAGE QUALITY SETTING> EDIT/SAVE CUSTOM
SETTING in the shooting menu and press MENU/OK.
2
Highlight the desired custom set-
tings bank and press MENU/OK.
EXIT
EDIT/SAVE CUSTOM SETTING
CUSTOM 1
CUSTOM 2
CUSTOM 6
CUSTOM 5
CUSTOM 4
CUSTOM 3
3
Highlight RESET CUSTOM SETTING
and press MENU/OK.
A con rmation dialog will be displayed.
RESET THE CHANGES
COPY
RESET CUSTOM SETTING
EDIT CUSTOM NAME
SAVE CURRENT SETTINGS
EDIT/CHECK
SAVE THE CHANGES
CUSTOM 1
EXIT
4
Highlight OK and press MENU/OK.
The selected bank will be reset.
RESET CUSTOM SETTING OK?
RESET ALL SETTINGS TO DEFAULT
OK
CANCEL
RESET CUSTOM SETTING
CUSTOM 1
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5
Taking Photographs
P, S, A, and M Modes
Renaming Custom Settings Banks
Rename selected custom settings banks.
1
Select H IMAGE QUALITY SETTING> EDIT/SAVE CUSTOM
SETTING in the shooting menu and press MENU/OK.
2
Highlight the desired custom set-
tings bank and press MENU/OK.
EXIT
EDIT/SAVE CUSTOM SETTING
CUSTOM 1
CUSTOM 2
CUSTOM 6
CUSTOM 5
CUSTOM 4
CUSTOM 3
3
Highlight EDIT CUSTOM NAME and
press MENU/OK.
RESET THE CHANGES
COPY
RESET CUSTOM SETTING
EDIT CUSTOM NAME
SAVE CURRENT SETTINGS
EDIT/CHECK
SAVE THE CHANGES
CUSTOM 1
EXIT
4
Enter a new name for the custom settings bank and select
SET.
The selected bank will be renamed.
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5
Taking Photographs
Autofocus
Focus Mode
Use the focus mode selector to choose
how the camera focuses.
Choose from the following options:
ModeMode DescriptionDescription
S
(AF-S)
Single AF: Focus locks while the shutter button is pressed halfway.
Choose for stationary subjects.
C
(AF-C)
Continuous AF: Focus is continually adjusted to refl ect changes in the
distance to the subject while the shutter button is pressed halfway.
Use for subjects that are in motion.
M
(manual)
Manual: Focus manually using the lens focus ring. Choose for manual
control of focus or in situations in which the camera is unable to focus
using autofocus (P 88).
N
•
Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.
•
If ON is selected for G AF/MF SETTING> PRE-AF, focus will be ad-
justed continuously in modes S and C even when the shutter button
is not pressed.
•
Focus does not track the subject during burst photography, even
when C is selected for focus mode.
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Taking Photographs
The Focus Indicator
Focus status is shown by the focus indicator.
Focus indicatorFocus indicator Focus statusFocus status
( ) Camera focusing.
z (lights green)
Subject in focus; focus locked (focus
mode S).
(z) (lights green)
Subject in focus (focus mode C).
Focus is automatically adjusted for
changes in distance to subject.
A (blinks white)
Camera unable to focus.
j
Manual focus (focus mode M).
Focus indicator
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Taking Photographs
Autofocus
Autofocus Options (AF Mode)
Focus can be adapted to a variety of subjects by changing the
combination of settings selected for focus and AF modes.
1
Press MENU/OK and go to the shooting menu.
2
Select G AF/MF SETTING> AF MODE.
3
Choose an AF mode.
How the camera focuses depends on the focus mode.
Focus Mode S (AF-S)Focus Mode S (AF-S)
OptionOption DescriptionDescription Sample imageSample image
r
SINGLE POINT
Camera focuses on subject in
selected focus point. Use for pin-
point focus on selected subject.
y
ZONE
Camera focuses on subject in se-
lected focus zone. Focus zones in-
clude multiple focus points, mak-
ing it easier to focus on subjects in
motion.
z
WIDE
Camera focuses automatically on
high-contrast subjects; display
shows areas in focus.
j
ALL
Rotate the rear command dial in the focus-point selection dis-
play (P 85, 86) to cycle through AF modes in the following
order: r SINGLE POINT, y ZONE, and z WIDE.
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Taking Photographs
Focus Mode C (AF-C)Focus Mode C (AF-C)
OptionOption DescriptionDescription Sample imageSample image
r
SINGLE POINT
Focus tracks subject at selected fo-
cus point. Use for subjects moving
toward or away from camera.
y
ZONE
Camera tracks focus in selected fo-
cus zone. Use for subjects that are
moving fairly predictably.
z
TRACKING
Focus tracks subjects moving
through wide area of frame.
j
ALL
Rotate the rear command dial in the focus-point selection dis-
play (P 85, 86) to cycle through AF modes in the following
order: r SINGLE POINT, y ZONE, and z TRACKING.
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Taking Photographs
Autofocus
Focus-Point Selection
Choose a focus point for autofocus.
Viewing the Focus-Point Display
1
Press MENU/OK and go to the shooting menu.
2
Select G AF/MF SETTING> FOCUS AREA to view the fo-
cus-point display.
3
Use the focus stick (focus lever) and rear command dial to
choose a focus area.
N
The focus point can also be selected using touch controls (P 27).
Selecting a Focus Point
Use the focus stick (focus lever) to choose
the focus point and the rear command
dial to choose the size of the focus frame.
The procedure varies with the option se-
lected for AF mode.
AF modeAF mode
Focus stickFocus stick Rear command dialRear command dial
TiltTilt PressPress RotateRotate PressPress
rr
Select focus
point
Select center
focus point
Choose from 6
frame sizes
Restore original
size
yy
Choose from 3
frame sizes
zz
—
N
Manual focus-point selection is not available when z WIDE/TRACKING is
selected in focus mode S.
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Taking Photographs
The Focus-Point Display
The focus-point display varies with the option selected for AF
mode.
N
Focus frames are shown by small squares (), focus zones by the large
squares.
AF modeAF mode
rr SINGLE POINT SINGLE POINT yy ZONE ZONE zz WIDE/TRACKING WIDE/TRACKING
Number of points avail-
able can be selected using
G
AF/MF SETTING>
NUMBER OF FOCUS
POINTS.
Choose from zones with
7 × 7, 5 × 5, or 3 × 3 focus
points.
Position focus frame over
subject you want to track
using continuous AF.
Autofocus
Although the camera boasts a high-precision autofocus system, it may be
unable to focus on the subjects listed below.
•
Very shiny subjects such as mirrors or car bodies.
•
Subjects photographed through a window or other re ective object.
•
Dark subjects and subjects that absorb rather than re ect light, such as
hair or fur.
•
Insubstantial subjects, such as smoke or ame.
•
Subjects that show little contrast with the background.
•
Subjects positioned in front of or behind a high-contrast object that is
also in the focus frame (for example, a subject photographed against a
backdrop of highly contrasting elements).
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Taking Photographs
Autofocus
Checking Focus
To zoom in on the current focus area for precise
focus, press the center of the rear command
dial. Use the focus stick (focus lever) to choose
another focus area. Press the center of the rear
command dial again to cancel zoom.
Normal display Focus zoom
N
•
In focus mode S, zoom can be adjusted by rotating the rear command
dial.
•
The focus stick can be used to select the focus area while zoom is in
e ect.
•
In focus mode S, select r SINGLE POINT for AF MODE.
•
Focus zoom is not available in focus mode C or when
G AF/MF
SETTING>
PRE-AF is on.
•
Use D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING to
change the function performed by the center of the rear command
dial. You can also assign its default function to other controls
(P 255).
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Taking Photographs
Manual Focus
Adjust focus manually.
1
Rotate the focus mode selector to M.
j will appear in the display.
2
Focus manually using the lens focus
ring. Rotate the ring left to reduce
the focus distance, right to increase.
3
Take pictures.
N
•
Use D BUTTON/DIAL SETTING> FOCUS RING to reverse the direc-
tion of rotation of the focus ring.
•
Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.
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Taking Photographs
Manual Focus
Quick Focus
•
To use autofocus to focus on the subject in the selected focus area, press
the button to which focus lock or AF-ON has been assigned (the size of
the focus area can be chosen with the rear command dial).
•
In manual focus mode, you can use this feature to quickly focus on a cho-
sen subject using either single or continuous AF according to the option
chosen for G AF/MF SETTING> INSTANT AF SETTING.
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Taking Photographs
Checking Focus
A variety of options are available for checking focus in manual
focus mode.
The Manual Focus Indicator
The white line indicates the distance to the subject in the fo-
cus area (in meters or feet according to the option selected for
D SCREEN SET-UP> FOCUS SCALE UNITS in the setup menu),
the blue bar the depth of eld, or in other words the distance in
front of and behind the subject that appears to be in focus.
Focus distance
(white line)
Depth of eld
N
•
If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR
are selected in the D SCREEN SET-UP> DISP. CUSTOM SETTING
list, the manual focus indicator can also be viewed using the depth-
of- eld indicator in the standard display. Use the DISP/BACK button to
display standard indicators.
•
Use the G AF/MF SETTING> DEPTH-OF-FIELD SCALE option
to choose how depth of eld is displayed. Choose FILM FORMAT
BASIS to help you make practical assessments of depth of eld for
pictures that will be viewed as prints and the like, PIXEL BASIS to
help you assess depth of eld for pictures that will be viewed at high
resolutions on computers or other electronic displays.
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Taking Photographs
Manual Focus
Focus Zoom
If ON is selected for G AF/MF SETTING> FOCUS CHECK, the
camera will automatically zoom in on the selected focus area
when the focus ring is rotated.
Press the center of the rear com-
mand dial to exit zoom.
N
•
Use the focus stick (focus lever) to choose another focus area.
•
Zoom can be adjusted by rotating the rear command dial.
Focus Peaking
Select FOCUS PEAK HIGHLIGHT for
G AF/MF SETTING> MF ASSIST to high-
light high-contrast outlines. When focus-
ing, rotate the focus ring until the subject
is highlighted.
N
The MF ASSIST menu can be displayed by pressing and holding the
center of the rear command dial.
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Taking Photographs
Sensitivity
Adjust the camera’s sensitivity to light.
Set sensitivity using A SHOOTING SETTING> ISO.
OptionOption DescriptionDescription
AUTO1
AUTO2
AUTO3
Sensitivity is automatically adjusted in response to shooting
conditions according to combination of standard and max-
imum sensitivity and minimum shutter speed chosen for
A SHOOTING SETTING>ISO. Choose from AUTO1,
AUTO2, and AUTO3 (P 93).
100–12800
Adjust sensitivity manually. Selected value is shown in display.
L(50)
H(25600/51200/102400)
Choose for special situations. Note that mottling may ap-
pear in pictures taken at H, while L reduces dynamic range.
N
•
Sensitivity is not reset when the camera is turned o .
•
If desired, you can use D BUTTON/DIAL SETTING> COMMAND
DIAL SETTING to con gure the camera so that ISO sensitivity can be
adjusted using the front or rear command dial.
Adjusting Sensitivity
High values can be used to reduce blur when lighting is poor, while lower
values allow slower shutter speeds or wider apertures in bright light; note,
however, that mottling may appear in pictures taken at high sensitivities.
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Taking Photographs
Sensitivity
AUTO
Choose the base sensitivity, maximum sensitivity, and minimum
shutter speed for AUTO1, AUTO2, and AUTO3.
ItemItem OptionsOptions
DefaultDefault
AUTO1AUTO1 AUTO2AUTO2 AUTO3AUTO3
DEFAULT SENSITIVITY 100–12800 100
MAX. SENSITIVITY 200–12800 800 1600 3200
MIN. SHUTTER SPEED ⁄–¼ SEC, AUTO AUTO
The camera automatically chooses a sensitivity between the de-
fault and maximum values; sensitivity is only raised above the
default value if the shutter speed required for optimal exposure
would be slower than the value selected for MIN. SHUTTER SPEED.
N
•
If the value selected for DEFAULT SENSITIVITY is higher than that
selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to
the value selected for MAX. SENSITIVITY.
•
The camera may select shutter speeds slower than MIN. SHUTTER
SPEED if pictures would still be underexposed at the value selected
for MAX. SENSITIVITY.
•
If AUTO is selected for MIN. SHUTTER SPEED, the camera will auto-
matically adjust the minimum shutter speed according to the focal
length of the lens (the setting remains the same whether image sta-
bilization is on or o ).
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Taking Photographs
Metering
Choose how the camera meters exposure.
A SHOOTING SETTING> PHOTOMETRY o ers a choice of the
following metering options:
O
The selected option will only take e ect when G AF/MF SETTING>
FACE/EYE DETECTION SETTING is OFF.
ModeMode DescriptionDescription
o
MULTIMULTI
The camera instantly determines exposure based on an analy-
sis of composition, color, and brightness distribution. Recom-
mended in most situations.
p
CENTER-CENTER-
WEIGHTEDWEIGHTED
The camera meters the entire frame but assigns the greatest
weight to the area at the center.
v
SPOTSPOT
The camera meters lighting conditions in an area equivalent
to 2% of the frame. Recommended with backlit subjects and
in other cases in which the background is much brighter or
darker than the main subject.
w
AVERAGEAVERAGE
Exposure is set to the average for the entire frame. Provides
consistent exposure across multiple shots with the same light-
ing, and is particularly eff ective for landscapes and portraits of
subjects dressed in black or white.
N
To meter the subject in the selected focus area, choose ON for G AF/
MF SETTING> INTERLOCK SPOT AE & FOCUS AREA (P 137).
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5
Taking Photographs
Exposure Compensation
Adjust exposure.
Hold the d button and rotate the rear
command dial until the desired value is
displayed in the view nder or LCD mon-
itor.
O
The amount of compensation available varies with the shooting mode.
The d Button
If ON/OFF SWITCH is selected for D BUTTON/DIAL SETTING> EXPO.
COMP. BUTTON SETTING, exposure compensation can be set by pressing
the d button once, rotating the rear command dial, and then pressing the
d button again. Exposure compensation can be assigned to other con-
trols using D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING.
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5
Taking Photographs
Focus/Exposure Lock
Focus and exposure lock when the shutter button is pressed
halfway.
1
Position the subject in the focus
frame and press the shutter button
halfway to lock focus and exposure.
Focus and exposure will remain
locked while the shutter button is
pressed halfway (AF/AE lock).
2
Press the button all the way down.
N
Focus and exposure lock via the shutter button is only available
when ON is selected for D BUTTON/DIAL SETTING > SHUTTER AF,
SHUTTER AE.
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5
Taking Photographs
Focus/Exposure Lock
Other Controls
Focus and exposure can also be locked
using function buttons. At default set-
tings, you can use the AEL button to lock
exposure without locking focus. If the
AFON button is assigned AF LOCK ONLY
(P 255), it can similarly be used to lock
focus without locking exposure.
•
While the assigned control is pressed,
pressing the shutter button halfway will
not end the lock.
•
If AE&AF ON/OFF SWITCH is selected
for D BUTTON/DIAL SETTING> AE/
AF-LOCK MODE, the lock can only be
ended by pressing the control a second
time.
AEL button
(exposure lock)
AFON button
N
•
The focus lever (focus stick) can be used to reposition the focus point
during exposure lock.
•
Function buttons can be assigned other roles using D BUTTON/
DIAL SETTING> FUNCTION (Fn) SETTING. Exposure and focus lock
can also be assigned to other function buttons (P 255).
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5
Taking Photographs
Bracketing
Automatically vary settings over a series of pictures.
1
Press the DRIVE button to display
drive mode options.
2
Press the focus stick (focus lever) up or down to highlight one
of the following:
3
Press the focus stick left or right to highlight the desired
bracketing settings.
4
Press MENU/OK to select.
5
Take pictures.
OptionOption
PP
W ISO BKT
99
V WHITE BALANCE BKT
99
OptionOption
PP
s Bracketing
100
99
5
Taking Photographs
Bracketing
W ISO BKT
Select a bracketing amount (±⁄, ±⁄, or ±1) in the drive mode
display. Each time the shutter is released, the camera will take
a picture at the current sensitivity and process it to create two
additional copies, one with sensitivity raised and the other with
sensitivity lowered by the selected amount.
V WHITE BALANCE BKT
Select a bracketing amount (±1, ±2, or ±3) in the drive mode dis-
play. Each time the shutter is released, the camera takes one shot
and processes it to create three copies: one at the current white
balanced setting, one with ne-tuning increased by the selected
amount, and another with ne-tuning decreased by the selected
amount.
100
5
Taking Photographs
s Bracketing
O AE BKT
Use A SHOOTING SETTING> AE BKT SETTING to choose the
bracketing amount, bracketing order, and number of shots. The
camera will take the speci ed number of shots in sequence: one
using the metered value for exposure and the others over- or un-
der-exposed by multiples of the selected bracketing amount.
N
Regardless of the bracketing amount, exposure will not exceed the
limits of the exposure metering system.
X FILM SIMULATION BKT
Each time the shutter is released, the camera takes one shot and
processes it to create copies with di erent lm simulation settings,
chosen using
A
SHOOTING SETTING> FILM SIMULATION BKT.
Y DYNAMIC RANGE BKT
Each time the shutter button is pressed, the camera takes three
shots with di erent dynamic ranges: 100% for the rst, 200% for
the second, and 400% for the third.
N
While dynamic range bracketing is in e ect, sensitivity will be restrict-
ed to a minimum of ISO400; the sensitivity previously in e ect is re-
stored when bracketing ends.
101
5
Taking Photographs
Bracketing
Z FOCUS BKT
Each time the shutter button is pressed, the camera takes a se-
ries of photos, varying focus with each shot. The A SHOOTING
SETTING> FOCUS BKT SETTING item o ers a choice of MANUAL
and AUTO bracketing.
N
•
Do not adjust zoom during shooting.
•
Use of a tripod is recommended.
MANUALMANUAL
In MANUAL mode, you choose the following.
OptionOption DescriptionDescription
FRAMES Choose the number of shots.
STEP Choose the amount focus changes with each shot.
INTERVAL Choose the interval between shots.
Focus and FRAMES/STEP
The relation between focus and the options chosen for FRAMES and
STEP is shown in the illustration.
12345
Starting focus position
•
Focus proceeds from the starting position toward infi nity.
•
Small STEP values translate to small changes in focus, larger values to larger
changes.
•
Regardless of the option chosen for FRAMES, shooting ends when focus
reaches infi nity.
Frames
Step
102
5
Taking Photographs
Bracketing
AUTOAUTO
In AUTO mode, the camera calculates FRAMES and STEP auto-
matically.
1
Select A SHOOTING SETTING in the shooting menu, high-
light FOCUS BKT SETTING, and press MENU/OK.
2
Select AUTO and choose an INTERVAL.
The view through the lens will be displayed.
3
Focus on the nearest end of the sub-
ject and press MENU/OK.
The selected focus distance appears
as A on the focus distance indicator.
SETSET POINT B
SET POINT A
CONTROL THE FOCUS RING
FOCUS BKT SETTING
N
The same focus range can be chosen by focusing on the farthest
end of the subject rst.
4
Focus on the farthest end of the sub-
ject and press DISP/BACK.
The selected focus distance (B) and
focus range (A to B) appear on the
focus distance indicator.
SETSET POINT A
CONTROL THE FOCUS RING
SET POINT B
FOCUS BKT SETTING
N
Instead of pressing the DISP/BACK button, you can press MENU/OK
and select A again.
5
Take photographs.
The camera will calculate values for
FRAMES and STEP automatically. The
number of frames will appear in the
display.
NO
103
5
Taking Photographs
Continuous Shooting (Burst Mode)
Capture motion in a series of pictures.
1
Press the DRIVE button to display
drive mode options.
2
If I CONTINUOUS is selected, the camera will take pictures
continuously while the shutter-release button is pressed.
Shooting ends when the shutter button is released or the
memory card is full.
O
•
If le numbering reaches 9999 before shooting is complete, the re-
maining pictures will be recorded to a new folder.
•
Shooting ends when the memory card is full; the camera will record
all photos shot to that point. Burst shooting may not begin if the
space available on the memory card is insu cient.
•
Frame rates may slow as more shots are taken.
•
Frame rate varies with the scene, shutter speed, sensitivity, and focus
mode.
•
Depending on shooting conditions, frame rates may slow or the ash
may not re.
•
Recording times may increase during burst shooting.
104
5
Taking Photographs
Continuous Shooting (Burst Mode)
Exposure
To vary exposure with each shot, select OFF for D BUTTON/DIAL
SETTING> SHUTTER AE.
N
Depending on such factors as aperture, sensitivity, and exposure com-
pensation, exposure may not be adjusted automatically.
105
5
Taking Photographs
Multiple Exposures
Create a photograph that combines multiple exposures.
1
Press the DRIVE button to display
the drive mode options and select
MULTIPLE EXPOSURE.
2
Choose a blend mode.
OptionOption DescriptionDescription
ADDITIVE
The camera adds the exposures together. You may need to
lower exposure compensation depending on the number
of shots.
AVERAGE
The camera automatically optimizes exposure for the fi nal
picture. The background in series shot without changing
the composition will be optimally exposed.
BRIGHT
The camera compares the exposures and chooses only the
brightest pixel at each location. Colors may be mixed de-
pending on their brightness and hue.
DARK
The camera compares the exposures and chooses only the
darkest pixel at each location. Colors may be mixed de-
pending on their brightness and hue.
3
Take the rst shot.
106
5
Taking Photographs
Multiple Exposures
4
Press MENU/OK. The rst shot will be
shown superimposed on the view
through the lens and you will be
prompted to take the second shot.
EXITRETRY
NEXT
N
•
To return to the previous step and retake the rst shot, press the
focus stick (focus lever) left.
•
To save the rst shot and exit without creating a multiple expo-
sure, press DISP/BACK.
5
Take the second shot, using the rst
frame as a guide.
EXIT
6
Press MENU/OK.
The combined exposures will be dis-
played as a guide to composing the
next shot.
EXITRETRY
N
•
To return to the previous step and retake the second shot, press
the focus stick left.
•
To end shooting and create a multiple exposure from the shots
taken to this point, press DISP/BACK.
7
Make additional exposures.
Each photograph can contain up to nine exposures.
8
Press DISP/BACK to end shooting.
The camera will create the combined image and multiple ex-
posure shooting will end.
107
5
Taking Photographs
Pixel-Shift Multi-Shot
The camera takes a series of 16 shots, using in-body image
stabilization to move the image sensor by half a pixel with
each shot and recording each frame in RAW format. Using
specialized computer software, the frames can then be
combined to create a high-resolution RAW picture.
1
Press the DRIVE button to view drive mode options.
2
Select PIXEL SHIFT MULTI SHOT and choose a value for
INTERVAL.
•
We recommend setting INTERVAL to SHORTEST.
•
If you intend to use the ash with every shot, choose a val-
ue for INTERVAL long enough to allow the ash to charge
between shots.
3
Press the shutter button to start shooting.
•
The shots are recorded to the memory card in RAW format.
•
To minimize vibration, use the self-timer or a remote re-
lease.
4
Combine the shots on a computer.
•
The shots can be combined using FUJIFILM Pixel Shift Combiner.
•
To save high-resolution RAW pictures in other formats, use
Capture One Express Fuji lm, Capture One Pro Fuji lm, or
Capture One Pro, available from Capture One A/S. FUJIFILM
X RAW STUDIO and RAW FILE CONVERTER EX powered by
SILKYPIX cannot be used for this purpose.
108
5
Taking Photographs
Pixel-Shift Multi-Shot
N
•
Visit the websites below to learn more about or download the follow-
ing computer software:
-
FUJIFILM Pixel Shift Combiner:
https://fujifilm-x.com/products/software/pixel-shift-combiner/
-
Capture One Express Fuji lm:
https://www.captureone.com/products-plans/capture-one-express/fujifilm
-
Capture One Pro Fuji lm:
https://www.captureone.com/explore-features/fujifilm
-
Capture One Pro:
https://www.captureone.com/explore-features
•
Pixel-shift multi-shot photography can be performed via tethered
shooting. For this purpose, use FUJIFILM Pixel Shift Combiner.
•
The ash will synchronize with the shutter at shutter speeds of ⁄s
or slower.
•
The following limitations apply to the use of the pixel-shift multi-shot
option:
-
Pixel-shift multi-shot photography can only be performed using the elec-
tronic shutter.
-
Sensitivity is restricted to a maximum of ISO 1600. Choosing higher values
or a setting of AUTO results in a sensitivity of ISO 1600, while lower values
remain unchanged.
-
The only option available for RAW RECORDING is LOSSLESS COMPRESSED.
-
Pictures taken with C (AF-C) selected for focus mode will be shot in focus
mode S (AF-S). Pictures taken with S (AF-S) or M (manual) selected are shot
in the chosen focus mode.
-
If the subject or camera moves during shooting, the desired results may
not be achieved when the shots are combined.
-
A
SHOOTING SETTING > FLICKER REDUCTION is automatically set to OFF.
-
The value selected for exposure compensation applies to all 16 shots.
Playback
Pictures taken using the pixel-shift multi-shot
option are indicated by a pixel-shift multi-shot
icon in full-frame playback (P 178).
109
The Shooting Menus
110
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
Adjust image quality settings for still photography.
To display image quality settings, press
MENU/OK in the photo shooting display and
select the H (IMAGE QUALITY SETTING)
tab.
EXIT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
GRAIN EFFECT
FILM SIMULATION
RAW RECORDING
IMAGE QUALITY
IMAGE SIZE
IMAGE QUALITY SETTING
MONOCHROMATIC COLOR
N
The options available vary with the shooting mode selected.
IMAGE SIZE
Choose the size and aspect ratio at which still pictures are recorded.
OptionOption Image sizeImage size
O 4 : 3
8256 × 6192
O 3 : 2
8256 × 5504
O 16 : 9
8256 × 4640
O 1 : 1
6192 × 6192
O 65 : 24
8256 × 3048
O 5 : 4
7744 × 6192
O 7 : 6
7232 × 6192
OptionOption Image sizeImage size
Q 4 : 3
4000 × 3000
Q 3 : 2
4000 × 2664
Q 16 : 9
4000 × 2248
Q 1 : 1
2992 × 2992
Q 65 : 24
4000 × 1480
Q 5 : 4
3744 × 3000
Q 7 : 6
3504 × 3000
N
IMAGE SIZE is not reset when the camera is turned o or another
shooting mode is selected.
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IMAGE QUALITY SETTING (Still Photography)
IMAGE QUALITY
Choose a le format and compression ratio.
OptionOption DescriptionDescription
SUPER FINE
Very low compression ratios are used for maximum image quality.
FINE
Low compression ratios are used for higher-quality images.
NORMAL
Higher compression ratios are used to increase the number of
images that can be stored.
SUPER FINE + RAW Record both RAW and super-fi ne quality JPEG pictures.
FINE + RAW
Record both RAW and fi ne-quality JPEG images.
NORMAL + RAW
Record both RAW and normal-quality JPEG images.
RAW
Record RAW images only.
The Function Buttons
To toggle RAW image quality on or o for a single shot, assign RAW to a
function button (P 255). Press the button once to select the option in
the right column, again to return to the original setting (left column).
Option currently selected for Option currently selected for
IMAGE QUALITYIMAGE QUALITY
Option selected by pressing function Option selected by pressing function
button to which button to which RAWRAW is assigned is assigned
SUPER FINE SUPER FINE + RAW
FINE FINE + RAW
NORMAL NORMAL + RAW
SUPER FINE + RAW SUPER FINE
FINE + RAW FINE
NORMAL + RAW NORMAL
RAW FINE
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The Shooting Menus
RAW RECORDING
Choose whether to compress RAW images.
OptionOption DescriptionDescription
UNCOMPRESSED RAW images are not compressed.
LOSSLESS COMPRESSED
RAW images are compressed using a reversible algorithm
that reduces fi le size with no loss of image data. The im-
ages can be viewed in Capture One Express Fujifi lm, RAW
FILE CONVERTER EX powered by SILKYPIX, FUJIFILM X RAW
STUDIO, or other software that supports “lossless” RAW
compression. Quality is the same as UNCOMPRESSED,
but the resulting fi les are anywhere from about 30 to 90
percent of their uncompressed size.
COMPRESSED
RAW images are compressed using a “lossy”, non-reversible
algorithm. Quality is about the same as UNCOMPRESSED,
but the resulting fi les are anywhere from about 25 to 35 per-
cent of their uncompressed size.
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The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
FILM SIMULATION
Simulate the e ects of di erent kinds of lm, including black-
and-white (with or without color lters). Choose a palette ac-
cording to your subject and creative intent.
OptionOption DescriptionDescription
c PROVIA/STANDARD
Ideal for a wide range of subjects.
d Velvia/VIVID
Vibrant reproduction, ideal for landscape and nature.
e ASTIA/SOFT
Softer color and contrast for a more subdued look.
i CLASSIC CHROME
Soft color and enhanced shadow contrast for a calm look.
g PRO Neg. Hi
Ideal for portrait with slightly enhanced contrast.
h PRO Neg. Std
Ideal for portrait with soft gradations and skin tones.
g
CLASSIC Neg.
Enhanced color with hard tonality to increase image
depth.
n
NOSTALGIC Neg.
Amber tinted highlights and rich shadow tone for printed
photo look.
X ETERNA/CINEMA
Soft color and rich shadow tone suitable for fi lm look
movie.
N ETERNA BLEACH
BYPASS
Unique color with low saturation and high contrast. Suit-
able for still and movie.
a ACROS
Shoot in Black and White In rich details with sharpness.
Available with yellow (Ye), red (R), and green (G) fi lters,
which deepen shades of gray corresponding to hues
complementary to the selected color.
•
d ACROS+Ye FILTER: Slightly enhances contrast and
darkens skies.
•
c ACROS+R FILTER: Enhances contrast and darkens skies
considerably.
•
b ACROS+G FILTER: Produces pleasing skin tones in portrait.
114
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The Shooting Menus
OptionOption DescriptionDescription
b MONOCHROME
Shoots in black and white. Available with yellow (Ye), red
(R), and green (G) fi lters, which deepen shades of gray cor-
responding to hues complementary to the selected color.
•
e MONOCHROME+Ye FILTER: Slightly enhances contrast
and darkens skies.
•
d MONOCHROME+R FILTER: Enhances contrast and dark-
ens skies considerably.
•
f MONOCHROME+G FILTER: Produces pleasing skin tones
in portrait.
f SEPIA
Shoots in sepia tone.
N
•
Film simulation options can be combined with tone and sharpness
settings.
•
Film simulation settings can also be accessed via shortcuts (P 246).
