3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
RAW Image Processing, Viewing and Editing Software
Digital Photo Professional
Ver. 4.11
Instruction Manual
Content of this Instruction Manual
DPP stands for Digital Photo Professional.
In this manual, the screens used in the basic
operation instructions are from Windows 8.1/10.
indicates the selection procedure of the menu.
Square brackets are used to indicate items such
as menu names, button names and window
names that appear on the computer screen.
Text inside < > indicates a key on the keyboard.
p.** indicates a reference page.
Click to move to the relevant page.
indicates the function for advanced
users who are experienced in handling image
processing software.
: Marks helpful information when a problem
arises.
Advanced
© CANON INC. 2019 CCS-M056DPPaWE-330
: Marks tips for using the software skillfully.
: Marks information that should be read
before use.
: Marks additional information you may find
helpful.
Switching Between Pages
Click on arrows on the bottom right of the screen.
: next page
: previous page
: return to a page you had previously
displayed
Click on the chapter headings on the right side
of the screen to switch to the contents page of
that chapter. Also, click the item you want to
read about on the table of contents to move to
the relevant page.
1
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Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
CANON SOFTWARE LICENSE AGREEMENT
IMPORTANT - READ THIS AGREEMENT BEFORE USING THE SOFTWARE ON THE CD-ROM
IN THIS BOX. BY USING THE SOFTWARE, YOU AGREE TO BE BOUND BY THE TERMS OF
THIS AGREEMENT.
This is a license agreement (the [Agreement]) between you and Canon Inc. ([Canon]).
IF YOU DO NOT AGREE TO THE TERMS AND CONDITIONS OF THIS AGREEMENT, DO NOT
USE THE SOFTWARE PROGRAM ON THE CD-ROM AND THE USER MANUAL IN THIS BOX
(COLLECTIVELY, THE [SOFTWARE]) AND RETURN THE SOFTWARE WITHIN 30 DAYS FROM
THE DATE OF PURCHASE TO YOUR POINT OF PURCHASE FOR A REFUND.
In consideration of the right to use the SOFTWARE, you agree to abide by the terms and conditions
of this Agreement.
1. LICENSE: Canon grants you the non-exclusive right to use the SOFTWARE only on a single
computer. You may physically transfer the SOFTWARE from one computer to another provided
that the SOFTWARE is used on only one computer at a time. You shall not install or use the
SOFTWARE on a network, multiple CPU, multiple site arrangement, or any other hardware
configuration where the SOFTWARE is accessible to more than one CPU or to more than one
user.
YOU SHALL NOT ASSIGN, SUBLICENSE, RENT, LEASE, LOAN, CONVEY OR OTHERWISE USE,
TRANSFER, COPY, TRANSLATE, CONVERT TO ANOTHER PROGRAMMING LANGUAGE,
ALTER, MODIFY, DECOMPILE OR DISASSEMBLE THE SOFTWARE, IN WHOLE OR IN PART,
EXCEPT AS EXPRESSLY PROVIDED IN THIS AGREEMENT.
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copy the SOFTWARE onto the permanent storage device (e.g. a hard disk) of your computer
and retain the original for back-up purposes. Any other copying of the SOFTWARE is a violation
of this Agreement. You must reproduce and include the copyright notice on the back-up copy.
3. SUPPORT AND UPDATES: Canon is not responsible for providing maintenance or support for
use of the SOFTWARE. No updates, fixes or support will be made available for the
SOFTWARE.
4. LIMITED WARRANTY AND LIMITATION OF LIABILITY: It is your responsibility to choose,
maintain and match the hardware and software components of your computer system. Thus
Canon does not guarantee uninterrupted service or correction of errors or that the functions or
performance of the SOFTWARE will meet your requirements. THE SOFTWARE IS LICENSED
ON AN [AS IS] BASIS AND WITHOUT WARRANTY OF ANY KIND. The CD-ROM storing the
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(90) days after purchase from an authorized Canon dealer as evidenced by your sales receipt.
Your sole remedy for a defective CD-ROM shall be replacement of the same without charge
when returned by you at your expense to your point of purchase and proven to be defective
upon inspection. The replacement CD-ROM will be warranted for the remainder of the original
ninety (90) day warranty period of the defective CD-ROM. The limited warranty does not apply if
the failure of the CD-ROM resulted from accident, abuse or misapplication of the SOFTWARE
and shall not extend to anyone other than the original user of the SOFTWARE.
EXCEPT AS SPECIFICALLY SET FORTH IN THIS PARAGRAPH 4, CANON, CANON’S
SUBSIDIARIES, DISTRIBUTORS AND DEALERS DISCLAIM ALL WARRANTIES, EXPRESS OR
IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE, WITH RESPECT TO THE SOFTWARE.
NEITHER CANON NOR ANY OF CANON’S SUBSIDIARIES, DISTRIBUTORS OR DEALERS IS
LIABLE FOR ANY DAMAGES HOWSOEVER CAUSED, INCLUDING WITHOUT LIMITATION,
DIRECT, CONSEQUENTIAL OR INCIDENTAL LOSS OR DAMAGE INCLUDING LOSS OF
PROFITS, EXPENSE OR INCONVENIENCE HOWSOEVER CAUSED OR ARISING OUT OF THE
SOFTWARE OR THE USE THEREOF.
NEITHER CANON, NOR ANY OF CANON’S SUBSIDIARIES, DISTRIBUTORS OR DEALERS
SHALL HAVE ANY OBLIGATION TO INDEMNIFY YOU AGAINST ANY CLAIM OR SUIT
BROUGHT BY A THIRD PARTY ALLEGING THAT THE SOFTWARE OR THE USE THEREOF
INFRINGES ANY INTELLECTUAL PROPERTY OF SUCH THIRD PARTY.
5. TERM: This Agreement is effective upon your using the SOFTWARE and remains in effect until
expiration of all copyright interests in the SOFTWARE unless earlier terminated. You may
terminate this Agreement by destroying the SOFTWARE. This Agreement will also terminate
without notice to you if you fail to comply with any of the terms of this Agreement and you must
then promptly return the SOFTWARE. In addition, Canon may enforce its other legal rights.
6. U.S. GOVERNMENT RESTRICTED RIGHTS NOTICE: The SOFTWARE is provided with
restricted rights. Use, duplication or disclosure is subject to restrictions as set forth in either
subparagraph (c) (1) (ii) of the Rights in Technical Data and Computer software clause at
DFARs 252.227-7013 or subparagraph (c) (1) and (2) of the Commercial Computer Software
Restricted Rights Clause at FAR 52.227-19, as applicable.
7. SEVERABILITY: In the event that any provision of this Agreement is declared or found to be
illegal by any court or tribunal of competent jurisdiction, such provision shall be null and void
with respect to the jurisdiction of that court or tribunal and all the remaining provisions of this
Agreement shall remain in full force and effect.
8. CONTROLLING LAW: The terms of this Agreement as it relates to purchases of the Software in
the United States of America shall be governed and construed in all respects in accordance with
the laws and regulations of the State of New York, without reference to choice of law principles.
The terms of this Agreement as it relates to purchases of the Software in Canada shall be
governed by the laws of the province of Ontario.
9. OWNERSHIP: All rights, including but not limited to copyrights and trade secret rights, to the
SOFTWARE belong to Canon, its affiliated corporations and third party licensors. Your use of
the SOFTWARE is subject to the United States, Canada and other applicable copyright and
trademark laws and nothing in this Agreement constitutes a waiver of the rights of Canon, its
affiliated corporations and third party licensors under such laws.
Nothing contained in Paragraph 1 shall be construed to give Canon any ownership rights in any
images, graphics or textual material that you save in connection with the Software.
10.ACKNOWLEDGEMENT: BY USING THE SOFTWARE, YOU ACKNOWLEDGE THAT YOU
HAVE READ THIS AGREEMENT, UNDERSTOOD IT, AND AGREE TO BE BOUND BY ITS
TERMS AND CONDITIONS. YOU ALSO AGREE THAT THIS AGREEMENT IS THE
COMPLETE AND EXCLUSIVE STATEMENT OF AGREEMENT BETWEEN YOU AND CANON
CONCERNING THE SUBJECT MATTER HEREOF AND SUPERSEDES ALL PROPOSALS
OR PRIOR AGREEMENTS, VERBAL OR WRITTEN, AND
ANY OTHER COMMUNICATIONS
BETWEEN THE PA
RTIES RELATING TO THE SUBJECT MATTER HEREOF. NO
AMENDMENT TO THIS AGREEMENT SHALL BE EFFECTIVE UNLESS SIGNED BY A DULY
AUTHORIZED OFFICER OF CANON.
READ CAREFULLY BEFORE USING!
2
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Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Introduction
Main Features of DPP
Following are the main tasks you can perform with images you have
downloaded to your computer.
* indicates processing that can be performed with JPEG or
TIFF images as well as RAW images.
View and organize images
Play back movies and save still photos
Adjust an image
Various image adjustments while maintaining the original image
Freely apply a Picture Style
View your image before and after adjustment in the same window
Trim and adjust the angle of an image
(trimming)
Resize an image
Correction of lens aberration
Digital Lens Optimizer
Automatic/manual dust erasure processing
Convert from a RAW image to a JPEG or
TIFF image and save
Process large numbers of RAW images in batches
Transfer the image to image editing software
Print an image
Link with EOS Utility for remote shooting
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
Color management compatibility
CMYK simulation for commercial printing
In DPP Ver. 4.8.20 or later, clicking [Check for updates] in the [Help]
menu allows you to check for update files on the server and
download any update files that are available.
To use this function, an environment with Internet access
(subscription to a provider and an in-place line connection) is
required. Internet Service Provider (ISP) connection fees or access
point connection fees may apply.
3
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
System Requirements
• May also be installed on a 32-bit version PC, but with restrictions on
operation. On 32-bit OSs, (32bit) is displayed on the [About Digital
Photo Professional 4] in [Help]. For information on restrictions, see
descriptions indicated with in this manual.
• In DPP, to play back MOV or MP4 movies shot using a supported
camera, and to save still photos from movies, a 64-bit version of
Windows 8.1 or later is required.
* With Microsoft .NET Framework 4.7.1 or later installed
OS (operating
system)
Windows 10 (Version 1607 or later)*, Windows 8.1*,
Windows 7*
Model
PC with one of the above OS preinstalled
(Upgraded machines not supported)
CPU
Core 2 Duo 2.0 GHz or higher (recommended Core i
series or later)
RAM
(memory)
2.0 GB or more of RAM (4.0 GB or more
recommended)
Hard disk
drive
Installation: Min. 300 MB of available space
Operation: Min. 600 MB of available space
Display
Resolution: XGA (1024 x 720) or more (1600 x 1200
or more recommended)
Colors: 16-bit color (65536 colors) or more
32bit
For information on system requirements for HDR PQ mode
(including supported images), see “System Requirements for
HDR PQ Mode” (p.149).
For images supported by depth compositing, see “Using Depth
Compositing” “Supported Images” (p.115).
Supported Cameras
EOS-1D X Mark II, EOS-1D X, EOS-1D C, EOS-1D Mark IV, EOS-1Ds Mark
III, EOS-1D Mark III, EOS-1D Mark II N, EOS-1Ds Mark II, EOS-1D Mark II,
EOS-1D, EOS-1Ds, EOS 5DS/EOS 5DS R, EOS 5D Mark IV, EOS 5D Mark
III, EOS 5D Mark II, EOS 5D, EOS 6D Mark II, EOS 6D, EOS 7D Mark II,
EOS 7D, EOS 90D, EOS 80D, EOS 70D, EOS 60D/EOS 60Da, EOS 50D,
EOS 40D, EOS 30D, EOS 20D/EOS 20Da, EOS 10D, EOS D2000, EOS
D6000, EOS D30, EOS D60, EOS 77D, EOS REBEL T6S/760D, EOS
REBEL T7i/800D, EOS REBEL T6i/750D, EOS REBEL T5i/700D, EOS
REBEL SL3/250D/200D II, EOS REBEL SL2/200D, EOS REBEL SL1/100D,
EOS REBEL T7/2000D/1500D, EOS REBEL T6/1300D, EOS REBEL T5/
1200D, EOS REBEL T4i/650D, EOS REBEL T3i/600D, EOS REBEL T2i/
550D, EOS REBEL T1i/500D, EOS DIGITAL REBEL XSi/450D, EOS
DIGITAL REBEL XS/1000D, EOS REBEL T3/1100D, EOS DIGITAL REBEL
XTi/400D DIGITAL, EOS DIGITAL REBEL XT/350D DIGITAL, EOS REBEL
T100/4000D/3000D, EOS DIGITAL REBEL/300D, EOS R, EOS Ra, EOS
RP, EOS M6 Mark II, EOS M6, EOS M5, EOS M3, EOS M2, EOS M, EOS
M10, EOS M200, EOS M100, EOS M50, PowerShot G3 X
*1
, PowerShot G1
X Mark II
*1
, PowerShot G7 X
*1
, PowerShot G9 X
*1
, PowerShot SX60 HS
*1
,
PowerShot G5 X
*1
, PowerShot G7 X Mark II
*1
, PowerShot G16
*1
,
PowerShot S120
*1
, PowerShot G1 X
*1
, PowerShot G15
*1
, PowerShot
S110
*1
, PowerShot S100
*1
, PowerShot G9 X Mark II
*1
, PowerShot G1 X
Mark III
*1
, PowerShot G9
*1*2
, PowerShot G10
*1*2
, PowerShot G11
*1*2
,
PowerShot G12
*1*2
, PowerShot S90
*1*2
, PowerShot S95
*1*2
, PowerShot
SX1 IS
*1*2
, PowerShot SX50 HS
*1*2
, PowerShot SX70 HS
*1*2
, PowerShot
G5 X Mark II
*1
, and PowerShot G7 X Mark III
*1
*1 For RAW images, functions that are not in the camera (such as the
Auto Lighting Optimizer) and functions such as the Digital Lens
Optimizer cannot be used. However, Picture Styles, even if not in the
camera, can be used with the exception of some functionality.
*2 The following functions are unavailable.
- Basic Adjustment tool palette:
White balance [Fine-tune]
A portion of [Gamma adjustment]
Automatic gradation and luminance adjustment
Midpoint adjustment
Input white points range expansion
- Dust Delete/Copy Stamp tool palette
- Compositing tool
- HDR tool
4
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2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Supported Images
Image data
* Compatible with RAW images shot with EOS D6000 or EOS D2000
that have been converted to RAW images using the CR2 Converter
and have the “.CR2” extension.
Image type Extension
Still
photos
RAW
images
Images in the Canon RAW format
shot on supported cameras*
.CR3
.CR2
.TIF
.CRW
JPEG
images
Exif 2.2, 2.21 or 2.3-compatible JPEG
images
.JPG/.JPEG
TIFF
images
Exif-compatible TIFF images .TIF/.TIFF
Movies Movies shot with supported cameras
.MOV
.MP4
5
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Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Contents
Introduction ................................................................ 2
Main Features of DPP .................................................. 2
System Requirements .................................................. 3
Supported Cameras...................................................... 3
Supported Images ........................................................ 4
1 Downloading Images .............................................. 9
Starting up DPP ......................................................... 10
Downloading Images to Your Computer.................... 11
Downloading Images Using the Software
“EOS Utility” ...........................................................
11
Downloading Images Using Your Card Reader..... 11
2 Viewing Images .................................................... 12
Viewing Images in the Main Window (Thumbnail
Layout).......................................................................
13
Changing the Thumbnail Display........................... 14
Enlarging and Viewing an Image in the Preview
Window ......................................................................
18
Enlarging and Viewing a Specific Area.................. 19
Checking the Image in Detail ....................... 20
Displaying the Main Window (Multi-layout)............ 20
Checking an Image Using the Preview Control
Panel......................................................................
21
Checking an Image in Multi-Function Preview....... 25
Checking an Image in Second Windows ............... 26
Opening and Closing Window Panels (Panes).......... 27
Changing the Display Method and Order of
Palettes......................................................................
28
Changing the Display Method (Dock/Float)
of Palettes..............................................................
28
Rearranging Palettes ............................................. 28
Exiting DPP................................................................ 29
Advanced
3 Organizing and Sorting Images ........................... 30
Efficiently Checking/Sorting Images........................... 31
Sorting Images ....................................................... 33
Sorting Images in the Main Window ....................... 34
Arranging Images in the Main Window................... 36
Displaying a RAW Image and JPEG Image as a
Single Image...........................................................
37
Checking Image Information................................... 38
Organizing Images ..................................................... 39
Deleting an Unwanted Image ................................. 39
Moving Images ....................................................... 39
Moving Images in Folders ...................................... 40
Registering Frequent-Use Folders (Bookmark
Registration) ...........................................................
40
4 Editing Images ..................................................... 41
RAW Images .............................................................. 44
RAW Images .......................................................... 44
RAW Development ................................................. 44
When RAW Development is to be Done ................ 44
Advantages of a RAW Image ................................. 44
Editing JPEG and TIFF Images.................................. 45
Tool Palettes............................................................... 46
Editing with the Basic Adjustment Tool
Palette ........................................................................
48
Adjusting Brightness............................................... 48
Changing the Picture Style ..................................... 49
Using a Picture Style File.......................... 51
Adjusting Color Tone by Changing White
Balance...................................................................
51
Adjusting Color Tone Using Click White
Balance...................................................................
52
Adjusting White Balance with Color
Temperature ...........................................................
53
JPEG/TIFF
Advanced
Advanced
6
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Tuning White Balance .............................. 53
Adjusting Contrast ................................................. 54
Adjusting Brightness of Shadows/
Highlights ...............................................................
54
Changing Color Tone and Color Saturation........... 55
Adjusting Dynamic Range........................ 56
Adjusting Gradation and Luminance
Automatically .........................................................
57
Using the Auto Lighting Optimizer ......................... 58
Adjusting Image Sharpness................................... 59
Editing with the Tone Adjustment Tool
Palette........................................................................
61
Adjusting Brightness and Contrast ........................ 61
Adjusting Color Tone Using Click White
Balance..................................................................
62
Adjusting Tone Curve............................... 63
Adjusting Dynamic Range........................ 65
Using the Auto Lighting Optimizer ......................... 65
Editing with the Color Adjustment Tool
Palette........................................................................
66
Editing with the Color Adjustment Tool
Palette....................................................................
66
Editing with the Detailed Adjustment Tool
Palette........................................................................
68
Reducing Noise ..................................................... 68
Adjusting Image Sharpness................................... 69
Reducing Color Moiré in an Image ........................ 69
Editing with the Trimming/Angle Adjustment
Tool Palette................................................................
70
Editing with the Lens Correction Tool Palette............ 73
Correcting Lens Aberration.................................... 73
Making Corrections................................................ 74
Shooting Distance Information Slider .................... 76
Advanced
Advanced
Advanced
JPEG/TIFF
Advanced
Advanced
JPEG/TIFF
Advanced
JPEG/TIFF
JPEG/TIFF
Correcting Multiple Images at a Time..................... 77
Digital Lens Optimizer ............................................ 77
Using the Digital Lens Optimizer ............................ 78
Adjusting Image Sharpness.................................... 80
Editing with the Partial Adjustment
Tool Palette ................................................................
81
Making Partial Adjustments to Images
([Brightness], [Contrast], [Hue], [Saturation])..........
81
Making Partial Adjustments to Images ([Reduce color
moiré]) ....................................................................
83
Adjustment Groups................................................. 84
Editing with the Dust Delete/Copy Stamp
Tool Palette ................................................................
85
Performing Automatic Dust Erasure Processing .... 85
Automatic Dust Erasure Processing in the Main
Window...................................................................
86
Manually Erasing Dust (Repair Function)............... 87
Erasing Unwanted Parts of an Image (Copy Stamp
Function).................................................................
89
Setting Work Color Space .......................................... 90
Using the Soft-Proof Colors Function......................... 91
Specifying the Size when Opening RAW Images....... 92
Saving Editing Results............................... 93
Saving Editing Contents to an Image ..................... 93
Saving as a separate image ................................... 93
Re-Editing an Image.................................. 95
Utilizing Adjustment Contents (Recipe) ..... 96
Copying a Recipe and Applying to Another
Image......................................................................
97
Saving a Recipe as a File....................................... 97
Loading and Applying Recipes ............................... 98
Adjusting by Comparing Multiple
Images........................................................................
99
JPEG/TIFF
Advanced
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
7
3
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Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Editing Efficiently .................................... 100
Editing in the Edit Image Window ........................ 100
Changing the Thumbnail Display Position to
Horizontal.............................................................
101
Gathering and Editing Images in the Collection
Window ................................................................
102
Compositing Images ............................... 104
Compositing Methods .......................................... 107
Creating HDR (High Dynamic Range)
Images.....................................................................
108
Using the Dual Pixel RAW Optimizer ......... 111
Microadjustment of the Position of Maximum
Sharpness and Resolution Using the Depth Information
Contained within the Dual Pixel RAW File .............
111
Reposition the Viewpoint or Foreground Bokeh for a
More Pleasing Result...........................................
112
Reduces the Appearance of Ghosting in
Images .................................................................
113
Using Depth Compositing.......... 115
Supported Images ............................................... 115
Using the Depth Compositing Tool ...................... 115
Using the Depth Compositing Editing Tool .......... 117
Using the RAW Burst Image Tool .............. 120
Starting Up the RAW Burst Image Tool ............... 120
Changing the Representative Image in a Roll ..... 122
Saving One Image in a Roll ................................. 122
Extracting and Saving Any Range in a Roll ......... 123
Transferring a RAW Image to
Photoshop................................................................
124
Customizing the Main Window Toolbar...... 125
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
Advanced
JPEG/TIFF
Advanced
Advanced
Advanced
Advanced
5 Printing Images .................................................. 126
Printing an Image ..................................................... 127
Printing with Shooting Information............................ 128
Printing a Thumbnail List (Contact Sheet Printing)... 129
Plug-in printing.......................................................... 130
6 Processing Large Numbers of RAW Images ..... 131
Batch Apply White Balance to Images (Personal White
Balance) ...................................................................
132
Registering Personal White Balance .................... 132
Applying Personal White Balance ........................ 133
Batch Save as JPEG or TIFF Images (Batch
Processing)...............................................................
134
Batch Transfer Images to Image Editing
Software ...................................................................
136
Batch Change the File Name of Images................... 137
Changing the File Name of Images in the Order in the
Main Window ........................................................
137
7 Remote Shooting ............................................... 138
Remote Shooting...................................................... 139
Registering Click White Balance in the Camera... 142
8 Playing Back Movies and Saving Still Photos.... 144
Playing Back Movies and Saving Still Photos .......... 145
9 Using HDR PQ Mode......................................... 148
HDR PQ Mode.......................................................... 149
System Requirements for HDR PQ Mode ................ 149
Displaying Images in HDR PQ Mode ....................... 150
Cautions when Using HDR PQ Mode....................... 152
Saving Images Displayed in HDR PQ Mode in JPEG/
TIFF Format..............................................................
154
Saving Images Displayed in HDR PQ Mode in HEIF
Format ......................................................................
155
8
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2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
10 Specifying Preferences .................................... 156
Specifying Preferences............................................ 157
General Settings .................................................. 157
Image processing ................................................ 158
Color Management .............................................. 160
View Settings ....................................................... 161
Properties Display Settings.................................. 162
Survey.................................................................. 162
Reference............................................................... 163
Troubleshooting ....................................................... 164
Deleting the Software (Uninstalling) ........................ 165
Image Frame Information in the Main Window and
Edit Image Window..................................................
166
Glossary................................................................... 167
Index........................................................................ 169
About This Instruction Manual ............................. 173
Trademarks.......................................................... 173
* Sections with and in “4 Editing Images”
support not only RAW image editing but also JPEG/TIFF image
editing.
: All the functions explained in the section support
JPEG/TIFF image editing.
: Certain functions explained in the section support
JPEG/TIFF image editing.
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
1
9
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Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Downloading Images
Starting up DPP....................................................... 10
Downloading Images to Your Computer.................. 11
Downloading Images Using the Software “EOS Utility”.......
11
Downloading Images Using Your Card Reader.......... 11
10
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Starting up DPP
Double-click the desktop icon.
DPP starts up and the main window (thumbnail layout) appears.
If you drop a DPP-supported image file onto the icon on the
desktop, you can start up DPP and display the folder where the
image file is saved.
Double-click
Main window (thumbnail layout)
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Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Downloading Images to Your Computer
Download the images saved on the memory card inserted in the
camera.
You can download images with “EOS Utility”, communication software
for the camera.
For detailed instructions on downloading images, refer to the “EOS
Utility Instruction Manual” (PDF electronic manual).
Downloading Images Using the Software “EOS Utility”
You can also download images to the computer using a third-party card
reader.
1
Load the memory card into the card reader.
Start up DPP beforehand.
2
Open [My Computer] [EOS_DIGITAL] and drag the
[DCIM] folder to the [Desktop].
The [DCIM] folder is copied to your computer.
All images are saved in folder units inside the [DCIM] folder.
Copying images to your computer will take some time when there
is a large number of images saved on the memory card.
Downloading Images Using Your Card Reader
2
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Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Viewing Images
Viewing Images in the Main Window (Thumbnail Layout) ...........
13
Changing the Thumbnail Display................................ 14
Using the Thumbnails Control Panel ........ 15
Using the Thumbnail Display Filter/Sort
Function..................................................................
16
Displaying the Histogram Palette.............. 17
Enlarging and Viewing an Image in the Preview Window ............
18
Enlarging and Viewing a Specific Area....................... 19
Displaying the Navigator Palette ............... 19
Checking the Image in Detail ...................... 20
Displaying the Main Window (Multi-layout)................. 20
Checking an Image Using the Preview Control Panel.........
21
Changing the Magnification .................................... 21
Comparing with a Pinned (Fixed) Image ................ 21
Displaying Multiple Images at the Same Time ....... 22
Displaying Grid Lines.............................................. 22
Displaying AF Points .............................................. 22
Displaying Areas Beyond the Set Range with Warning
Indicators (Highlight/Shadow Warning) ..................
