LEICA SL2-S
Instruction manual
SL2-S/EN/2022/05/3.0/1
FOREWORD
2
FOREWORD
Dear Customer,
We wish you a great deal of fun and success taking photographs
with your new Leica SL2-S. Please read this manual thoroughly to
familiarize yourself with the full scope of functions your camera has
to offer. You can find all information about the Leica SL2-S whenever
you need it at https://SL2-S.leica-camera.com.
Your Leica Camera AG
SCOPE OF DELIVERY
Before using your camera for the first time, please check that the
accessories supplied are complete.
– Leica SL2-S
– Lithium-ion rechargeable battery Leica BP-SCL4
– Charger Leica BC-SCL4, incl. mains cable (US, EU)
– Camera bayonet cover
– Carry strap
– Quick Start Guide
– CE flyer
– Creative Cloud flyer
– Test certificate
Subject to changes in design and model type.
FOREWORD / SCOPE OF DELIVERY
REPLACEMENT PARTS / ACCESSORIES
3
REPLACEMENT PARTS / ACCESSORIES
Please contact Leica Customer Care or visit the Leica Camera AG
website for information on the extensive range of Leica replacement
parts/accessories:
https://leica-camera.com/en-US/photography/accessories
Only the accessories specified and described in this manual or by
Leica Camera AG must be used with the camera (battery, charger,
mains plug, mains cable, etc.). These accessories must only be
used with this product. Third-party accessories may result in mal-
functions or damage to the product.
Please read the chapters “Legal information”, “Safety remarks”,
and “General information” before using your camera for the first
time. Knowledge of the content will prevent inadvertent damage
to the product, possible injuries and other risks.
LEGAL INFORMATION
4
LEGAL INFORMATION
COPYRIGHT NOTICE
• Compliance with copyright laws is mandatory. The recording and
publication of pre-recorded media like tapes, CDs or other pub-
lished or broadcast material may breach copyright laws. The same
applies for all software supplied in the scope of delivery.
• The following applies for all video material created with this cam-
era: This product is governed by the AVC Patent Portfolio license
and is meant for private use by a consumer only. The device
may furthermore be used for purposes for which the consumer
receives no remuneration, e.g. (i) encoding in accordance with
the AVC Standard (“AVC Video”) and/or (ii) decoding of AVC
Video that was encoded by a consumer in accordance with the
AVC Standard within the scope of personal use and/or which the
consumer has received from the provider, who is in possession of
a license to offer AVC Video. No license is granted or implied for
any other use. Any other use, specifically the provision of AVC vid-
eo in exchange for remuneration, may require a separate license
agreement with MPEG LA, L.L.C. Please visit the MPEG LA, L.L.C.
website at: www.mpegla.com for more information.
• The designations SD, SDHC, SDXC, microSDHC and their associ-
ated logos are registered trademarks of SD-3C, LLC.
LEGAL INFORMATION ABOUT THIS MANUAL
COPYRIGHT
All rights reserved.
All text, images and graphics are subject to copyright and other laws
to protect intellectual property. They must not be copied, modified
or used for any purpose including trade purposes.
TECHNICAL DATA
Product changes with regards to the product or services may have
occurred after the editorial deadline. The manufacturer reserves
the right to effect structural or shape changes, color deviations and
changes to the scope of delivery or service, where these changes or
deviations are reasonably acceptable for the customer, while taking
into consideration the interests of Leica Camera AG. In that respect,
Leica Camera AG reserves the right to changes and errors. The im-
ages in this manual may depict accessory, special features or other
items that are not part of the standard scope of delivery or service.
Some pages may contain model types and services, which are not
offered in specific countries.
LEGAL INFORMATION
5
BRANDS AND LOGOS
The brand names and logos used in this documented are protected
trademarks. These brands or logos must not be used without prior
approval by Leica Camera AG.
LICENSE RIGHTS
Leica Camera AG intends to provide you with innovative and informa-
tive documentation. Due to the amount of creativity that has gone
into its design, we ask for your understanding that Leica Camera AG
must protect its intellectual property, including patents, trademarks
and copyrights, and that possession of the documentation does not
infer any licensing rights of the intellectual property of Leica Camera
AG.
REGULATORY INFORMATION
You will find the manufacturing date of your camera on the stickers in
the Warranty Card and/or on the packaging.
The date format is year/month/day.
COUNTRY-SPECIFIC LICENSES
Specific regional approvals for this device can be found in the camera
menu.
▸ Select Camera Information in the main menu
▸ Select
Regulatory Information
LICENSE INFORMATION
The device-specific license information can be found in the camera
menu.
▸ Select
Camera Information in the main menu
▸ Select
License Information
LEGAL INFORMATION
6
CE MARK
The CE mark on our products documents compliance with the funda-
mental requirements of applicable EU guidelines.
English
Declaration of Conformity (DoC)
Hereby, “Leica Camera AG” declares that this product is in compliance with the
essential requirements and other relevant provisions of Directive 2014/53/EU.
Customers can download a copy of the original DoC to our Radio Equipment
products from our DoC server:
www.cert.leica-camera.com
Please contact Leica Camera AG, Am Leitz-Park 5, 35578 Wetzlar, Germany in
case of any further questions
Depending on product (see technical data)
Typ e
Frequency band (center frequency) Maximum output
(dBm E.I.R.P.)
WLAN
2412–2462/5180–5240 MHz/
5260–5320/5500–5700 MHz
20
Bluetooth
®
Wireless
Technology
2402–2480 MHz 20
DISPOSAL OF ELECTRICAL AND ELECTRONIC
EQUIPMENT
(Applies within the EU and for other European countries
with active waste separation policies.)
This device contains electric and/or electronic components which
must not be disposed of in general household waste. Instead, it
should be disposed of at a recycling collection point provided by your
local authority.
This service is free of charge. Any standard or rechargeable batteries
used in this device must be removed and disposed of separately in
accordance with local regulations.
Please contact your local authorities, waste disposal collection point
or the retailer, from whom you purchased the device for more infor-
mation on correct waste disposal.
LEGAL INFORMATION
7
IMPORTANT NOTES REGARDING THE USE OF
WLAN/BLUETOOTH
®
• Appropriate measures must be taken to ensure security and pro-
tect against disruptions to the systems in place where devices or
computer systems are in use that require more stringent security
than WLAN devices.
• Leica Camera AG shall not accept liability for damages arising
from the use of the camera for purposes other than as a WLAN
device.
• It is assumed that the WLAN function will be used in countries
where this camera is sold. There may be a risk of breaching stat-
utory wireless communication regulations when using the camera
in other countries. Leica Camera AG shall not accept liability for
such breaches.
• Please note that there is a risk of unauthorized third party inter-
ception of wirelessly communicated data. We highly recommend
that you activate encryption in the wireless access point settings
to ensure data safety.
• Avoid using the camera in areas where it can be exposed to mag-
netic fields, static electricity or other interferences, e.g. near a
microwave oven. RF transmissions may otherwise not reach the
camera.
• Using the camera near devices like microwave ovens or wireless
phones that use the 2.4 GHz RF band may negatively affect the
performance of both devices.
• Do not attempt to connect to wireless networks you are not autho-
rized to use.
• The device will automatically search for wireless networks, once
the WLAN function is enabled. A list, including networks you are
not authorized to access, will be displayed (SSID: Network identi-
fier for a WLAN network). Do not attempt to connect to third party
network, as this could be construed as unauthorized access.
• We recommend disabling the WLAN function while on an aircraft.
• The use of the WLAN-RF band between 5150 MHz and 5350 MHz
is permitted only in enclosed spaces.
• Please read the important notes on specific functions of Leica
FOTOS on p. 264.
SAFETY REMARKS
8
SAFETY REMARKS
GENERAL INFORMATION
• Do not use your camera in the immediate vicinity of devices that
generate powerful magnetic, electrostatic or electromagnetic
fields (e.g. induction ovens, microwave ovens, television sets or
computer screens, video game consoles, cell phones, broadcast-
ing equipment). Their electromagnetic fields can interfere with
image recordings.
• Strong magnetic fields, e.g. from speakers or large electric motors
can damage the stored data or disrupt shooting.
• Switch off the camera, remove the battery briefly, replace it and
switch the camera back on in case of a camera malfunction due
to the effects of electromagnetic fields.
• Do not use the camera in the immediate vicinity of radio transmit-
ters or high-voltage power lines. Their electromagnetic fields may
also interfere with image recordings.
• Always store small parts e.g. the accessory shoe cover as follows:
– out of the reach of children
– in a safe location, where they will not get lost or stolen
• State-of-the-art electronic components are sensitive to static dis-
charge. You can easily pick up charges of several 10,000 volts by
simply walking on synthetic floor coverings. A static discharge can
occur when you touch the camera and especially if it is placed on
a conductive surface. A static discharge on the camera housing
poses no risk for the electronics. Despite built-in safety circuits,
you should avoid direct contact with external camera contacts like
those in the flash shoe.
• Take care not to soil or scratch the sensor for lens detection in the
bayonet. You must similarly prevent direct contact of the bayonet
with grains of sand or similar particles, as these could cause irrep-
arable damage. This component must only be cleaned with a dry
cloth (in system cameras).
• Use a cotton or linen cloth instead of a microfiber cloth from an
optician's (synthetic) when cleaning the contacts. Make sure to
discharge any electrostatic charge by deliberately touching a
heating or water pipe (conductive, grounded material). Dirt depos-
its and oxidation on the contacts can be avoided by storing your
camera in a dry location with the lens cap and the flash shoe/
viewfinder cap (in system cameras) attached.
• Only use accessories specified for this model to prevent faults,
short circuits or electric shock.
• Do not attempt to remove parts of the housing (covers) yourself.
Repairs must be done at authorized service centers only.
• Protect the camera against contact with insect sprays and other
aggressive chemicals. Petroleum spirit, thinner and alcohol must
not be used for cleaning. Some chemicals and liquids can damage
the camera housing or the surface finish.
• Rubber and plastics are known to expel aggressive chemicals
and should therefore not be kept in contact with the camera for
extended periods of time.
• Prevent any sand or dust or water penetration into the camera,
e.g. during snowfall or rain or on the beach. Be extra careful when
changing the lens (in system cameras) and when inserting or
removing the memory card and rechargeable battery. Sand and
dust can damage the camera, the lens, the memory card and the
battery. Moisture can cause malfunctions and irreparable damage
to the camera and memory card.
LENS
• A camera lens can have the effect of a magnifying glass when
exposed to direct frontal sunlight. The camera must therefore be
protected against extended exposure to direct sunlight.
SAFETY REMARKS
9
• Attaching the lens cap and keeping the camera in the shade or
ideally in its camera case, will help prevent damage to the interior
of the camera.
RECHARGEABLE BATTERY
• Improper use of the batteries or the use of unapproved battery
types may result in an explosion!
• Do not expose the rechargeable battery to sunlight, heat, humidity
or moisture for prolonged periods of time. Likewise, the batteries
must not be placed in a microwave oven or a high-pressure con-
tainer as this would pose a fire or explosion hazard!
• Do not under any circumstances charge or insert a damp or wet
battery into the camera!
• A safety valve in the battery ensures that any excess pressure
caused by improper handling is discharged safely. It is neverthe-
less important to dispose of a bloated battery immediately. It may
pose an explosion hazard!
• Keep the battery contacts clean and easily accessible. Although
lithium-ion batteries are secured against short circuits, they
should still be protected against contact with metal objects like
paper clips or jewelry. A short-circuited battery can get very hot
and cause severe burns.
• When a battery is accidentally dropped, make sure to check the
housing and the contacts immediately for any damage. A dam-
aged battery can damage the camera.
• The battery must be removed from the camera or charger and
must be replaced immediately in case of a strange smell, discol-
oration, deformation, overheating or leakage. Continued use of
the battery may result in overheating, which can cause fire and/
or explosion!
• Never throw batteries into a fire as they may explode.
• Keep the battery away from sources of heat in case of leakage or
if you smell burning. Leaked fluid can catch fire!
• The use of other chargers not approved by Leica Camera AG can
cause damage to the batteries – and in extreme cases – cause
serious or life-threatening injuries.
• Make sure that the power socket is freely accessible at all times.
• Do not attempt to open the battery or the charger. Repairs must
only be carried out by authorized service centers.
• Keep batteries out of the reach of children. Batteries can cause
suffocation when swallowed.
FIRST AID
• Battery fluid may cause blindness if it comes into contact with
the eyes. Rinse the eyes thoroughly with clean water immedi-
ately. Avoid rubbing. Seek medical attention immediately.
• Leaked battery fluid poses an injury hazard when it comes in
contact with clothing or skin. Rinse the affected areas thor-
oughly with clean water.
CHARGER
• Using the charger in the vicinity of broadcasting receivers may
interfere with reception. Ensure a distance of at least 1 m between
the charger and the receiver.
• When the charger is in use, it may emit a buzzing sound – that is
normal and not a malfunction.
• Disconnect the charger from the mains when it is not in use, as it
consumes electricity (a very small amount), even if no battery is
inserted.
• Always keep the charger contacts clean, and never short-circuit
them.
SAFETY REMARKS
10
MEMORY CARD
• Never remove the memory card during a data save or card reading
process. The camera must not be switched off or be subjected to
impact or vibrations while working.
• Do not open the cover/remove the memory card or the battery
from the camera while the status LED is lit, which indicates mem-
ory access. Data on the card may otherwise be destroyed and
camera malfunctions may occur.
• Do not drop or bend memory cards as this will cause damage and
result in the loss of stored data.
• Do not touch the connections on the reverse of the memory card
and keep them clean and dry.
• Keep memory cards out of the reach of children. Swallowing a
memory card may cause suffocation.
SENSOR
• Cosmic radiation (e.g. during flights) may cause pixel defects.
CARRY STRAP
• Carry straps are usually made of very robust material. You should
therefore keep it out of the reach of children. A carry strap is not a
toy and poses a strangulation risk.
• Use the carry strap only for its intended purpose on a camera
or on binoculars. Any other use poses the risk of injury and may
possibly result in damage to the carry strap and is therefore not
permitted.
• Carry straps should also not be used for cameras/binoculars
during sports activities that pose a risk of entanglement (e.g.
when mountain climbing and similar outdoor activities).
TRIPOD
• When using a tripod, make sure it is standing securely and turn the
camera only by turning the tripod, not the actual camera. Ensure
that the tripod screw is hand-tightened only. Avoid transporting
the camera while the tripod is attached. You might injure yourself
or others and the camera could get damaged.
FLASH
• The use of incompatible flash units with your Leica SL2-S may re-
sult in irreparable damage to the camera and/or the flash unit.
GENERAL INFORMATION
11
GENERAL INFORMATION
12
GENERAL INFORMATION
Please read the section about “Care/Storage” for more information
about what to do in case of problems.
CAMERA/LENS
(For system cameras)
• Make a note of the serial numbers of your camera (engraved in
the base of the camera housing) and lenses, as this information
will be extremely important in case of loss.
• Make sure to always have a lens or the camera bayonet cover
attached to prevent dust or other foreign bodies penetrating the
camera.
• That is why you should always replace lenses quickly and in a
dust-free environment.
• Never store the camera bayonet cover or the lens back cover in a
pants pocket, as they will attract lint and dust, which could then
be accidentally introduced into the camera.
LCD PANEL
• Condensation may form on the LCD panel if the camera is ex-
posed to great temperature fluctuations. Wipe the screen careful-
ly with a soft, dry cloth.
• The screen image will initially be slightly darker than normal if the
camera is very cold when it is switched on. The normal level of
brightness will be reached as soon as the LCD panel warms up.
RECHARGEABLE BATTERY
• The rechargeable battery must only be charged within a specific
temperature range. See chapter “Technical Data” (p. 292) for
details about operating conditions.
• Lithium-ion batteries can be charged at any time, regardless of
their current charge level. A partially charged battery will charge
to full capacity faster than a fully discharged one.
• The rechargeable batteries come only partly charged ex works
and should therefore be charged fully before their first use.
• A new battery only reaches its full capacity after it has been fully
charged and – by using it in the camera – depleted 2 to 3 times.
This depletion process should be repeated roughly every 25
cycles.
• Battery and charger heat up during the charging process. That is
normal and not a malfunction.
• Rapid flashing of the two LEDs (> 2 Hz) when charging commences
indicates a charging error (e.g. maximum charging time exceed-
ed, voltages or temperatures outside permitted ranges or a short
circuit). Disconnect the charger from the mains and remove the
battery. Ensure that the above temperature conditions are met
and then restart the charging process. Please contact your dealer,
the Leica representative in your region or Leica Camera AG if the
problem persists.
• Rechargeable lithium-ion batteries generate power by way of
internal chemical reactions. These reactions are influenced by
ambient temperature and humidity. Do not expose the battery to
extreme temperatures (high or low) for extended periods of time
(e.g. in a parked car in the summer or winter) to ensure a maxi-
mum service life.
• However, every battery has its limits – even in optimal conditions!
After several hundred charging cycles, the operating times will get
significantly shorter.
• The replaceable battery supplies power to a backup battery,
which is permanently installed in the camera. This backup battery
retains the date and time for some weeks. Once the backup
battery is depleted, it must be replenished by inserting a charged
GENERAL INFORMATION
13
main battery. The time and date will have to be set again after a
full depletion of both batteries.
• As the battery capacity deteriorates or if using an older battery,
warning messages may appear and some functions may be re-
stricted or blocked entirely.
• Always remove the battery if the camera will not be used for an
extended period of time. Make sure to switch the camera off via
the main switch before removing the battery. Leaving the battery
in the camera will result in a deep discharge after a few weeks.
Voltage levels will decrease significantly, as the camera uses a low
idle current to maintain settings.
• Dispose of damaged batteries in accordance with the relevant
regulations at an approved collection point for proper recycling.
• The date of manufacture can be found on the battery. The date
format is week/year.
MEMORY CARD
• The range of available SD/SDHC/SDXC cards on the market is too
extensive for Leica Camera AG to test for compatibility and qual-
ity. Generally, any type of memory card may be used without any
damage to the camera or memory card. As some “no name” cards
may not fully comply with the SD/SDHC/SDXC standards, Leica
Camera AG cannot provide any guarantee of function.
• We recommend formatting memory cards from time to time, as
fragmented residual data from deleted files may block some of the
storage capacity.
• Generally, it is not necessary to format (initialize) memory cards
that have been previously used. Formatting will, however, be
necessary if you insert an unformatted memory card or a card
that was formatted in another device (e.g. a computer) for the first
time.
• We recommend backing up your data on a PC, because electro-
magnetic fields, static electricity and any damage to the memory
card or camera defects may result in irretrievable damage or loss
of your data.
• SD, SDHC, and SDXC memory cards come with a write protection
slider to prevent accidental overwriting. This slider is located on
the non-beveled side of the card. All data on the card is protected
when the slider is set to its lower position, marked LOCK.
• All data stored on the memory card will be lost during formatting.
Formatting will not be prevented by a deletion protection set for
individual pictures.
SENSOR
• Any dust or dirt particles stuck to the glass cover of the sensor
may result in noticeable dark stains or specks on the pictures (in
system cameras). Alternatively, send your camera to the Leica
Customer Care department for sensor cleaning (see p. 298). This
service is not part of the warranty offering and will therefore incur
charges.
DATA
• All data, including personal information, may be changed or de-
leted due to incorrect or accidental operation, static discharge,
accidents, malfunctions, repairs and other measures.
• Please note that Leica Camera AG does NOT accept liability for
direct or consequential damage due to the manipulation or de-
struction of data and personal information.
GENERAL INFORMATION
14
FIRMWARE UPDATE
Leica is continuously working on the further improvement and op-
timization of Leica SL2-S. As digital cameras have many functions
that are controlled electronically, improvements and enhancements
to the functions can be installed on the camera retroactively. Leica
releases so-called firmware updates at irregular intervals. Cameras
are always supplied ex works with the latest firmware installed or
you can download the latest version from our website yourself and
transfer it to your camera.
You will receive a newsletter informing you of the availability of a new
firmware update if you register your camera on the Leica Camera
homepage.
Visit the download section or the “Customer Area” for information
about how to register or how to get firmware updates for your Leica
SL2-S. Additionally, you can find information about changes or addi-
tions to the manual at: https://club.leica-camera.com
Leica releases firmware updates for lenses at irregular intervals. You
can download any new firmware version from our homepage and
transfer it to your lens. Please see p. 259 for more information.
Select the menu item
Camera Information (see p. 259) to check
whether your camera and lenses are running the latest firmware
version.
WARRANTY
15
WARRANTY
In addition to your statutory warranty rights regarding your dealer,
you will receive an additional Leica Camera AG product warranty
valid from the date of purchase at an authorized Leica retailer. Pre-
viously, the product warranty was included with the product in the
packaging. From now on, the product warranty will only be available
online as a new service. You will be able to review the warranty
conditions for your product at any time, without having to search
for the document. Please note that this new policy applies only for
products that are no longer delivered with a hardcopy product war-
ranty included in the packaging. Any products still delivered with the
warranty document in the packaging remain governed exclusively by
that document. For more information regarding the warranty scope,
warranty services and limitations, please visit: https://warranty.
leica-camera.com
Leica SL2-S comes with splash water and dust protection.
The camera was tested under controlled laboratory conditions
and is classes as IP54 in accordance with DIN EN 60529. Please
note: The splash water and dust protection coating is not per-
manent and will diminish over time. Please read the section on
“Care/Storage” for detailed instructions on how to clean and
dry the camera. The warranty does not cover liquid damage. Any
attempt to open the camera casing by an unauthorized retailer or
service partner will cause an immediate expiration of the splash
water and dust warranty.
