Owner’s Manual
BL00004999-203
EN
ii
Introduction
Thank you for your purchase of this product. Be sure that
you have read this manual and understood its contents be-
fore using the camera. Keep the manual where it will be
read by all who use the product.
For the Latest Information
The latest versions of the manuals are available from:
http://fujifilm-dsc.com/en/manual/
The site can be accessed not only from your
computer but also from smartphones and
tablets. It also contains information on the
software license.
For information on rmware updates, visit:
http://www.fujifilm.com/support/digital_cameras/software/
iii
Menu List
iv
1 Before You Begin
1
2 First Steps
37
3 Basic Photography and Playback
55
4 Movie Recording and Playback
61
5 Taking Photographs
67
6 The Shooting Menus
103
7 Playback and the Playback Menu
171
8 The Setup Menus
197
9 Shortcuts
249
10 Peripherals and Optional Accessories
263
11 Connections
281
12 Technical Notes
295
P
Chapter Index
iv
Menu List
Menu List
Camera menu options are listed below.
Shooting Menus
Adjust settings when shooting photos or movies.
N
See page 103 for details.
H IMAGE QUALITY SETTING
P
1⁄3
1⁄3
IMAGE SIZE 104
IMAGE QUALITY 105
RAW RECORDING 106
FILM SIMULATION 107
B & W ADJ.
ab
(Warm/Cool)
108
GRAIN EFFECT 108
COLOR CHROME EFFECT 109
SMOOTH SKIN EFFECT 109
2⁄3
2⁄3
DYNAMIC RANGE 110
D RANGE PRIORITY 111
WHITE BALANCE 112
HIGHLIGHT TONE 115
SHADOW TONE 115
COLOR 115
SHARPNESS 115
NOISE REDUCTION 116
3⁄3
3⁄3
LONG EXPOSURE NR 116
LENS MODULATION OPTIMIZER 116
COLOR SPACE 116
PIXEL MAPPING 117
SELECT CUSTOM SETTING 117
EDIT/SAVE CUSTOM SETTING 118
G AF/MF SETTING
P
1⁄3
1⁄3
FOCUS AREA 119
AF MODE 120
AF-C CUSTOM SETTINGS 121
STORE AF MODE BY ORIENTATION 124
AF POINT DISPLAY
yz
124
NUMBER OF FOCUS POINTS 125
PRE-AF 125
AF ILLUMINATOR 125
2⁄3
2⁄3
FACE/EYE DETECTION SETTING 126
AF+MF 128
MF ASSIST 129
FOCUS CHECK 129
INTERLOCK SPOT AE & FOCUS AREA 130
INSTANT AF SETTING 130
DEPTH-OF-FIELD SCALE 131
RELEASE/FOCUS PRIORITY 131
3⁄3
3⁄3 TOUCH SCREEN MODE 132
v
Menu List
Menu List
A SHOOTING SETTING
P
1⁄2
1⁄2
SELF-TIMER 135
SAVE SELF-TIMER SETTING 135
INTERVAL TIMER SHOOTING 136
INTERVAL TIMER SHOOTING
EXPOSURE SMOOTHING
137
AE BKT SETTING 138
FILM SIMULATION BKT 138
FOCUS BKT 139
PHOTOMETRY 140
2⁄2
2⁄2
SHUTTER TYPE 141
FLICKER REDUCTION 142
ISO 142
IS MODE 143
MOUNT ADAPTER SETTING 144
35mm FORMAT MODE 146
WIRELESS COMMUNICATION 147
F FLASH SETTING
P
FLASH FUNCTION SETTING 148
RED EYE REMOVAL 148
TTL-LOCK MODE 149
LED LIGHT SETTING 149
MASTER SETTING 150
CH SETTING 150
B MOVIE SETTING
P
1⁄4
1⁄4
MOVIE MODE 151
H.265(HEVC)/H.264 153
MOVIE COMPRESSION 153
F FILM SIMULATION
154
F B & W ADJ.
ab
(Warm/Cool)
154
F DYNAMIC RANGE
155
F WHITE BALANCE
155
F HIGHLIGHT TONE
156
2⁄4
2⁄4
F SHADOW TONE
156
F COLOR
156
F SHARPNESS
157
F NOISE REDUCTION
157
V INTERFRAME NR
157
F-Log/HLG RECORDING 158
F
PERIPHERAL LIGHT CORRECTION
159
F FOCUS AREA
159
3⁄4
3⁄4
MOVIE AF MODE 159
F AF-C CUSTOM SETTING
160
F FACE/EYE DETECTION SETTING
161
F MF ASSIST
161
F FOCUS CHECK
161
4K MOVIE OUTPUT 162
FULL HD MOVIE OUTPUT 162
HDMI OUTPUT INFO DISPLAY 163
4⁄4
4⁄4
4K HDMI STANDBY QUALITY 163
HDMI REC CONTROL 163
ZEBRA SETTING 164
ZEBRA LEVEL 164
AUDIO SETTING 165
TIME CODE SETTING 167
TALLY LIGHT 169
MOVIE SILENT CONTROL 170
vi
Menu List
The Playback Menu
Adjust playback settings.
N
See page 177 for details.
C PLAY BACK MENU
P
1⁄3
1⁄3
SWITCH SLOT 177
RAW CONVERSION 178
ERASE 180
SIMULTANEOUS DELETE
(RAW SLOT1/JPG SLOT2)
182
CROP 182
RESIZE 183
PROTECT 184
IMAGE ROTATE 185
C PLAY BACK MENU
P
2⁄3
2⁄3
RED EYE REMOVAL 186
VOICE MEMO SETTING 187
COPY 188
IMAGE TRANSFER ORDER 189
WIRELESS COMMUNICATION 190
PHOTOBOOK ASSIST 191
PRINT ORDER (DPOF) 193
instax PRINTER PRINT 194
3⁄3
3⁄3 DISP ASPECT 195
vii
Menu List
Menu List
Setup Menus
Adjust basic camera settings.
N
See page 197 for details.
D USER SETTING
P
1⁄2
1⁄2
FORMAT 198
DATE/TIME 199
TIME DIFFERENCE 199
Qa
200
MY MENU SETTING 200
SENSOR CLEANING 201
BATTERY AGE 201
RESET 202
2⁄2
2⁄2 REGULATORY 202
D SOUND SETTING
P
AF BEEP VOL. 203
SELF-TIMER BEEP VOL. 203
OPERATION VOL. 204
SHUTTER VOLUME 204
SHUTTER SOUND 204
PLAYBACK VOLUME 204
D SCREEN SETTING
P
1⁄3
1⁄3
EVF BRIGHTNESS 205
EVF COLOR 205
EVF COLOR ADJUSTMENT 205
LCD BRIGHTNESS 206
LCD COLOR 206
LCD COLOR ADJUSTMENT 206
IMAGE DISP. 207
AUTOROTATE DISPLAYS 207
2⁄3
2⁄3
PREVIEW EXP./WB IN MANUAL MODE 208
NATURAL LIVE VIEW 208
FRAMING GUIDELINE 209
AUTOROTATE PB 209
FOCUS SCALE UNITS 210
DUAL DISPLAY SETTING 210
DISP. CUSTOM SETTING 211
LARGE INDICATORS MODE(EVF) 212
3⁄3
3⁄3
LARGE INDICATORS MODE(LCD) 213
LARGE INDICATORS DISP. SETTING 214
INFORMATION CONTRAST ADJ. 214
SUB MONITOR SETTING 215
REAR SUB MONITOR SETTING 218
SUB MONITOR BACKGROUND COLOR
220
REAR SUB MONITOR BRIGHTNESS 220
viii
Menu List
D BUTTON/DIAL SETTING
P
1⁄2
1⁄2
FOCUS LEVER SETTING 221
EDIT/SAVE QUICK MENU 222
FUNCTION (Fn) SETTING 223
COMMAND DIAL SETTING 226
SHUTTER AF 227
SHUTTER AE 227
SHOOT WITHOUT LENS 228
SHOOT WITHOUT CARD 228
2⁄2
2⁄2
FOCUS RING 229
FOCUS RING OPERATION 229
AE/AF-LOCK MODE 230
AWB-LOCK MODE 230
EXPO. COMP. BUTTON SETTING 230
TOUCH SCREEN SETTING 231
LOCK 232
D POWER MANAGEMENT
P
AUTO POWER OFF 233
PERFORMANCE 234
SHOOTING STAND BY MODE 235
AUTO POWER SAVE 235
D SAVE DATA SETTING
P
FRAME NO. 236
SAVE ORG IMAGE 237
EDIT FILE NAME 237
CARD SLOT SETTING (STILL IMAGE) 237
SELECT SLOT(xSEQUENTIAL)
238
SELECT SLOT(FSEQUENTIAL)
238
SELECT FOLDER 238
COPYRIGHT INFO 239
D CONNECTION SETTING
P
Bluetooth SETTINGS 240
NETWORK SETTING 242
instax PRINTER CONNECTION SETTING
243
PC CONNECTION MODE 244
WIRELESS COM. FREQUENCY SETTING 245
GENERAL SETTINGS 246
INFORMATION 247
RESET WIRELESS SETTING 247
Menu List
ix
P
Table of Contents
Introduction ........................................................................................................... ii
For the Latest Information ............................................................................................ ii
Menu List................................................................................................................ iv
Shooting Menus ................................................................................................................iv
The Playback Menu .........................................................................................................vi
Setup Menus .......................................................................................................................vii
Supplied Accessories .......................................................................................xix
About This Manual .............................................................................................xx
Symbols and Conventions .........................................................................................xx
Terminology ........................................................................................................................xx
1
Before You Begin 1
Before You Begin 1
Parts of the Camera ............................................................................................. 2
The Serial Number Plate ................................................................................................5
The Focus Stick (Focus Lever) .....................................................................................5
The DRIVE mode dial .......................................................................................................6
The DRIVE Button ...............................................................................................................7
The Command Dials ........................................................................................................8
The Indicator Lamp ..........................................................................................................9
The LCD Monitor .............................................................................................................10
The View nder ....................................................................................................12
Attaching the View nder ...........................................................................................13
The Eye Cup .......................................................................................................................14
Focusing the View nder .............................................................................................15
Camera Displays .................................................................................................16
The Electronic View nder ..........................................................................................16
The LCD Monitor .............................................................................................................18
Choosing a Display Mode .........................................................................................20
Adjusting Display Brightness ................................................................................... 21
The DISP/BACK Button ................................................................................................22
The Dual Display ..............................................................................................................23
Customizing the Standard Display ......................................................................24
The Secondary LCD Monitor ....................................................................................26
The Rear Secondary Monitor ...................................................................................29
Using the Menus ................................................................................................30
Touch Screen Mode ...........................................................................................31
Shooting Touch Controls ...........................................................................................31
Playback Touch Controls ............................................................................................35
x
Taking Pictures in Portrait Orientation .......................................................36
Display Rotation ...............................................................................................................36
2
First Steps 37
First Steps 37
Attaching the Strap ...........................................................................................38
Attaching a Lens .................................................................................................40
Charging the Batteries .....................................................................................41
Inserting the Batteries ......................................................................................45
Inserting Memory Cards ..................................................................................47
Using Two Cards ..............................................................................................................48
Compatible Memory Cards ......................................................................................49
Turning the Camera On and O ...................................................................50
Checking the Battery Level.............................................................................51
Basic Setup ...........................................................................................................52
Choosing a Di erent Language.............................................................................54
Changing the Time and Date .................................................................................. 54
3
Basic Photography and Playback 55
Basic Photography and Playback 55
Taking Photographs (Mode P) .......................................................................56
Viewing Pictures .................................................................................................59
Deleting Pictures ................................................................................................60
4
Movie Recording and Playback 61
Movie Recording and Playback 61
Recording Movies ..............................................................................................62
Adjusting Movie Settings ...........................................................................................64
Viewing Movies ...................................................................................................65
5
Taking Photographs 67
Taking Photographs 67
P, S, A, and M Modes ..........................................................................................68
Mode P: Program AE ..................................................................................................... 68
Mode S: Shutter-Priority AE ......................................................................................70
Mode A: Aperture-Priority AE ..................................................................................73
Mode M: Manual Exposure .......................................................................................75
Autofocus ..............................................................................................................77
Focus Mode ........................................................................................................................78
Autofocus Options (AF Mode) ................................................................................80
Focus-Point Selection...................................................................................................82
Manual Focus.......................................................................................................85
Checking Focus ................................................................................................................87
xi
Table of Contents
Sensitivity..............................................................................................................90
AUTO ....................................................................................................................................... 91
Metering ................................................................................................................92
Exposure Compensation .................................................................................93
Focus/Exposure Lock ........................................................................................94
Other Controls ..................................................................................................................95
Bracketing .............................................................................................................96
O AE BKT .............................................................................................................................97
W ISO BKT ..........................................................................................................................97
X FILM SIMULATION BKT ........................................................................................97
V WHITE BALANCE BKT ............................................................................................98
Y DYNAMIC RANGE BKT ..........................................................................................98
Z FOCUS BKT ................................................................................................................. 98
Continuous Shooting (Burst Mode) ............................................................99
Multiple Exposures ......................................................................................... 101
6
The Shooting Menus 103
The Shooting Menus 103
IMAGE QUALITY SETTING ............................................................................. 104
IMAGE SIZE ....................................................................................................................... 104
IMAGE QUALITY ............................................................................................................ 105
RAW RECORDING ......................................................................................................... 106
FILM SIMULATION ........................................................................................................ 107
B & W ADJ. ab( Warm/Cool) ............................................................................. 108
GRAIN EFFECT ................................................................................................................ 108
COLOR CHROME EFFECT......................................................................................... 109
SMOOTH SKIN EFFECT .............................................................................................. 109
DYNAMIC RANGE ......................................................................................................... 110
D RANGE PRIORITY ...................................................................................................... 111
WHITE BALANCE ........................................................................................................... 112
HIGHLIGHT TONE ......................................................................................................... 115
SHADOW TONE ............................................................................................................. 115
COLOR ................................................................................................................................. 115
SHARPNESS ...................................................................................................................... 115
NOISE REDUCTION ...................................................................................................... 116
LONG EXPOSURE NR .................................................................................................. 116
LENS MODULATION OPTIMIZER ......................................................................... 116
COLOR SPACE ................................................................................................................. 116
PIXEL MAPPING ............................................................................................................. 117
SELECT CUSTOM SETTING ...................................................................................... 117
xii
1
Introduction
EDIT/SAVE CUSTOM SETTING ............................................................................... 118
AF/MF SETTING ................................................................................................119
FOCUS AREA ................................................................................................................... 119
AF MODE ........................................................................................................................... 120
AF-C CUSTOM SETTINGS ......................................................................................... 121
STORE AF MODE BY ORIENTATION .................................................................... 124
AF POINT DISPLAY yz ........................................................................................ 124
NUMBER OF FOCUS POINTS ................................................................................. 125
PRE-AF ................................................................................................................................. 125
AF ILLUMINATOR .......................................................................................................... 125
FACE/EYE DETECTION SETTING .......................................................................... 126
AF+MF ................................................................................................................................ 128
MF ASSIST ......................................................................................................................... 129
FOCUS CHECK ................................................................................................................ 129
INTERLOCK SPOT AE & FOCUS AREA................................................................ 130
INSTANT AF SETTING ................................................................................................. 130
DEPTH-OF-FIELD SCALE ........................................................................................... 131
RELEASE/FOCUS PRIORITY ..................................................................................... 131
TOUCH SCREEN MODE ............................................................................................. 132
SHOOTING SETTING ....................................................................................... 135
SELF-TIMER ....................................................................................................................... 135
SAVE SELF-TIMER SETTING...................................................................................... 136
INTERVAL TIMER SHOOTING .................................................................................. 136
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING ......................... 137
AE BKT SETTING ............................................................................................................ 138
FILM SIMULATION BKT .............................................................................................. 138
FOCUS BKT ....................................................................................................................... 139
PHOTOMETRY ................................................................................................................. 140
SHUTTER TYPE ...............................................................................................................141
FLICKER REDUCTION .................................................................................................. 142
ISO ......................................................................................................................................... 142
IS MODE ............................................................................................................................. 143
MOUNT ADAPTER SETTING ................................................................................... 144
35mm FORMAT MODE ............................................................................................. 146
WIRELESS COMMUNICATION ............................................................................... 147
FLASH SETTING ................................................................................................ 148
FLASH FUNCTION SETTING ................................................................................... 148
RED EYE REMOVAL ...................................................................................................... 148
xiii
1
Introduction
Table of Contents
TTL-LOCK MODE ........................................................................................................... 149
LED LIGHT SETTING .................................................................................................... 149
MASTER SETTING ......................................................................................................... 150
CH SETTING ..................................................................................................................... 150
MOVIE SETTING ...............................................................................................151
MOVIE MODE .................................................................................................................. 151
H.265(HEVC)/H.264 ..................................................................................................... 153
MOVIE COMPRESSION .............................................................................................. 153
F FILM SIMULATION ................................................................................................. 154
F B & W ADJ. ab(Warm/Cool) ......................................................................154
F DYNAMIC RANGE .................................................................................................. 155
F WHITE BALANCE .................................................................................................... 155
F HIGHLIGHT TONE .................................................................................................. 156
F SHADOW TONE ...................................................................................................... 156
F COLOR ......................................................................................................................... 156
F SHARPNESS .............................................................................................................. 157
F NOISE REDUCTION .............................................................................................. 157
V INTERFRAME NR ................................................................................................... 157
F-Log/HLG RECORDING ........................................................................................... 158
F PERIPHERAL LIGHT CORRECTION ............................................................... 159
F FOCUS AREA ............................................................................................................ 159
MOVIE AF MODE .......................................................................................................... 159
F AF-C CUSTOM SETTING .................................................................................... 160
F FACE/EYE DETECTION SETTING ................................................................... 161
F MF ASSIST .................................................................................................................. 161
F FOCUS CHECK ......................................................................................................... 161
4K MOVIE OUTPUT ...................................................................................................... 162
FULL HD MOVIE OUTPUT ........................................................................................ 162
HDMI OUTPUT INFO DISPLAY............................................................................... 163
4K HDMI STANDBY QUALITY ................................................................................. 163
HDMI REC CONTROL .................................................................................................. 163
ZEBRA SETTING ............................................................................................................. 164
ZEBRA LEVEL ................................................................................................................... 164
AUDIO SETTING ............................................................................................................ 165
TIME CODE SETTING .................................................................................................. 167
TALLY LIGHT ..................................................................................................................... 169
MOVIE SILENT CONTROL ......................................................................................... 170
xiv
1
Introduction
7
Playback and the Playback Menu 171
Playback and the Playback Menu 171
The Playback Display ..................................................................................... 172
The DISP/BACK Button ............................................................................................. 173
Viewing Pictures .............................................................................................. 175
Playback Zoom .............................................................................................................. 176
Multi-Frame Playback ................................................................................................ 176
The Playback Menu ........................................................................................177
SWITCH SLOT .................................................................................................................. 177
RAW CONVERSION ...................................................................................................... 178
ERASE ................................................................................................................................... 180
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2) ................................... 182
CROP .................................................................................................................................... 182
RESIZE .................................................................................................................................. 183
PROTECT ............................................................................................................................ 184
IMAGE ROTATE ............................................................................................................... 185
RED EYE REMOVAL ...................................................................................................... 186
VOICE MEMO SETTING ............................................................................................. 187
COPY ....................................................................................................................................188
IMAGE TRANSFER ORDER ........................................................................................ 189
WIRELESS COMMUNICATION ............................................................................... 190
PHOTOBOOK ASSIST .................................................................................................. 191
PRINT ORDER (DPOF) ................................................................................................. 193
instax PRINTER PRINT ................................................................................................. 194
DISP ASPECT ................................................................................................................... 195
8
The Setup Menus 197
The Setup Menus 197
USER SETTING .................................................................................................. 198
FORMAT ............................................................................................................................. 198
DATE/TIME ........................................................................................................................ 199
TIME DIFFERENCE ........................................................................................................ 199
Qa ................................................................................................................. 200
MY MENU SETTING ..................................................................................................... 200
SENSOR CLEANING ..................................................................................................... 201
BATTERY AGE .................................................................................................................. 201
RESET ................................................................................................................................... 202
REGULATORY .................................................................................................................. 202
SOUND SETTING ..............................................................................................203
AF BEEP VOL. ................................................................................................................... 203
SELF-TIMER BEEP VOL. ............................................................................................... 203
xv
1
Introduction
Table of Contents
OPERATION VOL. ........................................................................................................... 204
SHUTTER VOLUME ....................................................................................................... 204
SHUTTER SOUND ......................................................................................................... 204
PLAYBACK VOLUME .................................................................................................... 204
SCREEN SETTING ............................................................................................. 205
EVF BRIGHTNESS ........................................................................................................... 205
EVF COLOR ....................................................................................................................... 205
EVF COLOR ADJUSTMENT ...................................................................................... 205
LCD BRIGHTNESS .......................................................................................................... 206
LCD COLOR ...................................................................................................................... 206
LCD COLOR ADJUSTMENT ..................................................................................... 206
IMAGE DISP. ...................................................................................................................... 207
AUTOROTATE DISPLAYS ............................................................................................ 207
PREVIEW EXP./WB IN MANUAL MODE ............................................................. 208
NATURAL LIVE VIEW .................................................................................................... 208
FRAMING GUIDELINE ................................................................................................. 209
AUTOROTATE PB ........................................................................................................... 209
FOCUS SCALE UNITS .................................................................................................. 210
DUAL DISPLAY SETTING ........................................................................................... 210
DISP. CUSTOM SETTING ............................................................................................ 211
LARGE INDICATORS MODE(EVF) ......................................................................... 212
LARGE INDICATORS MODE(LCD) ........................................................................ 213
LARGE INDICATORS DISP. SETTING .................................................................... 214
INFORMATION CONTRAST ADJ. .......................................................................... 214
SUB MONITOR SETTING ........................................................................................... 215
REAR SUB MONITOR SETTING .............................................................................. 218
SUB MONITOR BACKGROUND COLOR ............................................................ 220
REAR SUB MONITOR BRIGHTNESS ..................................................................... 220
BUTTON/DIAL SETTING ................................................................................ 221
FOCUS LEVER SETTING ............................................................................................. 221
EDIT/SAVE QUICK MENU.......................................................................................... 222
FUNCTION (Fn) SETTING ......................................................................................... 223
COMMAND DIAL SETTING ..................................................................................... 226
SHUTTER AF..................................................................................................................... 227
SHUTTER AE..................................................................................................................... 227
SHOOT WITHOUT LENS ............................................................................................ 228
SHOOT WITHOUT CARD ..........................................................................................228
FOCUS RING .................................................................................................................... 229
FOCUS RING OPERATION ........................................................................................ 229
xvi
1
Introduction
AE/AF-LOCK MODE ..................................................................................................... 230
AWB-LOCK MODE ........................................................................................................ 230
EXPO. COMP. BUTTON SETTING .......................................................................... 230
TOUCH SCREEN SETTING ........................................................................................ 231
LOCK..................................................................................................................................... 232
POWER MANAGEMENT ................................................................................. 233
AUTO POWER OFF ....................................................................................................... 233
PERFORMANCE ..............................................................................................................234
SHOOTING STAND BY MODE ................................................................................ 235
AUTO POWER SAVE ..................................................................................................... 235
SAVE DATA SETTING ....................................................................................... 236
FRAME NO. ....................................................................................................................... 236
SAVE ORG IMAGE ......................................................................................................... 237
EDIT FILE NAME ............................................................................................................. 237
CARD SLOT SETTING (STILL IMAGE) .................................................................. 237
SELECT SLOT(xSEQUENTIAL) ............................................................................. 238
SELECT SLOT(FSEQUENTIAL) ............................................................................. 238
SELECT FOLDER ............................................................................................................ 238
COPYRIGHT INFO ......................................................................................................... 239
CONNECTION SETTING .................................................................................240
Bluetooth SETTINGS ................................................................................................... 240
NETWORK SETTING .................................................................................................... 242
instax PRINTER CONNECTION SETTING ......................................................... 243
PC CONNECTION MODE.......................................................................................... 244
SMARTPHONE WIRELESS COM. FREQUENCY SETTING ......................... 245
GENERAL SETTINGS .................................................................................................... 246
INFORMATION ................................................................................................................ 247
RESET WIRELESS SETTING ....................................................................................... 247
9
Shortcuts 249
Shortcuts 249
Shortcut Options ............................................................................................. 250
MY MENU ........................................................................................................... 251
MY MENU SETTING ..................................................................................................... 251
The Q (Quick Menu) Button ......................................................................... 253
The Quick Menu Display ......................................................................................... 253
Viewing and Changing Settings ......................................................................... 254
Editing the Quick Menu ........................................................................................... 255
The Fn (Function) Buttons ...........................................................................256
Assigning Roles to the Function Buttons ...................................................... 259
xvii
1
Introduction
Table of Contents
10
Peripherals and Optional Accessories 263
Peripherals and Optional Accessories 263
Lenses ..................................................................................................................264
Lens Parts .......................................................................................................................... 264
Lens Care ........................................................................................................................... 265
Removing Lens Caps ................................................................................................. 265
Attaching Lens Hoods .............................................................................................. 265
Aperture ring .................................................................................................................. 266
View nder Tilt Adapters ............................................................................... 267
Attaching the EVF-TL1 ..............................................................................................268
Using the EVF-TL1 ........................................................................................................ 269
External Flash Units ........................................................................................ 270
Flash Settings .................................................................................................................271
SYNC TERMINAL ............................................................................................................ 272
SHOE MOUNT FLASH ................................................................................................ 273
MASTER(OPTICAL) ....................................................................................................... 276
11
Connections 281
Connections 281
HDMI Output .................................................................................................... 282
Connecting to HDMI Devices .............................................................................. 282
Shooting ............................................................................................................................ 283
Playback .............................................................................................................................283
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi) ................... 284
Smartphones and Tablets: FUJIFILM Camera Remote .......................... 284
Tethered Shooting: Capture One Pro Fuji lm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM Tether
Shooting Plug-in PRO for GFX/FUJIFILM X Acquire ............................. 286
Connecting to Computers via USB ........................................................... 287
Tethered Shooting: Capture One Pro Fuji lm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM Tether
Shooting Plug-in PRO for GFX/FUJIFILM X Acquire ............................. 290
Copying Pictures to a Computer ........................................................................ 291
Converting RAW Images: FUJIFILM X RAW STUDIO ............................... 292
Backing up and Restoring Camera Settings
(FUJIFILM X Acquire)................................................................................................ 292
instax SHARE Printers .................................................................................... 293
Establishing a Connection ..................................................................................... 293
Printing Pictures ............................................................................................................ 294
xviii
1
Introduction
Table of Contents
12
Technical Notes 295
Technical Notes 295
Accessories from Fuji lm..............................................................................296
Software for Use with Your Camera .......................................................... 298
FUJIFILM Camera Remote ...................................................................................... 298
MyFinePix Studio .......................................................................................................... 298
Capture One Express Fuji lm ............................................................................... 298
RAW FILE CONVERTER EX ........................................................................................ 298
Capture One PRO Fuji lm ....................................................................................... 299
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM Tether
Shooting Plug-in PRO for GFX ........................................................................... 299
FUJIFILM X Acquire ..................................................................................................... 299
FUJIFILM X RAW STUDIO ......................................................................................... 299
For Your Safety ................................................................................................. 300
Product Care ..................................................................................................... 309
Cleaning the Image Sensor ......................................................................... 310
Firmware Updates ...........................................................................................311
Checking the Firmware Version .......................................................................... 311
Troubleshooting .............................................................................................. 312
Warning Messages and Displays ............................................................... 321
Memory Card Capacity ................................................................................. 324
Speci cations ................................................................................................... 325
xix
1
Introduction
Supplied Accessories
The following are included with the camera:
•
NP-T125 rechargeable batteries (× 2)
•
BC-T125 battery charger
•
Plug adapter
•
EVF-GFX2 interchangeable electronic view nder
•
Body cap (comes attached to camera)
•
Metal strap clips (× 2)
•
Clip attaching tool
•
Protective covers (× 2)
•
Shoulder strap
•
Cable protector
•
Hot shoe cover (comes attached to hot shoe)
•
Sync terminal cap (comes attached to camera)
•
Owner’s Manual (this manual)
N
•
The plug adapter supplied with the camera varies with the country
or region of purchase; be sure to use the adapter appropriate to your
country or region as described in the enclosed notice.
•
For information on compatible computer software, see “Software for
Use with Your Camera” (P 298).
xx
1
Introduction
About This Manual
This manual contains instructions for your FUJIFILM GFX100
digital camera. Be sure you have read and understood its
contents before proceeding.
Symbols and Conventions
The following symbols are used in this manual:
O
Information that should be read to prevent damage to the
product.
N
Additional information that may be helpful when using the
product.
P
Pages on which related information may be found.
Menus and other text in the displays are shown in bold. Illustrations
are for explanatory purposes only; drawings may be simpli ed,
while photographs are not necessarily taken with the model of
camera described in this manual.
Terminology
The optional SD, SDHC, and SDXC memory cards the camera uses
to store pictures are referred to as “memory cards”. The electronic
view nder may be referred to as the “EVF” and the LCD monitor
as the “LCD”.
1
Before You Begin
2
1
Before You Begin
Parts of the Camera
A
Fn2 button ..................................................... 256
B
Secondary LCD monitor mode button .....27
C
Secondary LCD monitor................................26
D
Secondary monitor backlight button .......28
E
Hot shoe .........................................................271
F
DRIVE mode dial release button ...................6
G
DRIVE button ......................................................7
H
DRIVE mode dial ...............................................6
I
AF-assist illuminator...................................125
Self-timer lamp ............................................135
J
Strap eyelet .......................................................38
K
Connector cover 1
L
Connector cover 2
M
Sync terminal ................................................272
N
Lens signal contacts
O
Battery tray latch ............................................45
P
Battery tray .......................................................45
Q
Vertical grip front command dial
............................................................8, 36, 226
R
Vertical grip Fn3 button ................................36
S
Lens release button ........................................40
T
Fn3 button ..................................................... 256
U
Front command dial ...............................8, 226
V
ON/OFF switch .................................................50
W
Shutter button .................................................58
X
Fn1 button
d (exposure compensation) button ......93
Y
Microphone jack ..........................................165
Z
Headphone jack ........................................... 166
a
USB connector (Type-C) ..................... 44, 287
b
HDMI Micro connector (Type D) .............282
c
15 V DC-IN connector ....................................43
d
Hot shoe cover ..............................................273
e
Body cap ............................................................40
3
1
Before You Begin
Parts of the Camera
f
b (delete) button ...........................................60
g
AE-L (exposure lock) button ............... 95, 256
h
Focus stick (focus lever)...................5, 82, 221
i
Focus mode selector ......................................78
j
AF-ON button .........................................95, 256
k
Rear command dial .......................8, 175, 226
l
Fn4 button ..................................................... 256
m
Q (quick menu) button ...............................253
n
Indicator lamp1 ...............................................9
o
Memory card slot cover ................................47
p
Memory card slot cover latch ......................47
q
Remote release connector cover ................72
r
Indicator lamp2 ........................................9, 43
s
Rear secondary monitor ...............................29
t
LCD monitor ................................ 10, 18, 20, 21
Touch screen .................................31, 132, 231
u
a (playback) button ...................................59
v
DISP (display)/BACK button ............... 22, 173
w
MENU/OK button .............................................30
x
Memory card slot1 ........................................47
y
Memory card slot2 ........................................47
z
Remote release connector ............................72
4
1
Before You Begin
0
Vertical grip focus stick (focus lever)
.....................................................................5, 36
1
Vertical grip AF-ON button ................. 36, 256
2
Vertical grip rear command dial
............................................................8, 36, 226
3
Vertical grip Fn2 button ...................... 36, 256
4
Vertical grip Fn1 button
d (exposure compensation) button
..........................................................36, 93, 256
5
Vertical grip shutter button ..................36, 58
6
Vertical grip control lock ...............................36
7
Speaker .................................................... 65, 204
8
Vertical grip Fn4 button ...................... 36, 256
9
Vertical grip Q (quick menu) button
................................................................ 36, 253
-
Tripod mount
^
Fn5 button .............................................. 80, 256
\
Vertical grip AE-L (exposure lock)
button .............................................36, 95, 256
The Cable Protector
A
The cable protector prevents
accidental disconnection of the
USB cable or AC adapter. Attach
the protector as shown and
tighten the lock screw.
A B
B
Connect the cable and pass it
through the protector as shown.
5
1
Before You Begin
Parts of the Camera
The Serial Number Plate
Do not remove the serial number plate,
which provides the FCC ID, KC mark,
CMIIT ID, serial number, and other im-
portant information.
Serial number plate
The Focus Stick (Focus Lever)
Tilt or press the focus stick to select the fo-
cus area. The focus stick can also be used
to navigate the menus.
6
1
Before You Begin
The DRIVE mode dial
The DRIVE mode dial is used to select the
drive mode. Hold the DRIVE mode dial
release button while rotating the dial to
select the desired mode.
Option
Option
Description
Description
STILL
Take pictures one at a time or in bursts (P 56, 99).
MULTI
Record a multiple exposures or take a series of photographs
using bracketing (P 96, 101).
MOVIE
Shoot movies (P 62).
7
1
Before You Begin
Parts of the Camera
The DRIVE Button
Pressing the DRIVE button when STILL or
MULTI is selected with the DRIVE mode dial
displays drive mode options. Pressing the
button when MOVIE is selected displays
movie mode options (P 151).
Drive mode options (STILL) Drive mode options (MULTI)
STILL IMAGE
AE BKT
16:9
MOVIE MODE
Drive mode options (MOVIE)
8
1
Before You Begin
The Command Dials
Rotate or press the command dials to:
Front command dial Rear command dial
Rotate
Rotate
•
Select menu tabs or page
through menus
•
Choose the desired combina-
tion of shutter speed and aper-
ture (program shift)
•
Adjust aperture
1, 2
•
View other pictures during
playback
•
Highlight menu items
•
Choose the desired combina-
tion of shutter speed and aper-
ture (program shift)
•
Choose a shutter speed
1, 4
•
Adjust exposure compensation by
pressing the d button and rotat-
ing the dial
1
•
Adjust settings in the quick menu
•
Choose the size of the focus frame
•
Zoom in or out in full frame play-
back
•
Zoom in or out in multi-frame
playback
Press
Press
•
Switch between aperture and
ISO sensitivity
2
•
Press and hold to choose the op-
tion selected for D BUTTON/
DIAL SETTING> COMMAND
DIAL SETTING in the D(setup)
menu
•
Zoom in on the active focus point
3
•
Press and hold to choose the
manual focus mode focus display
3
•
Zoom in on the active focus
point during playback
1 Can be changed using D BUTTON/DIAL SETTING> COMMAND DIAL SETTING.
2 If the lens is equipped with an aperture ring with a “C” position, the camera command
dials can be used to adjust aperture when the aperture ring is rotated to C.
3 Available only if FOCUS CHECK is assigned to a function button.
4 Only if a value other than auto is selected for shutter speed.
9
1
Before You Begin
Parts of the Camera
The Indicator Lamp
Camera status is shown by the indicator
lamp1.
Indicator lamp1
Indicator lamp1
Camera status
Camera status
Glows green Focus locked.
Blinks green Focus or slow shutter speed warning. Pictures can be taken.
Blinks green and
orange
•
Camera on: Recording pictures. Additional pictures can be
taken.
•
Camera o : Uploading pictures to a smartphone or tablet.
*
Glows orange
Recording pictures. No additional pictures can be taken at
this time.
Blinks red Lens or memory error.
* Displayed only if pictures are selected for upload.
N
•
Warnings may also appear in the display.
•
The indicator lamp remains o while your eye is to the view nder.
If the camera is o , the two lamps des-
ignated as “indicator lamp 2” light green
while the batteries are charging. The
lamp on the right shows the status of the
battery in the right battery chamber, that
on the left the status of the battery in the
left battery chamber (P 43).
10
1
Before You Begin
The LCD Monitor
The LCD monitor can be tilted for eas-
ier viewing, but be careful not to touch
the wires or trap ngers or other objects
behind the monitor. Touching the wires
could cause camera malfunction.
N
The LCD monitor also functions as a touch screen that can be used for:
•
Touch photography (P 32)
•
Focus area selection (P 31)
•
Function selection (P 34)
•
Muting camera controls during movie recording (P 33)
•
Full-frame playback (P 35)
11
1
Before You Begin
Parts of the Camera
“Tall” (Portrait) Orientation
The display can also be tilted to take pictures from high or low angles when
the camera is rotated to take pictures in “tall” (portrait) orientation.
•
Press the tilt lock release and tilt the display as shown in Figure 1.
•
To take high-angle shots, hold the camera in the orientation shown in
Figure 2.
Figure 1 Figure 2
12
1
Before You Begin
The View nder
A
Hot shoe .................................................267, 273
B
Viewfi nder lock releases ...............................13
C
VIEW MODE button .........................................20
D
Eye sensor .........................................................20
E
Electronic viewfi nder (EVF) ................... 16, 20
F
Eye cup ..............................................................14
G
Diopter adjustment control ........................ 15
H
Connectors ....................................................... 13
I
Hot shoe cover
J
Connector cover
The EVF-TL1
The optional EVF-TL1 tilt adapter lets you swivel
the view nder left or right ±45° or up or down
between 0° and 90° (P267).
13
1
Before You Begin
The View nder
Attaching the View nder
Using the view nder makes it easier to
frame your subject accurately. Remove
the hot shoe cover from the camera and
slide the view nder onto the hot shoe,
stopping when it clicks into place.
Removing the View nder
Keeping the lock releases pressed (
A
), press
down on the front of the view nder (
B
) and
slide it o as shown.
14
1
Before You Begin
The Eye Cup
To remove the eye cup, press the bottom
in with both thumbs and slide eye cup
up.
15
1
Before You Begin
The View nder
Focusing the View nder
If the indicators displayed in the view nder are blurred, put your
eye to the view nder and rotate the diopter adjustment control
until the display is in sharp focus.
To focus the view nder:
A
Lift the diopter adjustment control.
B
Rotate the control to adjust view nder focus.
C
Return the control to its original position and lock it in place.
O
Lift the control before use. Failure to observe this precaution could
cause product malfunction.
16
1
Before You Begin
Camera Displays
This section lists the indicators that may be displayed
during shooting.
O
For illustrative purposes, displays are shown with all indicators lit.
The Electronic View nder
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1
Before You Begin
Camera Displays
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP> LARGE INDICATORS
MODE(EVF).
3 Displayed during movie recording only.
A
IS mode
2
......................................................... 143
B
Flash (TTL) mode .........................................273
C
Flash compensation ...................................273
D
35mm format mode ...................................146
E
Movie compression .....................................153
F
Self-timer indicator ..................................... 135
G
Continuous mode ...........................................99
H
Shutter type ...................................................141
I
AF+MF indicator
2
........................................128
J
Bluetooth ON/OFF .......................................240
K
White balance .............................................. 112
L
AWB lock ........................................................230
M
Film simulation ............................................ 107
N
F-Log/HLG recording ..................................158
O
Dynamic range ............................................110
P
D-range priority ...........................................111
Q
Image transfer status ........................240, 284
R
Date and time ..................................52, 54, 199
S
Movie mode
3
.......................................... 62, 151
T
Time remaining
3
.............................................63
U
Card slot options ................................... 48, 237
V
Number of available frames
1
...................324
W
Image size ......................................................104
X
Image quality................................................105
Y
Touch screen mode .............................. 31, 132
Z
Temperature warning ................................323
a
Virtual horizon .................................................25
b
Focus frame ...............................................82, 94
c
Histogram .........................................................25
d
External power source in use .......................43
e
Battery level ......................................................51
f
Sensitivity ..........................................................90
g
Exposure compensation ...............................93
h
Aperture ...............................................69, 73, 75
i
Shutter speed .....................................69, 70, 75
j
TTL lock .........................................149, 225, 261
k
AE lock ...................................................... 95, 230
l
Metering ............................................................92
m
Shooting mode ...............................................68
n
Focus mode
2
....................................................78
o
Focus indicator
2
..............................................79
p
Manual focus indicator
2
........................78, 85
q
AF lock ...................................................... 95, 230
r
Distance indicator
2
........................................87
s
Recording level
2, 3
......................................... 165
t
Exposure indicator ...................................75, 93
u
Location data download status .....246, 284
v
Depth-of-fi eld preview ...........................74, 87
w
H.265(HEVC)/H.264 ....................................153
x
Focus check ............................................ 88, 129
18
1
Before You Begin
The LCD Monitor
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1
Before You Begin
Camera Displays
A
Flash (TTL) mode .........................................273
B
IS mode
2
......................................................... 143
C
Focus check ............................................ 88, 129
D
Depth-of-fi eld preview ...........................74, 87
E
H.265(HEVC)/H.264 ....................................153
F
Location data download status .....246, 284
G
35mm format mode ...................................146
H
Movie compression .....................................153
I
Bluetooth ON/OFF .......................................240
J
Image transfer status ........................240, 284
K
Movie mode
3
.......................................... 62, 151
L
Time remaining
3
.............................................63
M
Card slot options ................................... 48, 237
N
Number of available frames
1
...................324
O
Image size ......................................................104
P
Image quality................................................105
Q
Date and time ..................................52, 54, 199
R
Touch screen mode
4
............................ 31, 132
S
AWB lock ........................................................230
T
White balance .............................................. 112
U
Film simulation ............................................ 107
V
F-Log/HLG recording ..................................158
W
Dynamic range ............................................110
X
D-range priority ...........................................111
Y
Temperature warning ................................323
Z
Focus frame ...............................................82, 94
a
Histogram .........................................................25
b
External power source in use .......................43
c
Battery level ......................................................51
d
Distance indicator
2
........................................87
e
Sensitivity ..........................................................90
f
Exposure compensation ...............................93
g
Aperture ...............................................69, 73, 75
h
Time code ....................................................... 167
i
Shutter speed .....................................69, 70, 75
j
TTL lock .........................................149, 225, 261
k
AE lock ...................................................... 95, 230
l
Metering ............................................................92
m
Shooting mode ...............................................68
n
Focus mode
2
....................................................78
o
Focus indicator
2
..............................................79
p
Manual focus indicator
2
........................78, 85
q
AF lock ...................................................... 95, 230
r
AF+MF indicator
2
........................................128
s
Shutter type ...................................................141
t
Recording level
2, 3
......................................... 165
u
Continuous mode ...........................................99
v
Self-timer indicator ..................................... 135
w
Exposure indicator ...................................75, 93
x
Flash compensation ...................................273
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP> LARGE INDICATORS
MODE(LCD).