23
Comparing Pre- and Post-Editing Images (Single-
Image Display)........................................................
23
Comparing Pre- and Post-Editing Images (before/after
comparison) Arrange vertically/horizontally (two-
screen display) / Split vertically/horizontally (split-
image display) ........................................................
24
Displaying Image Properties................................... 24
Checking an Image in Multi-Function Preview ........... 25
Checking an Image in Second Windows .................... 26
Opening and Closing Window Panels (Panes)........ 27
Changing the Display Method and Order of Palettes .......
28
Changing the Display Method (Dock/Float) of Palettes.......
28
Rearranging Palettes.................................................. 28
Exiting DPP ............................................................. 29
Advanced
Advanced
Advanced
Advanced
Advanced
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Downloading
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Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Viewing Images in the Main Window (Thumbnail Layout)
Images downloaded to your computer are displayed as a thumbnails list
in the main window (thumbnail layout). You can double-click an image to
open the preview window (p.18) and display the image at large size.
For information on icons displayed on the frame of a thumbnail,
see “Image Frame Information in the Main Window and Edit
Image Window” (p.166).
Main window
Ratings (p.33, p.34)
Rotate image
Forward/Reverse
Check marks (p.33, p.34)
Toolbar
On 32-bit OSs, up to only 1000 images can be displayed per
folder. Starting with the 1001st image, images are handled in the
same way as non-supported images. Try to maintain 1000 images
or less per folder.
For information on movie files, see “Playing Back Movies and
Saving Still Photos” (p.145).
When aspect ratio information is attached to an image shot with
any supported camera other than the EOS 5D Mark II, the image
is displayed as a cropped image (p.70).
In the main window, in addition to this view (thumbnail layout),
you can select multi-layout. Multi-layout allows you to check the
image in detail (p.20).
32bit
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Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
You can change the size of the thumbnail images displayed in the main
window and select the information displayed for thumbnails.
Select the [Thumbnails] menu desired item.
The display changes to the selected item.
Changing the Thumbnail Display
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Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Using the Thumbnails Control Panel
The thumbnails control panel integrates various settings for viewing thumbnails.
By using this panel, you can view and specify the settings for thumbnails efficiently.
Thumbnails control panel functions
Advanced
(1) Change the size of thumbnails
(2) Display thumbnails without file names
(3) Display standard thumbnails
(4) Display thumbnails with information
(5) Display thumbnails in list
(6) Specify properties display settings (p.162)
(7) Display a RAW image and JPEG image as a single image
Display a RAW image and JPEG image that were shot together
as a single image. When this setting is specified, viewing and
editing of images are as follows.
• Image displayed: Only the RAW image is displayed in all
windows.
• Edited image: The content which has been edited with any of
DPP’s functions (the tool palette etc.) will be applied to the
RAW image only. However, if you have used the following
functions, the adjustments will be applied to both the RAW
image and the JPEG image.
Deleting an image (p.39)
Moving or copying an image (p.39)
Checkmarking (p.33 to p.34)
Rating (p.33 to p.34)
Rotating an image (p.13)
(1) (2)
(3)
(4) (7)
(8)
(9)(6)
(8) Display or play back split movie files as single movies
When you play back split movie files in DPP, this setting plays
back all the movie files in a continuous sequence from the
beginning.
• This is set to ON by default.
• Only the thumbnail for the first movie file is displayed.
• This setting will be kept and applied the next time DPP is
started up.
• When the following functions are used, they apply to all the
remaining split movie files, not just the first movie file:
[Copy], [Cut], [Delete], [Add to collection], [Rename Tool]
• When the Filter/Sort function (p.16) is used with thumbnails,
the function is only applied to the first movie file.
(9) Select all thumbnails
(10) Cancel all thumbnail selections
The thumbnails control panel is displayed in the main window by
default. If it is not displayed, such as when screen settings have
been changed, you can display it by selecting [Thumbnail control
panel] in the [Thumbnails] menu.
In multi-layout (vertical thumbnails, p.20), only the thumbnail view
setting (Default thumbnail display) is possible.
(5)
(10)
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Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Using the Thumbnail Display Filter/Sort
Function
This function allows you to display only thumbnails that match the
selected filtering option or to specify an option for sorting thumbnails.
(1) Thumbnail display filter ON/OFF
By setting to [ON], only thumbnails matching the filtering option set
with (2) the filtering options menu are displayed.
1
Set the [Filter] button on the [Filter/Sort pane] in the
main window to [ON].
2
Specify settings.
You can drag the bottom edge of the [Filter/Sort pane] to adjust
the display area of the filter menu lists upward or downward.
Advanced
(1) (5) (3) (4)
(2)
Drag to adjust display area of filter
menu lists upward or downward
Filter menu
Filter menu list
(2) Filtering options menu
Select a filtering option for the thumbnail display filter.
• After selecting a filtering item in the list box that appears by clicking
[] at the right on the filter menu, options appear in the filter menu
list. Select an option.
• You can select multiple options in the filter menu list.
(Hold down the <Shift> key and left-click with the mouse for
consecutive selection. Hold down the <Ctrl> key and left-click with
the mouse to select individually.)
• The filter menus/filter menu lists are prioritized from left to right.
You can specify filtering options from left to right to narrow down
filtering.
(3) Sorting options
Select an option for sorting thumbnails. If files were added, a “*” is
temporarily displayed after the option name. [Custom] is displayed if
you sorted thumbnails in a chosen way.
(4) Sort order selection
Select the order (ascending/descending) for sorting thumbnails.
(5) Filter lock button
When the filter lock button is clicked, filter settings will be kept and
applied when you switch to a different folder or the next time DPP is
started up. When the filter lock button is not clicked, filter settings
automatically change to [OFF] when you switch to a different folder
or the next time DPP is started up.
In addition to thumbnail display, this function can also be used in
multi-layout.
You can open/close the panel by clicking the [] button at the
upper right of the [Filter/Sort pane].
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Editing
Images
6
Processing
Large Numbers
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7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Displaying the Histogram Palette
The histogram palette shows a histogram of the selected image. You
can quickly check a histogram without opening a tool palette.
Select the [View] menu [Histogram palette].
The histogram palette appears.
You can select any of the following four histograms from the
menu that appears when you right-click with the mouse.
[Brightness only], [RGB separately], [YRGB separately], [RGB
together]
You can click the [ ] button at the bottom right of the main
window to show/hide the [Histogram] palette.
Advanced
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Editing
Images
6
Processing
Large Numbers
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7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Enlarging and Viewing an Image in the Preview Window
The preview window appears.
Up to 36 windows can be displayed at the same time for the
preview window.
( On 32-bit OSs, up to 4 windows can be displayed at the
same time.)
Click the [ ] in the upper right of the preview window to close
the preview window.
Double-click
32bit
Preview window Tool palette
By selecting the [Preview] menu [AF points] in the preview
window, you can display the AF points selected in the camera at
the time of shooting. However, AF points are not displayed for
images whose image size has been changed and then been
converted and saved (p.93), images for which you selected an
effect other than [Shot settings] as correction of fisheye lens
distortion aberration, or images which have had settings specified
during RAW processing on the camera for distortion correction or
chromatic aberration correction.
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Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Click the area you want to enlarge.
The area you clicked is enlarged to 100% (actual pixel size).
Click again to revert to the full view.
To change the display area drag on the image.
Enlarging and Viewing a Specific Area
Click
Select any enlargement ratio from the [Preview] menu.
To display an image in an enlargement ratio other than 100%
While in the preview window, you can select the [Preview] menu
[Preview control panel] to use various preview functions. For details,
see “Checking an Image Using the Preview Control Panel” (p.21).
Displaying the Navigator Palette
The navigator palette shows the enlargement area of a selected image.
Select the [View] menu [Navigator palette].
The navigator palette appears.
When an image is enlarged in the preview or other window, the
enlargement display area is indicated in the navigator palette.
The area to be enlarged can be changed by dragging the
enlargement display area on the image.
You can click the [ ] button at the bottom right of the main
window to show/hide the [Navigator] palette.
Advanced
Change the enlargement
display area by dragging
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Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Checking the Image in Detail
By switching the main window to “multi-layout”, you can use the preview control panel to check the image in detail.
Click a change layout button at the bottom of the main window (thumbnail layout).
The main window (multi-layout) appears.
In the main window (multi-layout), you can select from two layouts, with horizontal thumbnails or vertical thumbnails.
Click the area you want to enlarge in the image displayed in the preview display area to display the image at actual pixel size (100%). Click the
image again to revert to full display.
Displaying the Main Window (Multi-layout)
Preview
display area
Thumbnail
display area
Multi-layout (vertical thumbnails)
Multi-layout (horizontal thumbnails)
Layout change button
Main Window (thumbnail layout)
Vertical thumbnails
Horizontal thumbnails
Advanced
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Images
6
Processing
Large Numbers
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7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
With Preview control panel, you can check the image in detail.
You can use this panel in the main window (multi-layout) and edit image
window. If the preview control panel is not displayed, you can display it
by selecting [Preview control panel] from the [Preview] menu. By
default, the [] button and [ ] button are selected. When you select a
movie, the displayed content changes. For information on the display
when movies are selected, see “Playing Back Movies and Saving Still
Photos” (p.145).
Changing the Magnification
Checking an Image Using the Preview Control Panel
Display the image at actual pixel size (100%).
Click the [ ] button to display the image at the set
magnification displayed. If the [ ] button is used to
enlarge/reduce the image, the magnification set for this
button also changes accordingly*.
*Excluding actual pixel size (100%)
Enlarge/reduce the image.
Revert the zoomed image back to fit-to-window view.
Comparing with a Pinned (Fixed) Image
You can split the window into two sections, and compare the images on
the left and right by “pinning” an image in the left section then scrolling
images in the right section. It improves efficiency of image selection.
Select an image and click the [ ] button.
The window divides into left and right, and the selected image is
pinned.
When you pin an image and perform scrolling, the image on the
left (pinned image) remains and only the image on the right is
scrolled, which is convenient for image selection.
To pin another image, select the image, then select [Pin] from the
menu that appears when you right-click with the mouse.
After pinning an image, you can click the [ ] button to switch
between top-bottom and left-right split screens.
Pinned (fixed) image
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Images
Editing
Images
6
Processing
Large Numbers
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7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Displaying Multiple Images at the Same Time
Displaying Grid Lines
Select multiple images, and click the [ ] button.
The selected image is displayed.
You can display up to 8 images.
On 32-bit OSs, this function is not available.
(The [ ] button is not displayed.)
1
Click the [ ] button beside the [ ] button, and set
the spacing between grid lines on the menu that
appears.
To set the spacing, enter values (8 to 256, in pixels), or move the
slider.
After specifying settings, click the [Close] button and close the
window.
2
Select an image and click the [ ] button.
The image with grid lines is displayed.
32bit
Displaying AF Points
1
Click the [ ] button beside the [ ] button, and
select the item to display on the image on the menu
that appears.
Select [Show only AF points in focus] or [Show all AF points].
2
Select an image and click the [ ] button.
An image with the AF points selected in step 1 is displayed.
AF points are not displayed for images whose image size has been
changed and then been converted and saved (p.93), images for
which you selected an effect other than [Shot settings] as correction
of fisheye lens distortion aberration, or images which have had
settings specified during RAW processing on the camera for
distortion correction or chromatic aberration correction.
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Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Displaying Areas Beyond the Set Range with
Warning Indicators (Highlight/Shadow
Warning)
You can set up warning indicators for both highlighted and shadowed
parts, which is effective for checking the clipped highlights and shadows
and preventing excessive adjustment of an image. Where the area on
the image has exceeded the set range, you can display the highlighted
part in red and the shadowed part in blue.
1
Click the [ ] button beside the [ ] button, and
specify settings on the menu that appears.
Checkmark the [Show highlight warnings] and [Show shadow
warnings] checkboxes and enter the warning values.
You can also select different warning colors from the dialog that
appears when you click the [ ] button.
After specifying settings, click the [Close] button and close the
window.
Comparing Pre- and Post-Editing Images
(Single-Image Display)
2
Select an image and click the [ ] button.
On the opened image, if there is an area that exceeds the value
entered in step 1, the highlighted part of that area is displayed in
red and the shadowed part is displayed in blue. If you selected
different warning colors, the parts are displayed in the specified
colors.
Select an image that is being edited and click the
[ ] button.
By clicking the button, the display switches between the image
before editing and the current image (being edited).
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Images
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Images
6
Processing
Large Numbers
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7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Comparing Pre- and Post-Editing Images
(before/after comparison) Arrange vertically/
horizontally (two-screen display) / Split
vertically/horizontally (split-image display)
You can display before and after versions of an adjusted image in the
same window and check the adjustment results.
This function allows you to adjust an image while comparing the original
image and image being edited.
1
Select an image that is being edited and click the
[ ] button.
The image is displayed in two-screen display (Arrange vertically).
The image before editing is on the left, and the currently edited is
on the right.
2
Change the image display.
The display switches in the following order by clicking the [ ]
button.
Arrange vertically (two-screen: left/right) Arrange horizontally
(two-screen: top/bottom) Split vertically (split-image: left/right)
Split horizontally (split-image: top/bottom)
Displaying Image Properties
Display the shooting and recipe information for an image in the screen.
You can select items to be displayed.
1
Click the [ ] button beside the [ ] button.
The [Properties display settings] window appears.
2
Specify display settings.
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Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
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7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
1 Select [Display settings for preview properties] from the
[Properties to display] pulldown menu.
2 Specify display items with the [Add >>] button and [<< Remove]
button. Items that can be selected appear in the list box at left,
and actually displayed items appear in the list box at right. You
can also change the display order with the [Move Up] button and
[Move Down] button.
After specifying settings, click the [OK] button.
With the [Preview properties font] option, you can specify the font
used for information displayed in the preview window.
3
Select an image and click the [ ] button.
The image and properties selected in step 2 are displayed in the
screen.
If the recipe contents of an image being edited are displayed in
before/after comparison (two-screen display/split-image display),
edited items are displayed in red.
All the property items may not be displayed depending on the
combination of window, preview window, or the size of thumbnails.
The preview window shows the coordinates of the mouse cursor and the
work color space. By switching to multi-function preview, you can also
check image details in the same way as the main window (multi-layout).
1
Select the [Tools] menu [Preview screen display
settings], and then [Multi-function preview] from the
dialog that appears.
2
Open the preview window (p.18).
A multi-function preview with various functions at the bottom of
the screen is displayed.
For how to use the displayed functions, see “Viewing an Image in
the Main Window (Thumbnail Layout)” (p.13) and “Checking an
Image Using the Preview Control Panel” (p.21 to p.25).
Checking an Image in Multi-Function Preview
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Images
6
Processing
Large Numbers
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7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Second windows are preview windows that you can open additionally
for thumbnails and image previews. You can display up to 4 second
windows for an single image to check the focus in all parts of the image,
etc.
Select an image, and then select [Show second
screen] from the menu that appears when you right-
click with the mouse.
A second window is displayed.
To display an additional second window, repeat the operation.
You can change the size of second windows as desired.
Click the displayed image to switch between actual pixel size
(100% view) and fit-to-window view.
When you magnify an image in the second window, the right-
clicked position on the image will be the center for the
magnification.
Checking an Image in Second Windows
On 32-bit OSs, second windows cannot be displayed.
32bit
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Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Opening and Closing Window Panels (Panes)
Panels (panes) at the top, bottom, left, and right of each window can be
closed to suit the tasks being performed.
You can use DPP in an optimal layout.
Click the [ ] for a panel to open or close.
When a panel is closed, you can point to [ ] with the mouse
to temporarily open the panel.
Example: main window (thumbnail layout)
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Downloading
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Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Changing the Display Method and Order of Palettes
For any palette (tool palette, navigator palette, histogram palette, quick
check palette, and camera control palette), you can change how the
palette is displayed (docked/floating), or the display order of multiple
docked palettes.
When multiple palettes are docked, you can rearrange their order from
top to bottom.
Right-click on the palette’s title bar (where its name
is shown) and click [Dock/float] in the dialog that
appears.
A docked palette is then displayed floating, and a floating palette
is then displayed docked.
To revert to the original display method, repeat the same
operation again.
Right-click on the palette’s title bar (where its name
is shown) and click [Move one up] or [Move one
down] in the dialog that appears.
The order of the palettes is changed.
Changing the Display Method (Dock/Float) of Palettes
Rearranging Palettes
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Images
6
Processing
Large Numbers
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7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Exiting DPP
In the main window, select the [File] menu [Exit].
DPP exits.
Digital Photo Professional Survey Program
Canon requests that information related to your Canon product be
sent to Canon (in case of using your Canon product in China, to the
legally approved research company) through the Internet. Canon
uses such information for development and marketing of products
that better meet customer needs.
Even after agreeing, you can change the send settings anytime in
the [Survey] tab sheet (p.162) in [Preferences].
A confirmation dialog box for saving the images appears when you
try to exit DPP without saving the adjusted image. Click the [Yes to
all] button to save the adjustment contents (recipe) to all the images
adjusted.
3
30
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Organizing and Sorting Images
Efficiently Checking/Sorting Images ........................ 31
Sorting Images ........................................................... 33
Attaching Check Marks........................................... 33
Setting Ratings ....................................................... 33
Sorting Images in the Main Window ........................... 34
Attaching Check Marks in the Main Window .......... 34
Setting Ratings in the Main Window....................... 34
Arranging Images in the Main Window....................... 36
Arranging by Type .................................................. 36
Arranging Freely ..................................................... 36
Displaying a RAW Image and JPEG Image as a Single
Image..........................................................................
37
Checking Image Information....................................... 38
Organizing Images .................................................. 39
Deleting an Unwanted Image ..................................... 39
Moving Images ........................................................... 39
Moving Images in Folders .......................................... 40
Registering Frequent-Use Folders (Bookmark
Registration) ...............................................................
40
Deleting Bookmarks ............................................... 40
31
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Efficiently Checking/Sorting Images
You can enlarge images displayed as thumbnails in the main window
and efficiently check each image. You can sort images into groups.
Note that this function does not apply to movie files.
1
Select multiple images to check in the main window.
2
Display the quick check window.
Click the [Quick check] button.
The quick check window appears.
3
Click the [ ] or [ ] button to switch between
images to be checked.
All the images displayed in the main window can be checked in
the quick check window.
If you click the [ ] button, the first image is displayed, and if you
click the [ ] button, the last image is displayed.
Click the [ ] button to return to the main window.
Quick check window
32
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
4
Click the area you want to enlarge.
The area you clicked is displayed at 100% (actual pixel size).
To change the display position, drag on the image.
If you click the [ ] button, you can display the image at 50%.
Click again to revert to the full view.
To exit, click the [ ] button.
Click
In addition to 100% and 50%, you can display images at 12.5%,
25%, 200%, 300%, and 400%. Click the [ ] button beside the
[ ] button on the screen, and select a magnification from the
menu that appears.
If you click the [ ] button (the selected magnification appears
on the button), the image appears at the selected magnification.
However, after the quick check window is closed, the image
returns to its original 50% view.
When [AF Point] is checkmarked, you can display the AF points
selected in the camera at the time of shooting. However, AF
points are not displayed for images which have had their image
size changed and then been converted and saved (p.93), which
have had settings specified during RAW processing on the
camera for distortion correction and chromatic aberration
correction, which are composited, or which are created as HDR
(High Dynamic Range) images.
To check only selected images
You can use the quick check window to check only selected images
by selecting the desired images from those displayed in the main
window and then performing step 1.
Switching between images using the keyboard
You can also switch between images by pressing the <
> or <
>
key.
Switching between screens using the keyboard
You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys.
Operations using the menu
Each operation can also be performed with the menu which appears
when you right-click with the mouse on an image.
Convenient functions of the quick check window
33
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
You can sort images by attaching check marks or setting ratings
(indicated with [ ] marks) for each subject or theme.
Attaching Check Marks
Display the image you want to attach a check mark
to, and then click any one of [ ] to [ ].
The selected check mark appears in the upper left of the window.
Click the [Clear] button to remove the check mark.
Sorting Images
Click
Check mark
The values of check marks attached to images in versions before
DPP 4 are not maintained.
You can also attach check marks from the menu that appears by
right-clicking with the mouse on an image in the main window.
Setting Ratings
Display the image you want to rate, and then click
any one of the [ ].
The rating is set and an icon corresponding to the selected [ ]
appears in the upper left of the window.
(Window shown with a rating of three [ ])
To set [Reject], click the [Reject] button. Click the [Reject] button
again to cancel.
To cancel the rating, click the same [ ] as when the setting was
made on the right of the window.
Click
Rating icon
As the file structure of the image data is changed when a rating is
set to an image, it may not be possible to check the image
information in third-party software.
34
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
You can also sort images in the main window by attaching check marks
or setting ratings (indicated with [ ] marks) for each subject or theme.
Attaching Check Marks in the Main Window
Select the images you want to attach a check mark
to, and then click any of [ ] to [ ].
The selected check mark appears in the upper left of the image
frame.
Click the check mark again to remove the check marks.
Sorting Images in the Main Window
Click
Select
Check mark
Setting Ratings in the Main Window
Select the images you want to rate, and then click
any of the [ ].
The rating is set and an icon corresponding to the selected [ ]
appears in the image frame.
(Sample window shown with a rating of three [ ] as an example)
To cancel the rating, click the same [ ] as when the setting was
made.
Set [Reject] with the [Label] menu or the quick check window
(p.31).
Select
Click (changes to [ ] after clicking [ ])
Rating icon
35
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Click on desired images while holding down the <Ctrl> key. To select
multiple consecutive images, click on the first image, and then click on
the last image while holding down the <Shift> key.
To select multiple images in the main window
The [Label] menu can also be used to attach check marks and set
ratings.
You can display and change the rating settings set in DPP with other
EOS software and with any supported EOS DIGITAL camera (for the
EOS 7D, version 2.0.0 or later firmware) except the EOS-1D Mark IV,
EOS-1Ds Mark III, EOS-1D Mark III, EOS-1D Mark II N, EOS-1Ds
Mark II, EOS-1D Mark II, EOS-1D, EOS-1Ds, EOS 5D Mark II, EOS
5D, EOS 50D, EOS 40D, EOS 30D, EOS 20D/EOS 20Da, EOS 10D,
EOS D2000, EOS D6000, EOS D30, EOS D60, EOS REBEL T2i/
550D, EOS REBEL T1i/500D, EOS DIGITAL REBEL XSi/450D, EOS
DIGITAL REBEL XS/1000D, EOS DIGITAL REBEL XTi/400D
DIGITAL, EOS DIGITAL REBEL XT/350D DIGITAL, and EOS
DIGITAL REBEL/300D.
• EOS Utility version 2.9 or later:
Ratings set in DPP are displayed. However, [Reject] is not
displayed and you cannot change rating settings.
• With any supported camera (for the EOS 7D, version 2.0.0 or
later firmware) except the EOS-1D Mark IV, EOS-1Ds Mark III,
EOS-1D Mark III, EOS-1D Mark II N, EOS-1Ds Mark II, EOS-1D
Mark II, EOS-1D, EOS-1Ds, EOS 5D Mark II, EOS 5D, EOS 50D,
EOS 40D, EOS 30D, EOS 20D/EOS 20Da, EOS 10D, EOS
D2000, EOS D6000, EOS D30, EOS D60, EOS REBEL T2i/
550D, EOS REBEL T1i/500D, EOS DIGITAL REBEL XSi/450D,
EOS DIGITAL REBEL XS/1000D, EOS DIGITAL REBEL XTi/
400D DIGITAL, EOS DIGITAL REBEL XT/350D DIGITAL, and
EOS DIGITAL REBEL/300D:
Ratings set in DPP are displayed in the playback screen. You can
also change rating settings. However, you cannot display or
change settings for [Reject].
Reversely, you can also display and change in DPP the rating
settings set for images on any supported EOS DIGITAL camera
(for the EOS 7D, version 2.0.0 or later firmware) except the EOS-
1D Mark IV, EOS-1Ds Mark III, EOS-1D Mark III, EOS-1D Mark II
N, EOS-1Ds Mark II, EOS-1D Mark II, EOS-1D, EOS-1Ds, EOS
5D Mark II, EOS 5D, EOS 50D, EOS 40D, EOS 30D, EOS 20D/
EOS 20Da, EOS 10D, EOS D2000, EOS D6000, EOS D30, EOS
D60, EOS REBEL T2i/550D, EOS REBEL T1i/500D, EOS
DIGITAL REBEL XSi/450D, EOS DIGITAL REBEL XS/1000D,
EOS DIGITAL REBEL XTi/400D DIGITAL, EOS DIGITAL REBEL
XT/350D DIGITAL, and EOS DIGITAL REBEL/300D.
36
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
You can arrange images in the order of the types of check marks you
have attached to images, or in the order of date and time at which the
images were shot. You can also freely arrange images by moving them
individually.
Arranging by Type
* You can also arrange images by [Image Size], [RAW Type], and
[Recipe editing status].
* Descending order sorts all items in the reverse of ascending order.
Select the [Thumbnails] menu [Sort] desired item.
The images are arranged in the order according to the selected
item.
Main sort items Description
File name: ascending order Images are sorted by file name in
alphanumeric order (0 to 9 A to Z).
Extension: ascending order Images are sorted in the following order:
RAW images JPEG images TIFF
images MOV movies MP4 movies.
Shooting Date/Time:
ascending order
Images are sorted by shooting date and
time from the earliest.
Check mark: ascending order Images with check marks take priority
and are sorted in number order.
Rating: ascending order Sorted in order of fewest [ ].
Camera Model Name:
ascending order
Sorted in order of least digit used in the
camera model name. (Ex.: EOS-1D X
EOS 6D)
Lens: ascending order Sorted in order of shooting lens with
shortest focal length.
ISO speed: ascending order Sorted in order of lowest speed.
Shutter speed: ascending order
Sorted in order of fastest shutter speed.
Aperture value: ascending order
Sorted in order of lowest aperture value.