TABLE OF CONTENTS
16
CAMERA OPERATION .........................................................................50
CONTROL ELEMENTS ..................................................................................... 50
MAIN SWITCH .........................................................................................................50
SHUTTER BUTTON .................................................................................................. 51
FRONT DIAL .............................................................................................................52
THUMBWHEEL ........................................................................................................52
JOYSTICK .................................................................................................................53
PLAY BUTTON/MENU BUTTON .............................................................................53
FUNCTION BUTTONS .............................................................................................54
LCD PANEL (TOUCH SCREEN) ...............................................................................55
TOP DISPLAY ...........................................................................................................56
MENU CONTROL .............................................................................................. 56
CONTROL ELEMENTS .............................................................................................56
MENU SECTIONS ....................................................................................................57
SETTINGS IN PHOTO AND VIDEO MODE ...................................................................... 58
SWITCHING MENU SECTIONS ...................................................................................... 59
STATUS SCREEN .....................................................................................................60
MAIN MENU ............................................................................................................62
MENU NAVIGATION ................................................................................................63
SUBMENU ...............................................................................................................65
KEYBOARD/NUMBER PAD ............................................................................................ 65
MENU BAR..................................................................................................................... 66
SCALE MENU ................................................................................................................ 66
DATE/TIME MENU......................................................................................................... 67
COMBI MENU (AF PROFILES) ........................................................................................ 67
COMBI MENU (IMAGE PROPERTIES) ............................................................................. 68
USER-DEFINED OPERATION .......................................................................... 70
FAVORITES MENU ...................................................................................................70
MANAGING THE FAVORITES MENU .............................................................................. 70
DIRECT ACCESS TO MENU FUNCTIONS ............................................................... 71
CHANGING AN ASSIGNMENT ....................................................................................... 71
ACCESSING THE ASSIGNED MENU FUNCTION............................................................ 71
TABLE OF CONTENTS
FOREWORD ............................................................................................ 2
SCOPE OF DELIVERY ............................................................................ 2
REPLACEMENT PARTS / ACCESSORIES ............................................ 3
LEGAL INFORMATION........................................................................... 4
SAFETY REMARKS ................................................................................ 8
GENERAL INFORMATION ................................................................... 12
WARRANTY .......................................................................................... 15
TABLE OF CONTENTS ......................................................................... 16
PART DESIGNATIONS .........................................................................24
DISPLAYS .............................................................................................28
PHOTO ............................................................................................................... 28
VIDEO/CINE ..................................................................................................... 30
DISPLAYS IN THE TOP DISPLAY .................................................................... 32
PREPARATION .....................................................................................34
ATTACHING THE CARRY STRAP ..................................................................... 34
PREPARING THE CHARGER ............................................................................ 34
CHARGING THE BATTERY ............................................................................... 35
CHARGING VIA USB ...............................................................................................36
INSERTING/REMOVING THE BATTERY ......................................................... 36
INSERTING/REMOVING THE MEMORY CARD ............................................. 37
LENS .................................................................................................................. 39
COMPATIBLE LENSES .............................................................................................39
CHANGING THE LENS ............................................................................................41
DIOPTER SETTINGS ......................................................................................... 44
MULTIFUNCTION HANDGRIP SL ................................................................... 45
TABLE OF CONTENTS
17
SETTING WHEEL ASSIGNMENTS ..........................................................................72
WHEN USING AF LENSES .............................................................................................. 73
WHEN USING MF LENSES ............................................................................................. 74
ROTATION DIRECTION OF THE SETTING WHEELS...............................................75
JOYSTICK FUNCTIONS ...........................................................................................75
LOCKING THE OPERATING ELEMENTS ................................................................. 76
USER PROFILES ......................................................................................................76
CAMERA BASIC SETTINGS ................................................................. 80
MENU LANGUAGE ........................................................................................... 80
DAT E/ TIME ....................................................................................................... 80
RECEIVING THE SETTINGS FROM A MOBILE DEVICE .........................................80
MANUAL SETTINGS ................................................................................................80
DISTANCE UNIT ................................................................................................81
POWER SAVE MODE (STANDBY MODE) ........................................................ 82
LCD PANEL/VIEWFINDER SETTINGS ........................................................... 82
LCD PANEL/EVF USE .............................................................................................83
EYE SENSOR SENSITIVITY .....................................................................................83
BRIGHTNESS .......................................................................................................... 84
LCD PANEL .................................................................................................................... 84
EVF ................................................................................................................................ 84
COLOR RENDERING............................................................................................... 84
LCD PANEL .................................................................................................................... 84
EVF ................................................................................................................................ 84
AUTOMATIC LCD PANEL AND EVF SHUTDOWN ..................................................85
EVF FRAME RATE ....................................................................................................85
ACOUSTIC SIGNALS ........................................................................................ 85
VOLU ME ..................................................................................................................85
ACOUSTIC SIGNALS ...............................................................................................85
ELECTRONIC SHUTTER SOUND ............................................................................86
AUTOFOCUS CONFIRMATION ...............................................................................86
SILENT PHOTOGRAPHY .........................................................................................86
< < < PHOTO MODE > > > ....................................................................88
PHOTO SETTINGS ...............................................................................88
SENSOR FORMAT ............................................................................................ 88
FILE FORMAT .................................................................................................... 89
RESOLUTION .................................................................................................... 90
ASPECT RATIO .................................................................................................. 90
FILM STYLE .......................................................................................................91
IMAGE PROPERTIES ................................................................................................91
COLOR PROFILE ......................................................................................................92
MONOCHROME PROFILE .......................................................................................92
CUSTOMIZING PHOTO PROFILES..........................................................................92
AUTOMATIC OPTIMIZATION ........................................................................... 93
NOISE REDUCTION .................................................................................................93
NOISE REDUCTION FUNCTION FOR LONG-TERM EXPOSURE ..................................... 93
NOISE REDUCTION IN JPG SHOTS ................................................................................ 93
IMAGE STABILIZATION ...........................................................................................94
SETTING THE STABILIZATION DIRECTION .................................................................... 94
DARK AREA OPTIMIZATION (IDR) ..........................................................................95
DYNAMIC RANGE .......................................................................................................... 95
iDR FUNCTION .............................................................................................................. 95
DATA MANAGEMENT ....................................................................................... 96
STORAGE OPTIONS ................................................................................................96
FORMATTING A MEMORY CARD ...........................................................................96
DATA STRUCTURE ...................................................................................................97
EDIT FILE NAMES ....................................................................................................98
CREATING A NEW FOLDER ....................................................................................99
ADDING COPYRIGHT INFORMATION ....................................................................99
LOGGING THE SHOOTING LOCATION ...................................................................99
DATA TRANSFER .................................................................................................. 100
TABLE OF CONTENTS
18
PRACTICAL DEFAULT SETTINGS .....................................................102
TOUCH AF ....................................................................................................... 102
TOUCH AF IN EVF MODE ..................................................................................... 102
PERSONALIZED LENS SETTINGS ................................................................ 103
EV INCREMENT .............................................................................................. 10 3
AUXILIARY DISPLAYS .................................................................................... 104
INFO PROFILES .................................................................................................... 10 4
CHANGING THE INFO PROFILES................................................................................. 105
DEACTIVATING INDIVIDUAL INFO PROFILES.............................................................. 105
CUSTOMIZING THE INFO PROFILES ........................................................................... 105
SHOW AVAILABLE ............................................................................................... 106
INFO BARS .................................................................................................................. 106
GRID ............................................................................................................................ 10 6
CLIPPING ..................................................................................................................... 106
FOCUS PEAKING ......................................................................................................... 107
LEVEL GAUGE ............................................................................................................. 108
HISTOGRAM ................................................................................................................ 10 9
TEMPORARY ACTIVATION/DEACTIVATION OF INDIVIDUAL FUNCTIONS .................. 109
ENHANCED LIVE VIEW ..................................................................................11 0
MF ASSIST FUNCTIONS .................................................................................110
AF ASSIST LAMP ...................................................................................................110
ACOUSTIC AF CONFIRMATION ............................................................................ 111
PHOTOGRAPHY ................................................................................. 112
DRIVE MODE ...................................................................................................112
FOCUSING .......................................................................................................11 3
AF PHOTOGRAPHY ...............................................................................................11 3
AUTOFOCUS MODES ............................................................................................ 113
INTELLIGENT AF ...........................................................................................................113
AFs (single) ...................................................................................................................11 3
AFc (continuous) ..........................................................................................................113
AUTOFOCUS METERING METHODS ....................................................................114
MULTI-FIELD METERING ..............................................................................................114
SPOT/FIELD METERING ...............................................................................................11 4
ZONE ............................................................................................................................11 5
TRACKING ....................................................................................................................11 5
PERSON DETECTION (FACE DETECTION) ....................................................................116
AF SETTINGS ......................................................................................................... 117
AF PROFILES ................................................................................................................11 7
PRE FOCUS ..................................................................................................................119
FOCUS LIMIT ......................................................................................................... 119
AF QUICK SETTING ...............................................................................................120
ACCESSING AF QUICK SETTING ................................................................................. 120
ADJUSTING THE METERING FIELD SIZE ...................................................................... 120
CHANGING THE AF METERING METHOD ................................................................... 120
MF ASSIST FUNCTIONS .......................................................................................1 21
ENLARGEMENT IN AF MODE ...................................................................................... 121
AF ASSIST LAMP ......................................................................................................... 12 2
ACOUSTIC AF CONFIRMATION ................................................................................... 122
SHIFTING THE AF METERING FIELD ...................................................................122
MANUAL FOCUSING (MF) ....................................................................................123
MF ASSIST FUNCTIONS .......................................................................................123
FOCUS PEAKING ......................................................................................................... 12 3
ENLARGEMENT IN MF MODE ...................................................................................... 124
DISTANCE DISPLAY ..................................................................................................... 126
USING AUTOFOCUS IN MF MODE .............................................................................. 12 6
ISO SENSITIVITY ............................................................................................ 127
FIXED ISO VALUES ................................................................................................127
AUTOMATIC SETTING ...........................................................................................127
LIMITING SETTING RANGES ....................................................................................... 127
DYNAMIC ISO SETTING ........................................................................................128
FLOATING ISO .......................................................................................................129
WHITE BALANCE ........................................................................................... 129
AUTOMATIC CONTROL/FIXED SETTINGS ......................................................... 13 0
MANUAL SETTING VIA METERING ..................................................................... 13 0
GRAY CARD ................................................................................................................. 13 1
GRAY CARD LIVE VIEW................................................................................................ 131
DIRECT SETTING OF THE COLOR TEMPERATURE..............................................132
TABLE OF CONTENTS
19
EXPOSURE ...................................................................................................... 132
SHUTTER TYPE ..................................................................................................... 133
EXPOSURE MODES .............................................................................................. 136
SELECTING A MODE.................................................................................................... 136
FULLY AUTOMATIC EXPOSURE SETTING – P .....................................................137
AUTOMATIC PROGRAM – P ......................................................................................... 137
CHANGING THE PRESET SHUTTER SPEED AND APERTURE COMBINATIONS (SHIFT) 137
SEMI-AUTOMATIC EXPOSURE SETTING – A/S ................................................. 138
APERTURE PRIORITY - A .............................................................................................. 138
SHUTTER SPEED PRIORITY – S ................................................................................... 13 8
MANUAL EXPOSURE SETTING – M .....................................................................139
LONG-TERM EXPOSURE ...................................................................................... 140
FIXED SHUTTER SPEEDS ............................................................................................ 140
B FUNCTION ................................................................................................................ 140
EXPOSURE CONTROL...........................................................................................141
EXPOSURE PREVIEW....................................................................................................141
EXPOSURE LOCK .........................................................................................................141
EXPOSURE COMPENSATION ...................................................................................... 14 4
DEPTH OF FIELD CHECK ............................................................................................. 14 5
SHOOTING MODES ........................................................................................ 146
CONTINUOUS SHOOTING MODE ....................................................................... 146
INTERVAL SHOOTING ...........................................................................................147
EXPOSURE BRACKETING .....................................................................................149
MULTISHOT .......................................................................................................... 150
SETTING THE DELAY TIME ...........................................................................................151
MOTION ARTEFACTS CORRECTION .............................................................................151
SELF-TIMER ...........................................................................................................152
SPECIAL SHOOTING MODES ........................................................................ 153
IMAGE OVERLAY .................................................................................................. 15 3
FLASH PHOTOGRAPHY ................................................................................. 155
COMPATIBLE FLASH UNITS ................................................................................ 15 5
FLASH EXPOSURE METERING (
TTL METERING) ............................................... 156
SETTINGS ON THE FLASH UNIT ..........................................................................157
FLASH CONTROL ..................................................................................................157
SYNC POINT ................................................................................................................ 157
FLASH RANGE ...................................................................................................... 158
FLASH EXPOSURE COMPENSATION ..................................................................159
REVIEW MODE ...................................................................................162
CONTROL ELEMENTS IN REVIEW MODE ................................................... 162
INITIATE/EXIT REVIEW MODE ..................................................................... 16 4
SELECTING/SCROLLING THROUGH IMAGES ............................................ 165
INFO DISPLAYS IN REVIEW MODE .............................................................. 16 6
CROPPED SECTION ZOOM ........................................................................... 167
DISPLAYING MULTIPLE IMAGES AT ONCE ................................................. 16 8
TAGGING/RATING OF PHOTOS .................................................................... 170
DELETING IMAGES ........................................................................................ 170
DELETING INDIVIDUAL IMAGES .......................................................................... 171
DELETING MULTIPLE IMAGES .............................................................................171
DELETING ALL IMAGES ........................................................................................172
DELETING UNRATED IMAGES ..............................................................................173
PREVIEW OF LATEST IMAGE ........................................................................ 17 3
SLIDE SHOW .................................................................................................. 174
< < < > > > ...........................................................................................175
TABLE OF CONTENTS
20
< < < VIDEO MODE > > > ................................................................... 176
VIDEO SETTINGS ............................................................................... 176
SENSOR FORMAT .......................................................................................... 176
FILE FORMAT .................................................................................................. 176
VIDEO FORMAT .............................................................................................. 17 7
AVAILABLE RESOLUTIONS ..................................................................................177
AVAILABLE FRAME RATES ...................................................................................177
SETTING THE VIDEO FORMAT .............................................................................178
RAW OUTPUT VIA HDMI .......................................................................................178
VIDEO STYLE .................................................................................................. 179
IMAGE PROPERTIES ..............................................................................................179
VIDEO PROFILES .................................................................................................. 18 0
COLOR PROFILE .......................................................................................................... 180
MONOCHROME PROFILE ............................................................................................ 180
CUSTOMIZING VIDEO PROFILES ........................................................................ 18 0
AUDIO SETTINGS ........................................................................................... 181
MICROPHONE .......................................................................................................181
WIND NOISE REDUCTION ....................................................................................181
TIMECODE ...................................................................................................... 182
TIMECODE MODE..................................................................................................182
START TIME ...........................................................................................................182
VIDEO GAMMA ............................................................................................... 18 3
HLG SETTINGS ..................................................................................................... 18 3
L-LOG SETTINGS .................................................................................................. 183
SETUP/MANAGEMENT OF LUT PROFILES .................................................................. 184
USING LUT PROFILES.................................................................................................. 186
AUTOMATIC OPTIMIZATION ......................................................................... 18 8
VIDEO STABILIZATION ......................................................................................... 188
DARK AREA OPTIMIZATION (IDR) ....................................................................... 189
DYNAMIC RANGE ........................................................................................................ 189
iDR FUNCTION ............................................................................................................ 18 9
DATA MANAGEMENT ..................................................................................... 190
SEGMENTED RECORDING ................................................................................... 190
FORMATTING A MEMORY CARD ........................................................................ 190
DATA STRUCTURE ................................................................................................. 191
EDIT FILE NAMES ..................................................................................................192
CREATING A NEW FOLDER ..................................................................................193
ADDING COPYRIGHT INFORMATION ..................................................................193
DATA TRANSFER ...................................................................................................193
PRACTICAL DEFAULT SETTINGS .....................................................19 4
TOUCH AF ....................................................................................................... 19 4
TOUCH AF IN EVF MODE ......................................................................................194
PERSONALIZED LENS SETTINGS ................................................................ 195
EV INCREMENT .............................................................................................. 19 5
AUDIO OUTPUT .............................................................................................. 196
SETTING THE OUTPUT LEVEL ..............................................................................196
HDMI OUTPUT WITH/WITHOUT SOUND ............................................................196
AUXILIARY DISPLAYS .................................................................................... 197
INFO PROFILES .....................................................................................................19 7
CHANGING THE INFO PROFILES................................................................................. 198
DEACTIVATING INDIVIDUAL INFO PROFILES.............................................................. 198
CUSTOMIZING THE INFO PROFILES ........................................................................... 198
SHOW AVAILABLE ............................................................................................... 199
INFO BARS .................................................................................................................. 199
GRID ............................................................................................................................ 19 9
ZEBRA.......................................................................................................................... 19 9
FOCUS PEAKING ......................................................................................................... 20 0
LEVEL GAUGE ............................................................................................................. 201
HISTOGRAM ................................................................................................................ 202
VIDEO ASSIST FUNCTIONS .......................................................................... 202
REFERENCE VALUES ........................................................................................... 202
COLOR BAR ................................................................................................................. 202
TEST SOUND ............................................................................................................... 203
APPLICATION .............................................................................................................. 204
TABLE OF CONTENTS
21
REC FRAME .......................................................................................................... 204
WAVEFORM MONITOR (WFM) ............................................................................ 205
ADJUSTING VISUALIZATION ....................................................................................... 206
ASPECT RATIO DISPLAY ...................................................................................... 207
SAFETY AREA ....................................................................................................... 208
RECORDING VIDEO ........................................................................... 210
VIDEO MODE AND CINE MODE .................................................................... 210
START/EXIT VIDEO MODE .............................................................................2 11
START/END VIDEO RECORDING .................................................................. 212
DUSPLAY AND OPERATION VIA USB-PTP USING EXTERNAL ACCESSORY (LIKE
GIMBALS) ..............................................................................................................212
FOCUSING ...................................................................................................... 213
AUTOFOCUS MODES ............................................................................................213
CONTROLLING THE AUTOFOCUS .......................................................................214
TOUCH AF ................................................................................................................... 214
SUPPRESSING CONTINUOUS FOCUSING .................................................................. 2 14
AUTOFOCUS METERING METHODS ....................................................................214
TRACKING .............................................................................................................216
PERSON DETECTION (FACE DETECTION) ................................................................... 2 16
AF SETTINGS ......................................................................................................... 217
FOCUS LIMIT .........................................................................................................218
AF QUICK SETTING ...............................................................................................218
MF ASSIST FUNCTIONS .......................................................................................21 9
SHIFTING THE AF METERING FIELD .................................................................. 220
MANUAL FOCUSING (MF) ....................................................................................221
MF ASSIST FUNCTIONS .......................................................................................2 21
FOLLOW FOCUS................................................................................................... 223
FUNCTION BEHAVIOR ................................................................................................. 2 24
FOLLOW FOCUS MENU ............................................................................................... 2 24
PREPAR ATION ...................................................................................................... 225
CONFIGURING A FOCUS POSITION............................................................................ 225
CHANGING THE FOCUS POSITION ............................................................................. 2 26
APPLICATION ....................................................................................................... 227
ACCESS AS NEEDED ................................................................................................... 227
AUTOMATIC SEQUENCE ............................................................................................. 228
OTHER SETTINGS ................................................................................................ 229
SPEED.......................................................................................................................... 229
SUBSEQUENT FOCUS MODE ...................................................................................... 229
ISO SENSITIVITY ............................................................................................ 229
FIXED ISO VALUES ............................................................................................... 229
AUTOMATIC SETTING .......................................................................................... 23 0
DYNAMIC ISO SETTING ........................................................................................231
FLOATING ISO .......................................................................................................231
ASA SENSITIVITY ........................................................................................... 232
WHITE BALANCE ........................................................................................... 232
AUTOMATIC CONTROL/FIXED SETTINGS ......................................................... 233
MANUAL SETTING VIA METERING ..................................................................... 233
DIRECT SETTING OF THE COLOR TEMPERATURE............................................. 235
EXPOSURE ...................................................................................................... 235
EXPOSURE MODES .............................................................................................. 238
FULLY AUTOMATIC EXPOSURE SETTING – P .................................................... 239
SEMI-AUTOMATIC EXPOSURE SETTING – A/S ................................................. 240
MANUAL EXPOSURE SETTING – M .................................................................... 240
EXPOSURE COMPENSATION ...............................................................................241
PLAYBACK MODE ..............................................................................242
CONTROL ELEMENTS IN PLAYBACK MODE ...............................................242
INITIATE/EXIT PLAYBACK MODE ................................................................244
SELECTING/SCROLLING THROUGH IMAGES ............................................ 245
INFO DISPLAYS IN PLAYBACK MODE ......................................................... 246
DISPLAYING MULTIPLE SHOTS AT ONCE ................................................... 247
TAGGING/RATING OF RECORDINGS ........................................................... 248
DELETING RECORDINGS .............................................................................. 249
DELETING INDIVIDUAL RECORDINGS ............................................................... 249
DELETING MULTIPLE RECORDINGS .................................................................. 250
TABLE OF CONTENTS
22
DELETING ALL RECORDINGS ..............................................................................251
DELETING UNRATED RECORDINGS ....................................................................251
SLIDE SHOW .................................................................................................. 252
VIDEO PLAYBACK .......................................................................................... 253
VIDEO EDITING .................................................................................................... 256
< < < > > > ...........................................................................................257
OTHER FUNCTIONS ..........................................................................258
RESETTING THE CAMERA TO FACTORY SETTINGS ................................... 258
FIRMWARE UPDATES .................................................................................... 259
EXECUTING A FIRMWARE UPDATE .................................................................... 260
LEICA FOTOS .....................................................................................264
CONNECTING ................................................................................................. 264
DISABLING WI-FI ........................................................................................... 266
DISABLING WLAN AUTOMATICALLY .................................................................. 266
DISABLING WLAN MANUALLY ........................................................................... 266
REMOTE CAMERA CONTROL ....................................................................... 267
CARE/STORAGE ................................................................................268
PIXEL MAPPING ................................................................................................... 269
FAQ .....................................................................................................270
MENU OVERVIEW .............................................................................278
INDEX .................................................................................................284
TECHNICAL DATA ..............................................................................292
LEICA CUSTOMER CARE...................................................................298
LEICA ACADEMY ...............................................................................299
TABLE OF CONTENTS
23
Definition of the various categories of information found in
this manual
Note
Additional information
Important
Failure to comply with instructions may result in damage to the
camera, the accessories or the recordings
Attention
Non-compliance may result in personal injury
PART DESIGNATIONS
24
PART DESIGNATIONS
15
15
14
6
9
10
11
1
2
3
4
5
12
13
*2
*1
7
8
* Optional accessory: Multifunction handgrip SL, lens
24
25
26
27
23
30
31
20
17
19
18
22
16
21
32
*21
*34
*29
*33
*22
29
28
PART DESIGNATIONS
25
LEICA SL2-S
1
Shutter button
2
Front dial
3
Function button
4
Function button
5
Top display
6
Accessory shoe
7
Microphone
8
Speaker
9
Function button
10
Function button
11
Lens release button
12
Leica L bayonet
13
Contact strip
14
Self-timer LED / AF assist lamp / exposure metering sensor
15
Strap lugs
16
Main switch
17
Viewfinder eyepiece
18
Eye sensor
19
Diopter setting wheel
20
Function button
21
Joystick
22
Thumbwheel
23
Status LED
24
PLAY button
25
FN button
26
MENU button
27
LCD panel
28
Memory card slot
29
Tripod thread
30
Contact for multifunction handgrip
31
Battery release lever
32
Battery compartment
MULTIFUNCTION HANDGRIP SL
*1
Shutter button
*2
Front dial
*21
Joystick
*22
Thumbwheel
*29
Tripod thread
*33
Handgrip-integrated battery compartment
*34
Handgrip lock
PART DESIGNATIONS
26
LENS*
35
Contact strip
36
Alignment points for lens replacement
37
Focus ring
poss. zoom ring
38
Alignment point for lens hood mounting
39
Male bayonet for lens hood
40
Internal thread for filters
41
Bayonet cover
42
Lens cap
43
Lens hood
43
38
37
38
39
40
41
42
36
35
*
Not included in the delivery package. Representative image. Technical designs
may vary depending on included features.
27
DISPLAYS ▸ PHOTO
28
DISPLAYS
The images displayed on the LCD panel and in the viewfinder are
identical.
PHOTO
STATUS SCREEN
01
05 06
08
07
09
14
20
15
21
16
22
17
23
18
24
19
25
10 11 12 13
03
02
04
WHEN TAKING A PICTURE
All displays/values refer to the actual settings.
15 19 18 20 14
26
27 28 04
03110708101209
29
30
IN REVIEW MODE
All displays/values refer to the displayed image.
32
31
15 19 18 20 14 27 28
33110708101209
30
29
ACTIVATED Capture Assistants
38
37
36
35
34
39
DISPLAYS ▸ PHOTO
29
01
Focal length
02
Memory card used
03
Remaining storage capacity
04
Battery capacity
05
Menu section PHOTO
06
Menu sections VIDEO
07
Light balance
08
Exposure compensation scale
09
Exposure mode
10
Aperture value
11
Shutter speed
12
ISO Sensitivity
13
Exposure compensation value
14
Shooting mode (Drive Mode)
15
Focus mode
16
Autofocus metering method
17
Autofocus settings
18
Exposure metering method
19
White balance mode
20
File format/compression level/resolution
21
Formatting a memory card
22
User profile
23
Locking/unlocking the setting wheels
24
Leica FOTOS
25
Main menu
26
Flash sync point
27
Aspect ratio (sensor)
28
Dark area optimization (iDR) enabled
29
Color rendering (Film Style)
30
Stabilization activated
31
Icon for marked picture
32
File name
33
File number of the image shown
34
Histogram
35
Grid lines
36
Level gauge
37
Display of cropped section size and position
(only visible for enlarged sections)
38
Focus peaking
(identification of in sharp edges in the object)
39
Clipping / Zebra
DISPLAYS ▸ VIDEO/CINE
30
VIDEO/CINE
STATUS SCREEN
40
44 45
47
46
50
55
60
56
61
57
62
58
63
59
64
59
65
51 52 53 54
42
41
43
48
49
WHEN TAKING A PICTURE
All displays/values refer to the actual settings.
55 58 57 59 66 43
68
425246
49
47
51
53
50
60 67 69
IN REVIEW MODE
All displays/values refer to the displayed image.
55 58 57
67
70
72464749
71
69
59
73
77
7675
74
DISPLAYS ▸ VIDEO/CINE
31
40
Focal length
41
Memory card used
42
Remaining storage capacity
43
Battery capacity
44
Menu section PHOTO
45
Menu sections VIDEO
46
Light balance
47
Exposure compensation scale
48
Microphone recording level
49
Recording time (timecode)
50
Exposure mode
51
Aperture value
52
Shutter speed
(
Cine: shutter angle)
53
ISO Sensitivity
(
Cine: ASA indication)
54
Exposure compensation value
55
Focus mode
56
Autofocus metering method
57
Exposure metering method
58
White balance mode
59
File format/compression level/resolution
60
Recording level
61
Headphone volume
62
User profile
63
Locking/unlocking the setting wheels
64
Leica FOTOS
65
Main menu
66
Dark area optimization (iDR) enabled
67
Color rendering (Video Style)
68
Indicates recording in progress
69
Stabilization activated
70
Icon for marked picture
71
File name
72
File number of the image shown
73
Video editing function
74
Exiting video playback
75
Current time of the playback
76
Playback status bar
77
Playback volume
DISPLAYS ▸ DISPLAYS IN THE TOP DISPLAY
32
DISPLAYS IN THE TOP DISPLAY
Home screen
78
79
80 81 82
DEFAULT VIEW
91
89
83 85
84
86
87
88
90
92 93
94
95
94
MODE CHANGE
78
Camera name
79
Date
80
Time
81
Handgrip battery capacity
82
Camera battery capacity
83
Exposure mode
84
Set flash exposure compensation
85
Program shift
86
Aperture value
87
Shutter speed
(
Cine: shutter angle)
88
ISO Sensitivity
(
Cine: ASA indication)
89
Memory card used
90
Remaining storage capacity
91
Leica FOTOS
92
GPS
93
USB charging function
94
Depth of field threshold values
95
Sharp distance focus
DISPLAYS ▸ DISPLAYS IN THE TOP DISPLAY
33
CHARGE STATUS INDICATOR ON THE LCD PANEL
The battery charge status is displayed in the status screen and in the
header line at the top right.
Display Charge status
Approx. 75 – 100%
Approx. 50 – 75%
Approx. 25 – 50%
Approx. 0 – 25%
Approx. 0%
The battery needs charging or replacing
PREPARATION ▸ ATTACHING THE CARRY STRAP / PREPARING THE CHARGER
34
PREPARATION
ATTACHING THE CARRY STRAP
1
2
3
4
Attention
• Once you have attached the carry strap, please make sure that the
clips are mounted correctly to prevent the camera from falling.
PREPARING THE CHARGER
Use the mains cable with the matching regional plug to connect the
charger to mains electricity.
Note
• The charger will automatically adapt to local mains voltage.
PREPARATION ▸ CHARGING THE BATTERY
35
CHARGING THE BATTERY
The camera is powered by a lithium-ion battery.
INSERTING THE BATTERY IN THE CHARGER
▸ Slide the battery into the charger with the groove facing up until
the contacts meet
▸ Press down on the battery until you can hear and feel it clicking
into place
▸ Ensure that the battery is fully inserted into the charger
REMOVING THE BATTERY FROM THE CHARGER
▸ Tilt the battery up and lift it out at an angle
CHARGE STATUS INDICATORS ON THE CHARGER
CHARGE
80%
The status LED indicates a correct charging process.
Display Charge status Charge time*
CHARGE flashes green
Battery is charging
80% lights up orange
80% Approx. 2 h
CHARGE continuous
green light
100% Approx. 3.5 h
Disconnect the charger from mains electricity when the charging
process is complete. There is no risk of overcharging.
* for a completely discharged battery
PREPARATION ▸ INSERTING/REMOVING THE BATTERY
36
CHARGING VIA USB
The rechargeable battery in the camera can be automatically
charged when the camera is connected to a computer or another
suitable power source via USB cable.
Factory setting:
On
▸ Select Camera Settings in the main menu
▸ Select
USB Charging
▸ Select On/Off
Notes
• The camera will only charge while it is switched off. The charging
process will be interrupted as soon as the camera is switched on.
The camera will be displayed as a USB storage medium if an SD
card is inserted (see p. 100).
• The charging will start automatically.
INSERTING/REMOVING THE BATTERY
▸ Ensure that the camera is switched OFF (see p. 50)
INSERTION
“click”
▸
Insert the battery into the slot with the groove pointing towards
the LCD panel and gently push until you hear and feel it clicking
into place
PREPARATION ▸ INSERTING/REMOVING THE MEMORY CARD
37
REMOVAL
1
2
3
▸ Turn the battery release lever
• Battery is pushing out slightly.
▸ Press down on the battery lightly
• The battery unlocks and pushes out fully.
▸ Removing the battery
Important
• Removing the battery while the camera is switched on may result
in the loss of custom settings or damage to the memory card.
INSERTING/REMOVING THE MEMORY CARD
Leica SL2-S offers slots for two memory cards. There are various
options for use, see p. 96.
The camera will save exposures to an SD (Secure Digital), SDHC
(High Capacity) or SDXC (eXtended Capacity) memory card.
Notes
• SD/SDHC/SDXC memory cards are available from various sup-
pliers in a range of sizes and with differing read/write speeds.
Memory cards with high storage capacities and high read/write
speeds offer quick storage and rendering.
• The memory card may not be supported (capacity) or will have
to be formated in the camera before first use (see p. 96). The
camera will in that case display a relevant message. Please see
the section “Technical Data” for information about supported
cards.
• Check the memory card for correct alignment if you are having
difficulties inserting it into the camera.
• See p. 10 and p. 13 for additional information.
• Video shootings require a high write speed.