•
For more information, visit:
https://fujifilm-x.com/global/tag/the-world-of-film-simulation/?post_type=xstories
115
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The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
MONOCHROMATIC COLOR
Add a reddish or bluish tinge (warm or
cool color cast) to the a ACROS and
b MONOCHROME monochrome lm
simulations. Color can be adjusted on the
WARM–COOL and G (Green)–M (Magenta)
axes.
SET
MONOCHROMATIC COLOR
GRAIN EFFECT
Add a lm grain e ect.
ROUGHNESS
OptionOption DescriptionDescription
STRONG Choose for rougher grains.
WEAK Choose for smoother grains.
OFF Turn the eff ect off .
SIZE
OptionOption DescriptionDescription
LARGE Choose for coarser grains.
SMALL Choose for fi ner grains.
COLOR CHROME EFFECT
Increase the range of tones available for rendering colors that
tend to be highly saturated, such as reds, yellows, and greens.
OptionOption DescriptionDescription
STRONG Choose for a strong eff ect.
WEAK Choose for a weak eff ect.
OFF Turn the eff ect off .
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6
The Shooting Menus
COLOR CHROME FX BLUE
Increase the range of tones available for rendering blues.
OptionOption DescriptionDescription
STRONG Choose for a strong eff ect.
WEAK Choose for a weak eff ect.
OFF Turn the eff ect off .
SMOOTH SKIN EFFECT
Smooth complexions.
OptionsOptions
STRONG WEAK OFF
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The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
DYNAMIC RANGE
Adjust dynamic range. Wide dynamic ranges reduce loss of de-
tail in highlights for more natural results with high-contrast or
backlit scenes.
OptionOption DescriptionDescription
AUTO
V 100%
Choose for increased contrast.
Reduce loss of detail in highlights.
W 200%
X 400%
O
Mottling may appear in pictures taken at higher values. Choose a val-
ue according to the scene.
N
•
If AUTO is selected, the camera will automatically choose either
V 100% or W 200% according to the subject and shooting con-
ditions. Shutter speed and aperture will be displayed when the shut-
ter button is pressed halfway.
•
W 200% is available at sensitivities of from ISO200 to ISO12800,
X 400% at sensitivities of from ISO400 to 12800.
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6
The Shooting Menus
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows for natural-look-
ing results when photographing high-contrast scenes.
OptionOption DescriptionDescription
AUTO
Contrast is adjusted automatically in response to lighting con-
ditions.
STRONG
Adjust dynamic range by a large amount for very high-contrast
scenes.
WEAK
Adjust dynamic range by a smaller amount for moderately
high-contrast scenes.
OFF
Contrast reduction off.
N
•
WEAK is available at sensitivities of from ISO 200 to ISO 12800,
STRONG at sensitivities of from ISO400 to 12800.
•
When an option other than OFF is selected, TONE CURVE, and
DYNAMIC RANGE will be adjusted automatically; if you wish to ad-
just these settings manually, choose OFF.
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The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
WHITE BALANCE
For natural colors, choose a white balance option that matches
the light source.
OptionOption DescriptionDescription
WA WHITE
PRIORITY
White balance is adjusted automatically. Choose for whiter
whites in scenes lit by incandescent bulbs.
AUTO White balance is adjusted automatically.
AA AMBIENCE
PRIORITY
White balance is adjusted automatically. Choose for warmer
whites in scenes lit by incandescent bulbs.
k CUSTOM 1
Measure a value for white balance.
l CUSTOM 2
m CUSTOM 3
k COLOR
TEMPERATURE
Choose a color temperature.
i DAYLIGHT
For subjects in direct sunlight.
j SHADE
For subjects in the shade.
k FLUORESCENT
LIGHT-1
Use under “daylight” fl uorescent lights.
l FLUORESCENT
LIGHT-2
Use under “warm white” fl uorescent lights.
m FLUORESCENT
LIGHT-3
Use under “cool white” fl uorescent lights.
n INCANDESCENT
Use under incandescent lighting.
g UNDERWATER
Reduces the blue cast typically associated with underwater
lighting.
N
•
In conditions in which AUTO fails to produce the desired results—for
example, under certain types of lighting or in close-ups of portrait
subjects—use custom white balance or choose a white balance op-
tion suited to the light source.
•
White balance is adjusted for ash lighting only in AUTO , WA WHITE
PRIORITY, AA AMBIENCE PRIORITY, and g modes. Turn the
ash o using other white balance options.
•
White balance options can also be accessed via shortcuts (P 246).
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The Shooting Menus
Fine-Tuning White Balance
Pressing MENU/OK after selecting a white
balance option displays a ne-tuning
dialog; use the focus stick (focus lever) to
ne-tune white balance.
WB SHIFT
SET
N
•
To exit without ne-tuning white balance, press DISP/BACK after se-
lecting a white balance option.
•
You cannot tilt the focus stick diagonally when ne-tuning white bal-
ance.
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The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
Custom White Balance
Choose k, l, or m to adjust white
balance for unusual lighting conditions
using a white object as a reference (col-
ored objects can also be used to lend
photos a color cast). A white balance tar-
get will be displayed; position and size
the target so that it is lled by the reference object and press the
shutter button all the way down to measure white balance (to
select the most recent custom value and exit without measuring
white balance, press DISP/BACK, or press MENU/OK to select the most
recent value and display the ne-tuning dialog).
•
If “COMPLETED !” is displayed, press MENU/OK
to set white balance to the measured
value.
•
If “UNDER” is displayed, raise exposure
compensation and try again.
•
If “OVER” is displayed, lower exposure com-
pensation and try again.
NOT CHANGESHIFT
CUSTOM 1
SHUTTER : NEW WB
COMPLETED !
SET CANCEL
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The Shooting Menus
k: Color Temperature
Adjust white balance to match the color temperature of the light
source.
N
Color temperature can be adjusted to make pictures “warmer” or “cold-
er” or deliberately produce colors that di er radically from those in real
life.
1
Select k in the white balance menu.
The option currently selected for col-
or temperature will be displayed.
R:0 B:0
WHITE BALANCE
SET SHIFT
COLOR TEMPERATURE
2
Edit the color temperature using the
focus stick (focus lever) and press
MENU/OK.
A ne-tuning dialog will be dis-
played.
SHIFTSET
COLOR TEMPERATURE
N
•
You can also adjust color temperature in increments of 10K by
rotating the rear command dial.
•
Choose from values of from 2500 to 10000K.
•
To exit without ne-tuning white balance, press DISP/BACK after
choosing a color temperature.
3
Highlight a ne-tuning amount using the focus stick.
4
Press MENU/OK.
The changes will be applied. The se-
lected color temperature will appear
in the display.
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The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
Color Temperature
Color temperature is an objective measure of the color of a light source, ex-
pressed in Kelvin (K). Light sources with a color temperature close to that of
direct sunlight appear white; light sources with a lower color temperature
have a yellow or red cast, while those with a higher color temperature are
tinged with blue.
TONE CURVE
With reference to a tone curve, adjust the
appearance of highlights or shadows,
making them harsher or softer. Choose
higher values to make shadows and
highlights harsher, lower values to make
them softer.
CANCELSET
HIGHLIGHTS SHADOWS
TONE CURVE
OptionOption DescriptionDescription
HIGHLIGHTS -2 to +4
SHADOWS -2 to +4
COLOR
Adjust color density.
OptionsOptions
−4 −3 −2 −1 0 +1 +2 +3 +4
SHARPNESS
Sharpen or soften outlines.
OptionsOptions
−4 −3 −2 −1 0 +1 +2 +3 +4
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HIGH ISO NR
Reduce noise in pictures taken at high sensitivities. Choose high-
er values to reduce noise and smooth outlines, lower values to
leave outlines visible.
OptionsOptions
−4 −3 −2 −1 0 +1 +2 +3 +4
CLARITY
Increase de nition while altering tones in highlights and shad-
ows as little as possible. Choose higher values for increased de -
nition, lower values for a softer e ect.
OptionsOptions
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
O
The additional processing required at settings other than 0 increases
the time need to save each shot.
LONG EXPOSURE NR
Select ON to reduce mottling in long time-exposures.
OptionsOptions
ON OFF
O
The additional processing required when ON is selected increases save
times.
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6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
LENS MODULATION OPTIMIZER
Select ON to improve de nition by adjusting for di raction and
the slight loss of focus at the periphery of the lens.
OptionsOptions
ON OFF
COLOR SPACE
Choose the gamut of colors available for color reproduction.
OptionOption DescriptionDescription
sRGB Recommended in most situations.
Adobe RGB For commercial printing.
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6
The Shooting Menus
PIXEL MAPPING
Use this option if you notice bright spots in your pictures.
1
Press MENU/OK in the shooting display and select the H IMAGE
QUALITY SETTING tab.
2
Highlight PIXEL MAPPING and press MENU/OK to perform pix-
el mapping.
O
•
Results are not guaranteed.
•
Be sure the battery is fully charged before beginning pixel mapping.
•
Pixel mapping is not available when the camera temperature is ele-
vated.
•
Processing may take a few seconds.
EDIT/SAVE CUSTOM SETTING
Save custom camera settings for commonly-encountered situa-
tions. Saved settings can be recalled by rotating the mode dial to
positions C1(CUSTOM1) through C6(CUSTOM6) (P 74).
AUTO UPDATE CUSTOM SETTING
Choose whether changes to saved custom settings apply auto-
matically.
OptionOption DescriptionDescription
ENABLE
Changes to custom settings banks CUSTOM 1 through
CUSTOM 6 apply automatically.
DISABLE
Changes do not apply automatically. Any changes to custom set-
tings must be applied manually (P 75).
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6
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IMAGE QUALITY SETTING (Still Photography)
xF MOUNT ADAPTOR SETTING
Adjust settings for lenses attached via a mount adapter.
N
Any changes made using this item also apply in movie mode (P 165).
Shutter Select
When using lenses with an internal shutter, choose whether to
use the shutter on the camera (BODY) or the lens (LENS).
O
This option may have no e ect with some lenses.
Saved Settings
Store settings for up to 6 lenses, or choose OFF to disable correc-
tions for focal length, distortion, color shading, and peripheral
illumination.
Choosing a Focal LengthChoosing a Focal Length
Use the focus stick (focus lever) to enter
the focal length.
INPUT FOCAL LENGTH
LENS 5
CANCELSET
Distortion CorrectionDistortion Correction
Choose from STRONG, MEDIUM, or
WEAK options to correct BARREL or
PINCUSHION distortion.
BARREL STRONG
LENS5 DISTORTION CORRECTION
PINCUSHION MEDIUM
PINCUSHION STRONG
PINCUSHION WEAK
OFF
BARREL WEAK
BARREL MEDIUM
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6
The Shooting Menus
Color Shading CorrectionColor Shading Correction
Color (shading) variations between the
center and edges of the frame can be ad-
justed separately for each corner.
To use color shading correction, follow the
steps below.
NEXT
SET
1
Rotate the rear command dial to choose a corner. The select-
ed corner is indicated by a triangle.
2
Use the focus stick (focus lever) to adjust shading until there is
no visible di erence in color between the selected corner and
the center of the image.
•
Press the focus stick left or right to adjust colors on the
cyan–red axis.
•
Press the focus stick up or down to adjust colors on the
blue–yellow axis.
N
To determine the amount required, adjust color shading correction
while taking photos of blue sky or a sheet of gray paper.
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IMAGE QUALITY SETTING (Still Photography)
Peripheral Illumination Correction Peripheral Illumination Correction
Choose from values between –5 and
+5. Choosing positive values increases
peripheral illumination, while choosing
negative values reduces peripheral il-
lumination. Positive values are recom-
mended for vintage lenses, negative val-
ues to create the e ect of images taken
with an antique lens or a pinhole camera.
N
To determine the amount required, adjust peripheral illumination cor-
rection while taking photos of blue sky or a sheet of gray paper.
EDIT LENS NAMEEDIT LENS NAME
Change the lens name.
CANCEL
SET
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AF/MF SETTING (Still Photography)
Adjust focus settings for still photography.
To display AF/MF settings, press MENU/OK
in the photo shooting display and select
the G(AF/MF SETTING) tab.
AF POINT DISPLAY
PRE-AF
NUMBER OF FOCUS POINTS
STORE AF MODE BY ORIENTATION
AF MODE
FOCUS AREA
RAPID AF
LOW LIGHT PRIORITY AF-S
AF/MF SETTING
EXIT
N
The options available vary with the shooting mode selected.
FOCUS AREA
Choose the focus area for autofocus, manual focus, and focus
zoom (P 85).
AF MODE
Choose the AF mode for focus modes S and C (P 83).
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AF/MF SETTING (Still Photography)
STORE AF MODE BY ORIENTATION
Choose whether the AF mode used when the camera is in por-
trait orientation is stored separately from that used when the
camera is in landscape orientation.
OptionOption DescriptionDescription
OFF The same settings are used in both orientations.
FOCUS AREA ONLY The focus area for each orientation can be selected separately.
ON The focus mode and focus area can be selected separately.
RAPID AF
Select ON for faster focus times. Display quality will drop while
the camera focuses.
OptionsOptions
ON OFF
LOW LIGHT PRIORITY AF-S
Selecting ON increases exposure times for low-light AF so that
the camera can focus when lighting is poor.
OptionsOptions
ON OFF
AF POINT DISPLAY yz
Choose whether individual focus frames are displayed when
ZONE or WIDE/TRACKING is selected for G AF/MF SETTING>
AF MODE.
OptionsOptions
ON OFF
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NUMBER OF FOCUS POINTS
Choose the number of focus points available for focus-point se-
lection in manual focus mode or when SINGLE POINT is selected
for AF MODE.
OptionOption DescriptionDescription
117 POINTS
(9 × 13)
Choose from 117 focus points arranged in a 9- by 13-point grid.
425 POINTS
(17 × 25)
Choose from 425 focus points arranged in a 17- by 25-point grid.
PRE-AF
If ON is selected, the camera will continue to adjust focus even
when the shutter button is not pressed halfway. The camera
adjusts focus continuously, allowing it to focus faster when the
shutter button is pressed halfway. Choosing this option helps
prevent missed shots.
OptionsOptions
ON OFF
O
Choosing ON increases the drain on the battery.
xF AF ILLUMINATOR
If ON is selected, the AF-assist illuminator will light to assist
autofocus.
OptionsOptions
ON OFF
O
•
The camera may be unable to focus using the AF-assist illuminator
in some cases.
•
If the camera is unable to focus, try increasing the distance to the
subject.
•
Avoid shining the AF-assist illuminator directly into your subject’s
eyes.
N
Any changes made using this item also apply in movie mode (P 166).
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AF/MF SETTING (Still Photography)
FACE/EYE DETECTION SETTING
If the camera detects human faces, it will
assign them priority over the background
and adjust settings appropriately for por-
traits when setting focus and exposure.
You can also choose whether the camera
focuses on the left or right eye when face
detection is on.
OptionOption DescriptionDescription
FACE DETECTION
ON
Adjust settings for Intelligent Face Detection. You can also adjust
eye detection settings.
•
g EYE OFF: Intelligent Face Detection only.
•
u EYE AUTO: The camera automatically chooses which eye
to focus on when a face is detected.
•
w RIGHT EYE PRIORITY: The camera focuses on the right
eye of subjects detected using Intelligent Face Detection.
•
v LEFT EYE PRIORITY: The camera focuses on the left eye
of subjects detected using Intelligent Face Detection.
OFF Intelligent Face Detection and eye priority off .
O
•
If the subject moves as the shutter button is pressed, the face may
not be in the area indicated by the green border when the picture
is taken.
•
In some modes, the camera may set exposure for the frame as a
whole rather than the portrait subject.
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N
•
The face selected by the camera is indicated by a green border. Any
other faces detected by the camera are indicated by gray borders.
To have the camera focus on a di erent subject, tap inside the gray
border. The g icon will change from white to green.
•
You can also switch subjects by pressing the function button to which
FACE SELECT op is assigned and then using the focus stick (focus
lever) or (during view nder photography) touch controls (P 27).
•
To switch from face detection to manual focus-area selection, press
the center of the focus stick (focus lever). Press again to re-enable
face detection.
•
If the selected subject leaves the frame, the camera will wait a set
time for its return and consequently the green frame may sometimes
appear in locations where no face is seen.
•
Depending on shooting conditions, face selection may be suspend-
ed at the close of burst shooting.
•
Faces can be detected with the camera in vertical or horizontal ori-
entation.
•
If the camera is unable to detect the subject’s eyes because they are
hidden by hair, glasses, or other objects, the camera will instead focus
on faces.
•
Face/eye detection options can also be accessed via shortcuts
(P 246).
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AF/MF SETTING (Still Photography)
AF+MF
If ON is selected in focus mode S and focus has been locked
(whether by pressing the shutter button halfway or by other
means), focus lock can be ended and focus adjusted manually by
rotating the focus ring.
OptionsOptions
ON OFF
O
•
Lenses with a focus distance indicator must be set to manual focus
mode (MF) before this option can be used. Selecting MF disables the
focus distance indicator.
•
If the lens is equipped with a focus distance indicator, set the focus
ring to the center, as the camera may fail to focus if the ring is set to
in nity or the minimum focus distance.
N
Focus peaking can be used to check focus. To enable focus peaking,
select FOCUS PEAK HIGHLIGHT for MF ASSIST.
AF + MF Focus Zoom
When ON is selected for G AF/MF SETTING> FOCUS CHECK and SINGLE
POINT selected for AF MODE, focus zoom can be used to zoom in on the
selected focus area. The zoom ratio can be selected using the rear com-
mand dial.
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MF ASSIST
Choose how focus is displayed in manual focus mode.
OptionOption DescriptionDescription
STANDARD Focus is displayed normally.
FOCUS PEAK
HIGHLIGHT
The camera heightens high-contrast outlines. Choose a color and
peaking level.
N
You can also choose MF assist options by holding the center of the
rear command dial.
FOCUS CHECK
If ON is selected, the display will automatically zoom in on the
selected focus area when the focus ring is rotated in manual fo-
cus mode.
OptionsOptions
ON OFF
N
•
Pressing the center of the rear command dial cancels focus zoom.
•
The zoom position is centered on the current focus area and changes
when the focus area is changed.
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AF/MF SETTING (Still Photography)
INTERLOCK SPOT AE & FOCUS AREA
Choose ON to meter the current focus frame when SPOT or
MULTI metering is selected.
OptionsOptions
ON OFF
xF INSTANT AF SETTING
Choose whether the camera focuses using single AF (AF-S) or
continuous AF (AF-C) when a button to which focus lock or
AF-ON is assigned is pressed in manual focus mode.
OptionsOptions
AF-S AF-C
N
Any changes made using this item also apply in movie mode (P 168).
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xF DEPTH-OF-FIELD SCALE
Choose FILM FORMAT BASIS to help you make practical assess-
ments of depth of eld for pictures that will be viewed as prints
and the like, PIXEL BASIS to help you assess depth of eld for
pictures that will be viewed at high resolutions on computers or
other electronic displays.
OptionsOptions
PIXEL BASIS FILM FORMAT BASIS
N
Any changes made using this item also apply in movie mode (P 168).
RELEASE/FOCUS PRIORITY
Choose how the camera behaves when the shutter button
is pressed all the way down. Settings for AF-S and AF-C focus
modes can be selected separately.
OptionOption DescriptionDescription
RELEASE
Shutter response is prioritized over focus. Pictures can be taken
when the camera is not in focus.
FOCUS
Focus is prioritized over shutter response. Pictures can be only
taken when the camera is in focus.
O
Regardless of the option selected, pictures can still be taken when the
camera is not in focus if ON is selected for AF+MF.
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AF/MF SETTING (Still Photography)
xF AF RANGE LIMITER
Limit the range of available focus distances for increased focus
speed.
OptionOption DescriptionDescription
OFF Focus limiter disabled.
CUSTOM
Limit focus to a range of distances defi ned by a minimum and
maximum.
•
OK: Limit focus to the selected range.
•
SET: Choose two objects and limit focus to the distance be-
tween them.
PRESET1
Limit focus to a preset range.
PRESET2
O
•
Choosing a focus range that includes distances shorter than the min-
imum focus distance of the lens disables the focus limiter.
•
The values listed and displayed for the focus limiter may di er from
the actual focus distance.
N
•
The following additional operations can be performed when CUSTOM
is selected:
-
You can tap objects in the touch screen display to choose the focus
range.
-
Instead of tapping an object in the display, you set the maximum
focus distance to in nity by rotating the focus ring.
•
Any changes made using this item also apply in movie mode (P 168).
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xF TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
ModeMode DescriptionDescription
AF
AFOFF
•
In focus mode S (AF-S), the camera focuses when you tap your
subject in the display. Focus locks at the current distance until
you tap the AFOFF icon.
•
In focus mode C (AF-C), the camera initiates focus when you
tap your subject display. The camera will continue to adjust
focus for changes in the distance to the subject until you tap
the AFOFF icon.
•
In manual focus mode (MF), you can tap the display to focus
on the selected subject using autofocus.
AREA
Tap to select a point for focus or zoom. The focus frame will
move to the selected point.
OFF
Touch controls disabled.
N
•
T
o disable touch controls and hide the touch screen mode indica-
tor, select OFF for
D
BUTTON/DIAL SETTING>
TOUCH SCREEN
SETTING
>
x TOUCH SCREEN SETTING
.
•
Any changes made using this item also apply in movie mode (P 169).
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AF/MF SETTING (Still Photography)
Touch Controls for Focus Zoom
Di erent touch controls are used during focus zoom (focus check enabled).
Central AreaCentral Area
Tapping the center of the display performs the
operations below.
ModeMode Operation performedOperation performed
AFAF
AF-S: AF
MF: Instant AF
AREAAREA
AF-S: AF
MF: Instant AF
OFFOFF AF-S/MF: OFF
Other AreasOther Areas
Tapping other areas simply scrolls the display,
whether during still photography or movie re-
cording and regardless of the option selected
for touch screen mode.
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SHOOTING SETTING (Still Photography)
Adjust shooting options for still photography.
To display shooting settings, press MENU/OK
in the photo shooting display and select
the
A
(SHOOTING SETTING) tab.
N
The options available vary with the shoot-
ing mode selected.
EXIT
AE BKT SETTING
FILM SIMULATION BKT
FOCUS BKT SETTING
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING
INTERVAL TIMER SHOOTING
SELF-TIMER LAMP
SAVE SELF-TIMER SETTING
SHOOTING SETTING
SELF-TIMER
SELF-TIMER
Choose a shutter release delay.
OptionOption DescriptionDescription
R 2 SEC
The shutter is released two seconds after the shutter button is pressed.
Use to reduce blur caused by the camera moving when the shutter
button is pressed. The self-timer lamp blinks as the timer counts
down.
S 10 SEC
The shutter is released ten seconds after the shutter button is pressed.
Use for photographs in which you wish to appear yourself. The
self-timer lamp blinks immediately before the picture is taken.
OFF Self-timer off .
If an option other than OFF is select-
ed, the timer will start when the shutter
button is pressed all the way down. The
display shows the number of seconds re-
maining until the shutter is released. To
stop the timer before the picture is taken,
press DISP/BACK.
9
O
•
Stand behind the camera when using the shutter button. Standing in
front of the lens can interfere with focus and exposure.
•
The self-timer turns o automatically when the camera is turned o .
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SHOOTING SETTING (Still Photography)
SAVE SELF-TIMER SETTING
If ON is selected, the chosen self-timer setting will remain in ef-
fect after a picture is taken or the camera is turned o .
OptionsOptions
ON OFF
SELF-TIMER LAMP
If ON is selected, the self-timer lamp will light during self-timer
photography. Select OFF when shooting night scenes or in other
situations in which you would prefer that the lamp remain unlit.
OptionsOptions
ON OFF
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INTERVAL TIMER SHOOTING
Con gure the camera to take photos automatically at a preset
interval.
1
Highlight INTERVAL TIMER SHOOTING
in the
A
(SHOOTING SETTING) tab
and press MENU/OK.
INTERVAL
NUMBER OF TIMES
INTERVAL/NUMBER OF TIMES
CANCELEND
2
Use the focus stick (focus lever) to
choose the interval and number of
shots. Press MENU/OK to proceed.
START WAITING TIME
ESTIMATED START TIME 11 : 00 PM
LATER
CANCELSTART
3
Use the focus stick to choose the
starting time and then press MENU/OK.
Shooting will start automatically.
CANCEL
O
Interval timer photography cannot be used at a shutter speed of
“bulb” or with multiple exposure photography. In burst mode, only
one picture will be taken each time the shutter is released.
N
•
Use of a tripod is recommended.
•
We recommend using an AC-5VJ AC power adapter.
•
The display turns o between shots and lights a few seconds before
the next shot is taken.
•
The display can be activated at any time by pressing the shutter button.
•
To continue shooting until the number of shots taken equals the
number of exposures remaining at the time interval-timer photogra-
phy started, set the number of shots to ∞.
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SHOOTING SETTING (Still Photography)
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING
Select ON to automatically adjust exposure during interval-timer
photography to prevent it changing dramatically between shots.
OptionsOptions
ON OFF
O
•
Large changes in subject brightness may make exposure appear er-
ratic. We recommend that you choose shorter values for INTERVAL
TIMER SHOOTING> INTERVAL with subjects that brighten or dim
dramatically during shooting.
•
In manual mode (mode M), exposure smoothing is only available if an
AUTO option is selected for ISO.
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AE BKT SETTING
Adjust exposure bracketing settings.
OptionOption DescriptionDescription
FRAMES/STEP SETTING
Choose the number of shots in the bracketing sequence
and the amount exposure is varied with each shot.
•
FRAMES: Choose the number of shots in the bracketing
sequence.
•
STEP: Choose the amount exposure is varied with each
shot.
1 FRAME/CONTINUOUS
•
1 FRAME: The shots in the bracketing sequence are taken
one at a time.
•
CONTINUOUS: The shots in the bracketing sequence are
taken in a single burst.
SEQUENCE SETTING Choose the order in which the shots are taken.
FILM SIMULATION BKT
Choose the three lm simulation types used for lm simulation
bracketing (P 113).
FOCUS BKT SETTING
Choose from AUTO and MANUAL focus bracketing modes
(P 101).
PHOTOMETRY
Choose how the camera meters exposure (P 94).
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SHOOTING SETTING (Still Photography)
SHUTTER TYPE
Choose the shutter type. Choose the electronic shutter to mute
the shutter sound.
OptionOption DescriptionDescription
t MECHANICAL SHUTTER
Take pictures with the mechanical shutter.
s ELECTRONIC SHUTTER
Take pictures with the electronic shutter.
t E-FRONT CURTAIN
SHUTTER
The camera chooses the mechanical or electronic
front curtain shutter according to shooting conditions.
u MECHANICAL+
ELECTRONIC
The camera chooses the mechanical or electronic
shutter according to shooting conditions.
r E-FRONT+ ELECTRONIC
The camera chooses the mechanical, electronic, or
electronic front curtain shutter according to shooting
conditions.
If t E-FRONT CURTAIN SHUTTER is selected, t MECHANICAL
SHUTTER will automatically take e ect at high shutter speeds.
O
•
When using the electronic shutter, note the following:
-
Distortion may be visible in shots of moving subjects.
-
Distortion may also be visible in hand-held shots taken at high
shutter speeds; use of a tripod is recommended.
-
Banding and fog may occur in shots taken under uorescent lights
or other ickering or erratic illumination.
-
When taking pictures with the shutter muted (P 210), respect
your subjects’ image rights and right to privacy.
•
When using the electronic front-curtain shutter, note the following:
-
Faster shutter speeds are more likely to result in uneven exposure
and loss of resolution in out-of-focus areas of the frame.
N
The following restrictions apply when the electronic shutter is used:
•
Sensitivity is restricted to values of ISO 12800–100
•
Long exposure noise reduction has no e ect
•
The ash will not re unless pixel-shift multi-shot is enabled.
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FLICKER REDUCTION
Reduce icker in pictures and the display when shooting under
uorescent lighting and other similar light sources.
OptionOption DescriptionDescription
ALL FRAMES
Flicker reduction is applied to all frames continuous
shooting frame rate reduces.
FIRST FRAME
Flicker measurement is taken prior to the fi rst frame only
and the same reduction amount is applied to all subse-
quent frames that fl icker may occur.
OFF Flicker reduction disabled.
O
•
Flicker reduction increases the time needed to record pictures.
•
OFF is selected for FLICKER REDUCTION when the electronic shut-
ter is used.
•
Flicker reduction is not available during movie recording.
ISO
Adjust the camera’s sensitivity to light (P 92).
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SHOOTING SETTING (Still Photography)
IS MODE
Turn image stabilization on or o .
OptionOption DescriptionDescription
CONTINUOUS Image stabilization on.
SHOOTING ONLY
Image stabilization enabled only when the shutter button
is pressed halfway (focus mode C) or the shutter is released.
OFF
Image stabilization off ; x appears in the display. Choose
when the camera is mounted on a tripod or otherwise
fi xed in place.
N
•
The setting selected with the lens image stabilization switch, if any,
takes priority over the setting chosen with IS MODE.
•
Note that vibration or camera sounds may be noticeable as image
stabilization takes e ect.
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35mm FORMAT MODE
Enabling
A
SHOOTING SETTING> 35mm
FORMAT MODE in the shooting menu sets
the picture angle to 35 mm; the change is
re ected in the display.
OptionOption DescriptionDescription
ON
The picture angle is set to 35mm; the change is refl ected in the
display.
OFF 35mm format mode disabled.
AUTO
35 mm format mode is enabled automatically when a mount
adapter that supports automatic detection is attached.
N
•
The DSCREEN SET-UP> DISP. CUSTOM SETTING item in the setup
menu (P 20, 217) includes an option (enabled by default) for dis-
playing a 35mm FORMAT MODE icon.
•
The H IMAGE QUALITY SETTING> IMAGE SIZE item in the shoot-
ing menu is xed at O 3 : 2.
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SHOOTING SETTING (Still Photography)
xF WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
•
Control the camera and take pictures remotely
•
Receive pictures uploaded from the camera
•
Browse the pictures on the camera and download selected pic-
tures
•
Upload location data to the camera
N
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
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FLASH SETTING (Still Photography)
Adjust ash-related settings for still photography.
To display ash settings, press MENU/OK
in the photo shooting display and select
the F(FLASH SETTING) tab.
CH SETTING
COMMANDER SETTING
LED LIGHT SETTING
TTL-LOCK MODE
RED EYE REMOVAL
FLASH SETTING
FLASH FUNCTION SETTING
EXIT
FLASH FUNCTION SETTING
Choose a ash control mode, ash mode,
or sync mode or adjust the ash level.
The options available vary with the ash.
N
For more information on ash settings, see
“External Flash Units” (P 265) in “Periph-
erals and Optional Accessories”.
ADJUST
END
M
ODE
SHOE MOUNT FLASH
RED EYE REMOVAL
Remove red-eye e ects caused by the ash.