Focal length: ascending order Sorted in order of shooting lens with
shortest set focal length.
Arranging Images in the Main Window
Arranging Freely
Drag and drop the image to the desired location.
The image moves to the desired location.
You can also select multiple images (p.35) and move them.
The order of rearranged images is temporarily registered as
[Custom] in the [Filter/Sort pane] and maintained until you exit
DPP or select another folder in the folder area.
Select the [Thumbnails] menu [Sort] [File name] and [Ascending]
to revert to the order before the images were rearranged.
You can maintain the order of rearranged images even if you exit DPP
or select another folder in the folder area.
Maintain order without changing image file names
You can use the [View Settings] tab sheet in [Preferences] to maintain
the order of images without changing the image file names (p.161).
Maintain order and change image file names
You can use the rename function to maintain the order of images and
change the image file names all at once in the order they were
rearranged (p.137).
Maintaining the order of rearranged images
37
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
You can display and handle a RAW image and JPEG image shot
simultaneously as a single image. In particular, you can halve the
number of images displayed in the main window and you can streamline
the checking of a large number of images shot simultaneously.
Images that can be displayed as a single image are images shot with a
camera that shoots RAW images with the extension “.CR2”, “.CR3”, and
JPEG images simultaneously. Images that have been simultaneously
shot with a camera that shoots RAW images with the extension “.CRW”
or “.TIF” cannot be displayed as a single image.
Image displayed
The RAW image is displayed in all windows.
Edited image
The content which has been adjusted with any of DPP’s functions (the
tool palette etc.) will be applied to the RAW image only.
However, if you have used the following functions, the adjustments
will be applied to both the RAW image and the JPEG image.
• Deleting an image (p.39)
• Moving or copying an image (p.39)
• Checkmarking (p.33, p.34)
• Rating (p.33, p.34)
• Rotating an image (p.13)
Select the [Thumbnails] menu [Group RAW and
JPG versions].
The main window display updates and the simultaneously shot
RAW image and JPEG image are displayed as a single image
with the [ ] mark (p.166).
RAW images with the extension “.CR2” or “.CR3” can be
displayed as a single image
When a single image is displayed
Displaying a RAW Image and JPEG Image as a Single Image
Images added to the [Collection] window
When you add a RAW image and JPEG image displayed as a single
image to the [Collection] window, the single image is marked with the
[ ] mark. However, because the RAW and JPEG images are
actually added individually, the number of images shown on the
[Collection] tab sheet increases by 2.
If you cancel selection of [Group RAW and JPG versions], the RAW
image and JPEG image are displayed as separate images.
38
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
1
Select the image for which you want to check the
image information.
2
Select the [View] menu [Info].
The image information window appears.
3
Select a tab sheet and check information.
Checking Image Information
[Exif Information]
tab sheet
[XMP/IPTC Information]
tab sheet
[Recipes]
tab sheet
Image information window
Shooting information is displayed in the [Exif Information] tab
sheet, while IPTC* information appended to the image after
shooting is displayed in the [XMP/IPTC Information] tab sheet.
IPTC* information provides additional comments on images,
such as captions, credits and the shooting location. The
information is sorted into 5 different categories and can be
viewed by selecting [Description], [IPTC Contact], [IPTC Image],
[IPTC Content] or [IPTC Status] from the list box in the [XMP/
IPTC Information] tab sheet.
* International Press Telecommunications Council (IPTC)
The contents of the [Exif Information] tab sheet will vary
depending on the camera model.
Recipe contents applied to an image are displayed in the
[Recipes] tab sheet.
Switching displays
If a different image is selected in the main window when the image
information window is displayed, the image information for that image
will be displayed.
Difference with the thumbnail with shooting information
Detailed shooting information for each image is displayed in the
image information window. However, if you want to only check the
main shooting information, you can check it for each image in
[Thumbnails] menu [With shooting info] (p.14).
Convenient uses in the main window
39
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Organizing Images
This section explains how to delete unwanted images, move or copy
images, etc., to organize your images.
Be aware that you cannot recover deleted images.
1
Select an unwanted image in the main window.
2
Select the [File] menu [Move to Recycle Bin].
The image is moved to the [Recycle Bin] and is deleted from DPP.
The images are deleted completely from your computer when the
[Empty Recycle Bin] operation is performed on the [Recycle Bin]
on the desktop.
Deleting an Unwanted Image
You can move or copy images to a separate folder and sort by shooting
date or themes.
Drag the image to be moved or copied.
To move: Drag the image and release when the image is in the
destination folder.
To copy: Drag the image while holding down the <Ctrl> key and
release when the image is in the destination folder.
The images are moved or copied to the destination folder.
Moving Images
40
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
You can move or copy folders that contain images, and sort the images
by folders.
Drag the folder to be moved or copied.
To move: Drag the folder and release when the folder is in the
destination folder.
To copy: Drag the folder while holding down the <Ctrl> key and
release when the folder is in the destination folder.
The folders are moved or copied to the destination folder.
Moving Images in Folders
You can register frequently used folders in bookmarks.
Registered folders are displayed in the [Bookmark] tab sheet in the main
window.
Deleting Bookmarks
You can delete a folder registered in [Bookmark].
1
Select the folder for which a bookmark is to be
registered.
2
Select the [File] menu [Bookmark].
The folder selected in step 1 is registered in the [Bookmark] tab
sheet in the main window.
Select the [File] menu [Remove bookmark].
The selected folder is deleted from bookmarks.
Registering Frequent-Use Folders (Bookmark Registration)
Select
4
41
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Editing Images
RAW Images ............................................................ 44
RAW Images.............................................................. 44
RAW Development .................................................... 44
When RAW Development is to be Done.................... 44
Advantages of a RAW Image .................................... 44
Editing JPEG and TIFF Images ............................... 45
Tool Palettes ............................................................ 46
Editing with the Basic Adjustment Tool
Palette ...................................................................... 48
Adjusting Brightness .................................................. 48
Changing the Picture Style ........................................ 49
Using a Picture Style File ............................. 51
Adjusting Color Tone by Changing White Balance.... 51
Adjusting Color Tone Using Click White Balance ...... 52
Adjusting White Balance with Color
Temperature ..............................................................
53
Tuning White Balance .................................. 53
Adjusting Contrast ..................................................... 54
Adjusting Brightness of Shadows/
Highlights ...................................................................
54
Changing Color Tone and Color Saturation............... 55
Adjusting Monochrome .......................................... 55
Adjusting Dynamic Range............................ 56
Adjusting Gradation and Luminance Automatically ... 57
Using the Auto Lighting Optimizer ............................. 58
Adjusting Image Sharpness....................................... 59
Detailed Setting of Image Sharpness .................... 60
Editing with the Tone Adjustment Tool
Palette ...................................................................... 61
JPEG/TIFF
Advanced
Advanced
Advanced
Advanced
Advanced
JPEG/TIFF
Adjusting Brightness and Contrast ............................. 61
Adjusting Color Tone Using Click White Balance....... 62
Adjusting Tone Curve ................................... 63
Example of a Tone Curve Operation ...................... 64
Adjusting Dynamic Range............................. 65
Using the Auto Lighting Optimizer.............................. 65
Editing with the Color Adjustment Tool
Palette ..................................................................... 66
Editing with the Color Adjustment Tool
Palette ........................................................................
66
Adjusting a Specific Color Gamut........................... 66
Adjusting Hue and Saturation for an Entire
Image......................................................................
67
Adjusting in Monochrome ....................................... 67
Editing with the Detailed Adjustment Tool
Palette ..................................................................... 68
Reducing Noise .......................................................... 68
Adjusting Image Sharpness........................................ 69
Reducing Color Moiré in an Image ............................. 69
Editing with the Trimming/Angle Adjustment
Tool Palette ............................................................. 70
Editing with the Lens Correction Tool Palette.......... 73
Correcting Lens Aberration......................................... 73
Making Corrections..................................................... 74
Effects of Distortion Correction for Fisheye
Lenses ....................................................................
75
Shooting Distance Information Slider ......................... 76
Correcting Multiple Images at a Time......................... 77
Digital Lens Optimizer ................................................ 77
Advanced
Advanced
JPEG/TIFF
Advanced
JPEG/TIFF
JPEG/TIFF
42
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Using the Digital Lens Optimizer ............................... 78
Adjusting Image Sharpness....................................... 80
Editing with the Partial Adjustment
Tool Palette .............................................................. 81
Making Partial Adjustments to Images ([Brightness],
[Contrast], [Hue], [Saturation]) ...................................
81
Making Partial Adjustments to Images ([Reduce color
moiré])........................................................................
83
Adjustment Groups .................................................... 84
Editing with the Dust Delete/Copy Stamp
Tool Palette .............................................................. 85
Performing Automatic Dust Erasure Processing ....... 85
Automatic Dust Erasure Processing in the Main
Window ......................................................................
86
Manually Erasing Dust (Repair Function) .................. 87
Erasing Unwanted Parts of an Image (Copy Stamp
Function)....................................................................
89
Setting Work Color Space........................................ 90
Using the Soft-Proof Colors Function....................... 91
Specifying the Size when Opening RAW Images .... 92
Saving Editing Results.............................. 93
Saving Editing Contents to an Image ........................ 93
Saving as a separate image ...................................... 93
Re-Editing an Image................................. 95
Utilizing Adjustment Contents (Recipe) .... 96
Copying a Recipe and Applying to Another Image .... 97
Saving a Recipe as a File .......................................... 97
Loading and Applying Recipes .................................. 98
JPEG/TIFF
Advanced
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
Adjusting by Comparing Multiple
Images..................................................................... 99
Editing Efficiently ................................... 100
Editing in the Edit Image Window............................. 100
Changing the Thumbnail Display Position to
Horizontal .................................................................
101
Gathering and Editing Images in the Collection
Window.....................................................................
102
Compositing Images .............................. 104
Compositing Methods............................................... 107
Creating HDR (High Dynamic Range)
Images................................................................... 108
Using the Dual Pixel RAW Optimizer........ 111
Microadjustment of the Position of Maximum Sharpness
and Resolution Using the Depth Information Contained
within the Dual Pixel RAW File.................................
111
Reposition the Viewpoint or Foreground Bokeh
for a More Pleasing Result .......................................
112
Reduces the Appearance of Ghosting in
Images......................................................................
113
Using Depth Compositing.......... 115
Supported Images .................................................... 115
Using the Depth Compositing Tool........................... 115
Using the Depth Compositing Editing Tool............... 117
Using the RAW Burst Image Tool ............. 120
Starting Up the RAW Burst Image Tool.................... 120
Changing the Representative Image in a Roll .......... 122
Saving One Image in a Roll...................................... 122
Extracting and Saving Any Range in a Roll.............. 123
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
Advanced
JPEG/TIFF
Advanced
Advanced
43
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Transferring a RAW Image to
Photoshop .............................................................. 124
Customizing the Main Window Toolbar ..... 125
Advanced
Advanced
* Sections with and in “4 Editing Images”
support not only RAW image editing but also JPEG/TIFF image
editing.
: All the functions explained in the section support
JPEG/TIFF image editing.
: Certain functions explained in the section support
JPEG/TIFF image editing.
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
JPEG/TIFF
44
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
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RAW Images
A RAW image is image data that has recorded output data of imaging
sensor. As image processing is not performed inside the camera when a
photo is taken and the photo has been recorded in the special form of
“RAW image data + Image processing conditions information at the time
of shooting”, special software is needed to view or edit the image.
* “RAW” means “in a natural condition” or “not processed or refined”.
If described in terms of film, the concept of a RAW image is a shot
image not yet developed (latent image).
With film, the image appears for the first time when it is developed. In
the same way, for RAW images too, you cannot view them as images on
your computer unless you perform subsequent image signal processing.
Therefore, even though it is digital, this processing is called
“development”.
DPP automatically carries out this “development” processing when
RAW images are displayed in DPP. As a result, RAW images displayed
in DPP are images whose development processing has been
completed.
With DPP, you can view, edit and print RAW images without being
particularly conscious of the development processing.
RAW Images
RAW Development
When RAW Development is to be Done
RAW images are recorded in the format “RAW image data + Image
processing conditions information at the time of shooting”. When you
open a RAW image in DPP, the image is automatically developed and
you can view the image as an image to which image processing
conditions at the time of shooting have been applied.
Even if you perform various adjustments to the image you have opened
(it undergoes automatic development processing each time), only the
image processing conditions (development conditions) change and the
“original image data itself” remains unaffected. Therefore, it is the
perfect data for users who want to get creative with the images after
shooting, as you do not have to worry about image deterioration.
In DPP, the “Image processing conditions information” that can be
adjusted is called a “Recipe” (p.96).
In DPP, all the adjustments (image processing conditions information)
made with the tool palettes can be saved in the image as data called a
“recipe” (p.97), or can be saved, downloaded and applied to other
images as a separate recipe file (extension “.dr4”, p.98). However, a
recipe file with saved RAW image adjustments cannot be applied to
JPEG or TIFF images.
Advantages of a RAW Image
Image processing conditions information
RAW image data
Contents adjusted using the tool
palettes can be handled
individually as a recipe file
(extension “.dr4”) (p.96, p.97).
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Editing JPEG and TIFF Images
With DPP, you can adjust JPEG and TIFF images in the same way as
RAW images using the tool palettes below.
• Tone Adjustment tool palette
• Color Adjustment tool palette
• Detailed Adjustment tool palette
• Trimming/Angle Adjustment tool palette
• Partial Adjustment tool palette
• Dust Delete/Copy Stamp tool palette
• Settings tool palette
Because adjustments made with these tool palettes (the recipe) only
change the image processing conditions, the “original image data itself”
remains unaffected. Consequently, there is none of the image
deterioration that normally accompanies editing and you can readjust
your image any number of times.
In DPP, all the adjustments (image processing conditions information)
made with the tool palettes can be saved in the image as data called a
“recipe” (p.97), or can be saved, downloaded and applied to other
images as a separate recipe file (extension “.dr4”, p.98). However,
recipe data with saved JPEG or TIFF image adjustments cannot be
applied to RAW images.
Contents adjusted using the tool
palettes can be handled
individually as a recipe file
(extension “.dr4”) (p.96, p.97).
Image processing conditions information
JPEG, TIFF image data
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Tool Palettes
With DPP, you can adjust images with the tool palettes by switching
between various tool palette windows according to your editing
requirements. Since adjustments made with the tool palettes only
change the image processing conditions, the “original image data itself”
remains unaffected. As there is no image deterioration that normally
accompanies editing, you can readjust your image any number of times.
The various functions of the tool palettes are explained in more detail
under the respective topics.
Lens
Correction tool
palette
Trimming/Angle
Adjustment tool
palette
Dust Delete/
Copy Stamp
tool palette
Basic
Adjustment
tool palette
Detailed
Adjustment
tool palette
Color
Adjustment
tool palette
Tone
Adjustment
tool palette
Settings tool
palette
Partial
Adjustment tool
palette
Basic Adjustment tool palette
Makes basic adjustments to a RAW image (p.48).
Tone Adjustment tool palette
Adjusts the tone curve and applies the Auto Lighting Optimizer (p.61).
Color Adjustment tool palette
Adjusts the hue, saturation and luminance of a specific color space. The
hue and saturation for an entire image can also be adjusted (p.66).
Detailed Adjustment tool palette
Reduces noise and adjusts the image sharpness (p.68).
Trimming/Angle Adjustment tool palette
Crops an image and adjusts the image angle (p.70).
Lens Correction tool palette
Corrects lens aberration in the image (p.73) and applies the Digital
Lens Optimizer (p.78).
Partial Adjustment tool palette
Adjusts the selected area of an image (p.81).
Dust Delete/Copy Stamp tool palette
Erases dust from an image and corrects image by copying sections
of the image (p.85).
Settings tool palette
Configures the work color space (p.90).
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We recommend that you use the Basic Adjustment tool palette to make
adjustments to RAW images. However, if you find that the Basic
Adjustment tool palette does not offer a sufficient range of adjustments,
or if you want to use specific functions that are only available in the Tone
Adjustment tool palette (p.61), completing initial adjustments with the
Basic Adjustment tool palette and then using the Tone Adjustment tool
palette to make just the minimum of adjustments needed is
recommended.
For noise reduction (p.68) and lens aberration correction (p.74), you
should first complete necessary adjustments in the Basic Adjustment
and Tone Adjustment tool palettes, and then adjust with the Detailed
Adjustment tool palette (p.68) and Lens Correction tool palette (p.73).
You can click the [ ] button at the bottom right of the main window
to show/hide [Tool palette].
Using the different tool palettes
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Editing with the Basic Adjustment Tool Palette
The Basic Adjustment tool palette makes basic adjustments to RAW
images. With this tool palette, you can adjust the image brightness, set
Picture Style, adjust the white balance, adjust the contrast, adjust the
color tone and saturation, adjust the dynamic range, apply the Auto
Lighting Optimizer and adjust the image sharpness.
Note that the only adjustments you can make to JPEG/TIFF images are
applying the Auto Lighting Optimizer and adjusting the image
sharpness.
1
Select an image in the main window, etc.
2
Display the Basic Adjustment tool palette.
The brightness of an image can be adjusted. Move the slider to the right
to make the image brighter and to the left to make the image darker.
Adjusting Brightness
Reverts the image to
the original settings
Enter a numerical
value
Drag the slider left or right
The adjustment range is –3.0 to +3.0 (in 0.01-stop increments when
entering a value).
JPEG/TIFF
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If the image looks different from what you visualized at the time of
shooting, you can get it closer to what you expected by changing the
Picture Style. Even if you have saved the image (p.93) with
[Monochrome] (p.55) selected, you can still change to another Picture
Style at any point by simply selecting a Picture Style other than
[Monochrome].
Changing the Picture Style
Reverts the image to
the original settings
Select
Picture Style Description
( )
The Picture Style set with the camera when the
image was shot.
When a mode in the Creative Zone is selected on the
camera, the Picture Style set is displayed in ( ).
When a mode in the Basic Zone is selected on the
camera, [Shot settings] is displayed in ( ), and image
characteristics that are according to the selected
shooting mode are applied.
Standard
The image looks vivid.
Generally, this setting is suitable for most images.
Auto
The color tone will be adjusted to suit the scene.
The colors will look vivid. Especially the colors of
blue skies, greenery, and sunsets will be vivid in a
shot of nature, outdoor, or sunset scenes.
Portrait
For nice skin tones.
Effective for close-ups of women and children. By
changing the [Color tone], you can adjust the skin
tone (p.55).
Landscape
For vivid blues and greens.
Effective for making images of landscapes
impressive.
Fine Detail
Suited for detailed outline and fine texture
description of the subject. The colors will be slightly
vivid.
Neutral
For natural colors and subdued images.
Effective for base images which are to undergo
adjustment.
Faithful
When the subject is photographed under a color
temperature of 5200K, the color is adjusted
colorimetrically to match the subject’s color.
Effective for base images which are to undergo
adjustment.
Monochrome
For black and white images.
You can also adjust with [Filter effect] or [Toning
effect] (p.55).
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Picture Style Description
(Picture Style file
registered in the
camera)
Displayed when selecting an image shot with the
Picture Style file registered in the camera.
In the list, the name of the Picture Style file is
displayed in ( ).
[Picture Style file
applied in DPP]
The name of the Picture Style file applied in DPP is
displayed in [ ].
You can retain the [Color tone], [Color saturation], [Contrast],
[Unsharp mask] and [Sharpness] settings, even if you change the
Picture Style.
[Auto] is not applied to images shot with the EOS-1D Mark IV,
EOS-1Ds Mark III, EOS-1D Mark III, EOS-1D Mark II N, EOS-1Ds
Mark II, EOS-1D Mark II, EOS-1D, EOS-1Ds, EOS 5D Mark II,
EOS 5D, EOS 7D, EOS 60D/EOS 60Da, EOS 50D, EOS 40D,
EOS 30D, EOS 20D/EOS 20Da, EOS 10D, EOS D2000, EOS
D6000, EOS D30, EOS D60, EOS REBEL T2i/550D, EOS
REBEL T1i/500D, EOS DIGITAL REBEL XSi/450D, EOS
DIGITAL REBEL XS/1000D, EOS REBEL T3/1100D, EOS
DIGITAL REBEL XTi/400D DIGITAL, EOS DIGITAL REBEL XT/
350D DIGITAL, EOS DIGITAL REBEL/300D, PowerShot G3 X,
PowerShot G1 X Mark II, PowerShot G7 X, PowerShot G9 X,
PowerShot SX60 HS, PowerShot G5 X, PowerShot G16,
PowerShot S120, PowerShot G1 X, PowerShot G15, PowerShot
S110, PowerShot S100, PowerShot G9, PowerShot G10,
PowerShot G11, PowerShot G12, PowerShot S90, PowerShot
S95, PowerShot SX1 IS, PowerShot SX50 HS, or PowerShot
SX70 HS. When changing the Picture Style with several images
selected, although you can select [Auto] if images shot with any
supported camera other than the above are included, [Auto] will
not be applied to the images shot with the above cameras.
You can apply [Fine Detail] to all images shot with supported
camera models except the PowerShot G3 X, PowerShot G1 X
Mark II, PowerShot G7 X, PowerShot G9 X, PowerShot SX60
HS, PowerShot G5 X, PowerShot G16, PowerShot S120,
PowerShot G1 X, PowerShot G15, PowerShot S110, PowerShot
S100, PowerShot G9, PowerShot G10, PowerShot G11,
PowerShot G12, PowerShot S90, PowerShot S95, PowerShot
SX1 IS, and PowerShot SX50 HS.
You cannot select [Auto] with multiple-exposure RAW images
created with the camera.
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A Picture Style file is a Picture Style extension file.
With DPP, you can apply to RAW images Picture Style files that you
have downloaded from Canon Web site effective for various scenes or
Picture Style files created with “Picture Style Editor”. When using a
Picture Style file, save it to your computer beforehand.
1
Click the [Browse] button in the [Picture Style] panel.
The [Open] dialog box appears.
2
Select a Picture Style file saved on your computer,
and click the [Open] button.
The Picture Style file you selected is applied to an image.
To apply a different Picture Style file, follow the procedure from
step 2 again.
Using a Picture Style File
Advanced
The Picture Style files that you can apply to the camera are files with
the “.PF2” or “.PF3” extension only.
If the color tone of the photographed image does not appear natural,
change the white balance to make it appear natural. You can make the
color tone natural by setting the light source to match the scene at the
time of shooting an image of, for example, pale-colored flowers.
( )
is the white balance set on the camera when the image was shot.
• When a mode in the Creative Zone is selected on the camera,
the white balance set is displayed in ( ).
• When a mode in the Basic Zone is selected on the camera,
[Shot settings] is displayed in ( ), and image characteristics that
are according to the selected shooting mode are applied.
Adjusting Color Tone by Changing White Balance
Reverts the image to
the original settings
Select
If the color tone of the image does not appear natural after changing the
white balance, adjust the white balance using click white balance (p.52).
To make further fine adjustments to color tone after adjusting the white
balance, you can use [Color tone] (p.55) for tuning towards your expectations.
The color tone does not become more natural even when the
white balance is changed
Tune with color tone
You cannot register the adjustment results as personal white
balance (p.132) when you have selected [ ( )] from the list box.
You cannot change or adjust white balance with multiple-
exposure RAW images created on the camera.
Refer to your camera’s Instruction Manual for details on each white
balance setting.
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You can adjust white balance using a selected part of an image as the
standard for white to make the image appear natural. Using click white
balance is effective when using it in parts of an image where white color
tone has changed under the influence of a light source.
1
2
Click on a point that is to be the standard for white.
Adjusting Color Tone Using Click White Balance
Click
The coordinates of the cursor position and
the RGB values (8-bit conversion)
Click
Reverts the
image to the
original settings
The color of the image is adjusted with the point you selected as
the standard for white.
If you click on another point in the image, the white balance is
adjusted again.
To finish click white balance, right-click with the mouse or click
the [ ] button again.
When there are no white areas in your image, you can adjust the white
balance by clicking on a grey point of the image in step 2. This has the
same adjustment result as selecting a white area.
When there are no white areas in your image
You cannot change or adjust white balance with multiple-exposure
RAW images created on the camera.
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White balance can be adjusted by setting a numerical value for color
temperature.
1
Select [Color temperature] from the [White balance
adjustment] list box.
2
Set the color temperature.
Adjusting White Balance with Color Temperature
Advanced
Displays the value of
the setting
Drag the slider left or right
The adjustment range is 2000 to 10000K (in 10K increments).
This is a function that makes fine adjustments to the white balance.
Using this function, you can achieve the same effects as third-party
color temperature conversion filters and color correction filters. The
adjustable range is
±10 steps. This function is aimed particularly at high-
end users who are familiar with the roles and effects of color
temperature conversion filters and color correction filters.
Tune the white balance by dragging the point in the
adjustment screen in the [Fine-tune] panel.
B stands for blue, A for amber, M for magenta and G for green.
The color is adjusted towards the color to which the point moves.
You can also fine-tune your adjustment by using the sliders or
entering the adjustment values.
Tuning White Balance
Advanced
Enter the values to set
Drag
Drag the sliders left
or right
To register the adjustment outcomes as a personal white balance
(p.132), select a setting other than [ ( )] from the [White
balance adjustment] list box before tuning the white balance. If
you selected [ ( )] from the list box and tuned the white
balance, you cannot then register the outcomes as a personal
white balance.
You cannot change or adjust the white balance in multi-exposure
RAW images generated on the camera.
The adjustable range is 0 to ±10. (in 0.1-stop increments when
entering a value).
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Modulation and degree of contrast can be adjusted. Move the slider to
the right to make contrast stronger and to the left to make contrast
weaker.
Adjusting Contrast
Reverts the image to
the original settings
Drag the slider left or
right (9 steps)
Enter a setting (in 0.1-
stop increments)
You can adjust the brightness of shadows and highlights in an image.
By adjusting only shadows or highlights in an image, you can reduce the
effects of clipping in shadows and highlights.
