Fujifilm X100F - Brownn Cameras User Manual

DIGITAL CAMERA

X100F

Owner’s Manual

Thank you for your purchase of this product. This

manual describes how to use your FUJIFILM X100F

digital camera. Be sure that you have read and un-

derstood its contents before using the camera.

■ Product website:

http://fujifilm-x.com/x100f/

■ Additional information may be found in online manuals available from:

http://fujifilm-dsc.com/manuals/

EN

BL00004857-205

Before You Begin

First Steps

Basic Photography

and Playback

Basic Movie Recording

and Playback

The Q (Quick Menu) Button

The Fn (Function) Buttons

More on Photography and Playback

Mode Selection ................................................................................. 49

Program AE (P) ................................................................................ 49

Shutter-Priority AE (S) .................................................................. 50

Aperture-Priority AE (A) ............................................................... 51

Manual Exposure (M) .................................................................... 53

The Digital Teleconverter ............................................................. 54

Drive Mode ......................................................................................... 55

R Burst Mode (CONTINUOUS) ................................................. 56

Bracketing ......................................................................................... 57

Y Advanced Filters...................................................................... 58

r Panoramas ................................................................................. 59

Viewing Panoramas ...................................................................... 60

j Multiple Exposures .................................................................. 61

Exposure Compensation .............................................................. 62

C (Custom) ..................................................................................... 62

Sensitivity ........................................................................................... 63

Metering .............................................................................................. 64

Film Simulation ................................................................................ 65

White Balance ................................................................................... 66

Focus Mode ........................................................................................ 68

The Focus Indicator .................................................................... 69

MF Assist ......................................................................................... 70

Autofocus Options (AF Mode) .................................................. 71

Focus-Point Selection ................................................................... 72

The Focus Point Display .............................................................. 73

Single Point AF ............................................................................. 73

Zone AF ........................................................................................... 74

Tracking (Focus Mode C Only) ................................................ 75

Long Time-Exposures (T/B) ......................................................... 76

Time (T) .............................................................................................. 76

Bulb (B) ............................................................................................... 76

Using a Remote Release .............................................................. 77

The Self-Timer ................................................................................... 78

Interval Timer Photography ....................................................... 79

Focus/Exposure Lock ..................................................................... 80

Flash Photography .......................................................................... 82

FLASH FUNCTION SETTING ........................................................ 83

Recording Pictures in RAW Format ......................................... 84

Creating JPEG Copies of RAW Pictures .................................. 85

Saving Settings ................................................................................. 86

PhotoBook Assist ............................................................................. 87

Creating a PhotoBook .................................................................. 87

Viewing Photobooks .................................................................... 88

Editing and Deleting Photobooks ........................................... 88

xiv

Table of Contents

Menus

Using the Menus: Shooting Mode ........................................... 89

Using the Shooting Menu .......................................................... 89

H IMAGE QUALITY SETTING ...................................................... 90

IMAGE SIZE .................................................................................... 90

IMAGE QUALITY ........................................................................... 90

RAW RECORDING ........................................................................ 90

FILM SIMULATION ....................................................................... 91

GRAIN EFFECT .............................................................................. 91

DYNAMIC RANGE ........................................................................ 91

WHITE BALANCE .......................................................................... 91

HIGHLIGHT TONE ........................................................................ 91

SHADOW TONE ............................................................................ 91

COLOR ............................................................................................. 92

SHARPNESS ................................................................................... 92

NOISE REDUCTION ..................................................................... 92

LONG EXPOSURE NR .................................................................. 92

COLOR SPACE................................................................................ 92

PIXEL MAPPING ............................................................................ 93

SELECT CUSTOM SETTING ....................................................... 93

EDIT/SAVE CUSTOM SETTING................................................. 93

G AF/MF SETTING ......................................................................... 94

FOCUS AREA ................................................................................. 94

AF MODE ........................................................................................ 94

AF POINT DISPLAY yz .......................................................... 94

NUMBER OF THE FOCUS POINTS .......................................... 94

PRE-AF ............................................................................................. 94

AF ILLUMINATOR ......................................................................... 95

FACE/EYE DETECTION SETTING ............................................. 95

AF+MF ............................................................................................. 96

MF ASSIST ...................................................................................... 96

FOCUS CHECK .............................................................................. 96

INTERLOCK SPOT AE & FOCUS AREA ................................... 96

INSTANT AF SETTING ................................................................. 96

DEPTH-OF-FIELD SCALE ........................................................... 97

RELEASE/FOCUS PRIORITY ...................................................... 97

CORRECTED AF FRAME ............................................................. 97

A SHOOTING SETTING ................................................................ 98

SELF-TIMER .................................................................................... 98

INTERVAL TIMER SHOOTING ................................................... 98

FILM SIMULATION BKT .............................................................. 98

PHOTOMETRY ............................................................................... 98

SHUTTER TYPE .............................................................................. 99

ISO AUTO SETTING ...................................................................100

CONVERSION LENS ................................................................... 100

DIGITAL TELE-CONV. .................................................................100

ND FILTER .....................................................................................101

WIRELESS COMMUNICATION ...............................................101

F FLASH SETTING .......................................................................102

FLASH FUNCTION SETTING ...................................................102

RED EY

E REMOVAL ....................................................................102

TTL-LOCK MODE ........................................................................ 103

LED LIGHT SETTING ..................................................................103

MASTER SETTING ......................................................................104

CH SETTING ................................................................................. 104

Built-In Flash ...............................................................................104

B MOVIE SETTING ....................................................................... 105

MOVIE MODE .............................................................................. 105

MOVIE AF MODE........................................................................105

HDMI OUTPUT INFO DISPLAY ..............................................106

MIC LEVEL ADJUSTMENT ....................................................... 106

MIC/REMOTE RELEASE ............................................................106

E MY MENU ................................................................................... 107

xv

Table of Contents

Using the Menus: Playback Mode..........................................108

U

sing the Playback Menu ......................................................... 108

C PLAY BACK MENU ...................................................................109

RAW CONVERSION ....................................................................109

ERASE .............................................................................................109

CROP ..............................................................................................109

RESIZE ............................................................................................ 110

PROTECT ....................................................................................... 110

IMAGE ROTATE ............................................................................110

RED EYE REMOVAL ....................................................................111

WIRELESS COMMUNICATION ...............................................111

SLIDE SHOW ................................................................................ 111

PHOTOBOOK ASSIST ................................................................ 111

PC AUTO SAVE ............................................................................ 111

PRINT ORDER (DPOF) ...............................................................112

instax PRINTER PRINT ..............................................................112

DISP ASPECT ............................................................................... 112

The Setup Menu ............................................................................. 113

Using the Setup Menu ............................................................... 113

D SET UP Menu Options ...........................................................114

D USER SETTING ....................................................................... 114

FORMAT ........................................................................................114

DATE/TIME ...................................................................................114

TIME DIFFERENCE .....................................................................115

a .....................................................................................115

MY MENU SETTING ...................................................................115

SHUTTER COUNT .......................................................................115

SOUND & FLASH ........................................................................115

RESET .............................................................................................116

D SOUND SETTING ..................................................................117

AF BEEP VOL. ...............................................................................117

SELF-TIMER BEEP VOL. .............................................................117

OPERATION VOL. .......................................................................117

SHUTTER VOLUME ....................................................................117

SHUTTER SOUND ......................................................................117

PLAYBACK VOLUME ..................................................................117

D SCREEN SETTING ..................................................................118

EVF BRIGHTNESS .......................................................................118

EVF COLOR ...................................................................................118

LCD BRIGHTNESS .......................................................................118

LCD COLOR .................................................................................. 118

IMAGE DISP. .................................................................................118

EVF AUTOROTATE DISPLAYS .................................................119

PREVIEW EXP./WB IN MANUAL MODE ...............................119

PREVIEW PIC. EFFECT ...............................................................119

FRAMING GUIDELINE ...............................................................119

AUTOROTATE PB ........................................................................ 120

FOCUS SCALE UNITS ................................................................ 120

DISP. CUSTOM SETTING .......................................................... 120

D

BUTTON/DIAL SETTING .....................................................121

FOCUS LEVER SETTING ........................................................... 121

EDIT/SAVE QUICK MENU ........................................................121

FUNCTION (Fn) SETTING ........................................................ 121

ISO DIAL SETTING (H) .............................................................. 121

ISO DIAL SETTING (A)...............................................................121

FOCUS RING ................................................................................122

CONTROL RING SETTING ........................................................122

AE/AF-LOCK MODE ...................................................................122

D POWER MANAGEMENT .....................................................123

AUTO POWER OFF ....................................................................123

POWER MANAGEMENT ...........................................................123

D SAVE DATA SETTING ...........................................................124

FRAME NO. ...................................................................................124

SAVE ORG IMAGE ......................................................................124

xvi

Table of Contents

EDIT FILE NAME .........................................................................124

COPYRIGHT INFO ......................................................................125

D CONNECTION SETTING......................................................126

WIRELESS SETTINGS .................................................................126

PC AUTO SAVE SETTING .........................................................126

GEOTAGGING SET-UP ..............................................................126

instax PRINTER CONNECTION SETTING ........................... 126

“My Menu” ........................................................................................ 127

Editing “My Menu” ....................................................................... 127

Factory Defaults ............................................................................. 128

Connections

Wireless Transfer (FUJIFILM Camera Remote/

FUJIFILMPC AutoSave) ...............................................................131

Wireless Connections: Smartphones ...................................131

Wireless Connections: Computers ........................................ 131

Viewing Pictures on a Computer (MyFinePix Studio/

RAWFILE CONVERTER EX2.0) ..................................................132

Windows .......................................................................................... 132

Mac OS X/macOS .........................................................................132

Connecting the Camera ............................................................ 133

Creating a DPOF Print Order .................................................... 135

WITH DATE s/ WITHOUT DATE .......................................... 135

RESET ALL .....................................................................................136

instax SHARE Printers .................................................................. 137

Establishing a Connection........................................................137

Printing Pictures ...........................................................................138

Viewing Pictures on TV ...............................................................139

Technical Notes

Optional Accessories....................................................................140

Accessories from FUJIFILM .......................................................140

Connecting the Camera to Other Devices ......................... 143

Using Shoe-Mounted Flash Units ..........................................144

Attaching Adapter Rings ...........................................................148

Attaching Lens Hoods ................................................................149

Attaching Protector Filters .......................................................149

Using Conversion Lenses .......................................................... 149

Caring for the Camera ................................................................. 151

Use and Storage Precautions .................................................. 151

Traveling .......................................................................................... 151

Troubleshooting

Problems and Solutions .............................................................152

Warning Messages and Displays ............................................ 157

Appendix

Memory Card Capacity ...............................................................160

Links .....................................................................................................161

FUJIFILM X100F Product Information .................................. 161

Firmware Updates .......................................................................161

Speci cations ..................................................................................162

Restrictions on Camera Settings ............................................ 168

1

Before You Begin

Symbols and Conventions

The following symbols are used in this manual:

Q This information should be read before use to ensure correct operation.

R Additional information that may be helpful when using the camera.

P Other pages in this manual on which related information may be found.

Menus and other text in the displays are shown in bold. Illustrations are for explanatory purposes only;

drawings may be simpli ed, while photographs are not necessarily taken with the model of camera

described in this manual.

Supplied Accessories

The following items are included with the camera:

NP-W126S rechargeable battery BC-W126 battery charger Lens cap (× 1)

Clip attaching tool Metal strap clips (× 2)

USB cable (Micro-B) (× 1)

• Protective covers (× 2)

• Shoulder strap

• Owner’s Manual (this manual)

2

Parts of the Camera

For more information, refer to the page listed to the right of each item.

A

Metering button ...............................................64

Function button (Fn1) ......................................46

B

Exposure compensation dial .............................62

C

Shutter button ..................................................34

D

Shutter speed dial/sensitivity dial

....................................................5, 49, 50, 51, 53

E

AF-assist illuminator .........................................95

Self-timer lamp ................................................78

F

Hot shoe ...........................................................82

G

Microphone ......................................................40

H

Flash ................................................................. 82

I

View nder window .............................. 10, 27, 30

J

Strap eyelet ......................................................16

K

Focus mode selector .........................................68

L

Aperture ring ...............................9, 49, 50, 51, 53

M

Control ring ........................................... 8, 54, 122

Focus ring ......................................68, 69, 96, 122

N

Lens

O

Front ring ........................................................148

P

Control ring options button ................................8

Function button (Fn2) ......................................46

Q

View nder selector ...........................................28

R

Front command dial ...........................................6

S

ON/OFF switch .................................................24

3

Before You Begin

Parts of the Camera

T

Diopter adjustment control ...............................29

U

View nder window .............................. 10, 27, 30

V

Eye sensor .........................................................27

W

VIEW MODE button .........................................27

X

AEL/AFL (autoexposure/autofocus lock) button

......................................................46, 68, 80, 122

Y

Rear command dial ....................................... 6, 46

Z

Q (quick menu) button

*

....................................43

Quick menu edit/custom settings button

(press

and hold while quick menu is displayed)

*

.........................................................................45

RAW conversion button (playback mode) .........85

a

Indicator lamp ....................................................7

b

Selector ........................................................ 4, 25

Function buttons ..............................................46

c

MENU/OK button ............................. 89, 108, 113

X (control lock) button (press and hold) .... 4, 13

d

Connector cover ...........................41, 77, 133, 139

e

Cable channel cover for DC coupler .................140

f

Battery-chamber cover latch ............................20

g

Battery-chamber cover .....................................20

h

Tripod mount

i

Speaker .............................................................42

j

DISP (display)/BACK button ............................30

Function button role selection

(press and hold) ................................................47

k

b (delete) button ........................................ 6, 39

l

a (playback) button ......................................35

m

Focus stick (focus lever) .......................... 5, 72, 73

n

LCD monitor .......................................... 12, 27, 30

o

HDMI Micro connector (Type D) ......................139

p

Microphone/remote release connector ....... 41, 77

q

Serial number plate ............................................4

r

Micro USB (Micro-B) USB 2.0 connector .......... 133

s

Battery chamber ...............................................20

t

Memory card slot ..............................................21

u

Battery latch .....................................................20

* In shooting mode, press and release to display quick menu or press and hold to display quick menu edit options. When quick

menu is displayed, press and hold to edit custom settings.

4

Parts of the Camera

The Serial Number Plate

Do not remove the serial number plate, which provides

the FCC ID, KC mark, serial number, and other impor-

tant information.

Control Lock

To prevent accidental operation of the selector and

Q button during shooting, press MENU/OK until X is

displayed. The controls can be unlocked by pressing

MENU/OK until X is no longer displayed.

The Selector

Press the selector up (

q

), right (

e

), down (

r

), or

left (

w

) to highlight items. The up, left, right, and

down buttons also double as the DRIVE (P 55), Fn3

( lm simulation; P 65), Fn4 (white balance; P 66),

and Fn5 (AF mode; P 71) buttons, respectively

(P 46).

5

Before You Begin

Parts of the Camera

The Focus Stick (Focus Lever)

Tilt or press the focus stick to select the focus

area (P 72). The stick can also be used to scroll

images during playback zoom and to navigate

the menus.

The Shutter-Speed/ISO Dial

Choose a shutter speed and ISO sensitivity.

Rotate the dial to choose a shutter

speed (P 49, 50, 51, 53).

Lift and rotate the dial to choose ISO

sensitivity (P 63).

6

Parts of the Camera

The Command Dials

Rotate or press the command dials to:

Front command dial

Rear command dial

Select menu tabs or page through menus (P 89, 108, 113),

djust exposure compensation or sensitivity (see below),

choose the size of the focus frame (P 73, 74), or view other

pictures during playback without changing the zoom ratio

(P 35, 37).

Rotate

Highlight menu items (P 89, 108, 113), choose the desired

combination of shutter and aperture (program shift;

P 49), choose a shutter speed (P 50, 53), adjust settings

in the quick menu (P 44), choose the size of the fo-

cus frame (P 73, 74), or zoom in or out in full-frame or

thumbnail playback (P 37, 38).

Switch back and forth between exposure compensation

and sensitivity (see below).

Press

Zoom in on the selected focus area or (in playback mode)

the active focus point. Press and hold to choose the man-

ual focus mode focus display.

Exposure Compensation and Sensitivity

The front command dial can be used to adjust exposure compensation when C is selected with the exposure

compensation dial, and to adjust sensitivity when the sensitivity dial is set to A and COMMAND is selected for

DBUTTON/DIAL SETTING> ISO DIAL SETTING (A). The center of the front command dial can be used to

switch between exposure compensation and sensitivity when both of the foregoing conditions are met.

Formatting Memory Cards

The format menu can also be displayed by pressing the center of the rear command dial while pressing and

holding the b button.

7

Before You Begin

Parts of the Camera

The Indicator Lamp

When the view nder is not in use (P 27), the indicator lamp shows camera status.

Indicator lamp

Camera status

Glows green

Glows green Focus locked.

Blinks green

Blinks green Focus or slow shutter speed warning. Pictures can be taken.

Blinks green and orange

Blinks green and orange Recording pictures. Additional pictures can be taken.

Glows orange

Recording pictures. No additional pictures can be taken at this

time.

Blinks orange

Blinks orange Flash charging;  ash will not  re when picture is taken.

Blinks red

Blinks red Lens or memory error.

Indicator lamp

R Warnings may also appear in the display (P 157).

R The indicator lamp does not light when your eye is to the view nder (P 27).

8

Parts of the Camera

The Control Ring

Use the control ring for quick access to camera functions during shoot-

ing. The function assigned to the control ring can be selected by press-

ing the control ring options button. Choose from:

• DEFAULT • WHITE BALANCE

• FILM SIMULATION • DIGITAL TELE-CONV.

R The function assigned to the control ring can also be selected using D BUTTON/DIAL SETTING> CONTROL RING SETTING

(P 122).

■ DEFAULT

When DEFAULT is selected, the function assigned to the control ring changes with the shooting mode.

Shooting mode

Function

P

,

S

,

A

,

M

M Digital teleconverter

Advanced Filter

Advanced Filter Filter selection

Panorama/Multiple Exposure

Panorama/Multiple Exposure Film simulation

R Regardless of the option selected, when the focus mode selector is rotated to M (manual) in shooting mode P, S, A, or M, the

control ring can be used only for manual focus.

9

Before You Begin

Parts of the Camera

The Aperture Ring and Shutter Speed Dial

Use the aperture ring and shutter speed dial to

choose from modes P, S, A, and M.

■ Mode P: Program AE

Aperture and shutter speed can be adjusted us-

ing program shift.

Aperture: A Shutter speed: A

■ Mode S: Shutter-Priority AE

Take pictures at the selected shutter speed. The

camera adjusts aperture automatically.

Aperture: A Shutter speed: Choose a speed

■ Mode A: Aperture-Priority AE

Take pictures at the selected aperture. The cam-

era adjusts shutter speed automatically.

Aperture: Choose an aperture Shutter speed: A

■ Mode M: Manual Exposure

Take pictures at the selected aperture and shutter

speed.

Aperture: Choose an aperture Shutter speed: Choose a speed

Shutter speed dial

Aperture ring

10

Parts of the Camera

Camera Displays

The following types of indicator may be displayed during shooting and playback. In the description that

follows, all available indicators are shown for illustrative purposes; the indicators actually displayed vary

with camera settings. Note that the LCD monitor and electronic view nder have di erent aspect ratios.

■ Shooting: Optical View nder

3

2

1

0

-1

-2

-3

11

Before You Begin

Parts of the Camera

A

Control lock .........................................................4

B

Sound and  ash indicator ...............................115

C

ND (Neutral Density)  lter indicator ...............101

D

Depth-of- eld preview .....................................52

E

Conversion lens ...............................................149

F

Digital teleconverter .........................................54

G

Location data download status .......................126

H

Number of available frames * .........................160

I

Image quality and size ......................................90

J

Battery level .....................................................24

K

Bright frame ...................................................150

L

Focus frame ................................................ 72, 80

M

Focus warning .................................... 7, 154, 157

N

Temperature warning ............................. 154, 159

O

Virtual horizon ..................................................32

P

Distance indicator .............................................68

Q

Sensitivity .........................................................63

R

Exposure compensation ....................................62

S

Aperture ............................................... 49, 51, 53

T

Shutter speed ....................................... 49, 50, 53

U

TTL lock..................................................... 48, 103

V

AE lock indicator ...............................................80

W

Metering ...........................................................64

X

Shooting mode ................................49, 50, 51, 53

Y

Focus indicator ..................................................69

Z

Manual focus indicator ...............................68, 69

a

Focus mode ......................................................68

b

Histogram .........................................................32

c

Dynamic range .................................................91

d

Film simulation .................................................65

e

White balance ...................................................66

f

AF lock ..............................................................80

g

Exposure indicator ...................................... 53, 62

h

AF+MF indicator ..............................................96

i

Shutter type......................................................99

j

Continuous mode .............................................55

k

Self-timer indicator ..........................................78

l

Microphone/remote release ............... 41, 77, 106

m

Flash mode (TTL)/Flash compensation .............82

* Shows “9999” if there is space for over 9999 frames.

Control Lock

X

Pressing a locked control (

P

4) displays a

X

icon.

12

Parts of the Camera

■ Shooting: Electronic View nder/LCD Monitor

12000

12.31.2050 10:00 AM

13

Before You Begin

Parts of the Camera

A

Depth-of- eld preview .....................................52

B

Conversion lens ...............................................149

C

Digital teleconverter .........................................54

D

Location data download status .......................126

E

Movie mode .............................................. 40, 105

F

Time remaining ................................................40

G

Number of available frames * .........................160

H

Image quality and size ......................................90

I

Date and time ............................................. 25, 26

J

Focus frame ................................................ 72, 80

K

Virtual horizon ..................................................32

L

Focus warning .................................... 7, 154, 157

M

White balance ...................................................66

N

Film simulation .................................................65

O

Dynamic range .................................................91

P

Temperature warning ............................. 154, 159

Q

Control lock .........................................................4

R

Sound and  ash indicator ...............................115

S

Histogram .........................................................32

T

Distance indicator .............................................68

U

Battery level .....................................................24

V

Sensitivity .........................................................63

W

Exposure compensation ....................................62

X

Aperture ............................................... 49, 51, 53

Y

Shutter speed ....................................... 49, 50, 53

Z

TTL lock..................................................... 48, 103

a

AE lock indicator ...............................................80

b

Metering ...........................................................64

c

Shooting mode ................................49, 50, 51, 53

d

Focus indicator ..................................................69

e

Manual focus indicator ...............................68, 69

f

Focus mode ......................................................68

g

AF lock ..............................................................80

h

AF+MF indicator ..............................................96

i

Shutter type......................................................99

j

Continuous mode .............................................55

k

Exposure indicator ...................................... 53, 62

l

Self-timer indicator ..........................................78

m

Microphone/remote release ............... 41, 77, 106

n

Flash (TTL) mode/Flash compensation .............82

o

Focus check .......................................................69

p

ND (Neutral Density)  lter indicator ...............101

* Shows “9999” if there is space for over 9999 frames.

Control Lock

X

Pressing a locked control (

P

4) displays a

X

icon.

14

Parts of the Camera

■ Playback

12.31.2050 10:00 AM

15

Before You Begin

Parts of the Camera

A

Date and time ............................................. 25, 26

B

Face detection indicator ....................................95

C

Red-eye removal indicator ..............................111

D

Advanced  lter .................................................58

E

Location data ..................................................126

F

Protected image .............................................110

G

Sound and  ash indicator ...............................115

H

Frame number ................................................ 124

I

Gift image .........................................................35

J

Photobook assist indicator ................................87

K

DPOF print indicator .......................................135

L

Battery level .....................................................24

M

Image size/quality ............................................90

N

Film simulation .................................................65

O

Dynamic range .................................................91

P

White balance ...................................................66

Q

Sensitivity .........................................................63

R

Exposure compensation ....................................62

S

Aperture ............................................... 49, 51, 53

T

Shutter speed ....................................... 49, 50, 53

U

Playback mode indicator...................................35

V

Movie icon ........................................................42

W

Rating ...............................................................35

16

First Steps

Attaching the Strap

Attach the strap clips to the camera and then attach the strap.

1

Open a strap clip.

Use the clip attaching tool to open a strap clip,

making sure that the tool and clip are in the

orientations shown.

Q Keep the tool in a safe place. You will need it to

open the strap clips when removing the strap.

2

Place the strap clip on an eyelet.

Hook the strap eyelet in the clip opening. Re-

move the tool, using the other hand to keep

the clip in place.

3

Pass the clip through the eyelet.

