Sonance UBX-888-026 PowerZone Connect 122D Amplifiers

Product's Documents

Below are documents related to this product, you can read online or download:
User Manual Specification
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  • PowerZone Connect Dante Amplifier Blaze by Sonance Sell Sheet. - (English) Download
Other Documents
  • Blaze By Sonance Dante Guide. - (English) Download
  • PowerZone Connect 122D Blaze By Sonance Mechanical Drawings.pdf - (English) Download
  • Training Blaze by Sonance Initial Amplifier Setup. - (English) Download
  • Training Blaze by Sonance Creating Speaker Preset Library. - (English) Download
  • Training Blaze by Sonance Importing Speaker Preset Library. - (English) Download
  • Training Blaze by Sonance Dante Routing Across Amplifiers. - (English) Download
Dimension Guide
  • Training Blaze by Sonance Design Guide. - (English) Download
UBX-888-026 photo

PowerZone Connect 1U Blaze by Sonance Manual.

This is the main product document for model UBX-888-026.

The file format is pdf, 28 pages, you can download this manual here .

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INSTALLATION GUIDE / USER MANUAL
PowerZone™ Connect
122 / 122D • 252 • 254 • 504 / 504D • 508 • 1008 / 1008D
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2
Technical and Safety Notices
Please read the following important technical, safety
and environmental notices before installing and using
your amplier.
Technical Notices
All reasonable design and engineering steps have been taken
to ensure that these ampliers always perform satisfactorily
in their intended application and environment and will provide
appropriate levels of support to ensure that all reasonable
customer needs and expectations are met. Such support
however is contingent on the following provisions.
These ampliers are Class-I products and should be installed
with a mains cable including the required earth connection to
comply with the Safety Class-I.
These ampliers should always be installed by competent
and qualied personnel. Amplier damage or failure caused
by installation or operational errors may invalidate support,
warranty or guarantees of performance.
These ampliers are not suitable for use in locations where
they may be accessible to minors.
These ampliers are intended to be used specically for
the amplication of audio signals and for connection to
moving-coil loudspeaker systems. Use of these ampliers
for amplication of signals outside the audio band (20Hz
to 20kHz) or to drive transducers other than moving-coil
loudspeakers may invalidate support, warranty or guarantees
of performance.
These ampliers should only be used within professionally
installed and congured audio systems comprising input
and output ancillary equipments that is known to be of an
appropriate level of performance and in good operating
condition. Any damage to, or unsatisfactory performance
from, these ampliers caused by inadequate or failed input
or output ancillaries may invalidate support, warranty or
guarantees of performance.
These ampliers are intended to be installed and operated
indoor in a controlled environment (pollution degree, PD2)
within an ambient temperature range of 0°C to 40°C. These
ampliers are not intended for use above 2000 meters above
sea level. Ampliers installed or operated in environments
outside these limits may invalidate support, warranty or
guarantees of performance.
Specic warranty terms are the responsibility of the amplier
re-seller.
Safety and Environmental Notices
Note: The intent of the lightning ash with arrowhead symbol
in a triangle is to alert the user to the presence of uninsulated
“dangerous” voltage within the product’s enclosure that may be of
sufcient magnitude to constitute a risk of electric shock to humans.
Note: The intent of the exclamation point within an equilateral
triangle is to alert the user to the presence of important safety, and
operating and maintenance instructions in this manual.
WARNING! TO PREVENT FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE.
Ambient Temperature Note: If this equipment is
operated in a conned or multiple rack installation, the
internal ambient operating temperature may exceed
the external ambient temperature.
It is important to ensure in these
circumstances that the published
maximum operating temperature for the
equipment is not exceeded.
Reduced Air Flow: Ensure that rack or
other closed installation does not restrict
the cooling airow required for safe and
reliable operation of the equipment.
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3
Technical and Safety Notices
Important Safety Instructions
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Do not submerge the equipment in water or liquids.
Do not use any aerosol spray, cleaner, disinfectant or
fumigant on, near or into the equipment.
Clean only with a dry cloth.
Do not block any ventilation opening. Install in accordance
with the manufacturer’s instructions.
Do not install near any heat sources such as radiators, heat
registers, stoves, or other apparatus (including ampliers)
that produce heat.
To reduce the risk of electrical shock, the power cord shall be
connected to a mains socket outlet with a protective earthing
connection.
Do not defeat the safety purpose of the polarized or
grounding type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided
plug does not t into your outlet, consult an electrician for
replacement of the obsolete outlet.
Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the point
where they exit from the apparatus.
Do not unplug the unit by pulling on the cord, use the plug.
Only use attachments/accessories specied by the
manufacturer.
Unplug this apparatus during lightning storms or when
unused for long periods of time.
Refer all servicing to qualied service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus, the
apparatus has been exposed to rain or moisture, does not
operate normally, or has been dropped.
The appliance coupler, or the AC Mains plug, is the AC mains
disconnect device and shall remain readily accessible after
installation.
Adhere to all applicable, local codes.
Consult a licensed, professional engineer when any doubt or
questions arise regarding a physical equipment installation.
Environmental Statement
This product complies with international
directives, including but not limited to the
Restriction of Hazardous Substances (RoHS)
in electrical and electronic equipment, the
Registration, Evaluation, Authorization and
restriction of Chemicals (REACH) and the
disposal of Waste Electrical and Electronic Equipment (WEEE).
Consult your local waste disposal authority for guidance on
how properly to recycle or dispose of this product.
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4
Introduction and Overview
1. Introduction
PowerZone™ Connect power ampliers have been
designed to provide congurable, consistent and
reliable high performance audio power amplication for
residential, commercial and entertainment applications.
Please read this manual fully before installing and
using an amplier. If you have any questions regarding
amplier conguration, installation or operation please
contact the appropriate customer support portal.
Following this introduction, the manual is divided into sections
covering the following topics:
• 2. Overview
• 3. Carton Contents
• 4. Installation
• 5. Conguration
• 6. Connections
• 7. Operation
• 8. Specications
2. Amplier Overview
PowerZone™ Connect 122/122D, 252, 254, 504/504D,
508 and 1008/1008D ampliers are half rack and full rack
width, 1U format power ampliers that can drive both
conventional low impedance (Lo-Z, 4 Ω to 16 Ω) loudspeakers
and high impedance (Hi-Z, 70 V / 100 V) transformer coupled
loudspeakers.
The ampliers provide four analog inputs, one stereo S/PDIF
digital input, and either two, four or eight outputs (Lo-Z mode),
or one, two or four outputs (Hi-Z mode).
PowerZone™ Connect ampliers also incorporate automatic
power sharing technology that enables power to be shared
proportionately as required between pairs of outputs in Lo-Z
mode.