PREPARATION ▸ INSERTING/REMOVING THE MEMORY CARD
38
▸ Ensure that the camera is switched OFF (see p. 50)
OPENING THE COVER OVER THE MEMORY CARD SLOT
1
2
▸ Slide the cover as shown in the illustration until you hear a click
• The cover lifts automatically.
CLOSING THE COVER OVER THE MEMORY CARD SLOT
2
1
▸ Close and hold down the cover
▸ Slide the cover as shown in the illustration until it audibly clicks
into place
INSERTION
“click”
▸
Push the memory card into the slot until you hear and feel it click-
ing into place
• The beveled corner of the card must be at the top left.
REMOVAL
1
2
▸ Push down on the card until you hear a click
• The card pushes out slightly.
▸ Remove the memory card
PREPARATION ▸ LENS
39
LENS
COMPATIBLE LENSES
Sophisticated optical systems guarantee the excellent imaging
performance of the SL lenses. In the design phase for the optics, a
homogeneous performance across all focal lengths, aperture and
focus settings is a high priority. That is how SL lenses can be used
for optimally creative results in any situation.
Leica M and R lenses can also be used in conjunction with Leica
M/R L adapters.
L-MOUNT LENSES
In addition to Leica SL lenses, the Leica SL2-S can also accommo-
date Leica TL lenses with full functionality via the L bayonet. The
camera will automatically switch to the APS-C format when a TL lens
is attached. A variety of compatible lenses from manufacturers of
the L-Mount Alliance are also available.
EXPOSURE METERING AND EXPOSURE CONTROL USING VARIO
LENSES
Some Leica TL and SL Vario lenses have a variable speed, which
means that the effective aperture opening depends on the config-
ured focal length. Make sure to set the desired focal length before
storing the meter value or changing the shutter speed/aperture
combination to prevent incorrect exposure. Please read the sections
on “Exposure” starting on page 132 for more information. Make
sure that the aperture setting on the flash unit matches the camera
aperture if you are using a non-system compatible flash unit.
PREPARATION ▸ LENS
40
LEICA M AND R LENSES
Leica M and R lenses can be attached via Leica M or R L adapters.
There are lens profiles stored in the camera, which allow the follow-
ing functions:
• The flash exposure and flash reflector controls utilize the stored
lens data (see “Compatible flash units”).
• The lens data is furthermore written to the Exif data of the record-
ings, provided the lens is relevantly encoded. The focal length of
the lens is additionally displayed when rendering the extended
image data.
The camera will automatically select the appropriate lens type
settings if the Leica M lens used comes with 6-bit encoding, or the
Leica R lens has an ROM contact strip. You will have to enter the
lens type manually if the lenses do not have that feature.
Using automatic detection
▸ Select Camera Settings in the main menu
▸ Select Lens Profiles
▸ Activate automatic lens detection (Auto) or deactivate the feature
(
Off)
Setting the lens type manually
▸ Select
Camera Settings in the main menu
▸ Select
Lens Profiles
▸ Select M-Lenses or R-Lenses
Sorting the lens type lists
▸ Select
Camera Settings in the main menu
▸ Select
Lens Profiles
▸ Select M-Lenses or R-Lenses
▸ Select Edit List of M-Lenses or Edit List of R-Lenses
▸ Activate (On) or deactivate (Off) the lens types you will be using
PREPARATION ▸ LENS
41
CHANGING THE LENS
Important
• Make sure to always have a lens or the camera bayonet cover
attached to prevent dust or other foreign bodies penetrating the
camera.
• That is why you should always replace lenses quickly and in a
dust-free environment.
L-MOUNT LENSES
ATTACHING THE LENS
1
2
▸ Ensure that the camera is switched OFF (see p. 50)
▸ Hold the lens by the fixed ring
▸ Position the alignment points on the lens opposite the release
button on the camera housing
▸ Attach the lens in this position
▸ Turn the lens clockwise until you hear and feel it click into place
DETACHING THE LENS
1
2
3
▸ Ensure that the camera is switched OFF
▸ Hold the lens by the fixed ring
▸ Press and hold the release button on the camera housing
▸ Turn the lens counter-clockwise until the alignment point is oppo-
site the release button
▸ Remove the lens
PREPARATION ▸ LENS
42
OTHER LENSES
(e.g. Leica M lenses)
Other lenses can be used by inserting an adapter for L bayonets (e.g.
Leica-M adapter L).
ATTACHING THE ADAPTER
1
2
▸ Ensure that the camera is switched OFF (see p. 50)
▸ Position the alignment point on the adapter opposite the alignment
point on the camera housing
▸ Attach the lens in this position
▸ Turn the adapter clockwise until you hear and feel it click into
place
▸ Attach the lens immediately
DETACHING THE ADAPTER
2
3
1
▸ Ensure that the camera is switched OFF
▸ Detaching the lens
▸ Press and hold the release button on the camera housing
▸ Turn the adapter counter-clockwise until the alignment point is
opposite the release button
▸ Remove the adapter
PREPARATION ▸ LENS
43
ATTACHING THE LENS TO THE ADAPTER
1
2
▸ Ensure that the camera is switched OFF (see p. 50)
▸ Hold the lens by the fixed ring
▸ Position the alignment point on the lens opposite the alignment
point on the adapter
▸ Attach the lens in this position
▸ Turn the lens clockwise until you hear and feel it click into place
DETACHING THE LENS FROM THE ADAPTER
1
2
3
▸ Ensure that the camera is switched OFF
▸ Hold the lens by the fixed ring
▸ Press and hold the release button on the adapter
▸ Turn the lens counter-clockwise until its alignment point is oppo-
site the release button
▸ Remove the lens
PREPARATION ▸ DIOPTER SETTINGS
44
DIOPTER SETTINGS
The viewfinder has a diopter setting function with a range between
-4 and +2 diopter to allow glasses wearers the use of the camera
without eyeglasses (diopter compensation).
▸ Look through the viewfinder
▸ Aiming at and focusing on an object
▸ Turn the diopter setting wheel until you see the image in the view-
finder and the displays in perfect focus
PREPARATION ▸ MULTIFUNCTION HANDGRIP SL
45
MULTIFUNCTION HANDGRIP SL
(optional accessory)
The Multifunction Handgrip SL is an optional accessory and comes
with additional operating elements (shutter button, joystick, thumb-
wheel and front dial) positioned specifically for easy portrait photog-
raphy. The handgrip is therefore particularly useful for one-handed
photography. It also offers space for a second rechargeable battery.
PHOTOGRAPHY WITH THE HANDGRIP
The operating elements of the handgrip are positioned in such a way
as to be in easy reach when using the camera for portrait photography.
PREPARATION ▸ MULTIFUNCTION HANDGRIP SL
46
A
B
C
D
E
F
G
H
I
J
K
L
A
Locking toggle
B
Tripod thread
C
Attachment screw
D
Interface with the camera
E
Storage compartment for the contact cover of the handgrip
F
Storage compartment for the contact cover of the camera
G
Front dial
H
Shutter button
I
Strap lug
J
Thumbwheel
K
Joystick
L
Handgrip lock
ATTACHING THE HANDGRIP
1 2
▸ Squeeze the contact cover of the handgrip on the two sides
marked with triangles and lift it off
▸ Store the contact cover in its designated compartment in the
handgrip
▸ Remove the contact cover in the base of the camera housing
▸ Store the contact cover in its designated compartment in the
handgrip
PREPARATION ▸ MULTIFUNCTION HANDGRIP SL
47
1
2
▸ Align the handgrip with the base of the camera
• Make sure not to damage the contacts.
▸ Turn the handgrip lock to the right and hand tighten
Important
• Make sure to check regularly whether the connection is still tight
when using the camera with the handgrip attached and re-tighten
it as needed.
DETACHING THE HANDGRIP
▸ Turn the handgrip lock to the left to unlock the connection
• Make sure to hold the camera and the handgrip securely while
doing so.
▸ Replace both cover caps over the connections
Important
• Make sure that the contact covers are securely in place on
the camera and on the handgrip whenever the handgrip is not
attached to the camera. The highly sensitive contacts could other-
wise easily be damaged.
PREPARATION ▸ MULTIFUNCTION HANDGRIP SL
48
MOUNTING THE WRIST LOOP/CARRY STRAP ON THE
MULTIFUNCTION HANDGRIP
The high quality wrist loop is available as an optional ergonomic
accessory for the handgrip to ensure more stability for the camera.
The hand loop is recommended in particular for landscape photog-
raphy.
When using the handgrip for portrait photography for extended pe-
riods of time, we recommend attaching the carry strap on the strap
lug of the camera on the right-hand side and on the strap lug of the
handgrip. This will always maintain the camera in the correct posi-
tion. See p. 34 for instructions on how to attach the carry strap.
CHANGING THE BATTERY
The multifunction handgrip offers space for a second rechargeable
battery. This will significantly increase operating time.
▸ Click up the locking toggle
▸ Turn the locking toggle in anti-clockwise direction
• The battery cover lifts automatically.
PREPARATION ▸ MULTIFUNCTION HANDGRIP SL
49
REMOVING THE BATTERY
1
2
3
▸ Push down the ejector pin
• Battery is pushing out slightly.
▸ Press down on the battery lightly
• The battery unlocks and pushes out fully.
▸ Removing the battery
INSERTING THE BATTERY
1
2
▸ Insert the battery into the slot with the groove pointing towards
until you hear and feel it clicking into place
CLOSE THE BATTERY COMPARTMENT
▸ Close the cover over the battery compartment
• It will click to signify it is locked.
▸ Click down the locking toggle
Note
• The camera must have a battery with at least minimal charge
inserted to utilize a rechargeable battery in the handgrip.
CAMERA OPERATION ▸ CONTROL ELEMENTS
50
CAMERA OPERATION
CONTROL ELEMENTS
MAIN SWITCH
The main switch switches the camera on and off.
SWITCHING THE CAMERA ON
Notes
• Once switched on, the camera will be ready to use after approx.
1 s.
• The LED lights up briefly and the displays in the viewfinder appear.
SWITCHING THE CAMERA OFF
Note
• The function
Auto Power Off (see p. 82) deactivates the camera
automatically if no operation occurs within a preset time. Use
the main switch to deactivate the camera if this function is
Off to
prevent inadvertent exposures and battery discharge when the
camera is not in use.
CAMERA OPERATION ▸ CONTROL ELEMENTS
51
SHUTTER BUTTON
The shutter button works in two stages.
Tapping (= Pressing the shutter button to the 1st pressure point)
– Activating the camera electronics and displays
– Exposure lock (metering & saving):
– AF mode: range measurement (AF-L)
– (semi) automatic exposure mode: exposure metering (AE-L)
– Canceling a running self-timer delay time
– Return to shooting mode
– from review mode
– from menu control
– from standby mode
Press down fully
– Shutter release
• The data is then transferred to the memory card.
– Starting a video shooting
– Starting a preselected self-timer delay time
– Starting a continuous shooting or interval shooting
Notes
• Press down the shutter button in a smooth motion until you hear
the click of the shutter to prevent camera shake.
• The shutter button remains locked:
– if the memory card inserted and/or the internal buffer memory
are (temporarily) full
– if the battery has exceeded its performance limits (capacity,
temperature, age)
– if the memory card is write-protected or damaged
– if the sensor is too hot
CAMERA OPERATION ▸ CONTROL ELEMENTS
52
FRONT DIAL
– Menu navigation
– Setting the shutter speeds
– Exposure compensation value selection
– Enlarging/reducing viewed pictures
THUMBWHEEL
– Menu navigation
– Accessing the submenu
– Applying menu settings
– Setting selected menu items/functions
– Setting the aperture value
– Exposure compensation value selection
– Setting the program shift
– Scroll through the gallery
– Playback of video recordings
– Confirming the prompts
CAMERA OPERATION ▸ CONTROL ELEMENTS
53
JOYSTICK
– Menu navigation
– Accessing the submenu
– Applying menu settings
– Setting selected menu items/functions
– Scroll through the gallery
– Shifting the metering field
– Exposure lock
– Playback of video recordings
– Confirming the prompts
PLAY BUTTON/MENU BUTTON
PLAY BUTTON
– Activation and deactivation of the (continuous) review mode
– Return to full-screen display
MENU BUTTON
– Accessing the menu (incl. status screen)
– Accessing the play menu
– Exiting the currently displayed (sub) menu
CAMERA OPERATION ▸ CONTROL ELEMENTS
54
FUNCTION BUTTONS
MENU
FN
PLAY
25
4 3
9
10
20
Direct access to various menus and functions. All function buttons
can be custom configured (see p. 71).
FACTORY SETTINGS
In shooting mode In review mode
FN button 25
Toggle info profiles
Function button 20
LCD panel/EVF switchover
Function button 4
Mode change (photo/video) Marking/rating a shot
Function button 3
– Photo: ISO
– Video: ISO
– (Cine: Exposure Index)
Function button 9
– Photo: Magnification
– Video:
Microphone Gain
Function button 10
Autofocus metering method
CAMERA OPERATION ▸ CONTROL ELEMENTS
55
LCD PANEL (TOUCH SCREEN)
TOUCH CONTROL* In shooting mode In review mode
“tap” Shifting the AF metering field and focusing
(while Touch AF is activated)
Selecting shots
“double tap” Resetting the AF metering field
(while Touch AF is activated)
Enlarging/reducing viewed pictures
“swipe” Scroll through the gallery
Shifts the enlarged image section
“horizontal swipe”
(full length)
Mode change (photo/video) Scroll through the gallery
“vertical swipe”
(full length)
Switch to review mode Switch to shooting mode
“tap and hold” Accessing the AF Quick Setting
“two-finger pinch”
“two-finger spread”
Changing the size of the AF metering field
(using the AF modes
Field and Eye/Face/Body
Detection
)
Enlarging/reducing viewed pictures
“swipe and hold”
“hold and swipe”
Continuous scrolling
* A light touch is enough, don't apply pressure.
CAMERA OPERATION ▸ MENU CONTROL
56
TOP DISPLAY
– Display of the active mode
– Display of image data
– Display of camera information
MENU CONTROL
CONTROL ELEMENTS
The following elements are used for menu control.
2
26
21
22
21 Joystick 2 Front dial
26 MENU button 22 Thumbwheel
CAMERA OPERATION ▸ MENU CONTROL
57
MENU SECTIONS
The following menu sections are available: Status Screen,
Main Menu
and
Favorites.
Status screen:
– quick access to the most important settings
Favorites:
– your custom list (see p. 70 for details on how to manage this list)
• The favorites menu can only be displayed if it has at least one
menu item assigned.
Main Menu:
– offers access to all menu items
– contains various submenus
The currently active operating mode (Photo or Video) is highlighted
in color in all menu areas.
Section PHOTO VIDEO
Status screen Dark background Bright background
Favorites
Dark header line Bright header line
Main menu
(top level)
Main menu
(Submenus)
STATUS SCREEN
Photo Video
FAVORITES
MAIN MENU
CAMERA OPERATION ▸ MENU CONTROL
58
SETTINGS IN PHOTO AND VIDEO MODE
The available settings depend on the operating mode (Photo or Video)
currently in use.
– All menu items and their sub items available in the main menu be-
fore
User Profile are mode-specific. That means that any changes
made here, will only apply for the operating mode currently in use.
Any menu items of the same name in the other operating mode
will be unaffected. That includes settings for focusing, exposure
metering or white balance.
– All settings and functions after that in the main menu (including
User Profile)
are available in both operating modes and have global
effect. A setting selected in one of the modes will also apply to the
other.
Settings and functions with global effect are:
–
User Profile
– Dial Lock
– Joystick Lock
– Display Settings
– Leica FOTOS
– Image Stabilization
– Panning Mode
– Format Card
– Camera Settings
– Camera Information
– Language
– Reset Camera
CAMERA OPERATION ▸ MENU CONTROL
59
SWITCHING MENU SECTIONS
The status screen will always be displayed as the first menu section.
The top level of the menu is organized into “pages”, which are dis-
played in the header line: Status screen, poss. Favorites menu (up
to 2 pages), and several sections of the Main menu. You can switch
between menu sections by scrolling through the pages. Alternatively,
the status screen and the favorites menu offer access to the main
menu as their respectively last menu item.
Scrolling forward
▸ Press the
MENU button
or
▸ Turn the front dial in clockwise direction
• The status screen will appear again after the last page of the
main menu.
Scrolling backward
▸ Turn the front dial in anti-clockwise direction
• The last page of the main menu will appear again after the
status screen.
CAMERA OPERATION ▸ MENU CONTROL
60
STATUS SCREEN
The status screen offers an overview of the most important informa-
tion regarding the current camera status and active settings.
It furthermore allows direct access to important settings. The status
screen is optimized for touch control.
A
B
C
D
A
Mode: photo/video (see p. 211)
B
Exposure settings (see p. 132 and p. 235)
C
Menu items
D
Access to the main menu
Notes
• Where touch control is not possible or not desirable (e.g. in EVF
mode), the status screen can alternatively be controlled via the
joystick and/or the thumbwheel.
• The settings become effective immediately.
• The framed control panels can be selected. Unframed values are
added in automatically (depending on the active exposure mode).
• The available menu items in photo and video mode differ (see
p. 28 and p. 30).
CAMERA OPERATION ▸ MENU CONTROL
61
SELECTING SETTINGS
Settings can be selected in various ways from within the status
screen. The setting types vary from menu to menu.
▸ Tap the desired control panel
• The relevant menu appears.
DIRECT SETTINGS
A version of the menu bar appears in the lower area of the status
screen (see p. 66).
▸ Select the desired function directly or swipe
ACCESSING A STANDARD SUBMENU
These menus behave as if they were accessed from within the main
menu (see p. 63). Touch control is therefore unavailable. From
there, you return to the status screen and not to the next higher
menu item.
▸ Select the desired setting
CAMERA OPERATION ▸ MENU CONTROL
62
FAVORITES MENU
The favorites menu offers quick access to the most frequently used
menu items. It can contain up to 11 menu items. These can be as-
signed individually (see p. 70).
MAIN MENU
The main menu offers access to all settings. Most of these are orga-
nized in submenus.
A
B
C
D
A
Menu sections: Main Menu and Favorites
B
Menu item name
C
Menu item setting
D
Submenu reference
SUBMENU
There are various types of submenus available. The following pages
describe their operation.
A
B
D
A
B
C
A
Current menu item
B
Submenu item
C
References to other submenus
D
Scrollbar
CAMERA OPERATION ▸ MENU CONTROL
63
MENU NAVIGATION
SCREEN BY SCREEN NAVIGATION
Scrolling forward
▸ Press the MENU button (repeatedly if needed)
or
▸ Turn the front dial in clockwise direction
• The status screen will appear again after the last page of the
main menu.
Scrolling backward
▸ Turn the front dial in anti-clockwise direction
• The last page of the main menu will appear again after the
status screen.
LINE BY LINE NAVIGATION
(Function/function option selection)
▸ Press the joystick up/down
or
▸ Turn the thumbwheel
(to the right = down, to the left = up)
• Once the last menu item has been reached scrolling up or
down, the display will automatically jump to the previous or
next screen. The currently active menu section (Favorites, Main
Menu) is not exited.
Note
• Some menu items can only be accessed under specific circum-
stances. The text in the relevant line is displayed in gray to signify
the existence of a submenu.
CAMERA OPERATION ▸ MENU CONTROL
64
SHOW SUBMENU
▸ Press the joystick/thumbwheel
or
▸ Press the joystick to the right
CONFIRM SELECTION
▸ Press the joystick/thumbwheel
• The screen image changes back to the active menu item. The
set function variant is shown on the right in the relevant menu
line.
Note
• No confirmation is needed for the selection of
On or Off. An auto-
matic save is done.
GO BACK ONE STEP
(Return to the superordinate menu item)
▸ Press the joystick to the left
• This option is only available for list-type submenus.
GO BACK TO TOP MENU LEVEL
▸ Press the
MENU button 1x
• The top level of the currently selected menu section is displayed.
EXITING THE MENU
You can exit the menus and submenus at any time – with/without
applying the settings selected there.
Go to shooting mode
▸ Tap the shutter button
Go to review mode
▸ Press the
PLAY button
CAMERA OPERATION ▸ MENU CONTROL
65
SUBMENU
KEYBOARD/NUMBER PAD
D
C
B
E
A
F
G
D
C
B
E
A
G
G
A
E
C
B
D
A
Entry line
B
Keyboard/Number pad
C
“Delete” button (deletes the last character entered)
D
“Confirm” button
(to apply individual values and existing settings)
E
Return to previous menu level
F
Shift key (toggles between upper and lower case letters)
G
Changing the character type
SELECTING A BUTTON (ICON/FUNCTION BUTTON)
Using button control
▸ Press the joystick in the relevant direction
• The currently active button will be highlighted.
▸ Press the joystick/thumbwheel
or
▸ Turn the thumbwheel
• The currently active button will be highlighted.
• There will be an automatic jump to the next/previous line when
the end/beginning of the line is reached.
▸ Press the joystick/thumbwheel
Using touch control
▸ Press the button of your choice
SAVE
▸ Select button D
CANCEL
▸ Select button E
CAMERA OPERATION ▸ MENU CONTROL
66
MENU BAR
Using button control
▸ Press the joystick left/right
or
▸ Turn the thumbwheel
Using touch control
▸ Select the desired function directly or swipe
Notes
• The currently active setting displayed in the center is highlighted
in red.
• The set value is displayed above the scale/below the menu bar.
• The following applies for direct access: The selected function re-
quires no additional confirmation and will be active immediately.
SCALE MENU
Using button control
▸ Press the joystick left/right
or
▸ Turn the thumbwheel
Using touch control
▸ Select the desired setting directly or swipe
Notes
• The currently active setting displayed in the center is highlighted
in red.
• The set value is displayed above the scale/below the menu bar.
CAMERA OPERATION ▸ MENU CONTROL
67
DATE/TIME MENU
Moving to the next settings field
▸ Press the joystick left/right
or
▸ Turn the thumbwheel
Setting values
▸ Press the joystick up/down
Saving and returning to superordinate menu item
▸ Press the joystick/thumbwheel
COMBI MENU (AF PROFILES)
The setting of the individual menu items is done via a setting bar in
the lower display area.
Accessing individual menu items
▸ Press the joystick in the relevant direction
or
▸ Turn the thumbwheel
Setting individual items
▸ Press the joystick/thumbwheel
• The set value displayed next to the menu item is highlighted.
▸ Press the joystick left/right
or
▸ Turn the thumbwheel
Applying the setting
▸ Press the joystick/thumbwheel
Returning to the superordinate menu item
▸ Press the joystick to the left
CAMERA OPERATION ▸ MENU CONTROL
68
COMBI MENU (IMAGE PROPERTIES)
A B C
D
A
“Back” button
(Exit without saving)
B
“Parameter” button
C
“Setting” button
D
“Confirm” button
(Save and exit)
The operation is slightly different, depending on whether the settings
are done via key control or touch control.
The screen image will remains visible continuously while settings are
being adjusted. The result of the setting can be observed directly.
CAMERA OPERATION ▸ MENU CONTROL
69
Using button control
Navigating between buttons
▸ Press the joystick left/right
• An active button is indicated by a red frame.
Applying setting
▸ Press the joystick up/down
• The button toggles directly between each of the options.
or
▸ Press the joystick
• All selectable options are displayed.
• The “Parameter” button displays the currently set value for
each of the parameter options.
▸ Press the joystick up/down
• An active button is indicated by a red frame.
▸ Press the joystick
• The options are no longer displayed.
Using touch control
▸ Tap the desired button
• All available options are displayed for the buttons “Parameter”
and “Setting”.
• The “Parameter” button displays the currently set value for
each of the parameter options.
▸ Tap the desired alternative
SAVE
▸ Select the “Confirm” button
CANCEL
▸ Select the “Back” button
CAMERA OPERATION ▸ USER-DEFINED OPERATION
70
USER-DEFINED OPERATION
FAVORITES MENU
Assign your most frequently used menu items to a favorites menu
(up to 11 items) for quick and easy access. The available functions
are shown in the list on p. 278.
As there are separate menu sections for photo and video mode, the
associated favorite menus can also be assigned individually. The
favorites menu in video mode applies for both video modes (Video
and Cine). The menu item
ISO in Cine mode accesses the associated
Exposure Index function.
The favorites menu will be represented by an asterisk in the header
line, provided it contains at least one menu item.
MANAGING THE FAVORITES MENU
▸ Switch to the desired mode (photo or video)
▸ Select
Customize Control in the main menu
▸ Select
Edit Favorites
▸ Select the desired menu item
▸ Select On/Off
• A warning message appears when the favorites menu has
reached the maximum of 11 menu items and no further items
can be added.
Note
• The favorites menu will be deleted completely if all menu items
are set to
Off.
CAMERA OPERATION ▸ USER-DEFINED OPERATION
71
DIRECT ACCESS TO MENU FUNCTIONS
You can assign specific menu functions to the function buttons for
extra quick direct access to menu items in shooting mode. The as-
signments in photo and video mode are completely independent of
each other. The available functions are shown in the list on p. 278.
For factory settings see p. 54.
CHANGING AN ASSIGNMENT
All function buttons permit a quick and easy reassignment of func-
tions in addition to access to their currently assigned menu function.
▸ Switch to the desired mode (photo or video)
▸ Press and hold the desired function button
• The direct access appears on the LCD panel.
▸ Select the desired menu item
ACCESSING THE ASSIGNED MENU FUNCTION
▸ Briefly press and release the desired function button
• The assigned function is accessed, or a submenu appears on
screen.
Notes
• The submenus accessed via direct access may look differently
than when they are accessed via the main menu. Specifically, they
often appear as menu bars to allow quick settings.
• The settings can be done via key control or using touch control
on the LCD panel. The operating mode depends on the type of
submenu.
CAMERA OPERATION ▸ USER-DEFINED OPERATION
72
SETTING WHEEL ASSIGNMENTS
(IN SHOOTING MODE)
The function of the two setting wheels depends on the active ex-
posure mode. Wheel assignments can be specified independently
for photo and video mode and for every exposure mode. The two
control elements can furthermore have functions assigned inde-
pendently.
FUNCTION ASSIGNMENT
▸ Switch to the desired mode (photo or video)
▸ Select
Customize Control in the main menu
▸ Select Wheel Assignment (AF Lenses) / Wheel Assignment (MF
Lenses)
Selecting the desired exposure mode
▸ Press the joystick up/down
• Currently available assignment options are highlighted in red.
Assigning a function to the thumbwheel
▸ Turn the thumbwheel
• The available thumbwheel assignment options cycle through.
Assigning a function to the front dial
▸ Turn the front dial
• The assignment for the front dial cycles through the available
functions.
Saving the assignment and exiting the menu
▸ Press the joystick to the left
or
▸ Tap the shutter button
or
▸ Press the
MENU button
CAMERA OPERATION ▸ USER-DEFINED OPERATION
73
WHEN USING AF LENSES
The available functions are listed in the tables below (the factory
setting is highlighted in bold).