OptionOption DescriptionDescription
FLASH+REMOVAL
A red-eye reduction pre-fl ash is combined with digital red-eye
removal.
FLASH Flash red-eye reduction only.
REMOVAL Digital red-eye removal only.
OFF Flash red-eye reduction and digital red-eye removal off .
N
•
Flash red-eye reduction can be used in TTL ash control mode.
•
Digital red-eye removal is performed only when a face is detected.
•
Digital red-eye removal is not available with RAW images.
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FLASH SETTING (Still Photography)
TTL-LOCK MODE
Instead of adjusting ash level with each shot, TTL ash control
can be locked for consistent results across a series of photo-
graphs.
OptionOption DescriptionDescription
LOCK WITH LAST FLASH
Flash output is locked at the value metered for the most
recent photo.
LOCK WITH METERING
FLASH
The camera emits a series of pre-fl ashes and locks fl ash
output at the metered value.
N
•
To use TTL lock, assign TTL-LOCK to a camera control and then use
the control to enable or disable TTL lock (P 255).
•
Flash compensation can be adjusted while TTL lock is in e ect.
•
Selecting LOCK WITH LAST FLASH displays an error message if no
previously metered value exists.
LED LIGHT SETTING
Choose whether to use the ash unit’s LED video light (if avail-
able) as a catchlight or AF-assist illuminator when taking photos.
OptionOption Role of LED video light in still photographyRole of LED video light in still photography
CATCHLIGHT Catchlight
AF ASSIST AF-assist illuminator
AF ASSIST+CATCHLIGHT AF-assist illuminator and catchlight
OFF None
N
In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.
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FLASH SETTING (Still Photography)
COMMANDER SETTING
Choose groups when using the camera ash unit as a command-
er for Fuji lm optical wireless remote ash control. This option is
available when the camera is used with clip-on ash units that
support Fuji lm optical wireless ash control.
OptionsOptions
Gr A Gr B Gr C OFF
N
In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.
CH SETTING
Choose the channel used for communication between the com-
mander and remote ash units. Separate channels can be used
for di erent ash systems or to prevent interference when multi-
ple systems are operating in close proximity.
OptionsOptions
CH1 CH2 CH3 CH4
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MOVIE SETTING (Movie Recording)
Adjust movie-recording options.
To display options for movie recording,
press MENU/OK in the movie shooting dis-
play and select the B(MOVIE SETTING)
tab.
EXIT
FIS MODE
FIS MODE BOOST
FPHOTOMETRY
HDMI OUTPUT INFO DISPLAY
FULL HD MOVIE OUTPUT
FIX MOVIE CROP MAGNIFICATION
MOVIE MODE
MOVIE SETTING
HDMI REC CONTROL
MOVIE MODE
Choose a frame rate for movie recording.
OptionsOptions
i 1080/29.97P i 1080/25P i 1080/24P i 1080/23.98P
FIX MOVIE CROP MAGNIFICATION
Fix the movie crop ratio at 1.1∶1. This makes it easier to match
crops after changing movie settings.
OptionsOptions
ON OFF
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FULL HD MOVIE OUTPUT
Choose the destination for Full HD movies shot while the camera
is connected to an HDMI device.
OptionOption DescriptionDescription
b FHD Y FHD
Full HD movies are output to the HDMI device and recorded to
the camera memory card.
b − Y FHD
Full HD movies are not recorded to the camera memory card
but are output to the HDMI device.
N
When OFF is selected for HDMI OUTPUT INFO DISPLAY, movies will
be output to the HDMI device in 4:2:2 10-bit format.
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MOVIE SETTING (Movie Recording)
HDMI OUTPUT INFO DISPLAY
If ON is selected, HDMI devices to which the camera is connected
will mirror the information in the camera display.
OptionsOptions
ON OFF
HDMI REC CONTROL
Choose whether the camera sends movie start and stop signals
to the HDMI device when the shutter button is pressed to start
and stop movie recording.
OptionsOptions
ON OFF
F PHOTOMETRY
Options are the same as those for still photography, but settings
must be adjusted separately (P 94).
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F IS MODE
Turn image stabilization on or o .
OptionOption DescriptionDescription
IBIS/OIS
Enable in-body (IBIS) and optical (OIS) image stabilization.
IBIS is used with lenses that do not support OIS.
IBIS/OIS + DIS
Enable in-body (IBIS), optical (OIS), and digital (DIS) image
stabilization. The crop is adjusted according to the option
selected for MOVIE MODE.
OFF
Image stabilization off ; x appears in the display. Choose
when the camera is mounted on a tripod or otherwise
fi xed in place.
N
•
The setting selected with the lens image stabilization switch, if any,
takes priority over the setting chosen with the IS mode.
•
Note that vibration or camera sounds may be noticeable as image
stabilization takes e ect.
F IS MODE BOOST
Choose the image stabilization level.
OptionOption DescriptionDescription
ON Suitable for hand-held shooting with no panning.
OFF Suitable for hand-held shooting with panning.
N
Assigning IS MODE BOOST to a function button allows the image sta-
bilization level to be changed while recording is in progress (P 255).
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MOVIE SETTING (Movie Recording)
F ISO
Adjust the camera’s sensitivity to light.
OptionOption DescriptionDescription
200–6400 Adjust sensitivity manually. Selected value is shown in display.
AUTO
Sensitivity is automatically adjusted in response to shooting
conditions.
ZEBRA SETTING
Highlights that may be overexposed are shown by zebra stripes
in the movie mode display.
OptionOption DescriptionDescription
ZEBRA RIGHT
Right-slanting stripes.
ZEBRA LEFT
Left-slanting stripes.
OFF Stripes off .
ZEBRA LEVEL
Choose the brightness threshold for the zebra stripe display.
OptionsOptions
50 55 60 65 70 75 80 85 90 95 100
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MOVIE OPTIMIZED CONTROL oL
Select ON to allow movie settings to be adjusted using only the
command dials and touch-screen controls. You may nd this
helpful in preventing the sounds of camera controls being re-
corded with movies (P 29).
OptionsOptions
ON OFF
TALLY LIGHT
Choose the lamp (indicator or AF-assist) that lights during movie
recording and whether the lamp blinks or remains steady.
Indicator lamp AF-assist illuminator
OptionOption DescriptionDescription
FRONT OFF
REAR z
The indicator lamp lights during movie recording.
FRONT OFF
REAR y
The indicator lamp blinks during movie recording.
FRONT z
REAR z
The indicator and AF-assist lamps light during movie recording.
FRONT z
REAR OFF
The AF-assist lamp lights during movie recording.
FRONT y
REAR y
The indicator and AF-assist lamps blink during movie recording.
FRONT y
REAR OFF
The AF-assist lamp blinks during movie recording.
FRONT OFF
REAR OFF
The indicator and AF-assist lamps remain off during movie recording.
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MOVIE SETTING (Movie Recording)
F EDIT/SAVE CUSTOM SETTING
Options are the same as those for still photography, but settings
must be adjusted separately (P 74).
AUTO UPDATE CUSTOM SETTING
This item is also found in the photo menus (P 126).
xF WIRELESS COMMUNICATION
This item is also found in the photo menus (P 151).
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IMAGE QUALITY SETTING (Movie Recording)
Adjust image quality settings for movies.
To display image quality settings, press
MENU/OK in the movie shooting display and
select the H (IMAGE QUALITY SETTING)
tab.
IMAGE QUALITY SETTING
MONOCHROMATIC COLOR
WHITE BALANCE
TONE CURVE
SHARPNESS
HIGH ISO NR
PERIPHERAL LIGHT CORRECTION
COLOR
EXIT
FILM SIMULATION
N
The options available vary with the shooting mode selected.
F FILM SIMULATION
Options are the same as those for still photography, but settings
must be adjusted separately (P 113).
F MONOCHROMATIC COLOR
Options are the same as those for still photography, but settings
must be adjusted separately (P 115).
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IMAGE QUALITY SETTING (Movie Recording)
F WHITE BALANCE
Options are the same as those for still photography, but settings
must be adjusted separately (P 119).
F TONE CURVE
Options are the same as those for still photography, but settings
must be adjusted separately (P 123).
F COLOR
Options are the same as those for still photography, but settings
must be adjusted separately (P 123).
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IMAGE QUALITY SETTING (Movie Recording)
F PERIPHERAL LIGHT CORRECTION
Select ON to enable peripheral illumination correction during
movie recording.
OptionsOptions
ON OFF
N
•
If ON is selected when a lens that does not transmit data to the camera
is attached, peripheral illumination will be adjusted according to the
option selected for H IMAGE QUALITY SETTING> xF MOUNT
ADAPTER SETTING> PERIPHERAL ILLUMINATION CORRECTION
in the shooting menu (P 129).
•
Select OFF if you notice banding in movies recorded using this op-
tion.
xF MOUNT ADAPTOR SETTING
This item is also found in the photo menus (P 127). Changes to
one apply to the other.
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AF/MF SETTING (Movie Recording)
Adjust focus settings for movies.
To display AF/MF settings, press MENU/OK
in the movie shooting display and select
the G(AF/MF SETTING) tab.
AF MODE
AF ILLUMINATOR
FACE/EYE DETECTION SETTING
FOCUS CHECK
INSTANT AF SETTING
DEPTH-OF-FIELD SCALE
FOCUS AREA
MF ASSIST
AF/MF SETTING
EXIT
N
The options available vary with the shooting mode selected.
F FOCUS AREA
Choose the focus area for autofocus, manual focus, and focus
zoom (P 85).
O
The focus area for movie recording cannot be resized.
F AF MODE
Choose how the camera selects the focus point for movie recording.
OptionOption DescriptionDescription
MULTI The camera selects the focus area automatically.
AREA The camera focuses on the subject in the selected focus area.
xF AF ILLUMINATOR
This item is also found in the photo menus (P 132). Changes to
one apply to the other.
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AF/MF SETTING (Movie Recording)
F FACE/EYE DETECTION SETTING
Enable or disable Intelligent Face Detection when recording
movies.
OptionOption DescriptionDescription
FACE DETECTION ON
See “FACE/EYE DETECTION SETTING” (P 133).
OFF Intelligent Face Detection and eye priority off .
O
When Intelligent Face Detection is enabled, the camera will focus
using continuous AF even when single AF (S) is chosen with the
focus mode selector. Intelligent Face Detection is not available in
manual focus mode.
F MF ASSIST
Choose how focus is displayed in manual focus mode.
OptionOption DescriptionDescription
STANDARD Focus is displayed normally (focus peaking is not available).
FOCUS PEAK HIGHLIGHT
The camera heightens high-contrast outlines. Choose a
color and peaking level.
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F FOCUS CHECK
Options are the same as those for still photography, but settings
must be adjusted separately (P 136).
xF INSTANT AF SETTING
This item is also found in the photo menus (P 137). Changes to
one apply to the other.
xF DEPTH-OF-FIELD SCALE
This item is also found in the photo menus (P 138). Changes to
one apply to the other.
xF AF RANGE LIMITER
This item is also found in the photo menus (P 139). Changes to
one apply to the other.
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6
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AF/MF SETTING (Movie Recording)
xF TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
ModeMode DescriptionDescription
AF
Tapping the display focuses the camera on the selected point.
Use the shutter button to start and stop recording.
•
In focus mode S (AF-S), you can refocus at any time by tapping
your subject in the display.
•
In focus mode C (AF-C), the camera will continuously adjust
focus for changes in the distance to the subject at point se-
lected by tapping the display.
•
When shooting movies in focus mode M(MF), you can tap the
display before recording begins to focus on the selected point
using Instant AF, and tap the display during recording to posi-
tion the focus point.
AREA
Tap to position the focus area. Use the shutter button to start
and stop recording.
•
In focus mode S (AF-S), you can reposition the focus area at
any time by tapping your subject in the display. To focus, use
the button to which AF-ON is assigned.
•
In focus mode C (AF-C), the camera will continuously adjust
focus for changes in the distance to the subject at point se-
lected by tapping the display.
•
In manual focus mode (MF), you can tap the display to posi-
tion the focus area over your subject.
OFF
Touch controls disabled.
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N
•
T
o disable touch controls and hide the touch screen mode indica-
tor, select OFF for
D
BUTTON/DIAL SETTING>
TOUCH SCREEN
SETTING
>
x TOUCH SCREEN SETTING
.
•
This item is also found in the photo menus (P 140). Changes to one
apply to the other.
Touch Controls for Focus Zoom
Di erent touch controls are used during focus zoom (focus check enabled).
Central AreaCentral Area
Tapping the center of the display performs the
operations below.
ModeMode Operation performedOperation performed
AFAF
AF-S: AF
MF: Instant AF
AREAAREA
AF-S: AF
MF: Instant AF
OFFOFF AF-S/MF: OFF
Other AreasOther Areas
Tapping other areas simply scrolls the display,
whether during still photography or movie re-
cording and regardless of the option selected
for touch screen mode.
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AF/MF SETTING (Movie Recording)
FOCUS CHECK LOCK
Choose whether focus zoom remains in e ect once movie re-
cording begins.
OptionsOptions
ON OFF
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6
The Shooting Menus
AUDIO SETTING (Movie Recording)
Adjust settings for audio recorded during lming.
To display audio settings, press MENU/OK
in the movie shooting display and select
the P(AUDIO SETTING) tab.
EXTERNAL MIC LEVEL ADJUSTMENT
MIC JACK SETTING
MIC LEVEL LIMITER
LOW CUT FILTER
HEADPHONES VOLUME
INTERNAL MIC LEVEL ADJUSTMENT
AUDIO SETTING
WIND FILTER
EXIT
INTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for the built-in microphone.
OptionOption DescriptionDescription
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the focus stick (focus
lever) right to choose from 25 recording levels.
OFF Turn the built-in microphone off .
EXTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for external microphones.
OptionOption DescriptionDescription
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the focus stick (focus
lever) right to choose from 25 recording levels.
OFF Disable recording using external microphones.
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AUDIO SETTING (Movie Recording)
MIC JACK SETTING
Specify the type of hardware connected to the microphone jack.
OptionOption DescriptionDescription
MIC
Choose this option for direct connection to an external micro-
phone.
LINE
Choose this option for external audio devices connected via
line output.
MIC LEVEL LIMITER
Reduces distortion caused by input that exceeds the limits of the
microphone’s audio circuits.
OptionsOptions
ON OFF
WIND FILTER
Choose whether to enable wind noise reduction during movie
recording.
OptionsOptions
ON OFF
LOW CUT FILTER
Choose whether to enable the low-cut lter, reducing low-fre-
quency noise during movie recording.
OptionsOptions
ON OFF
HEADPHONES VOLUME
Adjust the headphone volume.
OptionOption DescriptionDescription
0 Mute output to the headphones.
1—10 Choose a volume of from 1 to 10.
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TIME CODE SETTING (Movie Recording)
Adjust time code (hour, minute, second, and frame num-
ber) display settings for movie recording.
To display time code settings, press
MENU/OK in the movie shooting display
and select the Q(TIME CODE SETTING)
tab.
TIME CODE DISPLAY
START TIME SETTING
COUNT UP SETTING
HDMI TIME CODE OUTPUT
DROP FRAME
EXIT
TIME CODE SETTING
TIME CODE DISPLAY
Select ON to display time codes during movie recording and
playback.
OptionsOptions
ON OFF
START TIME SETTING
Choose the time code starting time.
OptionOption DescriptionDescription
MANUAL INPUT
Highlight this option and press the focus stick (focus lever)
right to choose a start time manually.
CURRENT TIME
Set the start time to the current time.
RESET Set the start time to 00:00:00.
COUNT UP SETTING
Choose whether time is clocked continuously or only during
movie recording.
OptionOption DescriptionDescription
REC RUN Time is clocked only during movie recording.
FREE RUN Time is clocked continuously.
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TIME CODE SETTING (Movie Recording)
DROP FRAME
At frame rates of 29.97P, a discrepancy will gradually develop be-
tween the time code (measured in seconds) and the actual re-
cording time (measured in fractions of a second). Choose wheth-
er the camera drops frames as necessary to match the recording
time to the time code.
OptionOption DescriptionDescription
ON
The camera drops frames as necessary to maintain a strict
match between the time code and the actual recording time.
OFF Frames are not dropped.
N
•
The time code display varies with the option selected.
ON
OFF
•
Selecting a frame rate of 23.98P disables frame drop.
HDMI TIME CODE OUTPUT
Choose whether time codes are output to HDMI devices.
OptionsOptions
ON OFF
176
MEMO
177
Playback and the Playback
Menu
178
Playback and the Playback Menu
7
The Playback Display
This section lists the indicators that may be displayed
during playback.
O
For illustrative purposes, displays are shown with all indicators lit.
BA DCEFG H I
K
J
L
P
OQRSTUV
Y
e
d
c
b
Z
a
W
X
N
M
A
Date and time ..................................46, 48, 205
B
Frame-number display
C
Face detection indicator ............................133
D
Bluetooth ON/OFF .......................................239
E
Image transfer order ................................... 196
F
Image transfer status ........................239, 280
G
Number of frames selected for upload
... 196
H
Card slot..........................................................183
I
Frame number ..............................................235
J
Pixel-shift multi-shot ..................................107
K
Protected image ........................................... 190
L
Location data.......................................244, 281
M
Image quality................................................111
N
Movie mode .................................................. 155
O
Image size ...................................................... 110
P
Film simulation ............................................ 113
Q
Dynamic range ............................................117
R
White balance .............................................. 119
S
Sensitivity ....................................................... 148
T
Exposure compensation ...............................95
U
Aperture ...............................................65, 68, 70
V
Shutter speed .....................................65, 66, 70
W
Playback mode indicator .............................53
X
Movie icon ........................................................60
Y
Time code ....................................................... 174
Z
Red-eye removal indicator ...............152, 192
a
Gift image .........................................................53
b
Photobook assist indicator ....................... 198
c
DPOF print indicator ...................................200
d
Voice memo ..................................................193
e
Rating ..............................................................194
179
Playback and the Playback Menu
7
The Playback Display
The DISP/BACK Button
The DISP/BACK button controls the display
of indicators during playback.
Standard Information o
NEXT
Info display
180
Playback and the Playback Menu
7
The Playback Display
Viewing Photo Information
The photo information display changes each
time the focus stick (focus lever) is pressed up.
Basic data Info display 1
NEXT
S.S
FISO
1/1000 5.6 12800 +1.0
BACK
5.6 12800 +1.01/1000
NEXT
Info display 3 Info display 2
Zooming in on the Focus Point
Press the center of the rear command dial to zoom in on the focus point.
Press again to return to full-frame playback.
181
Playback and the Playback Menu
7
Viewing Pictures
Read this section for information on playback zoom and
multi-frame playback.
Use the rear command dial to go from
full-frame playback to playback zoom or
multi-frame playback.
Full-frame playback
Multi-frame
playback
100-0001
Playback
zoom
Nine-frame view
Hundred- frame view
DISP/BACK
MENU/OK
Medium zoom
Maximum zoom
182
Playback and the Playback Menu
7
Viewing Pictures
Playback Zoom
Rotate the rear command dial right to zoom in on the current
picture, left to zoom out. To exit zoom, press DISP/BACK, MENU/OK,
or the center of the rear command dial.
N
•
The maximum zoom ratio varies with the option selected for
H IMAGE QUALITY SETTING> IMAGE SIZE.
•
Playback zoom is not available with cropped or resized copies saved
at a size of a.
Scroll
When the picture is zoomed in, the focus stick
(focus lever) can be used to view areas of the
image not currently visible in the display.
Navigation window
Multi-Frame Playback
To change the number of images displayed, rotate the rear com-
mand dial left when a picture is displayed full frame.
N
•
Use the focus stick (focus lever) to highlight images and press MENU/OK
to view the highlighted image full frame.
•
In the nine- and hundred-frame displays, press the focus stick up or
down to view more pictures.
183
Playback and the Playback Menu
7
The Playback Menu
Adjust playback settings.
The playback menu is displayed when
you press MENU/OK in playback mode.
EXIT
PROTECT
IMAGE ROTATE
RESIZE
SIMULTANEOUS DELETE (RAW SLOT1/JPG SLOT2)
ERASE
RAW CONVERSION
SWITCH SLOT
CROP
PLAY BACK MENU
SWITCH SLOT
Choose the card from which images will be played back.
N
If two memory cards are inserted, you can press and hold the a but-
ton to choose a card for playback.
184
Playback and the Playback Menu
7
RAW CONVERSION
Even if you don’t have a computer, you can use the camera to
modify RAW pictures and save them in other formats.
Saving RAW Pictures in Another Format
1
Display a RAW picture.
2
Highlight RAW CONVERSION in the playback menu.
3
Press MENU/OK.
A list of settings will be displayed.
CREATE
REFLECT SHOOTING COND.
FILE TYPE
IMAGE SIZE
IMAGE QUALITY
PUSH/PULL PROCESSING
DYNAMIC RANGE
RAW CONVERSION
CANCEL
4
Press the focus stick (focus lever) up or down to highlight a
setting.
5
Press the focus stick right to display
options.
RAW CONVERSION
200
%
400
%
100
%
6
Press the focus stick up or down to highlight the desired option.
7
Press MENU/OK to select the highlighted option. The settings
list shown in Step 3 will be displayed. Repeat Steps 4 to 7 to
adjust additional settings.
8
Press the Q button.
A preview of the copy will be displayed.
9
Press MENU/OK.
The copy will be saved.
N
RAW conversion options can also be displayed by pressing the Q but-
ton when a RAW pictures is displayed during playback.
185
Playback and the Playback Menu
7
The Playback Menu
The settings that can be adjusted when converting pictures from
RAW to another format are:
SettingSetting DescriptionDescription
REFLECT SHOOTING COND.
Create a copy using the settings in eff ect at the time
the photo was taken.
FILE TYPE Choose a fi le format.
IMAGE SIZE Choose an image size.
IMAGE QUALITY Adjust image quality.
PUSH/PULL PROCESSING Adjust exposure.
DYNAMIC RANGE Enhance details in highlights for natural contrast.
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows
for natural-looking results when photographing
high-contrast scenes.
FILM SIMULATION Simulate the eff ects of diff erent types of fi lm.
MONOCHROMATIC COLOR
Choose a monochrome tint for photographs tak-
en using FILM SIMULATION> a ACROS and
b MONOCHROME.
GRAIN EFFECT Add a fi lm grain eff ect.
COLOR CHROME EFFECT
Increase the range of tones available for rendering
colors that tend to be highly saturated, such as reds,
yellows, and greens.
COLOR CHROME FX BLUE
Increase the range of tones available for rendering
blues.
SMOOTH SKIN EFFECT Smooth complexions.
WHITE BALANCE Adjust white balance.
WB SHIFT Fine-tune white balance.
TONE CURVE Adjust highlights and shadows.
COLOR Adjust color density.
SHARPNESS Sharpen or soften outlines.
HIGH ISO NR Process the copy to reduce mottling.
CLARITY Increase defi nition.
LENS MODULATION OPTIMIZER
Improve defi nition by adjusting for diff raction and
the slight loss of focus at the periphery of the lens.
COLOR SPACE Choose the color space used for color reproduction.
O
Some settings may be unavailable depending on the options chosen
when the picture was taken.
186
Playback and the Playback Menu
7
ERASE
Delete individual pictures, multiple selected pictures, or all pic-
tures.
O
Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.
OptionOption DescriptionDescription
FRAME Delete pictures one at a time.
SELECTED FRAMES Delete multiple selected pictures.
ALL FRAMES Delete all unprotected pictures.
FRAME
1
Select FRAME for ERASE in the playback menu.
2
Press the focus stick (focus lever) left or right to scroll through
pictures and press MENU/OK to delete.
N
•
A con rmation dialog is not displayed before pictures are deleted; be
sure the correct picture is selected before pressing MENU/OK.
•
Additional pictures can be deleted by pressing MENU/OK. Press the fo-
cus stick left or right to scroll through pictures and press MENU/OK to
delete.
187
Playback and the Playback Menu
7
The Playback Menu
SELECTED FRAMES
1
Select SELECTED FRAMES for ERASE in the playback menu.
2
Highlight pictures and press MENU/OK to select.
•
Selected pictures are indicated by check marks (R).
•
To deselect a highlighted picture, press MENU/OK again.
3
When the operation is complete, press DISP/BACK to display a
con rmation dialog.
4
Highlight OK and press MENU/OK to delete the selected pic-
tures.
N
Pictures in photobooks or printer orders are shown by S.
ALL FRAMES
1
Select ALL FRAMES for ERASE in the playback menu.
2
A con rmation dialog will be displayed; highlight OK and
press MENU/OK to delete all unprotected pictures.
N
•
Pressing DISP/BACK cancels deletion; note that any pictures deleted
before the button was pressed cannot be recovered.
•
If a message appears stating that the selected images are part of a
DPOF print order, press MENU/OK to delete the pictures.
188
Playback and the Playback Menu
7
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
Taking photos with RAW / JPEG selected for D SAVE DATA
SET-UP>x CARD SLOT SETTING creates two copies. Choose
whether deleting the RAW image will also delete the JPEG copy.
OptionOption DescriptionDescription
ON
Deleting the RAW image from the card in Slot 1 also deletes the
JPEG copy from the card in Slot 2.
OFF
Deleting the RAW image from the card in Slot 1 does not delete
the JPEG copy from the card in Slot 2.
CROP
Create a cropped copy of the current picture.
1
Display the desired picture.
2
Select CROP in the playback menu.
3
Use the rear command dial to zoom in and out and press the
focus stick (focus lever) up, down, left, or right to scroll the
picture until the desired portion is displayed.
4
Press MENU/OK to display a con rmation dialog.
5
Press MENU/OK again to save the cropped copy to a separate
le.
N
•
The higher the zoom ratio, the smaller the number of pixels in the
cropped copy.
•
If the size of the nal copy will be a, YES will be displayed in yellow.
•
All copies have an aspect ratio of 4∶3.
189
Playback and the Playback Menu
7
The Playback Menu
RESIZE
Create a small copy of the current picture.
1
Display the desired picture.
2
Select RESIZE in the playback menu.
3
Highlight a size and press MENU/OK to display a con rmation
dialog.
4
Press MENU/OK again to save the resized copy to a separate
le.
N
The sizes available vary with the size of the original image.
190
Playback and the Playback Menu
7
PROTECT
Protect pictures from accidental deletion. Highlight one of the
following options and press MENU/OK.
OptionOption DescriptionDescription
FRAME
Protect selected pictures. Press the focus stick (focus lever) left or
right to view pictures and press MENU/OK to select or deselect.
Press DISP/BACK when the operation is complete.
SET ALL Protect all pictures.
RESET ALL Remove protection from all pictures.
O
Protected pictures will be deleted when the memory card is formatted.
N
•
Protecting images currently selected for upload to paired smart-
phones or tablets removes upload marking.
•
Protection can also be added or removed by pressing the AFON but-
ton during playback.
191
Playback and the Playback Menu
7
The Playback Menu
IMAGE ROTATE
Rotate pictures.
1
Select ON for D SCREEN SET-UP> AUTOROTATE PB.
2
Display the desired picture.
3
Select IMAGE ROTATE in the playback menu.
4
Press the focus stick (focus lever) down to rotate the picture
90° clockwise, up to rotate it 90° counterclockwise.
5
Press MENU/OK. The picture will automatically be displayed in
the selected orientation whenever it is played back on the
camera.
N
•
Protected pictures cannot be rotated. Remove protection before ro-
tating pictures.
•
The camera may not be able to rotate pictures created with other
devices. Pictures rotated on the camera will not be rotated when
viewed on a computer or on other cameras.
•
Pictures taken with D SCREEN SET-UP> AUTOROTATE PB are auto-
matically displayed in the correct orientation during playback.
192
Playback and the Playback Menu
7
RED EYE REMOVAL
Remove red-eye from portraits. The camera will analyze the im-
age; if red-eye is detected, the image will be processed to create
a copy with reduced red-eye.
1
Display the desired picture.
2
Select RED EYE REMOVAL in the playback menu.
3
Press MENU/OK.
N
•
Results vary depending on the scene and the camera’s success in de-
tecting faces.
•
The amount of time needed to process the image varies with the
number of faces detected.
•
Red eye cannot be removed from pictures that have already been
processed using red-eye removal, which are indicated by a e icon
during playback.
•
Red eye removal cannot be performed on RAW images.
193
Playback and the Playback Menu
7
The Playback Menu
VOICE MEMO SETTING
Add a voice memo to the current photograph.
1
Select ON for VOICE MEMO SETTING in the playback menu.
2
Display a photo to which you wish to add a voice memo.
3
Press and hold the center of the front command dial to re-
cord the memo. Recording ends after 30s or when you re-
lease the dial.
N
•
The new memo will be recorded over any existing memos.
•
Voice memos cannot be added to protected pictures.
•
Deleting the picture also deletes the memo.
Playing Voice Memos
Pictures with voice memos are indicated by q icons during playback.
•
To play a memo, select the picture and press the center of the front com-
mand dial.
•
A progress bar will be displayed while the memo plays back.
•
Volume can be adjusted by pressing MENU/OK to pause playback and then
pressing the focus stick (focus lever) up or down to adjust the volume.
Press MENU/OK again to resume playback. Volume can also be adjusted us-
ing D SOUND SET-UP> PLAYBACK VOLUME.
194
Playback and the Playback Menu
7
RATING
Rate pictures using stars.
1
Select RATING in the playback menu.
2
Rotate the front command dial to choose a picture and the
rear command dial to choose a rating of from 0 to 5 stars
(“I”).
N
•
The focus stick (focus lever) can be used in place of the front com-
mand dial to choose a picture.
•
The rating dialog can also be displayed by pressing the AEL button in
single-frame, nine-frame, or hundred-frame playback.
•
Use touch controls to zoom in or out.
•
Ratings cannot be applied to:
-
Protected pictures
-
Movies
-
“Gift” pictures (pictures taken with other cameras)
195
Playback and the Playback Menu
7
The Playback Menu
COPY
Copy pictures between the cards in the rst and second slots.
1
Select COPY in the playback menu.
2
Highlight one of the following options.
OptionOption DescriptionDescription
SLOT1 y SLOT2
Copy pictures from the card in the fi rst slot to the card in
the second slot.
SLOT2 y SLOT1
Copy pictures from the card in the second slot to the card
in the fi rst slot.
3
Press the focus stick (focus lever) right.
4
Highlight one of the following options and press MENU/OK.
OptionOption DescriptionDescription
FRAME
Copy selected pictures. Press the focus stick left or right to
view pictures and press MENU/OK to copy the current picture.
ALL FRAMES Copy all pictures.
O
•
Copying ends when the destination is full.
•
If you attempt to copy a le over 4GB in size to a memory card with
a capacity of 32GB or less, copying will end and the le will not be
copied.
196
Playback and the Playback Menu
7
IMAGE TRANSFER ORDER
Select photos for upload to a paired smartphone or tablet.
