Fujifilm X-S10 BODY- BLACK X-S10 Mirrorless Camera Body-,

Product's Documents

Below are documents related to this product, you can read online or download:
User Manual Other Documents

User Manual

This is the main product document for model X-S10 BODY- BLACK.

The file format is pdf, 354 pages, you can download this manual here .

background
FF200001
Owners Manual
BL00005078-202
EN
background
ii
Introduction
Thank you for your purchase of this product. Be sure that
you have read this manual and understood its contents be-
fore using the camera. Keep the manual where it will be
read by all who use the product.
For the Latest Information
The latest versions of the manuals are available from:
http://fujifilm-dsc.com/en/manual/
The site can be accessed not only from your
computer but also from smartphones and
tablets. It also contains information on the
software license.
For information on  rmware updates, visit:
https://fujifilm-x.com/support/download/firmware/cameras/
background
iii
Menu List
iv
1 Before You Begin
1
2 First Steps
27
3 Basic Photography and Playback
41
4 Movie Recording and Playback
47
5 Taking Photographs
55
6 The Shooting Menus
105
7 Playback and the Playback Menu
179
8 The Setup Menus
205
9 Shortcuts
241
10 Peripherals and Optional Accessories
257
11 Connections
275
12 Technical Notes
291
P
Chapter Index
background
iv
Menu List
Menu List
Camera menu options are listed below.
Shooting Menus
Adjust settings when shooting photos or movies.
N
See page 105 for details.
Photo Menus
N
Items marked with both x and F icons are available in both the still
photography and movie shooting menus. Changes to these items in
either menu also apply to the item in the remaining menu.
H IMAGE QUALITY SETTING
P
1⁄
1⁄
IMAGE SIZE 106
IMAGE QUALITY 107
RAW RECORDING 108
FILM SIMULATION 108
MONOCHROMATIC COLOR
110
GRAIN EFFECT 110
COLOR CHROME EFFECT 110
COLOR CHROME FX BLUE 111
2⁄
2⁄
WHITE BALANCE 111
DYNAMIC RANGE 115
D RANGE PRIORITY
116
TONE CURVE 116
COLOR 117
SHARPNESS 117
HIGH ISO NR 117
CLARITY 118
3⁄
3⁄
LONG EXPOSURE NR 118
LENS MODULATION OPTIMIZER 118
COLOR SPACE 119
PIXEL MAPPING 119
EDIT/SAVE CUSTOM SETTING 120
xF MOUNT ADAPTOR SETTING
120
G AF/MF SETTING
P
1⁄
1⁄
FOCUS AREA 122
FOCUS MODE 122
AF MODE 122
AF-C CUSTOM SETTINGS
123
STORE AF MODE BY ORIENTATION 127
AF POINT DISPLAY yz
127
NUMBER OF FOCUS POINTS 127
PRE-AF 128
2⁄
2⁄
xF AF ILLUMINATOR
128
FACE/EYE DETECTION SETTING 129
AF+MF 131
MF ASSIST 132
FOCUS CHECK 132
INTERLOCK SPOT AE & FOCUS AREA 133
xF INSTANT AF SETTING
133
xF DEPTH-OF-FIELD SCALE
133
3⁄
3⁄
RELEASE/FOCUS PRIORITY 134
xF AF RANGE LIMITER
134
xF TOUCH SCREEN MODE
135
background
v
Menu List
Menu List
A SHOOTING SETTING
P
1⁄
1⁄
SCENE POSITION 137
FILTER SETTING 137
SPORTS FINDER MODE 138
PRE-SHOT sJ
138
SELF-TIMER 139
SAVE SELF-TIMER SETTING 139
SELF-TIMER LAMP 140
INTERVAL TIMER SHOOTING 140
2⁄
2⁄
INTERVAL TIMER SHOOTING
EXPOSURE SMOOTHING
141
AE BKT SETTING 142
FILM SIMULATION BKT 142
FOCUS BKT SETTING 143
PHOTOMETRY 143
SHUTTER TYPE 144
FLICKER REDUCTION 145
IS MODE 146
3⁄
3⁄
ISO 146
xF
WIRELESS COMMUNICATION
147
F FLASH SETTING
P
FLASH FUNCTION SETTING 148
RED EYE REMOVAL 148
TTL-LOCK MODE 149
LED LIGHT SETTING
149
COMMANDER SETTING 150
CH SETTING 150
B MOVIE SETTING
P
MOVIE MODE 151
FILE FORMAT 151
FULL HD HIGH SPEED REC 151
F IS MODE
151
F IS MODE BOOST
151
AUDIO SETTING 152
MIC/REMOTE RELEASE 153
background
vi
Menu List
Movie Menus
N
Items marked with both x and F icons are available in both the still
photography and movie shooting menus. Changes to these items in
either menu also apply to the item in the remaining menu.
B MOVIE SETTING
P
1⁄
1⁄
SHOOTING MODE 154
MOVIE MODE 154
FILE FORMAT
155
FULL HD HIGH SPEED REC
156
FIX MOVIE CROP MAGNIFICATION
C
157
F-Log RECORDING
157
4K MOVIE OUTPUT
158
FULL HD MOVIE OUTPUT
158
2⁄
2⁄
HDMI OUTPUT INFO DISPLAY
159
4K HDMI STANDBY QUALITY
159
HDMI REC CONTROL
159
F PHOTOMETRY
159
F IS MODE
160
F IS MODE BOOST
160
F ISO
161
ZEBRA SETTING
161
3⁄
3⁄
ZEBRA LEVEL
161
MOVIE OPTIMIZED CONTROL oL
161
TALLY LIGHT
162
xF
WIRELESS COMMUNICATION
162
H IMAGE QUALITY SETTING
P
1⁄
1⁄
F FILM SIMULATION
163
F MONOCHROMATIC COLOR
163
F WHITE BALANCE
163
F DYNAMIC RANGE
164
F TONE CURVE
164
F COLOR
164
F SHARPNESS
165
F HIGH ISO NR
165
2⁄
2⁄
V INTERFRAME NR
165
F
PERIPHERAL LIGHT CORRECTION
166
xF MOUNT ADAPTOR SETTING
166
background
vii
Menu List
Menu List
G AF/MF SETTING
P
1⁄
1⁄
F FOCUS AREA
167
F FOCUS MODE
167
F AF MODE
167
F AF-C CUSTOM SETTING
168
xF AF ILLUMINATOR
168
F FACE/EYE DETECTION SETTING
169
F MF ASSIST
169
F FOCUS CHECK
170
2⁄
2⁄
xF INSTANT AF SETTING
170
xF DEPTH-OF-FIELD SCALE
170
xF AF RANGE LIMITER
170
xF TOUCH SCREEN MODE
171
FOCUS CHECK LOCK 173
P AUDIO SETTING
P
INTERNAL MIC LEVEL ADJUSTMENT 174
EXTERNAL MIC LEVEL ADJUSTMENT 174
MIC JACK SETTING 175
MIC LEVEL LIMITER
175
WIND FILTER 175
LOW CUT FILTER 175
HEADPHONES VOLUME 175
MIC/REMOTE RELEASE 176
Q TIME CODE SETTING
P
TIME CODE DISPLAY 177
START TIME SETTING 177
COUNT UP SETTING 177
DROP FRAME
178
HDMI TIME CODE OUTPUT 178
background
viii
Menu List
The Playback Menu
Adjust playback settings.
N
See page 185 for details.
C PLAY BACK MENU
P
1⁄
1⁄
RAW CONVERSION 185
ERASE 188
CROP 190
RESIZE 191
PROTECT 192
IMAGE ROTATE 193
RED EYE REMOVAL 194
VOICE MEMO SETTING 195
C PLAY BACK MENU
P
2⁄
2⁄
RATING 196
IMAGE TRANSFER ORDER 197
xF
WIRELESS COMMUNICATION
198
SLIDE SHOW
198
PHOTOBOOK ASSIST 199
PC AUTO SAVE
200
PRINT ORDER (DPOF) 201
instax PRINTER PRINT 202
3⁄
3⁄ DISP ASPECT 203
background
ix
Menu List
Menu List
Setup Menus
Adjust basic camera settings.
N
See page 205 for details.
D USER SETTING
P
1⁄
1⁄
FORMAT 206
DATE/TIME 207
TIME DIFFERENCE 207
Q a
208
x MY MENU SETTING
208
F MY MENU SETTING
208
SENSOR CLEANING 209
SOUND & FLASH 209
2⁄
2⁄
RESET 210
REGULATORY 210
D SOUND SETTING
P
AF BEEP VOL. 211
SELF-TIMER BEEP VOL. 211
OPERATION VOL. 212
SHUTTER VOLUME 212
SHUTTER SOUND 212
PLAYBACK VOLUME 212
D SCREEN SETTING
P
1⁄
1⁄
VIEW MODE SETTING 213
EVF BRIGHTNESS 213
EVF COLOR 213
EVF COLOR ADJUSTMENT 214
LCD BRIGHTNESS 214
LCD COLOR 214
LCD COLOR ADJUSTMENT 214
IMAGE DISP. 215
2⁄
2⁄
AUTOROTATE DISPLAYS 215
PREVIEW EXP./WB IN MANUAL MODE
216
NATURAL LIVE VIEW 216
F-Log VIEW ASSIST 217
FRAMING GUIDELINE 217
AUTOROTATE PB 218
FOCUS SCALE UNITS 218
APERTURE UNIT FOR CINEMA LENS
218
3⁄
3⁄
DISP. CUSTOM SETTING 218
LARGE INDICATORS MODE(EVF) 219
LARGE INDICATORS MODE(LCD) 219
LARGE INDICATORS DISP. SETTING 220
INFORMATION CONTRAST ADJ.
220
x
Q MENU BACKGROUND
221
F
Q MENU BACKGROUND
221
background
x
Menu List
D BUTTON/DIAL SETTING
P
1⁄
1⁄
FOCUS LEVER SETTING 222
x EDIT/SAVE QUICK MENU
223
F EDIT/SAVE QUICK MENU
223
FUNCTION (Fn) SETTING 223
SHUTTER AF 224
SHUTTER AE 224
SHOOT WITHOUT LENS 225
SHOOT WITHOUT CARD 225
2⁄
2⁄
FOCUS RING 225
FOCUS RING OPERATION
225
AE/AF-LOCK MODE 226
AWB-LOCK MODE
226
TOUCH SCREEN SETTING 227
D POWER MANAGEMENT
P
AUTO POWER OFF 229
PERFORMANCE
230
BOOST SETTING 230
D SAVE DATA SETTING
P
FRAME NO. 231
SAVE ORG IMAGE 232
EDIT FILE NAME 232
SELECT FOLDER 233
COPYRIGHT INFO 233
D CONNECTION SETTING
P
Bluetooth SETTINGS 234
PC AUTO SAVE
235
instax PRINTER CONNECTION SETTING
236
CONNECTION MODE 237
USB POWER SUPPLY SETTING 238
GENERAL SETTINGS 239
INFORMATION 239
RESET WIRELESS SETTING 239
Menu List
background
xi
P
Table of Contents
Introduction ....................................................................................................ii
For the Latest Information ................................................................................... ii
Menu List .........................................................................................................iv
Shooting Menus ........................................................................................................iv
The Playback Menu ...............................................................................................viii
Setup Menus ...............................................................................................................ix
Supplied Accessories ............................................................................. xxiii
About This Manual .................................................................................. xxiv
Symbols and Conventions .............................................................................xxiv
Terminology ............................................................................................................xxiv
1
Before You Begin 1
Before You Begin 1
Parts of the Camera ......................................................................................2
Camera Functions .........................................................................................4
The Mode Dial .............................................................................................................4
The Focus Stick (Focus Lever) .............................................................................5
I (Drive) Button .......................................................................................................5
The Command Dials ................................................................................................6
The Fn (Function) Dial .............................................................................................7
The Indicator Lamp ..................................................................................................8
The LCD Monitor ........................................................................................................9
Focusing the View nder........................................................................................9
Camera Displays..........................................................................................10
The Electronic View nder ..................................................................................10
The LCD Monitor .....................................................................................................12
Adjusting Display Brightness ........................................................................... 14
Display Rotation ...................................................................................................... 14
Choosing a Display Mode .................................................................................14
The DISP/BACK Button ........................................................................................16
Customizing the Standard Display ..............................................................17
Using the Menus .........................................................................................19
The Menus .................................................................................................................. 19
Selecting a Menu Tab ...........................................................................................20
background
xii
Touch Screen Mode ................................................................................... 21
Shooting Touch Controls ...................................................................................21
Playback Touch Controls ....................................................................................25
2
First Steps 27
First Steps 27
Attaching the Strap ................................................................................... 28
Attaching a Lens ......................................................................................... 29
Inserting the Battery and a Memory Card .........................................30
Compatible Memory Cards ..............................................................................32
Charging the Battery ................................................................................. 33
Turning the Camera On and O ............................................................ 35
Checking the Battery Level ..................................................................... 36
Basic Setup.................................................................................................... 37
Choosing a Di erent Language .................................................................... 39
Changing the Time and Date ..........................................................................39
3
Basic Photography and Playback 41
Basic Photography and Playback 41
Taking Photographs .................................................................................. 42
Viewing Pictures ......................................................................................... 44
Deleting Pictures ........................................................................................ 45
4
Movie Recording and Playback 47
Movie Recording and Playback 47
Recording Movies ....................................................................................... 48
Recording Movies ...................................................................................................48
Adjusting Movie Settings .................................................................................. 51
Viewing Movies ........................................................................................... 52
5
Taking Photographs 55
Taking Photographs 55
Choosing a Shooting Mode ....................................................................56
Y (AUTO) ...................................................................................................................56
Program AE (P) ..........................................................................................................57
Shutter-Priority AE (S) ...........................................................................................58
Aperture-Priority AE (A) ......................................................................................60
Manual Exposure (M) ............................................................................................ 62
SP SCENE POSITION ............................................................................................... 64
background
xiii
Table of Contents
FILTER ............................................................................................................................. 66
Custom Modes .........................................................................................................67
The Command and Function Dials .............................................................. 69
Autofocus ...................................................................................................... 70
Focus Mode ................................................................................................................ 71
Autofocus Options (AF Mode) ........................................................................ 73
Focus-Point Selection ..........................................................................................75
Manual Focus ...............................................................................................79
Checking Focus........................................................................................................80
Exposure Compensation ......................................................................... 82
Sensitivity ...................................................................................................... 83
Auto Sensitivity (A) ................................................................................................. 84
Metering ........................................................................................................ 85
Focus/Exposure Lock ................................................................................ 86
Other Controls ..........................................................................................................87
Bracketing ..................................................................................................... 88
W ISO BKT .................................................................................................................. 89
V WHITE BALANCE BKT....................................................................................89
s Bracketing ............................................................................................................ 90
Continuous Shooting (Burst Mode) .....................................................93
HDR ..................................................................................................................94
Panoramas ....................................................................................................96
Multiple Exposures .................................................................................... 99
Flash Photography ...................................................................................101
Flash Settings ......................................................................................................... 103
6
The Shooting Menus 105
The Shooting Menus 105
IMAGE QUALITY SETTING (Still Photography) ................................106
IMAGE SIZE ............................................................................................................... 106
IMAGE QUALITY .................................................................................................... 107
RAW RECORDING ................................................................................................. 108
FILM SIMULATION ................................................................................................ 108
MONOCHROMATIC COLOR ........................................................................... 110
GRAIN EFFECT ........................................................................................................ 110
COLOR CHROME EFFECT ................................................................................ 110
background
xiv
COLOR CHROME FX BLUE ............................................................................... 111
WHITE BALANCE ................................................................................................... 111
DYNAMIC RANGE ................................................................................................. 115
D RANGE PRIORITY.............................................................................................. 116
TONE CURVE ........................................................................................................... 116
COLOR......................................................................................................................... 117
SHARPNESS .............................................................................................................. 117
HIGH ISO NR ............................................................................................................ 117
CLARITY ...................................................................................................................... 118
LONG EXPOSURE NR .......................................................................................... 118
LENS MODULATION OPTIMIZER ................................................................. 118
COLOR SPACE ......................................................................................................... 119
PIXEL MAPPING ..................................................................................................... 119
EDIT/SAVE CUSTOM SETTING ....................................................................... 120
xF MOUNT ADAPTER SETTING ............................................................. 120
AF/MF SETTING (Still Photography) ...................................................122
FOCUS AREA ........................................................................................................... 122
FOCUS MODE ......................................................................................................... 122
AF MODE ................................................................................................................... 122
AF-C CUSTOM SETTINGS ................................................................................ 123
STORE AF MODE BY ORIENTATION ............................................................ 127
AF POINT DISPLAY yz ................................................................................ 127
NUMBER OF FOCUS POINTS ......................................................................... 127
PRE-AF......................................................................................................................... 128
xF AF ILLUMINATOR .................................................................................... 128
FACE/EYE DETECTION SETTING .................................................................. 129
AF+MF ........................................................................................................................ 131
MF ASSIST ................................................................................................................. 132
FOCUS CHECK ........................................................................................................ 132
INTERLOCK SPOT AE & FOCUS AREA ....................................................... 133
xF INSTANT AF SETTING ........................................................................... 133
xF DEPTH-OF-FIELD SCALE .................................................................... 133
RELEASE/FOCUS PRIORITY ............................................................................. 134
xF AF RANGE LIMITER ................................................................................ 134
xF TOUCH SCREEN MODE ....................................................................... 135
background
xv
Table of Contents
SHOOTING SETTING (Still Photography) ..........................................137
SCENE POSITION .................................................................................................. 137
FILTER SETTING ...................................................................................................... 137
SPORTS FINDER MODE ..................................................................................... 138
PRE-SHOT sJ .................................................................................................... 138
SELF-TIMER ............................................................................................................... 139
SAVE SELF-TIMER SETTING ............................................................................. 139
SELF-TIMER LAMP ................................................................................................ 140
INTERVAL TIMER SHOOTING .......................................................................... 140
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING ................. 141
AE BKT SETTING .................................................................................................... 142
FILM SIMULATION BKT ...................................................................................... 142
FOCUS BKT SETTING .......................................................................................... 143
PHOTOMETRY ........................................................................................................ 143
SHUTTER TYPE ....................................................................................................... 144
FLICKER REDUCTION ......................................................................................... 145
IS MODE ..................................................................................................................... 146
ISO ................................................................................................................................. 146
xF WIRELESS COMMUNICATION ......................................................... 147
FLASH SETTING (Still Photography) ...................................................148
FLASH FUNCTION SETTING ........................................................................... 148
RED EYE REMOVAL .............................................................................................. 148
TTL-LOCK MODE ................................................................................................... 149
LED LIGHT SETTING ............................................................................................ 149
COMMANDER SETTING .................................................................................... 150
CH SETTING ............................................................................................................. 150
MOVIE SETTING (Still Photography) ..................................................151
MOVIE MODE.......................................................................................................... 151
FILE FORMAT ........................................................................................................... 151
FULL HD HIGH SPEED REC ............................................................................. 151
F IS MODE .............................................................................................................. 151
F IS MODE BOOST ............................................................................................ 151
AUDIO SETTING .................................................................................................... 152
MIC/REMOTE RELEASE ...................................................................................... 153
background
xvi
MOVIE SETTING (Movie Recording) ...................................................154
SHOOTING MODE ................................................................................................ 154
MOVIE MODE.......................................................................................................... 154
FILE FORMAT ........................................................................................................... 155
FULL HD HIGH SPEED REC ............................................................................. 156
FIX MOVIE CROP MAGNIFICATION C .................................................. 157
F-Log RECORDING ............................................................................................... 157
4K MOVIE OUTPUT .............................................................................................. 158
FULL HD MOVIE OUTPUT ................................................................................ 158
HDMI OUTPUT INFO DISPLAY ...................................................................... 159
4K HDMI STANDBY QUALITY ......................................................................... 159
HDMI REC CONTROL.......................................................................................... 159
F PHOTOMETRY ................................................................................................. 159
F IS MODE .............................................................................................................. 160
F IS MODE BOOST ............................................................................................ 160
F ISO .......................................................................................................................... 161
ZEBRA SETTING ..................................................................................................... 161
ZEBRA LEVEL ........................................................................................................... 161
MOVIE OPTIMIZED CONTROL oL ......................................................... 161
TALLY LIGHT ............................................................................................................. 162
xF WIRELESS COMMUNICATION ......................................................... 162
IMAGE QUALITY SETTING (Movie Recording) ................................163
F FILM SIMULATION ........................................................................................ 163
F MONOCHROMATIC COLOR .................................................................... 163
F WHITE BALANCE ............................................................................................ 163
F DYNAMIC RANGE.......................................................................................... 164
F TONE CURVE .................................................................................................... 164
F COLOR ................................................................................................................. 164
F SHARPNESS ...................................................................................................... 165
F HIGH ISO NR ..................................................................................................... 165
V INTERFRAME NR........................................................................................... 165
F PERIPHERAL LIGHT CORRECTION ....................................................... 166
xF MOUNT ADAPTER SETTING ............................................................. 166
AF/MF SETTING (Movie Recording) ...................................................167
F FOCUS AREA .................................................................................................... 167
F FOCUS MODE ................................................................................................. 167
background
xvii
Table of Contents
F AF MODE ........................................................................................................... 167
F AF-C CUSTOM SETTING ............................................................................ 168
xF AF ILLUMINATOR .................................................................................... 168
F FACE/EYE DETECTION SETTING ........................................................... 169
F MF ASSIST .......................................................................................................... 169
F FOCUS CHECK ................................................................................................ 170
xF INSTANT AF SETTING ........................................................................... 170
xF DEPTH-OF-FIELD SCALE .................................................................... 170
xF AF RANGE LIMITER ................................................................................ 170
xF TOUCH SCREEN MODE ....................................................................... 171
FOCUS CHECK LOCK .......................................................................................... 173
AUDIO SETTING (Movie Recording) ...................................................174
INTERNAL MIC LEVEL ADJUSTMENT ........................................................ 174
EXTERNAL MIC LEVEL ADJUSTMENT ....................................................... 174
MIC JACK SETTING .............................................................................................. 175
MIC LEVEL LIMITER .............................................................................................. 175
WIND FILTER ............................................................................................................ 175
LOW CUT FILTER ................................................................................................... 175
HEADPHONES VOLUME ................................................................................... 175
MIC/REMOTE RELEASE ...................................................................................... 176
TIME CODE SETTING (Movie Recording) ..........................................177
TIME CODE DISPLAY ........................................................................................... 177
START TIME SETTING .......................................................................................... 177
COUNT UP SETTING ........................................................................................... 177
DROP FRAME .......................................................................................................... 178
HDMI TIME CODE OUTPUT ............................................................................ 178
7
Playback and the Playback Menu 179
Playback and the Playback Menu 179
The Playback Display ...............................................................................180
The DISP/BACK Button ..................................................................................... 181
Viewing Pictures .......................................................................................183
Playback Zoom ...................................................................................................... 184
Multi-Frame Playback ........................................................................................ 184
The Playback Menu ..................................................................................185
RAW CONVERSION .............................................................................................. 185
ERASE .......................................................................................................................... 188
background
xviii
CROP ............................................................................................................................ 190
RESIZE ......................................................................................................................... 191
PROTECT .................................................................................................................... 192
IMAGE ROTATE ....................................................................................................... 193
RED EYE REMOVAL .............................................................................................. 194
VOICE MEMO SETTING ..................................................................................... 195
RATING ........................................................................................................................ 196
IMAGE TRANSFER ORDER ................................................................................ 197
xF WIRELESS COMMUNICATION ......................................................... 198
SLIDE SHOW ............................................................................................................ 198
PHOTOBOOK ASSIST .......................................................................................... 199
PC AUTO SAVE ....................................................................................................... 200
PRINT ORDER (DPOF) ......................................................................................... 201
instax PRINTER PRINT ......................................................................................... 202
DISP ASPECT ........................................................................................................... 203
8
The Setup Menus 205
The Setup Menus 205
USER SETTING ............................................................................................206
FORMAT ..................................................................................................................... 206
DATE/TIME ................................................................................................................ 207
TIME DIFFERENCE ................................................................................................ 207
Qa ......................................................................................................... 208
x MY MENU SETTING ..................................................................................... 208
F MY MENU SETTING ...................................................................................... 208
SENSOR CLEANING ............................................................................................. 209
SOUND & FLASH ................................................................................................... 209
RESET ........................................................................................................................... 210
REGULATORY .......................................................................................................... 210
SOUND SETTING .......................................................................................211
AF BEEP VOL. ........................................................................................................... 211
SELF-TIMER BEEP VOL. ....................................................................................... 211
OPERATION VOL. ................................................................................................... 212
SHUTTER VOLUME ............................................................................................... 212
SHUTTER SOUND ................................................................................................. 212
PLAYBACK VOLUME ............................................................................................ 212
background
xix
Table of Contents
SCREEN SETTING.......................................................................................213
VIEW MODE SETTING ........................................................................................ 213
EVF BRIGHTNESS................................................................................................... 213
EVF COLOR ............................................................................................................... 213
EVF COLOR ADJUSTMENT .............................................................................. 214
LCD BRIGHTNESS.................................................................................................. 214
LCD COLOR .............................................................................................................. 214
LCD COLOR ADJUSTMENT ............................................................................. 214
IMAGE DISP. .............................................................................................................. 215
AUTOROTATE DISPLAYS ................................................................................... 215
PREVIEW EXP./WB IN MANUAL MODE ..................................................... 216
NATURAL LIVE VIEW ............................................................................................ 216
F-Log VIEW ASSIST............................................................................................... 217
FRAMING GUIDELINE ......................................................................................... 217
AUTOROTATE PB ................................................................................................... 218
FOCUS SCALE UNITS .......................................................................................... 218
APERTURE UNIT FOR CINEMA LENS ......................................................... 218
DISP. CUSTOM SETTING.................................................................................... 218
LARGE INDICATORS MODE(EVF) ................................................................. 219
LARGE INDICATORS MODE(LCD) ................................................................ 219
LARGE INDICATORS DISP. SETTING ............................................................ 220
INFORMATION CONTRAST ADJ. .................................................................. 220
x Q MENU BACKGROUND ........................................................................... 221
F Q MENU BACKGROUND ........................................................................... 221
BUTTON/DIAL SETTING ..........................................................................222
FOCUS LEVER SETTING ..................................................................................... 222
x EDIT/SAVE QUICK MENU .......................................................................... 223
F EDIT/SAVE QUICK MENU .......................................................................... 223
FUNCTION (Fn) SETTING ................................................................................. 223
SHUTTER AF ............................................................................................................ 224
SHUTTER AE ............................................................................................................ 224
SHOOT WITHOUT LENS .................................................................................... 225
SHOOT WITHOUT CARD .................................................................................. 225
FOCUS RING ............................................................................................................ 225
FOCUS RING OPERATION ................................................................................ 225
background
xx
AE/AF-LOCK MODE ............................................................................................. 226
AWB-LOCK MODE ................................................................................................ 226
TOUCH SCREEN SETTING ................................................................................ 227
POWER MANAGEMENT ..........................................................................229
AUTO POWER OFF ............................................................................................... 229
PERFORMANCE ..................................................................................................... 230
BOOST SETTING .................................................................................................... 230
SAVE DATA SETTING ................................................................................231
FRAME NO. ............................................................................................................... 231
SAVE ORG IMAGE ................................................................................................. 232
EDIT FILE NAME ..................................................................................................... 232
SELECT FOLDER .................................................................................................... 233
COPYRIGHT INFO ................................................................................................. 233
CONNECTION SETTING ..........................................................................234
Bluetooth SETTINGS........................................................................................... 234
PC AUTO SAVE ....................................................................................................... 235
instax PRINTER CONNECTION SETTING ................................................. 236
CONNECTION MODE ......................................................................................... 237
USB POWER SUPPLY SETTING ...................................................................... 238
GENERAL SETTINGS ............................................................................................ 239
INFORMATION ........................................................................................................ 239
RESET WIRELESS SETTING ............................................................................... 239
9
Shortcuts 241
Shortcuts 241
Shortcut Options ......................................................................................242
MY MENU ....................................................................................................243
MY MENU SETTING ............................................................................................. 243
The Quick Menu ........................................................................................245
The Quick Menu Display ................................................................................. 245
Viewing and Changing Settings................................................................. 247
Editing the Quick Menu ................................................................................... 248
Function Controls .....................................................................................251
The Function Buttons ........................................................................................ 251
The Function Dial ................................................................................................. 254
Touch-Function Gestures ............................................................................... 255
background
xxi
Table of Contents
10
Peripherals and Optional Accessories 257
Peripherals and Optional Accessories 257
Lenses ...........................................................................................................258
Lens Parts .................................................................................................................. 258
Removing Lens Caps ......................................................................................... 259
Attaching Lens Hoods ...................................................................................... 259
Lenses with Aperture Rings .......................................................................... 260
Lenses with O.I.S. Switches ............................................................................ 261
Manual Focus Lenses ........................................................................................ 262
Lens Care ................................................................................................................... 263
External Flash Units .................................................................................264
Using an External Flash .................................................................................... 265
SYNC TERMINAL .................................................................................................... 266
SHOE MOUNT FLASH ........................................................................................ 267
COMMANDER(OPTICAL) .................................................................................. 270
11
Connections 275
Connections 275
HDMI Output..............................................................................................276
Connecting to HDMI Devices ...................................................................... 276
Shooting .................................................................................................................... 277
Playback ..................................................................................................................... 277
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi) ............278
Smartphones and Tablets: FUJIFILM Camera Remote .................. 278
Copying Pictures to a Computer: PC AutoSave ................................ 280
Connecting via USB .................................................................................281
Connecting to Computers ............................................................................. 281
Copying Pictures to a Computer ............................................................... 284
Converting RAW Images: FUJIFILM X RAW STUDIO ....................... 285
Backing up and Restoring Camera Settings
(FUJIFILM X Acquire) ....................................................................................... 285
Connecting to Smartphones ....................................................................... 286
instax SHARE Printers ..............................................................................289
Establishing a Connection ............................................................................. 289
Printing Pictures.................................................................................................... 290
background
xxii
Table of Contents
12
Technical Notes 291
Technical Notes 291
Accessories from Fuji lm .......................................................................292
Software for Use with Your Camera ...................................................294
FUJIFILM Camera Remote .............................................................................. 294
FUJIFILM PC AutoSave ...................................................................................... 294
RAW FILE CONVERTER EX powered by SILKYPIX .............................. 294
Capture One Express Fuji lm ....................................................................... 294
Capture One Pro Fuji lm ................................................................................. 295
FUJIFILM X Acquire ............................................................................................. 295
FUJIFILM X RAW STUDIO ................................................................................. 295
FUJIFILM X Webcam .......................................................................................... 295
For Your Safety ...........................................................................................296
Product Care ...............................................................................................305
Cleaning the Image Sensor ...................................................................306
Firmware Updates ....................................................................................307
Checking the Firmware Version .................................................................. 307
Troubleshooting .......................................................................................308
Warning Messages and Displays .........................................................317
Memory Card Capacity ...........................................................................321
Speci cations .............................................................................................322
background
xxiii
Supplied Accessories
The following are included with the camera:
NP-W126S rechargeable battery
Body cap (comes attached to camera)
USB cable
Headphone adapter
Shoulder strap
Basic Manual
O
The battery is not charged at shipment. Charge the battery before use
(P 33).
N
If you purchased a lens kit, check that a lens is included.
The supplied headphone adapter converts USB Type-C connectors to
3.5 mm headphone jacks.
For information on compatible computer software, see “Software for
Use with Your Camera (P 294).
background
xxiv
About This Manual
This manual contains instructions for your FUJIFILM X-S10
digital camera. Be sure you have read and understood its
contents before proceeding.
Symbols and Conventions
The following symbols are used in this manual:
O
Information that should be read to prevent damage to the
product.
N
Additional information that may be helpful when using the
product.
P
Pages on which related information may be found.
Menus and other text in the displays are shown in bold. Illustrations
are for explanatory purposes only; drawings may be simpli ed,
while photographs are not necessarily taken with the model of
camera described in this manual.
Terminology
The optional SD, SDHC, and SDXC memory cards the camera uses
to store pictures are referred to as “memory cards”. The electronic
view nder may be referred to as the “EVF” and the LCD monitor
as the “LCD”.
background
1
Before You Begin
background
2
1
Before You Begin
Parts of the Camera
The parts of the camera are listed below.
A
t(movie recording) button .......................48
B
Q (quick menu) button ...............................245
C
ISO button ......................................................251
D
Rear command dial ................................6, 183
E
Mode dial .............................................. 4, 42, 48
F
Hot shoe .........................................................265
G
Microphone ............................................ 50, 174
H
Fn (function) dial .....................................7, 254
I
N(fl ash pop-up) lever ................................101
J
Connector cover
K
Strap clip............................................................28
L
Connector cover
M
Speaker .................................................... 52, 212
N
Lens signal contacts
O
Lens release button ........................................29
P
AF-assist illuminator...................................128
Self-timer lamp ............................................139
Tally light ........................................................162
Q
Front command dial ........................................6
R
ON/OFF switch .................................................35
S
Shutter button .................................................43
T
Flash ................................................................101
U
Body cap ............................................................29
V
Microphone/remote release connector
(3.5mm) .......................................3, 50, 153
W
USB connector (Type-C) ...............33, 50, 281
X
HDMI Micro connector (Type D) .............276
background
3
1
Before You Begin
Parts of the Camera
Y
I(drive) button ....................................... 5, 88
b(delete) button (playback mode) .........45
Z
a(playback) button ...................................44
a
Diopter adjustment control ...........................9
b
Electronic viewfi nder (EVF)
.....................................................10, 14, 16, 21
c
Fn button........................................................251
d
AEL (exposure lock) button ................ 87, 251
e
AFON button ........................................... 87, 251
f
Strap clip............................................................28
g
Indicator lamp ..........................................8, 162
Tally light ........................................................162
h
Focus stick (focus lever)...................5, 76, 222
i
Battery-chamber cover latch ......................30
j
Battery-chamber cover .................................30
k
Cable channel cover for DC coupler .......292
l
DISP (display)/BACK button ............... 16, 181
m
MENU/OK button .............................................19
n
Tripod mount
o
Vari-angle LCD monitor .................... 9, 12, 14
Touch screen .................................21, 135, 227
p
Eye sensor ..........................................................15
q
Memory card slot ............................................30
r
Battery chamber .............................................30
s
Battery latch .....................................................31
t
Serial number plate......................... see below
O
V
Use of an optional RR-100 remote release requires a third-party
adapter to convert the three-pin, 2.5 mm connector to a three-
pin, 3.5 mm connector.
t
Do not remove the serial number plate, which provides the CMIITID,
serial number, and other important information.
background
4
1
Before You Begin
Camera Functions
The Mode Dial
To select a shooting mode, rotate the dial until
the icon for the desired mode aligns with the
index.
Mode
Mode
Description
Description
P
P
A
AUTO (AUTO) The camera automatically optimizes
settings to the scene.
42
B
P (PROGRAM AE) Aperture and shutter speed can be ad-
justed using program shift.
57
C
S (SHUTTER PRIORITY AE)
A (APERTURE PRIORITY AE)
M (MANUAL)
Select for full control over camera set-
tings, including aperture (M and A)
and/or shutter speed (M and S).
58
60
62
D
C1/C2/C3/C4 (CUSTOM 1/2/3/4) Take pictures using previously-stored
settings.
67
E
F (MOVIE)
Record movies.
48
F
FILTER (FILTER) Take photos with fi lter eff ects. 66
G
SP (SCENE POSITION) Choose a scene suited to the subject or
shooting conditions and let the cam-
era do the rest.
64
background
5
1
Before You Begin
Camera Functions
The Focus Stick (Focus Lever)
Tilt or press the focus stick to select the fo-
cus area. The focus stick can also be used
to navigate the menus.
N
Use D BUTTON/DIAL SETTING> FOCUS LEVER SETTING to choose
the role played by the focus stick (P 222).
I (Drive) Button
Pressing the I (drive) button displays
drive-mode menu, where you can choose
from the following the drive modes.
Mode
Mode
P
P
B
Single frame 56
J
High-speed burst 93
O
Low-speed burst 93
W
ISO BKT 89
V
WHITE BALANCE BKT 89
Mode
Mode
P
P
BKT Bracketing 90
h
HDR 94
u
Panorama 96
j
Multiple Exposure 99
background
6
1
Before You Begin
The Command Dials
The rear and front command dials are used for the
operations below.
Front command dial Rear command dial
Shooting
Shooting
Choose the desired combina-
tion of shutter speed and aper-
ture (program shift).
Adjust aperture.
Choose a shutter speed.
Choose a scene.
Adjust exposure compensation.
Choose a shutter speed.
Menus
Menus
Select menu tabs or page
through menus.
Highlight menu items.
Q Menu
Q Menu
Select items in the quick menu.
Adjust settings in the quick
menu.
Playback
Playback
View other pictures.
Zoom in or out (full-frame play-
back).
Zoom in or out (multi-frame
playback).
N
For information on the roles performed by the dials during shooting,
see The Command and Function Dials (P 69).
background
7
1
Before You Begin
Camera Functions
The Fn (Function) Dial
Rotate the function dial to quickly adjust
settings for the assigned function during
shooting.
At shipment, the dial is assigned the DEFAULT role. At this set-
ting, the function performed by the dial varies with the position
of the mode dial.
Mode
Mode
Description
Description
FILTER (FILTER) Filter selection
P (PROGRAM AE)
S (SHUTTER PRIORITY AE)
A (APERTURE PRIORITY AE)
M (MANUAL)
AUTO (AUTO)
SP (SCENE POSITION)
F (MOVIE)
C1/C2/C3/C4 (CUSTOM)
Film simulation
N
The role performed by the function dial can be chosen using
D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING (P 254).
background
8
1
Before You Begin
The Indicator Lamp
Camera status is shown by the indicator
lamp.
Indicator lamp
Indicator lamp
Camera status
Camera status
Glows green Focus locked.
Blinks green Focus or slow shutter speed warning. Pictures can be taken.
Blinks green and
orange
Camera on: Recording pictures. Additional pictures can be
taken.
Camera o : Uploading pictures to a smartphone or tablet.
*
Glows orange
Recording pictures. No additional pictures can be taken at
this time.
Blinks orange Flash charging; fl ash will not fi re when picture is taken.
Blinks red Lens or memory error.
* Displayed only if pictures are selected for upload.
N
Warnings may also appear in the display.
The indicator lamp remains o while your eye is to the view nder.
The B MOVIE SETTING> TALLY LIGHT option can be used to
choose the lamp (indicator or AF-assist) that lights during movie re-
cording and whether the lamp blinks or remains steady.
background
9
1
Before You Begin
Camera Functions
The LCD Monitor
You can adjust the angle of the LCD moni-
tor when framing shots, but be careful not
to trap your  ngers or other objects.
O
Do not apply excessive force to the hinge when rotating the LCD
monitor, as this could damage the hinge.
Be careful that the corners of the monitor do not contact the camera
body, as this could leave marks.
N
The LCD monitor also functions as a touch screen that can be used for:
Touch photography (P 22)
Focus area selection (P 21)
Function selection (P 24)
Movie optimized control oL (P 23)
Full-frame playback operations (P 25)
Focusing the View nder
If the indicators displayed in the view-
nder are blurred, put your eye to the
view nder and rotate the diopter adjust-
ment control until the display is in sharp
focus.
background
10
1
Before You Begin
Camera Displays
This section lists the indicators that may be displayed
during shooting.
O
For illustrative purposes, displays are shown with all indicators lit.