PowerZone™ Connect amplier model rack widths, output
channel counts and power outputs are as follows:
PowerZone™ Connect 122/122D
Mode Channels Max Rated Output per Channel
Lo-Z Two 60 Watts
Hi-Z One 125 Watts
PowerZone™ Connect 252
Mode Channels Max Rated Output per Channel
Lo-Z Two 125 Watts
Hi-Z One 250 Watts
PowerZone™ Connect 254
Mode Channels Max Rated Output per Channel
Lo-Z Four 60 Watts
Hi-Z Two 125 Watts
PowerZone™ Connect 504/504D
Mode Channels Max Rated Output per Channel
Lo-Z Four 125 Watts
Hi-Z Two 250 Watts
PowerZone™ Connect 508
Mode Channels Max Rated Output per Channel
Lo-Z Eight 60 Watts
Hi-Z Four 125 Watts
PowerZone™ Connect 1008/1008D
Mode Channels Max Rated Output per Channel
Lo-Z Eight 125 Watts
Hi-Z Four 250 Watts
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5
Introduction and Overview
2.1 Connections
PowerZone™ Connect signal input and output connections are
accomplished via RCA Phono and Euroblock style connectors.
A GPIO (General Purpose In/Out) Euroblock connector enables
some amplier functions to be controlled, and wireless or RJ45
socket Ethernet network connection options are also provided.
PowerZone™ Connect ampliers have no mains power switch
and are operational as soon as mains power is connected via the
IEC 60320 mains socket.
2.2 Network Features
PowerZone™ Connect ampliers are TCP/IP network
connected devices that require a wired or wireless network
connection to access their conguration menus. The
conguration menus are accessed via the PowerZone™ Control
web app interface and cover Input, Zone, Output and General
Settings functions. The conguration menus are fully described
in Section 6 of this manual.
Audinate Dante
®
Half rack width PowerZone™ Connect ampliers are optionally
compatible with Audinate Dante
®
audio over IP (AoIP)
networks and installations.
Dante
®
equipped versions of PowerZone™ Connect ampliers
enable the transmission and receipt of digital audio over
an Ethernet network using the IP based Dante
®
protocol.
Conguration and management of the IP routing for Dante
®
digital audio, including the setting of network parameters
such as IP addresses and subnet masks, is administered by
Audinate’s Dante
®
Controller software application. Dante
®
Controller downloads and comprehensive guidance on the
conguration and installation of Dante
®
based audio over IP
can be found at: www.audinate.com/products/software/dante-
controller.
2.3 Dimensions
PowerZone™ Connect amplier dimensions and features
are illustrated in Diagrams 2A, 2B and 2C. The ampliers are
primarily intended for installation in an equipment rack but in
some cases can also be under-desk or wall mounted, or used
free standing. They are fan-cooled and must be installed such
that ventilation apertures are not obstructed.
2.4 Firmware
This manual describes the features, functions and user
interface of PowerZone™ Connect ampliers running
Firmware Version 1.8.0
It is strongly recommended that the rmware version
installed in the amplier in use is checked initially, and
regularly thereafter. If updated rmware is available,
the amplier should be updated as a priority.
The rmware installed in the amplier can be identied
and updated by selecting the Device option in the Control
web app Settings Menu. Firmware versions can be checked,
and rmware downloaded, from the PowerZone™ Connect
website:
3. Carton Contents
PowerZone™ Connect ampliers are shipped in a cardboard
carton containing the amplier unit, a mains cable appropriate
for the sales territory, an accessory pack, and a document pack.
The full contents is listed below.
• Amplier unit
• Mains power cable
• Input connector x 2
• GPIO socket connector
• Output connector x 1, 2 or 4
• Adhesive rubber feet x 4
• Document pack
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6
Overview
Diagram 2B
PowerZone™ Connect four channel amplier dimensions.
(Shaded area denes ventilation space.)
Diagram 2A
PowerZone™ Connect two channel amplier dimensions.
(Shaded area denes ventilation space.)
44 mm
1.7 in
44 mm
1.7 in
220 mm
8.7 in
220 mm
8.7 in
213 mm
8.4 in
80 mm
3.1 in
80 mm
3.1 in
319 mm
12.6 in
25 mm
1.0 in
25 mm
1.0 in
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7
Overview
80 mm
3.1 in
25 mm
1.0 in
Diagram 2C
PowerZone™ Connect eight channel amplier dimensions.
(Shaded area denes ventilation space.)
44 mm
1.7 in
319 mm
12.6 in
438 mm
17.2 in
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8
Installation
4. Half Rack Width Amplier Installation
PowerZone™ Connect 122/122D, 252, 254 and 504/504D
Note: The rack mounting and desk/wall mounting components
described and illustrated in Sections 4.1 to 4.3 are not supplied with
PowerZone™ Connect ampliers but are available to purchase as
accessories. Contact your amplier re-seller for more information.
4.1 PowerZone™ Connect Mounting
PowerZone™ Connect half rack width ampliers are shipped
without rack mount hardware attached but can be congured
for rack installation using one standard rack ‘ear’ and one
half-rack extension piece as illustrated in Diagram 4A. The
installation and equipment rack should be congured to
provide appropriate ventilation airow space around the sides
and rear of the amplier. Ventilation airow space of at least
25 mm (1 in) should be maintained along at least one side of
the amplier at all times. Ventilation apertures are also located
on the rear panel of the amplier and must not be obstructed.
It is important to retain at least 80 mm (3.1 in) free space for
airow behind the amplier rear panel.
In addition to rack mount ears, rack mount rear support
hardware is optionally available and can be attached to the
amplier. Rear support hardware may be appropriate if
the amplier is to be used in a mobile rack or potentially be
subject to signicant movement. Diagram 4B illustrates the
use of rack mount rear support hardware.
Multiple PowerZone™ Connect half rack width ampliers can
also be mechanically connected using accessory connecting
plates. Diagram 4C illustrates the use of connecting plates.
Diagram 4A
PowerZone™ Connect
Rack Ear + Half-rack Extension.
Diagram 4B
PowerZone™ Connect
Rack Support hardware. 2 positions.
Rack Ear +
2 x M4 x 8
countersunk
Half-rack Extension +
2 x M4 x 8 countersunk
Rear Support + Button +
1 x M4 x 8
Connection Plate +
4 x M3 x 6 countersunk
Diagram 4C
2 x PowerZone™ Connect with Connection
Plate. 2 positions
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Installation
Diagram 4D
PowerZone™ Connect
with desk/wall Mounting Plate and adhesive feet.
2 positions and 4 positions.
Diagram 4E
PowerZone™ Connect
wall and under-desk mount.
4.2 Free-standing
If not installed in an equipment rack, PowerZone™ Connect
half rack width ampliers can be placed free-standing on a at
surface. Adhesive rubber feet are supplied for this purpose.
PowerZone™ Connect half rack width ampliers can also be
attached to the underside of desks or wall mounted using
connecting plate hardware. The adhesive rubber feet should
also be used in these circumstances to minimise the possibility
of vibration between the amplier and mounting surface. Wall
and desk mounting is illustrated in Diagrams 4D and 4E.
It is important in any free standing installation that airow
through the amplier’s side panel mounted fans and rear
panel ventilation apertures is not compromised by adjacent
items. At least 80 mm of free space behind the amplier and
25 mm along at least one side should be retained at all times.