1
Select IMAGE TRANSFER ORDER> SELECT FRAMES in the
playback menu.
2
Highlight photos and press MENU/OK to select or deselect. Re-
peat until all the desired photos have been selected.
3
Press DISP/BACK to exit to playback.
N
If ON is selected for both D CONNECTION SETTING> Bluetooth
SETTINGS> Bluetooth ON/OFF and AUTO IMAGE TRANSFER,
upload will begin shortly after you exit to playback or turn the
camera o .
N
•
Image transfer orders can contain a maximum of 999 pictures.
•
The following cannot be selected for upload:
-
Protected pictures
-
Movies
-
RAW images
-
“Gift” pictures (pictures taken with other cameras)
•
If PAIRING/TRANSFER ORDER is selected for D CONNECTION
SETTING> GENERAL SETTINGS> r BUTTON SETTING, photos
can also be marked for upload using the dbutton.
•
To remove upload marking from all pictures in the current order, se-
lect IMAGE TRANSFER ORDER> RESET ORDER.
•
If ON is selected for D CONNECTION SETTING> Bluetooth
SETTINGS> AUTO IMAGE TRANSFER, photos will automatically be
marked for upload as they are taken.
197
Playback and the Playback Menu
7
The Playback Menu
xF WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
•
Control the camera and take pictures remotely
•
Receive pictures uploaded from the camera
•
Browse the pictures on the camera and download selected pic-
tures
•
Upload location data to the camera
N
•
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
•
If WIRELESS COMMUNICATION is selected for D CONNECTION
SETTING> GENERAL SETTINGS> r BUTTON SETTING, you can
connect to the smartphone using the dbutton.
198
Playback and the Playback Menu
7
PHOTOBOOK ASSIST
Create books from your favorite photos.
Creating a Photobook
1
Select NEW BOOK for C PLAY BACK MENU> PHOTOBOOK
ASSIST.
2
Scroll through the images and press the focus stick (focus le-
ver) up to select or deselect. Press MENU/OK to exit when the
book is complete.
N
•
Neither photographs a or smaller nor movies can be selected
for photobooks.
•
The rst picture selected becomes the cover image. Press the fo-
cus stick down to select the current image for the cover instead.
3
Highlight COMPLETE PHOTOBOOK and press MENU/OK (to se-
lect all photos for the book, choose SELECT ALL). The new
book will be added to the list in the photobook assist menu.
N
•
Books can contain up to 300 pictures.
•
Books that contain no photos are automatically deleted.
199
Playback and the Playback Menu
7
The Playback Menu
Viewing Photobooks
Highlight a book in the photobook assist menu and press MENU/OK
to display the book, then press the focus stick (focus lever) left or
right to scroll through the pictures.
Editing and Deleting Photobooks
Display the photobook and press MENU/OK. The following options
will be displayed; select the desired option and follow the on-
screen instructions.
•
EDIT: Edit the book as described in “Creating a Photobook”.
•
ERASE: Delete the book.
200
Playback and the Playback Menu
7
PRINT ORDER (DPOF)
Create a digital “print order” for DPOF-compatible printers.
1
Select C PLAY BACK MENU> PRINT ORDER (DPOF).
2
Select WITH DATE s to print the date of recording on pic-
tures, WITHOUT DATE to print pictures without dates, or
RESET ALL to remove all pictures from the print order before
proceeding.
3
Display a picture you wish to include in or remove from the
print order.
4
Press the focus stick (focus lever) up
or down to choose the number of
copies (up to 99).
N
To remove a picture from the order,
press the focus stick down until the
number of copies is 0.
Total number
of prints
Number of copies
N
Repeat steps 3–4 to complete the print order.
5
The total number of prints is displayed in the monitor. Press
MENU/OK to exit.
N
•
The pictures in the current print order are indicated by a u icon
during playback.
•
Print orders can contain a maximum of 999 pictures from a single
memory card.
•
If a memory card is inserted containing a print order created by an-
other camera, you will need to delete the order before creating as
described above.
01
PRINT ORDER
(
DPOF
)
SHEETS
SETFRAME
DPOF:
00001
201
Playback and the Playback Menu
7
The Playback Menu
instax PRINTER PRINT
To print pictures to optional Fuji lm instax SHARE printers, rst se-
lect D CONNECTION SETTING> instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and
password, then follow the steps below.
1
Turn the printer on.
2
Select C PLAY BACK MENU> instax
PRINTER PRINT. The camera will con-
nect to the printer.
FUJIFILM-CAMERA-1234
CONNECTING
CANCEL
PRINTER PRINT
instax-12345678
3
Use the focus stick (focus lever) to
display the picture you want to print,
then press MENU/OK. The picture will
be sent to the printer and printing
will start.
100-0020
SET CANCEL
instax-12345678
PRINTER PRINT
N
•
Pictures taken with other cameras cannot be printed.
•
The area printed is smaller than the area visible in the LCD
monitor.
•
The displays may vary depending on the printer connected.
202
Playback and the Playback Menu
7
The Playback Menu
DISP ASPECT
Choose how High De nition (HD) devices display pictures with
an aspect ratio of 4∶3 (this option is available only when an HDMI
cable is connected).
16:9
4:3
OptionOption
16∶94∶3
Display
N
Select 16
∶9 to display the image so that it lls the screen with its top
and bottom cropped out, 4
∶3 to display the entire image with black
bands at either side.
203
The Setup Menus
204
The Setup Menus
8
USER SETTING
Adjust basic camera settings.
To access basic camera settings, press
MENU/OK, select the D (SET UP) tab, and
choose USER SETTING.
USER SETTING
FORMAT
DATE/TIME
x MY MENU SETTING
FMY MENU SETTING
SENSOR CLEANING
BATTERY AGE
TIME DIFFERENCE
EXIT
FORMAT
To format a memory card:
1
Select D USER SETTING> FORMAT in the D (SET UP) tab.
2
Highlight the slot containing the card you wish to format and
press MENU/OK.
3
A con rmation dialog will be dis-
played. To format the memory card,
highlight OK and press MENU/OK.
N
To exit without formatting the memory
card, select CANCEL or press DISP/BACK.
OK
CANCEL
FORMAT CARD IN SLOT 1, OK?
ERASE ALL DATA
FORMAT
O
•
All data—including protected pictures—will be deleted from the
memory card. Be sure important les have been copied to a comput-
er or other storage device.
•
Do not open the battery-chamber cover during formatting.
N
The format menu can also be displayed by pressing the center of the
rear command dial while pressing and holding the b button.
205
The Setup Menus
8
USER SETTING
DATE/TIME
To set the camera clock:
1
Select D USER SETTING> DATE/TIME in the D (SET UP) tab.
2
Press the focus stick (focus lever) left or right to highlight the
year, month, day, hour, or minute and press up or down to
change. To change the order in which the year, month, and
day are displayed, highlight the date format and press the
focus stick up or down.
3
Press MENU/OK to set the clock.
TIME DIFFERENCE
Switch the camera clock instantly from your home time zone to
the local time at your destination when traveling. To specify the
di erence between your local and home time zone:
1
Highlight g LOCAL and press MENU/OK.
2
Use the focus stick (focus lever) to choose the time di erence
between local time and your home time zone. Press MENU/OK
when settings are complete.
To set the camera clock to local time, highlight g LOCAL and
press MENU/OK. To set the clock to the time in your home time
zone, select h HOME.
OptionsOptions
g LOCAL h HOME
N
If g LOCAL is selected, g will be displayed in yellow for about three
seconds when the camera is turned on.
206
The Setup Menus
8
Qa
Choose a language.
x MY MENU SETTING
Edit the items listed in the E(MY MENU) tab, a personalized cus-
tom menu of frequently-used photo menu options (P 247).
F MY MENU SETTING
Edit the items listed in the E(MY MENU) tab, a personalized cus-
tom menu of frequently-used movie menu options (P 247).
207
The Setup Menus
8
USER SETTING
SENSOR CLEANING
Remove dust from the camera image sensor.
OptionOption DescriptionDescription
OK Clean the sensor immediately.
WHEN SWITCHED ON
Sensor cleaning will be performed when the camera is
turned on.
WHEN SWITCHED OFF
Sensor cleaning will be performed when the camera turns
off (sensor cleaning is not however performed if the cam-
era turns off in playback mode).
N
Dust that cannot be removed using sensor cleaning can be removed
using a blower (P 312).
BATTERY AGE
Check battery age. Age is expressed as a
number between 0 and 4. The higher the
number, the older the battery.
BATTERY AGE
N
The older the battery, the faster it loses its charge. We recommend that
batteries be replaced as they wear out.
208
The Setup Menus
8
USER SETTING
RESET
Reset shooting or setup menu options to default values.
1
Highlight the desired option and press MENU/OK.
OptionOption DescriptionDescription
STILL MENU RESET
Reset all photo menu settings other than custom white
balance and custom settings banks created using EDIT/
SAVE CUSTOM SETTING to default values.
MOVIE MENU RESET
Reset all movie menu settings other than custom white
balance and custom settings banks created using EDIT/
SAVE CUSTOM SETTING to default values.
SET-UP RESET
Reset all setup menu settings other than DATE/TIME,
TIME DIFFERENCE, COPYRIGHT INFO, and con-
nection-related CONNECTION SETTING options to
default values.
2
A con rmation dialog will be displayed; highlight OK and
press MENU/OK.
REGULATORY
To view electronic copies of the product model number, and
other certi cates, select D USER SETTING> REGULATORY in the
setup menu.
209
The Setup Menus
8
SOUND SETTING
Make changes to camera sounds.
To access sound settings, press MENU/OK,
select the D (SET UP) tab, and choose
SOUND SET-UP.
SOUND SETTING
AF BEEP VOL.
SELF-TIMER BEEP VOL.
OPERATION VOL.
SHUTTER VOLUME
SHUTTER SOUND
PLAYBACK VOLUME
EXIT
AF BEEP VOL.
Choose the volume of the beep that sounds when the camera
focuses. The beep can be muted by selecting eOFF.
OptionsOptions
b (high) c (medium) d (low) eOFF (mute)
SELF-TIMER BEEP VOL.
Choose the volume of the beep that sounds while the self-timer
is active. The beep can be muted by selecting eOFF.
OptionsOptions
b (high) c (medium) d (low) eOFF (mute)
210
The Setup Menus
8
SOUND SETTING
OPERATION VOL.
Adjust the volume of the sounds produced when camera con-
trols are operated. Choose eOFF to disable control sounds.
OptionsOptions
b (high) c (medium) d (low) eOFF (mute)
SHUTTER VOLUME
Adjust the volume of the sounds produced by the electronic
shutter. Choose eOFF to disable the shutter sound.
OptionsOptions
b (high) c (medium) d (low) eOFF (mute)
SHUTTER SOUND
Choose the sound made by the electronic shutter.
OptionsOptions
i SOUND 1 j SOUND 2 k SOUND 3
PLAYBACK VOLUME
Adjust the volume for movie playback.
OptionsOptions
012345678910
211
The Setup Menus
8
SCREEN SETTING
Make changes to display settings.
To access display settings, press MENU/OK,
select the D (SET UP) tab, and choose
SCREEN SET-UP.
SCREEN SETTING
EVF BRIGHTNESS
EVF COLOR
EVF COLOR ADJUSTMENT
LCD BRIGHTNESS
LCD COLOR
LCD COLOR ADJUSTMENT
IMAGE DISP.
AUTOROTATE DISPLAYS
EXIT
EVF BRIGHTNESS
Adjust the brightness of the display in the electronic view nder.
OptionOption DescriptionDescription
AUTO Automatic brightness adjustment.
MANUAL
Adjust brightness manually; choose from options between −7
and +5.
EVF COLOR
Adjust the saturation of the display in the electronic view nder.
OptionsOptions
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
EVF COLOR ADJUSTMENT
Adjust the color of the display in the electronic view nder.
1
Adjust colors using the focus stick
(focus lever).
SET CANCEL
EVF COLOR ADJUSTMENT
2
Press MENU/OK.
212
The Setup Menus
8
LCD BRIGHTNESS
Adjust monitor brightness.
OptionsOptions
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
LCD COLOR
Adjust monitor saturation.
OptionsOptions
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
LCD COLOR ADJUSTMENT
Adjust the color of the display in the LCD monitor.
1
Adjust colors using the focus stick (focus lever).
2
Press MENU/OK.
213
The Setup Menus
8
SCREEN SETTING
IMAGE DISP.
Choose how long images are displayed after shooting.
OptionOption DescriptionDescription
CONTINUOUS
Pictures are displayed until the MENU/OK button is pressed or the
shutter button is pressed halfway. To zoom in on the active focus
point, press the center of the rear command dial; press again to
cancel zoom.
1.5 SEC
Pictures are displayed for the selected time or until the shutter
button is pressed halfway.
0.5 SEC
OFF Pictures are not displayed after shooting.
N
•
Colors may di er slightly from those in the nal image.
•
“Noise” mottling may be visible at high sensitivities.
AUTOROTATE DISPLAYS
Choose whether the indicators in the view nder and LCD monitor
rotate to match camera orientation.
OptionsOptions
ON OFF
214
The Setup Menus
8
PREVIEW EXP./WB IN MANUAL MODE
Choose whether to enable exposure and/or white balance preview
in manual exposure mode.
OptionOption DescriptionDescription
PREVIEW EXP./WB Enable exposure and white balance preview.
PREVIEW WB
Preview white balance only. Choose this option in situations in
which exposure and white balance are likely to change during
shooting, as may be the case when you use a fl ash with an
incandescent monitoring lamp.
OFF
Disable exposure and white balance preview. Choose this op-
tion when using a fl ash or on other occasions on which expo-
sure may change when the picture is taken.
NATURAL LIVE VIEW
Choose whether the e ects of lm simulation, white balance,
and other settings are visible in the monitor.
OptionOption DescriptionDescription
ON
The eff ects of camera settings are not visible in the monitor,
but shadows in low-contrast, back-lit scenes and other hard-
to-see subjects more visible. Colors and tone will diff er from
those in the fi nal picture. The display will however be adjusted
to show the eff ects of monochrome and sepia settings.
OFF
The eff ects of fi lm simulation, white balance, and other settings
can be previewed in the monitor.
215
The Setup Menus
8
SCREEN SETTING
FRAMING GUIDELINE
Choose a framing grid for shooting mode.
OptionOption
F GRID 9 G GRID 24 H HD FRAMING
Display
P P P
For “rule of thirds” compo-
sition.
A six-by-four grid. Frame HD pictures in the
crop shown by the lines at
the top and bottom of the
display.
N
Framing guides are not shown at default settings but can be displayed
using D SCREEN SET-UP> DISP. CUSTOM SETTING (P 20).
216
The Setup Menus
8
AUTOROTATE PB
Choose ON to automatically rotate “tall” (portrait-orientation)
pictures during playback.
OptionsOptions
ON OFF
PLAYBACK MAGNIFICATION
Choose the zoom ratio selected when the center of the rear com-
mand dial is pressed during playback.
OptionOption DescriptionDescription
2x (FROM CENTER)
View the center area of the picture at the selected zoom
ratio. Regardless of the setting selected, pictures will not be
displayed at greater than actual size.
4x (FROM CENTER)
8x (FROM CENTER)
ACTUAL SIZE
(FROM FOCUS POINT)
View the picture at actual size, centered on the focus area.
The zoom ratio varies with the size of the image.
PREVIOUS MAG.
(FROM CENTER)
Display each picture at the same zoom ratio as the previous
picture, starting at the center of the image. Pictures will not,
however, be displayed at greater than actual size.
FOCUS SCALE UNITS
Choose the units used for the focus distance indicator.
OptionsOptions
METERS FEET
217
The Setup Menus
8
SCREEN SETTING
DUAL DISPLAY SETTING
Choose the content of the two windows in the dual display.
OptionOption DescriptionDescription
R:FOCUS L:FRAME
The right (small) window shows a close-up of the focus area,
while the left (large) window shows the entire frame.
R:FRAME L:FOCUS
The right (small) window shows the entire frame, while the left
(large) window shows a close-up of the focus area.
DISP. CUSTOM SETTING
Choose the items shown in the standard indicator display
(P 20).
218
The Setup Menus
8
LARGE INDICATORS MODE(EVF)
Select ON to display large indicators in the electronic view nd-
er. The indicators displayed can be selected using D SCREEN
SET-UP> LARGE INDICATORS DISP. SETTING.
5
4
3
2
1
0
-1
-2
-3
-4
-5
5
4
3
2
1
0
-1
-2
-3
-4
-5
OFF ON
O
Some icons are not displayed when ON is selected for LARGE
INDICATORS MODE(EVF) (P 13).
N
If LARGE INDICATORS MODE is assigned to a function button, the
button can be used to toggle LARGE INDICATORS MODE on (ON)
and o (OFF) (P 255).
LARGE INDICATORS MODE(LCD)
Select ON to display large indicators in the LCD monitor. The in-
dicators displayed can be selected using D SCREEN SET-UP >
LARGE INDICATORS DISP. SETTING.
OFF ON
O
Some icons are not displayed when ON is selected for LARGE
INDICATORS MODE(LCD) (P 15).
N
If LARGE INDICATORS MODE is assigned to a function button, the
button can be used to toggle LARGE INDICATORS MODE on (ON)
and o (OFF) (P 255).
219
The Setup Menus
8
SCREEN SETTING
LARGE INDICATORS DISP. SETTING
Choose the indicators displayed when
ON is selected for D SCREEN SET-UP>
LARGE INDICATORS MODE(EVF) or
LARGE INDICATORS MODE(LCD).
Scale
Expo. DISP.
LARGE INDICATORS DISP. SETTING
OptionOption DescriptionDescription
A
Expo. DISP.
Choose the items listed at the bottom of the display.
Selected items are indicated by check marks (R); to
deselect, highlight the check marks and press MENU/OK.
B
d Scale
Select ON to display the exposure indicator.
C
L1, L2, L3, L4
Choose up to four large icons for display on the left side
of the screen.
D
R1, R2, R3, R4
Choose up to four large icons for display on the right
side of the screen.
INFORMATION CONTRAST ADJ.
Adjust display contrast.
OptionOption DescriptionDescription
HIGH CONTRAST High contrast.
STANDARD Normal contrast.
LOW CONTRAST Low contrast.
DARK AMBIENT LIGHTING Contrast adjusted for dim ambient lighting.
220
The Setup Menus
8
SUB MONITOR SETTING
Choose the indicators displayed in the secondary LCD monitor.
Separate displays are available for still photography and movie
recording. Choose from the following:
OptionOption DescriptionDescription
INFORMATION
Display camera settings. You can choose the settings
displayed.
DIALS Display dials showing ISO sensitivity and shutter speed.
HISTOGRAM Display a histogram.
N
You can switch between displays by pressing the secondary LCD mon-
itor mode button.
The INFORMATION Display
Follow the steps below to choose the indicators shown in the
INFORMATION display.
1
Select D SCREEN SET-UP> SUB MONITOR SETTING in the
setup menu.
2
Highlight STILL MODE or MOVIE MODE and press MENU/OK.
3
Highlight INFORMATION and press
MENU/OK.
INFORMATION
DIALS
HISTOGRAM
SUB MONITOR SETTING(STILL)
221
The Setup Menus
8
SCREEN SETTING
4
Highlight the indicator you wish to change and press MENU/OK.
SUB MONITOR SETTING INFORMATION(STILL)
d Scale
APERTURE
SHUTTER SPEED
ISO
SHOOTING MODE
FILM SIMULATION
WHITE BALANCE
IMAGE SIZE/QUALITY
5
Highlight the indicator you wish to
display and press MENU/OK.
ISO
WHITE BALANCE
NONE
APERTURE
SHUTTER SPEED
EXPO. COMP.
DISPLAY 1 SETTING
Choose from:
•
SHUTTER SPEED
•
APERTURE
•
EXPO. COMP.
•
ISO
•
MOVIE MODE
•
SHOOTING MODE
•
PHOTOMETRY
•
DRIVE MODE
•
FOCUS MODE
•
WHITE BALANCE
•
IMAGE SIZE/QUALITY
•
SHUTTER TYPE
•
FILM SIMULATION
•
DYNAMIC RANGE
•
35mm FORMAT MODE
•
DUAL IS MODE
•
SELF-TIMER
•
NONE
222
The Setup Menus
8
6
Repeat Steps 4 and 5 to change additional indicators.
N
The d Scale indicator can only be enabled
or disabled.
d Scale
SUB MONITOR BACKGROUND COLOR
Adjusting the background color of the secondary LCD monitor
according to lighting conditions makes the display easier to read.
OptionOption DescriptionDescription
BLACK Recommended for use with dark ambient lighting.
WHITE Recommended for use with bright ambient lighting.
N
The background is displayed in white when the secondary LCD moni-
tor backlight is on.
223
The Setup Menus
8
SCREEN SETTING
x Q MENU BACKGROUND
Choose the background color used for the quick menu when it is
displayed during still photography.
OptionsOptions
TRANSPARENT BLACK
F Q MENU BACKGROUND
Choose the background color used for the quick menu when it is
displayed during movie recording.
OptionsOptions
TRANSPARENT BLACK
224
The Setup Menus
8
BUTTON/DIAL SETTING
Access options for camera controls.
To access control options, press MENU/OK,
select the D (SET UP) tab, and choose
BUTTON/DIAL SETTING.
BUTTON/DIAL SETTING
FOCUS LEVER SETTING
xEDIT/SAVE QUICK MENU
FEDIT/SAVE QUICK MENU
FUNCTION (Fn) SETTING
COMMAND DIAL SETTING
COMMAND DIAL DIRECTION
SHUTTER AF
SHUTTER AE
EXIT
FOCUS LEVER SETTING
Choose the functions performed by the focus stick (focus lever).
OptionOption DescriptionDescription
LOCK (OFF) The focus stick cannot be used during shooting.
PUSH n TO UNLOCK
Press the stick to view the focus-point display and tilt the stick
to select a focus point.
ON
Tilt the stick to view the focus-point display and select a focus
point.
x
EDIT/SAVE QUICK MENU
Choose the items displayed in the quick menu during still pho-
tography (P 249).
F
EDIT/SAVE QUICK MENU
Choose the items displayed in the quick menu when lming
movies (P 249).
225
The Setup Menus
8
BUTTON/DIAL SETTING
FUNCTION (Fn) SETTING
Choose the roles played by the function buttons (P 255).
COMMAND DIAL SETTING
Choose the roles played by the command dials.
OptionOption DescriptionDescription
FRONT COMMAND
DIAL 1
Assign shutter speed (S.S. (PROGRAM SHIFT)) or aper-
ture (APERTURE)
*
to FRONT COMMAND DIAL 1.
FRONT COMMAND
DIAL 2
Assign shutter speed (S.S. (PROGRAM SHIFT)), aper-
ture (APERTURE)
*
, sensitivity (ISO), or no role (NONE)
to FRONT COMMAND DIAL 2 or FRONT COMMAND
DIAL 3.
FRONT COMMAND
DIAL 3
REAR COMMAND
DIAL
Assign shutter speed (S.S. (PROGRAM SHIFT)), aperture
(APERTURE)
*
, sensitivity (ISO), or no role (NONE) to the
rear command dial.
EXP. COMPENSATION
ASSIGNMENT
Exposure compensation can be adjusted using either or
both of the front and rear command dials while the d (ex-
posure compensation) button is pressed.
* Aperture ring rotated to A or C in mode A (aperture-priority AE) or M (manual).
N
•
COMMAND DIAL SETTING can also be accessed by pressing and
holding the center of the front command dial.
•
You can also press the center of the front command dial to cycle
through settings in the order FRONT COMMAND DIAL 1, FRONT
COMMAND DIAL 2, and FRONT COMMAND DIAL 3.
226
The Setup Menus
8
COMMAND DIAL DIRECTION
Choose the direction in which the command dials are rotated to
choose values. Settings for the front and rear command dials can
be adjusted separately.
OptionOption DescriptionDescription
- ––––– +
Rotate the dial right for higher values or to move to the next
item.
+ ––––– - Rotate the dial left for higher values or to move to the next item.
SHUTTER AF
Choose whether the camera focuses when the shutter button is
pressed halfway.
OptionOption DescriptionDescription
AF-S
•
ON: Focus locks when the shutter button is pressed halfway.
•
OFF: No focus operation is performed when the shutter but-
ton is pressed halfway.
AF-C
•
ON: The camera focuses while the shutter button is pressed
halfway.
•
OFF: No focus operation is performed when the shutter but-
ton is pressed halfway.
227
The Setup Menus
8
BUTTON/DIAL SETTING
SHUTTER AE
If ON is selected, exposure will lock while the shutter button is
pressed halfway. The setting for focus mode C (AF-C) can be ad-
justed separately from that for modes S (AF-S) and M (manual fo-
cus).
OptionsOptions
ON OFF
N
Select OFF to allow the camera to adjust exposure before each shot
taken in burst mode.
228
The Setup Menus
8
SHOOT WITHOUT LENS
Choose ON to enable the shutter release when no lens is at-
tached.
OptionsOptions
ON OFF
SHOOT WITHOUT CARD
Choose whether the shutter can be released without a memory
card inserted in the camera.
OptionOption DescriptionDescription
ON
When no memory card is inserted, the shutter can be released
to test camera function and the shooting and setup menus can
be displayed.
OFF
The shutter is disabled if no memory card is inserted, preventing
accidental loss of pictures taken without a memory card.
229
The Setup Menus
8
BUTTON/DIAL SETTING
FOCUS RING
Choose the direction in which the focus ring is rotated to in-
crease the focus distance.
OptionsOptions
X CW (clockwise) Y CCW (counterclockwise)
FOCUS RING OPERATION
Choose how the camera adjusts focus in response to the move-
ment of the focus ring.
OptionOption DescriptionDescription
NONLINEAR Focus is adjusted at the same rate as the ring is rotated.
LINEAR
Focus is adjusted linearly according to the amount the ring is ro-
tated, but the focusing speed is unaff ected by the speed the ring
is rotated.
230
The Setup Menus
8
AE/AF-LOCK MODE
This option determines the behavior of the button to which
exposure and/or focus lock is assigned.
OptionOption DescriptionDescription
AE&AF ON WHEN
PRESSING
Exposure and/or focus will lock while the button is pressed.
AE&AF ON/OFF
SWITCH
Exposure and/or focus will lock when the button is pressed and re-
main locked until it is pressed again.
AWB-LOCK MODE
Choose the behavior of function buttons assigned auto white
balance (AWB) lock. Auto white balance lock is used to lock white
balance at the value metered by the camera when WA WHITE
PRIORITY, AUTO, or AA AMBIENCE PRIORITY is selected for
white balance.
OptionOption DescriptionDescription
AWB ON WHEN
PRESSING
Auto white balance locks while the button is pressed.
AWB ON/OFF
SWITCH
Press the button once to lock auto white balance and again to end
the lock.
EXPO. COMP. BUTTON SETTING
Control the behavior of the rear command dial and the button
to which exposure compensation is assigned. If
d
ON WHEN
PRESSING is selected, exposure compensation can be adjusted
by holding the button while rotating dial; if
d
ON/OFF SWITCH
is selected, exposure compensation can be set by pressing the
button once, rotating the dial, and then pressing the button
again.
OptionsOptions
d ON WHEN PRESSING d ON/OFF SWITCH
231
The Setup Menus
8
BUTTON/DIAL SETTING
TOUCH SCREEN SETTING
Enable or disable touch-screen controls.
x TOUCH SCREEN SETTING
OptionOption DescriptionDescription
ON The LCD monitor functions as a touch screen during shooting.
OFF Touch controls disabled.
x DOUBLE TAP SETTING
OptionOption DescriptionDescription
ON
Tap the LCD monitor twice to zoom in on your subject during
shooting.
OFF Touch zoom disabled.
c TOUCH FUNCTION
OptionOption DescriptionDescription
ON Enable touch-function gestures.
OFF Disable touch-function gestures.
a TOUCH SCREEN SETTING
OptionOption DescriptionDescription
ON The LCD monitor functions as a touch screen during playback.
OFF Touch controls disabled.
232
The Setup Menus
8
BUTTON/DIAL SETTING
EVF TOUCH SCREEN AREA SETTINGS
Select the area of the LCD monitor used for touch controls while
the view nder is active. The area used for touch controls can be
selected from:
OptionOption DescriptionDescription
6
All.
0
Right half.
2
Top right quarter.
4
Bottom right quarter.
1
Left half.
3
Top left quarter.
5
Bottom left quarter.
OFF Touch controls disabled.
LOCK
Lock selected controls to prevent unintended operation.
OptionOption DescriptionDescription
LOCK SETTING
Choose from the following:
•
UNLOCK: Reset lock options.
•
ALL FUNCTION: Lock all controls in the FUNCTION
SELECTION list.
•
SELECTED FUNCTION: Lock only the controls selected in
the FUNCTION SELECTION list.
FUNCTION
SELECTION
Choose the controls locked when SELECTED FUNCTION is
chosen for LOCK SETTING.
N
The controls selected using SELECTED FUNCTION can be locked at any
time during shooting by pressing and holding MENU/OK. To unlock the
controls, press and hold the button again.
233
The Setup Menus
8
POWER MANAGEMENT
Adjust power management settings.
To access power management settings,
press MENU/OK, select the D (SET UP) tab,
and choose POWER MANAGEMENT.
POWER MANAGEMENT
AUTO POWER OFF
SHOOTING STAND BY MODE
AUTO POWER SAVE
AUTO POWER OFF TEMP.
EXIT
AUTO POWER OFF
Choose the length of time before the camera turns o automati-
cally when no operations are performed. Shorter times increase
battery life; if OFF is selected, the camera must be turned o
manually.
OptionsOptions
5 MIN 2 MIN 1 MIN 30 SEC 15 SEC OFF
234
The Setup Menus
8
POWER MANAGEMENT
SHOOTING STAND BY MODE
Choose the delay before the camera enters shooting standby
mode.
OptionOption DescriptionDescription
5 MIN
The camera will suspend all functions and enter power-
ing-saving (standby) mode if no operations are performed
for the selected period. To exit shooting standby mode, press
the MENU/OK button or another control.
2 MIN
1 MIN
30 SEC
15 SEC
OFF Shooting standby mode disabled.
AUTO POWER SAVE
If ON is selected, the display frame rate will drop to save power if
no operations are performed for a short period, but the normal
frame rate can be restored by operating camera controls.
OptionsOptions
ON OFF
AUTO POWER OFF TEMP.
If its temperature rises beyond a certain point, the camera will rst
display a message and then, if the temperature rise continues, auto-
matically end shooting and power down. Choose the temperature
at which the camera turns o automatically.
OptionOption DescriptionDescription
STANDARD
The camera turns off automatically when its temperature reach-
es the STANDARD value.