The Electronic View nder
5
4
3
2
1
0
-1
-2
-3
-4
-5
5
4
3
2
1
0
-1
-2
-3
-4
-5
3
GA B C E F JI K NOD H
2
x
w
v
u
s
t
n m h fg e d c a Zbkl ij
S
T
U
V
W
R
Q
X
Y
y
P
opqr
0
1
z
LM
background
11
1
Before You Begin
Camera Displays
A
Crop factor ..................................................... 138
B
Focus check ............................................ 80, 132
C
Depth-of-fi eld preview ...........................61, 80
D
Location data download status .....239, 278
E
Bluetooth ON/OFF .......................................234
F
Image transfer status ........................234, 278
G
Movie mode ...........................................48, 154
H
Full HD high-speed recording ..................156
I
Recording time available/
elapsed recording time ..............................48
J
Date and time ..................................37, 39, 207
K
Number of available frames
1
...................321
L
Image size ...................................................... 106
M
File format ......................................................155
N
Image quality................................................107
O
Temperature warning ................................320
P
Touch screen mode .............................. 21, 135
Q
White balance .............................................. 111
R
AWB lock ........................................................226
S
Film simulation ............................................ 108
T
F-Log recording ............................................ 157
U
Dynamic range ............................................115
V
D-range priority ...........................................116
W
Movie optimized control ..............................23
X
Sound and fl ash indicator ........................209
Y
Virtual horizon .................................................18
Z
Boost mode ...................................................230
a
Histogram .........................................................18
b
Distance indicator
2
........................................80
c
Power supply ....................................................34
d
Battery level ......................................................36
e
Sensitivity ..........................................................83
f
Exposure compensation ...............................82
g
Focus frame ...............................................75, 86
h
Aperture ...............................................57, 60, 62
i
Time code .......................................................177
j
Shutter speed .....................................57, 58, 62
k
TTL lock ..................................................149, 253
l
AE lock ...................................................... 87, 226
m
Metering ............................................................85
n
Shooting mode ...............................................56
o
Focus mode
2
....................................................71
p
Focus indicator
2
..............................................72
q
Manual focus indicator
2
.......................71, 79
r
AF lock ...................................................... 87, 226
s
Mic jack setting ............................................175
t
Recording level
2
........................................... 174
u
AF+MF indicator
2
.......................................131
v
Shutter type ................................................... 144
w
Continuous mode ...........................................93
x
Exposure indicator ..........................................62
y
Self-timer indicator ..................................... 139
z
Microphone ......................................................50
0
Remote release ................................................59
1
Flash (TTL) mode ......................................... 267
2
IS mode
2
.........................................................146
3
Flash compensation ................................... 267
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP> LARGE INDICATORS
MODE(EVF).
background
12
1
Before You Begin
The LCD Monitor
A BC E F G J K L O P Q
R
S
T
U
V
W
X
Y
Zacd befghijmn
klopqr
s
t
u
v
w
x
D
H I M N
2
y
0
1
z
background
13
1
Before You Begin
Camera Displays
A
Crop factor ..................................................... 138
B
Flash compensation ................................... 267
C
Focus check ............................................ 80, 132
D
Depth-of-fi eld preview ...........................61, 80
E
Location data download status .....239, 278
F
Bluetooth ON/OFF .......................................234
G
Image transfer status ........................234, 278
H
Movie mode ...........................................48, 154
I
Full HD high-speed recording ..................156
J
Focus frame ...............................................75, 86
K
Recording time available/
elapsed recording time ..............................48
L
Number of available frames
1
...................321
M
Image size ...................................................... 106
N
File format ......................................................155
O
Image quality................................................107
P
Date and time ..................................37, 39, 207
Q
Touch screen mode .............................. 21, 135
R
AWB lock ........................................................226
S
White balance .............................................. 111
T
Film simulation ............................................ 108
U
F-Log recording ............................................ 157
V
Dynamic range ............................................115
W
D-range priority ...........................................116
X
Movie optimized control ..............................23
Y
Boost mode ...................................................230
Z
Temperature warning ................................320
a
Sound and fl ash indicator ........................209
b
Power supply ....................................................34
c
Battery level ......................................................36
d
Distance indicator
2
........................................80
e
Sensitivity ..........................................................83
f
Histogram .........................................................18
g
Exposure compensation ...............................82
h
Aperture ...............................................57, 60, 62
i
Time code .......................................................177
j
Shutter speed .....................................57, 58, 62
k
TTL lock ..................................................149, 253
l
AE lock ...................................................... 87, 226
m
Metering ............................................................85
n
Shooting mode ...............................................56
o
Focus mode
2
....................................................71
p
Focus indicator
2
..............................................72
q
Manual focus indicator
2
.......................71, 79
r
AF lock ...................................................... 87, 226
s
Mic jack setting ............................................175
t
AF+MF indicator
2
.......................................131
u
Shutter type ................................................... 144
v
Recording level
2
........................................... 174
w
Continuous mode ...........................................93
x
Exposure indicator ..........................................62
y
Self-timer indicator ..................................... 139
z
Microphone ......................................................50
0
Remote release ................................................59
1
Flash (TTL) mode ......................................... 267
2
IS mode
2
.........................................................146
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP> LARGE INDICATORS
MODE(LCD).
background
14
1
Before You Begin
Adjusting Display Brightness
The brightness and hue of the view nder and LCD monitor can
be adjusted using the items in the D SCREEN SET-UP menu.
Choose EVF BRIGHTNESS or EVF COLOR to adjust view nder
brightness or hue, LCD BRIGHTNESS or LCD COLOR to do the
same for the LCD monitor.
Display Rotation
When ON is selected for D SCREEN SET-UP> AUTOROTATE
DISPLAYS, the indicators in the view nder and LCD monitor au-
tomatically rotate to match camera orientation.
Choosing a Display Mode
Use D SCREEN SET-UP> VIEW MODE SETTING to choose from
the following display modes. You can choose separate display
modes for shooting and playback.
SHOOTING
Option
Option
Description
Description
E
E
EYE SENSOR
EYE SENSOR
Putting your eye to the viewfi nder turns the viewfi nder
on and the LCD monitor off ; taking your eye away turns
the viewfi nder off and LCD monitor on.
Q
Q
EVF ONLY
EVF ONLY
Viewfi nder on, LCD monitor off .
r
r
LCD ONLY
LCD ONLY
LCD monitor on, viewfi nder off .
Q
Q
EVF ONLY +
EVF ONLY +
E
E
Putting your eye to the viewfi nder turns the viewfi nder
on; taking it away turns the viewfi nder off . The LCD mon-
itor remains off .
t
t
EYE SENSOR +
EYE SENSOR +
LCD IMAGE DISP.
LCD IMAGE DISP.
Putting your eye to the viewfi nder during shooting turns
the viewfi nder on, but the LCD monitor is used for the
display of images once you remove your eye from the
viewfi nder after shooting.
background
15
1
Before You Begin
Camera Displays
PLAYBACK
Option
Option
Description
Description
E
E
EYE SENSOR
EYE SENSOR
Putting your eye to the viewfi nder turns the viewfi nder
on and the LCD monitor off ; taking your eye away turns
the viewfi nder off and LCD monitor on.
Q
Q
EVF ONLY
EVF ONLY
Viewfi nder on, LCD monitor off .
r
r
LCD ONLY
LCD ONLY
LCD monitor on, viewfi nder off .
The Eye Sensor
The eye sensor may respond to objects other
than your eye or to light shining directly on the
sensor.
Eye sensor
background
16
1
Before You Begin
The DISP/BACK Button
The DISP/BACK button controls the display
of indicators in the view nder and LCD
monitor.
N
Indicators for the EVF and LCD must be
selected separately. To choose the EVF
display, place your eye to the view nder
while using the DISP/BACK button.
Viewfi nder (EVF)
Standard indicators
Full screen
(no indicators)
5
4
3
2
1
0
-1
-2
-3
-4
-5
5
4
3
2
1
0
-1
-2
-3
-4
-5
12800
1000
LCD Monitor
Standard indicators No indicators
Info display (still photography only)
background
17
1
Before You Begin
Camera Displays
Customizing the Standard Display
To choose the items shown in the standard indicator display:
1
Display standard indicators.
Use the DISP/BACK button to display standard indicators.
2
Select DISP. CUSTOM SETTING.
Select D SCREEN SET-UP> DISP. CUSTOM SETTING in the
setup menu.
3
Choose items.
Highlight items and press MENU/OK to select or deselect.
Item
Item
Default
Default
FRAMING GUIDELINE
R
ELECTRONIC LEVEL
R
FOCUS FRAME
R
AF DISTANCE INDICATOR
R
MF DISTANCE INDICATOR
R
HISTOGRAM
R
LIVE VIEW HIGHLIGHT ALERT
R
SHOOTING MODE
R
APERTURE/S-SPEED/ISO
R
INFORMATION BACKGROUND
R
Expo. Comp. (Digit)
R
Expo. Comp. (Scale)
R
FOCUS MODE
R
PHOTOMETRY
R
SHUTTER TYPE
R
FLASH
R
Item
Item
Default
Default
CONTINUOUS MODE
R
DUAL IS MODE
R
TOUCH SCREEN MODE
R
WHITE BALANCE
R
FILM SIMULATION
R
DYNAMIC RANGE
R
BOOST MODE
R
FRAMES REMAINING
R
IMAGE SIZE/QUALITY
R
MOVIE MODE & REC. TIME
R
IMAGE TRANSFER ORDER
R
MIC LEVEL
R
GUIDANCE MESSAGE
R
BATTERY LEVEL
R
FRAMING OUTLINE
R
4
Press DISP/BACK to save changes.
5
Press DISP/BACK as needed to exit the menus and return to the
shooting display.
background
18
1
Before You Begin
Camera Displays
Virtual Horizon
Selecting ELECTRONIC LEVEL displays a virtu-
al horizon. The camera is level when the two
lines overlap. Note that the virtual horizon may
not be displayed if the camera lens is pointed
up or down. For a 3D display (shown), press the
function button to which ELECTRONIC LEVEL
is assigned (P 251).
Pitch Roll
Framing Outline
Enable FRAMING OUTLINE to make the borders of the frame easier to see
against dark backgrounds.
Histograms
Histograms show the distribution of tones in the image. Brightness is
shown by the horizontal axis, the number of pixels by the vertical axis.
Number of pixels
Shadows Highlights
Pixel brightness
Optimal exposure: Pixels are distributed in an even curve
throughout the tone range.
Overexposed: Pixels are clustered on the right side of
the graph.
Underexposed: Pixels are clustered on the left side of
the graph.
To view separate RGB histograms and a dis-
play showing areas of the frame that will be
overexposed at current settings superimposed
on the view through the lens, press the func-
tion button to which HISTOGRAM is assigned
(P 251).
A
Overexposed areas blink
B
RGB histograms
background
19
1
Before You Begin
Using the Menus
To display the menus, press MENU/OK.
The Menus
Di erent menus are displayed during still photography, movie
recording, and playback.
Shooting
Shooting
EXIT
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
MONOCHROMATIC COLOR
Still photography: Mode
dial rotated to position
other than F (movie)
MOVIE SETTING
MOVIE MODE
SHOOTING MODE
FILE FORMAT
FULL HD HIGH SPEED REC
FIX MOVIE CROP MAGNIFICATION
4K MOVIE OUTPUT
FULL HD MOVIE OUTPUT
F-Log RECORDING
EXIT
Movie recording: Mode
dial rotated to F (movie)
Playback
Playback
EXIT
CROP
VOICE MEMO SETTING
RAW CONVERSION
PLAY BACK MENU
ERASE
RESIZE
PROTECT
IMAGE ROTATE
RED EYE REMOVAL
During playback
background
20
1
Before You Begin
Using the Menus
Selecting a Menu Tab
To navigate the menus:
1
Press MENU/OK to display the menus.
EXIT
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
MONOCHROMATIC COLOR
2
Press the focus stick (focus lever)
left to highlight the tab for the cur-
rent menu.
EXIT
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
MONOCHROMATIC COLOR
Tab
3
Press the focus stick up or down to highlight the tab contain-
ing the desired item.
4
Press the focus stick right to place the cursor in the menu.
N
Use the front command dial to select menu tabs or page through
menus and the rear command dial to highlight menu items.
background
21
1
Before You Begin
Touch Screen Mode
The LCD monitor also functions as a touch screen.
Shooting Touch Controls
To enable touch controls, select ON for
D BUTTON/DIAL SETTING> TOUCH
SCREEN SETTING> x TOUCH SCREEN
SETTING.
TOUCH SCREEN SETTING
TOUCH FUNCTION
DOUBLE TAP SETTING
TOUCH SCREEN SETTING
TOUCH SCREEN SETTINGS
EVF TOUCH SCREEN AREA SETTINGS
ON
OFF
EVF
The LCD monitor can be used to select the focus area while pic-
tures are being framed in the electronic view nder (EVF). Use
D BUTTON/DIAL SETTING> TOUCH SCREEN SETTING> EVF
TOUCH SCREEN AREA SETTINGS to choose the area of the mon-
itor employed for touch controls.
N
When FACE DETECTION ON is selected for G AF/MF SETTING>
FACE/EYE DETECTION SETTING, you can choose the face used for
focus.
background
22
1
Before You Begin
LCD Monitor
The operation performed can be selected
by tapping the touch screen mode indica-
tor in the display. Touch controls can be
used for the following operations:
Mode
Mode
Description
Description
TOUCH
TOUCH
SHOOTING
SHOOTING
Tap your subject in the display to focus and release the shutter.
In burst mode, pictures will be taken while you keep your fi nger
on the display.
AF
If SINGLE AF is selected for focus mode, the camera will fo-
cus when you tap your subject in the display. Focus locks at
the current distance until you tap the AFOFF icon.
If CONTINUOUS AF is selected for focus mode, the camera
will initiate focus when you tap your subject in the display.
The camera will continue to adjust focus for changes in the
distance to the subject until you tap the AFOFF icon.
When MANUAL FOCUS is selected for focus mode, you can
tap the display to focus on the selected subject using autofocus.
AFOFF
AREA
AREA
Tap to select a point for focus or zoom. The focus frame will
move to the selected point.
OFF
OFF
Touch controls disabled.
O
Di erent touch controls are used during focus zoom (P 136).
N
To disable touch controls and hide the touch screen mode indica-
tor, select OFF for DBUTTON/DIAL SETTING> TOUCH SCREEN
SETTING> x TOUCH SCREEN SETTING.
Touch control settings can be adjusted using G AF/MF SETTING>
xF TOUCH SCREEN MODE. For information on the touch
controls available during movie recording, see “Movie Recording
(xF TOUCH SCREEN MODE; P 171)”.
background
23
1
Before You Begin
Touch Screen Mode
MOVIE OPTIMIZED CONTROL oL
Selecting ON for B MOVIE SETTING>
MOVIE OPTIMIZED CONTROL oL or
tapping the movie-optimized mode but-
ton in the shooting display optimizes the
command dials and touch controls for
movie recording. This can be used to pre-
vent camera sounds being recorded with
movie footage.
SHUTTER SPEED
APERTURE
EXPOSURE COMPENSATION
ISO
INTERNAL MIC LEVEL
ADJUSTMENT/EXTERNAL MIC
LEVEL ADJUSTMENT
WIND FILTER
HEADPHONES VOLUME
F FILM SIMULATION
F WHITE BALANCE
F IS MODE
F IS MODE BOOST
F FOCUS MODE
N
Enabling movie-optimized controls disables the aperture ring.
When movie-optimized control is enabled, the movie-optimized
mode button can be used to change shooting settings or disable
movie-optimized control.
Movie-optimized
mode button
background
24
1
Before You Begin
Touch Function
Functions can be assigned to the follow-
ing  ick gestures in much the same way
as function buttons (P 255):
Flick up: T-Fn1
Flick left: T-Fn2
Flick right: T-Fn3
Flick down: T-Fn4
N
In some cases, touch-function  ick ges-
tures display a menu; tap to select the
desired option.
Touch-function gestures are disabled by
default. To enable touch-function ges-
tures, select ON for DBUTTON/DIAL
SETTING> TOUCH SCREEN SETTING>
c TOUCH FUNCTION.
INTERNAL MIC LEVEL ADJUSTMENT
SET CANCEL
background
25
1
Before You Begin
Touch Screen Mode
Playback Touch Controls
When ON is selected for D BUTTON/DIAL SETTING > TOUCH
SCREEN SETTING> a TOUCH SCREEN SETTING, touch controls
can be used for the following playback operations:
Swipe: Swipe a  nger across the display
to view other images.
Pinch-out: Place two  ngers on the dis-
play and spread them apart to zoom in.
Pinch-in: Place two  ngers on the display
and slide them together to zoom out.
N
Pictures can be zoomed out until the entire image is visible but no
further.
Double-tap: Tap the display twice to zoom
in on the focus point.
Drag: View other areas of the image
during playback zoom.
background
26
MEMO
background
27
First Steps
background
28
2
First Steps
Attaching the Strap
Attach the strap.
Attach the strap to the two strap clips as shown below.
O
To avoid dropping the camera, be sure the strap is correctly secured.
background
29
2
First Steps
Attaching a Lens
The camera can be used with lenses for the FUJIFILM
X-mount.
Remove the body cap from the camera
and the rear cap from the lens. Place the
lens on mount, keeping the marks on the
lens and camera aligned (
A
), and then
rotate the lens until it clicks into place
(
B
).
O
When attaching lenses, ensure that dust or other foreign matter does
not enter the camera.
Be careful not to touch the cameras internal parts.
Rotate the lens until it clicks securely into place.
Do not press the lens release button while attaching the lens.
Removing Lenses
To remove the lens, turn the camera o , then
press the lens release button (
A
) and rotate the
lens as shown (
B
).
O
To prevent dust accumulating on the lens
or inside the camera, replace the lens caps
and camera body cap when the lens is not
attached.
Lenses and Other Optional Accessories
The camera can be used with lenses and accessories for the FUJIFILM
X-mount.
O
Observe the following precautions when attaching or removing (ex-
changing) lenses.
Check that the lenses are free of dust and other foreign matter.
Do not change lenses in direct sunlight or under another bright light
source. Light focused into the interior of the camera could cause it to
malfunction.
Attach the lens caps before exchanging lenses.
background
30
2
First Steps
Inserting the Battery and a Memory Card
Insert the battery and memory card as described below.
1
Slide the battery-chamber cover latch
as shown and open the battery-cham-
ber cover.
2
Insert the battery.
Using the battery to keep the bat-
tery latch pressed to one side, in-
sert the battery contacts  rst in the
direction shown by the arrow.
3
Insert the memory card.
N
The optional SD, SDHC, and SDXC
memory cards the camera uses to store
pictures are referred to as “memory
cards.
4
Close the battery-chamber cover and slide the battery-cham-
ber cover latch closed.
background
31
2
First Steps
Inserting the Battery and a Memory Card
Removing the Battery
Before removing the battery or memory card, turn the camera o and open
the battery-chamber cover.
To remove the battery, press the battery latch to
the side, and slide the battery out of the camera
as shown.
O
The battery may become hot when used in high-temperature environ-
ments. Observe caution when removing the battery.
Removing Memory Cards
To remove the memory card, press it in and re-
lease it slowly. The card can then be removed
by hand.
O
Press the center of the card when ejecting it.
When a memory card is removed, the card could be ejected too
quickly. Use your  nger to hold it and gently release the card.
background
32
2
First Steps
Inserting the Battery and a Memory Card
Compatible Memory Cards
The camera can be used with SD, SDHC, and SDXC memory
cards.
The camera supports UHS-I memory cards.
To record movies, use cards with a UHS speed class of 3 or better
or a video speed class of V30 or better.
A list of supported memory cards is available on the Fuji lm
website. For details, visit:
https://fujifilm-x.com/support/compatibility/cameras/
.
O
Do not turn the camera o or remove the memory card while the memo-
ry card is being formatted or data are being recorded to or deleted from
the card. Failure to observe this precaution could damage the card.
Memory cards can be locked, making it
impossible to format the card or to record
or delete images. Before inserting a mem-
ory card, slide the write-protect switch to
the unlocked position.
Memory cards are small and can be swallowed; keep out of reach of
children. If a child swallows a memory card, seek medical assistance
immediately.
miniSD or microSD adapters that are larger or smaller than memory
cards may not eject normally; if the card does not eject, take the cam-
era to an authorized service representative. Do not forcibly remove
the card.
Do not a x labels or other objects to memory cards. Peeling labels
can cause camera malfunction.
Movie recording may be interrupted with some types of memory card.
Formatting a memory card in the camera creates a folder in which
pictures are stored. Do not rename or delete this folder or use a com-
puter or other device to edit, delete, or rename image  les. Always
use the camera to delete pictures; before editing or renaming  les,
copy them to a computer and edit or rename the copies, not the
originals. Renaming the  les on the camera can cause problems
during playback.
background
33
2
First Steps
Charging the Battery
The battery is not charged at shipment. Charge the battery
before use.
O
An NP-W126S rechargeable battery is supplied with the camera.
Turn the camera o for charging.
The camera can be charged via USB. USB charging is available
with computers with a manufacturer-approved operating sys-
tem and USB interface.
Leave the computer on during charging.
O
The battery will not charge while the camera is on.
Connect the supplied USB cable.
Connect the camera directly to the computer; do not use a USB hub
or keyboard.
Charging stops if the computer enters sleep mode. To resume
charging, activate the computer and disconnect and reconnect the
USB cable.
Charging may not be supported depending on the model of com-
puter, computer settings, and the computers current state.
The battery takes about 5 hours to charge with a charging input of
5 V/500 mA.
To charge the battery from a household AC power outlet, use a
BC-W126S battery charger (available separately).
background
34
2
First Steps
Charging the Battery
Charge Status
The indicator lamp shows battery charge status
as follows:
Indicator lamp
Indicator lamp
Battery status
Battery status
On Battery charging.
Off Charging complete.
Blinks Charging error.
O
Do not a x labels or other objects to the battery. Failure to observe
this precaution could make it impossible to remove the battery from
the camera.
Do not short the battery terminals. The battery could overheat.
Read the cautions in The Battery and Power Supply.
Use only genuine Fuji lm rechargeable batteries designated for use
in this camera. Failure to observe this precaution could result in prod-
uct malfunction.
Do not remove the labels from the battery or attempt to split or peel
the outer casing.
The battery gradually loses its charge when not in use. Charge the
battery one or two days before use.
If the battery fails to hold a charge, it has reached the end of its
charging life and must be replaced.
Remove dirt from the battery terminals with a clean, dry cloth. Failure
to observe this precaution could prevent the battery from charging.
Note that charging times increase at low or high temperatures.
N
If the camera is turned on during charging,
charging will end and the USB connection
will instead be used to power the camera.
The battery level will begin to gradually
decline (P 238).
The camera will display a “power supply” icon when powered via USB.
background
35
2
First Steps
Turning the Camera On and O
Use the ON/OFF switch to turn the camera on and o .
Slide the switch to ON to turn the camera
on, or to OFF to turn the camera o .
O
Fingerprints and other marks on the lens or view nder can a ect pic-
tures or the view through the view nder. Keep the lens and view nd-
er clean.
N
Pressing the a button during shooting starts playback.
Press the shutter button halfway to return to shooting mode.
The camera will turn o automatically if no operations are performed
for the length of time selected for D POWER MANAGEMENT>
AUTO POWER OFF. To reactivate the camera after it has turned o
automatically, press the shutter button halfway or turn the ON/OFF
switch to OFF and then back to ON.
background
36
2
First Steps
Checking the Battery Level
After turning the camera on, check the battery level in the
display.
Battery level is shown as follows:
Indicator
Indicator
Description
Description
e
Battery partially discharged.
f
Battery about 80% full.
g
Battery about 60% full.
h
Battery about 40% full.
i
Battery about 20% full.
i
(red)
Low battery. Charge as soon as possible.
j
(blinks red)
Battery exhausted. Turn camera off and recharge battery.
background
37
2
First Steps
Basic Setup
When you turn the camera on for the  rst time, you can
choose a language and set the camera clock. At default
settings, you can also pair the camera with a smartphone
or tablet so that you can later synchronize the clocks or
download pictures. Follow the steps below when turning
the camera on for the  rst time.
N
If you intend to pair the camera with a smartphone or tablet, install
and launch the latest version of the FUJIFILM Camera Remote App on
the smart device before proceeding. For more information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
1
Turn the camera on.
A language-selection dialog will be
displayed.
2
Choose a language.
Highlight a language and press
MENU/OK.
3
Pair the camera with the smartphone or tablet.
Press MENU/OK to pair the camera with
a smartphone or tablet running the
FUJIFILM Camera Remote app.
N
To skip pairing, press DISP/BACK.
SCAN QR CODE OR SEARCH FOR "FUJIFILM
Camera Remote" APP ON THE WEB
TO SMARTPHONE BY PAIRING
IMAGES CAN BE EASILY TRANSFERRED
PAIR WITH SMARTPHONE?
PAIRING REGISTRATION
SKIP HELPSET
background
38
2
First Steps
4
Check the time.
When pairing is complete, you will be
prompted to set the camera clock to
the time reported by the smartphone
or tablet. Check that the time is cor-
rect.
PAIRING REGISTRATION
PAIRING COMPLETE
12/31/2020 12:10 AM
SET DATE/TIME FROM SMARTPHONE?
CANCELSET
N
To set the clock manually, press DISP/BACK (P 39).
5
Synchronize the camera settings with
the settings confi gured on your smart-
phone or tablet.
SET
SMARTPHONE SYNC. SETTING
LOCATION
TIME
LOCATION&TIME
OFF
N
The option selected can be changed at any time using
D CONNECTION SETTING> Bluetooth SETTINGS.
6
Set the clock.
Press MENU/OK to set the camera clock to the time reported by
the smartphone or tablet and exit to shooting mode.
7
Format the memory card (P 206).
O
Format memory cards before  rst use, and be sure to reformat all
memory cards after using them in a computer or other device.
N
If the battery is removed for an extended period, the camera clock will
be reset and the language-selection dialog will be displayed when the
camera is turned on.
Skipping the Current Step
If you skip a step, a con rmation dialog will be displayed; select NO to avoid
repeating any steps you skipped the next time the camera is turned on.
background
39
2
First Steps
Basic Setup
Choosing a Di erent Language
To change the language:
1
Display language options.
Select D USER SETTING> Qa.
2
Choose a language.
Highlight the desired option and press MENU/OK.
Changing the Time and Date
To set the camera clock:
1
Display DATE/TIME options.
Select D USER SETTING> DATE/TIME.
2
Set the clock.
Press the focus stick (focus lever) left or right to highlight the
year, month, day, hour, or minute and press up or down to
change. Press MENU/OK to set the clock.
background
40
MEMO
background
41
Basic Photography and
Playback
background
42
3
Basic Photography and Playback
Taking Photographs
This section explains basic photography.
1
Rotate the mode dial to AUTO to view
the Y shooting display.
The camera automatically selects a
scene according to the type of sub-
ject detected.
O
In Y ( AUTO) mode, the camera continuously adjusts focus and
searches for eyes, increasing the drain on the battery; in addition,
the sound of the camera focusing may be audible.
2
Ready the camera.
Hold the camera steady with both
hands—shaking or unsteady hands
can blur your shots.
To prevent pictures that are out of fo-
cus or too dark (underexposed), keep
your  ngers and other objects away
from the lens and AF-assist illumina-
tor.
background
43
3
Basic Photography and Playback
Taking Photographs
3
Frame the picture.
Lenses with Zoom Rings
Use the zoom ring to frame the picture in
the display. Rotate the ring left to zoom
out, right to zoom in.
A
4
Focus.
Press the shutter button halfway to
focus.
Focus indicator
Focus frame
If the camera is able to focus, it will beep twice and focus frame
and focus indicator will glow green.
If the camera is unable to focus, the focus frame will turn red, s
will be displayed, and the focus indicator will blink white.
N
If the subject is poorly lit, the AF-assist illuminator may light to
assist the focus operation.
Focus and exposure will lock when the shutter button is pressed
halfway. Focus and exposure remain locked while the button is
kept in this position (AF/AE lock).
The camera will focus on subjects at any distance in the macro
and standard focus ranges for the lens.
5
Shoot.
Smoothly press the shutter button the rest of the way down
to take the picture.
background
44
3
Basic Photography and Playback
Viewing Pictures
Pictures can be viewed in the view nder or LCD monitor.
To view pictures full frame, press a.
100-0001
Press the focus stick (focus lever) left to page through pictures in
reverse order. Press it right to page through pictures in the order
recorded. Keep the stick pressed to scroll rapidly to the desired
frame.
N
You can also page through pictures using the front command dial or
swipe gestures.
Pictures taken using other cameras are marked with a m (“gift im-
age”) icon to warn that they may not display correctly and that play-
back zoom may not be available.
background
45
3
Basic Photography and Playback
Deleting Pictures
Use the b (delete) button to delete pictures.
O
Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.
1
With a picture displayed full frame, press the b button and
select FRAME.
FRAME
SELECTED FRAMES
ALL FRAMES
ERASE
2
Choose a picture and press MENU/OK to delete it.
The picture will be deleted when the MENU/OK button is
pressed; a con rmation dialog is not displayed. Be careful
not to accidentally delete pictures you wish to keep.
Additional pictures can be deleted using the MENU/OK but-
ton. Display the desired pictures and press MENU/OK to de-
lete them one by one.
N
Protected pictures cannot be deleted. Remove protection from any
pictures you wish to delete (P 192).
Pictures can also be deleted from the menus using the C PLAY BACK
MENU> ERASE option (P 188).
background
46
MEMO
background
47
Movie Recording and
Playback
background
48
4
Movie Recording and Playback
Recording Movies
Record movies with sound.
Recording Movies
Movies can be recorded by pressing the t (movie recording)
button or rotating the mode dial to F(movie).
The t(Movie Recording) Button
Use the t(movie recording) button to quickly and easily record
movies while in still photography mode.
N
The camera automatically selects CONTINUOUS AF for focus mode.
1
Press t to start recording.
A recording indicator (V) is dis-
played while recording is in prog-
ress.
The display shows the elapsed re-
cording time.
2
Press t again to end recording.
Recording ends automatically when the movie reaches
29minutes 59seconds or the memory card is full.
background
49
4
Movie Recording and Playback
Recording Movies
F(Movie) Mode
For more control over camera settings, rotate the mode dial to
F(movie) and record movies using the shutter button.
1
Rotate the mode dial to F(movie).
2
Press the shutter button to start recording.
A recording indicator (V) is dis-
played while recording is in prog-
ress.
The display shows the elapsed re-
cording time.
3
Press the shutter button again to end recording.
Recording ends automatically when the movie reaches
29minutes 59seconds or the memory card is full.
Temperature Warnings
The camera automatically turns o to protect itself when its temperature or
the temperature of the battery rises. If a temperature warning is displayed,
image noise may increase. Turn the camera o and wait for it to cool before
turning it on again (P 320).
background
50
4
Movie Recording and Playback
O
Use a memory card with a UHS speed class of 3 or better when re-
cording movies.
Sound is recorded via the built-in microphone or an optional external
microphone. Do not cover the microphone during recording.
Note that the microphone may pick up lens noise and other sounds
made by the camera during recording.
Vertical or horizontal streaks may appear in movies containing very
bright subjects. This is normal and does not indicate a malfunction.
N
The indicator lamp lights while recording is in progress.
In the case of zoom lenses, zoom can be adjusted during recording
using the zoom ring (if available).
Exposure compensation can be adjusted during recording, but only
by a maximum of ±2 EV.
Recording may be unavailable at some settings, while in other cases
settings may not apply during recording.
Headphones connected via USB can be used to monitor audio during
movie recording. Use the supplied headphone adapter to convert
the USB connector to a plug for a headphone jack.
Using an External Microphone
Sound can be recorded with external micro-
phones that connect using jacks 3.5mm in di-
ameter; microphones that require plug-in pow-
er cannot be used. See the microphone manual
for details.
background
51
4
Movie Recording and Playback
Recording Movies
Adjusting Movie Settings
Movie settings can be adjusted from the movie menus or using
the B MOVIE SETTING item in the photo menus (P 19).
Use the BMOVIE SETTING item in the photo menus to quick-
ly adjust settings when recording movies via the t(movie re-
cording) button (P 151).
The movie menus contain options for use when recording mov-
ies via the shutter button in F(movie) mode (P 154).
O
Changes made using the B MOVIE SETTING item in the photo menus
also apply to the movie menus. Changes made in one set of menus
automatically apply in the other.
Depth of Field
To soften backgrounds, set aperture as wide as possible. Aperture can be
adjusted directly in modes A (aperture-priority AE) and M (manual).
background
52
4
Movie Recording and Playback
Viewing Movies
View movies on the camera.
In full-frame playback, movies are identi-
ed by a W icon. Press the focus stick (fo-
cus lever) down to start movie playback.
12800
+1.0
PLAYPLAY
The following operations can be per-
formed while a movie is displayed:
Focus stick
Focus stick
(focus lever)
(focus lever)
Full-frame
Full-frame
playback
playback
Playback in progress
Playback in progress
(
(
x
x
)
)
Playback paused
Playback paused
(
(
y
y
)
)
Up End playback
Down Start playback Pause playback Start/resume playback
Left/right View other pictures Adjust speed
Single frame rewind/advance
Progress is shown in the display during
playback.
29m59s
PAUSESTOP
O
Do not cover the speaker during playback.
Sound is not played back if OFF is selected for D USER SETTING>
SOUND & FLASH.
N
Press MENU/OK to pause playback and display volume controls. Press
the focus stick (focus lever) up or down to adjust the volume; press
MENU/OK again to resume playback. Volume can also be adjusted us-
ing D SOUND SET-UP> PLAYBACK VOLUME.
Audio can be played back over headphones or other devices con-
nected via USB using the supplied headphone adapter.
background
53
4
Movie Recording and Playback
Viewing Movies
Playback Speed
Press the focus stick (focus lever) left or right to
adjust playback speed during playback. Speed
is shown by the number of arrows (M or N).
29m59s
Arrows
background
54
MEMO
background
55
Taking Photographs
background
56
5
Taking Photographs
Choosing a Shooting Mode
Choose a shooting mode according to the scene or type
of subject.
Y (AUTO)
When the mode dial is rotated to AUTO,
the camera automatically optimizes set-
tings to suit the scene.
The display shows the icon for the mode
most closely matching the type of scene
detected by the camera.
C
: LANDSCAPE
d : NIGHT
h : NIGHT (TRIPOD)
e : MACRO
Q : SUNSE T
x : SKY
y : GREENERY
h : PORTRAIT
g : BACKLIT PORTRAIT
c
: MOVING OBJECT
a : PORTRAIT&MOTION
b : BACKLIT PORTRAIT&MOTION
O
The mode selected may vary with shooting conditions. If the mode
and subject do not match, select mode P or choose SP and select a
scene manually.
The additional processing time required in some scene modes may
increase save times.
N
No icon will be displayed if the camera is unable to determine the type
of scene.
background
57
5
Taking Photographs
Choosing a Shooting Mode
Program AE (P)
Let the camera choose shutter speed and aperture for optimal
exposure. Other values that produce the same exposure can be
selected with program shift.
Rotate the mode dial to P.
P will appear in the display.
Program Shift
Rotate the front command dial to choose the
desired combination of shutter speed and ap-
erture (program shift).
Aperture
Shutter speed
O
Program shift is not available in any of the following circumstances:
With  ash units that support TTL auto
When a  ash mode other than D is selected for F FLASH
SETTING > FLASH FUNCTION SETTING
When an auto option is selected for H IMAGE QUALITY SETTING>
DYNAMIC RANGE
In movie mode
N
To cancel program shift, turn the camera o .
background
58
5
Taking Photographs
Shutter-Priority AE (S)
Choose a shutter speed and let the camera adjust aperture for
optimal exposure.
1
Rotate the mode dial to S.
S will appear in the display.
2
Use the front command dial to
choose a shutter speed.
O
If the correct exposure cannot be achieved at the selected shutter
speed, aperture will be displayed in red.
If the subject is outside the metering range of the camera, the aper-
ture display will show “– – –”.
background
59
5
Taking Photographs
Choosing a Shooting Mode
Time (T)
Shutter speeds of 1s or slower are referred to as long time-ex-
posures. Use of a tripod is recommended to prevent the camera
moving during the exposure.
N
A count-down timer will be displayed while the exposure is in progress.
To reduce “noise (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING> LONG EXPOSURE NR. Note that
this may increase the time needed to record images after shooting.
Using a Remote Release
A remote release can be used for long time-ex-
posures. When using an optional RR-100 re-
mote release or an electronic release from
third-party suppliers, connect it to the camera’s
microphone/remote release connector via a
third-party 2.5mm to 3.5mm adapter.
N
A con rmation dialog will be displayed
when a remote release is connected; press
MENU/OK and select n REMOTE for MIC/
REMOTE RELEASE.
SKIP
CHECK MIC/REMOTE RELEASE
SETTING
SET
background
60
5
Taking Photographs
Aperture-Priority AE (A)
Choose an aperture and let the camera adjust shutter speed for
optimal exposure.
1
Rotate the mode dial to A.
A will appear in the display.
2
Use the front command dial to
choose an aperture.
O
If the correct exposure cannot be achieved at the selected aperture,
shutter speed will be displayed in red.
If the subject is outside the metering range of the camera, the shutter
speed display will show “– – –”.
N
If the lens is equipped with a aperture ring, aperture can be adjusted
by rotating the ring.
background
61
5
Taking Photographs
Choosing a Shooting Mode
Previewing Depth of Field
When PREVIEW DEPTH OF FIELD is assigned
to a function button, pressing the button dis-
plays a L icon and stops aperture down to the
selected setting, allowing depth of  eld to be
previewed in the display (P 251).
background
62
5
Taking Photographs
Manual Exposure (M)
Alter exposure from that selected by the camera.
1
Rotate the mode dial to M.
M will appear in the display.
2
Rotate the rear command dial to
choose a shutter speed and the front
command dial to choose the aper-
ture.
N
The manual exposure display includes
an exposure indicator that shows the
amount the picture would be under-
or over-exposed at current settings.
Shutter speed
Aperture
N
If the lens is equipped with a aperture ring, aperture can be adjusted
by rotating the ring.
background
63
5
Taking Photographs
Choosing a Shooting Mode
Bulb (B)
Choose a shutter speed of BULB for long time-exposures in which
you open and close the shutter manually. Use of a tripod is rec-
ommended to prevent the camera moving during the exposure.
1
Using the rear command dial, choose
a shutter speed of BULB.
2
Press the shutter button all the way down. The shutter will
remain open for up to 60 minutes while the shutter button
is pressed; the display shows the time elapsed since the ex-
posure started.
N
To reduce “noise (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING> LONG EXPOSURE NR. Note that this
may increase the time needed to record images after shooting.
Exposure Preview
To preview exposure in the LCD monitor, select PREVIEW EXP./WB for
D SCREEN SET-UP> PREVIEW EXP./WB IN MANUAL MODE.
N
Select an option other than PREVIEW EXP./WB when using the  ash
or on other occasions on which exposure may change when the pic-
ture is taken.
background
64
5
Taking Photographs
SP SCENE POSITION
The camera o ers a choice of “scenes, each adapted to particular
shooting conditions or a speci c type of subject.
1
Rotate the mode dial to SP(SCENE
POSITION).
2
Choose a scene via A SHOOTING SETTING> SCENE POSITION.
background
65
5
Taking Photographs
Choosing a Shooting Mode
Choose from the following options:
Scene
Scene
Description
Description
h
h
PORTRAIT
PORTRAIT Choose for portraits.
Z
Z
PORTRAIT ENHANCER
PORTRAIT ENHANCER Processes portraits to give the subject a smooth,
natural-looking complexion.
M
M
LANDSCAPE
LANDSCAPE Choose for daylight shots of buildings and land-
scapes.
N
N
SPORT
SPORT Choose when photographing moving subjects.
O
O
NIGHT
NIGHT Choose for poorly lit twilight or night scenes.
H
H
NIGHT (TRIPOD)
NIGHT (TRIPOD) Choose this mode for slow shutter speeds when
shooting at night.
p
p
FIREWORKS
FIREWORKS Slow shutter speeds are used to capture the ex-
panding burst of light from a fi rework.
Q
Q
SUNSET
SUNSET Choose this mode to record the vivid colors in sun-
rises and sunsets.
R
R
SNOW
SNOW Choose for crisp, clear shots that capture the bright-
ness of scenes dominated by shining white snow.
s
s
BEACH
BEACH Choose for crisp, clear shots that capture the
brightness of sunlit beaches.
f
f
UNDERWATER
UNDERWATER Reduces the blue cast typically associated with un-
derwater lighting.
U
U
PARTY
PARTY Capture indoor background lighting under low-
light conditions.
V
V
FLOWER
FLOWER Eff ective for taking more vivid shots of fl owers.
W
W
TEXT
TEXT Take clear pictures of text or drawings in print.
N
The scene can also be selected in the shooting display via the
front command dial.
background
66
5
Taking Photographs
FILTER
Take photos with  lter e ects.
1
Rotate the mode dial to FILTER.
2
Choose a  lter via A SHOOTING SETTING> FILTER SETTING.
Filter
Filter
Description
Description
G
G
TOY CAMERA
TOY CAMERA
Choose for a retro toy camera eff ect.
H
H
MINIATURE
MINIATURE
The tops and bottoms of pictures are blurred for
a diorama eff ect.
I
I
POP COLOR
POP COLOR
Create high-contrast images with saturated colors.
J
J
HIGH-KEY
HIGH-KEY
Create bright, low-contrast images.
Z
Z
LOW-KEY
LOW-KEY
Create uniformly dark tones with few areas of
emphasized highlights.
K
K
DYNAMIC TONE
DYNAMIC TONE
Dynamic tone expression is used for a fantasy
eff ect.
X
X
SOFT FOCUS
SOFT FOCUS
Create a look that is evenly soft throughout the
whole image.
u
u
PARTIAL COLOR (RED)
PARTIAL COLOR (RED)
Areas of the image that are the selected color
are recorded in that color. All other areas of the
image are recorded in black-and-white.
v
v
PARTIAL COLOR (ORANGE)
PARTIAL COLOR (ORANGE)
w
w
PARTIAL COLOR (YELLOW)
PARTIAL COLOR (YELLOW)
x
x
PARTIAL COLOR (GREEN)
PARTIAL COLOR (GREEN)
y
y
PARTIAL COLOR (BLUE)
PARTIAL COLOR (BLUE)
z
z
PARTIAL COLOR (PURPLE)
PARTIAL COLOR (PURPLE)
O
Depending on the subject and camera settings, images may in
some cases be grainy or vary in brightness or hue.
N
The scene can also be selected in the shooting display via the
function dial.
background
67
5
Taking Photographs
Choosing a Shooting Mode
Custom Modes
Rotate the mode dial to any of modes
C1 (CUSTOM 1) through C4 (CUSTOM 4)
to take pictures using previously-saved
shooting menu settings. Settings can be
saved or edited using H IMAGE QUALITY
SETTING> EDIT/SAVE CUSTOM SETTING.
Saving Settings
1
Select H IMAGE QUALITY SETTING in the shooting menu,
then highlight EDIT/SAVE CUSTOM SETTING and press
MENU/OK.
2
Highlight EDIT/CHECK SETTING and
press MENU/OK.
AUTO UPDATE SETTING
EDIT CUSTOM NAME
EDIT/SAVE CUSTOM SETTING
EDIT/CHECK SETTING
SAVE CURRENT SETTINGS
RESET
N
To store current camera settings in any of custom settings banks
1 through 4, select SAVE CURRENT SETTINGS. Previously-saved
settings in the selected bank will be overwritten.
To restore default settings for selected banks, choose RESET.
Banks can be renamed using EDIT CUSTOM NAME.
If ENABLE is selected for AUTO UPDATE SETTING, changes to
settings in modes C1 through C4 will automatically be saved to
the current bank.
3
Highlight a custom settings bank and
press MENU/OK to select.
AUTO UPDATE SETTING
EDIT CUSTOM NAME
EDIT/SAVE CUSTOM SETTING
EDIT/CHECK SETTING
SAVE CURRENT SETTINGS
RESET
CUSTOM 2
CUSTOM 3
CUSTOM 4
CUSTOM 1
background
68
5
Taking Photographs
4
Highlight an item you wish to store in
the custom settings bank and press
MENU/OK.
Adjust settings for the selected item.