Mounting Plate +
2 x M3 x 6 countersunk
Adhesive Foot
4 positions
Note: Full rack width ampliers are not suitable for under-desk or
wall mount installation.
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10
Installation
5. Full Rack Width Amplier Installation
PowerZone™ Connect 508 and 1008/1008D
Note: Full rack width PowerZone™ Connect amplier models are
intended for rack mount or free-standing installation only.
5.1 Rack Mounting
PowerZone™ Connect full rack width ampliers are supplied
with rack ears tted. The installation and equipment rack
should be congured to provide appropriate ventilation airow
space around the sides and rear of the amplier. Ventilation
airow space of at least 25 mm (1 in) should be maintained
along at least one side of the amplier at all times. Ventilation
apertures are also located on the rear panel of the amplier and
must not be obstructed. It is important to retain at least 80 mm
(3.1 in) free space for airow behind the amplier rear panel.
In addition to the use of rack mount ears, rack mount rear
support hardware is optionally available that can be attached to
the amplier. Rear support hardware may be appropriate if the
amplier is to be used in a mobile rack or potentially be subject
to signicant movement. Diagram 5A illustrates the use of rack
mount rear support hardware.
Diagram 5A
PowerZone™ Connect
Rack mount rear support hardware.
Diagram 5A
PowerZone™ Connect
Adhesive feet
Rear Support + Button +
1 x M4 x 8
5.2 Free-standing
If not installed in an equipment rack, PowerZone™ Connect
full rack width ampliers can be placed free-standing on a at
surface. Adhesive rubber feet are supplied for this purpose.
Diagram 5B illustrates the adhesive foot locations.
Adhesive Foot
4 positions
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Conguration
6. Conguration
Before making input, output and GPIO connections, an
initial PowerZone™ Connect amplier conguration
should be established. It is particularly important that
the amplier output format is congured appropriately
for the speakers that are to be connected.
Conguration requires that PowerZone™ Connect
ampliers are connected to mains power and network
services. These connections are described in the
following two sections.
6.1 Mains Power Connection
PowerZone™ Connect ampliers incorporate a power factor
corrected power supply and can be used with mains input
voltage from 100 V AC to 240 V AC, 50 / 60 Hz. Use the mains
cable supplied with the amplier and connect it to a switched
mains supply.
PowerZone™ Connect ampliers have no mains power switch
and are operational as soon as mains power is connected.
6.2 Network Services
PowerZone™ Connect ampliers are congured via a
web page interface called PowerZone™ Control. Before
the conguration menus can be accessed, PowerZone™
Connect ampliers must be connected to the same TCP/
IP network as the computer or mobile device that is to
be used for conguration access.
6.2.1 Wired (Ethernet) Network Connection
To connect a PowerZone™ Connect amplier to a TCP/IP
network using a wired connection (Ethernet) follow the steps
below.
1. Use an Ethernet cable to connect the PowerZone™ Connect
amplier rear panel Network Control socket (upper socket) to
a free socket on a network router or switch, or directly to an
Ethernet equipped laptop or desktop computer.
2. Connect the PowerZone™ Connect amplier to mains
power using the supplied mains cable. Wait for the front panel
Network indicator to illuminate green to indicate that the
amplier has network connectivity.
3. The PowerZone™ Connect amplier default LAN IP address
is 192.168.64.100. Congure the laptop or desktop computer
for a xed IP address in the same IP range; eg. 192.168.64.10,
with Subnet mask of 255.255.255.0 (or prex 24) and set the
Gateway to 192.168.64.1.
4. Open a laptop or desktop web browser and enter the
address http://192.168.64.100. The PowerZone™ Control Web
App interface will open to enable amplier conguration as
required.
Note: PowerZone™ Connect ampliers can be congured
to use DHCP for network connection if required. However, if a
PowerZone™ Connect amplier using DHCP is power cycled, it
is possible that the TCP/IP network router will assign it a different
IP address, leaving its conguration page inaccessible via the
previous address. If this occurs, a network scanning app can be used
to identify the new IP address. DHCP and Fixed IP address option
settings can be found in the Settings Tab menu described in Section
6.3.
Note: The second network socket present on the amplier rear panel
is intended for Audinate Dante
®
AoIP network connection only. It
cannot be used for PowerZone™ Connect control connection.
6.2.2 Wireless (WiFi) Network Connection
To connect a PowerZone™ Connect amplier to a TCP/IP
network using a wireless connection (WiFi) follow the steps
below.
1. With the PowerZone™ Connect amplier connected
to mains power, wait for the front panel WiFi indicator to
illuminate green.
2. Use a mobile, laptop or desktop device to search for available
WiFi networks. Connect to, PowerZone™ Connect (product
serial number)’ using the password, ‘password’. The amplier
serial number can be found on its rear panel.
3. Open a computer or mobile device web browser and enter
the IP address: 192.168.4.1. The PowerZone™ Connect Control
Web App interface will open to enable amplier conguration
as required.
4. Select the Web App Settings Tab followed by WiFi > WiFi
Mode > Client to congure the amplier to connect to the
required WiFI network. The WiFi network name and password
will be required.
It is strongly recommended that the PowerZone™ Connect
amplier Access Point WiFi password is changed following
initial wireless connection.
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Conguration
6.3.1 Input Tab
The Input Tab provides the following conguration parameters
for each amplier input channel:
Input name
Mono/Stereo selection
Input sensitivity
High-pass lter
Gain trim
Five band equalisation
The Input Tab also enables input signals to be mixed and routed
to specic amplier zones. The mix function enables any
amplier input, including stereo or split mono S/PDIF inputs,
to be grouped with any other input or inputs to create multiple
predened mixes.
Note: The number of individual mixes possible is equal to the
number of amplier analogue outputs (two outputs enables two
mixes, four outputs enables four mixes, eight outputs enables eight
mixes).
Note: Mix inputs are muted by default with their level adjustment
sliders set to zero.
Mix operations take place following high-pass lter, input
equalisation and mono/stereo selection.
Diagram 6A
Conguration Dashboard display
Diagram 6B
Input Tab display
(two inputs only shown)
Input name - type to edit
Select mono or stereo
Select input sensitivity option
Adjust input gain
Open EQ window
Adjust zone volume
Adjust zone volume
Note: When adjusting input gain, the input level display should
remain green. If it displays red, the input gain should be reduced.
6.3 Conguration Menus
Opening a web browser that is network connected to
a PowerZone™ Connect amplier initially displays the
PowerZone™ Control Web App Dashboard illustrated in
Diagram 6A. The Dashboard is the ‘home’ page from which all
other conguration options can be accessed.
The Dashboard displays the amplier status, output zones and
the conguration menu tabs. It also enables immediate access
to zone volume control The functions available under each
conguration menu tab are described in the following sections.