3 Displayed during movie recording only.
4 Camera functions can also be accessed via touch controls.
20
1
Before You Begin
Choosing a Display Mode
Press the VIEW MODE button to cycle
through the following display modes.
Option
Option
Description
Description
E
E
EYE SENSOR
EYE SENSOR
Putting your eye to the viewfi nder turns the viewfi nder on and
the LCD monitor off ; taking your eye away turns the viewfi nder
off and LCD monitor on.
EVF ONLY
EVF ONLY Viewfi nder on, LCD monitor off .
LCD ONLY
LCD ONLY LCD monitor on, viewfi nder off .
EVF ONLY +
EVF ONLY +
E
E
Putting your eye to the viewfi nder turns the viewfi nder on; tak-
ing it away turns the viewfi nder off . The LCD monitor remains off .
E
E
EYE SENSOR +
EYE SENSOR +
LCD IMAGE DISP.
LCD IMAGE DISP.
Putting your eye to the viewfi nder during shooting turns the
viewfi nder on, but the LCD monitor is used for the display of
images once you remove your eye from the viewfi nder after
shooting.
The Eye Sensor
•
The eye sensor may respond to objects other
than your eye or to light shining directly on
the sensor.
•
The eye sensor is disabled while the LCD mon-
itor is tilted.
Eye sensor
21
1
Before You Begin
Camera Displays
Adjusting Display Brightness
The brightness and hue of the view nder and LCD monitor can
be adjusted using the items in the D SCREEN SET-UP menu.
Choose EVF BRIGHTNESS or EVF COLOR to adjust view nder
brightness or hue, LCD BRIGHTNESS or LCD COLOR to do the
same for the LCD monitor.
22
1
Before You Begin
The DISP/BACK Button
The DISP/BACK button controls the display
of indicators in the view nder and LCD
monitor.
N
Indicators for the EVF and LCD must be
selected separately. To choose the EVF dis-
play, place your eye to the view nder while
using the DISP/BACK button.
Viewfi nder
Full screen
Full screen
(no indicators)
Dual display
(manual focus mode only)
Standard indicators
Standard (no indicators)
23
1
Before You Begin
Camera Displays
LCD Monitor
Standard indicators No indicators
Dual display
(manual focus mode only)
Info display
The Dual Display
The dual display consists of a large full-frame window and a
smaller close-up of the focus area.
24
1
Before You Begin
Customizing the Standard Display
To choose the items shown in the standard indicator display:
1
Display standard indicators.
Use the DISP/BACK button to display standard indicators.
2
Select DISP. CUSTOM SETTING.
Select D SCREEN SET-UP> DISP. CUSTOM SETTING in the
setup menu.
3
Choose items.
Highlight items and press MENU/OK to select or deselect.
•
FRAMING GUIDELINE
•
ELECTRONIC LEVEL
•
FOCUS FRAME
•
AF DISTANCE INDICATOR
•
MF DISTANCE INDICATOR
•
HISTOGRAM
•
LIVE VIEW HIGHLIGHT ALERT
•
SHOOTING MODE
•
APERTURE/S-SPEED/ISO
•
INFORMATION BACKGROUND
•
Expo. Comp. (Digit)
•
Expo. Comp. (Scale)
•
FOCUS MODE
•
PHOTOMETRY
•
SHUTTER TYPE
•
FLASH
•
CONTINUOUS MODE
•
DUAL IS MODE
•
TOUCH SCREEN MODE
•
WHITE BALANCE
•
FILM SIMULATION
•
DYNAMIC RANGE
•
BOOST MODE
•
FRAMES REMAINING
•
IMAGE SIZE/QUALITY
•
MOVIE MODE & REC. TIME
•
35mm FORMAT MODE
•
IMAGE TRANSFER ORDER
•
MIC LEVEL
•
GUIDANCE MESSAGE
•
BATTERY LEVEL
•
FRAMING OUTLINE
4
Save changes.
Press DISP/BACK to save changes.
5
Exit the menus.
Press DISP/BACK as needed to exit the menus and return to the
shooting display.
25
1
Before You Begin
Camera Displays
Virtual Horizon
Selecting ELECTRONIC LEVEL displays a virtu-
al horizon. The camera is level when the two
lines overlap. Note that the virtual horizon may
not be displayed if the camera lens is pointed
up or down. For a 3D display (shown), press the
function button to which ELECTRONIC LEVEL
is assigned (P 223, 259).
Pitch Roll
Framing Outline
Enable FRAMING OUTLINE to make the borders of the frame easier to see
against dark backgrounds.
Histograms
Histograms show the distribution of tones in the image. Brightness is
shown by the horizontal axis, the number of pixels by the vertical axis.
Number of pixels
Shadows Highlights
Pixel brightness
•
Optimal exposure: Pixels are distributed in an even curve
throughout the tone range.
•
Overexposed: Pixels are clustered on the right side of
the graph.
•
Underexposed: Pixels are clustered on the left side of
the graph.
To view separate RGB histograms and a dis-
play showing areas of the frame that will be
overexposed at current settings superimposed
on the view through the lens, press the func-
tion button to which HISTOGRAM is assigned
(P 223, 259).
A
Overexposed areas blink
B
RGB histograms
26
1
Before You Begin
The Secondary LCD Monitor
Among the settings that can be viewed
in the secondary LCD monitor are shutter
speed, aperture, and ISO sensitivity.
Secondary LCD monitor
F
ISO
1
S.S.
M
RL
L
L
E
L
A
F
L
T
T
V
L
4000
102400
9999
2.8
1
M
RL
L
V
L
9999
AA
CCKK
BB
DD EE FF GG
HH
IIJJ
Default
Default
A
SHUTTER SPEED
G
FILM SIMULATION
B
APERTURE
H
BATTERY LEVEL
C
ISO
I
FRAMES REM.
D
SHOOTING MODE
J
CARD SLOT OPTIONS
E
IMAGE SIZE/QUALITY
K
d Scale
F
WHITE BALANCE
N
The settings displayed can be selected using D SCREEN SET-UP>
SUB MONITOR SETTING.
27
1
Before You Begin
Camera Displays
Cycling Through Indicators in the Secondary LCD Monitor
The indicators displayed in the second-
ary LCD monitor change each time the
secondary LCD monitor mode button is
pressed.
INFORMATION DIALS
F
ISO
1
S.S.
M
RL
L
L
E
L
A
F
L
T
T
V
L
4000
102400
9999
2.8
HISTOGRAM
28
1
Before You Begin
The secondary LCD monitor backlight button
To turn on the secondary LCD monitor back-
light when you nd the secondary LCD monitor
too dark to read, press the secondary LCD mon-
itor backlight button. Press the button again to
turn the backlight o .
Background Color
The background color (black or white) for the secondary LCD monitor can
be selected using the D SCREEN SET-UP> SUB MONITOR BACKGROUND
COLOR option in the D(setup) menu. Note that the background is dis-
played in white whenever the secondary LCD monitor backlight is on.
29
1
Before You Begin
Camera Displays
The Rear Secondary Monitor
Among the indicators that can be viewed
in the rear secondary monitor are histo-
grams and the exposure compensation
indicator.
Rear secondary monitor
FF EE DDFF
AA BB CC
Default
Default
A
APERTURE
D
WHITE BALANCE
B
SHUTTER SPEED
E
FILM SIMULATION
C
ISO
F
EXPO. COMP.
N
•
Use D SCREEN SET-UP> REAR SUB MONITOR SETTING to choose
the indicators displayed or turn the rear secondary monitor o .
•
Putting your eye to the view nder when the eye sensor is enabled
turns o the rear secondary monitor.
30
1
Before You Begin
Using the Menus
To display the menus, press MENU/OK.
Shooting
Shooting
Playback
Playback
EXIT
COLORCHROMEEFFECT
SMOOTHSKINEFFECT
GRAIN EFFECT
FILMSIMULATION
RAWRECORDING
IMAGEQUALITY
IMAGE SIZE
IMAGE
QUALITY
SETTING
B & WADJ.
(Warm/Cool)
RESIZE
PROTECT
IMAGE
ROTATE
CROP
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
ERASE
RAW
CONVERSION
SWITCH
SLOT
PLAY
BACK
MENU
EXIT
To navigate the menus:
1
Press MENU/OK to display the menus.
EXIT
COLORCHROMEEFFECT
SMOOTHSKINEFFECT
GRAIN EFFECT
FILMSIMULATION
RAWRECORDING
IMAGEQUALITY
IMAGE SIZE
IMAGE
QUALITY
SETTING
B & WADJ.
(Warm/Cool)
2
Press the focus stick (focus lever) left
to highlight the tab for the current
menu.
EXIT
COLORCHROMEEFFECT
SMOOTHSKINEFFECT
GRAIN EFFECT
FILMSIMULATION
RAWRECORDING
IMAGEQUALITY
IMAGE SIZE
IMAGE
QUALITY
SETTING
B & WADJ.
(Warm/Cool)
Tab
3
Press the focus stick up or down to highlight the tab (H, G,
A, F, B, E, C or D) containing the desired item.
4
Press the focus stick right to place the cursor in the menu.
N
Use the front command dial to select menu tabs or page through
menus and the rear command dial to highlight menu items.
31
1
Before You Begin
Touch Screen Mode
The LCD monitor also functions as a touch screen.
Shooting Touch Controls
To enable touch controls, select ON for
D BUTTON/DIAL SETTING> TOUCH
SCREEN SETTING> x TOUCH SCREEN
SETTING.
TOUCH SCREEN SETTINGS
DOUBLE TAP SETTING
TOUCH SCREEN SETTING
TOUCH FUNCTION
EVF TOUCH SCREEN AREA SETTINGS
TOUCH SCREEN SETTING
ON
OFF
EVF
The LCD monitor can be used to select the focus area while pic-
tures are being framed in the electronic view nder (EVF). Use
D BUTTON/DIAL SETTING> TOUCH SCREEN SETTING> EVF
TOUCH SCREEN AREA SETTINGS to choose the area of the mon-
itor employed for touch controls.
N
If n FACE SELECT op is enabled when FACE DETECTION ON is
selected for G AF/MF SETTING> FACE/EYE DETECTION SETTING,
the face used for focus can be chosen via touch controls.
32
1
Before You Begin
LCD Monitor
Touch controls can be used for such opera-
tions as focusing, choosing the focus area,
and taking photographs. The operation
performed can be selected by tapping the
touch screen mode indicator in the display
to cycle through the following options.
Mode
Mode
Description
Description
AF
AFOFF
•
In focus mode S (AF-S), the camera focuses when you tap your
subject in the display. Focus locks at the current distance until
you tap the AFOFF icon.
•
In focus mode C (AF-C), the camera initiates focus when you
tap your subject display. The camera will continue to adjust
focus for changes in the distance to the subject until you tap
the AFOFF icon.
•
In manual focus mode (MF), you can tap the display to focus
on the selected subject using autofocus.
AREA
AREA
Tap to select a point for focus or zoom. The focus frame will
move to the selected point.
OFF
OFF
Touch focus disabled.
O
Di erent touch controls are used during focus zoom (P 134).
N
•
To disable touch controls and hide the touch screen mode indica-
tor, select OFF for D BUTTON/DIAL SETTING> TOUCH SCREEN
SETTING> x TOUCH SCREEN SETTING.
•
Touch control settings can be adjusted using G AF/MF SETTING>
TOUCH SCREEN MODE. For information on the touch controls avail-
able during movie recording, see “Movie Recording (TOUCH SCREEN
MODE; P 133)”.
33
1
Before You Begin
Touch Screen Mode
Muting Movie Controls
Movie settings can be adjusted using
touch-screen controls, preventing the
sounds made by camera controls being
recorded with the movie. When ON is se-
lected for B MOVIE SETTING> MOVIE
SILENT CONTROL in the shooting menu,
a F SET icon will be displayed in the LCD
monitor; tap the icon to access the fol-
lowing controls:
•
SHUTTER SPEED
*
•
APERTURE
*
•
EXPOSURE COMPENSATION
•
ISO
•
INTERNAL MIC LEVEL
ADJUSTMENT/EXTERNAL MIC
LEVEL ADJUSTMENT
•
WIND FILTER
•
HEADPHONES VOLUME
•
F FILM SIMULATION
•
F WHITE BALANCE
* Selecting ON for B MOVIE SETTING> MOVIE SILENT CONTROL disables
dial controls.
F
SET icon
34
1
Before You Begin
Touch Function
Functions can be assigned to the follow-
ing ick gestures in much the same way
as function buttons (P 256):
•
Flick up: T-Fn1
•
Flick left: T-Fn2
•
Flick right: T-Fn3
•
Flick down: T-Fn4
N
•
In some cases, touch-function ick ges-
tures display a menu; tap to select the
desired option.
•
Touch-function gestures are disabled by
default. To enable touch-function ges-
tures, select ON for D BUTTON/DIAL
SETTING> TOUCH SCREEN SETTING>
c TOUCH FUNCTION.
SET CANCEL
25.5
INTERNAL MIC LEVEL ADJUSTMENT
35
1
Before You Begin
Touch Screen Mode
Playback Touch Controls
When ON is selected for D BUTTON/DIAL SETTING > TOUCH
SCREEN SETTING> a TOUCH SCREEN SETTING, touch controls
can be used for the following playback operations:
•
Swipe: Swipe a nger across the display to
view other images.
•
Pinch-out: Place two ngers on the display
and spread them apart to zoom in.
•
Pinch-in: Place two ngers on the display
and slide them together to zoom out.
N
Pictures can be zoomed out until the entire image is visible but no
further.
•
Double-tap: Tap the display twice to zoom in
on the focus point.
•
Drag: View other areas of the image during
playback zoom.
36
1
Before You Begin
Taking Pictures in Portrait Orientation
The vertical-grip buttons, com-
mand dials, and focus stick (focus
lever) make the camera easier to
use when rotated to take pictures
in portrait (“tall”) orientation.
Landscape
(“wide”)
orientation
Portrait
(“tall”)
orientation
N
•
To use the vertical-grip buttons, command dials, and focus stick, slide
the vertical grip control lock from LOCK to z. Selecting LOCK prevents
you accidentally using the vertical-grip controls when the camera is
rotated to take pictures in landscape (“wide”) orientation.
•
The vertical-grip command dials perform the same functions as their
landscape-orientation counterparts.
Display Rotation
When ON is selected for D SCREEN SET-UP> AUTOROTATE
DISPLAYS, the indicators in the view nder and LCD monitor au-
tomatically rotate to match camera orientation.
37
First Steps
38
2
First Steps
Attaching the Strap
Attach the strap clips to the camera and then attach the
strap.
1
Attach a protective cover.
Place a protective cover over the eye-
let as shown, with the black side of
the cover toward the camera.
Protective cover
2
Open a strap clip.
Use the clip attaching tool (A) to
open a strap clip (B).
(B)
(A)
3
Slide the clip onto the tool.
Slide the clip onto the tool so that it
hooks over the projection.
39
2
First Steps
Attaching the Strap
4
Place the strap clip on an eyelet.
Hook the strap eyelet in the clip
opening. Remove the tool, using the
other hand to keep the clip in place.
N
Keep the tool in a safe place, as you
will need it to open the strap clips
when removing the strap.
5
Pass the clip through the eyelet.
Rotate the clip fully through the eye-
let until it clicks closed.
6
Fasten the strap.
Insert the strap through a protective
cover and strap clip and fasten the
buckle as shown.
O
To avoid dropping the camera, be
sure the strap is correctly secured.
Strap clip
Buckle
Repeat the above steps for the second eyelet.
40
2
First Steps
Attaching a Lens
The camera can be used with lenses for the FUJIFILM
G-mount.
Remove the body cap from the camera
and the rear cap from the lens. Place the
lens on mount, keeping the marks on the
lens and camera aligned (
A
), and then
rotate the lens until it clicks into place
(
B
).
O
•
When attaching lenses, ensure that dust or other foreign matter does
not enter the camera.
•
Be careful not to touch the camera’s internal parts.
•
Rotate the lens until it clicks securely into place.
•
Do not press the lens release button while attaching the lens.
Removing Lenses
To remove the lens, turn the camera o , then
press the lens release button (
A
) and rotate the
lens as shown (
B
).
O
To prevent dust accumulating on the lens
or inside the camera, replace the lens caps
and camera body cap when the lens is not
attached.
Lenses and Other Optional Accessories
The camera can be used with lenses and accessories for the FUJIFILM
G-mount.
O
Observe the following precautions when attaching or removing (ex-
changing) lenses.
•
Check that the lenses are free of dust and other foreign matter.
•
Do not change lenses in direct sunlight or under another bright light
source. Light focused into the interior of the camera could cause it to
malfunction.
•
Attach the lens caps before exchanging lenses.
•
See the manual provided with the lens for information on use.
41
2
First Steps
Charging the Batteries
The batteries are not charged at shipment. Before use,
charge the batteries in the supplied battery charger.
O
•
The camera is supplied with NP-T125 batteries.
•
Charging takes about 140 minutes.
1
Connect the plug adapter.
O
The plug adapter supplied with the camera varies with the coun-
try or region of purchase; use the adapter appropriate to your
country or region as described in the enclosed notice.
2
Place the battery in the charger.
Insert the battery in the orientation
shown by the arrow.
3
Plug the charger in.
Plug the charger into an indoor pow-
er outlet. The charging indicator will
light.
4
Charge the battery.
Remove the battery when charging is complete.
42
2
First Steps
The Charging Indicator
The charging indicator shows battery charge
status as follows:
Charging indicator
Charging indicator
Battery status
Battery status
Action
Action
Off
Battery not inserted. Insert the battery.
Battery fully charged. Remove the battery.
On Battery charging. —
Blinks Battery fault.
Unplug the charger and
remove the battery.
O
•
The supplied charger is compatible with power supplies of 100 to 240
volts (a plug adapter may be needed for overseas use).
•
Do not a x labels or other objects to the battery. Failure to observe
this precaution could make it impossible to remove the battery from
the camera.
•
Do not short the battery terminals. The battery could overheat.
•
Read the cautions in “The Battery and Power Supply”.
•
Use only genuine Fuji lm rechargeable batteries designated for use
in this camera. Failure to observe this precaution could result in prod-
uct malfunction.
•
Do not remove the labels from the battery or attempt to split or peel
the outer casing.
•
The battery gradually loses its charge when not in use. Charge the
battery one or two days before use.
•
If the battery fails to hold a charge, it has reached the end of its
charging life and must be replaced.
•
Unplug the charger when it is not in use.
•
Remove dirt from the battery terminals with a clean, dry cloth. Failure
to observe this precaution could prevent the battery from charging.
•
Note that charging times increase at low or high temperatures.
43
2
First Steps
Charging the Batteries
Charging via AC Adapter
The battery inserted in the camera will also charge when the camera is
powered by an optional AC-15V AC adapter. Charging takes about 120 min-
utes.
Battery charge status is shown by battery status
icons when the camera is on (playback mode)
and by the two lamps designated as “indicator
lamp 2” when the camera is o . The left lamp
shows the status of battery in chamber “L”, the
right lamp that of the battery in chamber “R”.
Battery status icon (camera on)
Battery status icon (camera on)
Indicator lamp 2 (camera o )
Indicator lamp 2 (camera o )
Battery status
Battery status
Y (yellow)
On Battery charging
N (green)
Off Charging complete
Z (red)
Blinks Battery fault
O
Charging times may increase if the camera is left on during charging.
N
The camera will display an “external power
source” icon when powered via an AC-15V
AC adapter.
44
2
First Steps
Charging the Batteries
Charging from a Computer or Portable Battery
The batteries also charge if the camera is connected to a computer or por-
table battery. Turn the camera o , insert the batteries, and connect a USB
cable.
USB connector (Type-C)
•
Battery status is shown by indicator lamp 2.
Indicator lamp 2
Indicator lamp 2
Battery status
Battery status
On Battery charging
Off Charging complete
Blinks Battery fault
•
Connect the camera directly to the computer; do not use a USB hub or
keyboard.
•
Charging stops if the computer enters sleep mode. To resume charging,
activate the computer and disconnect and reconnect the USB cable.
•
Charging may not be supported depending on the model of computer,
computer settings, and the computer’s current state.
•
Information on supported portable batteries is available on the Fuji lm
website.
O
If the camera is turned on during charging, charging will end and the
battery level will begin to gradually decline.
N
The camera will display an “external power
source” icon when powered via USB.
45
2
First Steps
Inserting the Batteries
After charging the batteries, insert them in the camera as
described below.
1
Remove the battery tray.
Rotate the battery tray latch and re-
move the battery tray.
O
•
Do not remove the battery tray when
the camera is on. Failure to observe
this precaution could damage image
les or memory cards.
•
Do not use excessive force when
handling the battery tray.
2
Insert the batteries as shown.
O
•
Insert the battery in the orientations shown. Do not use force or
attempt to insert the batteries upside down or backwards.
•
Con rm that the battery are secure.
46
2
First Steps
Inserting the Batteries
3
Insert the battery tray and hold it in place while rotating the
latch to its original position.
Removing the Batteries
After turning the camera o , rotate the battery tray latch and remove the
battery tray. Remove the batteries as shown.
O
The battery may become hot when used in high-temperature environ-
ments. Observe caution when removing the battery.
47
2
First Steps
Inserting Memory Cards
Pictures are stored on memory cards (sold separately).
N
The camera can be used with two cards, one in each of its two slots.
1
Open the memory card slot cover.
Unlatch and open the cover.
O
Do not open the memory card-slot cover when the camera is on.
Failure to observe this precaution could damage image les or
memory cards.
2
Insert the memory card.
Holding the card in the orientation
shown, slide it in until it clicks into
place at the back of the slot. Close
and latch the memory card slot cover.
O
Be sure card is in the correct orientation; do not insert at an angle
or use force.
3
Format the memory card (P 198).
O
Format memory cards before rst use, and be sure to reformat all
memory cards after using them in a computer or other device.
48
2
First Steps
Removing Memory Cards
Before removing memory cards, turn the camera o and open the memory
card slot cover.
Press and release the card to eject it part way (to
prevent the card falling from the slot, press the
center of the card and release it slowly, without
removing your nger from the card). The card
can then be removed by hand.
Using Two Cards
The camera can be used with two cards, one in each of its two
slots. At default settings, photos are saved to the card in the sec-
ond slot only when the card in the rst slot is full. This can be
changed using D SAVE DATA SET-UP> CARD SLOT SETTING
(STILL IMAGE).
Option
Option
Description
Description
Display
Display
SEQUENTIAL
(default)
The card in the second slot is used only when the card in
the fi rst slot is full. If the second slot is selected for D SAVE
DATA SET-UP> SELECT SLOT(xSEQUENTIAL), re-
cording will start on the card in the second slot and switch
to the fi rst slot when the card in the second slot is full.
BACKUP Each picture is recorded twice, once to each card.
RAW / JPEG
As for SEQUENTIAL, except that the RAW copy of pic-
tures taken with SUPER FINE+RAW, FINE+RAW, or
NORMAL+RAW selected for
H
IMAGE QUALITY
SETTING> IMAGE QUALITY will be saved to the card
in the fi rst slot and the JPEG copy to the card in the second
slot.
The card used to store movies can be selected using D SAVE
DATA SET-UP> SELECT SLOT(FSEQUENTIAL).
49
2
First Steps
Inserting Memory Cards
Compatible Memory Cards
•
The camera can be used with SD, SDHC, and SDXC memory
cards. Both the UHS-I and UHS-II bus interfaces are supported.
•
UHS-II cards are recommended for high-speed burst photography.
•
Use cards with a video speed class of V60 or better to record
movies at a bit rate of 400Mbps. To record movies with lower
bit rates, use cards with a UHS speed class of 3 or better or a
video speed class of V30 or better.
•
A list of supported memory cards is available on the Fuji lm
website. For details, visit:
http://www.fujifilm.com/support/digital_cameras/compatibility/.
O
•
Do not turn the camera o or remove the memory card while the memo-
ry card is being formatted or data are being recorded to or deleted from
the card. Failure to observe this precaution could damage the card.
•
Memory cards can be locked, making it
impossible to format the card or to record
or delete images. Before inserting a mem-
ory card, slide the write-protect switch to
the unlocked position.
•
Memory cards are small and can be swallowed; keep out of reach of
children. If a child swallows a memory card, seek medical assistance
immediately.
•
miniSD or microSD adapters that are larger or smaller than memory
cards may not eject normally; if the card does not eject, take the cam-
era to an authorized service representative. Do not forcibly remove
the card.
•
Do not a x labels or other objects to memory cards. Peeling labels
can cause camera malfunction.
•
Movie recording may be interrupted with some types of memory card.
•
Formatting a memory card in the camera creates a folder in which
pictures are stored. Do not rename or delete this folder or use a com-
puter or other device to edit, delete, or rename image les. Always
use the camera to delete pictures; before editing or renaming les,
copy them to a computer and edit or rename the copies, not the
originals. Renaming the les on the camera can cause problems
during playback.
50
2
First Steps
Turning the Camera On and O
Use the ON/OFF switch to turn the camera on and o .
Slide the switch to ON to turn the camera
on, or to OFF to turn the camera o .
O
Fingerprints and other marks on the lens or view nder can a ect pic-
tures or the view through the view nder. Keep the lens and view nd-
er clean.
N
•
Pressing the a button during shooting starts playback.
•
Press the shutter button halfway to return to shooting mode.
•
The camera will turn o automatically if no operations are performed
for the length of time selected for D POWER MANAGEMENT>
AUTO POWER OFF. To reactivate the camera after it has turned o
automatically, press the shutter button halfway or turn the ON/OFF
switch to OFF and then back to ON.
51
2
First Steps
Checking the Battery Level
After turning the camera on, check the battery level in the
display.
Battery level is shown as follows:
Indicator
Indicator
Description
Description
e
Battery partially discharged.
f
Battery about 80% full.
g
Battery about 60% full.
h
Battery about 40% full.
i
Battery about 20% full.
i
(red)
Low battery. Charge as soon as pos-
sible.
j
(blinks red)
Battery exhausted. Turn camera off
and recharge battery.
N
•
The display shows the level of inserted batteries only.
•
When a full complement of batteries are inserted in the camera, the
batteries will be used in the following order:
A
The battery (L)
B
The battery (R)
52
2
First Steps
Basic Setup
When you turn the camera on for the rst time, you can
choose a language and set the camera clock. At default
settings, you can also pair the camera with a smartphone
or tablet so that you can later synchronize the clocks or
download pictures. Follow the steps below when turning
the camera on for the rst time.
N
If you intend to pair the camera with a smartphone or tablet, install
and launch the latest version of the FUJIFILM Camera Remote App on
the smart device before proceeding. For more information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
1
Turn the camera on.
A language-selection dialog will be
displayed.
2
Choose a language.
Highlight a language and press
MENU/OK.
3
Pair the camera with the smartphone or tablet.
Press MENU/OK on the camera and tap
PAIRING REGISTRATION in FUJIFILM
Camera Remote.
N
To skip pairing, press DISP/BACK.
SCAN QR CODE OR SEARCH FOR "FUJIFILM
Camera Remote" APP ON THE WEB
TO SMARTPHONE BY PAIRING
IMAGES CAN BE EASILY TRANSFERRED
PAIR WITH SMARTPHONE?
PAIRING REGISTRATION
SKIP HELPSET
53
2
First Steps
Basic Setup
4
Check the time.
When pairing is complete, you will be
prompted to set the camera clock to
the time reported by the smartphone
or tablet. Check that the time is cor-
rect.
PAIRING REGISTRATION
PAIRING COMPLETE
SET DATE/TIME FROM SMARTPHONE?
SET CANCEL
1/ 1/2019 12:00 PM
N
To set the clock manually, press DISP/BACK (P 54).
5
Synchronize the camera settings with
the settings confi gured on your smart-
phone or tablet.
SET
SMARTPHONE SYNC. SETTING
LOCATION
TIME
LOCATION&TIME
OFF
N
The option selected can be changed at any time using
D CONNECTION SETTING> Bluetooth SETTINGS.
6
Set the clock.
Press MENU/OK to set the camera clock to the time reported by
the smartphone or tablet and exit to shooting mode.
N
If the battery is removed for an extended period, the camera clock will
be reset and the language-selection dialog will be displayed when the
camera is turned on.
Skipping the Current Step
If you skip a step, a con rmation dialog will be displayed; select NO to avoid
repeating any steps you skipped the next time the camera is turned on.
54
2
First Steps
Basic Setup
Choosing a Di erent Language
To change the language:
1
Display language options.
Select D USER SETTING> Qa.
2
Choose a language.
Highlight the desired option and press MENU/OK.
Changing the Time and Date
To set the camera clock:
1
Display DATE/TIME options.
Select D USER SETTING> DATE/TIME.
2
Set the clock.
Press the focus stick (focus lever) left or right to highlight the
year, month, day, hour, or minute and press up or down to
change. Press MENU/OK to set the clock.
55
Basic Photography and
Playback
56
3
Basic Photography and Playback
Taking Photographs (Mode P)
This section describes how to take pictures using program
AE (mode P). See pages 68–76 for information on S, A,
and M modes.
1
Rotate the DRIVE mode dial to STILL.
2
Adjust settings for program AE.
Setting
Setting
P
P
A
Aperture A (auto) 68
B
Shutter speed Auto 68
C
Focus mode S (single AF) 78
N
Press the button to which SHOOTING MODE is assigned (at de-
fault settings, the Fn2 button) to switch between shutter speeds
of auto and User-selected (manually selected shutter speed). This
function can be assigned to a di erent button if desired (P 259).
57
3
Basic Photography and Playback
Taking Photographs (Mode P)
3
Check the shooting mode.
Con rm that P appears in the display.
4
Ready the camera.
•
Hold the camera steady with both
hands and brace your elbows
against your sides. Shaking or un-
steady hands can blur your shots.
•
To prevent pictures that are out of
focus or too dark (underexposed),
keep your ngers and other objects
away from the lens and AF-assist
illuminator.
5
Frame the picture.
Lenses with Zoom Rings
Use the zoom ring to frame the picture in
the display. Rotate the ring left to zoom
out, right to zoom in.
58
3
Basic Photography and Playback
Taking Photographs (Mode P)
6
Focus.
Press the shutter button halfway to
focus.
Focus indicator
Focus frame
•
If the camera is able to focus, it will beep twice and focus frame
and focus indicator will glow green.
•
If the camera is unable to focus, the focus frame will turn red, s
will be displayed, and the focus indicator will blink white.
N
•
If the subject is poorly lit, the AF-assist illuminator may light to
assist the focus operation.
•
Focus and exposure will lock when the shutter button is
pressed halfway. Focus and exposure remain locked while the
button is kept in this position (AF/AE lock).
•
The camera will focus on subjects at any distance in the macro
and standard focus ranges for the lens.
7
Shoot.
Smoothly press the shutter button the rest of the way down
to take the picture.
59
3
Basic Photography and Playback
a
Viewing Pictures
Pictures can be viewed in the view nder or LCD monitor.
To view pictures full frame, press a.
100-0001
Additional pictures can be viewed by pressing the focus stick (fo-
cus lever) left or right or rotating the front command dial. Press
the focus stick or rotate the dial right to view pictures in the order
recorded, left to view pictures in reverse order. Keep the focus
stick pressed to scroll rapidly to the desired frame.
N
Pictures taken using other cameras are marked with a m (“gift image”)
icon to warn that they may not display correctly and that playback
zoom may not be available.
Two Memory Cards
If two memory cards are inserted, you can press and hold the a button
to choose a card for playback. You can also select a card using the C PLAY
BACK MENU> SWITCH SLOT option.
60
3
Basic Photography and Playback
b
Deleting Pictures
Use the b button to delete pictures.
O
Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.
1
With a picture displayed full frame, press the b button and
select FRAME.
FRAME
SELECTED FRAMES
ALL FRAMES
ERASE
2
Press the focus stick (focus lever) left or right to scroll through
pictures and press MENU/OK to delete (a con rmation dialog is
not displayed). Repeat to delete additional pictures.
N
•
Protected pictures cannot be deleted. Remove protection from any
pictures you wish to delete (P 184).
•
Pictures can also be deleted from the menus using the C PLAY BACK
MENU> ERASE option (P 180).
61
Movie Recording and
Playback
62
4
Movie Recording and Playback
F
Recording Movies
This section describes how to lm movies in auto mode.
1
Rotate the DRIVE mode dial to MOVIE.
2
Adjust settings for program AE.
Setting
Setting
P
P
A
Aperture A (auto) 68
B
Shutter speed Auto 68
C
Focus mode S (single AF) 78
N
Press the button to which SHOOTING MODE is assigned (at de-
fault settings, the Fn2 button) to switch between shutter speeds
of auto and User-selected (manually selected shutter speed). This
function can be assigned to a di erent button if desired (P 259).
63
4
Movie Recording and Playback
Recording Movies
3
Press the shutter button to start re-
cording. A recording indicator (V)
and the time remaining are displayed
while recording is in progress.
4
Press the button again to end recording. Recording ends
automatically when the maximum length is reached or the
memory card is full.
O
•
Sound is recorded via the built-in microphone or an optional external
microphone. Do not cover the microphone during recording.
•
Note that the microphone may pick up lens noise and other sounds
made by the camera during recording.
•
Vertical or horizontal streaks may appear in movies containing very
bright subjects. This is normal and does not indicate a malfunction.
N
•
Indicator lamp1 lights while recording is in progress.
•
Zoom can be adjusted using the zoom ring on the lens (if available).
•
If the lens is equipped with an aperture ring, select the aperture
mode before beginning recording. If an option other than A is select-
ed, shutter speed and aperture can be adjusted while recording is in
progress.
•
During recording, you can change exposure compensation by up to
±2EV.
•
Recording may be unavailable at some settings, while in other cases
settings may not apply during recording.
64
4
Movie Recording and Playback
Recording Movies
Adjusting Movie Settings
•
Frame size and rate can be selected using B MOVIE SETTING>
MOVIE MODE.
•
To choose the card used to store movies, use D SAVE DATA
SET-UP > SELECT SLOT(FSEQUENTIAL).
•
Focus mode is selected using the focus mode selector; for con-
tinuous focus adjustment, select C, or choose S and enable In-
telligent Face Detection. Intelligent Face Detection is not avail-
able in focus mode M.
Depth of Field
Choose low f-numbers to soften background details.
65
4
Movie Recording and Playback
a
Viewing Movies
View movies on the camera.
In full-frame playback, movies are identi-
ed by a W icon. Press the focus stick (fo-
cus lever) down to start movie playback.
01/01/2019 10:00 AM
+1.0
12800
PLAYPLAY
The following operations can be per-
formed while a movie is displayed:
Focus stick
Focus stick
(focus lever)
(focus lever)
Full-frame playback
Full-frame playback
Playback in
Playback in
progress (
progress (
x
x
)
)
Playback
Playback
paused (
paused (
y
y
)
)
Up — End playback
Down Start playback Pause playback Start/resume playback
Left/right
View other pictures
Adjust speed
Single frame rewind/
advance
Progress is shown in the display during
playback.
O
Do not cover the speaker during playback.
29m59s
PAUSESTOP
N
Press MENU/OK to pause playback and display volume controls. Press
the focus stick (focus lever) up or down to adjust the volume; press
MENU/OK again to resume playback. Volume can also be adjusted using
D SOUND SET-UP> PLAYBACK VOLUME.
66
4
Movie Recording and Playback
Viewing Movies
Playback Speed
Press the focus stick (focus lever) left or right to
adjust playback speed during playback. Speed
is shown by the number of arrows (M or N).
29m59s29m59s
Arrows
67
Taking Photographs
68
5
Taking Photographs
P, S, A, and M Modes
P, S, A, and M modes give you varying degrees of control
over shutter speed and aperture.
Mode P: Program AE
Let the camera choose shutter speed and aperture for optimal
exposure. Other values that produce the same exposure can be
selected with program shift.
Setting
Setting
A
DRIVE mode dial STILL
B
Aperture A (auto)
C
Shutter speed Auto
Con rm that P appears in the display.
O
If the subject is outside the metering range of the camera, the shutter
speed and aperture displays will show “– – –”.
N
Press the button to which SHOOTING MODE is assigned (at default
settings, the Fn2 button) to switch between shutter speeds of auto and
User-selected (manually selected shutter speed). This function can be
assigned to a di erent button if desired (P 259).
69
5
Taking Photographs
P, S, A, and M Modes
Program Shift
If desired, you can rotate the rear command dial
to select other combinations of shutter speed
and aperture without altering exposure (pro-
gram shift).
Aperture
Shutter speed
O
Program shift is not available in any of the following circumstances:
•
With ash units that support TTL auto
•
When an auto option is selected for H IMAGE QUALITY SETTING>
DYNAMIC RANGE
•
In movie mode
N
To cancel program shift, turn the camera o .
70
5
Taking Photographs
Mode S: Shutter-Priority AE
Choose a shutter speed and let the camera adjust aperture for
optimal exposure.
Setting
Setting
A
DRIVE mode dial STILL
B
Aperture A (auto)
C
Shutter speed User-selected
Con rm that S appears in the display.
O
•
If the correct exposure cannot be achieved at the selected shutter
speed, aperture will be displayed in red.
•
If the subject is outside the metering range of the camera, the aper-
ture display will show “– – –”.
71
5
Taking Photographs
P, S, A, and M Modes
N
•
Shutter speed can be adjusted while the shutter button is pressed
halfway.
•
Press the button to which SHOOTING MODE is assigned (at default
settings, the Fn2 button) to switch between shutter speeds of auto
and User-selected (manually selected shutter speed). This function
can be assigned to a di erent button if desired (P 259).
•
Shutter speed can be locked by pressing and holding the button to
which SHOOTING MODE is assigned. To unlock shutter speed, press
the button again.
•
At shutter speeds slower than 1 second, a count-down timer will be
displayed while the exposure is in progress.
•
To reduce “noise” (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING> LONG EXPOSURE NR. Note that
this may increase the time needed to record images after shooting.
•
The picture will go out of focus if the camera is moved during a long
time-exposure; use of a tripod is recommended.
72
5
Taking Photographs
Bulb (B)
Select a shutter speed of B (bulb) for long time-exposures in
which you open and close the shutter manually. Use of a tripod
is recommended to prevent the camera moving during the ex-
posure.
1
Set shutter speed to B.
2
Press the shutter button all the way down. The shutter will
remain open for up to 60 minutes while the shutter button
is pressed; the display shows the time elapsed since the ex-
posure started.
N
•
Selecting an aperture of A xes shutter speed at 30 s.
•
To reduce “noise” (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING> LONG EXPOSURE NR. Note that
this may increase the time needed to record images after shooting.
Using a Remote Release
A remote release can be used for long time-ex-
posures. When using an optional RR-100 remote
release or an electronic release from third-party
suppliers, connect it to the camera’s remote re-
lease connector.
73
5
Taking Photographs
P, S, A, and M Modes
Mode A: Aperture-Priority AE
Choose an aperture and let the camera adjust shutter speed for
optimal exposure.
Setting
Setting
A
DRIVE mode dial STILL
B
Aperture User-selected
C
Shutter speed Auto
Con rm that A appears in the display.
O
•
If the correct exposure cannot be achieved at the selected aperture,
shutter speed will be displayed in red.
•
If the subject is outside the metering range of the camera, the shutter
speed display will show “– – –”.
N
•
Aperture can be adjusted even while the shutter button is pressed
halfway.
•
Press the button to which SHOOTING MODE is assigned (at default
settings, the Fn2 button) to switch between shutter speeds of auto
and User-selected (manually selected shutter speed). This function
can be assigned to a di erent button if desired (P 259).
74
5
Taking Photographs
Previewing Depth of Field
When PREVIEW DEPTH OF FIELD is assigned
to a function button, pressing the button dis-
plays a L icon and stops aperture down to the
selected setting, allowing depth of eld to be
previewed in the display.
75
5
Taking Photographs
P, S, A, and M Modes
Mode M: Manual Exposure
In manual mode, the user controls both shutter speed and aperture.
Shots can be deliberately overexposed (brighter) or underexposed
(darker), opening the door for a variety of individual creative ex-
pression. The amount the picture would be under- or over-exposed
at current settings is shown by the exposure indicator; adjust shut-
ter speed and aperture until the desired exposure is reached.
