Shure SM58-CN BTS Stage Performance Kit with SM58 Cardioid Dynamic Vocal

User Guide - Page 4

For SM58-CN BTS.

PDF File Manual, 7 pages, Read Online | Download pdf file

SM58-CN BTS photo
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Shure Incorporated
4/7
Applications And Placement
The following table lists the most common applications and placement techniques. Keep in mind that microphone technique is
largelyamatterofpersonaltaste;thereisnoone“correct”microphoneposition.
Application Suggested Microphone Placement Tone Quality
Vocals
Lipslessthan15cm(6in.)awayortouchingthewind-
screen, on axis to microphone.
Robust sound, emphasized bass,
maximum isolation from other
sources.
15 to 60 cm (6 in. to 2 ft.) away from mouth, just
above nose height.
Natural sound, reduced bass.
20 to 60 cm (8 in. to 2 ft.) away from mouth, slightly
off to one side.
Natural sound, reduced bass and
minimal“s”sounds.
90 cm to 1.8 m (3 to 6 ft.) away.
Thinner, distant sound; noticeable
levels of ambient noise.
Avoiding Pickup of Unwanted Sound Sources
Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are directly behind it. To minimize
feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.
Recommended Loudspeaker Locations for Cardioid Microphones
Proximity Effect
Unidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone
is at a distance of about 6 mm (1/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to
create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response
gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.
Specifications
Type
Dynamic (moving coil)
Frequency Response
50to15,000Hz
Polar Pattern
Cardioid
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