Rotate the clip fully through

the eyelet until it clicks

closed.

4

Attach a protective cover.

Place a protective cover over the eyelet as

shown, with the black side of the cover toward

the camera. Repeat Steps 1–4 for the second

eyelet.

17

First Steps

Attaching the Strap

5

Insert the strap.

Insert the strap through a protective cover

and strap clip.

6

Fasten the strap.

Fasten the strap as shown. Repeat Steps 5–6

for the second eyelet.

Q To avoid dropping the camera, be sure the strap is

correctly secured.

18

Charging the Battery

The battery is not charged at shipment. Before use, charge the battery in the supplied battery charger.

1

Place the battery in the charger.

Place the battery in the supplied battery char-

ger as shown.

Battery charger

Battery

Charge lamp

Arrow

The camera uses an NP-W126S rechargeable bat-

tery.

R The supplied AC cord is for use exclusively with

the supplied battery charger. Do not use the

supplied charger with other cords or the sup-

plied cord with other devices.

2

Plug the charger in.

Plug the charger into an indoor power outlet.

The charging indicator will light.

The Charging Indicator

The charging indicator shows battery charge sta-

tus as follows:

Charging

indicator

Battery status

Action

O

Battery not

inserted.

Insert the battery.

Battery fully

charged.

Remove the battery.

On

Battery charging.

—

Blinks

Battery fault.

Unplug the charger

and remove the

battery.

3

Charge the battery.

Remove the battery when charging is com-

plete. See the speci cations (P 166) for charg-

ing times (note that charging times increase

at low temperatures).

Q Unplug the charger when it is not in use.

19

First Steps

Charging the Battery

Charging via a Computer

The battery can be charged by connecting the camera to a computer. Connect the supplied USB cable as

shown, making sure the connectors are fully inserted.

Connect to camera Micro USB

(Micro-B) connector

Q Connect the camera directly to the computer; do not use a USB hub or keyboard.

Q Charging stops if the computer enters sleep mode; to resume charging, activate the computer and discon-

nect and reconnect the USB cable.

Q Charging may not be supported depending on the model of computer, computer settings, and the com-

puter’s current state.

Q The battery will not charge while the camera is on.

R The indicator lamp shows battery charge status as follows:

Indicator lamp

Battery status

On

Battery charging.

O

Charging complete.

Blinks

Battery fault.

20

Inserting the Battery and a Memory Card

After charging the battery, insert the battery in the camera as described below.

1

Open the battery-chamber cover.

Slide the battery-chamber latch as shown and

open the battery-chamber cover.

Q Do not open the battery-chamber cover when

the camera is on. Failure to observe this precau-

tion could damage image  les or memory cards.

Q Do not use excessive force when handling the

battery-chamber cover.

2

Insert the battery.

Using the battery to keep the battery latch

pressed to one side, insert the battery con-

tacts  rst in the direction shown by the arrow.

Con rm that the battery is securely latched.

Arrow

Battery latch

Q Insert the battery in the orientation shown. Do

not use force or attempt to insert the battery up-

side down or backwards. The battery will slide in

easily in the correct orientation.

21

First Steps

Inserting the Battery and a Memory Card

3

Insert the memory card

Holding the memory card in the orientation

shown, slide it in until it clicks into place at the

back of the slot.

Click!

Q Be sure card is in the correct orientation; do not

insert at an angle or use force.

4

Close the battery-chamber cover.

22

Inserting the Battery and a Memory Card

Q

Batteries

• Remove dirt from the battery terminals with a clean,

dry cloth. Failure to observe this precaution could

prevent the battery from charging.

• Do not a x stickers or other objects to the battery.

Failure to observe this precaution could make it im-

possible to remove the battery from the camera.

• Do not short the battery terminals. The battery could

overheat.

• Read the cautions in “The Battery and Power Supply”

(P v).

• Use only battery chargers designated for use with the

battery. Failure to observe this precaution could re-

sult in product malfunction.

• Do not remove the labels from the battery or attempt

to split or peel the outer casing.

• The battery gradually loses its charge when not in

use. Charge the battery one or two days before use.

Removing the Battery

Before removing the battery, turn the camera o and

open the battery-chamber cover.

To remove the battery, press the

battery latch to the side, and

slide the battery out of the cam-

era as shown.

Q The battery may become hot when used in high-

temperature environments. Observe caution when

removing the battery.

Removing Memory Cards

Before removing memory cards, turn the camera o

and open the battery-chamber cover.

Press and release the card to

eject it part way (to prevent the

card falling from the slot, press

the center of the card and re-

lease it slowly, without remov-

ing your  nger from the card).

The card can then be removed

by hand.

23

First Steps

Inserting the Battery and a Memory Card

■ Compatible Memory Cards

FUJIFILM and SanDisk SD, SDHC, and SDXC memory cards have been approved for use in the cam-

era. A complete list of approved memory cards is available at http://www.fujifilm.com/support/digital_

cameras/compatibility/. Operation is not guaranteed with other cards. The camera can not be used

with xD-Picture Cards or MultiMediaCard (MMC) devices.

Q

Memory Cards

• Do not turn the camera o or remove the memory card while the memory card is being formatted or data are

being recorded to or deleted from the card. Failure to observe this precaution could damage the card.

• Format memory cards before  rst use, and be sure to reformat all memory cards after using them in a computer

or other device. For more information on formatting memory cards, see page 114.

• Memory cards are small and can be swallowed; keep out of reach of children. If a child swallows a memory card,

seek medical assistance immediately.

• miniSD or microSD adapters that are larger or smaller than the standard dimensions of an SD/SDHC/SDXC card

may not eject normally; if the card does not eject, take the camera to an authorized service representative. Do

not forcibly remove the card.

• Do not a x labels to memory cards. Peeling labels can cause camera malfunction.

• Movie recording may be interrupted with some types of SD/SDHC/SDXC memory card. Use a UHS speed class 1

card

or better for movies and burst photography.

• Formatting a memory card in the camera creates a folder in which pictures are stored. Do not rename or delete

this folder or use a computer or other device to edit, delete, or rename image  les. Always use the camera to

delete pictures; before editing or renaming  les, copy them to a computer and edit or rename the copies, not

the originals. Renaming the  les on the camera can cause problems during playback.

24

Turning the Camera on and O

Rotate the ON/OFF switch to ON to turn the camera on. Select OFF

to turn the camera o .

R Press the a button to start playback. Press the shutter button half-

way to return to shooting mode.

R The camera will turn o automatically if no operations are per-

formed for the length of time selected for D POWER MANAGE-

MENT> AUTO POWER OFF ( P 123). To reactivate the camera after it

has turned o automatically, press the shutter button halfway or turn the ON/OFF switch to OFF and then back

to ON.

Q Fingerprints and other marks on the lens or view nder can a ect pictures or the view through the view nder.

Keep the lens and view nder clean.

Battery Level

After turning the camera on, check the battery level in the display.

Indicator

Description

e

Battery partially discharged.

f

Battery about 80% full.

g

Battery about 60% full.

h

Battery about 40% full.

i

Battery about 20% full.

i (red)

Low battery. Charge as soon as possible.

j (blinks red)

Battery exhausted. Turn camera o and recharge battery.

25

First Steps

Basic Setup

A language-selection dialog is displayed the  rst time the camera is turned on.

1

Choose a language.

Highlight a language and press MENU/OK.

R Press DISP/BACK to skip the current step. Any steps you skip will be displayed the next time the

camera is turned on.

2

Set the date and time.

DATE/TIME NOT SET

NOSET

YY.MM.DD

AM

2018

2019

2016

2015

2017

Press the selector left or right to highlight the year, month, day, hour,

or minute and press up or down to change. To change the order in

which the year, month, and day are displayed, highlight the date for-

mat and press the selector up or down. Press MENU/OK to exit to shoot-

ing mode when settings are complete.

R If the battery is removed for an extended period, the camera clock will be reset and the language-selection

dialog will be displayed when the camera is turned on.

26

Basic Setup

Changing Basic Settings

To change the language or reset the clock:

1

Display the desired option.

Display the setup menu and select D USER SETTING> a to change the language or

DATE/TIME to reset the clock (P 113).

2

Adjust settings.

To choose a language, highlight the desired option and press MENU/OK. To set the clock, press the

selector left or right to highlight the year, month, day, hour, or minute and press up or down to

change, then press MENU/OK once the clock has been set to your satisfaction.

27

First Steps

Display Settings

The camera is equipped with a hybrid optical/electronic view nder (OVF/EVF) and an LCD monitor

(LCD).

Choosing a Display

Press the VIEW MODE button to cycle through displays as shown

below.

E

EYE SENSOR

EYE SENSOR: Automatic display

selection using eye sensor

LCD

VIEW

FINDER

VIEW

FINDER

VIEWFINDER ONLY: View nder only

VIEWFINDER ONLY+ E: View nder

only; eye sensor turns display on

or o

VIEW

FINDER

LCD

LCD ONLY: LCD monitor only

The Eye Sensor

The eye sensor turns the view nder on when you put your eye to the view nder and turns

it o when you take your eye away (note that the eye sensor may respond to objects other

than your eye or to light shining directly on the sensor). If automatic display selection is

enabled, the LCD monitor will turn on when the view nder turns o .

Eye sensor

28

Display Settings

The View nder Selector

Use the view nder selector to switch between the electronic view-

 nder (EVF), the optical view nder (OVF), and a dual optical view nd-

er/electronic range  nder (ERF) display.

P

3

2

1

0

-1

-2

-3

P

3

2

1

0

-1

-2

-3

P

EVF OVF ERF (dual display)

The Hybrid (EVF/OVF/ERF) View nder

The features of the di erent displays are described below.

Display

Description

OVF

The optical display is sharp and free of blur so that your subject’s expression is always visible. In addition, the

OVF shows the area just outside the frame, making it easier to compose shots on the  y. Because the view nder

window is a slight distance from the lens, the area visible in photographs may however di er slightly from the

display in the view nder due to parallax.

EVF

The live view display gives you a preview of the  nal picture, including depth of  eld, focus, exposure, and white

balance. Frame coverage is approximately 100%, ensuring accurate framing under all conditions.

ERF

(dual display)

As for the optical view nder but with a focus preview. A magni ed view of an area of the frame including the

current focus position is shown at the bottom right corner of the display.

29

First Steps

Display Settings

The View nder Display

When ON is selected for D SCREEN SETTING>

EVF AUTOROTATE DISPLAYS

(P 119)

, the indi-

cators in the view nder automatically rotate to

match camera orientation.

P

Orientation changed from “wide” to “tall”

P

Q The display in the LCD monitor is una ected.

Focusing the View nder

The camera is equipped with diopter adjustment

in the range –2 to +1 m

–1

to accommodate indi-

vidual di erences in vision. Rotate the diopter

adjustment control until the view nder display is

in sharp focus.

Diopter adjustment control

Adjusting Display Brightness

The brightness and hue of the view nder and LCD

monitor can be adjusted using the options under

D SCREEN SETTING

. Choose EVF BRIGHTNESS

or EVF COLOR to adjust view nder brightness or

hue (P 118), LCD BRIGHTNESS or LCD COLOR to

do the same for the LCD monitor (P 118).

30

The

DISP/BACK

Button

The DISP/BACK button controls the display of indicators in the

view nder and LCD monitor.

■ Shooting: Optical View nder

Standard Information o

3

2

1

0

-1

-2

-3

P

■ Shooting: Electronic View nder

Standard Information o

P

■ LCD Monitor: Shooting

Standard Information o

Info display

31

First Steps

The DISP/BACK Button

■ Customizing the Standard Display

To choose the items shown in the standard display:

1

Display standard indicators.

Press the DISP/BACK button until standard indicators are displayed.

2

Select DISP. CUSTOM SETTING.

Select D SCREEN SETTING> DISP. CUSTOM SETTING (P 120) in the setup menu.

3

Choose a display.

Highlight OVF or EVF/LCD and press MENU/OK.

4

Choose items.

Highlight items and press MENU/OK to select or deselect.

Option

OVF

EVF

Option

OVF

EVF

Option

OVF

EVF

FRAMING GUIDELINE

ww

Expo. Comp. (Digit)

ww

DYNAMIC RANGE

RR

ELECTRONIC LEVEL

ww

Expo. Comp. (Scale)

RR

FRAMES REMAINING

RR

FOCUS FRAME

RR

FOCUS MODE

RR

IMAGE SIZE/QUALITY

RR

AF DISTANCE INDICATOR

ww

PHOTOMETRY

RR

MOVIE MODE & REC. TIME

w

R

MF DISTANCE INDICATOR

RR

SHUTTER TYPE

RR

DIGITAL TELE-CONV.

RR

HISTOGRAM

ww

FLASH

RR

CONVERSION LENS

RR

SHOOTING MODE

RR

CONTINUOUS MODE

RR

BATTERY LEVEL

RR

APERTURE/S-SPEED/ISO

RR

WHITE BALANCE

RR

FRAMING OUTLINE

—

w

INFORMATION BACKGROUND

—

R

FILM SIMULATION

RR

5

Save changes.

Press DISP/BACK to save changes.

6

Exit the menus.

Press DISP/BACK as needed to exit the menus and return to the shooting display.

R See page 10 for the locations of these items in the displays.

32

The DISP/BACK Button

Virtual Horizon

Selecting ELECTRONIC LEVEL displays a virtual horizon. The camera is level when the two

lines overlap.

R The virtual horizon may not be displayed if the camera lens is pointed up or down.

Framing Outline

Enable FRAMING OUTLINE to make the borders of the frame easier to see against dark backgrounds.

■ View nder/LCD Monitor: Playback

Standard Information o Info display Favorites

12/31/2050 10:00 AM

+2

1

/

3

12/31/2050 10:00 AM

FAVORITES

Histograms

Histograms show the distribution of tones in the im-

age. Brightness is shown by the horizontal axis, the

number of pixels by the vertical axis.

Shadows Highlights

No. of pixels

Pixel brightness

Optimal exposure: Pixels are distrib-

uted in an even curve through-

out the tone range.

Overexposed: Pixels are clustered

on the right side of the graph.

Underexposed: Pixels are clustered

on the left side of the graph.

33

Basic Photography and Playback

Taking Photographs

This section describes how to take pictures using program AE (mode P). See pages 49 – 53 for information

on S, A, and M modes.

1

Adjust settings for program AE.

A

C

B

A

Shutter speed : Select A (auto)

B

Focus mode : Select S (single AF)

C

Aperture : Select A (auto)

Con rm that P appears in the display.

3

2

1

0

-1

-2

-3

P

OVF

EVF/LCD

View nder Display Selection

Use the view nder selector to

switch between the optical

view nder (OVF) and electronic

view nder (EVF) displays.

34

Taking Photographs

2

Ready the camera.

Hold the camera steady

with both hands and brace

your elbows against your

sides. Shaking or unsteady

hands can blur your shots.

To prevent pictures that

are out of focus or too dark

(underexposed), keep your

 ngers and other objects

away from the lens and

 ash.

3

Frame the picture.

4

Focus.

Frame the picture with your subject

in the center of the display and press

the shutter button halfway to focus.

R If the subject is poorly lit, the AF-assist illumina-

tor may light (P 95).

If the camera is able to focus, it will beep twice

and focus area and focus indicator will glow

green. Focus and exposure will lock while the

shutter button is pressed halfway.

If the camera is unable to focus, the focus frame

will turn red, s will be displayed, and the fo-

cus indicator will blink white.

5

Shoot.

Smoothly press the shutter button

the rest of the way down to take the

picture.

R The  ash may  re if lighting is poor. Camera set-

tings can be changed to prevent the  ash  ring

(P 82).

35

Basic Photography and Playback

Viewing Pictures

Viewing Pictures Full Frame

Pictures can be viewed in the view nder or LCD monitor. When taking important pictures, take a test

shot and check the results.

To view pictures full frame, press a.

100-0001

Additional pictures can be viewed by pressing the selector left or right or rotating the front command

dial. Press the selector or rotate the dial right to view pictures in the order recorded, left to view pic-

tures in reverse order. Keep the selector pressed to scroll rapidly to the desired frame.

R Pictures taken using other cameras are marked with a m (“gift image”) icon to warn that they may not display

correctly and that playback zoom may not be available.

Favorites: Rating Pictures

To rate the current picture, press DISP/BACK and press the selector up and down to select from zero to  ve stars.

36

Viewing Pictures

Viewing Photo Information

The photo information display changes each

time the selector is pressed up.

Basic data Info display 1

12/31/2050 10:00 AM

+2

1

/

3

S.S

5.6

F

51200 +2

1

/

3

ISO

LENS

23.0

mm

F

5.6

FOCAL LENGTH

23.0

mm

COLOR SPACE sRGB

LENS MODULATION OPT.

ON

Info display 2

R Rotate the front command dial to view other im-

ages.

Zooming in on the Focus Point

Press the center of the rear com-

mand dial to zoom in on the focus

point. Press again to return to full-

frame playback.

37

Basic Photography and Playback

Viewing Pictures

Playback Zoom

Rotate the rear command dial right to zoom in on the current picture, left to zoom out (to view mul-

tiple images, rotate the dial left when the picture is displayed full frame; P 38). When the picture is

zoomed in, the selector can be used to view areas of the image not currently visible in the display. To

exit zoom, press the DISP/BACK or MENU/OK button.

Zoom indicator

Navigation window shows

portion of image currently

displayed

R The maximum zoom ratio varies with image size (P 90). Playback zoom is not available with cropped or resized

copies saved at a size of a (P 109, 110).

R Rotate the front command dial to view other pictures without changing the zoom ratio.

38

Viewing Pictures

Multi-Frame Playback

To change the number of images displayed, rotate the rear command

dial left when a picture is displayed full frame.

Rotate left to view more images.

100-0001

Rotate right to view fewer images.

Use the selector to highlight images and press MENU/OK to view the highlighted image full frame (to

zoom in on the selected image, rotate the rear command dial right when the picture is displayed full

frame; P 37). In the nine- and hundred-frame displays, press the selector up or down to view more

pictures.

39

Basic Photography and Playback

Deleting Pictures

To delete individual pictures, multiple selected pictures, or all pictures, press the b button when a

picture is displayed full frame and choose from the options below. Note that deleted pictures can not

be recovered. Copy important pictures to a computer or other storage device before proceeding.

ERASE

FRAME

SELECTED FRAMES

ALL FRAMES

Option

Description

FRAME

Press the selector left or right to scroll through pictures and press MENU/OK to delete the current picture

(a confirmation dialog is not displayed).

SELECTED FRAMES

Highlight pictures and press MENU/OK to select or deselect (pictures in photobooks or print orders are shown

by S). When the operation is complete, press DISP/BACK to display a con rmation dialog, then highlight OK

and press MENU/OK to delete the selected pictures.

ALL FRAMES

A con rmation dialog will be displayed; highlight OK and press MENU/OK to delete all unprotected pictures.

Pressing DISP/BACK cancels deletion; note that any pictures deleted before the button was pressed can not

be recovered.

R Protected pictures can not be deleted. Remove protection from any pictures you wish to delete (P 110).

R Pictures can also be deleted from the menus using the C PLAY BACK MENU> ERASE option (P 109).

R If a message appears stating that the selected images are part of a DPOF print order, press MENU/OK to delete

the pictures.

40

Basic Movie Recording and Playback

Recording Movies

The camera can be used to record high-de nition movies. Sound is recorded in stereo via the built-in

microphone; do not cover the microphone during recording.

1

Press the DRIVE (e) button to display drive mode

options.

2

Highlight F (MOVIE) and press MENU/OK to

enter movie recording standby mode.

3

Press the shutter button to start recording.

Recording indicator

Time remaining

Q The indicator lamp lights while movies are being

recorded.

4

Press the button again to end recording. Re-

cording ends automatically when the maximum

length is reached or the memory card is full.

R Frame size and rate can be selected using W MOVIE

SETTING> MOVIE MODE ( P 105). Focus mode is se-

lected using the focus mode selector (P 68); for con-

tinuous focus adjustment, select C, or choose S and

enable Intelligent Face Detection (P 95). Intelligent

Face Detection is not available in focus mode M.

R The view nder automatically switches to the EVF

display when F (MOVIE) is selected for drive mode.

R During recording, exposure compensation can be

adjusted by up to ±2 EV.

Q The microphone may pick up lens noise and other

sounds made by the camera during recording.

Q Vertical or horizontal streaks may appear in movies

containing very bright subjects. This is normal and

does not indicate a malfunction.

41

Basic Movie Recording and Playback

Recording Movies

Depth of Field

Adjust aperture before recording begins. Choose

low f-numbers to soften background details.

Using an External Microphone

Sound can be recorded with

external microphones that con-

nect using jacks 2.5 mm in diam-

eter; microphones that require

bus power can not be used. See

the microphone manual for de-

tails.

R The dialog shown at right will be

displayed when a microphone is

connected to the microphone/

remote release connector. Press

MENU/OK and select MIC/RE-

MOTE RELEASE> m MIC.

CHECK MIC/REMOTE RELEASE

SETTING

SKIP

SET

42

Viewing Movies

During playback, movies are displayed as shown at right. The following operations

can be performed while a movie is displayed:

Operation

Description

Start/pause playback

Press the selector down to start playback. Press again to pause. While playback is

paused, you can press the selector left or right to rewind or advance one frame

at a time.

End playback

End playback Press the selector up to end playback.

Adjust speed

Adjust speed Press the selector left or right to adjust playback speed during playback.

Adjust volume

Press MENU/OK to pause playback and display volume controls. Press the selector up

or down to adjust the volume; press MENU/OK again to resume playback. Volume

can also be adjusted using D SOUND SETTING> PLAYBACK VOLUME (P 117).

12/31/2050 10:00 AM

PLAYPLAY

±0

Movie icon

Progress is shown in the display during playback.

Q Do not cover the speaker during playback.

Q Selecting OFF for D USER SETTING> SOUND & FLASH mutes audio playback.

Progress bar

STOP PAUSE

29m59s

Playback Speed

Press the selector left or right to adjust playback speed during playback. Speed is shown by the

number of arrows (M or N).

Arrow

STOP PAUSE

29m59s

43

The Q (Quick Menu) Button

Using the Q Button

Press Q for quick access to selected options.

The Quick Menu Display

At default settings, the quick menu contains the following items.

SET

SELECT CUSTOM SETTING

BASE

A

SELECT CUSTOM SETTING

B

AF MODE

C

DYNAMIC RANGE

D

WHITE BALANCE

E

NOISE REDUCTION

F

IMAGE SIZE

G

IMAGE QUALITY

H

FILM SIMULATION

I

HIGHLIGHT TONE

J

SHADOW TONE

K

COLOR

L

SHARPNESS

M

SELF-TIMER

N

FACE/EYE DETECTION SETTING

O

FLASH FUNCTION SETTING

P

EVF/LCD BRIGHTNESS

The quick menu shows the options currently selected for items

B

—

P

, which can be changed as

described on page 45. The H IMAGE QUALITY SETTING> SELECT CUSTOM SETTING item (item

A

)

shows the current custom settings bank:

• q: No custom settings bank selected.

• t — u: Select a bank to view the settings saved using the H IMAGE QUALITY SETTING> EDIT/

SAVE CUSTOM SETTING option (P 86).

• r — s: The current custom settings bank.

44

Using the Q Button

Viewing and Changing Settings

1

Press Q to display the quick menu during shooting.

SET

SELECT CUSTOM SETTING

BASE

2

Use the selector to highlight items and rotate the rear command dial

to change.

R Changes are not saved to the current settings bank (P 43). Settings that

di er from those in the current settings bank (t — u) are shown in

red.

3

Press Q to exit when settings are complete.

45

The Q (Quick Menu) Button

Using the Q Button

Editing the Quick Menu

To choose the items displayed in the quick menu:

1

Press and hold the Q button during shooting.

SET END

SELECT CUSTOM SETTING

2

The current quick menu will be displayed; use the selector to highlight the item you wish to change

and press MENU/OK. You will be given the following choice of items to assign to the selected position:

• IMAGE SIZE

• IMAGE QUALITY

• FILM SIMULATION *

• GRAIN EFFECT *

• DYNAMIC RANGE *

• WHITE BALANCE *

• HIGHLIGHT TONE *

• SHADOW TONE *

• COLOR *

• SHARPNESS *

• NOISE REDUCTION *

• SELECT CUSTOM SETTING *

• AF MODE

• FACE/EYE DETECTION SETTING

• MF ASSIST

• SELF-TIMER

• PHOTOMETRY

• SHUTTER TYPE

• CONVERSION LENS

• ND FILTER

• FLASH FUNCTION SETTING

• FLASH COMPENSATION

• MOVIE MODE

• MIC LEVEL ADJUSTMENT

• SOUND & FLASH

• EVF/LCD BRIGHTNESS

• EVF/LCD COLOR

• NONE

* Stored in custom settings bank.