Photo mode
Thumbwheel Front dial
P
Program shift
Exposure compensation
ISO
Program shift
Exposure Compensation
ISO
S
Exposure Compensation
Shutter speed
ISO
Exposure compensation
Shutter speed
ISO
A
Aperture
Exposure compensation
ISO
Aperture
Exposure Compensation
ISO
M
Aperture
Shutter speed
ISO
Aperture
Shutter speed
ISO
Video mode
Thumbwheel Front dial
P
Microphone Gain
Exposure compensation
ISO
Microphone Gain
Exposure Compensation
ISO
S
Exposure Compensation
Shutter speed
ISO
Exposure compensation
Shutter speed
ISO
A
Aperture
Exposure compensation
ISO
Aperture
Exposure compensation
ISO
M
Aperture
Shutter speed
ISO
Aperture
Shutter speed
ISO
CUSTOMIZING THE SETTING WHEELS
The two setting wheels can have function assignments independent
of each other. Available functions depend on the selected exposure
mode.
▸ Switch to the desired mode (photo or video)
▸ Select
Customize Control in the main menu
▸ Select
Wheel Assignment (AF-lens)
▸ Implementing the desired assignment
CAMERA OPERATION ▸ USER-DEFINED OPERATION
74
WHEN USING MF LENSES
The available functions are listed in the tables below (the factory
setting is highlighted in bold).
Photo mode
Thumbwheel Front dial
A
Magnification
Exposure compensation
ISO
Magnification
Exposure Compensation
ISO
M
Magnification
Shutter speed
ISO
Magnification
Shutter speed
ISO
Video mode
Thumbwheel Front dial
A
Magnification
Exposure compensation
ISO
Magnification
Exposure compensation
ISO
M
Magnification
Shutter speed
ISO
Magnification
Shutter speed
ISO
CUSTOMIZING THE SETTING WHEELS
The two setting wheels can have function assignments independent
of each other. Available functions depend on the selected exposure
mode.
▸ Switch to the desired mode (photo or video)
▸ Select
Customize Control in the main menu
▸ Select
Wheel Assignment (MF-lens)
▸ Implementing the desired assignment
CAMERA OPERATION ▸ USER-DEFINED OPERATION
75
ROTATION DIRECTION OF THE SETTING WHEELS
You can specify any rotation direction for exposure settings via the
setting wheels. You specify the rotation direction, which will result in
an exposure reduction (shorter shutter speeds/smaller aperture).
The assignments for the two setting wheels are done separately
independent of each other in photo and video mode.
THUMBWHEEL
Factory setting:
Stop Down→
▸ Switch to the desired mode (photo or video)
▸ Select
Customize Control in the main menu
▸ Select
Thumbwheel Direction
▸ Select Stop Down → or ← Stop Down
FRONT DIAL
Factory setting:
←Stop Down
▸ Switch to the desired mode (photo or video)
▸ Select
Customize Control in the main menu
▸ Select
Front Wheel Direction
▸ Select Stop Down → or ← Stop Down
JOYSTICK FUNCTIONS
(IN SHOOTING MODE)
You can assign various functions to the joystick in photo mode. The
settings for AF and MF mode are done separately. See p. 110,
p. 126 and p. 141 for the various functions.
AF MODE
▸ Select Customize Control in the main menu
▸ Select Joystick
▸ Select AF Mode
▸ Select the desired setting
(
AF-L, AE-L, AF-L + AE-L)
MF MODE
▸ Select Customize Control in the main menu
▸ Select
Joystick
▸ Select MF Mode
▸ Select the desired setting
(
AFs, AFs + AE-L, AFc, AFc + AE-L, AE-L, Zoom)
CAMERA OPERATION ▸ USER-DEFINED OPERATION
76
LOCKING THE OPERATING ELEMENTS
Various operating elements can optionally be locked in shooting
mode.
Note
•
Appears on screen when a operating element is used while the
lock is active.
LOCKING THE SETTING WHEELS
▸ Select
Dial Lock in the main menu
▸ Select
On/Off
LOCKING THE JOYSTICK
▸ Select
Joystick Lock in the main menu
▸ Select
On/Off
USER PROFILES
This camera allows the permanent storage of any menu settings, to
e.g. access them quickly and easily for recurring conditions/image
objects. Six memory slots are provided to store custom settings,
plus the factory setting, which is always available and cannot be
modified (
Default Profile). You can assign names for the saved pro-
files yourself.
Any profiles configured for the camera can be saved to a memory
card for use on another camera. Similarly, profiles saved on a memory
card can be transferred to the camera.
CAMERA OPERATION ▸ USER-DEFINED OPERATION
77
CREATING PROFILES
Saving settings/creating a profile.
▸ Create custom settings for the desired functions via menu control
▸ Select
User Profile in the main menu
▸ Select
Manage Profiles
▸ Select Save as Profile
▸ Select a memory slot
▸ Confirm the selection
Notes
• Existing profiles are overwritten with the latest settings.
• A memory slot can only be deleted via the function
Reset Camera
described in the section “Resetting the camera to factory settings”
(see p. 258).
RENAMING PROFILES
▸ Select User Profile in the main menu
▸ Select Manage Profiles
▸ Select Rename Profiles
▸ Select a profile
▸ Enter a name for the profile via the associated submenu keyboard
and confirm your input (see p. 65)
• Profile names must be between 3 and 10 characters in length.
CAMERA OPERATION ▸ USER-DEFINED OPERATION
78
APPLY/ACTIVATE PROFILES
Factory setting:
Default Profile
▸ Select User Profile in the main menu
• A list of profile names is displayed.
▸ Select a profile
• The selected profile is marked as
Active.
• Free memory slots appear in gray.
EXPORTING/IMPORTING PROFILES TO/FROM THE MEMORY
CARD
▸ Select
User Profile in the main menu
▸ Select
Manage Profiles
▸ Select Export Profiles or Import Profiles
▸ Confirm the selection
Notes
• When importing and exporting, all profile slots are transferred
to the card, i.e. including any empty slots. Any existing profiles
stored in the camera will be overwritten, during the profile import.
Individual profiles cannot be imported or exported.
• Any existing set of profiles will be replaced on the memory card
during an export without an acknowledgment prompt.
79
CAMERA BASIC SETTINGS ▸ MENU LANGUAGE / DATE/TIME
80
CAMERA BASIC SETTINGS
The two menu items Language and Date & Time appear automatically
when switching the camera on for the first time, after a reset to fac-
tory settings (see p. 258), or after a firmware update.
MENU LANGUAGE
Factory setting: English
Available menu languages: German, French, Italian, Spanish, Russian,
Japanese, Korean, Traditional or Simplified Chinese
▸ Select Language in the main menu
▸ Select your language
• Aside from a few exceptions, the language will be changed for
all information.
DATE/TIME
RECEIVING THE SETTINGS FROM A MOBILE DEVICE
The date and time settings can be automatically received from the
mobile device.
Factory setting:
On
▸ Select Camera Settings in the main menu
▸ Select
Date & Time
▸ Select via Smartphone
• The settings will be re-synched each time the device is paired
again. The pairing process is described in the chapter “Leica
FOTOS” (see p. 264).
MANUAL SETTINGS
DATE
You can choose one of 3 options for the display sequence.
▸ Select
Camera Settings in the main menu
▸ Select
Date & Time
▸ Select Date Setting
▸ Select the desired date format
(
Day/Month/Year, Month/Day/Year, Year/Month/Day)
▸ Set the date
CAMERA BASIC SETTINGS ▸ DISTANCE UNIT
81
TIME
▸ Select
Camera Settings in the main menu
▸ Select
Date & Time
▸ Select Time Setting
▸ Select the desired brightness
(
12 Hours, 24 Hours)
▸ Set the time
(Select
am or pm for the 12-hour format)
TIME ZONE
▸ Select
Camera Settings in the main menu
▸ Select
Date & Time
▸ Select Time Zone
▸ Select your time zone/current location
– The Greenwich Mean Time offset is shown on the left of the line
– Major cities in the relevant time zones are shown on the right
DAYLIGHT SAVING TIME
▸ Select
Camera Settings in the main menu
▸ Select
Date & Time
▸ Select Daylight Saving Time
▸ Select On/Off
DISTANCE UNIT
The distance can be displayed in meters or in feet (see p. 126).
Factory setting:
Meter (m)
▸ Select Camera Settings in the main menu
▸ Select
Distance Unit
▸ Select the desired setting
(
Meter (m), Feet (ft))
CAMERA BASIC SETTINGS ▸ POWER SAVE MODE (STANDBY MODE) / LCD PANEL/VIEWFINDER SETTINGS
82
POWER SAVE MODE (STANDBY MODE)
The camera will switch to the power-saving standby mode after a
preset time to extend battery life if this function is activated.
The device has two power save levels.
– Activates device standby mode in
3 s/5 s/10 s/2 min/5 min/10 min
– Automatic LCD panel shutdown (see p. 85)
Factory setting:
2 min
▸ Select Camera Settings in the main menu
▸ Select Power Saving
▸ Select Auto Power Off
▸ Select the desired setting
(
Off, 3 s, 5 s, 10 s, 2 min, 5 min, 10 min)
Note
• The camera can be woken from standby mode at any time by
pressing the shutter button or by switching the main switch off
and on again.
LCD PANEL/VIEWFINDER SETTINGS
The camera comes equipped with a 3.2” liquid crystal color panel,
which is protected by a glass cover made of extremely hard and
scratch-resistant Gorilla
®
glass.
The following functions can be configured and used individually:
– Use of the LCD panel and EVF (electronic viewfinder)
– Eye sensor sensitivity
– Brightness
– Color rendering
– EVF Frame Rate
– Automatic LCD panel and EVF shutdown
CAMERA BASIC SETTINGS ▸ LCD PANEL/VIEWFINDER SETTINGS
83
LCD PANEL/EVF USE
You can preset the situations in which EVF and LCD panel should
be used. The displays appearing on screen and in the viewfinder are
identical.
Factory setting:
Auto
EVF LCD panel
Auto
The eye sensor in the viewfinder automatically toggles
the camera between LCD panel and EVF.
• Shooting
• Review
• Menu control
LCD
• Shooting
• Review
• Menu control
EVF
• Shooting
• Review
• Menu control
EVF
extended
Only EVF is used for shooting mode. The eye sensor
in the viewfinder automatically toggles the camera
between LCD panel and EVF for review and menu
control.
• Shooting
• Review
• Menu control
▸ Select Display Settings in the main menu
▸ Select
EVF-LCD
▸ Select the desired setting
Note
• Select
EVF if you want to keep the LCD panel switched off (e.g. on
dark environments).
EYE SENSOR SENSITIVITY
You can adjust the eye sensor sensitivity to ensure that the change-
over functions reliably if you wear eyeglasses.
Factory setting:
High
▸ Select Display Settings in the main menu
▸ Select
Eye Sensor Sensitivity
▸ Select the desired setting
CAMERA BASIC SETTINGS ▸ LCD PANEL/VIEWFINDER SETTINGS
84
BRIGHTNESS
You can adjust brightness for best visibility in various lighting condi-
tions. Brightness is set individually for the LCD panel and the view-
finder. Selection occurs via key control or touch control.
LCD PANEL
▸ Select
Display Settings in the main menu
▸ Select
LCD Brightness
▸ Select the desired brightness or Auto
▸ Confirm selection
EVF
▸ Select
Display Settings in the main menu
▸ Select
EVF Brightness
▸ Look through the viewfinder
▸ Select the desired brightness
▸ Confirm selection
Note
• The setting
Auto is not available here.
COLOR RENDERING
Color rendering can also be adjusted. Brightness is set individually for
the LCD panel and the viewfinder. Selection occurs via key control or
touch control.
LCD PANEL
▸ Select
Display Settings in the main menu
▸ Select
LCD Color Adjustment
▸ Select the desired color setting
▸ Confirm selection
EVF
▸ Select
Display Settings in the main menu
▸ Select
EVF Color Adjustment
▸ Look through the viewfinder
▸ Select the desired color setting
▸ Confirm selection
CAMERA BASIC SETTINGS ▸ ACOUSTIC SIGNALS
85
AUTOMATIC LCD PANEL AND EVF SHUTDOWN
The LCD panel and EVF deactivate automatically to save power. The
time until power off can be set.
This setting also affects autofocus; the AF system will be deactivated
at the time of automatic shutdown as well. We therefore recommend
the
Off setting if autofocus is to be used in HDMI recordings.
Factory setting:
1 min
▸ Select Camera Settings in the main menu
▸ Select
Power Saving
▸ Select All Displays Auto Off
▸ Select the desired setting
(
Off, 30 s, 1 min, 5 min)
Note
• The top display is not affected by the automatic shutdown.
EVF FRAME RATE
The image frequency of the EVF can be set.
Factory setting:
60 fps
▸ Select Display Settings in the main menu
▸ Select
EVF Frame Rate
▸ Select the desired setting
(
60 fps, 120 fps)
ACOUSTIC SIGNALS
Some functions can be acknowledged with acoustic signals. The
following special functions can be configured separately:
– Electronic shutter sound
– AF confirmation
VOLUME
The volume of active signals can be set.
Factory setting:
Low
▸ Select Camera Settings in the main menu
▸ Select
Acoustic Signal
▸ Select Volume
▸ Select Low/High
ACOUSTIC SIGNALS
This setting specifies, whether the camera shout output general
notification signals, e.g. during the delay time of the self-timer or as
a warning signal, when the memory card is full.
Factory setting:
Off
▸ Select Camera Settings in the main menu
▸ Select Acoustic Signal
▸ Select Acoustic Signals
▸ Select On
CAMERA BASIC SETTINGS ▸ ACOUSTIC SIGNALS
86
ELECTRONIC SHUTTER SOUND
Factory setting:
Off
▸ Select Camera Settings in the main menu
▸ Select
Acoustic Signal
▸ Select Electronic Shutter Sound
▸ Select On
AUTOFOCUS CONFIRMATION
A signal sound can be selected for successful AF settings.
Factory setting:
Off
▸ Select Camera Settings in the main menu
▸ Select
Acoustic Signal
▸ Select AF Confirmation
▸ Select On
SILENT PHOTOGRAPHY
When pictures should be taken as quietly as possible.
▸ Select
Camera Settings in the main menu
▸ Select
Acoustic Signal
▸ Select Electronic Shutter Sound/AF Confirmation/Acoustic Signals
▸ Select Off for each of these menu items
87
PHOTO SETTINGS ▸ SENSOR FORMAT
88
PHOTO SETTINGS
SENSOR FORMAT
The image data of the entire 35 mm sensor can be used or only a
cropped section, which corresponds to the APS-C format. This can
be helpful, e.g. when only limited storage capacity remains or a lens
developed specifically for APS-C is used.
The max. available resolution is dependent on the setting of the
sensor format.
Sensor format DNG Resolution
35 mm 6000 x 4000 pixels (24 MP)
APS-C 3936 x 2624 pixels (10.3 MP)
Note
• The setting switches automatically to APS-C when an APS-C-
specific lens is mounted.
Full-frame (35 mm)
24 mm
APS-C
Crop factor 1:1.6
Aspect ratio 3:2
36 mm
24 mm
Image section used
16 mm
Factory setting: 35 mm
▸ Select Sensor Format in the main menu
▸ Select the desired setting
(
35 mm, APS-C)
• The set sensor format is shown in the header line.
PHOTO SETTINGS ▸ FILE FORMAT
89
FILE FORMAT
Choose the JPG format
JPG or the standardized raw data format DNG
(= digital negative). Both can be used individually or simultaneously.
When creating JPGs, an initial processing occurs in the camera. Var-
ious parameters, including contrast, saturation, black level, or edge
sharpness are set automatically. The result is then compressed and
stored. The immediate result is an image that is optimized for various
uses and a quick preview. For post-processing, on the other hand,
DNG images are recommended.
DNG files contain all raw data as recorded by the camera sensor at
the time the picture is taken. Special software (e.g. Adobe
®
Photo-
shop
®
Lightroom
®
or Capture One Pro
®
) will be needed to display
DNG format files or to work with this format. Post-processing will
allow exact adjustments of many parameters to your own expecta-
tions.
Factory setting:
DNG + JPG
▸ Select Photo File Format in the main menu
▸ Select a format
(
DNG, DNG + JPG, JPG)
Notes
• The standardized DNG format is used for the storage of raw image
data.
• Where picture data is stored in
DNG and JPG
format simultaneously,
the specified setting for the
JPG
resolution will be applied to the
JPG file.
• The DNG format always uses the highest resolution, no matter
what JPG setting is selected.
• The remaining number of frames shown in the LCD panel will not
necessarily change after every shooting. That very much depends
on the object; very fine image structures result in higher data
quantities, while homogeneous surfaces mean less data.
PHOTO SETTINGS ▸ RESOLUTION / ASPECT RATIO
90
RESOLUTION
The
JPG format setting offers 3 image resolution (number of pixels)
options. The following file formats are available:
L-JPG, M-JPG and
S-JPG. This choice allows an alignment with the intended use and
available memory card capacity.
Factory setting:
L-JPG
▸ Select JPG Settings in the main menu
▸ Select
JPG Resolution
▸ Select the desired resolution
The resolution also depends on the selected sensor format. The set
sensor format is shown in the header line.
RESOLUTION Sensor format
35 mm APS-C
L-JPG
24 MP 10.3 MP
M-JPG
12. 2 M P 5 MP
S-JPG
5.9 MP 2.5 MP
ASPECT RATIO
You have a choice of aspect ratios to select in addition to the basic
3:2 (e.g. 1:1). The relevant cropped section will be displayed. Images
made in JPG format are saved with the relevant aspect ratio. DNG
images will always have the natural sensor format (3:2), the set
aspect ratio is only in aid of the image composition. In review mode,
DNG images will be displayed with horizontal or vertical auxiliary
lines showing the cropped section seen when shooting.
Factory setting:
3:2
▸ Select Photo Aspect Ratio in the main menu
▸ Select the desired setting
(
3:2, 7:5, 4:3, 1:1, 3:1, 16:9)
PHOTO SETTINGS ▸ FILM STYLE
91
FILM STYLE
IMAGE PROPERTIES
One of the many advantages of digital photography is that it is very
easy to change essential image properties. The image properties
of JPG pictures can be changes slightly using several parameters.
These are summarized in pre-configured
Film Style profiles.
CONTRAST
The contrast setting, i.e. the difference between light and dark im-
age sections, determines whether an image comes across as “flat”
or “brilliant”. Increasing or decreasing this difference impacts on
contrast, meaning that some image sections are rendered brighter
or darker.
SHARPNESS
The impression of sharpness in a picture is largely determined by
edge sharpness, i.e. by how slight the transition area between light
and dark is at edges in the picture. Expanding or reducing these
areas will therefore change the impression of sharpness.
COLOR SATURATION
The saturation factor in color shots determines, whether colors in
the picture appear “pale” and pastel-like or “vivid” and bright. While
lighting conditions and weather (e.g. foggy/clear) are a given in
terms of shooting conditions, their rendering can be influenced.
HIGHLIGHT/SHADOW
Depending on the exposure selected and the dynamic scope of the
object, some details in brighter or darker areas may no longer be
clearly visible. The parameters
Highlight and Shadow allow differ-
entiated control over very brightly or less brightly lit areas. Where,
for example, part of the object is in shadow, a higher setting for
Shadow can help brighten these areas to make details more visible.
Conversely, existing shadows or particularly bright areas might be
additionally emphasized for reasons of image composition. Positive
values will brighten the targeted areas, while negative values will
darken them.
PHOTO SETTINGS ▸ FILM STYLE
92
COLOR PROFILE
3 pre-configured color profiles are available:
Factory setting:
Standard
– Standard
– Vivid
– Natural
▸ Select JPG Settings in the main menu
▸ Select
Film Style
▸ Select a profile
MONOCHROME PROFILE
Two pre-configured monochrome profiles are available:
–
Monochrome
– Monochrome High Contrast
▸ Select JPG Settings in the main menu
▸ Select
Film Style
▸ Select a profile
CUSTOMIZING PHOTO PROFILES
These parameters can be adjusted for all available profiles
(Saturation
only for color profiles). See p. 68 for details on menu operation.
▸ Select
JPG Settings in the main menu
▸ Select
Film Style
▸ Select Film Style Settings
▸ Select a profile
▸ Select
Contrast/Highlight/Shadow/Sharpness/Saturation
▸ Select the desired level
(
-2, -1, 0, +1, +2)
▸ Confirm
PHOTO SETTINGS ▸ AUTOMATIC OPTIMIZATION
93
AUTOMATIC OPTIMIZATION
NOISE REDUCTION
NOISE REDUCTION FUNCTION FOR LONG-TERM EXPOSURE
In digital photography, the appearance of flawed pixels that can be
white, red, blue or green is referred to as "noise". Image noise be-
comes more apparent when using higher sensitivities, particularly on
uniform dark areas. Long exposure times may cause severe image
noise. In order to reduce this annoying phenomenon, the camera
will take a second “black picture” (taken with the shutter closed)
automatically after a shooting with slow shutter speed and high
ISO value. The noise metered in this parallel image is then digitally
“subtracted” from the data for the actual image. In such cases the
message
Noise reduction in progress... will appear with a relevant
time value. The doubling of the “exposure” time must be taken into
account for long-term exposure times. The camera must not be
switched off during that time.
Factory setting:
On
▸ Select Long exposure noise reduction in the main menu
▸ Select
On/Off
NOISE REDUCTION IN JPG SHOTS
Except when high sensitivities are used, noise is luckily negligible.
Nevertheless, noise reduction is a component of data processing
when JPG files are generated. On the other hand, since it also has an
effect on the focus review, you can optionally weaken or strengthen
this noise reduction in comparison to the standard setting.
Factory setting:
Low
▸ Select JPG Settings in the main menu
▸ Select
Noise Reduction
▸ Select the desired setting
(
Low, Medium, High)
Note
• This setting will only affect shots in JPG format.
PHOTO SETTINGS ▸ AUTOMATIC OPTIMIZATION
94
IMAGE STABILIZATION
The less favorable the lighting conditions during shooting, the slower
will be the required shutter speeds for correct exposure. Visual
image stabilization is a great tool for preventing out-of-focus images
due to blurring.
Factory setting:
On
▸ Select Image Stabilization in the main menu
▸ Select
On/Off
SETTING THE STABILIZATION DIRECTION
For camera pans it can be useful to only correct camera shake in
specific directions.
Factory setting:
Normal
Normal
Camera shake in all directions (horizontal, vertical,
rotational) will be corrected automatically.
Automatic
The camera recognizes the panning direction au-
tomatically and corrects orthogonal camera shake
autonomously.
Vertical
Panning
Only horizontal camera shake will be corrected.
Horizontal
Panning
Only vertical camera shake will be corrected.
▸ Select Panning Mode in the main menu
▸ Select the desired setting
(
Normal, Auto Panning, Vertical Panning, Horizontal Panning)
Note
• Some lenses may not support all settings offered in the camera.
Please contact Leica Customer Care if you have any questions
(see p. 298).
PHOTO SETTINGS ▸ AUTOMATIC OPTIMIZATION
95
DARK AREA OPTIMIZATION (IDR)
DYNAMIC RANGE
The contrast range of an object comprises all levels of brightness
from the brightest to the darkest point in the image. All levels of
brightness can be captured by the sensor, provided the contrast
range of the object is lower than the dynamic range of the camera.
In case of significant differences of brightness in the object (e.g.
shootings of interior spaces with bright windows in the background,
shootings with subject elements in shadow or directly lit by the sun,
landscapes with dark areas and a very bright sky), the camera with
its limited dynamic range will not be able to map the entire contrast
range of the object. Information in 'edge areas' will be lost (under
and overexposure).
Contrast range of
a low-contrast object
Contrast range of a high-contrast object
Dynamic range of the camera
Underexposure Overexposure
iDR FUNCTION
The
iDR (Intelligent Dynamic Range) function allows an optimization
of the darker areas. Object details become much clearer. This func-
tion will only affect shots in JPG format.
Without iDR With iDR
You can specify beforehand if and to what extent you want to opti-
mize darker areas (
High, Standard, Low, Off). In the Auto setting, the
camera will automatically select the right setting depending on the
contrast range of the object. In addition to that setting, the effect
also depends on the exposure settings. The function will have the
strongest effect in combination with low ISO values and fast shutter
speeds. The effect is less pronounced with higher ISO values and/or
slower shutter speeds.
Factory setting:
Auto
▸ Select JPG Settings in the main menu
▸ Select
iDR
▸ Select the desired setting
(
Auto, High, Standard, Low, Off)
Note
• The optimization of darker areas will slightly reduce differentiation
in very bright areas.
PHOTO SETTINGS ▸ DATA MANAGEMENT
96
DATA MANAGEMENT
STORAGE OPTIONS
There are a number of options for saving data when two memory
cards are inserted.
–
DNG + JPG on SD1 = SD2 (Backup)
– DNG + JPG on SD1 + SD2 (Standard)
– DNG on SD1 / JPG on SD2 (Split)
SD1 = SD2
(Backup)
All files are saved to SD1 and SD2. One of the
cards therefore serves as backup.
SD1 + SD2
(Standard)
Files are saved to SD1 first, until its capacity is
reached. Subsequent files will then be saved to SD2.
SD1 / SD2
(Split)
Files are saved separately depending on their
format: JPG files are saved to SD1 and DNG files
to SD2.
An icon in the status screen denotes the selected setting.
Factory setting:
DNG + JPG on SD1 + SD2 (Standard)
▸ Select Storage Options in the main menu
▸ Select the desired setting
(
SD1=SD2, SD1+SD2, SD1/SD2)
FORMATTING A MEMORY CARD
Memory cards that have already been in use with this camera will
usually not require formatting. An unformatted memory card that
is inserted into the camera for the first time must be formatted. We
recommend formatting memory cards from time to time, because
residual data traces (data pertaining to individual pictures) may
reduce the card’s memory capacity. The two memory cards will be
formated separately.
▸ Select
Format Card in the main menu
▸ Select
Format SD Card 1 or Format SD Card 2
▸ Confirm the selection
• The lower status LED will flash during that process.
PHOTO SETTINGS ▸ DATA MANAGEMENT
97
Notes
• Never switch off the camera while data transfer is in progress.
• All data stored on the memory card will be lost during formatting.
Formatting will not be prevented by a deletion protection set for
individual pictures.
• All images should therefore be regularly transferred to a safe
mass storage medium, e.g. the hard disk of a computer.
• A simple formatting process will initially not irretrievably destroy
existing data on the card. Only the directory will be deleted, which
means the data will no longer be directly accessible. Data access
can be restored with appropriate software. Only data that is over-
written when new data is saved will actually be irretrievable.
• A memory card should be formatted again in the camera if it was
formatted in another device, e.g. a computer.
• Contact your retailer or Leica Customer Care for assistance if the
memory card cannot be formatted/overwritten (see p. 298).