Adjusting Brightness of Shadows/Highlights
Advanced
Drag the sliders left
or right
Enter a setting (in 0.1-
stop increments)
If you make a major adjustment to the highlights or shadows in an
image, the image may look unnatural. In such a case, reduce the
degree of adjustment.
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Tone and overall color saturation can be adjusted.
If Picture Style (p.49) is set to [Monochrome], [Color tone] and [Color
saturation] switch to [Filter effect] and [Toning effect] (this page).
Color tone: Move the slider to the right to make tones
more yellowish, and to the left to make tones
more reddish.
Color saturation: Adjusts the overall color intensity for the
image. Move the slider to the right for more
intense colors, and to the left for less intense
colors.
Changing Color Tone and Color Saturation
Enter a setting (in 0.1-
stop increments)
Reverts the image to
the original settings
Drag the sliders left or
right
The adjustment range is –4 to +4.
Adjusting Monochrome
When the Picture Style (p.49) is set to [Monochrome], you can create
monochrome photographs with effects similar to filtering, or with a look
of monotone color photograph.
1
Select [Monochrome] in the [Picture Style] list box.
2
Reverts the image to
the original settings
Displays the values of
the settings
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Filter effect: Creates a monochrome photograph where the white of
clouds and the green of trees are emphasized.
Toning effect: Creates a monochrome photograph to which a single
color has been added.
You can choose from [None], [Sepia], [Blue], [Purple]
and [Green].
Filter Example of effect
None General monochrome image without filter effect.
Yellow
Blue sky is reproduced more naturally and white
clouds emerge clearly.
Orange
Blue sky becomes somewhat darker. The
brightness of the setting sun increases further.
Red
Blue sky becomes quite dark. Autumn leaves
become clear and bright.
Green
Human skin tones and lips become softer. The
green leaves of trees become clear and bright.
To emphasize the filter effect, set the [Contrast] slider to the right.
Increase the [Contrast] to emphasize the filter effect
Dynamic range (width of gradation expression) from dark points to bright
points in an image can be adjusted.
The horizontal axis shows the input level and the vertical axis
shows the output level.
Checkmark the [Move midpoint to match] checkbox to link the
mid-point to your adjustments to the input white points and input
black points.
Adjusting Dynamic Range
Advanced
Move to the left or right
Input white points
Move downwards
Output white points
Move upwards
Output black points
Move to the left or right
Mid (medium tone) point
You can also adjust
the dynamic range by
entering values
Move to the left or right
Input black points
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In order to give the image desirable gradations and luminance,
automatic adjustments are applied for an appropriate dynamic range.
Click the [Auto] button.
In order to give the image desirable gradations and luminance,
the dynamic range is automatically adjusted.
Use [Linear] when you adjust images using image editing software that
has advanced editing functions. Note that when [Linear] is
checkmarked, the image becomes dim.
[Linear] - A function for advanced adjustment
[Contrast], [Highlight], [Shadow], and [Auto Lighting Optimizer]
(p.58) will not function when [Linear] is checkmarked.
Adjusting Gradation and Luminance Automatically
White points, midpoint, and black points in the [Gamma
adjustment] panel as well as [Highlight] and [Shadow] in the
[Advanced] panel are adjusted automatically.
Settings that are reset and those that are not with this adjustment
are as follows.
Settings that are reset
・Auto Lighting Optimizer
・[Contrast] in the [Advanced] panel
Settings that are not reset
・Brightness adjustment
・White balance adjustment
・Linear*
* White points and black points are automatically adjusted.
An image may look unnatural after automatic adjustment. In such a
case, reduce the degree of shadow and highlight adjustment.
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If the shooting result is dark or the contrast is low, you can use the Auto
Lighting Optimizer function to auto-correct the brightness and contrast,
and obtain a more favorable image.
You can also change the setting of the image shot with the camera’s
Auto Lighting Optimizer function.
This function also can be used for JPEG/TIFF images in addition to
RAW images.
* ALO stands for Auto Lighting Optimizer.
1
Checkmark the [Auto Lighting Optimizer] checkbox.
For the image shot with the camera’s Auto Lighting Optimizer
function, the checkbox is already checked.
2
Change the setting according to your preferences.
Auto correction is applied to the image to match the setting.
For the image shot with the camera’s Auto Lighting Optimizer
function, the setting at the time of shooting is applied as the
default value.
To cancel the Auto Lighting Optimizer, remove the check mark
from the checkbox.
Using the Auto Lighting Optimizer
Checkmark
Select from three
levels: Low/Standard/
Strong
When [Highlight tone priority] is set to [Enable] on any supported
EOS DIGITAL camera other than the EOS-1D Mark IV or EOS 5D
Mark II, the Auto Lighting Optimizer cannot be used for RAW
images.
You cannot use the Auto Lighting Optimizer with multiple-
exposure RAW images created with the camera.
When you apply Auto Lighting Optimizer to the RAW and JPEG
images shot simultaneously, the correction results of the two
images may differ.
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You can make the overall atmosphere of an image sharper or softer.
Adjustment can be made by selecting from two modes, [Sharpness] and
[Unsharp mask].
[Sharpness]: Controls the sharpness of an image by adjusting the
level of emphasis for the outline of the image. The
further to the right the [Sharpness] slider is moved (the
larger the setting value), the more the edges are
emphasized for a sharper image.
[Unsharp mask]: Adjusts the image’s sharpness more finely.
[Strength]: Shows the level of emphasis for the outline of the
image. The further to the right the slider is moved (the
larger the setting value), the more the image’s edges
are emphasized for a sharper image.
[Fineness]: Shows the fineness of the emphasized outline. The
further to the left the slider is moved (the smaller the
setting), the easier it becomes to emphasize fine
details.
[Threshold]: Sets “how much contrast difference there should be
compared to surroundings before emphasizing
edges”.
Adjusting Image Sharpness
[Unsharp mask] cannot be used with images other than RAW
images.
Select [Sharpness] from the list box and adjust the
setting.
Reverts the image to
the original settings
Drag the slider left or right
Enter a setting (in 0.1-
stop increments)
Select [Sharpness]
The adjustment range is 0 to 10.
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Detailed Setting of Image Sharpness
Select [Unsharp mask] from the list box and adjust
the setting.
Drag the slider left
or right
Select [Unsharp mask]
Enter a setting (in
0.1-stop increments)
Adjust image sharpness with the window view set to [400%], [200%]
or [100%]. If the view is set to [Fit to window] (full view), you may not
be able to correctly check the adjustment results.
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Editing with the Tone Adjustment Tool Palette
With the Tone Adjustment tool palette, you can adjust images with the
same functions as general image editing software.
1
Select an image in the main window, etc.
2
Display the Tone Adjustment tool palette.
The brightness and contrast of an image can be adjusted. Since the
adjustment range is broader than the same functions in the Basic
Adjustment tool palette, the image color may be saturated, or the image
quality may deteriorate if you adjust too much. Be especially careful
when adjusting.
Adjusting Brightness and Contrast
Drag the sliders left or
right
Enter a setting (in 0.1-
stop increments)
Reverts the image to
the original settings
JPEG/TIFF
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Brightness: Move the slider to the right to make an image
brighter and to the left to make an image darker.
Contrast: Used to adjust modulation and degree of contrast
of color. Move the slider to the right to make
contrast of an image stronger and to the left to
make contrast weaker.
The adjustment range is –100 to +100 (in 0.1-stop increments when
entering a value).
You can adjust white balance using a selected part of an image as the
standard for white to make the image appear natural. Using click white
balance is effective when using it in parts of an image where white color
tone has changed under the influence of a light source.
1
Click the [ ] button.
Adjusting Color Tone Using Click White Balance
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2
Click on a point that is to be the standard for white.
The color of the image is adjusted with the point you selected as
the standard for white.
If you click on another point in the image, the white balance is
adjusted again.
To finish click white balance, right-click with the mouse or click
the [ ] button again.
The coordinates of the cursor position and
the RGB values (8-bit conversion)
Click
When there are no white areas in your image, you can adjust the white
balance by clicking on a grey point of the image in step 2. This has the
same adjustment result as selecting a white area.
When there are no white areas in your image
The histogram display changes according to adjustment. You can
also display the histogram before making any adjustments.
You can adjust the brightness, contrast and color of a specific area by
changing the tone curve (p.167).
1
Select the tone curve mode and interpolation
method.
Adjusting Tone Curve
Advanced
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2
Make adjustments.
The horizontal axis shows the input level and the vertical axis
shows the output level.
The maximum number of [ ] is 8.
To delete a [ ], either press the <Del> key or double-click on the [ ].
You can display pre-
and post-adjustment
histograms
RGB: Adjusts RGB
in a batch
R, G, B: Adjusts
each channel
Coordinates of [ ]
(when several
coordinates are set,
coordinates of last-
set [ ])
Example of a Tone Curve Operation
Makes medium tones brighter Makes medium tones darker
Makes tones sharper Makes tones softer
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Dynamic range (width of gradation expression) from dark points to bright
points in an image can be adjusted.
The horizontal axis shows the input level and the vertical axis shows
the output level.
Adjusting Dynamic Range
Advanced
Move to the
left
Input
white
points
Reverts the
image to the
original
settings
Move to the
right
Input black
points
Output
white point
numerical
value
Move downwards
Output white points
Output black
point numerical
value
Move upwards
Output black points
Input black
point numerical
value
Input
white
point numerical
value
For information on using the Auto Lighting Optimizer, see “Using the
Auto Lighting Optimizer” (p.58) in “Editing with the Basic Adjustment
Tool Palette”.
The setting range of black points is 0 to 247 (in 1-stop increments
when entering a value).
The setting range of white points is 8 to 255 (in 1-stop increments
when entering a value).
You can display pre- and post-editing histograms (p.64).
Using the Auto Lighting Optimizer
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Editing with the Color Adjustment Tool Palette
With the Color Adjustment tool palette, you can adjust the hue,
saturation and luminance in a specific color gamut for 8 color gamuts
(red, orange, yellow, green, aqua, blue, purple and magenta). You can
also adjust the hue and saturation for the entire image and tune
monochrome images.
1
Select an image in the main window, etc.
2
Display the Color Adjustment tool palette.
Adjusting a Specific Color Gamut
Use the sliders to make adjustments. You can also make adjustments
by directly entering a numeric value.
H: Adjusts the hue.
S: Adjusts the saturation.
L: Adjusts the luminosity.
Editing with the Color Adjustment Tool Palette
Advanced
Revert all adjustments to
the original settings
Drag the sliders left
or right
Enter the values to set
Revert color gamut
adjustments to the
original settings
The adjustment ranges are as follows:
H: –20 to +20
S: –10 to +10
L: –10 to +10
JPEG/TIFF
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Adjusting Hue and Saturation for an Entire
Image
Use the sliders to make adjustments. You can also make adjustments
by directly entering a numeric value.
Hue: Move the slider to the right to make color tones more
yellowish, and to the left to make color tones more reddish.
Saturation:Adjusts the overall color intensity for the image. Move the
slider to the right for more intense colors, and to the left for
less intense colors.
Revert all adjustments
to the original settings
Drag the sliders left or
right
Enter the values to set
The adjustment range for hue is –30 to +30; and for saturation is 0
to 200.
Adjusting in Monochrome
Press the [Monochrome] button to set the 8 color gamuts to their least
saturation (-10) and create a monochrome image. After creating it, you
can tune the monochrome image with the H and L sliders for each color
gamut, adjusting the hue and brightness.
Revert all adjustments
to the original settings
Drag the sliders left or
right
Enter the values to set
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Editing with the Detailed Adjustment Tool Palette
You can use the Detailed Adjustment tool palette to reduce the noise
that occurs in images shot at night or at high ISO settings. This tool
palette can also be used in conjunction with the sharpness adjustment
functions. Note that you can use the functions in this tool palette with
JPEG and TIFF images as well as RAW images.
1
Select an image in the main window, etc.
2
Display the Detailed Adjustment tool palette.
You can reduce noise that arises in images shot at night or with a high
ISO speed.
* NR stands for Noise Reduction.
Adjust an image.
You can set a noise reduction level from within a range of 0 to 20.
The larger the setting, the larger the noise reduction effect.
The noise reduction effect can also be checked in the check
window.
Reducing Noise
Enlargement
display
position
Check window
Drag the sliders
Enter a setting (in 0.1-
stop increments)
JPEG/TIFF
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You can also use this palette to adjust the image sharpness. For
information on making adjustments, see “Adjusting Image Sharpness” in
“Editing with the Basic Adjustment Tool Palette” (p.59).
You can set the same noise reduction level for several images by first
selecting multiple images in the main window, and then adjusting the
noise reduction level using the [Reduce luminance noise] and [Reduce
chrominance noise] sliders.
Setting the same noise reduction level for several images
If [Reduce luminance noise] is set, resolution may be reduced
along with reduction of noise.
If [Reduce chrominance noise] is set, color bleeding may occur
along with reduction of noise.
Adjusting Image Sharpness
You can reduce color moiré* occurring in an image.
*Color moiré: Occurrence of a color appearing that is not originally in an
image. In particular, tends to occur when taking photos of latticed or
similar patterns.
Checkmark the [Reduce color moiré] checkbox and
adjust using the slider.
Reducing Color Moiré in an Image
Depending on the subject, you may not be able to correct color
moiré completely.
Using this function may cause hue to change depending on the
subject. If there is a noticeable change in hue, lower the level of
adjustment.
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Editing with the Trimming/Angle Adjustment Tool Palette
You can crop only the part of an image you need, or change the
composition of an image where an image shot horizontally becomes
vertical. You can also adjust the angle of an image before cropping.
1
Select the image to be cropped.
2
Display the Trimming/Angle Adjustment tool palette.
You cannot make adjustments with the Trimming/Angle
Adjustment tool palette in a window that only shows thumbnails.
3
Adjust the angle of the image as needed.
Trimming/angle adjustment window
Use the mouse (click /) to adjust the angle or directly enter
the adjustment angle (0.01-degree increments; adjustable
range: –45 to +45 degrees)
Drag (0.01-degree increments; adjustment range: –45 to +45
degrees)
Largest possible
trimming range
If you click [Center on Screen], you can display the trimming
range in the center of the window.
When correcting lens aberrations, it is recommended to perform
lens aberration correction before adjusting the angle of the
image.
If you have only adjusted the angle of the image, the image will
be cropped at the largest possible trimming range.
4
Select a ratio and drag the trimming range.
The trimming range can be moved by dragging.
You can enlarge or reduce the size of the trimming range by
dragging the four corners of the trimming range.
Cancel
Select a trimming ratio
Drag the trimming
range
When aspect ratio information is attached to an image shot with any
supported camera other than the EOS 5D Mark II, the displayed
trimming range is based on the aspect ratio information.
JPEG/TIFF
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List of aspect ratios (width : height)
5
Return to the main window.
The trimming range frame is displayed in the cropped image
(p.166).
When the cropped image is displayed in a preview window or the
edit image window, it is displayed in its cropped form.
[Free]: You can crop an image to any size, regardless of
the selectable ratio.
[Custom]: You can crop an image at the specified ratio.
The trimmed range can be reverted to its original condition at
any time
A cropped image is displayed or printed as a cropped image.
However, since the image is not actually cropped, you can always
revert to the original image by clicking the [ ] button in the
trimming/angle adjustment window or performing the “Re-Editing an
Image” procedure (p.95).
Display of the cropped image in each window
• Main window: The frame showing the trimming range is
displayed on the image (p.166).
• Preview window: The image is displayed in its cropped condition.
• Edit image window: The thumbnail image is the same as the main
window display, and the enlarged image is the
same as the preview window display.
Printing a cropped image
You can print as a cropped image by printing it in DPP.
The image becomes a cropped image when converted and saved
The cropped RAW image actually becomes a cropped image when
converted to a JPEG or TIFF image and saved (p.93).
Images that have aspect ratio set will be displayed as cropped
images
When aspect ratio or cropping information is attached to a RAW
image shot with any supported camera other than the EOS 5D Mark
II, the image will be displayed with the set trimming range based on
the information. Since the image is not actually cropped, you can
change the trimming range or revert to its condition before cropping.
However, when a JPEG image is shot either with an aspect ratio set
with a camera that supports aspect ratio information or with the EOS
5DS/EOS 5DS R set to crop shooting, its trimming range cannot be
changed or the image cannot be reverted to its condition before
cropping since the image is actually cropped and saved.*
When reverting to the trimming range that is based on the aspect ratio
information at the time of shooting, click the [ ] button. Also, if
you want to cancel all the trimming range, click the [Clear] button.
Cropped images
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* When shooting with EOS 5DS/EOS 5DS R, EOS 5D Mark IV, EOS
5D Mark III, EOS R/Ra/RP (with any setting other than [1.6x
(crop)]), or EOS 7D Mark II and [Add cropping information] is set in
Custom Functions, aspect ratio information is only set and the
image is not actually cropped, even for JPEG images.
Operate using the menu
Each operation can also be performed with the menu which appears
when you right-click with the mouse on the image.
Apply the trimmed range to another image
You can apply the trimmed range to another image by clicking the
[Copy] button to copy the trimmed range, displaying another image
and then clicking the [Paste] button.
To batch apply a copied trimming range to multiple images, select the
cropped image in the main window together with the images to which
you want to apply the trimming range and then display the Trimming/
Angle Adjustment tool palette. With the cropped image displayed,
click the [Copy] button and then click the [Paste] button. This will
apply the trimming range to all the images selected when the
trimming/angle adjustment window is displayed.
To select multiple images in the main window, click the images while
holding down the <Ctrl> key. To select multiple consecutive images,
click on the first image, and then click on the last image while holding
down the <Shift> key.
For images shot with ISO speed range expansion set, noticeable
noise may make it difficult to view the image in detail in the
trimming/angle adjustment window.
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Editing with the Lens Correction Tool Palette
With the Lens Correction tool palette, you can use the lens aberration
correction functions and the Digital Lens Optimizer to correct lens
aberration in your images and to improve their resolution. This tool
palette can also be used in conjunction with the sharpness adjustment
functions. Note that the lens aberration correction functions and the
Digital Lens Optimizer can only be used with RAW images.
1
Select an image in the main window, etc.
2
Display the Lens Correction tool palette.
You can easily make corrections to drops in peripheral illumination,
distortions in the subject, and color blur which occur by the physical
characteristics of the lens or slightly remaining aberration.
You can only correct aberration in RAW images which have been shot
with compatible lenses. JPEG or TIFF images cannot be corrected.
Note that even though the EOS 20D/EOS 20Da, EOS 10D, EOS D2000,
EOS D6000, EOS D30, EOS D60, EOS DIGITAL REBEL XT/350D
DIGITAL, and EOS DIGITAL REBEL/300D are EOS DIGITAL cameras
supporting the Digital Photo Professional, they are not compatible with
the lens aberration correction function. Also, note that the lens
aberration correction function is compatible with the EOS 5D with the
firmware version 1.1.1 and the EOS 30D with the firmware version
1.0.6.
Correcting Lens Aberration
To use this function, the EOS Lens Registration Tool (version 1.4.20
or later) must be installed.
Lenses compatible with this function are those displayed in the
[Add or Remove lens data] window (p.79).
You can also correct RAW images taken with the compatible lens
even when the extender is attached.
You can also correct RAW images shot with EF50mm f/2.5
Compact Macro fitted with Life Size Converter EF.
The aberration correction function is not available for images shot
with a lens other than those given under “Compatible Lenses”.
They are therefore not displayed and cannot be used.
The lens aberration correction function is not available for
multiple-exposure RAW images created on the camera.
EF cinema lenses (CN-E lenses) are not compatible.
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You can make corrections to any of the five aberrations as below, either
one at a time or simultaneously.
Peripheral illumination
Chromatic aberration (color fringing which occurs in the periphery of
an image)
Color blur (blue or red color blur which sometimes occurs at the edge
of the highlighted area of an image)
Distortions Diffraction
1
Select an image in the main window.
2
Display the Lens Correction tool palette and
checkmark the items to be corrected.
The image is corrected and redisplayed.
In the main window, the [ ] mark is displayed on the image to
indicate that the lens aberration correction is applied (p.166).
Making Corrections
Enlargement display section
Check the results of corrections to peripheral illumination or
distortions in the full view.
Check the results of corrections to chromatic aberration and color
blur by clicking the area on the image you want to check and
then checking the enlargement display section in the top of the
window. You can choose from 4 display scales between 1:1 and
1:4 for the enlargement display.
You can lessen the degree of correction by moving the slider to
the left.
You can respectively correct red chromatic aberration with the [R]
slider of the [Chromatic aberration] or blue chromatic aberration
with the [B] slider.
To correct distortion aberration of images shot with a fisheye lens
(EF8
–15mm f/4L USM Fisheye or EF15mm f/2.8 Fisheye), four
effects can be selected from the [Effect] list box in addition to
[Shot settings] normally used for distortion correction.
The level of an effect can be adjusted with the adjustment slider
located below [Distortion].
For detailed information on each effect, see “Effects of Distortion
Correction for Fisheye Lenses” (p.75).
For images shot with EF8
–15mm f/4L USM Fisheye, a fine-tune
slider is also displayed when you select [Emphasize Linearity]
from the [Effect] list box.
Adjust the amount of correction for distortion aberration with the
adjustment slider, and then adjust with the fine-tune slider if more
adjustment is required.
When the list box for selecting an extender is displayed, select
the extender attached at the time of shooting from the list box.
[Diffraction correction] corrects only those images shot with a
camera with a diffraction correction function. By checkmarking
this option, images are corrected according to the camera’s
diffraction correction function. Note that this function cannot be
used at the same time as the Digital Lens Optimizer.
The adjustment range of distortion correction is either [0 to +100]
or [–20 to +120], depending on the camera model that was used
for shooting. The adjustment range for images shot with a
fisheye lens mounted is [0 to +100] regardless of the camera
model that was used.
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Effects of Distortion Correction for Fisheye
Lenses
Shot settings
By selecting this option, only the aberration corrections will be
performed to correct the optical distortions.
Emphasize Linearity
This converts the image to a “central projection” style image. This
projection method is employed for general lenses.
Since central projection displays straight lines as straight lines, a
wide-view panoramic image can be obtained by selecting this option.
However, the periphery is stretched, resulting in decreased resolution.
Emphasize Distance
This converts the image to an “equidistant projection” style image.
This projection method preserves distance relationships.
Equidistant projection displays a distance in the same distance
anywhere from the center to the periphery. In particular, when
shooting a celestial body such as the celestial sphere, same heights
above the horizon(declination) are captured at the same heights. This
method is therefore used in such photography as celestial
photography (star maps, solar path diagrams, etc.).
Emphasize Periphery
This converts the image to a “stereographic projection” style image.
This projection method emphasizes the periphery.
Stereographic projection allows position relationships on a spherical
surface, such as N, S, E, W on a map, to be displayed correctly. It is
therefore used for world maps and monitoring cameras.
By selecting this option, the periphery is stretched and may result in
decreased resolution.
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Emphasize Center
This converts the image to an “orthographic projection” style image.
With this projection method, the center is more emphasized.
Since an orthogonal projection allows a subject of the same
brightness to be displayed as occupying the same area in the image,
this method has typical uses in photography for celestial luminance
distributions and center-emphasized animal photography. By
selecting this option, the center is stretched and may result in
decreased resolution.
When selecting any of the options, [Emphasize Linearity],
[Emphasize Distance], [Emphasize Periphery], or [Emphasize
Center], it will yield results similar to that of the selected projection
method. However, the conversion does not really apply a change of
projection method in a strict sense.
Accordingly, be aware that they are not suited for scientific or other
such purposes.
When correcting RAW images and if shooting distance information has
been saved to the image, the slider is set automatically according to
this shooting distance information. However, if no shooting distance
information is saved to the image, the slider is set automatically to the
right end at infinity position and a [<!>] appears above the slider.
If the image’s shooting distance is not infinite, you can minutely adjust
the distance by operating the slider while looking at the screen.
When correcting RAW images shot with the cameras in the table
below, it is set automatically to the right end at infinity position. You
can then minutely adjust the distance by operating the slider while
looking at the screen if the shooting distance is not infinite.
For RAW images shot with MP-E65mm f/2.8 1-5x Macro Photo or
EF50mm f/2.5 Compact Macro with Life Size Converter EF, the slider
indicator changes to [Magnification factor].
The [Shooting distance information] slider is applied to all the
correction items with check marks.
If the lens requires no adjustment with the [Shooting distance
information] slider, the slider cannot be used.
EOS-1D Mark II N EOS-1Ds Mark II EOS-1D Mark II
EOS-1D EOS-1Ds EOS 5D
EOS 30D
EOS DIGITAL REBEL
XTi/400D DIGITAL
Shooting Distance Information Slider
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You can apply the same corrections to several images by first selecting
multiple images in the main window, and then performing correction
procedures (p.74).
Also, you can apply same corrections by copying the recipe of the
corrected image and pasting it onto the multiple images (p.97).
Some noise appeared in the periphery of an image after
correcting [Peripheral illumination]
You can reduce the noise by using luminance and/or chromatic noise
reduction of the noise reduction function (p.68). However, if you had
applied high amount of [Peripheral illumination] correction to the
images that have been shot at night or with a high ISO speed, the
noise might not be reduced.
The image appears with less resolution after correcting
[Distortion]
You can make the image similar to the one before correction by
applying more sharpness with the sharpness adjusting function
(p.69).
The colors of the image became weaker after correcting [Color
blur]
You can make the image similar to the one before correction by
adjusting the color tone (p.55) and/or the color saturation (p.67) to
make the color deeper.
The result of [Color blur] correction cannot be detected
[Color blur] correction is effective for correcting blue or red color blur
which occurs at the edge of the highlighted area of an image. If
conditions do not match, correction cannot be made.
Additional information
Correcting Multiple Images at a Time
The periphery of the image may be truncated when [Distortion]
correction is made.
This function enables the resolution of images to be increased by
removing any remaining aberration related to image-forming capability
or any deterioration of resolution resulting from diffraction phenomena.