HIGH
Shooting can continue at temperatures higher than the
STANDARD value, extending the time available to record
movies and the like. Because remaining in contact with the
camera at these high temperatures could result in low-tem-
perature burns, this option should only be used after mounting
the camera on a tripod or taking other steps to avoid prolonged
contact with the camera.
235
The Setup Menus
8
SAVE DATA SETTING
Make changes to le management settings.
To access le management settings,
press MENU/OK, select the D (SET UP) tab,
and choose SAVE DATA SET-UP.
SAVE DATA SETTING
FRAME NO.
SAVE ORG IMAGE
EDIT FILE NAME
FCARD SLOT SETTING
xCARD SLOT SETTING
SELECT FOLDER
SELECT SLOT( SEQUENTIAL)
SELECT SLOT( SEQUENTIAL)
EXIT
FRAME NO.
New pictures are stored in image les named
using a four-digit le number assigned by
adding one to the last le number used. The
le number is displayed during playback as
shown. FRAME NO. controls whether le num-
bering is reset to 0001 when a new memory card is inserted or
the current memory card is formatted.
OptionOption DescriptionDescription
CONTINUOUS
Numbering continues from the last fi le number used or the fi rst
available fi le number, whichever is higher. Choose this option to
reduce the number of pictures with duplicate fi le names.
RENEW
Numbering is reset to 0001 after formatting or when a new
memory card is inserted.
N
•
If the frame number reaches 999-9999, the shutter release will be
disabled. Turn the camera o and insert a formatted memory card
before resuming shooting.
•
Selecting
D
USER SETTING> RESET sets FRAME NO. to
CONTINUOUS but does not reset the le number.
•
Frame numbers for pictures taken with other cameras may di er.
Frame number
Directory
number
File
number
236
The Setup Menus
8
SAVE ORG IMAGE
Choose ON to save unprocessed copies of pictures taken using
RED EYE REMOVAL.
OptionsOptions
ON OFF
EDIT FILE NAME
Change the le name pre x. sRGB images use a four-letter pre x
(default “DSCF”), Adobe RGB images a three-letter pre x (“DSF”)
preceded by an underscore.
OptionOption Default pre xDefault pre x Sample le nameSample le name
sRGB DSCF ABCD0001
AdobeRGB _DSF _ABC0001
x CARD SLOT SETTING
Choose the role played by the card in the second slot.
OptionOption DescriptionDescription
SEQUENTIAL
The card in the second slot is used only when the card in the
fi rst slot is full.
BACKUP Each picture is recorded twice, once to each card.
RAW / JPEG
RAW pictures will be saved to the card in the fi rst slot and
JPEG pictures to the card in the second slot. This option
only takes eff ect when SUPER FINE+RAW, FINE+RAW
or NORMAL+RAW is selected for H IMAGE QUALITY
SETTING> IMAGE QUALITY.
237
The Setup Menus
8
SAVE DATA SETTING
F CARD SLOT SETTING
Choose the role played by the card in the second slot.
OptionOption DescriptionDescription
SEQUENTIAL
The card in the second slot is used only when the card in the
fi rst slot is full.
BACKUP Each picture is recorded twice, once to each card.
O
•
The current movie mode applies to both copies; settings for backup
copies cannot be adjusted separately.
•
Backup recording may not be available with movies, depending on
the option selected for movie mode.
SELECT SLOT(xSEQUENTIAL)
Choose the card that is recorded to rst when SEQUENTIAL is
selected for x CARD SLOT SETTING.
OptionsOptions
SLOT 1 SLOT 2
SELECT SLOT(FSEQUENTIAL)
Choose the card that is recorded to rst when SEQUENTIAL is
selected for F CARD SLOT SETTING.
OptionsOptions
SLOT 1 SLOT 2
238
The Setup Menus
8
SAVE DATA SETTING
SELECT FOLDER
Create folders and choose the folder used to store subsequent
pictures.
OptionOption DescriptionDescription
SELECT FOLDER
To choose the folder in which subsequent pictures will be
stored, press the focus stick (focus lever) up or down to
highlight an existing folder and press MENU/OK.
CREATE FOLDER
Enter a fi ve-character folder name. The new folder will be
created with the next picture you take and subsequent
pictures will be stored in that folder.
COPYRIGHT INFO
Copyright information, in the form of Exif tags, can be added to
new images as they are taken. Changes to copyright information
are re ected only in images taken after the changes are made.
OptionOption DescriptionDescription
DISP COPYRIGHT INFO View the current copyright information.
ENTER AUTHOR’S INFO Enter the creator’s name.
ENTER COPYRIGHT INFO Enter the name of the copyright holder.
DELETE COPYRIGHT INFO
Delete the current copyright information. This change applies
only to images taken after this option is selected; copyright
information recorded with existing images is not aff ected.
239
The Setup Menus
8
CONNECTION SETTING
Adjust settings for connection to other devices.
To access connection settings, press
MENU/OK, select the D (SET UP) tab, and
choose CONNECTION SETTING.
EXIT
CONNECTION SETTING
Bluetooth SETTINGS
NETWORK SETTING
instax PRINTER CONNECTION SETTING
CONNECTION MODE
USB POWER SUPPLY SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
N
For more information on wireless connections, visit:
http://fujifilm-dsc.com/wifi/
Bluetooth SETTINGS
Adjust Bluetooth settings.
OptionOption DescriptionDescription
PAIRING
REGISTRATION
Pair the camera with a smartphone running the FUJIFILM Camera
Remote app.
SELECT PAIRING
DESTINATION
Choose a connection from a list of devices with which the
camera has been paired using PAIRING REGISTRATION.
Select NO CONNECTION to exit without connecting.
DELETE PAIRING
REG.
Delete pairing information for selected devices. Choose the de-
vice in the device list. The selected device will also be removed
from the devices listed in SELECT PAIRING DESTINATION.
Bluetooth ON/OFF
•
ON: The camera automatically establishes a Bluetooth con-
nection with paired devices when turned on.
•
OFF: The camera does not connect via Bluetooth.
AUTO IMAGE
TRANSFER
•
ON: Mark photos for upload as they are taken. Mark JPEG
photos for upload as they are taken.
•
OFF: Photos are not marked for upload as they are taken.
SMARTPHONE
SYNC. SETTING
Choose whether to synchronize the camera to the time and/or
location provided by a paired smartphone.
•
LOCATION&TIME: Synchronize the time and location.
•
LOCATION: Synchronize the location.
•
TIME: Synchronize the time.
•
OFF: Synchronization off .
240
The Setup Menus
8
N
•
Install the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet before pairing the device with your camera or
uploading images.
•
When ON is selected for both Bluetooth ON/OFF and AUTO IMAGE
TRANSFER or images are currently selected for upload using the IMAGE
TRANSFER ORDER option in the
C
(playback) menu, upload to paired
devices will begin shortly after you exit to playback or turn the camera
o . IMAGE TRANSFER ORDER can also be used to select pictures for
upload when AUTO IMAGE TRANSFER is o .
NETWORK SETTING
Adjust settings for connection to wireless networks.
OptionOption DescriptionDescription
WIRELESS ACCESS
POINT SETTING
•
SIMPLE SETUP: Connect to an access point using simple
settings.
•
MANUAL SETUP: Manually adjust settings for connec-
tion to a wireless network. Choose the network from a list
(SELECT FROM NETWORK LIST) or enter the name manu-
ally (ENTER SSID).
WIRELESS IP
ADDRESS SETTING
•
AUTO: The IP address is assigned automatically.
•
MANUAL: Assign an IP address manually. Manually choose
the IP address (IP ADDRESS), network mask (NETMASK),
and gateway address (GATEWAY ADDRESS).
241
The Setup Menus
8
CONNECTION SETTING
instax PRINTER CONNECTION SETTING
Adjust settings for connection to optional Fuji lm instax SHARE
printers.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a di erent
password to print from a smartphone, enter
that password instead.
242
The Setup Menus
8
CONNECTION MODE
Adjust settings for connection to external devices.
OptionOption
DescriptionDescription
USB CARD READER
Connecting the camera to a computer via USB automatically
enables data transfer mode, allowing data to be copied to
the computer. The camera functions normally when not con-
nected.
USB TETHER
SHOOTING AUTO
The camera can be controlled from computers, gimbals,
drones, or other devices connected via USB. The camera au-
tomatically enters “tethered shooting” (i.e., remote-control)
mode when the external device is turned on and returns to
normal operation when the external device turned off or dis-
connected.
•
Photographs can be taken remotely and automatically
downloaded to computers running Capture One, Ado-
be® Photoshop® Lightroom® + Tether Plugin, FUJIFILM X
Acquire, or FUJIFILM Pixel Shift Combiner. FUJIFILM X Ac-
quire can also be used to save and load camera settings.
•
The camera can be used as a webcam when connected to
a computer running FUJIFILM X Webcam.
•
Remote photography and movie recording are available
when the camera is connected to a compatible device
such as a gimbal or drone. Use camera controls to switch
between still photography and movie recording. The fea-
tures available vary with the device connected.
USB TETHER
SHOOTING FIXED
As for USB TETHER SHOOTING AUTO, except that the
camera remains in “tethered shooting” (remote-control)
mode when the external device is off or not connected, al-
lowing the device to resume control when the connection
is re-established after an accidental disconnection or other
disruption. At default settings, pictures are not recorded to
the memory card.
243
The Setup Menus
8
CONNECTION SETTING
OptionOption
DescriptionDescription
WIRELESS TETHER
SHOOTING FIXED
Choose this option for wireless remote photography. Select a
network using D CONNECTION SETTING> NETWORK
SETTING.
USB RAW CONV./
BACKUP RESTORE
Connecting the camera to a computer via USB automatical-
ly enables USB RAW conversion/backup restore mode. The
camera functions normally when not connected.
•
USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the cam-
era’s image processing engine to rapidly convert RAW fi les
to other formats while maintaining image quality.
•
BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load
camera settings. Reconfi gure the camera in an instant or
share settings with other cameras of the same type.
O
D POWER MANAGEMENT> AUTO POWER OFF settings also apply
during tethered shooting. To prevent the camera turning o automat-
ically, select OFF for AUTO POWER OFF.
N
For information on compatible computer software, see “Software for
Use with Your Camera” (P 298).
USB POWER SUPPLY SETTING
Choose whether power is supplied to the camera when it is con-
nected to a computer or other device via a USB cable.
OptionOption DescriptionDescription
ON
The camera draws power from the connected device, reducing
the drain on the camera battery.
OFF The camera does not draw power from the connected device.
O
The camera cannot draw power from Lightning connections or from
devices that do not supply power. Select OFF before connecting the
camera to such devices. The connection may not be available for data
transfer or the like when ON is selected.
N
Regardless of the option selected, the battery will charge while the
camera is o .
244
The Setup Menus
8
CONNECTION SETTING
GENERAL SETTINGS
Adjust settings for connection to wireless networks.
OptionOption DescriptionDescription
NAME
Choose a name (NAME) to identify the camera on the wireless
network (the camera is assigned a unique name by default).
RESIZE IMAGE FOR
SMARTPHONE
H
Choose whether to resize images for upload to smartphones.
Resizing applies only to the copy uploaded to the smartphone;
the original is not aff ected.
•
ON: Larger images are resized to H for upload. This setting
is recommended.
•
OFF: Images are uploaded at their original size.
GEOTAGGING
Choose whether location data downloaded from a smartphone
are embedded in pictures as they are taken.
LOCATION INFO Display the location data last downloaded from a smartphone.
r BUTTON
SETTING
Choose the role played by the dbutton during playback.
•
s PAIRING/TRANSFER ORDER: The button can be used for
pairing and selecting images for transfer.
•
r WIRELESS COMMUNICATION: The button can be used
for wireless connections.
INFORMATION
View the camera’s MAC, Bluetooth, and wireless network IP ad-
dresses.
RESET WIRELESS SETTING
Restore wireless settings to their default values.
245
Shortcuts
246
Shortcuts
9
Shortcut Options
Customize camera controls to suit your style or situation.
Frequently-used options can be added to the Q menu or a cus-
tom “my” menu or assigned to a function button or touch-func-
tion gesture for direct access:
Shortcut OptionShortcut Option DescriptionDescription PP
“My menu”
Add frequently-used options to this custom menu,
which can be viewed by pressing MENU/OK and se-
lecting the E (“MY MENU”) tab.
247
The Quick Menu
The Q menu is displayed by pressing the Q button.
Use the Q menu to view or change the options se-
lected for frequently-used menu items.
249
The function buttons
Use the function buttons for direct access to select-
ed features.
255
Touch-function
gestures
Use touch function button fl ick gestures (T-Fn1,
T-Fn2, T-Fn3, and T-Fn4) for direct access to selected
features.
259
247
Shortcuts
9
MY MENU
Access a personalized menu of frequently-used options.
To display “my menu”, press MENU/OK in the
shooting display and select the
E
(MY
MENU) tab.
MY MENU
SELF-TIMER
INTERVAL TIMER SHOOTING
FILM SIMULATION
GRAIN EFFECT
SHUTTER TYPE
ISO
IS MODE
FACE/EYE DETECTION SETTING
EXIT
O
The E tab is only available if options have been assigned to
MY MENU.
MY MENU SETTING
To choose the items listed in the E (MY MENU) tab:
1
In the setup menu, select D USER
SETTING> x MY MENU SETTING or
F MY MENU SETTING.
N
To reorder items, select RANK ITEMS.
To delete items, select REMOVE ITEMS.
MY MENU SETTING
ADD ITEMS
RANK ITEMS
REMOVE ITEMS
2
Press the focus stick (focus lever) up
or down to highlight ADD ITEMS and
press MENU/OK. Options that can be
added to “my menu” are highlighted
in blue.
OK
CANCELSELECT
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
MONOCHROMATIC COLOR
FILM SIMULATION
RAW RECORDING
IMAGE QUALITY
IMAGE SIZE
MY MENU SETTING
N
Items currently in “my menu” are indicated by check marks.
248
Shortcuts
9
MY MENU
3
Choose a position for the item and
press MENU/OK. The item will be added
to “my menu”.
SELECT ITEM LOCATION
1 IMAGE SIZE
2 IMAGE QUALITY
SAVEMOVE
4
Press MENU/OK to return to the edit display.
5
Repeat Steps 3 and 4 until all the desired items have been
added.
N
“My menu” can contain up to 16 items.
249
Shortcuts
9
The Quick Menu
Use the quick menu for quick access to selected options. To
view the quick menu, press the Qbutton.
The Quick Menu Display
The quick menu o ers di erent options in photo and movie
modes. At default settings, it contains the following items:
Still photography
LONG PRESS EDIT/SAVE CUSTOMSET
SHOOTING MODE
DefaultDefault
AA
SHOOTING MODE
II
HIGHLIGHT TONE
BB
ISO
J
SHADOW TONE
CC
DYNAMIC RANGE
K
COLOR
D
WHITE BALANCE
L
SHARPNESS
E
HIGH ISO NR
M
SELF-TIMER
F
IMAGE SIZE
N
AF MODE
GG
IMAGE QUALITY
O
FLASH FUNCTION SETTING
HH
FILM SIMULATION
P
EVF/LCD BRIGHTNESS
The quick menu shows the options currently selected for items
B
–
P
, which can be changed.
250
Shortcuts
9
Movie recording
SHOOTING MODE
LONG PRESS EDIT/SAVE CUSTOMSET
DefaultDefault
AA
SHOOTING MODE
EE
APERTURE (MOVIE OPTIMIZED
CONTROL oL)
BB
SHUTTER SPEED
FF
F ISO
CC
MOVIE MODE
GG
FILM SIMULATION
D
F WHITE BALANCE
HH
WHITE BALANCE COLOR TEMP.
(WHEN k SELECTED)
The quick menu shows the options currently selected for items
B
–
H
, which can be changed.
251
Shortcuts
9
The Quick Menu
Viewing and Changing Settings
1
Press Q to display the quick menu
during shooting.
2
Use the focus stick (focus lever) to
highlight items and rotate the rear
command dial to change.
LONG PRESS EDIT/SAVE CUSTOMSET
ISO
N
To jump to the EDIT/SAVE CUSTOM SETTING menu, press and
hold the Q button when the quick menu is displayed.
3
Press Q to exit when settings are complete.
N
•
The quick menu can also be edited using touch controls.
•
Using D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING, you
can assign the Q button roles normally reserved for the function
buttons or assign the Q button’s default role to a function button
(P 255).
•
To disable the Q(quick menu) button, select NONE for D BUTTON/
DIAL SETTING> FUNCTION (Fn) SETTING> Q BUTTON SETTING.
252
Shortcuts
9
Editing the Quick Menu
To choose the items displayed in the quick menu:
1
Press and hold the Q button during
shooting.
N
The camera displays the photo quick menu during still photogra-
phy and the movie quick menu when in movie mode.
2
The current quick menu will be displayed; use the focus stick
(focus lever) to highlight the item you wish to change and
press MENU/OK.
3
Highlight the item you wish to change and press MENU/OK.
The following can be assigned to the quick menu.
N
The quick menus can also be edited using D BUTTON/DIAL SETTING>
x EDIT/SAVE QUICK MENU or F EDIT/SAVE QUICK MENU.
253
Shortcuts
9
The Quick Menu
Available Items (Still Photography)
Choose from:
•
IMAGE SIZE
•
IMAGE QUALITY
•
FILM SIMULATION
•
GRAIN EFFECT
•
COLOR CHROME EFFECT
•
COLOR CHROME FX BLUE
•
SMOOTH SKIN EFFECT
•
DYNAMIC RANGE
•
D RANGE PRIORITY
•
WHITE BALANCE
•
WHITE BALANCE COLOR TEMP.
(WHENk SELECTED)
•
HIGHLIGHT TONE
•
SHADOW TONE
•
COLOR
•
SHARPNESS
•
CLARITY
•
HIGH ISO NR
•
AF MODE
•
FACE/EYE DETECTION SETTING
•
MF ASSIST
•
TOUCH SCREEN MODE
•
SELF-TIMER
•
PHOTOMETRY
•
SHUTTER TYPE
•
FLICKER REDUCTION
•
ISO
•
FLASH FUNCTION SETTING
•
FLASH COMPENSATION
•
EVF/LCD BRIGHTNESS
•
EVF/LCD COLOR
•
NONE
N
To disable the function button, choose NONE.
254
Shortcuts
9
The Quick Menu
Available Items (Movies)
•
FILM SIMULATION
•
WHITE BALANCE
•
WHITE BALANCE COLOR TEMP.
(WHENk SELECTED)
•
HIGHLIGHT TONE
•
SHADOW TONE
•
COLOR
•
SHARPNESS
•
HIGH ISO NR
•
FACE/EYE DETECTION SETTING
•
MF ASSIST
•
TOUCH SCREEN MODE
•
PHOTOMETRY
•
MOVIE ISO
•
MOVIE MODE
•
MOVIE AF MODE
•
FIX MOVIE CROP MAGNIFICATION
•
F IS MODE
•
F IS MODE BOOST
•
SHUTTER SPEED
•
APERTURE
(MOVIE OPTIMIZED CONTROL oL)
•
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
•
EVF/LCD BRIGHTNESS
•
EVF/LCD COLOR
•
NONE
N
To disable the function button, choose NONE.
255
Shortcuts
9
Function Controls
Assign a role to each function button or touch-function
gesture for quick access to the selected feature.
The Function Buttons
Assign a role to the function buttons for quick access to the se-
lected feature.
Function Button Defaults
The default assignments are:
Back-of-Camera Function ButtonsBack-of-Camera Function Buttons
Function buttonsFunction buttons DefaultDefault
AA
AFON button AF-ON
BB
Q (quick menu) button QUICK MENU
CC
AEL (exposure lock) button AE LOCK ONLY
DD
Center of rear command dial FOCUS CHECK
256
Shortcuts
9
Front-of-Camera Function ButtonsFront-of-Camera Function Buttons
Function buttonsFunction buttons DefaultDefault
AA
Fn3 button SUB MONITOR MODE
BB
Fn2 button FACE DETECTION ON/OFF
CC
Fn1 button EXPO. COMP.
DD
Fn4 button RAPID AF
257
Shortcuts
9
Function Controls
Assigning Roles to the Function Buttons
The roles played by the function buttons can be selected using
the D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING op-
tion in the setup menu.
•
EXPO. COMP.
•
IMAGE SIZE
•
IMAGE QUALITY
•
RAW
•
FILM SIMULATION
•
GRAIN EFFECT
•
COLOR CHROME EFFECT
•
COLOR CHROME FX BLUE
•
SMOOTH SKIN EFFECT
•
DYNAMIC RANGE
•
D RANGE PRIORITY
•
WHITE BALANCE
•
CLARITY
•
FOCUS AREA
•
FOCUS CHECK
•
AF MODE
•
RAPID AF
•
LOW LIGHT PRIORITY AF-S
•
FACE SELECT op
•
FACE DETECTION ON/OFF
•
AF RANGE LIMITER
•
FOCUS CHECK LOCK
•
SELF-TIMER
•
AE BKT SETTING
•
FOCUS BKT SETTING
•
PHOTOMETRY
•
SHUTTER TYPE
•
FLICKER REDUCTION
•
ISO
•
IS MODE
•
35mm FORMAT MODE
•
WIRELESS COMMUNICATION
•
FLASH FUNCTION SETTING
•
TTL-LOCK
•
MODELING FLASH
•
FIX MOVIE CROP MAGNIFICATION
•
F IS MODE BOOST
•
ZEBRA SETTING
•
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
•
MOVIE OPTIMIZED CONTROL oL
•
SUB MONITOR MODE
•
PREVIEW DEPTH OF FIELD
•
PREVIEW EXP./WB IN MANUAL MODE
•
NATURAL LIVE VIEW
•
HISTOGRAM
•
ELECTRONIC LEVEL
•
LARGE INDICATORS MODE
•
AE LOCK ONLY
•
AF LOCK ONLY
•
AE/AF LOCK
•
AF-ON
•
AWB LOCK ONLY
•
S.S. LOCK
•
LOCK SETTING
•
AUTO IMAGE TRANSFER
•
SELECT PAIRING DESTINATION
•
Bluetooth ON/OFF
•
QUICK MENU
•
PLAYBACK
•
NONE
N
To disable the function button, choose NONE.
258
Shortcuts
9
AF-ON
Controls to which AF-ON is assigned can be used for autofocus.
MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mount-
ed ash unit is attached, you can press the control to test- re the
ash and check for shadows and the like (modeling ash).
TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock ash
output according to the option selected for F FLASH SETTING>
TTL-LOCK MODE (P 153).
FACE SELECT op
FACE SELECT op can be enabled or
disabled by pressing the button to which
FACE SELECT op is assigned. Enabling
FACE SELECT op allows the focus stick
(focus lever) or (during view nder pho-
tography) touch controls (P 27) to be
used to select the face that will be used
for focus.
FACE SELECT ON
The following features can be accessed using the focus stick or
during view nder photography when FACE SELECT op is en-
abled:
•
The face used to set focus can be selected using the focus stick.
To switch from face detection to manual focus-area selection,
press the center of the focus stick (focus lever) (P 85). Press
again to re-enable face detection.
•
The touch screen (monitor) or focus stick can be used to select
the face used to set focus during view nder photography.
259
Shortcuts
9
Function Controls
Touch-Function Gestures
Assign roles to touch-function gestures (T-Fn1, T-Fn2, T-Fn3, or T-Fn4)
for quick access to selected features.
N
Touch-function gestures are disabled by default. To enable touch-func-
tion gestures, select ON for DBUTTON/DIAL SETTING> TOUCH
SCREEN SETTING> c TOUCH FUNCTION.
Touch-Function Gesture Defaults
The default assignments for the di erent gestures are:
Touch-Function GesturesTouch-Function Gestures DefaultDefault
AA
T-Fn1 ( ick up) HISTOGRAM
BB
T-Fn2 ( ick left) FILM SIMULATION
CC
T-Fn3 ( ick right) WHITE BALANCE
DD
T-Fn4 ( ick down) ELECTRONIC LEVEL
260
Shortcuts
9
Function Controls
Assigning Roles to Touch-Function Gestures
The roles played by touch-function gestures can be selected us-
ing the D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING
option in the setup menu.
•
IMAGE SIZE
•
IMAGE QUALITY
•
RAW
•
FILM SIMULATION
•
GRAIN EFFECT
•
COLOR CHROME EFFECT
•
COLOR CHROME FX BLUE
•
SMOOTH SKIN EFFECT
•
DYNAMIC RANGE
•
D RANGE PRIORITY
•
WHITE BALANCE
•
CLARITY
•
FOCUS AREA
•
FOCUS CHECK
•
AF MODE
•
RAPID AF
•
LOW LIGHT PRIORITY AF-S
•
FACE SELECT op
•
FACE DETECTION ON/OFF
•
AF RANGE LIMITER
•
FOCUS CHECK LOCK
•
SELF-TIMER
•
AE BKT SETTING
•
FOCUS BKT SETTING
•
PHOTOMETRY
•
SHUTTER TYPE
•
FLICKER REDUCTION
•
ISO
•
IS MODE
•
35mm FORMAT MODE
•
WIRELESS COMMUNICATION
•
FLASH FUNCTION SETTING
•
TTL-LOCK
•
MODELING FLASH
•
FIX MOVIE CROP MAGNIFICATION
•
F IS MODE BOOST
•
ZEBRA SETTING
•
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
•
MOVIE OPTIMIZED CONTROL oL
•
SUB MONITOR MODE
•
PREVIEW DEPTH OF FIELD
•
PREVIEW EXP./WB IN MANUAL MODE
•
NATURAL LIVE VIEW
•
HISTOGRAM
•
ELECTRONIC LEVEL
•
LARGE INDICATORS MODE
•
S.S. LOCK
•
LOCK SETTING
•
AUTO IMAGE TRANSFER
•
SELECT PAIRING DESTINATION
•
Bluetooth ON/OFF
•
QUICK MENU
•
PLAYBACK
•
NONE
N
To disable touch-function gestures, choose NONE.
261
Peripherals and Optional
Accessories
262
Peripherals and Optional Accessories
10
Lenses
The camera can be used with lenses for the FUJIFILM
G-mount.
Lens Parts
A
Lens hood
B
Mounting marks
C
Focus ring
D
Aperture ring lock release
E
Mounting marks (focal length)
F
Aperture ring
G
Lens signal contacts
H
Front lens cap
I
Rear lens cap
N
A GF63mmF2.8 R WR lens is used here for illustrative purposes.
263
Peripherals and Optional Accessories
10
Lenses
Lens Care
•
Use a blower to remove dust, then gently wipe with a soft, dry
cloth. Any remaining stains can be removed by wiping gently
with a piece of Fuji lm lens-cleaning paper to which a small
amount of lens-cleaning uid has been applied.
•
Replace the front and rear caps when the lens is not in use.
Removing Lens Caps
Remove lens caps as shown.
O
Lens caps may di er from those shown.
Attaching Lens Hoods
When attached, lens hoods reduce glare and protect the front
lens element.
264
Peripherals and Optional Accessories
10
Lenses
Aperture Rings
In modes A(aperture-priority AE) and M(manual), you can choose
the aperture (f-number) by rotating the lens aperture ring.
Aperture ring
lock release
Aperture ring
SettingSetting DescriptionDescription
C (C ( ))
With the aperture ring in the C or A position, you can choose
the aperture (f-number) by rotating the camera command
dial.
A (A ( ))
Other values (Other values ( ))
Set aperture to the selected value.
N
To select C or A, or to select another value after selecting C or A, press the
aperture ring lock release while rotating the aperture ring.
265
Peripherals and Optional Accessories
10
External Flash Units
Use optional external ash units for ash photography.
Some units support high-speed sync (FP) and can be used
at shutter speeds faster than the ash sync speed, while
others can function as commanders controlling remote
units via optical wireless ash control.
O
You may be unable to test- re the ash in some circumstances, for ex-
ample when a setup menu is displayed on the camera.
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected
for F FLASH SETTING> RED EYE REMOVAL and G AF/MF SETTING>
FACE/EYE DETECTION SETTING is FACE DETECTION ON. Red-eye re-
moval minimizes “red-eye” caused when light from the ash is re ected
from the subject’s retinas.
266
Peripherals and Optional Accessories
10
Flash Settings
1
Connect the unit to the camera.
2
In shooting mode, select FLASH
FUNCTION SETTING in the F (FLASH
SETTING) menu tab. The options
available vary with the ash unit.
CH SETTING
COMMANDER SETTING
LED LIGHT SETTING
TTL-LOCK MODE
RED EYE REMOVAL
FLASH SETTING
FLASH FUNCTION SETTING
EXIT
MenuMenu DescriptionDescription PP
SYNC
TERMINAL
Displayed when no compatible fl ash unit is connected or
if a unit is connected via the sync terminal or uses only
the X-contact on the hot shoe.
267
SHOE MOUNT
FLASH
Displayed when an optional fl ash unit is mounted on the
hot shoe and turned on.
268
COMMANDER
(OPTICAL)
Displayed if an optional fl ash unit functioning as a com-
mander for Fujifi lm optical wireless remote fl ash control is
connected and turned on.
271
N
SYNC TERMINAL will be also displayed if an incompatible ash
unit or no ash unit is connected.
3
Highlight items using the focus stick
(focus lever) and rotate the rear com-
mand dial to change the highlighted
setting.
ADJUST
END
M
ODE
SHOE MOUNT FLASH
4
Press DISP/BACK to put the changes into e ect.
267
Peripherals and Optional Accessories
10
External Flash Units
SYNC TERMINAL
The following options are available when no compatible ash
unit is connected or if a unit is connected via the sync terminal or
uses only the X-contact on the hot shoe.
ADJUST
END
M
ODE
SYNC TERMINAL
SettingSetting DescriptionDescription
A
Flash control mode
Choose from the following options:
•
M: A trigger signal is transmitted via the hot shoe X contacts
when a picture is taken. Choose a shutter speed slower than
the sync speed; even slower speeds may be required if the
unit uses long fl ashes or has a slow response time.
•
D (OFF): The trigger signal is disabled.
B
Sync
Choose whether the fl ash is timed to fi re immediately after
the shutter opens (H/1ST CURTAIN) or immediately before
it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in
most circumstances.
The Sync Terminal
Use the sync terminal to connect ash units
that require a sync cable.
268
Peripherals and Optional Accessories
10
SHOE MOUNT FLASH
The following options are available when an optional
shoe-mounted ash unit is attached and turned on.
ADJUST
END
M
ODE
SHOE MOUNT FLASH
SettingSetting DescriptionDescription
A
Flash control mode
The fl ash control mode selected with the fl ash unit. This can
in some cases be adjusted from the camera; the options avail-
able vary with the fl ash.
•
TTL: TTL mode. Adjust fl ash compensation (
B
).