R Select NONE to assign no option to the selected position. When SELECT CUSTOM SETTING is selected,

current settings are shown in the quick menu by the label BASE.

3

Highlight the desired item and press MENU/OK to assign it to the selected position.

R The quick menu can also be edited using D BUTTON/DIAL SETTING> EDIT/SAVE QUICK MENU (P 121).

46

The Fn (Function) Buttons

Using the Function Buttons

The roles played by each of the function buttons can be selected by pressing and holding the button.

The default options are shown below:

Fn1 button Fn2 button Fn3 button

Photometry (P 64) Control ring options (P 8)

Film simulation (P 65)

Fn4 button Fn5 button AEL/AFL button

White balance (P 66) AF mode (P 71)

Exposure/Focus lock (P 80)

Center of rear command dial

Focus check (P 69)

47

Using the Function Buttons

The Fn (Function) Buttons

Assigning Roles to the Function Buttons

To assign roles to the function buttons, press and hold the DISP/BACK button until the menu below is

displayed. Select buttons to choose their roles.

FUNCTION (Fn) SETTING

• IMAGE SIZE

• IMAGE QUALITY

• RAW

• FILM SIMULATION

• GRAIN EFFECT

• DYNAMIC RANGE

• WHITE BALANCE

• SELECT CUSTOM SETTING

• FOCUS AREA

• FOCUS CHECK

• AF MODE

• FACE/EYE DETECTION SETTING

• SELF-TIMER

• PHOTOMETRY

• SHUTTER TYPE

• ISO AUTO SETTING

• CONVERSION LENS

• ND FILTER

• WIRELESS COMMUNICATION

• FLASH FUNCTION SETTING

• TTL-LOCK

• MODELING FLASH

• MIC LEVEL ADJUSTMENT

• PREVIEW DEPTH OF FIELD

• PREVIEW EXP./WB IN MANUAL MODE

• PREVIEW PIC. EFFECT

• AE LOCK ONLY

• AF LOCK ONLY

• AE/AF LOCK

• CONTROL RING SETTING

• PLAYBACK

• NONE

R To disable the selected button, choose NONE.

R You can also display options for any of the function buttons by pressing and holding the button. This does

not apply to buttons to which FOCUS CHECK, AE LOCK ONLY, AF LOCK ONLY, or AE/AF LOCK are currently

assigned.

R The roles played by the six function buttons can also be selected using D BUTTON/DIAL SETTING> FUNC-

TION (Fn) SETTING (P 121).

48

Using the Function Buttons

■ TTL-LOCK

If TTL-LOCK is selected, you can press the control to lock  ash output according to the option selected

for F FLASH SETTING> TTL-LOCK MODE (P 103).

■ MODELING FLASH

If MODELING FLASH is selected when a compatible shoe-mounted  ash unit is attached, you can

press the control to test- re the  ash and check for shadows and the like (modeling  ash).

49

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Mode Selection

Program AE (P)

To allow the camera to adjust both shutter speed and aperture for optimal exposure, set shutter speed

and aperture to A. P will appear in the display.

Aperture: Select A (auto) Shutter speed: Select A (auto)



 



Q If the subject is outside the metering range of the camera, the shutter speed and aperture displays will show

“– – –”.

Program Shift

If desired, you can rotate the rear command dial to select other combinations of

shutter speed and aperture without altering exposure (program shift). Program

shift is not available if the attached  ash supports TTL auto, or if an auto option is

selected for H IMAGE QUALITY SETTING> DYNAMIC RANGE (P 91). To cancel

program shift, turn the camera o .



 



Shutter speed

Aperture

50

Mode Selection

Shutter-Priority AE (S)

To adjust shutter speed manually while letting the camera select aperture for optimal exposure, set

aperture to A and use the shutter speed dial. S will appear in the display.

1000

5.6 +1.0

800

Aperture: Select A (auto)

Shutter speed: Choose a speed

R Shutter speed can also be adjusted in increments of 

/

 EV by rotating the rear command dial. Shutter speed

can be adjusted even while the shutter button is pressed halfway.

Q If the correct exposure can not be achieved at the selected shutter speed, aperture will be displayed in red

when the shutter button is pressed halfway. Adjust shutter speed until the correct exposure is achieved.

Q If the subject is outside the metering range of the camera, the aperture display will show “– – –”.

51

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Mode Selection

Aperture-Priority AE (A)

To adjust aperture manually while letting the camera select shutter speed for optimal exposure, rotate

the shutter speed dial to A and adjust aperture as desired. A will appear in the display.

1000

5.6 +1.0

800

Aperture: Choose an aperture Shutter speed: Select A (auto)

R Aperture can be adjusted even while the shutter button is pressed halfway.

Q If the correct exposure can not be achieved at the selected aperture, the shutter speed will be displayed in red

when the shutter button is pressed halfway. Adjust aperture until the correct exposure is achieved.

Q If the subject is outside the metering range of the camera, the shutter speed display will show “– – –”.

52

Mode Selection

Previewing Depth of Field

When PREVIEW DEPTH OF FIELD is assigned to a function button (P 47), pressing

the button stops aperture down to the selected setting, allowing depth of  eld to

be previewed in the display.

If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR are selected in

the D SCREEN SETTING> DISP. CUSTOM SETTING list, depth of  eld can also be

previewed using the depth-of- eld indicator in the standard display (P 31). Press

DISP/BACK to cycle through display modes until standard indicators are displayed.

R Use the G AF/MF SETTING> DEPTH-OF-FIELD SCALE option (P 97) to

choose how depth of  eld is displayed. Choose FILM FORMAT BASIS to

help you make practical assessments of depth of  eld for pictures that will be

viewed as prints and the like, PIXEL BASIS to help you assess depth of  eld for

pictures that will be viewed at high resolutions on computers or other elec-

tronic displays.

1000

5.6 +1.0

800

Depth of  eld

53

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Mode Selection

Manual Exposure (M)

Exposure can be altered from the value suggested by the camera by setting both shutter speed and

aperture to values other than A. M will appear in the display.

1000

5.6 +1.0

800

㹋

Aperture: Choose an aperture Shutter speed: Choose a speed

R Shutter speed can also be adjusted in increments of 

/

 EV by rotating the rear command dial.

R Shutter speed and aperture can be adjusted even while the shutter button is pressed halfway.

Exposure Preview

To preview exposure in the LCD monitor, select an option other

than OFF for D SCREEN SETTING> PREVIEW EXP./WB IN MAN-

UAL MODE ( P 119). Select OFF when using the  ash or on other oc-

casions on which exposure may change when the picture is taken.

54

The Digital Teleconverter

Use the digital teleconverter to further magnify the image while processing it for sharp, high-resolu-

tion results.

1

Assign DIGITAL TELE-CONV. to the control ring (P 8).

2

Choose the zoom angle using the control ring.

Standard (35 mm*) 50 mm* 70 mm*

* 35 mm format equivalent

3

Take pictures at the selected zoom angle.

R DIGITAL TELE-CONV. can also be accessed from the shooting menu (P 100).

R The zoom angles available when a conversion lens is attached are 72 and 100 mm for telephoto conversion

lenses (teleconverters) and 41 and 58 mm for wide-angle conversion lenses.

Q Image quality drops slightly at DIGITAL TELE-CONV. settings of 50 and 70 mm.

Q The digital teleconverter is not available when a RAW option is selected for image quality, and selecting a RAW

option automatically deactivates the digital teleconverter. The digital teleconverter may be unavailable in

some modes.

55

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1

Press the DRIVE (e) button to display drive

mode options.

2

Press the selector up

or down to highlight a

drive mode.

AE BKT

Drive mode

P

B

STILL IMAGE

—

R

CONTINUOUS

56

O

AE BKT

57

W

ISO BKT

X

FILM SIMULATION BKT

V

WHITE BALANCE BKT

Y

DYNAMIC RANGE BKT

Adv. MODE

r

PANORAMA

59

j

MULTIPLE EXPOSURE

61

Y

ADVANCED FILTER

58

F

MOVIE

40

3

Press the selector left or right to choose a set-

ting.

• Burst mode (CONTINUOUS): Choose the frame-

advance rate.

• AE/ISO/WB BKT: Choose the bracketing incre-

ment.

• Adv. MODE: Choose a mode.

• ADVANCED FILTER: Choose a  lter e ect.

4

Press MENU/OK.

5

Take pictures.

Drive Mode

Use the DRIVE (e) button to choose the drive mode.

56

Drive Mode

R

Burst Mode (CONTINUOUS)

Capture motion in a series of pictures. The camera will take pictures while the shutter button is pressed;

shooting ends when the shutter button is released, the maximum number of pictures has been taken,

or the memory card is full.

R Frame rate varies with the subject, shutter speed, sensitivity, and focus mode and may slow as more shots are

taken.

R Depending on shooting conditions, the frame rate may drop or the  ash may not  re.

R Additional time may be required to record pictures when shooting ends.

R If  le numbering reaches 999 before shooting is complete, the remaining pictures will be recorded to a new

folder (P 124).

R Burst shooting may not begin if the space available on the memory card is insu cient.

Focus and Exposure

To vary focus and exposure with each shot, select focus mode C; in other modes, focus and exposure are deter-

mined by the  rst shot in each series.

Q Selecting a frame advance rate of 8 fps in focus mode C restricts the choice of focus frames (P 75).

Q Exposure and focus tracking performance may vary with aperture, sensitivity, and shooting conditions.

57

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Drive Mode

Bracketing

Automatically vary settings over a series of pictures.

Option

Description

O

AE BKT

Select a bracketing amount. Each time the shutter button is pressed, the camera will take three

shots: one using the metered value for exposure (P 62), the second overexposed by the selected

amount, and the third underexposed by the same amount (regardless of the amount selected, ex-

posure will not exceed the limits of the exposure metering system).

W

ISO BKT

Select a bracketing amount. Each time the shutter is released, the camera will take a picture at the

current sensitivity (P 63) and process it to create two additional copies, one with sensitivity raised

and the other with sensitivity lowered by the selected amount (regardless of the amount selected,

sensitivity will not exceed ISO 12800 or fall below ISO 200).

X

FILM SIMULATION BKT

Each time the shutter is released, the camera takes one shot and processes it to create copies at the

settings chosen using A SHOOTING SETTING> FILM SIMULATION BKT (P 65, 98).

V

WHITE BALANCE BKT

Select a bracketing amount. Each time the shutter button is pressed, the camera takes three shots:

one at the current white balanced setting (P 66), one with  ne-tuning increased by the selected

amount, and another with  ne-tuning decreased by the selected amount.

Y

DYNAMIC RANGE BKT

Each time the shutter button is pressed, the camera takes three shots with di erent dynamic ranges

(P 91): 100% for the  rst, 200% for the second, and 400% for the third. While dynamic range bracket-

ing is in e ect, sensitivity will be restricted to a minimum of ISO 800 (or to a minimum of ISO 200

to 800 when an auto option is selected for sensitivity); the sensitivity previously in e ect is restored

when bracketing ends.

58

Drive Mode

Y

Advanced Filters

Take photos with  lter e ects.

Filter

Description

G

TOY CAMERA

Choose for a retro toy camera e ect.

H

MINIATURE

The tops and bottoms of pictures are blurred for a diorama e ect.

I

POP COLOR

Create high-contrast images with saturated colors.

J

HIGH-KEY

Create bright, low-contrast images.

Z

LOW-KEY

Create uniformly dark tones with few areas of emphasized highlights.

K

DYNAMIC TONE

Dynamic tone expression is used for a fantasy e ect.

X

SOFT FOCUS

Create a look that is evenly soft throughout the whole image.

u

PARTIAL COLOR (RED)

Areas of the image that are the selected color are recorded in that color. All other areas of the

image are recorded in black-and-white.

v

PARTIAL COLOR (ORANGE)

w

PARTIAL COLOR (YELLOW)

x

PARTIAL COLOR (GREEN)

y

PARTIAL COLOR (BLUE)

z

PARTIAL COLOR (PURPLE)

R Depending on the subject and camera settings, images may in some cases be grainy or vary in brightness and

hue.

59

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Drive Mode

r

Panoramas

Follow an on-screen guide to create a panorama.

1

Select Adv.> r ( PANORAMA) for drive mode

(P

55

)

.

2

To select the size of the angle through which

you will pan the camera while shooting, press

the selector left. Highlight a size and press

MENU/OK.

3

Press the selector right to view a choice of pan

directions. Highlight a pan direction and press

MENU/OK.

4

Press the shutter button all the way down to

start recording. There is no need to keep the

shutter button pressed during recording.

5

Pan the camera in the direction shown by the

arrow. Shooting ends automatically when the

camera is panned to the end of the guides

and the panorama is complete.

8002.030

Sweep camera along yellow

line in direction of y

ANGLE DIRECTION

R Shooting ends if the shutter button is pressed all

the way down during shooting. No panorama

may be recorded if the shutter button is pressed

before the panorama is complete.

For Best Results

For best results, prop your elbows against your sides

and move the camera slowly in a small circle at a

steady speed, keeping the camera horizontal and

being careful only to pan in the direction shown by

the guides. Use a tripod for best results. If the desired

results are not achieved, try panning at a di erent

speed.

60

Drive Mode

Q Panoramas are created from multiple frames; expo-

sure for the entire panorama is determined by the

 rst frame. The camera may in some cases record an

greater or lesser angle than selected or be unable to

stitch the frames together perfectly. The last part of

the panorama may not be recorded if shooting ends

before the panorama is complete.

Q Shooting may be interrupted if the camera is panned

too quickly or too slowly. Panning the camera in a

direction other than that shown cancels shooting.

Q The desired results may not be achieved with mov-

ing subjects, subjects close to the camera, unvary-

ing subjects such as the sky or a  eld of grass, sub-

jects that are in constant motion, such as waves and

waterfalls, or subjects that undergo marked chang-

es in brightness. Panoramas may be blurred if the

subject is poorly lit.

Viewing Panoramas

In full-frame playback, you can use the rear com-

mand dial to zoom panoramas in or out. Alterna-

tively, you can play the panorama back using the

selector.

PLAY

STOP PAUSE

Press the selector down to start playback and press

again to pause. While playback is paused, you can scroll

the panorama manually by pressing the selector left or

right; vertical panoramas will scroll vertically, horizontal

panoramas horizontally. To exit to full-frame playback,

press the selector up.

61

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Drive Mode

j

Multiple Exposures

Create a photograph that combines two exposures.

+

1

Select Adv.> j ( MULTIPLE EXPOSURE) for

drive mode (P 55).

2

Take the  rst shot.

3

Press MENU/OK. The  rst shot will be shown su-

perimposed on the view through the lens and

you will be prompted to take the second shot.

EXITRETRY

press the selector left. To save the  rst shot and

exit without creating a multiple exposure, press

DISP/BACK.

4

Take the second shot, using the  rst frame as a

guide.

2.030

EXIT

5

Press MENU/OK to create the multiple exposure,

or press the selector left to return to Step 4

and retake the second shot.

EXITRETRY

62

Exposure Compensation

Rotate the exposure compensation dial to adjust

exposure when photographing very bright, very

dark, or high-contrast subjects. The e ect is vis-

ible in the display.

1000

5.6 +1.0

800

Exposure compensation

indicator

Choose positive values (+) to

increase exposure

Choose negative values (–) to

reduce exposure

Q The amount of compensation available varies with

the shooting mode.

■ C (Custom)

When the exposure compensation dial is rotated

to C, exposure compensation can be adjusted by

rotating the front command dial.

1000

5.6 +1.0

800

R The front command dial can be used to set exposure

compensation to values between −5 and +5 EV.

R Press the center of the front command dial to toggle

between exposure compensation and sensitivity

(P 6).

Choosing an Exposure Compensation Value

• Backlit subjects: Choose values from

+

/

 EV to +1

/

 EV.

• Highly re ective subjects or very bright

scenes (e.g., snow elds): +1 EV

• Scenes that are mostly sky: +1 EV

• Spotlit subjects (particularly if photographed against dark back-

grounds): –

/

 EV

• Subjects with low re ectivity (pine trees or dark-colored foliage):

–

/

 EV

63

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Sensitivity

“Sensitivity” refers to the camera’s sensitivity to light. Lift and rotate the shutter speed/sensitivity dial to

choose from values between 200 and 12800, or select L(100), H(25600), or H(51200) for special situ-

ations (P 121). Higher values can be used to reduce blur when lighting is poor, while lower values allow

slower shutter speeds or wider apertures in bright light; note, however, that mottling may appear in

pictures taken at high sensitivities, particularly at H(51200), while choosing L(100) reduces dynamic

range. Values of from ISO 200 to ISO 6400 are recommended in most situations. If A is selected, the

camera will adjust sensitivity automatically in response to shooting conditions according to the option

selected for A SHOOTING SETTING> ISO AUTO SETTING ( P 100). Choose from AUTO 1, AUTO 2, and

AUTO 3.

R If COMMAND is selected for D BUTTON/DIAL SETTING> ISO DIAL SETTING (A) ( P 121), sensitivity can also be

adjusted by setting sensitivity to A and rotating the front command dial.

R Sensitivity is not reset when the camera is turned o .

64

Metering

Choose how the camera meters exposure. Press the function (Fn1) button

to display the options shown below, then use the selector to highlight an

option and press MENU/OK to select.

Q The selected option will only take e ect when G AF/MF SETTING> FACE/EYE

DETECTION SETTING is o (P 95).

Mode

Description

o

(MULTI)

The camera instantly determines exposure based on an analysis of composition, color, and brightness

distribution. Recommended in most situations.

p

(CENTER WEIGHTED)

The camera meters the entire frame but assigns the greatest weight to the area at the center.

v

(SPOT)

The camera meters lighting conditions in an area at the center of the frame equivalent to 2% of the total.

Recommended with backlit subjects and in other cases in which the background is much brighter or

darker than the main subject.

w

(AVERAGE)

Exposure is set to the average for the entire frame. Provides consistent exposure across multiple shots

with the same lighting, and is particularly e ective for landscapes and portraits of subjects dressed in

black or white.

R Metering options can also be accessed using A SHOOTING SETTING> PHOTOMETRY (P 98).

65

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Film Simulation

Simulate the e ects of di erent kinds of  lm, including black-and-white

(with or without color  lters). Press the function (Fn3) button to display the

options shown below, then use the selector to highlight an option and press

MENU/OK to select.

Option

Description

c

(PROVIA/STANDARD)

Standard color reproduction. Suited to a wide range of subjects, from portraits to landscapes.

>

(Velvia/VIVID)

A high-contrast palette of saturated colors, suited to nature photos.

e

(ASTIA/SOFT)

Enhances the range of hues available for skin tones in portraits while preserving the bright blues of day-

light skies. Recommended for outdoor portrait photography.

i

(CLASSIC CHROME)

Soft color and enhanced shadow contrast for a calm look.

g

(PRO Neg. Hi)

(PRO Neg. Hi) O ers slightly more contrast than h (PRO Neg. Std). Recommended for outdoor portrait photography.

h

(PRO Neg. Std)

A soft-toned palette. The range of hues available for skin tones is enhanced, making this a good choice for

studio portrait photography.

a

(ACROS) *

Take black-and-white photos with rich gradation and outstanding sharpness. Available with yellow (Ye),

red (R), and green (G)  lters.

b

(MONOCHROME) *

Take pictures in standard black and white. Available with yellow (Ye), red (R), and green (G)  lters.

f

(SEPIA)

Take pictures in sepia.

* Filters deepen shades of gray corresponding to hues complementary to the selected color. The yellow (Ye)  lter deepens purples and

blues and the red (R)  lter blues and greens. The green (G)  lter deepens reds and browns, including skin tones, making it a good

choice for portraits.

R Film simulation options can be combined with tone and sharpness settings (P 91, 92).

R Film simulation options can also be accessed using H IMAGE QUALITY SETTING> FILM SIMULATION (P 91).

66

White Balance

For natural colors, choose a white balance option that matches the light

source. Press the function (Fn4) button to display the options shown below,

then press the selector up or down to highlight an option and press MENU/OK

to select.

Option

Description

AUTO

AUTO White balance adjusted automatically.

k

l

m

Measure a value for white balance (P 67).

k

Selecting this option displays a list of color

temperatures (P 67); highlight a tempera-

ture and press MENU/OK to select the high-

lighted option and display the  ne-tuning

dialog.

Option

Description

i

For subjects in direct sunlight.

j

For subjects in the shade.

k

Use under “daylight”  uorescent lights.

l

Use under “warm white”  uorescent lights.

m

Use under “cool white”  uorescent lights.

n

Use under incandescent lighting.

g

Reduces the blue cast typically associated

with underwater lighting.

R:0 B:0

WB SHIFT AUTO

SET

R White balance is adjusted for  ash lighting only in AUTO and g modes. Turn the  ash o using other white

balance options (P 82).

R Results vary with shooting conditions. Play pictures back after shooting to check colors.

R White balance options can also be accessed using H IMAGE QUALITY SETTING> WHITE BALANCE (P 91).

67

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White Balance

h

: Custom White Balance

Choose h to adjust white balance for unusual lighting conditions. White balance measurement options will

be displayed; frame a white object so that it  lls the display and press the shutter button all the way down to

measure white balance (to select the most recent custom value and exit without measuring white balance,

press DISP/BACK, or press MENU/OK to select the most recent value and display the  ne-tuning dialog).

• If “COMPLETED!” is displayed, press MENU/OK to set white balance to the measured value.

• If “UNDER” is displayed, raise exposure compensation (

P 62) and try again.

• If “OVER” is displayed, lower exposure compensation (P 62) and try again.

k

: Color Temperature

Color temperature is an objective measure of the color of a light source, expressed in Kelvin (K). Light sources

with a color temperature close to that of direct sunlight appear white; light sources with a lower color tempera-

ture have a yellow or red cast, while those with a higher color temperature are tinged with blue. You can match

color temperature to the light source as shown in the following table, or choose options that di er sharply from

the color of the light source to make pictures “warmer” or “colder.”

Choose for redder light sources

or “colder” pictures

Choose for bluer light sources

or “warmer” pictures

2,000 K

Candlelight

5,000 K

Direct sunlight

15,000 K

Blue sky

Sunset/sunrise Shade

68

Focus Mode

Use the focus mode selector to choose how the camera focuses (note

that regardless of the option selected, manual focus will be used

when the lens is in manual focus mode).

• S (single AF): Focus locks while the shutter button is pressed halfway.

Choose for stationary subjects.

• C (continuous AF): Focus is continually adjusted to re ect changes in the

distance to the subject while the shutter button is pressed halfway. Use for subjects that are in mo-

tion. Eye-detection AF is not available.

• M (manual): Focus manually using the lens focus ring. Rotate the ring left to reduce the focus distance,

right to increase. The manual focus indicator indicates how closely the focus distance matches the

distance to the subject in the focus brackets (the white line indicates the focus distance, the blue bar

the depth of  eld, or in other words the distance in front of and behind the focus point that appears

to be in focus); you can also check focus visually in the view nder or LCD monitor. Choose for manual

control of focus or in situations in which the camera is unable to focus using autofocus (P 81).

Reduce focus

distance

Increase focus

distance



 



㹋

Manual focus

indicator

Manual focus

mode icon

Focus distance

(white line)

Depth of  eld

(blue bar)

R Use D BUTTON/DIAL SETTING> FOCUS RING (P 122) to reverse the direction of rotation of the focus ring.

R To use autofocus to focus on the subject in the selected focus area (P 72), press the AEL/AFL button (the size of

the focus area can be chosen with the rear command dial). In manual focus mode, you can use this feature

to quickly focus on a chosen subject using either single or continuous AF according to the option chosen for

G AF/MF SETTING> INSTANT AF SETTING (P 96).

R Use D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING to change the role of AEL/AFL button or assign its

default function to other controls.

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Focus Mode

R The camera can show focus distance in meters or feet. Use D SCREEN SETTING> FOCUS SCALE UNITS (P 120)

to choose the units used.

R If ON is selected for G AF/MF SETTING> PRE-AF (P 94), focus will be adjusted continuously in modes S and C

even when the shutter button is not pressed.

■ The Focus Indicator

The focus indicator turns green when the subject is in focus and blinks white when

the camera is unable to focus. Brackets (“( )”) indicate that the camera is focusing

and are displayed continuously in mode C. j is displayed in manual focus mode.