Select input type
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Diagram 6C
Input EQ display
Diagram 6D
Dante
®
Input display
Diagram 6E
Input Mix display
A pink noise or sine wave audio signal generator, appropriate
for audio system testing and set up, can also be enabled,
disabled, and adjusted for gain and frequency via the Input Tab.
Diagrams 6B, 6C, 6D and 6E illustrate the Input Tab, Dante
®
Input Tab, Input EQ and Input Mix displays respectively.
Note: The inputs displayed in the Dante
®
input tab will correspond
to those congured and enabled in the Dante
®
Controller Mac OS
or Windows application. If no inputs are displayed they must rst be
enabled in Dante
®
Controller.
6.3.2 Zone Tab
The Zone Tab enables installation zones to be dened and
named, and provides access to further sub-menus. Zones
might be bar or restaurant areas for example, or different
rooms in a home. For all Zone Tab menus, the installation zone
under conguration is selected by highlighting one of the zone
identiers (A to H depending on amplier output count) at the
top of the display. Diagram 6F and 6G illustrates the Zone Tab
and Source menu displays.
The Source menu enables inputs to be assigned to zones
and Input Priority or Input Ducking to be congured. The
Input Priority function enables up to three alternative
inputs to the Primary Input on each of the zones. This
provides the possibility to prioritize, replace and mute the
input(s) routed to the zone when the alternative input(s)
Select mix function
Select EDIT to apply required EQ
Mix name - type to edit
Adjust gain/trim
Conguration
Select Dante
®
input
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14
Zone name - type to edit
Select zone
Select mono or stereo
Select zone input
Congure zone volume options
Congure zone restrictions
Congure zone compressor
Adjust zone volume
Diagram 6F
Zone Tab display
Conguration
exceed(s) a preset level. The Primary Input is the main
input, such as background music played in a shopping
centre. 1. Priority Low, for example commercials, takes
priority over the Primary Input. 2. Priority Mid, e.g.
paging, takes priority over both background music and
commercials. 3. Priority High, such as an emergency alarm,
takes priority over and mutes all other inputs.
The Input Ducking function enables an alternative input,
Ducking Low, to replace and attenuate the Primary Input
routed to the zone under conguration when the alternative
input exceeds a preset level.
Note: The Priority Low parameters can be either set to default
values or to its Threshold, Attack, Hold and Release values as
required (Manual). The Priority Mid and Priority High parameters
can be either set to default values or to their Threshold and Hold
values as required. All Input Priorities can also be set to ignore the
volume level set for the specied zone (Override Zone Volume).
The Ducking Low parameters can be either set to default values or
its Threshold, Depth, Attack, Hold and Release values as required.
The Volume menu allows minimum and maximum zone
volume limits to be set, and enables external GPIO volume
control to be applied to individual zones. The GPIO
conguration menu can be found under the Settings Tab,
and notes on connecting an external volume control via the
Diagram 6G
Zone Source menu display
GPIO interface can be found in Section 6.5 of this manual.
Note: If an amplier is controlled via a third-party control system
API, volume level limits set via the Input Tab will not apply.
The Restrictions menu enables zone inputs or input mixes
to be restricted from routing to particular zones.
Note: Routing restrictions cannot be applied to priority zone inputs.
Note: If an amplier is controlled via a third-party control system
API, input routing restrictions set via the Input Tab will not apply.
The Compressor option enables default or custom signal
compression to be applied to individual zones.
Note: Compression can be useful to reduce the volume difference
between loud and quiet audio material. The lower the compression
threshold is set, the more the difference between loud and soft will
be reduced. The overall zone volume may need to be increased
when compression is used. The default compression parameters are
appropriate for most installations.
Select zone
Select Primary Input
Select Priority Low
Select Priority Mid
Select Priority High
Diagram 6G
Zone Source menu display
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15
Diagram 6G
Zone Source menu display
Conguration
Select to congure
Select to congure
Select to congure
Select to congure
Select to congure
Select to congure
Select to congure
Diagram I
Speaker Preset Parameters
Select output
Output name - type to edit
Select output
Enable and congure output delay if required
Dene output routing
Enable and congure output EQ if required
Congure and manage speaker presets
Diagram 6H
Output Tab display
6.3.3 Output Tab
The Output Tab enables amplier outputs to be named, linked
to zones, and provides access to Delay, Room Equalizer and
Speaker Preset menus. Diagram 6H illustrates the Output Tab
display.
For all Output Tab menus, the amplier output under
conguration is selected by highlighting one of the output
identiers at the top of the display.
Note: The number of individual outputs available for conguration
will depend on the PowerZone™ Connect amplier model and the
input, zone and output mode conguration. The diagrams following
illustrate a four output amplier.
The Routing menu enables zones to be assigned to amplier
outputs.
Note: Routing for zones specied as stereo will automatically offer
three output options: left channel, right channel or summed mono.
The summed mono signal can potentially be used to drive a mono
subwoofer or a 70/100V mono speaker line.
The Delay menu enables delay to be applied to individual
amplier outputs.
The Equalizer menu enables parametric equalization to be
applied to individual amplier outputs. Equalizer settings
congured for one amplier output can be copied and
applied to other outputs.
The Speaker Preset menu enables a set of speaker
parameters to be adjusted, and preset congurations to be
created, exported, imported or cleared.
Speaker Presets can be simply applied to the selected
amplier output or imported, chosen from a library,
exported or cleared. The preset congurations can include
any or all of the parameters described in Section 6.3.4
and can be locked to prevent inadvertent modication.
Diagrams 6I to 6L illustrate the application of speaker
presets.
Speaker Preset data provided by third parties for use with
specic speakers can be imported and applied to amplier
outputs. To import speaker preset parameters follow the
steps described below and illustrated in the diagrams.
1. Select either the IMPORT PRESET FROM
LIBRARY or SELECT PRESET FROM FILE option
from the Speaker Preset menu. If no import
option is visible, select CLEAR to delete any
existing speaker preset data.
Note: The SELECT PRESET FROM LIBRARY option will be
unavailable if no speaker preset libraries have been created. Speaker
preset library creation and management is described in Section
6.3.5.
Adjust gain if required
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16
2. Select the appropriate ‘.zcp’ format speaker preset
data le to import from either a Library or a
computer folder. The preset data will be applied
to the selected amplier output as soon as the le
import is complete.
3. If the Speaker Preset data requires modication it
can be customized by selecting the CUSTOMIZE
PRESET option.
Note: If an imported Speaker Preset data le includes locked
parameters, they will be unavailable for modication.
Diagram 6J
Speaker Preset import le selection
Conguration
Diagram 6K
Speaker Preset applied
6.3.4 Speaker Preset Menu Parameters
The Crossover & Gain preset menu enables high or low-
pass crossover lters and gain adjustment to be applied to
individual amplier outputs.
The Speaker EQ preset menu enables parametric
equalization to be applied to individual amplier outputs.
The FIR preset menu enables FIR (Finite Impulse Response)
based equalization lter coefcients generated by external
speaker measurement software to be imported and applied
to individual amplier outputs. The FIR lter has 512 taps at
48kHz.