EXIT
CUSTOM 1
SHOOTING MODE
SHUTTER SPEED
APERTURE
EXP. COMPENSATION
DRIVE MODE
5
Press MENU/OK to save changes to the selected item and re-
turn to the menu item list.
Adjust additional items as desired.
6
Pressing DISP/BACK in the menu item
list displays a con rmation dialog.
Highlight OK and press MENU/OK to
save the settings to the selected
bank.
BACK
CANCEL
OK
CUSTOM 1 SET OK?
SAVE CUSTOM SETTING
background
69
5
Taking Photographs
Choosing a Shooting Mode
The Command and Function Dials
The roles of the command and Function dials vary with the mode.
Front command dial Rear command dial Fn (function) dial
AUTO
(AUTO)
Film simulation
Exposure
compensation
Film simulation
P
(PROGRAM AE)
Program shift
S
(SHUTTER
PRIORITY AE)
Shutter speed
A
(APERTURE
PRIORITY AE)
Aperture
M
(MANUAL)
Shutter speed
SP
(SCENE POSITION)
Scene position
Exposure
compensation
FILTER
(FILTER)
Program shift Filter selection
C1/C2/C3/C4
(CUSTOM)
Varies with exposure mode
F
(MOVIE)
N
The role performed by the function dial can be chosen using
D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING (P 223).
background
70
5
Taking Photographs
Autofocus
Take pictures using autofocus.
1
Use G AF/MF SETTING> FOCUS MODE to choose a focus
mode (P 71).
2
Use G AF/MF SETTING> AF MODE to choose an AF mode
(P 73).
3
Select G AF/MF SETTING> FOCUS
AREA and choose the position and
size of the focus frame (P 75).
4
Take pictures.
background
71
5
Taking Photographs
Autofocus
Focus Mode
Choose how the camera focuses.
1
Press MENU/OK to display the menus.
2
Select G AF/MF SETTING> FOCUS MODE in the shooting
menu.
3
Choose from the following options:
Mode
Mode
Description
Description
p
MANUAL FOCUS
Focus manually using the lens focus ring. Choose for man-
ual control of focus or in situations in which the camera is
unable to focus using autofocus (P 79).
k
CONTINUOUS AF
Focus is continually adjusted to refl ect changes in the dis-
tance to the subject while the shutter button is pressed
halfway. Use for subjects that are in motion.
l
SINGLE AF
Focus locks while the shutter button is pressed halfway.
Choose for stationary subjects.
N
Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.
If ON is selected for G AF/MF SETTING> PRE-AF, focus will be ad-
justed continuously in modes l and k even when the shutter but-
ton is not pressed.
background
72
5
Taking Photographs
The Focus Indicator
Focus status is shown by the focus indicator.
Focus indicator
Focus indicator
Focus status
Focus status
( ) Camera focusing.
z (lights green)
Subject in focus; focus locked (focus
mode l).
(z) (lights green)
Subject in focus (focus mode k).
Focus is automatically adjusted for
changes in distance to subject.
A (blinks white)
Camera unable to focus.
j Manual focus (focus mode p).
Focus indicator
background
73
5
Taking Photographs
Autofocus
Autofocus Options (AF Mode)
Choose how the camera focuses in modes l and k.
1
Press MENU/OK and go to the shooting menu.
2
Select G AF/MF SETTING> AF MODE.
3
Choose an AF mode.
How the camera focuses depends on the focus mode.
Focus Mode
Focus Mode
l
l
(SINGLE AF)
(SINGLE AF)
Option
Option
Description
Description
Sample image
Sample image
r
SINGLE POINT
Camera focuses on subject in
selected focus point. Use for pin-
point focus on selected subject.
y
ZONE
Camera focuses on subject in se-
lected focus zone. Focus zones in-
clude multiple focus points, mak-
ing it easier to focus on subjects in
motion.
z
WIDE
Camera focuses automatically on
high-contrast subjects; display
shows areas in focus.
j
ALL
Rotate the rear command dial in the focus-point selection dis-
play (P 76, 77) to cycle through AF modes in the following
order: r SINGLE POINT, y ZONE, and z WIDE.
background
74
5
Taking Photographs
Focus Mode
Focus Mode
k
k
(CONTINUOUS AF)
(CONTINUOUS AF)
Option
Option
Description
Description
Sample image
Sample image
r
SINGLE POINT
Focus tracks subject at selected fo-
cus point. Use for subjects moving
toward or away from camera.
y
ZONE
Focus tracks subject in selected fo-
cus zone. Use for subjects that are
moving fairly predictably.
z
TRACKING
Focus tracks subjects moving
through wide area of frame.
j
ALL
Rotate the rear command dial in the focus-point selection dis-
play (P 76, 77) to cycle through AF modes in the following
order: r SINGLE POINT, y ZONE, and z TRACKING.
background
75
5
Taking Photographs
Autofocus
Focus-Point Selection
Choose a focus point for autofocus.
Viewing the Focus-Point Display
1
Press MENU/OK and go to the shooting menu.
2
Select G AF/MF SETTING> FOCUS AREA to view the fo-
cus-point display.
3
Use the focus stick (focus lever) and rear command dial to
choose a focus area.
N
The focus point can also be selected using touch controls (P 21).
background
76
5
Taking Photographs
Selecting a Focus Point
Use the focus stick (focus lever) to choose
the focus point and the rear command
dial to choose the size of the focus frame.
The procedure varies with the option se-
lected for AF mode.
AF mode
AF mode
Focus stick
Focus stick
Rear command
Rear command
dial
dial
DISP/BACK
DISP/BACK
button
button
Tilt
Tilt
Press
Press
Rotate
Rotate
r
r
Highlight focus
point
Select highlighted
focus point
Choose from 6
frame sizes
Select center
focus point
y
y
Choose from 3
frame sizes
z
z
N
Manual focus-point selection is not available when z WIDE/
TRACKING is selected in focus mode l.
If j ALL is selected for AF mode, you can rotate the rear command
dial in the focus-point selection display to cycle through AF modes
in the following order: r SINGLE POINT (6 frame sizes), y ZONE
(3 frame sizes), and either z WIDE (focus mode l) or z TRACKING
(focus mode k).
background
77
5
Taking Photographs
Autofocus
The Focus-Point Display
The focus-point display varies with the option selected for AF
mode.
N
Focus frames are shown by small squares (), focus zones by the large
squares.
AF mode
AF mode
r
r
SINGLE POINT
SINGLE POINT
y
y
ZONE
ZONE
z
z
WIDE/TRACKING
WIDE/TRACKING
Number of points avail-
able can be selected using
G AF/MF SETTING>
NUMBER OF FOCUS
POINTS.
Choose from zones with
7 × 7, 5 × 5, or 3 × 3 focus
points.
Position focus frame over
subject you want to track.
background
78
5
Taking Photographs
Autofocus
Autofocus
Although the camera boasts a high-precision autofocus system, it may be
unable to focus on the subjects listed below.
Very shiny subjects such as mirrors or car bodies.
Subjects photographed through a window or other re ective object.
Dark subjects and subjects that absorb rather than re ect light, such as
hair or fur.
Insubstantial subjects, such as smoke or  ame.
Subjects that show little contrast with the background.
Subjects positioned in front of or behind a high-contrast object that is
also in the focus frame (for example, a subject photographed against a
backdrop of highly contrasting elements).
Checking Focus
To zoom in on the current focus area for precise
focus, press the center of the focus stick (focus
lever). Press again to zoom in further and a third
time to cancel zoom.
Normal display Focus zoom
N
In focus mode l, zoom can be adjusted by rotating the rear com-
mand dial.
In focus mode l, select SINGLE POINT for AF MODE.
Focus zoom is not available in focus mode k or when G AF/MF
SETTING> PRE-AF is on.
Use D BUTTON/DIAL SETTING> FOCUS LEVER SETTING to
change the function performed by the center of the focus stick (focus
lever). D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING can
also be used to assign focus zoom to other controls (P 251).
background
79
5
Taking Photographs
Manual Focus
Adjust focus manually.
1
Select MANUAL FOCUS for G AF/MF
SETTING> FOCUS MODE.
2
Focus manually using the lens focus
ring. Rotate the ring left to reduce
the focus distance, right to increase.
A
3
Take pictures.
N
Use D BUTTON/DIAL SETTING> FOCUS RING to reverse the direc-
tion of rotation of the focus ring.
Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.
background
80
5
Taking Photographs
Checking Focus
A variety of options are available for checking focus in manual
focus mode.
The Manual Focus Indicator
The white line indicates the distance to the subject in the fo-
cus area (in meters or feet according to the option selected for
D SCREEN SET-UP> FOCUS SCALE UNITS in the setup menu),
the blue bar the depth of  eld, or in other words the distance in
front of and behind the subject that appears to be in focus.
Focus distance
(white line)
Depth of  eld
N
If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR are se-
lected in the D SCREEN SET-UP> DISP. CUSTOM SETTING list, the manual
focus indicator can also be viewed using the depth-of- eld indicator in the
standard display. Use the DISP/BACK button to display standard indicators.
Focus Zoom
If ON is selected for G AF/MF SETTING> FOCUS CHECK, the camera
will automatically zoom in on the selected focus area when the focus
ring is rotated (P 75). Zoom can be adjusted by rotating the rear
command dial. Press the center of the focus stick (focus lever) to exit
zoom.
N
The focus stick can be used to choose the focus area while focus zoom
is in e ect.
background
81
5
Taking Photographs
Manual Focus
MF Assist
Use G AF/MF SETTING> MF ASSIST to choose a focus check option.
The following options are available:
DIGITAL SPLIT IMAGE: Displays a split image
in the center of the frame. Frame the
subject in the split-image area and ro-
tate the focus ring until the four parts
of the split image are correctly aligned.
DIGITAL MICROPRISM: A grid pattern that
emphasizes blur is displayed when the
subject is out of focus, disappearing to
be replaced by a sharp image when the
subject is in focus.
FOCUS PEAK HIGHLIGHT: Highlights high-con-
trast outlines. Rotate the focus ring until
the subject is highlighted.
background
82
5
Taking Photographs
Exposure Compensation
Adjust exposure.
Rotate the rear command dial to adjust
exposure.
O
The amount of compensation available varies with the shooting mode.
Exposure compensation can be previewed in the shooting display,
although the display may not accurately re ect its e ects if:
-
the exposure compensation amount exceeds ±3 EV,
-
W 200% or X 400% is selected for DYNAMIC RANGE, or
-
STRONG or WEAK is selected for D RANGE PRIORITY.
Exposure compensation can still be previewed in the view nder or LCD
monitor by pressing the shutter button halfway. In movie mode, the
display may not accurately re ect the e ects of exposure compensa-
tion during F-log recording or when W 200% or X 400% is selected
for DYNAMIC RANGE. An accurate preview can be obtained by select-
ing mode M and adjusting exposure directly.
background
83
5
Taking Photographs
Sensitivity
Adjust the cameras sensitivity to light.
To view sensitivity settings, press the
ISObutton.
Option
Option
Description
Description
AUTO1
AUTO1
AUTO2
AUTO2
AUTO3
AUTO3
Sensitivity is automatically adjusted in response to shooting con-
ditions.
160–12800
160–12800 Adjust sensitivity manually. Selected value is shown in display.
L (80)
L (80)
L (100)
L (100)
L (125)
L (125)
H (25600)
H (25600)
H (51200)
H (51200)
Choose for special situations. Note that mottling may appear in
pictures taken at H, while L reduces dynamic range.
N
Sensitivity is not reset when the camera is turned o .
Pressing the ISObutton in F(movie) mode displays the B MOVIE
SETTING> F ISO item in the movie menus.
Adjusting Sensitivity
High values can be used to reduce blur when lighting is poor, while lower
values allow slower shutter speeds or wider apertures in bright light; note,
however, that mottling may appear in pictures taken at high sensitivities.
background
84
5
Taking Photographs
Sensitivity
Auto Sensitivity (A)
Choose the base sensitivity, maximum sensitivity, and minimum
shutter speed for AUTO1, AUTO2, and AUTO3.
Item
Item
Options
Options
Default
Default
AUTO1
AUTO1
AUTO2
AUTO2
AUTO3
AUTO3
DEFAULT SENSITIVITY 160–12800 160
MAX. SENSITIVITY 400–12800 800 3200 12800
MIN. SHUTTER SPEED ⁄–¼ SEC, AUTO AUTO
The camera automatically chooses a sensitivity between the de-
fault and maximum values; sensitivity is only raised above the
default value if the shutter speed required for optimal exposure
would be slower than the value selected for MIN. SHUTTER SPEED.
N
If the value selected for DEFAULT SENSITIVITY is higher than that
selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to
the value selected for MAX. SENSITIVITY.
The camera may select shutter speeds slower than MIN. SHUTTER
SPEED if pictures would still be underexposed at the value selected
for MAX. SENSITIVITY.
If AUTO is selected for MIN. SHUTTER SPEED, the camera will auto-
matically choose a minimum shutter speed fast enough to prevent
blur caused by subject motion or camera shake (the minimum shut-
ter speed is not a ected by the option selected for image stabiliza-
tion).
background
85
5
Taking Photographs
Metering
Choose how the camera meters exposure.
A SHOOTING SETTING> PHOTOMETRY o ers a choice of the
following metering options:
O
The selected option will only take e ect when G AF/MF SETTING>
FACE/EYE DETECTION SETTING is OFF.
Mode
Mode
Description
Description
o
MULTI
MULTI
The camera instantly determines exposure based on an analy-
sis of composition, color, and brightness distribution. Recom-
mended in most situations.
p
CENTER
CENTER
WEIGHTED
WEIGHTED
The camera meters the entire frame but assigns the greatest
weight to the area at the center.
v
SPOT
SPOT
The camera meters lighting conditions in an area equivalent
to 2% of the frame. Recommended with backlit subjects and
in other cases in which the background is much brighter or
darker than the main subject.
w
AVERAGE
AVERAGE
Exposure is set to the average for the entire frame. Provides
consistent exposure across multiple shots with the same light-
ing, and is particularly eff ective for landscapes and portraits of
subjects dressed in black or white.
N
To meter the subject in the selected focus area, choose ON for G AF/
MF SETTING> INTERLOCK SPOT AE & FOCUS AREA (P 133).
background
86
5
Taking Photographs
Focus/Exposure Lock
Focus and exposure lock when the shutter button is pressed
halfway.
1
Position the subject in the focus
frame and press the shutter button
halfway to lock focus and exposure.
Focus and exposure will remain
locked while the shutter button is
pressed halfway (AF/AE lock).
2
Press the button all the way down.
N
Focus and exposure lock via the shutter button is only available
when ON is selected for D BUTTON/DIAL SETTING > SHUTTER AF,
SHUTTER AE.
background
87
5
Taking Photographs
Focus/Exposure Lock
Other Controls
Focus and exposure can also be locked
using function buttons. At default set-
tings, you can use the AEL button to lock
exposure without locking focus. If the
AFON button is assigned AF LOCK ONLY
(P 251), it can similarly be used to lock
focus without locking exposure.
While the assigned control is pressed,
pressing the shutter button halfway will
not end the lock.
If AE&AF ON/OFF SWITCH is selected
for D BUTTON/DIAL SETTING> AE/
AF-LOCK MODE, the lock can only be
ended by pressing the control a second
time.
AEL button
(exposure lock)
AFON button
N
The focus lever (focus stick) can be used to reposition the focus point
during exposure lock.
Function buttons can be assigned other roles using D BUTTON/
DIAL SETTING> FUNCTION (Fn) SETTING. Exposure and focus lock
can also be assigned to other function buttons (P 251).
background
88
5
Taking Photographs
Bracketing
Automatically vary settings over a series of pictures.
1
Press the I (drive) button to display
drive-mode menu.
2
Press the focus stick (focus lever) up or down to highlight one
of the following:
3
Press the focus stick left or right to highlight the desired
bracketing settings.
4
Press MENU/OK to select.
5
Take pictures.
Option
Option
P
P
W ISO BKT
89
V WHITE BALANCE BKT
89
Option
Option
P
P
s Bracketing
90
background
89
5
Taking Photographs
Bracketing
W ISO BKT
Select a bracketing amount (±⁄, ±⁄, or ±1) in the drive mode
display. Each time the shutter is released, the camera will take
a picture at the current sensitivity and process it to create two
additional copies, one with sensitivity raised and the other with
sensitivity lowered by the selected amount.
V WHITE BALANCE BKT
Select a bracketing amount (±1, ±2, or ±3) in the drive mode dis-
play. Each time the shutter is released, the camera takes one shot
and processes it to create three copies: one at the current white
balanced setting, one with  ne-tuning increased by the selected
amount, and another with  ne-tuning decreased by the selected
amount.
background
90
5
Taking Photographs
s Bracketing
O AE BKT
Use A SHOOTING SETTING> AE BKT SETTING to choose the
bracketing amount, bracketing order, and number of shots. The
camera will take the speci ed number of shots in sequence: one
using the metered value for exposure and the others over- or un-
der-exposed by multiples of the selected bracketing amount.
N
Regardless of the bracketing amount, exposure will not exceed the
limits of the exposure metering system.
X FILM SIMULATION BKT
Each time the shutter is released, the camera takes one shot and
processes it to create copies with di erent lm simulation settings,
chosen using
A
SHOOTING SETTING> FILM SIMULATION BKT.
Y DYNAMIC RANGE BKT
Each time the shutter button is pressed, the camera takes three
shots with di erent dynamic ranges: 100% for the  rst, 200% for
the second, and 400% for the third.
N
While dynamic range bracketing is in e ect, sensitivity will be restrict-
ed to a minimum of ISO 640; the sensitivity previously in e ect is re-
stored when bracketing ends.
background
91
5
Taking Photographs
Bracketing
Z FOCUS BKT
Each time the shutter button is pressed, the camera takes a se-
ries of photos, varying focus with each shot. The A SHOOTING
SETTING> FOCUS BKT SETTING item o ers a choice of MANUAL
and AUTO bracketing.
N
Do not adjust zoom during shooting.
Use of a tripod is recommended.
MANUAL
MANUAL
In MANUAL mode, you choose the following.
Option
Option
Description
Description
FRAMES Choose the number of shots.
STEP Choose the amount focus changes with each shot.
INTERVAL Choose the interval between shots.
Focus and FRAMES/STEP
The relation between focus and the options chosen for FRAMES and
STEP is shown in the illustration.
12345
:
Starting focus position
Focus proceeds from the starting position toward infi nity.
Small STEP values translate to small changes in focus, larger values to larger
changes.
Regardless of the option chosen for FRAMES, shooting ends when focus
reaches infi nity.
Frames
Step
background
92
5
Taking Photographs
Bracketing
AUTO
AUTO
In AUTO mode, the camera calculates FRAMES and STEP auto-
matically.
1
Select A SHOOTING SETTING in the shooting menu, high-
light FOCUS BKT SETTING, and press MENU/OK.
2
Select AUTO and choose an INTERVAL.
The view through the lens will be displayed.
3
Focus on the nearest end of the sub-
ject and press MENU/OK.
The selected focus distance appears
as A on the focus distance indicator.
SETSET POINT B
SET POINT A
CONTROL THE FOCUS RING
FOCUS BKT SETTING
N
The same focus range can be chosen by focusing on the farthest
end of the subject  rst.
4
Focus on the farthest end of the sub-
ject and press DISP/BACK.
The selected focus distance (B) and
focus range (A to B) appear on the
focus distance indicator.
SETSET POINT A
CONTROL THE FOCUS RING
SET POINT B
FOCUS BKT SETTING
N
Instead of pressing the DISP/BACK button, you can press MENU/OK
and select A again.
5
Take photographs.
The camera will calculate values for
FRAMES and STEP automatically. The
number of frames will appear in the
display.
NO
background
93
5
Taking Photographs
Continuous Shooting (Burst Mode)
Capture motion in a series of pictures.
1
Press the I (drive) button to dis-
play drive-mode menu and select CH
HIGH SPEED BURST or CL LOW SPEED
BURST.
2
Choose the frame advance rate and press the shutter button
to start shooting.
Shooting ends when the shutter button is released or the
memorycard is full.
O
Frame advance rates of 10 fps or faster are available only when
s ELECTRONIC SHUTTER is selected for A SHOOTING SETTING>
SHUTTER TYPE.
If  le numbering reaches 9999 before shooting is complete, the re-
maining pictures will be recorded to a new folder.
Shooting ends when the memory card is full; the camera will record
all photos shot to that point. Burst shooting may not begin if the
space available on the memory card is insu cient.
Frame rates may slow as more shots are taken.
Frame rate varies with the scene, shutter speed, sensitivity, and focus
mode.
Depending on shooting conditions, frame rates may slow or the  ash
may not  re.
Recording times may increase during burst shooting.
Exposure
To vary exposure with each shot, select OFF for D BUTTON/DIAL
SETTING> SHUTTER AE.
N
Depending on such factors as aperture, sensitivity, and exposure com-
pensation, exposure may not be adjusted automatically.
background
94
5
Taking Photographs
HDR
Each time the shutter button is pressed, the camera takes
three shots, varying exposure each time, and combines
them into a single picture. The resulting photograph pre-
serves details in highlights and shadows.
1
Press the
I(drive) button
and select
HDR in the drive-mode menu.
2
Choose the amount the brightnesses of the exposures vary.
Option
Option
Description
Description
HDR AUTO
Dynamic range is automatically set to a value of from 200%
to 800%.
HDR200 Dynamic range is set to 200%.
HDR400 Dynamic range is set to 400%.
HDR800 Dynamic range is set to 800%.
HDR800+
Camera settings are adjusted for maximum variation in dy-
namic range.
3
Take photographs.
The camera will create a combined image.
background
95
5
Taking Photographs
HDR
O
Keep the camera steady.
The desired results may not be achieved in the subject moves or the
composition or lighting changes during shooting.
The picture will be cropped a very small amount and the resolution
will drop slightly.
Mottling may appear in pictures taken at higher values. Choose a val-
ue according to the scene.
“Extended” sensitivity values are not supported.
Depending on the options selected for HDR and sensitivity, pictures
may not be taken at the selected shutter speed.
The  ash does not  re.
N
HDR images are indicated by a t icon during playback.
background
96
5
Taking Photographs
Panoramas
Follow an on-screen guide to create a panorama.
1
Press the
I (drive) button
and se-
lect PANORAMA in the drive-mode
menu.
2
To select the size of the angle through which you will pan the
camera while shooting, press the focus stick (focus lever) left.
Highlight a size and press MENU/OK.
3
Press the focus stick right to view a choice of pan directions.
Highlight a pan direction and press MENU/OK.
4
Press the shutter button all the way down to start recording.
There is no need to keep the shutter button pressed during
recording.
5
Pan the camera in the direction
shown by the arrow. Shooting ends
automatically when the camera is
panned to the end of the guides and
the panorama is complete.
DIRECTIONANGLE
line in direction of
Sweep camera along yellow
background
97
5
Taking Photographs
Panoramas
For Best Results
Move the camera slowly in a small circle at a steady speed
Keep the camera parallel or at right angles to the horizon and be sure to
pan only in the direction shown by the guides
Try panning at a di erent speed if the desired results are not achieved
Prop your elbows against your sides
Use a tripod
For best results, use a lens with a focal length of 35 mm or less (50mm or
less in 35mm format).
O
If the shutter button is pressed all the way down before the panorama
is complete, shooting will end and no panorama may be recorded.
The last part of the panorama may not be recorded if shooting ends
before the panorama is complete.
Panoramas are created from multiple frames, and the camera may in
some cases be unable to stitch the frames together perfectly.
Panoramas may be blurred if the subject is poorly lit.
Shooting may be interrupted if the camera is panned too quickly or
too slowly. Panning the camera in a direction other than that shown
cancels shooting.
The camera may in some cases record a greater or lesser angle than
selected.
The desired results may not be achieved with:
-
Moving subjects
-
Subjects close to the camera
-
Unvarying subjects such as the sky or a  eld of grass
-
Subjects that are in constant motion, such as waves and waterfalls
-
Subjects that undergo marked changes in brightness
If ON is selected for D BUTTON/DIAL SETTING> SHUTTER AE, ex-
posure for the entire panorama is determined by the  rst frame.
background
98
5
Taking Photographs
Panoramas
Viewing Panoramas
With the panorama displayed full frame, press the focus stick (focus lever)
down to start panorama playback. Vertical panoramas will scroll vertically,
horizontal panoramas horizontally.
PLAY
STOP PAUSE
In full-frame playback, you can use the rear command dial to zoom pan-
oramas in or out.
Panorama playback is controlled using the focus stick.
Focus stick
Focus stick
(focus lever)
(focus lever)
Full-frame
Full-frame
playback
playback
Panorama
Panorama
playback
playback
Panorama
Panorama
playback paused
playback paused
Up End playback
Down Start playback Pause playback Resume playback
Left/right
View other pictures
Choose pan
direction
Scroll panorama
manually
background
99
5
Taking Photographs
Multiple Exposures
Create a photograph that combines multiple exposures.
1
Press the
I(drive) button
and select
MULTIPLE EXPOSURE in the drive-
mode menu.
2
Choose a blend mode.
Option
Option
Description
Description
ADDITIVE
The camera adds the exposures together. You may need to
lower exposure compensation depending on the number
of shots.
AVERAGE
The camera automatically optimizes exposure for the fi nal
picture. The background in series shot without changing
the composition will be optimally exposed.
BRIGHT
The camera compares the exposures and chooses only the
brightest pixel at each location. Colors may be mixed de-
pending on their brightness and hue.
DARK
The camera compares the exposures and chooses only the
darkest pixel at each location. Colors may be mixed de-
pending on their brightness and hue.
3
Take the  rst shot.
background
100
5
Taking Photographs
Multiple Exposures
4
Press MENU/OK. The rst shot will be
shown superimposed on the view
through the lens and you will be
prompted to take the second shot.
EXITRETRY
NEXT
N
To return to the previous step and retake the  rst shot, press the
focus stick (focus lever) left.
To save the  rst shot and exit without creating a multiple expo-
sure, press DISP/BACK.
5
Take the second shot, using the  rst
frame as a guide.
EXIT
6
Press MENU/OK.
The combined exposures will be dis-
played as a guide to composing the
next shot.
EXITRETRY
N
To return to the previous step and retake the second shot, press
the focus stick left.
To end shooting and create a multiple exposure from the shots
taken to this point, press DISP/BACK.
7
Make additional exposures.
Each photograph can contain up to nine exposures.
8
Press DISP/BACK to end shooting.
The camera will create the combined image and multiple ex-
posure shooting will end.
background
101
5
Taking Photographs
Flash Photography
Use the built-in  ash for additional lighting when shooting
at night or indoors under low light.
1
Slide the N lever as shown to raise
the  ash.
2
Select FLASH FUNCTION SETTING
in the F FLASH SETTING menu. The
camera will display options for the
built-in  ash.
FLASH SETTING
RED EYE REMOVAL
TTL-LOCK MODE
FLASH FUNCTION SETTING
LED LIGHT SETTING
COMMANDER SETTING
CH SETTING
EXIT
O
Sync terminal options will be displayed if the built-in  ash is low-
ered and either no  ash unit, or an incompatible  ash unit, is
mounted on the hot shoe (P 266). Raise the  ash before ad-
justing settings.
background
102
5
Taking Photographs
3
Highlight items using the focus stick
(focus lever) and rotate the rear com-
mand dial to change the highlighted
setting (P 103).
ADJUST
END
Built-In Flash
M
ODE
4
Press DISP/BACK to put the changes into e ect.
O
Depending on the distance to the subject, some lenses may cast
shadows in photos taken with the  ash.
Be careful not to injure yourself on the edges of the raised  ash.
The  ash will not  re at some settings, for example in panorama
mode or when the electronic shutter is used.
Choose shutter speeds slower than ⁄s when using the  ash in ex-
posure mode S (shutter-priority AE) or manual (M).
N
In TTL mode, the  ash may  re several times with each shot. Do not
move the camera until shooting is complete.
The  ash will not  re if OFF is selected for SOUND & FLASH in the
D USER SETTING menu.
background
103
5
Taking Photographs
Flash Photography
Flash Settings
The following settings are available with the built-in  ash.
ADJUST
END
M
ODE
Built-In Flash
Setting
Setting
Description
Description
A
Flash control mode
Choose from the following options:
TTL: TTL mode. Adjust fl ash compensation (
B
) and choose
a fl ash mode (
C
).
M: The fl ash fi res at the selected output (
B
) regardless of
subject brightness or camera settings. Output is expressed
in fractions of full power, from ⁄ to ⁄. The desired results
may not be achieved at low values if they exceed the limits
of the fl ash control system; take a test shot and check the
results.
C (primary ash): Choose if the fl ash is being used as a pri-
mary fl ash controlling secondly fl ash units, for example as
part of a studio fl ash system.
D (OFF): The fl ash does not fi re.
B
Flash compensation/
output
Adjust fl ash level. The options available vary with the fl ash
control mode (
A
).
background
104
5
Taking Photographs
Flash Photography
Setting
Setting
Description
Description
C
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options avail-
able vary with the shooting mode (P, S, A, or M) selected.
E (FLASH AUTO): The fl ash fi res only as required; fl ash lev-
el is adjusted according to subject brightness. A p icon
displayed when the shutter button is pressed halfway indi-
cates that the fl ash will fi re when the photo is taken.
F (STANDARD): The fl ash fi res with every shot if possible;
ash level is adjusted according to subject brightness. The
ash will not fi re if not fully charged when the shutter is
released.
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not fully
charged when the shutter is released.
D
Sync
Choose whether the fl ash is timed to fi re immediately after
the shutter opens (H/1ST CURTAIN) or immediately before
it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in
most circumstances.
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected
for F FLASH SETTING> RED EYE REMOVAL and G AF/MF SETTING>
FACE/EYE DETECTION SETTING is FACE DETECTION ON. Red-eye re-
moval minimizes “red-eye caused when light from the  ash is re ected
from the subject’s retinas.
Flash Sync Speed
The  ash will synchronize with the shutter at shutter speeds of ⁄s or slower.
Optional Flash Units from Fuji lm
The camera can be used with optional Fuji lm shoe-mounted  ash units.
Third-Party Flash Units
Do not use third-party  ash units that apply over 300V to the camera hot
shoe.
background
105
The Shooting Menus
background
106
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
Adjust image quality settings for still photography.
To display image quality settings, press
MENU/OK in the photo shooting display and
select the H (IMAGE QUALITY SETTING)
tab.
EXIT
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
MONOCHROMATIC COLOR
N
The options available vary with the shooting mode selected.
IMAGE SIZE
Choose the size and aspect ratio at which still pictures are recorded.
Option
Option
Image size
Image size
O 3 : 2
6240 × 4160
O 16 : 9
6240 × 3512
Option
Option
Image size
Image size
O 1 : 1
4160 × 4160
Option
Option
Image size
Image size
P 3 : 2
4416 × 2944
P 16 : 9
4416 × 2488
Option
Option
Image size
Image size
P 1 : 1
2944 × 2944
Option
Option
Image size
Image size
Q 3 : 2
3120 × 2080
Q 16 : 9
3120 × 1760
Option
Option
Image size
Image size
Q 1 : 1
2080 × 2080
The following options are available in SPORTS FINDER MODE
and when 1.25X CROP is selected in burst mode:
Option
Option
Image size
Image size
P 3 : 2
4992 × 3328
P 16 : 9
4992 × 2808
Option
Option
Image size
Image size
P 1 : 1
3328 × 3328
N
IMAGE SIZE is not reset when the camera is turned o or another
shooting mode is selected.
background
107
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
IMAGE QUALITY
Choose a  le format and compression ratio.
Option
Option
Description
Description
FINE
Low compression ratios are used for higher-quality images.
NORMAL
Higher compression ratios are used to increase the number of
images that can be stored.
FINE + RAW
Record both RAW and fi ne-quality JPEG images.
NORMAL + RAW
Record both RAW and normal-quality JPEG images.
RAW
Record RAW images only.
The Function Buttons
To toggle RAW image quality on or o for a single shot, assign RAW to a
function button (P 251). Press the button once to select the option in
the right column, again to return to the original setting (left column).
Option currently selected for
Option currently selected for
IMAGE QUALITY
IMAGE QUALITY
Option selected by pressing function
Option selected by pressing function
button to which
button to which
RAW
RAW
is assigned
is assigned
FINE FINE + RAW
NORMAL NORMAL + RAW
FINE + RAW FINE
NORMAL + RAW NORMAL
RAW FINE
background
108
6
The Shooting Menus
RAW RECORDING
Choose whether to compress RAW images.
Option
Option
Description
Description
UNCOMPRESSED RAW images are not compressed.
LOSSLESS COMPRESSED
RAW images are compressed using a reversible algo-
rithm that reduces fi le size with no loss of image data.
The images can be viewed in Capture One Express
Fujifi lm (P 294), RAW FILE CONVERTER EX powered by
SILKYPIX (P 294), FUJIFILM X RAW STUDIO (P 295),
or other software that supports “lossless” RAW compres-
sion. Quality is the same as UNCOMPRESSED, but the
resulting fi les are anywhere from about 30 to 90 percent
of their uncompressed size.
COMPRESSED
RAW images are compressed using a “lossy, non-reversible
algorithm. Quality is about the same as UNCOMPRESSED,
but the resulting fi les are anywhere from about 25 to 35
percent of their uncompressed size.
FILM SIMULATION
Simulate the e ects of di erent kinds of  lm, including black-
and-white (with or without color  lters). Choose a palette ac-
cording to your subject and creative intent.
Option
Option
Description
Description
a AUTO
The camera chooses the fi lm simulation. This option is
available when the mode dial is rotated to AUTO or SP.
c PROVIA/STANDARD
Ideal for a wide range of subjects.
d Velvia/VIVID
Vibrant reproduction, ideal for landscape and nature.
e ASTIA/SOFT
Softer color and contrast for a more subdued look.
i CLASSIC CHROME
Soft color and enhanced shadow contrast for a calm look.
background
109
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
Option
Option
Description
Description
g PRO Neg. Hi
Ideal for portrait with slightly enhanced contrast.
h PRO Neg. Std
Ideal for portrait with soft gradations and skin tones.
g
CLASSIC Neg.
Enhanced color with hard tonality to increase image
depth.
X ETERNA/CINEMA
Soft color and rich shadow tone suitable for fi lm look
movie.
N ETERNA
BLEACH BYPASS
Unique color with low saturation and high contrast. Suit-
able for still and movie.
a ACROS
Shoot in Black and White In rich details with sharpness.
Available with yellow (Ye), red (R), and green (G) fi lters,
which deepen shades of gray corresponding to hues
complementary to the selected color.
d ACROS+Ye FILTER: Slightly enhances contrast and
darkens skies.
c ACROS+R FILTER: Enhances contrast and darkens skies
considerably.
b ACROS+G FILTER: Produces pleasing skin tones in portrait.
b MONOCHROME
Shoots in black and white. Available with yellow (Ye), red
(R), and green (G) fi lters, which deepen shades of gray cor-
responding to hues complementary to the selected color.
e MONOCHROME+Ye FILTER: Slightly enhances contrast
and darkens skies.
d MONOCHROME+R FILTER: Enhances contrast and dark-
ens skies considerably.
f MONOCHROME+G FILTER: Produces pleasing skin tones
in portrait.
f SEPIA
Shoots in sepia tone.
N
Film simulation options can be combined with tone and sharpness
settings.
Film simulation settings can also be accessed via shortcuts (P 242).
For more information, visit:
https://fujifilm-x.com/global/tag/the-world-of-film-simulation/?post_type=xstories
background
110
6
The Shooting Menus
MONOCHROMATIC COLOR
Add a reddish or bluish tinge (warm or
cool color cast) to the a ACROS and
b MONOCHROME monochrome  lm
simulations. Color can be adjusted on the
WARMCOOL and G (Green)–M (Magenta)
axes.
SET
MONOCHROMATIC COLOR
GRAIN EFFECT
Add a  lm grain e ect.
ROUGHNESS
Option
Option
Description
Description
STRONG Choose for rougher grains.
WEAK Choose for smoother grains.
OFF Turn the eff ect off .
SIZE
Option
Option
Description
Description
LARGE Choose for coarser grains.
SMALL Choose for fi ner grains.
COLOR CHROME EFFECT
Increase the range of tones available for rendering colors that
tend to be highly saturated, such as reds, yellows, and greens.
Option
Option
Description
Description
STRONG Choose for a strong eff ect.
WEAK Choose for a weak eff ect.
OFF Turn the eff ect off .
background
111
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
COLOR CHROME FX BLUE
Increase the range of tones available for rendering blues.
Option
Option
Description
Description
STRONG Choose for a strong eff ect.
WEAK Choose for a weak eff ect.
OFF Turn the eff ect off .
WHITE BALANCE
For natural colors, choose a white balance option that matches
the light source.
Option
Option
Description
Description
WA WHITE
PRIORITY
White balance is adjusted automatically. Choose for whiter
whites in scenes lit by incandescent bulbs.
AUTO White balance is adjusted automatically.
AA AMBIENCE
PRIORITY
White balance is adjusted automatically. Choose for warmer
whites in scenes lit by incandescent bulbs.
k CUSTOM 1
Measure a value for white balance.
l CUSTOM 2
m CUSTOM 3
k COLOR
TEMPERATURE
Choose a color temperature.
i DAYLIGHT
For subjects in direct sunlight.
j SHADE
For subjects in the shade.
k FLUORESCENT
LIGHT-1
Use under daylight uorescent lights.
l FLUORESCENT
LIGHT-2
Use under “warm white” uorescent lights.
m FLUORESCENT
LIGHT-3
Use under cool white” uorescent lights.
n INCANDESCENT
Use under incandescent lighting.
g UNDERWATER
Reduces the blue cast typically associated with underwater
lighting.
background
112
6
The Shooting Menus
N
In conditions in which AUTO fails to produce the desired results—for
example, under certain types of lighting or in close-ups of portrait
subjects—use custom white balance or choose a white balance op-
tion suited to the light source.
White balance is adjusted for  ash lighting only in AUTO, WA WHITE
PRIORITY, AA AMBIENCE PRIORITY, and g modes. Turn the
ash o using other white balance options.
White balance options can also be accessed via shortcuts (P 242).
Fine-Tuning White Balance
Pressing MENU/OK after selecting a white
balance option displays a  ne-tuning
dialog; use the focus stick (focus lever) to
ne-tune white balance.
WB SHIFT
SET
N
To exit without  ne-tuning white balance, press DISP/BACK after se-
lecting a white balance option.
You cannot tilt the focus stick diagonally when  ne-tuning white bal-
ance.
background
113
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
Custom White Balance
Choose k, l, or m to adjust white
balance for unusual lighting conditions
using a white object as a reference (col-
ored objects can also be used to lend
photos a color cast). A white balance tar-
get will be displayed; position and size
the target so that it is  lled by the reference object and press the
shutter button all the way down to measure white balance (to
select the most recent custom value and exit without measuring
white balance, press DISP/BACK, or press MENU/OK to select the most
recent value and display the  ne-tuning dialog).
If “COMPLETED !” is displayed, press MENU/OK
to set white balance to the measured
value.
If “UNDER” is displayed, raise exposure
compensation and try again.
If “OVER” is displayed, lower exposure com-
pensation and try again.
NOT CHANGESHIFT
CUSTOM 1
SHUTTER : NEW WB
COMPLETED !
SET CANCEL
background
114
6
The Shooting Menus
k: Color Temperature
Changing the color temperature changes overall hue.
N
Color temperature can be adjusted to make pictures warmer or cold-
er or deliberately produce colors that di er radically from those in real
life.
1
Select k in the white balance menu.
The option currently selected for col-
or temperature will be displayed.
R:0 B:0
WHITE BALANCE
SET SHIFT
COLOR TEMPERATURE
2
Edit the color temperature using the
focus stick (focus lever) and press
MENU/OK.
A ne-tuning dialog will be dis-
played.
SHIFTSET
COLOR TEMPERATURE
N
You can also adjust color temperature in increments of 10K by
rotating the rear command dial.
Choose from values of from 2500 to 10000K.
To exit without  ne-tuning white balance, press DISP/BACK after
choosing a color temperature.
3
Highlight a  ne-tuning amount using the focus stick.
4
Press MENU/OK.
The changes will be applied. The se-
lected color temperature will appear
in the display.
background
115
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
Color Temperature
Color temperature is an objective measure of the color of a light source, ex-
pressed in Kelvin (K). Light sources with a color temperature close to that of
direct sunlight appear white; light sources with a lower color temperature
have a yellow or red cast, while those with a higher color temperature are
tinged with blue.
DYNAMIC RANGE
Control contrast. Choose lower values to increase contrast when
shooting indoors or under overcast skies, higher values to reduce
loss of detail in highlights when photographing high-contrast
scenes. Higher values are recommended for scenes that include
both sunlight and deep shade, for such high-contrast subjects as
sunlight on water, brightly-lit autumn leaves, and portraits taken
against a blue sky, and for white objects or people wearing white.
Options
Options
AUTO
V 100% W 200% X 400%
O
Mottling may appear in pictures taken at higher values. Choose a val-
ue according to the scene.
N
If AUTO is selected, the camera will automatically choose either
V 100% or W 200% according to the subject and shooting con-
ditions. Shutter speed and aperture will be displayed when the shut-
ter button is pressed halfway.
W 200% is available at sensitivities of from ISO320 to ISO12800,
X 400% at sensitivities of from ISO640 to 12800.
background
116
6
The Shooting Menus
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows for natural-look-
ing results when photographing high-contrast scenes.
Option
Option
Description
Description
AUTO
Contrast is adjusted automatically in response to lighting con-
ditions.
STRONG
Adjust dynamic range by a large amount for very high-contrast
scenes.
WEAK
Adjust dynamic range by a smaller amount for moderately
high-contrast scenes.
OFF
Contrast reduction off.
N
WEAK is available at sensitivities of from ISO 320 to ISO 12800,
STRONG at sensitivities of from ISO640 to 12800.
When an option other than OFF is selected, TONE CURVE, and
DYNAMIC RANGE will be adjusted automatically.