1000

3.3 +1.0

800

Focus indicator

Checking Focus

To zoom in on the current focus area (P 72) for precise focus, press

the center of the rear command dial. Press the center of the rear

command dial again to cancel zoom. In manual focus mode, zoom

can be adjusted by rotating the rear command dial when STAN-

DARD or FOCUS PEAK HIGHLIGHT is selected for G AF/MF SET-

TING> MF ASSIST (P 96), while if ON is selected for G AF/MF SET-

TING> FOCUS CHECK (P 96), the camera will automatically zoom in on the selected focus area when the focus

ring is rotated. Focus zoom is not available in focus mode C or when G AF/MF SETTING> PRE-AF (P 94) is on

or an option other than r SINGLE POINT is selected for AF MODE (P 71).

R Use D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING to change the function performed by the center

of the command dial or assign its default function to other controls.

M M

70

Focus Mode

■ MF Assist

The G AF/MF SETTING> MF ASSIST (P 96) option can be used to check focus when pictures are

framed in the LCD monitor or electronic view nder in manual focus mode.

R The MF ASSIST menu can be displayed by pressing and holding the center of the rear command dial.

The following options are available:

• FOCUS PEAK HIGHLIGHT: Highlights high-contrast outlines. Rotate the focus ring until

the subject is highlighted.

• DIGITAL SPLIT IMAGE: Displays a split image in the center of the frame. Frame the

subject in the split-image area and rotate the focus ring until the three parts of the

split image are correctly aligned.

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Focus Mode

Autofocus Options (AF Mode)

To choose the AF mode for focus modes S and C, press the function

button (Fn5) to display the options shown below, then press the selec-

tor up or down to highlight an option and press MENU/OK to select.

• r SINGLE POINT: The camera focuses on the subject in the se-

lected focus point (P 73). The number of focus points available can

be selected using G AF/MF SETTING> NUMBER OF THE FOCUS

POINTS (P 94). Use for pin-point focus on a selected subject.

• y ZONE: The camera focuses on the subject in the selected focus zone (P 74). Focus zones include

multiple focus points (7 × 7, 5 × 5, or 3 × 3), making it easier to focus on subjects that are in motion.

• z WIDE/TRACKING: In focus mode C, the camera tracks focus on the subject in the selected focus

point while the shutter-release button is pressed halfway (P 75). In focus mode S, the camera auto-

matically focuses on high-contrast subjects; the areas in focus are shown in the display. The camera

may be unable to focus on small objects or subjects that are moving rapidly.

R AF mode options can also be accessed using G AF/MF SETTING> AF MODE (P 94).

72

Focus Mode

Focus-Point Selection

Use the focus stick (focus lever) to choose a focus point for autofocus. The procedure for selecting the

focus point varies with the option chosen for AF mode (P 71).

R Focus-area selection can also be used to choose the focus point for manual focus and focus zoom.

Tilt the focus stick to position the focus frame, or press the center of the stick to return to the center

focus point.

Focus frame

Available Focus Points

TTL contrast-detect AF o ers more focus points than intelligent hybrid AF, which combines phase-detection

with TTL contrast-detect AF.

Intelligent hybrid AF

(TTL contrast-detect AF + phase-detection AF)

TTL contrast-detect

73

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Focus Mode

The Focus Point Display

The focus stick (focus lever) can be used to display available focus points.

R Focus-area selection can also be accessed using G AF/MF SETTING> FOCUS AREA (P 94).

■ Single Point AF

Press the center of the focus stick to display the focus points (“”) and

focus frame. Use the stick to position the focus frame over the desired

focus point, or press the center of the stick to return to the center point.

Focus frame

Focus point

To choose the size of the focus frame, rotate the rear command dial.

Rotate the dial left to reduce the frame by up to 50%, right to enlarge it

by up to 150%, or press the center of the dial to restore the frame to its

original size. Press MENU/OK to put your selection into e ect.

74

Focus Mode

■ Zone AF

Press the center of the focus stick to display the focus zone. Use the

stick to position the zone or press the center of the stick to return the

zone to the center of the display.

Focus zone

To choose the number of focus frames in the zone, rotate the rear com-

mand dial. Rotate the dial right to cycle through zone sizes in the or-

der 3 × 3, 5 × 5, 7 × 7, 3 × 3…, left to cycle through zone sizes in reverse

order, or press the center of the dial to select a zone size of 3 × 3. Press

MENU/OK to put your selection into e ect.

75

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Focus Mode

■ Tracking (Focus Mode C Only)

Press the center of the focus stick to display the focus frame. Use the

stick to position the focus frame, or press the center of the stick to re-

turn the frame to the center of the display. Press MENU/OK to put your

selection into e ect. The camera will track focus on the subject while

the shutter button is pressed halfway.

Focus frame

Q Manual focus-frame selection is not available when wide/tracking is selected in focus mode S.

Burst Mode Focus-Frame Selection

When a frame rate of 8 fps is selected for drive mode, the number of focus frames available in focus mode C

drops.

Single point Zone Wide/Tracking

76

Long Time-Exposures (T/B)

Select a shutter speed of T (time) or B (bulb) for long time-exposures.

R Use of a tripod is recommended to prevent the camera from moving during the exposure.

R To reduce “noise” (mottling) in long time-exposures, select ON for H IMAGE QUALITY SETTING> LONG EX-

POSURE NR (P 92). Note that this may increase the time needed to record images after shooting.

Time (T)

1

Rotate the shutter speed dial to T.

2

Rotate the rear command dial to

choose a shutter speed.

2

”

S

3

Press the shutter button all the way

down to take a picture at the select-

ed shutter speed. A count-down

timer will be displayed while the ex-

posure is in progress.

Bulb (B)

1

Rotate the shutter speed dial to B.

2

Press the shutter button all the way

down. The shutter will remain open

for up to 60 minutes while the shut-

ter button is pressed; the display

shows the time elapsed since the

exposure started.

R Selecting an aperture of A  xes shutter speed at 30 s.

77

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Long Time-Exposures (T/B)

Using a Remote Release

An optional RR-90 remote release can be used for

long time-exposures. See the manual provided

with the RR-90 for more information.

Third-Party Remote Releases

Electronic releases from third-

party suppliers can be

connect-

ed via the microphone/remote

release connector

. A con rma-

tion dialog will be displayed

when a third-party release is

connected; press MENU/OK and

select n REMOTE for MIC/RE-

MOTE RELEASE.

CHECK MIC/REMOTE RELEASE

SETTING

SKIP

SET

78

The Self-Timer

Use the timer for self-portraits or to prevent blur caused by camera shake.

1

Press MENU/OK in shooting mode to display the

shooting menu.

2

Select the A SHOOTING SETTING tab (P 89),

then highlight SELF-TIMER and press MENU/OK.

3

Press the selector up or down to highlight the

desired option and press MENU/OK to select.

Option

Description

R

2 SEC

The shutter is released two seconds after the

shutter button is pressed. Use to reduce blur

caused by the camera moving when the shut-

ter button is pressed.

S

10 SEC

The shutter is released ten seconds after the

shutter button is pressed. Use for photographs

in which you wish to appear yourself.

OFF

OFF Self-timer o .

4

Press the shutter button halfway to focus.

Q Stand behind the camera when using the shut-

ter button. Standing in front of the lens can in-

terfere with focus and exposure.

5

Press the shutter button

the rest of the way down to

start the timer. The display

in the monitor shows the

number of seconds re-

maining until the shutter is released. To stop

the timer before the picture is taken, press

DISP/BACK.

The self-timer lamp on

the front of the camera

will blink immediately

before the picture is

taken. If the two-sec-

ond timer is selected,

the self-timer lamp will

blink as the timer counts down.

R The self-timer turns o automatically when the

camera is turned o .

9

79

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Interval Timer Photography

Follow the steps below to con gure the camera to take photos automatically at a preset interval.

1

Press MENU/OK in shooting mode to display the shooting menu. Se-

lect the A SHOOTING SETTING tab (P 89), then highlight INTER-

VAL TIMER SHOOTING and press MENU/OK.

2

Use the selector to choose the interval and number of shots. Press MENU/OK to

proceed.

CANCELEND

INTERVAL/NUMBER OF TIMES

INTERVAL

NUMBER OF TIMES

3

Use the selector to choose the starting time and then press MENU/OK. Shooting

will start automatically.

START WAITING TIME

ESTIMATED START TIME 11 : 00 PM

CANCELSTART

LATER

Q Interval timer photography can not be used at a shutter speed of B (bulb) or with multiple exposure photogra-

phy. In burst mode, only one picture will be taken each time the shutter is released.

R Use of a tripod is recommended.

R Check the battery level before starting. We recommend using an optional AC-9V AC power adapter and

CP-W126 DC coupler.

R The display turns o between shots and lights a few seconds before the next shot is taken. The display can be

activated at any time by pressing the shutter button.

80

Focus/Exposure Lock

To compose photographs with o -center subjects:

1

Focus: Position the subject in the focus frame and press the shutter button half-

way to lock focus and exposure. Focus and exposure will remain locked while

the shutter button is pressed halfway (AF/AE lock).

P

R AEL/AFL button. The role played by the AEL/AFL button can be chosen using D BUTTON

/

DIAL SETTING>

FUNCTION (Fn) SETTING (P 47): choose from AE LOCK ONLY (pressing the AEL/AFL locks exposure but not

focus), AF LOCK ONLY (pressing the AEL/AFL locks focus but not exposure), and AE/AF LOCK (pressing the

AEL/AFL locks both focus and exposure).

2

Recompose: Keep the shutter button pressed halfway or keep the AEL/AFL button

pressed.

R Focus and/or exposure will remain locked while the AEL/AFL button is pressed, whether

or not the shutter button is pressed halfway. If AE&AF ON/OFF SWITCH is selected

for D BUTTON/DIAL SETTING> AE/AF-LOCK MODE (P 122), focus and/or exposure

lock when the button is pressed and remain locked until the button is pressed again.

P

3

Shoot: Press the button all the way down.

81

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Focus/Exposure Lock

Autofocus

Although the camera boasts a high-precision autofocus system, it may be unable to focus on the subjects listed

below.

• Very shiny subjects such as mirrors or car bodies.

• Subjects photographed through a window or other re ective object.

• Dark subjects and subjects that absorb rather than re ect light, such as hair or fur.

• Insubstantial subjects, such as smoke or  ame.

• Subjects that show little contrast with the background.

• Subjects positioned in front of or behind a high-contrast object that is also in the focus frame (for example, a

subject photographed against a backdrop of highly contrasting elements).

82

1

Select F FLASH SETTING

in the shooting menu and,

after con rming that ON is

selected for Built-In Flash,

select FLASH FUNCTION

SETTING to display  ash op-

tions.

EXIT

FLASH SETTING

RED EYE REMOVAL

TTL-LOCK MODE

FLASH FUNCTION SETTING

LED LIGHT SETTING

MASTER SETTING

CH SETTING

Built-In Flash

ON

Q Choosing OFF for Built-In

Flash disables the built-in

 ash.

FLASH SETTING

RED EYE REMOVAL

TTL-LOCK MODE

FLASH FUNCTION SETTING

LED LIGHT SETTING

MASTER SETTING

CH SETTING

Built-In Flash

ON

OFF

2

Highlight items using the

selector and rotate the rear

command dial to change

the highlighted setting.

MODE

Built-In Flash

3

Press DISP/BACK to put the changes into e ect.

Q The  ash will not  re at some settings, for example

in panorama mode or when the electronic shutter

is used.

Q Choose shutter speeds slower than 

/

 when using

the  ash in exposure mode S (shutter-priority AE) or

manual (M).

R The  ash will not  re if OFF is selected for SOUND&

FLASH in the D USER SETTING menu.

R In TTL mode, the  ash may  re several times with

each shot. Do not move the camera until shooting

is complete.

R Optional lens hoods are not recommended for use

with the built-in  ash as they may cast shadows that

cause vignetting.

Red-Eye Removal

Red-eye removal is available when an option other than

OFF is selected for F FLASH SETTING> RED EYE REMOV-

AL and G AF/MF SETTING> FACE/EYE DETECTION SET-

TING is ON. Red-eye removal minimizes “red-eye” caused

when light from the  ash is re ected from the subject’s

retinas.

Flash Sync Speed

The  ash will synchronize with the shutter at shutter

speeds of 

/

 s or slower.

Optional Flash Units

The camera can be used with optional FUJIFILM

shoe-mounted  ash units (P 141). Do not use third-

party  ash units that apply over 300 V to the camera

hot shoe.

Flash Photography

Use the built-in  ash for additional lighting when shooting at night or indoors under low light.

83

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Flash Photography

FLASH FUNCTION SETTING

The following options

are available with the

built-in  ash:

MODE

Built-In Flash

ADJUST

END

A

Flash control mode: Choose from the options below.

• A (TTL): TTL mode. Adjust  ash compensation (

B

)

and choose a  ash mode (

C

).

• B (M): The  ash  res at the selected output (

B

) regard-

less of subject brightness or camera settings. Output is

expressed in fractions of full power, from / to /. The

desired results may not be achieved at low values if they

exceed the limits of the  ash control system; take a test

shot and check the results.

• C (COMMANDER): Choose if the  ash is being used to con-

trol remote synced  ash units, for example as part of a

studio  ash system.

• D (OFF): The  ash does not  re.

B

Flash compensation/output: Adjust  ash level. The options

available vary with the  ash control mode (

A

).

C

Flash mode (TTL): Choose a  ash mode for TTL  ash control.

The options available vary with the shooting mode (P, S, A,

or M) selected.

• E (FLASH AUTO): The  ash  res only as required;  ash lev-

el is adjusted according to subject brightness. A picon

displayed when the shutter button is pressed halfway

indicates that the  ash will  re when the photo is taken.

•

F (STANDARD): The  ash  res with every shot if possible;

 ash level is adjusted according to subject brightness.

The  ash will not  re if not fully charged when the shut-

ter is released.

• G (SLOW SYNC.): Combine the  ash with slow shutter

speeds when photographing portrait subjects against a

backdrop of night scenery. The  ash will not  re if not

fully charged when the shutter is released.

D

Sync: Choose whether the  ash is timed to  re immediately

after the shutter opens (H/1ST CURTAIN) or immediately

before it closes (I/2ND CURTAIN). 1ST CURTAIN is recom-

mended in most circumstances.

84

Recording Pictures in RAW Format

To record raw, unprocessed data from the camera image sensor, select a RAW option for image quality

in the shooting menu as described below. JPEG copies of RAW images can be created using C PLAY

BACK MENU> RAW CONVERSION, or RAW images can be viewed on a computer using the RAW FILE

CONVERTER EX2.0 application (P 85, 132).

1

Press MENU/OK in shooting mode to display the shooting menu. Select the H IMAGE QUALITY

SETTING tab (P 89), then highlight IMAGE QUALITY (P 90) and press MENU/OK.

2

Highlight an option and press MENU/OK. Select RAW to record only RAW images, or FINE+RAW or

NORMAL+RAW to record both JPEG copy together with the RAW images. FINE+RAW uses lower

JPEG compression ratios for higher-quality JPEG images, while NORMAL+RAW uses higher JPEG

compression ratios to increase the number of images that can be stored.

The Function Buttons

To toggle RAW image quality on or o for a single shot, assign RAW to a function button (P 47). If a JPEG option

is currently selected for image quality, pressing the button temporarily selects the equivalent JPEG+RAW option.

If a JPEG+RAW option is currently selected, pressing the button temporarily selects the equivalent JPEG option,

while if RAW is selected, pressing the button temporarily selects FINE. Taking a picture or pressing the button

again restores the previous setting.

85

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Recording Pictures in RAW Format

Creating JPEG Copies of RAW Pictures

RAW pictures store information on camera settings separately from the data captured by the camera

image sensor. Using C PLAY BACK MENU> RAW CONVERSION (P 109), you can create JPEG copies

of RAW pictures using di erent options for the settings listed below. The original image data are unaf-

fected, allowing a single RAW image to be processed in a multitude of di erent ways.

1

Press MENU/OK during playback to display

the playback menu, then press the selec-

tor up or down to highlight C PLAY BACK

MENU> RAW CONVERSION (P 108) and

press MENU/OK to display the settings listed

in the table at right.

R These options can also be displayed by pressing

Q button during playback.

2

Press the selector up or

down to highlight a setting

and press the selector right

to select. Press the selec-

tor up or down to highlight

the desired option and press MENU/OK to select

and return to the settings list. Repeat this step

to adjust additional settings.

3

Press the Q button to preview the JPEG copy

and press MENU/OK to save.

Setting

Description

REFLECT SHOOTING

COND.

Create a JPEG copy using the settings in ef-

fect at the time the photo was taken.

PUSH/PULL

PROCESSING

Adjust exposure by –1 EV to +3 EV in incre-

ments of 

/

 EV.

DYNAMIC RANGE

Enhance details in highlights for natural

contrast (P 91).

FILM SIMULATION

Simulate the e ects of di erent types of  lm

(P 65).

GRAIN EFFECT

Add a  lm grain e ect (P 91).

WHITE BALANCE

Adjust white balance (P 66).

WB SHIFT

Fine-tune white balance (P 66).

HIGHLIGHT TONE

Adjust highlights (P 91).

SHADOW TONE

Adjust shadows (P 91).

COLOR

Adjust color density (P 92).

SHARPNESS

Sharpen or soften outlines (P 92).

NOISE REDUCTION

Process the copy to reduce mottling (P 92).

COLOR SPACE

Choose the color space used for color repro-

duction (P 92).

CREATE

REFLECT SHOOTING COND.

PUSH/PULL PROCESSING

DYNAMIC RANGE

FILM SIMULATION

GRAIN EFFECT

WHITE BALANCE

RAW CONVERSION

CANCEL

86

Saving Settings

Save up to 7 sets of custom camera settings for commonly-encountered situations. Saved settings can

be recalled using H IMAGE QUALITY SETTING> SELECT CUSTOM SETTING (P 93).

1

Press MENU/OK in shooting mode to display the shooting menu. Select the

H IMAGE QUALITY SETTING tab (P 89), then highlight EDIT/SAVE CUSTOM

SETTING (P 93) and press MENU/OK.

3/33

/

3

EDIT/SAVE CUSTOM SETTING

SELECT CUSTOM SETTING

IMAGE QUALITY SETTING

CUSTOM 2

CUSTOM 3

CUSTOM 4

CUSTOM 5

CUSTOM 6

CUSTOM 7

CUSTOM 1

2

Highlight a custom settings bank and press MENU/OK to select. Adjust the follow-

ing as desired and press DISP/BACK when adjustments are complete: DYNAMIC

RANGE, FILM SIMULATION, GRAIN EFFECT, WHITE BALANCE, HIGHLIGHT

TONE, SHADOW TONE, COLOR, SHARPNESS, and NOISE REDUCTION.

XXXXX

1/2

BACK

DYNAMIC RANGE

FILM SIMULATION

GRAIN EFFECT

WHITE BALANCE

HIGHLIGHT TONE

SHADOW TONE

COLOR

CUSTOM 1

SAVE CURRENT SETTINGS

EXIT

R To replace the settings in the selected bank with the settings currently selected with the camera, select

SAVE CURRENT SETTINGS and press MENU/OK.

3

A con rmation dialog will be displayed; highlight OK and press MENU/OK.

CUSTOM 1 SET OK?

OK

CANCEL

SAVE CUSTOM SETTING

87

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PhotoBook Assist

Create books from your favorite photos.

Creating a PhotoBook

1

Select NEW BOOK for C PLAY BACK

MENU> PHOTOBOOK ASSIST (P 108).

2

Scroll through the images and press the se-

lector up to select or deselect. To display the

current image on the cover, press the selector

down. Press MENU/OK to exit when the book is

complete.

R Neither photographs a or smaller nor movies

can be selected for photobooks.

R The  rst picture selected becomes the cover im-

age. Press the selector down to select a di erent

image for the cover.

3

Highlight COMPLETE PHOTOBOOK and

press MENU/OK (to select all photos or all pho-

tos matching the speci ed search conditions

for the book, choose SELECT ALL). The new

book will be added to the list in the photo-

book assist menu.

Q Books can contain up to 300 pictures.

Q Books that contain no photos are automatically de-

leted.

88

PhotoBook Assist

Viewing Photobooks

Highlight a book in the photobook assist menu

and press MENU/OK to display the book, then press

the selector left or right to scroll through the pic-

tures.

Editing and Deleting Photobooks

Display the photobook and press MENU/OK. The

following options will be displayed; select the

desired option and follow the on-screen instruc-

tions.

• EDIT: Edit the book as described in “Creating a

PhotoBook” (P 87).

• ERASE: Delete the book.

Photobooks

Photobooks can be copied to a computer using MyFinePix Studio software (P 132).

89

Menus

Using the Menus: Shooting Mode

The shooting menu is used to adjust settings for a wide range of shooting conditions. Frequently-used

options can be saved to a personalized custom menu (“my menu”).

Using the Shooting Menu

1

Press MENU/OK in shooting mode to display the

menus.

EXIT

IMAGE QUALITY SETTING

IMAGE QUALITY

RAW RECORDING

FILM SIMULATION

GRAIN EFFECT

DYNAMIC RANGE

WHITE BALANCE

HIGHLIGHT TONE

IMAGE SIZE

2

Press the selector left to highlight

the tab for the current menu.

Tab

EXIT

IMAGE QUALITY SETTING

IMAGE QUALITY

RAW RECORDING

FILM SIMULATION

GRAIN EFFECT

DYNAMIC RANGE

WHITE BALANCE

HIGHLIGHT TONE

IMAGE SIZE

3

Press the selector down to highlight

the tab (H, G, A, F, B, or E) con-

taining the desired item.

4

Press the selector right to place the

cursor in the menu.

5

Press the selector up or down to

highlight the desired item.

6

Press the selector right to view op-

tions for the highlighted item.

7

Press the selector up or down to

highlight the desired option.

8

Press MENU/OK to select the high-

lighted option.

9

Press DISP/BACK to return to the

shooting display.

R Use the front command dial to select menu tabs or

page through menus and the rear command dial to

highlight menu items.

90

Using the Menus: Shooting Mode

H

IMAGE QUALITY SETTING

To adjust shooting settings that a ect image quality, press MENU/OK in the

shooting display and select the H (IMAGE QUALITY SETTING) tab (P 89).

EXIT

IMAGE QUALITY SETTING

IMAGE QUALITY

RAW RECORDING

FILM SIMULATION

GRAIN EFFECT

DYNAMIC RANGE

WHITE BALANCE

HIGHLIGHT TONE

IMAGE SIZE

Choose the size and aspect ratio at which still pictures are recorded.

Aspect Ratio

Pictures with an aspect ratio of 3 : 2 have the same proportions as

a frame of 35 mm  lm, while an aspect ratio of 16 : 9 is suited to

display on

H

igh

D

e nition (HD) devices. Pictures with an aspect

ratio of 1 : 1 are square.

IMAGE SIZE is not reset when the camera is turned o or another

shooting mode is selected.

Option

Image size

Option

Image size

O

3 : 2

6000 × 4000

Q

3 : 2

3008 × 2000

O

16 : 9

6000 × 3376

Q

16 : 9

3008 × 1688

O

1 : 1

4000 × 4000

Q

1 : 1

2000 × 2000

P

3 : 2

4240 × 2832

P

16 : 9

4240 × 2384

P

1 : 1

2832 × 2832

IMAGE QUALITY

Choose a  le format and compression ratio. Select FINE or NORMAL to record JPEG images, RAW to record RAW images, or

FINE+RAW or NORMAL+RAW to record both JPEG and RAW images. FINE and FINE+RAW use lower JPEG compression ratios

for higher-quality JPEG images, while NORMAL and NORMAL+RAW use higher JPEG compression ratios to increase the num-

ber of images that can be stored.

RAW RECORDING

Choose whether to compress RAW images.

Option

Description

UNCOMPRESSED

UNCOMPRESSED RAW images are not compressed.

LOSSLESS COMPRESSED

RAW images are compressed using a reversible algorithm that reduces  le size with no loss of image

data. The images can be viewed in RAW FILE CONVERTER EX2.0 or other software that supports “lossless”

RAW compression (P 132).

91

Menus

Using the Menus: Shooting Mode

FILM SIMULATION

Simulate the e ects of di erent types of  lm (P 65).

GRAIN EFFECT

Add a  lm grain e ect.