Setting
Setting
A
DRIVE mode dial STILL
B
Aperture User-selected
C
Shutter speed User-selected
Con rm that M appears in the display.
N
•
Press the button to which SHOOTING MODE is assigned (at default
settings, the Fn2 button) to switch between shutter speeds of auto
and User-selected (manually selected shutter speed). This function
can be assigned to a di erent button if desired (P 259).
•
Shutter speed can be locked by pressing and holding the button to
which SHOOTING MODE is assigned. To unlock shutter speed, press
the button again.
76
5
Taking Photographs
P, S, A, and M Modes
Exposure Preview
To preview exposure in the LCD monitor, select an option other than OFF
for D SCREEN SET-UP> PREVIEW EXP./WB IN MANUAL MODE.
N
Select OFF when using the ash or on other occasions on which ex-
posure may change when the picture is taken.
78
5
Taking Photographs
Focus Mode
Use the focus mode selector to choose
how the camera focuses.
Choose from the following options:
Mode
Mode
Description
Description
S
(AF-S)
Single AF: Focus locks while the shutter button is pressed halfway.
Choose for stationary subjects.
C
(AF-C)
Continuous AF: Focus is continually adjusted to refl ect changes in the
distance to the subject while the shutter button is pressed halfway.
Use for subjects that are in motion.
M
(manual)
Manual: Focus manually using the lens focus ring. Choose for manual
control of focus or in situations in which the camera is unable to focus
using autofocus (P 85).
N
•
Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.
•
If ON is selected for G AF/MF SETTING> PRE-AF, focus will be ad-
justed continuously in modes S and C even when the shutter button
is not pressed.
79
5
Taking Photographs
Autofocus
The Focus Indicator
Focus status is shown by the focus indicator.
Focus indicator
Focus indicator
Focus status
Focus status
( ) Camera focusing.
z (lights green)
Subject in focus; focus locked (focus
mode S).
(z) (lights green)
Subject in focus (focus mode C).
Focus is automatically adjusted for
changes in distance to subject.
A (blinks white)
Camera unable to focus.
j
Manual focus (focus mode M).
Focus indicator
80
5
Taking Photographs
Autofocus Options (AF Mode)
Choose how the camera focuses in modes S and C.
1
Press a function button (by default,
Fn5) to display AF mode options.
2
Choose an AF mode.
N
•
The Fn5 button can be assigned other roles using D BUTTON/DIAL
SETTING> FUNCTION (Fn) SETTING. The role described above can
also be assigned to other function buttons (P 259).
•
AF mode can also be selected using G AF/MF SETTING> AF MODE.
How the camera focuses depends on the focus mode.
Focus Mode S (AF-S)
Focus Mode S (AF-S)
Option
Option
Description
Description
Sample image
Sample image
r
SINGLE POINT
Camera focuses on subject in
selected focus point. Use for pin-
point focus on selected subject.
y
ZONE
Camera focuses on subject in se-
lected focus zone. Focus zones in-
clude multiple focus points, mak-
ing it easier to focus on subjects in
motion.
81
5
Taking Photographs
Autofocus
Option
Option
Description
Description
Sample image
Sample image
z
WIDE
Camera focuses automatically on
high-contrast subjects; display
shows areas in focus.
j
ALL
Rotate the rear command dial in the focus-point selection dis-
play (P 82, 83) to cycle through AF modes in the following
order: r SINGLE POINT, y ZONE, and z WIDE.
Focus Mode C (AF-C)
Focus Mode C (AF-C)
Option
Option
Description
Description
Sample image
Sample image
r
SINGLE POINT
Focus tracks subject at selected fo-
cus point. Use for subjects moving
toward or away from camera.
y
ZONE
Focus tracks subject in selected fo-
cus zone. Use for subjects that are
moving fairly predictably.
z
TRACKING
Focus tracks subjects moving
through wide area of frame.
j
ALL
Rotate the rear command dial in the focus-point selection dis-
play (P 82, 83) to cycle through AF modes in the following
order: r SINGLE POINT, y ZONE, and z TRACKING.
82
5
Taking Photographs
Focus-Point Selection
Choose a focus point for autofocus.
Viewing the Focus-Point Display
1
Press MENU/OK and go to the shooting menu.
2
Select G AF/MF SETTING> FOCUS AREA to view the fo-
cus-point display.
3
Use the focus stick (focus lever) and rear command dial to
choose a focus area.
N
The focus point can also be selected using touch controls (P 31).
Selecting a Focus Point
Use the focus stick (focus lever) to choose
the focus point and the rear command
dial to choose the size of the focus frame.
The procedure varies with the option se-
lected for AF mode.
AF mode
AF mode
Focus stick
Focus stick
Rear command dial
Rear command dial
Tilt
Tilt
Press
Press
Rotate
Rotate
Press
Press
r
r
Select focus
point
Select center
focus point
Choose from 6
frame sizes
Restore original
size
y
y
Choose from 3
frame sizes
z
z
—
N
Manual focus-point selection is not available when z WIDE/TRACKING is
selected in focus mode S.
83
5
Taking Photographs
Autofocus
The Focus-Point Display
The focus-point display varies with the option selected for AF
mode.
N
Focus frames are shown by small squares (), focus zones by the large
squares.
AF mode
AF mode
r
r
SINGLE POINT
SINGLE POINT
y
y
ZONE
ZONE
z
z
WIDE/TRACKING
WIDE/TRACKING
Number of points avail-
able can be selected using
G
AF/MF SETTING>
NUMBER OF FOCUS
POINTS.
Choose from zones with
7 × 7, 5 × 5, or 3 × 3 focus
points.
Position focus frame over
subject you want to track.
Autofocus
Although the camera boasts a high-precision autofocus system, it may be
unable to focus on the subjects listed below.
•
Very shiny subjects such as mirrors or car bodies.
•
Subjects photographed through a window or other re ective object.
•
Dark subjects and subjects that absorb rather than re ect light, such as
hair or fur.
•
Insubstantial subjects, such as smoke or ame.
•
Subjects that show little contrast with the background.
•
Subjects positioned in front of or behind a high-contrast object that is
also in the focus frame (for example, a subject photographed against a
backdrop of highly contrasting elements).
84
5
Taking Photographs
Autofocus
Checking Focus
To zoom in on the current focus area for precise
focus, press the center of the rear command
dial. Use the focus stick (focus lever) to choose
another focus area. Press the center of the rear
command dial again to cancel zoom.
Normal display Focus zoom
N
•
In focus mode S, zoom can be adjusted by rotating the rear command
dial.
•
The focus stick can be used to select the focus area while zoom is in
e ect.
•
In focus mode S, select r SINGLE POINT for AF MODE.
•
Focus zoom is not available in focus mode C or when
G AF/MF
SETTING>
PRE-AF is on.
•
Use D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING to
change the function performed by the center of the rear command
dial. You can also assign its default function to other controls
(P 259).
85
5
Taking Photographs
Manual Focus
Adjust focus manually.
1
Rotate the focus mode selector to M.
j will appear in the display.
2
Focus manually using the lens focus
ring. Rotate the ring left to reduce
the focus distance, right to increase.
3
Take pictures.
N
•
Use D BUTTON/DIAL SETTING> FOCUS RING to reverse the direc-
tion of rotation of the focus ring.
•
Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.
86
5
Taking Photographs
Quick Focus
•
To use autofocus to focus on the subject in the selected focus area, press
the button to which focus lock or AF-ON has been assigned (the size of
the focus area can be chosen with the rear command dial).
•
In manual focus mode, you can use this feature to quickly focus on a cho-
sen subject using either single or continuous AF according to the option
chosen for G AF/MF SETTING> INSTANT AF SETTING.
87
5
Taking Photographs
Manual Focus
Checking Focus
A variety of options are available for checking focus in manual
focus mode.
The Manual Focus Indicator
The manual focus indicator indicates
how closely the focus distance matches
the distance to the subject in the focus
brackets. The white line indicates the
distance to the subject in the focus area
(in meters or feet according to the option
selected for D SCREEN SET-UP> FOCUS
SCALE UNITS in the setup menu), the
blue bar the depth of eld, or in other
words the distance in front of and behind
the subject that appears to be in focus.
N
•
If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR
are selected in the D SCREEN SET-UP> DISP. CUSTOM SETTING
list, the manual focus indicator can also be viewed using the depth-
of- eld indicator in the standard display. Use the DISP/BACK button to
display standard indicators.
•
Use the G AF/MF SETTING> DEPTH-OF-FIELD SCALE option
to choose how depth of eld is displayed. Choose FILM FORMAT
BASIS to help you make practical assessments of depth of eld for
pictures that will be viewed as prints and the like, PIXEL BASIS to
help you assess depth of eld for pictures that will be viewed at high
resolutions on computers or other electronic displays.
Focus distance
(white line)
Depth of eld
88
5
Taking Photographs
Focus Zoom
If ON is selected for G AF/MF SETTING> FOCUS CHECK, the
camera will automatically zoom in on the selected focus area
when the focus ring is rotated.
Press the center of the rear com-
mand dial to exit zoom.
N
•
Use the focus stick (focus lever) to choose another focus area.
•
If STANDARD or FOCUS PEAK HIGHLIGHT is selected for G AF/MF
SETTING> MF ASSIST, zoom can be adjusted by rotating the rear
command dial. Zoom cannot be adjusted when DIGITAL SPLIT IMAGE
or DIGITAL MICROPRISM is selected.
MF Assist
Use G AF/MF SETTING> MF ASSIST to choose a focus check option.
N
The MF ASSIST menu can be displayed by pressing and holding the
center of the rear command dial.
The following options are available:
•
FOCUS PEAK HIGHLIGHT: Highlights high-con-
trast outlines. Rotate the focus ring until
the subject is highlighted.
•
DIGITAL SPLIT IMAGE: Displays a split image
in the center of the frame. Frame the
subject in the split-image area and ro-
tate the focus ring until the four parts
of the split image are correctly aligned.
89
5
Taking Photographs
Manual Focus
•
DIGITAL MICROPRISM: A grid pattern that
emphasizes blur is displayed when the
subject is out of focus, disappearing to
be replaced by a sharp image when the
subject is in focus.
90
5
Taking Photographs
N
Sensitivity
Adjust the camera’s sensitivity to light.
Set sensitivity using A SHOOTING SETTING> ISO.
Option
Option
Description
Description
AUTO1
AUTO2
AUTO3
Sensitivity is automatically adjusted in response to shooting
conditions according to combination of standard and max-
imum sensitivity and minimum shutter speed chosen for
A SHOOTING SETTING>ISO. Choose from AUTO1,
AUTO2, and AUTO3 (P 91).
12800–100
Adjust sensitivity manually. Selected value is shown in display.
H(102400/51200/25600),
L(50)
Choose for special situations. Note that mottling may ap-
pear in pictures taken at H, while L reduces dynamic range.
N
•
Sensitivity is not reset when the camera is turned o .
•
If desired, you can use D BUTTON/DIAL SETTING> COMMAND
DIAL SETTING to con gure the camera so that ISO sensitivity can be
adjusted using the front or rear command dial.
Adjusting Sensitivity
High values can be used to reduce blur when lighting is poor, while lower
values allow slower shutter speeds or wider apertures in bright light; note,
however, that mottling may appear in pictures taken at high sensitivities.
91
5
Taking Photographs
Sensitivity
AUTO
Choose the base sensitivity, maximum sensitivity, and minimum
shutter speed for AUTO1, AUTO2, and AUTO3.
Item
Item
Options
Options
Default
Default
AUTO1
AUTO1
AUTO2
AUTO2
AUTO3
AUTO3
DEFAULT SENSITIVITY 12800–100 100
MAX. SENSITIVITY 12800–200 800 1600 3200
MIN. SHUTTER SPEED ⁄–¼ SEC, AUTO ⁄SEC
The camera automatically chooses a sensitivity between the de-
fault and maximum values; sensitivity is only raised above the
default value if the shutter speed required for optimal exposure
would be slower than the value selected for MIN. SHUTTER SPEED.
N
•
If the value selected for DEFAULT SENSITIVITY is higher than that
selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to
the value selected for MAX. SENSITIVITY.
•
The camera may select shutter speeds slower than MIN. SHUTTER
SPEED if pictures would still be underexposed at the value selected
for MAX. SENSITIVITY.
92
5
Taking Photographs
C
Metering
Choose how the camera meters exposure.
A SHOOTING SETTING> PHOTOMETRY o ers a choice of the
following metering options:
O
The selected option will only take e ect when G AF/MF SETTING>
FACE/EYE DETECTION SETTING is OFF.
Mode
Mode
Description
Description
o
(multi)
The camera instantly determines exposure based on an analysis of
composition, color, and brightness distribution. Recommended in
most situations.
p
(center-
weighted)
The camera meters the entire frame but assigns the greatest weight
to the area at the center.
v
(spot)
The camera meters lighting conditions in an area at the center of the
frame equivalent to 2% of the total. Recommended with backlit sub-
jects and in other cases in which the background is much brighter or
darker than the main subject.
w
(average)
Exposure is set to the average for the entire frame. Provides consis-
tent exposure across multiple shots with the same lighting, and is
particularly eff ective for landscapes and portraits of subjects dressed
in black or white.
93
5
Taking Photographs
d
Exposure Compensation
Adjust exposure.
Hold the d button and rotate the rear
command dial until the desired value is
displayed in the view nder or LCD mon-
itor.
O
The amount of compensation available varies with the shooting mode.
The d Button
If ON/OFF SWITCH is selected for D BUTTON/DIAL SETTING> EXPO.
COMP. BUTTON SETTING, exposure compensation can be set by pressing
the d button once, rotating the rear command dial, and then pressing the
d button again. Exposure compensation can be assigned to other con-
trols using D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING.
94
5
Taking Photographs
Focus/Exposure Lock
Focus and exposure lock when the shutter button is pressed
halfway.
1
Position the subject in the focus
frame and press the shutter button
halfway to lock focus and exposure.
Focus and exposure will remain
locked while the shutter button is
pressed halfway (AF/AE lock).
2
Press the button all the way down.
N
Focus lock using the shutter button is only available when ON is se-
lected for D BUTTON/DIAL SETTING > SHUTTER AF, SHUTTER AE.
95
5
Taking Photographs
Focus/Exposure Lock
Other Controls
Focus and exposure can also be locked
using function buttons. At default set-
tings, you can use the AE-L button to lock
exposure without locking focus. If the
AF-ON button is assigned AF LOCK ONLY
(P 223, 256), it can similarly be used
to lock focus without locking exposure.
•
While the assigned control is pressed,
pressing the shutter button halfway will
not end the lock.
•
If AE&AF ON/OFF SWITCH is selected
for D BUTTON/DIAL SETTING> AE/
AF-LOCK MODE, the lock can only be
ended by pressing the control a second
time.
AE-L button
(exposure lock)
AF-ON button
N
Function buttons can be assigned other roles using D BUTTON/DIAL
SETTING> FUNCTION (Fn) SETTING. Exposure and focus lock can
also be assigned to other function buttons (P 259).
96
5
Taking Photographs
BKT
Bracketing
Automatically vary settings over a series of pictures.
1
Rotate the DRIVE mode dial to MULTI.
2
Press the DRIVE button to display
drive mode options.
3
Highlight the desired bracketing option using the focus stick
and press MENU/OK.
4
Take photographs.
97
5
Taking Photographs
Bracketing
O AE BKT
Use A SHOOTING SETTING> AE BKT SETTING to choose the
bracketing amount, bracketing order, and number of shots. Each
time the shutter button is pressed, the camera will take the spec-
i ed number of shots: one using the metered value for exposure
and the others over- or under-exposed by multiples of the select-
ed bracketing amount.
N
Regardless of the bracketing amount, exposure will not exceed the
limits of the exposure metering system.
W ISO BKT
Select a bracketing amount (±1⁄3, ±2⁄3, or ±1) in the drive mode
display. Each time the shutter is released, the camera will take
a picture at the current sensitivity and process it to create two
additional copies, one with sensitivity raised and the other with
sensitivity lowered by the selected amount.
X FILM SIMULATION BKT
Each time the shutter is released, the camera takes one shot and
processes it to create copies with di erent lm simulation settings,
chosen using
A
SHOOTING SETTING> FILM SIMULATION BKT.
98
5
Taking Photographs
Bracketing
V WHITE BALANCE BKT
Select a bracketing amount (±1, ±2, or ±3) in the drive mode dis-
play. Each time the shutter is released, the camera takes one shot
and processes it to create three copies: one at the current white
balanced setting, one with ne-tuning increased by the selected
amount, and another with ne-tuning decreased by the selected
amount.
Y DYNAMIC RANGE BKT
Each time the shutter button is pressed, the camera takes three
shots with di erent dynamic ranges: 100% for the rst, 200% for
the second, and 400% for the third.
N
While dynamic range bracketing is in e ect, sensitivity will be restrict-
ed to a minimum of ISO 400; the sensitivity previously in e ect is re-
stored when bracketing ends.
Z FOCUS BKT
Each time the shutter button is pressed, the camera takes a series
of photos, varying focus with each shot. The number of shots, the
amount focus changes with each shot, and the interval between
shots can be selected using A SHOOTING SETTING> FOCUS
BKT.
99
5
Taking Photographs
I
Continuous Shooting (Burst Mode)
Capture motion in a series of pictures.
1
Rotate the DRIVE mode dial to STILL.
2
Press the DRIVE button to display
drive mode options.
3
If CL LOW SPEED BURST or CH HIGH SPEED BURST is se-
lected, the camera will take pictures continuously while the
shutter-release button is pressed.
Shooting ends when the shutter button is released or the
memorycard is full.
O
•
If le numbering reaches 9999 before shooting is complete, the re-
maining pictures will be recorded to a new folder.
•
Shooting ends when the memory card is full; the camera will record
all photos shot to that point. Burst shooting may not begin if the
space available on the memory card is insu cient.
•
Frame rates may slow as more shots are taken.
•
Frame rate varies with the scene, shutter speed, sensitivity, and focus
mode.
•
Depending on shooting conditions, frame rates may slow or the ash
may not re.
•
Recording times may increase during burst shooting.
100
5
Taking Photographs
Continuous Shooting (Burst Mode)
Exposure
To vary exposure with each shot, select OFF for D BUTTON/DIAL
SETTING> SHUTTER AE.
N
Depending on such factors as aperture, sensitivity, and exposure com-
pensation, exposure may not be adjusted automatically.
101
5
Taking Photographs
j
Multiple Exposures
Create a photograph that combines two exposures.
1
Rotate the DRIVE mode dial to MULTI.
2
Press the DRIVE button to display
drive mode options.
3
Select j MULTIPLE EXPOSURE.
4
Take the rst shot.
102
5
Taking Photographs
Multiple Exposures
5
Press MENU/OK. The rst shot will be
shown superimposed on the view
through the lens and you will be
prompted to take the second shot.
N
•
To return to Step 4 and retake the
rst shot, press the focus stick (focus
lever) left.
•
To save the rst shot and exit without
creating a multiple exposure, press
DISP/BACK.
EXITRETRY
NEXT
6
Take the second shot, using the rst
frame as a guide.
2.030
EXIT
7
Press MENU/OK to create the multiple
exposure, or press the focus stick left
to return to Step6 and retake the sec-
ond shot.
EXITRETRY
O
Multiple exposures cannot be recorded via tethered shooting
(P 244).
103
The Shooting Menus
104
6
The Shooting Menus
H
IMAGE QUALITY SETTING
Adjust image quality settings.
To display image quality settings, press
MENU/OK in the shooting display and se-
lect the H (IMAGE QUALITY SETTING)
tab.
EXIT
COLORCHROMEEFFECT
SMOOTHSKINEFFECT
GRAIN EFFECT
FILMSIMULATION
RAWRECORDING
IMAGEQUALITY
IMAGE SIZE
IMAGE
QUALITY
SETTING
B & WADJ.
(Warm/Cool)
N
The options available vary with the shooting mode selected.
IMAGE SIZE
Choose the size and aspect ratio at which still pictures are recorded.
Option
Option
Image size
Image size
O 4 : 3
11648 × 8736
O 3 : 2
11648 × 7768
O 16 : 9
11648 × 6552
O 1 : 1
8736 × 8736
Option
Option
Image size
Image size
O 65 : 24
11648 × 4304
O 5 : 4
10928 × 8736
O 7 : 6
10192 × 8736
Option
Option
Image size
Image size
P 4 : 3
8256 × 6192
P 3 : 2
8256 × 5504
P 16 : 9
8256 × 4640
P 1 : 1
6192 × 6192
Option
Option
Image size
Image size
P 65 : 24
8256 × 3048
P 5 : 4
7744 × 6192
P 7 : 6
7232 × 6192
Option
Option
Image size
Image size
Q 4 : 3
4000 × 3000
Q 3 : 2
4000 × 2664
Q 16 : 9
4000 × 2248
Q 1 : 1
2992 × 2992
Option
Option
Image size
Image size
Q 65 : 24
4000 × 1480
Q 5 : 4
3744 × 3000
Q 7 : 6
3504 × 3000
N
IMAGE SIZE is not reset when the camera is turned o or another
shooting mode is selected.
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IMAGE QUALITY SETTING
IMAGE QUALITY
Choose a le format and compression ratio.
Option
Option
Description
Description
SUPER FINE
Very low compression ratios are used for maximum image quality.
FINE
Low compression ratios are used for higher-quality images.
NORMAL
Higher compression ratios are used to increase the number of
images that can be stored.
SUPER FINE + RAW Record both RAW and super-fi ne quality JPEG pictures.
FINE + RAW
Record both RAW and fi ne-quality JPEG images.
NORMAL + RAW
Record both RAW and normal-quality JPEG images.
RAW
Record RAW images only.
The Function Buttons
To toggle RAW image quality on or o for a single shot, assign RAW to a
function button (P 259). Press the button once to select the option in
the right column, again to return to the original setting (left column).
Option currently selected for
Option currently selected for
IMAGE QUALITY
IMAGE QUALITY
Option selected by pressing function
Option selected by pressing function
button to which
button to which
RAW
RAW
is assigned
is assigned
SUPER FINE SUPER FINE + RAW
FINE FINE + RAW
NORMAL NORMAL + RAW
SUPER FINE + RAW SUPER FINE
FINE + RAW FINE
NORMAL + RAW NORMAL
RAW FINE
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RAW RECORDING
Choose whether to compress RAW images.
RECORDING TYPE
RECORDING TYPE
Option
Option
Description
Description
UNCOMPRESSED RAW images are not compressed.
LOSSLESS COMPRESSED
RAW images are compressed using a reversible algorithm
that reduces fi le size with no loss of image data. The
images can be viewed in Capture One Express Fujifi lm
(P 298), RAW FILE CONVERTER EX (P 298), FUJIFILM
X RAW STUDIO (P 299), or other software that supports
“lossless” RAW compression.
OUTPUT DEPTH(bit)
OUTPUT DEPTH(bit)
Option
Option
Description
Description
16bit RAW pictures are recorded at a bit depth of 16 bits.
14bit
RAW pictures are recorded at a bit depth of 14 bits.
O
When selected, 16bit only takes e ect in single-frame drive mode.
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IMAGE QUALITY SETTING
FILM SIMULATION
Simulate the e ects of di erent kinds of lm, including black-
and-white (with or without color lters). Choose a palette ac-
cording to your subject and creative intent.
Option
Option
Description
Description
c PROVIA/STANDARD
Standard color reproduction. Suited to a wide range of
subjects, from portraits to landscapes.
d Velvia/VIVID
A high-contrast palette of saturated colors, suited to na-
ture photos.
e ASTIA/SOFT
Enhances the range of hues available for skin tones in por-
traits while preserving the bright blues of daylight skies.
Recommended for outdoor portrait photography.
i CLASSIC CHROME
Soft color and enhanced shadow contrast for a calm look.
g PRO Neg. Hi
Off ers slightly more contrast than h PRO Neg. Std.
Recommended for outdoor portrait photography.
h PRO Neg. Std
A soft-toned palette. The range of hues available for skin
tones is enhanced, making this a good choice for studio
portrait photography.
X ETERNA/CINEMA
Film movies using a palette that features subdued colors
and deep shadows.
a ACROS
*
Take black-and-white photos with rich gradation and out-
standing sharpness.
b MONOCHROME
*
Take pictures in standard black and white.
f SEPIA
Take pictures in sepia.
* Available with yellow (Ye), red (R), and green (G) fi lters, which deepen shades of
gray corresponding to hues complementary to the selected color. The yellow (Ye)
fi lter deepens purples and blues and the red (R) fi lter blues and greens. The green
(G) fi lter deepens reds and browns, including skin tones, making it a good choice
for portraits.
N
•
Film simulation options can be combined with tone and sharpness
settings.
•
Film simulation settings can also be accessed via shortcuts (P 250).
•
For more information, visit:
http://fujifilm-x.com/en/x-stories/the-world-of-film-simulation-episode-1/
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B & W ADJ. ab(Warm/Cool)
Add a reddish or bluish tinge (warm or cool color cast) to mono-
chrome pictures taken with the a ACROS or b MONOCHROME
lm simulation.
Option
Option
Description
Description
+9 — +1 Higher positive values equate to a redder color cast.
0 Normal monochrome (grayscale).
-1 — -9
Lower negative values equate to a bluer color cast.
GRAIN EFFECT
Add a lm grain e ect. Select an amount (STRONG or WEAK) or
choose OFF to turn lm grain o .
Options
Options
STRONG WEAK OFF
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IMAGE QUALITY SETTING
COLOR CHROME EFFECT
Deepen colors in shadows. Select an amount (STRONG or WEAK)
or choose OFF to turn the e ect o .
Options
Options
STRONG WEAK OFF
SMOOTH SKIN EFFECT
Smooth complexions.
Options
Options
STRONG WEAK OFF
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DYNAMIC RANGE
Control contrast. Choose lower values to increase contrast when
shooting indoors or under overcast skies, higher values to reduce
loss of detail in highlights when photographing high-contrast
scenes. Higher values are recommended for scenes that include
both sunlight and deep shade, for such high-contrast subjects as
sunlight on water, brightly-lit autumn leaves, and portraits taken
against a blue sky, and for white objects or people wearing white.
Options
Options
AUTO
V 100% W 200% X 400%
O
Mottling may appear in pictures taken at higher values. Choose a val-
ue according to the scene.
N
•
If AUTO is selected, the camera will automatically choose either
V 100% or W 200% according to the subject and shooting con-
ditions. Shutter speed and aperture will be displayed when the shut-
ter button is pressed halfway.
•
W 200% is available at sensitivities of from ISO200 to ISO12800,
X 400% at sensitivities of from ISO400 to 12800.
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IMAGE QUALITY SETTING
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows for natural-look-
ing results when photographing high-contrast scenes.
Option
Option
Description
Description
AUTO
Contrast is adjusted automatically in response to lighting con-
ditions.
STRONG
Adjust dynamic range by a large amount for very high-contrast
scenes.
WEAK
Adjust dynamic range by a smaller amount for moderately
high-contrast scenes.
OFF
Contrast reduction off.
N
•
WEAK is available at sensitivities of from ISO 200 to ISO 12800,
STRONG at sensitivities of from ISO400 to 12800.
•
When an option other than OFF is selected, HIGHLIGHT TONE,
SHADOW TONE, and DYNAMIC RANGE will be adjusted automat-
ically; if you wish to adjust these settings manually, choose OFF.
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WHITE BALANCE
For natural colors, choose a white balance option that matches
the light source.
Option
Option
Description
Description
AUTO White balance is adjusted automatically.
k/l/m
Measure a value for white balance.
k
Choose a color temperature.
i
For subjects in direct sunlight.
j
For subjects in the shade.
k
Use under “daylight” fl uorescent lights.
l
Use under “warm white” fl uorescent lights.
m
Use under “cool white” fl uorescent lights.
n
Use under incandescent lighting.
g
Reduces the blue cast typically associated with underwater light-
ing.
N
•
In conditions in which AUTO fails to produce the desired results—for
example, under certain types of lighting or in close-ups of portrait
subjects—use custom white balance or choose a white balance op-
tion suited to the light source.
•
White balance is adjusted for ash lighting only in AUTO and g
modes. Turn the ash o using other white balance options.
•
White balance options can also be accessed via shortcuts (P 250).
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IMAGE QUALITY SETTING
Fine-Tuning White Balance
Pressing MENU/OK after selecting a white
balance option displays a ne-tuning
dialog; use the focus stick (focus lever) to
ne-tune white balance.
WB SHIFT
SET
N
•
To exit without ne-tuning white balance, press DISP/BACK after se-
lecting a white balance option.
•
The focus stick (focus lever) does not tilt diagonally.
Custom White Balance
Choose k, l, or m to adjust white
balance for unusual lighting conditions
using a white object as a reference (col-
ored objects can also be used to lend
photos a color cast). A white balance tar-
get will be displayed; position and size
the target so that it is lled by the reference object and press the
shutter button all the way down to measure white balance (to
select the most recent custom value and exit without measuring
white balance, press DISP/BACK, or press MENU/OK to select the most
recent value and display the ne-tuning dialog).
•
If “COMPLETED !” is displayed, press MENU/OK
to set white balance to the measured
value.
•
If “UNDER” is displayed, raise exposure
compensation and try again.
•
If “OVER” is displayed, lower exposure com-
pensation and try again.
NOT CHANGESHIFT
CUSTOM 1
SHUTTER : NEW WB
COMPLETED !
SET CANCEL
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k: Color Temperature
Selecting k in the white balance menu
displays a list of color temperatures;
highlight a color temperature and press
MENU/OK to select the highlighted option
and display a ne-tuning dialog, then
highlight the desired value and press
MENU/OK again. The selected color tem-
perature will be shown in the display.
10000
K
9100
K
8300
K
7700
K
7100
K
WHITE BALANCE
COLOR TEMPERATURE
R:0 B:0
SET SHIFT
Color Temperature
Color temperature is an objective measure of the color of a light source,
expressed in Kelvin (K). Light sources with a color temperature close to that
of direct sunlight appear white; light sources with a lower color tempera-
ture have a yellow or red cast, while those with a higher color temperature
are tinged with blue. You can match color temperature to the light source,
or choose options that di er sharply from the color of the light source to
make pictures “warmer” or “colder.”
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IMAGE QUALITY SETTING
HIGHLIGHT TONE
Adjust the appearance of highlights.
Options
Options
+4 +3 +2 +1 0 −1 −2
SHADOW TONE
Adjust the appearance of shadows.
Options
Options
+4 +3 +2 +1 0 −1 −2
COLOR
Adjust color density.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
SHARPNESS
Sharpen or soften outlines.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
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NOISE REDUCTION
Reduce noise in pictures taken at high sensitivities.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
LONG EXPOSURE NR
Select ON to reduce mottling in long time-exposures.
Options
Options
ON OFF
LENS MODULATION OPTIMIZER
Select ON to improve de nition by adjusting for di raction and
the slight loss of focus at the periphery of the lens.
Options
Options
ON OFF
COLOR SPACE
Choose the gamut of colors available for color reproduction.
Option
Option
Description
Description
sRGB Recommended in most situations.
Adobe RGB For commercial printing.
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IMAGE QUALITY SETTING
PIXEL MAPPING
Use this option if you notice bright spots in your pictures.
1
Press MENU/OK in the shooting display and select the H IMAGE
QUALITY SETTING tab.
2
Highlight PIXEL MAPPING and press MENU/OK to perform pix-
el mapping.
O
•
Results are not guaranteed.
•
Be sure the battery is fully charged before beginning pixel mapping.
•
Pixel mapping is not available when the camera temperature is ele-
vated.
•
Processing may take a few seconds.
SELECT CUSTOM SETTING
Settings can be recalled from any of the seven custom settings
banks.
Banks
Banks
CUSTOM 1 CUSTOM 2 CUSTOM 3 CUSTOM 4
CUSTOM 5 CUSTOM 6 CUSTOM 7
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IMAGE QUALITY SETTING
EDIT/SAVE CUSTOM SETTING
Save up to 7 sets of custom camera settings for commonly-en-
countered situations. Saved settings can be recalled using
H IMAGE QUALITY SETTING> SELECT CUSTOM SETTING.
1
Press MENU/OK in shooting mode to display the shooting
menu. Select the H IMAGE QUALITY SETTING tab, then
highlight EDIT/SAVE CUSTOM SETTING and press MENU/OK.
2
Highlight a custom settings bank and
press MENU/OK to select.
COLOR SPACE
LENS MODULATION OPTIMIZER
LONG EXPOSURE NR
SELECT CUSTOM SETTING
EDIT/SAVE CUSTOM SETTING
PIXEL MAPPING
IMAGE QUALITY SETTING
CUSTOM 2
CUSTOM 3
CUSTOM 4
CUSTOM 5
CUSTOM 6
CUSTOM 7
CUSTOM 1
3
Adjust the following as desired:
•
ISO
•
DYNAMIC RANGE
•
D RANGE PRIORITY
•
FILM SIMULATION
•
B & W ADJ. ab
(Warm/Cool)
•
GRAIN EFFECT
•
COLOR CHROME EFFECT
•
SMOOTH SKIN EFFECT
•
WHITE BALANCE
•
HIGHLIGHT TONE
•
SHADOW TONE
•
COLOR
•
SHARPNESS
•
NOISE REDUCTION
GRAIN EFFECT
COLOR CHROME EFFECT
FILM SIMULATION
D RANGE PRIORITY
DYNAMIC RANGE
ISO
SAVE CURRENT SETTINGS
CUSTOM 1
B & W ADJ.
(Warm/Cool)
4
Press DISP/BACK. A con rmation dia-
log will be displayed; highlight OK
and press MENU/OK.
CUSTOM 1 SET OK?
OK
CANCEL
SAVE CUSTOM SETTING
N
•
To store current camera settings in the selected bank, highlight SAVE
CURRENT SETTINGS in Step 3 and press MENU/OK.
•
To restore default settings for the current bank, select RESET.
•
Banks can be renamed using EDIT CUSTOM NAME.
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G
AF/MF SETTING
Adjust focus settings.
To display focus settings, press MENU/OK
in the shooting display and select the
G(AF/MF SETTING) tab.
AF POINT DISPLAY
PRE-AF
AF ILLUMINATOR
NUMBER OF FOCUS POINTS
AF-C CUSTOM SETTINGS
AF MODE
FOCUS AREA
STORE AF MODE BY ORIENTATION
AF/MF SETTING
EXIT
N
The options available vary with the shooting mode selected.
FOCUS AREA
Choose the focus area for autofocus, manual focus, and focus
zoom.
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AF MODE
Choose the AF mode for focus modes S and C.
Option
Option
Description
Description
r
SINGLE POINT
The camera focuses on the subject in the selected focus point. The
number of focus points available can be selected using G AF/MF
SETTING> NUMBER OF FOCUS POINTS. Use for pin-point
focus on a selected subject.
y
ZONE
The camera focuses on the subject in the selected focus zone.
Focus zones include multiple focus points, making it easier to
focus on subjects that are in motion.
z
WIDE/TRACKING
•
In focus mode S, the camera automatically focuses on
high-contrast subjects; the areas in focus are shown in the
display.
•
In focus mode C, the camera tracks focus on the subject in
the selected focus point while the shutter button is pressed
halfway.
The camera may be unable to focus on small objects or subjects
that are moving rapidly.
j
ALL
Rotate the rear command dial in the focus-point selection
display (P 82, 83) to cycle through AF modes in the fol-
lowing order: r SINGLE POINT, y ZONE, and z WIDE/
TRACKING.
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AF/MF SETTING
AF-C CUSTOM SETTINGS
Select focus-tracking options for focus
mode C. Choose from Sets 1–5 according
to your subject or select Set 6 for custom
focus-tracking options.
OK
AF-C CUSTOM SETTINGS
SET 1 MULTI PURPOSE
TRACKING SENSITIVITY
ZONE AREA SWITCHING AUTO
SPEED TRACKING SENSITIVITY
Option
Option
Description
Description
SET 1 MULTI PURPOSE
A standard tracking option that works well with
the typical range of moving subjects.
SET 2 IGNORE OBSTACLES &
CONTINUE TO TRACK SUBJECT
The focus system attempts to track the chosen
subject. Choose with subjects that are hard to
keep in the focus area or if other objects are likely
to enter the focus area with the subject.
SET 3 FOR ACCELERATING/
DECELERATING SUBJECT
The focus system attempts to compensate for
subject acceleration or deceleration. Choose for
subjects prone to rapid changes in velocity.
SET 4 FOR SUDDENLY APPEARING
SUBJECT
The focus system attempts to focus quickly on
subjects entering the focus area. Choose for
subjects that appear abruptly or when rapidly
switching subjects.
SET 5 FOR ERRATICALLY MOVING
& ACCEL./DECEL. SUBJECT
Choose for hard-to-track subjects prone not only
to sudden changes in velocity but also to large
movements front to back and left to right.
SET 6 CUSTOM
Adjust TRACKING SENSITIVITY, SPEED
TRACKING SENSITIVITY, and ZONE AREA
SWITCHING to suit your preferences based on
the values for Sets 1–5 (P 122, 124).
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Focus Tracking Options
The individual parameters that are part of a focus tracking set are
described below.
TRACKING SENSITIVITY
TRACKING SENSITIVITY
This parameter determines how long the
camera waits to switch focus when an
object enters the focus area behind or in
front of the current subject. The higher
the value, the longer the camera will wait.
TRACKING SENSITIVITY
LOCKED ON
QUICK
SETS THE TRACKING
SENSITIVITY ON THE SUBJECT
SWITCH
ADJUST
Options
Options
01234
O
•
The higher the value, the longer it takes the camera to refocus when
you attempt to switch subjects.
•
The lower the value, the more likely the camera is to switch focus
from your subject to other objects in the focus area.
SPEED TRACKING SENSITIVITY
SPEED TRACKING SENSITIVITY
This parameter determines how sensi-
tive the tracking system is to changes in
subject velocity. The higher the value,
the greater the precision with which the
system attempts to respond to sudden
movement.
SPEED TRACKING SENSITIVITY
ACCEL./DECEL.
STEADY
SETS THE SPEED TRACKING
SENSITIVITY FOR MOVING SUBJECT
SWITCHADJUST
Options
Options
012
O
The higher the value, the more di culty the camera will have focusing
in situations in which autofocus does not perform well, such as when
the subject is highly re ective or low in contrast.
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AF/MF SETTING
ZONE AREA SWITCHING
ZONE AREA SWITCHING
This parameter determines the focus
area given priority in zone AF.
ZONE AREA SWITCHING
FRONTCENTER
AUTO
SETS THE SWITCHING SENSITIVITY
OF FOCUS FRAME IN ZONE AREA
SWITCHADJUST
Option
Option
Description
Description
FRONT Zone AF assigns priority to the subjects closest to the camera.
AUTO
The camera locks focus on the subject at the center of the zone
and then switches focus areas as necessary to track it.
CENTER Zone AF assigns priority to subjects in the center of the zone.
O
This option takes e ect only when y ZONE is selected for AF mode.
Set Values
Parameter values for the di erent sets are listed below.
TRACKING
TRACKING
SENSITIVITY
SENSITIVITY
SPEED TRACKING
SPEED TRACKING
SENSITIVITY
SENSITIVITY
ZONE AREA
ZONE AREA
SWITCHING
SWITCHING
SET 1
SET 1 20AUTO
SET 2
SET 2 3 0 CENTER
SET 3
SET 3 22AUTO
SET 4
SET 4 0 1 FRONT
SET 5
SET 5 32AUTO
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Custom Focus Tracking Options
Follow the steps below to adjust settings for Set 6.
1
Select AF-C CUSTOM SETTINGS>
SET 6 CUSTOM.
AF-C CUSTOM SETTINGS
SET 6 CUSTOM
TRACKING SENSITIVITY
ZONE AREA SWITCHING
AUTO
SPEED TRACKING SENSITIVITY
RESETSET DETAIL
ADJUST
2
Highlight items using the focus stick (focus lever) and rotate
the front command dial to change. To reset settings to their
original values, press b.
3
Press DISP/BACK when settings are complete.
STORE AF MODE BY ORIENTATION
Choose whether the focus mode and focus area used when the
camera is in portrait orientation are stored separately from those
used when the camera is in landscape orientation.
Option
Option
Description
Description
OFF The same settings are used in both orientations.
FOCUS AREA ONLY The focus area for each orientation can be selected separately.
ON The focus mode and focus area can be selected separately.
AF POINT DISPLAY yz
Choose whether individual focus frames are displayed when
ZONE or WIDE/TRACKING is selected for G AF/MF SETTING>
AF MODE.
Options
Options
ON OFF
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AF/MF SETTING
NUMBER OF FOCUS POINTS
Choose the number of focus points available for focus-point se-
lection in manual focus mode or when SINGLE POINT is selected
for AF MODE.
Option
Option
Description
Description
117 POINTS
(9 × 13)
Choose from 117 focus points arranged in a 9- by 13-point grid.
425 POINTS
(17 × 25)
Choose from 425 focus points arranged in a 17- by 25-point grid.
PRE-AF
If ON is selected, the camera will continue to adjust focus even
when the shutter button is not pressed halfway. The camera
adjusts focus continuously, allowing it to focus faster when the
shutter button is pressed halfway. Choosing this option helps
prevent missed shots.
Options
Options
ON OFF
O
Choosing ON increases the drain on the battery.
AF ILLUMINATOR
If ON is selected, the AF-assist illuminator will light to assist
autofocus.
Options
Options
ON OFF
O
•
The camera may be unable to focus using the AF-assist illuminator
in some cases.