TONE CURVE
With reference to a tone curve, adjust the
appearance of highlights or shadows,
making them harsher or softer. Choose
higher values to make shadows and
highlights harsher, lower values to make
them softer.
CANCELSET
HIGHLIGHTS SHADOWS
TONE CURVE
Option
Option
Description
Description
HIGHLIGHTS -2 to +4
SHADOWS -2 to +4
background
117
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
COLOR
Adjust color density. Choose higher values to increase saturation,
lower values to reduce it.
Options
Options
−4 −3 −2 −1 0 +1 +2 +3 +4
SHARPNESS
Sharpen or soften outlines. Choose higher values for sharper out-
lines, lower values for softer outlines.
Options
Options
−4 −3 −2 −1 0 +1 +2 +3 +4
HIGH ISO NR
Reduce noise in pictures taken at high sensitivities. Choose high-
er values to reduce noise and smooth outlines, lower values to
leave outlines visible.
Options
Options
−4 −3 −2 −1 0 +1 +2 +3 +4
background
118
6
The Shooting Menus
CLARITY
Increase de nition while altering tones in highlights and shad-
ows as little as possible. Choose higher values for increased de -
nition, lower values for a softer e ect.
Options
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
O
The additional processing required at settings other than 0 increases
the time need to save each shot.
N
Clarity is adjusted automatically when the mode dial is rotated to AUTO
or SP.
LONG EXPOSURE NR
Select ON to reduce mottling in long time-exposures.
Options
Options
ON OFF
O
The additional processing required when ON is selected increases save
times.
LENS MODULATION OPTIMIZER
Select ON to improve de nition by adjusting for di raction and
the slight loss of focus at the periphery of the lens.
Options
Options
ON OFF
background
119
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
COLOR SPACE
Choose the gamut of colors available for color reproduction.
Option
Option
Description
Description
sRGB Recommended in most situations.
Adobe RGB For commercial printing.
PIXEL MAPPING
Use this option if you notice bright spots in your pictures.
1
Press MENU/OK in the shooting display and select the H IMAGE
QUALITY SETTING tab.
2
Highlight PIXEL MAPPING and press MENU/OK to perform pix-
el mapping.
O
Results are not guaranteed.
Be sure the battery is fully charged before beginning pixel mapping.
Pixel mapping is not available when the camera temperature is ele-
vated.
Processing may take a few seconds.
background
120
6
The Shooting Menus
EDIT/SAVE CUSTOM SETTING
Save custom camera settings for commonly-encountered situa-
tions. Saved settings can be recalled by rotating the mode dial to
positions C1(CUSTOM1) through C4(CUSTOM4) (P 67).
xF MOUNT ADAPTER SETTING
Adjust settings for lenses attached via a mount adapter. The
camera can store settings for multiple lenses (LENS 1 through
LENS6).
N
Any changes made using this item also apply in movie mode (P 166).
Choosing a Focal Length
Enter the lens’s true focal length.
LENS 5
INPUT FOCAL LENGTH
SET CANCEL
Distortion Correction
Choose from STRONG, MEDIUM, or
WEAK options to correct BARREL or
PINCUSHION distortion.
LENS5 DISTORTION CORRECTION
BARREL MEDIUM
BARREL WEAK
BARREL STRONG
OFF
PINCUSHION WEAK
PINCUSHION MEDIUM
PINCUSHION STRONG
background
121
6
The Shooting Menus
IMAGE QUALITY SETTING (Still Photography)
Color Shading Correction
Color (shading) variations between the
center and edges of the frame can be ad-
justed separately for each corner.
To use color shading correction, follow the
steps below.
NEXT SET
1
Rotate the rear command dial to choose a corner. The select-
ed corner is indicated by a triangle.
2
Use the focus stick (focus lever) to adjust shading until there is
no visible di erence in color between the selected corner and
the center of the image.
Press the focus stick left or right to adjust colors on the
cyan–red axis.
Press the focus stick up or down to adjust colors on the
blue–yellow axis.
N
To determine the amount required, adjust color shading correction
while taking photos of blue sky or a sheet of gray paper.
Peripheral Illumination Correction
Choose from values between –5 and
+5. Choosing positive values increases
peripheral illumination, while choosing
negative values reduces peripheral il-
lumination. Positive values are recom-
mended for vintage lenses, negative val-
ues to create the e ect of images taken with an antique lens or a
pinhole camera.
N
To determine the amount required, adjust peripheral illumination cor-
rection while taking photos of blue sky or a sheet of gray paper.
EDIT LENS NAME
Change the lens name.
CANCELSET
background
122
6
The Shooting Menus
AF/MF SETTING (Still Photography)
Adjust focus settings for still photography.
To display AF/MF settings, press MENU/OK
in the photo shooting display and select
the G(AF/MF SETTING) tab.
EXIT
AF/MF SETTING
FOCUS MODE
AF MODE
AF-C CUSTOM SETTINGS
STORE AF MODE BY ORIENTATION
NUMBER OF FOCUS POINTS
PRE-AF
FOCUS AREA
AF POINT DISPLAY
N
The options available vary with the shooting mode selected.
FOCUS AREA
Choose the focus area for autofocus, manual focus, and focus
zoom (P 75).
FOCUS MODE
Choose how the camera focuses (P 71).
AF MODE
Choose how the camera focuses in modes l and k (P 73).
background
123
6
The Shooting Menus
AF/MF SETTING (Still Photography)
AF-C CUSTOM SETTINGS
Select focus-tracking options for
CONTINUOUS AF focus mode. Choose
from Sets1 (SET1) through 5 (SET5) ac-
cording to your subject or select SET6
CUSTOM for custom focus-tracking op-
tions.
OK
AF-C CUSTOM SETTINGS
SET 1 MULTI PURPOSE
TRACKING SENSITIVITY
ZONE AREA SWITCHING AUTO
SPEED TRACKING SENSITIVITY
Option
Option
Description
Description
SET 1 MULTI PURPOSE
A standard tracking option that works well with
the typical range of moving subjects.
SET 2 IGNORE OBSTACLES &
CONTINUE TO TRACK SUBJECT
The focus system attempts to track the chosen
subject. Choose with subjects that are hard to
keep in the focus area or if other objects are likely
to enter the focus area with the subject.
SET 3 FOR ACCELERATING/
DECELERATING SUBJECT
The focus system attempts to compensate for
subject acceleration or deceleration. Choose for
subjects prone to rapid changes in velocity.
SET 4 FOR SUDDENLY APPEARING
SUBJECT
The focus system attempts to focus quickly on
subjects entering the focus area. Choose for
subjects that appear abruptly or when rapidly
switching subjects.
SET 5 FOR ERRATICALLY MOVING
& ACCEL./DECEL. SUBJECT
Choose for hard-to-track subjects prone not only
to sudden changes in velocity but also to large
movements front to back and left to right.
SET 6 CUSTOM
Adjust TRACKING SENSITIVITY, SPEED
TRACKING SENSITIVITY, and ZONE AREA
SWITCHING to suit your preferences based on
the values for Sets 1–5 (P 124, 126).
background
124
6
The Shooting Menus
Focus Tracking Options
The individual parameters that are part of a focus tracking set are
described below.
TRACKING SENSITIVITY
TRACKING SENSITIVITY
This parameter determines how long the
camera waits to switch focus when an
object enters the focus area behind or in
front of the current subject. The higher
the value, the longer the camera will wait.
TRACKING SENSITIVITY
LOCKED ON
QUICK
SETS THE TRACKING
SENSITIVITY ON THE SUBJECT
SWITCH
ADJUST
Options
Options
01234
O
The higher the value, the longer it takes the camera to refocus when
you attempt to switch subjects.
The lower the value, the more likely the camera is to switch focus
from your subject to other objects in the focus area.
SPEED TRACKING SENSITIVITY
SPEED TRACKING SENSITIVITY
This parameter determines how sensi-
tive the tracking system is to changes in
subject velocity. The higher the value,
the greater the precision with which the
system attempts to respond to sudden
movement.
SPEED TRACKING SENSITIVITY
ACCEL./DECEL.
STEADY
SETS THE SPEED TRACKING
SENSITIVITY FOR MOVING SUBJECT
SWITCHADJUST
Options
Options
012
O
The higher the value, the more di culty the camera will have focusing
in situations in which autofocus does not perform well, such as when
the subject is highly re ective or low in contrast.
background
125
6
The Shooting Menus
AF/MF SETTING (Still Photography)
ZONE AREA SWITCHING
ZONE AREA SWITCHING
This parameter determines the focus
area given priority in zone AF.
ZONE AREA SWITCHING
FRONTCENTER
AUTO
SETS THE SWITCHING SENSITIVITY
OF FOCUS FRAME IN ZONE AREA
SWITCHADJUST
Option
Option
Description
Description
FRONT Zone AF assigns priority to the subjects closest to the camera.
AUTO
The camera locks focus on the subject at the center of the zone
and then switches focus areas as necessary to track it.
CENTER Zone AF assigns priority to subjects in the center of the zone.
O
This option takes e ect only when y ZONE is selected for AF mode.
Set Values
Parameter values for the di erent sets are listed below.
TRACKING
TRACKING
SENSITIVITY
SENSITIVITY
SPEED TRACKING
SPEED TRACKING
SENSITIVITY
SENSITIVITY
ZONE AREA
ZONE AREA
SWITCHING
SWITCHING
SET 1
SET 1 20AUTO
SET 2
SET 2 3 0 CENTER
SET 3
SET 3 22AUTO
SET 4
SET 4 0 1 FRONT
SET 5
SET 5 32AUTO
background
126
6
The Shooting Menus
Custom Focus Tracking Options
Follow the steps below to adjust settings for Set 6.
1
Select AF-C CUSTOM SETTINGS>
SET 6 CUSTOM.
AF-C CUSTOM SETTINGS
SET 6 CUSTOM
TRACKING SENSITIVITY
ZONE AREA SWITCHING
AUTO
SPEED TRACKING SENSITIVITY
RESETSET DETAIL
ADJUST
2
Highlight items using the focus stick (focus lever) and rotate
the front command dial to change. To reset settings to their
original values, press b.
3
Press DISP/BACK when settings are complete.
background
127
6
The Shooting Menus
AF/MF SETTING (Still Photography)
STORE AF MODE BY ORIENTATION
Choose whether the AF mode used when the camera is in por-
trait orientation is stored separately from that used when the
camera is in landscape orientation.
Option
Option
Description
Description
OFF The same settings are used in both orientations.
FOCUS AREA ONLY
The focus area for each orientation can be selected sep-
arately.
ON The focus mode and focus area can be selected separately.
AF POINT DISPLAY yz
Choose whether individual focus frames are displayed when
ZONE or WIDE/TRACKING is selected for G AF/MF SETTING>
AF MODE.
Options
Options
ON OFF
NUMBER OF FOCUS POINTS
Choose the number of focus points available for focus-point se-
lection in manual focus mode or when SINGLE POINT is selected
for AF MODE.
Option
Option
Description
Description
117 POINTS (9 × 13)
Choose from 117 focus points arranged in a 9- by 13-point
grid.
425 POINTS (17 × 25)
Choose from 425 focus points arranged in a 17- by 25-point
grid.
background
128
6
The Shooting Menus
PRE-AF
If ON is selected, the camera will continue to adjust focus even
when the shutter button is not pressed halfway. The camera
adjusts focus continuously, allowing it to focus faster when the
shutter button is pressed halfway. Choosing this option helps
prevent missed shots.
Options
Options
ON OFF
O
Choosing ON increases the drain on the battery.
xF AF ILLUMINATOR
If ON is selected, the AF-assist illuminator will light to assist
autofocus.
Options
Options
ON OFF
O
The camera may be unable to focus using the AF-assist illuminator
in some cases.
If the camera is unable to focus, try increasing the distance to the
subject.
Avoid shining the AF-assist illuminator directly into your subjects
eyes.
N
Any changes made using this item also apply in movie mode (P 168).
background
129
6
The Shooting Menus
AF/MF SETTING (Still Photography)
FACE/EYE DETECTION SETTING
If the camera detects human faces, it will
assign them priority over the background
and adjust settings appropriately for por-
traits when setting focus and exposure.
You can also choose whether the camera
focuses on the left or right eye when face
detection is on.
Option
Option
Description
Description
FACE DETECTION
ON
Adjust settings for Intelligent Face Detection. You can also adjust
eye detection settings.
g EYE OFF: Intelligent Face Detection only.
u EYE AUTO: The camera automatically chooses which eye
to focus on when a face is detected.
w RIGHT EYE PRIORITY: The camera focuses on the right
eye of subjects detected using Intelligent Face Detection.
v LEFT EYE PRIORITY: The camera focuses on the left eye
of subjects detected using Intelligent Face Detection.
OFF Intelligent Face Detection and eye priority off .
O
If the subject moves as the shutter button is pressed, the face may
not be in the area indicated by the green border when the picture
is taken.
In some modes, the camera may set exposure for the frame as a
whole rather than the portrait subject.
background
130
6
The Shooting Menus
N
The face selected by the camera is indicated by a green border. Any
other faces detected by the camera are indicated by gray borders.
To have the camera focus on a di erent subject, tap inside the gray
border. The g icon will change from white to green.
When DIRECT AF POINT SELECTION/FACE SELECT is chosen for
D BUTTON/DIAL SETTING> FOCUS LEVER SETTING > TILT o, you
can also switch subjects using the focus stick (focus lever) or (during
view nder photography) touch controls (P 21).
To switch from face detection to manual focus-area selection, press
the center of the focus stick (focus lever). Press again to re-enable
face detection.
If the selected subject leaves the frame, the camera will wait a set
time for its return and consequently the green frame may sometimes
appear in locations where no face is seen.
You cannot switch subjects during burst photography.
Depending on shooting conditions, face selection may be suspend-
ed at the close of burst shooting.
Faces can be detected with the camera in vertical or horizontal ori-
entation.
If the camera is unable to detect the subjects eyes because they are
hidden by hair, glasses, or other objects, the camera will instead focus
on faces.
Face/eye detection options can also be accessed via shortcuts
(P 242).
background
131
6
The Shooting Menus
AF/MF SETTING (Still Photography)
AF+MF
If ON is selected in focus mode l and focus has been locked
(whether by pressing the shutter button halfway or by other
means), focus lock can be ended and focus adjusted manually by
rotating the focus ring.
Options
Options
ON OFF
O
Lenses with a focus distance indicator must be set to manual focus
mode (MF) before this option can be used. Selecting MF disables the
focus distance indicator.
If the lens is equipped with a focus distance indicator, set the focus
ring to the center, as the camera may fail to focus if the ring is set to
in nity or the minimum focus distance.
N
STANDARD and FOCUS PEAK HIGHLIGHT MF assist options can be
selected using MF ASSIST.
AF + MF Focus Zoom
When ON is selected for G AF/MF SETTING> FOCUS CHECK and SINGLE
POINT selected for AF MODE, focus zoom can be used to zoom in on the
selected focus area. The zoom ratio can be selected using the rear com-
mand dial.
background
132
6
The Shooting Menus
MF ASSIST
Choose how focus is displayed in manual focus mode.
Option
Option
Description
Description
STANDARD
Focus is displayed normally (focus peaking, digital split image, and
digital microprism are not available).
DIGITAL SPLIT
IMAGE
Displays a black-and-white (MONOCHROME) or color (COLOR)
split image in the center of the frame. Frame the subject in the
split-image area and rotate the focus ring until the four parts of
the split image are correctly aligned.
DIGITAL
MICROPRISM
A grid pattern that emphasizes blur is displayed when the subject
is out of focus, disappearing to be replaced by a sharp image when
the subject is in focus.
FOCUS PEAK
HIGHLIGHT
The camera heightens high-contrast outlines. Choose a color and
peaking level.
FOCUS CHECK
If ON is selected, the display will automatically zoom in on the
selected focus area when the focus ring is rotated in manual fo-
cus mode.
Options
Options
ON OFF
N
Press the focus stick (focus lever) to cancel focus zoom.
The zoom position is centered on the current focus area and changes
when the focus area is changed.
background
133
6
The Shooting Menus
AF/MF SETTING (Still Photography)
INTERLOCK SPOT AE & FOCUS AREA
Select ON to meter the current focus frame when SINGLE AF or
CONTINUOUS AF is selected for FOCUS MODE.
Options
Options
ON OFF
xF INSTANT AF SETTING
Chooses how the camera focuses when a button to which focus
lock or AF-ON is assigned is pressed with MANUAL FOCUS se-
lected for FOCUS MODE.
Options
Options
AF-S AF-C
N
Any changes made using this item also apply in movie mode (P 170).
xF DEPTH-OF-FIELD SCALE
Choose FILM FORMAT BASIS to help you make practical assess-
ments of depth of  eld for pictures that will be viewed as prints
and the like, PIXEL BASIS to help you assess depth of  eld for
pictures that will be viewed at high resolutions on computers or
other electronic displays.
Options
Options
PIXEL BASIS FILM FORMAT BASIS
N
Any changes made using this item also apply in movie mode (P 170).
background
134
6
The Shooting Menus
RELEASE/FOCUS PRIORITY
Choose how the camera focuses when the shutter button is
pressed all the way down with SINGLE AF or CONTINUOUS AF
selected for FOCUS MODE.
Option
Option
Description
Description
RELEASE
Shutter response is prioritized over focus. Pictures can be taken
when the camera is not in focus.
FOCUS
Focus is prioritized over shutter response. Pictures can be only
taken when the camera is in focus.
xF AF RANGE LIMITER
Limit the range of available focus distances for increased focus
speed.
Option
Option
Description
Description
OFF Focus limiter disabled.
CUSTOM
Limit focus to a range of distances defi ned by a minimum and
maximum.
OK: Limit focus to the selected range.
SET: Choose two objects and limit focus to the distance be-
tween them.
PRESET1
Limit focus to a preset range.
PRESET2
O
Choosing a focus range that includes distances shorter than the min-
imum focus distance of the lens disables the focus limiter.
The values listed and displayed for the focus limiter may di er from
the actual focus distance.
N
The following additional operations can be performed when CUSTOM
is selected:
-
You can tap objects in the touch screen display to choose the focus
range.
-
Instead of tapping an object in the display, you set the maximum
focus distance to in nity by rotating the focus ring.
Any changes made using this item also apply in movie mode
(P 170).
background
135
6
The Shooting Menus
AF/MF SETTING (Still Photography)
xF TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
Mode
Mode
Description
Description
TOUCH
SHOOTING
Tap your subject in the display to focus and release the shutter.
In burst mode, pictures will be taken while you keep your fi nger
on the display.
AF
AFOFF
In focus mode S (AF-S), the camera focuses when you tap your
subject in the display. Focus locks at the current distance until
you tap the AFOFF icon.
In focus mode C (AF-C), the camera initiates focus when you
tap your subject display. The camera will continue to adjust
focus for changes in the distance to the subject until you tap
the AFOFF icon.
In manual focus mode (MF), you can tap the display to focus
on the selected subject using autofocus.
AREA
Tap to select a point for focus or zoom. The focus frame will
move to the selected point.
OFF
Touch controls disabled.
N
T
o disable touch controls and hide the touch screen mode indica-
tor, select OFF for
D
BUTTON/DIAL SETTING>
TOUCH SCREEN
SETTING
>
x TOUCH SCREEN SETTING
.
Any changes made using this item also apply in movie mode
(P 171).
background
136
6
The Shooting Menus
AF/MF SETTING (Still Photography)
Touch Controls for Focus Zoom
Di erent touch controls are used during focus zoom (focus check enabled).
Central Area
Central Area
Tapping the center of the display performs the
operations below.
Mode
Mode
Operation performed
Operation performed
TOUCH SHOOTING
TOUCH SHOOTING SINGLE AF/MANUAL FOCUS: Take a picture
AF
AF
SINGLE AF: AF
MANUAL FOCUS: Instant AF
AREA
AREA
SINGLE AF: AF
MANUAL FOCUS: Instant AF
OFF
OFF SINGLE AF/MANUAL FOCUS: OFF
Other Areas
Other Areas
Tapping other areas simply scrolls the display,
whether during still photography or movie re-
cording and regardless of the option selected
for touch screen mode.
background
137
6
The Shooting Menus
SHOOTING SETTING (Still Photography)
Adjust shooting options for still photography.
To display shooting settings, press MENU/OK
in the photo shooting display and select
the
A
(SHOOTING SETTING) tab.
EXIT
SHOOTING SETTING
SELF-TIMER
SAVE SELF-TIMER SETTING
SELF-TIMER LAMP
INTERVAL TIMER SHOOTING
SCENE POSITION
FILTER SETTING
SPORTS FINDER MODE
PRE-SHOT
SCENE POSITION
Choose a scene for SP mode (P 64).
FILTER SETTING
Choose the  lter used when the mode dial is rotated to FILTER
(P 66).
background
138
6
The Shooting Menus
SPORTS FINDER MODE
Take pictures using the crop in the center
of the display. Choose this option for pic-
tures of athletes, birds, and other moving
subjects.
Option
Option
Description
Description
ON
Pictures are taken using a 1.25× crop, reducing the picture angle by an
amount equivalent to increasing lens focal length by 1.25×; the crop is
shown by a frame in the display.
OFF The 1.25× crop is disabled.
N
The H IMAGE QUALITY SETTING> IMAGE SIZE item in the shoot-
ing menu is  xed at P.
The sports  nder is not available in modes that o er an electronic
shutter.
PRE-SHOT sJ
To reduce the lag between your pressing the shutter button all
the way down and the resulting picture being recorded to the
memory card, the camera starts shooting with the electronic
shutter when the shutter button is pressed halfway and saves a
series shots starting just before the shutter button is pressed the
rest of the way down.
Options
Options
ON OFF
N
Pre-shot photography is available only when s ELECTRONIC SHUTTER
is selected in CH (high speed burst) drive mode
(P 144).
background
139
6
The Shooting Menus
SHOOTING SETTING (Still Photography)
SELF-TIMER
Choose a shutter release delay.
Option
Option
Description
Description
R 2 SEC
The shutter is released two seconds after the shutter button is pressed.
Use to reduce blur caused by the camera moving when the shutter
button is pressed. The self-timer lamp blinks as the timer counts
down.
S 10 SEC
The shutter is released ten seconds after the shutter button is pressed.
Use for photographs in which you wish to appear yourself. The
self-timer lamp blinks immediately before the picture is taken.
OFF Self-timer off .
If an option other than OFF is select-
ed, the timer will start when the shutter
button is pressed all the way down. The
display shows the number of seconds re-
maining until the shutter is released. To
stop the timer before the picture is taken,
press DISP/BACK.
9
O
Stand behind the camera when using the shutter button. Standing in
front of the lens can interfere with focus and exposure.
The self-timer turns o automatically when the camera is turned o .
SAVE SELF-TIMER SETTING
If ON is selected, the chosen self-timer setting will remain in ef-
fect after a picture is taken or the camera is turned o .
Options
Options
ON OFF
background
140
6
The Shooting Menus
SELF-TIMER LAMP
If ON is selected, the self-timer lamp will light during self-timer
photography. Select OFF when shooting night scenes or in other
situations in which you would prefer that the lamp remain unlit.
Options
Options
ON OFF
INTERVAL TIMER SHOOTING
Con gure the camera to take photos automatically at a preset
interval.
1
Select A SHOOTING SETTING in the
shooting menu, highlight INTERVAL
TIMER SHOOTING, and press MENU/OK.
CANCELEND
INTERVAL/NUMBER OF TIMES
INTERVAL
NUMBER OF TIMES
2
Use the focus stick (focus lever) to
choose the interval and number of
shots. Press MENU/OK to proceed.
START WAITING TIME
ESTIMATED START TIME
LATER
CANCELSTART
PM
3
Use the focus stick to choose the
starting time and then press MENU/OK.
Shooting will start automatically.
CANCEL
background
141
6
The Shooting Menus
SHOOTING SETTING (Still Photography)
O
Interval timer photography cannot be used at a shutter speed of
B(bulb) or with multiple exposure photography. In burst mode, only
one picture will be taken each time the shutter is released.
N
Use of a tripod is recommended.
Check the battery level before starting. We recommend using USB
power source (P 238).
The display turns o between shots and lights a few seconds before
the next shot is taken.
The display can be activated at any time by pressing the shutter button.
To continue shooting until the number of shots taken equals the
number of exposures remaining at the time interval-timer photogra-
phy started, set the number of shots to ∞.
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING
Select ON to automatically adjust exposure during interval-timer
photography to prevent it changing dramatically between shots.
Options
Options
ON OFF
N
Large changes in subject brightness may make exposure appear er-
ratic. We recommend that you choose shorter values for INTERVAL
TIMER SHOOTING> INTERVAL with subjects that brighten or dim
dramatically during shooting.
In manual mode (mode M), exposure smoothing is only available if an
AUTO option is selected for sensitivity.
background
142
6
The Shooting Menus
AE BKT SETTING
Adjust exposure bracketing settings.
Option
Option
Description
Description
FRAMES/STEP SETTING
Choose the number of shots in the bracketing sequence
and the amount exposure is varied with each shot.
FRAMES: Choose the number of shots in the bracketing
sequence.
STEP: Choose the amount exposure is varied with each
shot.
1 FRAME/CONTINUOUS
1 FRAME: The shots in the bracketing sequence are taken
one at a time.
CONTINUOUS: The shots in the bracketing sequence are
taken in a single burst.
SEQUENCE SETTING Choose the order in which the shots are taken.
FILM SIMULATION BKT
Choose the three  lm simulation types used for  lm simulation
bracketing (P 108).
background
143
6
The Shooting Menus
SHOOTING SETTING (Still Photography)
FOCUS BKT SETTING
Choose from AUTO and MANUAL focus bracketing modes
(P 91).
PHOTOMETRY
Choose how the camera meters exposure (P 85).
background
144
6
The Shooting Menus
SHUTTER TYPE
Choose the shutter type. Choose the electronic shutter to mute
the shutter sound.
Option
Option
Description
Description
t MECHANICAL SHUTTER
Take pictures with the mechanical shutter.
s ELECTRONIC SHUTTER
Take pictures with the electronic shutter.
u MECHANICAL+ ELECTRONIC
The camera chooses the mechanical or electronic
shutter according to shooting conditions.
O
When using the electronic shutter, note the following:
Distortion may be visible in shots of moving subjects.
Distortion may also be visible in hand-held shots taken at high shut-
ter speeds; use of a tripod is recommended.
Banding and fog may occur in shots taken under  uorescent lights or
other  ickering or erratic illumination.
When taking pictures with the shutter muted (P 212), respect your
subjects’ image rights and right to privacy.
N
The following restrictions apply when the electronic shutter is used:
“Extended” sensitivity values are not supported
Long exposure noise reduction has no e ect
The  ash cannot be used
background
145
6
The Shooting Menus
SHOOTING SETTING (Still Photography)
FLICKER REDUCTION
Reduce  icker in pictures and the display when shooting under
uorescent lighting and other similar light sources.
Option
Option
Description
Description
ALL FRAMES
Flicker reduction is performed for all frames. Compared
to when fl icker reduction is performed only on the fi rst
frame, the frame advance rate for burst photography will
drop.
FIRST FRAME
Flicker reduction is performed for the fi rst frame only; in
burst photography, the value measured for the fi rst frame
in each burst will be used for all subsequent shots. Flicker
may be visible during burst photography.
OFF Flicker reduction disabled.
O
Flicker reduction increases the time needed to record pictures.
OFF is selected for FLICKER REDUCTION when the electronic shut-
ter is used.
Flicker reduction is not available during movie recording.
background
146
6
The Shooting Menus
IS MODE
Reduce blur caused by camera shake or subject motion.
Option
Option
Description
Description
L CONTINUOUS
+ MOTION
Image stabilization on. If + MOTION is selected, the camera
will adjust shutter speed to reduce motion blur when mov-
ing objects are detected.
l CONTINUOUS
M SHOOTING
+ MOTION
As above, except that image stabilization is performed only
when the shutter button is pressed halfway (focus mode
k only) or the shutter is released. If + MOTION is selected,
the camera will adjust shutter speed to reduce motion blur
when moving objects are detected.
m SHOOTING ONLY
OFF
Image stabilization off . Choose this option when using a
tripod.
N
+ MOTION has no e ect when sensitivity is set to a  xed value, and
may also be unavailable at some other combinations of settings. The
e ect may vary with lighting conditions and the speed at which the
object is moving.
ISO
Adjust the cameras sensitivity to light (P 83).
background
147
6
The Shooting Menus
SHOOTING SETTING (Still Photography)
xF WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
Control the camera and take pictures remotely
Receive pictures uploaded from the camera
Browse the pictures on the camera and download selected pic-
tures
Upload location data to the camera
N
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
background
148
6
The Shooting Menus
FLASH SETTING (Still Photography)
Adjust  ash-related settings for still photography.
To display  ash settings, press MENU/OK
in the photo shooting display and select
the F(FLASH SETTING) tab.
EXIT
FLASH SETTING
RED EYE REMOVAL
TTL-LOCK MODE
FLASH FUNCTION SETTING
LED LIGHT SETTING
COMMANDER SETTING
CH SETTING
FLASH FUNCTION SETTING
Choose a  ash control mode,  ash mode,
or sync mode or adjust the  ash level.
The options available vary with the  ash.
N
For more information on  ash settings, see
“External Flash Units” (P 264) in “Periph-
erals and Optional Accessories”.
ADJUST
END
Built-In Flash
M
ODE
RED EYE REMOVAL
Remove red-eye e ects caused by the  ash.
Option
Option
Description
Description
FLASH+REMOVAL
A red-eye reduction pre-fl ash is combined with digital red-eye
removal.
FLASH Flash red-eye reduction only.
REMOVAL Digital red-eye removal only.
OFF Flash red-eye reduction and digital red-eye removal off .
N
Flash red-eye reduction can be used in TTL  ash control mode.
Digital red-eye removal is performed only when a face is detected.
Digital red-eye removal is not available with RAW images.
background
149
6
The Shooting Menus
FLASH SETTING (Still Photography)
TTL-LOCK MODE
Instead of adjusting  ash level with each shot, TTL  ash control
can be locked for consistent results across a series of photo-
graphs.
Option
Option
Description
Description
LOCK WITH LAST FLASH
Flash output is locked at the value metered for the most
recent photo.
LOCK WITH METERING
FLASH
The camera emits a series of pre-fl ashes and locks fl ash
output at the metered value.
N
To use TTL lock, assign TTL-LOCK to a camera control and then use
the control to enable or disable TTL lock (P 251).
Flash compensation can be adjusted while TTL lock is in e ect.
Selecting LOCK WITH LAST FLASH displays an error message if no
previously metered value exists.
LED LIGHT SETTING
Choose whether to use the  ash unit’s LED video light (if avail-
able) as a catchlight or AF-assist illuminator when taking photos.
Option
Option
Role of LED video light in still photography
Role of LED video light in still photography
CATCHLIGHT Catchlight
AF ASSIST AF-assist illuminator
AF ASSIST+CATCHLIGHT AF-assist illuminator and catchlight
OFF None
N
In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.
background
150
6
The Shooting Menus
FLASH SETTING (Still Photography)
COMMANDER SETTING
Choose groups when using the camera  ash unit as a command-
er for Fuji lm optical wireless remote  ash control. This option is
available when the camera is used with clip-on  ash units that
support Fuji lm optical wireless  ash control.
Options
Options
Gr A Gr B Gr C OFF
N
In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.
CH SETTING
Choose the channel used for communication between the com-
mander and remote  ash units. Separate channels can be used
for di erent ash systems or to prevent interference when multi-
ple systems are operating in close proximity.
Options
Options
CH1 CH2 CH3 CH4
background
151
6
The Shooting Menus
MOVIE SETTING (Still Photography)
Adjust options for movies shot during still photography us-
ing the t(movie recording) button.
To display movie settings, press MENU/OK
in the photo shooting display and select
the B(MOVIE SETTING) tab.
N
The options available vary with the shoot-
ing mode selected.
EXIT
MOVIE SETTING
FILE FORMAT
MOVIE MODE
FULL HD HIGH SPEED REC
F IS MODE
F IS MODE BOOST
MIC/REMOTE RELEASE
AUDIO SETTING
MOVIE MODE
This item is also found in the movie menus (P 154). Changes
here also apply to the item in the movie menus.
FILE FORMAT
This item is also found in the movie menus (P 155). Changes
here also apply to the item in the movie menus.
FULL HD HIGH SPEED REC
This item is also found in the movie menus (P 156). Changes
here also apply to the item in the movie menus.
F IS MODE
This item is also found in the movie menus (P 160). Changes
here also apply to the item in the movie menus.
F IS MODE BOOST
This item is also found in the movie menus (P 160). Changes
here also apply to the item in the movie menus.
background
152
6
The Shooting Menus
AUDIO SETTING
Adjust audio-related settings for movie recording.
INTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for the built-in microphone.
Option
Option
Description
Description
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the focus stick (focus
lever) right to choose from 25 recording levels.
OFF Turn the built-in microphone off .
EXTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for external microphones.
Option
Option
Description
Description
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the focus stick (focus
lever) right to choose from 25 recording levels.
OFF Disable recording using external microphones.
MIC JACK SETTING
Specify the type of hardware connected to the microphone jack.
Option
Option
Description
Description
MIC
Choose this option for direct connection to an external micro-
phone.
LINE
Choose this option for external audio devices connected via
line output.
MIC LEVEL LIMITER
Reduces distortion caused by input that exceeds the limits of the
microphones audio circuits.
Options
Options
ON OFF
background
153
6
The Shooting Menus
MOVIE SETTING (Still Photography)
WIND FILTER
Choose whether to enable wind noise reduction during movie
recording.
Options
Options
ON OFF
LOW CUT FILTER
Choose whether to enable the low-cut  lter, reducing low-fre-
quency noise during movie recording.
Options
Options
ON OFF
HEADPHONES VOLUME
Adjust the headphone volume.
Option
Option
Description
Description
0 Mute output to the headphones.
1—10 Choose a volume of from 1 to 10.
MIC/REMOTE RELEASE
Specify whether the device connected to the microphone/re-
mote release connector is a microphone or a remote release.
Options
Options
m MIC n REMOTE
background
154
6
The Shooting Menus
MOVIE SETTING (Movie Recording)
Adjust options for movies shot with the mode dial rotated
to F(movie).
To display options for movie recording,
press MENU/OK in the movie shooting dis-
play and select the B(MOVIE SETTING)
tab.
N
The options available vary with the shoot-
ing mode selected.
MOVIE SETTING
MOVIE MODE
SHOOTING MODE
FILE FORMAT
FULL HD HIGH SPEED REC
FIX MOVIE CROP MAGNIFICATION
4K MOVIE OUTPUT
FULL HD MOVIE OUTPUT
F-Log RECORDING
EXIT
SHOOTING MODE
Choose a shooting mode for movies.
Options
Options
PROGRAM AE
SHUTTER
PRIORITY AE
APERTURE
PRIORITY AE
MANUAL
MOVIE MODE
Before shooting movies, choose the
frame rate, bit rate, and frame size and
aspect ratio.
MOVIE MODE
1
In the shooting menu, select B MOVIE SETTING, then high-
light MOVIE MODE and press MENU/OK.
background
155
6
The Shooting Menus
MOVIE SETTING (Movie Recording)
2
Press the focus stick (focus lever) up or down to highlight the
desired frame size and aspect ratio (
A
) and press the stick
right.
Choose V16 : 9 or d17 : 9 for 4K movies with aspect ra-
tios of 16 or 17 to 9.
Choose W16 : 9 or W17 : 9 for Full HD movies with aspect
ratios of 16 or 17 to 9.
3
Press the focus stick (focus lever) up or down to highlight a
frame rate (
B
) and press the stick right.
Options
Options
23.98P 24P 25P 29.97P 50P 59.94P
4
Press the focus stick up or down to highlight a bit rate (
C
)
and press MENU/OK.
Options
Options
50Mbps 100Mbps 200Mbps
N
The choice of frame and bit rates varies with the movie mode.
FILE FORMAT
Choose a movie format.
Option
Option
Description
Description
MOV/H.264 LPCM
High picture and sound quality.
MP4/H.264 AAC
A format suitable for movies that will be uploaded to the
web.
N
Movies are recorded to the memory card in 8-bit 420 and output to
HDMI in 10-bit 422.
background
156
6
The Shooting Menus
FULL HD HIGH SPEED REC
Record high-frame-rate Full HD movies. High-frame-rate mov-
ies can be played back in slow motion, giving you time to view
fast-moving subjects or details too  eeting for the naked eye. Se-
lect ON to choose the recording and playback rates separately.
Playback
Options
Options
23.98P 24P 25P 29.97P 50P 59.94P
Recording
Options
Options
100P 120P 200P 240P
N
High-speed movies are recorded with no sound.
Maximum recording length is 6 minutes, but varies with camera set-
tings.
The footage recorded to the memory card is compressed with the
goal of keeping the amount of data recorded to 200Mbps per sec-
ond.
The options available for playback rate vary with the option selected
for rate of recording.
background
157
6
The Shooting Menus
MOVIE SETTING (Movie Recording)
FIX MOVIE CROP MAGNIFICATION C
Fix the movie crop ratio at 1.291. This makes it easier to match
crops when  lming in di erent formats.
Options
Options
ON OFF
F-Log RECORDING
Select ON to record movies using a soft gamma curve with a wide
gamut suitable for further processing post-production. Sensitivi-
ty is restricted to values between ISO640 and 12800.
Options
Options
ON OFF
background
158
6
The Shooting Menus
4K MOVIE OUTPUT
Choose the destination for 4K movies shot while the camera is
connected to an HDMI recorder or other device that supports 4K.
Option
Option
Description
Description
b 4K Y 4K
4K movies are recorded to the camera memory card and out-
put to the HDMI device in 4K.
b 4K Y FHD
4K movies are recorded to a camera memory card in 4K and
output to the HDMI device in Full HD.
b FHD Y 4K
4K movies are output to the HDMI device in 4K and recorded to
the camera memory card in Full HD.
b Y 4K
4K movies are output to the HDMI device in 4K. The camera
does not record 4K movies to a memory card.
N
This option is only available when V 16 : 9 or d 17 : 9 is selected for
B MOVIE SETTING> MOVIE MODE in the shooting menu.
FULL HD MOVIE OUTPUT
Choose the destination for Full HD movies shot while the camera
is connected to an HDMI device.
Option
Option
Description
Description
b FHD Y FHD
Full HD movies are output to the HDMI device and recorded to
the camera memory card.
b Y FHD
Full HD movies are not recorded to the camera memory card
but are output to the HDMI device.
N
This option is only available when W 16 : 9 or W 17 : 9 is selected
for B MOVIE SETTING> MOVIE MODE in the shooting menu.
When OFF is selected for HDMI OUTPUT INFO DISPLAY, movies will
be output to the HDMI device in 4:2:2 10-bit format.
background
159
6
The Shooting Menus
MOVIE SETTING (Movie Recording)
HDMI OUTPUT INFO DISPLAY
If ON is selected, HDMI devices to which the camera is connected
will mirror the information in the camera display.
Options
Options
ON OFF
4K HDMI STANDBY QUALITY
Choose whether output to connected HDMI devices switches
from 4K to Full HD during standby.
Option
Option
Description
Description
V
Output to HDMI devices continues at 4K during standby.
W
Output to HDMI devices switches to Full HD during standby,
reducing the drain on the battery.
HDMI REC CONTROL
Choose whether the camera sends movie start and stop signals
to the HDMI device when the shutter button is pressed to start
and stop movie recording.
Options
Options
ON OFF
F PHOTOMETRY
Options are the same as those for still photography, but settings
must be adjusted separately (P 143).
N
The photometry option selected in the photo menus applies to mov-
ies recorded using the t(movie recording) button.
background
160
6
The Shooting Menus
F IS MODE
Reduce blur.
Option
Option
Description
Description
IBIS/OIS
Enable in-body (IBIS) and optical (OIS) image stabilization.
IBIS is used with lenses that do not support OIS.
IBIS/OIS + DIS
Enable in-body (IBIS), optical (OIS), and digital (DIS) image
stabilization. The crop is adjusted according to the option
selected for MOVIE MODE.
OFF
Image stabilization off ; x appears in the display. Choose
when the camera is mounted on a tripod or otherwise
xed in place.
N
The setting selected with the lens image stabilization switch, if any,
takes priority over the setting chosen with the IS mode.
Note that vibration or camera sounds may be noticeable as image
stabilization takes e ect.
IBIS/OIS + DIS is not available when high-speed Full HD recording
is enabled.
F IS MODE BOOST
Choose the image stabilization level.
Option
Option
Description
Description
ON Suitable for hand-held shooting with no panning.
OFF Suitable for hand-held shooting with panning.
N
Assigning IS MODE BOOST to a function button allows the image sta-
bilization level to be changed while recording is in progress (P 251).
background
161
6
The Shooting Menus
MOVIE SETTING (Movie Recording)
F ISO
Adjust the cameras sensitivity to light.
Option
Option
Description
Description
H (25600)
Choose for special situations. Note that dynamic range may be
reduced and that pictures may be mottled.
160–12800 Adjust sensitivity manually. Selected value is shown in display.
AUTO
Sensitivity is automatically adjusted in response to shooting
conditions.
ZEBRA SETTING
Highlights that may be overexposed are shown by zebra stripes
in the movie mode display.
Option
Option
Description
Description
ZEBRA RIGHT
Right-slanting stripes.
ZEBRA LEFT
Left-slanting stripes.
OFF Stripes off .
ZEBRA LEVEL
Choose the brightness threshold for the zebra stripe display.
Options
Options
50 55 60 65 70 75 80 85 90 95 100
MOVIE OPTIMIZED CONTROL oL
Select ON to allow movie settings to be adjusted using only the
command dials and touch-screen controls. You may  nd this
helpful in preventing the sounds of camera controls being re-
corded with movies (P 23).
Options
Options
ON OFF
background
162
6
The Shooting Menus
MOVIE SETTING (Movie Recording)
TALLY LIGHT
Choose the lamp (indicator or AF-assist) that lights during movie
recording and whether the lamp blinks or remains steady.