Options: STRONG/WEAK/OFF

DYNAMIC RANGE

Control contrast. Choose lower values to increase contrast when shooting indoors or under overcast skies, higher values to

reduce loss of detail in highlights and shadows when photographing high-contrast scenes. Higher values are recommended

for scenes that include both sunlight and deep shade, for such high-contrast subjects as sunlight on water, brightly-lit autumn

leaves, and portraits taken against a blue sky, and for white objects or people wearing white; note, however, that mottling may

appear in pictures taken at higher values.

R If AUTO is selected, the camera will automatically choose either

V

V 100% or

W

W 200% according to the subject and shoot-

ing conditions. Shutter speed and aperture will be displayed when the shutter button is pressed halfway.

R

W

W 200% is available at sensitivities of ISO 400 and above,

X

X 400% at sensitivities of ISO 800 and above.

WHITE BALANCE

Adjust colors to match the light source (P 66).

HIGHLIGHT TONE

Adjust the appearance of highlights.

Options: +4/+3/+2/+1/0/-1/-2

SHADOW TONE

Adjust the appearance of shadows.

Options: +4/+3/+2/+1/0/-1/-2

92

Using the Menus: Shooting Mode

COLOR

Adjust color density.

Options: +4/+3/+2/+1/0/-1/-2/-3/-4

SHARPNESS

Sharpen or soften outlines.

Options: +4/+3/+2/+1/0/-1/-2/-3/-4

NOISE REDUCTION

Reduce noise in pictures taken at high sensitivities.

Options: +4/+3/+2/+1/0/-1/-2/-3/-4

LONG EXPOSURE NR

Select ON to reduce mottling in long time-exposures (P 76).

Options: ON/OFF

COLOR SPACE

Choose the gamut of colors available for color reproduction.

Option

Description

sRGB

sRGB Recommended in most situations.

Adobe RGB

Adobe RGB For commercial printing.

93

Menus

Using the Menus: Shooting Mode

PIXEL MAPPING

Use this option if you notice bright spots in your pictures.

1

Press MENU/OK in the shooting display and select the H IMAGE QUALITY SETTING tab (P 89).

2

Highlight PIXEL MAPPING and press MENU/OK to perform pixel mapping.

Q Results are not guaranteed.

Q Be sure the battery is fully charged before beginning pixel mapping.

Q Pixel mapping is not available when the camera temperature is elevated.

Q Processing may take a few seconds.

SELECT CUSTOM SETTING

Recall settings saved with EDIT/SAVE CUSTOM SETTING.

Options: CUSTOM 1/CUSTOM 2/CUSTOM 3/CUSTOM 4/CUSTOM 5/CUSTOM 6/CUSTOM 7

EDIT/SAVE CUSTOM SETTING

Save settings (P 86).

94

Using the Menus: Shooting Mode

G

AF/MF SETTING

To adjust focus settings, press MENU/OK in the shooting display and select the

G (AF/MF SETTING) tab (P 89). The options available vary with the shooting

mode.

EXIT

AF/MF SETTING

AF MODE

AF POINT DISPLAY

NUMBER OF THE FOCUS POINTS

PRE-AF

AF ILLUMINATOR

FACE/EYE DETECTION SETTING

AF+MF

FOCUS AREA

Choose the focus area (P 73). Focus-area selection can also be used to choose the focus point for manual focus and focus zoom.

AF MODE

Choose the AF mode for focus modes S and C (P 71).

AF POINT DISPLAY

yz

Choose whether individual focus frames are displayed when ZONE or WIDE/TRACKING is selected for AF MODE.

Options: ON/OFF

NUMBER OF THE FOCUS POINTS

Choose the number of focus points available for focus-point selection in manual focus mode or when SINGLE POINT is selected

for AF MODE.

Option

Description

91 POINTS (7 × 13)

91 POINTS (7 × 13) Choose from 91 focus points arranged in a 7- by 13-point grid.

325 POINTS (13 × 25)

325 POINTS (13 × 25) Choose from 325 focus points arranged in a 13- by 25-point grid.

PRE-AF

If ON is selected, the camera will continue to adjust focus even when the shutter button is not pressed halfway for improved

shutter response. Note that this increases the drain on the battery.

Options: ON/OFF

95

Menus

Using the Menus: Shooting Mode

AF ILLUMINATOR

If ON is selected, the AF-assist illuminator will light to assist autofocus.

Q The camera may be unable to focus using the AF-assist illuminator in some cases. If the camera is unable to focus in macro

mode, try increasing the distance to the subject.

Q Avoid shining the AF-assist illuminator directly into your subject’s eyes.

Options: ON/OFF

FACE/EYE DETECTION SETTING

Intelligent Face Detection sets focus and exposure for human faces anywhere in the frame, prevent-

ing the camera from focusing on the background in group portraits. Choose for shots that emphasize

portrait subjects. Faces can be detected with the camera in vertical or horizontal orientation; if a face is

detected, it will be indicated by a green border. If there is more than one face in the frame, the camera

will select the face closest to the center; other faces are indicated by white borders. You can also choose

whether the camera detects and focuses on eyes when Intelligent Face Detection is on. Choose from

the following options:

Option

Description

FACE ON/EYE OFF

FACE ON/EYE OFF Intelligent Face Detection only.

FACE ON/EYE AUTO

FACE ON/EYE AUTO The camera automatically chooses which eye to focus on when a face is detected.

FACE ON/RIGHT EYE PRIORITY

FACE ON/RIGHT EYE PRIORITY The camera focuses on the right eye of subjects detected using Intelligent Face Detection.

FACE ON/LEFT EYE PRIORITY

FACE ON/LEFT EYE PRIORITY The camera focuses on the left eye of subjects detected using Intelligent Face Detection.

FACE OFF/EYE OFF

FACE OFF/EYE OFF Intelligent Face Detection and eye priority o .

R If the camera is unable to detect the subject’s eyes because they are hidden by hair, glasses, or other objects, the camera will

instead focus on faces.

Q In some modes, the camera may set exposure for the frame as a whole rather than the portrait subject.

Q If the subject moves as the shutter button is pressed, the face may not be in the area indicated by the green border when

the picture is taken.

96

Using the Menus: Shooting Mode

AF+MF

If ON is selected in focus mode S, focus can be adjusted manually by rotating the focus ring while focus is locked. Both standard

and focus peaking MF assist options are supported.

AF + MF Focus Zoom

When

ON

is selected for

G

AF/MF SETTING

>

FOCUS CHECK

and

SINGLE POINT

selected for

AF MODE

, focus zoom can

be used to zoom in on the selected focus area. The zoom ratio (2.5× or 6×) can be selected using the rear command dial.

Options: ON/OFF

MF ASSIST

Choose how focus is displayed in manual focus mode (P 70).

Option

Description

STANDARD

STANDARD Focus is displayed normally (focus peaking and digital split image are not available).

DIGITAL SPLIT IMAGE

DIGITAL SPLIT IMAGE A black-and-white (MONOCHROME) or color (COLOR) split-image display.

FOCUS PEAK HIGHLIGHT

FOCUS PEAK HIGHLIGHT The camera heightens high-contrast outlines. Choose a color and peaking level.

FOCUS CHECK

If ON is selected, the camera will automatically zoom in on the view through the lens when the focus ring is rotated in manual

focus mode (P 69).

Options: ON/OFF

INTERLOCK SPOT AE & FOCUS AREA

Select ON to meter the current focus frame when SINGLE POINT is selected for AF MODE (P 71) and SPOT is selected for

PHOTOMETRY (P 64).

Options: ON/OFF

INSTANT AF SETTING

Choose how the camera focuses when the AEL/AFL button is pressed in manual focus mode (P 68).

Option

Description

AF-S

AF-S The camera focuses when the button is pressed (single AF).

AF-C

AF-C The camera focuses continuously while the button is pressed (continuous AF).

97

Menus

Using the Menus: Shooting Mode

DEPTH-OF-FIELD SCALE

Choose FILM FORMAT BASIS to help you make practical assessments of depth of  eld for pictures that will be viewed as prints

and the like, PIXEL BASIS to help you assess depth of  eld for pictures that will be viewed at high resolutions on computers or

other electronic displays.

RELEASE/FOCUS PRIORITY

Choose how the camera focuses in focus mode AF-S or AF-C.

Option

Description

RELEASE

RELEASE Shutter response is prioritized over focus. Pictures can be taken when the camera is not in focus.

FOCUS

FOCUS Focus is prioritized over shutter response. Pictures can be only taken when the camera is in focus.

CORRECTED AF FRAME

If ON is selected, a second focus frame for focus distances of about 50 cm (1.6 ft) will be added to the display in the optical view-

 nder. The active focus frame is displayed in green when the shutter button is pressed halfway.

ON

OFF

Focus frame

Focus frame for focus distance of in nity

Active focus frame (displayed

in green when shutter but-

ton is pressed halfway)

Focus frame for focus distance of about 50 cm (1.6 ft)

Active focus frame

(displayed in green when shutter button is pressed halfway)

98

Using the Menus: Shooting Mode

A

SHOOTING SETTING

To adjust shooting options, press MENU/OK in the shooting display and select the

A (SHOOTING SETTING) tab (P 89). The options available vary with the shoot-

ing mode.

EXIT

SHOOTING SETTING

INTERVAL TIMER SHOOTING

FILM SIMULATION BKT

PHOTOMETRY

SHUTTER TYPE

ISO AUTO SETTING

CONVERSION LENS

DIGITAL TELE-CONV.

SELF-TIMER

Take pictures with the self-timer (P 78).

INTERVAL TIMER SHOOTING

Adjust settings for interval timer photography (P 79).

FILM SIMULATION BKT

Choose  lm types for  lm simulation bracketing (P 57, 65).

PHOTOMETRY

Choose how the camera meters exposure (P 64).

99

Menus

Using the Menus: Shooting Mode

SHUTTER TYPE

Choose the shutter type. Choose the electronic shutter to mute the shutter sound.

Option

Description

t

MECHANICAL SHUTTER

Take pictures with the mechanical shutter.

s

ELECTRONIC SHUTTER

Take pictures with the electronic shutter.

t

MECHANICAL +

s

ELECTRONIC

The camera chooses the shutter type according to shooting conditions.

R If an option other than t MECHANICAL SHUTTER is selected, shutter speeds faster than 

/

 s can be chosen by rotating

the shutter speed dial to 4000 and then rotating the rear command dial.

R When the electronic shutter is used, the  ash is disabled, shutter speed and sensitivity are restricted to values of 

/

–30 s

and ISO12800–200 respectively, and long exposure noise reduction has no e ect. In burst mode, focus and exposure are

 xed at the values for the  rst shot in each burst.

Q Distortion may be visible in shots of moving subjects with electronic shutter, while banding and fog may occur in shots taken

under  uorescent lights or other  ickering or erratic illumination. When taking pictures with the shutter muted, respect your

subjects’ image rights and right to privacy.

100

Using the Menus: Shooting Mode

ISO AUTO SETTING

Choose the base sensitivity, maximum sensitivity, and minimum shutter speed for auto ISO sensitivity control, which is activated

by choosing AUTO for D BUTTON/DIAL SETTING> ISO DIAL SETTING (A). Settings for AUTO1, AUTO2, and AUTO3 can be

adjusted separately.

Default

AUTO1

AUTO2

AUTO3

DEFAULT SENSITIVITY

200

MAX. SENSITIVITY

800

1600

3200

MIN. SHUTTER SPEED



/



The camera automatically chooses a sensitivity between the default and maximum values. Sensitivity is only raised above the

default value if the shutter speed required for optimal exposure would be slower than the value selected for MIN. SHUTTER

SPEED.

R If the value selected for DEFAULT SENSITIVITY is higher than that selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY

will be set to the value selected for MAX. SENSITIVITY.

R The camera may select shutter speeds slower than MIN. SHUTTER SPEED if pictures would still be underexposed at the

value selected for MAX. SENSITIVITY.

CONVERSION LENS

Adjust settings for optional conversion lenses.

Option

Description

WIDE Choose when using an optional WCL-X100 conversion lens.

TELE Choose when using an optional TCL-X100 conversion lens.

OFF Choose when no conversion lens is attached.

DIGITAL TELE-CONV.

Take pictures at di erent focal lengths using the digital teleconverter (P 54).

101

Menus

Using the Menus: Shooting Mode

ND FILTER

Selecting ON enables the camera’s built-in Neutral Density (ND)  lter, reducing exposure by the equivalent of 3 EV. This allows

slower shutter speeds or wider apertures to be used with brightly lit subjects, making it possible to blur motion or soften back-

ground details without risk of overexposure.

Options: ON/OFF

WIRELESS COMMUNICATION

Connect to a smartphone or tablet over a wireless network (P 131).

R For more information, visit http://fujifilm-dsc.com/wifi/.

102

Using the Menus: Shooting Mode

F

FLASH SETTING

To adjust  ash-related settings, press MENU/OK in the shooting display and select

the F (FLASH SETTING) tab (P 89). The options available vary with the shoot-

ing mode.

EXIT

FLASH SETTING

RED EYE REMOVAL

TTL-LOCK MODE

FLASH FUNCTION SETTING

LED LIGHT SETTING

MASTER SETTING

CH SETTING

Built-In Flash

FLASH FUNCTION SETTING

Choose a  ash control mode,  ash mode, or sync mode or adjust the  ash level.

R The options available vary with the  ash unit. See “Using Shoe-Mounted Flash Units” (P 144) for more information.

RED EYE REMOVAL

Remove red-eye e ects caused by the  ash.

Option

Description

FLASH + REMOVAL A red-eye reduction pre- ash is combined with digital red-eye removal.

FLASH Flash red-eye reduction only.

REMOVAL Digital red-eye removal only.

OFF Flash red-eye reduction and digital red-eye removal o .

R Flash red-eye reduction can be used in TTL  ash control mode. Digital red-eye removal is performed only when a face is

detected and is not available with RAW images.

103

Menus

Using the Menus: Shooting Mode

TTL-LOCK MODE

Instead of adjusting  ash level with each shot, TTL  ash control can be locked for consistent results across a series of photo-

graphs.

Option

Description

LOCK WITH LAST FLASH

Flash output is locked at the value metered for the most recent photo. An error message will be

displayed if no previously metered value exists.

LOCK WITH METERING FLASH The camera emits a series of pre- ashes and locks  ash output at the metered value.

R To use TTL lock, assign TTL-LOCK to a camera control and then use the control to enable or disable TTL lock.

R Flash compensation can be adjusted while TTL lock is in e ect.

LED LIGHT SETTING

Choose whether to use the  ash unit’s LED video light (if available) as a catchlight or AF-assist illuminator when taking photos.

Option

Role of LED video light in still photography

CATCHLIGHT Catchlight

AF ASSIST AF-assist illuminator

AF ASSIST + CATCHLIGHT AF-assist illuminator and catchlight

OFF None

R This option can also be accessed via the  ash settings menu.

104

Using the Menus: Shooting Mode

MASTER SETTING

Choose a  ash group (A, B, or C) for the  ash mounted on the camera hot shoe when it functions as a master  ash controlling

remote  ash units via FUJIFILM wireless optical  ash control, or choose OFF to limit master  ash output to a level that does not

a ect the  nal picture.

R This option can also be accessed via the  ash settings menu.

Options: Gr A/Gr B/Gr C/OFF

CH SETTING

Choose the channel used for communication between the master  ash and remote  ash units when using FUJIFILM optical

wireless  ash control. Separate channels can be used for di erent  ash systems or to prevent interference when multiple sys-

tems are operating in close proximity.

Options: CH1/CH2/CH3/CH4

Built-In Flash

Choose from ON (built-in  ash enabled) and OFF (built-in  ash disabled). Choose OFF to disable the built-in  ash when using

optional shoe-mounted  ash units or  ash units connected to the hot shoe via a sync cable.

105

Menus

Using the Menus: Shooting Mode

B

MOVIE SETTING

To adjust options for movie recording, press MENU/OK in the shooting display

and select the B ( MOVIE SETTING) tab (P 89). The options available vary with

the shooting mode.

EXIT

MOVIE SETTING

MOVIE AF MODE

HDMI OUTPUT INFO DISPLAY

MOVIE MODE

MIC LEVEL ADJUSTMENT

MIC/REMOTE RELEASE

MOVIE MODE

Select a frame size and rate for movie recording.

• i 1080/59.94 P: 1920 × 1080 (59.94 fps)

• i 1080/50 P: 1920 × 1080 (50 fps)

• i 1080/29.97 P: 1920 × 1080 (29.97 fps)

• i 1080/25 P: 1920 × 1080 (25 fps)

• i 1080/24 P: 1920 × 1080 (24 fps)

• i 1080/23.98 P: 1920 × 1080 (23.98 fps)

• h 720/59.94 P: 1280 × 720 (59.94 fps)

• h 720/50 P: 1280 × 720 (50 fps)

• h 720/29.97 P: 1280 × 720 (29.97 fps)

• h 720/25 P: 1280 × 720 (25 fps)

• h 720/24 P: 1280 × 720 (24 fps)

• h 720/23.98 P: 1280 × 720 (23.98 fps)

MOVIE AF MODE

Choose how the camera selects the focus point for movie recording.

Option

Description

MULTI Automatic focus-point selection.

AREA The camera focuses on the subject in the selected focus area.

106

Using the Menus: Shooting Mode

HDMI OUTPUT INFO DISPLAY

If ON is selected, HDMI devices to which the camera is connected will mirror the information in the camera display.

Options: ON/OFF

MIC LEVEL ADJUSTMENT

Adjust the microphone recording level.

Options: 1—4

MIC/REMOTE RELEASE

Specify whether the device connected to the microphone/remote release connector is a microphone or a remote release (P 41,

77).

Options: m MIC/n REMOTE

107

Menus

Using the Menus: Shooting Mode

E

MY MENU

To display a personalized menu of frequently-used options, press MENU/OK in

the shooting display and select the E (MY MENU) tab (P 89).

R To edit “my menu”, select D USER SETTING> MY MENU SETTING (P 127).

R The E tab is only available if options have been assigned to MY MENU.

EXIT

SELF-TIMER

INTERVAL TIMER SHOOTING

FILM SIMULATION BKT

PHOTOMETRY

SHUTTER TYPE

DIGITAL TELE-CONV.

FACE/EYE DETECTION SETTING

ISO AUTO SETTING

MY MENU

108

Using the Menus: Playback Mode

The playback menu is used to adjust playback settings.

Using the Playback Menu

1

Press MENU/OK in playback mode to display the

menus.

EXIT

RAW CONVERSION

ERASE

CROP

RESIZE

PROTECT

IMAGE ROTATE

RED EYE REMOVA

WIRELESS COMMUNICATION

PLAY BACK MENU

2

Press the selector up or down to

highlight the desired item.

3

Press the selector right to view op-

tions for the highlighted item.

4

Press the selector up or down to

highlight the desired option.

5

Press MENU/OK to select the high-

lighted option.

6

Press DISP/BACK to return to the play-

back display.

R Use the front command dial to select menu tabs or

page through menus and the rear command dial to

highlight menu items.

109

Menus

Using the Menus: Playback Mode

C

PLAY BACK MENU

To access playback options, press MENU/OK in the playback display and select

the C (PLAY BACK MENU) tab (P 108).

EXIT

RAW CONVERSION

ERASE

CROP

RESIZE

PROTECT

IMAGE ROTATE

RED EYE REMOVA

WIRELESS COMMUNICATION

PLAY BACK MENU

RAW CONVERSION

Create JPEG copies of RAW pictures (P 85).

ERASE

Delete pictures (P 39).

CROP

Create a cropped copy of the current picture.

1

Display the desired picture.

2

Select C CROP in the playback menu.

3

Use the rear command dial to zoom in and out and press the selector up, down, left, or right to scroll the picture until the

desired portion is displayed.

4

Press MENU/OK to display a con rmation dialog.

5

Press MENU/OK again to save the cropped copy to a separate  le.

R Larger crops produce larger copies; all copies have an aspect ratio of 3 : 2. If the size of the  nal copy will be a, OK will be

displayed in yellow.

110

Using the Menus: Playback Mode

RESIZE

Create a small copy of the current picture.

1

Display the desired picture.

2

Select C RESIZE in the playback menu.

3

Highlight a size and press MENU/OK to display a con rmation dialog.

4

Press MENU/OK again to save the resized copy to a separate  le.

R The sizes available vary with the size of the original image.

PROTECT

Protect pictures from accidental deletion. Highlight one of the following options and press MENU/OK.

• FRAME: Protect selected pictures. Press the selector left or right to view pictures and press MENU/OK to select or deselect. Press

DISP/BACK when the operation is complete.

• SET ALL: Protect all pictures.

• RESET ALL: Remove protection from all pictures.

Q Protected pictures will be deleted when the memory card is formatted (P 114).

IMAGE ROTATE

Rotate pictures.

1

Display the desired picture.

2

Select C IMAGE ROTATE in the playback menu.

3

Press the selector down to rotate the picture 90° clockwise, up to rotate it 90° counterclockwise.

4

Press MENU/OK. The picture will automatically be displayed in the selected orientation whenever it is played back on the

camera.

R Protected pictures can not be rotated. Remove protection before rotating pictures.

R The camera may not be able to rotate pictures created with other devices. Pictures rotated on the camera will not be rotated

when viewed on a computer or on other cameras.

R Pictures taken with D SCREEN SETTING> AUTOROTATE PB are automatically displayed in the correct orientation during

playback (P 120).

111

Menus

Using the Menus: Playback Mode

RED EYE REMOVAL

Remove red-eye from portraits. The camera will analyze the image; if red-eye is detected, the image will be processed to create

a copy with reduced red-eye.

1

Display the desired picture.

2

Select C RED EYE REMOVAL in the playback menu.

3

Press MENU/OK.

R Red eye may not be removed if the camera is unable to detect a face or the face is in pro le. Results may di er depending on

the scene. Red eye can not be removed from pictures that have already been processed using red-eye removal or pictures

created with other devices.

R The amount of time needed to process the image varies with the number of faces detected.

R Copies created with RED EYE REMOVAL are indicated by a e icon during playback.

R Red eye removal can not be performed on RAW images.

WIRELESS COMMUNICATION

Connect to a smartphone or tablet over a wireless network (P 131).

R For more information, visit http://fujifilm-dsc.com/wifi/.

SLIDE SHOW

View pictures in an automated slide show. Press MENU/OK to start. Press DISP/BACK at any time during the show to view on-screen

help. The show can be ended at any time by pressing MENU/OK.

R The camera will not turn o automatically while a slide show is in progress.

PHOTOBOOK ASSIST

Create books from your favorite photos (P 87).

PC AUTO SAVE

Upload pictures to a computer over a wireless network (P 131).

R For more information, visit http://fujifilm-dsc.com/wifi/.

112

Using the Menus: Playback Mode

PRINT ORDER (DPOF)

Select pictures for printing (P 135).

instax PRINTER PRINT

Print pictures on optional FUJIFILM instax SHARE printers (P 138).

DISP ASPECT

Choose how High De nition (HD) devices display pictures with an aspect ratio of 3 : 2

(this option is available only when an HDMI cable is connected). Select 16 : 9 to display

the image so that it  lls the screen with its top and bottom cropped out, 3 : 2 to display

the entire image with black bands at either side.

3:2

16:9

16 : 9

3 : 2

113

Menus

The Setup Menu

View and adjust basic camera settings.

Using the Setup Menu

1

Press MENU/OK in shooting mode to display the

menus.

EXIT

IMAGE QUALITY SETTING

IMAGE QUALITY

RAW RECORDING

FILM SIMULATION

GRAIN EFFECT

DYNAMIC RANGE

WHITE BALANCE

HIGHLIGHT TONE

IMAGE SIZE

2

Press the selector left to highlight

the tab for the current menu.

Tab

EXIT

USER SETTING

SOUND SETTING

SCREEN SETTING

BUTTON/DIAL SETTING

POWER MANAGEMENT

SAVE DATA SETTING

CONNECTION SETTING

SET UP

3

Press the selector down to highlight

the D (SET UP) tab.

4

Press the selector right to display

setup menu categories.

5

Press the selector up or down to

highlight the category containing

the desired item.

6

Press the selector right to view the

option in the highlighted category.

7

Press the selector up or down to

highlight the desired item.

8

Press the selector right to view op-

tions for the highlighted item.

9

Press the selector up or down to

highlight the desired option.

10

Press MENU/OK to select the high-

lighted option.

11

Press DISP/BACK to return to the

shooting display.

R Use the front command dial to select menu tabs or

page through menus and the rear command dial to

highlight menu items.

114

The Setup Menu

D

SET UP Menu Options

To access basic camera settings, press MENU/OK in the playback display and se-

lect the D ( SET UP) tab (P 113).