•
If the camera is unable to focus, try increasing the distance to the
subject.
•
Avoid shining the AF-assist illuminator directly into your subject’s
eyes.
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FACE/EYE DETECTION SETTING
Intelligent Face Detection sets focus and
exposure for human faces anywhere in
the frame, preventing the camera from
focusing on the background in group
portraits. Choose for shots that empha-
size portrait subjects. You can also choose
whether the camera detects and focuses on either the left or right
eye when Intelligent Face Detection is on.
Option
Option
Description
Description
FACE DETECTION
ON
Adjust settings for Intelligent Face Detection. You can also adjust
eye detection settings.
•
g EYE OFF: Intelligent Face Detection only.
•
u EYE AUTO: The camera automatically chooses which eye
to focus on when a face is detected.
•
w RIGHT EYE PRIORITY: The camera focuses on the right
eye of subjects detected using Intelligent Face Detection.
•
v LEFT EYE PRIORITY: The camera focuses on the left eye
of subjects detected using Intelligent Face Detection.
OFF Intelligent Face Detection and eye priority off .
O
•
If the subject moves as the shutter button is pressed, the face may
not be in the area indicated by the green border when the picture
is taken.
•
In some modes, the camera may set exposure for the frame as a
whole rather than the portrait subject.
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AF/MF SETTING
N
•
The face selected by the camera is indicated by a green border. Any
other faces detected by the camera are indicated by gray borders.
To have the camera focus on a di erent subject, tap inside the gray
border. The g icon will change from white to green.
•
You can also switch subjects by pressing the function button to
which n FACE SELECT op is assigned and then using the focus
stick (focus lever) or (during view nder photography) touch controls
(P 225).
•
To switch from face detection to manual focus-area selection, press
the center of the focus stick (focus lever). Press again to re-enable
face detection.
•
If the selected subject leaves the frame, the camera will wait a set
time for its return and consequently the green frame may sometimes
appear in locations where no face is seen.
•
You cannot switch subjects during burst photography.
•
Depending on shooting conditions, face selection may be suspend-
ed at the close of burst shooting.
•
Faces can be detected with the camera in vertical or horizontal ori-
entation.
•
If the camera is unable to detect the subject’s eyes because they are
hidden by hair, glasses, or other objects, the camera will instead focus
on faces.
•
Face/eye detection options can also be accessed via shortcuts
(P 250).
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AF+MF
If ON is selected in focus mode S and focus has been locked
(whether by pressing the shutter button halfway or by other
means), focus lock can be ended and focus adjusted manually by
rotating the focus ring.
Options
Options
ON OFF
O
•
Lenses with a focus distance indicator must be set to manual focus
mode (MF) before this option can be used. Selecting MF disables the
focus distance indicator.
•
If the lens is equipped with a focus distance indicator, set the focus
ring to the center, as the camera may fail to focus if the ring is set to
in nity or the minimum focus distance.
N
Standard and focus peaking MF assist options are supported.
AF + MF Focus Zoom
When ON is selected for G AF/MF SETTING> FOCUS CHECK and SINGLE
POINT selected for AF MODE, focus zoom can be used to zoom in on the
selected focus area. The zoom ratio can be selected using the rear com-
mand dial.
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AF/MF SETTING
MF ASSIST
Choose how focus is displayed in manual focus mode.
Option
Option
Description
Description
STANDARD
Focus is displayed normally (focus peaking, digital split image, and
digital microprism are not available).
DIGITAL SPLIT
IMAGE
Displays a black-and-white (MONOCHROME) or color (COLOR)
split image in the center of the frame. Frame the subject in the
split-image area and rotate the focus ring until the four parts of
the split image are correctly aligned.
DIGITAL
MICROPRISM
A grid pattern that emphasizes blur is displayed when the subject
is out of focus, disappearing to be replaced by a sharp image when
the subject is in focus.
FOCUS PEAK
HIGHLIGHT
The camera heightens high-contrast outlines. Choose a color and
peaking level.
N
You can also choose MF assist options by holding the center of the
rear command dial.
FOCUS CHECK
If ON is selected, the display will automatically zoom in on the
selected focus area when the focus ring is rotated in manual fo-
cus mode.
Options
Options
ON OFF
N
•
Pressing the center of the rear command dial cancels focus zoom.
•
The zoom position is centered on the current focus area and changes
when the focus area is changed.
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INTERLOCK SPOT AE & FOCUS AREA
Select ON to meter the current focus frame when SINGLE POINT
is selected for AF MODE and SPOT is selected for PHOTOMETRY.
Options
Options
ON OFF
INSTANT AF SETTING
Choose whether the camera focuses using single AF (AF-S) or
continuous AF (AF-C) when a button to which focus lock or
AF-ON is assigned is pressed in manual focus mode.
Options
Options
AF-S AF-C
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AF/MF SETTING
DEPTH-OF-FIELD SCALE
Choose FILM FORMAT BASIS to help you make practical assess-
ments of depth of eld for pictures that will be viewed as prints
and the like, PIXEL BASIS to help you assess depth of eld for
pictures that will be viewed at high resolutions on computers or
other electronic displays.
Options
Options
PIXEL BASIS FILM FORMAT BASIS
RELEASE/FOCUS PRIORITY
Choose how the camera focuses in focus mode AF-S or AF-C.
Option
Option
Description
Description
RELEASE
Shutter response is prioritized over focus. Pictures can be taken
when the camera is not in focus.
FOCUS
Focus is prioritized over shutter response. Pictures can be only
taken when the camera is in focus.
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TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
Still Photography
Mode
Mode
Description
Description
AF
AFOFF
•
In focus mode S (AF-S), the camera focuses when you tap your
subject in the display. Focus locks at the current distance until
you tap the AFOFF icon.
•
In focus mode C (AF-C), the camera initiates focus when you
tap your subject display. The camera will continue to adjust
focus for changes in the distance to the subject until you tap
the AFOFF icon.
•
In manual focus mode (MF), you can tap the display to focus
on the selected subject using autofocus.
AREA
AREA
Tap to select a point for focus or zoom. The focus frame will
move to the selected point.
OFF
OFF
Touch focus disabled.
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AF/MF SETTING
Movie Recording
Mode
Mode
Description
Description
AF
AF
Tapping the display focuses the camera on the selected point.
Use the shutter button to start and stop recording.
•
In focus mode S (AF-S), you can refocus at any time by tapping
your subject in the display.
•
In focus mode C (AF-C), the camera will continuously adjust
focus for changes in the distance to the subject at point se-
lected by tapping the display.
•
In manual focus mode (MF), the camera will focus using auto-
focus when you tap the display; during recording, you can tap
the display again to move the focus area to a new location.
AREA
AREA
Tap to position the focus area. Use the shutter button to start
and stop recording.
•
In focus mode S (AF-S), you can reposition the focus area at
any time by tapping your subject in the display. To focus, use
the button to which AF-ON is assigned.
•
In focus mode C (AF-C), the camera will continuously adjust
focus for changes in the distance to the subject at point se-
lected by tapping the display.
•
In manual focus mode (MF), you can tap the display to posi-
tion the focus area over your subject.
OFF
OFF
Touch focus disabled.
N
T
o disable touch controls and hide the touch screen mode indicator, se-
lect OFF for
D
BUTTON/DIAL SETTING>
TOUCH SCREEN SETTING
>
x TOUCH SCREEN SETTING
.
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AF/MF SETTING
Touch Controls for Focus Zoom
Di erent touch controls are used during focus zoom (focus check enabled).
Central Area
Central Area
Tapping the center of the display performs the
operations below.
Mode
Mode
Still Photography
Still Photography
Movie Recording
Movie Recording
AF
AF
AF-S: AF AF-S: AF
MF: Instant AF MF: Instant AF
AREA
AREA
AF-S: AF AF-S: AF
MF: Instant AF MF: Instant AF
OFF
OFF AF-S/MF: OFF AF-S/MF: OFF
Other Areas
Other Areas
Tapping other areas simply scrolls the display,
whether during still photography or movie re-
cording and regardless of the option selected
for touch screen mode.
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A
SHOOTING SETTING
Adjust shooting options.
To display shooting options, press
MENU/OK in the shooting display and se-
lect the A(SHOOTING SETTING) tab.
N
The options available vary with the shoot-
ing mode selected.
FILM SIMULATION BKT
FOCUS BKT
PHOTOMETRY
AE BKT SETTING
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING
INTERVAL TIMER SHOOTING
SAVE SELF-TIMER SETTING
SHOOTING SETTING
SELF-TIMER
EXIT
SELF-TIMER
Choose a shutter release delay.
Option
Option
Description
Description
R 2 SEC
The shutter is released two seconds after the shutter button is pressed.
Use to reduce blur caused by the camera moving when the shutter
button is pressed. The self-timer lamp blinks as the timer counts
down.
S 10 SEC
The shutter is released ten seconds after the shutter button is pressed.
Use for photographs in which you wish to appear yourself. The
self-timer lamp blinks immediately before the picture is taken.
OFF Self-timer off .
If an option other than OFF is select-
ed, the timer will start when the shutter
button is pressed all the way down. The
display shows the number of seconds re-
maining until the shutter is released. To
stop the timer before the picture is taken,
press DISP/BACK.
9
O
•
Stand behind the camera when using the shutter button. Standing in
front of the lens can interfere with focus and exposure.
•
The self-timer turns o automatically when the camera is turned o .
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SAVE SELF-TIMER SETTING
If ON is selected, the chosen self-timer setting will remain in ef-
fect after a picture is taken or the camera is turned o .
Options
Options
ON OFF
INTERVAL TIMER SHOOTING
Con gure the camera to take photos automatically at a preset
interval.
1
Highlight INTERVAL TIMER SHOOTING
in the
A
(SHOOTING SETTING) tab
and press MENU/OK.
INTERVAL
NUMBER OF TIMES
INTERVAL/NUMBER OF TIMES
CANCELEND
2
Use the focus stick (focus lever) to
choose the interval and number of
shots. Press MENU/OK to proceed.
START WAITING TIME
ESTIMATED START TIME 11 : 00 PM
LATER
CANCELSTART
3
Use the focus stick to choose the
starting time and then press MENU/OK.
Shooting will start automatically.
CANCEL
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SHOOTING SETTING
O
Interval timer photography cannot be used at a shutter speed of
B(bulb) or with multiple exposure photography. In burst mode, only
one picture will be taken each time the shutter is released.
N
•
Use of a tripod is recommended.
•
We recommend using an AC-15V AC power adapter.
•
The display turns o between shots and lights a few seconds before
the next shot is taken.
•
The display can be activated at any time by pressing the shutter button.
•
To continue shooting until the number of shots taken equals the
number of exposures remaining at the time interval-timer photogra-
phy started, set the number of shots to ∞.
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING
Select ON to automatically adjust exposure during interval-timer
photography to prevent it changing dramatically between shots.
Options
Options
ON OFF
N
•
Large changes in subject brightness may make exposure appear er-
ratic. We recommend that you choose shorter values for INTERVAL
TIMER SHOOTING> INTERVAL with subjects that brighten or dim
dramatically during shooting.
•
In manual mode (mode M), exposure smoothing is only available if an
AUTO option is selected for ISO.
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AE BKT SETTING
Adjust exposure bracketing settings.
Option
Option
Description
Description
FRAMES/STEP SETTING
Choose the number of shots in the bracketing sequence
and the amount exposure is varied with each shot.
•
FRAMES: Choose the number of shots in the bracketing
sequence.
•
STEP: Choose the amount exposure is varied with each
shot.
1 FRAME/CONTINUOUS
•
1 FRAME: The shots in the bracketing sequence are taken
one at a time.
•
CONTINUOUS: The shots in the bracketing sequence are
taken in a single burst.
SEQUENCE SETTING Choose the order in which the shots are taken.
FILM SIMULATION BKT
Choose the three lm simulation types used for lm simulation
bracketing (P 107).
Options
Options
cPROVIA/STANDARD dVelvia/VIVID eASTIA/SOFT
iCLASSIC CHROME gPRO Neg. Hi hPRO Neg. Std
XETERNA/CINEMA aACROS
*
bMONOCHROME
*
fSEPIA
* Available with yellow (Ye), red (R), and green (G) fi lters.
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SHOOTING SETTING
FOCUS BKT
Adjust focus bracketing settings.
Option
Option
Description
Description
FRAMES Choose the number of shots.
STEP Choose the amount focus changes with each shot.
INTERVAL Choose the interval between shots.
N
Do not adjust zoom during shooting.
Focus and FRAMES/STEP
The relation between focus and the options chosen for FRAMES and STEP
is shown in the illustration.
12345
:
Starting focus position
•
Focus proceeds from the starting position toward infi nity.
•
Small STEP values translate to small changes in focus, larger values to larger
changes.
•
Regardless of the option chosen for FRAMES, shooting ends when focus reach-
es infi nity.
Frames
Step
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PHOTOMETRY
Choose how the camera meters exposure.
O
The selected option will only take e ect when G AF/MF SETTING>
FACE/EYE DETECTION SETTING is OFF.
Mode
Mode
Description
Description
o
(multi)
The camera instantly determines exposure based on an analysis
of composition, color, and brightness distribution. Recommend-
ed in most situations.
p
(center-weighted)
The camera meters the entire frame but assigns the greatest
weight to the area at the center.
v
(spot)
The camera meters lighting conditions in an area at the center
of the frame equivalent to 2% of the total. Recommended with
backlit subjects and in other cases in which the background is
much brighter or darker than the main subject.
w
(average)
Exposure is set to the average for the entire frame. Provides con-
sistent exposure across multiple shots with the same lighting,
and is particularly eff ective for landscapes and portraits of sub-
jects dressed in black or white.
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SHOOTING SETTING
SHUTTER TYPE
Choose the shutter type. Choose the electronic shutter to mute
the shutter sound.
Option
Option
Description
Description
t MECHANICAL SHUTTER
Take pictures with the mechanical shutter.
s ELECTRONIC SHUTTER
Take pictures with the electronic shutter.
t E-FRONT CURTAIN
SHUTTER
The camera chooses the mechanical or electronic
front curtain shutter according to shooting conditions.
u MECHANICAL+
ELECTRONIC
The camera chooses the mechanical or electronic
shutter according to shooting conditions.
r E-FRONT+ ELECTRONIC
The camera chooses the mechanical, electronic, or
electronic front curtain shutter according to shooting
conditions.
If t E-FRONT CURTAIN SHUTTER is selected, t MECHANICAL
SHUTTER will automatically take e ect at high shutter speeds.
O
•
When using the electronic shutter, note the following:
-
Distortion may be visible in shots of moving subjects.
-
Distortion may also be visible in hand-held shots taken at high
shutter speeds; use of a tripod is recommended.
-
Banding and fog may occur in shots taken under uorescent lights
or other ickering or erratic illumination.
-
When taking pictures with the shutter muted (P 204), respect
your subjects’ image rights and right to privacy.
•
When using the electronic front-curtain shutter, note the following:
-
Faster shutter speeds are more likely to result in uneven exposure
and loss of resolution in out-of-focus areas of the frame.
N
The following restrictions apply when the electronic shutter is used:
•
Sensitivity is restricted to values of ISO 12800–100
•
Long exposure noise reduction has no e ect
•
The ash cannot be used
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FLICKER REDUCTION
Select ON to reduce icker in pictures and the display when shoot-
ing under uorescent lighting and other similar light sources.
Options
Options
ON OFF
O
•
Enabling icker reduction disables the electronic shutter and increas-
es the time needed to record pictures.
•
Flicker reduction is not available during movie recording.
ISO
Adjust the camera’s sensitivity to light.
Option
Option
Description
Description
AUTO1
AUTO2
AUTO3
Sensitivity is automatically adjusted in response to shooting con-
ditions.
12800–100 Adjust sensitivity manually. Selected value is shown in display.
H (102400)
H (51200)
H (25600)
L (50)
Choose for special situations. Note that mottling may appear in
pictures taken at H, while L reduces dynamic range.
N
Sensitivity is not reset when the camera is turned o .
Adjusting Sensitivity
High values can be used to reduce blur when lighting is poor, while lower
values allow slower shutter speeds or wider apertures in bright light; note,
however, that mottling may appear in pictures taken at high sensitivities.
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SHOOTING SETTING
IS MODE
Reduce blur.
Option
Option
Description
Description
CONTINUOUS Image stabilization on.
SHOOTING ONLY
Image stabilization enabled only when the shutter button
is pressed halfway (focus mode C) or the shutter is released.
OFF
Image stabilization off ; x appears in the display. Choose
when the camera is mounted on a tripod or otherwise
fi xed in place.
N
•
The setting selected with the lens image stabilization switch, if any,
takes priority over the setting chosen with IS MODE.
•
Note that vibration or camera sounds may be noticeable as image
stabilization takes e ect.
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MOUNT ADAPTER SETTING
Adjust settings for lenses attached via a mount adapter.
Shutter Select
When using lenses with an internal shutter, choose whether to
use the shutter on the camera (BODY) or the lens (LENS).
O
This option may have no e ect with some lenses.
Saved Settings
Store settings for up to 6 lenses, or choose OFF to disable correc-
tions for focal length, distortion, color shading, and peripheral
illumination.
Choosing a Focal Length
Choosing a Focal Length
Use the focus stick (focus lever) to enter
the focal length.
INPUT FOCAL LENGTH
LENS 5
CANCELSET
Distortion Correction
Distortion Correction
Choose from STRONG, MEDIUM, or
WEAK options to correct BARREL or
PINCUSHION distortion.
BARREL STRONG
LENS5 DISTORTION CORRECTION
PINCUSHION MEDIUM
PINCUSHION STRONG
PINCUSHION WEAK
OFF
BARREL WEAK
BARREL MEDIUM
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SHOOTING SETTING
Color Shading Correction
Color Shading Correction
Color (shading) variations between the
center and edges of the frame can be ad-
justed separately for each corner.
To use color shading correction, follow the
steps below.
NEXT
SET
1
Rotate the rear command dial to choose a corner. The select-
ed corner is indicated by a triangle.
2
Use the focus stick (focus lever) to adjust shading until there is
no visible di erence in color between the selected corner and
the center of the image.
•
Press the focus stick left or right to adjust colors on the
cyan–red axis.
•
Press the focus stick up or down to adjust colors on the
blue–yellow axis.
N
To determine the amount required, adjust color shading correction
while taking photos of blue sky or a sheet of gray paper.
Peripheral Illumination Correction
Peripheral Illumination Correction
Choose from values between –5 and
+5. Choosing positive values increases
peripheral illumination, while choosing
negative values reduces peripheral il-
lumination. Positive values are recom-
mended for vintage lenses, negative val-
ues to create the e ect of images taken
with an antique lens or a pinhole camera.
N
To determine the amount required, adjust peripheral illumination cor-
rection while taking photos of blue sky or a sheet of gray paper.
CANCEL
SET
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35mm FORMAT MODE
Enabling
A
SHOOTING SETTING> 35mm
FORMAT MODE in the shooting menu sets
the picture angle to 35 mm; the change is
re ected in the display.
Option
Option
Description
Description
ON
The picture angle is set to 35mm; the change is refl ected in the
display.
OFF 35mm format mode disabled.
AUTO
35 mm format mode is enabled automatically when a mount
adapter that supports automatic detection is attached.
N
•
The D SCREEN SET-UP> DISP. CUSTOM SETTING item in the setup
menu (P 24, 211) includes an option (enabled by default) for dis-
playing a 35mm FORMAT MODE icon.
•
The H IMAGE QUALITY SETTING> IMAGE SIZE item in the shoot-
ing menu is xed at O 3 : 2.
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SHOOTING SETTING
WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
•
Control the camera and take pictures remotely
•
Receive pictures uploaded from the camera
•
Browse the pictures on the camera and download selected pic-
tures
•
Upload location data to the camera
N
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
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F
FLASH SETTING
Adjust ash-related settings.
To display ash-related settings, press
MENU/OK in the shooting display and se-
lect the F (FLASH SETTING) tab.
N
The options available vary with the shoot-
ing mode selected.
CHSETTING
MASTERSETTING
LEDLIGHTSETTING
TTL-LOCK MODE
REDEYEREMOVAL
FLASH
SETTING
FLASHFUNCTIONSETTING
EXIT
FLASH FUNCTION SETTING
Choose a ash control mode, ash mode,
or sync mode or adjust the ash level.
The options available vary with the ash.
N
For more information on ash settings, see
“External Flash Units” (P 270) in “Periph-
erals and Optional Accessories”.
ADJUST
END
M
ODE
SHOE MOUNT FLASH
RED EYE REMOVAL
Remove red-eye e ects caused by the ash.
Option
Option
Description
Description
FLASH+REMOVAL
A red-eye reduction pre-fl ash is combined with digital red-eye
removal.
FLASH Flash red-eye reduction only.
REMOVAL Digital red-eye removal only.
OFF Flash red-eye reduction and digital red-eye removal off .
N
•
Flash red-eye reduction can be used in TTL ash control mode.
•
Digital red-eye removal is performed only when a face is detected.
•
Digital red-eye removal is not available with RAW images.
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FLASH SETTING
TTL-LOCK MODE
Instead of adjusting ash level with each shot, TTL ash control
can be locked for consistent results across a series of photo-
graphs.
Option
Option
Description
Description
LOCK WITH LAST FLASH
Flash output is locked at the value metered for the most
recent photo.
LOCK WITH METERING
FLASH
The camera emits a series of pre-fl ashes and locks fl ash
output at the metered value.
N
•
To use TTL lock, assign TTL-LOCK to a camera control and then use
the control to enable or disable TTL lock (P 259).
•
Flash compensation can be adjusted while TTL lock is in e ect.
•
Selecting LOCK WITH LAST FLASH displays an error message if no
previously metered value exists.
LED LIGHT SETTING
Choose whether to use the ash unit’s LED video light (if avail-
able) as a catchlight or AF-assist illuminator when taking photos.
Option
Option
Role of LED video light in still photography
Role of LED video light in still photography
CATCHLIGHT Catchlight
AF ASSIST AF-assist illuminator
AF ASSIST+CATCHLIGHT AF-assist illuminator and catchlight
OFF None
N
In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.
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FLASH SETTING
MASTER SETTING
Choose a ash group (A, B, or C) for the ash mounted on the
camera hot shoe when it functions as a master ash controlling
remote ash units via Fuji lm wireless optical ash control, or
choose OFF to limit master ash output to a level that does not
a ect the nal picture.
Options
Options
Gr A Gr B Gr C OFF
N
In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.
CH SETTING
Choose the channel used for communication between the mas-
ter ash and remote ash units when using Fuji lm optical wire-
less ash control. Separate channels can be used for di erent
ash systems or to prevent interference when multiple systems
are operating in close proximity.
Options
Options
CH1 CH2 CH3 CH4
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6
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B
MOVIE SETTING
Adjust movie-recording options.
To display options for movie recording,
press MENU/OK in the shooting display and
select the B (MOVIE SETTING) tab.
N
The options available vary with the shoot-
ing mode selected.
MOVIE SETTING
H.265(HEVC)/H.264
MOVIE COMPRESSION
DYNAMIC RANGE
FILM SIMULATION
B & W ADJ.
(Warm/Cool)
MOVIE MODE
WHITE BALANCE
HIGHLIGHT TONE
EXIT
MOVIE MODE
Before shooting movies, choose the
frame rate, bit rate, and frame size and
aspect ratio.
16:9
MOVIE MODE
1
In the shooting menu, select B MOVIE SETTING, then high-
light MOVIE MODE and press MENU/OK.
2
Press the focus stick (focus lever) up or down to highlight the
desired frame size and aspect ratio (
A
) and press the stick
right.
•
Choose V16 : 9 or d17 : 9 for 4K movies with aspect ra-
tios of 16 or 17 to 9.
•
Choose W16 : 9 or W17 : 9 for Full HD movies with aspect
ratios of 16 or 17 to 9.
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3
Press the focus stick (focus lever) up or down to highlight a
frame rate (
B
) and press the stick right.
Options
Options
59.94P 50P 29.97P 25P 24P 23.98P
4
Press the focus stick up or down to highlight a bit rate (
C
)
and press MENU/OK.
Options
Options
400Mbps 200Mbps 100Mbps 50Mbps
N
The choice of frame and bit rates varies with the movie mode.
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MOVIE SETTING
H.265(HEVC)/H.264
Choose a codec for movie recording.
Option
Option
Description
Description
H.265(HEVC)
Use for higher quality footage with a high compression ra-
tio. Movies can be viewed only on devices that support
H.265(HEVC).
H.264
Movies fi lmed using this widely-supported codec can be viewed
on a variety devices.
MOVIE COMPRESSION
Choose type of compression used to record movies.
Option
Option
Description
Description
ALL-Intra
Each frame is compressed separately. Files are larger, but the fact
that the data for each frame are saved separately makes this a
good choice for footage that will be further processed.
Long GOP
Balances good image quality with high compression. Files are
smaller, making this a good choice for longer movies.
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F FILM SIMULATION
Choose a lm simulation e ect for movie recording.
Option
Option
Description
Description
c PROVIA/STANDARD
See “FILM SIMULATION” (P 107).
d Velvia/VIVID
e ASTIA/SOFT
i CLASSIC CHROME
g PRO Neg. Hi
h PRO Neg. Std
X ETERNA/CINEMA
a ACROS
b MONOCHROME
f SEPIA
F B & W ADJ. ab(Warm/Cool)
Add a reddish or bluish tinge (warm or cool color cast) to mono-
chrome pictures taken with the a ACROS or b MONOCHROME
lm simulation.
Option
Option
Description
Description
+9 — +1 Higher positive values equate to a redder color cast.
0 Normal monochrome (grayscale).
-1 — -9
Lower negative values equate to a bluer color cast.
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MOVIE SETTING
F DYNAMIC RANGE
Choose a dynamic range for movie recording.
Option
Option
Description
Description
V100%
See “DYNAMIC RANGE” (P 110).W200%
X400%
N
•
Auto dynamic range adjustment (AUTO) is not supported.
•
W200% is available at sensitivities of from ISO 400 to ISO 12800,
X400% at sensitivities of from ISO 800 to 12800.
•
The B MOVIE SETTING> F DYNAMIC RANGE option is available
when b P Y P is selected for B MOVIE SETTING> F-Log/HLG
RECORDING.
F WHITE BALANCE
Adjust white balance for movie recording.
Option
Option
Description
Description
AUTO
See “WHITE BALANCE” (P 112).
k/l/m
k
i
j
k
l
m
n
g
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6
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F HIGHLIGHT TONE
Choose how the camera records highlights when shooting
movies.
Options
Options
+4 +3 +2 +1 0 −1 −2
F SHADOW TONE
Choose how the camera records shadows when shooting
movies.
Options
Options
+4 +3 +2 +1 0 −1 −2
F COLOR
Adjust color density for movie recording.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
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MOVIE SETTING
F SHARPNESS
Sharpen or soften outlines in movies.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
F NOISE REDUCTION
Reduce noise in movies shot at high sensitivities.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
V INTERFRAME NR
Select ON to enable interframe noise reduction.
Options
Options
ON OFF
N
•
Interframe noise reduction is available only when frame rates of
29.97P or slower are selected at a frame size of V or d.
•
“Ghosting” may occur with moving subjects or if the camera is moved
during shooting.
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6
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F-Log/HLG RECORDING
Choose the destination for F‐Log and HLG (Hybrid Log-Gamma)
movies shot while the camera is connected to an HDMI device.
Option
Option
Description
Description
b P Y P
The footage is processed using fi lm simulation and both
saved to the memory card and output to the HDMI device.
b F-Log Y F-Log
The footage is recorded to the memory card and output to
the HDMI device in F-Log format.
b P Y F-Log
The footage is output to the HDMI device in F-Log format
but saved to the memory card with fi lm simulation applied.
b F-Log Y P
The footage is recorded to the memory card in F-Log format
but output to the HDMI device with fi lm simulation applied.
b HLG Y HLG
The footage is recorded to the memory card and output to
the HDMI device in HLG format.
N
•
F-Log o ers a gentle gamma curve with a wide gamut suitable for
further processing post-production. Sensitivity is restricted to values
between ISO 800 and ISO 12800.
•
The HLG (Hybrid Log-Gamma) recording format conforms to the inter-
national ITU-R BT2100 standard. When viewed on HLG-compatible dis-
plays, high-quality HLG footage faithfully captures high-contrast scenes
and vivid colors. Sensitivity is restricted to values between ISO1250 and
ISO12800. HLG recording is available when H.265(HEVC) is selected
for B MOVIE SETTING> H.265(HEVC)/H.264 in the shooting menu.
•
Film simulation (P) footage is recorded using the option selected for
B MOVIE SETTING> F FILM SIMULATION in the shooting menu.
•
Footage shot with b P Y F-Log or b F-Log Y P cannot be recorded
to the memory card and output to the HDMI at di erent frame sizes
(4K, Full HD). In addition, the following B MOVIE SETTING options
are unavailable:
-
MOVIE MODE frame rate options of 59.94P and 50P
-
V INTERFRAME NR
-
HDMI OUTPUT INFO DISPLAY
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MOVIE SETTING
F PERIPHERAL LIGHT CORRECTION
Select ON to enable peripheral illumination correction during
movie recording.
Options
Options
ON OFF
N
•
If ON is selected when a lens that does not transmit data to the
camera is attached using a FUJIFILM M MOUNT ADAPTER (available
separately), peripheral illumination will be adjusted according to the
option selected for A SHOOTING SETTING> MOUNT ADAPTER
SETTING> PERIPHERAL ILLUMINATION CORRECTION in the
shooting menu (P 145).
•
Select OFF if you notice banding in movies recorded using this op-
tion.
F FOCUS AREA
Choose the focus area for movies shot using autofocus. You can
also choose the focus area (and consequently also the focus
zoom position) for movies shot using manual focus.
MOVIE AF MODE
Choose how the camera selects the focus point for movie recording.
Option
Option
Description
Description
MULTI Automatic focus-point selection.
AREA The camera focuses on the subject in the selected focus area.
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F AF-C CUSTOM SETTING
Select focus-tracking options when recording movies in focus
mode C.
TRACKING SENSITIVITY
Choose how long the camera waits to switch focus when an ob-
ject enters the focus area behind or in front of the current sub-
ject. See “TRACKING SENSITIVITY” (P 122).
Options
Options
01234
AF SPEED
Adjust the autofocus response speed.
Options
Options
−5 −4 −3 −2 −1 0 +1 +2 +3 +4 +5
161
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MOVIE SETTING
F FACE/EYE DETECTION SETTING
Enable or disable Intelligent Face Detection when recording
movies.
Option
Option
Description
Description
FACE DETECTION ON
See “FACE/EYE DETECTION SETTING” (P 126).
OFF Intelligent Face Detection and eye priority off .
O
When Intelligent Face Detection is enabled, the camera will focus
using continuous AF even when single AF (S) is chosen with the
focus mode selector. Intelligent Face Detection is not available in
manual focus mode.
F MF ASSIST
Choose how focus is displayed in manual focus mode.
Option
Option
Description
Description
STANDARD Focus is displayed normally (focus peaking is not available).
FOCUS PEAK HIGHLIGHT
The camera heightens high-contrast outlines. Choose a
color and peaking level.
F FOCUS CHECK
If ON is selected, the display will automatically zoom in on the
selected focus area when the focus ring is rotated in manual fo-
cus mode.
Options
Options
ON OFF
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4K MOVIE OUTPUT
Choose the destination for 4K movies shot while the camera is
connected to an HDMI recorder or other device that supports 4K.
Option
Option
Description
Description
b 4K Y 4K
4K movies are recorded to the camera memory card and out-
put to the HDMI device in 4K.
b 4K Y FHD
4K movies are recorded to a camera memory card in 4K and
output to the HDMI device in Full HD.
b FHD Y 4K
4K movies are output to the HDMI device in 4K and recorded to
the camera memory card in Full HD.
b − Y 4K
4K movies are output to the HDMI device in 4K. The camera
does not record 4K movies to a memory card.
N
This option is only available when V 16 : 9 or d 17 : 9 is selected for
B MOVIE SETTING> MOVIE MODE in the shooting menu.
FULL HD MOVIE OUTPUT
Choose the destination for Full HD movies shot while the camera
is connected to an HDMI device.
Option
Option
Description
Description
b FHD Y FHD
Full HD movies are output to the HDMI device and recorded to
the camera memory card.
b − Y FHD
Full HD movies are not recorded to the camera memory card
but are output to the HDMI device.
N
•
This option is only available when W 16 : 9 or W 17 : 9 is selected
for B MOVIE SETTING> MOVIE MODE in the shooting menu.
•
When OFF is selected for HDMI OUTPUT INFO DISPLAY, movies will
be output to the HDMI device in 4:2:2 10-bit format.
163
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MOVIE SETTING
HDMI OUTPUT INFO DISPLAY
If ON is selected, HDMI devices to which the camera is connected
will mirror the information in the camera display.
Options
Options
ON OFF
4K HDMI STANDBY QUALITY
Choose whether output to connected HDMI devices switches
from 4K to Full HD during standby.
Option
Option
Description
Description
V
Output to HDMI devices continues at 4K during standby.
W
Output to HDMI devices switches to Full HD during standby,
reducing the drain on the battery.
HDMI REC CONTROL
Choose whether the camera sends movie start and stop signals
to the HDMI device when the shutter button is pressed to start
and stop movie recording.
Options
Options
ON OFF
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ZEBRA SETTING
Highlights that may be overexposed are shown by zebra stripes
in the movie mode display.
Option
Option
Description
Description
ZEBRA RIGHT
Right-slanting stripes.
ZEBRA LEFT
Left-slanting stripes.
OFF Stripes off .
ZEBRA LEVEL
Choose the brightness threshold for the zebra stripe display.
Options
Options
100 95 90 85 80 75 70 65 60 55 50
165
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MOVIE SETTING
AUDIO SETTING
Adjust audio-related settings for movie recording.
INTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for the built-in microphone.
Option
Option
Description
Description
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the focus stick (focus
lever) right to choose from 25 recording levels.
OFF Turn the built-in microphone off .
EXTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for external microphones.
Option
Option
Description
Description
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the focus stick (focus
lever) right to choose from 25 recording levels.
OFF Disable recording using external microphones.
MIC LEVEL LIMITER
Reduces distortion caused by input that exceeds the limits of the
microphone’s audio circuits.
Options
Options
ON OFF
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6
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WIND FILTER
Choose whether to enable wind noise reduction during movie
recording.
Options
Options
ON OFF
LOW CUT FILTER
Choose whether to enable the low-cut lter, reducing low-fre-
quency noise during movie recording.
Options
Options
ON OFF
HEADPHONES VOLUME
Adjust the headphone volume.
Option
Option
Description
Description
10—1 Choose a volume of from 1 to 10.
0 Mute output to the headphones.
167
6
The Shooting Menus
MOVIE SETTING
TIME CODE SETTING
Adjust time code (hour, minute, second, and frame number) dis-
play settings for movie recording.
TIME CODE DISPLAY
Select ON to display time codes during movie recording and
playback.
Options
Options
ON OFF
START TIME SETTING
Choose the time code starting time.
Option
Option
Description
Description
MANUAL INPUT
Highlight this option and press the focus stick (focus lever)
right to choose a start time manually.
CURRENT TIME
Set the start time to the current time.
RESET Set the start time to 00:00:00.
COUNT UP SETTING
Choose whether time is clocked continuously or only during
movie recording.
Option
Option
Description
Description
REC RUN Time is clocked only during movie recording.
FREE RUN Time is clocked continuously.
168
6
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DROP FRAME
At frame rates of 59.94P, and 29.97P, a discrepancy will gradu-
ally develop between the time code (measured in seconds) and
the actual recording time (measured in fractions of a second).
Choose whether the camera drops frames as necessary to match
the recording time to the time code.
Option
Option
Description
Description
ON
The camera drops frames as necessary to maintain a strict
match between the time code and the actual recording time.
OFF Frames are not dropped.
N
•
The time code display varies with the option selected.
ON
OFF
•
Selecting a frame rate of 23.98P disables frame drop.
HDMI TIME CODE OUTPUT
Choose whether time codes are output to HDMI devices.
Options
Options
ON OFF
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6
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MOVIE SETTING
TALLY LIGHT
Choose the lamp (indicator or AF-assist) that lights during movie
recording and whether the lamp blinks or remains steady.
Indicator lamp1 AF-assist illuminator
Option
Option
Description
Description
FRONT OFF
REAR z
The indicator lamp lights during movie recording.
FRONT OFF
REAR y
The indicator lamp blinks during movie recording.
FRONT z
REAR z
The indicator and AF-assist lamps light during movie recording.
FRONT z
REAR OFF
The AF-assist lamp lights during movie recording.
FRONT y
REAR y
The indicator and AF-assist lamps blink during movie recording.
FRONT y
REAR OFF
The AF-assist lamp blinks during movie recording.
FRONT OFF
REAR OFF
The indicator and AF-assist lamps remain off during movie recording.
171
Playback and the Playback
Menu
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7
The Playback Display
This section lists the indicators that may be displayed
during playback.
O
For illustrative purposes, displays are shown with all indicators lit.
01/01/2019 10:00 AM
A CBDEF G H
I
J
K
LMNOPQRS
T
U
b
a
Z
Y
X
V
W
A
Date and time ..................................52, 54, 199
B
Face detection indicator ............................126
C
Bluetooth ON/OFF .......................................240
D
Image transfer order ...................................189
E
Image transfer status ........................240, 284
F
Number of frames selected for upload
... 189
G
Card slot..........................................................177
H
Frame number ..............................................236
I
Protected image ........................................... 184
J
Location data.......................................246, 285
K
Image quality................................................105
L
Image size ......................................................104
M
Film simulation ............................................ 107
N
Dynamic range ............................................110
O
White balance .............................................. 112
P
Sensitivity ....................................................... 142
Q
Exposure compensation ...............................93
R
Aperture ...............................................69, 73, 75
S
Shutter speed .....................................69, 70, 75
T
Playback mode indicator .............................59
U
Movie icon ........................................................65
V
Time code ....................................................... 167
W
Red-eye removal indicator ...............148, 186
X
Gift image .........................................................59
Y
Photobook assist indicator .......................191
Z
DPOF print indicator ...................................193
a
Voice memo ..................................................187
b
Rating ..............................................................173
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Playback and the Playback Menu
7
The Playback Display
The DISP/BACK Button
The DISP/BACK button controls the display
of indicators during playback.
Standard Information o
FAVORITES
5.6
01/01/2019 10:00 AM
12800 +1.01/1000
NEXT
Favorites Info display
Favorites: Rating Pictures
To rate the current picture, press DISP/BACK and press the focus stick (focus
lever) up and down to select from zero to ve stars.
174
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7
The Playback Display
Viewing Photo Information
The photo information display changes each
time the focus stick (focus lever) is pressed up.
Basic data
S.S
FISO
1/1000 5.6 12800 +1.0
BACK
5.6
01/01/2019 10:00 AM
12800 +1.01/1000
NEXT
Info display 2 Info display 1
Zooming in on the Focus Point
Press the center of the rear command dial to zoom in on the focus point.
Press again to return to full-frame playback.
175
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7
Viewing Pictures
Read this section for information on playback zoom and
multi-frame playback.
Use the rear command dial to go from
full-frame playback to playback zoom or
multi-frame playback.
Full-frame playback
Multi-frame
playback
100-0001
Playback
zoom
Nine-frame view
Hundred- frame view
DISP/BACK
MENU/OK
Medium zoom
Maximum zoom
176
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7
Viewing Pictures
Playback Zoom
Rotate the rear command dial right to zoom in on the current
picture, left to zoom out. To exit zoom, press DISP/BACK, MENU/OK,
or the center of the rear command dial.
N
•
The maximum zoom ratio varies with the option selected for
H IMAGE QUALITY SETTING> IMAGE SIZE.
•
Playback zoom is not available with cropped or resized copies saved
at a size of a.
Scroll
When the picture is zoomed in, the focus stick
(focus lever) can be used to view areas of the
image not currently visible in the display.
Navigation window
Multi-Frame Playback
To change the number of images displayed, rotate the rear com-
mand dial left when a picture is displayed full frame.
N
•
Use the focus stick (focus lever) to highlight images and press MENU/OK
to view the highlighted image full frame.
•
In the nine- and hundred-frame displays, press the focus stick up or
down to view more pictures.
177
Playback and the Playback Menu
7
C
The Playback Menu
Adjust playback settings.
The playback menu is displayed when
you press MENU/OK in playback mode.
RESIZE
PROTECT
IMAGE
ROTATE
CROP
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
ERASE
RAW
CONVERSION
SWITCH
SLOT
PLAY
BACK
MENU
EXIT
SWITCH SLOT
Choose the card from which images will be played back.
N
If two memory cards are inserted, you can press and hold the a but-
ton to choose a card for playback.
178
Playback and the Playback Menu
7
RAW CONVERSION
Even if you don’t have a computer, you can use the camera to
modify RAW pictures and save them in JPEG or TIFF format.
Saving RAW Pictures in Another Format
1
Display a RAW picture.
2
Highlight RAW CONVERSION in the playback menu.
3
Press MENU/OK.
A list of settings will be displayed.
CREATE
REFLECT SHOOTING COND.
FILE TYPE
IMAGE SIZE
IMAGE QUALITY
PUSH/PULL PROCESSING
DYNAMIC RANGE
RAW CONVERSION
CANCEL
4
Press the focus stick (focus lever) up or down to highlight a
setting.
5
Press the focus stick right to display
options.
