StudioLogic NUMA-COMPACT2 Numa Compact 2 88-Note Semi-Weighted Keyboard with Built-In Speakers

User Manual - Page 30

For NUMA-COMPACT2.

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Numa Compact 2/2x by Studiologic
30
E
Part edit
This function allows to transpose a part; dierently from the
GLOBAL TRANSPOSER, that will eects the entire instrument,
this function can be set independently for each SOUND sec-
tion or MIDI zone and stored in each PROGRAM, with dierent
values. Interesting combinations are obtained by transposing
a sound with musical intervals, like a lower quint = minus 5
semitones, to get what is commonly known as a cluster with
xed intervals. Try to select a TRUMPET on UPPER and a SAX on
LOWER, setting the SAX 5 semitones lower, in a typical JAZZ
setting.
You can set the octave (intervals of 12 semitones each) sepa-
rately for each part; normally you will need to move a LOWER
part one or two octave up, if you want to play chords in a bet-
ter range. On the other way, sometimes you can get a better
sound, when the SPLIT is activated, if you move the UPPER part
one or two octaves down, as you could prefer if you select a TE-
NOR sax in combination with a splitted BASS sound on the left,
since the Sax lower and nicer notes could probably be on the
left of the splitted keyboard portion. Simply experiment the
setting you prefer and then store it in the current PROGRAM.
This parameter allows to ne-tune the Upper and Lower soun-
ds within a semitone range; it could be useful to create “be-
ating sligthly detuned sounds, when assigning a pure Wave-
form to both sections (i.e. Sawtooth, Square etc) or enhance
some Orchestral 2 sections mix, making it reacher.
The function allows to control the amount of signal to be sent
to the REVERB processor, independently for the LOWER and
UPPER parts and programmable with dierent settings for
each PROGRAM. As a typical setting, if you SPLIT the keyboard
and assign a BASS sound to the left, you might want to reduce
or minimize the amount of REVERB on the left part, or control
the setting also on the UPPER part to get the desired eect. The
MIX potentiometer, on the front panel, will change the overall
reverberation mix (Dry/Wet) with any reverb type selected or
send value.
Here you can decide if the pedals are enabled or not for each
section (UPPER/LOWER or ZONEA and ZONE B if the MIDI but-
ton is activated).
TRANSPOSE
OCTAVE
FINE TUNING
REV SEND
PEDAL 1  PEDAL 2
PART EDIT [3/11]
0
TRANSPOSE
0
TRANSPOSE
PART EDIT [4/11]
0
OCTAVE
0
OCTAVE
PART EDIT [6/11]
64
REV REND
64
REV SEND
PART EDIT [7/11]
ON
PEDAL 1
ON
PEDAL 1
PART EDIT [5/11]
0
FINE TUNE
0
FINE TUNE
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