Loading ...
Loading ...
Loading ...
Shure #121701
Beta
PG 2
03.23.2016
CYAN MAG YELL BLK
58A
®
53
®
87A
®
54
®
87C
®
Kick Drum Microphone Miniature Drum MicrophoneSnare+Tom Drum MicrophoneVocal Microphone Large-Diaphragm
Side-Address Microphone
Instrument MicrophoneBoundary Microphone Drum Microphone Instrument Microphone
Vocal Microphone
Headworn Vocal Microphone
Vocal Microphone
Headworn Vocal Microphone
Instrument Microphone Side-Address Microphone
VOCAL INSTRUMENT & DRUM
50Hz – 16kHz
20Hz – 20kHz
50Hz – 20kHz
50Hz – 20kHz 20Hz – 20kHz50Hz – 20kHz 20Hz – 10kHz 50Hz – 16kHz 50Hz – 16kHz
SUPERCARDIOID
|
DYNAMIC CARDIOID
|
CONDENSERSUPERCARDIOID
|
DYNAMICSUPERCARDIOID
|
CONDENSER
CARDIOID
|
CONDENSERHALF-CARDIOID
|
CONDENSER CARDIOID
|
CONDENSER CARDIOID
|
CONDENSER
CARDIOID
|
CONDENSERSUPERCARDIOID
|
CONDENSER
SUPERCARDIOID
|
CONDENSER
SUPERCARDIOID
|
DYNAMIC
OMNIDIRECTIONAL
|
CONDENSER
SUPERCARDIOID
|
DYNAMIC
With its excellent rear rejection, the cardioid
polar pattern of the Beta 87C helps to com-
pensate for the noise bleed often associated
with the use of personal monitors.
Built to withstand extreme sound pressure
levels, the Beta 87A has a smooth, tailored
response for warm, accurate sound and a
supercardioid pattern that provides maximum
sound isolation.
Optimized for lead vocal applications, the
Beta 58A features a tight supercardioid
pattern that provides maximum sound isola-
tion and minimum off-axis tone coloration.
Delivers detailed, uncolored
vocal reproduction in a nearly
invisible, lightweight and fully
adjustable design.
Ideal for broadcast, theater and
other applications requiring
uncompromised sound quality
and minimal visibility.
Featuring an integrated locking stand
adapter, the extremely rugged Beta 52A
provides superb attack and “punch” that
makes it ideal for kick drums and other
low-frequency applications.
Specifically tailored for close miking of
snares and toms, the Beta 56A features
an integrated locking stand adapter and
supercardioid pattern that ensures
maximum sound isolation.
Built for brass, woodwind and percussion
instruments, the Beta 98H/C uses a minia-
ture cardioid condenser microphone with a
flexible gooseneck mount that clamps directly
to the bell or rim for precise positioning.
27
®
98A/C
®
98AD/C
®
98H/C
®
57A
®
181
®
52A
®
98AMP
®
56A
®
20Hz – 20kHz 20Hz – 20kHz
20Hz – 20kHz20Hz – 20kHz
Featuring an ultra compact, small diaphragm
side-address condenser microphone with
multiple polar pattern capsule options,
the Beta 181 enables discreet placement
and versatility in tight conditions.
Precision-engineered with a high output
miniature cardioid condenser micro-
phone, the Beta 98A/C features a com-
pact design for a variety of placements
with acoustic or amplified instruments.
Built for toms, snares and percussion
instruments, the Beta 98AD/C uses a
miniature cardioid condenser microphone
with a flexible gooseneck mount for
accurate placement in any configuration.
20Hz – 20kHz
91A
®
20Hz – 20kHz
Low self-noise and a supercardioid pattern
that delivers high gain-before-feedback
makes the Beta 27 ideal for critical live
and studio applications.
Optimized for kick drums and other low
frequency applications, the Beta 91A uses
a low-profile boundary microphone with an
integrated XLR preamplifier tailored for a
strong low-frequency response.
Combining an integrated XLR pre-
amplifier with a miniature cardioid
condenser microphone, the Beta 98AMP
offers a flexible gooseneck for accurate
placement in any configuration.
A tight supercardioid polar pattern allows
the Beta 57A to provide high gain-before-
feedback and maximum sound isolation,
with minimum off-axis tone coloration for
amplified or acoustic instruments.
CONDENSER
Loading ...