撮影時条件を反映
増感/減感
ダイナミックレンジ
フィルムシミュレーション
ホワイトバランス
WB
シフト
RAW CONVERSION
200
%
400
%
100
%
6
Press the focus stick up or down to highlight the desired option.
7
Press MENU/OK to select the highlighted option. The settings
list shown in Step 3 will be displayed. Repeat Steps 4 to 7 to
adjust additional settings.
8
Press the Q button.
A preview of the JPEG or TIFF copy will be displayed.
9
Press MENU/OK.
The JPEG or TIFF copy will be saved.
N
RAW conversion options can also be displayed by pressing the Q but-
ton when a RAW pictures is displayed during playback.
179
Playback and the Playback Menu
7
The Playback Menu
The settings that can be adjusted when converting pictures from
RAW to another format are:
Setting
Setting
Description
Description
REFLECT SHOOTING COND.
REFLECT SHOOTING COND.
Create a JPEG copy using the settings in eff ect at the
time the photo was taken.
FILE TYPE
FILE TYPE Choose a fi le format.
IMAGE SIZE
IMAGE SIZE Choose an image size.
IMAGE QUALITY
IMAGE QUALITY Adjust image quality.
PUSH/PULL PROCESSING
PUSH/PULL PROCESSING Adjust exposure.
DYNAMIC RANGE
DYNAMIC RANGE Enhance details in highlights for natural contrast.
D RANGE PRIORITY
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows
for natural-looking results when photographing
high-contrast scenes.
FILM SIMULATION
FILM SIMULATION Simulate the eff ects of diff erent types of fi lm.
B & W ADJ.
B & W ADJ.
a
a
b
b
(Warm/Cool)
(Warm/Cool)
Add a warm or cool cast to monochrome pictures.
GRAIN EFFECT
GRAIN EFFECT Add a fi lm grain eff ect.
COLOR CHROME EFFECT
COLOR CHROME EFFECT Deepen colors in shadows.
SMOOTH SKIN EFFECT
SMOOTH SKIN EFFECT Smooth complexions.
WHITE BALANCE
WHITE BALANCE Adjust white balance.
WB SHIFT
WB SHIFT Fine-tune white balance.
HIGHLIGHT TONE
HIGHLIGHT TONE Adjust highlights.
SHADOW TONE
SHADOW TONE Adjust shadows.
COLOR
COLOR Adjust color density.
SHARPNESS
SHARPNESS Sharpen or soften outlines.
NOISE REDUCTION
NOISE REDUCTION Process the copy to reduce mottling.
LENS MODULATION OPTIMIZER
LENS MODULATION OPTIMIZER
Improve defi nition by adjusting for diff raction and
the slight loss of focus at the periphery of the lens.
COLOR SPACE
COLOR SPACE Choose the color space used for color reproduction.
180
Playback and the Playback Menu
7
ERASE
Delete individual pictures, multiple selected pictures, or all pic-
tures.
O
Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.
Option
Option
Description
Description
FRAME Delete pictures one at a time.
SELECTED FRAMES Delete multiple selected pictures.
ALL FRAMES Delete all unprotected pictures.
FRAME
1
Select FRAME for ERASE in the playback menu.
2
Press the focus stick (focus lever) left or right to scroll through
pictures and press MENU/OK to delete.
N
•
A con rmation dialog is not displayed before pictures are deleted; be
sure the correct picture is selected before pressing MENU/OK.
•
Additional pictures can be deleted by pressing MENU/OK. Press the fo-
cus stick left or right to scroll through pictures and press MENU/OK to
delete.
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7
The Playback Menu
SELECTED FRAMES
1
Select SELECTED FRAMES for ERASE in the playback menu.
2
Highlight pictures and press MENU/OK to select.
•
Selected pictures are indicated by check marks (R).
•
To deselect a highlighted picture, press MENU/OK again.
3
When the operation is complete, press DISP/BACK to display a
con rmation dialog.
4
Highlight OK and press MENU/OK to delete the selected pic-
tures.
N
Pictures in photobooks or printer orders are shown by S.
ALL FRAMES
1
Select ALL FRAMES for ERASE in the playback menu.
2
A con rmation dialog will be displayed; highlight OK and
press MENU/OK to delete all unprotected pictures.
N
•
Pressing DISP/BACK cancels deletion; note that any pictures deleted
before the button was pressed cannot be recovered.
•
If a message appears stating that the selected images are part of a
DPOF print order, press MENU/OK to delete the pictures.
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7
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
Taking photos with RAW / JPEG selected for D SAVE DATA
SET-UP>CARD SLOT SETTING (STILL IMAGE) creates two copies.
Choose whether deleting the RAW image will also delete the
JPEG copy.
Option
Option
Description
Description
ON
Deleting the RAW image from the card in Slot 1 also deletes the
JPEG copy from the card in Slot 2.
OFF
Deleting the RAW image from the card in Slot 1 does not delete
the JPEG copy from the card in Slot 2.
CROP
Create a cropped copy of the current picture.
1
Display the desired picture.
2
Select CROP in the playback menu.
3
Use the rear command dial to zoom in and out and press the
focus stick (focus lever) up, down, left, or right to scroll the
picture until the desired portion is displayed.
4
Press MENU/OK to display a con rmation dialog.
5
Press MENU/OK again to save the cropped copy to a separate
le.
N
•
The higher the zoom ratio, the smaller the number of pixels in the
cropped copy.
•
If the size of the nal copy will be a, YES will be displayed in yellow.
•
All copies have an aspect ratio of 4∶3.
183
Playback and the Playback Menu
7
The Playback Menu
RESIZE
Create a small copy of the current picture.
1
Display the desired picture.
2
Select RESIZE in the playback menu.
3
Highlight a size and press MENU/OK to display a con rmation
dialog.
4
Press MENU/OK again to save the resized copy to a separate
le.
N
The sizes available vary with the size of the original image.
184
Playback and the Playback Menu
7
PROTECT
Protect pictures from accidental deletion. Highlight one of the
following options and press MENU/OK.
Option
Option
Description
Description
FRAME
Protect selected pictures. Press the focus stick (focus lever) left or
right to view pictures and press MENU/OK to select or deselect.
Press DISP/BACK when the operation is complete.
SET ALL Protect all pictures.
RESET ALL Remove protection from all pictures.
O
Protected pictures will be deleted when the memory card is formatted.
N
Protecting images currently selected for upload to paired smart-
phones or tablets removes upload marking.
185
Playback and the Playback Menu
7
The Playback Menu
IMAGE ROTATE
Rotate pictures.
1
Display the desired picture.
2
Select IMAGE ROTATE in the playback menu.
3
Press the focus stick (focus lever) down to rotate the picture
90° clockwise, up to rotate it 90° counterclockwise.
4
Press MENU/OK. The picture will automatically be displayed in
the selected orientation whenever it is played back on the
camera.
N
•
Protected pictures cannot be rotated. Remove protection before ro-
tating pictures.
•
The camera may not be able to rotate pictures created with other
devices. Pictures rotated on the camera will not be rotated when
viewed on a computer or on other cameras.
•
Pictures taken with D SCREEN SET-UP> AUTOROTATE PB are auto-
matically displayed in the correct orientation during playback.
186
Playback and the Playback Menu
7
RED EYE REMOVAL
Remove red-eye from portraits. The camera will analyze the im-
age; if red-eye is detected, the image will be processed to create
a copy with reduced red-eye.
1
Display the desired picture.
2
Select RED EYE REMOVAL in the playback menu.
3
Press MENU/OK.
N
•
Results vary depending on the scene and the camera’s success in de-
tecting faces.
•
The amount of time needed to process the image varies with the
number of faces detected.
•
Red eye cannot be removed from pictures that have already been
processed using red-eye removal, which are indicated by a e icon
during playback.
•
Red eye removal cannot be performed on RAW images.
187
Playback and the Playback Menu
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The Playback Menu
VOICE MEMO SETTING
Add a voice memo to the current photograph.
1
Select ON for VOICE MEMO SETTING in the playback menu.
2
Display a photo to which you wish to add a voice memo.
3
Press and hold the center of the front command dial to re-
cord the memo. Recording ends after 30s or when you re-
lease the dial.
N
•
The new memo will be recorded over any existing memos.
•
Voice memos cannot be added to protected pictures.
•
Deleting the picture also deletes the memo.
Playing Voice Memos
Pictures with voice memos are indicated by q icons during playback.
•
To play a memo, select the picture and press the center of the front com-
mand dial.
•
A progress bar will be displayed while the memo plays back.
•
Volume can be adjusted by pressing MENU/OK to pause playback and then
pressing the focus stick (focus lever) up or down to adjust the volume.
Press MENU/OK again to resume playback. Volume can also be adjusted us-
ing D SOUND SET-UP> PLAYBACK VOLUME.
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Playback and the Playback Menu
7
COPY
Copy pictures between the cards in the rst and second slots.
1
Select COPY in the playback menu.
2
Highlight one of the following options.
Option
Option
Description
Description
SLOT1 y SLOT2
Copy pictures from the card in the fi rst slot to the card in
the second slot.
SLOT2 y SLOT1
Copy pictures from the card in the second slot to the card
in the fi rst slot.
3
Press the focus stick (focus lever) right.
4
Highlight one of the following options and press MENU/OK.
Option
Option
Description
Description
FRAME
Copy selected pictures. Press the focus stick left or right to
view pictures and press MENU/OK to copy the current picture.
ALL FRAMES Copy all pictures.
O
•
Copying ends when the destination is full.
•
If you attempt to copy a le over 4GB in size to a memory card with
a capacity of 32GB or less, copying will end and the le will not be
copied.
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Playback and the Playback Menu
7
The Playback Menu
IMAGE TRANSFER ORDER
Select photos for upload to a paired smartphone or tablet.
1
Select IMAGE TRANSFER ORDER> SELECT FRAMES in the
playback menu.
2
Highlight photos and press MENU/OK to select or deselect. Re-
peat until all the desired photos have been selected.
3
Press DISP/BACK to exit to playback.
N
If ON is selected for both D CONNECTION SETTING> Bluetooth
SETTINGS> Bluetooth ON/OFF and AUTO IMAGE TRANSFER,
upload will begin shortly after you exit to playback or turn the
camera o .
N
•
Image transfer orders can contain a maximum of 999 pictures.
•
The following cannot be selected for upload:
-
Protected pictures
-
Movies
-
RAW images
-
“Gift” pictures (pictures taken with other cameras)
•
If PAIRING/TRANSFER ORDER is selected for D CONNECTION
SETTING> GENERAL SETTINGS> r BUTTON SETTING, photos
can also be marked for upload using the Fn1 button.
•
To remove upload marking from all pictures in the current order, se-
lect IMAGE TRANSFER ORDER> RESET ORDER.
•
If ON is selected for D CONNECTION SETTING> Bluetooth
SETTINGS> AUTO IMAGE TRANSFER, photos will automatically be
marked for upload as they are taken.
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7
WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
•
Control the camera and take pictures remotely
•
Receive pictures uploaded from the camera
•
Browse the pictures on the camera and download selected pic-
tures
•
Upload location data to the camera
N
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
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Playback and the Playback Menu
7
The Playback Menu
PHOTOBOOK ASSIST
Create books from your favorite photos.
Creating a Photobook
1
Select NEW BOOK for C PLAY BACK MENU> PHOTOBOOK
ASSIST.
2
Scroll through the images and press the focus stick (focus le-
ver) up to select or deselect. Press MENU/OK to exit when the
book is complete.
N
•
Neither photographs a or smaller nor movies can be selected
for photobooks.
•
The rst picture selected becomes the cover image. Press the fo-
cus stick down to select the current image for the cover instead.
3
Highlight COMPLETE PHOTOBOOK and press MENU/OK (to se-
lect all photos for the book, choose SELECT ALL). The new
book will be added to the list in the photobook assist menu.
N
•
Books can contain up to 300 pictures.
•
Books that contain no photos are automatically deleted.
Photobooks
Photobooks can be copied to a computer using MyFinePix Studio software.
192
Playback and the Playback Menu
7
Viewing Photobooks
Highlight a book in the photobook assist menu and press MENU/OK
to display the book, then press the focus stick (focus lever) left or
right to scroll through the pictures.
Editing and Deleting Photobooks
Display the photobook and press MENU/OK. The following options
will be displayed; select the desired option and follow the on-
screen instructions.
•
EDIT: Edit the book as described in “Creating a Photobook”.
•
ERASE: Delete the book.
193
Playback and the Playback Menu
7
The Playback Menu
PRINT ORDER (DPOF)
Create a digital “print order” for DPOF-compatible printers.
1
Select C PLAY BACK MENU> PRINT ORDER (DPOF).
2
Select WITH DATE s to print the date of recording on pic-
tures, WITHOUT DATE to print pictures without dates, or
RESET ALL to remove all pictures from the print order before
proceeding.
3
Display a picture you wish to include in or remove from the
print order.
4
Press the focus stick (focus lever) up
or down to choose the number of
copies (up to 99).
N
To remove a picture from the order,
press the focus stick down until the
number of copies is 0.
Total number
of prints
Number of copies
N
Repeat steps 3–4 to complete the print order.
5
The total number of prints is displayed in the monitor. Press
MENU/OK to exit.
N
•
The pictures in the current print order are indicated by a u icon
during playback.
•
Print orders can contain a maximum of 999 pictures from a single
memory card.
•
If a memory card is inserted containing a print order created by an-
other camera, you will need to delete the order before creating as
described above.
01
PRINT ORDER
(
DPOF
)
SHEETS
SETFRAME
DPOF:
00001
194
Playback and the Playback Menu
7
instax PRINTER PRINT
To print pictures to optional Fuji lm instax SHARE printers, rst se-
lect D CONNECTION SETTING> instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and
password, then follow the steps below.
1
Turn the printer on.
2
Select C PLAY BACK MENU> instax
PRINTER PRINT. The camera will con-
nect to the printer.
FUJIFILM-CAMERA-1234
CONNECTING
CANCEL
PRINTER PRINT
instax-12345678
3
Use the focus stick (focus lever) to
display the picture you want to print,
then press MENU/OK. The picture will
be sent to the printer and printing
will start.
100-0020
SET CANCEL
instax-12345678
PRINTER PRINT
N
•
Pictures taken with other cameras cannot be printed.
•
The area printed is smaller than the area visible in the LCD
monitor.
•
The displays may vary depending on the printer connected.
195
Playback and the Playback Menu
7
The Playback Menu
DISP ASPECT
Choose how High De nition (HD) devices display pictures with
an aspect ratio of 4∶3 (this option is available only when an HDMI
cable is connected).
16 : 9
4:3
Option
Option
16
16
∶
∶
9
9
4
4
∶
∶
3
3
Display
N
Select 16
∶9 to display the image so that it lls the screen with its top
and bottom cropped out, 4
∶3 to display the entire image with black
bands at either side.
196
MEMO
197
The Setup Menus
198
The Setup Menus
8
D
USER SETTING
Adjust basic camera settings.
To access basic camera settings, press
MENU/OK, select the D (SET UP) tab, and
choose USER SETTING.
USER SETTING
FORMAT
DATE/TIME
MY MENU SETTING
SENSOR CLEANING
BATTERY AGE
RESET
TIME DIFFERENCE
EXIT
FORMAT
To format a memory card:
1
Select D USER SETTING> FORMAT in the D (SET UP) tab.
2
A con rmation dialog will be dis-
played. To format the memory card,
highlight OK and press MENU/OK.
N
To exit without formatting the memory
card, select CANCEL or press DISP/BACK.
OK
CANCEL
FORMAT CARD IN SLOT 1, OK?
ERASE ALL DATA
FORMAT
O
•
All data—including protected pictures—will be deleted from the
memory card. Be sure important les have been copied to a comput-
er or other storage device.
•
Do not remove the battery tray during formatting.
N
The format menu can also be displayed by pressing the center of the
rear command dial while pressing and holding the b button.
199
The Setup Menus
8
USER SETTING
DATE/TIME
To set the camera clock:
1
Select D USER SETTING> DATE/TIME in the D (SET UP) tab.
2
Press the focus stick (focus lever) left or right to highlight the
year, month, day, hour, or minute and press up or down to
change. To change the order in which the year, month, and
day are displayed, highlight the date format and press the
focus stick up or down.
3
Press MENU/OK to set the clock.
TIME DIFFERENCE
Switch the camera clock instantly from your home time zone to
the local time at your destination when traveling. To specify the
di erence between your local and home time zone:
1
Highlight g LOCAL and press MENU/OK.
2
Use the focus stick (focus lever) to choose the time di erence
between local time and your home time zone. Press MENU/OK
when settings are complete.
To set the camera clock to local time, highlight g LOCAL and
press MENU/OK. To set the clock to the time in your home time
zone, select h HOME.
Options
Options
g LOCAL h HOME
N
If g LOCAL is selected, g will be displayed in yellow for about three
seconds when the camera is turned on.
200
The Setup Menus
8
Qa
Choose a language.
MY MENU SETTING
Edit the items listed in the E (MY MENU) tab, a personalized cus-
tom menu of frequently-used options.
1
Highlight D USER SETTING> MY
MENU SETTING in the D (SET UP)
tab and press MENU/OK.
MY MENU SETTING
ADD ITEMS
RANK ITEMS
REMOVE ITEMS
N
To reorder items, select RANK ITEMS. To delete items, select
REMOVE ITEMS.
2
Press the focus stick (focus lever) up
or down to highlight ADD ITEMS and
press MENU/OK. Options that can be
added to “my menu” are highlighted
in blue.
OK
COLOR CHROME EFFECT
DYNAMIC RANGE
WHITE BALANCE
GRAIN EFFECT
FILM SIMULATION
RAW RECORDING
IMAGE QUALITY
IMAGE SIZE
MY MENU SETTING
SELECT CANCEL
N
Items currently in “my menu” are indicated by check marks.
3
Choose a position for the item and
press MENU/OK. The item will be added
to “my menu”.
SELECT ITEM LOCATION
1 IMAGE SIZE
2 IMAGE QUALITY
SAVEMOVE
4
Press MENU/OK to return to the edit display.
5
Repeat Steps 3 and 4 until all the desired items have been added.
N
“My menu” can contain up to 16 items.
201
The Setup Menus
8
USER SETTING
SENSOR CLEANING
Remove dust from the camera image sensor.
Option
Option
Description
Description
OK Clean the sensor immediately.
WHEN SWITCHED ON
Sensor cleaning will be performed when the camera is
turned on.
WHEN SWITCHED OFF
Sensor cleaning will be performed when the camera turns
off (sensor cleaning is not however performed if the cam-
era turns off in playback mode).
N
Dust that cannot be removed using sensor cleaning can be removed
using a blower (P 310).
BATTERY AGE
Check battery age. Age is expressed as a
number between 0 and 4. The higher the
number, the older the battery.
BATTERY AGE
BATTERY L
BATTERY R
N
The older the battery, the faster it loses its charge. We recommend that
batteries be replaced as they wear out.
202
The Setup Menus
8
USER SETTING
RESET
Reset shooting or setup menu options to default values.
1
Highlight the desired option and press MENU/OK.
Option
Option
Description
Description
SHOOTING MENU
RESET
Reset all shooting menu settings other than custom
white balance and custom settings banks created using
EDIT/SAVE CUSTOM SETTING to default values.
SET-UP RESET
Reset all setup menu settings other than DATE/TIME,
TIME DIFFERENCE, COPYRIGHT INFO, and con-
nection-related CONNECTION SETTING options to
default values.
2
A con rmation dialog will be displayed; highlight OK and
press MENU/OK.
REGULATORY
Display product certi cates.
203
The Setup Menus
8
D
SOUND SETTING
Make changes to camera sounds.
To access sound settings, press MENU/OK,
select the D (SET UP) tab, and choose
SOUND SET-UP.
SOUND SETTING
AF BEEP VOL.
SELF-TIMER BEEP VOL.
OPERATION VOL.
SHUTTER VOLUME
SHUTTER SOUND
PLAYBACK VOLUME
EXIT
AF BEEP VOL.
Choose the volume of the beep that sounds when the camera
focuses. The beep can be muted by selecting eOFF.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
SELF-TIMER BEEP VOL.
Choose the volume of the beep that sounds while the self-timer
is active. The beep can be muted by selecting eOFF.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
204
The Setup Menus
8
SOUND SETTING
OPERATION VOL.
Adjust the volume of the sounds produced when camera con-
trols are operated. Choose eOFF to disable control sounds.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
SHUTTER VOLUME
Adjust the volume of the sounds produced by the electronic
shutter. Choose eOFF to disable the shutter sound.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
SHUTTER SOUND
Choose the sound made by the electronic shutter.
Options
Options
i SOUND 1 j SOUND 2 k SOUND 3
PLAYBACK VOLUME
Adjust the volume for movie playback.
Options
Options
109876543210
205
The Setup Menus
8
D
SCREEN SETTING
Make changes to display settings.
To access display settings, press MENU/OK,
select the D (SET UP) tab, and choose
SCREEN SET-UP.
SCREEN SETTING
EVF BRIGHTNESS
LCD BRIGHTNESS
EVF COLOR ADJUSTMENT
EVF COLOR
LCD COLOR
LCD COLOR ADJUSTMENT
IMAGE DISP.
AUTOROTATE DISPLAYS
EXIT
EVF BRIGHTNESS
Adjust the brightness of the display in the electronic view nder.
Option
Option
Description
Description
AUTO Automatic brightness adjustment.
MANUAL
Adjust brightness manually; choose from options between +5
and −7.
EVF COLOR
Adjust the hue of the display in the electronic view nder.
Options
Options
+5 +4 +3 +2 +1 0 −1 −2 −3 −4 −5
EVF COLOR ADJUSTMENT
Adjust the color of the display in the electronic view nder.
1
Adjust colors using the focus stick
(focus lever).
SET CANCEL
EVF COLOR ADJUSTMENT
2
Press MENU/OK.
206
The Setup Menus
8
LCD BRIGHTNESS
Adjust monitor brightness.
Options
Options
+5 +4 +3 +2 +1 0 −1 −2 −3 −4 −5
LCD COLOR
Adjust monitor hue.
Options
Options
+5 +4 +3 +2 +1 0 −1 −2 −3 −4 −5
LCD COLOR ADJUSTMENT
Adjust the color of the display in the LCD monitor.
1
Adjust colors using the focus stick (focus lever).
2
Press MENU/OK.
207
The Setup Menus
8
SCREEN SETTING
IMAGE DISP.
Choose how long images are displayed after shooting.
Option
Option
Description
Description
CONTINUOUS
Pictures are displayed until the MENU/OK button is pressed or the
shutter button is pressed halfway. To zoom in on the active focus
point, press the center of the rear command dial; press again to
cancel zoom.
1.5 SEC
Pictures are displayed for the selected time or until the shutter
button is pressed halfway.
0.5 SEC
OFF Pictures are not displayed after shooting.
N
•
Colors may di er slightly from those in the nal image.
•
“Noise” mottling may be visible at high sensitivities.
AUTOROTATE DISPLAYS
Choose whether the indicators in the view nder and LCD monitor
rotate to match camera orientation.
Options
Options
ON OFF
208
The Setup Menus
8
PREVIEW EXP./WB IN MANUAL MODE
Choose whether to enable exposure and/or white balance preview
in manual exposure mode.
Option
Option
Description
Description
PREVIEW EXP./WB Enable exposure and white balance preview.
PREVIEW WB
Preview white balance only. Choose this option in situations in
which exposure and white balance are likely to change during
shooting, as may be the case when you use a fl ash with an
incandescent monitoring lamp.
OFF
Disable exposure and white balance preview. Choose this op-
tion when using a fl ash or on other occasions on which expo-
sure may change when the picture is taken.
NATURAL LIVE VIEW
Choose whether the e ects of lm simulation, white balance,
and other settings are visible in the monitor.
Option
Option
Description
Description
ON
The eff ects of camera settings are not visible in the monitor,
but shadows in low-contrast, back-lit scenes and other hard-
to-see subjects more visible. Colors and tone will diff er from
those in the fi nal picture. The display will however be adjusted
to show the eff ects of monochrome and sepia settings.
OFF
The eff ects of fi lm simulation, white balance, and other settings
can be previewed in the monitor.
209
The Setup Menus
8
SCREEN SETTING
FRAMING GUIDELINE
Choose a framing grid for shooting mode.
Option
Option
F
F
GRID 9
GRID 9
G
G
GRID 24
GRID 24
H
H
HD FRAMING
HD FRAMING
Display
P P
P
For “rule of thirds” compo-
sition.
A six-by-four grid. Frame HD pictures in the
crop shown by the lines at
the top and bottom of the
display.
N
Framing guides are not shown at default settings but can be displayed
using D SCREEN SET-UP> DISP. CUSTOM SETTING (P 211).
AUTOROTATE PB
Choose ON to automatically rotate “tall” (portrait-orientation)
pictures during playback.
Options
Options
ON OFF
210
The Setup Menus
8
FOCUS SCALE UNITS
Choose the units used for the focus distance indicator.
Options
Options
METERS FEET
DUAL DISPLAY SETTING
Choose the content of the two windows in the dual display.
Option
Option
Description
Description
R:FOCUS L:FRAME
The right (small) window shows a close-up of the focus area,
while the left (large) window shows the entire frame.
R:FRAME L:FOCUS
The right (small) window shows the entire frame, while the left
(large) window shows a close-up of the focus area.
211
The Setup Menus
8
SCREEN SETTING
DISP. CUSTOM SETTING
Choose the items shown in the standard indicator display.
1
In shooting mode, use the DISP/BACK button to display stan-
dard indicators.
2
Press MENU/OK and select D SCREEN SET-UP> DISP. CUSTOM
SETTING in the D (SET UP) tab.
3
Highlight items and press MENU/OK to select or deselect.
Item
Item
Default
Default
FRAMING GUIDELINE
R
ELECTRONIC LEVEL
R
FOCUS FRAME
R
AF DISTANCE INDICATOR
R
MF DISTANCE INDICATOR
R
HISTOGRAM
R
LIVE VIEW HIGHLIGHT ALERT
R
SHOOTING MODE
R
APERTURE/S-SPEED/ISO
R
INFORMATION BACKGROUND
R
Expo. Comp. (Digit)
R
Expo. Comp. (Scale)
R
FOCUS MODE
R
PHOTOMETRY
R
SHUTTER TYPE
R
FLASH
R
Item
Item
Default
Default
CONTINUOUS MODE
R
DUAL IS MODE
R
TOUCH SCREEN MODE
R
WHITE BALANCE
R
FILM SIMULATION
R
DYNAMIC RANGE
R
BOOST MODE
R
FRAMES REMAINING
R
IMAGE SIZE/QUALITY
R
MOVIE MODE & REC. TIME
R
35mm FORMAT MODE
R
IMAGE TRANSFER ORDER
R
MIC LEVEL
R
GUIDANCE MESSAGE
R
BATTERY LEVEL
R
FRAMING OUTLINE
R
4
Press DISP/BACK to save changes.
5
Press DISP/BACK as needed to exit the menus and return to the
shooting display.
212
The Setup Menus
8
LARGE INDICATORS MODE(EVF)
Select ON to display large indicators in the electronic view nd-
er. The indicators displayed can be selected using D SCREEN
SET-UP> LARGE INDICATORS DISP. SETTING.
OFF ON
O
Some icons are not displayed when ON is selected for LARGE
INDICATORS MODE(EVF) (P 17).
N
If LARGE INDICATORS MODE is assigned to a function button, the
button can be used to toggle LARGE INDICATORS MODE on (ON)
and o (OFF) (P 223, 259).
213
The Setup Menus
8
SCREEN SETTING
LARGE INDICATORS MODE(LCD)
Select ON to display large indicators in the LCD monitor. The in-
dicators displayed can be selected using D SCREEN SET-UP >
LARGE INDICATORS DISP. SETTING.
OFF ON
O
Some icons are not displayed when ON is selected for LARGE
INDICATORS MODE(LCD) (P 19).
N
If LARGE INDICATORS MODE is assigned to a function button, the
button can be used to toggle LARGE INDICATORS MODE on (ON)
and o (OFF) (P 223, 259).
214
The Setup Menus
8
LARGE INDICATORS DISP. SETTING
Choose the indicators displayed when
ON is selected for D SCREEN SET-UP>
LARGE INDICATORS MODE(EVF) or
LARGE INDICATORS MODE(LCD).
Scale
Expo. DISP.
LARGE INDICATORS DISP. SETTING
Option
Option
Description
Description
A
Expo. DISP.
Choose the items listed at the bottom of the display.
Selected items are indicated by check marks (R); to
deselect, highlight the check marks and press MENU/OK.
B
d Scale
Select ON to display the exposure indicator.
C
L1, L2, L3, L4
Choose up to four large icons for display on the left side
of the screen.
D
R1, R2, R3, R4
Choose up to four large icons for display on the right
side of the screen.
INFORMATION CONTRAST ADJ.
Adjust display contrast.
Option
Option
Description
Description
HIGH CONTRAST High contrast.
STANDARD Normal contrast.
LOW CONTRAST Low contrast.
DARK AMBIENT LIGHTING Contrast adjusted for dim ambient lighting.
215
The Setup Menus
8
SCREEN SETTING
SUB MONITOR SETTING
Choose the indicators displayed in the secondary LCD monitor.
Separate displays are available for still photography and movie
recording. Choose from the following:
Option
Option
Description
Description
INFORMATION
Display camera settings. You can choose the settings
displayed.
DIALS Display dials showing ISO sensitivity and shutter speed.
HISTOGRAM Display a histogram.
N
You can switch between displays by pressing the secondary LCD mon-
itor mode button.
The INFORMATION Display
Follow the steps below to choose the indicators shown in the
INFORMATION display.
1
Select D SCREEN SET-UP> SUB MONITOR SETTING in the
setup menu.
2
Highlight STILL MODE or MOVIE MODE and press MENU/OK.
3
Highlight INFORMATION and press
MENU/OK.
INFORMATION
DIALS
HISTOGRAM
SUB MONITOR SETTING(STILL)
216
The Setup Menus
8
4
Highlight the indicator you wish to change and press MENU/OK.
SUB MONITOR SETTING
INFORMATION(STILL)
SHUTTER SPEED
ISO
APERTURE
SHOOTING MODE
IMAGE SIZE/QUALITY
BATTERY LEVEL
FILM SIMULATION
WHITE BALANCE
5
Highlight the indicator you wish to
display and press MENU/OK.
ISO
MOVIE MODE
SHOOTING MODE
PHOTOMETRY
DRIVE MODE
APERTURE
SHUTTER SPEED
EXPO. COMP.
DISPLAY 1 SETTING
Choose from:
•
SHUTTER SPEED
•
APERTURE
•
EXPO. COMP.
•
ISO
•
MOVIE MODE
•
SHOOTING MODE
•
PHOTOMETRY
•
DRIVE MODE
•
FOCUS MODE
•
WHITE BALANCE
•
IMAGE SIZE/QUALITY
•
SHUTTER TYPE
•
FILM SIMULATION
•
DYNAMIC RANGE
•
35mm FORMAT MODE
•
BOOST MODE
•
DUAL IS MODE
•
SELF-TIMER
•
NONE
217
The Setup Menus
8
SCREEN SETTING
6
Repeat Steps 4 and 5 to change additional indicators.
N
The d Scale indicator can only be enabled
or disabled.
F
ISO
1
S.S.
M
RL
L
L
E
L
A
F
L
T
T
V
L
4000
102400
9999
2.8
d Scale
218
The Setup Menus
8
REAR SUB MONITOR SETTING
Choose the indicators displayed in the rear secondary monitor.
Separate displays are available for still photography and movie
recording. Choose from the following:
Option
Option
Description
Description
INFORMATION 1
Display a preset selection of indicators (INFORMATION 1
or INFORMATION 2).
INFORMATION 2
d Scale
Display an exposure indicator.
HISTOGRAM
Display a histogram.
OFF Turn the rear secondary monitor off .
The INFORMATION 1 and INFORMATION 2 Displays
Follow the steps below to choose the indicators shown in
the INFORMATION 1 or INFORMATION 2 display.
1
Select D SCREEN SET-UP> REAR SUB MONITOR SETTING in
the setup menu.
2
Highlight STILL MODE or MOVIE MODE and press MENU/OK.
3
Highlight INFORMATION 1 or INFORMATION 2 and press
MENU/OK.
4
Highlight the indicator you wish to change and press MENU/OK.
REAR SUB MONITOR SETTING
INFORMATION 1(STILL)
APERTURE
ISO
SHUTTER SPEED
EXPO. COMP.
FILM SIMULATION
WHITE BALANCE
219
The Setup Menus
8
SCREEN SETTING
5
Highlight the indicator you wish to
display and press MENU/OK.
ISO
MOVIE MODE
FRAMES REM.
REC. TIME
SHOOTING MODE
APERTURE
SHUTTER SPEED
EXPO. COMP.
DISPLAY 1 SETTING
Choose from:
•
SHUTTER SPEED
•
APERTURE
•
EXPO. COMP.
•
ISO
•
MOVIE MODE
•
FRAMES REM.
•
REC. TIME
•
SHOOTING MODE
•
PHOTOMETRY
•
DRIVE MODE
•
FOCUS MODE
•
WHITE BALANCE
•
IMAGE SIZE/QUALITY
•
BATTERY LEVEL
•
SHUTTER TYPE
•
FILM SIMULATION
•
DYNAMIC RANGE
•
IMAGE TRANSFER ORDER
•
35mm FORMAT MODE
•
H.265(HEVC)/H.264
•
MOVIE COMPRESSION
•
HIGHLIGHT TONE
•
SHADOW TONE
•
COLOR
•
SHARPNESS
•
NOISE REDUCTION
•
GRAIN EFFECT
•
COLOR CHROME EFFECT
•
SMOOTH SKIN EFFECT
•
BOOST MODE
•
DUAL IS MODE
•
FLASH
•
SELF-TIMER
•
NONE
6
Repeat Steps 4 and 5 to change additional indicators.
220
The Setup Menus
8
SCREEN SETTING
SUB MONITOR BACKGROUND COLOR
Adjusting the background color of the secondary LCD monitor
according to lighting conditions makes the display easier to read.
Option
Option
Description
Description
BLACK Recommended for use with dark ambient lighting.
WHITE Recommended for use with bright ambient lighting.
N
The background is displayed in white when the secondary LCD moni-
tor backlight is on.
REAR SUB MONITOR BRIGHTNESS
Adjust the brightness of the rear secondary monitor.
Options
Options
+5 +4 +3 +2 +1 0 −1 −2 −3 −4 −5
221
The Setup Menus
8
D
BUTTON/DIAL SETTING
Access options for camera controls.
To access control options, press MENU/OK,
select the D (SET UP) tab, and choose
BUTTON/DIAL SETTING.
BUTTON/DIAL SETTING
FOCUS LEVER SETTING
COMMAND DIAL SETTING
FUNCTION (Fn) SETTING
EDIT/SAVE QUICK MENU
SHUTTER AF
SHUTTER AE
SHOOT WITHOUT LENS
SHOOT WITHOUT CARD
EXIT
FOCUS LEVER SETTING
Choose the functions performed by the focus stick (focus lever).
Option
Option
Description
Description
LOCK (OFF) The focus stick cannot be used during shooting.
PUSH n TO UNLOCK
Press the stick to view the focus-point display and tilt the stick
to select a focus point.
ON
Tilt the stick to view the focus-point display and select a focus
point.
222
The Setup Menus
8
EDIT/SAVE QUICK MENU
Choose the items displayed in the quick menu.
1
Select D BUTTON/DIAL SETTING> EDIT/SAVE QUICK MENU
in the D (SET UP) tab.
2
The current quick menu will be displayed; use the focus stick
(focus lever) to highlight the item you wish to change and
press MENU/OK.
3
Highlight any of the following options and press MENU/OK to
assign it to the selected position.
•
IMAGE SIZE
•
IMAGE QUALITY
•
FILM SIMULATION
*
•
B & W ADJ. ab(Warm/Cool)
*
•
GRAIN EFFECT
*
•
COLOR CHROME EFFECT
*
•
SMOOTH SKIN EFFECT
*
•
DYNAMIC RANGE
*
•
D RANGE PRIORITY
*
•
WHITE BALANCE
*
•
HIGHLIGHT TONE
*
•
SHADOW TONE
*
•
COLOR
*
•
SHARPNESS
*
•
NOISE REDUCTION
*
•
SELECT CUSTOM SETTING
*
•
AF MODE (MOVIE AF MODE)
•
AF-C CUSTOM SETTINGS
•
FACE/EYE DETECTION SETTING
•
MF ASSIST
•
TOUCH SCREEN MODE
•
SELF-TIMER
•
PHOTOMETRY
•
SHUTTER TYPE
•
FLICKER REDUCTION
•
ISO
*
•
FLASH FUNCTION SETTING
•
FLASH COMPENSATION
•
MOVIE MODE
•
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
•
EVF/LCD BRIGHTNESS
•
EVF/LCD COLOR
•
NONE
* Stored in custom settings bank.
N
•
Select NONE to assign no option to the selected position.
•
When SELECT CUSTOM SETTING is selected, current settings
are shown in the quick menu by the label BASE.
N
The quick menu can also be accessed in shooting mode by holding
the Q button.
223
The Setup Menus
8
BUTTON/DIAL SETTING
FUNCTION (Fn) SETTING
Choose the roles played by the function buttons.
1
Select D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING
in the D (SET UP) tab.
2
Highlight the desired control and press MENU/OK.
3
Highlight any of the following options and press MENU/OK to
assign it to the selected control.
N
•
AE LOCK ONLY, AF LOCK ONLY, AE/AF LOCK, AF-ON, and AWB
LOCK ONLY cannot be assigned to the touch function buttons (T-Fn1
through T-Fn4).
•
Function button assignment options can also be accessed by hold-
ing the DISP/BACK button.
224
The Setup Menus
8
Roles That Can Be Assigned to the Function Buttons
Choose from:
•
EXPO. COMP.
•
IMAGE SIZE
•
IMAGE QUALITY
•
RAW
•
FILM SIMULATION
•
GRAIN EFFECT
•
COLOR CHROME EFFECT
•
SMOOTH SKIN EFFECT
•
DYNAMIC RANGE
•
D RANGE PRIORITY
•
WHITE BALANCE
•
SELECT CUSTOM SETTING
•
FOCUS AREA
•
FOCUS CHECK
•
AF MODE
•
AF-C CUSTOM SETTINGS
•
FACE SELECT op
•
FACE DETECTION ON/OFF
•
SELF-TIMER
•
AE BKT SETTING
•
FOCUS BKT SETTING
•
PHOTOMETRY
•
SHUTTER TYPE
•
FLICKER REDUCTION
•
ISO
•
IS MODE
•
35mm FORMAT MODE
•
WIRELESS COMMUNICATION
•
FLASH FUNCTION SETTING
•
TTL-LOCK
•
MODELING FLASH
•
ZEBRA SETTING
•
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
•
MOVIE SILENT CONTROL
•
PREVIEW DEPTH OF FIELD
•
PREVIEW EXP./WB IN MANUAL MODE
•
NATURAL LIVE VIEW
•
HISTOGRAM
•
ELECTRONIC LEVEL
•
LARGE INDICATORS MODE
•
AE LOCK ONLY
•
AF LOCK ONLY
•
AE/AF LOCK
•
AF-ON
•
AWB LOCK ONLY
•
LOCK SETTING
•
PERFORMANCE
•
AUTO IMAGE TRANSFER
•
SELECT PAIRING DESTINATION
•
Bluetooth ON/OFF
•
PLAYBACK
•
SHOOTING MODE
•
NONE (control disabled)
225
The Setup Menus
8
BUTTON/DIAL SETTING
AF-ON
If AF-ON is selected, you can press the control instead of keeping
the shutter button pressed halfway.
MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mount-
ed ash unit is attached, you can press the control to test- re the
ash and check for shadows and the like (modeling ash).
TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock ash
output according to the option selected for F FLASH SETTING>
TTL-LOCK MODE (P 149).
n FACE SELECT op
n FACE SELECT op can be enabled
or disabled by pressing the button to
which n FACE SELECT op is assigned.
Enabling n FACE SELECT op allows
the focus stick (focus lever) or (during
view nder photography) touch controls
(P 31) to be used to select the face
that will be used for focus.
FACE SELECT ON
The following features can be accessed using the focus stick or
during view nder photography when n FACE SELECT op is
enabled:
•
The face used to set focus can be selected using the focus stick.
To switch from face detection to manual focus-area selection,
press the center of the focus stick (focus lever) (P 82). Press
again to re-enable face detection.
•
The touch screen (monitor) or focus stick can be used to select
the face used to set focus during view nder photography.
226
The Setup Menus
8
COMMAND DIAL SETTING
Choose the roles played by the command dials.
Option
Option
Description
Description
FRONT COMMAND
DIAL 1
Assign shutter speed (S.S. (PROGRAM SHIFT)) or ap-
erture (APERTURE (PROGRAM SHIFT))
*
to FRONT
COMMAND DIAL 1.
FRONT COMMAND
DIAL 2
Assign shutter speed (S.S. (PROGRAM SHIFT)), aperture
(APERTURE (PROGRAM SHIFT))
*
, sensitivity (ISO), or no
role (NONE) to FRONT COMMAND DIAL 2 or FRONT
COMMAND DIAL 3.
FRONT COMMAND
DIAL 3
REAR COMMAND
DIAL
Assign shutter speed (S.S. (PROGRAM SHIFT)), aperture
(APERTURE (PROGRAM SHIFT))
*
, sensitivity (ISO), or no
role (NONE) to the rear command dial.