EXIT

USER SETTING

SOUND SETTING

SCREEN SETTING

BUTTON/DIAL SETTING

POWER MANAGEMENT

SAVE DATA SETTING

CONNECTION SETTING

SET UP

■ D USER SETTING

FORMAT

To format a memory card:

1

Highlight D USER SETTING> FORMAT in the setup menu and press MENU/OK.

2

A con rmation dialog will be displayed. To format the memory card, highlight OK and press

MENU/OK. To exit without formatting the memory card, select CANCEL or press DISP/BACK.

Q All data—including protected pictures—will be deleted from the memory card. Be sure impor-

tant  les have been copied to a computer or other storage device.

Q Do not open the battery-chamber cover during formatting.

R The format menu can also be displayed by pressing the center of the rear command dial while

pressing and holding the b button.

FORMAT OK?

OK

CANCEL

ERASE ALL DATA

FORMAT

DATE/TIME

Set the camera clock (P 25, 26).

115

Menus

The Setup Menu

TIME DIFFERENCE

Switch the camera clock instantly from your home time zone to the local time at your destination when traveling. To specify the

di erence between local time and your home time zone:

1

Highlight g LOCAL and press MENU/OK.

2

Use the selector to choose the time di erence between local time and your home time zone. Press MENU/OK when settings

are complete.

To set the camera clock to local time, highlight g LOCAL and press MENU/OK. To set the clock to the time in your home time

zone, select h HOME. If g LOCAL is selected, g will be displayed for three seconds when the camera is turned on.

a

Choose a language.

MY MENU SETTING

Edit “my menu” (P 127).

SHUTTER COUNT

View the approximate number of times the shutter has been released. Other actions may also increment the

counter, for example turning the camera o , changing the view nder display selection, or choosing playback

mode.

SOUND & FLASH

Select OFF to disable the speaker,  ash, and illuminator in situations in which camera sounds or lights may be unwelcome. o

appears in the display when OFF is selected.

Options: ON/OFF

116

The Setup Menu

RESET

Reset shooting or setup menu options to default values.

1

Highlight the desired option and press MENU/OK.

Option

Description

SHOOTING MENU RESET

Reset all shooting menu settings other than custom white balance and custom settings banks created

using EDIT/SAVE CUSTOM SETTING to default values.

SET-UP RESET

Reset all setup menu settings other than DATE/TIME, TIME DIFFERENCE, and CONNECTION SETTING

to default values.

2

A con rmation dialog will be displayed; highlight OK and press MENU/OK.

117

Menus

The Setup Menu

■ D SOUND SETTING

AF BEEP VOL.

Choose the volume of the beep that sounds when the camera focuses. The beep can be muted by selecting OFF.

Options: b/c/d/e OFF

SELF-TIMER BEEP VOL.

Choose the volume of the beep that sounds while the self-timer is active (P 78). The beep can be muted by selecting OFF.

Options: b/c/d/e OFF

OPERATION VOL.

Adjust the volume of the sounds produced when camera controls are operated. Choose e OFF (mute) to disable control

sounds.

Options: b/c/d/e OFF

SHUTTER VOLUME

Adjust the volume of the sounds produced when the shutter is released. Choose e OFF (mute) to disable the shutter sound.

Options: b/c/d/e OFF

SHUTTER SOUND

Choose the sound made by the shutter.

Options: i/j/k

PLAYBACK VOLUME

Adjust the volume for movie playback.

Options: 10—1/OFF

118

The Setup Menu

■ D SCREEN SETTING

EVF BRIGHTNESS

Adjust the brightness of the display in the electronic view nder. Select MANUAL to choose from 11 options from +5 (bright) to

−5 (dark), or select AUTO for automatic brightness adjustment.

Options: MANUAL/AUTO

EVF COLOR

Adjust the hue of the display in the electronic view nder.

Options: +5/+4/+3/+2/+1/0/-1/-2/-3/-4/-5

LCD BRIGHTNESS

Adjust monitor brightness.

Options: +5/+4/+3/+2/+1/0/-1/-2/-3/-4/-5

LCD COLOR

Adjust monitor hue.

Options: +5/+4/+3/+2/+1/0/-1/-2/-3/-4/-5

IMAGE DISP.

Choose how long images are displayed after shooting. Colors may di er slightly from those in the  nal image and “noise” mot-

tling may be visible at high sensitivities.

Option

Description

CONTINUOUS

Pictures are displayed until the MENU/OK button is pressed or the shutter button is pressed halfway. To zoom in

on the active focus point, press the center of the rear command dial; press again to cancel zoom.

1.5 SEC

Pictures are displayed for 1.5 seconds (1.5 SEC) or 0.5 seconds (0.5 SEC) or until the shutter button is pressed

halfway.

0.5 SEC

OFF

OFF Pictures are not displayed after shooting.

119

Menus

The Setup Menu

EVF AUTOROTATE DISPLAYS

Choose whether the indicators in the view nder rotate to match camera orientation (P 29). Regardless of the option selected,

the indicators in the monitor do not rotate.

Options: ON/OFF

PREVIEW EXP./WB IN MANUAL MODE

Select PREVIEW EXP./WB to enable exposure and white balance preview in manual exposure mode (P 53), or choose PREVIEW

WB to preview only white balance. Select OFF when using a  ash or on other occasions on which exposure may change when

the picture is taken.

PREVIEW PIC. EFFECT

Choose ON to preview the e ects of  lm simulation, white balance, and other settings in the monitor, OFF to make shadows in

low-contrast, back-lit scenes and other hard-to-see subjects more visible.

R If OFF is selected, the e ects of camera settings will not be visible in the monitor and colors and tone will di er from those

in the  nal picture. The display will however be adjusted to show the e ects of advanced  lters and of monochrome and

sepia settings.

Options: ON/OFF

FRAMING GUIDELINE

Choose the type of framing grid available in shooting mode.

R Framing guides are not shown at default settings but can be displayed using D SCREEN SETTING> DISP. CUSTOM SETTING

(P 31).

F

GRID 9

G

GRID 24

H

HD FRAMING

P P P

For “rule of thirds” composition. A six-by-four grid. Frame HD pictures in the crop shown by the

lines at the top and bottom of the display.

120

The Setup Menu

AUTOROTATE PB

Choose ON to automatically rotate “tall” (portrait-orientation) pictures during playback.

Options: ON/OFF

FOCUS SCALE UNITS

Choose the units used for the focus distance indicator (P 69).

Options: METERS/FEET

DISP. CUSTOM SETTING

Choose items for the standard display (P 31).

121

Menus

The Setup Menu

■ D BUTTON/DIAL SETTING

FOCUS LEVER SETTING

Choose the functions performed by the focus stick (focus lever).

Option

Description

LOCK (OFF)

LOCK (OFF) The focus stick can not be used during shooting.

PUSH

n

TO UNLOCK

Press the stick to view the focus-point display and tilt the stick to select a focus point.

ON

ON Tilt the stick to view the focus-point display and select a focus point.

EDIT/SAVE QUICK MENU

Choose the options displayed in the quick menu (P 45).

FUNCTION (Fn) SETTING

Choose the roles played by the AEL/AFL and function buttons and the center of the rear command dial (P 46).

ISO DIAL SETTING (H)

Choose the ISO sensitivity assigned to the H position on the sensitivity dial.

Options: 25600/51200

ISO DIAL SETTING (A)

Choose how sensitivity is adjusted when the shutter speed/sensitivity dial is rotated to A.

Option

Description

AUTO

AUTO Sensitivity is adjusted automatically according to subject brightness.

COMMAND

COMMAND Sensitivity is adjusted manually by rotating the front command dial.

122

The Setup Menu

FOCUS RING

Choose the direction in which the focus ring is rotated to increase the focus distance.

Options: X CW (clockwise)/Y CCW (counterclockwise)

CONTROL RING SETTING

Set functions assigned to the control ring.

Options: DEFAULT/WHITE BALANCE/FILM SIMULATION/DIGITAL TELE-CONV.

AE/AF-LOCK MODE

If AE&AF ON WHEN PRESSING is selected, exposure and/or focus will lock while the AEL/AFL button is pressed (P 80). If

AE&AF ON/OFF SWITCH is selected, exposure and/or focus will lock when the AEL/AFL button is pressed and remain locked

until the button is pressed again.

123

Menus

The Setup Menu

■ D POWER MANAGEMENT

AUTO POWER OFF

Choose the length of time before the camera turns o automatically when no operations are performed. Shorter times increase

battery life; if OFF is selected, the camera must be turned o manually.

Options: 5 MIN/2 MIN/1 MIN/30 SEC/15 SEC/OFF

POWER MANAGEMENT

Adjust power management settings.

Option

AF performance (speed)

LCD/EVF display quality

Battery endurance

HIGH PERFORMANCE

Fast

Very high

Low

STANDARD

Fast

High

Normal

ECONOMY

Normal

High

R When ECONOMY is selected, the frame rate will drop when no operations are being performed. Operating camera controls

returns the frame rate to normal.

124

The Setup Menu

■ D SAVE DATA SETTING

FRAME NO.

New pictures are stored in image  les named using a four-digit  le number assigned by adding one to the

last  le number used. The  le number is displayed during playback as shown at right. FRAME NO. controls

whether  le numbering is reset to 0001 when a new memory card is inserted or the current memory card

is formatted.

Frame number

100-0001

Directory

number

File

number

Option

Description

CONTINUOUS

Numbering continues from the last  le number used or the  rst available  le number, whichever is higher. Choose

this option to reduce the number of pictures with duplicate  le names.

RENEW

RENEW Numbering is reset to 0001 after formatting or when a new memory card is inserted.

R If the frame number reaches 999-9999, the shutter release will be disabled (P 158).

R Selecting D USER SETTING> RESET (P 116) sets FRAME NO. to CONTINUOUS but does not reset the  le number.

R Frame numbers for pictures taken with other cameras may di er.

SAVE ORG IMAGE

Choose ON to save unprocessed copies of pictures taken using

F

F FLASH SETTING> RED EYE REMOVAL (P 102).

Options: ON/OFF

EDIT FILE NAME

Change the  le name pre x. sRGB images use a four-letter pre x (default “DSCF”), Adobe RGB images a three-letter pre x (“DSF”)

preceded by an underscore.

125

Menus

The Setup Menu

COPYRIGHT INFO

Copyright information, in the form of Exif tags, can be added to new images as they taken. Changes to copyright information

are re ected only in images taken after the changes are made.

Option

Description

DISP COPYRIGHT INFO

DISP COPYRIGHT INFO View the current copyright information.

ENTER AUTHOR’S INFO

ENTER AUTHOR’S INFO Enter the creator’s name.

ENTER COPYRIGHT INFO

ENTER COPYRIGHT INFO Enter the name of the copyright holder.

DELETE COPYRIGHT INFO

Delete the current copyright information. This change applies only to images taken after this option is

selected; copyright information recorded with existing images is not a ected.

126

The Setup Menu

■ D CONNECTION SETTING

For more information on wireless connections, visit http://fujifilm-dsc.com/wifi/

WIRELESS SETTINGS

Adjust settings for connection to wireless networks.

Option

Description

GENERAL SETTINGS

Choose a name (NAME) to identify the camera on the wireless network (the camera is as-

signed a unique name by default) or select RESET WIRELESS SETTINGS to restore default

settings.

RESIZE IMAGE FOR SMARTPHONE

RESIZE IMAGE FOR SMARTPHONE H

Choose ON (the default setting, recommended in most circumstances) to resize larger im-

ages to H for upload to smartphones, OFF to upload images at their original size. Resizing

applies only to the copy uploaded to the smartphone; the original is not a ected.

PC AUTO SAVE SETTINGS

Choose DELETE REGISTERED DESTINATION PC to remove selected destinations, DETAILS

OF PREVIOUS CONNECTION to view computers to which the camera has recently con-

nected.

PC AUTO SAVE SETTING

Choose an upload destination. Choose SIMPLE SETUP to connect using WPS, MANUAL SETUP to con gure network settings

manually.

GEOTAGGING SET-UP

View location data downloaded from a smartphone and choose whether to save the data with your pictures.

Option

Description

GEOTAGGING

GEOTAGGING Choose whether location data downloaded from a smartphone are embedded in pictures as they are taken.

LOCATION INFO

LOCATION INFO Display the location data last downloaded from a smartphone.

instax PRINTER CONNECTION SETTING

Adjust settings for connection to optional FUJIFILM instax SHARE printers (P 137).

127

Menus

“My Menu”

Selecting the E (MY MENU) tab displays a personalized custom menu of frequently-used options (P 107).

Editing “My Menu”

1

In the setup menu D USER SETTING tab,

highlight MY MENU SETTING and press

MENU/OK to display the following options

(P 113).

MY MENU SETTING

ADD ITEMS

RANK ITEMS

REMOVE ITEMS

2

Press the selector up or down to highlight

ADD ITEMS and press MENU/OK. Options that

can be added to “my menu” are highlighted in

blue.

R Options currently in “my menu” are indicated by

check marks.

IMAGE QUALITY

RAW RECORDING

FILM SIMULATION

GRAIN EFFECT

DYNAMIC RANGE

WHITE BALANCE

HIGHLIGHT TONE

MY MENU SETTING

IMAGE SIZE

CANCELSELECT

3

Highlight an item and press MENU/OK to add it

to “my menu”.

MY MENU SETTING

1 IMAGE SIZE

SAVEMOVE

4

Press MENU/OK to return to the edit display.

5

Repeat Steps 3 and 4 until all the desired items

have been added.

R “My menu” can contain up to 16 items.

Editing “My Menu”

To reorder or delete items, select RANK ITEMS or

REMOVE ITEMS in Step 1.

128

Factory Defaults

The factory default settings for the options in the shooting and setup menus are listed below. These

settings can be restored using D USER SETTING> RESET (P 116).

■ Shooting Menu

Menu

Default

H

IMAGE QUALITY SETTING

IMAGE SIZE

O 3 : 2

IMAGE QUALITY

IMAGE QUALITY FINE

RAW RECORDING

RAW RECORDING UNCOMPRESSED

FILM SIMULATION

FILM SIMULATION PROVIA/STANDARD

GRAIN EFFECT

GRAIN EFFECT OFF

DYNAMIC RANGE

DYNAMIC RANGE 100%

WHITE BALANCE

WHITE BALANCE AUTO

HIGHLIGHT TONE

HIGHLIGHT TONE 0

SHADOW TONE

SHADOW TONE 0

COLOR

COLOR 0

SHARPNESS

SHARPNESS 0

NOISE REDUCTION

NOISE REDUCTION 0

LONG EXPOSURE NR

LONG EXPOSURE NR ON

COLOR SPACE

COLOR SPACE sRGB

SELECT CUSTOM SETTING

SELECT CUSTOM SETTING CUSTOM 1

Menu

Default

G

AF/MF SETTING

AF MODE

AF MODE SINGLE POINT

AF POINT DISPLAY

AF POINT DISPLAY ON

NUMBER OF THE FOCUS POINTS

NUMBER OF THE FOCUS POINTS 91 POINTS (7×13)

PRE-AF

PRE-AF OFF

AF ILLUMINATOR

AF ILLUMINATOR ON

FACE/EYE DETECTION SETTING

FACE/EYE DETECTION SETTING FACE OFF/EYE OFF

AF+MF

AF+MF OFF

MF ASSIST

MF ASSIST STANDARD

FOCUS CHECK

FOCUS CHECK OFF

INTERLOCK SPOT AE & FOCUS

AREA

ON

INSTANT AF SETTING

INSTANT AF SETTING AF-S

RELEASE/FOCUS PRIORITY

• AF-S PRIORITY SELECTION

• AF-C PRIORITY SELECTION

RELEASE

CORRECTED AF FRAME

CORRECTED AF FRAME OFF

129

Menus

Factory Defaults

Menu

Default

A

SHOOTING SETTING

SELF-TIMER

SELF-TIMER OFF

FILM SIMULATION BKT

• FILM 1

• FILM 2

• FILM 3

PROVIA/STANDARD

Velvia/VIVID

ASTIA/SOFT

PHOTOMETRY

PHOTOMETRY MULTI

SHUTTER TYPE

SHUTTER TYPE MECHANICAL SHUTTER

ISO AUTO SETTING

ISO AUTO SETTING AUTO3

CONVERSION LENS

CONVERSION LENS OFF

DIGITAL TELE-CONV.

DIGITAL TELE-CONV. OFF

ND FILTER

ND FILTER OFF

F

FLASH SETTING

RED EYE REMOVAL

RED EYE REMOVAL OFF

TTL-LOCK MODE

TTL-LOCK MODE LOCK WITH LAST FLASH

Built-In Flash

Built-In Flash ON

B

MOVIE SETTING

MOVIE MODE

i 1080/59.94P

MOVIE AF MODE

MOVIE AF MODE MULTI

HDMI OUTPUT INFO DISPLAY

HDMI OUTPUT INFO DISPLAY OFF

MIC LEVEL ADJUSTMENT

MIC LEVEL ADJUSTMENT 3

MIC/REMOTE RELEASE

MIC/REMOTE RELEASE MIC

■ Setup Menu

Menu

Default

D

USER SETTING

TIME DIFFERENCE

TIME DIFFERENCE HOME

SOUND & FLASH

SOUND & FLASH ON

D

SOUND SETTING

AF BEEP VOL.

c

SELF-TIMER BEEP VOL.

c

OPERATION VOL.

OPERATION VOL. OFF

SHUTTER VOLUME

c

SHUTTER SOUND

SHUTTER SOUND SOUND 1

PLAYBACK VOLUME

PLAYBACK VOLUME 7

130

Factory Defaults

Menu

Default

D

SCREEN SETTING

EVF BRIGHTNESS

EVF BRIGHTNESS AUTO

EVF COLOR

EVF COLOR 0

LCD BRIGHTNESS

LCD BRIGHTNESS 0

LCD COLOR

LCD COLOR 0

IMAGE DISP.

IMAGE DISP. OFF

EVF AUTOROTATE DISPLAYS

EVF AUTOROTATE DISPLAYS ON

PREVIEW EXP./WB IN MANUAL

MODE

PREVIEW EXP./WB

PREVIEW PIC. EFFECT

PREVIEW PIC. EFFECT ON

FRAMING GUIDELINE

FRAMING GUIDELINE GRID 9

AUTOROTATE PB

AUTOROTATE PB OFF

FOCUS SCALE UNITS

FOCUS SCALE UNITS METERS

DISP. CUSTOM SETTING

DISP. CUSTOM SETTING See page 31.

D

BUTTON/DIAL SETTING

FOCUS LEVER SETTING

FOCUS LEVER SETTING ON

EDIT/SAVE QUICK MENU See page 43.

FUNCTION (Fn) SETTING See page 46.

ISO DIAL SETTING (H)

ISO DIAL SETTING (H) 25600

ISO DIAL SETTING (A)

ISO DIAL SETTING (A) AUTO

FOCUS RING

X CW

CONTROL RING SETTING DEFAULT

AE/AF-LOCK MODE

AE&AF ON WHEN PRESS-

ING

Menu

Default

D

POWER MANAGEMENT

AUTO POWER OFF

AUTO POWER OFF 2 MIN

POWER MANAGEMENT

POWER MANAGEMENT STANDARD

D

SAVE DATA SETTING

FRAME NO.

FRAME NO. CONTINUOUS

SAVE ORG IMAGE

SAVE ORG IMAGE OFF

D

CONNECTION SETTING

WIRELESS SETTINGS

• RESIZE IMAGE FOR

SMARTPHONE

H

ON

PC AUTO SAVE SETTING

PC AUTO SAVE SETTING SIMPLE SETUP

GEOTAGGING SET-UP

• GEOTAGGING

• LOCATION INFO

ON

131

Connections

Wireless Transfer (FUJIFILM Camera Remote/FUJIFILMPC AutoSave)

Access wireless networks and connect to computers, smartphones, or tablets. For down-

loads and other information, visit http://fujifilm-dsc.com/wifi/.

fujilm Wi-Fi app

Wireless Connections: Smartphones

Install the “FUJIFILM Camera Remote” app on your

smartphone to browse the images on the cam-

era, download selected images, control the cam-

era remotely, or copy location data to the camera.

To connect to the smartphone, set the camera

to playback mode and press the function button

(Fn1)

.

R You can also connect using A SHOOTING

SETTING/C PLAY BACK MENU> WIRELESS COM-

MUNICATION (P 101, 111).

Wireless Connections: Computers

Once you have installed the “FUJIFILM PC AutoSave”

application and con gured your computer as a

destination for the images copied from the cam-

era, you can upload pictures from the camera using

C PLAY BACK MENU> PC AUTO SAVE (P 111) or

by pressing and holding the function button (Fn1)

in playback mode.

132

Viewing Pictures on a Computer (MyFinePix Studio/RAWFILE CONVERTER EX2.0)

Read this section for information on copying pictures to a computer.

Windows

Use MyFinePix Studio to copy pictures to your computer, where they can be stored, viewed, organized,

and printed. MyFinePix Studio is available for download from the following website:

http://fujifilm-dsc.com/mfs/

fujilm mfs

Once download is complete, double-click the downloaded  le (“MFPS_Setup.EXE”) and follow the on-

screen instructions to complete installation.

Mac OS X/macOS

Pictures can be copied to your computer using Image Capture (supplied with your computer) or other

software.

Viewing RAW Files

To view RAW  les on your computer, use the RAW FILE CONVERTER EX2.0, available for download from:

http://fujifilm-dsc.com/rfc/

fujilm rfc

133

Connections

Viewing Pictures on a Computer (MyFinePix Studio/RAWFILE CONVERTER EX2.0)

Connecting the Camera

1

Find a memory card containing pictures you want to copy to the computer and insert the card into

the camera.

Q Loss of power during transfer could result in loss of data or damage to the memory card. Insert a fresh or

fully-charged battery before connecting the camera.

2

Turn the camera o and connect the supplied USB cable

as shown, making sure the connectors are fully inserted.

Connect the camera directly to the computer; do not use a

USB hub or keyboard.

Q The camera uses a Micro-B USB 2.0 connector.

3

Turn the camera on.

4

Copy pictures to the computer using MyFinePix Studio or

applications provided with your operating system.

For more information on using the software, start the application and select the appropriate option

from the Help menu.

Connect to camera

Micro USB (Micro-B)

connector

134

Viewing Pictures on a Computer (MyFinePix Studio/RAWFILE CONVERTER EX2.0)

Q If a memory card containing a large number of images is inserted, there may be a delay before the software

starts and you may be unable to import or save images. Use a memory card reader to transfer pictures.

Q Make sure that the computer does not display a message stating that copying is in progress and that the indi-

cator lamp is out before turning the camera o or disconnecting the USB cable (if the number of images cop-

ied is very large, the indicator lamp may remain lit after the message has cleared from the computer display).

Failure to observe this precaution could result in loss of data or damage to the memory card.

Q Disconnect the camera before inserting or removing memory cards.

Q In some cases, it may not be possible to access pictures saved to a network server using the software in the

same way as on a standalone computer.

Q The user bears all applicable fees charged by the phone company or Internet service provider when using

services that require an Internet connection.

Disconnecting the Camera

After con rming that the indicator lamp is out, turn the camera o and disconnect the USB cable.

135

Connections

Creating a DPOF Print Order

The C PLAY BACK MENU> PRINT ORDER (DPOF) (P 112) option can be used to create a digital “print

order” for DPOF-compatible printers.

DPOF

DPOF (Digital Print Order Format) is standard that allows pictures to be printed from “print orders”

stored on the memory card. The information in the order includes the pictures to be printed and the

number of copies of each picture.

■ WITH DATE s/ WITHOUT DATE

To modify the DPOF print order, select C PLAY

BACK MENU> PRINT ORDER (DPOF) (P 108)

and press the selector up or down to highlight

WITH DATE s or WITHOUT DATE.

COPY

WIRELESS COMMUNICATION

SLIDE SHOW

PHOTOBOOK ASSIST

PC AUTO SAVE

PRINT ORDER（DPOF)

PRINTER PRINT

DISP ASPECT

PLAY BACK MENU

WITHOUT DATE

RESET ALL

WITH DATE

WITH DATE s: Print date of

recording on pictures.

WITHOUT DATE: Print pictures

without date.

Press MENU/OK and follow the steps below.

1

Press the selector left or right to display a pic-

ture you wish to include in or remove from the

print order.

2

Press the selector up or down to choose the

number of copies (up to 99). To remove a pic-

ture from the order, press the selector down

until the number of copies is 0.

01

PRINT ORDER

(

DPOF

)

SHEETS

SETFRAME

DPOF:

00001

Total number of prints

Number of copies

136

Creating a DPOF Print Order

3

Repeat steps 1–2 to complete the print order.