Indicator lamp AF-assist illuminator
Option
Option
Description
Description
FRONT OFF
REAR z
The indicator lamp lights during movie recording.
FRONT OFF
REAR y
The indicator lamp blinks during movie recording.
FRONT z
REAR z
The indicator and AF-assist lamps light during movie recording.
FRONT z
REAR OFF
The AF-assist lamp lights during movie recording.
FRONT y
REAR y
The indicator and AF-assist lamps blink during movie recording.
FRONT y
REAR OFF
The AF-assist lamp blinks during movie recording.
FRONT OFF
REAR OFF
The indicator and AF-assist lamps remain off during movie recording.
xF WIRELESS COMMUNICATION
This item is also found in the photo menus (P 147).
background
163
6
The Shooting Menus
IMAGE QUALITY SETTING (Movie Recording)
Adjust image quality settings for movies.
To display image quality settings, press
MENU/OK in the movie shooting display and
select the H (IMAGE QUALITY SETTING)
tab.
EXIT
IMAGE QUALITY SETTING
FILM SIMULATION
MONOCHROMATIC COLOR
WHITE BALANCE
DYNAMIC RANGE
COLOR
SHARPNESS
HIGH ISO NR
TONE CURVE
N
The options available vary with the shooting mode selected.
F FILM SIMULATION
Options are the same as those for still photography, but settings
must be adjusted separately (P 108).
F MONOCHROMATIC COLOR
Options are the same as those for still photography, but settings
must be adjusted separately (P 110).
F WHITE BALANCE
Options are the same as those for still photography, but settings
must be adjusted separately (P 111).
background
164
6
The Shooting Menus
F DYNAMIC RANGE
Choose a dynamic range for movie recording.
Option
Option
Description
Description
V100%
See “DYNAMIC RANGE” (P 115).W200%
X400%
N
AUTO (automatic dynamic range control) is not available during
movie recording.
W200% is available at sensitivities of from ISO 320 to ISO 12800,
X400% at sensitivities of from ISO 640 to 12800.
The B MOVIE SETTING> F DYNAMIC RANGE option is available
when OFF is selected for B MOVIE SETTING> F-Log RECORDING.
F TONE CURVE
Options are the same as those for still photography, but settings
must be adjusted separately (P 116).
F COLOR
Options are the same as those for still photography, but settings
must be adjusted separately (P 117).
background
165
6
The Shooting Menus
IMAGE QUALITY SETTING (Movie Recording)
F SHARPNESS
Options are the same as those for still photography, but settings
must be adjusted separately (P 117).
F HIGH ISO NR
Options are the same as those for still photography, but settings
must be adjusted separately (P 117).
V INTERFRAME NR
Select ON to enable interframe noise reduction.
Options
Options
ON OFF
N
Interframe noise reduction is available only when frame rates of
29.97P or slower are selected at a frame size of V or d.
“Ghosting” may occur with moving subjects or if the camera is moved
during shooting.
background
166
6
The Shooting Menus
IMAGE QUALITY SETTING (Movie Recording)
F PERIPHERAL LIGHT CORRECTION
Select ON to enable peripheral illumination correction during
movie recording.
Options
Options
ON OFF
N
If ON is selected when a lens that does not transmit data to the
camera is attached using a FUJIFILM M MOUNT ADAPTER (available
separately), peripheral illumination will be adjusted according to the
option selected for H IMAGE QUALITY SETTING> xF MOUNT
ADAPTER SETTING> PERIPHERAL ILLUMINATION CORRECTION
in the shooting menu (P 121).
Select OFF if you notice banding in movies recorded using this op-
tion.
xF MOUNT ADAPTER SETTING
This item is also found in the photo menus (P 120). Changes to
one apply to the other.
background
167
6
The Shooting Menus
AF/MF SETTING (Movie Recording)
Adjust focus settings for movies.
To display AF/MF settings, press MENU/OK
in the movie shooting display and select
the G(AF/MF SETTING) tab.
EXIT
AF/MF SETTING
FOCUS MODE
AF-C CUSTOM SETTING
AF ILLUMINATOR
MF ASSIST
FOCUS CHECK
FOCUS AREA
FACE/EYE DETECTION SETTING
AF MODE
N
The options available vary with the shooting mode selected.
F FOCUS AREA
Options are the same as those for still photography, but settings
must be adjusted separately (P 122).
F FOCUS MODE
Choose the focus mode for movie recording.
Option
Option
Description
Description
p MANUAL FOCUS
Focus manually.
k CONTINUOUS AF
The camera focuses using AF-C.
l SINGLE AF
The camera focuses using AF-S.
F AF MODE
Choose how the camera selects the focus point for movie recording.
Option
Option
Description
Description
MULTI The camera selects the focus area automatically.
AREA The camera focuses on the subject in the selected focus area.
background
168
6
The Shooting Menus
F AF-C CUSTOM SETTING
Select focus-tracking options when recording movies with
CONTINUOUS AF selected for F FOCUS MODE.
TRACKING SENSITIVITY
Choose how long the camera waits to switch focus when an ob-
ject enters the focus area behind or in front of the current sub-
ject. See TRACKING SENSITIVITY (P 124).
Options
Options
01234
O
The higher the value, the longer it takes the camera to refocus when
you attempt to switch subjects.
The lower the value, the more likely the camera is to switch focus
from your subject to other objects in the focus area.
AF SPEED
Adjust the autofocus response speed. Choose higher values for
faster response times, lower values for slower response times.
Options
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
xF AF ILLUMINATOR
This item is also found in the photo menus (P 128). Changes to
one apply to the other.
background
169
6
The Shooting Menus
AF/MF SETTING (Movie Recording)
F FACE/EYE DETECTION SETTING
Enable or disable Intelligent Face Detection when recording
movies.
Option
Option
Description
Description
FACE DETECTION ON
See “FACE/EYE DETECTION SETTING” (P 129).
OFF Intelligent Face Detection and eye priority off .
O
If SINGLE AF is chosen for FOCUS MODE when FACE DETECTION ON
is selected for G AF/MF SETTING> FACE/EYE DETECTION SETTING,
the camera will automatically switch to CONTINUOUS AF. Selecting
MANUAL FOCUS when FACE DETECTION ON is selected for FACE/
EYE DETECTION SETTING disables Intelligent Face Detection.
F MF ASSIST
Choose how focus is displayed when MANUAL FOCUS is select-
ed for FOCUS MODE.
Option
Option
Description
Description
STANDARD Focus is displayed normally (focus peaking is not available).
FOCUS PEAK HIGHLIGHT
The camera heightens high-contrast outlines. Choose a
color and peaking level.
background
170
6
The Shooting Menus
F FOCUS CHECK
Options are the same as those for still photography, but settings
must be adjusted separately (P 132).
xF INSTANT AF SETTING
This item is also found in the photo menus (P 133). Changes to
one apply to the other.
xF DEPTH-OF-FIELD SCALE
This item is also found in the photo menus (P 133). Changes to
one apply to the other.
xF AF RANGE LIMITER
This item is also found in the photo menus (P 134). Changes to
one apply to the other.
background
171
6
The Shooting Menus
AF/MF SETTING (Movie Recording)
xF TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
Mode
Mode
Description
Description
TOUCH
SHOOTING
Instead of pressing the shutter button, you can tap your subject
in the display to focus and start recording. During recording, you
can tap the display to focus as described below. To end record-
ing, press the shutter button.
AF
Tapping the display focuses the camera on the selected point.
Use the shutter button to start and stop recording.
When SINGLE AF is selected for FOCUS MODE, you can
refocus at any time by tapping your subject in the display.
When CONTINUOUS AF is chosen for FOCUS MODE, the
camera will continuously adjust focus for changes in the dis-
tance to the subject at point selected by tapping the display.
When MANUAL FOCUS is selected for FOCUS MODE, the
camera will focus using autofocus if you tap the display before
recording begins; during recording, you can tap the display
again to move the focus area to a new location.
AREA
Tap to position the focus area. Use the shutter button to start
and stop recording.
When SINGLE AF is selected for FOCUS MODE, you can
reposition the focus area at any time by tapping your subject
in the display. To focus, use the button to which AF-ON is as-
signed.
When CONTINUOUS AF is chosen for FOCUS MODE, the
camera will continuously adjust focus for changes in the dis-
tance to the subject at point selected by tapping the display.
When MANUAL FOCUS is selected for FOCUS MODE,
you can tap the display to position the focus area over your
subject.
OFF
Touch controls disabled.
background
172
6
The Shooting Menus
N
T
o disable touch controls and hide the touch screen mode indica-
tor, select OFF for
D
BUTTON/DIAL SETTING>
TOUCH SCREEN
SETTING
>
x TOUCH SCREEN SETTING
.
This item is also found in the photo menus (P 135). Changes to one
apply to the other.
Touch Controls for Focus Zoom
Di erent touch controls are used during focus zoom (focus check enabled).
Central Area
Central Area
Tapping the center of the display performs the
operations below.
Mode
Mode
Operation performed
Operation performed
TOUCH SHOOTING
TOUCH SHOOTING
SINGLE AF: AF
MANUAL FOCUS: Instant AF
AF
AF
SINGLE AF: AF
MANUAL FOCUS: Instant AF
AREA
AREA
SINGLE AF: AF
MANUAL FOCUS: Instant AF
OFF
OFF SINGLE AF/MANUAL FOCUS: OFF
Other Areas
Other Areas
Tapping other areas simply scrolls the display,
whether during still photography or movie re-
cording and regardless of the option selected
for touch screen mode.
background
173
6
The Shooting Menus
AF/MF SETTING (Movie Recording)
FOCUS CHECK LOCK
Choose whether focus zoom remains in e ect once movie re-
cording begins.
Options
Options
ON OFF
background
174
6
The Shooting Menus
AUDIO SETTING (Movie Recording)
Adjust settings for audio recorded during  lming.
To display audio settings, press MENU/OK
in the movie shooting display and select
the P(AUDIO SETTING) tab.
EXIT
AUDIO SETTING
EXTERNAL MIC LEVEL ADJUSTMENT
MIC JACK SETTING
MIC LEVEL LIMITER
LOW CUT FILTER
HEADPHONES VOLUME
MIC/REMOTE RELEASE
INTERNAL MIC LEVEL ADJUSTMENT
WIND FILTER
INTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for the built-in microphone.
Option
Option
Description
Description
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the focus stick (focus
lever) right to choose from 25 recording levels.
OFF Turn the built-in microphone off .
EXTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for external microphones.
Option
Option
Description
Description
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the focus stick (focus
lever) right to choose from 25 recording levels.
OFF Disable recording using external microphones.
background
175
6
The Shooting Menus
AUDIO SETTING (Movie Recording)
MIC JACK SETTING
Specify the type of hardware connected to the microphone jack.
Option
Option
Description
Description
MIC
Choose this option for direct connection to an external micro-
phone.
LINE
Choose this option for external audio devices connected via
line output.
MIC LEVEL LIMITER
Reduces distortion caused by input that exceeds the limits of the
microphones audio circuits.
Options
Options
ON OFF
WIND FILTER
Choose whether to enable wind noise reduction during movie
recording.
Options
Options
ON OFF
LOW CUT FILTER
Choose whether to enable the low-cut  lter, reducing low-fre-
quency noise during movie recording.
Options
Options
ON OFF
HEADPHONES VOLUME
Adjust the headphone volume.
Option
Option
Description
Description
0 Mute output to the headphones.
1—10 Choose a volume of from 1 to 10.
background
176
6
The Shooting Menus
AUDIO SETTING (Movie Recording)
MIC/REMOTE RELEASE
Specify whether the device connected to the microphone/re-
mote release connector is a microphone or a remote release.
Options
Options
m MIC n REMOTE
background
177
6
The Shooting Menus
TIME CODE SETTING (Movie Recording)
Adjust time code (hour, minute, second, and frame num-
ber) display settings for movie recording.
To display time code settings, press
MENU/OK in the movie shooting display
and select the Q(TIME CODE SETTING)
tab.
TIME CODE SETTING
START TIME SETTING
COUNT UP SETTING
DROP FRAME
EXIT
TIME CODE DISPLAY
HDMI TIME CODE OUTPUT
TIME CODE DISPLAY
Select ON to display time codes during movie recording and
playback.
Options
Options
ON OFF
START TIME SETTING
Choose the time code starting time.
Option
Option
Description
Description
MANUAL INPUT
Highlight this option and press the focus stick (focus lever)
right to choose a start time manually.
CURRENT TIME
Set the start time to the current time.
RESET Set the start time to 00:00:00.
COUNT UP SETTING
Choose whether time is clocked continuously or only during
movie recording.
Option
Option
Description
Description
REC RUN Time is clocked only during movie recording.
FREE RUN Time is clocked continuously.
background
178
6
The Shooting Menus
TIME CODE SETTING (Movie Recording)
DROP FRAME
At frame rates of 59.94P, and 29.97P, a discrepancy will gradu-
ally develop between the time code (measured in seconds) and
the actual recording time (measured in fractions of a second).
Choose whether the camera drops frames as necessary to match
the recording time to the time code.
Option
Option
Description
Description
ON
The camera drops frames as necessary to maintain a strict
match between the time code and the actual recording time.
OFF Frames are not dropped.
N
The time code display varies with the option selected.
ON
OFF
Selecting a frame rate of 23.98P disables frame drop.
HDMI TIME CODE OUTPUT
Choose whether time codes are output to HDMI devices.
Options
Options
ON OFF
background
179
Playback and the Playback
Menu
background
180
Playback and the Playback Menu
7
The Playback Display
This section lists the indicators that may be displayed
during playback.
O
For illustrative purposes, displays are shown with all indicators lit.
PQ
A B CD E F G H
I
J
K
M
L
N
ORSTUV
W
X
Y
a
Z
b
c
d
e
g
f
A
Date and time ..................................37, 39, 207
B
Frame-number display
C
Face detection indicator ............................129
D
Bluetooth ON/OFF .......................................234
E
Image transfer order ................................... 197
F
Image transfer status ........................234, 278
G
Number of frames selected for upload
... 197
H
Frame number ..............................................231
I
Protected image ........................................... 192
J
Location data.......................................239, 279
K
Battery level ......................................................36
L
Image quality................................................107
M
Image size ...................................................... 106
N
Film format ....................................................155
O
Film simulation ............................................ 108
P
Dynamic range ............................................115
Q
HDR .....................................................................94
R
White balance .............................................. 111
S
Sensitivity ..........................................................83
T
Exposure compensation ...............................82
U
Aperture ...............................................57, 60, 62
V
Shutter speed .....................................57, 58, 62
W
Playback mode indicator .............................44
X
Movie icon ........................................................52
Y
Time code .......................................................177
Z
HDR image .......................................................94
a
Red-eye removal indicator ...............148, 194
b
Filter ....................................................................66
c
Gift image .........................................................44
d
Photobook assist indicator ....................... 199
e
DPOF print indicator ...................................201
f
Voice memo ..................................................195
g
Rating ..............................................................196
background
181
Playback and the Playback Menu
7
The Playback Display
The DISP/BACK Button
The DISP/BACK button controls the display
of indicators during playback.
Standard Information o
NEXTNEXT
Info display
background
182
Playback and the Playback Menu
7
The Playback Display
Viewing Photo Information
The photo information display changes each
time the focus stick (focus lever) is pressed up.
Basic data Info display 1
NEXTNEXT
LENS
23.0
mm
F
5.6
FOCAL LENGTH
23.0
mm
COLOR SPACE sRGB
LENS MODULATION OPT.
ON
S.S
F ISO
BACK
NEXT
Info display 3 Info display 2
Zooming in on the Focus Point
Press the center of the focus stick (focus lever) to zoom in on the focus
point. Press again to return to full-frame playback.
background
183
Playback and the Playback Menu
7
Viewing Pictures
Read this section for information on playback zoom and
multi-frame playback.
Use the rear command dial to go from
full-frame playback to playback zoom or
multi-frame playback.
Full-frame playback
Multi-frame
playback
100-0001
Playback
zoom
Nine-frame view
Hundred- frame view
DISP/BACK
MENU/OK
Medium zoom
Maximum zoom
background
184
Playback and the Playback Menu
7
Viewing Pictures
Playback Zoom
Rotate the rear command dial right to zoom in on the current
picture, left to zoom out. To exit zoom, press DISP/BACK or MENU/OK.
N
The maximum zoom ratio varies with the option selected for
H IMAGE QUALITY SETTING> IMAGE SIZE.
Playback zoom is not available with cropped or resized copies saved
at a size of a.
Scroll
When the picture is zoomed in, the focus stick
(focus lever) can be used to view areas of the
image not currently visible in the display.
Navigation window
Multi-Frame Playback
To change the number of images displayed, rotate the rear com-
mand dial left when a picture is displayed full frame.
N
Use the focus stick (focus lever) to highlight images and press MENU/OK
to view the highlighted image full frame.
In the nine- and hundred-frame displays, press the focus stick up or
down to view more pictures.
background
185
Playback and the Playback Menu
7
The Playback Menu
Adjust playback settings.
The playback menu is displayed when
you press MENU/OK in playback mode.
EXIT
CROP
VOICE MEMO SETTING
RAW CONVERSION
PLAY BACK MENU
ERASE
RESIZE
PROTECT
IMAGE ROTATE
RED EYE REMOVAL
RAW CONVERSION
Even if you don’t have a computer, you can use the camera to
modify RAW pictures and save them in other formats.
Saving RAW Pictures in Another Format
1
Display a RAW picture.
2
Highlight RAW CONVERSION in the playback menu.
3
Press MENU/OK.
A list of settings will be displayed.
CREATE
REFLECT SHOOTING COND.
IMAGE SIZE
IMAGE QUALITY
PUSH/PULL PROCESSING
DYNAMIC RANGE
D RANGE PRIORITY
RAW CONVERSION
CANCEL
4
Press the focus stick (focus lever) up or down to highlight a
setting.
5
Press the focus stick right to display
options.
撮影時条件を反映
増感/減感
ダイナミックレンジ
フィルムシミュレーション
ホワイトバランス
WB
シフト
RAW CONVERSION
200
%
400
%
100
%
background
186
Playback and the Playback Menu
7
6
Press the focus stick up or down to highlight the desired option.
7
Press MENU/OK to select the highlighted option. The settings
list shown in Step 3 will be displayed. Repeat Steps 4 to 7 to
adjust additional settings.
8
Press the Q button.
A preview of the copy will be displayed.
9
Press MENU/OK.
The copy will be saved.
N
RAW conversion options can also be displayed by pressing the Q but-
ton when a RAW pictures is displayed during playback.
background
187
Playback and the Playback Menu
7
The Playback Menu
The settings that can be adjusted when converting pictures from
RAW to another format are:
Setting
Setting
Description
Description
REFLECT SHOOTING COND.
Create a copy using the settings in eff ect at the time
the photo was taken.
IMAGE SIZE Choose an image size.
IMAGE QUALITY Adjust image quality.
PUSH/PULL PROCESSING Adjust exposure.
DYNAMIC RANGE Enhance details in highlights for natural contrast.
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows
for natural-looking results when photographing
high-contrast scenes.
FILM SIMULATION Simulate the eff ects of diff erent types of fi lm.
MONOCHROMATIC COLOR Add a warm or cool cast to monochrome pictures.
GRAIN EFFECT Add a fi lm grain eff ect.
COLOR CHROME EFFECT
Increase the range of tones available for rendering
colors that tend to be highly saturated, such as reds,
yellows, and greens.
COLOR CHROME FX BLUE
Increase the range of tones available for rendering
blues.
WHITE BALANCE Adjust white balance.
WB SHIFT Fine-tune white balance.
TONE CURVE Adjust highlights and shadows.
COLOR Adjust color density.
SHARPNESS Sharpen or soften outlines.
HIGH ISO NR Process the copy to reduce mottling.
CLARITY Increase defi nition.
LENS MODULATION OPTIMIZER
Improve defi nition by adjusting for diff raction and
the slight loss of focus at the periphery of the lens.
COLOR SPACE Choose the color space used for color reproduction.
HDR MODE Reduce loss of detail in highlights and shadows.
O
Some settings may be unavailable depending on the options chosen
when the picture was taken.
background
188
Playback and the Playback Menu
7
ERASE
Delete individual pictures, multiple selected pictures, or all pic-
tures.
O
Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.
Option
Option
Description
Description
FRAME Delete pictures one at a time.
SELECTED FRAMES Delete multiple selected pictures.
ALL FRAMES Delete all unprotected pictures.
FRAME
1
Select FRAME for ERASE in the playback menu.
2
Press the focus stick (focus lever) left or right to scroll through
pictures and press MENU/OK to delete.
N
A con rmation dialog is not displayed before pictures are deleted; be
sure the correct picture is selected before pressing MENU/OK.
Additional pictures can be deleted by pressing MENU/OK. Press the fo-
cus stick left or right to scroll through pictures and press MENU/OK to
delete.
background
189
Playback and the Playback Menu
7
The Playback Menu
SELECTED FRAMES
1
Select SELECTED FRAMES for ERASE in the playback menu.
2
Highlight pictures and press MENU/OK to select.
Selected pictures are indicated by check marks (R).
To deselect a highlighted picture, press MENU/OK again.
3
When the operation is complete, press DISP/BACK to display a
con rmation dialog.
4
Highlight OK and press MENU/OK to delete the selected pic-
tures.
N
Pictures in photobooks or printer orders are shown by S.
ALL FRAMES
1
Select ALL FRAMES for ERASE in the playback menu.
2
A con rmation dialog will be displayed; highlight OK and
press MENU/OK to delete all unprotected pictures.
N
Pressing DISP/BACK cancels deletion; note that any pictures deleted
before the button was pressed cannot be recovered.
If a message appears stating that the selected images are part of a
DPOF print order, press MENU/OK to delete the pictures.
background
190
Playback and the Playback Menu
7
CROP
Create a cropped copy of the current picture.
1
Display the desired picture.
2
Select CROP in the playback menu.
3
Use the rear command dial to zoom in and out and press the
focus stick (focus lever) up, down, left, or right to scroll the
picture until the desired portion is displayed.
4
Press MENU/OK to display a con rmation dialog.
5
Press MENU/OK again to save the cropped copy to a separate
le.
N
The higher the zoom ratio, the smaller the number of pixels in the
cropped copy.
If the size of the  nal copy will be a, YES will be displayed in yellow.
All copies have an aspect ratio of 32.
background
191
Playback and the Playback Menu
7
The Playback Menu
RESIZE
Create a small copy of the current picture.
1
Display the desired picture.
2
Select RESIZE in the playback menu.
3
Highlight a size and press MENU/OK to display a con rmation
dialog.
4
Press MENU/OK again to save the resized copy to a separate
le.
N
The sizes available vary with the size of the original image.
background
192
Playback and the Playback Menu
7
PROTECT
Protect pictures from accidental deletion. Highlight one of the
following options and press MENU/OK.
Option
Option
Description
Description
FRAME
Protect selected pictures. Press the focus stick (focus lever) left or
right to view pictures and press MENU/OK to select or deselect.
Press DISP/BACK when the operation is complete.
SET ALL Protect all pictures.
RESET ALL Remove protection from all pictures.
O
Protected pictures will be deleted when the memory card is formatted.
N
Protecting images currently selected for upload to paired smart-
phones or tablets removes upload marking.
background
193
Playback and the Playback Menu
7
The Playback Menu
IMAGE ROTATE
Rotate pictures.
1
Select ON for D SCREEN SET-UP> AUTOROTATE PB.
2
Display the desired picture.
3
Select IMAGE ROTATE in the playback menu.
4
Press the focus stick (focus lever) down to rotate the picture
90° clockwise, up to rotate it 90° counterclockwise.
5
Press MENU/OK. The picture will automatically be displayed in
the selected orientation whenever it is played back on the
camera.
N
Protected pictures cannot be rotated. Remove protection before ro-
tating pictures.
The camera may not be able to rotate pictures created with other
devices. Pictures rotated on the camera will not be rotated when
viewed on a computer or on other cameras.
Pictures taken with D SCREEN SET-UP> AUTOROTATE PB are auto-
matically displayed in the correct orientation during playback.
background
194
Playback and the Playback Menu
7
RED EYE REMOVAL
Remove red-eye from portraits. The camera will analyze the im-
age; if red-eye is detected, the image will be processed to create
a copy with reduced red-eye.
1
Display the desired picture.
2
Select RED EYE REMOVAL in the playback menu.
3
Press MENU/OK.
N
Results vary depending on the scene and the cameras success in de-
tecting faces.
The amount of time needed to process the image varies with the
number of faces detected.
Red eye cannot be removed from pictures that have already been
processed using red-eye removal, which are indicated by a e icon
during playback.
Red eye removal cannot be performed on RAW images.
background
195
Playback and the Playback Menu
7
The Playback Menu
VOICE MEMO SETTING
Add a voice memo to the current photograph.
1
Select ON for VOICE MEMO SETTING in the playback menu.
2
Display a photo to which you wish to add a voice memo.
3
Press and hold the AFON button to record a voice memo.
Recording ends after 30s or when you release the button.
N
The new memo will be recorded over any existing memos.
Voice memos cannot be added to protected pictures.
Deleting the picture also deletes the memo.
Playing Voice Memos
Pictures with voice memos are indicated by q icons during playback.
To play the memo, press the AFON button.
A progress bar will be displayed while the memo plays back.
Volume can be adjusted by pressing MENU/OK to pause playback and then
pressing the focus stick (focus lever) up or down to adjust the volume.
Press MENU/OK again to resume playback. Volume can also be adjusted us-
ing D SOUND SET-UP> PLAYBACK VOLUME.
background
196
Playback and the Playback Menu
7
RATING
Rate pictures using stars.
1
Select RATING in the playback menu.
2
Rotate the front command dial to choose a picture and the
rear command dial to choose a rating of from 0 to 5 stars
(“I”).
N
The focus stick (focus lever) can be used in place of the front com-
mand dial to choose a picture.
The rating dialog can also be displayed by pressing the AEL button in
single-frame, nine-frame, or hundred-frame playback.
Use touch controls to zoom in or out.
background
197
Playback and the Playback Menu
7
The Playback Menu
IMAGE TRANSFER ORDER
Select photos for upload to a paired smartphone or tablet.
1
Select IMAGE TRANSFER ORDER> SELECT FRAMES in the
playback menu.
2
Highlight photos and press MENU/OK to select or deselect. Re-
peat until all the desired photos have been selected.
3
Press DISP/BACK to exit to playback.
N
If ON is selected for both D CONNECTION SETTING> Bluetooth
SETTINGS> Bluetooth ON/OFF and AUTO IMAGE TRANSFER,
upload will begin shortly after you exit to playback or turn the
camera o .
N
Image transfer orders can contain a maximum of 999 pictures.
The following cannot be selected for upload:
-
Protected pictures
-
Movies
-
RAW images
-
“Gift pictures (pictures taken with other cameras)
If PAIRING/TRANSFER ORDER is selected for
D
CONNECTION
SETTING> GENERAL SETTINGS>
r
BUTTON SETTING, the IMAGE
TRANSFER ORDER dialog can be displayed by pressing the ISO button.
To remove upload marking from all pictures in the current order, se-
lect IMAGE TRANSFER ORDER> RESET ORDER.
If ON is selected for D CONNECTION SETTING> Bluetooth
SETTINGS> AUTO IMAGE TRANSFER, photos will automatically be
marked for upload as they are taken.
background
198
Playback and the Playback Menu
7
xF WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
Control the camera and take pictures remotely
Receive pictures uploaded from the camera
Browse the pictures on the camera and download selected pic-
tures
Upload location data to the camera
N
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
SLIDE SHOW
View pictures in an automated slide show. Press MENU/OK to start
and press the focus stick (focus lever) right or left to skip ahead
or back. Press DISP/BACK at any time during the show to view on-
screen help. The show can be ended at any time by pressing
MENU/OK.
N
The camera will not turn o automatically while a slide show is in
progress.
background
199
Playback and the Playback Menu
7
The Playback Menu
PHOTOBOOK ASSIST
Create books from your favorite photos.
Creating a Photobook
1
Select NEW BOOK for C PLAY BACK MENU> PHOTOBOOK
ASSIST.
2
Scroll through the images and press the focus stick (focus le-
ver) up to select or deselect. Press MENU/OK to exit when the
book is complete.
N
Neither photographs a or smaller nor movies can be selected
for photobooks.
The  rst picture selected becomes the cover image. A di erent
picture can be selected at any time.
3
Highlight COMPLETE PHOTOBOOK and press MENU/OK (to se-
lect all photos for the book, choose SELECT ALL). The new
book will be added to the list in the photobook assist menu.
N
Books can contain up to 300 pictures.
Books that contain no photos are automatically deleted.
background
200
Playback and the Playback Menu
7
Viewing Photobooks
Highlight a book in the photobook assist menu and press MENU/OK
to display the book, then press the focus stick (focus lever) left or
right to scroll through the pictures.
Editing and Deleting Photobooks
Display the photobook and press MENU/OK. The following options
will be displayed; select the desired option and follow the on-
screen instructions.
EDIT: Edit the book as described in “Creating a Photobook.
ERASE: Delete the book.
PC AUTO SAVE
Upload pictures from the camera to a computer running the
latest version of FUJIFILM PC AutoSave (note that you must  rst
install the software and con gure the computer as a destination
for images copied from the camera).
N
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/pc_autosave/
background
201
Playback and the Playback Menu
7
The Playback Menu
PRINT ORDER (DPOF)
Create a digital “print order” for DPOF-compatible printers.
1
Select C PLAY BACK MENU> PRINT ORDER (DPOF).
2
Select WITH DATE s to print the date of recording on pic-
tures, WITHOUT DATE to print pictures without dates, or
RESET ALL to remove all pictures from the print order before
proceeding.
3
Display a picture you wish to include in or remove from the
print order.
4
Press the focus stick (focus lever) up
or down to choose the number of
copies (up to 99).
Total number
of prints
Number of copies
N
To remove a picture from the order, press the focus stick down
until the number of copies is 0.
Repeat steps 3–4 to complete the print order.
5
The total number of prints is displayed in the monitor. Press
MENU/OK to exit.
N
The pictures in the current print order are indicated by a u icon
during playback.
Print orders can contain a maximum of 999 pictures from a single
memory card.
If a memory card is inserted containing a print order created by an-
other camera, you will need to delete the order before creating as
described above.
01
PRINT ORDER
(
DPOF
)
SHEETS
SETFRAME
DPOF:
00001
background
202
Playback and the Playback Menu
7
instax PRINTER PRINT
To print pictures to optional Fuji lm instax SHARE printers,  rst se-
lect D CONNECTION SETTING> instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and
password, then follow the steps below.
1
Turn the printer on.
2
Select C PLAY BACK MENU> instax
PRINTER PRINT. The camera will con-
nect to the printer.
FUJIFILM-CAMERA-1234
CONNECTING
CANCEL
PRINTER PRINT
instax-12345678
3
Use the focus stick (focus lever) to
display the picture you want to print,
then press MENU/OK. The picture will
be sent to the printer and printing
will start.
100-0020
SET CANCEL
instax-12345678
PRINTER PRINT
N
Pictures taken with other cameras cannot be printed.
The area printed is smaller than the area visible in the LCD
monitor.
The displays may vary depending on the printer connected.
background
203
Playback and the Playback Menu
7
The Playback Menu
DISP ASPECT
Choose the aspect ratio used for the display of still pictures on
High De nition (HD) devices (this option is available only when
an HDMI cable is connected).
Options
Options
16 : 9 3 : 2
N
Choose 16 : 9 to display photos with an aspect ratio of 16 : 9 full screen.
The pictures will be displayed full screen with tops and bottoms
cropped out.
background
204
MEMO
background
205
The Setup Menus
background
206
The Setup Menus
8
USER SETTING
Adjust basic camera settings.
To access basic camera settings, press
MENU/OK, select the D (SET UP) tab, and
choose USER SETTING.
USER SETTING
DATE/TIME
FORMAT
MY MENU SETTING
MY MENU SETTING
SENSOR CLEANING
SOUND & FLASH
TIME DIFFERENCE
EXIT
a
FORMAT
To format a memory card:
1
Select D USER SETTING> FORMAT in the D (SET UP) tab.
2
A con rmation dialog will be dis-
played. To format the memory card,
highlight OK and press MENU/OK.
FORMAT OK?
OK
CANCEL
FORMAT
N
To exit without formatting the memory card, select CANCEL or
press DISP/BACK.
O
All data—including protected pictures—will be deleted from the
memory card. Be sure important  les have been copied to a comput-
er or other storage device.
Do not open the battery-chamber cover during formatting.
background
207
The Setup Menus
8
USER SETTING
DATE/TIME
To set the camera clock:
1
Select D USER SETTING> DATE/TIME in the D (SET UP) tab.
2
Press the focus stick (focus lever) left or right to highlight the
year, month, day, hour, or minute and press up or down to
change. To change the order in which the year, month, and
day are displayed, highlight the date format and press the
focus stick up or down.
3
Press MENU/OK to set the clock.
TIME DIFFERENCE
Switch the camera clock instantly from your home time zone to
the local time at your destination when traveling. To specify the
di erence between your local and home time zone:
1
Highlight g LOCAL and press MENU/OK.
2
Use the focus stick (focus lever) to choose the time di erence
between local time and your home time zone. Press MENU/OK
when settings are complete.
To set the camera clock to local time, highlight g LOCAL and
press MENU/OK. To set the clock to the time in your home time
zone, select h HOME.
Options
Options
g LOCAL h HOME
N
If g LOCAL is selected, g will be displayed in yellow for about three
seconds when the camera is turned on.
background
208
The Setup Menus
8
Qa
Choose a language.
x MY MENU SETTING
Edit the items listed in the E(MY MENU) tab, a personalized cus-
tom menu of frequently-used photo menu options (P 243).
F MY MENU SETTING
Edit the items listed in the E(MY MENU) tab, a personalized cus-
tom menu of frequently-used movie menu options (P 243).
background
209
The Setup Menus
8
USER SETTING
SENSOR CLEANING
Remove dust from the camera image sensor.
Option
Option
Description
Description
OK Clean the sensor immediately.
WHEN SWITCHED ON
Sensor cleaning will be performed when the camera is
turned on.
WHEN SWITCHED OFF
Sensor cleaning will be performed when the camera turns
off (sensor cleaning is not however performed if the cam-
era turns off in playback mode).
N
Dust that cannot be removed using sensor cleaning can be removed
using a blower (P 306).
SOUND & FLASH
Select OFF to disable the speaker,  ash, illuminator, and self-tim-
er lamp in situations in which camera sounds and lights may be
unwelcome.
Options
Options
ON OFF
background
210
The Setup Menus
8
USER SETTING
RESET
Reset shooting or setup menu options to default values.
1
Highlight the desired option and press MENU/OK.
Option
Option
Description
Description
STILL MENU RESET
Reset all photo menu settings other than custom white
balance and custom settings banks created using EDIT/
SAVE CUSTOM SETTING to default values.
MOVIE MENU RESET
Reset all settings other than custom white balance op-
tions selected using F WHITE BALANCE.
SET-UP RESET
Reset all setup menu settings other than DATE/TIME,
TIME DIFFERENCE, COPYRIGHT INFO, and con-
nection-related CONNECTION SETTING options to
default values.
2
A con rmation dialog will be displayed; highlight OK and
press MENU/OK.
REGULATORY
To view electronic copies of the product model number, and
other certi cates, select D USER SETTING> REGULATORY in the
setup menu.
background
211
The Setup Menus
8
SOUND SETTING
Make changes to camera sounds.
To access sound settings, press MENU/OK,
select the D (SET UP) tab, and choose
SOUND SET-UP.
EXIT
SOUND SETTING
SELF-TIMER BEEP VOL.
AF BEEP VOL.
OPERATION VOL.
SHUTTER VOLUME
SHUTTER SOUND
PLAYBACK VOLUME
AF BEEP VOL.
Choose the volume of the beep that sounds when the camera
focuses. The beep can be muted by selecting eOFF.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
SELF-TIMER BEEP VOL.
Choose the volume of the beep that sounds while the self-timer
is active. The beep can be muted by selecting eOFF.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
background
212
The Setup Menus
8
SOUND SETTING
OPERATION VOL.
Adjust the volume of the sounds produced when camera con-
trols are operated. Choose eOFF to disable control sounds.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
SHUTTER VOLUME
Adjust the volume of the sounds produced by the electronic
shutter. Choose eOFF to disable the shutter sound.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
SHUTTER SOUND
Choose the sound made by the electronic shutter.
Options
Options
i SOUND 1 j SOUND 2 k SOUND 3
PLAYBACK VOLUME
Adjust the volume for movie playback.
Options
Options
012345678910
background
213
The Setup Menus
8
SCREEN SETTING
Make changes to display settings.
To access display settings, press MENU/OK,
select the D (SET UP) tab, and choose
SCREEN SET-UP.
SCREEN SETTING
EVF COLOR
VIEW MODE SETTING
EVF BRIGHTNESS
EVF COLOR ADJUSTMENT
LCD BRIGHTNESS
LCD COLOR
LCD COLOR ADJUSTMENT
IMAGE DISP.
EXIT
VIEW MODE SETTING
Adjust settings for eye sensor, EVF (electronic view nder), or LCD
monitor view modes (P 14).
EVF BRIGHTNESS
Adjust the brightness of the display in the electronic view nder.
Option
Option
Description
Description
AUTO Automatic brightness adjustment.
MANUAL
Adjust brightness manually; choose from options between −7
and +5.
EVF COLOR
Adjust the hue of the display in the electronic view nder.
Options
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
background
214
The Setup Menus
8
EVF COLOR ADJUSTMENT
Adjust the color of the display in the electronic view nder.
1
Adjust colors using the focus stick
(focus lever).
SET CANCEL
EVF COLOR ADJUSTMENT
2
Press MENU/OK.
LCD BRIGHTNESS
Adjust monitor brightness.
Options
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
LCD COLOR
Adjust monitor hue.
Options
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
LCD COLOR ADJUSTMENT
Adjust the color of the display in the LCD monitor.
1
Adjust colors using the focus stick (focus lever).
2
Press MENU/OK.
background
215
The Setup Menus
8
SCREEN SETTING
IMAGE DISP.
Choose how long images are displayed after shooting.
Option
Option
Description
Description
CONTINUOUS
Pictures are displayed until the MENU/OK button is pressed or the
shutter button is pressed halfway. To zoom in on the active focus
point, press the center of the focus stick (focus lever); press again
to cancel zoom.
1.5 SEC
Pictures are displayed for the selected time or until the shutter
button is pressed halfway.
0.5 SEC
OFF Pictures are not displayed after shooting.
N
Colors may di er slightly from those in the  nal image.
“Noise” mottling may be visible at high sensitivities.
AUTOROTATE DISPLAYS
Choose whether the indicators in the view nder and LCD monitor
rotate to match camera orientation.
Options
Options
ON OFF
background
216
The Setup Menus
8
PREVIEW EXP./WB IN MANUAL MODE
Choose whether to enable exposure and/or white balance preview
in manual exposure mode.
Option
Option
Description
Description
PREVIEW EXP./WB Enable exposure and white balance preview.
PREVIEW WB
Preview white balance only. Choose this option in situations in
which exposure and white balance are likely to change during
shooting, as may be the case when you use a fl ash with an
incandescent monitoring lamp.
OFF
Disable exposure and white balance preview. Choose this op-
tion when using a fl ash or on other occasions on which expo-
sure may change when the picture is taken.
NATURAL LIVE VIEW
Choose whether the e ects of  lm simulation, white balance,
and other settings are visible in the monitor.
Option
Option
Description
Description
ON
The eff ects of camera settings are not visible in the monitor,
but shadows in low-contrast, back-lit scenes and other hard-
to-see subjects more visible. Colors and tone will diff er from
those in the fi nal picture. The display will however be adjusted
to show the eff ects of monochrome and sepia settings.
OFF
The eff ects of fi lm simulation, white balance, and other settings
can be previewed in the monitor.
background
217
The Setup Menus
8
SCREEN SETTING
F-Log VIEW ASSIST
Select ON to display a tone-corrected preview (equivalent to
BT.709) when recording or viewing F-log movies.
Options
Options
ON OFF
FRAMING GUIDELINE
Choose a framing grid for shooting mode.
Option
Option
F GRID 9 G GRID 24 H HD FRAMING
Display
For “rule of thirds” compo-
sition.
A six-by-four grid. Frame HD pictures in the
crop shown by the lines at
the top and bottom of the
display.
N
Framing guides are not shown at default settings but can be displayed
using D SCREEN SET-UP> DISP. CUSTOM SETTING (P 218).
background
218
The Setup Menus
8
AUTOROTATE PB
Choose ON to automatically rotate tall (portrait-orientation)
pictures during playback.
Options
Options
ON OFF
FOCUS SCALE UNITS
Choose the units used for the focus distance indicator.
Options
Options
METERS FEET
APERTURE UNIT FOR CINEMA LENS
Choose whether the camera displays aperture as a T-number
(used for movie camera lenses) or an f/-number (used for still
camera lenses) when an optional FUJINON MKX-series lens is
attached. For information on using cinema lenses, see the docu-
mentation provided with the lens.
Option
Option
Description
Description
T NUMBER
A measure of lens aperture commonly used by cinematogra-
phers. Lens transmittance is taken into account to better cal-
culate exposure.
F NUMBER
A measure of lens aperture commonly used by photographers.
Lens transmittance is assumed to be 100%, meaning that the
same aperture may produce diff erent exposures depending on
the lens.
DISP. CUSTOM SETTING
Choose the items shown in the standard indicator display
(P 17).
background
219
The Setup Menus
8
SCREEN SETTING
LARGE INDICATORS MODE(EVF)
Select ON to display large indicators in the electronic view nd-
er. The indicators displayed can be selected using D SCREEN
SET-UP> LARGE INDICATORS DISP. SETTING.
5
4
3
2
1
0
-1
-2
-3
-4
-5
5
4
3
2
1
0
-1
-2
-3
-4
-5
OFF ON
O
Some icons are not displayed when ON is selected for LARGE
INDICATORS MODE(EVF) (P 11).