EXP. COMPENSATION
ASSIGNMENT
Exposure compensation can be adjusted using either or
both of the front and rear command dials while the d (ex-
posure compensation) button is pressed.
* Aperture ring rotated to C.
N
•
COMMAND DIAL SETTING can also be accessed by pressing and
holding the center of the front command dial.
•
You can also press the center of the front command dial to cycle
through settings in the order FRONT COMMAND DIAL 1, FRONT
COMMAND DIAL 2, and FRONT COMMAND DIAL 3.
•
The selected option also applies to the vertical-grip command dials.
227
The Setup Menus
8
BUTTON/DIAL SETTING
SHUTTER AF
Choose whether the camera focuses when the shutter button is
pressed halfway.
Option
Option
Description
Description
AF-S
•
ON: Focus locks when the shutter button is pressed halfway.
•
OFF: No focus operation is performed when the shutter button is
pressed halfway.
AF-C
•
ON: The camera focuses while the shutter button is pressed half-
way.
•
OFF: No focus operation is performed when the shutter button is
pressed halfway.
SHUTTER AE
If ON is selected, exposure will lock while the shutter button is
pressed halfway.
Option
Option
Description
Description
AF-S/MF
•
ON: Exposure locks when the shutter button is pressed halfway.
•
OFF: Exposure does not lock when the shutter button is pressed
halfway.
AF-C
•
ON: Exposure locks while the shutter button is pressed halfway.
•
OFF: Exposure does not lock when the shutter button is pressed
halfway.
N
Select OFF to allow the camera to adjust exposure before each shot
taken in burst mode.
228
The Setup Menus
8
SHOOT WITHOUT LENS
Choose ON to enable the shutter release when no lens is at-
tached.
Options
Options
ON OFF
SHOOT WITHOUT CARD
Choose whether the shutter can be released without a memory
card inserted in the camera.
Option
Option
Description
Description
ON
When no memory card is inserted, the shutter can be released
to test camera function and the shooting and setup menus can
be displayed.
OFF
The shutter is disabled if no memory card is inserted, preventing
accidental loss of pictures taken without a memory card.
229
The Setup Menus
8
BUTTON/DIAL SETTING
FOCUS RING
Choose the direction in which the focus ring is rotated to in-
crease the focus distance.
Options
Options
X CW (clockwise) Y CCW (counterclockwise)
FOCUS RING OPERATION
Choose how the camera adjusts focus in response to the move-
ment of the focus ring.
Option
Option
Description
Description
NONLINEAR Focus is adjusted at the same rate as the ring is rotated.
LINEAR
Focus is adjusted linearly according to the amount the ring is ro-
tated, but the focusing speed is unaff ected by the speed the ring
is rotated.
230
The Setup Menus
8
AE/AF-LOCK MODE
This option determines the behavior of the button to which
exposure and/or focus lock is assigned.
Option
Option
Description
Description
AE&AF ON WHEN
PRESSING
Exposure and/or focus will lock while the button is pressed.
AE&AF ON/OFF
SWITCH
Exposure and/or focus will lock when the button is pressed and re-
main locked until it is pressed again.
AWB-LOCK MODE
Choose the behavior of function buttons assigned auto white
balance (AWB) lock. Auto white balance lock is used to lock white
balance at the value metered by the camera when AUTO is se-
lected for white balance.
Option
Option
Description
Description
AWB ON WHEN
PRESSING
Auto white balance locks while the button is pressed.
AWB ON/OFF
SWITCH
Press the button once to lock auto white balance and again to end
the lock.
EXPO. COMP. BUTTON SETTING
Control the behavior of the rear command dial and the button
to which exposure compensation is assigned. If
d
ON WHEN
PRESSING is selected, exposure compensation can be adjusted
by holding the button while rotating dial; if
d
ON/OFF SWITCH
is selected, exposure compensation can be set by pressing the
button once, rotating the dial, and then pressing the button
again.
Options
Options
ON WHEN PRESSING ON/OFF SWITCH
231
The Setup Menus
8
BUTTON/DIAL SETTING
TOUCH SCREEN SETTING
Enable or disable touch-screen controls.
Option
Option
Description
Description
x TOUCH SCREEN
SETTING
•
ON: The LCD monitor functions as a touch screen during
shooting.
•
OFF: Touch controls disabled.
x DOUBLE TAP
SETTING
•
ON: Tap the LCD monitor twice to zoom in on your sub-
ject during shooting.
•
OFF: Touch zoom disabled.
c TOUCH FUNCTION
Enable or disable touch function gestures.
a TOUCH SCREEN
SETTING
•
ON: The LCD monitor functions as a touch screen during
playback.
•
OFF: Touch controls disabled.
EVF TOUCH SCREEN
AREA SETTINGS
Select the area of the LCD monitor used for touch controls
while the viewfi nder is active.
•
The area used for touch controls can be selected from:
⁃ 6 (all)
⁃ 0 (right half)
⁃ 2 (top right quarter)
⁃ 4 (bottom right quarter)
⁃ 1 (left half)
⁃ 3 (top left quarter)
⁃ 5 (bottom left quarter)
•
Choose OFF to disable touch controls while the view-
fi nder is active.
232
The Setup Menus
8
BUTTON/DIAL SETTING
LOCK
Lock selected controls to prevent unintended operation.
Option
Option
Description
Description
LOCK SETTING
Choose from the following:
•
UNLOCK: Reset lock options.
•
ALL FUNCTION: Lock all controls in the FUNCTION
SELECTION list.
•
SELECTED FUNCTION: Lock only the controls selected in
the FUNCTION SELECTION list.
FUNCTION
SELECTION
Choose the controls locked when SELECTED FUNCTION is
chosen for LOCK SETTING.
233
The Setup Menus
8
D
POWER MANAGEMENT
Adjust power management settings.
To access power management settings,
press MENU/OK, select the D (SET UP) tab,
and choose POWER MANAGEMENT.
POWER MANAGEMENT
AUTO POWER OFF
PERFORMANCE
SHOOTING STAND BY MODE
AUTO POWER SAVE
EXIT
AUTO POWER OFF
Choose the length of time before the camera turns o automati-
cally when no operations are performed. Shorter times increase
battery life; if OFF is selected, the camera must be turned o
manually.
Options
Options
5 MIN 2 MIN 1 MIN 30 SEC 15 SEC OFF
234
The Setup Menus
8
PERFORMANCE
Select BOOST to improve focus and view nder display perfor-
mance.
Option
Option
Description
Description
BOOST
Boost camera focus and/or viewfi nder display performance. The
battery drains faster than when is NORMAL selected.
You can choose to assign priority to:
•
AF PRIORITY: Focus speed.
•
EVF RESOLUTION PRIORITY: Viewfi nder resolution.
•
EVF FRAME RATE PRIORITY: Viewfi nder frame rate for
smoother motion.
N
Regardless of the option selected, the camera func-
tions in AF PRIORITY mode while the monitor is on.
NORMAL
Choose for standard focus and viewfi nder display performance
and battery endurance.
235
The Setup Menus
8
POWER MANAGEMENT
SHOOTING STAND BY MODE
Choose the delay before the camera enters shooting standby
mode.
Option
Option
Description
Description
5 MIN
The camera will suspend all functions and enter power-
ing-saving (standby) mode if no operations are performed
for the selected period.
2 MIN
1 MIN
30 SEC
15 SEC
OFF Shooting standby mode disabled.
AUTO POWER SAVE
If ON is selected, the display frame rate will drop to save power if
no operations are performed for a short period, but the normal
frame rate can be restored by operating camera controls.
Options
Options
ON OFF
236
The Setup Menus
8
D
SAVE DATA SETTING
Make changes to le management settings.
To access le management settings,
press MENU/OK, select the D (SET UP) tab,
and choose SAVE DATA SET-UP.
SAVE
DATA
SETTING
FRAMENO.
SAVEORGIMAGE
EDITFILENAME
CARDSLOTSETTING (STILL IMAGE)
SELECTFOLDER
COPYRIGHTINFO
SELECTSLOT( SEQUENTIAL)
SELECTSLOT( SEQUENTIAL)
EXIT
FRAME NO.
New pictures are stored in image les named
using a four-digit le number assigned by
adding one to the last le number used. The
le number is displayed during playback as
shown. FRAME NO. controls whether le num-
bering is reset to 0001 when a new memory card is inserted or
the current memory card is formatted.
Option
Option
Description
Description
CONTINUOUS
Numbering continues from the last fi le number used or the fi rst
available fi le number, whichever is higher. Choose this option to
reduce the number of pictures with duplicate fi le names.
RENEW
Numbering is reset to 0001 after formatting or when a new
memory card is inserted.
N
•
If the frame number reaches 999-9999, the shutter release will be dis-
abled. Format the memory card after transferring to a computer any
pictures you wish to keep.
•
Selecting
D
USER SETTING> RESET sets FRAME NO. to
CONTINUOUS but does not reset the le number.
•
Frame numbers for pictures taken with other cameras may di er.
Frame number
Directory
number
File
number
237
The Setup Menus
8
SAVE DATA SETTING
SAVE ORG IMAGE
Choose ON to save unprocessed copies of pictures taken using
RED EYE REMOVAL.
Options
Options
ON OFF
EDIT FILE NAME
Change the le name pre x. sRGB images use a four-letter pre x
(default “DSCF”), Adobe RGB images a three-letter pre x (“DSF”)
preceded by an underscore.
Option
Option
Default pre x
Default pre x
Sample le name
Sample le name
sRGB DSCF ABCD0001
AdobeRGB _DSF _ABC0001
CARD SLOT SETTING (STILL IMAGE)
Choose the role played by the card in the second slot.
Option
Option
Description
Description
SEQUENTIAL
The card in the second slot is used only when the card in the
fi rst slot is full.
BACKUP Each picture is recorded twice, once to each card.
RAW / JPEG
RAW pictures will be saved to the card in the fi rst slot and JPEG
pictures to the card in the second slot.
238
The Setup Menus
8
SELECT SLOT(xSEQUENTIAL)
Choose the card that is recorded to rst when SEQUENTIAL is
selected for CARD SLOT SETTING (STILL IMAGE).
Options
Options
SLOT 1 SLOT 2
SELECT SLOT(FSEQUENTIAL)
Choose the slot used to store movies.
Options
Options
SLOT 1 SLOT 2
SELECT FOLDER
Create folders and choose the folder used to store subsequent
pictures.
Option
Option
Description
Description
SELECT FOLDER
To choose the folder in which subsequent pictures will be stored,
press the focus stick (focus lever) up or down to highlight an ex-
isting folder and press MENU/OK.
CREATE FOLDER
Enter a fi ve-character folder name to create a new folder in
which to store subsequent pictures. The new folder will be cre-
ated with the next picture you take and subsequent pictures will
be stored in that folder.
239
The Setup Menus
8
SAVE DATA SETTING
COPYRIGHT INFO
Copyright information, in the form of Exif tags, can be added to
new images as they are taken. Changes to copyright information
are re ected only in images taken after the changes are made.
Option
Option
Description
Description
DISP COPYRIGHT INFO View the current copyright information.
ENTER AUTHOR’S INFO Enter the creator’s name.
ENTER COPYRIGHT INFO Enter the name of the copyright holder.
DELETE COPYRIGHT INFO
Delete the current copyright information. This change applies
only to images taken after this option is selected; copyright
information recorded with existing images is not aff ected.
240
The Setup Menus
8
D
CONNECTION SETTING
Adjust settings for connection to other devices.
To access connection settings, press
MENU/OK, select the D (SET UP) tab, and
choose CONNECTION SETTING.
CONNECTION
SETTING
BluetoothSETTINGS
NETWORKSETTING
PRINTERCONNECTIONSETTING
PCCONNECTIONMODE
WIRELESS COM. FREQUENCY SETTING
GENERALSETTINGS
INFORMATION
RESETWIRELESSSETTING
EXIT
N
For more information on wireless connections, visit:
http://fujifilm-dsc.com/wifi/
Bluetooth SETTINGS
Adjust Bluetooth settings.
Option
Option
Description
Description
PAIRING
REGISTRATION
To pair the camera with a smartphone or tablet, select this op-
tion, then launch FUJIFILM Camera Remote on the smart device
and tap PAIRING REGISTRATION.
SELECT PAIRING
DESTINATION
Choose a connection from a list of devices with which the
camera has been paired using PAIRING REGISTRATION.
Select NO CONNECTION to exit without connecting.
DELETE PAIRING
REG.
Delete pairing information for selected devices. Choose the de-
vice in the device list. The selected device will also be removed
from the devices listed in SELECT PAIRING DESTINATION.
Bluetooth ON/OFF
•
ON: The camera automatically establishes a Bluetooth con-
nection with paired devices when turned on.
•
OFF: The camera does not connect via Bluetooth.
AUTO IMAGE
TRANSFER
•
ON: Mark photos for upload as they are taken. Mark JPEG
photos for upload as they are taken.
•
OFF: Photos are not marked for upload as they are taken.
241
The Setup Menus
8
CONNECTION SETTING
Option
Option
Description
Description
SMARTPHONE
SYNC. SETTING
Choose whether to synchronize the camera to the time and/or
location provided by a paired smartphone.
•
LOCATION&TIME: Synchronize the time and location.
•
LOCATION: Synchronize the location.
•
TIME: Synchronize the time.
•
OFF: Synchronization off .
N
•
Install the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet before pairing the device with your camera or
uploading images.
•
When ON is selected for both Bluetooth ON/OFF and AUTO IMAGE
TRANSFER or images are currently selected for upload using the IMAGE
TRANSFER ORDER option in the
C
(playback) menu, upload to paired
devices will begin shortly after you exit to playback or turn the camera
o . IMAGE TRANSFER ORDER can also be used to select pictures for
upload when AUTO IMAGE TRANSFER is o .
242
The Setup Menus
8
NETWORK SETTING
Adjust settings for connection to wireless networks.
Option
Option
Description
Description
WIRELESS ACCESS
POINT SETTING
•
SIMPLE SETUP: Connect to an access point using simple
settings.
•
MANUAL SETUP: Manually adjust settings for connec-
tion to a wireless network. Choose the network from a list
(SELECT FROM NETWORK LIST) or enter the name manu-
ally (ENTER SSID).
WIRELESS IP
ADDRESS SETTING
•
AUTO: The IP address is assigned automatically.
•
MANUAL: Assign an IP address manually. Manually choose
the IP address (IP ADDRESS), network mask (NETMASK),
and gateway address (GATEWAY ADDRESS).
243
The Setup Menus
8
CONNECTION SETTING
instax PRINTER CONNECTION SETTING
Adjust settings for connection to optional Fuji lm instax SHARE
printers.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a di erent
password to print from a smartphone, enter
that password instead.
244
The Setup Menus
8
PC CONNECTION MODE
Adjust settings for connection to a computer.
Option
Option
Description
Description
USB CARD READER
Connecting the camera to a computer via USB automatically
enables data transfer mode, allowing data to be copied to
the computer. The camera functions normally when not con-
nected.
USB TETHER
SHOOTING AUTO
Connecting the camera to a computer via USB automatically
enables tethered shooting mode. You can also use FUJIFILM
X Acquire to save and load camera settings, allowing you to
reconfi gure the camera in an instant or share settings with
other cameras of the same type. The camera functions nor-
mally when not connected.
USB TETHER
SHOOTING FIXED
The camera functions in tethered shooting mode even when
not connected to a computer. At default settings, pictures are
not saved to the memory card, but pictures taken while the
camera is not connected will be transferred to the computer
when it is connected.
WIRELESS TETHER
SHOOTING FIXED
Choose this option for wireless remote photography. Select a
network using D CONNECTION SETTING> NETWORK
SETTING.
USB RAW CONV./
BACKUP RESTORE
Connecting the camera to a computer via USB automatical-
ly enables USB RAW conversion/backup restore mode. The
camera functions normally when not connected.
•
USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the
camera’s image processing engine to rapidly convert RAW
fi les to high-quality JPEG images.
•
BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load
camera settings. Reconfi gure the camera in an instant or
share settings with other cameras of the same type.
245
The Setup Menus
8
CONNECTION SETTING
O
D POWER MANAGEMENT> AUTO POWER OFF settings also apply
during tethered shooting. Select OFF to prevent the camera turning
o automatically.
N
•
Tethered shooting is available with software such as Capture One
Pro Fuji lm or Adobe® Photoshop® Lightroom® Classic CC. If you
use Adobe® Photoshop® Lightroom® Classic CC, download FUJIFILM
Tether Shooting Plug-in PRO for GFX from the Adobe Exchange web-
site. FUJIFILM Tether Shooting Plug-in PRO for GFX is available free of
charge.
•
FUJIFILM X Acquire also supports tethered shooting using camera
controls. FUJIFILM X Acquire can be downloaded free of charge from
the Fuji lm website.
SMARTPHONE WIRELESS COM. FREQUENCY SETTING
Choose a wireless band for use with Camera Remote.
Options
Options
2.4GHz (IEEE802.11 b/g/n) 5GHz (IEEE802.11 a/n/ac)
O
•
Some countries and regions prohibit outdoor use of certain channels
in the 5GHz band. Check whether use of the 5.2GHz (W52) band is
permitted before selecting the 5GHz option.
•
The options available vary with the country or region of sale.
246
The Setup Menus
8
GENERAL SETTINGS
Adjust settings for connection to wireless networks.
Option
Option
Description
Description
NAME
Choose a name (NAME) to identify the camera on the wireless
network (the camera is assigned a unique name by default).
RESIZE IMAGE FOR
SMARTPHONE
H
Choose whether to resize images for upload to smartphones.
Resizing applies only to the copy uploaded to the smartphone;
the original is not aff ected.
•
ON: Larger images are resized to H for upload. This setting
is recommended.
•
OFF: Images are uploaded at their original size.
GEOTAGGING
Choose whether location data downloaded from a smartphone
are embedded in pictures as they are taken.
LOCATION INFO Display the location data last downloaded from a smartphone.
r BUTTON
SETTING
Choose the role played by function buttons assigned the
WIRELESS COMMUNICATION function.
•
s PAIRING/TRANSFER ORDER: The buttons can be used
for pairing and selecting images for transfer.
•
r WIRELESS COMMUNICATION: The buttons can be
used for wireless connections.
247
The Setup Menus
8
CONNECTION SETTING
INFORMATION
View the camera’s MAC and Bluetooth address.
RESET WIRELESS SETTING
Restore wireless settings to their default values.
248
MEMO
249
Shortcuts
250
Shortcuts
9
Shortcut Options
Customize camera controls to suit your style or situation.
Frequently-used options can be added to the Q menu or a cus-
tom “my” menu or assigned to an Fn (function) button for direct
access:
Shortcut Option
Shortcut Option
Description
Description
P
P
“My menu”
Add frequently-used options to this custom menu,
which can be viewed by pressing MENU/OK and se-
lecting the E (“MY MENU”) tab.
251
The Q menu
The Q menu is displayed by pressing the Q button.
Use the Q menu to view or change the options se-
lected for frequently-used menu items.
253
The function buttons
Use the function buttons for direct access to select-
ed features.
256
251
Shortcuts
9
E
MY MENU
Access a personalized menu of frequently-used options.
To display “my menu”, press MENU/OK in the
shooting display and select the
E
(MY
MENU) tab.
MY MENU
SELF-TIMER
INTERVAL TIMER SHOOTING
FILM SIMULATION
GRAIN EFFECT
SHUTTER TYPE
ISO
IS MODE
FACE/EYE DETECTION SETTING
EXIT
O
The E tab is only available if options have been assigned to
MY MENU.
MY MENU SETTING
To choose the items listed in the E (MY MENU) tab:
1
Highlight D USER SETTING> MY
MENU SETTING in the D (SET UP)
tab and press MENU/OK.
N
To reorder items, select RANK ITEMS.
To delete items, select REMOVE ITEMS.
MY MENU SETTING
ADD ITEMS
RANK ITEMS
REMOVE ITEMS
2
Press the focus stick (focus lever) up
or down to highlight ADD ITEMS and
press MENU/OK. Options that can be
added to “my menu” are highlighted
in blue.
OK
COLOR CHROME EFFECT
DYNAMIC RANGE
WHITE BALANCE
GRAIN EFFECT
FILM SIMULATION
RAW RECORDING
IMAGE QUALITY
IMAGE SIZE
MY MENU SETTING
SELECT CANCEL
N
Items currently in “my menu” are indicated by check marks.
252
Shortcuts
9
MY MENU
3
Choose a position for the item and
press MENU/OK. The item will be added
to “my menu”.
SELECT ITEM LOCATION
1 IMAGE SIZE
2 IMAGE QUALITY
SAVEMOVE
4
Press MENU/OK to return to the edit display.
5
Repeat Steps 3 and 4 until all the desired items have been
added.
N
“My menu” can contain up to 16 items.
253
Shortcuts
9
The Q (Quick Menu) Button
Press Q for quick access to selected options.
The Quick Menu Display
At default settings, the quick menu contains the following items:
BASE
400
SELECT CUSTOM SETTING
ENDSET
A
SELECT CUSTOM SETTING
B
ISO
C
DYNAMIC RANGE
D
WHITE BALANCE
E
NOISE REDUCTION
F
IMAGE SIZE
G
IMAGE QUALITY
H
FILM SIMULATION
I
HIGHLIGHT TONE
J
SHADOW TONE
K
COLOR
L
SHARPNESS
M
SELF-TIMER
N
AF MODE
O
FLASH FUNCTION SETTING
P
EVF/LCD BRIGHTNESS
The quick menu shows the options currently selected for items
B
–
P
, which can be changed as described on page 255.
SELECT CUSTOM SETTING
The H IMAGE QUALITY SETTING> SELECT CUSTOM SETTING item (item
A
) shows the current custom settings bank:
•
q: No custom settings bank selected.
•
t–u: Select a bank to view the settings saved using the H IMAGE
QUALITY SETTING> EDIT/SAVE CUSTOM SETTING option.
•
r–s: The current custom settings bank.
254
Shortcuts
9
Viewing and Changing Settings
1
Press Q to display the quick menu
during shooting.
2
Use the focus stick (focus lever) to
highlight items and rotate the rear
command dial to change.
•
Changes are not saved to the cur-
rent settings bank.
•
Settings that di er from those in
the current settings bank (t–u)
are shown in red.
BASE
400
SELECT CUSTOM SETTING
ENDSET
3
Press Q to exit when settings are complete.
N
The quick menu can also be edited using touch controls.
255
Shortcuts
9
The Q (Quick Menu) Button
Editing the Quick Menu
To choose the items displayed in the quick menu:
1
Press and hold the Q button during
shooting.
2
The current quick menu will be dis-
played; use the focus stick (focus le-
ver) to highlight the item you wish to
change and press MENU/OK.
3
Highlight any of the following options and press MENU/OK to
assign it to the selected position.
•
IMAGE SIZE
•
IMAGE QUALITY
•
FILM SIMULATION
*
•
B & W ADJ. ab(Warm/Cool)
*
•
GRAIN EFFECT
*
•
COLOR CHROME EFFECT
*
•
SMOOTH SKIN EFFECT
*
•
DYNAMIC RANGE
*
•
D RANGE PRIORITY
*
•
WHITE BALANCE
*
•
HIGHLIGHT TONE
*
•
SHADOW TONE
*
•
COLOR
*
•
SHARPNESS
*
•
NOISE REDUCTION
*
•
SELECT CUSTOM SETTING
*
•
AF MODE (MOVIE AF MODE)
•
AF-C CUSTOM SETTINGS
•
FACE/EYE DETECTION SETTING
•
MF ASSIST
•
TOUCH SCREEN MODE
•
SELF-TIMER
•
PHOTOMETRY
•
SHUTTER TYPE
•
FLICKER REDUCTION
•
ISO
*
•
FLASH FUNCTION SETTING
•
FLASH COMPENSATION
•
MOVIE MODE
•
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
•
EVF/LCD BRIGHTNESS
•
EVF/LCD COLOR
•
NONE
* Stored in custom settings bank.
N
•
Select NONE to assign no option to the selected position.
•
When SELECT CUSTOM SETTING is selected, current settings
are shown in the quick menu by the label BASE.
N
The quick menu can also be edited using
D
BUTTON/DIAL SETTING>
EDIT/SAVE QUICK MENU.
256
Shortcuts
9
The Fn (Function) Buttons
Assign a role to the function buttons for quick access to the
selected feature.
N
•
The functions assigned to T-Fn1 through T-Fn4 can be accessed by
icking the monitor.
•
Touch-function gestures are disabled by default. To enable
touch-function gestures, select ON for D BUTTON/DIAL SETTING>
TOUCH SCREEN SETTING> c TOUCH FUNCTION.
The default assignments are:
Touch-Function Gestures
Touch-Function Gestures
Function buttons
Function buttons
Default
Default
A
A
T-Fn1 ( ick up) HISTOGRAM
B
B
T-Fn2 ( ick left) FILM SIMULATION
C
C
T-Fn3 ( ick right) WHITE BALANCE
D
D
T-Fn4 ( ick down) ELECTRONIC LEVEL
257
Shortcuts
9
The Fn (Function) Buttons
Back-of-Camera Function Buttons
Back-of-Camera Function Buttons
Function buttons
Function buttons
Default
Default
A
A
Fn1 button EXPO. COMP.
B
B
AE-L button AE LOCK ONLY
C
C
Fn5 button AF MODE
D
D
Fn2 button SHOOTING MODE
E
E
Center of rear command dial FOCUS CHECK
F
F
Fn4 button FACE DETECTION ON/OFF
G
G
AF-ON button AF-ON
258
Shortcuts
9
Back-of-Camera Function Buttons (Portrait Orientation)
Back-of-Camera Function Buttons (Portrait Orientation)
Function buttons
Function buttons
Default
Default
A
A
Vertical grip
Vertical grip center of rear command dial FOCUS CHECK
B
B
Vertical grip
Vertical grip
AF-ON
AF-ON
button
button AF-ON
C
C
Vertical grip
Vertical grip
AE-L
AE-L
button
button AE LOCK ONLY
D
D
Vertical grip Fn2 button SHOOTING MODE
E
E
Vertical grip
Vertical grip
Fn1
Fn1
button
button EXPO. COMP.
F
F
Vertical grip Fn4 button FACE DETECTION ON/OFF
Front-of-Camera Function Buttons
Front-of-Camera Function Buttons
Function buttons
Function buttons
Default
Default
A
A
Fn3
Fn3
button
button PERFORMANCE
B
B
Vertical grip Fn3 button
Vertical grip Fn3 button PERFORMANCE
259
Shortcuts
9
The Fn (Function) Buttons
Assigning Roles to the Function Buttons
To assign roles to the buttons:
1
Press and hold the DISP/BACK button
until a control selection menu is dis-
played.
2
Highlight the desired control and
press MENU/OK.
3
Highlight any of the following options and press MENU/OK to
assign it to the selected control.
N
•
AE LOCK ONLY, AF LOCK ONLY, AE/AF LOCK, AF-ON, and AWB
LOCK ONLY cannot be assigned to the touch function buttons (T-Fn1
through T-Fn4).
•
Button assignments can also be selected using D BUTTON/DIAL
SETTING> FUNCTION (Fn) SETTING.
260
Shortcuts
9
Roles That Can Be Assigned to the Function Buttons
Choose from:
•
EXPO. COMP.
•
IMAGE SIZE
•
IMAGE QUALITY
•
RAW
•
FILM SIMULATION
•
GRAIN EFFECT
•
COLOR CHROME EFFECT
•
SMOOTH SKIN EFFECT
•
DYNAMIC RANGE
•
D RANGE PRIORITY
•
WHITE BALANCE
•
SELECT CUSTOM SETTING
•
FOCUS AREA
•
FOCUS CHECK
•
AF MODE
•
AF-C CUSTOM SETTINGS
•
FACE SELECT op
•
FACE DETECTION ON/OFF
•
SELF-TIMER
•
AE BKT SETTING
•
FOCUS BKT SETTING
•
PHOTOMETRY
•
SHUTTER TYPE
•
FLICKER REDUCTION
•
ISO
•
IS MODE
•
35mm FORMAT MODE
•
WIRELESS COMMUNICATION
•
FLASH FUNCTION SETTING
•
TTL-LOCK
•
MODELING FLASH
•
ZEBRA SETTING
•
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
•
MOVIE SILENT CONTROL
•
PREVIEW DEPTH OF FIELD
•
PREVIEW EXP./WB IN MANUAL MODE
•
NATURAL LIVE VIEW
•
HISTOGRAM
•
ELECTRONIC LEVEL
•
LARGE INDICATORS MODE
•
AE LOCK ONLY
•
AF LOCK ONLY
•
AE/AF LOCK
•
AF-ON
•
AWB LOCK ONLY
•
LOCK SETTING
•
PERFORMANCE
•
AUTO IMAGE TRANSFER
•
SELECT PAIRING DESTINATION
•
Bluetooth ON/OFF
•
PLAYBACK
•
SHOOTING MODE
•
NONE (control disabled)
261
Shortcuts
9
The Fn (Function) Buttons
AF-ON
If AF-ON is selected, you can press the control instead of keeping
the shutter button pressed halfway.
MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mount-
ed ash unit is attached, you can press the control to test- re the
ash and check for shadows and the like (modeling ash).
TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock ash
output according to the option selected for F FLASH SETTING>
TTL-LOCK MODE (P 149).
262
Shortcuts
9
The Fn (Function) Buttons
n FACE SELECT op
n FACE SELECT op can be enabled
or disabled by pressing the button to
which n FACE SELECT op is assigned.
Enabling n FACE SELECT op allows
the focus stick (focus lever) or (during
view nder photography) touch controls
(P 31) to be used to select the face
that will be used for focus.
FACE SELECT ON
The following features can be accessed using the focus stick or
during view nder photography when n FACE SELECT op is
enabled:
•
The face used to set focus can be selected using the focus stick.
To switch from face detection to manual focus-area selection,
press the center of the focus stick (focus lever) (P 82). Press
again to re-enable face detection.
•
The touch screen (monitor) or focus stick can be used to select
the face used to set focus during view nder photography.
263
Peripherals and Optional
Accessories
264
Peripherals and Optional Accessories
10
Lenses
The camera can be used with lenses for the FUJIFILM
G-mount.
Lens Parts
A
Lens hood
B
Mounting marks
C
Focus ring
D
Aperture ring lock release
E
Mounting marks (focal length)
F
Aperture ring
G
Lens signal contacts
H
Front lens cap
I
Rear lens cap
N
A GF63mmF2.8 R WR lens is used here for illustrative purposes.
265
Peripherals and Optional Accessories
10
Lenses
Lens Care
•
Use a blower to remove dust, then gently wipe with a soft, dry
cloth. Any remaining stains can be removed by wiping gently
with a piece of Fuji lm lens-cleaning paper to which a small
amount of lens-cleaning uid has been applied.
•
Replace the front and rear caps when the lens is not in use.
Removing Lens Caps
Remove lens caps as shown.
N
Lens caps may di er from those shown.
Attaching Lens Hoods
When attached, lens hoods reduce glare and protect the front
lens element.
266
Peripherals and Optional Accessories
10
Lenses
Aperture ring
Rotate the lens aperture ring to choose the aperture (f-number).
Aperture ring
lock release
Aperture ring
Setting
Setting
Description
Description
C (
C (
)
)
Set aperture to the value chosen with the camera command
dial.
A (
A (
)
)
Set aperture to the value chosen automatically by the
camera.
Other values (
Other values (
)
)
Set aperture to the selected value.
N
To select C or A, or to select another value after selecting C or A, press the
aperture ring lock release while rotating the aperture ring.
267
Peripherals and Optional Accessories
10
View nder Tilt Adapters
The optional EVF-TL1 tilt adapter lets you swivel the view-
nder left or right ±45° or up or down between 0° and 90°.
A
Hot shoe
B
Tilt lock knob
C
Adapter lock release
D
Horizontal swivel lock
E
Connectors
F
Connector cover
G
Hot shoe cover
268
Peripherals and Optional Accessories
10
Attaching the EVF-TL1
Slide the EVF-TL1 onto the camera hot
shoe and then attach the EVF-GFX2 elec-
tronic view nder.
N
Remove the hot shoe covers from the camera and EVF-TL1 before
attaching the adapter and view nder.
Removing the EVF-TL1
Remove the view nder and then, keeping the
lock releases (
A
) pressed, press down on the
front of the adapter (
B
) and slide it from the
camera as shown.
O
Use only one tilt adapter at a time.
269
Peripherals and Optional Accessories
10
View nder Tilt Adapters
Using the EVF-TL1
Swivel the view nder into the desired position.
Swiveling the Viewfi nder Up or Down
Loosen the tilt lock knob and swivel the
view nder up or down from 0° to 90°.
With the view nder in the desired posi-
tion (
A
), tighten the tilt lock knob (
B
)
to lock the view nder in place.
Swiveling the Viewfi nder Left or Right
Release the horizontal swivel lock as
shown and swivel the view nder left or
right ±45°.
With the view nder in the desired po-
sition (
A
), return the horizontal swivel
lock to the latched position (
B
) to lock
the view nder in place.
270
Peripherals and Optional Accessories
10
External Flash Units
Flash units can be mounted on the hot shoe or connected
via the sync terminal.
Use optional external ash units for ash photography. Some
units support high-speed sync (FP) and can be used at shutter
speeds faster than the ash sync speed, while others can func-
tion as master ash units controlling remote units via optical
wireless ash control.
O
You may be unable to test- re the ash in some circumstances, for ex-
ample when a setup menu is displayed on the camera.
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected
for F FLASH SETTING> RED EYE REMOVAL and a FACE DETECTION
ON option is selected for G AF/MF SETTING> FACE/EYE DETECTION
SETTING. Red-eye removal minimizes “red-eye” caused when light from
the ash is re ected from the subject’s retinas.
271
Peripherals and Optional Accessories
10
External Flash Units
Flash Settings
To adjust settings for a ash unit mounted on the hot shoe or
connected via the sync terminal:
1
Connect the unit to the camera.
2
In shooting mode, select FLASH
FUNCTION SETTING in the F (FLASH
SETTING) menu tab. The options
available vary with the ash unit.
CHSETTING
MASTERSETTING
LEDLIGHTSETTING
TTL-LOCK MODE
REDEYEREMOVAL
FLASH
SETTING
FLASHFUNCTIONSETTING
EXIT
Menu
Menu
Description
Description
P
P
SYNC
TERMINAL
Displayed when no compatible fl ash unit is connected or
if a unit is connected via the sync terminal or uses only
the X-contact on the hot shoe.
272
SHOE MOUNT
FLASH
Displayed when an optional fl ash unit is mounted on the
hot shoe and turned on.
273
MASTER
(OPTICAL)
Displayed if an optional fl ash unit functioning as a master
fl ash for Fujifi lm optical wireless remote fl ash control is
connected and turned on.
276
N
SYNC TERMINAL will be also displayed if an incompatible ash
unit or no ash unit is connected.
3
Highlight items using the focus stick
(focus lever) and rotate the rear com-
mand dial to change the highlighted
setting.
ADJUST
END
M
ODE
SHOE MOUNT FLASH
4
Press DISP/BACK to put the changes into e ect.
272
Peripherals and Optional Accessories
10
SYNC TERMINAL
The following options are available when no compatible ash
unit is connected or if a unit is connected via the sync terminal or
uses only the X-contact on the hot shoe.
ADJUST
END
M
ODE
SYNC TERMINAL
Setting
Setting
Description
Description
A
Flash control mode
Choose from the following options:
•
M: A trigger signal is transmitted via the hot shoe X contacts
when a picture is taken. Choose a shutter speed slower than
the sync speed; even slower speeds may be required if the
unit uses long fl ashes or has a slow response time.
•
D (OFF): The trigger signal is disabled.
B
Sync
Choose whether the fl ash is timed to fi re immediately after
the shutter opens (H/1ST CURTAIN) or immediately before
it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in
most circumstances.
The Sync Terminal
Use the sync terminal to connect ash units
that require a sync cable.
273
Peripherals and Optional Accessories
10
External Flash Units
SHOE MOUNT FLASH
The following options are available when an optional
shoe-mounted ash unit is attached and turned on.
ADJUST
END
M
ODE
SHOE MOUNT FLASH
Setting
Setting
Description
Description
A
Flash control mode
The fl ash control mode selected with the fl ash unit. This can
in some cases be adjusted from the camera; the options avail-
able vary with the fl ash.
•
TTL: TTL mode. Adjust fl ash compensation (
B
).
•
M: The fl ash fi res at the selected output regardless of subject
brightness or camera settings. Output in some cases can be
adjusted from the camera (
B
).
•
MULTI: Repeating fl ash. Compatible shoe-mounted fl ash
units will fi re multiple times with each shot.
•
D (OFF): The fl ash does not fi re. Some fl ash units can be
turned off from the camera.
274
Peripherals and Optional Accessories
10
Setting
Setting
Description
Description
B
Flash compensation/
output
The options available vary with fl ash control mode.
•
TTL: Adjust fl ash compensation (the full value may not be
applied if the limits of the fl ash control system are exceed-
ed). In the cases of the EF-X20, EF-20, EF-42, and EF-X500,
the selected value is added to the value selected with the
fl ash unit.
•
M/MULTI: Adjust fl ash output (compatible units only).
Choose from values expressed as fractions of full power,
from ⁄ (mode M) or ¼ (MULTI) down to ⁄ in increments
equivalent to ⁄EV. The desired results may not be achieved
at low values if they exceed the limits of the fl ash control
system; take a test shot and check the results.
C
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options avail-
able vary with the shooting mode (P, S, A, or M) selected.
•
E (FLASH AUTO): The fl ash fi res only as required; fl ash lev-
el is adjusted according to subject brightness. A p icon
displayed when the shutter button is pressed halfway indi-
cates that the fl ash will fi re when the photo is taken.
•
F (STANDARD): The fl ash fi res with every shot if possible;
fl ash level is adjusted according to subject brightness. The
fl ash will not fi re if not fully charged when the shutter is
released.
•
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not fully
charged when the shutter is released.
D
Sync
Control fl ash timing.
•
H (1ST CURTAIN): The fl ash fi res immediately after the shut-
ter opens (generally the best choice).
•
I (2ND CURTAIN): The fl ash fi res immediately before the
shutter closes.
•
R (AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the fl ash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for fl ash control mode.
275
Peripherals and Optional Accessories
10
External Flash Units
Setting
Setting
Description
Description
E
Zoom
The angle of illumination (fl ash coverage) for units that sup-
port fl ash zoom. Some units allow the adjustment to be
made from the camera. If AUTO is selected, zoom will auto-
matically be adjusted to match coverage to lens focal length.
F
Lighting
If the unit supports this feature, choose from:
•
J (FLASH POWER PRIORITY): Gain range by slightly reducing
coverage.
•
K (STANDARD): Match coverage to picture angle.
•
L (EVEN COVERAGE PRIORITY): Slightly increase coverage for
more even lighting.
G
LED light
Choose how the built-in LED light functions during still photog-
raphy (compatible units only): as a catchlight (
M
/CATCHLIGHT),
as an AF-assist illuminator (
N
/AF ASSIST), or as both a catch-
light and an AF-assist illuminator (
O
/AF ASSIST+CATCHLIGHT).
Choose OFF to disable the LED during photography.
G
Number of ashes
*
Choose the number of times the fl ash fi res each time the
shutter is released in MULTI mode.
H
Frequency
*
Choose the frequency at which the fl ash fi res in MULTI mode.
* Full value may not be applied if limits of fl ash control system are exceeded.
276
Peripherals and Optional Accessories
10
MASTER(OPTICAL)
The options will be displayed if the unit is currently functioning
as master ash for Fuji lm optical wireless remote ash control.
ADJUST
END
M
ODE
MASTER(OPTICAL)
The master and remote units can be
placed in up to three groups (A, B, and C)
and ash mode and ash level adjusted
separately for each group. Four chan-
nels are available for communication be-
tween the units; separate channels can
be used for di erent ash systems or to
prevent interference when multiple sys-
tems are operating in close proximity.
BB
A
C
277
Peripherals and Optional Accessories
10
External Flash Units
Setting
Setting
Description
Description
A
Flash control mode
(group A)
Choose fl ash control modes for groups A, B, and C. TTL%
is available for groups A and B only.
•
TTL: The units in the group fi re in TTL mode. Flash com-
pensation can be adjusted separately for each group.
•
TTL%: If TTL% is selected for either group A or B, you can
specify the output of the selected group as a percent-
age of the other and adjust overall fl ash compensation
for both groups.
•
M: In mode M, the units in the group fi re at the selected
output (expressed as a fraction of full power) regardless
of subject brightness or camera settings.
•
MULTI: Choosing MULTI for any group sets all the units
in all groups to repeating fl ash mode. All units will fi re
multiple times with each shot.
•
D (OFF): If OFF is selected, the units in the group will
not fi re.
B
Flash control mode
(group B)
C
Flash control mode
(group C)
D
Flash compensation/
output (group A)
Adjust fl ash level for the selected group according to
option selected for fl ash control mode. Note that the full
value may not be applied if the limits of the fl ash control
system are exceeded.
•
TTL: Adjust fl ash compensation.
•
M/MULTI: Adjust fl ash output.
•
TTL%: Choose the balance between groups A and B and
adjust overall fl ash compensation.