DATA STRUCTURE
FOLDER STRUCTURE
The files (= pictures) on the memory cards are saved in automatically
generated folders. The first three characters signify the folder num-
ber (numerals), the last five the folder name (letters). The first folder
is assigned the name “100LEICA”, the second “101LEICA”. A folder
will always be created with the next available number; you can have
max. 999 folders.
FILE STRUCTURE
The file names in these folders consist of eleven characters. In the
factory settings, the first file is named “L1000001.XXX”, the second
“L1000002.XXX”, etc. The first letter can be selected, the “L” from
the factory settings denotes the camera brand. The first three char-
acters signify the folder number (numerals). The next four digits de-
note the sequential file number. Once file number 1000 is reached,
then a new folder will be automatically created, in which the file
numbering begins at 0001 again. The last three places after the dot
denote the file format (DNG or JPG).
PHOTO SETTINGS ▸ DATA MANAGEMENT
98
Notes
• When using memory cards that were not formatted with this
camera, the file numbering will begin with 0001 again. Should the
memory card already contain a file with a higher number, then
numbering will be continued from that number.
• A relevant message will be displayed on the LCD panel once folder
number 999 and file number 1000 are reached, and all numbering
must be reset.
• Format the memory card and reset the picture number right after
to reset the folder number to 100.
EDIT FILE NAMES
▸ Select Camera Settings in the main menu
▸ Select Edit File Name
• A keyboard submenu is displayed.
• The input line contains the factory setting “L” as the first letter
of the file name. Only this letter can be changed.
▸ Enter a letter of your choice (see p. 65)
▸ Confirm
Notes
• The change to a file name applies to all subsequent shots or until
a new change is made. The sequential number will not be affected;
but it will be reset when a new folder is created.
• During a reset to factory settings, the first letter will always be
reset to “L”.
• Lower case letters are unavailable.
PHOTO SETTINGS ▸ DATA MANAGEMENT
99
CREATING A NEW FOLDER
▸ Select Camera Settings in the main menu
▸ Select Reset Image Numbering
• A relevant prompt is displayed.
▸ Confirm the creation of a new folder (
Yes) or cancel the new folder
(
No)
Note
• The name part (first letter) of a new folder created this way remains
unchanged. The file numbers in that folder will start again at 0001.
ADDING COPYRIGHT INFORMATION
This camera allows you to enter letters and other characters as a
copyright mark for your picture files.
You can enter up to 20 characters of information under 2 headings
per shot.
▸ Select
Camera Information in the main menu
▸ Select
Copyright Information in the submenu
▸ Activate the
Copyright function (On)
▸ Select
Information/Artist in the submenu
• A keyboard submenu is displayed.
▸ Enter the desired information (see p. 65)
▸ Confirm
LOGGING THE SHOOTING LOCATION
(ONLY IN CONNECTION WITH THE LEICA FOTOS APP)
Location information can be sourced from a mobile device in con-
nection with the Leica FOTOS app. Current location information will
then be written to the Exif data of the recordings (geotagging).
▸ Activating GPS functions on a mobile device
▸ Activate Leica FOTOS and connect to the camera (see chapter
“Leica FOTOS”)
▸ Activate geotagging for this camera in Leica FOTOS
Notes
• The use of GPS and associated technologies may be restricted in
some countries or regions. Violations will be prosecuted by local
authorities. You should therefore contact your travel agent or
the embassy of your destination country for relevant information
beforehand.
• It will take a few seconds for the Bluetooth connection to establish.
The configured shutdown time should be considered when choos-
ing a delay time if shutdown is enabled in the camera.
• All recordings with location information are marked with the geo-
tagging icon in playback mode.
PHOTO SETTINGS ▸ DATA MANAGEMENT
100
GEOTAGGING STATUS
The status of existing location information is displayed on screen,
provided the info bars are displayed and geotagging is enabled. The
status screen will always show the current geotagging status. The
geotagging status will also be shown in the top display.
The location information is current
(most recent geolocation max. 15 mins prior).
The location information is not necessarily current any-
more (most recent geolocation max. 12 h prior).
The available location information is outdated
(most recent geolocation more than 12 h in the past).
No location data will be written to Exif data.
No icon Geotagging is deactivated.
Location information will be continuously updated as long as the
camera is connected to Leica FOTOS. The Bluetooth function of the
camera and the mobile device must therefore remain enabled to
ensure latest information. It is, however, not necessary for the app
to be running in the foreground.
DATA TR ANSFER
Data can be conveniently transferred to mobile devices via Leica
FOTOS. Alternatively, a card reader or USB cable can be used for the
transfer.
ABOUT LEICA FOTOS
▸ See chapter “Leica FOTOS” (p. 264)
VIA USB CABLE
The camera supports multiple data transfer options (PTP and mass
storage mode). A transfer mode can be permanently selected or
chosen every time a connection is established.
Factory setting:
PTP
▸ Select Camera Settings in the main menu
▸ Select
USB-Mode
▸ Select the desired setting
(
Mass Storage, PTP, Select on connection)
Notes
• We recommend using a card reader for the transfer of large files.
• The USB connection must not be interrupted while data is being
transferred, as the computer or the camera could otherwise
“crash” and irreparable damage could occur on the memory card.
• The camera must not be turned off or automatically shut itself
down due to a lack of battery power while data is being trans-
ferred, as this can cause the computer to crash. For the same
reason, the battery must never be removed from the camera while
the connection is active.
101
PRACTICAL DEFAULT SETTINGS ▸ TOUCH AF
102
PRACTICAL DEFAULT SETTINGS
TOUCH AF
Touch AF allows a direct placement of the AF metering field.
Factory setting:
On
▸ Select Camera Settings in the main menu
▸ Select
Touch AF
▸ Select On/Off
Positioning the AF Metering Field
▸ Tap the LCD panel in the desired position
Moving the metering field back to the center of the screen
▸ Double-tap the LCD panel
Notes
• This function is available in conjunction with the following AF
metering methods:
Spot, Field, Zone, Tracking and Eye/Face/Body
Detection
.
• With
Spot, Field, Zone or Eye/Face/Body Detection metering
selected, the camera will immediately focus again automatically.
If the metering method
Tracking is selected, the metering field will
remain at the selected position and autofocus commences when
the shutter button is tapped.
• The settings described in this chapter apply for both photo and
video mode.
TOUCH AF IN EVF MODE
Touch AF is deactivated by default when EVF is in use to prevent any
inadvertent altering of the AF metering field. Touch AF can, however,
also be used in EVF mode.
Factory setting:
Off
▸ Select Camera Settings in the main menu
▸ Select
Touch AF in EVF
▸ Select On/Off
Note
• The settings described in this chapter apply for both photo and
video mode.
PRACTICAL DEFAULT SETTINGS ▸ PERSONALIZED LENS SETTINGS / EV INCREMENT
103
PERSONALIZED LENS SETTINGS
The total angle of rotation of the lens used for focusing can be indi-
vidually adjusted. The setting selected indicates the angle of rotation
required to change the focus setting from infinity to the nearest pos-
sible distance. Example: for a setting to
90°, the entire focus range
will be run through when the focus ring is turned by one quarter. A
full turn of the focus ring will be needed for a setting to
360°. Small-
er values facilitate a faster, larger values a more precise adjustment.
A setting to
Maximum offers the highest precision.
Unlike the permanent settings, a setting to
Standard MF will result
in a non-linear dependency of rotation angle and focus setting. The
extent of the change depends dynamically on the speed of rotation.
With slow rotation, the same angle of rotation (e.g. 45°) causes a
smaller change than with fast rotation.
Factory setting:
Standard MF
▸ Select Focusing in the main menu
▸ Select
MF Setup
▸ Select the desired setting
(
Standard MF, 90°, 120°, 150°, 180°, 210°, 240°, 270°, 300°, 330°,
360°, Maximum)
Notes
• The settings
Standard MF and Maximum
are highly lens-dependent.
Maximum may, for example, mean a rotation angle of 360° or
720°.
EV INCREMENT
You can choose between 1⁄2 EV or 1⁄3 EV graduations. This will allow
you to choose between stronger or more subtle effects for your
relevant settings.
This setting doesn't just apply for exposure compensation settings.
It also specifies the sensitivity of the setting wheels in standard
shooting mode, i.e. the increment width with which the shutter
speeds and the aperture will be set. A setting to
1/2 will change the
shutter speeds and aperture values that much faster each time the
setting wheel is moved one click further and the correct setting is
achieved quicker. A setting to
1/3 facilitates a more precise setting.
Factory setting:
1/3
▸ Select Camera Settings in the main menu
▸ Select
EV Increment
▸ Select the desired setting
(
1/2, 1/3)
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
104
AUXILIARY DISPLAYS
The Leica SL2-S has 4 independent info profiles, which contain dif-
fering combinations of the available auxiliary displays. The following
functions are available:
– Info Bars (see p. 106)
– Grid (only shooting mode, see p. 106)
– Focus Peaking (see p. 107)
– Clipping (see p. 106)
– Level Gauge (only shooting mode, see p. 108)
– Histogram (see p. 109)
F
A
A
B
C
E
D
A
Info Bars (= header and footer line)
B
Grid
C
Focus peaking
D
Clipping
E
Level gauge
F
Histogram
INFO PROFILES
Up to 4 independent profiles can be used. The desired function
can be selected and adjusted individually for each profile. During
operation, the switch between info profiles is done via direct access
(see p. 71). In factory settings, that will be the FN button. It allows
quick switches between various views.
The following profiles are predefined in the factory settings:
Profile Factory settings
Only info bars (header and footer lines)
Full screen view (all auxiliary displays Off)
Info Bars, Clipping / Zebra, Focus Peaking, Histogram
Info Bars, Clipping / Zebra, Grid, Level Gauge
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
105
CHANGING THE INFO PROFILES
▸ Press the function button with the
Toggle Info Levels assignment
• In factory settings, that will be the
FN button.
Note
• The same info profiles are available in review mode as in shooting
mode. The actual info profile currently in use, however, is saved
separately.
DEACTIVATING INDIVIDUAL INFO PROFILES
You can limit the number of info profiles by activating/deactivating
individual profiles. At least one profile must always be active, but
that can be an “empty” profile.
▸ Select
Camera Settings in the main menu
▸ Select
Capture Assistants
▸ Select a profile
▸ Select
On/Off
CUSTOMIZING THE INFO PROFILES
▸ Select
Camera Settings in the main menu
▸ Select Capture Assistants
▸ Select Setting
▸ Select a profile
▸ Select the desired function
▸ Select the desired setting
Function Available settings
Info Bars On, Off
Grid 3 x 3, 6 x 4, Off
Clipping / Zebra Off, Upper limit (value between 200 and
255)
Focus Peaking On, Off
Color (Red, Blue, Green, White) & sensitivity
(settings apply to all info profiles)
Level Gauge On, Off
Histogram On, Off
Note
• It is advisable to reserve one info profile as “empty”, in which
all functions are set to
Off. It allows you to temporarily hide all
displays. In effect, you get an unobstructed view of the full screen
image.
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
106
SHOW AVAILABLE
INFO BARS
The header and footer lines show the currently active settings and
exposure values. See chapter “Displays” for a full list of the various
displays (see p. 28).
GRID
The grids divide the image frame into multiple fields. They facilitate
picture composition and an exact camera orientation. The grid line
distribution can be adjusted to fit the object.
You can choose one of two grid displays. They divide the image field
into 3 x 3 or 6 x 4 fields.
CLIPPING
The Clipping display marks very bright image areas. This function is
a very easy and exact tool for checking the correct exposure setting.
Overexposed areas flash black.
SETTING THE LIMIT VALUE
You can set a threshold value for these displays, i.e. define a value
at what degree of overexposure they will appear, so that you can
adjust these displays to specific conditions or in line with your own
composition ideas.
▸ Select
Camera Settings in the main menu
▸ Select
Capture Assistants
▸ Select Setting
▸ Select a profile
▸ Select
Clipping / Zebra
▸ Select Upper limit
▸ Select the desired value
(
200 to 255)
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
107
FOCUS PEAKING
This assist function highlights the edges of in focus subject elements
in color.
When Focus Peaking is activated, will appear to the right of the
frame with a display of the color used.
HIGHLIGHT COLOR
The color can be user-specified. This setting will apply for all info
profiles.
Factory setting:
Red
▸ Select Focusing in the main menu
▸ Select
Focus Aid
▸ Select Focus Peaking
▸ Select the desired setting
(
Red, Green, Blue, White)
SENSITIVITY
The sensitivity can be additionally adjusted. This setting will apply for
all info profiles.
Factory setting:
High
▸ Select Focusing in the main menu
▸ Select
Focus Aid
▸ Select Peaking Sensitivity
▸ Select the desired setting
(
Low, High)
Note
• Focus peaking is based on subject contrast, i.e. differences be-
tween light and dark. As a result, high contrast subject elements
could be marked, even if they are not completely in focus.
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
108
LEVEL GAUGE
The integrated sensors of the camera show its orientation. These in-
dicators ensure exact camera orientation along the longitudinal and
transverse axes of critical objects, e.g. architecture.
Deviations in relation to the longitudinal axis (i.e. when the camera
is tilted up or down in the direction of view) are indicated by a short
line in the center of the image (
1).
Deviations in relation to the trans-
verse axis (when the camera is tilted to the left or right) are indicated
by two long lines to the left and right of the image center (
2).
2
1
Note
• The camera will switch the aspect of the level gauge autonomously
for shoots in vertical format.
Correct alignment
Tilted laterally to the left Tilted downward in the direction
of view
Tilted laterally to the right Tilted upward in the direction
of view
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
109
HISTOGRAM
Histogram represents the brightness distribution in the image. The
horizontal axis shows the graduated values from black (left) through
gray to white (right). The vertical axis corresponds to the number of
pixels at each brightness level.
This type of rendering allows an additional quick and easy assessment
of the exposure setting.
Notes
• The histogram is always based on the brightness displayed;
depending on the settings used, it may not represent the final
exposure.
• In shooting mode, the histogram should be regarded as a “trend
indicator”.
• The histogram during rendering may differ slightly from the one
during exposure.
• The Histogram always refers to the currently displayed cropped
section of the image.
TEMPORARY ACTIVATION/DEACTIVATION OF INDIVIDUAL
FUNCTIONS
The following assist functions can be activated/deactivated tempo-
rarily:
– Focus peaking
– Clipping
▸ Assigning the desired assist function to a function (see p. 71)
▸ Press the corresponding function button
• The status of the assist function toggles On/Off.
• A relevant indicator appears in the screen image.
The temporary setting is reset when the user switches to another
info profile or the camera is switched off.
PRACTICAL DEFAULT SETTINGS ▸ ENHANCED LIVE VIEW / MF ASSIST FUNCTIONS
110
ENHANCED LIVE VIEW
Image composition is often difficult in very dark environments (e.g.
at night), as the objects are barely visible. The function
Enhanced
Live View
will assist the image composition in such situations. The
image is enhanced in Live View based on a significant increase in
the ISO value and a reduced refresh rate. Picture quality will not be
impacted. Due to technical issues, there will, however, be image
noise and severe tracer effects in Live View mode. This function will
only be active in very low ambient light.
Depending on the selected exposure mode and other settings, Live
View will display an exposure preview when the shutter release
button is tapped and held (see section “Exposure control” beginning
on page 141).
▸ Select
Live View Settings in the main menu
▸ Select Enhanced Live View
▸ Select On/Off
Notes
• The function will be inactive even if
Enhanced Live View is set to
On if there is sufficient ambient light.
• In AF mode, the function
Enhanced Live View will be intermittently
inactive during range metering.
•
Focus Peaking will be unavailable when Enhanced Live View is set
to
On.
MF ASSIST FUNCTIONS
AF ASSIST LAMP
The integrated AF assist lamp allows operation of the AF system in
unfavorable lighting conditions. This lamp comes on while metering
is performed, provided the function is activated.
Factory setting:
On
▸ Select Camera Settings in the main menu
▸ Select
AF Assist Lamp
▸ Select On/Off
Notes
• The AF assist lamp illuminates an area of up to approx. 5 m.
• The AF assist lamp switches off automatically, once focusing was
successful (AF metering field is green) or has failed (AF metering
field is red).
PRACTICAL DEFAULT SETTINGS ▸ MF ASSIST FUNCTIONS
111
ACOUSTIC AF CONFIRMATION
You can set an acoustic confirmation signal for successful focus
metering in AF mode.
Factory setting:
Off
▸ Select Camera Settings in the main menu
▸ Select
Acoustic Signal
▸ Select AF Confirmation
▸ Select On
▸ Select Volume
▸ Select Low/High
PHOTOGRAPHY ▸ DRIVE MODE
112
PHOTOGRAPHY
The settings described in this chapter only apply for photo mode. They
are therefore part of the photo menu and must always be accessed
and configured from within photo mode (see chapter “Camera oper-
ation” in the section “Menu Control”). Any menu items of the same
name in the video menu are entirely independent of these.
Image data is shown in the top display and on the LCD panel (EVF).
For display settings see p. 104. See chapter “Displays” for details
about the various displays.
DRIVE MODE
The functions and settings described in the following generally refer
to the exposure of individual pictures. In addition to single frame
shooting, the Leica SL2-S offers a number of other exposure modes.
Please read the relevant sections for information about functional-
ities and setting options.
▸ Select
Drive Mode in the main menu
▸ Select the desired function options
Mode Setting options / Variants
Single frame shooting
Single
Continuous shooting
(see p. 146)
Speed:
–
Continuous - Low Speed
– Continuous - Medium Speed
– Continuous - High Speed
– Continuous - Very High Speed
Interval shooting
(see p. 147)
Number of Frames
Interval between the shootings (Interval)
Delay time (
Countdown)
Exposure bracketing
(see p. 149)
Number of Frames (3 or 5)
EV Steps
Exposure Compensation
Multishot
(see p. 150)
Delay time (Self Timer)
Motion artefacts correction
Self-timer
(see p. 152)
Delay time:
–
Self-timer 2 s
– Self-timer 12 s
PHOTOGRAPHY ▸ FOCUSING
113
FOCUSING
Your Leica SL2-S allows automatic as well as manual focusing. There
are 3 operating modes and 4 metering methods available for AF pho-
tography. Only manual setting options are available for MF lenses.
AF PHOTOGRAPHY
▸ Select the desired AF mode
▸ Position the AF metering field as needed
▸ Tap and hold the shutter button
• Focusing occurs one time (AFs) or continuously (AFc).
• Metering was successful: The AF metering field lights up green.
• Metering was unsuccessful: The AF metering field lights up red.
• Alternatively, focusing and/or exposure settings can be done
and saved via the joystick (see “Metering memory lock” on
p. 141).
▸ Shutter release
MF PHOTOGRAPHY
▸ Select as focus mode MF (see p. 123)
▸ Use the focus ring to manually focus on the object
▸ Shutter release
Please read the following chapters for more information.
AUTOFOCUS MODES
The following AF modes are available:
AFs, AFc and Intelligent AF.
The currently selected AF mode is shown in the header line.
Factory setting:
Intelligent AF
▸ Select Focusing in the main menu
▸ Select
Focus Mode
▸ Select the desired setting
(
Intelligent AF, AFs, AFc)
INTELLIGENT AF
Suitable for all objects. The camera automatically selects between
AFs and AFc.
AFs (single)
Suitable for objects with little or no movement. Focusing is done
only once and the setting remains as long as the shutter button is
held at the pressure point. That also applies if the AF metering field
is pointed at another object.
AFc (continuous)
Suitable for objects in motion. As long as the shutter button is held
at the 1st pressure point, focusing is continuously adjusted to the
object in the AF metering field.
PHOTOGRAPHY ▸ FOCUSING
114
AUTOFOCUS METERING METHODS
The AF mode offers various metering methods for focusing. A
successful focus setting is identified by a green metering field, an
unsuccessful one is shown in red.
Factory setting:
Multi-Field
▸ Select Focusing in the main menu
▸ Select
AF Mode
▸ Select the desired setting
(
Multi-Field, Spot, Field, Zone, Tracking, Eye/Face/Body Detection)
Notes
• AF focusing can be unsuccessful:
– if the distance to the object is too great (macro mode) or too
small
– if the object is not sufficiently illuminated
• Touch AF allows a direct placement of the AF metering field. See
p. 102 for more information.
MULTI-FIELD METERING
Several metering fields are detected automatically. This function is
particularly useful for snapshots.
SPOT/FIELD METERING
Both methods detect only those parts of the object that are within
the relevant AF metering fields. The metering fields are indicated by
a small frame (field metering) or a cross (spot metering). The very
small measuring range for spot metering allows focusing on tiny
details of the subject.
The slightly larger measuring range in field metering is less critical
for focusing, but still permits selective metering.
These metering methods can also be used for serial exposures in
which the part of the object you want to focus on will always be at
the same off-center position in the image.
Simply move the AF metering field to another position (see p. 122).
PHOTOGRAPHY ▸ FOCUSING
115
ZONE
With this metering method, subject sections are recorded with a
coherent group comprising 5 x 5 fields. This function combines some
security for snapshots with the option of aiming at larger objects
reliably.
Once the setting has been made, the metering fields are displayed
where object sections are displayed in focus.
TRACKING
This field metering variant helps in the capture of moving objects.
The focus on the object in the metering field is continuously adjust-
ed, once it is detected.
▸ Aim the metering field at the desired object
(by panning the camera shifting the metering field)
▸ Tap and hold the shutter button
or
▸ Press and hold the joystick
(provided it was assigned the function
AF-L or AF-L + AE-L, see
p. 141)
• The camera focuses on the object.
▸ Pan the camera to the desired cropped section
• The metering field “tracks” the saved object and focus is con-
tinuously adjusted.
Note
• This metering method focuses continuously, even if the AF mode
AFs was set.
PHOTOGRAPHY ▸ FOCUSING
116
START POSITION FOR TRACKING
Factory setting:
Center
You can specify the starting point for tracking.
Center
Center of the screen
Last Position
Ending position of the most recent tracking
Example:
A car drives thought he picture from left to right.
The picture is taken on the right edge of the
frame. The subsequent measurement is taken at
the right edge of the frame.
Recall
Starting position of the most recent tracking
Example:
A car drives thought he picture from left to right.
The picture is taken on the right edge of the
frame. The subsequent measurement is taken at
the left edge of the frame.
▸ Select
Focusing in the main menu
▸ Select
AF Setup
▸ Select AF Tracking Start Position
▸ Select the desired setting
(
Last Position, Recall, Center)
PERSON DETECTION (FACE DETECTION)
Person detection is an expansion of the face detection feature. In
addition to biometric patterns of faces, the camera also detects
body patterns and uses them for focusing. Tracking will therefore
continue, once a person is detected and measured, even if the face
may not be in view at some point. This feature prevents inadvertent
“jumps” to other faces if several persons are in the frame.
PHOTOGRAPHY ▸ FOCUSING
117
When face detection detects an eye, the focus will be on that eye.
Should more than one eye be detected, then the user can choose
the eye to focus on. The currently selected eye will be highlighted.
Additionally, the desired face can be easily selected if there are sev-
eral faces in the frame.
Switching between faces
▸ Press the joystick in the relevant direction
Switching the focused eye
▸ Press the joystick
AF SETTINGS
AF PROFILES
Factory setting:
Children / Pets
AF profiles allow optimal adjustments to the autofocus behavior
depending on the type of object. You specify the sensitivity of the
autofocus response to changes in the object.
There are 4 pre-defined AF profiles:
AF Profile Typical situation
Children / Pets
Standard movements
Team sports
Fast and unexpected change in direction
Runner
Constant movements
Wildlife
Sudden appearance, change in direction
PHOTOGRAPHY ▸ FOCUSING
118
Each of these profiles contains three parameters: Depth Sensitivity,
Field Movement and Shift in Direction.
Higher values: Lower values:
Depth Sensitivity
Changes in the distance to the
object are tracked immediately
The adjustment is delayed slightly
to prevent unwanted focus
jumps, should e.g. a person or
object pass in front of the subject
Field Movement
In case of movement from
within the active focus field,
the camera will switch to the
next focus field as quickly as
possible
Gradual switchover to adjacent
focus fields to prevent errors
due to slight movements
Shift in Direction
The focus will immediately
track sudden changes to the
movement of the object
More robust focusing during
steady movements
ACCESSING THE ACTIVE PROFILE
▸ Select Focusing in the main menu
▸ Select
AF Setup
▸ Select AF Profiles
CHANGING THE ACTIVE PROFILE
▸ Accessing the active profile
▸ Press the joystick/thumbwheel
• The currently selected profile is marked as changeable by red
lettering and two small white triangles on either side.
▸ Press the joystick left/right
or
▸ Turn the thumbwheel
ADJUSTING THE ACTIVE PROFILE
▸ Accessing the active profile
▸ Select desired parameter
▸ Press the joystick/thumbwheel
▸ Setting the desired value
RESETING THE ACTIVE PROFILE
▸ Accessing the active profile
▸ Press the joystick to the right
▸ Press the joystick/thumbwheel
PHOTOGRAPHY ▸ FOCUSING
119
PRE FOCUS
When the function is active, the camera carries out a continuous
depth mapping in realtime before the actual focusing. That allows a
pre-identification of possible focus points in a scene. It speeds up
the autofocus function significantly.
The pre-focus function is compatible with all AF modes and AF
metering methods.
Factory setting:
On
▸ Select Focusing in the main menu
▸ Select
AF Setup
▸ Select Pre Focus
▸ Select On/Off
FOCUS LIMIT
The focus area can be limited to the macro range. This will speed up
automatic focusing considerably.
Factory setting:
Off
▸ Select Camera Settings in the main menu
▸ Select
Focus Limit (Macro)
▸ Select On/Off
Notes
• The focusing range differs depending on the lens used (see relevant
instructions).
• This function is not available for specific lenses:
– lenses mounted via an adapter (e.g. Leica M lenses with L
adapter M)
– specific Leica SL lenses
PHOTOGRAPHY ▸ FOCUSING
120
AF QUICK SETTING
AF Quick Setting offers the following functions:
– Quick switches of the AF metering methods
– Changing the metering field size (only
Field and Eye/Face/Body
Detection
)
Which of the two functions will appear first when accessing AF Quick
Setting depends on the currently active AF mode.
The screen image will remains visible continuously while settings are
being adjusted.
ACCESSING AF QUICK SETTING
▸ Tap and hold the LCD panel
• All auxiliary displays are hidden.
• Red triangles appear at two corners of the metering field if the
metering method
Field/Eye/Face/Body Detection is set.
• In all other AF modes, the AF Mode menu bar will be displayed
directly.
ADJUSTING THE METERING FIELD SIZE
(only
Field and Eye/Face/Body Detection)
▸ Turn the thumbwheel
or
▸ Two-finger pinch/spread
• The size of the AF-metering field is adjustable in 3 increments.
CHANGING THE AF METERING METHOD
Should the active AF mode be
Field or Eye/Face/Body Detection,
then the user will have to access the
AF Mode menu bar first:
▸ Turn the front dial
• The
AF Mode menu bar appears.