These optical phenomena cannot be corrected under Lens aberration
correction (p.73). Correction is achieved using the designed value of
each lens. You can correct these optical phenomena in RAW images
which have been shot with compatible lenses. JPEG, TIFF, S-RAW, and
M-RAW images cannot be corrected. To use this function, [Lens data]
for the lens used to shoot images first needs to be downloaded to your
computer. Before using the Digital Lens Optimizer, it is recommended
that you set [Sharpness] or [Strength] for [Unsharp mask] for images to
0.
Note that even though the EOS 20D/EOS 20Da, EOS 10D, EOS D2000,
EOS D6000, EOS D30, EOS D60, EOS DIGITAL REBEL XT/350D
DIGITAL, and EOS DIGITAL REBEL/300D are EOS DIGITAL cameras
supporting the Digital Photo Professional, they are not compatible with
the lens aberration correction function. Also, note that the lens
aberration correction function is compatible with the EOS 5D with the
firmware version 1.1.1 and the EOS 30D with the firmware version
1.0.6.
Digital Lens Optimizer
To use this function, the EOS Lens Registration Tool (version
1.4.20 or later) must be installed.
The Digital Lens Optimizer is also available for images shot with
an extender attached to a compatible lens.
You cannot use the Digital Lens Optimizer with multiple-exposure
RAW images created on the camera.
EF cinema lenses (CN-E lenses) are not compatible.
[Diffraction correction] cannot be used at the same time as the
Digital Lens Optimizer.
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1
Check the status of [Lens data] for [Digital Lens
Optimizer].
[Not Available] is displayed for an image shot with a non-
compatible camera or lens, or for a non-compatible image such
as a JPEG, TIFF, S-RAW, or M-RAW image. The function cannot
be used for these images.
If [No] is displayed, proceed to step 2. To use the function, you
need to download the lens data for the lens used when shooting
the image. It is recommended that you check the lens used when
shooting the image beforehand. The lens used can be checked
using the image information and shooting information displays.
You can also check it with the menu that appears when you right-
click with the mouse on an image.
If [Yes] is displayed, proceed to step 4.
Using the Digital Lens Optimizer
2
Click the [ ] button.
The [Add or Remove lens data] window appears.
To use this function, an environment with Internet access
(subscription to a provider and an in-place line connection) is
required. Internet Service Provider (ISP) connection fees or access
point connection fees may apply.
Before you click the [ ] button in step 2, Lens data [No] may
be displayed instead of [Not Available] for non-compatible images.
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3
Checkmark the checkbox for the lens used to shoot
the image, and click the [Start] button.
The lens data is downloaded to your computer.
When the downloading of the lens data ends, the indication for
the lens data changes to [Yes].
Lenses compatible with this function are those displayed in the
[Add or Remove lens data] window.
If you remove the check mark from the checkbox for already-
downloaded lens names and click the [Start] button, the lens data
will be deleted from your computer.
Depending on the type, current state, etc. of software running on
your computer, the download of the lens data may fail. If it occurs,
wait for a while then try downloading the data again.
If you want to change the destination where lens data is saved
when there is already downloaded lens data, move the previously
downloaded lens data from the old folder to the new destination
folder manually.
4
Checkmark the [Digital Lens Optimizer] checkbox
and adjust the image.
Reverts to its condition
before adjustment
Since the lens data downloaded with DPP version 3.x is not
compatible with DPP version 4.x, the lens data must be downloaded
again.
When applying the Digital Lens Optimizer, the effect of [Sharpness]
or [Unsharp mask] may become excessive. It is recommended that
you set [Sharpness] or [Strength] for [Unsharp mask] for images to 0
before using the Digital Lens Optimizer. Adjust [Sharpness] or
[Unsharp mask] again after applying the Digital Lens Optimizer to
images.
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You can also use this palette to adjust the image sharpness. For
information on making adjustments, see “Adjusting Image Sharpness” in
“Editing with the Basic Adjustment Tool Palette” (p.59).
Use the slider to adjust the Digital Lens Optimizer effect.
If no shooting distance information is saved to the image, the
shooting distance slider is set automatically to the right end at
infinity position and a [<!>] appears above the shooting distance
slider.
If the lens requires no adjustment with the [Shooting distance
information] slider, the slider cannot be used.
Images cannot be corrected for [Chromatic aberration] in the lens
aberration correction tool pallet if the Digital Lens Optimizer has
been applied.
In the main window, the [ ] mark is displayed on the image to
indicate that the Digital Lens Optimizer is applied (p.166).
Adjusting Image Sharpness
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Editing with the Partial Adjustment Tool Palette
The Partial Adjustment tool palette adjusts the selected area of an
image.
With this tool palette, you can adjust brightness, contrast, hue, and
saturation, and reduce color moiré.
Supported image formats are CR2, CR3, TIFF, and JPG.
On 32-bit OSs, this function is not available.
1
Select an image in the main window, etc.
2
Display the Partial Adjustment tool palette.
32bit
Making Partial Adjustments to Images
([Brightness], [Contrast], [Hue], [Saturation])
3
Select [Adjustment group].
Select [Adjustment group] from [ ], [ ], [ ], [ ], and
[].
(By default, [ ] is selected.)
For information on adjustment groups, see “Adjustment Groups”
(p.84).
4
Click the [Set Adjustment Area] button.
A circular cursor appears in the window.
JPEG/TIFF
Advanced
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5
Drag the sliders to adjust [Size] and [Blur radius] for
the circular cursor.
[Blur radius] adjusts blurring at the border of the selected area.
Circular cursor
6
Click or drag the circular cursor on the image to
select the area of adjustment in the image.
7
Use the sliders to adjust [Adjustment items] as
necessary.
Adjustments are applied to the area selected in step 6.
You can use the [ ], [ ], [ ], and [ ]
buttons below [Adjustment items] to return and check positions
selected with the circular cursor. Available buttons, from the left,
are [Undo All], [Undo], [Redo], and [Redo All].
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Changes edited with this function are not displayed in the
following images.
• Thumbnail images
• Navigator images
• Images in the HDR [Select images] window (see p.108, step 3)
• Images in the [Contact sheet] window for printing a thumbnail
list (see p.129, step 3)
However, edited changes are applied when four images or
fewer (JPEG/TIFF images) are selected.
Changes edited with this function are not applied in the DPP
histogram display.
This function partially reduces color moiré in images.
Before making adjustments, see “Reducing Color Moiré in an Image”
(p.69) for information on reducing color moiré.
1
Select an image in the main window, etc.
2
Display the Partial Adjustment tool palette.
3
Click the [Reduce color moiré] button in [Adjustment
group].
A dialog box for [Reduce color moiré] appears.
4
Click the [Set Adjustment Area] button, and use the
[Size] and [Blur radius] sliders for the circular cursor
to make adjustments.
5
Click or drag the circular cursor on the image to
select the area of adjustment in the image.
6
Use the [Reduce color moiré] slider in [Adjustment
items] to specify the setting.
Adjustments are applied to the area selected in step 5.
You can use the [ ], [ ], [ ], and [ ]
buttons below [Adjustment items] to return and check positions
selected with the circular cursor. Available buttons, from the left,
are [Undo All], [Undo], [Redo], and [Redo All].
Making Partial Adjustments to Images
([Reduce color moiré])
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Changes edited with this function are not displayed in the
following images.
• Thumbnail images
• Navigator images
• Images in the HDR [Select images] window (see p.108, step 3)
• Images in the [Contact sheet] window for printing a thumbnail
list (see p.129, step 3)
However, edited changes are applied when four images or
fewer (JPEG/TIFF images) are selected.
Changes edited with this function are not applied in the DPP
histogram display.
The Partial Adjustment tool palette comprises 5 adjustment groups
that allow adjustments to be made with [Brightness], [Contrast], [Hue],
and [Saturation] options, and 1 adjustment group that allows
adjustments to be made with the [Reduce color moiré] option.
• A different adjustment area can be selected for each adjustment
group.
• Adjustment groups [ ], [ ], [ ], [ ], and [ ] allow
different values to be specified even for a same adjustment option.
By default, adjustments from all adjustment groups are applied to an
image. However, you can click the [ ] button and select to apply or
not apply adjustments from each adjustment group.
Positions selected with the circular cursor, that can be checked using
the [ ], [ ], [ ], and [ ] buttons below
[Adjustment items], can be checked per each group.
The order of adjustment groups in which adjustments are applied to
images is (1) [Reduce color moiré], (2) [ ], (3) [ ], (4) [ ],
(5) [ ], and (6) [ ].
Adjustment Groups
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Editing with the Dust Delete/Copy Stamp Tool Palette
You can use this tool palette to erase dust and other marks in a shot
image and to correct an image by copying part of the image and pasting
it onto an unnecessary part of the image.
Note that you can use the functions in this tool palette with JPEG and
TIFF images as well as RAW images.
Dust Delete/Copy Stamp Tool Palette
On 32-bit OSs, the results of erasing dust manually (repair
function) (p.87) and erasing unwanted parts of an image (copy
stamp function) (p.89) can only be checked in the window in which
erasure was performed, in the print results, or in the image after
being converted and saved.
32bit
The Dust Delete Data that is appended to images can be used to
automatically erase dust spots.
1
Select an image with dust delete data attached in the
main window, etc.
2
Display the Dust Delete/Copy Stamp tool palette.
You cannot make adjustments with the Dust Delete/Copy Stamp
tool palette in a window that only shows thumbnails.
3
When the image has redrawn itself, click the [Apply
Dust Delete Data] button.
Dust spots are erased in a single operation.
4
Return to the main window.
Performing Automatic Dust Erasure Processing
JPEG/TIFF
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The dust-erased image can be reverted to its original condition
at any time
A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [ ] button in
the Dust Delete/Copy Stamp tool palette or performing the “Re-Editing
an Image” procedure (p.95).
Printing dust-erased images
You can print as a dust-erased image by printing it in DPP.
To erase dust spots that cannot be erased with the automatic
dust erasure processing
In automatic dust erasure processing, dust spots are erased based on
information relating to dust saved in the Dust Delete Data. However,
there may be cases where you will not be able to erase dust spots
depending on the type of dust. If this occurs, erase those dust spots
using the repair function (p.87) or the copy stamp function (p.89).
The image becomes a dust-erased image when converted and
saved
The dust-erased RAW image actually becomes a dust-erased image
when converted to a JPEG or TIFF image and saved (p.93).
Applying the dust erasure result to another image
You can apply dust erasure to the same place in another image by
clicking the [Copy] button to copy the dust erasure results and then
displaying the other image to which you want to apply the results and
clicking the [Paste] button.
Additional information
In the main window, you can also automatically erase dust spots in
multiple images appended with Dust Delete Data.
Select multiple images appended with Dust Delete
Data, and then select the [Adjustment] menu
[Apply Dust Delete Data].
Dust spots in all the selected images are erased in a single
operation.
Automatic Dust Erasure Processing in the Main Window
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You can erase dust spots in an image by selecting them one by one.
1
In the main window, select the image from which you
want to erase dust spots.
2
Display the Dust Delete/Copy Stamp tool palette.
3
Click the point from where dust is to be erased.
The display changes to 100% view.
The display position can be changed by dragging.
4
Click the button that matches the dust spot to be
erased.
If the dust spot is dark in color, click the [ ] button,
and if the dust spot is light in color, click the [ ]
button.
When you move the cursor over the image, the dust erasure
range is indicated with [ ].
Manually Erasing Dust (Repair Function)
Click
5
Place the dust spot to be erased within the [ ] and
click.
The dust spot within the [ ] is erased.
Click on another part of the image to continue erasing dust spots
within the displayed image.
To erase dust in another part of the image, either right-click with
the mouse, or click the button clicked in step 4 again to cancel dust
erasure processing and perform the operation again from step 3.
When the dust spot cannot be erased, [ ] is displayed.
6
Return to the main window.
Click
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Click several times when dust spots are not erased completely
Where unwanted dust spots are not erased even after performing
step 5 once, they may be erased completely when you click several
times.
Mainly spots of dust can be erased with the repair function
Spots of dust can be erased with the repair function. You may be
unable to erase lines of dust. In this case, use the copy stamp
function (p.89).
The dust-erased image can be reverted to its original condition
at any time
A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [ ] button in
the Dust Delete/Copy Stamp tool palette or performing the “Re-Editing
an Image” procedure (p.95).
Printing dust-erased images
You can print as a dust-erased image by printing it in DPP.
The image becomes a dust-erased image when converted and
saved
The dust-erased RAW image actually becomes a dust-erased image
when converted to a JPEG or TIFF image and saved (p.93).
Additional information
Switch between full screen display/normal screen display using
shortcut keys
You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys.
Useful functions of the copy stamp window
For images shot with ISO speed range expansion set, noticeable
noise may make it difficult to view dust spots in the copy stamp
window, so using this function is not recommended.
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You can correct an image by pasting a section copied from another part
of the image to an unwanted part of the image.
1
Follow steps 1 to 3 in “Manually Erasing Dust (Repair
Function)”
(p.87).
2
Specify the section to be copied.
Click on the section that is to be the copy source after clicking the
[Select Copy Source] button.
To change the section that is to be the copy source, perform the
operation above again.
To fix the position of the copy source, checkmark [Fix Copy
Source position].
3
Correct the image.
Click or drag on the part of the image you want to modify. [
+
] in
the window indicates the copy source and [ ] indicates the copy
destination.
The copied image is pasted in the position to which it was
dragged.
For [Pen type], you can select from [Brush] (the pasted image’s
borders simulate a brush) and [Pencil] (the pasted image’s
borders are sharp).
4
Return to the main window.
Erasing Unwanted Parts of an Image (Copy Stamp Function)
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Setting Work Color Space
A different work color space (p.160) from the default settings (p.168) can
be set for each image.
If you set an image with a color space different to the default setting and
then subsequently change the default color space setting (p.160), this
default setting will not be applied and the individually set color space will
remain.
Since only the image processing conditions information changes, the
color space of a RAW image can be changed at any time.
Display the Settings tool palette select the color
space to be set.
Settings tool palette
A color space set individually does not change even when the
default setting is changed
The color space of a RAW image can be changed freely as
many times as required
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Using the Soft-Proof Colors Function
By using the soft-proof colors function, you can apply a selected printing
profile or CMYK simulation profile to the displayed image. The reliability
of the soft-proof colors function depends on the monitor quality, the
monitor and printer profiles, and surrounding lighting conditions where
you are working.
1
Click the [Settings] button.
The [Color management] tab sheet in [Preferences] appears.
2
Select the profile to apply from the [Printing profile]
or [CMYK simulation profile] list box, and click the
[OK] button.
The [Color management] tab sheet in [Preferences] closes.
3
According to the profile selected in step 2, select
either [Use printing profile] or [Use CMYK simulation
profile], and checkmark the [Soft-proof colors]
checkbox.
The profile selected in step 2 is applied to the displayed image
including its thumbnail.
The profile is not applied to images displayed in the quick check
window.
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Specifying the Size when Opening RAW Images
This applies only to RAW images with the extension “.CR3” that were
shot with [ ] selected on the camera.
This function specifies the image size when a RAW image is selected
and opened in DPP. When the selected RAW image is converted and
saved as a JPEG or TIFF image, it is also saved at the same size. This
function is not available for images shot with the Dual Pixel RAW
function set on the camera.
Select the RAW image display the Settings tool
palette select the size when opening RAW images
in DPP.
Settings tool palette
The image size when opening RAW images in DPP is set.
The default setting shows the size set in [Default size when
opening RAW images] in the [Image Processing 2] tab sheet in
[Preferences].
The settings are saved as recipes for each image.
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Saving Editing Results
All the contents adjusted with the tool palette (recipe) can be saved to
the image or saved as a separate image.
Select the [File] menu desired item.
Your adjustments are saved to the image.
Saving Editing Contents to an Image
To view, edit and print a RAW image with software other than DPP,
convert to a more versatile JPEG or TIFF image and save.
If a JPEG or TIFF image is saved as described below, the image can be
saved as a separate image with the adjustments (recipe) applied to it.
The image is saved as a separate image, so the original image remains
unaffected.
1
Select the image to be converted.
2
Select the [File] menu [Convert and save].
The [Convert and save] window appears.
Saving as a separate image
JPEG/TIFF
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3
Specify the necessary settings, and then click the
[Save] button.
By default, the image is converted and saved to a JPEG image
with the highest image quality, without changing the image size.
Change the settings according to your requirements.
The RAW image is converted to a JPEG or TIFF image which is
then saved as a new image in the specified save destination.
Click and save
Select the save
destination
Enter a file name
and select an
image type
DPP’s RAW image development processing technology is continually
being improved upon so that you can perform the latest image
processing more appropriately.
Meaning that, between two different versions of DPP, processing results
may differ very slightly even if with the same RAW image data, or the
results of significant editing of RAW image data with an attached recipe
may be different.
When you want to save the developing or editing results of the version
you are currently using as it is, saving the image as a separate file (p.93)
is recommended.
To save the developing/editing results for the version you are
currently using
By saving as a separate JPEG or TIFF image as explained
above, some image deterioration that accompanies editing/saving
occurs as when editing with general image editing software.
By saving as explained above, a trimmed image (p.70) or dust-
erased image (p.85 to p.89) actually becomes a trimmed image
or dust-erased image.
You can batch convert and save multiple images (p.134).
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Re-Editing an Image
Only the image processing conditions are changed in images adjusted
with the tool palette (p.45 to p.90), so the “original image data itself”
remains unaffected. (The trimming range or dust-erasure information of
a cropped image (p.70) or dust-erased image (p.85 to p.89) is simply
saved to the image.)
For this reason, you can undo any adjustments saved (p.93) to the
image, trimming range and dust-erasure information, and revert to the
condition when last saved, or when the image was shot.
1
Select the image that is to be re-edited.
2
Select the [Adjustment] menu desired item.
The image reverts to the conditions of the selected item.
JPEG/TIFF
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Utilizing Adjustment Contents (Recipe)
All the adjustment contents (recipe) made using the tool palette can be
saved as an individual recipe file (extension “.dr4”) and loaded and
applied to another image.
You can edit images efficiently by selecting and adjusting one image
from images shot with the same shooting environment and batch
applying the adjustment results to a large number of images.
Contents adjusted using the tool
palette can be handled
individually as a recipe file
(extension “.dr4”).
RAW image data
Image processing conditions information Image processing conditions information
JPEG, TIFF image data
A recipe file with contents that can only be adjusted in RAW
images are not reflected even if it is applied to a JPEG or TIFF
image.
Recipes are not compatible between DPP version 4.x and DPP
version 1.x to 3.x. Images with DPP version 1.x to 3.x recipe files
attached are displayed with the shot settings in DPP version 4.x.
Conversely, images with DPP version 4.x recipe files attached are
displayed with the shot settings in DPP version 1.x to 3.x.
JPEG/TIFF
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Preferences
You can copy a recipe of an edited image and then apply it to another
image.
1
Select the image with the recipe you want to copy.
2
To copy all items of a recipe, select the [Edit] menu
[Copy recipe]. To copy only selected items of a
recipe, select the [Edit] menu [Copy selected
recipe].
The recipe is copied.
To select recipe items, select the [Edit] menu [Select and copy
recipe settings] and select items in the window that appears.
After specifying settings, click the [OK] button and close the
window.
3
Select the image to which the recipe is to be applied
and then select the [Edit] menu [Paste recipe].
The recipe is applied to the image.
Copying a Recipe and Applying to Another Image
When a recipe for an image is copied and applied to an image in a
different orientation, the image orientation also changes. To prevent
the orientation of the image from changing, select the [Edit] menu
[Select and copy recipe settings] and remove the check mark from
the [Rotate left / Rotate right: 0°] checkbox in the window that
appears.
1
Select an edited image, and then select the [Edit]
menu [Save recipe in file].
The [Save recipe in file] dialog box appears.
To save all of a recipe, select the [Save all recipes] option in the
window displayed.
To select and save recipe settings, select the [Save selected
recipes] option in the window displayed and then click the
[Specify Recipe Details] button. In the window displayed,
checkmark the recipe settings to be saved and then click the
[OK] button.
2
Select the destination folder, enter a file name, and
then click the [Save] button.
Saving a Recipe as a File
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1
Select the image to which a recipe is to be applied,
and then select the [Edit] menu [Read and paste
recipe from file].
The [Open] dialog box appears.
2
Select a recipe and click the [Open] button.
The recipe is applied to the image.
Loading and Applying Recipes
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Adjusting by Comparing Multiple Images
You can synchronize the areas in different images to be displayed
among multiple preview windows, and adjust images while comparing
them.
1
In the preview window, display the multiple images
to be compared.
2
Align the images.
Select the [Window] menu [Arrange horizontally] or [Arrange
vertically].
The preview windows are aligned.
3
Select the [Preview] menu [Sync preview position]
and [Sync preview display size].
4
Enlarge the image.
Enlarge and display any of the preview windows.
Other preview windows will also be displayed in the same
position/enlargement ratio.
5
Move the area to be displayed.
If you move the enlargement display area in one of the preview
windows, the enlargement display area will also change in all
other preview windows.
To cancel synchronization, select the [Preview] menu [Sync
preview position] and [Sync preview display size] again.
Synchronization only applies to the enlargement display position
and the enlargement ratio. Adjustments to the images are not
synchronized.
JPEG/TIFF
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Editing Efficiently
The thumbnail display and the preview window are combined, and
images can be edited efficiently while quickly switching between images
to be edited. Select the images to be edited beforehand in the main
window.
1
In the main window, select the images you want to
edit.
2
Switch to the edit image window.
The main window switches to the edit image window.
Editing in the Edit Image Window
Click
Edit image window
3
Edit the image.
For information on icons displayed on the frame of a thumbnail,
see “Image Frame Information in the Main Window and Edit
Image Window” (p.166).
The tool palettes, navigator palette, and histogram palette are
displayed and you can edit the image.
To revert to the condition before the last operation performed on
the tool palette, select [Undo] in the [Edit] menu or press <Ctrl> +
<Z> keys.
Change the display magnification
Select the image to be edited
The selected image is displayed as an enlargement in the
middle of the window
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4
Click the area you want to enlarge.
The area you clicked is enlarged to 100% (actual pixel size).
To change the display area, drag on the image or drag the
enlargement display area (p.19) of the navigator palette.
Click again to revert to the full view ([Fit to window]).
To return to the main window, click the [ ] button on the
toolbar.
Click
With the edit image window, you can only select images from a
folder. To gather images from several folders for editing, see
“Gathering and Editing Images in the Collection Window” (p.102).
Select the [View] menu [Horizontal Thumbnails].
If you select [Vertical Thumbnails], the thumbnail display reverts
to the vertical position.
Changing the Thumbnail Display Position to Horizontal
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You can gather selected images together in Collection folders for
viewing, comparison and editing.
You can gather images from several folders as well as from a single
folder, allowing you to work with them efficiently.
1
Click [+ Add collection] in the [Collection] area in the
main window.
A new collection folder is created in the [Collection] area.
Enter a name for the collection folder.
To create additional collection folders, repeat the operation. Up to
20 folders can be created.
2
Select the [File] Menu [Select collection], and
select a collection folder to gather images from the
collection folder names displayed.
Gathering and Editing Images in the Collection Window
3
Select images or image folders in the main window.
Select the [File] menu [Add to collection].
The images are added to the selected collection folder, and the
number of selected images in the collection folder is displayed.
When an image set to single-image display (p.23) is added, the
number of images is indicated as two images.
You can also add images to a collection folder by selecting
images and folders and then selecting [Add to collection] from
the menu that appears when you right-click the mouse.
4
Select a collection folder in the [Collection] area.
Images in the selected folder are displayed.
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5
Check the displayed images.
6
Edit the images.
Edit the displayed images.
Displayed images are retained in the collection folders even after
exiting DPP.
On 32-bit OSs, only up to 1000 images can be displayed per
collection folder. Starting with the 1001st image, images are handled
in the same way as non-supported images. Try to maintain 1000
images or less per folder.
32bit
Removing selected images
Select images in a collection folder, select images, and select
[Remove from collection] in the [File] menu. (You can also remove
images from a collection folder by selecting the images, right-clicking
with the mouse, and selecting [Remove from collection] from the
menu that appears.) Note that even if you remove an image from a
collection folder, the original image remains unaffected.
Removing all images
Select [Clear collection] in the [File] menu. Note that even if you
remove all images from a collection folder, the original images remain
unaffected.
Deleting a collection folder
Select a collection folder in the collection area, then select [Delete
collection] from the menu that appears when you right-click with the
mouse. Note that if you delete a collection folder, the original images
remain unaffected.
To remove images from collection folders
Modifications to the image are applied to the original image
Modifications made to images in a collection folder are all applied to
the original image.
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Compositing Images
You can combine two images into a single image. You can further
combine images by adding another image to the composited image.
Since the composited image is saved as a separate image, the original
images remain as they are.
On 32-bit OSs, this function is not available.
This function can be used with all image types (p.4) supported by
DPP.
The color space of a composited image will be the color space of
the background image.
Image information is not appended to a composited image.
1
Select a background image in the main window.
You can also select a background image from the edit image
window or [Collection] window.
32bit
2
Select the [Tools] menu [Start Compositing tool].
The compositing tool window appears.
JPEG/TIFF
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3
Select the image to combine.
Select the image to combine from the [Foreground Image] list
box.
The selected image is displayed in the [Foreground Image]
thumbnail display.
A preview of the combined background image and [Foreground
Image] is displayed in the composite preview.
The following images can be combined.
• When a background image is selected in the main window:
images in same folder as background image
• When a background image is selected in the [Collection]
window: images in the [Collection] window
• When a background image is selected in the edit image
window: images displayed in the thumbnail display area
You can also combine images of different sizes.
4
Select a compositing method.
Select a compositing method from the [Composite Method] list
box.
The compositing method selected in the composite preview is
applied.
The compositing method can be selected from five types: Add,
Average, Weighted, Lighten, and Darken. For details on each
compositing method, see “Compositing Methods” (p.107).