E
Flash compensation/
output (group B)
F
Flash compensation/
output (group C)
278
Peripherals and Optional Accessories
10
Setting
Setting
Description
Description
G
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options
available vary with the shooting mode (P, S, A, or M) se-
lected.
•
E (FLASH AUTO): The fl ash fi res only as required; fl ash
level is adjusted according to subject brightness. A
picon displayed when the shutter button is pressed
halfway indicates that the fl ash will fi re when the photo
is taken.
•
F (STANDARD): The fl ash fi res with every shot if possi-
ble; fl ash level is adjusted according to subject bright-
ness. The fl ash will not fi re if not fully charged when the
shutter is released.
•
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not
fully charged when the shutter is released.
H
Sync
Control fl ash timing.
•
H (1ST CURTAIN): The fl ash fi res immediately after the
shutter opens (generally the best choice).
•
I (2ND CURTAIN): The fl ash fi res immediately before the
shutter closes.
•
R
(AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the fl ash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for fl ash control mode.
I
Zoom
The angle of illumination (fl ash coverage) for units that
support fl ash zoom. Some units allow the adjustment to
be made from the camera. If AUTO is selected, zoom will
automatically be adjusted to match coverage to lens focal
length.
279
Peripherals and Optional Accessories
10
External Flash Units
Setting
Setting
Description
Description
J
Lighting
If the unit supports this feature, choose from:
•
J (FLASH POWER PRIORITY): Gain range by slightly re-
ducing coverage.
•
K (STANDARD): Match coverage to picture angle.
•
L (EVEN COVERAGE PRIORITY): Slightly increase coverage
for more even lighting.
K
Master
Assign the master fl ash to group A (Gr A), B (Gr B), or
C(Gr C). If OFF is selected, output from the master fl ash
will be held to a level that does not aff ect the fi nal picture.
Available only if the unit is mounted on the camera hot
shoe as a master fl ash for Fujifi lm optical wireless remote
fl ash control in TTL, TTL%, or M mode.
K
Number of ashes
Choose the number of times the fl ash fi res each time the
shutter is released in MULTI mode.
L
Channel
Choose the channel used by the master fl ash for commu-
nication with the remote fl ash units. Separate channels
can be used for diff erent fl ash systems or to prevent in-
terference when multiple systems are operating in close
proximity.
L
Frequency
Choose the frequency at which the fl ash fi res in MULTI
mode.
280
MEMO
281
Connections
282
Connections
11
HDMI Output
Camera shooting and playback displays can be output to
HDMI devices.
Connecting to HDMI Devices
Connect the camera to TVs or other HDMI devices using a
third-party HDMI cable.
1
Turn the camera o .
2
Connect the cable as shown below.
Insert into
HDMI connector
Insert into HDMI Micro
connector (Type D)
3
Con gure the device for HDMI input as described in the doc-
umentation supplied with the device.
4
Turn the camera on. The contents of the camera display will
be shown on the HDMI device. The camera display turns o
in playback mode (P 283).
O
•
Making sure the connectors are fully inserted.
•
The USB cable cannot be used while an HDMI cable is connected.
•
Use an HDMI cable no more than 1.5m (4.9ft.) long.
283
Connections
11
HDMI Output
Shooting
Shoot photos and record movies while viewing the scene through
the camera lens on or saving footage to the HDMI device.
N
This feature can be used to save 4K and Full HD movies to an HDMI
recorder.
Playback
To start playback, press the camera a button. The camera mon-
itor turns o and pictures and movies are output to the HDMI
device. Note that the camera volume controls have no e ect on
sounds played on the TV; use the television volume controls to
adjust the volume.
O
Some televisions may brie y display a black screen when movie play-
back begins.
284
Connections
11
Wireless Connections
(Bluetooth®, Wireless LAN/Wi-Fi)
Access wireless networks and connect to computers,
smartphones, or tablets. For more information, visit:
http://fujifilm-dsc.com/wifi/
Smartphones and Tablets: FUJIFILM Camera Remote
Connect to the camera via Bluetooth or wireless LAN.
N
To establish a wireless connection to the camera, you will need to in-
stall the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet.
FUJIFILM Camera Remote
Once a connection has been established, you can use FUJIFILM Camera
Remote to:
•
Control the camera and take pictures remotely
•
Receive pictures uploaded from the camera
•
Browse the pictures on the camera and download selected pictures
•
Upload location data to the camera
•
Release the camera shutter
•
Update camera rmware
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
285
Connections
11
Wireless Connections
SmartPhones and Tablets: Bluetooth® Pairing
Use
D
CONNECTION SETTING> Bluetooth SETTINGS> PAIRING
REGISTRATION to pair the camera with smartphones or tablets.
Pairing o ers a simple method for downloading photos from the
camera.
O
•
Photos are downloaded via a wireless connection.
•
Once pairing is complete, you will be able to synchronize the camera
clock and location data with the smartphone or tablet (P 240).
•
You can choose a connection from up to 7 paired smartphones or
tablets.
Smartphones and Tablets: Wireless LAN
Use the WIRELESS COMMUNICATION options in A SHOOTING
SETTING or the playback menu to connect to a smartphone or tab-
let via a Wireless LAN.
286
Connections
11
Wireless Connections
Tethered Shooting: Capture One Pro Fuji lm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX/FUJIFILM X Acquire
•
Before proceeding, select WIRELESS
TETHER SHOOTING FIXED for D CON-
NECTION SETTING> PC CONNECTION
MODE in the camera menus.
•
Tethered shooting can be performed us-
ing software such as Adobe® Photoshop®
Lightroom® Classic CC and FUJIFILM X Acquire. If you use Adobe®
Photoshop® Lightroom® Classic CC, download FUJIFILM Tether
Shooting Plug-in PRO for GFX from the Adobe Exchange website.
FUJIFILM Tether Shooting Plug-in PRO for GFX is available free of
charge.
N
•
For more information, visit the following website:
http://app.fujifilm-dsc.com/en/#tether
•
For more information on FUJIFILM X Acquire and FUJIFILM Tether
Shooting Plug-in PRO for GFX, see “Software for Use with Your Camera”
(
P
298).
CONNECTION SETTING
NETWORK SETTING
WIRELESS COM. FREQUENCY SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
PC CONNECTION MODE
IR
EN
F
ESET WIRELESS SETTING
N
ET
u
C
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
287
Connections
11
Connecting to Computers via USB
Connect the camera to a computer to download pictures
or take pictures remotely.
N
Before downloading pictures or taking pictures remotely, connect the
camera to a computer and check that it functions normally.
1
Turn the computer on.
2
Adjust settings according to whether you will be using the
camera for tethered shooting (P 290), copying pictures to
a computer (P 291), save RAW pictures in other formats
(P 292), or Saving and Loading Camera Settings (P 292).
3
Turn the camera o .
4
Connect a USB cable.
USB connector (Type-C)
O
The USB cable must be no more than 1.5 m (4.9 ft.) long and be
suitable for data transfer.
288
Connections
11
5
Turn the camera on.
6
Copy pictures to your computer.
•
Tethered shooting: During tethered shooting, you can copy
pictures using tethered shooting software such as the
Capture One Pro Fuji lm/Adobe® Photoshop® Lightroom®
Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX/
FUJIFILM X Acquire.
•
Image transfer: Use MyFinePix Studio or applications provid-
ed with your operating system.
•
RAW conversion: Process RAW images using FUJIFILM X RAW
STUDIO. The power of the camera’s image processing en-
gine is used for rapid processing.
•
Saving and loading camera settings: Use FUJIFILM X Acquire to
save or load camera settings. Save your preferred settings
to a le in a single operation and copy them to multiple
cameras.
289
Connections
11
Connecting to Computers via USB
O
•
Turn the camera o before disconnecting the USB cable.
•
When connecting USB cables, be sure the connectors are fully in-
serted in the correct orientation. Connect the camera directly to the
computer; do not use a USB hub or keyboard.
•
Loss of power during transfer could result in loss of data or damage to
the memory card. Insert a fresh or fully-charged battery before con-
necting the camera.
•
If a memory card containing a large number of images is inserted,
there may be a delay before the software starts and you may be un-
able to import or save images. Use a memory card reader to transfer
pictures.
•
Make sure that the indicator lamp is o or lit green before turning
the camera o .
•
Do not disconnect the USB cable while transfer is in progress. Failure
to observe this precaution could result in loss of data or damage to
the memory card.
•
Disconnect the camera before inserting or removing memory cards.
•
In some cases, it may not be possible to access pictures saved to a
network server using the software in the same way as on a stand-
alone computer.
•
Do not immediately remove the camera from the system or dis-
connect the USB cable once the message stating that copying is in
progress clears from the computer display. If the number of images
copied is very large, data transfer may continue after the message has
ceased to be displayed.
•
The user bears all applicable fees charged by the phone company or
Internet service provider when using services that require an Internet
connection.
290
Connections
11
Tethered Shooting: Capture One Pro Fuji lm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX/FUJIFILM X Acquire
•
Before proceeding, select USB TETHER
SHOOTING AUTO for
D
CONNECTION
SETTING> PC CONNECTION MODE in
the camera menus.
•
Capture One Pro Fuji lm, Adobe®
Photoshop® Lightroom® Classic CC +
FUJIFILM Tether Shooting Plug-in PRO for GFX, andFUJIFILM X
Acquire can be used for tethered shooting.
N
•
Choose USB TETHER SHOOTING FIXED if the camera will be used
solely for tethered shooting. Note that if the USB cable is disconnect-
ed, the camera will continue to function in tethered mode and pic-
tures will not be saved to the camera memory card.
•
For more information, visit the following website:
http://app.fujifilm-dsc.com/en/#tether
•
For more information on Capture One Pro Fuji lm, Adobe®
Photoshop® Lightroom® Classic CC + FUJIFILM Tether Shooting
Plug-in PRO for GFX, and FUJIFILM X Acquire, see “Software for
Use with Your Camera” (P 298).
CONNECTION SETTING
NETWORK SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
PC CONNECTION MODE
WIRELESS COM. FREQUENCY SETTING
EN
F
ESET WIRELESS SETTING
N
ET
u
C
IR
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
291
Connections
11
Connecting to Computers via USB
Copying Pictures to a Computer
•
Before copying pictures to a computer,
select USB CARD READER for D CON-
NECTION SETTING> PC CONNECTION
MODE.
•
The software that can be used to copy
pictures varies with your computer op-
erating system.
Mac OS X/macOS
Pictures can be copied to your computer using Image Capture
(supplied with your computer) or other software.
O
Use a card reader to copy les over 4GB in size.
Windows
Use MyFinePix Studio to copy pictures to your computer, where
they can be stored, viewed, organized, and printed.
N
For more information on MyFinePix Studio, see “Software for
Use with Your Camera” (P 298).
CONNECTION SETTING
NETWORK SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
PC CONNECTION MODE
WIRELESS COM. FREQUENCY SETTING
EN
F
ESET WIRELESS SETTING
N
ET
u
C
IR
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
292
Connections
11
Connecting to Computers via USB
Converting RAW Images:
FUJIFILM X RAW STUDIO
•
Before proceeding, select USB RAW
CONV./BACKUP RESTORE for D CON-
NECTION SETTING> PC CONNECTION
MODE in the camera menus.
•
FUJIFILM X RAW STUDIO can be used
to convert RAW images to JPEG or TIFF
images.
N
For more information on FUJIFILM X RAW STUDIO, see “Software for
Use with Your Camera” (P 298).
Backing up and Restoring Camera Settings
(FUJIFILM X Acquire)
•
Before proceeding, select USB RAW
CONV./BACKUP RESTORE for D CON-
NECTION SETTING> PC CONNECTION
MODE in the camera menus.
•
FUJIFILM X Acquire can be used to
backup and restore camera settings.
N
For more information on FUJIFILM X Acquire, see “Software for
Use with Your Camera” (P 298).
CONNECTION SETTING
NETWORK SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
PC CONNECTION MODE
WIRELESS COM. FREQUENCY SETTING
EN
F
ESET WIRELESS SETTING
N
ET
u
C
IR
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
CONNECTION SETTING
NETWORK SETTING
GENERAL SETTINGS
INFORMATION
RESET WIRELESS SETTING
Bluetooth SETTINGS
PRINTER CONNECTION SETTING
PC CONNECTION MODE
WIRELESS COM. FREQUENCY SETTING
EN
F
ESET WIRELESS SETTING
N
ET
u
C
IR
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
293
Connections
11
instax SHARE Printers
Print pictures from your digital camera to instax SHARE
printers.
Establishing a Connection
Select
D
CONNECTION SETTING> instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and pass-
word.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a di erent
password to print from a smartphone, enter
that password instead.
294
Connections
11
instax SHARE Printers
Printing Pictures
1
Turn the printer on.
2
Select C PLAY BACK MENU> instax
PRINTER PRINT. The camera will con-
nect to the printer.
FUJIFILM-CAMERA-1234
CONNECTING
CANCEL
PRINTER PRINT
instax-12345678
3
Use the focus stick (focus lever) to
display the picture you want to print,
then press MENU/OK.
100-0020
SET CANCEL
instax-12345678
PRINTER PRINT
N
•
Pictures taken with other cameras cannot be printed.
•
The area printed is smaller than the area visible in the LCD
monitor.
•
The displays may vary depending on the printer connected.
4
The picture will be sent to the printer and printing will start.
295
Technical Notes
296
Technical Notes
12
Accessories from Fuji lm
The following optional accessories are available from Fuji lm.
For the latest information on the accessories available in your
region, check with your local Fuji lm representative or visit
http://www.fujifilm.com/products/digital_cameras/index.html.
Rechargeable Li-ion batteries
Rechargeable Li-ion batteries
NP-T125: Additional high-capacity NP-T125 rechargeable batteries can be purchased
as required.
Battery chargers
Battery chargers
BC-T125: Replacement battery chargers can be purchased as required.
AC power adapters
AC power adapters
AC-15V: Use this 100–240V, 50/60Hz AC power adapter for extended shooting
and playback, when copying pictures to a computer. It can also be used to charge
the battery without removing it from the camera.
FUJINON lenses
FUJINON lenses
GF-series lenses: Interchangeable lenses for use exclusively with the FUJIFILM
G-mount.
Tilt adapters
Tilt adapters
EVF-TL1: This adapter lets you swivel the viewfi nder left or right ±45° or up or
down between 0° and 90° to take shots from diff erent angles.
Eye cups
Eye cups
EC-XH W/EC-XT L/EC-XT M/EC-XT S/EC-GFX: Attach viewfi nder eyecups to prevent
light leaking into the viewfi nder window.
Mount adapters
Mount adapters
H MOUNT ADAPTER G: This mount adapter allows the camera to be used with
SUPEREBC FUJINON accessories for the GX645AF, giving you the use of one addi-
tional teleconverter and nine diff erent lenses.
Macro extension tubes
Macro extension tubes
MCEX-18G WR/MCEX-45G WR: Mount this adapter between the lens and the camera
body for macro photography with large reproduction ratios.
View camera adapters
View camera adapters
VIEW CAMERA ADAPTER G: This adapter is for use with lenses for older FUJINON
large-format cameras, including lenses in the CM FUJINON series.
297
Technical Notes
12
Accessories from Fuji lm
Shoe-mounted ash units
Shoe-mounted ash units
EF-X500: This clip-on fl ash unit has a Guide Number of 50/164 (ISO 100, m/ft.)
and supports FP (high-speed sync), allowing it to be used at shutter speeds that
exceed the fl ash sync speed. Powered by four AA batteries or an optional EF-BP1
battery pack, it supports manual and TTL fl ash control and auto power zoom in
the range 24–105mm (35mm format equivalent) and features Fujifi lm optical
wireless fl ash control, allowing it to be used as a master or remote fl ash unit for
remote wireless fl ash photography. The fl ash head can be rotated 90° up, 10°
down, 135° left, or 180° right for bounce lighting.
EF-42: This clip-on fl ash unit (powered by four AA batteries) has a Guide Number
of 42/137 (ISO 100, m/ft.) and supports manual and TTL fl ash control and auto
power zoom in the range 24–105 mm (35 mm format equivalent). The fl ash head
can be rotated 90° up, 180° left, or 120° right for bounce lighting.
EF-X20: This clip-on fl ash unit has a Guide Number of 20/65 (ISO 100, m/ft.). Pow-
ered by two AAA batteries, this light, compact unit features a dial for adjusting TTL
fl ash compensation or manual fl ash output.
EF-20: This clip-on fl ash unit (powered by two AA batteries) has a Guide Number
of 20/65 (ISO 100, m/ft.) and supports TTL fl ash control (manual fl ash control is
not supported). The fl ash head can be rotated upwards 90° for bounce lighting.
Remote releases
Remote releases
RR-100: Use to reduce camera shake or keep the shutter open during a time ex-
posure.
Stereo microphones
Stereo microphones
MIC-ST1: An external microphone for movie recording.
Grip belts
Grip belts
GB-001: Improves grip.
Body caps
Body caps
BCP-002: Cover the camera lens mount when no lens is attached.
instax SHARE printers
instax SHARE printers
SP-1/SP-2/SP-3: Connect via wireless LAN to print pictures on instax fi lm.
298
Technical Notes
12
Software for Use with Your Camera
The camera can be used with the following software.
FUJIFILM Camera Remote
Establish a wireless connection between your camera and a
smartphone or tablet (P 284).
http://app.fujifilm-dsc.com/en/camera_remote/
MyFinePix Studio
Manage, view, print, and edit the many images downloaded
from your digital camera (P 291).
http://fujifilm-dsc.com/mfs/
Once download is complete, double-click the downloaded le
(“MFPS_Setup.EXE”) and follow the on-screen instructions to
complete installation.
Capture One Express Fuji lm
Capture One Express Fuji lm is image edit software from Phase
One A/S. View RAW pictures on your computer and convert them
into other formats. Capture One Express Fuji lm is available free
of charge from Phase One.
https://www.phaseone.com/fujifilm/
RAW FILE CONVERTER EX
RAW FILE CONVERTER EX is RAW conversion software from
Ichikawa Soft Laboratory Co., Ltd. View RAW pictures on your
computer and convert them into other formats. RAW FILE
CONVERTER EX is available free of charge from the Fuji lm web-
site.
http://fujifilm-dsc.com/rfc/
299
Technical Notes
12
Software for Use with Your Camera
Capture One Pro Fuji lm
Capture One Pro Fuji lm is work ow software from Phase One
A/S. Capture One Pro Fuji lm supports tethered shooting and
the conversion of RAW pictures into other formats.
https://www.phaseone.com/fujifilm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM
Tether Shooting Plug-in PRO for GFX
Installing this dedicated plug-in allows tethered shooting us-
ing Adobe® Photoshop® Lightroom® Classic CC. FUJIFILM Tether
Shooting Plug-in PRO for GFX is available free of charge from the
Adobe Exchange website.
FUJIFILM Tether Shooting Plug-in PRO for GFX
http://fujifilm-x.com/x-stories/fujifilm-tether-plug-in-pro-features/
FUJIFILM X Acquire
This application for Windows and macOS lets you connect to the
camera via USB or Wi-Fi and automatically download photos to
a speci ed folder as they are taken, or backup and restore the
camera via USB.
http://fujifilm-x.com/x-stories/fujifilm-x-acquire-features-users-guide/
O
Auto download (tethered shooting) is not supported with some cam-
eras.
FUJIFILM X RAW STUDIO
When the camera is connected to a computer via USB, FUJIFILM
X RAW STUDIO can use the camera’s unique image processing
engine to rapidly convert RAW les to create high-quality images
in other formats.
http://fujifilm-x.com/x-stories/fujifilm-x-raw-studio-features-users-guide/
300
Technical Notes
12
For Your Safety
IMPORTANT SAFETY INSTRUCTIONS
•
Read Instructions
Read Instructions: All the safety and operating instructions
should be read before the appliance is operated.
•
Retain Instructions
Retain Instructions: The safety and operating instructions
should be retained for future reference.
•
Heed Warnings
Heed Warnings: All warnings on the appliance and in the
operating instructions should be adhered to.
•
Follow Instructions
Follow Instructions: All operating and use instructions
should be followed.
Installation
Installation
Power Sources: This video product should be operated only
from the type of power source indicated on the marking la-
bel. If you are not sure of the type of power supply to your
home, consult your appliance dealer or local power com-
pany. For video products intended to operate from battery
power, or other sources, refer to the operating instructions.
Grounding or Polarization: This video product is equipped
with a polarized alternating-current line plug (a plug having
one blade wider than the other). This plug will fi t into the
power outlet only one way. This is a safety feature. If you are
unable to insert the plug fully into the outlet, try reversing
the plug. If the plug should still fail to fi t, contact your electri-
cian to replace your obsolete outlet. Do not defeat the safety
purpose of the polarized plug.
Alternate Warnings: This video product is equipped with
a three-wire grounding-type plug, a plug having a third
(grounding) pin. This plug will only fi t into a grounding-type
power outlet. This is a safety feature. If you are unable to
insert the plug into the outlet, contact your electrician to re-
place your obsolete outlet. Do not defeat the safety purpose
of the grounding type plug.
Overloading: Do not overload wall outlets and extension
cords as this can result in a risk of fi re or electric shock.
Ventilation: Slots and openings in the cabinet are provided
for ventilation, to ensure reliable operation of the video prod-
uct and to protect it from overheating, and these openings
must not be blocked or covered. The openings should never
be blocked by placing the video product on a bed, sofa, rug,
or other similar surface.
This video product should not be placed in a built-in instal-
lation such as a bookcase or rack unless proper ventilation is
provided or the manufacturer’s instructions have been ad-
hered to. This video product should never be placed near or
over a radiator or heat register.
Attachments: Do not use attachments not recommended by
the video product manufacturer as they may cause hazards.
Water and Moisture: Do not use this video product near wa-
ter—for example, near a bath tub, wash bowl, kitchen sink,
or laundry tub, in a wet basement, or near a swimming pool,
and the like.
Power-Cord Protection: Power-supply cords should be routed
so that they are not likely to be walked on or pinched by
items placed upon or against them, paying particular atten-
tion to cords at plugs, convenience receptacles, and the point
where they exit from the appliance.
Accessories: Do not place this video product on an unstable
cart, stand, tripod, bracket, or table. The video product may
fall, causing serious injury to a child or adult, and serious
damage to the appliance. Use only with a cart, stand, tripod,
bracket, or table recommended by the manufacturer, or sold
with the video product. Any mounting of the appliance
should follow the manufacturer’s instructions, and should use
a mounting accessory recommended by the manufacturer.
An appliance and cart combination
should be moved with care. Quick
stops, excessive force, and uneven
surfaces may cause the appliance and
cart combination to overturn.
Antennas
Antennas
Outdoor Antenna Grounding: If an outside antenna or cable
system is connected to the video product, be sure the an-
tenna or cable system is grounded so as to provide some
protection against voltage surges and built-up static charges.
Section 810 of the National Electrical Code, ANSI/NFPA No.
70, provides information with respect to proper grounding of
the mast and supporting structure, grounding of the lead-in
wire to an antenna discharge unit, size of grounding con-
ductors, location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.
EXAMPLE OF ANTENNA GROUNDING AS PER NATIONAL
ELECTRICAL CODE
Ground Clamp
t
Electric Service Equipment
e Equipment
A
A
ntenn
a
Le
ad
in
W
ir
e
A
A
Antenna
An
Discharge Unit
D
(NEC SECTION
N
810-20)
8
Ground Clamps
Power Service Grounding Electrode
System (NEC ART 250. PART H)
Groun
d
in
g
Con
d
uctors
(
NEC
SECTION 810-21
)
301
Technical Notes
12
For Your Safety
Power Lines: An outside antenna system should not be locat-
ed in the vicinity of overhead power lines or other electric
light or power circuits, or where it can fall into such power
lines or circuits. When installing an outside antenna system,
extreme care should be taken to keep from touching such
power lines or circuits as contact with them might be fatal.
Use
Use
Cleaning: Unplug this video product from the wall outlet be-
fore cleaning. Do not use liquid cleaners or aerosol cleaners.
Use a damp cloth for cleaning.
Object and Liquid Entry: Never push objects of any kind into
this video product through openings as they may touch dan-
gerous voltage points or short out parts that could result in
a fi re or electric shock. Never spill liquid of any kind on the
video product.
Lightning: For added protection for this video product re-
ceiver during a lightning storm, or when it is left unattended
and unused for long periods of time, unplug it from the wall
outlet and disconnect the antenna or cable system. This will
prevent damage to the video product due to lightning and
power-line surges.
Service
Service
Servicing: Do not attempt to service this video product
yourself as opening or removing covers may expose you to
dangerous voltage or other hazards. Refer all servicing to
qualifi ed service personnel.
Damage Requiring Service: Unplug this video product from
the wall outlet and refer servicing to qualifi ed service person-
nel under the following conditions:
•
When the power-supply cord or plug is damaged
•
If liquid has been spilled, or objects have fallen into the
video product.
•
If the video product has been exposed to rain or water.
•
If the video product has been dropped or the cabinet has
been damaged.
If the video product does not operate normally follow the
operating instructions. Adjust only those controls that are
covered by the operating instructions as an improper adjust-
ment of other controls may result in damage and will often
require extensive work by a qualifi ed technician to restore
the video product to its normal operation.
When the video product exhibits a distinct change in perfor-
mance — this indicates a need for service.
Replacement Parts: When replacement parts are required, be
sure the service technician has used replacement parts spec-
ifi ed by the manufacturer or have the same characteristics as
the original part. Unauthorized substitutions may result in
fi re, electric shock or other hazards.
Safety Check: Upon completion of any service or repairs to
this video product, ask the service technician to perform
safety checks to determine that the video product is in prop-
er operating condition.
Be sure to read these notes before use
Safety Notes
•
Make sure that you use your camera correctly. Read these
safety notes and your Owner’s Manual carefully before use.
•
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate
the severity of the injury or damage that can result if the in-
formation indicated by the icon is ignored and the product is
used incorrectly as a result.
WARNING
WARNING
This icon indicates that death or serious in-
jury can result if the information is ignored.
CAUTION
CAUTION
This icon indicates that personal injury or
material damage can result if the informa-
tion is ignored.
The icons shown below are used to indicate the nature of the
instructions which are to be observed.
Triangular icons tell you that this information re-
quires attention (“Important”).
Circular icons with a diagonal bar tell you that the
action indicated is prohibited (“Prohibited”).
Filled circles with an exclamation mark indicate an
action that must be performed (“Required”).
The symbols on the product (including the accesories) rep-
resent the following:
AC
DC
Class II equipment (The construction of the product
is double-insulated.)
WARNING
WARNING
Unplug
from power
socket
If a problem arises, turn the camera o , remove the
If a problem arises, turn the camera o , remove the
battery, disconnect the USB cable, and unplug the AC
battery, disconnect the USB cable, and unplug the AC
power adapter.
power adapter. Continued use of the camera when
it is emitting smoke, is emitting any unusual odor,
or is in any other abnormal state can cause a fi re or
electric shock. Contact your Fujifi lm dealer.
Do not allow water or foreign objects to enter the cam-
Do not allow water or foreign objects to enter the cam-
era or connecting cables.
era or connecting cables. Do not use the camera or
connecting cables following ingress of fresh or salt
water, milk, beverages, detergents, or other liquids.
Should liquid fi nd its way into the camera or con-
necting cables, turn the camera off , remove the
battery, disconnect the USB cable, and disconnect
and unplug the AC adapter. Continued use of the
camera can cause a fi re or electric shock. Contact
your Fujifi lm dealer.
302
Technical Notes
12
WARNING
WARNING
Do not use in
the bathroom
or shower
Do not use the camera in the bathroom or shower.
Do not use the camera in the bathroom or shower. This
can cause a fi re or electric shock.
Do not
disassemble
Never attempt to change or take apart the camera (never
Never attempt to change or take apart the camera (never
open the case).
open the case). Failure to observe this precaution can
cause fi re or electric shock.
Do not touch
internal
parts
Should the case break open as the result of a fall or other
Should the case break open as the result of a fall or other
accident, do not touch the exposed parts.
accident, do not touch the exposed parts. Failure to ob-
serve this precaution could result in electric shock or
in injury from touching the damaged parts. Remove
the battery immediately, taking care to avoid injury
or electric shock, and take the product to the point
of purchase for consultation.
Do not change, heat or unduly twist or pull the connec-
Do not change, heat or unduly twist or pull the connec-
tion cord and do not place heavy objects on the connec-
tion cord and do not place heavy objects on the connec-
tion cord.
tion cord. These actions could damage the cord and
cause a fi re or electric shock. If the cord is damaged,
contact your Fujifi lm dealer. Do not use cables with
bent connectors.
Do not place the camera on an unstable surface.
Do not place the camera on an unstable surface. This
can cause the camera to fall or tip over and cause
injury.
Never attempt to take pictures while in motion.
Never attempt to take pictures while in motion. Do not
use the camera while walking or driving. This can
result in you falling down or being involved in a
traffi c accident.
Do not touch any metal parts of the camera during a
Do not touch any metal parts of the camera during a
thunderstorm.
thunderstorm. This can cause an electric shock due
to induced current from the lightning discharge.
Do not use the battery except as speci ed.
Do not use the battery except as speci ed. Load the
battery as shown by the indicator.
Do not disassemble, modify, or heat batteries. Do not
Do not disassemble, modify, or heat batteries. Do not
drop, strike, or throw batteries or otherwise subject
drop, strike, or throw batteries or otherwise subject
them to strong impacts. Do not use batteries that show
them to strong impacts. Do not use batteries that show
signs of leaking, deformation, discoloration, or other
signs of leaking, deformation, discoloration, or other
abnormalities. Use only designated chargers to recharge
abnormalities. Use only designated chargers to recharge
rechargeable batteries and do not attempt to recharge
rechargeable batteries and do not attempt to recharge
non-rechargeable Li-ion or alkaline batteries. Do not
non-rechargeable Li-ion or alkaline batteries. Do not
short batteries or store them with metallic objects.
short batteries or store them with metallic objects. Fail-
ure to observe these precautions could result in the
batteries overheating, igniting, rupturing, or leaking,
causing fi re, burns, or other injury.
Use only batteries or AC power adapters speci ed for
Use only batteries or AC power adapters speci ed for
use with this camera. Do not use voltages other than the
use with this camera. Do not use voltages other than the
power supply voltage shown.
power supply voltage shown. The use of other power
sources can cause a fi re.
If the battery leaks and uid gets in contact with your
If the battery leaks and uid gets in contact with your
eyes, skin or clothing, ush the a ected area with clean
eyes, skin or clothing, ush the a ected area with clean
water and seek medical attention or call an emergency
water and seek medical attention or call an emergency
number right away.
number right away.
WARNING
WARNING
Do not use the charger to charge batteries other than
Do not use the charger to charge batteries other than
those speci ed here.
those speci ed here. The supplied charger is for use
only with batteries of the type supplied with the
camera. Using the charger to charge conventional
batteries or other types of rechargeable batteries
can cause the battery to leak, overheat or burst.
Using a ash too close to a person’s eyes may cause visual
Using a ash too close to a person’s eyes may cause visual
impairment.
impairment. Take particular care when photograph-
ing infants and young children.
Do not remain in prolonged contact with hot surfaces.
Do not remain in prolonged contact with hot surfaces.
Failure to observe this precaution could result in
low-temperature burns, particularly at high ambient
temperatures or with users who suff er from poor
circulation or reduced sensation, in which case use
of a tripod or similar precautions are recommended.
Do not leave one part of the body in contact with the
Do not leave one part of the body in contact with the
product for prolonged periods while the product is on.
product for prolonged periods while the product is on.
Failure to observe this precaution could result in
low-temperature burns, particularly during pro-
longed use, at high ambient temperatures, or with
users who suff er from poor circulation or reduced
sensation, in which case use of a tripod or similar
precautions are recommended.
Do not use in the presence of ammable objects, explo-
Do not use in the presence of ammable objects, explo-
sive gases, or dust.
sive gases, or dust.
When carrying the battery, install it in a digital camera
When carrying the battery, install it in a digital camera
or keep it in the hard case. When storing the battery,
or keep it in the hard case. When storing the battery,
keep it in the hard case. When discarding, cover the
keep it in the hard case. When discarding, cover the
battery terminals with insulation tape.
battery terminals with insulation tape. Contact with
other metallic objects or batteries could cause the
battery to ignite or burst.
Keep memory cards, hot shoes, and other small parts out
Keep memory cards, hot shoes, and other small parts out
of the reach of small children.
of the reach of small children. Children may swallow
small parts; keep out of reach of children. Should
a child swallow a small part, seek medical attention
or call emergency.
Keep out of reach of small children.
Keep out of reach of small children. Among the ele-
ments that could cause injury are the strap, which
could become entangled about a child’s neck, caus-
ing strangulation, and the fl ash, which could cause
visual impairment.
Follow the directions of airline and hospital personnel.
Follow the directions of airline and hospital personnel.
This product generates radio-frequency emissions
that could interfere with navigational or medical
equipment.
CAUTION
CAUTION
Do not use this camera in locations a ected by oil fumes,
Do not use this camera in locations a ected by oil fumes,
steam, humidity or dust.
steam, humidity or dust. This can cause a fi re or elec-
tric shock.
Do not leave this camera in places subject to extremely
Do not leave this camera in places subject to extremely
high temperatures.
high temperatures. Do not leave the camera in loca-
tions such as a sealed vehicle or in direct sunlight.
This can cause a fi re.
303
Technical Notes
12
For Your Safety
CAUTION
CAUTION
Do not place heavy objects on the camera.
Do not place heavy objects on the camera. This can cause
the heavy object to tip over or fall and cause injury.
Do not move the camera while the AC power adapter is still
Do not move the camera while the AC power adapter is still
connected.
connected. Do not pull on the connection cord to dis-
connect the AC power adapter. This can damage the
power cord or cables and cause a fi re or electric shock.
Do not cover or wrap the camera or the AC power adapter
Do not cover or wrap the camera or the AC power adapter
in a cloth or blanket.
in a cloth or blanket. This can cause heat to build up
and distort the casing or cause a fi re.
Do not use the plug if it is damaged or if it does not t
Do not use the plug if it is damaged or if it does not t
securely into the outlet.
securely into the outlet. Failure to observe this precau-
tion could result in fi re or electric shock.
When you are cleaning the camera or you do not plan to
When you are cleaning the camera or you do not plan to
use the camera for an extended period, remove the bat-
use the camera for an extended period, remove the bat-
tery and disconnect and unplug the AC power adapter.
tery and disconnect and unplug the AC power adapter.
Failure to do so can cause a fi re or electric shock.
CAUTION
CAUTION
When charging ends, unplug the charger from the power
When charging ends, unplug the charger from the power
socket.
socket. Leaving the charger plugged into the power
socket can cause a fi re.
When a memory card is removed, the card could come
When a memory card is removed, the card could come
out of the slot too quickly. Use your nger to hold it and
out of the slot too quickly. Use your nger to hold it and
gently release the card.
gently release the card. Injury could result to those
struck by the ejected card.
Request regular internal testing and cleaning for your
Request regular internal testing and cleaning for your
camera.
camera. Build-up of dust in your camera can cause
a fi re or electric shock. Contact your Fujifi lm dealer
to request internal cleaning every two years. Please
note that this service is not free of charge.
Danger of explosion if battery is incorrectly replaced.
Danger of explosion if battery is incorrectly replaced.
Replace only with the same or equivalent type.
Replace only with the same or equivalent type.
Batteries (battery pack or batteries installed) shall not be
Batteries (battery pack or batteries installed) shall not be
exposed to excessive heat such as sunshine, re or the like.
exposed to excessive heat such as sunshine, re or the like.
The Battery and Power Supply
Note: Check the type of battery used in your camera and read
the appropriate sections.
WARNING: Battery shall not be exposed to excessive heat
such as sunshine, fire or the like.
The following describes the proper use of batteries and how
to prolong their life. Incorrect use can shorten battery life or
cause leakage, overheating, fi re, or explosion.
Li-ion Batteries
Li-ion Batteries
Read this section if your camera uses a rechargeable Li-ion
battery.
The battery is not charged at shipment. Charge the battery
before use. Keep the battery in its case when not in use.
■
■
Notes on the Battery
Notes on the Battery
The battery gradually loses its charge when not in use.
Charge the battery one or two days before use.
Battery life can be extended by turning the camera off when
not in use.
Battery capacity decreases at low temperatures; a depleted
battery may not function when cold. Keep a fully charged
spare battery in a warm place and exchange as necessary,
or keep the battery in your pocket or other warm place and
insert it in the camera only when shooting. Do not place the
battery in direct contact with hand warmers or other heating
devices.
■
■
Charging the Battery
Charging the Battery
Charge the battery in the supplied battery charger. Charging
times will increase at ambient temperatures below +10 °C
(+50 °F) or above +35 °C (+95 °F). Do not attempt to charge
the battery at temperatures above +40 °C (+104 °F); at tem-
peratures below +5 °C (+41 °F), the battery will not charge.
Do not attempt to recharge a fully charged battery. The battery
does not however need to be fully discharged before charging.
The battery may be warm to the touch immediately after
charging or use. This is normal.
■
■
Battery Life
Battery Life
At normal temperatures, the battery can be recharged about
300 times. A noticeable decrease in the length of time the
battery will hold a charge indicates that it has reached the
end of its service life and should be replaced.
■
■
Storage
Storage
Performance may be impaired if the battery is left unused
for extended periods when fully charged. Run the battery
fl at before storing it.
If the camera will not be used for an extended period, re-
move the battery and store it in a dry place with an ambient
temperature of from +15 °C to +25 °C (+59 °F to +77 °F). Do
not store in locations exposed to extremes of temperature.
■
■
Cautions: Handling the Battery
Cautions: Handling the Battery
•
Do not transport or store with metal objects such as neck-
laces or hairpins.
•
Do not expose to fl ame or heat.
•
Do not disassemble or modify.
•
Use with designated chargers only.
•
Dispose of used batteries promptly.
•
Do not drop or subject to strong physical shocks.
•
Do not expose to water.
•
Keep the terminals clean.
•
The battery and camera body may become warm to the
touch after extended use. This is normal.
■ Caution:
Disposal
Disposal
Dispose of used batteries in accord with local regulations.
Attention should be drawn to the environmental aspects of
battery disposal. Use the apparatus under moderate climate.
304
Technical Notes
12
AC Power Adapters
AC Power Adapters
Use only Fujifi lm AC power adapters designated for use with
this camera. Other adapters could damage the camera.
•
The AC power adapter is for indoor use only.
•
Be sure the DC plug is securely connected to the camera.
•
Turn the camera off before disconnecting the adapter. Dis-
connect the adapter by the plug, not the cable.
•
Do not use with other devices.
•
Do not disassemble.
•
Do not expose to high heat and humidity.
•
Do not subject to strong physical shocks.
•
The adapter may hum or become hot to the touch during
use. This is normal.
•
If the adapter causes radio interference, reorient or relocate
the receiving antenna.
Using the Camera
•
Do not aim the camera at extremely bright light sources,
including artifi cial light sources or natural light sources
such as the sun in a cloudless sky. Failure to observe this
precaution could damage the camera image sensor.
•
Strong sunlight focused through the viewfi nder may dam-
age the panel of electronic viewfi nder (EVF). Do not aim
the electronic viewfi nder at the sun.
Take Test Shots
Take Test Shots
Before taking photographs on important occasions (such as
at weddings or before taking the camera on a trip), take a
test shot and view the results to ensure that the camera is
functioning normally. FUJIFILM Corporation cannot accept
liability for damages or lost profi ts incurred as a result of
product malfunction.
Notes on Copyright
Notes on Copyright
Unless intended solely for personal use, images recorded
using your digital camera system cannot be used in ways
that infringe copyright laws without the consent of the own-
er. Note that some restrictions apply to the photographing
of stage performances, entertainments, and exhibits, even
when intended purely for personal use. Users are also asked
to note that the transfer of memory cards containing images
or data protected under copyright laws is only permissible
within the restrictions imposed by those copyright laws.
Handling
Handling
To ensure that images are recorded correctly, do not subject
the camera to impact or physical shocks while images are
being recorded.
Liquid Crystal
Liquid Crystal
In the event that the display is damaged, care should be tak-
en to avoid contact with liquid crystal. Take the urgent action
indicated should any of the following situations arise:
•
If liquid crystal comes in contact with your skin, clean the
area with a cloth and then wash thoroughly with soap and
running water.
•
If liquid crystal enters your eyes, fl ush the aff ected eye with
clean water for at least 15 minutes and then seek medical
assistance.
•
If liquid crystal is swallowed, rinse your mouth thoroughly
with water. Drink large quantities of water and induce vom-
iting, then seek medical assistance.
Although the display is manufactured using extremely
high-precision technology, it may contain pixels that are
always lit or that do not light. This is not a malfunction, and
images recorded with the product are unaff ected.
Trademark Information
Trademark Information
Digital Split Image is a trademark or registered trademark of
FUJIFILM Corporation. Digital Micro Prism is a trademark or
registered trademark of FUJIFILM Corporation. The typefaces
included herein are solely developed by DynaComware
Taiwan Inc. Mac, OS X, and macOS are trademarks of Apple
Inc. in the U.S.A. and other countries. Windows is a regis-
tered trademark of Microsoft Corporation in the U.S.A. and
other countries. Adobe, the Adobe logo, Photoshop, and
Lightroom are trademarks or registered trademarks of Adobe
Systems Incorporated in the U.S.A. and other countries.