•
M: The fl ash fi res at the selected output regardless of subject
brightness or camera settings. Output in some cases can be
adjusted from the camera (
B
).
•
MULTI: Repeating fl ash. Compatible shoe-mounted fl ash
units will fi re multiple times with each shot.
•
D (OFF): The fl ash does not fi re. Some fl ash units can be
turned off from the camera.
269
Peripherals and Optional Accessories
10
External Flash Units
SettingSetting DescriptionDescription
B
Flash compensation/
output
The options available vary with fl ash control mode.
•
TTL: Adjust fl ash compensation (the full value may not be
applied if the limits of the fl ash control system are exceed-
ed). In the cases of the EF-X20, EF-20, and EF-42, the select-
ed value is added to the value selected with the fl ash unit.
•
M/MULTI: Adjust fl ash output (compatible units only).
Choose from values expressed as fractions of full power,
from ⁄ (mode M) or ¼ (MULTI) down to ⁄ in increments
equivalent to ⁄EV. The desired results may not be achieved
at low values if they exceed the limits of the fl ash control
system; take a test shot and check the results.
C
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options avail-
able vary with the shooting mode (P, S, A, or M) selected.
•
E (FLASH AUTO): The fl ash fi res only as required; fl ash lev-
el is adjusted according to subject brightness. A p icon
displayed when the shutter button is pressed halfway indi-
cates that the fl ash will fi re when the photo is taken.
•
F (STANDARD): The fl ash fi res with every shot if possible;
fl ash level is adjusted according to subject brightness. The
fl ash will not fi re if not fully charged when the shutter is
released.
•
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not fully
charged when the shutter is released.
270
Peripherals and Optional Accessories
10
SettingSetting DescriptionDescription
D
Sync
Control fl ash timing.
•
H (1ST CURTAIN): The fl ash fi res immediately after the shut-
ter opens (generally the best choice).
•
I (2ND CURTAIN): The fl ash fi res immediately before the
shutter closes.
•
R (AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the fl ash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for fl ash control mode.
E
Zoom
The angle of illumination (fl ash coverage) for units that sup-
port fl ash zoom. Some units allow the adjustment to be
made from the camera. If AUTO is selected, zoom will auto-
matically be adjusted to match coverage to lens focal length.
F
Lighting
If the unit supports this feature, choose from:
•
J (FLASH POWER PRIORITY): Gain range by slightly reducing
coverage.
•
K (STANDARD): Match coverage to picture angle.
•
L (EVEN COVERAGE PRIORITY): Slightly increase coverage for
more even lighting.
G
LED light
Choose how the built-in LED light functions during still photog-
raphy (compatible units only): as a catchlight (
M
/CATCHLIGHT),
as an AF-assist illuminator (
N
/AF ASSIST), or as both a catch-
light and an AF-assist illuminator (
O
/AF ASSIST+CATCHLIGHT).
Choose OFF to disable the LED during photography.
G
Number of ashes
*
Choose the number of times the fl ash fi res each time the
shutter is released in MULTI mode.
H
Frequency
*
Choose the frequency at which the fl ash fi res in MULTI mode.
* Full value may not be applied if limits of fl ash control system are exceeded.
271
Peripherals and Optional Accessories
10
External Flash Units
COMMANDER(OPTICAL)
The options will be displayed if the unit is currently functioning
as a commander for Fuji lm optical wireless remote ash control.
ADJUST
END
COMMANDER(OPTICAL)
MODE
Fuji lm optical wireless remote ash control o ers a choice of
four channels (Channels 1 through 4) for the exchange of optical
signals between the commander and remote ash units. Sepa-
rate channels can be used for di erent ash systems or to pre-
vent interference when multiple systems are operating in close
proximity.
The ash units can also be placed in up to
three groups (A, B, and C) and ash mode
and ash level adjusted separately for
each group.
BB
A
C
272
Peripherals and Optional Accessories
10
SettingSetting DescriptionDescription
A
Flash control mode
(group A)
Choose fl ash control modes for groups A, B, and C. TTL%
is available for groups A and B only.
•
TTL: The units in the group fi re in TTL mode. Flash com-
pensation can be adjusted separately for each group.
•
TTL%: If TTL% is selected for either group A or B, you can
specify the output of the selected group as a percent-
age of the other and adjust overall fl ash compensation
for both groups.
•
M: In mode M, the units in the group fi re at the selected
output (expressed as a fraction of full power) regardless
of subject brightness or camera settings.
•
MULTI: Choosing MULTI for any group sets all the units
in all groups to repeating fl ash mode. All units will fi re
multiple times with each shot.
•
D (OFF): If OFF is selected, the units in the group will
not fi re.
B
Flash control mode
(group B)
C
Flash control mode
(group C)
D
Flash compensation/
output (group A)
Adjust fl ash level for the selected group according to
option selected for fl ash control mode. Note that the full
value may not be applied if the limits of the fl ash control
system are exceeded.
•
TTL: Adjust fl ash compensation.
•
M/MULTI: Adjust fl ash output.
•
TTL%: Choose the balance between groups A and B and
adjust overall fl ash compensation.
E
Flash compensation/
output (group B)
F
Flash compensation/
output (group C)
273
Peripherals and Optional Accessories
10
External Flash Units
SettingSetting DescriptionDescription
G
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options
available vary with the shooting mode (P, S, A, or M) se-
lected.
•
E (FLASH AUTO): The fl ash fi res only as required; fl ash
level is adjusted according to subject brightness. A
picon displayed when the shutter button is pressed
halfway indicates that the fl ash will fi re when the photo
is taken.
•
F (STANDARD): The fl ash fi res with every shot if possi-
ble; fl ash level is adjusted according to subject bright-
ness. The fl ash will not fi re if not fully charged when the
shutter is released.
•
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not
fully charged when the shutter is released.
H
Sync
Control fl ash timing.
•
H (1ST CURTAIN): The fl ash fi res immediately after the
shutter opens (generally the best choice).
•
I (2ND CURTAIN): The fl ash fi res immediately before the
shutter closes.
•
R
(AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the fl ash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for fl ash control mode.
I
Zoom
The angle of illumination (fl ash coverage) for units that sup-
port fl ash zoom. Some units allow the adjustment to be
made from the camera. If AUTO is selected, zoom will auto-
matically be adjusted to match coverage to lens focal length.
J
Lighting
If the unit supports this feature, choose from:
•
J (FLASH POWER PRIORITY): Gain range by slightly re-
ducing coverage.
•
K (STANDARD): Match coverage to picture angle.
•
L (EVEN COVERAGE PRIORITY): Slightly increase coverage
for more even lighting.
274
Peripherals and Optional Accessories
10
External Flash Units
SettingSetting DescriptionDescription
K
Commander
Choose the group for units functioning as a command-
er for Fujifi lm optical wireless remote fl ash control in TTL,
TTL%, or M mode. This option is available only with clip-
on fl ash units that support Fujifi lm optical wireless remote
fl ash control.
•
Gr A: Assign the commander to group A.
•
Gr B: Assign the commander to group B.
•
Gr C: Assign the commander to group C.
•
OFF: Output from the commander is held to a level that
does not aff ect the fi nal picture.
K
Number of ashes
Choose the number of times the fl ash fi res each time the
shutter is released in MULTI mode.
L
Channel
Choose the channel used by the commander for commu-
nication with the remote fl ash units. Separate channels
can be used for diff erent fl ash systems or to prevent in-
terference when multiple systems are operating in close
proximity.
L
Frequency
Choose the frequency at which the fl ash fi res in MULTI
mode.
275
Peripherals and Optional Accessories
10
Handgrips
Using a handgrip makes the camera easier to hold.
Attaching the Handgrip
The MHG-GFXS handgrip attaches to the tripod socket.
276
MEMO
277
Connections
278
Connections
11
HDMI Output
Camera shooting and playback displays can be output to
HDMI devices.
Connecting to HDMI Devices
Connect the camera to TVs or other HDMI devices using a
third-party HDMI cable.
1
Turn the camera o .
2
Connect the cable as shown below.
Insert into
HDMI connector
Insert into HDMI Micro
connector (Type D)
3
Con gure the device for HDMI input as described in the doc-
umentation supplied with the device.
4
Turn the camera on. The contents of the camera display will
be shown on the HDMI device. The camera display turns o
in playback mode (P 279).
O
•
Making sure the connectors are fully inserted.
•
Use an HDMI cable no more than 1.5m (4.9ft.) long.
279
Connections
11
HDMI Output
Shooting
Display Full HD live view or movie footage on a TV or save it to an
external recorder.
Playback
To start playback, press the camera a button. The camera mon-
itor turns o and pictures and movies are output to the HDMI
device. Note that the camera volume controls have no e ect on
sounds played on the TV; use the television volume controls to
adjust the volume.
N
Some televisions may brie y display a black screen when movie play-
back begins.
280
Connections
11
Wireless Connections
(Bluetooth®, Wireless LAN/Wi-Fi)
Access wireless networks and connect to computers,
smartphones, or tablets. For more information, visit:
http://fujifilm-dsc.com/wifi/
Smartphones and Tablets: FUJIFILM Camera Remote
Connect to the camera via Bluetooth or wireless LAN.
N
To establish a wireless connection to the camera, you will need to in-
stall the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet.
FUJIFILM Camera Remote
Once a connection has been established, you can use FUJIFILM Camera
Remote to:
•
Control the camera and take pictures remotely
•
Receive pictures uploaded from the camera
•
Browse the pictures on the camera and download selected pictures
•
Upload location data to the camera
•
Release the camera shutter
•
Update camera rmware
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
281
Connections
11
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi)
SmartPhones and Tablets: Bluetooth® Pairing
Use
D
CONNECTION SETTING> Bluetooth SETTINGS> PAIRING
REGISTRATION to pair the camera with smartphones or tablets.
Pairing o ers a simple method for downloading photos from the
camera.
N
•
Photos are downloaded via a wireless connection.
•
Once pairing is complete, you will be able to synchronize the camera
clock and location data with the smartphone or tablet (P 239).
•
You can choose a connection from up to 7 paired smartphones or
tablets.
Smartphones and Tablets: Wireless LAN
Establish wireless LAN connections to smartphones or tablets us-
ing WIRELESS COMMUNICATION in the
A
SHOOTING SETTING,
B MOVIE SETTING, or C PLAY BACK MENU.
282
Connections
11
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi)
Tethered Shooting: Capture One Pro Fuji lm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX/FUJIFILM X Acquire
•
Before proceeding, adjust settings
using D CONNECTION SETTING>
NETWORK SETTING and then select
WIRELESS TETHER SHOOTING FIXED
for D CONNECTION SETTING>
CONNECTION MODE (P 242).
•
Tethered shooting can be performed using software such as
Capture One Pro Fuji lm, Adobe® Photoshop® Lightroom®
Classic CC, and FUJIFILM X Acquire. If you use Adobe®
Photoshop® Lightroom® Classic CC, download FUJIFILM Tether
Shooting Plug-in PRO for GFX from the Adobe Exchange web-
site. FUJIFILMTether Shooting Plug-in PRO for GFX is available
free of charge.
N
•
For more information, visit the following website:
http://app.fujifilm-dsc.com/en/#tether
•
For more information on FUJIFILM X Acquire and FUJIFILM Tether
Shooting Plug-in PRO for GFX, see “Software for Use with Your Camera”
(
P
298).
CONNECTION SETTING
NETWORK SETTING
USB POWER SUPPLY SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
CONNECTION MODE
SB
EN
F
ESET WIRELESS SETTING
N
ET
u
ON
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
283
Connections
11
Connecting via USB
The camera can be connected to computers and smart-
phones via USB.
N
Before downloading pictures or taking pictures remotely, connect the
camera to a computer and check that it functions normally.
1
Turn the computer on.
2
Adjust settings according to how the camera will be used.
•
“Tethered Shooting: Capture One Pro Fuji lm/Adobe®
Photoshop® Lightroom® Classic CC + FUJIFILM Tether Shooting
Plug-in PRO for GFX/FUJIFILM X Acquire/FUJIFILM Pixel Shift
Combiner” (P
286
)
•
“Copying Pictures from a Memory Card to a Computer”
(P 287)
•
“Using Your Camera as a Webcam (FUJIFILM X Webcam)”
(P 287)
•
“Converting RAW Images: FUJIFILM X RAW STUDIO” (P
288
)
•
“Backing up and Restoring Camera Settings (FUJIFILM X
Acquire)” (P 288)
•
“Pixel Shift Multishot” (P 107)
3
Turn the camera o .
4
Connect a USB cable.
USB connector (Type-C)
O
The USB cable must be no more than 1.5 m (4.9 ft.) long and be
suitable for data transfer.
284
Connections
11
5
Turn the camera on.
6
Copy pictures to your computer.
•
Tethered shooting: During tethered shooting, you can copy
pictures using tethered shooting software such as the
Capture One Pro Fuji lm/Adobe® Photoshop® Lightroom®
Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX/
FUJIFILM X Acquire.
•
Image transfer: Use applications provided with your operat-
ing system.
•
Using your camera as a webcam: Launch FUJIFILM X Webcam.
•
RAW conversion: Process RAW images using FUJIFILM X RAW
STUDIO. The power of the camera’s image processing en-
gine is used for rapid processing.
•
Saving and loading camera settings: Use FUJIFILM X Acquire to
save or load camera settings. Save your preferred settings
to a le in a single operation and copy them to multiple
cameras.
•
Pixel Shift Multishot: Pixel-shift multi-shot photography can
be performed via tethered shooting. For this purpose, use
FUJIFILM Pixel Shift Combiner.
285
Connections
11
Connecting via USB
O
•
Turn the camera o before disconnecting the USB cable.
•
When connecting USB cables, be sure the connectors are fully in-
serted in the correct orientation. Connect the camera directly to the
computer; do not use a USB hub or keyboard.
•
Loss of power during transfer could result in loss of data or damage to
the memory card. Insert a fresh or fully-charged battery before con-
necting the camera.
•
If a memory card containing a large number of images is inserted,
there may be a delay before the software starts and you may be un-
able to import or save images. Use a memory card reader to transfer
pictures.
•
Make sure that the indicator lamp is o or lit green before turning
the camera o .
•
Do not disconnect the USB cable while transfer is in progress. Failure
to observe this precaution could result in loss of data or damage to
the memory card.
•
Disconnect the camera before inserting or removing memory cards.
•
In some cases, it may not be possible to access pictures saved to a
network server using the software in the same way as on a stand-
alone computer.
•
Do not immediately remove the camera from the system or dis-
connect the USB cable once the message stating that copying is in
progress clears from the computer display. If the number of images
copied is very large, data transfer may continue after the message has
ceased to be displayed.
•
The user bears all applicable fees charged by the phone company or
Internet service provider when using services that require an Internet
connection.
286
Connections
11
Tethered Shooting: Capture One Pro Fuji lm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX/
FUJIFILM X Acquire/FUJIFILM Pixel Shift Combiner
•
Before proceeding, select USB TETHER
SHOOTING AUTO for
D
CONNECTION
SETTING> CONNECTION MODE in the
camera menus.
•
Capture One Pro Fujifilm, Adobe®
Photoshop® Lightroom® Classic CC +
FUJIFILM Tether Shooting Plug-in PRO for GFX, FUJIFILM X
Acquire, and FUJIFILM Pixel Shift Combiner can be used for
tethered shooting.
N
•
Choose USB TETHER SHOOTING FIXED if the camera will be used
solely for tethered shooting. Note that if the USB cable is disconnect-
ed, the camera will continue to function in tethered mode and pic-
tures will not be saved to the camera memory card.
•
For more information, visit the following website:
http://app.fujifilm-dsc.com/en/#tether
•
For more information on Capture One Pro Fuji lm, Adobe®
Photoshop® Lightroom® Classic CC + FUJIFILM Tether Shooting
Plug-in PRO for GFX, FUJIFILM X Acquire, and FUJIFILM Pixel Shift
Combiner, see “Software for Use with Your Camera” (P 298).
CONNECTION SETTING
NETWORK SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
CONNECTION MODE
USB POWER SUPPLY SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
N
ET
u
ON
SB
EN
F
ESET WIRELESS SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
287
Connections
11
Connecting via USB
Copying Pictures from a Memory Card to a Computer
•
Before copying pictures to a com-
puter, select USB CARD READER for
D CONNECTION SETTING> CONNEC-
TION MODE.
•
The software that can be used to copy
pictures varies with your computer op-
erating system.
Mac OS X/macOS
Pictures can be copied to your computer using Image Capture
(supplied with your computer) or other software.
O
Use a card reader to copy les over 4GB in size.
Windows
Pictures can be copied to your computer using applications sup-
plied with the operating system.
Using Your Camera as a Webcam (FUJIFILM X Webcam)
•
Before proceeding, select
USB TETHER
SHOOTING AUTO
for
D
CONNECTION
SETTING> CONNECTION MODE in the
camera menus.
•
Launch FUJIFILM X Webcam.
N
For more information on FUJIFILM X Webcam, see “Software for Use
with Your Camera” (P 298).
CONNECTION SETTING
NETWORK SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
CONNECTION MODE
USB POWER SUPPLY SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
N
ET
u
ON
SB
EN
F
ESET WIRELESS SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
CONNECTION SETTING
NETWORK SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
CONNECTION MODE
USB POWER SUPPLY SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
N
ET
u
ON
SB
EN
F
ESET WIRELESS SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
288
Connections
11
Converting RAW Images:
FUJIFILM X RAW STUDIO
•
Before proceeding, select USB RAW
CONV./BACKUP RESTORE for D CON-
NECTION SETTING> CONNECTION
MODE in the camera menus.
•
FUJIFILM X RAW STUDIO can be used
to convert RAW images to JPEG or TIFF
images.
N
For more information on FUJIFILM X RAW STUDIO, see “Software for
Use with Your Camera” (P 298).
Backing up and Restoring Camera Settings
(FUJIFILM X Acquire)
•
Before proceeding, select USB RAW
CONV./BACKUP RESTORE for D CON-
NECTION SETTING> CONNECTION
MODE in the camera menus.
•
FUJIFILM X Acquire can be used to
backup and restore camera settings.
N
For more information on FUJIFILM X Acquire, see “Software for
Use with Your Camera” (P 298).
CONNECTION SETTING
NETWORK SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
CONNECTION MODE
USB POWER SUPPLY SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
N
ET
u
ON
SB
EN
F
ESET WIRELESS SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
CONNECTION SETTING
NETWORK SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
CONNECTION MODE
USB POWER SUPPLY SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
N
ET
u
ON
SB
EN
F
ESET WIRELESS SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
289
Connections
11
Connecting via USB
Connecting to Smartphones
To copy pictures to a smartphone, select OFF for D CONNECTION
SETTING> USB POWER SUPPLY SETTING and connect the cam-
era to the phone using a USB cable.
For Customers Using Android Devices
How you will connect the camera depends on the type of USB
connector with which your smartphone is equipped.
Type-CType-C
Use the supplied USB cable.
Supplied USB cable
Type-C connector (male) Type-C connector (male)
Micro-BMicro-B
Use a USB on-the-go (OTG) cable.
Third-party USB cable USB OTG cable
Type-C connector (male) Micro-B connector (male)
Type-A connector
(male)
Type-A connector
(female)
O
•
The smartphone must support USB OTG.
•
The desired results cannot be achieved with a USB Type-C–to–
Mirco-B cable. Use an OTG cable.
290
Connections
11
1
Set the camera’s D CONNECTION SETTING> USB POWER
SUPPLY SETTING to OFF.
2
Connect the camera and smartphone using a USB cable.
N
If the smartphone asks for permission for an application other
than the “Camera Importer” to access the camera, tap “Cancel” and
move on to the next step.
3
On your smartphone, tap the noti cation “Connected to USB
PTP”.
4
From the recommended applications, select “Camera
Importer”.
The app will automatically start and allow you to import pho-
tos and movies to your smartphone.
N
If the message “There is no MTP device connected” appears on the
app, please try again from step 2.
291
Connections
11
Connecting via USB
For Customers Using iOS
Use a camera adapter. Given that the camera is equipped with a
USB Type-C connector, you will need to supply a cable with a USB
Type-A connector for connection to the camera adapter.
Third-party USB cable
Apple Lightning to
USB Camera Adapter
Type-C connector (male) Use an Apple Lightning to
USB Camera Adapter
Type-A connector (male)
1
Set the camera’s D CONNECTION SETTING> USB POWER
SUPPLY SETTING to OFF.
2
Connect the camera and smartphone using a USB cable.
Launch the Photos app to import photos and movies to your
smartphone.
O
•
A Type-C to Type-C USB cable is required for connection to iPad Pro
and iPad Air devices equipped with USB Type-C connectors.
•
The desired results cannot be achieved with a USB Type-C–to–
Lightning cable. Use a camera adapter.
292
Connections
11
instax SHARE Printers
Print pictures from your digital camera to instax SHARE
printers.
Establishing a Connection
Select
D
CONNECTION SETTING> instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and pass-
word.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a di erent
password to print from a smartphone, enter
that password instead.
293
Connections
11
instax SHARE Printers
Printing Pictures
1
Turn the printer on.
2
Select C PLAY BACK MENU> instax
PRINTER PRINT. The camera will con-
nect to the printer.
FUJIFILM-CAMERA-1234
CONNECTING
CANCEL
PRINTER PRINT
instax-12345678
3
Use the focus stick (focus lever) to
display the picture you want to print,
then press MENU/OK.
100-0020
SET CANCEL
instax-12345678
PRINTER PRINT
N
•
Pictures taken with other cameras cannot be printed.
•
The area printed is smaller than the area visible in the LCD
monitor.
•
The displays may vary depending on the printer connected.
4
The picture will be sent to the printer and printing will start.
294
MEMO
295
Technical Notes
296
Technical Notes
12
Accessories from Fuji lm
The following optional accessories are available from Fuji lm.
For the latest information on the accessories available in your
region, check with your local Fuji lm representative or visit
https://fujifilm-x.com/support/compatibility/cameras/.
Rechargeable Li-ion batteriesRechargeable Li-ion batteries
NP-W235: Additional high-capacity NP-W235 rechargeable batteries can be purchased
as required.
Dual battery chargersDual battery chargers
BC-W235: The BC-W235 can charge up to two NP-W235 batteries at a time. At
+25°C/+77°F, the batteries will charge in about 200minutes. Using a device that
supplies power with an outputs of 30W or above reduces charging times to as little
as 150minutes.
FUJINON lensesFUJINON lenses
GF-series lenses: Interchangeable lenses for use exclusively with the FUJIFILM G-mount.
Eye cupsEye cups
EC-XH W/EC-XT L/EC-XT M/EC-XT S/EC-GFX: Attach viewfi nder eyecups to prevent light
leaking into the viewfi nder window.
Mount adaptersMount adapters
H MOUNT ADAPTER G: This mount adapter allows the camera to be used with SUPEREBC
FUJINON accessories for the GX645AF, giving you the use of one additional telecon-
verter and nine diff erent lenses.
Macro extension tubesMacro extension tubes
MCEX-18G WR/MCEX-45G WR: Mount this adapter between the lens and the camera
body for macro photography with large reproduction ratios.
View camera adaptersView camera adapters
VIEW CAMERA ADAPTER G: This adapter is for use with lenses for older FUJINON large-for-
mat cameras, including lenses in the CM FUJINON series.
Shoe-mounted ash unitsShoe-mounted ash units
EF-X500: In addition to manual and TTL fl ash control, this clip-on fl ash unit has a Guide
Number of 50/164 (ISO 100, m/ft.) and supports FP (high-speed sync), allowing it to
be used at shutter speeds that exceed the fl ash sync speed. Featuring support for the
optional EF-BP1 battery pack and Fujifi lm optical wireless fl ash control, it can be used
as a commander or remote fl ash unit for remote wireless fl ash photography.
297
Technical Notes
12
Accessories from Fuji lm
Shoe-mounted ash unitsShoe-mounted ash units
EF-BP1: A battery pack for EF-X500 fl ash units. Takes up to 8 AA batteries.
EF-60: In addition to manual and TTL fl ash control, this clip-on fl ash unit has a Guide
Number of 60/197 (ISO 100, m/ft.) and supports FP (high-speed sync), allowing it to be
used at shutter speeds that exceed the fl ash sync speed. It can also be used as remote
fl ash under the control of an optional EF-W1 wireless commander.
EF-W1: With support for the NAS
*
wireless communication standard developed by
Nissin Japan, this wireless fl ash commander can be used with optional EF-60 clip-on
fl ash units and other NAS-compliant units.
* NAS is a registered trademark of Nissin Japan Ltd.
EF-42: This clip-on fl ash unit (powered by four AA batteries) has a Guide Number of
42/137 (ISO 100, m/ft.) and supports manual and TTL fl ash control and auto power
zoom in the range 24–105 mm (35 mm format equivalent). The fl ash head can be ro-
tated 90° up, 180° left, or 120° right for bounce lighting.
EF-X20: This clip-on fl ash unit has a Guide Number of 20/65 (ISO 100, m/ft.). Powered
by two AAA batteries, this light, compact unit features a dial for adjusting TTL fl ash
compensation or manual fl ash output.
EF-20: This clip-on fl ash unit (powered by two AA batteries) has a Guide Number of
20/65 (ISO 100, m/ft.) and supports TTL fl ash control (manual fl ash control is not sup-
ported). The fl ash head can be rotated upwards 90° for bounce lighting.
Remote releasesRemote releases
RR-100: Use to reduce camera shake or keep the shutter open during a time exposure.
Stereo microphonesStereo microphones
MIC-ST1: An external microphone for movie recording.
HandgripsHandgrips
MHG-GFX S: Features an improved grip. The MHG-GFX S is equipped with a rail for
quick-shoe camera mounts.
Grip beltsGrip belts
GB-001: Improves grip.
Body caps Body caps
BCP-002: Cover the camera lens mount when no lens is attached.
instax SHARE printersinstax SHARE printers
SP-1/SP-2/SP-3: Connect via wireless LAN to print pictures on instax fi lm.
298
Technical Notes
12
Software for Use with Your Camera
The camera can be used with the following software. For the
latest information on software available from Fuji lm, visit
https://fujifilm-x.com/support/compatibility/cameras/.
FUJIFILM Camera Remote
Establish a wireless connection between your camera and a
smartphone or tablet (P 280).
http://app.fujifilm-dsc.com/en/camera_remote/
RAW FILE CONVERTER EX powered by SILKYPIX
RAW FILE CONVERTER EX powered by SILKYPIX is RAW conver-
sion software from Ichikawa Soft Laboratory Co., Ltd. View RAW
pictures on your computer and convert them into other formats.
RAW FILE CONVERTER EX powered by SILKYPIX is available free of
charge from the Fuji lm website.
https://fujifilm-x.com/support/download/software/raw-file-converter-
ex-powered-by-silkypix/
N
“RAW FILE CONVERTER EX powered by SILKYPIX” is supplied by Ichikawa
Soft Laboratory Co., Ltd.
Capture One Express Fuji lm
Capture One Express Fuji lm is image edit software from Capture
One A/S. View RAW pictures on your computer and convert them
into other formats. Capture One Express Fuji lm is available free
of charge from Capture One A/S.
https://www.captureone.com/products-plans/capture-one-express/fujifilm
Capture One Pro Fuji lm
Capture One Pro Fuji lm is work ow software from Capture One
A/S. Capture One Pro Fuji lm supports tethered shooting and
the conversion of RAW pictures into other formats.
https://www.captureone.com/explore-features/fujifilm
299
Technical Notes
12
Software for Use with Your Camera
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX
Installing this dedicated plug-in allows tethered shooting us-
ing Adobe® Photoshop® Lightroom® Classic CC. FUJIFILM Tether
Shooting Plug-in PRO for GFX is available free of charge from the
Adobe Exchange website.
FUJIFILM Tether Shooting Plug-in PRO for GFX
https://fujifilm-x.com/products/software/adobe-photoshop-lightroom-
tether-plugin/
FUJIFILM X Acquire
This application for Windows and macOS lets you connect to the
camera via USB or Wi-Fi and automatically download photos to
a speci ed folder as they are taken, or backup and restore the
camera via USB.
https://fujifilm-x.com/products/software/x-acquire/
O
Auto download (tethered shooting) is not supported with some cam-
eras.
FUJIFILM X Webcam
Connect the camera to a computer via USB to turn it into a web-
cam.
https://fujifilm-x.com/products/software/x-webcam/
300
Technical Notes
12
Software for Use with Your Camera
FUJIFILM X RAW STUDIO
When the camera is connected to a computer via USB, FUJIFILM
X RAW STUDIO can use the camera’s unique image processing
engine to rapidly convert RAW les to create high-quality images
in other formats.
https://fujifilm-x.com/products/software/x-raw-studio/
FUJIFILM Pixel Shift Combiner
Computer software for combining pictures taken using pixel-shift
multi-shot or reducing false colors (P 107).
https://fujifilm-x.com/products/software/pixel-shift-combiner/
301
Technical Notes
12
For Your Safety
IMPORTANT SAFETY INSTRUCTIONS
•
Read InstructionsRead Instructions: All the safety and operating instructions
should be read before the appliance is operated.
•
Retain InsRetain Instructionstructions: The safety and operating instructions
should be retained for future reference.
•
Heed WarniHeed Warningsngs: All warnings on the appliance and in the
operating instructions should be adhered to.
•
Follow InFollow Instructionsstructions: All operating and use instructions
should be followed.
InstallationInstallation
Power Sources: This video product should be operated only
from the type of power source indicated on the marking la-
bel. If you are not sure of the type of power supply to your
home, consult your appliance dealer or local power com-
pany. For video products intended to operate from battery
power, or other sources, refer to the operating instructions.
Grounding or Polarization: This video product is equipped
with a polarized alternating-current line plug (a plug having
one blade wider than the other). This plug will fi t into the
power outlet only one way. This is a safety feature. If you are
unable to insert the plug fully into the outlet, try reversing
the plug. If the plug should still fail to fi t, contact your electri-
cian to replace your obsolete outlet. Do not defeat the safety
purpose of the polarized plug.
Alternate Warnings: This video product is equipped with
a three-wire grounding-type plug, a plug having a third
(grounding) pin. This plug will only fi t into a grounding-type
power outlet. This is a safety feature. If you are unable to
insert the plug into the outlet, contact your electrician to re-
place your obsolete outlet. Do not defeat the safety purpose
of the grounding type plug.
Overloading: Do not overload wall outlets and extension
cords as this can result in a risk of fi re or electric shock.
Ventilation: Slots and openings in the cabinet are provided
for ventilation, to ensure reliable operation of the video prod-
uct and to protect it from overheating, and these openings
must not be blocked or covered. The openings should never
be blocked by placing the video product on a bed, sofa, rug,
or other similar surface.
This video product should not be placed in a built-in instal-
lation such as a bookcase or rack unless proper ventilation is
provided or the manufacturer’s instructions have been ad-
hered to. This video product should never be placed near or
over a radiator or heat register.