Note: FIR coefcient les in either .csv or .txt format can be
imported.
The Driver Alignment preset menu enables delay to be
applied to individual amplier outputs.
The Polarity preset menu enables the polarity of individual
amplier outputs to be reversed.
Diagram 6L
Speaker Preset parameter adjustment
Select output
Engage EQ bands
Select band function
Adjust gain
Adjust frequency
Adjust Q
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17
Conguration
Diagram 6M
Settings Tab menu
Diagram 6N
The External Devices display
The Limiter preset menu enables signal limiting to be
engaged or bypassed on individual amplier outputs. Clip
limiting, Peak limiting and RMS limiting can be individually
or collectively engaged. The Clip limiting function offers
Fast and Normal response time options. The Peak limiting
function can be set to either Automatic or Manual
parameter values. The RMS Limiter has default parameter
values that can be adjusted but has no automatic option.
Note: In automatic mode, the peak limiter parameters adjust
automatically in response to Crossover & Gain high-pass lter
settings.
The Output Mode preset menu enables individual
amplier outputs to be switched off or congured for Lo-Z
or Hi-Z modes. In Hi-Z modes, a high-pass lter can also
be congured and applied to the output. The number of
outputs available will depend on the amplier model, input
setup and zone setup. For example, a two output amplier
will have two outputs available if Lo-Z mode is selected but
only one output available if Hi-Z mode is selected.
Note: Use of a high-pass lter with Hi-Z mode loudspeakers is useful
to avoid the possibility of distortion caused by low frequency line
transformer saturation. Begin with the default lter setting of 70Hz.
If low frequency distortion is still audible, increase the frequency
setting one step at a time until the distortion is no longer audible.
6.3.5 Settings Tab
The Settings Tab enables miscellaneous amplier settings to be
congured and installation data to be recorded. The Settings
Tab provides access to further sub-menus. Diagram 6M
illustrates the Settings Tab.
The System Information menu provides text elds for the
recording of installation data.
The Device menu records amplier specic information
such as the model number and rmware version. A rmware
update routine and identier button can also be found
under the Device menu.
The External Devices menu enables control panels to be
paired with an amplier and congured. Depending on
External device - tap to congure
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18
Conguration
Diagram 6O
Speaker Library Creation and Management
Library name - type to edit
Library version - type to edit
Import preset data (.zcp) to library
Creat new library
Rename library
Delete library
product, setup and conguration, each device can remotely
control one single or multiple amplier zones. Diagram 6N
illustrates the External Devices display.
The Backup & Restore menu enables amplier
conguration data to be downloaded to an external archive,
and enables previously saved conguration les to be
uploaded and adopted by the currently connected amplier.
The Speaker Library menu enables management of speaker
preset libraries. Existing libraries of speaker preset les
(.zcl) can be created or imported, and existing libraries
edited or fully deleted. Diagram 6O illustrates the creation
and management of speaker preset libraries.
The Security menu enables a password to be set in order
to protect against unauthorised access to the amplier
Control Web App. Password protection is particularly
important when an amplier is connected to a wired
network as the a WiFi password is no longer required to
gain access to Control Web App.
Note: It is recommended that a Control Web App password is
different from that required to gain access to the amplier via WiFi.
The Power Management menu enables various automatic
switch-on options to be engaged. The Power Management
menu also offers timed Standby and Mute functions.
Note: In Eco mode the network is switched off during standby. When
the amplier has Dante
®
enabled use the Audio (Digital) or Network
Only settings.
The Output Routing menu enables specied inputs or zones
to be routed to the amplier S/PDIF outputs. The output
level can also be adjusted.
Any zone or input can be routed to either digital output,
including inputs not actively assigned to a zone. Primary
or priority input status is immaterial. The specied input is
always routed to the specied output to be available for use
by downstream devices.
Note: When a zone is selected for the digital S/PDIF (or Dante
®
)
output - the output signal is variable. However, when an input signal
is routed out an S/PDIF (or Dante
®
) output, the signal will be xed.
Note: The digital output function is especially useful when ampliers
are to be daisy chained and a specic input; a central paging mic, for
example, is required to be routed to multiple ampliers.
The Dante® menu enables identication of Dante® capable
devices present on the AoIP network. Dante® devices must
be appropriately enabled and congured using Dante®
Controller. Use Dante
®
Controller to activate AES67 mode
if required.
The GPIO menu enables conguration of the multi-purpose
GPIO interface pins. A description of the individual settings
is detailed in PowerZone™ Control.
The LAN menu enables conguration and reset of the wired
network options and parameters.
The WiFi menu enables conguration and reset of the
wireless network options and parameters.
6.4 Setup and Signal Routing
Thanks to their network based conguration features,
PowerZone™ Connect ampliers offer considerable
versatility in terms of sources, signal routing, installation zones
and output modes. Inputs can be freely assigned to installation
zones, and those zones assigned freely to the available amplier
outputs in either Lo-Z or Hi-Z modes.
This versatility enables, for example, one amplier
simultaneously to drive both Lo-Z and Hi-Z speakers, or for
different inputs to be routed to different output zones.
The following paragraphs describe and illustrate the
recommended procedure for conguring input, zone and
output routing. A general signal ow schematic is also
illustrated in Diagram 6P.
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19
Conguration
Diagram 6P
Signal Flow Schematic
(eight output amplier)
Analog 3
Output
Matrix
Zones A - D
Outputs 1 - 8
Analog 2
Input
Sensitivity
Analog 1
Input
Gain
Input
Sensitivity
Input
Gain
Input
Sensitivity
Input
Gain
Analog 4
SPDIF (stereo)
SPDIF Out (any two input or zone signals).
Pink Noise
Gain
Delay
Level
Adjustment
Level
Adjustment
Level
Adjustment
Level
Adjustment
Compressor
Compressor
Compressor
Compressor
Level
Adjustment
Level
Adjustment
Level
Adjustment
Level
Adjustment
Compressor
Compressor
Compressor
Compressor
Delay
Delay
Delay
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
FIR
FIR
FIR
FIR
Polarity
Polarity
Polarity
Polarity
Limiter
BTL
Amplifier
2 x Low-Z
1 x Hi-Z
BTL
Amplifier
2 x Low-Z
1 x Hi-Z
Limiter
Limiter
Limiter
Driver
Alignment
Driver
Alignment
Driver
Alignment
Driver
Alignment
Crossover
Crossover
Crossover
Crossover
Gain Trim
Gain Trim
Gain Trim
Gain Trim
Input
Sensitivity
Input
Gain
Analog 7
Analog 6
Input
Sensitivity
Analog 5
Input
Gain
Input
Sensitivity
Input
Gain
Input
Sensitivity
Input
Gain
Analog 8
Input
Sensitivity
Input
Gain
Input
Selection
Input Setup
Zone Setup & Routing
Output Setup
Output 1
Output 2
Output 3
Output 4
Delay
Delay
Delay
Delay
EQ
EQ
EQ
EQ
EQ
EQ
EQ
EQ
FIR
FIR
FIR
FIR
Polarity
Polarity
Polarity
Polarity
Limiter
BTL
Amplifier
2 x Low-Z
1 x Hi-Z
BTL
Amplifier
2 x Low-Z
1 x Hi-Z
Limiter
Limiter
Limiter
Driver
Alignment
Driver
Alignment
Driver
Alignment
Driver
Alignment
Crossover
Crossover
Crossover
Crossover
Gain Trim
Gain Trim
Gain Trim
Gain Trim
Output
5
Output 6
Output 7
Output 8
Zone Adjustment Parameters
Speaker Preset Parameters
Input
Gain
Input
Gain
Input
Gain
Input
Gain
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20
Conguration
6.4.1 Input Setup
Open the conguration Dashboard and select the Input Tab.