▸ Select the desired metering method
• Alternatively, you can use the front dial for the setting.
• The setting is applied automatically after 3 seconds, the menu
bar disappears.
Note
• AF Quick Setting can only be accessed if the function
Touch AF is
active (see p. 102).
PHOTOGRAPHY ▸ FOCUSING
121
MF ASSIST FUNCTIONS
ENLARGEMENT IN AF MODE
You can access the enlargement function independent of focusing
for a better assessment of the settings.
The
Magnification function must be assigned to one of the function
buttons to use this feature (see p. 71).
Assigning a function to a function button
▸ See p. 71
Accessing the enlargement function
▸ Press the function button
• An enlarged image section appears. The position of the enlarge-
ment depends on the position of the AF metering field.
• The rectangle within the frame at the top right represents the
current magnification, as well as its position in the displayed
cropped section.
• The enlargement starts at the 1st of 3 enlargement increments.
Adjusting the enlargement function
▸ Turn the thumbwheel/front dial
• The image section toggles between magnification factors.
Changing the position of the enlarged section
▸ Swiping will allow you to move the position of an enlarged cropped
section
or
▸ Press the joystick in the relevant direction
Exiting the enlargement function
▸ Tap the shutter button
Notes
• The enlargement function remains active until it is exited.
• The most recently magnification function will still be active the
next time the feature is accessed.
PHOTOGRAPHY ▸ FOCUSING
122
AF ASSIST LAMP
The integrated AF assist lamp allows operation of the AF system in
unfavorable lighting conditions. This lamp comes on while metering
is performed, provided the function is activated.
See p. 110 for settings.
ACOUSTIC AF CONFIRMATION
You can set an acoustic confirmation signal for successful focus
metering in AF mode (see p. 85).
SHIFTING THE AF METERING FIELD
All AF metering methods permit shifting the AF metering field before
focusing.
▸ Press the joystick in the relevant direction
or
▸ Tap the LCD panel in the desired position
(while Touch AF is activated)
Notes
• The metering field will remain at the most recently used position
for this AF metering method even if the user changes the AF me-
tering method or the camera is switched off.
• The metering fields are joined together when the exposure meter-
ing method
Spot is combined with the AF metering methods Spot,
Field and Zone. Exposure metering will then occur at the point
specified by the AF metering field, even if it is moved.
QUICK AF METERING POSITION CHANGES
The function
Toggle Focus Point allows seamless changes between
two metering positions in photo mode.
The position of the AF metering field is reset to the center of the
image when the function is initially accessed. Whenever the function
is accessed after that, the AF metering field will jump back and forth
between the center of the image and the most recently used focus
position.
The function
Toggle Focus Point must be assigned to one of the func-
tion buttons (see p. 71).
Note
• This function is available in the AF modes
Spot, Field, Zone and
Tracking.
PHOTOGRAPHY ▸ FOCUSING
123
MANUAL FOCUSING (MF)
Focusing manually may in some situations be a better choice than
autofocus.
– the same setting is used for several shoots
– it would take longer to use the metering memory lock function
– the setting is to be kept at infinity for landscape pictures
– poor, i.e. very dark lighting conditions prevent AF operation or
would slow it down
▸ Select
Focusing in the main menu
▸ Select Focus Mode
▸ Select MF
▸ Turn the focus ring until the desired part of the object is in clear
focus
MF ASSIST FUNCTIONS
The following assist functions are available in MF mode.
FOCUS PEAKING
This assist function highlights the edges of in focus subject elements
in color.
When Focus Peaking is activated, will appear to the right of the
frame with a display of the color used. The color can be user-specified.
The sensitivity can be additionally adjusted. The activation of this func-
tion is controlled vis the info profiles (see p. 104).
▸ Activate the function
▸ Turn the focus ring to mark the desired subject elements
Note
• Focus peaking is based on subject contrast, i.e. differences be-
tween light and dark. As a result, high contrast subject elements
could be marked, even if they are not completely in focus.
PHOTOGRAPHY ▸ FOCUSING
124
ENLARGEMENT IN MF MODE
The larger the details of the subject are shown, the better you can
assess their sharpness and the more accurately you can focus.
This function can be automatically activated during manual focusing
or can be accessed independently.
ACCESS VIA THE FOCUS RING
Turning the focus ring will automatically enlarge a image section.
▸ Select
Focusing in the main menu
▸ Select
Focus Aid
▸ Select Auto Magnification
▸ Select On
▸ Turn the focus ring
• An enlarged image section appears. The position of the enlarge-
ment depends on the position of the AF metering field.
• The rectangle within the frame at the top right represents the
current magnification, as well as its position in the displayed
cropped section.
• The enlargement starts at the 1st of 3 enlargement increments.
Adjusting the enlargement function
▸ Turn the thumbwheel/front dial
Changing the position of the enlarged section
▸ Swiping will allow you to move the position of an enlarged cropped
section
or
▸ Press the joystick in the relevant direction
Exiting the enlargement function
▸ Tap the shutter button
or
▸ Decrease the enlargement, until the full image is visible again
Note
• The enlargement will automatically return to normal viewing size
about 5 s after the last movement of the focus ring.
PHOTOGRAPHY ▸ FOCUSING
125
FUNCTION BUTTON/JOYSTICK ACCESS
This function can be assigned to a function button or the joystick.
Assigning a function to a function button
▸ See p. 71
Assigning the function to the joystick
▸ Select
Customize Control in the main menu
▸ Select
Joystick
▸ Select Magnification
Accessing the enlargement function
▸ Press the function button/Joystick
• An enlarged image section appears. The position of the enlarge-
ment depends on the position of the AF metering field.
• The rectangle within the frame at the top right represents the
current magnification, as well as its position in the displayed
cropped section.
• The enlargement starts at the 1st of 3 enlargement increments.
Adjusting the enlargement function
▸ Turn the thumbwheel/front dial
Changing the position of the enlarged section
▸ Swiping will allow you to move the position of an enlarged cropped
section
or
▸ Press the joystick in the relevant direction
Exiting the enlargement function
▸ Tap the shutter button
Note
• The enlargement function remains active until it is exited.
PHOTOGRAPHY ▸ FOCUSING
126
DISTANCE DISPLAY
Distance information is shown in the top display during manual
focusing.
– Focus Mode MF: when the shutter button is pressed to the first
pressure point
– Focus Mode AF: when the shutter button is pressed and held at
the first pressure point, followed by a turning of the focus ring
The unit of measure (
m or ft) can be selected, see p. 81.
Note
• The focus distance is estimated based on the focus position trans-
mitted by the lens.
USING AUTOFOCUS IN MF MODE
The joystick can be used as needed for automatic focusing. The AF
modes AFs and AFc are available.
You can also concurrently carry out exposure metering and save the
resulting value (see p. 141).
▸ Select
Customize Control in the main menu
▸ Select
Joystick
▸ Select MF Mode
▸ Select the desired setting
(
AFs, AFs + AE-L, AFc, AFc + AE-L)
The metering functions are distributed as follows while the joystick is
pressed and held:
Menu settings Joystick Shutter button
AFs + AE-L
AFc + AE-L
Exposure and focus –
AFs
AFc
Sharpness Exposure
▸ Aim at the object
▸ Press and hold the joystick
• The measurement is taken and saved.
▸ Store more measurements via the shutter button as needed
▸ Select the final image section
▸ Shutter release
PHOTOGRAPHY ▸ ISO SENSITIVITY
127
ISO SENSITIVITY
The ISO setting covers a range between ISO 50 and ISO 100 000,
allowing you to adapt to the relevant situation as required.
There is more leeway for the use of preferred shutter-speed/aper-
ture combinations when setting the exposure manually. You can set
priorities within the scope of the automatic setting, e.g. for reasons
of picture composition.
Factory setting:
Auto ISO
FIXED ISO VALUES
Values between ISO 50 and ISO 100 000 can be selected in 12 incre-
ments. The manual ISO setting occurs in full EV increments.
▸ Select
ISO in the main menu
▸ Select the desired value
Note
• When high ISO values are used or the image is edited later, image
noise, as well as vertical and horizontal stripes may become visible,
particularly in larger, evenly lit areas of the object.
AUTOMATIC SETTING
The camera automatically adjusts the sensitivity to ambient bright-
ness and/or to the configured shutter-speed/aperture combination.
In conjunction with aperture priority mode, this function extends the
range for automatic exposure control. The automatic setting of ISO
sensitivity occurs in increments of 1⁄2 EV or 1⁄3 EV, depending on the
selected
EV Increment setting.
▸ Select
ISO in the main menu
▸ Select
Auto ISO
LIMITING SETTING RANGES
A max. ISO value can be set, which will then limit the automatic set-
ting range (
Maximum ISO). A max. exposure time can also optionally
be configured. There are automatic settings and fixed max. shutter
speeds
1/2 s and 1/2000 s available for that purpose.
Separate settings are available for flash photography.
LIMITING ISO VALUES
All values from ISO 100 are available.
Factory setting:
6400
▸ Select Auto ISO Settings in the main menu
▸ Select
Maximum ISO
▸ Select the desired value
PHOTOGRAPHY ▸ ISO SENSITIVITY
128
LIMITING SHUTTER SPEED RANGES
Factory setting:
Auto
▸ Select Auto ISO Settings in the main menu
▸ Select Shutter Speed Limit
▸ Select the desired value
(
Auto, 1/2000, 1/1000, 1/50 0, 1/250, 1/125, 1/60, 1/30, 1/15,
1/8, 1/4, 1/2)
LIMITING ISO VALUES (FLASH)
All values from ISO 100 are available.
Factory setting:
6400
▸ Select Auto ISO Settings in the main menu
▸ Select
Maximum ISO with Flash
▸ Select the desired value
LIMITING SHUTTER SPEED RANGES (FLASH)
Factory setting:
1/15
▸ Select Auto ISO Settings in the main menu
▸ Select
Shutter Speed Limit (Flash)
▸ Select the desired value
(
Auto, 1/250, 1/125, 1/60, 1/30, 1/15, 1/8, 1/4, 1/2)
DYNAMIC ISO SETTING
The thumbwheel and front dial can be configured to allow manual
ISO settings in real time. Turning the dial will cycle through all setting
values available in the
ISO menu (including Auto ISO).
PHOTOGRAPHY ▸ WHITE BALANCE
129
FLOATING ISO
This function complements Auto ISO. Light strength changes with
many zoom lenses when the focal length is changed. Floating ISO
will in this situation adjust the sensitivity in fine graduations and will
simultaneously ensure that the selected settings of aperture value
and shutter speed remain constant in (semi) automatic exposure
modes. This will specifically in video shootings prevent visible jumps
in brightness.
Factory setting:
On
▸ Select Floating ISO in the main menu
▸ Select
On
Note
•
Floating ISO can work only if the original ISO setting allows scope
for change, i.e. the highest/lowest ISO setting is not already being
used. The
Floating ISO warning icon will be displayed in that case.
WHITE BALANCE
In digital photography, White Balance ensures neutral color rendering
in any light. White Balance relies on the setting made in the camera,
which light color is to be rendered as 'white'.
Four methods are available:
– automatic control
– fixed presets
– manual setting via metering
– direct setting of the color temperature
Factory setting:
Auto
PHOTOGRAPHY ▸ WHITE BALANCE
130
AUTOMATIC CONTROL/FIXED SETTINGS
–
Auto: for automatic control, which delivers neutral results in most
situations
– Various fixed presets for most frequently encountered light sources:
Daylight
For outdoor shootings in sunlight
Cloudy
For outdoor shootings in cloudy conditions
Shadow
For outdoor shootings with the main
subject in shadow
Tungsten
For indoor shootings with (predominantly)
incandescent lamp light
HMI
For indoor shootings with (predominantly)
light from metal halide lamps
Fluorescent (warm)
For indoor shootings with (prevailing)
light from fluorescent tubes with warm
light color
Fluorescent (cool)
For indoor shootings with (prevailing)
light from fluorescent tubes with cool
light color
Flash
For flash photography
▸ Select
White Balance in the main menu
▸ Select the desired setting
MANUAL SETTING VIA METERING
(
Gray card/ Gray card Live View)
The variant
Gray card is suited best for subjects in which you can
clearly identify a neutral gray or pure white area. If not, or should you
base your metering on an off-center detail, then
Graycard Live
View
will be a better choice.
Note
• A value configured using this method will remain unchanged (i.e.
it will be used for all subsequent photographs) until new mea-
surements are taken or one of the other white balance settings is
selected.
PHOTOGRAPHY ▸ WHITE BALANCE
131
GRAY CARD
This metering variant captures all color hues in the metering field
and uses these to calculate a mean gray value.
▸ Select
White Balance in the main menu
▸ Select
Gray card
• The following appears on the LCD panel:
– the image based on automatic white balance
– a frame in the center of the image
▸ Aim the metering field at a white or neutral gray area
• The screen image changes dynamically in line with the reference
area in the frame.
Performing measurement
▸ Shutter release
or
▸ Press the joystick/thumbwheel
• The measurement is taken.
Cancelling measurements
▸ Press the
FN button
GRAY CARD LIVE VIEW
This metering variant captures only the color hue metered within the
metering field and calculates the mean gray value from it.
▸ Select
White Balance in the main menu
▸ Select
Graycard Live View
• The following appears on the LCD panel:
– the image based on automatic white balance
– a cross in the middle of the image
▸ Aim the metering field at a white or neutral gray area
Repositioning the metering field
▸ Press the joystick in the relevant direction
Performing measurement
▸ Shutter release
or
▸ Press the joystick/thumbwheel
• The measurement is taken.
Cancelling measurements
▸ Press the
FN button
PHOTOGRAPHY ▸ EXPOSURE
132
DIRECT SETTING OF THE COLOR TEMPERATURE
Values between 2000 and 11500 K (Kelvin) can be set directly. That
gives you a very wide range, which covers virtually all color tem-
peratures occurring in real life and within which you can adapt color
rendering to any light color and your personal preferences with
incredible detail.
▸ Select White Balance in the main menu
▸ Select
Color Temperature
▸ Select the desired value
EXPOSURE
The exposure setting is done dynamically via the two setting wheels.
As a rule, the thumbwheel controls the aperture and the front dial
the shutter speed. The “free” dial is used for quick access to expo-
sure compensation during semi automatic exposure setting. Func-
tion assignments can be modified, see p. 72.
Exposure settings can be done quickly and easily via the status
screen.
▸ Tap the desired control panel
• The active control panel is highlighted in red.
• A setting band appears instead of the light balance. A dot
marks the current setting. The current setting value is displayed
above the dot.
PHOTOGRAPHY ▸ EXPOSURE
133
▸
Tap the setting band briefly in the desired position, or drag the dot
to the desired position
SHUTTER TYPE
The Leica SL2-S comes equipped with a mechanical shutter and a
purely electronic shutter function. The electronic shutter expands
the available shutter area and functions completely noiseless, which
may be important in some work environments.
Factory setting:
Hybrid
▸ Select Shutter Type in the main menu
▸ Select the desired setting
(
Mechanical, Electronic, Hybrid)
Mechanical
Only the mechanical shutter is used.
Working range: 30 min to 1⁄8000 s.
Electronic
Only the electronic shutter function is used.
Working range: 60 s to 1⁄16000 s.
Hybrid
You can add the electronic shutter function if you
need faster shutter speeds than can be achieved
with the mechanical shutter.
Working range: 30 min to 1⁄8000 s + 1⁄8000 s to
1⁄16000 s.
PHOTOGRAPHY ▸ EXPOSURE
134
APPLICATION
The classic shutter sound of the mechanical shutter conveys an au-
ditive feedback. It is well suited for long-term exposures, as well as
for shots of moving objects.
The electronic shutter function allows photography with an open ap-
erture in very bright due to very fast shutter speeds. The distinctive
“rolling shutter” effect makes it less suitable for moving objects.
Notes
• The electronic shutter function does not allow flash photography.
• The electronic shutter function in combination with fast shutter
speeds can result in stripe effects on the images when used with
LED or fluorescent tube lighting.
EXPOSURE METERING METHODS
The following exposure metering methods are selectable.
Factory setting:
Multi-Field
Spot
Center-weighted
Highlight-Weighted
Multi-field
▸ Select
Exposure Metering in the main menu
▸ Select the desired metering method
(
Spot, Center-Weighted, Highlight-Weighted, Multi-Field)
• The selected metering method is displayed in the header line of
the screen image.
Spot metering allows a shifting of the metering field:
▸ Press the joystick in the relevant direction
Notes
• The exposure information (ISO value, aperture, shutter speed
and light balance with exposure compensation scale) will help to
determine the settings required for correct exposure.
• The most important displays (ISO value, aperture and shutter
speed) will also appear in the top display.
PHOTOGRAPHY ▸ EXPOSURE
135
SPOT
This metering method is concentrated exclusively on a small area
in the center of the image. The metering fields are joined together
when the exposure metering method
Spot is combined with the AF
metering methods
Spot, Field and Zone. Exposure metering will then
occur at the point specified by the AF metering field, even if it is
moved.
CENTER-WEIGHTED
This method considers the entire image field. The subject elements
captured in the center will, however, impact on the calculation of the
exposure value more so than areas around the edges.
MULTI-FIELD
This metering method is based on the detection of multiple values.
These values are used in an algorithm to calculate an exposure value
appropriate for a good rendering of the assumed main subject.
HIGHLIGHT-WEIGHTED
This method considers the entire image field. The exposure value
will, however, be adjusted to very bright subject elements. That
prevents the overexposure of bright subject elements without having
to measure them individually. This metering method is particularly
useful for objects that are significantly more brightly lit than the rest
of the picture frame (e.g. people in a spotlight), or that reflect the
light significantly (e.g. white clothing).
Multi-field Highlight-weighted
PHOTOGRAPHY ▸ EXPOSURE
136
EXPOSURE MODES
There are four exposure modes available to adjust the rendering of
the object or to create the desired pictorial composition:
– Automatic program (P)
– Aperture priority mode (A)
– Shutter speed priority mode (S)
– Manual setting (M)
SELECTING A MODE
Via the thumbwheel
▸ Press the thumbwheel
• The currently selected mode is shown in the top display. The
currently selected mode is marked in red on screen.
▸ Turn the thumbwheel to select the desired mode
• The mode display changes in the top display and on screen. All
modes can be reached by turning the wheel in either direction.
• The selected mode will be applied automatically approx. 2 s
after the thumbwheel is moved the last time.
Applying the selected mode immediately
▸ Press the joystick/thumbwheel
or
▸ Tap the shutter button
Via the status screen
▸ Tap the control panel
▸ Tap the desired exposure mode
Note
• When using a lens with an aperture ring (e.g. Leica M lenses), only
the exposure modes A (aperture priority) and M (manual setting)
will be available. Where that is the case,
F0.0 is displayed as the
aperture value.
PHOTOGRAPHY ▸ EXPOSURE
137
FULLY AUTOMATIC EXPOSURE SETTING – P
AUTOMATIC PROGRAM – P
The automatic program mode facilitates fast and fully automatic
photography. The exposure is controlled by an automatic shutter
speed and aperture setting.
▸ Select the operating mode P (see p. 136)
▸ Tap and hold the shutter button
• Exposure information is displayed at the bottom of the screen.
This contains the automatically set value pair of aperture set-
ting and shutter speed.
• All other visible displays of the info bars will be hidden.
▸ Shutter release
or
▸ Adjusting the automatically set value pair
(Program shift)
CHANGING THE PRESET SHUTTER SPEED AND APERTURE
COMBINATIONS (SHIFT)
Changing the preset values using the Shift function combines the
reliability and speed of fully automatic exposure control with the
opportunity to vary the speed/aperture combination selected by
the camera at any time to fit in with your own ideas and intentions.
The overall exposure, i.e. the brightness of the image, remains
unchanged. Faster shutter speeds are a good choice for e.g. sports
pictures, while longer speeds will offer more depth of field for e.g.
landscape pictures.
▸ Turn the thumbwheel to the left/right
(right = greater depth of field with slower shutter speeds, left =
faster shutter speeds with lesser depth of field)
• Shifted value pairs are marked with an asterisk next to the
P.
The icon in the top display changes from P to Ps.
Note
• The adjustment range is limited to guarantee correct exposure.
PHOTOGRAPHY ▸ EXPOSURE
138
SEMI-AUTOMATIC EXPOSURE SETTING – A/S
APERTURE PRIORITY - A
Aperture priority mode sets the exposure automatically according to
the manually selected aperture. This mode is suitable for pictures in
which the depth of field is a critical compositional element.
By selecting an appropriately low aperture value, you can reduce
the depth of field range, for example to make a face “stand out” in
sharp focus against an unimportant or distracting background for a
portrait. Conversely, you can use a higher aperture value to increase
the depth of field range, so that everything from the foreground to
the background will be in full focus in a landscape shot.
▸ Select the operating mode A (see p. 136)
▸ Set the desired aperture value
▸ Tap and hold the shutter button
• Exposure information is displayed at the bottom of the screen.
This contains the automatically set value pair of aperture set-
ting and shutter speed.
• All other visible displays of the info bars will be hidden.
▸ Shutter release
Note
• The remaining exposure time after shutter release is counted
down in seconds on the display for shutter speeds greater than
2 s.
SHUTTER SPEED PRIORITY – S
Shutter speed priority mode will set exposure automatically accord-
ing to the manually selected shutter speed. It is therefore particularly
suitable for pictures of moving objects, where the sharpness of the
movement depicted is a critical picture composition element.
An appropriately fast shutter speed can help to avoid e.g. unwanted
motion blurring and will “freeze” the object. Conversely, an appropri-
ately longer shutter speed can help create a better feeling of motion
in the image with targeted “tracer effects”.
▸ Select the operating mode S (see p. 136)
▸ Select the desired shutter speed
▸ Tap and hold the shutter button
• Exposure information is displayed at the bottom of the screen.
This contains the automatically set value pair of aperture set-
ting and shutter speed.
• All other visible displays of the info bars will be hidden.
▸ Shutter release
PHOTOGRAPHY ▸ EXPOSURE
139
MANUAL EXPOSURE SETTING – M
The following manual settings for shutter speed and aperture are a
good choice:
– to create a special image mood that can only be achieved with a
very specific type of exposure
– to ensure a perfectly identical exposure for multiple images with
different cropped sections
▸ Select the operating mode M (see p. 136)
▸ Select desired exposure
• The exposure compensation is done using the scale of the light
balance.
▸ Tap and hold the shutter button
• Exposure information is displayed at the bottom of the screen.
• All other visible displays of the info bars will be hidden.
▸ Shutter release
Displays on the light balance:
Correct exposure
under/overexposure by the displayed value
under or overexposure by more than 3 EV
Note
• The screen image will show an exposure preview if
P-A-S-M is
selected in the menu item
Exposure Preview (after exposure me-
tering, see p. 141).
PHOTOGRAPHY ▸ EXPOSURE
140
LONG-TERM EXPOSURE
FIXED SHUTTER SPEEDS
In the modes S and M, the Leica SL2-S allows shutter speeds up to
30 minutes. The remaining exposure time after shutter release is
counted down in seconds on the display for shutter speeds greater
than 1 s.
B FUNCTION
Using the Bulb setting in M mode will leave the shutter open as long
as the shutter button remains pressed (max. 30 min; depending on
ISO setting).
▸ Select the operating mode M (see p. 136)
▸ Turn the front dial in clockwise direction until
B is displayed as the
shutter speed
Notes
• Image noise becomes more apparent when using higher sensitivi-
ties, particularly on uniform dark areas. Long exposure times may
cause severe image noise. In order to reduce this annoying phe-
nomenon, the camera will take a second “black picture” (taken
with the shutter closed) automatically after a shooting with slow
shutter speed and high ISO value. The noise metered in this paral-
lel image is then digitally “subtracted” from the data for the actual
image. In such cases the message
Noise reduction in progress...
will appear with a relevant time value. The doubling of the “expo-
sure” time must be taken into account for long-term exposure
times. The camera must not be switched off during that time.
• The maximum selectable shutter speed depends, among other
things, on the setting of the menu item
Shutter Type, see p. 133.
PHOTOGRAPHY ▸ EXPOSURE
141
EXPOSURE CONTROL
EXPOSURE PREVIEW
The brightness of the screen image mirrors the effects of the selected
exposure settings when pressing and holding the shutter button on
the first pressure point. You can now assess and control the effect of
the relevant exposure setting on the image before taking the picture.
This will apply as long as the subject brightness and the set exposure
don’t result in excessively low or high brightness values.
This function can be disabled for the manual exposure setting (M).
Factory setting: P-A-S-M
▸ Select Live View Settings in the main menu
▸ Select
Exposure Preview
▸ Select P-A-S (only in automatic, aperture priority and shutter
speed priority mode) or
P-A-S-M (also for manual setting)
Notes
• Depending on ambient lighting conditions, the brightness of the
screen image may differ from that of the actual pictures, despite
the settings described above. The screen image will appear con-
siderably darker than the – correctly exposed – picture. That is
particularly the case in long-term exposures.
• The exposure preview will also be displayed if exposure metering
is done via another control element (e.g. using the joystick, pro-
vided is was assigned the
AE-L function).
EXPOSURE LOCK
We often want to arrange important subject elements outside the
center of the picture for reasons of picture composition and these
elements may sometimes be very bright or very dark. Center-weight-
ed metering and spot metering, however, mainly capture an area in
the center of the image and are calibrated to an average gray scale
value.
In that case, the exposure lock initially allows a metering of the main
subject, as well as storing of the relevant settings until the final
image section is set. The same applies for focusing (AF-L) in any
autofocus mode.
Usually both lock functions (focusing and exposure) are done at the
same time with the shutter button. You can, however, divide the lock
functions between the shutter button and the joystick or assign both
to the joystick. The functions include settings and storage.
PHOTOGRAPHY ▸ EXPOSURE
142
AE-L (AUTO EXPOSURE LOCK)
The camera stores the exposure value. The focus can therefore be
set on another object, no matter which exposure value is selected.
AF-L (AUTO FOCUS LOCK)
The camera stores the focus setting. That makes it easier to change
the image section when focusing is fixed.
AE-L/AF-L
This option allows the camera to store the exposure value and the
focus setting when the joystick is pressed and held.
Notes
• An exposure lock doesn’t make much sense in conjunction with
multi-field metering, because a targeted capture of an individual
object element will not be possible.
• A change in the aperture setting after the exposure lock is set
will not result in an adjustment of the shutter speed, i.e. the end
result would be an incorrect exposure.
EXPOSURE LOCK IN AF MODE
The metering functions are distributed as follows while the joystick
is pressed and held:
Menu settings Joystick Shutter button
AF-L + AE-L
Exposure and focus No function
AF-L
Sharpness Exposure
AE-L
Exposure Sharpness
The shutter button will store both measured values if the joystick is
not pressed.