Attachments: Do not use attachments not recommended by
the video product manufacturer as they may cause hazards.
Water and Moisture: Do not use this video product near wa-
ter—for example, near a bath tub, wash bowl, kitchen sink,
or laundry tub, in a wet basement, or near a swimming pool,
and the like.
Power-Cord Protection: Power-supply cords should be routed
so that they are not likely to be walked on or pinched by
items placed upon or against them, paying particular atten-
tion to cords at plugs, convenience receptacles, and the point
where they exit from the appliance.
Accessories: Do not place this video product on an unstable
cart, stand, tripod, bracket, or table. The video product may
fall, causing serious injury to a child or adult, and serious
damage to the appliance. Use only with a cart, stand, tripod,
bracket, or table recommended by the manufacturer, or sold
with the video product. Any mounting of the appliance
should follow the manufacturer’s instructions, and should
use a mounting accessory recommended by the manufac-
turer.
An appliance and cart combination
should be moved with care. Quick
stops, excessive force, and uneven
surfaces may cause the appliance and
cart combination to overturn.
AntennasAntennas
Outdoor Antenna Grounding: If an outside antenna or cable
system is connected to the video product, be sure the an-
tenna or cable system is grounded so as to provide some
protection against voltage surges and built-up static charges.
Section 810 of the National Electrical Code, ANSI/NFPA No.
70, provides information with respect to proper grounding of
the mast and supporting structure, grounding of the lead-in
wire to an antenna discharge unit, size of grounding con-
ductors, location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.
EXAMPLE OF ANTENNA GROUNDING AS
PER NATIONAL ELECTRICAL CODE
Ground Clamp
t
Electric Service Equipment
e Equipment
A
A
ntenn
a
Le
ad
in
W
ir
e
A
A
Antenna
An
Discharge Unit
D
(NEC SECTION
N
810-20)
8
Ground Clamps
Power Service Grounding Electrode
System (NEC ART 250. PART H)
Groun
d
in
g
Con
d
uctors
(
NEC
SECTION 810-21
)
302
Technical Notes
12
Power Lines: An outside antenna system should not be locat-
ed in the vicinity of overhead power lines or other electric
light or power circuits, or where it can fall into such power
lines or circuits. When installing an outside antenna system,
extreme care should be taken to keep from touching such
power lines or circuits as contact with them might be fatal.
UseUse
Cleaning: Unplug this video product from the wall outlet be-
fore cleaning. Do not use liquid cleaners or aerosol cleaners.
Use a damp cloth for cleaning.
Object and Liquid Entry: Never push objects of any kind into
this video product through openings as they may touch dan-
gerous voltage points or short out parts that could result in
a fi re or electric shock. Never spill liquid of any kind on the
video product.
Lightning: For added protection for this video product re-
ceiver during a lightning storm, or when it is left unattended
and unused for long periods of time, unplug it from the wall
outlet and disconnect the antenna or cable system. This will
prevent damage to the video product due to lightning and
power-line surges.
ServiceService
Servicing: Do not attempt to service this video product
yourself as opening or removing covers may expose you to
dangerous voltage or other hazards. Refer all servicing to
qualifi ed service personnel.
Damage Requiring Service: Unplug this video product from
the wall outlet and refer servicing to qualifi ed service person-
nel under the following conditions:
•
When the power-supply cord or plug is damaged
•
If liquid has been spilled, or objects have fallen into the
video product.
•
If the video product has been exposed to rain or water.
•
If the video product has been dropped or the cabinet has
been damaged.
If the video product does not operate normally follow the
operating instructions. Adjust only those controls that are
covered by the operating instructions as an improper adjust-
ment of other controls may result in damage and will often
require extensive work by a qualifi ed technician to restore
the video product to its normal operation.
When the video product exhibits a distinct change in perfor-
mance — this indicates a need for service.
Replacement Parts: When replacement parts are required, be
sure the service technician has used replacement parts spec-
ifi ed by the manufacturer or have the same characteristics as
the original part. Unauthorized substitutions may result in
fi re, electric shock or other hazards.
Safety Check: Upon completion of any service or repairs to
this video product, ask the service technician to perform
safety checks to determine that the video product is in prop-
er operating condition.
Be sure to read these notes before use
Safety Notes
•
Make sure that you use your camera correctly. Read these
safety notes and your Basic Manual carefully before use.
•
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate
the severity of the injury or damage that can result if the in-
formation indicated by the icon is ignored and the product is
used incorrectly as a result.
WARNINGWARNING
This icon indicates that death or serious in-
jury can result if the information is ignored.
CAUTIONCAUTION
This icon indicates that personal injury or
material damage can result if the informa-
tion is ignored.
The icons shown below are used to indicate the nature of the
instructions which are to be observed.
Triangular icons tell you that this information re-
quires attention (“Important”).
Circular icons with a diagonal bar tell you that the
action indicated is prohibited (“Prohibited”).
Filled circles with an exclamation mark indicate an
action that must be performed (“Required”).
The symbols on the product (including the accesories) rep-
resent the following:
AC
DC
Class II equipment (The construction of the product
is double-insulated.)
WARNINGWARNING
Unplug
from power
socket
If a problem arises, turn the camera o , remove the If a problem arises, turn the camera o , remove the
battery, disconnect the USB cable, and unplug the AC battery, disconnect the USB cable, and unplug the AC
power adapter.power adapter. Continued use of the camera when
it is emitting smoke, is emitting any unusual odor,
or is in any other abnormal state can cause a fi re or
electric shock. Contact your Fujifi lm dealer.
Do not allow water or foreign objects to enter the cam-Do not allow water or foreign objects to enter the cam-
era or connecting cables.era or connecting cables. Do not use the camera or
connecting cables following ingress of fresh or salt
water, milk, beverages, detergents, or other liquids.
Should liquid fi nd its way into the camera or con-
necting cables, turn the camera off , remove the
battery, disconnect the USB cable, and disconnect
and unplug the AC adapter. Continued use of the
camera can cause a fi re or electric shock. Contact
your Fujifi lm dealer.
303
Technical Notes
12
For Your Safety
WARNINGWARNING
Do not use in
the bathroom
or shower
Do not use the camera in the bathroom or shower.Do not use the camera in the bathroom or shower. This
can cause a fi re or electric shock.
Do not
disassemble
Never attempt to change or take apart the camera (nev-Never attempt to change or take apart the camera (nev-
er open the case).er open the case). Failure to observe this precaution
can cause fi re or electric shock.
Do not touch
internal
parts
Should the case break open as the result of a fall or other Should the case break open as the result of a fall or other
accident, do not touch the exposed parts.accident, do not touch the exposed parts. Failure to ob-
serve this precaution could result in electric shock
or in injury from touching the damaged parts. Re-
move the battery immediately, taking care to avoid
injury or electric shock, and take the product to the
point of purchase for consultation.
Do not change, heat or unduly twist or pull the connec-Do not change, heat or unduly twist or pull the connec-
tion cord and do not place heavy objects on the connec-tion cord and do not place heavy objects on the connec-
tion cord.tion cord. These actions could damage the cord and
cause a fi re or electric shock. If the cord is damaged,
contact your Fujifi lm dealer. Do not use cables with
bent connectors.
Do not place the camera on an unstable surface.Do not place the camera on an unstable surface. This
can cause the camera to fall or tip over and cause
injury.
Never attempt to take pictures while in motion.Never attempt to take pictures while in motion. Do
not use the camera while walking or driving. This
can result in you falling down or being involved in
a traffi c accident.
Do not touch any metal parts of the camera during a Do not touch any metal parts of the camera during a
thunderstorm.thunderstorm. This can cause an electric shock due
to induced current from the lightning discharge.
Do not use the battery except as speci ed.Do not use the battery except as speci ed. Load the
battery as shown by the indicator.
Do not disassemble, modify, or heat batteries. Do not Do not disassemble, modify, or heat batteries. Do not
drop, strike, or throw batteries or otherwise subject drop, strike, or throw batteries or otherwise subject
them to strong impacts. Do not use batteries that show them to strong impacts. Do not use batteries that show
signs of leaking, deformation, discoloration, or other signs of leaking, deformation, discoloration, or other
abnormalities. Use only designated chargers to re-abnormalities. Use only designated chargers to re-
charge rechargeable batteries and do not attempt to re-charge rechargeable batteries and do not attempt to re-
charge non-rechargeable Li-ion or alkaline batteries. Do charge non-rechargeable Li-ion or alkaline batteries. Do
not short batteries or store them with metallic objects.not short batteries or store them with metallic objects.
Failure to observe these precautions could result
in the batteries overheating, igniting, rupturing, or
leaking, causing fi re, burns, or other injury.
Use only batteries or AC power adapters speci ed for Use only batteries or AC power adapters speci ed for
use with this camera. Do not use voltages other than the use with this camera. Do not use voltages other than the
power supply voltage shown.power supply voltage shown. The use of other power
sources can cause a fi re.
WARNINGWARNING
If the battery leaks and uid gets in contact with your If the battery leaks and uid gets in contact with your
eyes, skin or clothing, ush the a ected area with clean eyes, skin or clothing, ush the a ected area with clean
water and seek medical attention or call an emergency water and seek medical attention or call an emergency
number right away.number right away.
Do not use the charger to charge batteries other than Do not use the charger to charge batteries other than
those speci ed here.those speci ed here. The supplied charger is for use
only with batteries of the type supplied with the
camera. Using the charger to charge conventional
batteries or other types of rechargeable batteries
can cause the battery to leak, overheat or burst.
Using a ash too close to a person’s eyes may cause Using a ash too close to a person’s eyes may cause
visual impairment.visual impairment. Take particular care when pho-
tographing infants and young children.
Do not remain in prolonged contact with hot surfaces. Do not remain in prolonged contact with hot surfaces.
Do not leave one part of the body in contact with the Do not leave one part of the body in contact with the
product for prolonged periods while the product is on.product for prolonged periods while the product is on.
Failure to observe this precaution could result in
low-temperature burns, particularly during pro-
longed use, at high ambient temperatures, when
HIGH is selected for AUTO POWER OFF TEMP.,
or with users who suff er from poor circulation or
reduced sensation, in which case use of a tripod or
similar precautions are recommended.
Do not use in the presence of ammable objects, explo-Do not use in the presence of ammable objects, explo-
sive gases, or dust.sive gases, or dust.
When carrying the battery, install it in a digital camera When carrying the battery, install it in a digital camera
or keep it in the hard case. When storing the battery, or keep it in the hard case. When storing the battery,
keep it in the hard case. When discarding, cover the keep it in the hard case. When discarding, cover the
battery terminals with insulation tape.battery terminals with insulation tape. Contact with
other metallic objects or batteries could cause the
battery to ignite or burst.
Keep memory cards, hot shoes, and other small parts Keep memory cards, hot shoes, and other small parts
out of the reach of small children.out of the reach of small children. Children may
swallow small parts; keep out of reach of children.
Should a child swallow a small part, seek medical
attention or call emergency.
Keep out of reach of small children.Keep out of reach of small children. Among the ele-
ments that could cause injury are the strap, which
could become entangled about a child’s neck,
causing strangulation, and the fl ash, which could
cause visual impairment.
Follow the directions of airline and hospital personnel.Follow the directions of airline and hospital personnel.
This product generates radio-frequency emissions
that could interfere with navigational or medical
equipment.
304
Technical Notes
12
CAUTIONCAUTION
Do not use this cameDo not use this camera in locations a era in locations a ected by oil cted by oil
fumes, sfumes, steam, humidity or duteam, humidity or dust.st. This can cause a fi re
or electric shock.
Do not leave thDo not leave this camera in places is camera in places subject to extremelysubject to extremely
high temperatures.high temperatures. Do not leave the camera in loca-
tions such as a sealed vehicle or in direct sunlight.
This can cause a fi re.
Do not placeDo not place heavy objects on th heavy objects on the camera.e camera. This can
cause the heavy object to tip over or fall and cause
injury.
Do not move the camera whiDo not move the camera while the AC power adaple the AC power adapter is ter is
still connectstill connected.ed. Do not pull on the connection cord to
disconnect the AC power adapter. This can damage
the power cord or cables and cause a fi re or electric
shock.
Do not cDo not cover or wrap the camover or wrap the camera or the AC power era or the AC power adapt-adapt-
er in a cloth oer in a cloth or blanket.r blanket. This can cause heat to build
up and distort the casing or cause a fi re.
Do not use the plDo not use the plug if it is damaged ug if it is damaged or if it does not or if it does not t t
securely into the securely into the outlet.outlet. Failure to observe this pre-
caution could result in fi re or electric shock.
When you are cleaWhen you are cleaning the camera or yning the camera or you do not plan to ou do not plan to
ususe the camera for an e the camera for an extended period, remextended period, remove the bat-ove the bat-
tery and tery and disconnect and unpludisconnect and unplug the AC power adaptg the AC power adapter.er.
Failure to do so can cause a fi re or electric shock.
WheWhen charging ends, unpn charging ends, unplug the charger fromlug the charger from the the
power socket.power socket. Leaving the charger plugged into the
power socket can cause a fi re.
When a memoryWhen a memory card is removed, th card is removed, the card could come e card could come
ouout of the slot too qut of the slot too quickly. Use your ngickly. Use your nger to hold it and er to hold it and
gegently release the carntly release the card.d. Injury could result to those
struck by the ejected card.
Request regular internRequest regular internal testing and cleanal testing and cleaning for your ing for your
camera.camera. Build-up of dust in your camera can cause
a fi re or electric shock. Contact your Fujifi lm dealer
to request internal cleaning every two years. Please
note that this service is not free of charge.
DanDanger of explosion if ger of explosion if battery is incorrectbattery is incorrectly replaced. ly replaced.
ReplaceReplace only with the same only with the same or equivalent type.or equivalent type.
Batteries (battery pack or bBatteries (battery pack or batteries installed) atteries installed) shall not shall not
be exposedbe exposed to excessive heat s to excessive heat such as sunshine, ruch as sunshine, re or e or
the like.the like.
305
Technical Notes
12
For Your Safety
The Battery and Power Supply
Note: Check the type of battery used in your camera and read
the appropriate sections.
WARNING: Battery shall not be exposed to excessive heat
such as sunshine, fire or the like.
The following describes the proper use of batteries and how
to prolong their life. Incorrect use can shorten battery life or
cause leakage, overheating, fi re, or explosion.
Li-ion BatteriesLi-ion Batteries
Read this section if your camera uses a rechargeable Li-ion
battery.
The battery is not charged at shipment. Charge the battery
before use. Keep the battery in its case when not in use.
■■ Notes on the BatteryNotes on the Battery
The battery gradually loses its charge when not in use.
Charge the battery one or two days before use.
Battery life can be extended by turning the camera off when
not in use.
Battery capacity decreases at low temperatures; a depleted
battery may not function when cold. Keep a fully charged
spare battery in a warm place and exchange as necessary,
or keep the battery in your pocket or other warm place and
insert it in the camera only when shooting. Do not place the
battery in direct contact with hand warmers or other heating
devices.
■■ Charging the Battery Charging the Battery
The battery can be charged using the camera and supplied
AC adapter or an optional BC-W235 dual battery charger.
Charging times will increase at ambient temperatures below
+10 °C (+50 °F) or above +35 °C (+95 °F). Do not attempt to
charge the battery at temperatures above +40 °C (+104 °F); at
temperatures below +5 °C (+41 °F), the battery will not charge.
Do not attempt to recharge a fully charged battery. The battery
does not however need to be fully discharged before charging.
The battery may be warm to the touch immediately after
charging or use. This is normal.
■■ Battery LifeBattery Life
A noticeable decrease in the length of time the battery will
hold a charge indicates that it has reached the end of its ser-
vice life and should be replaced.
If the battery is left for long periods without charging, you
may fi nd that its quality degrades or that it no longer holds a
charge. Charge the battery regularly.
■■ StorageStorage
If the camera will not be used for an extended period, store
it at room temperature with the battery charged to approxi-
mately one half to ⁄ capacity.
If the camera will not be used for an extended period, re-
move the battery and store it in a dry place with an ambient
temperature of from +15 °C to +25 °C (+59 °F to +77 °F). Do
not store in locations exposed to extremes of temperature.
■■ Cautions: Handling the BatteryCautions: Handling the Battery
•
Do not transport or store with metal objects such as neck-
laces or hairpins.
•
Do not expose to fl ame or heat.
•
Do not disassemble or modify.
•
Do not expose to low atmospheric pressures.
•
Use with designated chargers only.
•
Dispose of used batteries promptly.
•
Do not drop or subject to strong physical shocks.
•
Do not expose to water.
•
Keep the terminals clean.
•
The battery and camera body may become warm to the
touch after extended use. This is normal.
■ Caution:
Disposal Disposal
Dispose of used batteries in accord with local regulations.
Attention should be drawn to the environmental aspects of
battery disposal. Use the apparatus under moderate climate.
Do not mechanically crush or split batteries.
AC Power AdaptersAC Power Adapters
•
The AC power adapter is for indoor use only.
•
Be sure the cable is securely connected to the camera.
•
Turn the camera off before disconnecting the adapter. Dis-
connect the adapter by the plug, not the cable.
•
Do not disassemble.
•
Do not expose to high heat and humidity.
•
Do not subject to strong physical shocks.
•
The adapter may hum or become hot to the touch during
use. This is normal.
•
If the adapter causes radio interference, reorient or relocate
the receiving antenna.
306
Technical Notes
12
Using the Camera
•
Do not aim the camera at extremely bright light sources,
including artifi cial light sources or natural light sources
such as the sun in a cloudless sky. Failure to observe this
precaution could damage the camera image sensor.
•
Strong sunlight focused through the viewfi nder may dam-
age the panel of electronic viewfi nder (EVF). Do not aim
the electronic viewfi nder at the sun.
Take Test ShotsTake Test Shots
Before taking photographs on important occasions (such as
at weddings or before taking the camera on a trip), take a
test shot and view the results to ensure that the camera is
functioning normally. FUJIFILMCorporation cannot accept
liability for damages or lost profi ts incurred as a result of
product malfunction.
Notes on CopyrightNotes on Copyright
Unless intended solely for personal use, images recorded
using your digital camera system cannot be used in ways
that infringe copyright laws without the consent of the own-
er. Note that some restrictions apply to the photographing
of stage performances, entertainments, and exhibits, even
when intended purely for personal use. Users are also asked
to note that the transfer of memory cards containing images
or data protected under copyright laws is only permissible
within the restrictions imposed by those copyright laws.
HandlingHandling
To ensure that images are recorded correctly, do not subject
the camera to impact or physical shocks while images are
being recorded.
Liquid CrystalLiquid Crystal
In the event that the display is damaged, care should be tak-
en to avoid contact with liquid crystal. Take the urgent action
indicated should any of the following situations arise:
•
If liquid crystal comes in contact with your skin, clean the
area with a cloth and then wash thoroughly with soap and
running water.
•
If liquid crystal enters your eyes, fl ush the aff ected eye with
clean water for at least 15 minutes and then seek medical
assistance.
•
If liquid crystal is swallowed, rinse your mouth thoroughly
with water. Drink large quantities of water and induce vom-
iting, then seek medical assistance.
Although the display is manufactured using extremely
high-precision technology, it may contain pixels that are
always lit or that do not light. This is not a malfunction, and
images recorded with the product are unaff ected.
Trademark InformationTrademark Information
Digital Split Image is a trademark or registered trademark of
FUJIFILM Corporation. Digital Micro Prism is a trademark or
registered trademark of FUJIFILM Corporation. The typefaces
included herein are solely developed by DynaComware
Taiwan Inc. Apple, iPhone, iPad, Mac, OS X, macOS and
Lightning are registered trademarks of Apple Inc. in the U.S.A.
and other countries. Windows is a registered trademark of
Microsoft Corporation in the U.S.A. and other countries.
Android is a trademark or registered trademark of Google
LLC. Adobe, the Adobe logo, Photoshop, and Lightroom are
trademarks or registered trademarks of Adobe Systems In-
corporated in the U.S.A. and other countries.
Wi-Fi CERTIFIED
Logo and Wi-Fi Protected Setup® are registered trademarks of
Wi-Fi Alliance®.
The Bluetooth® word mark and logos are reg-
istered trademarks owned by the Bluetooth SIG, Inc., and any
use of such marks by Fujifi lm is under license. The SDHC and
SDXC logos are trademarks of SD-3C, LLC. The HDMI logo is a
trademark or registered trademark of HDMI Licensing LLC. All
other trade names mentioned in this manual are the trade-
marks or registered trademarks of their respective owners.
Electrical InterferenceElectrical Interference
This camera may interfere with hospital or aviation equip-
ment. Consult with hospital or airline staff before using the
camera in a hospital or on an aircraft.
Color Television SystemsColor Television Systems
NTSC (National Television System Committee) is a color tele-
vision telecasting specifi cation adopted mainly in the U.S.A.,
Canada, and Japan. PAL (Phase Alternation by Line) is a color
television system adopted mainly in European countries and
China.
Exif Print (Exif Version 2.32)Exif Print (Exif Version 2.32)
Exif Print is a newly revised digital camera fi le format in which
information stored with photographs is used for optimal col-
or reproduction during printing.
IMPORTANT NOTICE: Read Before Using the Software
Direct or indirect export, in whole or in part, of licensed soft-
ware without the permission of the applicable governing
bodies is prohibited.
Lenses and Other Accessories
•
Use a screw 4.5 mm or shorter when attaching a tripod.
•
Fujifi lm will not be held liable for performance issues or
damage caused by the use of third-party accessories.
307
Technical Notes
12
For Your Safety
NOTICES
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
Please read the “Safety Notes” and make sure you understand them before using the camera.
Perchlorate Material—special handling may apply. See:
http://www.dtsc.ca.gov/hazardouswaste/perchlorate
For Customers in the U. S. A.For Customers in the U. S. A.
Tested To Comply With FCC Standards
FOR HOME OR OFFICE USE
Contains IC : 10293A-WMBNBM26A
Contains FCC ID : COF-WMBNBM26A
FCC Statement: This device complies with Part 15 of the FCC
Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2)this device must accept any interference received, includ-
ing interference that may cause undesired operation.
CAUTION: This equipment has been tested and found to
comply with the limits for a Class B digital device, pursuant
to Part 15 of the FCC Rules. These limits are designed to pro-
vide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses, and
can radiate radio frequency energy and, if not installed and
used in accordance with the instructions, may cause harmful
interference to radio communications. However, there is no
guarantee that interference will not occur in a particular in-
stallation. If this equipment does cause harmful interference
to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged
to try to correct the interference by one or more of the fol-
lowing measures:
•
Reorient or relocate the receiving antenna.
•
Increase the separation between the equipment and re-
ceiver.
•
Connect the equipment into an outlet on a circuit diff erent
from that to which the receiver is connected.
•
Consult the dealer or an experienced radio/TV technician
for help.
FCC Caution: Any changes or modifi cations not expressly ap-
proved by the party responsible for compliance could void
the user’s authority to operate this equipment.
This transmitter must not be co-located or operating in con-
junction with any other antenna or transmitter.
Radiation Exposure Statement: This device meets the gov-
ernment’s requirements for exposure to radio waves. This
device is designed and manufactured not to exceed the
emission limits for exposure to radio frequency (RF) energy
set by the Federal Communications Commission of the U.S.
Government.
The exposure standard for wireless device employs a unit of
measurement known as the Specifi c Absorption Rate, or SAR.
The SAR limit set by the FCC is 1.6W/kg. Tests for SAR are
conducted using standard operating positions accepted by
the FCC with the device transmitting at its highest certifi ed
power level in all tested frequency bands.
Notes on the Grant: To comply with Part 15 of the FCC Rules,
this product must be used with a Fujifi lm-specifi ed fer-
rite-core A/V cable, USB cable, and DC supply cord.
A lithium ion battery that is recyclable powers
the product you have purchased. Please call
1-800-8-BATTERY for information on how to
recycle this battery.
California Code of Regulations, Title 20, Di-
vision 2, Chapter4, Article 4, Appliance Ef-
fi ciency Regulations, Sections 1601 through
1609
308
Technical Notes
12
For Customers in CanadaFor Customers in Canada
CAN ICES-3 (B)/NMB-3(B)
CAUTION: This Class B digital apparatus complies with Cana-
dian ICES-003.
Industry Canada statement: This device complies with Indus-
try Canada’s licence-exempt RSSs. Operation is subject to the
following two conditions: (1)This device may not cause in-
terference; and (2)This device must accept any interference,
including interference that may cause undesired operation
of the device.
This device and its antenna(s) must not be co-located or op-
erating in conjunction with any other antenna or transmitter,
except tested built-in radios. The County Code Selection
feature is disabled for products marketed in the US/ Canada.
Radiation Exposure Statement: The available scientifi c evi-
dence does not show that any health problems are asso-
ciated with using low power wireless devices. There is no
proof, however, that these low power wireless devices are
absolutely safe. Low power Wireless devices emit low levels
of radio frequency energy (RF) in the microwave range while
being used. Whereas high levels of RF can produce health
eff ects (by heating tissue), exposure of low-level RF that does
not produce heating eff ects causes no known adverse health
eff ects. Many studies of low-level RF exposures have not
found any biological eff ects. Some studies have suggested
that some biological eff ects might occur, but such fi ndings
have not been confi rmed by additional research. GFX50S II
has been tested and found to comply with IC radiation ex-
posure limits set forth for an uncontrolled environment and
meets RSS-102 of the IC radio frequency (RF) Exposure rules.
Disposal of Electrical and Electronic Equipment in Private HouseholdsDisposal of Electrical and Electronic Equipment in Private Households
In the European Union, Norway, Iceland and
Liechtenstein: This symbol on the product, or in
the manual and in the warranty, and/or on its
packaging indicates that this product shall not
be treated as household waste. Instead it should
be taken to an applicable collection point for the recycling of
electrical and electronic equipment.
By ensuring this product is disposed of correctly, you will
help prevent potential negative consequences to the en-
vironment and human health, which could otherwise be
caused by inappropriate waste handling of this product.
This symbol on the batteries or accumulators
indicates that those batteries shall not be treated
as household waste.
If your equipment contains easy removable batteries or accu-
mulators please dispose these separately according to your
local requirements.
The recycling of materials will help to conserve natural re-
sources. For more detailed information about recycling this
product, please contact your local city offi ce, your household
waste disposal service or the shop where you purchased the
product.
In Countries Outside the European Union, Norway, Iceland and
Liechtenstein: If you wish to discard this product, including
the batteries or accumulators, please contact your local au-
thorities and ask for the correct way of disposal.
In Japan: This symbol on the batteries indicates
that they are to be disposed of separately.
Caring for the Camera
To ensure continued enjoyment of the product, observe the following precautions.
Storage and UseStorage and Use
If the camera will not be used for an extended period, remove the battery and memory card. Do not store or use the camera
in locations that are:
•
exposed to rain, steam, or smoke
•
very humid or extremely dusty
•
exposed to direct sunlight or very high temperatures, such as in a closed vehicle on a sunny day
•
extremely cold
•
subject to strong vibration
•
exposed to strong magnetic fi elds, such as near a broadcasting antenna, power line, radar emitter, motor, transformer,
or magnet
•
in contact with volatile chemicals such as pesticides
•
next to rubber or vinyl products
309
Technical Notes
12
For Your Safety
Wireless Network and Bluetooth Devices: Cautions
This product complies with the following EU Directives:
•
RoHS Directive 2011/65/EU
•
RE Directive 2014/53/EU
Hereby, FUJIFILM Corporation declares that the radio
equipment type FF210001 is in compliance with Directive
2014/53/EU.
The full text of the EU declaration of conformity is available at
the following internet address:
https://dl.fujifilm-x.com/global/products/cameras/gfx50s-
ii/pdf/gfx50s-ii_doc-lwb.pdf
This compliance is indicated by the following conformity
marking placed on the product:
This marking is valid for non-Telecom products and EU harmo-
nized Telecom products (e.g. Bluetooth®).
•
Maximum radio-frequency power (EIRP):
WLAN: 11.96 dBm
Bluetooth: 3.37 dBm
IMPORTANT: Read the following notices before using the cam-
era’s built-in wireless transmitter.
Q This product, which contains encryption function de-
veloped in the United States, is controlled by the United
States Export Administration Regulations and may not
be exported or re-exported to any country to which the
United States embargoes goods.
•
Use only a wUse only a wireless network or Bireless network or Bluetooth deviceluetooth device.. Fujifi lm does
not accept liability for damages resulting from unautho-
rized use. Do not use in applications requiring a high de-
gree of reliability, for example in medical devices or other
systems that may directly or indirectly impact human life.
When using the device in computer and other systems that
demand a greater degree of reliability than off ered by wire-
less network or Bluetooth devices, be sure to take all neces-
sary precautions to ensure safety and prevent malfunction.
•
UsUse only in the countre only in the country in which the devicy in which the device was purchased.e was purchased. This
device conforms to regulations governing wireless network
and Bluetooth devices in the country in which it was pur-
chased. Observe all location regulations when using the
device. Fujifi lm does not accept liability for problems aris-
ing from use in other jurisdictions.
•
Do not use the device in locationDo not use the device in locations subject to magnetis subject to magnetic elds, c elds,
static elestatic electricity, or radio ictricity, or radio interference.nterference. Do not use the trans-
mitter in the vicinity of microwave ovens or in other loca-
tions subject to magnetic fi elds, static electricity, or radio
interference that may prevent reception of wireless signals.
Mutual interference may occur when the transmitter is
used in the vicinity of other wireless devices operating in
the 2.4GHz band.
•
The wireless The wireless transmitter operatestransmitter operates in the 2.4 GHz band in the 2.4 GHz band using using
DSSS, OFDM anDSSS, OFDM and GFSK modulation.d GFSK modulation.
•
Security: Wireless network and Bluetooth devices transmit
data via radio and consequently their use requires great-
er attention to security than applies in the case of wired
networks.
-
Do not connect to unknown networks or networks to
which you do not have access rights, even if they are
displayed on your device, as such access may be consid-
ered unauthorized. Connect only to networks to which
you have access rights.
-
Be aware that wireless transmissions may be vulnerable
to interception by third parties.
-
This device cannot be directly connected to telecom-
munications networks (including public wireless LANs)
operated by providers or mobile, landline, Internet, or
other telecommunications services.
•
The following may The following may be punishable by lawbe punishable by law::
-
Disassembly or modifi cation or this device
-
Removal of device certifi cation labels
•
This device operThis device operates on the same freates on the same frequency as commercialquency as commercial, edu-, edu-
cational, and mcational, and medical devices and wedical devices and wireless transmittersireless transmitters.. It also
operates on the same frequency as licensed transmitters
and special unlicensed low-voltage transmitters used in
RFID tracking systems for assembly lines and in other sim-
ilar applications.