Press MENU/OK to save the print order when

settings are complete, or DISP/BACK to exit

without changing the print order.

4

The total number of prints is displayed in the

monitor. Press MENU/OK to exit.

The pictures in the current print order are indi-

cated by a u icon during playback.

■ RESET ALL

To cancel the current print

order, select RESET ALL for

C PLAY BACK MENU> PRINT

ORDER (DPOF) (P 108). The

con rmation shown at right

will be displayed; press MENU/OK

to remove all pictures from the

order.

R Print orders can contain a maximum of 999 pictures.

R If a memory card is inserted

containing a print order cre-

ated by another camera, the

message shown at right will

be displayed. Pressing MENU/OK

cancels the print order; a new

print order must be created as

described above.

CANCELYES

RESET DPOF OK?

NOYES

RESET DPOF OK?

137

Connections

instax SHARE Printers

Print pictures from your digital camera to instax SHARE printers.

Establishing a Connection

Select D CONNECTION SETTING> instax PRINTER CONNECTION SETTING (P 126) and enter the

instax SHARE printer name (SSID) and password.

The Printer Name (SSID) and Password

The printer name (SSID) can be found on the bottom of the printer; the de-

fault password is “1111”. If you have already chosen a di erent password to

print from a smartphone, enter that password instead.

138

instax SHARE Printers

Printing Pictures

1

Turn the printer on.

2

Select C PLAY BACK MENU> instax PRINT-

ER PRINT (P 108). The camera will connect to

the printer.

FUJIFILM-CAMERA-1234

CONNECTING TO PRINTER

CANCEL

PRINTER PRINT

instax-12345678

R To print a frame from a burst sequence, display

the frame before selecting instax PRINTER

PRINT.

3

Use the selector to display the picture you

want to print, then press MENU/OK.

100-0020

instax-12345678

PRINTER PRINT

TRANSMIT CANCEL

R Pictures taken with other cameras can not be

printed.

R The area printed is smaller than the area visible

in the LCD monitor.

4

The picture will be sent to the printer and

printing will start.

FUJIFILM-CAMERA-1234

CANCEL

SENDING

PRINTER PRINT

instax-12345678

139

Connections

Viewing Pictures on TV

To show pictures to a group, connect the camera to a TV using an HDMI cable (available separately

from third-party suppliers; note that the TV can only be used for playback, not shooting).

1

Turn the camera o .

2

Connect the cable as shown below, making sure the connectors are fully inserted in the correct

orientation.

Insert into Micro HDMI (Type D)

connector

Insert into HDMI connector

Q Use an HDMI cable no more than 1.5 m (4.9 ft.) long with a type D (HDMI Micro) connector for connection

to the camera.

R Be sure the connectors are fully inserted.

3

Tune the television to the HDMI input channel. See the documentation supplied with the televi-

sion for details.

4

Turn the camera on and press a button. The camera monitor turns o and pictures and movies

are played back on the TV. Note that the camera volume controls have no e ect on sounds played

on the TV; use the television volume controls to adjust the volume.

R The USB cable can not be used while an HDMI cable is connected.

R Some televisions may brie y display a black screen when movie playback begins.

140

Technical Notes

Optional Accessories

The camera supports a wide range of accessories from FUJIFILM and other manufacturers.

Accessories from FUJIFILM

The following optional accessories are available from FUJIFILM. For the latest information on the accesso-

ries available in your region, check with your local FUJIFILM representative or visit http://www.fujifilm.com/

products/digital_cameras/index.html.

Rechargeable Li-ion batteries

NP-W126S: Additional large-capacity NP-W126S rechargeable batteries can be purchased as required.

Battery chargers

BC-W126: Replacement battery chargers can be purchased as required. At +20 °C/+68 °F, the BC-W126

charges an NP-W126S in about 150 minutes.

AC power adapters

AC-9V (requires CP-W126 DC coupler): Use for extended shooting and playback or when copying pictures to a computer.

DC couplers

CP-W126: Connect the AC-9V to the camera.

141

Technical Notes

Optional Accessories

Shoe-mounted  ash units

EF-X500: This clip-on  ash unit has a Guide Number of 50/164 (ISO 100, m/ft.) and supports FP (high-speed

sync), allowing it to be used at shutter speeds that exceed the  ash sync speed. Powered by four AA bat-

teries or an optional EF-BP1 battery pack, it supports manual and TTL  ash control and auto power zoom

in the range 24–105 mm (35 mm format equivalent) and features FUJIFILM optical wireless  ash control,

allowing it to be used as a master or remote  ash unit for remote wireless  ash photography. The  ash

head can be rotated 90° up, 10° down, 135° left, or 180° right for bounce lighting.

EF-42: This clip-on  ash unit (powered by four AA batteries) has a Guide Number of 42/137 (ISO 100, m/ft.)

and supports TTL  ash control and auto power zoom in the range 24–105 mm (35 mm format equivalent).

The  ash head can be rotated 90° up, 180° left, or 120° right for bounce lighting.

EF-X20: This clip-on  ash unit has a Guide Number of 20/65 (ISO 100, m/ft.).

EF-20: This clip-on  ash unit (powered by two AA batteries) has a Guide Number of 20/65 (ISO 100, m/ft.) and

supports TTL  ash control. The  ash head can be rotated upwards 90° for bounce lighting.

Remote releases

RR-90: Use to reduce camera shake or keep the shutter open during a time exposure.

Stereo microphones

MIC-ST1: An external microphone for movie recording.

Leather cases

LC-X100F: This leather case comes with a shoulder strap made of the same material. Pictures can be taken and batteries and

memory cards inserted or removed with the camera still in its case.

Grip belts

GB-001: This accessory improves your grip on the camera, allowing it to be carried in one hand.

142

Optional Accessories

Conversion lenses

TCL-X100II: Increases the focal length of the camera lens.

WCL-X100II: Reduces the focal length of the camera lens and increases its angle of view.

Adapter rings

AR-X100: An aluminum adapter ring used when attaching the LH-X100 lens hood or φ49 mm  lters available from third-party

suppliers.

Lens hoods

LH-X100: This aluminum lens hood comes with an AR-X100 adapter ring made of the same material. The adapter ring is required

when attaching the hood.

Protective  lters

PRF-49S: A  lter used to protect the lenses of X100-series cameras (requires the AR-X100 adapter ring).

instax SHARE printers

SP-1/SP-2: Connect via wireless LAN to print pictures on instax  lm.

143

Technical Notes

Optional Accessories

Connecting the Camera to Other Devices

TCL-X100II teleconverter

*

WCL-X100II wide-angle conversion lens

*

■

Conversion lenses

■

Printing

X100F

■

Computer Related

Computer

†

instax SHARE printer

*

SP-1

Wireless LAN

SP-2

■

Printing

* Available separately from FUJIFILM.

†

Available separately from third-party suppliers. Use an HDMI cable no more

than 1.5 m (4.9 ft.) long.

USB cable

†

SD/SDHC/SDXC

memory card

†

■

Flash Photography

EF-X500

EF-20

EF-42 EF-X20

Shoe mount  ash

*

■

Flash Photography

■

Remote Shutter

Release

■

External

Microphones

MIC-ST1 stereo

microphone

*

RR-90 remote release

*

HDTV

†

■

Audio/Visual

HDMI cable

†

144

Optional Accessories

Using Shoe-Mounted Flash Units

External  ash units are more powerful than their built-in counterparts. Some can function as master

 ash units controlling remote units via optical wireless  ash control.

Q Test  ring may sometimes be unavailable, for example when the camera setup menu is displayed.

Connect the  ash unit and select F FLASH SETTING> FLASH FUNCTION SET-

TING in the camera shooting menu to display  ash options. The options available

vary with the status of the connected unit.

EXIT

FLASH SETTING

RED EYE REMOVAL

TTL-LOCK MODE

FLASH FUNCTION SETTING

LED LIGHT SETTING

MASTER SETTING

CH SETTING

Built-In Flash

OFF

R To prevent the built-in  ash  ring when a shoe-mounted  ash unit is attached, select OFF for F FLASH SET-

TING> Built-In Flash.

Menu

Description

SHOE MOUNT FLASH

Displayed when an optional  ash unit is mounted on the hot shoe and turned on (P 145).

MASTER (OPTICAL)

Displayed if an optional  ash unit functioning as a master  ash for FUJIFILM optical wireless remote  ash

control is connected and turned on (P 146).

R SYNC TERMINAL will be displayed if OFF is selected for F FLASH SETTING> Built-In Flash and no sup-

ported shoe-mounted  ash is attached.

R Flash units that support burst mode can be used for burst photography.

145

Technical Notes

Optional Accessories

■ SHOE MOUNT FLASH

The following options are

available with optional

shoe-mounted  ash units.

MODE

SHOE MOUNT FLASH

ADJUST

END

A

Flash control mode: The  ash control mode selected with the

 ash unit. This can in some cases be adjusted from the

camera; the options available vary with the  ash.

• TTL: TTL mode. Adjust  ash compensation (

B

).

• M: The  ash  res at the selected output regardless of sub-

ject brightness or camera settings. Output in some cases

can be adjusted from the camera (

B

).

• MULTI: Repeating  ash. Compatible shoe-mounted  ash

units will  re multiple times with each shot.

• OFF: The  ash does not  re. Some  ash units can be

turned o from the camera.

B

Flash compensation/output: The options available vary with

 ash control mode.

• TTL: Adjust  ash compensation (the full value may not

be applied if the limits of the  ash control system are

exceeded). In the cases of the EF-X20, EF-20, and EF-42,

the selected value is added to the value selected with

the  ash unit.

• M/MULTI: Adjust  ash output (compatible units only).

Choose from values expressed as fractions of full pow-

er, from / (mode M) or / (MULTI) down to / in incre-

ments equivalent to / EV. The desired results may not

be achieved at low values if they exceed the limits of the

 ash control system; take a test shot and check the results.

C

Flash mode (TTL): Choose a  ash mode for TTL  ash control.

The options available vary with the shooting mode (P, S, A,

or M) selected.

• E

(FLASH AUTO): The  ash  res only as required;  ash level

is adjusted according to subject brightness. A

p

icon

displayed when the shutter button is pressed halfway

indicates that the  ash will  re when the photo is taken.

• F

(STANDARD): The  ash  res with every shot if possible;

 ash level is adjusted according to subject brightness.

The  ash will not  re if not fully charged when the shut-

ter is released.

• G

(SLOW SYNC.): Combine the  ash with slow shutter

speeds when photographing portrait subjects against a

backdrop of night scenery. The  ash will not  re if not

fully charged when the shutter is released.

D

Sync: Control  ash timing.

• H

(1ST CURTAIN): The  ash  res immediately after the

shutter opens (generally the best choice).

• I

(2ND CURTAIN): The  ash  res immediately before the

shutter closes.

E

Zoom:

The angle of illumination ( ash coverage) for units

that support  ash zoom. Some units allow the adjustment

to be made from the camera. Select AUTO to automatically

match coverage to focal length when using optional con-

version lenses.

146

Optional Accessories

F

Lighting: If the unit supports this feature, choose from the

options below.

• J (FLASH POWER PRIORITY): Gain range by slightly reduc-

ing coverage.

• K (STANDARD): Match coverage to picture angle.

• L (EVEN COVERAGE PRIORITY): Slightly increase coverage

for more even lighting.

G

LED light: Choose how the built-in LED light functions

during still photography (compatible units only). It can

function as a catchlight (M/CATCHLIGHT), as an AF-assist

illuminator (N/AF ASSIST), or as both a catchlight and an

AF-ASSIST illuminator (O/AF ASSIST+CATCHLIGHT). Choose

OFF to disable the LED during photography.

G

Number of  ashes: Choose the number of times the  ash

 res each time the shutter is released in MULTI mode.

*

H

Frequency: Choose the frequency at which the  ash  res in

MULTI mode.

*

* Full value may not be applied if limits of  ash control system are

exceeded.

■ MASTER (OPTICAL)

The options at right will be

displayed if the unit is cur-

rently functioning as mas-

ter  ash for FUJIFILM opti-

cal wireless remote  ash

control.

MODE

MASTER(OPTICAL)

ADJUST END

The master and remote

units can be placed in up

to three groups (A, B, and

C) and  ash mode and

 ash level adjusted sepa-

rately for each group. Four

channels are available for communication be-

tween the units; separate channels can be used

for di erent  ash systems or to prevent interfer-

ence when multiple systems are operating in

close proximity.

B

BB

A

C

147

Technical Notes

Optional Accessories

A

Flash control mode (group A)/

B

Flash control mode (group B)/

C

Flash control mode (group C): Choose  ash control modes

for groups A, B, and C. TTL% is available for groups A and

B only.

• TTL: The units in the group  re in TTL mode. Flash com-

pensation can be adjusted separately for each group.

• TTL%: If TTL% is selected for either group A or B, you can

specify the output of the selected group as a percentage

of the other and adjust overall  ash compensation for

both groups.

• M: In mode M, the units in the group  re at the selected

output (expressed as a fraction of full power) regardless

of subject brightness or camera settings.

• MULTI: Choosing MULTI for any group sets all the units in

all groups to repeating  ash mode. All units will  re mul-

tiple times with each shot.

• OFF: If OFF is selected, the units in the group will not  re.

D

Flash compensation/output (group A)/

E

Flash compensation/

output (group B)/

F

Flash compensation/output (group C): Ad-

just  ash level for the selected group according to option

selected for  ash control mode. Note that the full value

may not be applied if the limits of the  ash control system

are exceeded.

• TTL: Adjust  ash compensation.

• M/MULTI: Adjust  ash output.

• TTL%: Choose the balance between groups A and B and

adjust overall  ash compensation.

G

Flash mode (TTL): Choose a  ash mode for TTL  ash control.

The options available vary with the shooting mode (P, S, A,

or M) selected.

• E

(FLASH AUTO)

: The  ash  res only as required;  ash lev-

el is adjusted according to subject brightness. A p icon

displayed when the shutter button is pressed halfway

indicates that the  ash will  re when the photo is taken.

•

F

(STANDARD): The  ash  res with every shot if possible;

 ash level is adjusted according to subject brightness.

The  ash will not  re if not fully charged when the shut-

ter is released.

• G

(SLOW SYNC.): Combine the  ash with slow shutter

speeds when photographing portrait subjects against a

backdrop of night scenery. The  ash will not  re if not

fully charged when the shutter is released.

H

Sync: Control  ash timing.

• H

(1ST CURTAIN): The  ash  res immediately after the

shutter opens (generally the best choice).

• I

(2ND CURTAIN): The  ash  res immediately before the

shutter closes.

I

Zoom:

The angle of illumination ( ash coverage) for units

that support  ash zoom. Some units allow the adjustment

to be made from the camera. Select AUTO to automatically

match coverage to focal length when using optional con-

version lenses.

148

Optional Accessories

J

Lighting: If the unit supports this feature, choose from the

options below.

• J (FLASH POWER PRIORITY): Gain range by slightly reduc-

ing coverage.

• K (STANDARD): Match coverage to picture angle.

• L (EVEN COVERAGE PRIORITY): Slightly increase coverage

for more even lighting.

K

Master: Assign the master  ash to group A (Gr A), B (Gr B),

or C (Gr C). If OFF is selected, output from the master  ash

will be held to a level that does not a ect the  nal picture.

Available only if the unit is mounted on the camera hot

shoe as a master  ash for FUJIFILM optical wireless remote

 ash control in TTL, TTL%, or M mode.

K

Number of  ashes: Choose the number of times the  ash

 res each time the shutter is released in MULTI mode.

L

Channel: Choose the channel used by the master  ash for

communication with the remote  ash units. Separate

channels can be used for di erent  ash systems or to pre-

vent interference when multiple systems are operating in

close proximity.

L

Frequency: Choose the frequency at which the  ash  res

in MULTI mode.

Attaching Adapter Rings

1

Remove the front ring.

R

If you have trouble re-

moving the front ring,

grip the entire ring

and rotate it as shown.

2

Attach the adapter ring

as shown, with the pro-

jections facing out.

Q Keep the front ring and lens cap in a safe place

when not in use.

Q Attach the adapter ring AR-X100 before attaching

LH-X100 lens hood, PRF-49S protector  lter, or third-

party  lters.

149

Technical Notes

Optional Accessories

Attaching Lens Hoods

Attach the adapter ring

before attaching the lens

hood.

R Align the indentations and

rotate as shown.

Attaching Protector Filters

Attach the adapter ring

before attaching the  lter.

Using Conversion Lenses

■ Attaching a Conversion Lens

1

Remove the front ring.

R If you have trouble re-

moving the front ring,

grip the entire ring

and rotate it as shown.

2

Attach the conversion

lens.

Q Keep the front ring and lens cap in a safe place

when not in use.

150

Optional Accessories

■ Using a Conversion Lens

When using an optional WCL-X100 or TCL-X100 conversion lens, select the appropriate option for

A SHOOTING SETTING> CONVERSION LENS in the shooting menu: WIDE for the WCL-X100 or

TELE for the TCL-X100. The camera selects the appropriate option automatically when the WCL-X100II

or TCL-X100II is used.

R An icon (x or y) is displayed when a conversion lens is attached.

R Because the optical view nder does not cover the full  eld of view of wide conversion

lenses, the bright frame is replaced by brackets showing the approximate  eld of view

when a wide conversion lens is attached. For accurate framing, compose pictures using

the electronic view nder or LCD monitor.

R The built-in  ash may fail to light the entire subject. We recommend using an optional external  ash desig-

nated for use with this camera.

R Be sure OFF is selected for CONVERSION LENS when no conversion lens is attached.

151

Technical Notes

Caring for the Camera

To ensure continued enjoyment of the product, observe the following precautions.

Use and Storage Precautions

If the camera will not be used for an extended pe-

riod, remove the battery and memory card. Do

not store or use the camera in locations that are:

• exposed to rain, steam, or smoke

• very humid or extremely dusty

• exposed to direct sunlight or very high tem-

peratures, such as in a closed vehicle on a very

hot day

• extremely cold

• subject to strong vibration

• exposed to strong magnetic  elds, such as near

a broadcasting antenna, power line, radar emit-

ter, motor, transformer, or magnet

• in contact with volatile chemicals such as pes-

ticides

• in contact with rubber or vinyl products

■ Water and Sand

Exposure to water and sand can also damage the

camera and its internal circuitry and mechanisms.

When using the camera at the beach or seaside,

avoid exposing the camera to water or sand. Do

not place the camera on a wet surface.

■ Condensation

Sudden increases in temperature, such as occur

when entering a heated building on a cold day,

can cause condensation inside the camera. If this

occurs, turn the camera o and wait an hour be-

fore turning it on again. If condensation forms on

the memory card, remove the card and wait for

the condensation to dissipate.

Traveling

Keep the camera in your carry-on baggage.

Checked baggage may su er violent shocks that

could damage the camera.

152

Troubleshooting

Problems and Solutions

■

Power and Battery

Problem

Solution

The camera does not

turn on.

•

The battery is exhausted

: Charge the battery (

P

18) or insert a fully-charged spare battery (

P

20).

•

The battery is inserted incorrectly

: Reinsert in the correct orientation (

P

20).

•

The battery-chamber cover is not latched

: Latch the battery-chamber cover (

P

20).

The monitor does not

turn on.

The monitor may not turn on if the camera is turned oﬀ and then on again very quickly. Press the shutter button

halfway to activate the monitor.

The battery runs down

quickly.

•

The battery is cold

: Warm the battery by placing it in a pocket or other warm place and reinsert it in the camera

immediately before taking a picture.

•

There is dirt on the battery terminals

: Clean the terminals with a soft, dry cloth.

•

ON

is selected for

is selected for G AF/MF SETTING>

PRE-AF

: Turn

PRE-AF

oﬀ (

P

94).

•

The battery has been charged many times

: The battery has reached the end of its charging life. Purchase a new

battery.

The camera turns o

suddenly.

The battery is exhausted

: Charge the battery (

P

18) or insert a fully-charged spare battery (

P

20).

Charging does not start.

Reinsert the battery in the correct orientation and make sure that the charger is plugged in (

P

18).

Charging is slow.

Charge the battery at room temperature (

P

v).

The charging lamp blinks,

but the battery does not

charge.

•

There is dirt on the battery terminals

: Clean the terminals with a soft, dry cloth.

•

The battery has been charged many times

: The battery has reached the end of its charging life. Purchase a new

battery. If the battery still fails to charge, contact your FUJIFILM dealer.

■

Menus and Displays

Problem

Solution

Display is not in English.

Select

ENGLISH

for

D

USER SETTING

>

a

(

P

26, 115).

153

Troubleshooting

Problems and Solutions

■

Shooting

Problem

Solution

No picture is taken when

the shutter button is

pressed.

•

The memory card is full

: Insert a new memory card or delete pictures (

P

20, 39).

•

The memory card is not formatted

: Format the memory card (

P

114).

•

There is dirt on the memory card contacts

: Clean the contacts with a soft, dry cloth.

•

The memory card is damaged

: Insert a new memory card (

P

20).

•

The battery is exhausted

: Charge the battery (

P

18) or insert a fully-charged spare battery (

P

20).

•

The camera has turned o automatically

: Turn the camera on (

P

24).

Mottling (“noise”) appears

in the monitor or view-

 nder when the shutter

button is pressed halfway.

Gain is increased to aid composition when the subject is poorly lit and aperture is stopped down, which may result

in noticeable mottling when images are previewed in the displays. Images taken with the camera are unaﬀ ected.

The camera does not focus.

The subject is not suited to autofocus

: Use focus lock (

P

80) or manual focus (

P

68).

Intelligent Face Detection

is not available.

Intelligent Face Detection is not available in the current shooting mode

: Choose a diﬀ erent shooting mode (

P

168).

No face is detected.

•

The subject’s face is obscured by sunglasses, a hat, long hair, or other objects

: Remove the obstructions.

•

The subject’s face occupies only a small area of the frame

: Change the composition so that the subject’s face oc-

cupies a larger area of the frame (

P

95).

•

The subject’s head is tilted or horizontal

: Ask the subject to hold their head straight.

•

The camera is tilted

: Keep the camera level.

•

The subject’s face is poorly lit

: Shoot in bright light.

Wrong subject is selected.

The selected subject is closer to the center of the frame than the main subject. Recompose the picture or turn face

detection oﬀ and frame the picture using focus lock (

P

80).

154

Problems and Solutions

Problem

Solution

The  ash does not  re.

•

The  ash can not be used at current settings

: See the list of the settings that can be used with the ﬂ ash (

P

168).

•

The battery is exhausted

: Charge the battery (

P

18) or insert a fully-charged spare battery (

P

20).

•

The  ash unit does not support the current drive mode

: The built-in ﬂ ash and ﬂ ash units that do not support burst

photography will not ﬁ re in continuous mode or when used with exposure or dynamic-range bracketing; select

single-frame mode (

P

55).

•

OFF

is selected for

D

USER SETTING

>

SOUND & FLASH

: Select

ON

(

P

115).

The  ash does not fully

light the subject.

•

The subject is not in range of the  ash

: Position the subject in range of the ﬂ ash.

•

The  ash window is obstructed

: Hold the camera correctly.

•

Shutter speed is faster than



/



s

: Choose a slower shutter speed (

P

50, 53, 82).

Pictures are blurred.

•

The lens is dirty

: Clean the lens (

P

x).

•

The lens is blocked

: Keep objects away from the lens.

•

s

is displayed during shooting and the focus frame is displayed in red

: Check focus before shooting (

P

34).

Pictures are mottled.

•

Shutter speed is slow and the ambient temperature is high

: This is normal and does not indicate a malfunction.

•

Pixel mapping is required

: Perform pixel mapping using

H

IMAGE QUALITY SETTING

>

PIXEL MAPPING

(

P

93).

•

The camera has been used continuously at high temperatures or a temperature warning is displayed

: Turn the cam-

era oﬀ and wait for it to cool down.

Pictures are distorted.

x

or

y

is displayed

: Keep the camera away from magnets.

155

Troubleshooting

Problems and Solutions

■

Playback

Problem

Solution

Pictures are grainy.

The pictures were taken with a diﬀ erent make or model of camera.

Playback zoom is

unavailable.

The pictures were created using

RESIZE

or with a diﬀ erent make or model of camera.

No sound in movie

playback.

•

Playback volume is too low

: Adjust playback volume (

P

42, 117).

•

The microphone was obstructed

: Hold the camera correctly during recording (

P

2, 40).

•

The speaker is obstructed

: Hold the camera correctly during playback (

P

2, 42).