If you select [Weighted], you can set the proportion of the image
to be combined. Use the [Weight] slider at the bottom of the
[Composite Method] list box or directly enter a value to set the
proportion.
By clicking the [100% view] button, the image is displayed at
100% magnification (actual pixel size).
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5
Position the images.
You can also directly enter the position
coordinates of the [Foreground Image]
to align it.
Shift large amount (50 pixels)
Shift small amount (1 pixel)
Align image centers
By default, the background image and the [Foreground Image] are
displayed with their centers aligned.
[Compose in RAW Format]
Checkmark the [Compose in RAW Format] checkbox as necessary.
You can set [Compose in RAW Format] under the following
conditions.
Both the background image and [Foreground Image] are RAW
images, and all the following conditions are met.
• The cameras used to shoot were of the same model
• The ISO speed setting at the time of shooting was the same
• The highlight tone priority setting at the time of shooting was
the same
• The image sizes (original size) are the same
The following functions are not available for images composited
with [Compose in RAW Format].
• Auto Lighting Optimizer (p.58)
• Picture Style Auto (automatically set to Standard) (p.49)
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6
Click the [Save As] button.
Specify the required settings in the window that appears and then
click the [Save] button.
By clicking the [Continue] button, images are combined to create
a new background image, and you can continue by combining
another image.
To finish, click the [Close] button.
Add
The background image and [Foreground Image] are added and
images are combined.
Average
The background image and the [Foreground Image] are combined in
proportions of 50% each.
If you want to change the proportion of the [Foreground Image], select
[Weighted].
Weighted
Set the proportion of the [Foreground Image] and then combine the
background image and [Foreground Image].
Lighten
The background image and the [Foreground Image] are compared,
with only brighter portions of the [Foreground Image] being combined.
Darken
The background image and the [Foreground Image] are compared,
with only darker portions of the [Foreground Image] being combined.
Compositing Methods
You can display this function as a function button in the main
window’s toolbar (p.125).
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Creating HDR (High Dynamic Range) Images
You can create images with a wide dynamic range where clipping in
highlights and shadows has been reduced, and images that appear like
paintings. This is suited for scenes such as still-lifes and landscapes.
This function is most effective when using three images with different
exposures for the same scene (negative exposure, standard exposure,
positive exposure) to create an HDR image. However, you can also
create an HDR image from two images, or even only one.
Since an HDR image is saved as a separate image, the original images
remain as they are.
* HDR stands for High Dynamic Range.
On 32-bit OSs, this function is not available.
This function can be used with all image types (p.4) supported by
DPP.
Image information is not appended to an HDR image.
1
Select an image in the main window.
32bit
2
Select the [Tools] menu [Start HDR tool].
The [Select Images] window appears.
You can also display the [Select Images] window from the edit
window and edit image window.
3
Specify the required settings, then click the [Start
HDR] button.
To change the selected image or add another image, click the
[Browse] button, and in the [Open] dialog box that appears,
select the image file and click the [Open] button.
If you select two images of the same size, you can checkmark
the [Auto Align] checkbox for auto image alignment. However,
auto image alignment may not work properly with repetitive
patterns (lattice, stripes, etc.) or flat, single-tone images.
By clicking the [Start HDR] button, the [Adjust Image] window
appears.
After using auto image alignment, the periphery of the images is
partially deleted.
JPEG/TIFF
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4
Make required selections to adjust the image.
Sliders in [Adjust Image] window
[Tone/Color]
[Brightness]: Adjusts the overall brightness of the image. Move
the slider to the right to brighten the image, and to
the left to darken the image.
[Saturation]: Adjusts the overall color saturation of the image.
Move the slider to the right to make the color
deeper, and to the left to make the color weaker.
[Contrast]: Adjusts the overall contrast of the image. Move
the slider to the right to make contrast stronger
and to the left to make contrast weaker.
[Detail Enhancement]
[Strength]: Adjusts the overall contrast and contrast of
details together. Move the slider to the right for a
stronger effect.
[Smoothness]:Adjusts the overall smoothness of the image.
Move the slider to the right for a smooth and
natural impression.
[Fineness]: Adjusts the clearness of details. Move the slider
to the right for a sharper outline.
[Presets] and finishing effects
With [Presets], you can select from the five preset finishing
effects below from a pulldown menu ([Natural] is selected by
default), instead of operating the sliders individually. By selecting
a finishing effect, each slider moves according to the setting. You
can also operate and adjust the sliders after selecting an effect.
[Natural]: In high-contrast scenes, rendering in areas
where highlights or shadows are usually clipped
is corrected, for a finish with reduced highlight
and shadow clipping.
[Art standard]: Gives a finish with painting-like tonality for an
impressive image.
[Art vivid]: For a more vivid look than with [Art standard].
[Art bold]: For a more vivid look than with [Art standard],
that makes the subject pop out.
[Art embossed]: Tones down vividness more than [Art standard],
for an old-fashioned feel.
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5
Click the [Save As] button.
Specify the required settings in the window that appears by
clicking the [Save As] button and click the [Save] button.
You can display this function as a function button in the main
window’s toolbar (p.125).
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Using the Dual Pixel RAW Optimizer
By setting the Dual Pixel RAW function on the camera compatible with
the function before shooting RAW images, images are recorded as
“special RAW images (Dual Pixel RAW images)” with dual pixel
information appended from the imaging sensor. This is called Dual Pixel
RAW shooting. Using this function, the [Dual Pixel RAW Optimizer], with
Dual Pixel RAW images, you can make use of the Dual Pixel data
recorded with the Dual Pixel RAW image for microadjustment of the
position of maximum sharpness and resolution using the depth
information contained within the file, repositioning the viewpoint or
foreground bokeh for a more pleasing result, and reducing the
appearance of ghosting in images.
Cautions for Dual Pixel RAW shooting
Note the following when shooting in Dual Pixel RAW.
Common to all functions
• Effects are most easily gained when the lens aperture value is
f/5.6 or lower.
• Effects may be different between shooting in vertical orientation
and horizontal orientation.
• It is recommended that the ISO speed be ISO 1600 or lower.
Only for “Microadjustment of the position of maximum sharpness
and resolution using the depth information contained within the
Dual Pixel RAW file”
• It is recommended that the lens focal length be at least 50 mm.
• It is recommended that this function be used when the camera
is at a distance from the subject.*
* Use the following as a guide to subject distances according to
focal length.
When the lens focal length is 50 mm, the subject distance
should be approx. 1 m - 10 m / 3.3 ft. - 32.8 ft.
When the lens focal length is 100 mm, the subject distance
should be approx. 2 m - 20 m / 6.6 ft. - 65.6 ft.
When the lens focal length is 200 mm, the subject distance
should be approx. 4 m - 40 m / 13.1 ft. - 131.2 ft.
You can display this function as a function button in the main
window’s toolbar (p.125).
Microadjust the position of maximum sharpness and resolution, using the
depth information contained within the Dual Pixel RAW images.
1
In the main window or edit image window, select the
Dual Pixel RAW image you want to adjust, and then
select [Start Dual Pixel RAW Optimizer] from the
[Tools] menu.
The Dual Pixel RAW Optimizer window appears.
2
Checkmark the [Image Microadjustment] checkbox.
Microadjustment of the Position of Maximum
Sharpness and Resolution Using the Depth
Information Contained within the Dual Pixel RAW File
Advanced
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3
Adjust the image.
Use the slider to adjust the resolution based on depth information
and the level of resolution.
4
Click the [OK] button.
Adjustment results are applied to the image.
For information on saving adjustment results to images, see
“Saving Editing Results” (p.93).
If the subject’s outline or any bokeh look unnatural, or there is an
increase in noise or noticeable changes in hue or brightness,
lower the level of adjustment.
This function cannot be used at the same time as “Reposition the
viewpoint or foreground bokeh for a more pleasing result” or
“Reduces the appearance of ghosting in images”.
Reposition the viewpoint or foreground bokeh for a more pleasing result,
using the dual pixel information recorded in Dual Pixel RAW images.
1
In the main window or edit image window, select the
Dual Pixel RAW image you want to adjust, and then
select [Start Dual Pixel RAW Optimizer] from the
[Tools] menu.
The Dual Pixel RAW Optimizer window appears.
2
Checkmark the [Bokeh Shift] checkbox.
3
Specify the area to adjust.
Click the [Select area] button and drag on the image to specify
the area to be adjusted, and right-click with the mouse to fix the
area.
You can also remove the check mark from the [Show borders]
checkbox to hide the border.
Reposition the Viewpoint or Foreground
Bokeh for a More Pleasing Result
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4
Adjust the image.
Use the slider to adjust the viewpoint.
5
Click the [OK] button.
Adjustment results are applied to the image.
For information on saving adjustment results to images, see
“Saving Editing Results” (p.93).
If the subject’s outline or any bokeh look unnatural, or there is an
increase in noise or noticeable changes in hue or brightness,
lower the level of adjustment.
Resolution may expand in the depth direction according to the
level of adjustment.
If the border of the selected area in the image appears unnatural,
lower the level of adjustment.
This function cannot be used at the same time as
“Microadjustment of the position of maximum sharpness and
resolution using the depth information contained within the Dual
Pixel RAW file” or “Reduces the appearance of ghosting in
images”.
Reduce the appearance of ghosting in images, using the dual pixel
information in Dual Pixel RAW images.
1
In the main window or edit image window, select the
Dual Pixel RAW image you want to adjust, and then
select [Start Dual Pixel RAW Optimizer] from the
[Tools] menu.
The Dual Pixel RAW Optimizer window appears.
2
Checkmark the [Ghosting Reduction] checkbox, and
specify the area.
Click the [Select area] button and drag on the image to specify
the area to be adjusted, and right-click with the mouse to fix the
area.
You can also remove the check mark from the [Show borders]
checkbox to hide the border.
Any ghosting and flare in the specified area is reduced.
Reduces the Appearance of Ghosting in Images
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3
Click the [OK] button.
Adjustment results are applied to the image.
For information on saving adjustment results to images, see
“Saving Editing Results” (p.93).
There may be cases where the subject's outline and any bokeh
look unnatural, or where an increase in noise or noticeable
changes in hue or brightness occur.
There may be cases where the border of the selected area in the
image looks unnatural.
This function cannot be used at the same time as
“Microadjustment of the position of maximum sharpness and
resolution using the depth information contained within the Dual
Pixel RAW file” or “Reposition the viewpoint or foreground bokeh
for a more pleasing result”.
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Using Depth Compositing
Depth compositing generates a single image from several images that is
in focus over a wide area. This function combines images with the Depth
Compositing tool, and outputs the combined result as a depth composite
image. It is then possible to also correct the output image using the
Depth Compositing Editing tool.
This function can also be used with images shot without using focus
bracketing on the camera.
See “Cautions when shooting images for depth compositing” (p.116)
and “Cautions for using depth compositing” (p.117).
*1
TIFF images converted and saved in DPP
Even if the above conditions are met, the following images are not
supported by depth compositing.
• RAW images created by multiple-exposure shooting
• Images without shooting information
• Images saved as HDR PQ mode display images
• Images of 1600 x 1600 pixels or less, or 9999 x 6666 pixels or more
On 32-bit OSs, this function is not available.
Cameras
EOS 5D Mark IV, EOS R, EOS Ra, EOS RP, EOS
90D, EOS M6 Mark II, PowerShot G5 X Mark II,
PowerShot G7 X Mark III
Lenses
RF, EF, and EF-S lens groups (excluding TS-E lenses
and fisheye lenses)
Supported
formats
CR2, CR3, JPG, TIFF
*1
Shooting
conditions
The camera, lens, shutter speed, aperture value,
focal length, image format, and image size must be
the same.
32bit
Supported Images
1
Select multiple images in the main window, etc.
For images shot using focus bracketing on the camera, you can
perform depth compositing even if you select only one image.
2
Select the [Tools] menu [Depth Compositing]
[Start depth compositing tool].
The Depth Compositing tool window appears.
Using the Depth Compositing Tool
JPEG/TIFF
Advanced
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3
Adjust and set items as necessary, and then click the
[Execute] button.
Images are combined and a depth composite image is output.
A source image folder (folder name: DPP_DC_...) is output in the
same folder as the depth composite image.
The source image folder is used to correct the depth composite
image with the [Depth Compositing Editing Tool].
To change the output destination or format of a depth composite
image, click the [Browse] button to make the settings in the
window that appears.
[Auto brightness adjustment] suppresses any change in
brightness between images used for depth compositing with
automatic correction when brightnesses are slightly different.
You can display this function as a function button in the main
window’s toolbar (p.125).
Cautions when shooting images for depth
compositing
After performing depth compositing, the combined result may
have a narrower angle of view than when images were shot.
When shooting with focus bracketing, shooting with a wider angle
of view is recommended. After depth compositing, you can crop
the image if necessary.
For best results, set the aperture value in a range of f/5.6
–11
before shooting.
Be sure to use a tripod and lock the camera firmly in place before
shooting.
Repeating patterns such as lattice patterns and stripe patterns, or
images where the entire screen is flat and lacking contrast may
not be combinable.
When shooting multiple images, start by focusing on the image
nearest to you and work progressively farther away.
When shooting multiple images, images where the focus differs
largely may result in a combined image with uneven focus or that
may not be combinable.
Depth compositing assumes that images of still subjects are
being combined. Images shot of moving subjects may not be
combinable.
If multiple subjects are in the screen, images may not be
combinable depending on how subjects are arranged, for
example, subjects spaced far apart.
The lenses below are recommended.
RF35mm F1.8 MACRO IS STM, RF50mm F1.2 L USM, RF28-
70mm F2 L USM, RF24-105mm F4 L IS USM
EF16-35mm f/4L IS USM, EF24-70mm f/4L IS USM, EF100mm
f/2.8L MACRO IS USM, EF180mm f/3.5L MACRO USM
EF-S35mm f/2.8 MACRO IS STM, EF-S60mm f/2.8 MACRO
USM, EF-S18-135mm f/3.5-5.6 IS USM
EF-M28mm f/3.5 MACRO IS STM, EF-M15-45mm f/3.5-6.3 IS
STM, EF-M18-150mm f/3.5-6.3 IS STM
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Cautions for using depth compositing
When the Depth Compositing tool is started up, the content of
recipes that are attached to images in focus is reflected in the
depth composite image (excluding the following items).
•Stamp
• Dust delete data
• Reducing color moiré (Partial Adjustment tool palette)
• Angle adjustment (Trimming/Angle Adjustment tool palette)
• Size setting when opening selected RAW image in DPP (p.92)
• Color adjustment for a specific color gamut (including
[Monochrome])
• Dual Pixel RAW Optimizer
• Auto Lighting Optimizer
• Shadows/highlights
The Depth Compositing tool does not start up if an image in focus
is not supported.
If intended results were not obtained with the Depth Compositing tool,
this function copies the portion of the image to be corrected from a
source image to the depth composite image (in this tool, the [Edited
Image]).
1
Select the depth composite image in the main
window, etc.
2
Select the [Tools] menu [Depth Compositing]
[Start depth compositing editing tool].
The Depth Compositing Editing tool window appears.
A thumbnail of the source image is automatically displayed at the
bottom of the screen. However, thumbnails of source images are
not automatically displayed if the name of the depth composite
image or the source image folder is changed or the save location
is moved. Select the source image folder that was output at the
same time the depth composite image was output.
Using the Depth Compositing Editing Tool
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3
Select a source image and modify it as necessary.
Circular cursor
Select a source image from the thumbnails of source images
displayed at the bottom of the screen.
If the [Source Image] and [Edited Image] are shots of different
areas, a black frame may be displayed around the [Source Image].
Clicking the [Set Adjustment Area] button displays a circular cursor.
Click or drag the portion of the [Edited Image] that you want to
correct with the circular cursor, and the same portion of the [Source
Image] is copied.
Use [Radius] to set the size of the adjustment area, and use [Blur
radius] to set blurring at the border of the adjustment area.
You can return through the corrections you made with the
[ ][ ][ ][ ] buttons. Available buttons, from the left,
are [Undo All], [Undo], [Redo], and [Redo All]. However, if you
changed to another source image, you cannot return through
corrections you made using the source image before the change.
A recipe attached to a depth composite image is not applied in the
[Edited Image] in this function.
Also, depth composite image recipes are not attached to image
files saved with this function.
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4
Save the image.
Click the [Save As] button to select and save required settings.
To exit, click the [Close] button.
You can display this function as a function button in the main
window’s toolbar (p.125).
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Using the RAW Burst Image Tool
This function can be used with rolls (continuous-shot image files)
captured in RAW burst mode on Canon digital cameras.
A roll is edited, saved, printed, etc. as a single RAW image in DPP,
however, a “representative image”* is selected automatically for this
purpose.
For detailed information on RAW burst mode, refer to the Instruction
Manual included with a RAW burst mode-capable camera.
You can use this tool to do the following:
• Change the representative image in a roll
• Save one image in a roll
• Extract and save any range in a roll
* Representative image: the image displayed in thumbnails, etc.
representing all the images in a roll
1
Select a roll in the main window, etc.
Only rolls shot with RAW burst mode on a Canon digital camera
are supported.
(Thumbnail icon: )
Starting Up the RAW Burst Image Tool
2
Select the [Tools] menu [Start RAW Burst Image
tool].
The RAW Burst Image Tool window is displayed.
To exit, click the [Close] button.
You can display this function as a function button in the main
window's toolbar (p.125).
Advanced
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RAW Burst Image Tool window functions
Image display area
Set image display
magnification
Display image at no
magnification
Display image fit to window
Lead image marker (p.123)
Slider (p.122, p.123)
Set lead image in roll after
extracting (p.123)
Move to image before
(p.122, p.123)
Number of displayed image
Number of displayed image/
number of all images in roll are
displayed
Position of representative
image in roll
Representative image mark
Displayed when
representative image
displayed
Set displayed image as
representative image (p.122)
Move to representative
image
Revert to image when
captured
Discard all editing done with
this tool and revert to image
when captured
Extract and save any range
in a roll (p.123)
Save one image in a roll
(p.122)
Set last image in a roll after
extracting (p.123)
Move to image behind
(p.122, p.123)
Last image marker (p.123)
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You can change the representative image to any image in a roll.
1
Display the RAW Burst Image Tool window.
Perform steps 1 to 2 of “Starting Up the RAW Burst Image Tool”
(p.120).
The RAW Burst Image Tool window is displayed.
2
Display the image you want to be the representative
image.
Use the slider or [ ] and [ ] buttons to display the
image you want to set as the representative image in the image
display area.
The position of the current representative image is indicated with
a [ ] mark above the slider.
3
Change the representative image.
Click the [Use as Rep. Image] button.
The representative image changes to the currently displayed image.
To revert to the image when captured, click the [ ] button.
To exit, click the [Close] button.
Changing the Representative Image in a Roll
You can extract any one image in a roll and save it.
1
Display the RAW Burst Image Tool window.
Perform steps 1 to 2 of “Starting Up the RAW Burst Image Tool”
(p.120).
The RAW Burst Image Tool window is displayed.
2
Display the image you want to save.
Use the slider or [ ] and [ ] buttons to display the
image you want to save in the image display area.
3
Save the image.
Specify the necessary settings in the window that appears by
clicking the [ ] button and save the image.
To revert settings to those when captured, click the [ ]
button.
To exit, click the [Close] button.
Saving One Image in a Roll
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You can extract any range in a roll and save it as a separate roll.
1
Display the RAW Burst Image Tool window.
Perform steps 1 to 2 of “Starting Up the RAW Burst Image Tool”
(p.120).
The RAW Burst Image Tool window is displayed.
2
Set the lead image.
Use the slider or [ ] and [ ] buttons to display the
image you want to set as the lead image in the image display
area, and then click the [ ] button.
The lead image marker ( ) moves, and the lead image in the
roll is set.
Extracting and Saving Any Range in a Roll
3
Set the last image.
Use the slider or [ ] and [ ] buttons to display the
image you want to set as the last image in the image display
area, and then click the [ ] button.
The last image marker ( ) moves, and the last image in the roll
is set.
4
Save the roll.
Specify the necessary settings in the window that appears by
clicking the [ ] button and save the roll.
To revert settings to those when captured, click the [ ]
button.
To exit, click the [Close] button.
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Editing performed with this function is not supported with these
functions: “Copying a Recipe and Applying to Another Image”
(p.97), “Saving a Recipe as a File” (p.97), and “Loading and
Applying Recipes” (p.98).
Editing performed with this function cannot be reverted to the
states in [Revert to shot settings] or [Revert to last saved settings]
in the [Adjustment] tab in the menu even if they are selected.
However, you can press this function's [ ] button to revert
the image to the captured image.
Even after changing the representative image in a roll with this
function, shooting information for the roll displayed in the main
window, etc. is information for the representative image at the
time of shooting.
Adjustments (recipe) made to a roll in the main window, etc. are
not applied in the window for this function (except for 90
° image
rotation).
Transferring a RAW Image to Photoshop
A RAW image can be converted to a TIFF image (16bit) and transferred
to Adobe Photoshop.
Only one image can be transferred at a time. To send multiple images at
a time, see p.136.
Select the [Tools] menu [Transfer to Photoshop].
Photoshop starts up and the transferred image is displayed.
A single image can be transferred at a time
Compatible versions of Photoshop are 7.0 or later.
Transferred images are automatically converted to TIFF images
(16bit) to which an ICC profile (p.167) is added. The ICC profile
contains information about [Preferences] (p.160) or work color
space (p.90) set for each image as described and the appropriate
color information is relayed to Photoshop.
When you exit Photoshop, only the original RAW image remains,
and the transferred image will disappear. Saving the transferred
image as a separate image in Photoshop is recommended.
Advanced
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Customizing the Main Window Toolbar
You can display buttons for frequently-used functions in the main
window’s toolbar.
You can also change how the buttons are laid out.
1
Select the [Tools] menu [Customize toolbar].
The [Configure Toolbar] window appears.
2
Select functions to display in the toolbar.
To rearrange buttons, select the function you want to change,
and then click the [Move Up] or [Move Down] button.
After specifying settings, click the [Close] button and close the
window.
The settings are applied to the main window’s toolbar.
Advanced
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Printing Images
Printing an Image .................................................. 127
Printing with Shooting Information......................... 128
Printing a Thumbnail List (Contact Sheet
Printing) ................................................................. 129
Plug-in printing....................................................... 130
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Printing an Image
You can print images with a printer. As an example, the procedure to
print one image on one sheet of paper is described here.
1
Select the image to be printed.
2
Select the [File] menu [Print].
The printer’s print settings dialog box appears.
3
Print.
Specify the optimum settings for printing photographs in the
printer’s print settings dialog box and click the [OK] button.
Printing begins.
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Printing with Shooting Information
You can freely layout one image on one sheet of paper and print
together with titles and shooting information, etc.
1
Select one image to be printed.
2
Select the [File] menu [Print with detailed setting].
3
Specify the required settings for printing, and then
click the [Print] button.
The image can be moved by dragging.
Drag the four corners of the image to change the size.
For the shooting information, click [ ] on the [Text] tab sheet
and select the necessary items in the window that appears.
Print preview
Switches the settings tab sheet
The settings of each tab sheet in step 3 are memorized when printing or
the [Apply] button is clicked. The settings can be applied to another
image when printing.
Memorized settings are options in [Printer], [Media], [Media orientation],
[Registration marks], [Header], [Footer], and [Image Information], and
settings in the [Settings] tab sheet.
To maintain the settings
You can set printer profiles (p.161).
If CMYK simulation is set, the image is printed in the set colors.
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Printing a Thumbnail List (Contact Sheet Printing)
You can print rows of multiple images on one sheet of paper.
1
Select images to be printed in a thumbnail list.
2
Select the [File] menu [Print contact sheets].
3
Specify the required settings for printing, and then
click the [Print] button.
Print preview
Switches the settings tab sheet
The settings of each tab sheet in step 3 are memorized when printing or
the [Apply] button is clicked. The settings can also be applied to another
image when printing.
Memorized settings are [Printer], [Media], and [Media orientation], and
settings in the [Image] and [Settings] tab sheets.
To maintain the settings
You can set printer profiles (p.161).
If CMYK simulation has been set, the image is printed in the set
colors (p.160).
By using this function in the edit image window, all images in the
window (not only the selected ones) are printed in a thumbnail
list.
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Plug-in printing
1
Select the [File] menu [Plug-in printing] Plug-In
for the printer you use.
The Plug-In starts up.
2
Specify the required settings for printing
photographs and then print.
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Processing Large Numbers of RAW Images
Batch Apply White Balance to Images (Personal White
Balance) ................................................................ 132
Registering Personal White Balance ........................ 132
Applying Personal White Balance ............................ 133
Batch Save as JPEG or TIFF Images (Batch
Processing)............................................................ 134
Batch Transfer Images to Image Editing Software .........
136
Batch Change the File Name of Images................ 137
Changing the File Name of Images in the Order in the
Main Window ............................................................
137
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Batch Apply White Balance to Images (Personal White Balance)
The white balance adjustments made to a RAW image shot in a specific
shooting environment can be registered as personal white balance. You
can then perform efficient white balance adjustment by applying this
personal white balance to a large number of RAW images shot in the
same shooting environment.
Personal white balance data for versions before DPP 4 cannot be
applied.
1
Adjust the white balance (p.52, p.53).
To adjust white balance, select a setting other than [ ( )] from
the [White balance adjustment] list box (p.51). Registering the
adjustments is not possible if [ ( )] is selected.
2
In the Basic adjustment tool palette, click the
[Register] button.
The [Register personal white balance] dialog box appears.
3
Select the button number to be registered from the
list and click the [OK] button.
Registering Personal White Balance
1 In step 3, click the [Save] button to write as a file.
2 Copy the file to another computer.
3 In DPP on another computer, display the window of step 3.
4 Click the [Load] button and in the window that appears, select the
copied file.
To use the registered personal white balance on another
computer
You cannot change or adjust white balance with multiple-exposure
RAW images created on the camera.
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1
In the main window, select the image to which a
personal white balance is to be applied.
2
Select the [View] menu [Tool palette].