•
ToTo prevent interferenc prevent interference with the above deve with the above devices, observe the foices, observe the fol-l-
lowing precautions.lowing precautions. Confi rm that the RFID transmitter is not
in operation before using this device. Should you observe
that the device causes interference in licensed transmitters
used for RFID tracking, immediately stop using the aff ected
frequency or move the device to another location. If you
notice that this device causes interference in low-voltage
RFID tracing systems, contact a Fujifi lm representative.
•
Do not usDo not use this device on boae this device on board an aircraft.rd an aircraft. Note that Bluetooth
may remain on even when the camera is off . Bluetooth can
be disabled by selecting OFF for D CONNECTION SET-
TING> Bluetooth SETTINGS> Bluetooth ON/OFF.
310
Technical Notes
12
For Your Safety
Be sure to read these notes before using the lens
Safety Notes
•
Make sure that you use the lens correctly. Read these safety
notes and the camera Basic Manual carefully before use.
•
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate
the severity of the injury or damage that can result if the in-
formation indicated by the icon is ignored and the product is
used incorrectly as a result.
WARNINGWARNING
This icon indicates that death or serious
injury can result if the information is ig-
nored.
CAUTIONCAUTION
This icon indicates that personal injury or
material damage can result if the informa-
tion is ignored.
The icons shown below are used to indicate the nature of the
instructions which are to be observed.
Triangular icons tell you that this information re-
quires attention (“Important”).
Circular icons with a diagonal bar tell you that the
action indicated is prohibited (“Prohibited”).
Filled circles with an exclamation mark indicate an
action that must be performed (“Required”).
WARNINGWARNING
Do not
immerse
Do not iDo not immerse in or expose mmerse in or expose to water.to water. Failure to ob-
serve this precaution can cause a fi re or electric
shock.
Do not
disassemble
Do not disassemble (do noDo not disassemble (do not open the case).t open the case). Failure
to observe this precaution can cause fi re, electric
shock, or injury due to product malfunction.
Do not touch
internal
parts
Should thShould the case break open ase case break open as the result of a fal the result of a fall or other l or other
accident,accident, do not touch the ex do not touch the exposed parts.posed parts. Failure to ob-
serve this precaution could result in electric shock
or in injury from touching the damaged parts. Re-
move the battery immediately, taking care to avoid
injury or electric shock, and take the product to the
point of purchase for consultation.
Do not placeDo not place on unstable surface on unstable surfaces.s. The product may
fall, causing injury.
Do not view the sun Do not view the sun through the lens or through the lens or camera view-camera view-
nders. nders. Failure to observe this precaution can cause
permanent visual impairment.
CAUTIONCAUTION
Do not use or Do not use or store in locations tstore in locations that are exposed to hat are exposed to
ssteam, or smoke or arteam, or smoke or are very humid or extre very humid or extremely dusty.emely dusty.
Failure to observe this precaution can cause fi re or
electric shock.
Do not leave in diDo not leave in direct sunlight or in rect sunlight or in locations subject locations subject
toto very high temperatu very high temperatures, such as in a clres, such as in a closed vehicle osed vehicle
on a suon a sunny day.nny day. Failure to observe this precaution
can cause fi re.
Keep out of the reacKeep out of the reach of small children.h of small children. This product
could cause injury in the hands of a child.
DoDo not handle with wet not handle with wet hands. hands. Failure to observe this
precaution can cause electric shock.
Keep the suKeep the sun out of the frame wn out of the frame when shooting backlithen shooting backlit
subjects.subjects. Sunlight focused into the camera when
the sun is in or close to the frame can cause fi re
or burns.
When the pWhen the product is not in useroduct is not in use, replace the lens c, replace the lens caps and aps and
store out ofstore out of direct sunlight. direct sunlight. Sunlight focused by the
lens can cause fi re or burns.
Do not cDo not carry the camera or larry the camera or lens while they are aens while they are attached ttached
to a tripod.to a tripod. The product can fall or strike other ob-
jects, causing injury.
311
Technical Notes
12
Product Care
To ensure continued enjoyment of the product, observe
the following precautions.
Camera body: Use a soft, dry cloth to clean the camera body after
each use. Do not use alcohol, thinner, or other volatile chemicals,
which could discolor or deform the leather on the camera body.
Any liquid on the camera should be removed immediately with
a soft, dry cloth. Use a blower to remove dust from the monitor,
taking care to avoid scratches, and then gently wipe with a soft,
dry cloth. Any remaining stains can be removed by wiping gen-
tly with a piece of Fuji lm lens-cleaning paper to which a small
amount of lens-cleaning uid has been applied. To prevent dust
entering the camera, replace the body cap when no lens is in
place.
Image sensor: Multiple photographs marred by spots or blotches in
identical locations may indicate the presence of dust on the im-
age sensor. Clean the sensor using D USER SETTING> SENSOR
CLEANING.
312
Technical Notes
12
Cleaning the Image Sensor
Dust that cannot be removed using D USER SETTING>
SENSOR CLEANING can be removed manually as de-
scribed below.
O
Note that there will be a charge to repair or replace the image sensor
if it is damaged during cleaning.
1
Use a blower (not a brush) to remove
dust from the sensor.
N
Do not use a brush or blower brush.
Failure to observe this precaution
could damage the sensor.
2
Check whether the dust has been successfully removed. Re-
peat Steps 1 and 2 as necessary.
3
Replace the body cap or lens.
313
Technical Notes
12
Firmware Updates
Updates to product rmware may result in changes not
described in the manual. For more information, visit:
https://fujifilm-x.com/support/download/firmware/cameras/
Checking the Firmware Version
O
The camera will only display the rmware version if a memory card is
inserted.
1
Turn the camera o and check that a memory card is inserted.
2
Turn the camera on while pressing the DISP/BACK button. The
current rmware version will be displayed; check the rm-
ware version.
3
Turn the camera o .
N
To view the rmware version or update rmware for optional acces-
sories such as interchangeable lenses, shoe-mounted ash units, and
mount adapters, mount the accessories on the camera.
314
Technical Notes
12
Troubleshooting
Consult the table below should you encounter problems
using your camera. If you don’t nd the solution here, con-
tact your local Fuji lm distributor.
Power and Battery
ProblemProblem SolutionSolution
The camera does not
turn on.
•
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 41).
•
The battery is inserted incorrectly: Reinsert in the correct ori-
entation (P 36).
•
The battery-chamber cover is not latched: Latch the bat-
tery-chamber cover (P 36).
The monitor does not
turn on.
The monitor may not turn on if the camera is turned off
and then on again very quickly. Keep the shutter button
pressed halfway until the monitor activates.
The battery runs down
quickly.
•
The battery is cold: Warm the battery by placing it in a pock-
et or other warm place and reinsert it in the camera im-
mediately before taking a picture.
•
There is dirt on the battery terminals: Clean the terminals
with a soft, dry cloth.
•
ON is selected for G AF/MF SETTING> PRE-AF: Turn
PRE-AF off (P 132).
•
The battery has been charged many times: Select BATTERY
AGE to view the battery age; if the battery is old, replace
it with a new battery (P 207).
The camera turns o
suddenly.
The battery is exhausted: Charge the battery or insert a
fully-charged spare battery (P 41).
315
Technical Notes
12
Troubleshooting
ProblemProblem SolutionSolution
Charging does not start.
•
Make sure that the AC power adapter is correctly plugged
in (P 41).
•
Ensure that the plug adapter is correctly connected to the
AC power adapter (P 41).
•
The battery has not been recharged for an extended period: If
the battery has not been charged for an extended period,
charging will be disabled to ensure safety. Replace it with
a new battery.
Charging does not start
(USB).
•
Insert the camera battery (P 36).
•
Reinsert the camera battery in the correct orientation
(P 36).
•
Confi rm that the camera is connected to the computer
(P 43).
•
If the computer is off or in sleep mode, turn on or wake
the computer and disconnect and reconnect the USB ca-
ble (P 43).
Charging does not start
(battery charger).
•
Insert the battery.
•
Reinsert the battery in the correct orientation.
•
The AC adapter is not correctly connected to the charger: Check
that adapter is correctly connected to the charger.
Charging is slow. Charge the battery at room temperature.
The indicator lamp
blinks, but the battery
does not charge.
•
There is dirt on the battery terminals: Clean the terminals
with a soft, dry cloth (P 36).
•
The battery has been charged many times: Select BATTERY
AGE to view the battery age; if the battery is old, replace
it with a new battery (P 207). If the battery still fails to
charge, contact your Fujifi lm dealer (P 296).
The power supply icon is
not displayed.
Confi rm that ON is selected for USB POWER SUPPLY
SETTING (P 243).
Menus and Displays
ProblemProblem SolutionSolution
Display is not in English.
Select ENGLISH for D USER SETTING> Qa
(P 48, 206).
316
Technical Notes
12
Shooting
ProblemProblem SolutionSolution
No picture is taken when
the shutter button is
pressed.
•
The memory card is full: Insert a new memory card or delete
pictures (P 38, 186).
•
The memory card is not formatted: Format the memory card
in the camera (P 204).
•
There is dirt on the memory card contacts: Clean the contacts
with a soft, dry cloth.
•
The memory card is damaged: Insert a new memory card
(P 38).
•
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 41).
•
The camera has turned o automatically: Turn the camera on
(P 44).
•
You are using a third-party mount adapter: Select ON for
SHOOT WITHOUT LENS (P 228).
Mottling (“noise”)
appears in the monitor
or view nder when
the shutter button is
pressed halfway.
Gain is increased to aid composition when the subject is
poorly lit and aperture is stopped down, which may result
in noticeable mottling when images are previewed in the
displays. Images taken with the camera are unaff ected.
The camera does not
focus.
The subject is not suited to autofocus: Use focus lock or manual
focus (P 96).
No face is detected.
•
The subject’s face is obscured by sunglasses, a hat, long hair, or
other objects: Remove the obstructions (P 133).
•
The subject’s face occupies only a small area of the frame:
Change the composition so that the subject’s face occu-
pies a larger area of the frame (P 133).
•
The subject’s face is turned away from the camera: Ask the sub-
ject to face the camera (P 133).
•
The camera is tilted: Keep the camera level.
•
The subject’s face is poorly lit: Shoot in bright light.
317
Technical Notes
12
Troubleshooting
ProblemProblem SolutionSolution
The ash does not re.
•
The ash is disabled: Adjust settings (P 152).
•
The electronic shutter is enabled: Choose a SHUTTER TYPE
that does not use the electronic shutter (P 147).
•
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 41).
•
The camera is in bracketing or continuous mode: Select single
frame mode (P 7).
The ash does not fully
light the subject.
•
The subject is not in range of the ash: Position the subject in
range of the fl ash.
•
The ash window is obstructed: Hold the camera correctly.
•
Shutter speed is faster than the sync speed: Choose a slower
shutter speed (P 66, 70, 329).
Pictures are blurred.
•
The lens is dirty: Clean the lens.
•
The lens is blocked: Keep objects away from the lens
(P 51).
•
s is displayed during shooting and the focus frame is dis-
played in red: Check focus before shooting (P 52).
Pictures are mottled.
•
Shutter speed is slow and the ambient temperature is high: This
is normal and does not indicate a malfunction.
*
Use pixel
mapping (P 126).
* X-rays, cosmic rays, and other forms of radiation interacting
with the image sensor may cause bright spots of various col-
ors such as white, red, and blue. Pixel mapping helps reduce
the occurrence of such bright spots.
•
The camera has been used continuously at high temperatures:
Turn the camera off and wait for it to cool down (P 44,
325).
•
A temperature warning is displayed: Turn the camera off and
wait for it to cool down (P 44, 325).
318
Technical Notes
12
Playback
ProblemProblem SolutionSolution
Pictures are grainy.
The pictures were taken with a diff erent make or model of
camera.
Playback zoom is
unavailable.
The pictures were created using RESIZE or with a diff erent
make or model of camera.
No sound in movie
playback.
•
Playback volume is too low: Adjust playback volume
(P 210).
•
The microphone was obstructed: Hold the camera correctly
during recording.
•
The speaker is obstructed: Hold the camera correctly during
playback.
Selected pictures are not
deleted.
Some of the pictures selected for deletion are protected.
Remove protection using the device with which it was
originally applied (P 190).
Pictures remain after
ERASE> ALL FRAMES is
selected.
File numbering is
unexpectedly reset.
The battery-chamber cover was opened while the cam-
era was on. Turn the camera off before opening the bat-
tery-chamber cover (P 235).
319
Technical Notes
12
Troubleshooting
Connections
ProblemProblem SolutionSolution
The monitor is blank.
The camera is connected to a TV: Pictures will be displayed on
the TV instead of in the camera monitor (P 278).
Both the TV and camera
monitor are blank.
The display mode selected with the VIEW MODE button is
EVF ONLY + EVF ONLY + EE
: Put your eye to the viewfi nder. Use
the VIEW MODE button to choose another display mode
(P 16).
No picture or sound
on TV.
•
The camera is not properly connected: Connect the camera
properly (P 278).
•
Input on the television is set to “TV”: Set input to “HDMI”
(P 278).
•
The volume on the TV is too low: Use the controls on the tele-
vision to adjust the volume (P 278).
The computer does not
recognize the camera.
Be sure the camera and computer are correctly connected
(P 283).
FUJIFILM X RAW STUDIO
or FUJIFILM X Acquire
fails to correctly detect
the camera.
Check the option selected for CONNECTION MODE
on the camera. Select USB RAW CONV./BACKUP
RESTORE before connecting the USB cable (P 288).
Cannot connect to
iPhones or iPads.
ON is selected for USB POWER SUPPLY SETTING. Se-
lect OFF when the camera is connected via a Lightning
connection to a device that do not supply power (P 243).
Cannot connect to
smartphone.
Con rm that the camera is correctly connected: The procedure
for connecting the camera varies with the type of connec-
tor with which the smartphone is equipped (P 289).
320
Technical Notes
12
Wireless Transfer
For additional information on troubleshooting wireless connec-
tions, visit:
https://digitalcamera-support-en.fujifilm.com/
ProblemProblem SolutionSolution
Cannot connect to
smartphone.
The camera is slow
to connect or upload
pictures to the
smartphone.
Upload fails or is
interrupted.
•
The smartphone is too far away: Move the devices closer
(P 280).
•
Nearby devices are causing radio interference: Move the cam-
era and smartphone away from microwave ovens or cord-
less phones (P 280).
Cannot upload images.
•
The smartphone is connected to another device: The smart-
phone and camera can connect to only one device at a
time. End the connection and try again (P 280).
•
There are several smartphones in the vicinity: Try connecting
again. The presence of multiple smartphones can make
connection diffi cult (P 280).
•
The image was created on another device: The camera may
not be able to upload images created on other devices.
•
The image is a movie: Uploading movies takes some time. In
addition, smartphones may not accept upload of movies in
formats they do not support.
Smartphone will not
display pictures.
Select ON for GENERAL SETTINGS> RESIZE IMAGE
FOR SMARTPHONE H. Selecting OFF increases up-
load times for larger images; in addition, some phones may
not display images over a certain size (P 244).
321
Technical Notes
12
Troubleshooting
Miscellaneous
ProblemProblem SolutionSolution
The camera is unresponsive.
•
Temporary camera malfunction: Remove and reinsert the
battery (P 36).
•
The battery is exhausted: Charge the battery or insert a
fully-charged spare battery (P 41).
•
The camera is connected to a wireless LAN: End the con-
nection.
•
The controls are locked: Press and hold the MENU/OK but-
ton to unlock the controls (P 13, 15).
The camera does not func-
tion as expected.
Remove and reinsert the battery (P 36). If the prob-
lem persists, contact your Fujifi lm dealer.
No sound.
Adjust the volume (P 209).
Pressing the Qbutton does
not display the quick menu.
TTL-LOCK is active: End TTL-LOCK (P 153).
322
Technical Notes
12
Warning Messages and Displays
The following warnings appear in the display.
WarningWarning DescriptionDescription
i (red)
Low battery. Charge the battery or insert a fully-charged
spare battery.
j (blinks red)
Battery exhausted. Charge the battery or insert a ful-
ly-charged spare battery.
s (displayed in red with
red focus frame)
The camera cannot focus. Use focus lock to focus on an-
other subject at the same distance, then recompose the
picture.
Aperture or shutter
speed displayed in red
The subject is too bright or too dark and the picture will be
over- or under-exposed. Use the fl ash for additional light-
ing when taking photographs of poorly-lit subject.
FOCUS ERROR
Camera malfunction. Turn the camera off , remove the lens,
and check for foreign matter between the lens and the
camera body, then replace the lens and turn the camera
on. If the problem persists, contact a Fujifi lm dealer.
LENS CONTROL ERROR
TURN OFF THE CAMERA
AND TURN ON AGAIN
CARD NOT INITIALIZED
•
The memory card is not formatted or the memory card has been
formatted in a computer or other device: Format the memory
card using D USER SETTING> FORMAT.
•
The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
•
Camera malfunction: Contact a Fujifi lm dealer.
LENS ERROR
Turn the camera off , remove the lens, and check for for-
eign matter between the lens and the camera body, then
replace the lens and turn the camera on. If the problem
persists, contact a Fujifi lm dealer.
323
Technical Notes
12
Warning Messages and Displays
WarningWarning DescriptionDescription
CARD ERROR
•
The memory card is not formatted for use in the camera: For-
mat the card.
•
The memory card contacts require cleaning or the memory card
is damaged: Clean the contacts with a soft, dry cloth. If the
message is repeated, format the card. If the message per-
sists, replace the card.
•
Incompatible memory card: Use a compatible card.
•
Camera malfunction: Contact a Fujifi lm dealer.
PROTECTED CARD
The memory card is locked. Unlock the card.
BUSY
The memory card is incorrectly formatted. Use the camera
to format the card.
b MEMORY FULL
The memory card is full and pictures cannot be recorded.
Delete pictures or insert a memory card with more free
space.
WRITE ERROR
•
Memory card error or connection error: Reinsert the card or
turn the camera off and then on again. If the message
persists, contact a Fujifi lm dealer.
•
Not enough memory remaining to record additional pictures:
Delete pictures or insert a memory card with more free
space.
•
The memory card is not formatted: Format the memory card.
•
The memory card was removed while data were being recorded:
Do not remove the memory card during recording.
FRAME NO. FULL
The camera has run out of frame numbers (current frame
number is 999-9999). Insert a formatted memory card and
select RENEW for D SAVE DATA SET-UP> FRAME NO..
Take a picture to reset frame numbering to 100-0001, then
select CONTINUOUS for FRAME NO..
324
Technical Notes
12
WarningWarning DescriptionDescription
READ ERROR
•
The le is corrupt or was not created with the camera: The fi le
cannot be viewed.
•
The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
•
Camera malfunction: Contact a Fujifi lm dealer.
PROTECTED FRAME
An attempt was made to delete or rotate to a protected pic-
ture. Remove protection and try again.
CAN NOT CROP
The picture is damaged or was not created with the camera.
DPOF FILE ERROR
Print orders can contain no more than 999 pictures. Copy
any additional pictures you wish to print to another memo-
ry card and create a second print order.
CAN NOT SET DPOF
The picture cannot be printed using DPOF.
F CAN NOT SET DPOF
Movies cannot be printed using DPOF.
CAN NOT ROTATE
The selected picture cannot be rotated.
F CAN NOT ROTATE
Movies cannot be rotated.
F CANNOT EXECUTE
Red-eye removal cannot be applied to movies.
m CANNOT EXECUTE
Red-eye removal cannot be applied to pictures created
with other devices.
325
Technical Notes
12
Warning Messages and Displays
WarningWarning DescriptionDescription
p (yellow)
CAMERA IS APPROACHING
STANDARD
TEMPERATURE LIMIT
The camera is approaching the maximum temperature al-
lowed when STANDARD is selected for AUTO POWER
OFF TEMP. and will shortly turn off automatically. Turn the
camera off and wait for it to cool.
p (yellow)
CAMERA IS APPROACHING
HIGH TEMPER-
ATURE LIMIT.DO NOT
HOLD CAMERA FOR
LONG PERIODS OF TIME
The camera is approaching the maximum temperature
allowed when HIGH is selected for AUTO POWER OFF
TEMP. and will shortly turn off automatically. Remaining
in contact with the camera could result in low-temperature
burns; mount the camera on a tripod or take other steps to
avoid prolonged contact with the camera. The camera will
shortly turn off automatically. Turn the camera off and wait
for it to cool. Mottling may increase in pictures taken when
this warning is displayed.
p (red)
HIGH TEMPERATURE
LIMIT REACHED
SHUTTING DOWN
The camera temperature has reached the cutoff point and
the camera is about to turn off automatically. Turn the cam-
era off and wait for it to cool. Mottling may increase in pic-
tures taken when this warning is displayed.
326
Technical Notes
12
Memory Card Capacity
The following table shows the recording time or number
of pictures available at di erent image sizes. All gures are
approximate; le size varies with the scene recorded, pro-
ducing wide variations in the number of les that can be
stored. The number of exposures or length remaining may
not diminish at an even rate.
CapacityCapacity
TT
32GB32GB
SUPER FINESUPER FINE FINEFINE NORMALNORMAL
PhotosPhotos
OO 4 4∶∶33
1050 1580 2520
RAW (UNCOMPRESSED)RAW (UNCOMPRESSED) 300
RAW RAW
(LOSSLESS COMPRESSED)(LOSSLESS COMPRESSED)
580
RAW (COMPRESSED)RAW (COMPRESSED)
850
MoviesMovies
**
WW10801080
78 minutes
* Use a UHS speed class 1 card or better.
O
If the memory card has a capacity of over 32GB, movies will be recorded
in single les, regardless of size. If the card has a capacity of 32GB or less,
movies over 4GB in size will be recorded uninterrupted across multiple les.
327
Technical Notes
12
Speci cations
System
Model FUJIFILM GFX50S II
Product Number FF210001
E ective pixels Approx. 51.4 million
Image sensor 43.8 mm× 32.9 mm Bayer array with primary color fi lter
Storage media Fujifi lm-recommended SD/SDHC/SDXC memory cards
Memory card slots Two SD memory card slots (UHS-II compliant)
File format
•
Still pictures: Compliant with Design Rule for Camera File
System (DCF2.0)
⁃ JPEG: Compliant with Exif 2.32 and Digital Print Order For-
mat (DPOF)
⁃ RAW (original RAF format; special purpose software required):
Uncompressed, or compressed using either a lossless or
non-reversible algorithm; RAW+JPEG available; TIFF (RGB)
•
Movies: MPEG-4 AVC/H.264 standard with stereo sound (MOV)
•
Audio (voice memos): Stereo sound (WAV)
Image size
O 4∶3 (8256 × 6192)
O
3∶2 (8256 × 5504)
O 16∶9 (8256 × 4640)
O 1∶1 (6192 × 6192)
O 65∶24 (8256 × 3048)
O 5∶4 (7744 × 6192)
O 7∶6 (7232 × 6192)
Q 4∶3 (4000 × 3000)
Q
3∶2 (4000 × 2664)
Q 16∶9 (4000 × 2248)
Q 1∶1 (2992 × 2992)
Q 65∶24 (4000 × 1480)
Q 5∶4 (3744 × 3000)
Q 7∶6 (3504 × 3000)
RAW (8256 × 6192) TIFF (8256 × 6192)
Lens mount FUJIFILM G mount
Sensitivity
•
Still pictures: Standard output sensitivity equivalent to
ISO 100 – 12800 in increments of ⁄ EV; AUTO1 – 3; extended
output sensitivity equivalent to ISO 50, 25600, 51200, or 102400
•
Movies: Standard output sensitivity equivalent to
ISO200 – 6400 in increments of ⁄EV; AUTO
328
Technical Notes
12
System
Metering 256-segment through-the-lens (TTL) metering;
MULTI, SPOT, AVERAGE, CENTER WEIGHTED
Exposure control Programmed AE (with program shift); shutter-priority AE;
aperture-priority AE; manual exposure
Exposure compensation
•
Still pictures: −5EV – +5EV in increments of ⁄EV
•
Movies: −2EV – +2EV in increments of ⁄EV
Shutter speed
•
MECHANICAL SHUTTER, E-FRONT CURTAIN SHUTTER
⁃ Mode P: 4s to ¼ s
⁃ Mode A: 30s to ¼ s
⁃ Modes S and M: 60min. to ¼ s
⁃ Bulb: Max. 60min.
•
ELECTRONIC SHUTTER, MECHANICAL + ELECTRONIC,
E-FRONT+ ELECTRONIC
⁃ Mode P: 4s to ⁄s
⁃ Mode A: 30s to ⁄s
⁃ Modes S and M: 60min. to ⁄s
⁃ Bulb: Max. 60min.
Continuous
•
Available frame advance rates
⁃ Mechanical shutter: 3.0 fps
⁃ Electronic front-curtain shutter: 2.2 fps
⁃ Electronic shutter: 1.5 fps
•
Approximate maximum number of shots per burst (JPEG, 3.0 fps): 28
O
The frame rate and number of frames per burst var-
ies with shooting conditions and type of memory
card used.
Focus
•
Mode: Single or continuous AF; manual focus with focus ring
•
Autofocus system: TTL contrast-detect AF with AF-assist
illuminator
•
Focus-area selection: SINGLE POINT, ZONE, WIDE/TRACKING,
ALL
White balance
Auto (WA WHITE PRIORITY, AUTO, AA AMBIENCE PRIORITY),
Custom 1, Custom 2, Custom 3, color temperature selection, direct
sunlight, shade, daylight fl uorescent, warm white fl uorescent,
cool white fl uorescent, incandescent, underwater
Self-timer Off , 2 sec., 10 sec.
329
Technical Notes
12
Speci cations
System
Flash mode
•
MODE: TTL MODE (FLASH AUTO, STANDARD, SLOW SYNC.),
MANUAL, MULTI, OFF
•
SYNC. MODE: 1ST CURTAIN, 2ND CURTAIN, AUTO FP (high-
speed sync)
•
RED
EYE
REMOVAL: e FLASH+REMOVAL, L FLASH,
d REMOVAL, OFF
Hot shoe Accessory shoe with TTL contacts; supports sync speeds as
fast as ⁄s
Sync contact X contact; supports sync speeds as fast as ⁄s
Sync terminal Provided
Electronic view nder
(EVF)
0.5-in., 3690k-dot OLED viewfi nder; magnifi cation 0.77× with
50mm lens (35mm format equivalent) at infi nity and diopter
set to −1.0 m
−1
; diagonal angle of view approximately 38°
(horizontal angle of view approximately 30°)
•
Diopter adjustment: −4 to +2m
−1
•
Eyepoint: Approximately 23mm
LCD monitor
•
Rear monitor: 3.2-in/8.1 cm, 2360k-dot color LCD touch
screen with 3-way tilt
•
Shoulder monitor: 1.80-in/4.57 cm, 303 × 230-dot memory
LCD monitor
Movies
(with stereo sound)
•
Movie mode
i 1080/29.97P i 1080/24P
i 1080/25P i 1080/23.98P
•
Recording/output format
H.264: SD card, 4∶2∶0, 8-bit/HDMI output, 4∶2∶2, 10-bit
Input/output terminals
Microphone connector
⌀3.5 mm mini-stereo jack
Headphone jack socket
⌀3.5 mm mini-stereo jack
Remote release connector
⌀2.5 mm 3-pole mini jack
Digital input/output USB connector (Type-C) USB3.2Gen1x1
HDMI output HDMI Micro connector (type D)
330
Technical Notes
12
Power supply/other
Power supply NP-W235 rechargeable battery (supplied with camera)
Battery life
•
Battery type: NP-W235
•
Lens: GF63mmF2.8 R WR
•
External ash units: Disabled
•
Shooting mode: Mode P
•
AUTO POWER SAVE: ON
Number of shotsNumber of shots
LCDLCD EVFEVF
Approx. 455 Approx. 445
Total length of footage that can be recorded on Total length of footage that can be recorded on
a single chargea single charge
ModeMode
Actual Battery life of Actual Battery life of
movie capturemovie capture
Continuance Continuance
Battery life of movie Battery life of movie
capturecapture
W
**
Approx. 80minutes Approx. 140minutes
* At a frame rate of 29.97fps.
CIPA standard. Measured using battery supplied with camera
and SD memory card.
Note: Battery endurance varies with battery charge level and
the fi gures given above are not guaranteed. Battery endur-
ance will decline at low temperatures.
Camera size
(W × H × D)
150.0 mm× 104.2 mm× 87.2 mm (44.0 mm excluding projections,
measured at thinnest part)/5.91 in.× 4.10 in.× 3.43 in. (1.73 in.)
Camera weight Approx. 819 g/28.9 oz., excluding battery, accessories, and
memory card
Shooting weight Approx. 900 g/31.7 oz., including battery and memory card
Operating conditions
•
Temperature: −10 °C to +40 °C/+14 °F to +104 °F (+5 °C to
+40 °C/+41 °F to +104 °F when battery is charging)
•
Humidity: 10% to 80% (no condensation)
331
Technical Notes
12
Speci cations
Wireless transmitter
Wireless LAN
Standards IEEE 802.11b/g/n (standard wireless protocol)
Operating frequency
(center frequency)
2,412 MHz–2,462 MHz (11 channels)
Access protocols Infrastructure
Bluetooth®
Standards Bluetooth version 4.2 (Bluetooth Low Energy)
Operating frequency
(center frequency)
2,402 MHz–2,480 MHz
332
Technical Notes
12
Speci cations
NP-W235 rechargeable battery
Nominal voltage 7.2 V
Nominal capacity 2350 mAh
Rating capacity 2200 mAh
Operating
temperature
0 °C to +40 °C/+32 °F to +104 °F
Dimensions
(W × H × D)
38.92 mm× 22.8 mm× 52.26 mm/
1.5 in.× 0.9 in.× 2.1 in.
Weight Approx. 79 g/2.8 oz.
AC-5VJ AC power adapter
Manufacturer Dongguan Yingiu Power Co.,Ltd.
Address No.6 Yongxing Road, Shayao Village, Shijie Town,
523292 Dongguan City, Guangdong Province,
PEOPLE'S REPUBLIC OF CHINA
Model name AC-5VJ
Rated input 100 V – 240 V AC, 50/60 Hz
Input capacity Max. 50 VA
Rated output DC5.0V 3.0A 15.0W
Average active e ciency 84.8 %
E ciency at load 10% 84.2 %
No-load power consumption 0.02 W
Operating temperature 0 °C to +40 °C/+32 °F to +104 °F
Weight Approx. 45 g ± 2 g/1.6 oz. ± 0.1 oz.
N
Weight and dimensions vary with the country or region of sale.
O
Speci cations and performance are subject to change without notice.
Fuji lm will not be held liable for any errors this manual may contain.
The appearance of the product may di er from that described in this
manual.
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