N
If LARGE INDICATORS MODE is assigned to a function button, the
button can be used to toggle LARGE INDICATORS MODE on (ON)
and o (OFF) (P 251).
LARGE INDICATORS MODE(LCD)
Select ON to display large indicators in the LCD monitor. The in-
dicators displayed can be selected using D SCREEN SET-UP >
LARGE INDICATORS DISP. SETTING.
OFF ON
O
Some icons are not displayed when ON is selected for LARGE
INDICATORS MODE(LCD) (P 13).
N
If LARGE INDICATORS MODE is assigned to a function button, the
button can be used to toggle LARGE INDICATORS MODE on (ON)
and o (OFF) (P 251).
background
220
The Setup Menus
8
LARGE INDICATORS DISP. SETTING
Choose the indicators displayed when
ON is selected for D SCREEN SET-UP>
LARGE INDICATORS MODE(EVF) or
LARGE INDICATORS MODE(LCD).
Scale
Expo. DISP.
LARGE INDICATORS DISP. SETTING
Option
Option
Description
Description
A
Expo. DISP.
Choose the items listed at the bottom of the display.
Selected items are indicated by check marks (R); to
deselect, highlight the check marks and press MENU/OK.
B
d Scale
Select ON to display the exposure indicator.
C
L1, L2, L3, L4
Choose up to four large icons for display on the left side
of the screen.
D
R1, R2, R3, R4
Choose up to four large icons for display on the right
side of the screen.
INFORMATION CONTRAST ADJ.
Adjust display contrast.
Option
Option
Description
Description
HIGH CONTRAST High contrast.
STANDARD Normal contrast.
LOW CONTRAST Low contrast.
DARK AMBIENT LIGHTING Contrast adjusted for dim ambient lighting.
background
221
The Setup Menus
8
SCREEN SETTING
x Q MENU BACKGROUND
Choose the background color used for the quick menu when it is
displayed during still photography.
Options
Options
TRANSPARENT BLACK
F Q MENU BACKGROUND
Choose the background color used for the quick menu when it is
displayed during movie recording.
Options
Options
TRANSPARENT BLACK
background
222
The Setup Menus
8
BUTTON/DIAL SETTING
Access options for camera controls.
To access control options, press MENU/OK,
select the D (SET UP) tab, and choose
BUTTON/DIAL SETTING.
BUTTON/DIAL SETTING
EDIT/SAVE QUICK MENU
FOCUS LEVER SETTING
EDIT/SAVE QUICK MENU
FUNCTION (Fn) SETTING
SHUTTER AF
SHUTTER AE
SHOOT WITHOUT LENS
SHOOT WITHOUT CARD
EXIT
FOCUS LEVER SETTING
Choose the functions performed by pressing the center of the fo-
cus stick (focus lever) or by pressing the stick up, down, left, or right.
PUSH
Option
Option
Description
Description
OFF Pressing the center of the stick has no eff ect.
EDIT FOCUS AREA
Press the center of the stick to view a focus-area display
where you can choose the focus area. If FACE DETECTION
ON is selected for FACE/EYE DETECTION SETTING, In-
telligent Face Detection will be temporarily disabled.
ZOOM
Press the center of the stick to zoom in on the active focus
area (P 78). If FACE DETECTION ON is selected for
FACE/EYE DETECTION SETTING, Intelligent Face Detec-
tion will be temporarily disabled.
background
223
The Setup Menus
8
BUTTON/DIAL SETTING
TILT o
Option
Option
Description
Description
OFF Pressing the stick up, down, left, or right has no eff ect.
DIRECT AF POINT
SELECTION
Choose the focus area without leaving the shooting display.
EDIT FOCUS AREA
Press the stick up, down, left, or right to view a focus-area
display and choose the focus area.
DIRECT AF POINT
SELECTION/FACE
SELECT
Choose the focus area without leaving the shooting dis-
play. If FACE DETECTION ON is selected for FACE/EYE
DETECTION SETTING, you can also choose the face used
for focus.
x EDIT/SAVE QUICK MENU
Choose the items displayed in the quick menu during still pho-
tography (P 248).
F EDIT/SAVE QUICK MENU
Choose the items displayed in the quick menu when  lming
movies (P 248).
FUNCTION (Fn) SETTING
Choose the roles played by the function buttons (P 251).
background
224
The Setup Menus
8
SHUTTER AF
Choose whether the camera focuses when the shutter button is
pressed halfway.
Option
Option
Description
Description
AF-S
ON: Focus locks when the shutter button is pressed halfway.
OFF: No focus operation is performed when the shutter button is
pressed halfway.
AF-C
ON: The camera focuses while the shutter button is pressed half-
way.
OFF: No focus operation is performed when the shutter button is
pressed halfway.
SHUTTER AE
If ON is selected, exposure will lock while the shutter button is
pressed halfway.
N
Select OFF to allow the camera to adjust exposure before each shot
taken in burst mode.
background
225
The Setup Menus
8
BUTTON/DIAL SETTING
SHOOT WITHOUT LENS
Choose ON to enable the shutter release when no lens is at-
tached.
Options
Options
ON OFF
SHOOT WITHOUT CARD
Choose whether the shutter can be released without a memory
card inserted in the camera.
Option
Option
Description
Description
ON
When no memory card is inserted, the shutter can be released
to test camera function and the shooting and setup menus can
be displayed.
OFF
The shutter is disabled if no memory card is inserted, preventing
accidental loss of pictures taken without a memory card.
FOCUS RING
Choose the direction in which the focus ring is rotated to in-
crease the focus distance.
Options
Options
X CW (clockwise) Y CCW (counterclockwise)
FOCUS RING OPERATION
Choose how the camera adjusts focus in response to the move-
ment of the focus ring.
Option
Option
Description
Description
NONLINEAR Focus is adjusted at the same rate as the ring is rotated.
LINEAR
Focus is adjusted linearly according to the amount the ring is ro-
tated, but the focusing speed is unaff ected by the speed the ring
is rotated.
background
226
The Setup Menus
8
AE/AF-LOCK MODE
This option determines the behavior of the button to which
exposure and/or focus lock is assigned.
Option
Option
Description
Description
AE&AF ON WHEN
PRESSING
Exposure and/or focus will lock while the button is pressed.
AE&AF ON/OFF
SWITCH
Exposure and/or focus will lock when the button is pressed and re-
main locked until it is pressed again.
AWB-LOCK MODE
Choose the behavior of function buttons assigned auto white
balance (AWB) lock. Auto white balance lock is used to lock white
balance at the value metered by the camera when AUTO is se-
lected for white balance.
Option
Option
Description
Description
AWB ON WHEN
PRESSING
Auto white balance locks while the button is pressed.
AWB ON/OFF
SWITCH
Press the button once to lock auto white balance and again to end
the lock.
background
227
The Setup Menus
8
BUTTON/DIAL SETTING
TOUCH SCREEN SETTING
Enable or disable touch-screen controls.
x TOUCH SCREEN SETTING
Option
Option
Description
Description
ON The LCD monitor functions as a touch screen during shooting.
OFF Touch controls disabled.
x DOUBLE TAP SETTING
Option
Option
Description
Description
ON
Tap the LCD monitor twice to zoom in on your subject during
shooting.
OFF Touch zoom disabled.
c TOUCH FUNCTION
Option
Option
Description
Description
ON Enable touch-function gestures.
OFF Disable touch-function gestures.
a TOUCH SCREEN SETTING
Option
Option
Description
Description
ON The LCD monitor functions as a touch screen during playback.
OFF Touch controls disabled.
background
228
The Setup Menus
8
BUTTON/DIAL SETTING
EVF TOUCH SCREEN AREA SETTINGS
Select the area of the LCD monitor used for touch controls while
the view nder is active. The area used for touch controls can be
selected from:
Option
Option
Description
Description
6
All.
0
Right half.
2
Top right quarter.
4
Bottom right quarter.
1
Left half.
3
Top left quarter.
5
Bottom left quarter.
OFF Touch controls disabled.
background
229
The Setup Menus
8
POWER MANAGEMENT
Adjust power management settings.
To access power management settings,
press MENU/OK, select the D (SET UP) tab,
and choose POWER MANAGEMENT.
POWER MANAGEMENT
AUTO POWER OFF
PERFORMANCE
BOOST SETTING
EXIT
AUTO POWER OFF
Choose the length of time before the camera turns o automati-
cally when no operations are performed. Shorter times increase
battery life; if OFF is selected, the camera must be turned o
manually.
Options
Options
5 MIN 2 MIN 1 MIN 30 SEC 15 SEC OFF
background
230
The Setup Menus
8
POWER MANAGEMENT
PERFORMANCE
Select BOOST to improve focus and EVF display performance.
Option
Option
Description
Description
BOOST
Boost camera focus and EVF display performance. The bat-
tery drains faster than when is NORMAL selected.
NORMAL
Choose for standard focus and EVF display performance
and battery endurance.
BOOST SETTING
Adjust the behavior of the EVF and LCD monitor when BOOST is
selected for PERFORMANCE.
Option
Option
Description
Description
LOW LIGHT PRIORITY
Display brightness is adjusted to make subjects in shadows
easier to see. Motion blur may cause ghosting.
RESOLUTION PRIORITY Display resolution is increased to make details easier to see.
FRAME RATE PRIORITY The refresh rate for the EVF is increased, smoothing motion.
background
231
The Setup Menus
8
SAVE DATA SETTING
Make changes to  le management settings.
To access  le management settings,
press MENU/OK, select the D (SET UP) tab,
and choose SAVE DATA SET-UP.
SAVE DATA SETTING
EDIT FILE NAME
SAVE ORG IMAGE
FRAME NO.
SELECT FOLDER
EXIT
COPYRIGHT INFO
FRAME NO.
New pictures are stored in image  les named
using a four-digit  le number assigned by
adding one to the last  le number used. The
le number is displayed during playback as
shown. FRAME NO. controls whether  le num-
bering is reset to 0001 when a new memory card is inserted or
the current memory card is formatted.
Option
Option
Description
Description
CONTINUOUS
Numbering continues from the last fi le number used or the fi rst
available fi le number, whichever is higher. Choose this option to
reduce the number of pictures with duplicate fi le names.
RENEW
Numbering is reset to 0001 after formatting or when a new
memory card is inserted.
N
If the frame number reaches 999-9999, the shutter release will be
disabled. Format the memory card after transferring to a computer
any pictures you wish to keep. Next, reset frame numbering to 100-
0001 by inserting a formatted memory card, selecting RENEW for
FRAME NO., and taking a picture. You can then set FRAME NO. to
CONTINUOUS once more and continue shooting.
Selecting D USER SETTING> RESET does not reset the  le number.
Frame numbers for pictures taken with other cameras may di er.
Frame number
Directory
number
File
number
background
232
The Setup Menus
8
SAVE ORG IMAGE
Choose ON to save unprocessed copies of pictures taken using
RED EYE REMOVAL.
Options
Options
ON OFF
EDIT FILE NAME
Change the  le name pre x. sRGB images use a four-letter pre x
(default “DSCF”), Adobe RGB images a three-letter pre x (“DSF”)
preceded by an underscore.
Option
Option
Default pre x
Default pre x
Sample  le name
Sample  le name
sRGB DSCF ABCD0001
AdobeRGB _DSF _ABC0001
background
233
The Setup Menus
8
SAVE DATA SETTING
SELECT FOLDER
Create folders and choose the folder used to store subsequent
pictures.
Option
Option
Description
Description
SELECT FOLDER
To choose the folder in which subsequent pictures will be
stored, press the focus stick (focus lever) up or down to
highlight an existing folder and press MENU/OK.
CREATE FOLDER
Enter a fi ve-character folder name to create a new folder
in which to store subsequent pictures. The new folder will
be created with the next picture you take and subsequent
pictures will be stored in that folder.
COPYRIGHT INFO
Copyright information, in the form of Exif tags, can be added to
new images as they are taken. Changes to copyright information
are re ected only in images taken after the changes are made.
Option
Option
Description
Description
DISP COPYRIGHT INFO View the current copyright information.
ENTER AUTHOR’S INFO Enter the creator’s name.
ENTER COPYRIGHT INFO Enter the name of the copyright holder.
DELETE COPYRIGHT INFO
Delete the current copyright information. This change applies
only to images taken after this option is selected; copyright
information recorded with existing images is not aff ected.
background
234
The Setup Menus
8
CONNECTION SETTING
Adjust settings for connection to other devices.
To access connection settings, press
MENU/OK, select the D (SET UP) tab, and
choose CONNECTION SETTING.
CONNECTION SETTING
PC AUTO SAVE
Bluetooth SETTINGS
USB POWER SUPPLY SETTING
CONNECTION MODE
RESET WIRELESS SETTING
INFORMATION
GENERAL SETTINGS
EXIT
PRINTER CONNECTION SETTING
N
For more information on wireless connections, visit:
http://fujifilm-dsc.com/wifi/
Bluetooth SETTINGS
Adjust Bluetooth settings.
Option
Option
Description
Description
PAIRING
REGISTRATION
Pair the camera with a smartphone running the FUJIFILM Camera
Remote app.
SELECT PAIRING
DESTINATION
Choose a connection from a list of devices with which the
camera has been paired using PAIRING REGISTRATION.
Select NO CONNECTION to exit without connecting.
DELETE PAIRING
REG.
Delete pairing information for selected devices. Choose the de-
vice in the device list. The selected device will also be removed
from the devices listed in SELECT PAIRING DESTINATION.
Bluetooth ON/OFF
ON: The camera automatically establishes a Bluetooth con-
nection with paired devices when turned on.
OFF: The camera does not connect via Bluetooth.
AUTO IMAGE
TRANSFER
ON: Mark photos for upload as they are taken. Mark JPEG
photos for upload as they are taken.
OFF: Photos are not marked for upload as they are taken.
SMARTPHONE
SYNC. SETTING
Choose whether to synchronize the camera to the time and/or
location provided by a paired smartphone.
LOCATION&TIME: Synchronize the time and location.
LOCATION: Synchronize the location.
TIME: Synchronize the time.
OFF: Synchronization off .
background
235
The Setup Menus
8
CONNECTION SETTING
N
Install the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet before pairing the device with your camera or
uploading images.
When ON is selected for both Bluetooth ON/OFF and AUTO IMAGE
TRANSFER or images are currently selected for upload using the IMAGE
TRANSFER ORDER option in the
C
(playback) menu, upload to paired
devices will begin shortly after you exit to playback or turn the camera
o . IMAGE TRANSFER ORDER can also be used to select pictures for
upload when AUTO IMAGE TRANSFER is o .
PC AUTO SAVE
Adjust settings for connection to computers via wireless LAN.
Option
Option
Description
Description
PC AUTO SAVE
SETTING
Choose the method used for connection to computers via a
wireless LAN.
SIMPLE SETUP: Connect using WPS.
MANUAL SETUP: Choose the network from a list (SELECT
FROM NETWORK LIST) or enter the name manually
(ENTER SSID).
DELETE REGISTERED
DESTINATION PC
Remove selected destinations.
DETAILS OF PREVIOUS
CONNECTION
View computers to which the camera has recently connected.
N
These settings also apply when pictures are downloaded to a comput-
er using “FUJIFILM PC AutoSave software.
background
236
The Setup Menus
8
instax PRINTER CONNECTION SETTING
Adjust settings for connection to optional Fuji lm instax SHARE
printers.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a di erent
password to print from a smartphone, enter
that password instead.
background
237
The Setup Menus
8
CONNECTION SETTING
CONNECTION MODE
Adjust settings for connection to external devices.
Option
Option
Description
Description
USB CARD READER
Connecting the camera to a computer via USB automatically
enables data transfer mode, allowing data to be copied to
the computer. The camera functions normally when not con-
nected.
X WEBCAM
The camera can be used as a webcam when connected to a
computer running FUJIFILM X Webcam.
USB RAW CONV./
BACKUP RESTORE
Connecting the camera to a computer via USB automatical-
ly enables USB RAW conversion/backup restore mode. The
camera functions normally when not connected.
USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the cam-
eras image processing engine to rapidly convert RAW fi les
to high-quality JPEG images.
BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load
camera settings. Reconfi gure the camera in an instant or
share settings with other cameras of the same type.
N
For information on compatible computer software, see “Software for
Use with Your Camera (P 294).
background
238
The Setup Menus
8
USB POWER SUPPLY SETTING
Choose whether power is supplied to the camera when it is con-
nected to a computer or other device via a USB cable.
Option
Option
Description
Description
ON
The camera draws power from the connected device, reducing
the drain on the camera battery.
OFF The camera does not draw power from the connected device.
O
The camera cannot draw power from Lightning connections or from
devices that do not supply power. Select OFF before connecting the
camera to such devices. The connection may not be available for data
transfer or the like when ON is selected.
N
Regardless of the option selected, the battery will charge while the
camera is o .
background
239
The Setup Menus
8
CONNECTION SETTING
GENERAL SETTINGS
Adjust settings for connection to wireless networks.
Option
Option
Description
Description
NAME
Choose a name (NAME) to identify the camera on the wireless
network (the camera is assigned a unique name by default).
RESIZE IMAGE FOR
SMARTPHONE
H
Choose whether to resize images for upload to smartphones.
Resizing applies only to the copy uploaded to the smartphone;
the original is not aff ected.
ON: Larger images are resized to H for upload.
OFF: Images are uploaded at their original size.
GEOTAGGING
Choose whether location data downloaded from a smartphone
are embedded in pictures as they are taken.
LOCATION INFO Display the location data last downloaded from a smartphone.
r BUTTON
SETTING
Choose the role played by the ISObutton during playback.
r PAIRING/TRANSFER ORDER: The ISO button can be
used for pairing and selecting images for transfer during play-
back.
r WIRELESS COMMUNICATION: The ISO button can be
used during playback to establish wireless connections.
INFORMATION
View the cameras MAC and Bluetooth address.
RESET WIRELESS SETTING
Restore wireless settings to their default values.
background
240
MEMO
background
241
Shortcuts
background
242
Shortcuts
9
Shortcut Options
Customize camera controls to suit your style or situation.
Frequently-used options can be added to my menu or the
Qmenu or assigned to the function buttons, the function dial, or
touch function button  ick gestures for direct access:
Shortcut Option
Shortcut Option
Description
Description
P
P
“My menu”
Add frequently-used options to this custom menu,
which can be viewed by pressing MENU/OK and se-
lecting the E (“MY MENU”) tab.
243
The Quick Menu
The Q menu is displayed by pressing the Q button.
Use the Q menu to view or change the options se-
lected for frequently-used menu items.
245
The function button
Use the function (Fn, t, ISO, Q, AEL, and AFON) but-
ton for direct access to selected features.
251
The function dial
Rotate the Fn (function) dial for direct access to se-
lected features.
254
Touch-function
gestures
Use touch function button fl ick gestures (T-Fn1,
T-Fn2, T-Fn3, and T-Fn4) for direct access to selected
features.
255
background
243
Shortcuts
9
MY MENU
Access a personalized menu of frequently-used options.
To display “my menu, press MENU/OK in the
shooting display and select the
E
(MY
MENU) tab.
EXIT
SELF-TIMER
INTERVAL TIMER SHOOTING
FILM SIMULATION
GRAIN EFFECT
PHOTOMETRY
SHUTTER TYPE
IS MODE
FACE/EYE DETECTION SETTING
MY MENU
O
The E tab is only available if options have been assigned to
E MY MENU.
MY MENU SETTING
To choose the items listed in the E (MY MENU) tab:
1
In the setup menu, select D USER
SETTING> x MY MENU SETTING or
F MY MENU SETTING.
N
To reorder items, select RANK ITEMS.
To delete items, select REMOVE ITEMS.
MY MENU SETTING
ADD ITEMS
REMOVE ITEMS
RANK ITEMS
2
Press the focus stick (focus lever) up
or down to highlight ADD ITEMS and
press MENU/OK. Options that can be
added to “my menu are highlighted
in blue.
IMAGE QUALITY
MY MENU SETTING
IMAGE SIZE
SELECT CANCEL
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
MONOCHROMATIC COLOR
N
Items currently in “my menu are indicated by check marks.
background
244
Shortcuts
9
MY MENU
3
Choose a position for the item and
press MENU/OK. The item will be added
to “my menu”.
MOVE SAVE
1 IMAGE SIZE
2
IMAGE QUALITY
SELECT ITEM LOCATION
4
Press MENU/OK to return to the edit display.
5
Repeat Steps 3 and 4 until all the desired items have been
added.
N
“My menu” can contain up to 16 items.
background
245
Shortcuts
9
The Quick Menu
Use the quick menu for quick access to selected options. To
view the quick menu, press the Qbutton.
The Quick Menu Display
The quick menu o ers di erent options in photo and movie
modes. At default settings, it contains the following items:
Still photography
SHOOTING MODE
SET
LONG PRESS EDIT/SAVE CUSTOM
Default
Default
A
A
SHOOTING MODE
G
G
IMAGE QUALITY
B
B
FOCUS MODE
H
H
FILM SIMULATION
C
C
AF MODE
I
I
SELF-TIMER
D
DYNAMIC RANGE
J
FACE/EYE DETECTION SETTING
E
HIGH ISO NR
K
FLASH FUNCTION SETTING
F
IMAGE SIZE
L
EVF/LCD BRIGHTNESS
The quick menu shows the options currently selected for items
B
L
, which can be changed.
background
246
Shortcuts
9
Movie recording
SHOOTING MODE
SET
END
Default
Default
A
A
SHOOTING MODE
E
E
F FILM SIMULATION
B
B
SHUTTER SPEED
F
F
F ISO
C
C
MOVIE MODE RESOLUTION/
ASPECT RATIO
G
G
MOVIE MODE FRAME RATE
D
F WHITE BALANCE
H
H
WHITE BALANCE COLOR TEMP.
(WHEN k SELECTED)
The quick menu shows the options currently selected for items
B
H
, which can be changed.
background
247
Shortcuts
9
The Quick Menu
Viewing and Changing Settings
1
Press Q to display the quick menu
during shooting.
2
Use the focus stick (focus lever) to
highlight items and rotate the rear
command dial to change.
SET
END
FOCUS MODE
N
When DISABLE is selected for H IMAGE QUALITY SETTING>
EDIT/SAVE CUSTOM SETTING> AUTO UPDATE SETTING in
modes C1 through C4, settings altered from saved values are indi-
cated by red icons.
3
Press Q to exit when settings are complete.
N
The quick menu can also be edited using touch controls.
Using D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING, you
can assign the Q button roles normally reserved for the function
buttons or assign the Q buttons default role to a function button
(P 251).
To disable the Q(quick menu) button, select NONE for D BUTTON/
DIAL SETTING> FUNCTION (Fn) SETTING> Q BUTTON SETTING.
background
248
Shortcuts
9
Editing the Quick Menu
To choose the items displayed in the quick menu:
1
Press and hold the Q button during
shooting.
N
Whether the camera displays the photo or movie quick menu de-
pends on the position of the mode dial.
2
The current quick menu will be displayed; use the focus stick
(focus lever) to highlight the item you wish to change and
press MENU/OK.
3
Highlight the item you wish to change and press MENU/OK.
The following can be assigned to the quick menu.
N
The quick menus can also be edited using D BUTTON/DIAL SETTING>
x EDIT/SAVE QUICK MENU or F EDIT/SAVE QUICK MENU.
background
249
Shortcuts
9
The Quick Menu
Available Items (Still Photography)
Choose from:
IMAGE SIZE
IMAGE QUALITY
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
WHITE BALANCE COLOR TEMP. (WHEN
k SELECTED)
HIGHLIGHT TONE
SHADOW TONE
COLOR
SHARPNESS
CLARITY
HIGH ISO NR
FOCUS MODE
AF MODE
AF-C CUSTOM SETTINGS
FACE/EYE DETECTION SETTING
MF ASSIST
TOUCH SCREEN MODE
SELF-TIMER
PHOTOMETRY
SHUTTER TYPE
FLICKER REDUCTION
ISO
FLASH FUNCTION SETTING
FLASH COMPENSATION
MOVIE MODE RESOLUTION/ASPECT
RATIO
MOVIE MODE FRAME RATE
MOVIE MODE BIT RATE
FULL HD HIGH SPEED REC
F
IS MODE
F
IS MODE BOOST
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
SOUND & FLASH
EVF/LCD BRIGHTNESS
EVF/LCD COLOR
NONE
N
To disable the function button, choose NONE.
background
250
Shortcuts
9
The Quick Menu
Available Items (Movies)
FILM SIMULATION
DYNAMIC RANGE
WHITE BALANCE
WHITE BALANCE COLOR TEMP.
(WHEN k SELECTED)
HIGHLIGHT TONE
SHADOW TONE
COLOR
SHARPNESS
HIGH ISO NR
FACE/EYE DETECTION SETTING
MF ASSIST
TOUCH SCREEN MODE
PHOTOMETRY
ISO
MOVIE MODE RESOLUTION/
ASPECT RATIO
MOVIE MODE FRAME RATE
MOVIE MODE BIT RATE
FULL HD HIGH SPEED REC
FOCUS MODE
MOVIE AF MODE
FIX MOVIE CROP MAGNIFICATION C
F
IS MODE
F
IS MODE BOOST
SHUTTER SPEED
APERTURE (MOVIE OPTIMIZED
CONTROL oL)
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
SOUND & FLASH
EVF/LCD BRIGHTNESS
EVF/LCD COLOR
NONE
N
To disable the function button, choose NONE.
background
251
Shortcuts
9
Function Controls
Each of the function (Fn, t, ISO, Q, AEL, and AFON) buttons,
the Fn (function) dial, and touch-function (T-Fn1, T-Fn2, T-Fn3,
and T-Fn4) buttons  ick gestures can be assigned its own
role.
The Function Buttons
Assign roles to the function (Fn, t, ISO, Q, AEL, and AFON) buttons
for quick access.
Function Button Defaults
The default assignments are:
Function buttons
Function buttons
Default
Default
A
A
Fn button WHITE BALANCE
B
B
ISO button ISO
C
C
t(movie recording) button
MOVIE RECORDING RELEASE
D
Q (quick menu) button QUICK MENU
E
AFON button AF-ON
F
AEL (exposure lock) button AE LOCK ONLY
background
252
Shortcuts
9
Assigning Roles to the Function Buttons
The roles played by the function buttons can be selected using
the D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING op-
tion in the setup menu.
IMAGE SIZE
IMAGE QUALITY
RAW
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
CLARITY
FOCUS AREA
FOCUS CHECK
FOCUS MODE
AF MODE
AF-C CUSTOM SETTINGS
FACE DETECTION ON/OFF
AF RANGE LIMITER
FOCUS CHECK LOCK
SPORTS FINDER MODE
PRE-SHOT sJ
SELF-TIMER
AE BKT SETTING
FOCUS BKT SETTING
PHOTOMETRY
SHUTTER TYPE
FLICKER REDUCTION
ISO
IS MODE
WIRELESS COMMUNICATION
FLASH COMPENSATION
FLASH FUNCTION SETTING
TTL-LOCK
MODELING FLASH
MOVIE RECORDING RELEASE
FULL HD HIGH SPEED REC
FIX MOVIE CROP MAGNIFICATION C
F IS MODE BOOST
ZEBRA SETTING
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
MOVIE OPTIMIZED CONTROL oL
VIEW MODE SETTING
PREVIEW DEPTH OF FIELD
PREVIEW EXP./WB IN MANUAL MODE
NATURAL LIVE VIEW
HISTOGRAM
ELECTRONIC LEVEL
LARGE INDICATORS MODE
F-Log VIEW ASSIST
AE LOCK ONLY
AF LOCK ONLY
AE/AF LOCK
AF-ON
AWB LOCK ONLY
PERFORMANCE
AUTO IMAGE TRANSFER
SELECT PAIRING DESTINATION
Bluetooth ON/OFF
QUICK MENU
PLAYBACK
NONE
N
To disable the function button, choose NONE.
background
253
Shortcuts
9
Function Controls
AF-ON
Controls to which AF-ON is assigned can be used for autofocus.
MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mount-
ed  ash unit is attached, you can press the control to test- re the
ash and check for shadows and the like (modeling  ash).
TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock  ash
output according to the option selected for F FLASH SETTING>
TTL-LOCK MODE (P 149).
background
254
Shortcuts
9
The Function Dial
Rotate the Fn (function) dial for direct ac-
cess to selected features.
The role played by the function dial can be selected using
D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING.
EXPO. COMP.
IMAGE SIZE
IMAGE QUALITY
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
CLARITY
FOCUS MODE
AF MODE
AF-C CUSTOM SETTINGS
FACE DETECTION ON/OFF
AF RANGE LIMITER
SPORTS FINDER MODE
PRE-SHOT sJ
SELF-TIMER
PHOTOMETRY
SHUTTER TYPE
FLICKER REDUCTION
ISO
IS MODE
FLASH COMPENSATION
FLASH FUNCTION SETTING
FULL HD HIGH SPEED REC
FIX MOVIE CROP MAGNIFICATION C
F IS MODE BOOST
ZEBRA SETTING
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
MOVIE OPTIMIZED CONTROL oL
DEFAULT
DEFAULT (d WHEN SET TO B)
NONE
N
To disable the function dial, select NONE.
If DEFAULT is selected, the role played by the function dial will be
tailored to the mode currently chosen with the mode dial (P 7).
If DEFAULT (dWHEN SET TOB) is selected, the control will be as-
signed EXPO. COMP. instead of FILM SIMULATION in mode M(man-
ual).
background
255
Shortcuts
9
Function Controls
Touch-Function Gestures
Assign roles to touch-function gestures (T-Fn1, T-Fn2, T-Fn3, or T-Fn4)
for quick access to selected features.
N
Touch-function gestures are disabled by default. To enable touch-func-
tion gestures, select ON for DBUTTON/DIAL SETTING> TOUCH
SCREEN SETTING> c TOUCH FUNCTION.
Touch-Function Gesture Defaults
The default assignments for the di erent gestures are:
Touch-Function Gestures
Touch-Function Gestures
Default
Default
A
A
T-Fn1 ( ick up) HISTOGRAM
B
B
T-Fn2 ( ick left) SPORTS FINDER MODE
C
C
T-Fn3 ( ick right) LARGE INDICATORS MODE
D
D
T-Fn4 ( ick down) ELECTRONIC LEVEL
background
256
Shortcuts
9
Function Controls
Assigning Roles to Touch-Function Gestures
The roles played by touch-function gestures can be selected us-
ing the D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING
option in the setup menu.
IMAGE SIZE
IMAGE QUALITY
RAW
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
COLOR CHROME FX BLUE
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
CLARITY
FOCUS AREA
FOCUS CHECK
FOCUS MODE
AF MODE
AF-C CUSTOM SETTINGS
FACE DETECTION ON/OFF
AF RANGE LIMITER
FOCUS CHECK LOCK
SPORTS FINDER MODE
PRE-SHOT sJ
SELF-TIMER
AE BKT SETTING
FOCUS BKT SETTING
PHOTOMETRY
SHUTTER TYPE
FLICKER REDUCTION
ISO
IS MODE
WIRELESS COMMUNICATION
FLASH COMPENSATION
FLASH FUNCTION SETTING
TTL-LOCK
MODELING FLASH
FULL HD HIGH SPEED REC
FIX MOVIE CROP MAGNIFICATION C
F IS MODE BOOST
ZEBRA SETTING
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
MOVIE OPTIMIZED CONTROL oL
VIEW MODE SETTING
PREVIEW DEPTH OF FIELD
PREVIEW EXP./WB IN MANUAL MODE
NATURAL LIVE VIEW
HISTOGRAM
ELECTRONIC LEVEL
LARGE INDICATORS MODE
F-Log VIEW ASSIST
PERFORMANCE
AUTO IMAGE TRANSFER
SELECT PAIRING DESTINATION
Bluetooth ON/OFF
QUICK MENU
PLAYBACK
NONE
N
To disable touch-function gestures, choose NONE.
background
257
Peripherals and Optional
Accessories
background
258
Peripherals and Optional Accessories
10
Lenses
The camera can be used with lenses for the FUJIFILM X-mount.
Lens Parts
A
Lens hood
B
Mounting marks
C
Focus ring
D
Zoom ring
E
Aperture ring
F
O.I.S. switch
G
Aperture mode switch
H
Lens signal contacts
I
Front lens cap
J
Rear lens cap
N
A XF18-55mmF2.8-4 R LM OIS lens is used here for illustrative purposes.
background
259
Peripherals and Optional Accessories
10
Lenses
Removing Lens Caps
Remove lens caps as shown.
O
Lens caps may di er from those shown.
Attaching Lens Hoods
When attached, lens hoods reduce glare
and protect the front lens element.
background
260
Peripherals and Optional Accessories
10
Lenses with Aperture Rings
At settings other than A, you can adjust
aperture by rotating the lens aperture
ring (exposure modes A and M).
A161185.64
2.8
A161185.64
Aperture ring
N
Selecting ON for MOVIE OPTIMIZED CONTROL oL disables the
aperture ring.
When the aperture ring is set to A, rotate the command dials to adjust
aperture.
The Aperture Mode Switch
If the lens has an aperture mode switch, aper-
ture can be adjusted manually by sliding the
switch to Z and rotating the aperture ring.
Aperture ring
Aperture mode switch
background
261
Peripherals and Optional Accessories
10
Lenses
Lenses with O.I.S. Switches
If the lens supports optical image sta-
bilization (O.I.S.), the image stabiliza-
tion mode can be chosen in the camera
menus. To activate image stabilization,
slide the O.I.S. switch to ON.
O.I.S. switch
background
262
Peripherals and Optional Accessories
10
Manual Focus Lenses
Slide the focus ring to the front for auto-
focus.
For manual focus, slide the focus ring to
the back and rotate it while checking the
results in the camera display. The focus
distance and depth-of- eld indicators
can be used to assist manual focus.
O
Note that manual focus may not be available in all shooting modes.
The Depth-of-Field Indicator
The depth-of- eld indicator shows the approxi-
mate depth of  eld (the distance in front of and
behind the focus point that appears to be in
focus). The indicator is displayed in  lm format.
background
263
Peripherals and Optional Accessories
10
Lenses
Lens Care
Use a blower to remove dust, then gently wipe with a soft, dry
cloth. Any remaining stains can be removed by wiping gently
with a piece of Fuji lm lens-cleaning paper to which a small
amount of lens-cleaning  uid has been applied.
Replace the front and rear caps when the lens is not in use.
background
264
Peripherals and Optional Accessories
10
External Flash Units
Use optional external  ash units for  ash photography.
Some units support high-speed sync (FP) and can be used
at shutter speeds faster than the  ash sync speed, while
others can function as commanders controlling remote
units via optical wireless  ash control.
O
You may be unable to test- re the  ash in some circumstances, for ex-
ample when camera menus are displayed.
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected
for F FLASH SETTING> RED EYE REMOVAL and G AF/MF SETTING>
FACE/EYE DETECTION SETTING is FACE DETECTION ON. Red-eye re-
moval minimizes “red-eye caused when light from the  ash is re ected
from the subject’s retinas.
Flash Sync Speed
The  ash will synchronize with the shutter at shutter speeds of ⁄s or slow-
er.
Optional Flash Units from Fuji lm
The camera can be used with optional Fuji lm shoe-mounted  ash units.
Third-Party Flash Units
Do not use third-party  ash units that apply over 300V to the camera hot
shoe.
background
265
Peripherals and Optional Accessories
10
External Flash Units
Using an External Flash
1
Connect the unit to the camera.
2
In shooting mode, select FLASH
FUNCTION SETTING in the F (FLASH
SETTING) menu tab. The options
available vary with the  ash unit.
FLASH SETTING
RED EYE REMOVAL
TTL-LOCK MODE
FLASH FUNCTION SETTING
LED LIGHT SETTING
COMMANDER SETTING
CH SETTING
EXIT
Menu
Menu
Description
Description
P
P
Built-In Flash Displayed when the built-in fl ash is raised. 101
SYNC
TERMINAL
Sync terminal options will be displayed if the built-in fl ash
is lowered and either no fl ash unit, or an incompatible
ash unit, is mounted on the hot shoe.
266
SHOE MOUNT
FLASH
Displayed when an optional fl ash unit other than the
EF-X8 is mounted on the hot shoe and turned on.
267
COMMANDER
(OPTICAL)
Displayed if an optional fl ash unit functioning as a com-
mander for Fujifi lm optical wireless remote fl ash control is
connected and turned on.
270
3
Highlight items using the focus stick
(focus lever) and rotate the rear com-
mand dial to change the highlighted
setting.
ADJUST
END
Built-In Flash
M
ODE
4
Press DISP/BACK to put the changes into e ect.
background
266
Peripherals and Optional Accessories
10
SYNC TERMINAL
SYNC TERMINAL is displayed if the built-in  ash is lowered and
either no  ash unit, or an incompatible  ash unit, is mounted on
the hot shoe.
END
ADJUST
SYNC TERMINAL
MODE
Setting
Setting
Description
Description
A
Flash control mode
Choose from the following options:
M: A trigger signal is transmitted via the hot shoe X contacts
when a picture is taken. Choose a shutter speed slower than
the sync speed; even slower speeds may be required if the
unit uses long fl ashes or has a slow response time.
D (OFF): The trigger signal is disabled.
B
Sync
Choose whether the fl ash is timed to fi re immediately after
the shutter opens (H/1ST CURTAIN) or immediately before
it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in
most circumstances.
background
267
Peripherals and Optional Accessories
10
External Flash Units
SHOE MOUNT FLASH
The following options are available when an optional
shoe-mounted  ash unit is attached and turned on.
END
ADJUST
SHOE MOUNT FLASH
MODE
Setting
Setting
Description
Description
A
Flash control mode
The fl ash control mode selected with the fl ash unit. This can
in some cases be adjusted from the camera; the options avail-
able vary with the fl ash.
TTL: TTL mode. Adjust fl ash compensation (
B
).
M: The fl ash fi res at the selected output regardless of subject
brightness or camera settings. Output in some cases can be
adjusted from the camera (
B
).
MULTI: Repeating fl ash. Compatible shoe-mounted fl ash
units will fi re multiple times with each shot.
D (OFF): The fl ash does not fi re. Some fl ash units can be
turned off from the camera.
background
268
Peripherals and Optional Accessories
10
Setting
Setting
Description
Description
B
Flash compensation/
output
The options available vary with fl ash control mode.
TTL: Adjust fl ash compensation (the full value may not be
applied if the limits of the fl ash control system are exceed-
ed). In the cases of the EF-X20, EF-20, and EF-42, the select-
ed value is added to the value selected with the fl ash unit.
M/MULTI: Adjust fl ash output (compatible units only).
Choose from values expressed as fractions of full power,
from ⁄ (mode M) or ¼ (MULTI) down to ⁄ in increments
equivalent to ⁄EV. The desired results may not be achieved
at low values if they exceed the limits of the fl ash control
system; take a test shot and check the results.
C
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options avail-
able vary with the shooting mode (P, S, A, or M) selected.
E (FLASH AUTO): The fl ash fi res only as required; fl ash lev-
el is adjusted according to subject brightness. A p icon
displayed when the shutter button is pressed halfway indi-
cates that the fl ash will fi re when the photo is taken.
F (STANDARD): The fl ash fi res with every shot if possible;
ash level is adjusted according to subject brightness. The
ash will not fi re if not fully charged when the shutter is
released.
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not fully
charged when the shutter is released.
background
269
Peripherals and Optional Accessories
10
External Flash Units
Setting
Setting
Description
Description
D
Sync
Control fl ash timing.
H (1ST CURTAIN): The fl ash fi res immediately after the shut-
ter opens (generally the best choice).
I (2ND CURTAIN): The fl ash fi res immediately before the
shutter closes.
R (AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the fl ash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for fl ash control mode.
E
Zoom
The angle of illumination (fl ash coverage) for units that sup-
port fl ash zoom. Some units allow the adjustment to be
made from the camera. If AUTO is selected, zoom will auto-
matically be adjusted to match coverage to lens focal length.
F
Lighting
If the unit supports this feature, choose from:
J (FLASH POWER PRIORITY): Gain range by slightly reducing
coverage.
K (STANDARD): Match coverage to picture angle.
L (EVEN COVERAGE PRIORITY): Slightly increase coverage for
more even lighting.
G
LED light
Choose how the built-in LED light functions during still photog-
raphy (compatible units only): as a catchlight (
M
/CATCHLIGHT),
as an AF-assist illuminator (
N
/AF ASSIST), or as both a catch-
light and an AF-assist illuminator (
O
/AF ASSIST+CATCHLIGHT).
Choose OFF to disable the LED during photography.
G
Number of  ashes
*
Choose the number of times the fl ash fi res each time the
shutter is released in MULTI mode.
H
Frequency
*
Choose the frequency at which the fl ash fi res in MULTI mode.
* Full value may not be applied if limits of fl ash control system are exceeded.
background
270
Peripherals and Optional Accessories
10
COMMANDER(OPTICAL)
The options will be displayed if the unit is currently functioning
as a commander for Fuji lm optical wireless remote  ash control.
ADJUST
END
COMMANDER(OPTICAL)
MODE
Fuji lm optical wireless remote  ash control o ers a choice of
four channels (Channels 1 through 4) for the exchange of optical
signals between the commander and remote  ash units. Sepa-
rate channels can be used for di erent  ash systems or to pre-
vent interference when multiple systems are operating in close
proximity.
The  ash units can also be placed in up to
three groups (A, B, and C) and  ash mode
and  ash level adjusted separately for
each group.
BB
A
C
background
271
Peripherals and Optional Accessories
10
External Flash Units
Setting
Setting
Description
Description
A
Flash control mode
(group A)
Choose fl ash control modes for groups A, B, and C. TTL%
is available for groups A and B only.
TTL: The units in the group fi re in TTL mode. Flash com-
pensation can be adjusted separately for each group.
TTL%: If TTL% is selected for either group A or B, you can
specify the output of the selected group as a percent-
age of the other and adjust overall fl ash compensation
for both groups.
M: In mode M, the units in the group fi re at the selected
output (expressed as a fraction of full power) regardless
of subject brightness or camera settings.