The Input Tab is shown in Diagram 6B.
To edit default input names simply select and type in the
Input Name eld.
Dene a mono or stereo input by selecting the appropriate
option. Dening a stereo input will reduce the total number
of discrete inputs available.
Select an input sensitivity option from the drop-down
menu: +14dB, +4dB, -10dB and ‘microphone’ options
are available. Generally, the +14dB or +4dB options are
appropriate for ‘professional audio’ source hardware
with balanced outputs, while the -10dB option is more
appropriate for ‘consumer audio’ source hardware with
unbalanced outputs. The ‘microphone’ option provides the
signicantly greater sensitivity required for microphones.
Note: Only dynamic microphones are suitable for connection.
Phantom power for condenser microphones is not provided.
If necessary, adjust the input gain using the slider or up/
down icons. Gain adjustment is intended to be used for ne
output level adjustment following initial use. If necessary,
adjust the input EQ using the 5 band equalizer.
6.4.2 Zone Setup & Routing
Open the conguration Dashboard and select the Zone Tab.
The Zone Tab is shown in Diagram 6F.
Select the zone to be congured. The number of zones
available and their channel format (stereo or mono) will
depend on the amplier model, input setup and output
mode (Lo-Z or Hi-Z). For example, a two output amplier
can have the following zone congurations:
• 1 x stereo Lo-Z zone
• 2 x mono Lo-Z zones
• 1 x mono Hi-Z
A four output amplier can have the following zones
congured:
• 2 x stereo Lo-Z zones
• 4 x mono Lo-Z zones
• 2 x mono Hi-Z
• 1 x mono Hi-Z + 1 x stereo Lo-Z zone
• 1 x mono Hi-Z + 2 x mono Lo-Z zones
An eight output amplier can have the following zones
congured:
• 4 x stereo Lo-Z zones
• 8 x mono Lo-Z zones
• 4 x mono Hi-Z or zones
• 2 x mono Hi-Z or + 2 x stereo Lo-Z zone
• 2 x mono Hi-Z or + 4 x mono Lo-Z zones
Note: When congured in Hi-Z mode PowerZone™ Connect
ampliers operate in ‘bridged’ format where the output of two
channels is combined. This means that the number of output
channels available in Hi-Z mode is half that available in Lo-Z mode .
BTL mode is only allowed for speakers with an impedance of 8
Ohm or higher.
Note: Mono signals might be mono at source, created though
combining the left and right channels of a stereo signal (summed
mono) or treating the left and right channels of a stereo signal
independently (split mono).
Name zones by typing in the Zone Name eld.
Adjust the zone volume if required by using the slider.
Dene a mono or stereo zone by selecting the appropriate
option. Dening a stereo zone will reduce the total number
of further zones available.
Specify an input for the zone by selecting from the drop-
down menu. Selecting a stereo input for a mono zone will
automatically sum the stereo channels to mono.
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21
Conguration
6.5 GPIO Setup and Connection
PowerZone™ Connect ampliers provide a GPIO socket that
enables remote control of volume, standby, mute and trigger
functions. The GPIO connector pin functions are described
in the GPIO Settings menu illustrated in Diagram 6Q. The
connection of GPIO based remote volume control and
standby/mute are illustrated in Diagram 6R and Diagram 6S
respectively.
Note: The GPIO connector must not be used for any
unintended purpose. Amplier damage may result from
incorrect use of GPIO.
Note: Shielded cable must be used when connecting standby
switches and potentiometers via GPIO.
Note: GPIO Pin 8 has a low output impedance and is able to
supply a maximum current of 10mA.
Note: GPIO Pin 1 and Pin 3 both offer ground connections:
Pin 1 is connected directly to the amplier chassis.
Pin 3 is connected to the chassis via a 220 Ohm resistor. The ‘soft
ground’ connection of Pin 3 is potentially useful for managing
ground loops that may cause audible hum.
Diagram 6Q
GPIO Settings Menu
Diagram 6R
Potentiometer connections for remote vol-
ume control via GPIO.
Note: Diagram 7E illustrates
use of the GPIO connector.
Diagram 6S
Connections for remote
standby/mute switch via GPIO.
Note: Diagram 7E illustrates
use of the GPIO connector.
Ground
+3V3
Ground
Standby/Mute
Potentiometer
(>10kΩ)
Connect Wiper to
Pin 4, 5, 6 or 7.
Switch open (NO) or closed
(NC) toggles Standby or
Mute depending on options
selected in the GPIO
Settings Menu
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22
Connections
7. Connections
PowerZone™ Connect amplier rear panel connections
are illustrated in Diagrams 7A and 7B.
7.1 Mains Power Connection
PowerZone™ Connect ampliers incorporate a power factor
corrected universal power supply and can be used with mains
input voltage from 100V AC to 240V AC, 50/60Hz. Use the
mains cable supplied with the amplier.
PowerZone™ Connect ampliers have no mains power switch
and are operational as soon as mains power is connected.
Ensure that all signal, GPIO and output connections are made
before connecting the amplier to mains power.
7.2 Input Connection
All PowerZone™ Connect amplier models provide four
balanced or unbalanced analog audio inputs and a stereo S/
PDIF digital audio input. Any input channel can be routed to any
output channel. Input routing options can be congured via the
amplier network interface. See Section 6 of this manual.
Analog Inputs
PowerZone™ Connect analog inputs are of line level format
with a default input sensitivity of +4dBu (full output voltage
swing/sensitivity) in all output modes. Input signal levels up to
+24dBu can be handled without input clipping. Input sensitiv-
ity options can be set via the amplier network interface. See
Section 6 of this manual.
Balanced input connections to the ampliers are made via male
‘Euro Block’ connectors. Connecting cables to the supplied
female input connectors is illustrated in Diagram 7C.
Unbalanced input connections to the ampliers are made via
RCA phono sockets connected in parallel with the balanced
inputs.
Diagram 7A
Half rack width PowerZone™ Connect amplier rear panel
connections.
Note: Two output amplier model connection sockets differ only in
the deletion of channel 3 and channel 4 output connectors.
Digital Outputs
PowerZone™ Connects S/PDIF stereo digital audio output
connections are made via a single RCA Phono socket. The S/
PDIF output signal can be routed from any input or zone and is
intended to be used for daisy-chaining PowerZone™ Connect
ampliers.