•

OFF

is selected for

D

USER SETTING

>

SOUND & FLASH

: Select

ON

(

P

115).

Selected pictures are not

deleted.

Some of the pictures selected for deletion are protected. Remove protection using the device with which it was

originally applied (

P

110).

File numbering is

unexpectedly reset.

The battery-chamber cover was opened while the camera was on. Turn the camera oﬀ before opening the bat-

tery-chamber cover (

P

20, 24).

■

Connections/Miscellaneous

For additional information on troubleshooting wireless connections, visit:

http://digital-cameras.support.fujifilm.com/app?pid=x

Problem

Solution

Problem connecting or

uploading pictures to

smartphone.

•

The smartphone is too far away

: Move the devices closer.

•

Nearby devices are causing radio interference

: Move the camera and smartphone away from microwave ovens or

cordless phones.

Can not upload images.

•

The smartphone is connected to another device

: The smartphone and camera can connect to only one device at a

time. End the connection and try again.

•

There are several smartphones in the vicinity

: Try connecting again. The presence of multiple smartphones can

make connection diﬃ cult.

•

The current image is a movie or was created on another device and can not be uploaded to a smartphone.

156

Problems and Solutions

Problem

Solution

Smartphone will not

display pictures.

Select

ON

for

D

CONNECTION SETTING

>

WIRELESS SETTING

>

RESIZE IMAGE FOR SMARTPHONE

H

. Selecting

OFF

increases upload times for larger images; in addition, some phones may not display images

over a certain size.

No picture or sound on TV.

•

The camera is not properly connected

: Connect the camera properly (

P

139

). Note that once the camera is con-

nected, pictures will be displayed on the TV instead of in the camera monitor.

•

Input on the television is set to “TV”

: Set input to “HDMI”.

•

The volume on the TV is too low

: Use the controls on the television to adjust the volume.

The computer does not

recognize the camera.

Be sure the camera and computer are correctly connected (

P

133

).

Can not transfer RAW or

JPEG  les to computer.

Use MyFinePix Studio to transfer pictures (Windows only;

P

132

).

The camera is

unresponsive.

•

Temporary camera malfunction

: Remove and reinsert the battery (

P

20).

•

The battery is exhausted

: Charge the battery (

P

18) or insert a fully-charged spare battery (

P

20).

•

The camera is connected to a wireless LAN

: End the connection.

The camera does not func-

tion as expected.

Remove and reinsert the battery (

P

20). If the problem persists, contact your FUJIFILM dealer.

No sound.

•

Adjust the volume (

P

117).

•

Select

ON

for

D

USER SETTING

>

SOUND & FLASH

(

P

115).

157

Troubleshooting

Warning Messages and Displays

The following warnings appear in the display.

Warning

Description

i

(red)

Low battery. Charge the battery (

P

18) or insert a fully-charged spare battery (

P

20).

j

(blinks red)

Battery exhausted. Charge the battery (

P

18) or insert a fully-charged spare battery (

P

20).

s

(displayed in red with

red focus frame)

The camera can not focus. Use focus lock to focus on another subject at the same distance, then recompose the

picture (

P

80).

Aperture or shutter speed

displayed in red

The subject is too bright or too dark and the picture will be over- or under-exposed. Use the ﬂ ash for additional

lighting when taking photographs of poorly-lit subjects (

P

82).

FOCUS ERROR

Camera malfunction. Turn the camera oﬀ and then on again. If the message persists, contact a FUJIFILM dealer.

TURN OFF THE CAMERA

AND TURN ON AGAIN

LENS CONTROL ERROR

BUSY

The memory card is incorrectly formatted. Use the camera to format the card (

P

114).

CARD NOT INITIALIZED

•

The memory card is not formatted or the memory card has been formatted in a computer or other device

: Format the

memory card using

D

USER SETTING

>

FORMAT

(

P

114).

•

The memory card contacts require cleaning

: Clean the contacts with a soft, dry cloth. If the message is repeated,

format the card (

P

114). If the message persists, replace the card.

•

Camera malfunction

: Contact a FUJIFILM dealer.

PROTECTED CARD

The memory card is locked. Unlock the card.

158

Warning Messages and Display

Warning

Description

CARD ERROR

•

The memory card is not formatted for use in the camera

: Format the card (

P

114).

•

The memory card contacts require cleaning or the memory card is damaged

: Clean the contacts with a soft, dry

cloth. If the message is repeated, format the card (

P

114). If the message persists, replace the card.

•

Incompatible memory card

: Use a compatible card (

P

23).

•

Camera malfunction

: Contact a FUJIFILM dealer.

b

MEMORY FULL

The memory card is full and pictures can not be recorded. Delete pictures (

P

39) or insert a memory card with

more free space (

P

20).

NO CARD

The shutter can only be released when a memory card is inserted. Insert a memory card.

WRITE ERROR

•

Memory card error or connection error

: Reinsert the card or turn the camera oﬀ and then on again. If the message

persists, contact a FUJIFILM dealer.

•

Not enough memory remaining to record additional pictures

: Delete pictures (

P

39) or insert a memory card with

more free space (

P

20).

•

The memory card is not formatted

: Format the memory card (

P

114).

READ ERROR

•

The  le is corrupt or was not created with the camera

: The ﬁ le can not be viewed.

•

The memory card contacts require cleaning

: Clean the contacts with a soft, dry cloth. If the message is repeated,

format the card (

P

114). If the message persists, replace the card.

•

Camera malfunction

: Contact a FUJIFILM dealer.

FRAME NO. FULL

The camera has run out of frame numbers (current frame number is 999-9999). Format the memory card and se-

lect

RENEW

for

D

SAVE DATA SETTING

>

FRAME NO.

. Take a picture to reset frame numbering to 100-0001,

then select

CONTINUOUS

for

FRAME NO.

.

159

Troubleshooting

Warning Messages and Display

Warning

Description

PROTECTED FRAME

An attempt was made to delete or rotate to a protected picture. Remove protection and try again (

P

110).

CAN NOT CROP

The picture is damaged or was not created with the camera.

m

CANNOT EXECUTE

Red-eye removal can not be applied to pictures created with other devices.

F

CANNOT EXECUTE

Red-eye removal can not be applied to movies.

CAN NOT ROTATE

The selected picture can not be rotated.

F

CAN NOT ROTATE

Movies can not be rotated.

DPOF FILE ERROR

The DPOF print order on the current memory card contains more than 999 images. Copy the pictures to a com-

puter and create a new print order.

CAN NOT SET DPOF

The picture can not be printed using DPOF.

F

CAN NOT SET DPOF

Movies can not be printed using DPOF.

p

(yellow)

Turn the camera oﬀ and wait for it to cool. Mottling may increase in pictures taken when this warning is displayed.

p

(red)

Turn the camera oﬀ and wait for it to cool. Display quality and burst rate will drop, and mottling may increase in

pictures taken when this warning is displayed.

160

Appendix

Memory Card Capacity

The following table shows the recording time or number of pictures available at di erent image sizes.

All  gures are approximate;  le size varies with the scene recorded, producing wide variations in the

number of  les that can be stored. The number of exposures or length remaining may not diminish

at an even rate.

Capacity

O

8 GB

16 GB

T

FINE

T

NORMAL

T

FINE

T

NORMAL

Photographs

O

3 : 2

540

800

1110

1660

RAW (UNCOMPRESSED)

150

320

RAW (LOSSLESS COMPRESSED)

300

630

Movies

1

i

1080/59.94 P

2

i

1080/50 P

2

i

1080/29.97 P

2

i

1080/25 P

2

i

1080/24 P

2

i

1080/23.98 P

2

26 min.

54 min.

h

720/59.94 P

3

h

720/50 P

3

h

720/29.97 P

3

h

720/25 P

3

h

720/24 P

3

h

720/23.98 P

3

51 min.

105 min.

1 Use a UHS speed class 1 card or better.

2 Individual movies can not exceed 14 minutes in length.

3 Individual movies can not exceed 28 minutes in length.

161

Appendix

Links

For more information on FUJIFILM digital camera, visit the websites listed below.

FUJIFILM X100F Product Information

Optional accessories and support information can be found on the following website.

fujilm X100F

Firmware Updates

Updates to product  rmware may result in changes not described in the manual. For more informa-

tion, visit:

http://ww w.fujifilm.com/support/digital_cameras/software

fujilm rmware

Checking the Firmware Version

Q The camera will only display the  rmware version if a memory card is inserted.

1

Turn the camera o and check that a memory card is inserted.

2

Turn the camera on while pressing the DISP/BACK button. The current  rmware version will be dis-

played; check the  rmware version.

3

Turn the camera o .

162

Speci cations

System

Model

FUJIFILM X100F

digital camera

Product Number

FF160004

E ective pixels

Approx. 24.3 million

Image sensor

23.5 mm × 15.6 mm (APS-C), X-Trans CMOS III sensor with primary color ﬁ lter

Storage media

FUJIFILM-recommended SD/SDHC/SDXC memory cards

File system

Compliant with

D

esign Rule for

C

amera

F

ile System

(DCF)

, Exif 2.3, and

D

igital

P

rint

O

rder

F

ormat

(DPOF)

File format

•

Still pictures

: Exif 2.3 JPEG

(compressed)

; RAW

(original RAF format, uncompressed or compressed using a lossless algorithm; special

purpose software required);

RAW+JPEG available

•

Movies

: H.264 standard with stereo sound

(MOV)

Image size

•

O

3 : 2

: 6,000 × 4,000

•

P

3 : 2

: 4,240 × 2,832

•

Q

3 : 2

: 3,008 × 2,000

•

O

16 : 9

: 6,000 × 3,376

•

P

16 : 9

: 4,240× 2,384

•

Q

16 : 9

: 3,008 × 1,688

•

O

1 : 1

: 4,000 × 4,000

•

P

1 : 1

: 2,832 × 2,832

•

Q

1 : 1

: 2,000 × 2,000

•

O

panorama

: 2,160 × 9,600

(vertical)

/ 9,600 × 1,440

(horizontal)

•

P

panorama

: 2,160 × 6,400

(vertical)

/ 6,400 × 1,440

(horizontal)

Lens

FUJINON ﬁ xed focal length lens

Focal length

f=23 mm (35 mm format equivalent: 35 mm)

Maximum aperture

F2.0

Sensitivity

Standard output sensitivity equivalent to ISO 200 – 12800; AUTO; extended output sensitivity equivalent to ISO 100,

25600, or 51200

Metering

256-segment

t

hrough-

t

he-

l

ens (TTL) metering; MULTI, SPOT, AVERAGE, CENTER WEIGHTED

Exposure control

Programmed AE

(with program shift)

; shutter-priority AE; aperture-priority AE; manual exposure

Exposure compensation

–5 EV – +5 EV in increments of



/



EV

163

Appendix

Speci cations

System

Shutter speed

•

MECHANICAL SHUTTER

-

P

mode

: 4 sec. to



/



sec.

-

Bulb

: Max. 60 min.

-

Time

: 30 sec. to



/



sec.

-

All other modes

: 30 sec. to



/



sec.

•

ELECTRONIC SHUTTER

-

P

,

S

,

A

, and

M

modes

: 30 sec. to



/



sec.

-

Bulb

: Fixed at 1 sec.

-

Time

: 30 sec. to



/



sec.

•

MECHANICAL + ELECTRONIC

-

P

mode

: 4 sec. to



/



sec.

-

Bulb

: Max. 60 min.

-

Time

: 30 sec. to



/



sec.

-

All other modes

: 30 sec. to



/



sec.

Continuous

Mode

Frame rate (fps)

Frames per burst

I

8.0 fps

8.0

Up to approximately 53

5.0 fps

5.0

Up to approximately 56

4.0 fps

4.0

Up to approximately 58

3.0 fps

3.0

Up to approximately 62

R The frame rate and number of frames per burst may vary depending on the type of memory card

used. The  gures above are for UHS speed class 1 cards.

R The frame rate varies with shooting conditions and the number of images recorded.

Focus

•

Mode

: Single or continuous AF; manual focus with focus ring

•

Focus-area selection

: SINGLE POINT, ZONE, WIDE/TRACKING

•

Autofocus system

: Intelligent hybrid AF (TTL contrast-detect/phase-detection AF) with AF-assist illuminator

White balance

Custom 1, Custom 2, Custom 3, color temperature selection, auto, direct sunlight, shade, daylight ﬂ uorescent,

warm white ﬂ uorescent, cool white ﬂ uorescent, incandescent, underwater

Self-timer

Oﬀ , 2 sec., 10 sec.

164

Speci cations

System

Flas

h

Mode

•

MODE

: TTL MODE (FLASH AUTO, STANDARD, SLOW SYNC.), MANUAL, COMMANDER, SUPPRESSED FLASH

•

SYNC. MODE

: 1ST CURTAIN, 2ND CURTAIN

•

RED EYE REMOVAL

:

e

FLASH+REMOVAL,

L

FLASH,

d

REMOVAL, OFF

Hot shoe

Accessory shoe with TTL contacts

Hybrid view nder

•

Optical view nder (OVF)

: Reverse Galilean viewﬁ nder with electronic bright frame display and approx. 0.5× mag-

niﬁ cation; frame coverage approx. 92%

•

Electronic view nder (EVF)

: 0.48-in., 2,360k-dot color LCD viewﬁ nder with diopter adjustment (–2 to +1 m

–1

);

magniﬁ cation 0.64× with 50 mm lens (35 mm format equivalent) at inﬁ nity and diopter set to –1.0 m

–1

; diagonal

angle of view approximately 32.4° (horizontal angle of view approximately 27.1°); eye point approx. 15 mm

LCD monitor

Fixed 3.0-in/7.6 cm, 1040k-dot color LCD monitor

Movies

•

i

1080/59.94P

: Frame size 1,920 × 1,080 (1080p); 59.94 fps; stereo sound

•

i

1080/50P

: Frame size 1,920 × 1,080 (1080p); 50 fps; stereo sound

•

i

1080/29.97P

: Frame size 1,920 × 1,080 (1080p); 29.97 fps; stereo sound

•

i

1080/25P

: Frame size 1,920 × 1,080 (1080p); 25 fps; stereo sound

•

i

1080/24P

: Frame size 1,920 × 1,080 (1080p); 24 fps; stereo sound

•

i

1080/23.98P

: Frame size 1,920 × 1,080 (1080p); 23.98 fps; stereo sound

•

h

720/59.94P

: Frame size 1,280 × 720 (720p); 59.94 fps; stereo sound

•

h

720/50P

: Frame size 1,280 × 720 (720p); 50 fps; stereo sound

•

h

720/29.97P

: Frame size 1,280 × 720 (720p); 29.97 fps; stereo sound

•

h

720/25P

: Frame size 1,280 × 720 (720p); 25 fps; stereo sound

•

h

720/24P

: Frame size 1,280 × 720 (720p); 24 fps; stereo sound

•

h

720/23.98P

: Frame size 1,280 × 720 (720p); 23.98 fps; stereo sound

165

Appendix

Speci cations

Input/output terminals

HDMI output

HDMI Micro connector (Type D)

Digital input/output

USB2.0 High-Speed Micro USB connector (Micro-B)

Microphone/

remote release connector

φ2.5 mm mini-stereo jack

Power supply/other

Power supply

NP-W126S rechargeable battery

Battery life

(approximate

number of frames that can

be taken with a fully-charged

battery in mode

P

, XF 35 mm

f/1.4 R lens)

•

Battery type

: NP-W126S

(type supplied with camera)

LCD

EVF

OVF

HIGH PERFORMANCE

260

250

390

STANDARD

280

270

390

ECONOMY

340

330

430

CIPA standard, measured using battery supplied with camera and SD memory card.

Note

: Number of shots that can be taken with battery varies with battery charge level and will decline at low

temperatures.

Camera size

(W × H × D)

126.5 mm × 74.8 mm × 52.4 mm (

32.0 mm excluding projections, measured at thinnest part

)/5.0 in. × 2.9 in. × 2.1 in. (1.4 in.)

Camera weight

Approx. 419 g/14.8 oz., excluding battery, accessories, and memory card

Shooting weight

Approx. 469 g/16.5 oz., including battery and memory card

Operating conditions

•

Temperature

: 0 °C to +40 °C/+32 °F to +104 °F

•

Humidity

: 10% – 80%

(no condensation)

Wireless transmitter

Standards

IEEE 802.11b/g/n

(standard wireless protocol)

Operating frequency

•

U. S. A., Canada, Taiwan

: 2,412 MHz – 2,462 MHz

(11 channels)

•

Other countries

: 2,412 MHz – 2,472 MHz

(13 channels)

Access protocols

Infrastructure

166

Speci cations

NP-W126S rechargeable battery

Nominal voltage

7.2 V DC

Nominal capacity

1,260 mAh

Operating temperature

0 °C to +40 °C/+32 °F to +104 °F

Dimensions

(W × H × D)

36.4 mm × 47.1 mm × 15.7 mm/1.4 in. × 1.9 in. × 0.6 in.

Weight

Approx. 47 g/1.7 oz.

BC-W126 battery charger

Rated input

100 V – 240 V AC, 50/60 Hz

Input capacity

13 – 21 VA

Rated output

8.4 V DC, 0.6 A

Supported batteries

NP-W126S rechargeable batteries

Charging time

Approx. 150 minutes (+20 °C/+68 °F)

Operating temperature

+5 °C to +40 °C/+41 °F to +104 °F

Dimensions

(W × H × D)

65 mm × 91.5 mm × 28 mm/2.6 in. × 3.6 in. × 1.1 in., excluding projections

Weight

Approx. 77 g/2.7 oz., excluding battery

Weight and dimensions vary with the country or region of sale. Labels, menus, and other displays may di er from those on the

actual camera.

167

Appendix

Speci cations

■

Notices

• Speci cations subject to change without notice; for the latest information, visit http://www.fujifilm.com/products/

digital_cameras/index.html. FUJIFILM shall not be held liable for damages resulting from errors in this manual.

• Although the view nder and LCD monitor are manufactured using advanced high-precision technology, small

bright points and anomalous colors may appear, particularly in the vicinity of text. This is normal for this type of

LCD display and does not indicate a malfunction; images recorded with the camera are una ected.

• Digital cameras may malfunction when exposed to strong radio interference (e.g., electric  elds, static electricity,

or line noise).

• Due to the type of lens used, some distortion may occur at the periphery of images. This is normal.

168

Restrictions on Camera Settings

The options available in each shooting mode are listed below. Some options may not be available for

the items that are supported in any given mode, and function may be restricted depending on shoot-

ing conditions.

Shooting mode/scene position

P

S

A

M

R

BKT

j

Y

r

F

r

9

FLASH FUNCTION

SETTING

8

TTL MODE

E

✔

6

✔

6

✔

3

✔

3

✔

3

F

✔

1

✔

1

✔

6

✔

6

✔

G

✔

6

✔

6

✔

3

✔

3

✔

3

SYNC. MODE

H

✔

6

✔

6

✔

I

✔

6

✔

6

✔

M

✔

6

✔

6

✔

C

✔

6

✔

6

✔

D

✔

1

✔

1

✔

RED EYE REMOVAL

8

e

FLASH+REMOVAL

✔

3

✔

3

✔

3

✔

3

L

FLASH

✔

3

✔

3

✔

3

✔

3

d

REMOVAL

✔

3

✔

3

✔

3

✔

3

OFF

✔

1

FLASH COMPENSATION

✔

7

SELF-TIMER

✔

EXP. COMPENSATION

✔

5

✔

2

✔

F

✔

1

✔

1

✔

S.S.

✔

1

✔

4

✔

1

✔

4

✔

3

✔

3

✔

SHUTTER TYPE

t

(to



/



)

✔

1

✔

7

t

+

s

✔

7

s

(to



/



)

✔

1

✔

7

Program shift

✔

7

AE/AF-LOCK BUTTON

AF LOCK ONLY

✔

7

AE LOCK ONLY

✔

7

AE/AF LOCK

✔

7

169

Appendix

Restrictions on Camera Settings

Shooting mode/scene position

P

S

A

M

R

BKT

j

Y

r

F

r

9

Sensitivity

AUTO

✔

AUTO1

✔

7

AUTO2

✔

7

AUTO3

✔

7

H (51200)/H (25600)

✔

3

✔

12800

✔

3

✔

6400 – 1000

✔

800

✔

640 – 200

✔

3

✔

L (100)

✔

3

✔

IMAGE SIZE

O

✔

7

P

✔

7

Q

✔

7

IMAGE QUALITY

FINE/NORMAL

✔

7

RAW

✔

7

RAW RECORDING

UNCOMPRESSED

✔

7

LOSSLESS COMPRESSED

✔

7

DYNAMIC RANGE

AUTO

✔

1

✔

7

V

/

W

/

X

✔

7

FILM SIMULATION

c

✔

1

✔

d

/

e

/

i

✔

g

/

h

✔

a

/

d

/

c

/

b

✔

b

/

e

/

d

/

f

✔

f

✔

GRAIN EFFECT

✔

WHITE BALANCE

✔

1

✔

DIGITAL TELE-CONV. (50mm/70mm)

✔

CONVERSION LENS (WIDE/TELE)

✔

FACE DETECTION

✔

EYE DETECTION AF

✔

170

Restrictions on Camera Settings

Shooting mode/scene position

P

S

A

M

R

BKT

j

Y

r

F

r

9

PHOTOMETRY

o

✔

1

✔

1

✔

1

✔

7

p

✔

7

v

✔

7

w

✔

7

Focus mode

S

✔

1

✔

7

C

✔

M

✔

7

AF MODE

r

✔

1

✔

1

y

✔

z

✔

MOVIE AF MODE

s

✔

t

✔

MF ASSIST

STANDARD

✔

1

✔

1

DIGITAL SPLIT IMAGE

✔

FOCUS PEAK HIGHLIGHT

✔

INTERLOCK SPOT AE & FOCUS AREA

✔

7

AF+MF

✔

AF ILLUMINATOR

✔

7

COLOR

✔

7

SHARPNESS

✔

7

HIGHLIGHT TONE

✔

7

SHADOW TONE

✔

7

NOISE REDUCTION

✔

7

LONG EXPOSURE NR

✔

7

SELECT CUSTOM SETTING

EDIT/SAVE CUSTOM SETTING

✔

PREVIEW EXP./WB IN MANUAL MODE

✔

7

FOCUS CHECK

AF

11

✔

10

✔

10

✔

10

✔

10

✔

10

✔

10

✔

10

✔

10

MF

11

✔

171

Appendix

Restrictions on Camera Settings

Shooting mode/scene position

P

S

A

M

R

BKT

j

Y

r

F

r

9

DISP. CUSTOM SETTING

FRAMING GUIDELINE

✔

ELECTRONIC LEVEL

✔

FOCUS FRAME

✔

AF DISTANCE INDICATOR

✔

MF DISTANCE INDICATOR

✔

HISTOGRAM

✔

SHOOTING MODE

✔

APERTURE/S-SPEED/ISO

✔

INFORMATION BACKGROUND

✔

Expo. Comp. (Digit)

✔

Expo. Comp. (Scale)

✔

FOCUS MODE

✔

PHOTOMETRY

✔

SHUTTER TYPE

✔

FLASH

✔

CONTINUOUS MODE

✔

WHITE BALANCE

✔

FILM SIMULATION

✔

DYNAMIC RANGE

✔

FRAMES REMAINING

✔

IMAGE SIZE/QUALITY

✔

MOVIE MODE & REC. TIME

✔

DIGITAL TELE-CONV.

✔

CONVERSION LENS

✔

BATTERY LEVEL

✔

FRAMING OUTLINE

13

✔

COLOR SPACE

✔

12

✔

7

1

Fixed automatically.

2

Restricted to range of ±2.0 EV during movie recording.

3

Options available vary with shooting mode.

4

A

is not available.

5

Available only with auto ISO sensitivity.

6

Available only with optional  ash units that support burst

mode. Not available with the built-in  ash.

7

Still photography settings are used.

8

The  ash can not be used with the electronic shutter. Avail-

able when an option other than

OFF

is selected for

RED EYE

REMOVAL

and

FACE DETECTION

is on.

9

Wireless remote photography.

10

Available only when

AF-S

is selected for focus mode and

SINGLE POINT

is selected for

AF MODE

.

11

Disabled automatically during interval timer photography.

12

sRGB selected automatically.

13

Available only in the LCD/EVF display.

7-3, AKASAKA 9-CHOME, MINATO-KU, TOKYO 107-0052, JAPAN

http://www.fujifilm.com/products/digital_cameras/index.html

Fujifilm X100F - Brownn Cameras

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User Manual

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