MULTI: Choosing MULTI for any group sets all the units
in all groups to repeating fl ash mode. All units will fi re
multiple times with each shot.
D (OFF): If OFF is selected, the units in the group will
not fi re.
B
Flash control mode
(group B)
C
Flash control mode
(group C)
D
Flash compensation/
output (group A)
Adjust fl ash level for the selected group according to
option selected for fl ash control mode. Note that the full
value may not be applied if the limits of the fl ash control
system are exceeded.
TTL: Adjust fl ash compensation.
M/MULTI: Adjust fl ash output.
TTL%: Choose the balance between groups A and B and
adjust overall fl ash compensation.
E
Flash compensation/
output (group B)
F
Flash compensation/
output (group C)
background
272
Peripherals and Optional Accessories
10
Setting
Setting
Description
Description
G
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options
available vary with the shooting mode (P, S, A, or M) se-
lected.
E (FLASH AUTO): The fl ash fi res only as required; fl ash
level is adjusted according to subject brightness. A
picon displayed when the shutter button is pressed
halfway indicates that the fl ash will fi re when the photo
is taken.
F (STANDARD): The fl ash fi res with every shot if possi-
ble; fl ash level is adjusted according to subject bright-
ness. The fl ash will not fi re if not fully charged when the
shutter is released.
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not
fully charged when the shutter is released.
H
Sync
Control fl ash timing.
H (1ST CURTAIN): The fl ash fi res immediately after the
shutter opens (generally the best choice).
I (2ND CURTAIN): The fl ash fi res immediately before the
shutter closes.
R
(AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the fl ash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for fl ash control mode.
I
Zoom
The angle of illumination (fl ash coverage) for units that sup-
port fl ash zoom. Some units allow the adjustment to be
made from the camera. If AUTO is selected, zoom will auto-
matically be adjusted to match coverage to lens focal length.
J
Lighting
If the unit supports this feature, choose from:
J (FLASH POWER PRIORITY): Gain range by slightly re-
ducing coverage.
K (STANDARD): Match coverage to picture angle.
L (EVEN COVERAGE PRIORITY): Slightly increase coverage
for more even lighting.
background
273
Peripherals and Optional Accessories
10
External Flash Units
Setting
Setting
Description
Description
K
Commander
Choose the group for units functioning as a command-
er for Fujifi lm optical wireless remote fl ash control in TTL,
TTL%, or M mode. This option is available only with clip-
on fl ash units that support Fujifi lm optical wireless remote
ash control.
Gr A: Assign the commander to group A.
Gr B: Assign the commander to group B.
Gr C: Assign the commander to group C.
OFF: Output from the commander is held to a level that
does not aff ect the fi nal picture.
K
Number of  ashes
Choose the number of times the fl ash fi res each time the
shutter is released in MULTI mode.
L
Channel
Choose the channel used by the commander for commu-
nication with the remote fl ash units. Separate channels
can be used for diff erent fl ash systems or to prevent in-
terference when multiple systems are operating in close
proximity.
L
Frequency
Choose the frequency at which the fl ash fi res in MULTI
mode.
background
274
MEMO
background
275
Connections
background
276
Connections
11
HDMI Output
Camera shooting and playback displays can be output to
HDMI devices.
Connecting to HDMI Devices
Connect the camera to TVs or other HDMI devices using a
third-party HDMI cable.
1
Turn the camera o .
2
Connect the cable as shown below.
Insert into
HDMI connector
Insert into HDMI Micro
connector (Type D)
3
Con gure the device for HDMI input as described in the doc-
umentation supplied with the device.
4
Turn the camera on. The contents of the camera display will
be shown on the HDMI device. The camera display turns o
in playback mode (P 277).
O
Making sure the connectors are fully inserted.
Use an HDMI cable no more than 1.5m (4.9ft.) long.
background
277
Connections
11
HDMI Output
Shooting
Shoot photos and record movies while viewing the scene through
the camera lens on or saving footage to the HDMI device.
N
This feature can be used to save 4K and Full HD movies to an HDMI
recorder.
Playback
To start playback, press the camera a button. The camera mon-
itor turns o and pictures and movies are output to the HDMI
device. Note that the camera volume controls have no e ect on
sounds played on the TV; use the television volume controls to
adjust the volume.
O
Some televisions may brie y display a black screen when movie play-
back begins.
background
278
Connections
11
Wireless Connections
(Bluetooth®, Wireless LAN/Wi-Fi)
Access wireless networks and connect to computers,
smartphones, or tablets. For more information, visit:
http://fujifilm-dsc.com/wifi/
N
In the text that follows, the term “smartphone” is used to refer to both
smartphones and tablets.
Smartphones and Tablets: FUJIFILM Camera Remote
Connect to the camera via Bluetooth or wireless LAN.
N
To establish a wireless connection to the camera, you will need to in-
stall the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet.
FUJIFILM Camera Remote
Once a connection has been established, you can use FUJIFILM Camera
Remote to:
Control the camera and take pictures remotely
Receive pictures uploaded from the camera
Browse the pictures on the camera and download selected pictures
Upload location data to the camera
Release the camera shutter
Update camera  rmware
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
background
279
Connections
11
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi)
SmartPhones and Tablets: Bluetooth® Pairing
Use
D
CONNECTION SETTING> Bluetooth SETTINGS> PAIRING
REGISTRATION to pair the camera with smartphones or tablets.
Pairing o ers a simple method for downloading photos from the
camera.
N
Photos are downloaded via a wireless connection.
Once pairing is complete, you will be able to synchronize the camera
clock and location data with the smartphone or tablet (P 234).
You can choose a connection from up to 7 paired smartphones or
tablets.
Smartphones and Tablets: Wireless LAN
Establish wireless LAN connections to smartphones or tablets us-
ing WIRELESS COMMUNICATION in the
A
SHOOTING SETTING,
B MOVIE SETTING, or C PLAY BACK MENU.
background
280
Connections
11
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi)
Copying Pictures to a Computer: PC AutoSave
Install the latest version of FUJIFILM PC Autosave to your com-
puter to upload pictures from the camera over wireless networks
(Wi-Fi).
FUJIFILM PC AutoSave
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/pc_autosave/
Computers: Wireless Connections
You can upload pictures from the camera using the PC AUTO
SAVE option in the playback menu.
background
281
Connections
11
Connecting via USB
The camera can be connected to computers and smart-
phones via USB.
Connecting to Computers
N
Before downloading pictures or taking pictures remotely, connect the
camera to a computer and check that it functions normally.
1
Turn the computer on.
2
Adjust settings according to whether you will be copying
pictures to a computer (P 284), save RAW pictures in other
formats (P 285), or Saving and Loading Camera Settings
(P 285).
3
Turn the camera o .
4
Connect a USB cable.
USB connector (Type-C)
O
The USB cable must be no more than 1.5 m (4.9 ft.) long and be
suitable for data transfer.
background
282
Connections
11
5
Turn the camera on.
6
Copy pictures to your computer.
Image transfer: Use applications provided with your operat-
ing system.
RAW conversion: Process RAW images using FUJIFILM X RAW
STUDIO. The power of the cameras image processing en-
gine is used for rapid processing.
Saving and loading camera settings: Use FUJIFILM X Acquire to
save or load camera settings. Save your preferred settings
to a  le in a single operation and copy them to multiple
cameras.
background
283
Connections
11
Connecting via USB
O
Turn the camera o before disconnecting the USB cable.
When connecting USB cables, be sure the connectors are fully in-
serted in the correct orientation. Connect the camera directly to the
computer; do not use a USB hub or keyboard.
Loss of power during transfer could result in loss of data or damage to
the memory card. Insert a fresh or fully-charged battery before con-
necting the camera.
If a memory card containing a large number of images is inserted,
there may be a delay before the software starts and you may be un-
able to import or save images. Use a memory card reader to transfer
pictures.
Make sure that the indicator lamp is o or lit green before discon-
necting the camera.
Do not disconnect the USB cable while transfer is in progress. Failure
to observe this precaution could result in loss of data or damage to
the memory card.
Disconnect the camera before inserting or removing memory cards.
In some cases, it may not be possible to access pictures saved to a
network server using the software in the same way as on a stand-
alone computer.
Do not immediately remove the camera from the system or dis-
connect the USB cable once the message stating that copying is in
progress clears from the computer display. If the number of images
copied is very large, data transfer may continue after the message has
ceased to be displayed.
The user bears all applicable fees charged by the phone company or
Internet service provider when using services that require an Internet
connection.
background
284
Connections
11
Copying Pictures to a Computer
Before copying pictures to a computer,
select USB CARD READER for D CON-
NECTION SETTING> CONNECTION
MODE.
The software that can be used to copy
pictures varies with your computer op-
erating system.
Mac OS X/macOS
Pictures can be copied to your computer using Image Capture
(supplied with your computer) or other software.
O
Use a card reader to copy  les over 4GB in size.
Windows
Pictures can be copied to your computer using applications sup-
plied with the operating system.
CONNECTION SETTING
PC AUTO SAVE
Bluetooth SETTINGS
USB POWER SUPPLY SETTING
CONNECTION MODE
RESET WIRELESS SETTING
INFORMATION
GENERAL SETTINGS
EXIT
PRINTER CONNECTION SETTING
USB CARD READER
X WEBCAM
USB RAW CONV./BACKUP RESTORE
background
285
Connections
11
Connecting via USB
Converting RAW Images: FUJIFILM X RAW STUDIO
Before proceeding, select USB RAW
CONV./BACKUP RESTORE for D CON-
NECTION SETTING> CONNECTION
MODE in the camera menus.
FUJIFILM X RAW STUDIO can be used
to convert RAW images to JPEG or TIFF
images.
N
For more information on FUJIFILM X RAW STUDIO, see “Software for
Use with Your Camera (P 294).
Backing up and Restoring Camera Settings
(FUJIFILM X Acquire)
Before proceeding, select USB RAW
CONV./BACKUP RESTORE for D CON-
NECTION SETTING> CONNECTION
MODE in the camera menus.
FUJIFILM X Acquire can be used to
backup and restore camera settings.
N
For more information on FUJIFILM X Acquire, see “Software for
Use with Your Camera (P 294).
CONNECTION SETTING
PC AUTO SAVE
Bluetooth SETTINGS
USB POWER SUPPLY SETTING
CONNECTION MODE
RESET WIRELESS SETTING
INFORMATION
GENERAL SETTINGS
EXIT
PRINTER CONNECTION SETTING
USB CARD READER
X WEBCAM
USB RAW CONV./BACKUP RESTORE
CONNECTION SETTING
PC AUTO SAVE
Bluetooth SETTINGS
USB POWER SUPPLY SETTING
CONNECTION MODE
RESET WIRELESS SETTING
INFORMATION
GENERAL SETTINGS
EXIT
PRINTER CONNECTION SETTING
USB CARD READER
X WEBCAM
USB RAW CONV./BACKUP RESTORE
background
286
Connections
11
Connecting to Smartphones
To copy pictures to a smartphone, select OFF for D CONNECTION
SETTING> USB POWER SUPPLY SETTING and connect the cam-
era to the phone using a USB cable.
For Customers Using Android Devices
How you will connect the camera depends on the type of USB
connector with which your smartphone is equipped.
Type-C
Type-C
Ready a cable equipped with connectors matching the USB
(Type-C) connector on the camera.
Third-party USB cable
Type-C connector (male) Type-C connector (male)
Micro-B
Micro-B
Use a USB on-the-go (OTG) cable.
Supplied USB cable USB OTG cable
Type-C connector (male) Micro-B connector (male)
Type-A connector (male)
Type-A connector (female)
O
The smartphone must support USB OTG.
The desired results cannot be achieved with a USB Type-C–to–
Mirco-B cable. Use an OTG cable.
background
287
Connections
11
Connecting via USB
1
Set the cameras D CONNECTION SETTING> USB POWER
SUPPLY SETTING to OFF.
2
Connect the camera and smartphone using a USB cable.
N
If the smartphone asks for permission for an application other
than the “Camera Importer to access the camera, tap “Cancel” and
move on to the next step.
3
On your smartphone, tap the noti cation “Connected to USB
PTP”.
4
From the recommended applications, select “Camera
Importer”.
The app will automatically start and allow you to import pho-
tos and movies to your smartphone.
N
If the message There is no MTP device connected” appears on the
app, please try again from step 2.
background
288
Connections
11
Connecting via USB
For Customers Using iOS
An Apple Lightning to USB Camera Adapter is required.
Supplied USB cable
Apple Lightning to
USB Camera Adapter
Type-C connector (male) Use an Apple Lightning to
USB Camera Adapter
Type-A connector (male)
1
Set the cameras D CONNECTION SETTING> USB POWER
SUPPLY SETTING to OFF.
2
Connect the camera and smartphone using a USB cable.
The “Photos” app will automatically start and allow you to im-
port photos and movies to your smartphone.
O
The desired results cannot be achieved with a USB Type-C–to–
Lightning cable. Use a camera adapter.
background
289
Connections
11
instax SHARE Printers
Print pictures from your digital camera to instax SHARE
printers.
Establishing a Connection
Select
D
CONNECTION SETTING> instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and pass-
word.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a di erent
password to print from a smartphone, enter
that password instead.
background
290
Connections
11
instax SHARE Printers
Printing Pictures
1
Turn the printer on.
2
Select C PLAY BACK MENU> instax
PRINTER PRINT. The camera will con-
nect to the printer.
FUJIFILM-CAMERA-1234
CONNECTING
CANCEL
PRINTER PRINT
instax-12345678
3
Use the focus stick (focus lever) to
display the picture you want to print,
then press MENU/OK.
100-0020
SET CANCEL
instax-12345678
PRINTER PRINT
N
Pictures taken with other cameras cannot be printed.
The area printed is smaller than the area visible in the LCD
monitor.
The displays may vary depending on the printer connected.
4
The picture will be sent to the printer and printing will start.
background
291
Technical Notes
background
292
Technical Notes
12
Accessories from Fuji lm
The following optional accessories are available from Fuji lm.
For the latest information on the accessories available in your
region, check with your local Fuji lm representative or visit
https://fujifilm-x.com/support/compatibility/cameras/.
Rechargeable Li-ion batteries
Rechargeable Li-ion batteries
NP-W126S: Additional high-capacity NP-W126S rechargeable batteries can be
purchased as required.
Battery chargers
Battery chargers
BC-W126S: Replacement battery chargers can be purchased as required. At
+20 °C/+68 °F, the BC-W126S charges an NP-W126S in about 150 minutes.
AC power adapters
AC power adapters
AC-9V (requires CP-W126 DC coupler): Use this 100–240V, 50/60Hz AC power adapter for
extended shooting and playback or when copying pictures to a computer.
DC couplers
DC couplers
CP-W126: For extended shooting or playback or when using the camera with a
computer, use the CP-W126 to connect the camera to the AC-9V power adapter.
Remote releases
Remote releases
RR-100: Use to reduce camera shake or keep the shutter open during a time
exposure. The RR-100 has a connector with a diameter of 2.5 mm; a third-party
2.5mm to 3.5 mm adapter is required for connection to the camera.
Stereo microphones
Stereo microphones
MIC-ST1: An external microphone for movie recording.
FUJINON lenses
FUJINON lenses
XF-/XC-series lenses: Interchangeable lenses for use exclusively with the FUJIFILM
X-mount.
FUJINON MKX-series lenses: Cinema lenses for the FUJIFILM X-mount.
Macro extension tubes
Macro extension tubes
MCEX-11/16: Attach between the camera and the lens to shoot at high reproduc-
tion ratios.
Teleconverters
Teleconverters
XF1.4X TC WR: Increases the focal length of the compatible lenses by about 1.4×.
XF2X TC WR: Increases the focal length of the compatible lenses by about 2.0×.
background
293
Technical Notes
12
Accessories from Fuji lm
Mount adapters
Mount adapters
FUJIFILM M MOUNT ADAPTER: Allows the camera to be used with a wide selection
of M-mount lenses.
Body caps
Body caps
BCP-001: Cover the camera lens mount when no lens is attached.
Shoe-mounted  ash units
Shoe-mounted  ash units
EF-X500: In addition to manual and TTL fl ash control, this clip-on fl ash unit has a
Guide Number of 50/164 (ISO 100, m/ft.) and supports FP (high-speed sync), al-
lowing it to be used at shutter speeds that exceed the fl ash sync speed. Featuring
support for the optional EF-BP1 battery pack and Fujifi lm optical wireless fl ash
control, it can be used as a commander or remote fl ash unit for remote wireless
ash photography.
EF-BP1: A battery pack for EF-X500 fl ash units. Takes up to 8 AA batteries.
EF-60: In addition to manual and TTL fl ash control, this clip-on fl ash unit has a
Guide Number of 60/197 (ISO 100, m/ft.) and supports FP (high-speed sync), al-
lowing it to be used at shutter speeds that exceed the fl ash sync speed. It can also
be used as remote fl ash under the control of an optional EF-W1 wireless com-
mander.
EF-42: This clip-on fl ash unit has a Guide Number of 42/137 (ISO 100, m/ft.) and
supports manual and TTL fl ash control.
EF-X20: This clip-on fl ash unit has a Guide Number of 20/65 (ISO 100, m/ft.) and
supports manual and TTL fl ash control.
EF-20: This clip-on fl ash unit has a Guide Number of 20/65 (ISO 100, m/ft.) and
supports TTL fl ash control (manual fl ash control is not supported).
EF-W1: With support for the NAS
*
wireless communication standard developed
by Nissin Japan, this wireless fl ash commander can be used with optional EF-60
clip-on fl ash units and other NAS-compliant units.
* NAS is a registered trademark of Nissin Japan Ltd.
Grip belts
Grip belts
GB-001: Improves grip. Combine with a hand grip for more secure handling.
instax SHARE printers
instax SHARE printers
SP-1/SP-2/SP-3: Connect via wireless LAN to print pictures on instax fi lm.
background
294
Technical Notes
12
Software for Use with Your Camera
The camera can be used with the following software. For the
latest information on software available from Fuji lm, visit
https://fujifilm-x.com/support/compatibility/cameras/.
FUJIFILM Camera Remote
Establish a wireless connection between your camera and a
smartphone or tablet (P 278).
http://app.fujifilm-dsc.com/en/camera_remote/
FUJIFILM PC AutoSave
Download pictures from your camera over wireless networks
(P 280).
http://app.fujifilm-dsc.com/en/pc_autosave/
RAW FILE CONVERTER EX powered by SILKYPIX
RAW FILE CONVERTER EX powered by SILKYPIX is RAW conver-
sion software from Ichikawa Soft Laboratory Co., Ltd. View RAW
pictures on your computer and convert them into other formats.
RAW FILE CONVERTER EX powered by SILKYPIX is available free of
charge from the Fuji lm website.
https://fujifilm-x.com/support/download/software/raw-file-converter-
ex-powered-by-silkypix/
N
“RAW FILE CONVERTER EX powered by SILKYPIX” is supplied by Ichikawa
Soft Laboratory Co., Ltd.
Capture One Express Fuji lm
Capture One Express Fuji lm is image edit software from Capture
One A/S. View RAW pictures on your computer and convert them
into other formats. Capture One Express Fuji lm is available free
of charge from Capture One.
https://www.captureone.com/products-plans/capture-one-express/fujifilm
background
295
Technical Notes
12
Software for Use with Your Camera
Capture One Pro Fuji lm
Capture One Pro Fuji lm is work ow software from Capture One
A/S. Capture One Pro Fuji lm supports tethered shooting and
the conversion of RAW pictures into other formats.
https://www.captureone.com/explore-features/fujifilm
FUJIFILM X Acquire
This application for Windows and macOS lets you connect to the
camera via USB or Wi-Fi and automatically download photos to
a speci ed folder as they are taken, or backup and restore the
camera via USB.
https://fujifilm-x.com/products/software/x-acquire/
O
Auto download (tethered shooting) is not supported with some cam-
eras.
FUJIFILM X RAW STUDIO
When the camera is connected to a computer via USB, FUJIFILM
X RAW STUDIO can use the camera’s unique image processing
engine to rapidly convert RAW  les to create high-quality images
in other formats.
https://fujifilm-x.com/products/software/x-raw-studio/
FUJIFILM X Webcam
Connect the camera to a computer via USB to turn it into a web-
cam.
https://fujifilm-x.com/products/software/x-webcam/
background
296
Technical Notes
12
For Your Safety
IMPORTANT SAFETY INSTRUCTIONS
Read Instructions
Read Instructions: All the safety and operating instructions
should be read before the appliance is operated.
Retain Ins
Retain Ins
tructions
tructions: The safety and operating instructions
should be retained for future reference.
Heed Warni
Heed Warni
ngs
ngs: All warnings on the appliance and in the
operating instructions should be adhered to.
Follow In
Follow In
structions
structions: All operating and use instructions
should be followed.
Installation
Installation
Power Sources: This video product should be operated only
from the type of power source indicated on the marking la-
bel. If you are not sure of the type of power supply to your
home, consult your appliance dealer or local power com-
pany. For video products intended to operate from battery
power, or other sources, refer to the operating instructions.
Grounding or Polarization: This video product is equipped
with a polarized alternating-current line plug (a plug having
one blade wider than the other). This plug will fi t into the
power outlet only one way. This is a safety feature. If you are
unable to insert the plug fully into the outlet, try reversing
the plug. If the plug should still fail to fi t, contact your electri-
cian to replace your obsolete outlet. Do not defeat the safety
purpose of the polarized plug.
Alternate Warnings: This video product is equipped with
a three-wire grounding-type plug, a plug having a third
(grounding) pin. This plug will only fi t into a grounding-type
power outlet. This is a safety feature. If you are unable to
insert the plug into the outlet, contact your electrician to re-
place your obsolete outlet. Do not defeat the safety purpose
of the grounding type plug.
Overloading: Do not overload wall outlets and extension
cords as this can result in a risk of fi re or electric shock.
Ventilation: Slots and openings in the cabinet are provided
for ventilation, to ensure reliable operation of the video prod-
uct and to protect it from overheating, and these openings
must not be blocked or covered. The openings should never
be blocked by placing the video product on a bed, sofa, rug,
or other similar surface.
This video product should not be placed in a built-in instal-
lation such as a bookcase or rack unless proper ventilation is
provided or the manufacturer’s instructions have been ad-
hered to. This video product should never be placed near or
over a radiator or heat register.
Attachments: Do not use attachments not recommended by
the video product manufacturer as they may cause hazards.
Water and Moisture: Do not use this video product near wa-
ter—for example, near a bath tub, wash bowl, kitchen sink,
or laundry tub, in a wet basement, or near a swimming pool,
and the like.
Power-Cord Protection: Power-supply cords should be routed
so that they are not likely to be walked on or pinched by
items placed upon or against them, paying particular atten-
tion to cords at plugs, convenience receptacles, and the point
where they exit from the appliance.
Accessories: Do not place this video product on an unstable
cart, stand, tripod, bracket, or table. The video product may
fall, causing serious injury to a child or adult, and serious
damage to the appliance. Use only with a cart, stand, tripod,
bracket, or table recommended by the manufacturer, or sold
with the video product. Any mounting of the appliance
should follow the manufacturer’s instructions, and should
use a mounting accessory recommended by the manufac-
turer.
An appliance and cart combination
should be moved with care. Quick
stops, excessive force, and uneven
surfaces may cause the appliance and
cart combination to overturn.
Antennas
Antennas
Outdoor Antenna Grounding: If an outside antenna or cable
system is connected to the video product, be sure the an-
tenna or cable system is grounded so as to provide some
protection against voltage surges and built-up static charges.
Section 810 of the National Electrical Code, ANSI/NFPA No.
70, provides information with respect to proper grounding of
the mast and supporting structure, grounding of the lead-in
wire to an antenna discharge unit, size of grounding con-
ductors, location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.
EXAMPLE OF ANTENNA GROUNDING AS
PER NATIONAL ELECTRICAL CODE
Ground Clamp
t
Electric Service Equipment
e Equipment
A
ntenn
Le
in
W
ir
e
A
A
Antenna
An
Discharge Unit
D
(NEC SECTION
N
810-20)
8
Ground Clamps
Power Service Grounding Electrode
System (NEC ART 250. PART H)
Groun
d
in
g
Con
d
uctors
(
NE
C
SECTION 810-21
)
background
297
Technical Notes
12
For Your Safety
Power Lines: An outside antenna system should not be locat-
ed in the vicinity of overhead power lines or other electric
light or power circuits, or where it can fall into such power
lines or circuits. When installing an outside antenna system,
extreme care should be taken to keep from touching such
power lines or circuits as contact with them might be fatal.
Use
Use
Cleaning: Unplug this video product from the wall outlet be-
fore cleaning. Do not use liquid cleaners or aerosol cleaners.
Use a damp cloth for cleaning.
Object and Liquid Entry: Never push objects of any kind into
this video product through openings as they may touch dan-
gerous voltage points or short out parts that could result in
a fi re or electric shock. Never spill liquid of any kind on the
video product.
Lightning: For added protection for this video product re-
ceiver during a lightning storm, or when it is left unattended
and unused for long periods of time, unplug it from the wall
outlet and disconnect the antenna or cable system. This will
prevent damage to the video product due to lightning and
power-line surges.
Service
Service
Servicing: Do not attempt to service this video product
yourself as opening or removing covers may expose you to
dangerous voltage or other hazards. Refer all servicing to
qualifi ed service personnel.
Damage Requiring Service: Unplug this video product from
the wall outlet and refer servicing to qualifi ed service person-
nel under the following conditions:
When the power-supply cord or plug is damaged
If liquid has been spilled, or objects have fallen into the
video product.
If the video product has been exposed to rain or water.
If the video product has been dropped or the cabinet has
been damaged.
If the video product does not operate normally follow the
operating instructions. Adjust only those controls that are
covered by the operating instructions as an improper adjust-
ment of other controls may result in damage and will often
require extensive work by a qualifi ed technician to restore
the video product to its normal operation.
When the video product exhibits a distinct change in perfor-
mance this indicates a need for service.
Replacement Parts: When replacement parts are required, be
sure the service technician has used replacement parts spec-
ifi ed by the manufacturer or have the same characteristics as
the original part. Unauthorized substitutions may result in
re, electric shock or other hazards.
Safety Check: Upon completion of any service or repairs to
this video product, ask the service technician to perform
safety checks to determine that the video product is in prop-
er operating condition.
Be sure to read these notes before use
Safety Notes
Make sure that you use your camera correctly. Read these
safety notes and your Basic Manual carefully before use.
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate
the severity of the injury or damage that can result if the in-
formation indicated by the icon is ignored and the product is
used incorrectly as a result.
WARNING
WARNING
This icon indicates that death or serious in-
jury can result if the information is ignored.
CAUTION
CAUTION
This icon indicates that personal injury or
material damage can result if the informa-
tion is ignored.
The icons shown below are used to indicate the nature of the
instructions which are to be observed.
Triangular icons tell you that this information re-
quires attention (“Important”).
Circular icons with a diagonal bar tell you that the
action indicated is prohibited (“Prohibited”).
Filled circles with an exclamation mark indicate an
action that must be performed (“Required”).
The symbols on the product (including the accesories) rep-
resent the following:
AC
DC
Class II equipment (The construction of the product
is double-insulated.)
WARNING
WARNING
Unplug
from power
socket
If a problem
If a problem
arises, turn the ca
arises, turn the ca
mera o , remove the
mera o , remove the
battery, disconnect
battery, disconnect
the USB cable, and
the USB cable, and
unplug the AC
unplug the AC
power
power
adapter.
adapter. Continued use of the camera when
it is emitting smoke, is emitting any unusual odor,
or is in any other abnormal state can cause a fi re or
electric shock. Contact your Fujifi lm dealer.
Do not
Do not
allow water or fore
allow water or fore
ign objects to enter
ign objects to enter
the cam-
the cam-
era or conne
era or conne
cting cables.
cting cables. Do not use the camera or
connecting cables following ingress of fresh or salt
water, milk, beverages, detergents, or other liquids.
Should liquid fi nd its way into the camera or con-
necting cables, turn the camera off , remove the
battery, disconnect the USB cable, and disconnect
and unplug the AC adapter. Continued use of the
camera can cause a fi re or electric shock. Contact
your Fujifi lm dealer.
background
298
Technical Notes
12
WARNING
WARNING
Do not use in
the bathroom
or shower
Do not us
Do not us
e the camera in the
e the camera in the
bathroom or shower.
bathroom or shower. This
can cause a fi re or electric shock.
Do not
disassemble
Never attempt to change or take apart t
Never attempt to change or take apart t
he camera (nev-
he camera (nev-
er ope
er ope
n the case).
n the case). Failure to observe this precaution
can cause fi re or electric shock.
Do not touch
internal
parts
Should the
Should the
case break open as
case break open as
the result of a fall
the result of a fall
or other
or other
accident,
accident,
do not touch the exp
do not touch the exp
osed parts.
osed parts. Failure to ob-
serve this precaution could result in electric shock
or in injury from touching the damaged parts. Re-
move the battery immediately, taking care to avoid
injury or electric shock, and take the product to the
point of purchase for consultation.
Do not change
Do not change
, heat or unduly twi
, heat or unduly twi
st or pull the conne
st or pull the conne
c-
c-
tion cord and do no
tion cord and do no
t place heavy object
t place heavy object
s on the connec-
s on the connec-
tion
tion
cord.
cord. These actions could damage the cord and
cause a fi re or electric shock. If the cord is damaged,
contact your Fujifi lm dealer. Do not use cables with
bent connectors.
Do not p
Do not p
lace the camera on a
lace the camera on a
n unstable surface.
n unstable surface. This
can cause the camera to fall or tip over and cause
injury.
Never attempt to
Never attempt to
take pictures while
take pictures while
in motion.
in motion. Do
not use the camera while walking or driving. This
can result in you falling down or being involved in
a traffi c accident.
Do
Do
not touch any metal
not touch any metal
parts of the camera
parts of the camera
during a
during a
thundersto
thundersto
rm.
rm. This can cause an electric shock due
to induced current from the lightning discharge.
Do not use
Do not use
the battery except
the battery except
as speci ed.
as speci ed. Load the
battery as shown by the indicator.
Do
Do
not disassemble, mo
not disassemble, mo
dify, or heat batter
dify, or heat batter
ies. Do not
ies. Do not
drop, st
drop, st
rike, or throw batte
rike, or throw batte
ries or otherwise su
ries or otherwise su
bject
bject
them to strong
them to strong
impacts. Do not use
impacts. Do not use
batteries that show
batteries that show
signs of leaking, d
signs of leaking, d
eformation, discolor
eformation, discolor
ation, or other
ation, or other
abno
abno
rmalities. Use only
rmalities. Use only
designated chargers
designated chargers
to re-
to re-
charge recharge
charge recharge
able batteries and d
able batteries and d
o not attempt to re-
o not attempt to re-
c
c
harge non-rechargeab
harge non-rechargeab
le Li-ion or alkalin
le Li-ion or alkalin
e batteries. Do
e batteries. Do
not
not
short batteries or s
short batteries or s
tore them with metal
tore them with metal
lic objects.
lic objects.
Failure to observe these precautions could result
in the batteries overheating, igniting, rupturing, or
leaking, causing fi re, burns, or other injury.
Use only batteri
Use only batteri
es or AC power adapt
es or AC power adapt
ers speci ed for
ers speci ed for
us
us
e with this camera.
e with this camera.
Do not use voltages
Do not use voltages
other than the
other than the
power
power
supply voltage show
supply voltage show
n.
n. The use of other power
sources can cause a fi re.
If the b
If the b
attery leaks and u
attery leaks and  u
id gets in contact w
id gets in contact w
ith your
ith your
eyes, skin
eyes, skin
or clothing,  ush t
or clothing,  ush t
he a ected area wit
he a ected area wit
h clean
h clean
water and se
water and se
ek medical attention
ek medical attention
or call an emergenc
or call an emergenc
y
y
number right away.
number right away.
WARNING
WARNING
Do not use the charger to
Do not use the charger to
charge batteries ot
charge batteries ot
her than
her than
those speci
those speci
ed here.
ed here. The supplied charger is for use
only with batteries of the type supplied with the
camera. Using the charger to charge conventional
batteries or other types of rechargeable batteries
can cause the battery to leak, overheat or burst.
Using a ash too
Using a  ash too
close to a person’s
close to a person’s
eyes may cause
eyes may cause
visu
visu
al impairment.
al impairment. Take particular care when pho-
tographing infants and young children.
Do not remain in
Do not remain in
prolonged contact wi
prolonged contact wi
th hot surfaces.
th hot surfaces.
Failure to observe this precaution could result in
low-temperature burns, particularly at high am-
bient temperatures or with users who suff er from
poor circulation or reduced sensation, in which
case use of a tripod or similar precautions are rec-
ommended.
Do not l
Do not l
eave one part of the
eave one part of the
body in contact wit
body in contact wit
h the
h the
product for pr
product for pr
olonged periods whil
olonged periods whil
e the product is on.
e the product is on.
Failure to observe this precaution could result in
low-temperature burns, particularly during pro-
longed use, at high ambient temperatures, or with
users who suff er from poor circulation or reduced
sensation, in which case use of a tripod or similar
precautions are recommended.
D
D
o not use in the pre
o not use in the pre
sence of ammable o
sence of  ammable o
bjects, explo-
bjects, explo-
sive ga
sive ga
ses, or dust.
ses, or dust.
When c
When c
arrying the battery,
arrying the battery,
install it in a dig
install it in a dig
ital camera
ital camera
or keep
or keep
it in the hard case.
it in the hard case.
When storing the ba
When storing the ba
ttery,
ttery,
keep it in th
keep it in th
e hard case. When di
e hard case. When di
scarding, cover the
scarding, cover the
battery terminals wi
battery terminals wi
th insulation tape.
th insulation tape. Contact with
other metallic objects or batteries could cause the
battery to ignite or burst.
Keep mem
Keep mem
ory cards, hot shoes
ory cards, hot shoes
, and other small pa
, and other small pa
rts
rts
out of the reach
out of the reach
of small children.
of small children. Children may
swallow small parts; keep out of reach of children.
Should a child swallow a small part, seek medical
attention or call emergency.
Keep out of reach
Keep out of reach
of small children.
of small children. Among the ele-
ments that could cause injury are the strap, which
could become entangled about a child’s neck,
causing strangulation, and the fl ash, which could
cause visual impairment.
Follow the direc
Follow the direc
tions of airline and
tions of airline and
hospital personnel.
hospital personnel.
This product generates radio-frequency emissions
that could interfere with navigational or medical
equipment.
CAUTION
CAUTION
Do not use this came
Do not use this came
ra in locations a e
ra in locations a e
cted by oil
cted by oil
fumes, s
fumes, s
team, humidity or du
team, humidity or du
st.
st. This can cause a fi re
or electric shock.
Do not leave th
Do not leave th
is camera in places
is camera in places
subject to extremely
subject to extremely
high temperatures.
high temperatures. Do not leave the camera in loca-
tions such as a sealed vehicle or in direct sunlight.
This can cause a fi re.
background
299
Technical Notes
12
For Your Safety
CAUTION
CAUTION
Do not place
Do not place
heavy objects on th
heavy objects on th
e camera.
e camera. This can cause
the heavy object to tip over or fall and cause injury.
Do not move the camera whi
Do not move the camera whi
le the AC power adap
le the AC power adap
ter is still
ter is still
connect
connect
ed.
ed. Do not pull on the connection cord to dis-
connect the AC power adapter. This can damage the
power cord or cables and cause a fi re or electric shock.
Do not c
Do not c
over or wrap the cam
over or wrap the cam
era or the AC power
era or the AC power
adapt-
adapt-
er in a cloth o
er in a cloth o
r blanket.
r blanket. This can cause heat to build
up and distort the casing or cause a fi re.
Do not use the pl
Do not use the pl
ug if it is damaged
ug if it is damaged
or if it does not
or if it does not 
t
t
securely into the
securely into the
outlet.
outlet. Failure to observe this pre-
caution could result in fi re or electric shock.
When you are clea
When you are clea
ning the camera or y
ning the camera or y
ou do not plan to
ou do not plan to
us
us
e the camera for an
e the camera for an
extended period, rem
extended period, rem
ove the bat-
ove the bat-
tery and
tery and
disconnect and unplu
disconnect and unplu
g the AC power adapt
g the AC power adapt
er.
er.
Failure to do so can cause a fi re or electric shock.
CAUTION
CAUTION
Whe
Whe
n charging ends, unp
n charging ends, unp
lug the charger from
lug the charger from
the
the
power socket.
power socket. Leaving the charger plugged into the
power socket can cause a fi re.
When a memory
When a memory
card is removed, th
card is removed, th
e card could come
e card could come
ou
ou
t of the slot too qu
t of the slot too qu
ickly. Use your  ng
ickly. Use your  ng
er to hold it and
er to hold it and
ge
ge
ntly release the car
ntly release the car
d.
d. Injury could result to those
struck by the ejected card.
Request regular intern
Request regular intern
al testing and clean
al testing and clean
ing for your
ing for your
camera.
camera. Build-up of dust in your camera can cause
a fi re or electric shock. Contact your Fujifi lm dealer
to request internal cleaning every two years. Please
note that this service is not free of charge.
Dan
Dan
ger of explosion if
ger of explosion if
battery is incorrect
battery is incorrect
ly replaced.
ly replaced.
Replace
Replace
only with the same
only with the same
or equivalent type.
or equivalent type.
Batteries (battery pack or b
Batteries (battery pack or b
atteries installed)
atteries installed)
shall not
shall not
be exposed
be exposed
to excessive heat s
to excessive heat s
uch as sunshine, r
uch as sunshine,  r
e or
e or
the like.
the like.
The Battery and Power Supply
Note: Check the type of battery used in your camera and read
the appropriate sections.
WARNING: Battery shall not be exposed to excessive heat
such as sunshine, fire or the like.
The following describes the proper use of batteries and how
to prolong their life. Incorrect use can shorten battery life or
cause leakage, overheating, fi re, or explosion.
Li-ion Batteries
Li-ion Batteries
Read this section if your camera uses a rechargeable Li-ion
battery.
The battery is not charged at shipment. Charge the battery
before use. Keep the battery in its case when not in use.
Notes on the Battery
Notes on the Battery
The battery gradually loses its charge when not in use.
Charge the battery one or two days before use.
Battery life can be extended by turning the camera off when
not in use.
Battery capacity decreases at low temperatures; a depleted
battery may not function when cold. Keep a fully charged
spare battery in a warm place and exchange as necessary,
or keep the battery in your pocket or other warm place and
insert it in the camera only when shooting. Do not place the
battery in direct contact with hand warmers or other heating
devices.
Charging the Battery
Charging the Battery
The battery can be charged using a BC-W126S battery charger
(available separately). Charging times will increase at ambient
temperatures below +10 °C (+50 °F) or above +35 °C (+95 °F).
Do not attempt to charge the battery at temperatures above
+40 °C (+104 °F); at temperatures below +5 °C (+41 °F), the
battery will not charge.
Do not attempt to recharge a fully charged battery. The battery
does not however need to be fully discharged before charging.
The battery may be warm to the touch immediately after
charging or use. This is normal.
Battery Life
Battery Life
A noticeable decrease in the length of time the battery will
hold a charge indicates that it has reached the end of its ser-
vice life and should be replaced.
Storage
Storage
If the camera will not be used for an extended period, store
it at room temperature with the battery charged to approxi-
mately one half to ⁄ capacity.
If the camera will not be used for an extended period, re-
move the battery and store it in a dry place with an ambient
temperature of from +15 °C to +25 °C (+59 °F to +77 °F). Do
not store in locations exposed to extremes of temperature.
Cautions: Handling the Battery
Cautions: Handling the Battery
Do not transport or store with metal objects such as neck-
laces or hairpins.
Do not expose to fl ame or heat.
Do not disassemble or modify.
Do not expose to low atmospheric pressures.
Use with designated chargers only.
Dispose of used batteries promptly.
Do not drop or subject to strong physical shocks.
Do not expose to water.
Keep the terminals clean.
The battery and camera body may become warm to the
touch after extended use. This is normal.
Caution:
Disposal
Disposal
Dispose of used batteries in accord with local regulations.
Attention should be drawn to the environmental aspects of
battery disposal. Use the apparatus under moderate climate.
Do not mechanically crush or split batteries.
background
300
Technical Notes
12
AC Power Adapters
AC Power Adapters
The AC power adapter is for indoor use only.
Be sure the cable is securely connected to the camera.
Turn the camera off before disconnecting the adapter. Dis-
connect the adapter by the plug, not the cable.
Do not disassemble.
Do not expose to high heat and humidity.
Do not subject to strong physical shocks.
The adapter may hum or become hot to the touch during
use. This is normal.
If the adapter causes radio interference, reorient or relocate
the receiving antenna.
Using the Camera
Do not aim the camera at extremely bright light sources,
including artifi cial light sources or natural light sources
such as the sun in a cloudless sky. Failure to observe this
precaution could damage the camera image sensor.
Strong sunlight focused through the viewfi nder may dam-
age the panel of electronic viewfi nder (EVF). Do not aim
the electronic viewfi nder at the sun.
Take Test Shots
Take Test Shots
Before taking photographs on important occasions (such as
at weddings or before taking the camera on a trip), take a
test shot and view the results to ensure that the camera is
functioning normally. FUJIFILM Corporation cannot accept
liability for damages or lost profi ts incurred as a result of
product malfunction.
Notes on Copyright
Notes on Copyright
Unless intended solely for personal use, images recorded
using your digital camera system cannot be used in ways
that infringe copyright laws without the consent of the own-
er. Note that some restrictions apply to the photographing
of stage performances, entertainments, and exhibits, even
when intended purely for personal use. Users are also asked
to note that the transfer of memory cards containing images
or data protected under copyright laws is only permissible
within the restrictions imposed by those copyright laws.
Handling
Handling
To ensure that images are recorded correctly, do not subject
the camera to impact or physical shocks while images are
being recorded.