Via the shutter button
▸ Aim at the key part of the object or at a similar detail
▸ Tap and hold the shutter button
• The measurement is taken and saved.
▸ Pan the camera to capture the final image section while keeping
the shutter button pressed
▸ Shutter release
PHOTOGRAPHY ▸ EXPOSURE
143
Via the Joystick
▸ Select
Customize Control in the main menu
▸ Select
Joystick
▸ Select AF Mode
▸ Select the desired setting
▸ Press and hold the joystick
• The measurement is taken and saved.
▸ Store more measurements via the shutter button as needed
▸ Select the final image section
▸ Shutter release
EXPOSURE LOCK IN MF MODE
In MF mode, only the exposure can be locked via the shutter button.
This function can also be assigned to the joystick.
The exposure value is saved via the shutter button independent of
the setting if the joystick is not pressed.
Via the shutter button
▸ Aim at the key part of the object or at a similar detail
▸ Tap and hold the shutter button
• The measurement is taken and saved.
▸ Select the final image section
▸ Shutter release
Via the Joystick
▸ Select
Customize Control in the main menu
▸ Select Joystick
▸ Select MF Mode
▸ Select AE-L
▸ Press and hold the joystick
• The measurement is taken and saved.
▸ Select the final image section
▸ Shutter release
PHOTOGRAPHY ▸ EXPOSURE
144
EXPOSURE COMPENSATION
Exposure meters are calibrated for a medium gray scale value, which
matches a standard, i.e. average image object. Should the measured
image detail not fulfill that requirement, then the a relevant exposure
compensation can be effected.
Specifically where several shots are taken in sequence, for example
if for a series a slightly lesser or greater exposure is desired for a
particular reason, then exposure compensation can be a very useful
function: Unlike with exposure lock, the setting remains active until
it is reset.
Exposure compensation values can be set in the range ±3 EV. The
available values depend on the global setting
EV Increment (see
p. 103).
A
A
Set compensation value (marks at 0 = Off)
Using thumbwheel control
This function is assigned to one of the setting wheels in the three
(semi) automatic exposure modes and therefore quickly accessible
(see p. 72).
Using menu control
▸ Select
Exposure Compensation in the main menu
• A scale appears as a submenu item on the LCD panel.
▸ Set the value on the scale
• The set value is displayed above the scale.
• While setting the value, you can see the effect on the screen
image, which becomes darker or lighter.
Notes
• The following applies for set compensation values, no matter how
they were initially set: They remain effective until they are manually
reset to
0, even if the camera is switched off and on again in the
meantime.
• The set exposure compensation is indicated by a mark on the
exposure compensation scale in the footer line.
• Changes to the
EV Increment setting (see p. 103) lead to the can-
cellation of a compensation that has been set, i.e. in such cases it
is automatically reset to
0.
PHOTOGRAPHY ▸ EXPOSURE
145
DEPTH OF FIELD CHECK
This function simulates the effects of the current aperture and
shutter speed settings. It allows the user to assess the exposure and
depth of field of the image before shooting. The function is similar to
that of the depth-of-field preview button.
▸ Assigning the function Exposure/DOF Simulation to a function
button
▸ Press the function button
• The display cycles through the display options.
– No preview
– Preview for the current aperture
value (depth of field)
– Preview for the current aperture
value (depth of field) and the
current shutter speed (exposure
preview)
When the exposure information is visible, a green eye symbol
next to the values for aperture and shutter speed will display the
active depth of field/exposure preview. The relevant unit of measure
icon will additionally appear in green.
PHOTOGRAPHY ▸ SHOOTING MODES
146
SHOOTING MODES
CONTINUOUS SHOOTING MODE
The camera is set to single shots by default (
Single). Series of shots
can also be created to e.g. capture motion sequences at various
stages.
▸ Select Drive Mode in the main menu
▸ Select the desired setting
(
Continuous - Low Speed, Continuous - Medium Speed, Continuous
- High Speed
, Continuous - Very High Speed)
Once you have finalized your settings, the camera will do continuous
shootings as long as you keep the shutter button pressed down fully
(and you have sufficient space on your memory card).
Notes
• We recommend deactivating the preview mode (
Auto Review)
when using this function.
• The specified picture sequence stated in the technical informa-
tion refers to a default setting (
ISO 200, JPG format L-JPG). The
picture sequence may differ in conjunction with other settings or
depending on the picture content,
White Balance setting and the
memory card used.
• Regardless of how many frames were taken in a series, the last
picture in the series or the last image in the series or the last
image saved on the memory card while the saving process is on-
going will be displayed first in both review modes.
• Continuous shooting is not possible if a flash is used. Only a single
picture will be taken if the flash function is activated.
• Continuous shooting mode is not available in combination with
the self-timer function.
• The buffer memory of the camera only allows a limited number
of frames in series and in the selected exposure frequency. The
exposure frequency is reduced, once the capacity limit of the
camera's buffer memory is reached. This slow-down is due to
the time required to transfer the data from the buffer memory to
the card. The remaining number of exposures is displayed at the
bottom right.
•
Continuous - Low Speed/Continuous - Medium Speed:
For the modes
AFs, AFc and MF, the exposure and white balance
settings are done individually for every shooting. Focusing is done
additionally in the modes
AFs and AFc.
•
Continuous - High Speed/Continuous -Very High Speed:
In the modes
AFs, AFc and MF the exposure, focus and white
balance settings specified for the first shoot will be applied to all
subsequent shoots.
PHOTOGRAPHY ▸ SHOOTING MODES
147
INTERVAL SHOOTING
This camera allows you to automatically capture motion sequences
over extended periods of time using the interval shooting function.
You specify the number of frames, the intervals between shots, and
the start time of the series.
When applying exposure and focus settings, keep in mind that condi-
tions may change during the course of the operation.
SPECIFYING THE NUMBER OF FRAMES
▸ Select
Drive Mode in the main menu
▸ Select
Interval Shooting
▸ Select Number of Frames
▸ Enter the desired value
SPECIFYING THE INTERVALS BETWEEN SHOTS
▸ Select
Drive Mode in the main menu
▸ Select
Interval Shooting
▸ Select Interval
▸ Enter the desired value
SETTING THE DELAY TIME
▸ Select
Drive Mode in the main menu
▸ Select Interval Shooting
▸ Select Countdown
▸ Enter the desired value
Getting started
▸ Press the shutter button
• The remaining time until the next shoot and its number is dis-
played at the top right.
• The camera will switch off automatically between shoots. Tap-
ping the shutter button reactivates the camera.
Cancelling a running series of shots
▸ Press the joystick
• A small menu appears.
▸ Select
End
PHOTOGRAPHY ▸ SHOOTING MODES
148
Notes
• The use of autofocus in interval shooting may result in not all ex-
posures having their focus on the same object.
• Interval shooting over an extended period of time in a cold loca-
tion or in a place with high temperature and humidity may result in
malfunctions.
• Interval shooting will be interrupted or canceled in the following
situations:
– if the battery is depleted
– if the camera is switched off
Make sure to check the battery for sufficient charge.
• Interrupted or canceled interval shooting can be resumed by
switching the camera off, replacing the battery or memory card
as needed and then switching the camera back on. A prompt will
be displayed on screen if the camera is switched off and on again
while the
Interval Shooting shooting function is active.
• The interval function remains active after a picture series is com-
pleted, and also after the camera is switched off and on again,
until another shooting mode (Drive Mode) is set.
• Availability of the interval function does not mean that the camera
is suitable for use as a monitoring device.
• Regardless of how many pictures were taken in a series, the last
picture in the series or the last picture in the series or the last
picture saved on the memory card while the saving process is
ongoing will be displayed first in both review modes.
• The pictures of an interval shooting are marked with
in review
mode.
• The camera may under some circumstances be unable to take
good pictures. That may happen if, for example, focusing was
unsuccessful. In that case, the camera will not take a picture and
the series will continue with the next interval. The message
Some
Frames are dropped
appears on screen.
PHOTOGRAPHY ▸ SHOOTING MODES
149
EXPOSURE BRACKETING
Many attractive objects are rich in contrast, which means they have
very bright and very dark areas. The image effect can be dramat-
ically different, depending on which of these areas you choose
to align your exposure with. The automatic bracketing function in
aperture priority mode allows you to produce several alternatives
with graduated exposure values and varying shutter speeds. You can
then select the picture you like best or use relevant picture editing
software to calculate an image with a particularly broad contrast
spectrum (HDR).
A
B
C
D
E
A
Number of frames
B
Exposure difference between shots
C
Exposure compensation
D
Light value scale
E
Exposure values of the images marked in red
(The scale will be offset by the relevant value if exposure
compensation is set concurrently.)
You can select the desired number of frames (3 or 5). The exposure
difference, which can be set via
EV Steps, can be up to 3 EV. The
available values depend on the global setting
EV Increment (see
p. 103).
▸ Select
Drive Mode in the main menu
▸ Select
Exposure Bracketing
▸ Select the desired number of frames under Number of Frames in
the submenu
▸ Select the desired exposure offset under EV Steps in the submenu
▸ Select the desired Exposure Compensation value in the submenu
• The marked exposure values change positions according to the
settings selected. In the case of exposure compensation, the
scale also shifts.
• The selected exposure compensation value will be applied to
the entire series of shots.
▸ Shutter release
PHOTOGRAPHY ▸ SHOOTING MODES
150
Notes
•
appears on the LCD panel if the bracketing function is activat-
ed. You can watch the effect of the function on screen while the
pictures are taken (brighter or darker).
• Depending on the exposure mode, the exposure gradations are
produced by changing the shutter speed and/or aperture value:
– Shutter speed (A/M)
– Aperture (S)
– Shutter speed and aperture value (P)
• The picture sequence: underexposure/correct exposure/overex-
posure.
• The working range for automatic bracketing may be limited de-
pending on the available shutter-speed/aperture combination.
• With automatic ISO sensitivity control enabled, the sensitivity
calculated by the camera automatically for the raw picture will
also be applied to all other shots in the series, i.e. the ISO value
will not change during bracketing. This may mean that the slowest
shutter speed specified under
Shutter Speed Limit is exceeded.
• The focus range for automatic bracketing may be limited (depend-
ing on the originally set shutter speed). The specified numbers
of frames will be taken regardless. Several shots in a series may
consequently have the same exposure values.
• The function remains active until another function is selected from
the
Drive Mode submenu. If no other function is selected, another
bracketing is taken each time the shutter button is pressed.
MULTISHOT
In multishot mode, up to 8 individual images are taken with a very
small offset. To do so, the sensor is moved minimally between the
individual shooting (by less than a pixel width). The individual images
are then merged into a single shot with extremely high resolution
(96 MP) and a standard size DNG image is additionally saved.
Multishot images are highly sensitive to camera shake. It is therefore
recommended to place the camera on a tripod.
▸ Select Drive Mode in the main menu
▸ Select Multi-Shot
PHOTOGRAPHY ▸ SHOOTING MODES
151
SETTING THE DELAY TIME
Factory setting:
2 s
▸ Select Drive Mode in the main menu
▸ Select
Multi-Shot
▸ Select Self Timer
▸ Select the desired setting
(
Off, 2 s, 12 s)
MOTION ARTEFACTS CORRECTION
As multiple shots are taken in series, any movement in the frame can
result in ghost images. These artefacts are automatically corrected
in factory settings. This function can also be deactivated to increase
camera performance.
Factory setting:
On
▸ Select Drive Mode in the main menu
▸ Select
Multi-Shot
▸ Select Motion artefacts correction
▸ Select On/Off
Notes
• A multishot images will not be created if motion artefacts correc-
tion fails. The "standard" DNG image will, however, remain intact.
• A deactivation of the motion artefacts correction can further im-
prove image sharpness for completely immobile objects.
• This function is not available in conjunction with APS-C lenses and
in some cases with some lenses attached via adapter.
• The following limitations apply when using
Multi-Shot: Exposure
time ≤ 1 s, aperture value ≤ F16, ISO value ≤ 3200.
• The electronic shutter function is always used for multishot shoot-
ings. The multishot function remains deactivated when the
Shutter
Type
is set to Mechanical.
• Multishot shootings are not possible if a flash is used.
• The multishot function creates very large image files. Sufficient
storage space on the memory card is essential.
• The message
Vibration detected. Ensure a robust, level surface.
appears in the display if the camera-internal sensors detect move-
ment.
PHOTOGRAPHY ▸ SHOOTING MODES
152
SELF-TIMER
The self-timer function allows taking pictures with a preset time de-
lay. We recommend that the camera is placed on a tripod.
▸ Select Drive Mode in the main menu
▸ Select
Self-timer 2 s/Self-timer 12 s
▸ Shutter release
• The remaining time until exposure is counted down on screen.
The self-timer LED at the front of the camera counts down the
delay time. It flashes slowly during the first 10 s, then fast for
the last 2 s.
• The self-timer delay time can be canceled at any time by taping
the shutter button; the relevant settings remain intact.
Notes
• Exposure metering is done first; in autofocus mode, focusing is
first. Only then will the delay time commence.
• The self-timer function is only available for single frame shootings.
• The function remains active until another function is selected from
the
Drive Mode submenu.
PHOTOGRAPHY ▸ SPECIAL SHOOTING MODES
153
SPECIAL SHOOTING MODES
IMAGE OVERLAY
Leica SL2-S allows a transparent overlay over previous shots as an
image composition tool. That way, objects can be recorded from
the exact same position at different times, or various objects can be
aligned exactly against the same background in multiple shooting
sessions. The transparent overlay image will not be visible in the
finished image.
One usage scenario would be the creation of an image series in front
of a tree across an entire year. The precise alignment of the image
would also allow the creation of a time lapse shooting.
Overlay image View with transparent image
overlay
TRANSPARENCY
The transparency of the overlay image can be adjusted in line with
e.g. lighting conditions.
▸ Select
Image Overlay in the main menu
▸ Select
Transparency
▸ Select High/Low
IMAGE SELECTION
Any image from the memory card can be selected for the image
overlay.
▸ Select
Image Overlay in the main menu
▸ Select
Choose Overlay Image
• The Image Selection display appears.
• In Image Selection view, all recorded images appear in full
screen mode. An overview of all images in thumbnail size is not
available. The info displays can be accessed as before.
Note
• It may not be possible to render files with this camera that were
not recorded with this device. The same applies to the Overlay
function.
PHOTOGRAPHY ▸ SPECIAL SHOOTING MODES
154
Browsing through the images
▸ Press the joystick left/right
or
▸ Turn the thumbwheel
or
▸ Swipe to the left or right
Selecting a recorded image
▸ Press the joystick/thumbwheel
or
▸ Directly select the control element “Confirm”
Resetting the function when switching off the camera
The function settings can optionally be reset when switching off the
camera.
▸ Select
Image Overlay in the main menu
▸ Select
Reset on Turn Off
▸ Select On/Off
• The image selection and the setting for Use Overlay Image will
remain intact after the camera is switched off if
Off is selected.
ACTIVATING THE FUNCTION
▸ Select
Image Overlay in the main menu
▸ Select Use Overlay Image
▸ Select On/Off
PHOTOGRAPHY ▸ FLASH PHOTOGRAPHY
155
FLASH PHOTOGRAPHY
The camera determines the necessary flash intensity by firing one
or more pre-flashes before taking the actual picture. The main flash
fires immediately after, i.e. during exposure. All factors influencing
exposure (e.g. filters, aperture settings, distance to the main sub-
ject, reflective ceilings, etc.) are automatically considered.
COMPATIBLE FLASH UNITS
The entire scope of functions described in this instruction manual,
incl. TTL flash metering, is available only for Leica system flash units
like the SF 40. Other flash units, which only have a positive center
contact, can be safely fired via the Leica SL2-S, but cannot be con-
trolled via the camera. Correct function cannot be guaranteed when
using any other flash unit.
Note
• When using flash units that are not specifically designed for the
camera and can therefore not automatically switch over the white
balance of the camera should be used in the
flash setting.
Important
• The use of incompatible flash units with your Leica SL2-S may
result in irreparable damage to the camera and/or the flash unit.
Notes
• A flash unit that is not ready to flash may cause incorrect exposures
or error messages.
• Studio flash systems may have a very long flash firing duration. It
may therefore be advantageous to select a slower shutter speed
than 1⁄180 s when using such a system. The same applies for
RF-controlled flash firing for so-called “off-camera” flashes, as
the transmission time may cause a delay.
• Continuous shooting and automatic bracketing with flash are not
available.
• Multishot shootings are not possible if a flash is used.
• Use a tripod to prevent blurring at slow shutter speeds. Alterna-
tively, you can select a higher sensitivity.
• Depending on the setting selected in the
Auto ISO Settings menu,
the camera may not support slower shutter speeds, because an
increase in ISO sensitivity takes priority.
PHOTOGRAPHY ▸ FLASH PHOTOGRAPHY
156
ATTACHING THE FLASH UNIT
▸ Switch off the camera and flash unit
▸ Slide the foot of the flash unit all the way into the accessory shoe
and use the clamping nut (where available) to secure it against
accidental movement
• Movement inside the accessory shoe can interrupt required
contacts and therefore cause malfunctions.
DETACHING THE FLASH UNIT
▸ Switch off the camera and flash unit
▸ Detaching the flash unit
FLASH EXPOSURE METERING (TTL METERING)
The camera offers a fully automated, camera-controlled flash mode
in conjunction with system-compatible flash units (see p. 155) and
for the auto modes aperture priority and manual setting.
In aperture priority mode and with manual setting, the camera
furthermore allows the use of other interesting flash techniques like
flash synchronization and firing with slower shutter speeds than the
max. sync time.
The camera additionally communicates the sensitivity setting to the
flash unit. The flash unit can use this information to automatically
adjust its range data, provided the device comes with these displays
and the aperture setting selected on the lens is also entered manual-
ly on the flash unit. The ISO sensitivity setting cannot be altered via
the flash unit on system-compatible units, because the information
is received from the camera.
PHOTOGRAPHY ▸ FLASH PHOTOGRAPHY
157
SETTINGS ON THE FLASH UNIT
Operating mode
TTL
Automatic control by the camera
A
SF 40, SF 60:
Automatic camera control, no flash exposure compensation
SF 58, SF 64:
Control via the flash unit using a built-in exposure sensor
M
The flash exposure must be set to an output level to match
the aperture and shutter speed settings determined by the
camera.
Notes
• Set the flash unit to
TTL mode to allow automatic control of the
unit by the camera.
• When set to
A, objects with above or below average brightness
may not be exposed correctly.
• Please read the relevant manual provided with third party flash
units regarding their various operating modes.
FLASH CONTROL
The settings and functions described in the following sections only
apply to settings and functions available in this camera and in system-
compatible flash units.
SYNC POINT
Flash exposures are lit by two light sources:
– existing light from the environment
– the additional flash
Any subject elements lit primarily by the flash will almost always be
rendered in perfect focus by the short burst of light, provided the
focus is set correctly. All other subject elements in the same frame
lit by ambient light or lit from within will be rendered with varying
degrees of sharpness. Whether or not these object elements will be
rendered in sharp focus or blurred, as well as the degree of “blurri-
ness” depends on two interdependent factors:
– the shutter speeds
– the speed of movement of the subject elements or camera during
shooting
The longer the shutter speed and the faster the motion, the greater
the difference between the two superimposed partial images.
PHOTOGRAPHY ▸ FLASH PHOTOGRAPHY
158
A flash is usually fired at the start of exposure (Start of Exp.). This
may result in apparent contradictions, e.g. the picture of a vehicle
being overtaken by its own light trail. This camera allows you to syn-
chronize the flash firing with the end of exposure (
End of Exp.). The
sharp image will in this case be a rendering of the end of the cap-
tured motion. This flash technique creates a more natural impression
of movement and dynamics in the image.
This function is available with all camera and flash unit settings.
Factory setting:
End of Exp.
▸ Select Flash Settings in the main menu
▸ Select
Flash Sync
▸ Select the desired setting
(
Start of Exp., End of Exp.)
• The set sync point is shown in the header line.
Notes
• Do not use sync cables that are longer than 3 m.
• When using the flash with faster shutter speeds, a difference be-
tween the two flash firing points will be barely discernible or only
noticeable for very fast movements.
FLASH RANGE
The usable flash range depends on the aperture and sensitivity
values set manually or calculated by the camera. It is important to
ensure that the subject is within the relevant flash range for sufficient
illumination. A permanent setting to the shortest available shutter
speed for flash mode (sync time) may often result in unnecessary
underexposure of those subject elements that are not lit sufficiently
by the flash.
This camera allows the fine tuning of the shutter speed used in flash
mode in combination with aperture priority depending on the condi-
tions of the object or your own pictorial composition ideas.
Factory setting:
1/15
▸ Select Auto ISO Settings in the main menu
▸ Select
Shutter Speed Limit (Flash)
▸ Select the desired value
(
Auto, 1/250, 1/125, 1/60, 1/30, 1/15, 1/8, 1/4, 1/2)
PHOTOGRAPHY ▸ FLASH PHOTOGRAPHY
159
FLASH EXPOSURE COMPENSATION
This function can be used to selectively reduce or enhance flash expo-
sure regardless of ambient light, e.g. to brighten the face of a person
in the foreground when taking a picture outdoors in the evening while
retaining the same general lighting mood.
Factory setting: 0 EV
▸ Select Flash Settings in the main menu
▸ Select
Flash Exp. Compensation
• The submenu displays a scale with a red setting mark. The
function is deactivated if the value is set to
0.
▸ Set the value on the scale
• The set value is displayed above the scale.
• The available values depend on the global setting
EV Increment
(see p. 103).
Notes
• The following applies for set compensation values, no matter how
they were initially set: They remain effective until they are manually
reset to
0
, even if the camera is switched off and on again in the
meantime.
• Changes to the EV Increment setting (see p. 103) lead to the can-
cellation of a compensation that has been set, i.e. in such cases it
is automatically reset to
0.
• A compensation value configured on the camera will be overruled
when a relevantly equipped flash unit is attached, e.g. a Leica
SF 60 and a compensation value is entered on that flash unit.
• The menu item
Flash Exp. Compensation can only be used in con-
junction with flash units on which the compensation value cannot
be set manually (e.g. Leica SF 26).
• A brighter flash illumination with Plus compensation will require
a greater flash intensity. Flash exposure compensation will there-
fore impact on the flash range: A Plus correction will decrease it, a
Minus correction will increase it.
• An exposure compensation set on the camera will only affect
the measurement of ambient light. If a simultaneous TTL flash
exposure metering compensation is desired in flash mode, then
it must be additionally set on the flash unit. (Exception: On the
Leica SF 26, the compensation value must be set on the camera
via menu control.)
PHOTOGRAPHY ▸ FLASH PHOTOGRAPHY
160
FLASH PHOTOGRAPHY
▸ Switch on the flash unit
▸ Set the desired guide number control mode (e.g. TTL or GNC =
Guide Number Control) on the flash unit
▸ Switch the camera on
▸ Set the desired exposure mode, shutter speed and/or aperture
setting
• It is imperative to take note of the shortest flash sync speed, as
it determines whether a “normal” flash or an HSS flash is fired.
▸ Tap the shutter button before each flash exposure to activate
exposure metering
• The flash unit may not fire if this step is missed by pressing the
shutter button down completely and skipping these settings.
PHOTOGRAPHY ▸ FLASH PHOTOGRAPHY
161
REVIEW MODE ▸ CONTROL ELEMENTS IN REVIEW MODE
162
REVIEW MODE
There are two completely independent review functions available:
– short-term rendering directly after shooting (
Auto Review)
– normal review mode, in which the stored mages can be viewed
and managed for any length of time
The switchover between shooting and review mode, as well as most
other actions can be completed using gesture or key control. Please
see p. 55 for more information about the available gestures.
Notes
• Recorded pictures are not automatically rotated in review mode to
utilize the full screen area.
• It may not be possible to render files with this camera that were
not recorded with this device.
• In some cases, the screen image may not have the expected
quality, or the LCD panel will remain blank and only display the file
name.
• You can toggle back from review mode to shooting mode at any
time by tapping the shutter button.
CONTROL ELEMENTS IN REVIEW MODE
CONTROL ELEMENTS ON THE CAMERA
24
26
21
22
2
4
2
Front dial
22
Thumbwheel
4
Function button
24
PLAY button
20
Function button
25
FN button
21
Joystick
26
MENU button
REVIEW MODE ▸ CONTROL ELEMENTS IN REVIEW MODE
163
FUNCTION BUTTONS IN REVIEW MODE
In review mode, the function buttons either have permanently as-
signed functions or are without function.
The following function buttons have assigned functions:
Button Function
FN button 25
Toggle Info Levels
Function button 20
EVF-LCD
Function button 4
Mark shots (Rate / Unrate)
CONTROL ELEMENTS ON THE LCD PANEL
On-screen control elements generally function by intuitively by
touch. Many can also be selected by pressing one of the three
buttons to the left of the LCD panel. A control element in the header
is accompanied by an icon denoting the relevant button. A control
element on the edge of the screen will be positioned directly next to
the relevant button.
Example: The “Go back” icon
can be selected in one of two ways:
– tap on the “Go Back” icon directly
– Press the relevant button
(top button =
PLAY button)
C B A C
A
B
A
Control element “Go back”
B
Control element “Delete”
C
Display of the relevant button
REVIEW MODE ▸ INITIATE/EXIT REVIEW MODE
164
INITIATE/EXIT REVIEW MODE
Using touch control
▸ Swipe up or down
ReviewShooting
Using button control
▸ Press the
PLAY button
• The last picture taken appears on the screen.
• The following message appears if the inserted memory card
does not contain any image data:
No valid picture to play.
• The
PLAY button function differs, depending on the current
camera setting:
Initial situation
After pressing the PLAY
button
Full screen display of an image Shooting mode
Display of an enlarged cropped
section/or several thumbnails
Full screen display of the
image
REVIEW MODE ▸ SELECTING/SCROLLING THROUGH IMAGES
165
SELECTING/SCROLLING THROUGH IMAGES
The shots are visually arranged in a horizontal reel. When the end of
an image series is reached, the display automatically jumps back to
the first image in the series. All shots can therefore be reached by
scrolling either right or left.
SINGLE
Using touch control
▸ Swipe to the left or right
Using button control
▸ Press the joystick left/right
or
▸ Turn the thumbwheel
CONTINUOUS
▸ Swipe to the left or right and hold the finger on the edge of the
screen
• The subsequent shots will move past continuously.
REVIEW MODE ▸ INFO DISPLAYS IN REVIEW MODE
166
INFO DISPLAYS IN REVIEW MODE
The same info profiles are available in review mode as in shooting
mode. The actual info profile currently in use, however, is saved
separately. It is therefore possible to use an empty info profile com-
pletely without assist function icons in review mode, without having
to set them again when switching to shooting mode. See p. 104 for
setting options and additional information. The assist functions
Grid
and
Level Gauge are not available in review mode.