Note: See the Output Routing paragraphs of Section 6.3.3 for more
information on Digital Output conguration.
Note: 75Ω RCA Phono cables specically intended for digital audio
should always be used for S/PDIF connections. Standard Phono
cables can be used but may not result in optimal performance.
Note: The S/PDIF output level is by default set at -10dB to reduce
the possibility of downstream input clipping.
7.3 Output Connections
Output connections from the ampliers are achieved via male
‘Euro Block’ connectors. Ensure that speaker connection
polarity is correct throughout the installation:
In the case of Lo-Z speaker connections, positive (+) amplier
terminals should always be connected to positive speaker
terminals and negative (–) amplier terminals always connected
to negative speaker terminals.
In the case of Hi-Z speaker connections, the two speaker cable
conductors should be connected between the positive (+)
terminal of Output 1 and the negative terminal (-) of Output 2,
and likewise for and additional Hi-Z outputs.
Output mode options (Lo-Z or Hi-Z) can be congured via the
amplier network interface. See Section 6 of this manual.
Connecting cables to the supplied female output connector is
illustrated in Diagram 7D.
Network Control
Dante
®
(optional)
Congurable
GPIO
Congurable
S/PDIF Audio I/O
Audio Inputs
Balanced: Euroblock
Unbalanced: RCA Phono
Congurable Speaker Outputs
Mains power input
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23
Connections
Diagram 7B
Full rack width
PowerZone™ Connect
amplier rear panel connec-
tions.
Network
Control
Congurable GPIO
Dante
®
(optional)
Congurable
S/PDIF Audio I/O
Audio Inputs
Balanced: Euroblock
Congurable Speaker Outputs
Audio Inputs
Unbalanced: RCA Phono
Mains power input
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24
Connections
7.5 Speaker Cable Gauge
PowerZone™ Connects speaker connection cable
gauge should be chosen appropriately to reect the
type of installation. The adjacent tables specify the
appropriate cable gauge for less than 0.5dB cable loss
with different installation types and cable lengths.
7.5 GPIO Connections
If any PowerZone™ Connect GPIO functionality is
required, cables will need to be connected to the
supplied GPIO connector. Connecting cables to the
GPIO connector is illustrated in Diagrams 7E.
7.6 Network Connections
PowerZone™ Control
PowerZone™ Connect ampliers are TCP/IP network
connected devices that are congured via a web
page based interface. Wired (Ethernet) and wireless
(WiFi) connection options are available. Connecting
PowerZone™ Connect ampliers to a TCP/IP network
is described in Section 6 of this manual. If a wired
connection is used, connect an Ethernet cable to the
amplier rear panel Network Control socket.
Audinate Dante
®
Half rack width PowerZone™ Connect ampliers are
optionally compatible with Audinate Dante
®
audio
over IP (AoIP) networks and installations. Connect to
a Dante
®
network via the amplier rear panel Dante
®
socket and congure the network as required using
the Audinate Dante
®
Controller Mac OS and Windows
application available for download from:
www.audinate.com/products/software/dante-
controller.
Cable Gauge Table
Lo-Z installations, 0.5dB attenuation. 4 Ω & 8 Ω loads
Cable Gauge Table
70V Hi-Z installations, 1.0dB attenuation
20 speakers evenly distributed
Cable Gauge Table
100V Hi-Z installations, 1.0dB attenuation
20 speakers evenly distributed
Cable Cross
Section
(mm
2
)
Cable Gauge
(AWG)
Max Cable
Length
(Metres, 4 Ω
load)
Max Cable
Length
(Metres, 8 Ω
load)
0.75 ≈18 5 10
1.5 ≈16 10 20
2.5 ≈14 17 35
4.0 ≈12 28 55
Cable Cross
Section
(mm
2
)
Cable Gauge
(AWG)
Max Cable Length
(Metres),
(125 W/channel)
Max Cable Length
(Metres),
(250 W/channel)
0.75 ≈18 90 45
1.5 ≈16 180 90
2.0 ≈14 <250 150
3.5 ≈12 <250 <250
Cable Cross
Section
(mm
2
)
Cable Gauge
(AWG)
Max Cable Length
(Metres),
(125 W/channel)
Max Cable Length
(Metres),
(250 W/channel)
0.75 ≈18 190 90
1.5 ≈16 <250 180
2.0 ≈14 <250 <250
3.5 ≈12 <250 <250
Note: Cable lengths should not exceed 250m.
Note: Cable lengths should not exceed 250m.
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25
5 mm
5 mm
Low-Z Mode
Hi-Z Mode /
BTL Mode
5 mm
5 mm
Connections
Diagram 7C
Balanced analog input
cable connections.
Diagram 7D
Output cable connections.
Diagram 7E
GPIO cable connections.
The exclamation point printed next to the output terminals of the ampliers is, in addition to the CLASS 2
WIRING text, intended to alert users to the risk of hazardous voltages. Output connectors that could pose a risk
are marked with the exclamation point. Do not touch the output terminals while the amplier is switched on.
Make all connections with the amplier switched off.
Note: Input, output and GPIO connection socket use
is the same for two, four and eight channel output
ampliers.
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26
Operation
8. Operation
Once all connections have been made and conguration
options selected, PowerZone™ Connect ampliers
are ready for use. If an input signal above -60dB is
present on any input, the front panel Input and Standby
indicators will illuminate green to indicate normal
amplier operation. Audio will be heard from any
connected speakers.
Note: PowerZone™ Connect ampliers will not switch on from
Standby Mode unless an input signal is present, a network ‘ON’
command is received, or an external standby switch (or 12V trigger)
is operated. Standby behaviour can be congured via the Power
Management menu of the Settings Tab.
Amplier outputs will mute if no input signal is present for 5
minutes, and the amplier will switch automatically to Standby
Mode if no signal is present on any input for more than 15
minutes. Alternative standby and mute delay times can selected
via the Settings Tab. Amplier cooling fan speed is temperature
controlled. The fan will switch off when the amplier enters
standby mode.
8.1 Front Panel Indicators
PowerZone™ Connect amplier front panel indicators illumi-
nate to indicate the following operational states:
Status: Off – Mains power disconnected.
Green – Amplier operational.
Pulse Green – Standby Mode.
Amber – GPIO triggered Standby Mode
Input: Off – No input signal present.
Green – Signal present on one or more inputs.
Amber – Signal limiting/clipping on one or more
inputs.
Output: Off – No output signal present.
Green – Signal present on one or more outputs.
Amber – Signal limiting/clipping on one or more
outputs.
Red – One or more channel pair is in
overload/protection mode.
Network: Off – No Ethernet network detected.
Green – Ethernet network detected.
WiFi: Off – WiFi disabled.
Green – WiFi enabled.