The tool palette appears.
3
Click the personal white balance number button that
is to be applied.
Personal white balance is applied to all the selected images.
Applying Personal White Balance
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Printing
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Editing
Images
6
Processing
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of RAW Images
7
Remote
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9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Batch Save as JPEG or TIFF Images (Batch Processing)
You can batch convert and save edited RAW images to highly versatile
JPEG or TIFF images.
The images are saved as separate images, so the RAW images remain
unaffected.
1
In the main window, select multiple images to be
converted.
2
Select the [File] menu [Batch process].
The [Batch settings] window appears.
3
Specify the required settings, and then click the
[Execute] button.
The batch processing dialog box appears and saving begins.
When all the images are saved, the [Exit] button appears in the
batch processing dialog box.
4
In the processing dialog box, click the [Exit] button.
If you have selected [New file name] in [File name], [Sequence
number] has to be set.
By saving as explained above, a trimmed image (p.70) or dust-
erased image (p.85 to p.89) actually becomes a trimmed image
or dust-erased image.
You can also use this function in the edit image window. However,
all images in the window (not only the selected ones) are
converted and saved.
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In the [Batch settings] window, you cannot perform [Save] or [Save As]
(p.93) to edited RAW images.
DPP’s RAW image development processing technology is continually
being improved upon so that you can perform the latest image
processing more appropriately.
Meaning that, between two different versions of DPP, processing results
may differ very slightly even if with the same RAW image data, or the
results of significant editing of RAW image data with an attached recipe
may be different.
When you want to save the developing or editing results of the version
you are currently using as it is, converting and saving images as JPEG
or TIFF images is recommended.
While saving is being performed, you can continue working in
another window
Since the saving function operates independently in the background,
you can continue with an operation in another window such as the
main window or the preview window during the saving process.
To convert all images and save, do not select an image in the
main window
If you do not perform step 1 and perform step 2 with no image
selected in the main window, all the images displayed in the main
window will be converted and saved.
Saving images with recipe is not possible
To save the developing/editing results for the version you are
currently using
Skillful batch saving
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Batch Transfer Images to Image Editing Software
You can transfer multiple images to image editing software. Unlike
“Transferring a RAW Image to Photoshop” (p.124), you transfer images
that have first been converted and saved as a separate image, so the
transferred image will not be deleted after exiting the destination
software. The software used here as an example is Adobe Photoshop.
1
In the main window, select multiple images to be
transferred.
2
Select the [File] menu
[Batch process].
The [Batch settings] window appears.
3
Perform settings required for transferring (e.g. file
format).
4
Checkmark [Open image using software].
The [Open] dialog box appears.
5
Select Photoshop.
In the [Open] dialog box, select a Photoshop file or a shortcut
and click the [Open] button.
The [Open] dialog box closes and [Image transfer settings] in the
[Batch settings] window is set to Photoshop.
6
Click the [Execute] button.
The processing dialog box appears and batch transfer begins.
When the first image has been transferred, Photoshop starts up
and transferred images are displayed in transferred order.
To reset the transfer destination to another software, click the
[Browse] button in [Image transfer settings], and in the [Open]
dialog that appears, select the software and click the [Open]
button.
You can also use this function in the edit image window. However,
all images in the window (not only the selected ones) are
transferred.
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Batch Change the File Name of Images
If a file name in red text appears in [Modified File Name], the file name is
duplicated. Changes cannot be made if even one file name is
duplicated. Change the settings so that duplication does not occur.
1
In the main window, select multiple images of which
the file names are to be changed.
2
Select the [Tools] menu [Start Rename tool].
The rename window appears.
3
Specify the required settings and click the [Execute]
button.
Processing begins and the file names are changed.
Changes cannot be made when the file name is duplicated
You can change the file name of only one image in the main
window by selecting the thumbnail, right-clicking with the mouse,
and selecting [Rename] from the menu that appears.
You cannot start up the rename tool from the [Collection] window
(p.102). You also cannot change the file name of one image.
When you change the order of the images in the main window, you can
change in one operation the names of the files for the images, in the
order they were rearranged.
1
Change the order of the images in the main window
(p.36).
2
In the main window, select multiple images of which
the file names are to be changed.
3
Select the [Tools] menu [Start Rename tool].
4
Select [Fit to main window].
5
Specify the required settings.
To copy an image, checkmark [Copy and Rename].
6
Click the [Execute] button.
The file names are changed and the order in the main window is
maintained.
Changing the File Name of Images in the
Order in the Main Window
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Remote Shooting
Remote Shooting................................................... 139
Registering Click White Balance in the Camera....... 142
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Remote Shooting
You can perform remote shooting by using “EOS Utility” which enables
communication with a camera in combination.
For remote shooting, “EOS Utility Ver. 3.x” must be installed on your
computer. For information on cameras compatible with “EOS Utility Ver.
3.x”, refer to “EOS Utility Ver. 3.x Instruction Manual” (electronic manual
in PDF format). This function is not available on EOS M series cameras
other than the EOS M50, or PowerShot cameras.
1
Click the [Remote Shooting] button on the toolbar in
the main window.
Remote shooting setting window appears.
2
Set the [Destination] in the Specify Remote Shooting
Folder window.
To save to the currently selected folder, select [Current Folder].
To create a new folder for saving images, select [Use this folder],
click the [Select] button, then select the destination and enter a
name for [Destination folder].
After specifying settings, click the [OK] button.
The remote shooting window appears.
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You can change the [File Name] for Specify Remote Shooting
Folder window.
(If [Do not modify] is selected, images are saved with the file names
set on the camera.)
1 Click the [Settings] button to display the Set file name for captured
image window.
2Select a naming rule for image file names from the list box.
You can click the [Customize] button and customize naming rules
for file names.
You can individually set prefix characters, number of digits for
serial numbers, and the start number for file names.
If you are using the shooting date in file names, you can specify
the date format (order and style for year-month-date) and
dividing characters on the Set file name for captured image
window.
3 After specifying settings, click the [OK] button.
The Set file name for captured image window closes.
After clicking the [Remote Shooting] button, you can click the
[ ] button at the bottom right of the main window to show/
hide the [Camera Control] palette.
You can perform shooting while checking the image by switching
the window to multi-layout.
3
Connect a camera and a computer, and turn on the
camera’s power.
4
Click the [Live View] button.
Live View window of “EOS Utility” appears.
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5
Specify the required settings.
For detailed instructions on setting procedures, refer to “EOS
Utility Instruction Manual” (PDF electronic manual).
6
Click the [Settings] button.
The capture window of “EOS Utility” appears.
7
Specify the required settings.
For detailed instructions on setting procedures, refer to “EOS
Utility Instruction Manual” (PDF electronic manual).
8
Take the picture.
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The shot image is displayed.
The shot image will be saved in the folder created in step 2.
The images in the folder mentioned above will be displayed in
the thumbnail display area.
You can also create a sub-folder in the folder mentioned above to
save images. To create a sub-folder, click the [Create subfolder]
button on the remote shooting window, enter [Folder name] on
the screen appeared, then click the [OK] button.
Press the [ ] button to display DPP and EOS Utility windows
uniformly in line.
• Supported with EOS Utility version 3.8 and later.
• If you are using multiple monitors, DPP’s main window and
EOS Utility’s remote window can only be lined up uniformly
when on the same monitor.
Do not exit “EOS Utility” when remote shooting is being set or
performed.
In the cases below, perform shooting with EOS Utility.
• You want to autofocus with EOS Utility’s shoot button
• You want to perform continuous shooting
You can perform shooting while comparing the shot image with a
pinned image by pinning an image (p.21). This is convenient for
image selection.
During remote shooting, you can register click white balance to the
connected camera. To use this function, EOS Utility version 3.4.20 or
later must be installed on your computer.
This function is not available on EOS M series cameras other than the
EOS M50, or PowerShot cameras.
1
Display the shot image to be used as the standard
for white balance.
This function supports only RAW images with a “.CR2” or “.CR3”
extension.
2
Select the destination where to register click white
balance.
Select the destination where to register white balance from the
[Registered to] list box. Options in the list box depend on the
camera model.
Registering Click White Balance in the Camera
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3
Select a point that is to be the standard for white
balance in the shot image, and register the white
balance in the camera.
Click the [ ] button, and in the displayed image in step 1,
click on a point that is to be the standard for white balance with
the mouse.
The white balance is registered to the destination selected in
step 2, and applied to displayed images.
Click [ ] again to exit the function.
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Playing Back Movies and Saving Still Photos
Playing Back Movies and Saving Still Photos ....... 145
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Playing Back Movies and Saving Still Photos
In systems running 64-bit versions of Windows 8.1 or later, you can use DPP to play back MOV or MP4 movies shot using a supported camera and
save still photos from the movies as JPEG or TIFF images. To use this function, [Play with Digital Photo Professional 4] must be selected in [Movie file
playback] in the [General Settings] tab sheet in [Preferences].
Note that you cannot edit movies in DPP.
1
Double-click the movie thumbnail in the main window (thumbnail layout).
The preview window appears.
If the preview control panel does not appear, select the [Preview] menu
[Preview control panel].
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2
Use the preview control panel for each operation.
If the preview control panel does not appear, select the [Preview] menu [Preview control panel].
(10) Save as still photo
(4) Show playback time
(5) Frame position slider
(6) Frame no./Total frames
(9) Viewing LUT on/off
(2) Next frame
(1) Play/pause
(3) Previous frame
(8) Volume slider
(7) Mute/unmute
(1) Play/pause
Play and pause the selected movie.
(2) Next frame
Move forward one frame. When movie playback is paused,
this allows you to advance the movie one frame at a time.
(3) Previous frame
Move back one frame. When movie playback is paused,
this allows you to rewind the movie one frame at a time.
(4) Show playback time
Shows the playback time.
(5) Frame position slider
By dragging the slider left or right, you can move the
playback position while a movie is playing or paused.
(6) Frame no./Total frames
Shows the current frame number in the movie being
played back or shown and the total number of frames.
(7) Mute/unmute
Turns audio output on or off.
(8) Volume slider
Drag the slider left or right to adjust the volume for the
movie being played back.
(9) Viewing LUT on/off
Enables or disables Viewing LUT for movies shot with
Canon LOG specified.
This setting can also be changed during movie playback.
(10) Save as still photo
Allows you to capture a still photo of the movie frame
currently being displayed.
When you click the button, the [Convert and save] window
(p.94) appears. Specify the necessary settings, and then
click the [Save] button to save the image.
Note that you cannot save a still photo while the movie is
playing back. Pause the movie and then save the still
photo.
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On some supported cameras, shooting a movie generates a “.THM”
file that is saved together with the movie file.The “.THM” file has the
same image number as the movie file and records the shooting
information. In DPP, the movie file and “.THM” file must be stored in
the same folder when the movie is played back.
You can also play back movies in the following windows:
• Main window (multi-layout)
• Edit image window
• Remote shooting window (multi-layout)
• Multi-function preview window
In Preferences, you can change the movie playback application
to that used by your computer’s OS or to EOS MOVIE Utility.
(p.157)
For information on EOS MOVIE Utility, refer to the EOS MOVIE
Utility Instruction Manual.
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Using HDR PQ Mode
HDR PQ Mode....................................................... 149
System Requirements for HDR PQ Mode ............. 149
Displaying Images in HDR PQ Mode .................... 150
Cautions when Using HDR PQ Mode.................... 152
Saving Images Displayed in HDR PQ Mode in JPEG/
TIFF Format........................................................... 154
Saving Images Displayed in HDR PQ Mode in HEIF
Format ................................................................... 155
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HDR PQ Mode
HDR stands for High Dynamic Range and refers to technology that
enables expression of “a wider range of brightness” than with the
conventional range. The conventional range of brightness is referred to
as SDR (Standard Dynamic Range) = “standard brightness range” when
compared to HDR.
The “PQ” in this function’s name, HDR PQ, stands for Perceptual
Quantization and refers to the gamma curve of the input signal for
displaying HDR images. It is capable of brightness up to 10,000 cd/m
2
and approximates human visual characteristics. HDR PQ mode displays
RAW images shot with a supported camera in HDR PQ (10-bit) on an
HDR display compliant with the HDR standard. (Actually displayed
images depend on monitor performance.)
You can also edit and save images.
In addition, DPP has the function “Creating HDR (High Dynamic Range)
Images” (p.108). However, this function assumes that display is in
conventional SDR, and combines exposure-bracketed images (HDR
compositing) to achieve image expression that uses a wide range of
gradation from shadows to highlights, and is thus different from HDR PQ
mode.
On 32-bit OSs, this function is not available.
32bit
System Requirements for HDR PQ Mode
System Requirements
* Since HDR PQ cannot be displayed in Windows 8.1/7, images are
displayed in SDR according to the characteristics of the display so that
they approximate display in HDR PQ as much as possible.
Systems where images are displayed
accurately in HDR PQ
* Images may not be displayed correctly depending on display
performance.
OS (operating
system)
Windows 10 (Version 1607 or later), Windows 8.1,
Windows 7 (all 64-bit versions)*
CPU Core i series 3.4 GHz or higher
RAM
(memory)
4.0 GB or more of RAM (8.0 GB or more
recommended)
Supported
images
RAW, CRAW, and DPRAW images shot with the EOS
R or EOS Ra
RAW and DPRAW images shot with the EOS 5D
Mark IV
HEIF images saved in DPP
OS (operating
system)
Windows 10 (64-bit version) Version 1709 or later
GPU (video
card)
Video cards: NVIDIA GeForce GTX 10 series,
AMD Polaris architecture, etc.
(4 GB or more video memory recommended)
Display Products that meet HDR10 standards*
Cable HDMI 2.0a/b
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Displaying Images in HDR PQ Mode
This section explains how to display images where system requirements
are as described in “Systems where images are displayed accurately in
HDR PQ” on the previous page. Additionally, in Windows, you must
specify the HDR option for display settings.
1
Check that checkbox in [Preferences] [View
settings] tab sheet [HDR display] is checked.
If not checked, checkmark the checkbox, click the [OK] button,
and then restart DPP.
2
Select an image in the main window, etc., and then
open the Settings tool palette and select [On] in
[HDR PQ].
The image is displayed in HDR PQ mode.
Images are displayed in HDR PQ only in the main window, the
edit image window, the preview window, second windows, and
the enlargement check screen. In other windows, images are
displayed in SDR according to the characteristics of the display
so that they approximate display in HDR PQ as much as
possible.
The following icons are displayed in the preview window and
thumbnail frames for images displayed in HDR PQ mode.
• Thumbnail frame:
• Preview window (when connected to an HDR display):
• Preview window (when connected to an SDR display, when
the computer’s OS is Windows 8.1/7):
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HDR PQ mode display when an SDR display is connected
You can use images in HDR PQ mode also when connected to an
SDR display.
When an SDR display is connected, the image is displayed
according to the characteristics of the SDR display so that the
image approximates display in HDR PQ on an HDR display as
much as possible.
However, the large difference in regions that can be rendered
between HDR displays and SDR displays results in a different
impression of colors and gradations.
HDR PQ mode display on a computer with a Windows 8.1/7
OS
If the computer’s OS is Windows 8.1/7, images are displayed in
SDR according to the characteristics of the display so that they
approximate display in HDR PQ on an HDR display as much as
possible. However, the large difference in regions that can be
rendered between HDR PQ and SDR results in a different
impression of colors and gradations.
Recommended display environments for mixed HDR PQ
mode images and SDR images
It is recommended that you have a multiple-monitor environment
using two displays, an SDR display and an HDR display, when
using both HDR PQ and SDR display for images. On the SDR
display, you can display the DPP thumbnail display, tool palettes,
and SDR images, and you can use the HDR display to display the
HDR images.
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Cautions when Using HDR PQ Mode
* The function is available when using an SDR monitor.
Since recipes that become attached to images when HDR PQ is set to On and when HDR PQ is set to Off are not compatible, neither can be applied
to the other.
Item Restriction
Display function
Quick check window (p.31)
Displayed in SDR according to the characteristics
of the display so that images approximate display
in HDR PQ as much as possible
Displaying AF points (p.22)
Not displayable*
Displaying grid lines (p.22)
Highlight/shadow warning (p.23) Not displayable
Displaying properties in preview image (p.24) Not displayable*
Basic Adjustment tool palette
Auto Lighting Optimizer (p.58) Unavailable
Changing the Picture Style (p.49)
The following Picture Styles are available
- [Standard], [Portrait], [Landscape], [Fine Detail],
[Neutral], [Faithful], [Monochrome]
Using Picture Style Files (p.51)
UnavailableLinear (p.57)
Automatic adjustment of gradation and luminance (p.57)
Detailed Adjustment tool palette Reducing color moiré in images (p.69) Unavailable
Partial Adjustment tool palette Reducing color moiré (p.83) Unavailable
Settings tool palette
Setting the work color space (p.90) Not selectable
Setting the size of RAW images when opening (p.92) Unavailable
Tools
Compositing images (p.104)
Unavailable
Generating HDR (High Dynamic Range) images (p.108)
Simulation function
Using the soft-proof colors function (p.91)
Unavailable*
Color matching settings (color setting of the monitor)
(p.161)
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Switching between HDR and SDR modes clears the following recipes:
* The recipe is cleared if the Picture Style was set to a style other than [Standard], [Portrait], [Landscape], [Fine Detail], [Neutral], [Faithful] or
[Monochrome].
Basic Adjustment tool palette Auto Lighting Optimizer / linear / Picture Style* / gamma adjustment
Tone Adjustment tool palette Tone curve adjustment (RGB), brightness, contrast
Settings tool palette Work color space, size when opening RAW images
Color Adjustment tool palette Hue and saturation adjustments for the entire image, color adjustments for specific gamuts
Detailed Adjustment tool palette Reducing color moiré
Partial Adjustment tool palette Partial adjustments and reducing color moiré
Dust Delete / Copy Stamp tool
palette
Stamp
Dust delete data
Image quality enhancement in HDR PQ mode has been introduced as of Digital Photo Professional 4.10.40. To keep using previous adjustment
results, select the check box for [HDR PQ image quality settings*] in [Image Processing 2], in [Preferences].
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Saving Images Displayed in HDR PQ Mode in JPEG/TIFF Format
You can save the editing results of images displayed in HDR PQ mode
in the same way as SDR images.
See “Saving Editing Results” (p.93) for information on how to save
images.
When saving an image displayed in HDR PQ mode as a separate
image (JPEG or TIFF image), it is saved as an SDR image. The
image is processed so that it approximates display in HDR PQ on an
HDR display as much as possible. However, the large difference in
regions that can be rendered between HDR PQ and SDR results in a
different impression of colors and gradations.
For information on saving images in HEIF format, see “Saving Images
Displayed in HDR PQ Mode in HEIF Format” (p.155).
When an image displayed in HDR PQ mode is saved as a separate
image (JPEG or TIFF image), the work color spaces of the saved
images are all fixed at sRGB.
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Saving Images Displayed in HDR PQ Mode in HEIF Format
Images displayed in HDR PQ mode can be saved in HEIF format
(extension .heic) only if Canon HEVC Codec is installed. HEIF stands
for High Efficiency Image File Format. If you save in HEIF format, you
can save images and maintain the wide dynamic range of HDR PQ.
Canon HEVC Codec can be downloaded from the Canon Web site.
See “Saving Editing Results” “Saving as a separate image” (p.93)
for information on saving images. When selecting the image type in
step 3, select [HEIF (*.HEIC)] from [Save as type] and then save the
image.
You cannot select the image quality or compression rate when saving
in HEIF format.
You can [Save], [Save As], [Convert and save], or [Batch process]
HEIF images.
You can save a HEIF image as a JPEG or TIFF image. (It is saved as
an SDR image.)
The image is processed so that it approximates display in HDR PQ on
an HDR display as much as possible. However, the large difference in
regions that can be rendered between HDR PQ and SDR results in a
different impression of colors and gradations.
See “Saving Editing Results” (p.93) for information on how to save an
image as a JPEG or TIFF image.
When a HEIF image is saved as a JPEG or TIFF image, the work
color spaces of the saved images are all fixed at sRGB.
HEIF files generated with software other than DPP are not
compatible with HEIF files saved in DPP (both, extension .heic).
Only HEIF files saved in DPP can be loaded into DPP.
Images saved in HEIF format cannot be printed using Print Studio
Pro software for Canon inkjet printers.
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Specifying Preferences
Specifying Preferences.......................................... 157
General Settings....................................................... 157
Image processing ..................................................... 158
Color Management................................................... 160
View Settings............................................................ 161
Properties Display Settings ...................................... 162
Survey ...................................................................... 162
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Specifying Preferences
You can change the various functions of DPP in the [Preferences]
window. Check the contents of each window and set.
Refer to the detailed explanations if available, as well as to each
window.
1
Select the [Tools] menu [Preferences].
The [Preferences] window appears.
2
Select a tab sheet, specify the settings, and then
click the [OK] button.
You can specify the folder that opens when DPP is started up, saving of
recipes, etc.
Movie file playback
Choose the application used for playing back movie files. Movies that
cannot be played back in DPP or EOS MOVIE Utility are played back
with the movie playback application specified with the computer’s OS
settings. For information on EOS MOVIE Utility, refer to the EOS MOVIE
Utility Instruction Manual.
General Settings
If you have changed the movie playback application to EOS
MOVIE Utility, and playback does not start after starting up EOS
MOVIE Utility, check compatible models with the EOS MOVIE
Utility Instruction Manual.
If the movie playback application specified with the computer’s
OS settings is set to EOS MOVIE Utility, MOV and MP4 files shot
with the models that are not compatible with EOS MOVIE Utility
will not be played back. Check the OS settings and change the
movie playback application.
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Default value of output resolution
When saving JPEG or TIFF images created by converting RAW images
(p.93, p.134), the resolution of the JPEG or TIFF images can be set.
Temporarily saved files
You can delete temporarily saved files that were created and improve
operation speed, change file save destinations, or set a limit on disk
usage. Any changes you made will be applied when you start up DPP
again.
[Delete] button: Click the [Delete] button to delete
temporarily saved files.
[Maximum available on disk]: Set with the slider (setting range: 0 to
32 GB).
Once usage reaches the limit, files
are erased starting with the oldest.
[Destination]: Click the [Browse] button to change
the save destination in the dialog that
appears.
[Reset] button: Click the [Reset] button to revert all
changes to the original settings.
On 32-bit OSs, only deleting temporarily saved files is
possible.
32bit
You can specify settings for processing images in DPP.
Image Processing 1
JPEG image quality
[Remove block noise and mosquito noise]
You can improve the quality of a JPEG image by reducing the noise
particular to JPEG images.
This setting is also effective when RAW images are converted to
JPEG images and saved (p.93, p.134) and for JPEG images that to
be saved with a different name. The higher the JPEG image’s
compression rate, the better the effect. And when the compression
rate is low, the effect of noise reduction may not be noticeable.
Modified Picture Style settings
If you checkmark the checkbox, setting values for [Color tone], [Color
saturation], [Contrast], [Unsharp mask], [Sharpness], and other options
will be retained for each Picture Style.
Image processing
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Noise reduction defaults
You can set a default beforehand for the noise reduction level. Only
RAW images are supported.
When [Apply camera settings] is selected, you can pre-set a noise
reduction level that suits the camera settings beforehand as the
default.
When [Set as defaults] is selected, you can pre-set a preferred
default setting for the noise reduction level beforehand.
For images not having a recipe attached, the default noise reduction
level set here is applied. If you changed settings, they will be applied to
images as the default noise reduction level when you start up DPP
again.
For images with a recipe attached, the noise level recorded in the recipe
remains as it is and the default for noise reduction level set here is not
applied.
Sharpness defaults
You can set a default beforehand for the sharpness. Only RAW images
are supported.
When [Apply camera settings] is selected, you can pre-set a
sharpness that suits the camera settings beforehand as the default.
When [Set as defaults] is selected, you can pre-set preferred
default settings for the sharpness and unsharp mask beforehand.
For images not having a recipe attached, the defaults for sharpness and
unsharp mask set here are applied. If you changed settings, they will be
applied to images as the default sharpness level when you start up DPP
again.
For images with a recipe attached, the sharpness level recorded in the
recipe remains as it is and the defaults for sharpness and unsharp mask
set here are not applied.
On 32-bit OSs, the [Preview image settings] menu is not
displayed.
32bit
Image Processing 2
Quick check window settings
You can specify image display settings for the quick check window. By
selecting [Show image with recipe applied], images with a recipe
attached are displayed with the recipe applied. Any changes you made
will be applied when you start up DPP again.
Graphic processor settings
If you checkmark [Use graphics processor for image processing], the
graphics processor is used to allow a faster preview display. The CPU
handles convert and save tasks as well as print tasks as usual. Settings
will be applied the next time DPP is started up.
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Default size when opening RAW images
This applies only to RAW images with the extension “.CR3” that were
shot with [ ] selected on the camera.
This specifies the size defaults when RAW images are opened in DPP.
This default size is also set when RAW images are converted and saved
as JPEG or TIFF images.
The settings are applied the next time DPP is started up.
HDR PQ image quality settings
Image quality enhancement in HDR PQ mode has been introduced as
of Digital Photo Professional 4.10.40. To keep using previous
adjustment results, select the check box for [HDR PQ image quality
settings*].
To use this function, a NVIDIA CUDA (Compute Capability 2.0 or
higher) GPU* with at least 1.0 GB of video memory is necessary.
Additionally, the latest NVIDIA GPU driver must be installed.
* GPU is an abbreviation of “Graphics Processing Unit”.
The [Use graphics processor for image processing] checkbox is
available only when a supporting GPU is installed.
If the OS or other application software is using the GPU,
processing by the GPU may not be possible in some
circumstances. In such a case, the CPU handles processing as
usual.
You can specify settings relating to color management, such as settings
for work color space, conditions for color matching, etc.
Default settings of Work color space
You can select the color space (p.168) to be applied as a default setting
of RAW images from five types. The color space set will be applied as
the color space when a RAW image is converted and saved (p.93,
p.134) or printed (p.127 to p.130).