Wi-Fi® and Wi-Fi Protected Setup® are registered trademarks
of the Wi-Fi Alliance. The Bluetooth® word mark and logos
are registered trademarks owned by the Bluetooth SIG, Inc.,
and any use of such marks by Fujifi lm is under license. The
SDHC and SDXC logos are trademarks of SD-3C, LLC. The
HDMI logo is a trademark or registered trademark of HDMI
Licensing LLC. All other trade names mentioned in this
manual are the trademarks or registered trademarks of their
respective owners.
Electrical Interference
Electrical Interference
This camera may interfere with hospital or aviation equip-
ment. Consult with hospital or airline staff before using the
camera in a hospital or on an aircraft.
Color Television Systems
Color Television Systems
NTSC (National Television System Committee) is a color tele-
vision telecasting specifi cation adopted mainly in the U.S.A.,
Canada, and Japan. PAL (Phase Alternation by Line) is a color
television system adopted mainly in European countries and
China.
Exif Print (Exif Version 2.3)
Exif Print (Exif Version 2.3)
Exif Print is a newly revised digital camera fi le format in which
information stored with photographs is used for optimal col-
or reproduction during printing.
IMPORTANT NOTICE: Read Before Using the Software
Direct or indirect export, in whole or in part, of licensed soft-
ware without the permission of the applicable governing
bodies is prohibited.
305
Technical Notes
12
For Your Safety
NOTICES
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
Please read the “Safety Notes” and make sure you understand them before using the camera.
Perchlorate Material—special handling may apply. See:
http://www.dtsc.ca.gov/hazardouswaste/perchlorate
For Customers in the U. S. A.
For Customers in the U. S. A.
Tested To Comply With FCC Standards
FOR HOME OR OFFICE USE
Contains IC : 10293A-WMBACBM25
Contains FCC ID : COF-WMBACBM25
FCC Statement: This device complies with Part 15 of the FCC
Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2)this device must accept any interference received, includ-
ing interference that may cause undesired operation.
CAUTION: This equipment has been tested and found to
comply with the limits for a Class B digital device, pursuant
to Part 15 of the FCC Rules. These limits are designed to pro-
vide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses, and
can radiate radio frequency energy and, if not installed and
used in accordance with the instructions, may cause harmful
interference to radio communications. However, there is no
guarantee that interference will not occur in a particular in-
stallation. If this equipment does cause harmful interference
to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged
to try to correct the interference by one or more of the fol-
lowing measures:
•
Reorient or relocate the receiving antenna.
•
Increase the separation between the equipment and re-
ceiver.
•
Connect the equipment into an outlet on a circuit diff erent
from that to which the receiver is connected.
•
Consult the dealer or an experienced radio/TV technician
for help.
FCC Caution: Any changes or modifi cations not expressly ap-
proved by the party responsible for compliance could void
the user’s authority to operate this equipment.
This transmitter must not be co-located or operating in con-
junction with any other antenna or transmitter.
Radiation Exposure Statement: This device meets the gov-
ernment’s requirements for exposure to radio waves. This
device is designed and manufactured not to exceed the
emission limits for exposure to radio frequency (RF) energy
set by the Federal Communications Commission of the U.S.
Government.
The exposure standard for wireless device employs a unit of
measurement known as the Specifi c Absorption Rate, or SAR.
The SAR limit set by the FCC is 1.6W/kg. Tests for SAR are
conducted using standard operating positions accepted by
the FCC with the device transmitting at its highest certifi ed
power level in all tested frequency bands.
Notes on the Grant: To comply with Part 15 of the FCC Rules,
this product must be used with a Fujifi lm-specifi ed fer-
rite-core A/V cable, USB cable, and DC supply cord.
A lithium ion battery that is recyclable powers
the product you have purchased. Please call
1-800-8-BATTERY for information on how to
recycle this battery.
306
Technical Notes
12
For Customers in Canada
For Customers in Canada
CAN ICES-3 (B)/NMB-3(B)
CAUTION: This Class B digital apparatus complies with Cana-
dian ICES-003.
Industry Canada statement: This device complies with Indus-
try Canada’s licence-exempt RSSs. Operation is subject to the
following two conditions: (1)This device may not cause in-
terference; and (2)This device must accept any interference,
including interference that may cause undesired operation
of the device.
This device and its antenna(s) must not be co-located or op-
erating in conjunction with any other antenna or transmitter,
except tested built-in radios. The County Code Selection
feature is disabled for products marketed in the US/ Canada.
Radiation Exposure Statement: The available scientifi c evi-
dence does not show that any health problems are asso-
ciated with using low power wireless devices. There is no
proof, however, that these low power wireless devices are
absolutely safe. Low power Wireless devices emit low levels
of radio frequency energy (RF) in the microwave range while
being used. Whereas high levels of RF can produce health
eff ects (by heating tissue), exposure of low-level RF that does
not produce heating eff ects causes no known adverse health
eff ects. Many studies of low-level RF exposures have not
found any biological eff ects. Some studies have suggested
that some biological eff ects might occur, but such fi ndings
have not been confi rmed by additional research. GFX100 has
been tested and found to comply with IC radiation exposure
limits set forth for an uncontrolled environment and meets
RSS-102 of the IC radio frequency (RF) Exposure rules.
Operation in the band 5150–5250 MHz is only for indoor use
to reduce the potential for harmful interference to co-chan-
nel mobile satellite systems.
Disposal of Electrical and Electronic Equipment in Private Households
Disposal of Electrical and Electronic Equipment in Private Households
In the European Union, Norway, Iceland and
Liechtenstein: This symbol on the product, or in
the manual and in the warranty, and/or on its
packaging indicates that this product shall not
be treated as household waste. Instead it should
be taken to an applicable collection point for the recycling of
electrical and electronic equipment.
By ensuring this product is disposed of correctly, you will
help prevent potential negative consequences to the en-
vironment and human health, which could otherwise be
caused by inappropriate waste handling of this product.
This symbol on the batteries or accumulators
indicates that those batteries shall not be treated
as household waste.
If your equipment contains easy removable batteries or accu-
mulators please dispose these separately according to your
local requirements.
The recycling of materials will help to conserve natural re-
sources. For more detailed information about recycling this
product, please contact your local city offi ce, your household
waste disposal service or the shop where you purchased the
product.
In Countries Outside the European Union, Norway, Iceland and
Liechtenstein: If you wish to discard this product, including
the batteries or accumulators, please contact your local au-
thorities and ask for the correct way of disposal.
In Japan: This symbol on the batteries indicates
that they are to be disposed of separately.
307
Technical Notes
12
For Your Safety
Wireless Network and Bluetooth Devices: Cautions
This product complies with the following EU Directives:
•
RoHS Directive 2011/65/EU
•
RE Directive 2014/53/EU
Hereby, FUJIFILM Corporation declares that the radio
equipment type FF180005 is in compliance with Directive
2014/53/EU.
The full text of the EU declaration of conformity is available
at the following internet address: http://www.fujifilm.com/
products/digital_cameras/gfx/fujifilm_gfx_100/pdf/index/
fujifilm_gfx_100_cod.pdf
This compliance is indicated by the following conformity
marking placed on the product:
This marking is valid for non-Telecom products and EU harmo-
nized Telecom products (e.g. Bluetooth®).
IMPORTANT: Read the following notices before using the cam-
era’s built-in wireless transmitter.
Q This product, which contains encryption function de-
veloped in the United States, is controlled by the United
States Export Administration Regulations and may not
be exported or re-exported to any country to which the
United States embargoes goods.
•
Use only a wireless network or Bluetooth device
Use only a wireless network or Bluetooth device
.
. Fujifi lm does
not accept liability for damages resulting from unautho-
rized use. Do not use in applications requiring a high de-
gree of reliability, for example in medical devices or other
systems that may directly or indirectly impact human life.
When using the device in computer and other systems that
demand a greater degree of reliability than off ered by wire-
less network or Bluetooth devices, be sure to take all neces-
sary precautions to ensure safety and prevent malfunction.
•
Use only in the country in which the device was purchased.
Use only in the country in which the device was purchased. This
device conforms to regulations governing wireless network
and Bluetooth devices in the country in which it was pur-
chased. Observe all location regulations when using the
device. Fujifi lm does not accept liability for problems aris-
ing from use in other jurisdictions.
•
Do not use the device in locations subject to magnetic elds,
Do not use the device in locations subject to magnetic elds,
static electricity, or radio interference.
static electricity, or radio interference. Do not use the trans-
mitter in the vicinity of microwave ovens or in other loca-
tions subject to magnetic fi elds, static electricity, or radio
interference that may prevent reception of wireless signals.
Mutual interference may occur when the transmitter is
used in the vicinity of other wireless devices operating in
the 2.4GHz band.
•
The wireless transmitter operates in the 2.4GHz and 5GHz bands
The wireless transmitter operates in the 2.4GHz and 5GHz bands
using DSSS, OFDM and GFSK modulation.
using DSSS, OFDM and GFSK modulation.
•
Security: Wireless network and Bluetooth devices transmit
data via radio and consequently their use requires great-
er attention to security than applies in the case of wired
networks.
-
Do not connect to unknown networks or networks to
which you do not have access rights, even if they are
displayed on your device, as such access may be consid-
ered unauthorized. Connect only to networks to which
you have access rights.
-
Be aware that wireless transmissions may be vulnerable
to interception by third parties.
•
The following may be punishable by law:
The following may be punishable by law:
-
Disassembly or modifi cation or this device
-
Removal of device certifi cation labels
•
This device operates on the same frequency as commercial, edu-
This device operates on the same frequency as commercial, edu-
cational, and medical devices and wireless transmitters.
cational, and medical devices and wireless transmitters. It also
operates on the same frequency as licensed transmitters
and special unlicensed low-voltage transmitters used in
RFID tracking systems for assembly lines and in other sim-
ilar applications.
•
To prevent interference with the above devices, observe the fol-
To prevent interference with the above devices, observe the fol-
lowing precautions.
lowing precautions. Confi rm that the RFID transmitter is not
in operation before using this device. Should you observe
that the device causes interference in licensed transmitters
used for RFID tracking, immediately stop using the aff ected
frequency or move the device to another location. If you
notice that this device causes interference in low-voltage
RFID tracing systems, contact a Fujifi lm representative.
•
Do not use this device on board an aircraft.
Do not use this device on board an aircraft. Note that Bluetooth
may remain on even when the camera is off . Bluetooth
can be disabled by selecting OFF for
D
CONNECTION
SETTING> Bluetooth SETTINGS> Bluetooth ON/
OFF.
•
Requirements in AT/BE/BG/CZ/DK/EE/FR/DE/IS/IE/IT/EL/
ES/CY/LV/LI/LT/LU/HU/MT/NL/NO/PL/PT/RO/SI/SK/TR/FI/
SE/CH/UK/HR. 5150 MHz–5350 MHz is for indoor use only.
•
Maximum radio-frequency power (EIRP):
WLAN 2.4 GHz: 14.57 dBm
WLAN 5 GHz: 17.43 dBm
Bluetooth: 6.38 dBm
Speci c Absorption Rate (SAR) Information
Speci c Absorption Rate (SAR) Information
SAR is measured with the device at 0 mm to the body, while
transmitting at the highest certifi ed output power level in all
frequency bands of the device. The maximum SAR value is
0.121 W/kg (head/body) averaged over 10 gram of tissue.
308
Technical Notes
12
For Your Safety
Be sure to read these notes before using the lens
Safety Notes
•
Make sure that you use the lens correctly. Read these safety
notes and the camera Owner’s Manual carefully before use.
•
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate
the severity of the injury or damage that can result if the in-
formation indicated by the icon is ignored and the product is
used incorrectly as a result.
WARNING
WARNING
This icon indicates that death or serious in-
jury can result if the information is ignored.
CAUTION
CAUTION
This icon indicates that personal injury or
material damage can result if the informa-
tion is ignored.
The icons shown below are used to indicate the nature of the
instructions which are to be observed.
Triangular icons tell you that this information re-
quires attention (“Important”).
Circular icons with a diagonal bar tell you that the
action indicated is prohibited (“Prohibited”).
Filled circles with an exclamation mark indicate an
action that must be performed (“Required”).
WARNING
WARNING
Do not
immerse
Do not immerse in or expose to water.
Do not immerse in or expose to water. Failure to ob-
serve this precaution can cause a fi re or electric
shock.
Do not
disassemble
Do not disassemble (do not open the case).
Do not disassemble (do not open the case). Failure
to observe this precaution can cause fi re, electric
shock, or injury due to product malfunction.
Do not touch
internal
parts
Should the case break open as the result of a fall or other
Should the case break open as the result of a fall or other
accident, do not touch the exposed parts.
accident, do not touch the exposed parts. Failure to ob-
serve this precaution could result in electric shock or
in injury from touching the damaged parts. Remove
the battery immediately, taking care to avoid injury
or electric shock, and take the product to the point
of purchase for consultation.
Do not place on unstable surfaces.
Do not place on unstable surfaces. The product may
fall, causing injury.
Do not view the sun through the lens or camera view-
Do not view the sun through the lens or camera view-
nders.
nders. Failure to observe this precaution can cause
permanent visual impairment.
CAUTION
CAUTION
Do not use or store in locations that are exposed to
Do not use or store in locations that are exposed to
steam, or smoke or are very humid or extremely dusty.
steam, or smoke or are very humid or extremely dusty.
Failure to observe this precaution can cause fi re or
electric shock.
Do not leave in direct sunlight or in locations subject to
Do not leave in direct sunlight or in locations subject to
very high temperatures, such as in a closed vehicle on
very high temperatures, such as in a closed vehicle on
a sunny day.
a sunny day. Failure to observe this precaution can
cause fi re.
Keep out of the reach of small children.
Keep out of the reach of small children. This product
could cause injury in the hands of a child.
Do not handle with wet hands.
Do not handle with wet hands. Failure to observe this
precaution can cause electric shock.
Keep the sun out of the frame when shooting backlit sub-
Keep the sun out of the frame when shooting backlit sub-
jects.
jects. Sunlight focused into the camera when the
sun is in or close to the frame can cause fi re or burns.
When the product is not in use, replace the lens caps and
When the product is not in use, replace the lens caps and
store out of direct sunlight.
store out of direct sunlight. Sunlight focused by the
lens can cause fi re or burns.
Do not carry the camera or lens while they are attached
Do not carry the camera or lens while they are attached
to a tripod.
to a tripod. The product can fall or strike other ob-
jects, causing injury.
309
Technical Notes
12
Product Care
To ensure continued enjoyment of the product, observe
the following precautions.
Camera body: Use a soft, dry cloth to clean the camera body after
each use. Do not use alcohol, thinner, or other volatile chemicals,
which could discolor or deform the leather on the camera body.
Any liquid on the camera should be removed immediately with
a soft, dry cloth. Use a blower to remove dust from the monitor,
taking care to avoid scratches, and then gently wipe with a soft,
dry cloth. Any remaining stains can be removed by wiping gen-
tly with a piece of Fuji lm lens-cleaning paper to which a small
amount of lens-cleaning uid has been applied. To prevent dust
entering the camera, replace the body cap when no lens is in
place.
Image sensor: Multiple photographs marred by spots or blotches in
identical locations may indicate the presence of dust on the im-
age sensor. Clean the sensor using D USER SETTING> SENSOR
CLEANING.
310
Technical Notes
12
Cleaning the Image Sensor
Dust that cannot be removed using D USER SETTING>
SENSOR CLEANING can be removed manually as de-
scribed below.
O
Note that there will be a charge to repair or replace the image sensor
if it is damaged during cleaning.
1
Use a blower (not a brush) to remove
dust from the sensor.
O
Do not use a brush or blower brush.
Failure to observe this precaution
could damage the sensor.
2
Check whether the dust has been successfully removed. Re-
peat Steps 1 and 2 as necessary.
3
Replace the body cap or lens.
311
Technical Notes
12
Firmware Updates
Updates to product rmware may result in changes not
described in the manual. For more information, visit:
http://www.fujifilm.com/support/digital_cameras/software
Checking the Firmware Version
O
The camera will only display the rmware version if a memory card is
inserted.
1
Turn the camera o and check that a memory card is inserted.
2
Turn the camera on while pressing the DISP/BACK button. The
current rmware version will be displayed; check the rm-
ware version.
3
Turn the camera o .
N
To view the rmware version or update rmware for optional acces-
sories such as interchangeable lenses, shoe-mounted ash units, and
mount adapters, mount the accessories on the camera.
312
Technical Notes
12
Troubleshooting
Consult the table below should you encounter problems
using your camera. If you don’t nd the solution here, con-
tact your local Fuji lm distributor.
Power and Battery
Problem
Problem
Solution
Solution
The camera does not
turn on.
•
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 41).
•
The battery is inserted incorrectly: Reinsert in the correct ori-
entation (P 45).
•
The battery tray is not latched: Latch the battery tray (P 45).
The monitor does not
turn on.
The monitor may not turn on if the camera is turned off
and then on again very quickly. Keep the shutter button
pressed halfway until the monitor activates.
The battery runs down
quickly.
•
The battery is cold: Warm the battery by placing it in a pock-
et or other warm place and reinsert it in the camera im-
mediately before taking a picture.
•
There is dirt on the battery terminals: Clean the terminals
with a soft, dry cloth.
•
ON is selected for G AF/MF SETTING> PRE-AF: Turn
PRE-AF off (P 125).
•
The batteries have been charged many times: Select BATTERY
AGE to view the battery age; if the batteries are old, re-
place them with new batteries (P 201).
The camera turns o
suddenly.
The battery is exhausted: Charge the battery or insert a
fully-charged spare battery (P 41).
313
Technical Notes
12
Troubleshooting
Problem
Problem
Solution
Solution
Charging does not start.
•
Insert the battery (P 45).
•
Reinsert the battery in the correct orientation (P 45).
•
Make sure that the charger is correctly plugged in
(P 41).
•
Ensure that the plug adapter is correctly connected to the
charger (P 41).
Charging is slow. Charge the battery at room temperature.
The two lamps designat-
ed as “indicator lamp 2”
blink, but the battery
does not charge.
•
There is dirt on the battery terminals: Clean the terminals
with a soft, dry cloth (P 45).
•
The batteries have been charged many times: Select BATTERY
AGE to view the battery age; if the batteries are old, re-
place them with new batteries (P 201). If the battery
still fails to charge, contact your Fujifi lm dealer (P 296).
Menus and Displays
Problem
Problem
Solution
Solution
Display is not in English.
Select ENGLISH for D USER SETTING> Qa
(P 54, 200).
314
Technical Notes
12
Shooting
Problem
Problem
Solution
Solution
No picture is taken when
the shutter button is
pressed.
•
The memory card is full: Insert a new memory card or delete
pictures (P 47, 180).
•
The memory card is not formatted: Format the memory card
in the camera (P 198).
•
There is dirt on the memory card contacts: Clean the contacts
with a soft, dry cloth.
•
The memory card is damaged: Insert a new memory card
(P 47).
•
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 41).
•
The camera has turned o automatically: Turn the camera on
(P 50).
•
You are using a third-party mount adapter: Select ON for
SHOOT WITHOUT LENS (P 228).
Mottling (“noise”)
appears in the monitor
or view nder when
the shutter button is
pressed halfway.
Gain is increased to aid composition when the subject is
poorly lit and aperture is stopped down, which may result
in noticeable mottling when images are previewed in the
displays. Images taken with the camera are unaff ected.
The camera does not
focus.
The subject is not suited to autofocus: Use focus lock or manual
focus (P 94).
315
Technical Notes
12
Troubleshooting
Problem
Problem
Solution
Solution
No face is detected.
•
The subject’s face is obscured by sunglasses, a hat, long hair, or
other objects: Remove the obstructions (P 126).
•
The subject’s face occupies only a small area of the frame:
Change the composition so that the subject’s face occu-
pies a larger area of the frame (P 126).
•
The subject’s face is turned away from the camera: Ask the sub-
ject to face the camera (P 126).
•
The camera is tilted: Keep the camera level.
•
The subject’s face is poorly lit: Shoot in bright light.
The ash does not re.
•
The ash is disabled: Adjust settings (P 148).
•
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 41).
•
The camera is in bracketing or continuous mode: Select single
frame mode (P 6, 7).
The ash does not fully
light the subject.
•
The subject is not in range of the ash: Position the subject in
range of the fl ash.
•
The ash window is obstructed: Hold the camera correctly.
•
Shutter speed is faster than the sync speed: Choose a slower
shutter speed (P 70, 75, 327).
316
Technical Notes
12
Problem
Problem
Solution
Solution
Pictures are blurred.
•
The lens is dirty: Clean the lens.
•
The lens is blocked: Keep objects away from the lens
(P 57).
•
s is displayed during shooting and the focus frame is dis-
played in red: Check focus before shooting (P 58).
Pictures are mottled.
•
Shutter speed is slow and the ambient temperature is high: This
is normal and does not indicate a malfunction. Use pixel
mapping (P 117).
•
The camera has been used continuously at high temperatures:
Turn the camera off and wait for it to cool down (P 50,
323).
•
A temperature warning is displayed: Turn the camera off and
wait for it to cool down (P 50, 323).
317
Technical Notes
12
Troubleshooting
Playback
Problem
Problem
Solution
Solution
Pictures are grainy.
The pictures were taken with a diff erent make or model of
camera.
Playback zoom is
unavailable.
The pictures were created using RESIZE or with a diff erent
make or model of camera.
No sound in movie
playback.
•
Playback volume is too low: Adjust playback volume
(P 204).
•
The microphone was obstructed: Hold the camera correctly
during recording.
•
The speaker is obstructed: Hold the camera correctly during
playback.
Selected pictures are not
deleted.
Some of the pictures selected for deletion are protected.
Remove protection using the device with which it was
originally applied (P 184).
Pictures remain after
ERASE> ALL FRAMES is
selected.
File numbering is
unexpectedly reset.
The battery tray or a memory card was removed while the
camera was on. Turn the camera off before removing the
battery tray or memory cards (P 236).
318
Technical Notes
12
Connections
Problem
Problem
Solution
Solution
The monitor is blank.
The camera is connected to a TV: Pictures will be displayed on
the TV instead of in the camera monitor (P 282).
Both the TV and camera
monitor are blank.
The display mode selected with the VIEW MODE button is
EVF ONLY + E: Put your eye to the viewfi nder. Use
the VIEW MODE button to choose another display mode
(P 20).
No picture or sound
on TV.
•
The camera is not properly connected: Connect the camera
properly (P 282).
•
Input on the television is set to “TV”: Set input to “HDMI”
(P 282).
•
The volume on the TV is too low: Use the controls on the tele-
vision to adjust the volume (P 282).
The computer does not
recognize the camera.
Be sure the camera and computer are correctly connected
(P 287).
Cannot transfer RAW or
JPEG les to computer.
Use MyFinePix Studio to transfer pictures (Windows only;
P 287).
FUJIFILM X RAW STUDIO
or FUJIFILM X Acquire
fails to correctly detect
the camera.
Check the option selected for PC CONNECTION MODE
on the camera. Select USB RAW CONV./BACKUP
RESTORE before connecting the USB cable (P 292).
319
Technical Notes
12
Troubleshooting
Wireless Transfer
For additional information on troubleshooting wireless connec-
tions, visit:
http://digital-cameras.support.fujifilm.com/app?pid=x
Problem
Problem
Solution
Solution
Cannot connect to
smartphone.
The camera is slow
to connect or upload
pictures to the
smartphone.
Upload fails or is
interrupted.
•
The smartphone is too far away: Move the devices closer
(P 284).
•
Nearby devices are causing radio interference: Move the cam-
era and smartphone away from microwave ovens or cord-
less phones (P 284).
Cannot upload images.
•
The smartphone is connected to another device: The smart-
phone and camera can connect to only one device at a
time. End the connection and try again (P 284).
•
There are several smartphones in the vicinity: Try connecting
again. The presence of multiple smartphones can make
connection diffi cult (P 284).
•
The image was created on another device: The camera may
not be able to upload images created on other devices.
•
The image is a movie: Although you can select movies for
upload when viewing the contents of camera memory on
your smartphone, upload will take some time. For infor-
mation on viewing the pictures on the camera, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
Smartphone will not
display pictures.
Select ON for GENERAL SETTINGS> RESIZE IMAGE
FOR SMARTPHONE H. Selecting OFF increases up-
load times for larger images; in addition, some phones may
not display images over a certain size (P 246).
320
Technical Notes
12
Troubleshooting
Miscellaneous
Problem
Problem
Solution
Solution
The camera is unresponsive.
•
Temporary camera malfunction: Remove and reinsert the
battery (P 45).
•
The battery is exhausted: Charge the battery or insert a
fully-charged spare battery (P 41).
•
The camera is connected to a wireless LAN: End the con-
nection.
The camera does not func-
tion as expected.
Remove and reinsert the battery (P 45). If the prob-
lem persists, contact your Fujifi lm dealer.
Motion in the view nder
or monitor appears jerky
rather than smooth.
When NORMAL is selected for PERFORMANCE, the
frame rate will drop if no operations are performed for a
set period. The normal frame rate will be restored after
you operate camera controls (P 234).
No sound.
Adjust the volume (P 203).
The EVF does not turn on.
The EVF is not correctly attached: Slide the EVF on until it
clicks into place (P 13).
Pressing the Qbutton does
not display the quick menu.
TTL-LOCK is active: End TTL-LOCK (P 149).
321
Technical Notes
12
Warning Messages and Displays
The following warnings appear in the display.
Warning
Warning
Description
Description
i (red)
Low battery. Charge the battery or insert a fully-charged
spare battery.
j (blinks red)
Battery exhausted. Charge the battery or insert a ful-
ly-charged spare battery.
s (displayed in red with
red focus frame)
The camera cannot focus. Use focus lock to focus on an-
other subject at the same distance, then recompose the
picture.
Aperture or shutter
speed displayed in red
The subject is too bright or too dark and the picture will be
over- or under-exposed. Use the fl ash for additional light-
ing when taking photographs of poorly-lit subject.
FOCUS ERROR
Camera malfunction. Turn the camera off and then on
again. If the message persists, contact a Fujifi lm dealer.
LENS CONTROL ERROR
TURN OFF THE CAMERA
AND TURN ON AGAIN
NO CARD
The shutter can only be released when a memory card is
inserted. Insert a memory card.
CARD NOT INITIALIZED
•
The memory card is not formatted or the memory card has been
formatted in a computer or other device: Format the memory
card using D USER SETTING> FORMAT.
•
The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
•
Camera malfunction: Contact a Fujifi lm dealer.
LENS ERROR
Turn the camera off , remove the lens, and clean the mount-
ing surfaces, then replace the lens and turn the camera on.
If the problem persists, contact a Fujifi lm dealer.
322
Technical Notes
12
Warning
Warning
Description
Description
CARD ERROR
•
The memory card is not formatted for use in the camera: For-
mat the card.
•
The memory card contacts require cleaning or the memory card
is damaged: Clean the contacts with a soft, dry cloth. If the
message is repeated, format the card. If the message per-
sists, replace the card.
•
Incompatible memory card: Use a compatible card.
•
Camera malfunction: Contact a Fujifi lm dealer.
PROTECTED CARD
The memory card is locked. Unlock the card.
BUSY
The memory card is incorrectly formatted. Use the camera
to format the card.
b MEMORY FULL
The memory card is full and pictures cannot be recorded.
Delete pictures or insert a memory card with more free
space.
WRITE ERROR
•
Memory card error or connection error: Reinsert the card or
turn the camera off and then on again. If the message
persists, contact a Fujifi lm dealer.
•
Not enough memory remaining to record additional pictures:
Delete pictures or insert a memory card with more free
space.
•
The memory card is not formatted: Format the memory card.
FRAME NO. FULL
The camera has run out of frame numbers (current frame
number is 999-9999). Insert a formatted memory card and
select RENEW for D SAVE DATA SET-UP> FRAME NO..
Take a picture to reset frame numbering to 100-0001, then
select CONTINUOUS for FRAME NO..
323
Technical Notes
12
Warning Messages and Displays
Warning
Warning
Description
Description
READ ERROR
•
The le is corrupt or was not created with the camera: The fi le
cannot be viewed.
•
The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
•
Camera malfunction: Contact a Fujifi lm dealer.
PROTECTED FRAME
An attempt was made to delete or rotate to a protected pic-
ture. Remove protection and try again.
CAN NOT CROP
The picture is damaged or was not created with the camera.
DPOF FILE ERROR
Print orders can contain no more than 999 pictures. Copy
any additional pictures you wish to print to another memo-
ry card and create a second print order.
CAN NOT SET DPOF
The picture cannot be printed using DPOF.
F CAN NOT SET DPOF
Movies cannot be printed using DPOF.
CAN NOT ROTATE
The selected picture cannot be rotated.
F CAN NOT ROTATE
Movies cannot be rotated.
F CANNOT EXECUTE
Red-eye removal cannot be applied to movies.
m CANNOT EXECUTE
Red-eye removal cannot be applied to pictures created
with other devices.
MISMATCH: 4K MODE
AND EXTERNAL MONITOR
CHANGE MOVIE MODE
The movie mode selected with the camera is not compat-
ible with the device to which the camera is connected via
HDMI. Try selecting a diff erent movie mode (P 151).
p (yellow)
Turn the camera off and wait for it to cool. Mottling may
increase in pictures taken when this warning is displayed.
p (red)
Turn the camera off and wait for it to cool. While this warn-
ing is displayed, movie recording may not be available,
mottling may increase, and performance, including frame
advance rate and display quality, may drop.
324
Technical Notes
12
Memory Card Capacity
The following table shows the recording time or number
of pictures available at di erent image sizes. All gures are
approximate; le size varies with the scene recorded, pro-
ducing wide variations in the number of les that can be
stored. The number of exposures or length remaining may
not diminish at an even rate.
Capacity
Capacity
T
T
8GB
8GB
16GB
16GB
SUPER
SUPER
FINE
FINE
FINE
FINE
NORMAL
NORMAL
SUPER
SUPER
FINE
FINE
FINE
FINE
NORMAL
NORMAL
Photos
Photos
O
O
4
4
∶
∶
3
3
120 190 300 260 390 630
RAW
RAW
(UNCOMPRESSED)
(UNCOMPRESSED)
30 70
RAW
RAW
(LOSSLESS COMPRESSED)
(LOSSLESS COMPRESSED)
70 140
Movies
Movies
1, 2
1, 2
100Mbps
100Mbps 9 minutes 20 minutes
1 Use a UHS speed class 3 card or better.
2 Assumes default bit rate.
O
If the memory card has a capacity of over 32GB, movies will be recorded
in single les, regardless of size. If the card has a capacity of 32GB or less,
movies over 4GB in size will be recorded uninterrupted across multiple les.
325
Technical Notes
12
Speci cations
System
Model FUJIFILM GFX100
Product Number FF180005
E ective pixels Approx. 102 million
Image sensor 43.8 mm× 32.9 mm Bayer array with primary color fi lter
Storage media Fujifi lm-recommended SD/SDHC/SDXC memory cards
Memory card slots Two SD memory card slots (UHS-II compliant)
File system Compliant with Design Rule for Camera File System (DCF2.0),
Exif 2.3, and Digital Print Order Format (DPOF)
File format
•
Still pictures: Exif 2.3 JPEG (compressed); RAW (original RAF
format, uncompressed or compressed using a lossless algo-
rithm; special purpose software required); RAW+JPEG avail-
able; TIFF (RGB)
•
Movies: H.265/H.264 standard with stereo sound (MOV)
•
Audio (voice memos): Stereo sound (WAV)
Image size
O 4∶3 (11648 × 8736) O 65∶24 (11648 × 4304)
O
3∶2 (
11648 × 7768
)
O 5∶4 (10928 × 8736)
O 16∶9 (11648 × 6552) O 7∶6 (10192 × 8736)
O 1∶1 (8736 × 8736)
P 4∶3 (8256 × 6192) P 65∶24 (8256 × 3048)
P
3∶2 (
8256 × 5504
)
P 5∶4 (7744 × 6192)
P 16∶9 (8256 × 4640) P 7∶6 (7232 × 6192)
P 1∶1 (6192 × 6192)
Q 4∶3 (4000 × 3000) Q 65∶24 (4000 × 1480)
Q
3∶2 (
4000 × 2664
)
Q 5∶4 (3744 × 3000)
Q 16∶9 (4000 × 2248) Q 7∶6 (3504 × 3000)
Q 1∶1 (2992 × 2992)
RAW (11808 × 8754) TIFF (11648 × 8736)
Lens mount FUJIFILM G mount
326
Technical Notes
12
System
Sensitivity
•
Still pictures: Standard output sensitivity equivalent to
ISO100 – 12800 in increments of ⁄EV; AUTO; extended out-
put sensitivity equivalent to ISO 50, 25600, 51200, or 102400
•
Movies: Standard output sensitivity equivalent to ISO200 – 12800
in increments of ⁄EV; AUTO; extended output sensitivity equiv-
alent to ISO 25600
Metering 256-segment through-the-lens (TTL) metering;
MULTI, SPOT, AVERAGE, CENTER WEIGHTED
Exposure control Programmed AE (with program shift); shutter-priority AE;
aperture-priority AE; manual exposure
Exposure compensation
•
Still pictures: −5EV – +5EV in increments of ⁄EV
•
Movies: −2EV – +2EV in increments of ⁄EV
Shutter speed
•
MECHANICAL SHUTTER, E-FRONT CURTAIN SHUTTER
⁃ Mode P: 4s to ¼ s
⁃ Mode A: 30s to ¼ s
⁃ Modes S and M: 60min. to ¼ s
⁃ Bulb: Max. 60min.
•
ELECTRONIC SHUTTER, MECHANICAL + ELECTRONIC,
E-FRONT+ ELECTRONIC
⁃ Mode P: 4s to ⁄s
⁃ Mode A: 30s to ⁄s
⁃ Modes S and M: 60min. to ⁄s
⁃ Bulb: Max. 60min.
Continuous
Available frame advance rates (JPEG)
Available frame advance rates (JPEG)
CONTINUOUS
CONTINUOUS
MODE
MODE
MECHANICAL
MECHANICAL
SHUTTER
SHUTTER
ELECTRONIC
ELECTRONIC
SHUTTER
SHUTTER
CH HIGH SPEED BURST 5.0 2.9
CL LOW SPEED BURST 2.0
O
The frame rate and number of frames per burst var-
ies with shooting conditions and type of memory
card used.
Focus
•
Mode: Single or continuous AF; manual focus with focus ring
•
Autofocus system: Intelligent hybrid AF (TTL contrast-detect/
phase-detection AF) with AF-assist illuminator
•
Focus-area selection: SINGLE POINT, ZONE, WIDE/TRACKING,
ALL
327
Technical Notes
12
Speci cations
System
White balance Auto, Custom 1, Custom 2, Custom 3, color temperature
selection, direct sunlight, shade, daylight fl uorescent, warm
white fl uorescent, cool white fl uorescent, incandescent,
underwater
Self-timer Off , 2 sec., 10 sec.
Flash mode
•
MODE: TTL MODE (FLASH AUTO, STANDARD, SLOW SYNC.),
MANUAL, MULTI, OFF
•
SYNC. MODE: 1ST CURTAIN, 2ND CURTAIN, AUTO FP (high-
speed sync)
•
RED
EYE
REMOVAL: e FLASH+REMOVAL, L FLASH,
d REMOVAL, OFF
Hot shoe Accessory shoe with TTL contacts; supports sync speeds as
fast as ⁄s
Sync contact X contact; supports sync speeds as fast as ⁄s
Sync terminal Provided
View nder EVF-GFX2 interchangeable electronic viewfi nder (supplied)
LCD monitor
•
Rear monitor: 3.2-in/8.1 cm, 2360k-dot color LCD touch
screen with 3-way tilt
•
Shoulder monitor: 1.80-in/4.57 cm, 303 × 230-dot memory
LCD monitor
Rear secondary
monitor
2.05-in/5.21 cm, 256 × 64-dot OLED monitor
Movies
(with stereo sound)
•
Movie size: V 16∶9, d 17∶9, W 16∶9, W 17∶9
•
Frame rate: 59.94P, 50P, 29.97P, 25P, 24P, 23.98P
•
Bit rate: 400Mbps, 200Mbps, 100Mbps, 50Mbps
•
Recording/output format
⁃ H.265: SD card, 4∶2∶0, 10-bit/HDMI output, 4∶2∶2, 10-bit
⁃ H.264: SD card, 4∶2∶0, 8-bit/HDMI output, 4∶2∶2, 10-bit
Input/output terminals
Microphone connector
⌀3.5 mm mini-stereo jack
Headphone jack socket
⌀3.5 mm mini-stereo jack
Remote release connector
⌀2.5 mm 3-pole mini jack
Digital input/output USB connector (Type-C) USB3.2Gen1x1
HDMI output HDMI Micro connector (type D)
DC IN
Provided
328
Technical Notes
12
Power supply/other
Power supply
•
NP-T125 rechargeable battery (supplied with camera)
•
AC-15V AC adapter (available separately)
Battery life
•
Battery type: NP-T125 (× 2)
•
Lens: GF63mmF2.8 R WR
•
Flash: Disabled
•
Shooting mode: Mode P
•
AUTO POWER SAVE: ON
Number of shots
Number of shots
PERFORMANCE
PERFORMANCE
LCD
LCD
EVF
EVF
BOOST Approx. 700 Approx. 560
NORMAL Approx. 800 Approx. 740
Total length of footage that can be recorded on
Total length of footage that can be recorded on
a single charge
a single charge
Mode
Mode
Actual Battery life of
Actual Battery life of
movie capture
movie capture
Continuance
Continuance
Battery life of movie
Battery life of movie
capture
capture
V
Approx. 100minutes Approx. 170minutes
W
Approx. 150minutes Approx. 240minutes
CIPA standard. Measured using battery supplied with camera
and SD memory card.
Note: Battery endurance varies with battery charge level and
the fi gures given above are not guaranteed. Battery endur-
ance will decline at low temperatures.
Camera size
(W × H × D)
156.2 mm× 144.0 mm× 75.1 mm (48.9 mm excluding projections,
measured at thinnest part)/6.15 in.× 5.67 in.× 2.96 in. (1.93 in.)
Camera weight Approx. 1155 g/40.7 oz., excluding battery, accessories, and
memory card
Shooting weight Approx. 1320 g/46.6 oz., including battery and memory card
Operating conditions
•
Temperature: −10 °C to +40 °C/+14 °F to +104 °F (+5 °C to
+40 °C/+41 °F to +104 °F when battery is charging)
•
Humidity: 10% to 80% (no condensation)
329
Technical Notes
12
Speci cations
Wireless transmitter
Wireless LAN
Standards IEEE 802.11a/b/g/n/ac (standard wireless protocol)
Operating frequency
(center frequency)
•
Israel, Indonesia
: 2,412 MHz–2,462 MHz (11 channels)
•
USA, Canada, China, India, Korea, Malaysia
: 2,412 MHz–2,462 MHz (11 channels)
: 5,180 MHz–5,320 MHz (W52, W53)
: 5,745 MHz–5,825 MHz (UNII-3)
•
European Union, Japan, Australia, Norway, New zealand, Turkey,
Hong Kong, Philippines, Vietnam, Singapore, Thailand, UAE,
Russia, Taiwan, Saudi Arabia, Qatar, Bahrain, Oman, Egypt, Iran,
Kuwait, Lebanon, Uzbekistan
: 2,412 MHz–2,462 MHz (11 channels)
: 5,180 MHz–5,320 MHz (W52, W53)
: 5,500 MHz–5,700 MHz (W56)
Access protocols Infrastructure
Bluetooth®
Standards Bluetooth version 4.2 (Bluetooth Low Energy)
Operating frequency
(center frequency)
2,402 MHz–2,480 MHz
330
Technical Notes
12
EVF-GFX2 interchangeable electronic view nder
Type OLED
Size 0.5-in/1.3 cm
Pixel count Approximately 5.76 million dots
Magni cation 0.86× with 50 mm lens (35 mm format) at infi nity and diop-
ter set to −1.0 m
−1
Diagonal angle of
view
Approximately 41° (horizontal angle of view approximately 33°)
Diopter adjustment −4 to +2 m
−1
Eye point Approximately 23 mm
Dimensions
(W × H × D)
53.6 mm× 36.4 mm× 80.1 mm/2.11 in.× 1.43 in.× 3.15 in.
Weight Approx. 95 g/3.4 oz.
NP-T125 rechargeable battery
Nominal voltage 10.8 V
Nominal capacity 1250 mAh
Operating
temperature
−10 °C to +40 °C/+14 °F to +104 °F
Dimensions
(W × H × D)
36.0 mm× 54.4 mm× 26.0 mm/1.4 in.× 2.1 in.× 1.0 in.
Weight Approx. 81 g/2.9 oz.
BC-T125 battery charger
Rated input 100 V – 240 V AC, 50/60 Hz
Input capacity 23 –31 VA
Rated output 12.6 V DC, 800 mA
Supported batteries NP-T125 rechargeable batteries
Charging time Approx. 140 minutes (+25 °C/+77 °F)
Operating
temperature
+5 °C to +40 °C/+41 °F to +104 °F
Dimensions
(W × H × D)
71.4 mm × 97.0 mm × 34.2 mm/2.8 in. × 3.8 in. × 1.4 in.,
excluding projections
Weight Approx. 120 g/4.2 oz.
331
Technical Notes
12
Speci cations
N
Weight and dimensions vary with the country or region of sale.
O
Speci cations and performance are subject to change without notice.
Fuji lm will not be held liable for any errors this manual may contain.
The appearance of the product may di er from that described in this
manual.
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