8.2 Automatic Power Sharing
PowerZone™ Connect ampliers incorporate a power sharing
feature that automatically shares the total power available
from the amplier’s internal power supply across each pair of
output channels. If one channel temporarily demands more
than the amplier’s continuous power rating while other
channel is demanding less, the excess power available from the
internal power supply is automatically made available to the
over-power channel. Power sharing optimises the amplier’s
ability to deliver maximum power into dynamic loudspeaker
loads when playing music programme material.
8.3 Default Reset
PowerZone™ Connect ampliers can be returned to their
default settings via either the Control Web App Settings Tab or
the hardware reset pinhole button. The reset pinhole button is
located on the underside panel of the amplier.
To reset the amplier using the pinhole button, follow the steps
below:
• Disconnect the amplier from mains power.
• Use an appropriate tool to press and hold the reset
pinhole button while simultaneously reconnecting mains
power.
• Continue to hold the reset pinhole button for 3 seconds as
the amplier restarts.
The amplier will restart with all settings at their default state.
Any previously congured settings will be deleted.
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27
Specications
1/8th Full Power
PowerZone™
Connect Model
Load
(Ohms)
Power In
(W)
Power Out
(W)
Efciency
(%)
Thermal Loss
(W)
Thermal Loss
(BTU)
122/122D 4 32.8 15 45.7 17.8 61
252 4 54.1 31.25 57.8 22.9 78
254 4 58.7 30 51.1 28.7 98
504/504D 4 107 62.5 58.6 44.5 152
508 4 97.3 60 61.9 37.3 127
1008/1008D 4 200 125 62.5 75 256
Standby and Idle
PowerZone™
Connect Model
Standby
(mW)
Idle @ 120V
(W)
Idle @ 120V
(BTU)
Idle @ 230V
(W)
Idle @ 230V
(BTU)
122/122D <500* 9.1 31 9.8 33
252 <500* 9.1 31 9.8 33
254 <500* 13.1 45 13.6 46
504/504D <500* 14.5 49 15.9 54
508 <500* 26.6 91 26.3 90
1008/1008D <500* 27.7 94 30.2 103
Power Efciency Data
The following table describes the efciency and power performance of PowerZone™ Connect ampliers.
The table also includes the derived thermal losses.
2 & 4 Channel Ampliers
OUT
Analogue S/PDIF Dante
®
*
IN
Analogue 1177µS 458µS 1520µS
S/PDIF 1833µS 1104µS 2166µS
Dante
®
* 1895µS 1166µS 2125µS
8 Channel Ampliers
OUT
Analogue S/PDIF Dante
®
*
IN
Analogue 1307µS 600µS 1662µS
S/PDIF 1955µS 1250µS 2312µS
Dante
®
* 2017µS 1312µS 2125µS
Propagation Delay Data
The following tables describes the input/output latency performance of PowerZone™ Connect ampliers.
*Dante
®
network latency not included.
Note: Dante
®
latency is measured in a Dante
®
to
Dante
®
connection setup. The propagation delay is both
measured from both analog inputs and digital inputs.
The total delay of: Amp1 SPDIF input to Dante
®
out ->
Amp2 Dante
®
input to SPDIF output is 4333 µs. Out of
this the network latency accounts for 1000 µs and the
ASCRs accounts for 3 x 1000 µs. Out of the nal 333 µs
seconds, the DSP accounts for roughly 208 µs, leaving
125 µs for the Dante
®
chip processing. For this test the
Dante
®
process occurs twice resulting in a 62,49 µs delay
per Dante
®
transmission.
*As per compliance to ErP
background
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Due to continuous product improvement, all features and specications are subject to change without notice.
For the latest Sonance product specication information visit our website at www.sonance.com.
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Specications
Rev A23/06/2025
Model
PowerZone™
Connect 122/122D
PowerZone™
Connect 252
PowerZone™
Connect 254
PowerZone™
Connect 504/504D
PowerZone™
Connect 508
PowerZone™
Connect 1008/1008D
Total System Power 125 W 250 W 250 W 500 W 500 W 1000 W
Output Power @
4/8 Ω
2 x 60 W 2 x 125 W 4 x 60 W 4 x 125 W 8 x 60 W 8 x 125 W
Output Power @
70/100 V*
1 x 125 W 1 x 250 W 2 x 125 W 2 x 250 W 4 x 125 W 4 x 250 W
Powershare (up to)
Across channels
1 x 125 W 1 x 250 W 1 x 250 W 2 x 250 W** 2 x 250 W*** 4 x 250 W****
Power Consumption 75 W 75 W 75 W 150 W 150 W 300 W
Dimensions
44 x 220 x 213 mm
(1.7 x 8.7 x 8.4 in)
44 x 220 x 213 mm
(1.7 x 8.7 x 8.4 in)
44 x 220 x 319 mm
(1.7 x 8.7 x 12.6 in)
44 x 220 x 319 mm
(1.7 x 8.7 x 12.6 in)
44 x 440 x 319 mm
(1.7 x 17.3 x 12.6 in)
44 x 440 x 319 mm
(1.7 x 17.3 x 12.6 in)
Weight 2 kg (4.4 lbs) 2 kg (4.4 lbs) 2.8 kg (6.2 lbs) 2.8 kg (6.2 lbs) 3.5 kg (7.7 lbs) 3.8 kg (8.4 lbs)
Power Ratings Output power measured @ 1% THD at 120 VAC 60 Hz and 230 VAC 50 Hz
Output Circuitry UMAC™ Class D - full bandwidth PWM modulator with ultra-low distortion
Output Voltage 45 Vrms (S.E) - 70 / 100 V (Hi-Z)
Signal To Noise-
Ratio
> 106 dB (A-weighted, 20 Hz - 20 kHz, 8 Ω load)
THD+N (typical) < 0.05% (20 Hz-20 kHz, 8 Ω load, 3 dB below rated power)
Frequency
Response
20 Hz - 20 kHz (+0 / -0.25 dB (8 Ω load, 3 dB below rated power)
Protection Circuits Short circuit -, DC -, Undervoltage -, Temperature - and Overload protection
Power Supply UREC™ universal mains switch mode power supply with Power Factor Correction (PFC) and standby converter
Operating
temperature
0 - 40° C
Operating Voltage/
Frequency
Universal Mains, 100 V - 240 V, 50 Hz - 60 Hz
Standby
Consumption
< 0.5 W
Accessories
2 x Rack ears
1 x ½ rack plate extension
2 x ½ rack mounting plates
2 x Rear supports
2 x Rack ears (tted)
2 x Rear supports
Options Audinate Dante® AoIP compatibility: Ultimo® Chip 4x4, 2 ows rx/tx (PowerZone™ Connect 122D/504D/1008D only)
*100 V line mode is @ -1 dB (≈ 90 V)
**PowerZone™ Connect 504: 250 W across ch 1/2 and 250 W across ch 3/4
***PowerZone™ Connect 508: 250 W across ch 1/2/3/4 and 250 W across ch 5/6/7/8
****PowerZone™ Connect 1008: 250 W across ch 1/2, 250 W across ch 3/4, 250 W across ch 5/6, 250 W across ch 7/8

Specifications

Indexed Terms: Amplifier, Networked

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