If you change the color space, and you restart DPP, the set color
space is applied as the default color space.
You can check the color space that is set in an image in all windows
except the quick check window.
If you checkmark [Use shooting color space as work color space],
the color space specified with the camera when the image was shot
will be set as work color space.
Color Management
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Color matching settings (color setting of the monitor)
Where a profile (p.167) is attached to the monitor you are using, you can
display an image in more faithful colors by setting the profile.
If you select [Use the OS settings], the color profile set in Windows
will also be applied in DPP. If you are using multiple monitors, the
profile set for each monitor is applied to DPP.
Select the [Monitor profile], click the [Browse] button. You can
select a profile for your monitor in the dialog box that appears.
If you use a profile created using a third-party monitor color reader,
images can be displayed in even more precise colors.
Printing profile (color setting of the printer)
Where a profile is not attached to the printer you are using to print
images, you can print an image, simulating the colors displayed on
screen by setting the profile in DPP.
Precise coloring with a third-party monitor color reader
When you set a profile for printing in DPP, set the color adjustment
function of the printer driver to off. If it is left on, the image may not
be printed in colors close to those displayed on screen.
Even if the default setting is changed, the new default setting is not
applied to edited (i.e., adjusted using the tool palette, cropped, dust-
erased) images. Change the settings individually.
Changes are not applied to the edited image
You can set a color space that is different from the default settings
for each image (p.90).
You can set layout for screen display.
Thumbnail order
Specify the default order of images in the main window, and that the
order of rearranged images be maintained. If you checkmark the
checkbox, the order of rearranged images is maintained starting the
next time you select a folder (p.36).
Reset user interface
You can reset user interface settings.
Choose from either of 2 reset states.
By checkmarking the [Restore defaults at startup] checkbox, settings
revert to their original settings for next time you start up DPP. The
checkmark is also removed from the checkbox for the next startup.
View Settings
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You can specify settings for shooting and recipe information that
appears with thumbnails and in the preview window.
View settings
You can specify information that appears on thumbnails or previews.
If the [Show Av/Tv/ISO on thumbnails] checkbox is checked, Av/Tv/ISO
information is displayed on thumbnails if thumbnails are set at Size 3 or
larger.
Preview properties font
You can specify the font used for information displayed in the preview
window.
Properties Display Settings
Properties to display
You can specify detailed settings for [Display settings for thumbnails
with info], [Display settings for thumbnail list], and [Display settings for
preview properties].
Items that can be selected appear in the list box at left, and actually
displayed items appear in the list box at right. Specify items with the
[Add >>] button and [<< Remove] button. You can also change the
display order with the [Move Up] button and [Move Down] button.
You can change survey send settings.
All the property items may not be displayed depending on the
combination of window, preview window, or the size of thumbnails.
Click the [Change settings] button and change settings in the
dialog box that appears.
Survey
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Reference
Troubleshooting..................................................... 164
Deleting the Software (Uninstalling) ...................... 165
Image Frame Information in the Main Window
and Edit Image Window......................................... 166
Glossary ................................................................ 167
Index...................................................................... 169
About This Instruction Manual........................ 173
Trademarks .................................................... 173
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Troubleshooting
If DPP is not operating correctly, refer to the subjects below.
Select an administrator-level privilege ([Computer administrator],
[Administrator], etc.) when setting the user. You cannot install the
software if the user setting other than an administrator-level privilege
is selected. For detailed information on selecting an administrator-
level privilege, refer to your computer User’s Manual.
DPP does not operate correctly on a computer if its system
requirements are not met. Use DPP on a computer with compatible
system requirements (p.3).
Even if your computer has the RAM capacity (memory) described in
the system requirements (p.3), if other applications are running at the
same time as DPP, you may not have sufficient RAM (memory). Exit
any applications other than DPP.
Depending on the card reader and computer OS used, SDXC cards
may not be correctly detected. In such a case, connect your camera
and computer with the provided interface cable, and transfer the
images to your computer using EOS Utility.
Images that are not supported by DPP are not displayed. (Thumbnail
images are displayed as [?].) On a 32-bit version PC, when more
images than the maximum displayable amount are detected, images
beyond the maximum are not displayed. (Thumbnail images are
displayed as [?].) There are various types of JPEG and TIFF images,
so JPEG images other than Exif 2.2, 2.21 or 2.3 compatible images
and TIFF images other than Exif compatible images may not to be
displayed properly (p.4).
Installation can not be completed correctly
DPP does not work
The card reader does not detect the SD card
Images are not displayed properly
Since recipes are not compatible between RAW images and JPEG or
TIFF images, neither can be applied to the other.
If a RAW image which has a color space other than sRGB is
converted and saved as a JPEG or TIFF image (p.90, p.160), the
colors will be subdued when viewed in software that is only
compatible with sRGB color space. In such a case, set the RAW
image’s color space to sRGB, convert and save again as a JPEG or
TIFF image, and then view the image.
The Auto Lighting Optimizer (p.58) is a function compatible with
cameras equipped with the Auto Lighting Optimizer.
Adjustments made with the Auto Lighting Optimizer cannot be applied
to RAW images shot with the cameras not compatible with this
function.
If the color of the monitor that displays an image is not adjusted
correctly, or if the profile for a printer that is to print image is not set
up, the color of the image displayed on screen and the color of the
printed photograph may differ greatly. If the color of the monitor that
displays images is corrected and the profile for a printer is set up
correctly (p.161), the color of a printed photograph and the color of an
image on screen can be more closely matched. Using a Canon printer
automatically sets up the profiles for the printer, so you only need to
set the color of the monitor to bring the colors closer to each other.
If a large number of images are printed in batches, printing may stop
in the middle or the images may not be printed. Reduce the number of
images to print or increase the memory on your computer.
A recipe could not be pasted (applied) to another image
Colors are subdued in the image when viewed with
other software
The colors of the image displayed on screen and
the colors of the printed image do not match
Printing a large number of images in batches
cannot be performed
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Deleting the Software (Uninstalling)
Exit any applications before uninstalling the software.
Log in under an administrator-level privilege when uninstalling the
software.
Uninstall the software according to the OS software uninstalling
method.
To prevent computer malfunctions, always restart your computer after
you have uninstalled the software. Re-installing the software without
first restarting your computer is particularly likely to result in computer
malfunctions.
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Image Frame Information in the Main Window and Edit Image Window
Trimming (cropping) range
*2
(p.70)
Check mark
(p.33, p.34)
Pinned image setting mark (p.21)
Multiple image display mark
(p.22)
Image type
*1
File name
Rating mark (p.33, p.34)
GPS mark
*3
Lens aberration
correction mark
(p.74)
Digital Lens Optimizer mark (p.78)
Unsaved editing content mark
*
1
Displayed on RAW+JPEG images displayed as a
single image (p.15).
[ ] is displayed in RAW images.
[ ] is displayed in Dual Pixel RAW images.
*
2
When aspect ratio information is attached to an image
shot with any supported camera other than the EOS 5D
Mark II, the image is displayed as a cropped image.
*
3
Displayed on images shot on a GPS function-
compatible Canon camera.
*
4
Shows that the movie is split and includes movies
other than that shown in the thumbnail.
The following icons may be displayed:
: No final movie
: No initial or final movie
: No initial movie
: All split movies present
[ ] is displayed in an image
frame when editing is not
possible.
Movies played back using
software other than DPP are
displayed with a [ ] icon in the
thumbnail image.
For information on icons displayed
in HDR PQ mode, see “Displaying
Images in HDR PQ Mode”
(p.150).
Recipe mark
Shooting
information
Split movie mark
*4
(p.13, p.100)
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Glossary
RAW image
EOS DIGITAL camera RAW images are recorded in an uncompressed
14bit or 12bit format.
Because RAW images are special images in an undeveloped status,
you need software with development processing functions such as DPP
in order to view them. The advantage of the undeveloped RAW images
is that you can make a variety of adjustments to RAW images with
almost no deterioration of the image.
* “RAW” meaning “in a natural condition” or “not processed or refined”.
JPEG image
The most ordinary image in non-reversible compressed 8bit format.
The advantage of this is that by saving at a high compression rate, the
file size can be small, even for image data that has a high pixel count.
Because during saving and compression part of the data is thinned out
to make the file size small, every time you edit or save, the image
deteriorates.
With DPP, even if you repeat editing/saving, only the recipe data is
modified, and no overwriting or compression occurs so the original
image data does not deteriorate.
* JPEG is an abbreviation of “Joint Photographic Experts Group”.
TIFF image
Bitmap-format image recorded in a 8bit/16bit uncompressed format.
Because TIFF images are in uncompressed format, they are suitable for
saving an image while maintaining the original high image quality.
* TIFF is an abbreviation of “Tagged Image File Format”.
Recipe
The “Image processing conditions information” for RAW images that can
be edited in DPP is called a “recipe”.
Further, in DPP, you can perform image editing on JPEG and TIFF
images that use “recipes” as with RAW images.
bit number
Binary unit of information volume in the color of an image. The number
shows the number of bits per pixel.
The larger the number of bits, the more the color numbers and the
gradation becomes smoother. A one-bit image is a black-and-white
image.
Color Management System (Color Matching)
Digital cameras that shoot images, monitors that display images, and
printers that print images each have a different way of creating color. For
this reason, there may be a difference between the color of an image
when viewed on a monitor and when printed.
A color management system is a system for managing color in order to
bring these colors closer together. With DPP, you can more closely
match color between different devices using ICC profiles between
different devices.
ICC profiles
ICC profiles are files containing color information such as color
characteristics and color space for various devices, set by the ICC
(International Color Consortium). Most devices such as the monitor we
use to view images or the printer we use to print images can be
managed (color management) using these ICC profiles and the color
between different devices can be more closely matched.
DPP has color management that uses these ICC profiles.
Tone Curve
A tone curve shows values before adjustment (input) as the horizontal
axis on a graph, and the values after adjustment (output) as the vertical
axis. Since the values of before adjustment and after adjustment are the
same before any adjustment is made, the tone curve displays as a
straight line from bottom left to top right, and by changing this tone
curve, you can adjust in detail the image’s brightness, contrast and
color. The more you go right on the horizontal axis, the more the plus
value it becomes, and the higher you go on the vertical axis, the more
the plus value it becomes.
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Color space
A color space is the reproducible color range (color gamut
characteristics). DPP supports the following five kinds of color space.
sRGB : Standard color space for Windows. Widely used for
the standard color space of monitors, digital
cameras, and scanners.
Adobe RGB : A wider color space than sRGB. Mainly used for
printing for business purposes.
Apple RGB : Standard color space for Macintosh. A slightly
wider color space than sRGB.
ColorMatch RGB : A slightly wider color space than sRGB. Mainly
used for printing for business purposes.
Wide Gamut RGB : A wider color space than Adobe RGB.
Refer to the color chart below for the color area of each color space.
Color chart of color spaces compatible with DPP
Color range that can be
seen by the human eye
Gamma
value
White point
(color temp.)
sRGB 2.2 6500K(D65)
Adobe RGB 2.2 6500K(D65)
Apple RGB 1.8 6500K(D65)
ColorMatch RGB 1.8 5000K(D50)
Wide Gamut RGB 2.2 5000K(D50)
CMYK simulation profiles
A profile that simulates colors when printing in a CMYK environment
(printing machine, etc.). With DPP, you can simulate color with four
types of profile.
Euro Standard : Profile normally used for book printing in
Europe, suitable for simulation of standard
European printing.
JMPA : Profile normally used for book printing, etc. in
Japan, suitable for simulation of magazine
advertising standard color printing.
U.S.Web Coated : Profile normally used for book printing in
North America, suitable for simulation of
North American standard printing.
JapanColor2001 type3 : Profile becoming a standard in the Japanese
printing industry, suitable for simulation of
JapanColor standard printing.
Rendering intent
Rendering intents are color conversion methods when printing an image.
The conversion method of each rendering intent is shown below.
Perceptual : Before and after conversion, all colors are
converted to maintain the relationship between
colors. Even where colors slightly change, you
can print a natural-looking image which has
maintained color harmony. However,
depending on the image, the saturation may
change overall.
Relative Colorimetric : There will not be much conversion to colors
which are similar before and after conversion,
but colors which are not similar are converted
appropriately. Because there are little changes
to similar colors which comprise most of an
image, you can print a natural-looking image in
which the saturation has not changed greatly.
However, depending on the image, there are
cases where the overall tone of an image
changes somewhat as colors which are not
similar and highlights change.
169
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
A
Adjust JPEG Images........................................................................... 45
Adjust TIFF Images............................................................................. 45
Adjusting
Adjustment Contents (Recipe) ..................................................... 98
Apply Adjustments........................................................................ 97
Automatic Adjustment (Gradation, Luminance)............................ 57
Brightness .............................................................................. 48, 61
Brightness of Highlights................................................................ 54
Brightness of Shadows................................................................. 54
Click White Balance ............................................................... 52, 62
Color Saturation ........................................................................... 55
Color Temperature ....................................................................... 53
Color Tone.................................................................................... 55
Contrast.................................................................................. 54, 61
Copy Adjustments ........................................................................ 97
Dynamic Range...................................................................... 56, 65
Filter Effect ................................................................................... 56
Hue......................................................................................... 66, 67
Monochrome .......................................................................... 55, 67
Personal White Balance ............................................................. 132
Picture Style File .......................................................................... 51
Saturation ............................................................................... 66, 67
Save Adjustments ........................................................................ 97
Sharpness .................................................................................... 59
Tone Curve Adjustment................................................................ 63
Toning Effect .......................................................................... 55, 56
White Balance .............................................................................. 51
Adjusting Brightness ........................................................................... 48
Adjusting Tone Curve ......................................................................... 63
Adjustment Contents (Recipe).................................................... 96, 167
Adobe RGB....................................................................................... 168
AF Points ............................................................................................ 22
Apple RGB........................................................................................ 168
Arrange Images .................................................................................. 36
Auto Lighting Optimizer....................................................................... 58
Automatic Adjustment (Gradation, Luminance) .................................. 57
Automatic Dust Erasure Processing ................................................... 86
B
Basic Adjustment Tool Palette............................................................. 48
Batch Apply White Balance to Images (Personal White Balance)..... 132
Batch Change the File Name of Images............................................ 137
Batch Convert/Save Images (Batch Process) ................................... 134
Batch Process (Batch Save JPEG and TIFF Images)....................... 134
Batch Process of Multiple Images
Change File Name ...................................................................... 137
Convert/Save (Batch Process).................................................... 134
Personal White Balance.............................................................. 132
Recipe Data .................................................................................. 96
Transfer....................................................................................... 136
Batch Settings Window.............................................................. 134, 136
Batch Transfer Images ...................................................................... 136
Batch Transfer Images to Image Editing Software ............................ 136
Before/After Comparison Display ........................................................ 24
bit Number ......................................................................................... 167
Bookmark ............................................................................................ 40
Brightness............................................................................................ 61
C
Change File Name............................................................................. 137
Change the Display ............................................................................. 14
Changing the File Name of Images in the Order in the Main
Window.............................................................................................. 137
Check Mark ........................................................................... 33, 34, 166
Chromatic Aberration Correction ......................................................... 74
Chrominance Noise Reduction............................................................ 68
Click White Balance............................................................... 52, 62, 142
CMYK Simulation .............................................................................. 168
Collection Window ............................................................................. 102
Color Blur Correction ........................................................................... 74
Color Chart ........................................................................................ 168
Color Management (Color Matching) ................................................ 167
Color Space ................................................................................ 168
ICC Profiles................................................................................. 167
Color Management (Preferences) ..................................................... 160
Index
170
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Color saturation................................................................................... 55
Color Setting of the Monitor (Profiles)............................................... 160
Color Setting of the Printer (Profiles) ................................................ 161
Color Space ...................................................................................... 168
Adobe RGB ................................................................................ 168
Apple RGB ................................................................................. 168
Color Space Setting for Each Image ............................................ 90
ColorMatch RGB ........................................................................ 168
sRGB.......................................................................................... 168
Wide Gamut RGB....................................................................... 168
Color Space Setting for Each Image................................................... 90
Color Temperature.............................................................................. 53
Color Tone .......................................................................................... 55
ColorMatch RGB............................................................................... 168
Compositing Images ......................................................................... 104
Contrast ........................................................................................ 54, 61
Convert One Image............................................................................. 93
Convert to JPEG or TIFF Image and Save................................. 93, 134
Copy Stamp (Image Correction) ......................................................... 89
Copying and Pasting (Applying) Recipes............................................ 97
Correct Images (Copy Stamp Function) ............................................. 89
Cropping ............................................................................................. 70
Customize toolbar ............................................................................. 125
D
Default Color Space Setting.............................................................. 160
Delete Images..................................................................................... 39
Deleting
Delete Images .............................................................................. 39
Delete the Software.................................................................... 165
Deleting DPP (Uninstalling) .............................................................. 165
Depth compositing ............................................................................ 115
Detailed Setting Printing (Printing with Shooting Information) .......... 128
Digital Lens Optimizer......................................................................... 77
Digital Lens Optimizer mark.............................................................. 166
Display
Before/After Comparison Display ................................................. 24
Enlarged Display (Preview Window)............................................. 18
Enlarged Display (Quick Check Window) ..................................... 31
Multi-Function Preview.................................................................. 25
Single Image Display .................................................................... 37
Synchronize Preview Window....................................................... 99
Thumbnail Display (Main Window)................................................ 13
Thumbnail Display and Enlarged Display
(Edit Image Window)................................................................... 100
Displaying Image Properties................................................................ 24
Displaying Shooting Information.......................................................... 24
Distortion Correction............................................................................ 74
Downloading an Image to Your Computer .......................................... 11
Downloading Images from a Camera ........................................... 11
Downloading Images from a Card Reader.................................... 11
Downloading Images ........................................................................... 11
Downloading Images from a Camera .................................................. 11
Dual Pixel RAW Optimizer................................................................. 111
Dust Delete Data ........................................................................... 85, 86
Dust Delete/Copy Stamp Tool Palette................................................. 85
Dust Erasure Processing
Automatic Dust Erasure Processing ............................................. 85
Dust Delete/Copy Stamp Tool Palette .......................................... 85
Image Correction (Copy Stamp Function) .................................... 89
Manual Dust Erasure (Repair Function) ....................................... 87
Dynamic Range ............................................................................. 56, 65
E
Edit Image Window............................................................................ 100
Editing................................................................................................ 169
Enlarged Display (Preview Window) ................................................... 18
EOS Utility ........................................................................................... 11
Exiting DPP ......................................................................................... 29
F
Filter Effect .......................................................................................... 56
G
General Settings (Preferences)......................................................... 157
GPS mark .......................................................................................... 166
Grid Lines ............................................................................................ 22
Adjusting
171
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
H
HDR (High Dynamic Range) Images................................................ 108
HDR PQ Mode .................................................................................. 148
Highlight Area Warning Indicator ........................................................ 23
Histogram Palette ............................................................................... 17
Hue ......................................................................................... 46, 66, 67
I
ICC Profiles....................................................................................... 167
Image Information............................................................................... 38
Image Marks (Image Frame Information) ......................................... 166
Image processing (Preferences)....................................................... 158
Image Quality
Noise Reduction ........................................................................... 68
J
JPEG Image................................................................................ 45, 167
L
Lens Aberration Correction ................................................................. 73
Lens aberration correction mark ....................................................... 166
Linear.................................................................................................. 57
Loading and Pasting (Applying) Recipes............................................ 98
Luminance Noise Reduction............................................................... 68
M
Main Window ...................................................................................... 13
Main Window (Multi-layout)................................................................. 20
Main Window (Thumbnail Layout) ...................................................... 13
Manual Dust Erasure (Repair Function) ............................................. 87
Monochrome....................................................................................... 55
Filter Effect ................................................................................... 56
Toning effect................................................................................. 56
Move or Copy Folders......................................................................... 40
Move or Copy Images......................................................................... 39
Movies
Play Back ................................................................................... 145
Save Still Photos ........................................................................ 145
Split movie mark......................................................................... 166
Multi-Function Preview ........................................................................ 25
Multi-layout .......................................................................................... 20
Multiple image display mark .............................................................. 166
N
Navigator Palette ................................................................................. 19
Noise Reduction .................................................................................. 68
O
Organize Images ................................................................................. 39
Organizing Images .............................................................................. 39
Delete Images............................................................................... 39
Move or Copy Folders................................................................... 40
Move or Copy Images................................................................... 39
Register Folders as Bookmarks.................................................... 40
P
Palettes
Display Method of Palettes ........................................................... 28
Rearranging Palettes .................................................................... 28
Perceptual ......................................................................................... 168
Peripheral Illumination Correction ....................................................... 74
Personal White Balance .................................................................... 132
Picture Style ........................................................................................ 49
Picture Style File.................................................................................. 51
Pin ....................................................................................................... 21
Pinned image setting mark ................................................................ 166
Preferences ....................................................................................... 157
Color Management ..................................................................... 160
General Settings ......................................................................... 157
Image processing........................................................................ 158
Properties Display Settings......................................................... 162
Survey......................................................................................... 162
View Settings .............................................................................. 161
Preview Control Panel ......................................................................... 21
Preview Display Area .......................................................................... 20
Preview Window .................................................................................. 18
Printing
Printing a Thumbnail List (Contact Sheet Printing) ..................... 129
Printing One Sheet of Paper ....................................................... 127
172
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Printing with Shooting Information (Detailed Setting Printing).... 128
Printing One Sheet of Paper............................................................. 127
Printing with Shooting Information (Detailed Setting Printing) .......... 128
Properties Display Settings (Preferences) ........................................ 162
Q
Quick Check Window.......................................................................... 31
R
Rating............................................................................................ 33, 34
Rating mark....................................................................................... 166
RAW Burst Image Tool ..................................................................... 120
RAW Image................................................................................. 44, 167
Re-Adjusting an Image ....................................................................... 95
Recipe......................................................................................... 96, 167
Recipe File .......................................................................................... 96
Re-Editing an Image ........................................................................... 95
Registering Folders as Bookmarks..................................................... 40
Remote Shooting .............................................................................. 139
Rename Window............................................................................... 137
Rendering Intent (Matching Method) ................................................ 168
Repair (Manual Dust Erasure) ............................................................ 87
Roll.................................................................................................... 120
Rotate Images..................................................................................... 13
S
Saturation................................................................................ 46, 66, 67
Save
Batch Convert/Save Images (Batch Process) ............................ 134
Save ............................................................................................. 93
Save As ........................................................................................ 93
Save As............................................................................................... 93
Saving Recipes ................................................................................... 97
Second Windows ................................................................................ 26
Select Images ....................................................................... 13, 31, 100
Shadow Area Warning Indicator ......................................................... 23
Sharpness..................................................................................... 59, 80
Shooting Information Display........................................................ 24, 38
Single Image Display........................................................................... 37
Single Image Display of RAW and JPEG Image ................................. 37
Soft-Proof Colors Function .................................................................. 91
Sorting Images
Check marks ........................................................................... 33, 34
Ratings.................................................................................... 33, 34
sRGB ................................................................................................. 168
Starting up DPP................................................................................... 10
Supported Images ................................................................................. 4
Survey (Preferences)......................................................................... 162
Synchronization (Preview Window) ..................................................... 99
Synchronize Images ............................................................................ 99
Synchronize Preview Window ............................................................. 99
System Requirements ........................................................................... 3
T
Thumbnail Display (Filter/Sort Function) ............................................. 16
Thumbnail Display (Main Window) ...................................................... 13
Change the Display....................................................................... 14
Thumbnail Display (Multi-layout) ......................................................... 20
Thumbnail Display and Enlarged Display (Edit Image Window) ....... 100
Thumbnail Display Area ...................................................................... 20
Thumbnail Layout ................................................................................ 13
Thumbnails Control Panel ................................................................... 15
TIFF Image .................................................................................. 45, 167
Tone Curve........................................................................................ 167
Toning effect........................................................................................ 56
Tool Palette ......................................................................................... 46
Basic Adjustment Tool Palette ...................................................... 48
Color Adjustment Tool Palette ...................................................... 66
Detailed Adjustment Tool Palette.................................................. 68
Dust Delete/Copy Stamp Tool Palette .......................................... 85
Lens Correction Tool Palette ........................................................ 73
Partial Adjustment tool palette ...................................................... 81
Settings Tool Palette..................................................................... 90
Tone Adjustment Tool Palette....................................................... 61
Trimming/Angle Adjustment Tool Palette...................................... 70
173
3
Sorting
Images
1
2
4
5
Introduction/
Contents
Downloading
Images
Viewing
Images
Printing
Images
Editing
Images
6
Processing
Large Numbers
of RAW Images
7
Remote
Shooting
9
HDR PQ
Mode
8
Playing Back
Movies and Saving
Still Photos
10
Specifying
Preferences
Toolbar................................................................................................ 13
Transfer
Batch Transfer Images to Image Editing Software..................... 136
Transfer an Image to Photoshop................................................ 124
Transfer an Image to Photoshop ...................................................... 124
Trimming (cropping) range................................................................ 166
Trimming/Angle Adjustment Tool Palette............................................ 70
Trimming/Angle Adjustment Window .................................................. 70
U
Unsaved editing content mark .......................................................... 166
Unsharp Mask..................................................................................... 60
V
View Settings (Preferences) ............................................................. 161
Viewing Images in the Main Window (Thumbnail Layout) .................. 13
W
White Balance..................................................................................... 51
Click White Balance ............................................................... 52, 62
Color Temperature ....................................................................... 53
Personal White Balance ............................................................. 132
Wide Gamut RGB ............................................................................. 168
Work Color Space............................................................................... 90
Color Management..................................................................... 160
About This Instruction Manual
It is prohibited to reproduce, in whole or part, the contents of this
Instruction Manual without permission.
Canon may change without notice the software specifications and
contents of this Instruction Manual.
The software screens and displays printed in this Instruction Manual
may differ slightly from the actual software.
Please note that irrespective of the above-mentioned, Canon does
not take responsibility for the outcome of the operation of the
software.
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