Liquid Crystal
Liquid Crystal
In the event that the display is damaged, care should be tak-
en to avoid contact with liquid crystal. Take the urgent action
indicated should any of the following situations arise:
If liquid crystal comes in contact with your skin, clean the
area with a cloth and then wash thoroughly with soap and
running water.
If liquid crystal enters your eyes, fl ush the aff ected eye with
clean water for at least 15 minutes and then seek medical
assistance.
If liquid crystal is swallowed, rinse your mouth thoroughly
with water. Drink large quantities of water and induce vom-
iting, then seek medical assistance.
Although the display is manufactured using extremely
high-precision technology, it may contain pixels that are
always lit or that do not light. This is not a malfunction, and
images recorded with the product are unaff ected.
Trademark Information
Trademark Information
Digital Split Image is a trademark or registered trademark of
FUJIFILM Corporation. Digital Micro Prism is a trademark or
registered trademark of FUJIFILM Corporation. The typefaces
included herein are solely developed by DynaComware
Taiwan Inc. Apple, iPhone, iPad, Mac, OS X, macOS and
Lightning are registered trademarks of Apple Inc. in the U.S.A.
and other countries. Windows is a registered trademark of
Microsoft Corporation in the U.S.A. and other countries.
Android is a trademark or registered trademark of Google
LLC. Adobe, the Adobe logo, Photoshop, and Lightroom
are trademarks or registered trademarks of Adobe Systems
Incorporated in the U.S.A. and other countries. Wi-Fi® and
Wi-Fi Protected Setup® are registered trademarks of the Wi-Fi
Alliance. The Bluetooth® word mark and logos are registered
trademarks owned by the Bluetooth SIG, Inc., and any use of
such marks by Fujifi lm is under license. The SDHC and SDXC
logos are trademarks of SD-3C, LLC. The HDMI logo is a trade-
mark or registered trademark of HDMI Licensing LLC. All oth-
er trade names mentioned in this manual are the trademarks
or registered trademarks of their respective owners.
Electrical Interference
Electrical Interference
This camera may interfere with hospital or aviation equip-
ment. Consult with hospital or airline staff before using the
camera in a hospital or on an aircraft.
Color Television Systems
Color Television Systems
NTSC (National Television System Committee) is a color tele-
vision telecasting specifi cation adopted mainly in the U.S.A.,
Canada, and Japan. PAL (Phase Alternation by Line) is a color
television system adopted mainly in European countries and
China.
Exif Print (Exif Version 2.32)
Exif Print (Exif Version 2.32)
Exif Print is a newly revised digital camera fi le format in which
information stored with photographs is used for optimal col-
or reproduction during printing.
IMPORTANT NOTICE: Read Before Using the Software
Direct or indirect export, in whole or in part, of licensed soft-
ware without the permission of the applicable governing
bodies is prohibited.
Lenses and Other Accessories
Use a screw 4.5 mm or shorter when attaching a tripod.
Fujifi lm will not be held liable for performance issues or
damage caused by the use of third-party accessories.
background
301
Technical Notes
12
For Your Safety
NOTICES
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
Please read the “Safety Notes” and make sure you understand them before using the camera.
Perchlorate Material—special handling may apply. See:
http://www.dtsc.ca.gov/hazardouswaste/perchlorate
For Customers in the U. S. A.
For Customers in the U. S. A.
Tested To Comply With FCC Standards
FOR HOME OR OFFICE USE
Contains IC : 10293A-WMBNBM26A
Contains FCC ID : COF-WMBNBM26A
FCC Statement: This device complies with Part 15 of the FCC
Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2)this device must accept any interference received, includ-
ing interference that may cause undesired operation.
CAUTION: This equipment has been tested and found to
comply with the limits for a Class B digital device, pursuant
to Part 15 of the FCC Rules. These limits are designed to pro-
vide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses, and
can radiate radio frequency energy and, if not installed and
used in accordance with the instructions, may cause harmful
interference to radio communications. However, there is no
guarantee that interference will not occur in a particular in-
stallation. If this equipment does cause harmful interference
to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged
to try to correct the interference by one or more of the fol-
lowing measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and re-
ceiver.
Connect the equipment into an outlet on a circuit diff erent
from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician
for help.
FCC Caution: Any changes or modifi cations not expressly ap-
proved by the party responsible for compliance could void
the user’s authority to operate this equipment.
This transmitter must not be co-located or operating in con-
junction with any other antenna or transmitter.
Radiation Exposure Statement: This device meets the gov-
ernment’s requirements for exposure to radio waves. This
device is designed and manufactured not to exceed the
emission limits for exposure to radio frequency (RF) energy
set by the Federal Communications Commission of the U.S.
Government.
The exposure standard for wireless device employs a unit of
measurement known as the Specifi c Absorption Rate, or SAR.
The SAR limit set by the FCC is 1.6W/kg. Tests for SAR are
conducted using standard operating positions accepted by
the FCC with the device transmitting at its highest certifi ed
power level in all tested frequency bands.
Notes on the Grant: To comply with Part 15 of the FCC Rules,
this product must be used with a Fujifi lm-specifi ed fer-
rite-core A/V cable, USB cable, and DC supply cord.
A lithium ion battery that is recyclable powers
the product you have purchased. Please call
1-800-8-BATTERY for information on how to
recycle this battery.
California Code of Regulations, Title 20, Di-
vision 2, Chapter 4, Article 4, Appliance Ef-
ciency Regulations, Sections 1601 through
1609
background
302
Technical Notes
12
For Customers in Canada
For Customers in Canada
CAN ICES-3 (B)/NMB-3(B)
CAUTION: This Class B digital apparatus complies with Cana-
dian ICES-003.
Industry Canada statement: This device complies with Indus-
try Canada’s licence-exempt RSSs. Operation is subject to the
following two conditions: (1)This device may not cause in-
terference; and (2)This device must accept any interference,
including interference that may cause undesired operation
of the device.
This device and its antenna(s) must not be co-located or op-
erating in conjunction with any other antenna or transmitter,
except tested built-in radios. The County Code Selection
feature is disabled for products marketed in the US/ Canada.
Radiation Exposure Statement: The available scientifi c evi-
dence does not show that any health problems are asso-
ciated with using low power wireless devices. There is no
proof, however, that these low power wireless devices are
absolutely safe. Low power Wireless devices emit low levels
of radio frequency energy (RF) in the microwave range while
being used. Whereas high levels of RF can produce health
eff ects (by heating tissue), exposure of low-level RF that does
not produce heating eff ects causes no known adverse health
eff ects. Many studies of low-level RF exposures have not
found any biological eff ects. Some studies have suggested
that some biological eff ects might occur, but such fi ndings
have not been confi rmed by additional research. X-S10 has
been tested and found to comply with IC radiation exposure
limits set forth for an uncontrolled environment and meets
RSS-102 of the IC radio frequency (RF) Exposure rules.
Disposal of Electrical and Electronic Equipment in Private Households
Disposal of Electrical and Electronic Equipment in Private Households
In the European Union, Norway, Iceland and
Liechtenstein: This symbol on the product, or in
the manual and in the warranty, and/or on its
packaging indicates that this product shall not
be treated as household waste. Instead it should
be taken to an applicable collection point for the recycling of
electrical and electronic equipment.
By ensuring this product is disposed of correctly, you will
help prevent potential negative consequences to the en-
vironment and human health, which could otherwise be
caused by inappropriate waste handling of this product.
This symbol on the batteries or accumulators
indicates that those batteries shall not be treated
as household waste.
If your equipment contains easy removable batteries or accu-
mulators please dispose these separately according to your
local requirements.
The recycling of materials will help to conserve natural re-
sources. For more detailed information about recycling this
product, please contact your local city offi ce, your household
waste disposal service or the shop where you purchased the
product.
In Countries Outside the European Union, Norway, Iceland and
Liechtenstein: If you wish to discard this product, including
the batteries or accumulators, please contact your local au-
thorities and ask for the correct way of disposal.
In Japan: This symbol on the batteries indicates
that they are to be disposed of separately.
background
303
Technical Notes
12
For Your Safety
Wireless Network and Bluetooth Devices: Cautions
This product complies with the following EU Directives:
RoHS Directive 2011/65/EU
RE Directive 2014/53/EU
Hereby, FUJIFILM Corporation declares that the radio
equipment type FF200001 is in compliance with Directive
2014/53/EU.
The full text of the EU declaration of conformity is available at
the following internet address:
https://dl.fujifilm-x.com/global/products/cameras/x-s10/
pdf/x-s10_doc-ngc.pdf
This compliance is indicated by the following conformity
marking placed on the product:
This marking is valid for non-Telecom products and EU harmo-
nized Telecom products (e.g. Bluetooth®).
Maximum radio-frequency power (EIRP):
WLAN: 10.53 dBm
Bluetooth: 2.54 dBm
IMPORTANT: Read the following notices before using the cam-
eras built-in wireless transmitter.
Q This product, which contains encryption function de-
veloped in the United States, is controlled by the United
States Export Administration Regulations and may not
be exported or re-exported to any country to which the
United States embargoes goods.
Use only a wireless
Use only a wireless
network or Bluetooth
network or Bluetooth
device
device
.
. Fujifi lm does
not accept liability for damages resulting from unautho-
rized use. Do not use in applications requiring a high de-
gree of reliability, for example in medical devices or other
systems that may directly or indirectly impact human life.
When using the device in computer and other systems that
demand a greater degree of reliability than off ered by wire-
less network or Bluetooth devices, be sure to take all neces-
sary precautions to ensure safety and prevent malfunction.
Use only i
Use only i
n the country in whi
n the country in whi
ch the device was pu
ch the device was pu
rchased.
rchased. This
device conforms to regulations governing wireless network
and Bluetooth devices in the country in which it was pur-
chased. Observe all location regulations when using the
device. Fujifi lm does not accept liability for problems aris-
ing from use in other jurisdictions.
Do not use the device in location
Do not use the device in location
s subject to magneti
s subject to magneti
c elds,
c  elds,
static ele
static ele
ctricity, or radio i
ctricity, or radio i
nterference.
nterference. Do not use the trans-
mitter in the vicinity of microwave ovens or in other loca-
tions subject to magnetic fi elds, static electricity, or radio
interference that may prevent reception of wireless signals.
Mutual interference may occur when the transmitter is
used in the vicinity of other wireless devices operating in
the 2.4GHz band.
The wireless
The wireless
transmitter operates
transmitter operates
in the 2.4 GHz band
in the 2.4 GHz band
using
using
DSSS, OFDM an
DSSS, OFDM an
d GFSK modulation.
d GFSK modulation.
Security: Wireless network and Bluetooth devices transmit
data via radio and consequently their use requires great-
er attention to security than applies in the case of wired
networks.
-
Do not connect to unknown networks or networks to
which you do not have access rights, even if they are
displayed on your device, as such access may be consid-
ered unauthorized. Connect only to networks to which
you have access rights.
-
Be aware that wireless transmissions may be vulnerable
to interception by third parties.
-
This device cannot be directly connected to telecom-
munications networks (including public wireless LANs)
operated by providers or mobile, landline, Internet, or
other telecommunications services.
The following may
The following may
be punishable by law
be punishable by law
:
:
-
Disassembly or modifi cation or this device
-
Removal of device certifi cation labels
This device oper
This device oper
ates on the same fre
ates on the same fre
quency as commercial
quency as commercial
, edu-
, edu-
cational, and m
cational, and m
edical devices and w
edical devices and w
ireless transmitters
ireless transmitters
.
. It also
operates on the same frequency as licensed transmitters
and special unlicensed low-voltage transmitters used in
RFID tracking systems for assembly lines and in other sim-
ilar applications.
To
To
prevent interferenc
prevent interferenc
e with the above dev
e with the above dev
ices, observe the fo
ices, observe the fo
l-
l-
lowing precautions.
lowing precautions. Confi rm that the RFID transmitter is not
in operation before using this device. Should you observe
that the device causes interference in licensed transmitters
used for RFID tracking, immediately stop using the aff ected
frequency or move the device to another location. If you
notice that this device causes interference in low-voltage
RFID tracing systems, contact a Fujifi lm representative.
Do not use
Do not use
this device on board
this device on board
an aircraft.
an aircraft. Note that Bluetooth
may remain on even when the camera is off . Bluetooth
can be disabled by selecting OFF for D CONNECTION
SETTING> Bluetooth SETTINGS> Bluetooth ON/
OFF.
background
304
Technical Notes
12
For Your Safety
Be sure to read these notes before using the lens
Safety Notes
Make sure that you use the lens correctly. Read these safety
notes and the camera Basic Manual carefully before use.
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate
the severity of the injury or damage that can result if the in-
formation indicated by the icon is ignored and the product is
used incorrectly as a result.
WARNING
WARNING
This icon indicates that death or serious
injury can result if the information is ig-
nored.
CAUTION
CAUTION
This icon indicates that personal injury or
material damage can result if the informa-
tion is ignored.
The icons shown below are used to indicate the nature of the
instructions which are to be observed.
Triangular icons tell you that this information re-
quires attention (“Important”).
Circular icons with a diagonal bar tell you that the
action indicated is prohibited (“Prohibited”).
Filled circles with an exclamation mark indicate an
action that must be performed (“Required”).
WARNING
WARNING
Do not
immerse
Do not i
Do not i
mmerse in or expose
mmerse in or expose
to water.
to water. Failure to ob-
serve this precaution can cause a fi re or electric
shock.
Do not
disassemble
Do not disassemble (do no
Do not disassemble (do no
t open the case).
t open the case). Failure
to observe this precaution can cause fi re, electric
shock, or injury due to product malfunction.
Do not touch
internal
parts
Should th
Should th
e case break open as
e case break open as
the result of a fal
the result of a fal
l or other
l or other
accident,
accident,
do not touch the ex
do not touch the ex
posed parts.
posed parts. Failure to ob-
serve this precaution could result in electric shock
or in injury from touching the damaged parts. Re-
move the battery immediately, taking care to avoid
injury or electric shock, and take the product to the
point of purchase for consultation.
Do not place
Do not place
on unstable surface
on unstable surface
s.
s. The product may
fall, causing injury.
Do not view the sun
Do not view the sun
through the lens or
through the lens or
camera view-
camera view-
nders.
nders. Failure to observe this precaution can cause
permanent visual impairment.
CAUTION
CAUTION
Do not use or
Do not use or
store in locations t
store in locations t
hat are exposed to
hat are exposed to
s
s
team, or smoke or ar
team, or smoke or ar
e very humid or extr
e very humid or extr
emely dusty.
emely dusty.
Failure to observe this precaution can cause fi re or
electric shock.
Do not leave in di
Do not leave in di
rect sunlight or in
rect sunlight or in
locations subject
locations subject
to
to
very high temperatu
very high temperatu
res, such as in a cl
res, such as in a cl
osed vehicle
osed vehicle
on a su
on a su
nny day.
nny day. Failure to observe this precaution
can cause fi re.
Keep out of the reac
Keep out of the reac
h of small children.
h of small children. This product
could cause injury in the hands of a child.
Do
Do
not handle with wet
not handle with wet
hands.
hands. Failure to observe this
precaution can cause electric shock.
Keep the su
Keep the su
n out of the frame w
n out of the frame w
hen shooting backlit
hen shooting backlit
subjects.
subjects. Sunlight focused into the camera when
the sun is in or close to the frame can cause fi re
or burns.
When the p
When the p
roduct is not in use
roduct is not in use
, replace the lens c
, replace the lens c
aps and
aps and
store out of
store out of
direct sunlight.
direct sunlight. Sunlight focused by the
lens can cause fi re or burns.
Do not c
Do not c
arry the camera or l
arry the camera or l
ens while they are a
ens while they are a
ttached
ttached
to a tripod.
to a tripod. The product can fall or strike other ob-
jects, causing injury.
background
305
Technical Notes
12
Product Care
To ensure continued enjoyment of the product, observe
the following precautions.
Camera body: Use a soft, dry cloth to clean the camera body after
each use. Do not use alcohol, thinner, or other volatile chemicals,
which could discolor or deform the leather on the camera body.
Any liquid on the camera should be removed immediately with
a soft, dry cloth. Use a blower to remove dust from the monitor,
taking care to avoid scratches, and then gently wipe with a soft,
dry cloth. Any remaining stains can be removed by wiping gen-
tly with a piece of Fuji lm lens-cleaning paper to which a small
amount of lens-cleaning  uid has been applied. To prevent dust
entering the camera, replace the body cap when no lens is in
place.
Image sensor: Multiple photographs marred by spots or blotches in
identical locations may indicate the presence of dust on the im-
age sensor. Clean the sensor using D USER SETTING> SENSOR
CLEANING.
background
306
Technical Notes
12
Cleaning the Image Sensor
Dust that cannot be removed using D USER SETTING>
SENSOR CLEANING can be removed manually as de-
scribed below.
O
Note that there will be a charge to repair or replace the image sensor
if it is damaged during cleaning.
1
Use a blower (not a brush) to remove
dust from the sensor.
O
Do not use a brush or blower brush.
Failure to observe this precaution
could damage the sensor.
2
Check whether the dust has been successfully removed. Re-
peat Steps 1 and 2 as necessary.
3
Replace the body cap or lens.
background
307
Technical Notes
12
Firmware Updates
Updates to product  rmware may result in changes not
described in the manual. For more information, visit:
https://fujifilm-x.com/support/download/firmware/cameras/
Checking the Firmware Version
O
The camera will only display the  rmware version if a memory card is
inserted.
1
Turn the camera o and check that a memory card is inserted.
2
Turn the camera on while pressing the DISP/BACK button. The
current  rmware version will be displayed; check the  rm-
ware version.
3
Turn the camera o .
N
To view the  rmware version or update  rmware for optional acces-
sories such as interchangeable lenses, shoe-mounted  ash units, and
mount adapters, mount the accessories on the camera.
background
308
Technical Notes
12
Troubleshooting
Consult the table below should you encounter problems
using your camera. If you don’t  nd the solution here, con-
tact your local Fuji lm distributor.
Power and Battery
Problem
Problem
Solution
Solution
The camera does not
turn on.
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 33).
The battery is inserted incorrectly: Reinsert in the correct ori-
entation (P 30).
The battery-chamber cover is not latched: Latch the bat-
tery-chamber cover (P 30).
The monitor does not
turn on.
The monitor may not turn on if the camera is turned off
and then on again very quickly. Keep the shutter button
pressed halfway until the monitor activates.
The battery runs down
quickly.
The battery is cold: Warm the battery by placing it in a pock-
et or other warm place and reinsert it in the camera im-
mediately before taking a picture.
There is dirt on the battery terminals: Clean the terminals
with a soft, dry cloth.
ON is selected for G AF/MF SETTING> PRE-AF: Turn
PRE-AF off (P 128).
The camera is in AUTO mode: To extend battery endur-
ance, we recommend that you choose a diff erent mode
(P 56).
The battery has been charged many times: The battery has
reached the end of its charging life. Purchase a new bat-
tery.
The camera turns o
suddenly.
The battery is exhausted: Charge the battery or insert a
fully-charged spare battery (P
33
).
background
309
Technical Notes
12
Troubleshooting
Problem
Problem
Solution
Solution
Charging does not start
(USB).
Insert the camera battery (P 30).
Reinsert the camera battery in the correct orientation
(P 30).
Confi rm that the camera is connected to the computer
(P 33).
If the computer is off or in sleep mode, turn on or wake
the computer and disconnect and reconnect the USB ca-
ble (P 33).
Charging does not start
(battery charger).
Insert the battery.
Reinsert the battery in the correct orientation.
Make sure that the charger is correctly plugged in.
Ensure that the plug adapter is correctly connected to the
charger.
Charging is slow. Charge the battery at room temperature.
The indicator lamp
blinks, but the battery
does not charge.
There is dirt on the battery terminals: Clean the terminals
with a soft, dry cloth (P 30).
The battery has been charged many times: The battery has
reached the end of its charging life. Purchase a new bat-
tery. If the battery still fails to charge, contact your Fujifi lm
dealer (
P
292
).
The power supply icon is
not displayed.
Confi rm that ON is selected for USB POWER SUPPLY
SETTING (P 238).
background
310
Technical Notes
12
Menus and Displays
Problem
Problem
Solution
Solution
Display is not in English.
Select ENGLISH for D USER SETTING> Qa
(P 39, 208).
Shooting
Problem
Problem
Solution
Solution
No picture is taken when
the shutter button is
pressed.
The memory card is full: Insert a new memory card or delete
pictures (P 30, 188).
The memory card is not formatted: Format the memory card
in the camera (P 206).
There is dirt on the memory card contacts: Clean the contacts
with a soft, dry cloth.
The memory card is damaged: Insert a new memory card
(P 30).
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 33).
The camera has turned o automatically: Turn the camera on
(P 35).
You are using a third-party mount adapter: Select ON for
SHOOT WITHOUT LENS (P 225).
Mottling (“noise”)
appears in the monitor
or view nder when
the shutter button is
pressed halfway.
Gain is increased to aid composition when the subject is
poorly lit and aperture is stopped down, which may result
in noticeable mottling when images are previewed in the
displays. Images taken with the camera are unaff ected.
The camera does not
focus.
The subject is not suited to autofocus: Use focus lock or manual
focus (P 86).
background
311
Technical Notes
12
Troubleshooting
Problem
Problem
Solution
Solution
No panorama is recorded
when the shutter button
is pressed.
The indicator lamp was orange when you attempted to record a
panorama: Wait until the indicator lamps turns off (P 8).
No face is detected.
The subject’s face is obscured by sunglasses, a hat, long hair, or
other objects: Remove the obstructions (P 129).
The subject’s face occupies only a small area of the frame:
Change the composition so that the subjects face occu-
pies a larger area of the frame (P 129).
The subject’s face is turned away from the camera: Ask the sub-
ject to face the camera (P 129).
The camera is tilted: Keep the camera level.
The subject’s face is poorly lit: Shoot in bright light.
The  ash does not  re.
The  ash is disabled: Adjust settings (P 148).
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 33).
The camera is in bracketing or continuous mode: Select single
frame mode (P 5).
The  ash is lowered: Raise the fl ash (P 101).
Some  ash modes are
not available.
OFF is selected for SOUND & FLASH: Select ON (P 209).
The  ash does not fully
light the subject.
The subject is not in range of the  ash: Position the subject in
range of the fl ash.
The  ash window is obstructed: Hold the camera correctly.
Shutter speed is faster than the sync speed: Choose a slower
shutter speed (P 58, 62, 324).
Pictures are blurred.
The lens is dirty: Clean the lens.
The lens is blocked: Keep objects away from the lens
(P 42).
s is displayed during shooting and the focus frame is dis-
played in red: Check focus before shooting (P 43).
background
312
Technical Notes
12
Problem
Problem
Solution
Solution
Pictures are mottled.
Shutter speed is slow and the ambient temperature is high: This
is normal and does not indicate a malfunction.
*
Use pixel
mapping (P 119).
* X-rays, cosmic rays, and other forms of radiation interacting
with the image sensor may cause bright spots of various col-
ors such as white, red, and blue. Pixel mapping helps reduce
the occurrence of such bright spots.
The camera has been used continuously at high temperatures:
Turn the camera off and wait for it to cool down (P 35,
320).
A temperature warning is displayed: Turn the camera off and
wait for it to cool down (P 35, 320).
background
313
Technical Notes
12
Troubleshooting
Playback
Problem
Problem
Solution
Solution
Pictures are grainy.
The pictures were taken with a diff erent make or model of
camera.
Playback zoom is
unavailable.
The pictures were created using RESIZE or with a diff erent
make or model of camera.
No sound in movie
playback.
Playback volume is too low: Adjust playback volume
(P 212).
The microphone was obstructed: Hold the camera correctly
during recording.
The speaker is obstructed: Hold the camera correctly during
playback.
OFF is selected for SOUND & FLASH: Select ON
(P 209).
Selected pictures are not
deleted.
Some of the pictures selected for deletion are protected.
Remove protection using the device with which it was
originally applied (P 192).
Pictures remain after
ERASE> ALL FRAMES is
selected.
File numbering is
unexpectedly reset.
The battery-chamber cover was opened while the cam-
era was on. Turn the camera off before opening the bat-
tery-chamber cover (P 231).
background
314
Technical Notes
12
Connections
Problem
Problem
Solution
Solution
The monitor is blank.
The camera is connected to a TV: Pictures will be displayed
on the TV instead of in the camera monitor (P 276).
Both the TV and camera
monitor are blank.
Q
Q
EVF ONLY +
EVF ONLY +
E
E is selected for VIEW MODE
SETTING: Put your eye to the viewfi nder or choose a
diff erent VIEW MODE SETTING option (P 14).
No picture or sound
on TV.
The camera is not properly connected: Connect the camera
properly (P 276).
Input on the television is set to TV”: Set input to “HDMI”
(P 276).
The volume on the TV is too low: Use the controls on the tele-
vision to adjust the volume (P 276).
The computer does not
recognize the camera.
Be sure the camera and computer are correctly connected
(P 281).
FUJIFILM X RAW STUDIO
or FUJIFILM X Acquire
fails to correctly detect
the camera.
Check the option selected for CONNECTION MODE
on the camera. Select USB RAW CONV./BACKUP
RESTORE before connecting the USB cable (P 285).
Cannot connect to
iPhones or iPads.
ON is selected for USB POWER SUPPLY SETTING. Se-
lect OFF when the camera is connected via a Lightning
connection to a device that do not supply power (P 238).
Cannot connect to
smartphone.
Con rm that the camera is correctly connected: The procedure
for connecting the camera varies with the type of connec-
tor with which the smartphone is equipped (P 286).
background
315
Technical Notes
12
Troubleshooting
Wireless Transfer
For additional information on troubleshooting wireless connec-
tions, visit:
https://digitalcamera-support-en.fujifilm.com/
Problem
Problem
Solution
Solution
Cannot connect to
smartphone.
The camera is slow
to connect or upload
pictures to the
smartphone.
Upload fails or is
interrupted.
The smartphone is too far away: Move the devices closer
(P 278).
Nearby devices are causing radio interference: Move the cam-
era and smartphone away from microwave ovens or cord-
less phones (P 278).
Cannot upload images.
The smartphone is connected to another device: The smart-
phone and camera can connect to only one device at a
time. End the connection and try again (P 278).
There are several smartphones in the vicinity: Try connecting
again. The presence of multiple smartphones can make
connection diffi cult (P 278).
The image was created on another device: The camera may
not be able to upload images created on other devices.
The image is a movie: Uploading movies takes some time. In
addition, smartphones may not accept upload of movies in
formats they do not support.
Smartphone will not
display pictures.
Select ON for GENERAL SETTINGS> RESIZE IMAGE
FOR SMARTPHONE H. Selecting OFF increases up-
load times for larger images; in addition, some phones may
not display images over a certain size (P 239).
background
316
Technical Notes
12
Troubleshooting
Miscellaneous
Problem
Problem
Solution
Solution
The camera is unresponsive.
Temporary camera malfunction: Remove and reinsert the
battery (P 30).
The battery is exhausted: Charge the battery or insert a
fully-charged spare battery (P 33).
The camera is connected to a wireless LAN: End the con-
nection.
The camera does not func-
tion as expected.
Remove and reinsert the battery (P 30). If the prob-
lem persists, contact your Fujifi lm dealer.
Motion in the view nder
or monitor appears jerky
rather than smooth.
When NORMAL is selected for PERFORMANCE, the
frame rate will drop if no operations are performed for a
set period. The normal frame rate will be restored after
you operate camera controls (P 230).
No sound.
Adjust the volume (P 211).
OFF is selected for SOUND & FLASH: Select ON
(P 209).
Pressing the Qbutton does
not display the quick menu.
TTL-LOCK is active: End TTL-LOCK (P 149).
background
317
Technical Notes
12
Warning Messages and Displays
The following warnings appear in the display.
Warning
Warning
Description
Description
i (red)
Low battery. Charge the battery or insert a fully-charged
spare battery.
j (blinks red)
Battery exhausted. Charge the battery or insert a ful-
ly-charged spare battery.
s (displayed in red with
red focus frame)
The camera cannot focus. Use focus lock to focus on an-
other subject at the same distance, then recompose the
picture.
Aperture or shutter
speed displayed in red
The subject is too bright or too dark and the picture will be
over- or under-exposed. Use the fl ash for additional light-
ing when taking photographs of poorly-lit subject.
FOCUS ERROR
Camera malfunction. Turn the camera off and then on
again. If the message persists, contact a Fujifi lm dealer.
LENS CONTROL ERROR
TURN OFF THE CAMERA
AND TURN ON AGAIN
NO CARD
The shutter can only be released when a memory card is
inserted. Insert a memory card.
CARD NOT INITIALIZED
The memory card is not formatted or the memory card has been
formatted in a computer or other device: Format the memory
card using D USER SETTING> FORMAT.
The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
Camera malfunction: Contact a Fujifi lm dealer.
background
318
Technical Notes
12
Warning
Warning
Description
Description
LENS ERROR
Turn the camera off , remove the lens, and clean the mount-
ing surfaces, then replace the lens and turn the camera on.
If the problem persists, contact a Fujifi lm dealer.
CARD ERROR
The memory card is not formatted for use in the camera: For-
mat the card.
The memory card contacts require cleaning or the memory card
is damaged: Clean the contacts with a soft, dry cloth. If the
message is repeated, format the card. If the message per-
sists, replace the card.
Incompatible memory card: Use a compatible card.
Camera malfunction: Contact a Fujifi lm dealer.
PROTECTED CARD
The memory card is locked. Unlock the card.
BUSY
The memory card is incorrectly formatted. Use the camera
to format the card.
b MEMORY FULL
The memory card is full and pictures cannot be recorded.
Delete pictures or insert a memory card with more free
space.
background
319
Technical Notes
12
Warning Messages and Displays
Warning
Warning
Description
Description
WRITE ERROR
Memory card error or connection error: Reinsert the card or
turn the camera off and then on again. If the message
persists, contact a Fujifi lm dealer.
Not enough memory remaining to record additional pictures:
Delete pictures or insert a memory card with more free
space.
The memory card is not formatted: Format the memory card.
The memory card was removed while data were being recorded:
Do not remove the memory card during recording.
FRAME NO. FULL
The camera has run out of frame numbers (current frame
number is 999-9999). Insert a formatted memory card and
select RENEW for D SAVE DATA SET-UP> FRAME NO..
Take a picture to reset frame numbering to 100-0001, then
select CONTINUOUS for FRAME NO..
READ ERROR
The  le is corrupt or was not created with the camera: The le
cannot be viewed.
The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
Camera malfunction: Contact a Fujifi lm dealer.
PROTECTED FRAME
An attempt was made to delete or rotate to a protected pic-
ture. Remove protection and try again.
background
320
Technical Notes
12
Warning Messages and Displays
Warning
Warning
Description
Description
CAN NOT CROP
The picture is damaged or was not created with the camera.
DPOF FILE ERROR
Print orders can contain no more than 999 pictures. Copy
any additional pictures you wish to print to another memo-
ry card and create a second print order.
CAN NOT SET DPOF
The picture cannot be printed using DPOF.
F CAN NOT SET DPOF
Movies cannot be printed using DPOF.
CAN NOT ROTATE
The selected picture cannot be rotated.
F CAN NOT ROTATE
Movies cannot be rotated.
F CANNOT EXECUTE
Red-eye removal cannot be applied to movies.
m CANNOT EXECUTE
Red-eye removal cannot be applied to pictures created
with other devices.
MISMATCH: 4K MODE
AND EXTERNAL MONITOR
CHANGE MOVIE MODE
The movie mode selected with the camera is not compat-
ible with the device to which the camera is connected via
HDMI. Try selecting a diff erent movie mode (P 154).
p (yellow)
Turn the camera off and wait for it to cool. Mottling may
increase in pictures taken when this warning is displayed.
p (red)
Turn the camera off and wait for it to cool. While this warn-
ing is displayed, movie recording may not be available,
mottling may increase, and performance, including frame
advance rate and display quality, may drop.
background
321
Technical Notes
12
Memory Card Capacity
The following table shows the recording time or number
of pictures available at di erent image sizes. All  gures are
approximate;  le size varies with the scene recorded, pro-
ducing wide variations in the number of  les that can be
stored. The number of exposures or length remaining may
not diminish at an even rate.
Capacity
Capacity
T
T
16GB
16GB
32GB
32GB
FINE
FINE
NORMAL
NORMAL
FINE
FINE
NORMAL
NORMAL
Photos
Photos
O
O
3
3
2
2
1030 1540 2060 3090
RAW (UNCOMPRESSED)
RAW (UNCOMPRESSED) 270 550
RAW (LOSSLESS COMPRESSED)
RAW (LOSSLESS COMPRESSED) 500 1010
RAW (COMPRESSED)
RAW (COMPRESSED)
690 1400
Movies
Movies
1, 2
1, 2
V
V
2160
2160
20 minutes 40 minutes
W
W
1080
1080
20 minutes 40 minutes
1 Use a UHS speed class 3 card or better.
2 Assumes default bit rate.
O
If the memory card has a capacity of over 32GB, movies will be recorded
in single  les, regardless of size. If the card has a capacity of 32GB or less,
movies over 4GB in size will be recorded uninterrupted across multiple  les.
background
322
Technical Notes
12
Speci cations
System
Model FUJIFILM X-S10
Product Number FF200001
E ective pixels Approx. 26.1 million
Image sensor 23.5 mm× 15.6 mm (APS-C), X-Trans CMOS sensor with
primary color fi lter
Storage media Fujifi lm-recommended SD/SDHC/SDXC memory cards
Memory card slot SD memory card slot (UHS-I compliant)
File system Compliant with Design Rule for Camera File System (DCF2.0),
Exif 2.32, and Digital Print Order Format (DPOF)
File format
Still pictures: Exif 2.32 JPEG (compressed); RAW (original RAF
format, uncompressed or compressed using a reversible or
non-reversible algorithm; special purpose software required);
RAW+JPEG available
Movies: H.264 standard with stereo sound (MOV/MP4)
Audio (voice memos): Stereo sound (WAV)
Image size
O
32 (
6240 × 4160
)
O 11 (4160 × 4160)
O 169 (6240 × 3512)
P
32 (
4416 × 2944
)
P 11 (2944 × 2944)
P 169 (4416 × 2488)
Q
32 (
3120 × 2080
)
Q 11 (2080 × 2080)
Q 169 (3120 × 1760)
RAW (6240 × 4160)
O
panorama
: vertical (2160 × 9600)/horizontal (9600 × 1440)
P
panorama
: vertical (2160 × 6400)/horizontal (6400 × 1440)
Lens mount FUJIFILM X mount
Sensitivity
Still pictures: Standard output sensitivity equivalent to
ISO160 12800 in increments of ⁄EV; AUTO; extended out-
put sensitivity equivalent to ISO 80, 100, 125, 25600, or 51200
Movies: Standard output sensitivity equivalent to ISO160 12800
in increments of ⁄EV; AUTO; extended output sensitivity equiv-
alent to ISO 25600
Metering 256-segment through-the-lens (TTL) metering;
MULTI, SPOT, AVERAGE, CENTER WEIGHTED
background
323
Technical Notes
12
Speci cations
System
Exposure control Programmed AE (with program shift); shutter-priority AE;
aperture-priority AE; manual exposure
Exposure compensation
Still pictures: −5EV +5EV in increments of ⁄EV
Movies: −2EV +2EV in increments of ⁄EV
Shutter speed
MECHANICAL SHUTTER
Mode P: 4s to ¼ s
Mode A: 30s to ¼ s
Modes S and M: 15min. to ¼ s
Bulb: Max. 60min.
ELECTRONIC SHUTTER
Mode P: 4s to ⁄s
Mode A: 30s to ⁄s
Modes S and M: 15min. to ⁄s
Bulb: Fixed at 1s
MECHANICAL + ELECTRONIC
Mode P: 4s to ⁄s
Mode A: 30s to ⁄s
Modes S and M: 15min. to ⁄s
Bulb: Max. 60 min.
Continuous
CONTINUOUS MODE
CONTINUOUS MODE
Available frame advance rates
Available frame advance rates
(JPEG)
(JPEG)
30fps(1.25X CROP)
30fps(1.25X CROP)
*
*
30
20fps(1.25X CROP)
20fps(1.25X CROP)
*
*
20
10fps(1.25X CROP)
10fps(1.25X CROP)
*
*
10
20fps
20fps
*
*
20
10fps
10fps
*
*
10
8.0fps
8.0fps 8.0
5.0fps
5.0fps 5.0
4.0fps
4.0fps 4.0
3.0fps
3.0fps 3.0
* Available with electronic shutter only.
O
The frame rate and number of frames per burst var-
ies with shooting conditions and type of memory
card used.
background
324
Technical Notes
12
System
Focus
Mode: Single or continuous AF; manual focus with focus ring
Autofocus system: Intelligent hybrid AF (TTL contrast-detect/
phase-detection AF) with AF-assist illuminator
Focus-area selection: SINGLE POINT, ZONE, WIDE/TRACKING, ALL
White balance Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY), Custom 1,
Custom 2, Custom 3, color temperature selection, direct sun-
light, shade, daylight fl uorescent, warm white fl uorescent,
cool white fl uorescent, incandescent, underwater
Self-timer Off , 2 sec., 10 sec.
Flash
Type: Manual pop-up fl ash unit
Guide number: Approx. 7/22 (ISO200, m/ft.)
Flash mode
MODE: TTL MODE (FLASH AUTO, STANDARD, SLOW SYNC.),
MANUAL, COMMANDER, OFF
SYNC. MODE: 1ST CURTAIN, 2ND CURTAIN, AUTO FP (high-
speed sync)
RED
EYE
REMOVAL: e FLASH+REMOVAL, L FLASH,
d REMOVAL, OFF
Hot shoe Accessory shoe with TTL contacts; supports sync speeds as
fast as ⁄s
Sync contact X contact; supports sync speeds as fast as ⁄s
Sync terminal
Electronic view nder
(EVF)
0.39-in., 2360k-dot OLED viewfi nder; magnifi cation 0.62× with
50mm lens (35mm format equivalent) at infi nity and diopter
set to −1.0 m
−1
; diagonal angle of view approximately 31°
(horizontal angle of view approximately 26°)
Diopter adjustment: −4 to +2m
−1
Eyepoint: Approximately 17.5mm
LCD monitor 3.0-in/7.6cm, 1040k-dot color touch screen LCD monitor,
Vari-angle LCD monitor
Movies
(with stereo sound)
Movie size: V 169, d 179, W 169, W 179
Frame rate: 59.94P, 50P, 29.97P, 25P, 24P, 23.98P
Bit rate: 200Mbps, 100Mbps, 50Mbps
Recording/output format: SD card, 420, 8-bit/HDMI output,
422, 10-bit
High-speed movies
Movie size: FULL HD 169
Frame advance rate: 240P, 200P, 120P, 100P
background
325
Technical Notes
12
Speci cations
Input/output terminals
Microphone connector
3.5 mm mini-stereo jack
Headphone jack socket
The USB connector can be converted to a headphone jack
using the supplied headphone adapter
Remote release connector
3.5 mm 3-pole mini jack
Digital input/output USB connector (Type-C) USB3.2 Gen1x1
HDMI output HDMI Micro connector (type D)
Power supply/other
Power supply NP-W126S rechargeable battery (supplied with camera)
Battery life
Battery type: NP-W126S
Lens: XF35mmF1.4 R
External  ash units: Disabled
Shooting mode: Mode P
Number of shots
Number of shots
PERFORMANCE
PERFORMANCE
LCD
LCD
EVF
EVF
BOOST Approx. 260 Approx. 235
NORMAL Approx. 325 Approx. 300
Total length of footage that can be recorded on
Total length of footage that can be recorded on
a single charge
a single charge
Mode
Mode
Actual battery life
Actual battery life
of movie capture
of movie capture
Continuance
Continuance
battery life of
battery life of
movie capture
movie capture
V
1
1
Approx. 40minutes Approx. 55minutes
W
2
2
Approx. 40minutes Approx. 65minutes
High-speed movies
3
3
Approx. 40minutes
1 At a frame rate of 29.97fps.
2 At a frame rate of 59.94fps.
3 At a frame rate of 120fps.
CIPA standard. Measured using battery supplied with camera
and SD memory card.
Note: Battery endurance varies with battery charge level and
the fi gures given above are not guaranteed. Battery endur-
ance will decline at low temperatures.
background
326
Technical Notes
12
Power supply/other
Camera size
(W × H × D)
126.0 mm× 85.1 mm× 65.4 mm (32.9 mm excluding projections,
measured at thinnest part)/4.96 in.× 3.35 in.× 2.57 in. (1.30 in.)
Camera weight Approx. 415 g/14.6 oz., excluding battery, accessories, and
memory card
Shooting weight Approx. 465 g/16.4 oz., including battery and memory card
Operating conditions
Temperature: 0 °C to +40 °C/+32 °F to +104 °F
Humidity: 10% to 80% (no condensation)
Wireless transmitter
Wireless LAN
Standards IEEE 802.11b/g/n (standard wireless protocol)
Operating frequency
(center frequency)
2,412 MHz–2,462 MHz (11 channels)
Access protocols Infrastructure
Bluetooth®
Standards Bluetooth version 4.2 (Bluetooth Low Energy)
Operating frequency
(center frequency)
2,402 MHz–2,480 MHz
background
327
Technical Notes
12
Speci cations
NP-W126S rechargeable battery
Nominal voltage 7.2V
Nominal capacity 1260mAh
Operating
temperature
0°C to +40°C/+32°F to +104°F
Dimensions
(W × H × D)
36.4mm× 47.1mm× 15.7mm/1.4in.× 1.9in.× 0.6in.
Weight Approx. 47g/1.7oz.
N
Weight and dimensions vary with the country or region of sale.
O
Speci cations and performance are subject to change without notice.
Fuji lm will not be held liable for any errors this manual may contain.
The appearance of the product may di er from that described in this
manual.
background
328
MEMO
background
329
MEMO
background
7-3, AKASAKA 9-CHOME, MINATO-KU, TOKYO 107-0052, JAPAN
https://fujifilm-x.com

Specifications

Fujifilm X-S10 BODY- BLACK Questions and Answers

Questions and Answers

Related Products