DISPLAYING ASSIST FUNCTIONS
Switching between info profiles
▸ Press the
FN button
Empty info profile Image data only
(
Info Bars)
Clipping / Zebra + Info Bars Info Bars, Focus Peaking,
Histogram
REVIEW MODE ▸ CROPPED SECTION ZOOM
167
CROPPED SECTION ZOOM
You can zoom in to any section of an image for closer inspection.
Zooming via the front dial is done in four increments; zooming is
stepless via touch control.
Using touch control
▸ Two-finger pinch/spread
• The image will be zoomed in/zoomed out at the desired point.
▸ Swiping will allow you to move the position of an enlarged cropped
section
• The rectangle within the frame at the top right represents the
current magnification, as well as its position in the displayed
cropped section.
▸ Double tap
• Toggles between the third zoom increment at the tap position
and standard full screen view.
REVIEW MODE ▸ DISPLAYING MULTIPLE IMAGES AT ONCE
168
Using button control
▸ Turn the front dial
(in clockwise direction: increase magnification, anti-clockwise:
decrease magnification)
or
▸ Press the joystick/thumbwheel
• Toggles between the third zoom increment at the tap position
and standard full screen view.
▸ Use the joystick to move the position of the cropped section while
the image is magnified
• The rectangle within the frame at the top right represents the
current magnification, as well as its position in the displayed
cropped section.
You can move directly from one picture to the next in magnification
mode, which will then also be displayed with the same magnification.
▸ Turn the thumbwheel to the left/right
Notes
• It may not be possible to enlarge pictures taken with other camera
types.
• Video recordings cannot be enlarged.
DISPLAYING MULTIPLE IMAGES AT ONCE
The camera offers an overview function in which several thumbnail
images can be viewed on one screen, which makes it easier to find a
specific image. You can choose 12 or 30 images per overview.
OVERVIEW
Using touch control
▸ Two-finger pinch
• The display toggles from 12 to 30 thumbnails.
Viewing other images
▸ Swipe up or down
REVIEW MODE ▸ DISPLAYING MULTIPLE IMAGES AT ONCE
169
Using button control
▸ Turn the front dial in anti-clockwise direction
• 12 thumbnails are shown at the same time. Another turn on the
thumbwheel increases the number of displayed thumbnails to
30.
A
B
C
A
B
C
A
Currently selected image
B
Number of the currently selected images
C
Scrollbar
The currently viewed image is framed in red and can be selected for
a closer look.
Navigating between images
▸ Press the joystick in the relevant direction
or
▸ Turn the thumbwheel
Displaying the image in full size
Using touch control
▸ Two-finger spread
or
▸ Tap the desired image
Using button control
▸ Turn the front dial in clockwise direction
or
▸ Press joystick, thumbwheel or
PLAY button
REVIEW MODE ▸ TAGGING/RATING OF PHOTOS / DELETING IMAGES
170
TAGGING/RATING OF PHOTOS
Images can be marked as favorites to find them quicker or to simplify
the later deletion of multiple images. Tagging can be done in regular
view mode or in the overviews.
Tagging a photos
▸ Press the function button
4
or
▸ Press the joystick up
• The recording is marked with ★. The icon will appear in the
header line on the far right when viewing images in full size, and
in the top left corner of the thumbnail in overview mode.
Removing a tag
▸ Press the function button
4
or
▸ Press the joystick down
• The ★ marking disappears.
Note
• In the overview, recordings can only be tagged via the function
button.
DELETING IMAGES
There are several methods available to delete images:
– deleting individual images
– deleting multiple images
– deleting all images without a icon/ranking
– deleting all images
Important
• Once deleted, shots are no longer retrievable.
REVIEW MODE ▸ DELETING IMAGES
171
DELETING INDIVIDUAL IMAGES
▸ Press the MENU button
▸ Select Delete in the play menu
• The Delete screen appears.
▸ Select the Delete icon
(tap the icon directly or press the FN button)
• The LED will flash during the delete process. The process may
take a few seconds.
• The next image will be displayed once deletion is complete. The
following message appears if no other images are saved on the
card:
No valid picture to play.
Cancelling a deletion and returning to normal review mode
▸ Select the “Go back” icon
(tap the icon directly or press the PLAY button)
Notes
• The Delete screen can not be called up when in overview mode,
because the menu function
Delete
of the play menu is not available
in this context.
• The “Scroll” and “Magnify” functions continue to be available
when the “Delete” screen is active.
DELETING MULTIPLE IMAGES
Several images can be marked in a Delete overview with twelve
thumbnails and can then be deleted all at once. This overview can
be reached in two ways.
▸ Turn the front dial in anti-clockwise direction
• The overview screen appears.
▸ Press the
MENU button
▸ Select
Delete Multi in the play menu
• The Delete overview appears.
or
▸ Press the
MENU button
▸ Select Delete in the play menu
• The Delete screen appears.
▸ Turn the front dial in anti-clockwise direction
• The Delete overview appears.
REVIEW MODE ▸ DELETING IMAGES
172
Any number of images can be selected in this view.
Selecting images for deletion
▸ Select a image
▸ Press the joystick/thumbwheel
or
▸ Tap the desired image
• The images selected for deletion are marked with a red Delete
icon
.
Deleting the selected images
▸ Select the Delete icon
(tap the icon directly or press the FN button)
• The prompt
Do you want to delete all marked files? appears.
▸ Select
Yes
Cancelling a deletion and returning to normal review mode
▸ Select the “Go back” icon
(tap the icon directly or press the PLAY button)
DELETING ALL IMAGES
▸ Press the MENU button
▸ Select Delete All in the play menu
• The prompt Do you want to delete all files? appears.
▸ Select Yes
Note
• The message
No valid picture to play. appears after successful de-
letion. The same picture is displayed again if deletion was unsuc-
cessful. When deleting several or all images, a notification screen
may appear for the time needed to process the data.
REVIEW MODE ▸ PREVIEW OF LATEST IMAGE
173
DELETING UNRATED IMAGES
▸ Press the MENU button
▸ Select Delete Unrated in the play menu
• The prompt Do you really want to delete all not rated files?
appears.
▸ Select
Yes
• The LED will flash during the deletion process. The process may
take a few seconds. The next marked image appears once dele-
tion is complete. The message
No valid picture to play appears
if no other recordings are saved on the card.
PREVIEW OF LATEST IMAGE
Photo shootings can be displayed automatically directly after they
are taken to e.g. check the success of the shots quickly and easily. A
duration for the automatic display can be configured.
▸ Select
Auto Review in the main menu
▸ Select the desired function or duration in the submenu
(
Off, 1 s, 3 s, 5 s, Permanent, Shutter button pressed)
Permanent: The most recent frame is displayed until automatic re-
view is ended by pressing the PLAY button or by tapping the shutter
button.
Shutter button pressed: The most recent frame is displayed for as
long as the shutter button is pressed down.
Notes
• Various control elements change back to regular review mode to
execute their normal functions while automatic review is selected.
The camera will remain in review mode until it is exited.
• Marking and deleting can only be done in regular review mode and
not during automatic review.
• When pictures were taken with the functions continuous shooting
or interval shooting, then the last image in the series will be dis-
played or – if the save process is still incomplete – the last image
in the series saved to the memory card.
• Where display times were configured (
1 s, 3 s, 5 s) automatic
review can be ended immediately by pressing the PLAY button or
tapping the shutter button.
REVIEW MODE ▸ SLIDE SHOW
174
SLIDE SHOW
A slide show function is available in Review mode, in which the saved
images are shown automatically in series. Choose to see all images
(
Play All), only photos (Pictures Only) or only videos (Videos Only)
should be displayed. For photos, select how long each image should
be displayed (
Duration).
SETTING THE DURATION
▸ Press the MENU button
▸ Select
Slideshow in the play menu
▸ Select
Duration
▸ Select the desired duration (1 s, 2 s, 3 s, 5 s)
STARTING THE SLIDE SHOW
▸ Press the MENU button
▸ Select
Slideshow in the play menu
▸ Select the desired setting
(
Play All, Pictures only, Videos only)
• The slide show will start automatically with the selected images
and runs in an endless loop until it is exited.
ENDING THE SLIDE SHOW
▸ Press the PLAY button
or
▸ Tap the shutter button
• The camera switches to the relevant mode.
Notes
• An intermediate screen may appear while the data is prepared for
review.
• The settings in
Duration remain intact even after the camera is
switched off and on again.
175
VIDEO SETTINGS ▸ SENSOR FORMAT / FILE FORMAT
176
VIDEO SETTINGS
SENSOR FORMAT
The image data of the entire 35 mm sensor can be used or only a
cropped section, which corresponds to the APS-C format. This can
be helpful, e.g. when only limited storage capacity remains or a lens
developed specifically for APS-C is used.
Factory setting:
35 mm
▸ Select Sensor Format in the main menu
▸ Select the desired setting
(
35 mm, APS-C)
Full-frame image circle
APS-C image circle
Full-frame Still 3:2
6000 x 4000
Full-frame C4K 17:9
4096 x 2160
Full-frame 4K 16:9
3840 x 2160
Full-frame FHD 16:9
1920 x 1080
APS-C Still 3:2
3963 x 2624
APS-C C4K 17:9
4096 x 2160
APS-C 4K 16:9
3840 x 2160
APS-C FHD 16:9
1920 x 1080
Note
• The setting switches automatically to APS-C when an APS-C-spe-
cific lens is mounted.
FILE FORMAT
Video can be recorded in the file formats MOV or MP4.
Various combinations of resolution and frame rate can be configured
depending on the file format chosen. The settings are done sepa-
rately. You could therefore select the combination
C4K/29.97 fps for
the MOV format or
FHD/59.94 fps for MP4. The preset video format
settings are then accessed automatically, when one of the two file
formats is selected.
Note
• You can toggle between video file formats via the status screen
without having to (re)configure the settings.
VIDEO SETTINGS ▸ VIDEO FORMAT
177
VIDEO FORMAT
The following combinations of resolution and frame rate are available:
Frame rate Resolution (file format)
23.98 fps
C4K 4K FHD
RAW + MOV MOV + MP4 MOV + MP4
24 fps MOV MOV
25 fps RAW + MOV MOV + MP4 MOV + MP4
29.97 f ps RAW + MOV MOV + MP4 MOV + MP4
47.95 fp s MOV MOV
48 fps MOV MOV
50 fps RAW + MOV MOV + MP4 MOV + MP4
59.94 f ps RAW + MOV MOV + MP4 MOV + MP4
100 fps MOV
119. 8 8 f p s MOV
Slow Motion
100 fps MOV + MP4
120 f ps MOV + MP4
150 f ps MOV + MP4
180 fps MOV + MP4
AVAILABLE RESOLUTIONS
You can choose resolutions with the associated aspect ratios (de-
pending on the file format of the recording).
Sensor format File Format Available resolutions
35 mm MOV C4K 4096 x 2160
MOV + MP4 4K 3840 x 2160
FHD 1920 x 1080
APS-C RAW C4K 4128 x 2176
MOV C4K 4096 x 2160
MOV + MP4 4K 3840 x 2160
FHD 1920 x 1080
AVAILABLE FRAME RATES
Up to 11 different frame rates between 23.98 fps and 180 fps are
available depending on the selected resolution. The frame rates
100 fps to 180 fps allow slow motion shots in varying speeds.
VIDEO SETTINGS ▸ VIDEO FORMAT
178
SETTING THE VIDEO FORMAT
Factory setting: file format MOV, resolution 4K, frame rate 29.97 fps
MOV
▸ Select
Video Format / Resolution in the main menu
▸ Select
MOV
▸ Select the desired resolution
(
C4K, 4K, FHD, FHD Slow Motion)
▸ Select the desired frame rate
MP4
▸ Select
Video Format / Resolution in the main menu
▸ Select
MP4
▸ Select the desired resolution
(
4K, FHD, FHD Slow Motion)
▸ Select the desired frame rate
Note
• The list of available resolutions for this camera also contains addi-
tional information, e.g. on video compression.
RAW OUTPUT VIA HDMI
Leica SL2-S supports the RAW format output for recordings using an
external device. The video signal will then have a 12 bit color depth.
This signal is output via the HDMI connection and can be recorded
and processed by an external device (e.g. Atomos Ninja V+).
The following devices are currently supported:
– Video Assist 12G HDR (by Blackmagic)
– Ninja V (by Atomos)
– Ninja V+ (by Atomos)
▸ Select
Video Format / Resolution in the main menu
▸ Select RAW (via HDMI)
▸ Select the desired frame rate
Notes
• With RAW output via HDMI, not the entire sensor area is read out,
but an area corresponding to the size of the Super 35 sensors of
professional cinema cameras.
• The sensor format switches automatically to
APS-C for recordings
in RAW format.
• Please note the operating instructions of the external device.
VIDEO SETTINGS ▸ VIDEO STYLE
179
VIDEO STYLE
IMAGE PROPERTIES
The image properties of video recordings can be changes slightly
using several parameters. These are summarized in pre-configured
Video Style profiles.
CONTRAST
The contrast setting, i.e. the difference between light and dark im-
age sections, determines whether an image comes across as “flat”
or “brilliant”. Increasing or decreasing this difference impacts on
contrast, meaning that some image sections are rendered brighter
or darker.
SHARPNESS
The impression of sharpness in a picture is largely determined by
edge sharpness, i.e. by how slight the transition area between light
and dark is at edges in the shot. Expanding or reducing these areas
will therefore change the impression of sharpness.
COLOR SATURATION
The saturation factor in color images determines, whether colors
in the shots appear “pale” and pastel-like or “bright” and colorful.
While lighting conditions and weather (e.g. foggy/clear) are a given
in terms of shooting conditions, their rendering can be influenced.
HIGHLIGHT/SHADOW
Depending on the exposure selected and the dynamic scope of the
object, some details in brighter or darker areas may no longer be
clearly visible. The parameters
Highlight and Shadow allow differ-
entiated control over very brightly or less brightly lit areas. Where,
for example, part of the object is in shadow, a higher setting for
Shadow can help brighten these areas to make details more visible.
Conversely, existing shadows or particularly bright areas might be
additionally emphasized for reasons of image composition. Positive
values will brighten the targeted areas, while negative values will
darken them.
VIDEO SETTINGS ▸ VIDEO STYLE
180
VIDEO PROFILES
COLOR PROFILE
3 pre-configured color profiles are available:
–
Standard
– Vivid
– Natural
▸ Select Video Style in the main menu
▸ Select a profile
MONOCHROME PROFILE
There are two additional profiles available for monochrome video
recordings:
–
Monochrome
– Monochrome High Contrast
▸ Select Video Style in the main menu
▸ Select a profile
Note
• The
Video Style function is unavailable if any other setting but Off
is selected for
Video Gamma.
CUSTOMIZING VIDEO PROFILES
These parameters can be adjusted for all available profiles (
Saturation
only for color profiles). See p. 68 for details on menu operation.
▸ Select Video Style in the main menu
▸ Select
Video Style Settings
▸ Select a profile
▸ Select
Contrast/Highlight/Shadow/Sharpness/Saturation
▸ Select the desired level
(
-2, -1, 0, +1, +2)
VIDEO SETTINGS ▸ AUDIO SETTINGS
181
AUDIO SETTINGS
MICROPHONE
The sensitivity of the integrated microphone can be set.
Factory setting:
0 dB
▸ Select Video Settings in the main menu
▸ Select
Microphone Gain
▸ Select the desired level
(
Off
,
+6 dB
,
+5 dB
,
+4 dB
,
+3 dB
,
+2 dB
,
+1 dB
,
0 dB
,
-1 dB
,
-2 dB
,
-3 dB
,
-4 dB
,
-5 dB
,
-6 dB
,
-7 dB
,
-8 dB
,
-9 dB
,
-10 dB
,
-11 d B
,
-12 dB
)
Notes
• The Autofocus function and manual focusing adjustments generate
noise that may be picked up in the recording.
• There will be no audio recorded if this setting is Off. As notifica-
tion, the icon for the recording level changes as shown here
.
WIND NOISE REDUCTION
Wind noise reduction can be adjusted individually for the internal
and the external microphone.
INTERNAL MICROPHONE
Factory setting:
Low
▸ Select Video Settings in the main menu
▸ Select
Wind Noise Reduction
▸ Select Internal Microphone
▸ Select the desired setting
(
High, Low, Off)
EXTERNAL MICROPHONE
Factory setting:
Off
▸ Select Video Settings in the main menu
▸ Select
Wind Noise Reduction
▸ Select External Microphone
▸ Select the desired setting
(
High, Low, Off)
VIDEO SETTINGS ▸ TIMECODE
182
TIMECODE
The timecode is a data record that is generated and recorded along-
side the image and audio data. It ensures the correct time assign-
ment of frame and audio signals after cutting or after later separate
processing. Timecode mode and start time can be selected.
TIMECODE MODE
Time information is written to the recorded video file if the timecode
setting is activated.
Factory setting:
Off
Off
Timekeeping begins at 00:00:00.00 for every recording.
Free Run
The timer continues running regardless of whether the
camera is currently recording video.
Rec Run
The timer only runs while a video is being recorded.
The timer will stop when recording ends and will con-
tinue when the next recording starts.
▸ Select
Video Settings in the main menu
▸ Select
Timecode
▸ Select Mode
▸ Select the desired setting
(
Off, Free Run, Rec Run)
START TIME
The start time can be reset manually or can be set to a specific value
if multiple cameras are used for recording. Alternatively, the current
time set in the camera can be specified as the timecode.
▸ Select
Video Settings in the main menu
▸ Select
Timecode
▸ Select Start Time
▸ Select the desired setting
(
Reset Timecode, Manual, Camera Time)
The desired start time can be set in the format hour:minute:second:-
frame if
Manual is selected.
VIDEO SETTINGS ▸ VIDEO GAMMA
183
VIDEO GAMMA
Video gamma can be set to HLG and L-Log or can be deactivated
altogether.
Off
Optimization for playback compatible with all screen/TV
devices in compliance with the BT.709 standard.
HLG
Optimization for HDR-capable UHD-TV devices.
L-Log
Optimization for professional reworking, e.g. color grading.
Factory setting: Off
▸ Select Video Settings in the main menu
▸ Select
Video Gamma
▸ Select the desired setting
(
Off, HLG, L- Log)
Notes
•
Video Gamma is not available under the following conditions:
– Recordings in MP4 format
– Recordings in 8 bit
– Recordings in slow motion
• The following functions are unavailable when
Video Gamma is
used:
–
iDR
– Video Style
HLG SETTINGS
Sharpness and saturation can be set. The factory setting is a median
value
0 in both cases.
▸ Select
Video Settings in the main menu
▸ Select
Video Gamma
▸ Select Settings
▸ Select HLG
▸ Select Sharpness or Saturation
▸ Select the desired setting
(
-2, -1, 0, +1, +2)
L-LOG SETTINGS
The sharpness for L-Log can be adjusted. Additionally, various LUT
profiles can be applied as preview when using L-Log. Saved record-
ings remain unaffected.
SHARPNESS
Factory setting:
-2
▸ Select Video Settings in the main menu
▸ Select
Video Gamma
▸ Select Settings
▸ Select L-Log
▸ Select Sharpness
▸ Select the desired setting
(
-2, -1, 0, +1, +2)
VIDEO SETTINGS ▸ VIDEO GAMMA
184
SETUP/MANAGEMENT OF LUT PROFILES
You can import custom LUT profiles to the camera to optimally meet
your LUT preview expectations.
▸ Select Video Settings in the main menu
▸ Select
Video Gamma
▸ Select Settings
▸ Select L-Log
▸ Select Custom LUT
• A list of six memory slots is displayed. Three are reserved for
use with HDMI output, and three for internal camera use (LCD
panel/EVF).
• Filled memory slots will show the name of the saved LUT profile.
Free memory slots display the word
Unused.
EXAMPLE
In the following, the assignment shown below will be used for all
subsequent figures. Two profile slots for internal camera display
(LCD panel/EVF) are taken, all others are unused.
VIDEO SETTINGS ▸ VIDEO GAMMA
185
Importing a custom LUT profile
▸ Download or export an LUT profile as a CUBE file
▸ Give the file a meaningful name (file name max. 8 characters, file
ending “.cub”)
• This file name (without the ending) will appear as a profile name
in the camera after import. A later file name change on the
camera will not be possible.
▸ Save the download to the memory card
• Store the file in the main directory of the memory card (not in a
sub-directory).
▸ Insert the memory card into the camera
▸ Select an unused memory slot
• You will have to delete an existing profile first if there is no un-
used memory slot available.
• The “Import” dialog appears. It displays the files found on the
memory card.
• The message Import Failed will appear if the camera does not
find a compatible file.
▸ Select the profile to import
▸ Select
Yes
Notes
• You can only import LUT profiles with the file ending “.cub”.
• Files with the ending “.cube” will not be recognized. These can,
however, simply be renamed before saving them to the SD card.
• File names must be max. 8 characters (incl. spaces) long.
• Incompatible files will not be recognized.
• A maximum of six profiles saved to the memory card will be dis-
played. The profiles found on the card will be displayed chrono-
logically in ascending order: the most recently saved profile will
appear at the top.
• In rare cases, a particular combination of memory card and com-
puter may result in a search returning only three profile files.
• Where two memory cards are in use, and both contain compatible
files, only the files on SD1 will be considered.
VIDEO SETTINGS ▸ VIDEO GAMMA
186
Freeing a memory slot
▸ Select a profile
• The “Delete” dialog appears.
▸ Select Yes
Notes
• The pre-configured profiles
Natural and Classic cannot be deleted.
• A profile that is currently in use cannot be deleted.
USING LUT PROFILES
CHANGING THE OUTPUT CHANNEL
The user can choose to apply the LUT profile for output via HDMI or
in the camera (LCD panel/EVF).
▸ Select
Video Settings in the main menu
▸ Select
Video Gamma
▸ Select Settings
▸ Select L-Log
▸ Select Output
▸ Select the desired setting
(
EVF-LCD, HDMI)
Note
• The menu item
Output is unavailable if the setting Off is selected
for
LUT Profile.
VIDEO SETTINGS ▸ VIDEO GAMMA
187
When toggling between the two output channels, the setting for the
selected memory slot will remain unchanged. Since it is possible
that different profiles are saved on the same slot depending on the
output channel, it is possible that a different profile or an unused
memory slot is selected. The name of the active profile will change
accordingly next to the menu item
LUT Profile. This does not apply
for the pre-configured profiles, which exist on the same memory slot
for both output channels.
Active output channel
EVF-LCD HDMI
SELECTING THE LUT PROFILE
In addition to the two pre-configured LUT profiles, three more memory
slots are available for custom LUT profiles.
▸ Select Video Settings in the main menu
▸ Select Video Gamma
▸ Select Settings
▸ Select L-Log
▸ Select LUT Profile
• The list of profiles available for the active output channel appears.
▸ Select the desired setting
(
Off, Natural, Classic, LUT 1, LUT 2, LUT 3)
Note
• Unused memory slots appear in the list as
LUT 1, LUT 2,
and
LUT 3.
A memory slot filled with a custom LUT profile will display its
name instead.
VIDEO SETTINGS ▸ AUTOMATIC OPTIMIZATION
188
The list of selectable LUT profiles depends on the currently selected
output channel (camera/HDMI). The channel is displayed next to the
menu item
Output. When the channel is set to HDMI, the selection
list will display the profiles available for HDMI output. The setting
EVF-LCD
will therefore show the profiles available for camera display.
Active output channel
EVF-LCD HDMI
AUTOMATIC OPTIMIZATION
VIDEO STABILIZATION
With video recording - in addition to optical stabilization by means
of appropriately equipped lenses - a independent digital stabilization
function is available that can be used with any lens. This function is
particularly useful in conjunction with lenses that do not feature an
OIS function.
Factory setting:
On
▸ Select Image Stabilization in the main menu
▸ Select
On/Off
Note
• The function
Panning Mode is permanently set to Normal in video
mode. Camera shake in all directions (horizontal, vertical, rota-
tional) will be corrected automatically.
VIDEO SETTINGS ▸ AUTOMATIC OPTIMIZATION
189
DARK AREA OPTIMIZATION (IDR)
DYNAMIC RANGE
The contrast range of an object comprises all levels of brightness
from the brightest to the darkest point in the image. All levels of
brightness can be captured by the sensor, provided the contrast
range of the object is lower than the dynamic range of the camera.
In case of significant differences of brightness in the object (e.g.
shootings of interior spaces with bright windows in the background,
shootings with subject elements in shadow or directly lit by the sun,
landscapes with dark areas and a very bright sky), the camera with
its limited dynamic range will not be able to map the entire contrast
range of the object. Information in 'edge areas' will be lost (under
and overexposure).
Contrast range of
a low-contrast object
Contrast range of a high-contrast object
Dynamic range of the camera
Underexposure Overexposure
iDR FUNCTION
The
iDR (Intelligent Dynamic Range) function allows an optimization
of the darker areas. Object details become much clearer.
Without iDR With iDR
You can specify beforehand if and to what extent you want to opti-
mize darker areas (
High, Standard, Low, Off). In the Auto setting, the
camera will automatically select the right setting depending on the
contrast range of the object.
In addition to that setting, the effect also depends on the exposure
settings. The function will have the strongest effect in combination
with low ISO values and fast shutter speeds. The effect is less pro-
nounced with higher ISO values and/or slower shutter speeds.
Factory setting:
Auto
▸ Select iDR in the main menu
▸ Select the desired setting
(
Auto, High, Standard, Low, Off)
Note
• The optimization of darker areas will slightly reduce differentiation
in very bright areas.
VIDEO SETTINGS ▸ DATA MANAGEMENT
190
DATA MANAGEMENT
SEGMENTED RECORDING
Videos recorded in MOV format can be automatically segmented
into individual one-minute files and saved. This method protects
recordings against technical errors during the write process, in case
the recording is interrupted. All previously saved one-minute seg-
ments will remain intact.
Factory setting:
Off
▸ Select Video Settings in the main menu
▸ Select
Segmented Video
▸ Select On/Off
Notes
• This function is not available for the
MP4 video format setting.
• The individual recordings will not be played back automatically in
sequence.
• Essential for segmentation is the playback time of the finished
recording. Slow motion recordings will be segmented in a way
that the finished recordings will have a playback time of about one
minute.
FORMATTING A MEMORY CARD
Memory cards that have already been in use with this camera will
usually not require formatting. An unformatted memory card that
is inserted into the camera for the first time must be formatted. We
recommend formatting memory cards from time to time, because
residual data traces (data pertaining to individual shots) may reduce
the card’s storage capacity. The two memory cards will be formated
separately.
▸ Select
Format Card in the main menu
▸ Select
Format SD Card 1 or Format SD Card 2
▸ Confirm the selection
• The lower status LED will flash during that process.
VIDEO SETTINGS ▸ DATA MANAGEMENT
191
Notes
• Never switch off the camera while data transfer is in progress.
• All data stored on the memory card will be lost during formatting.
Formatting will not be prevented by the deletion protection set for
individual shots.
• All images should therefore be regularly transferred to a safe
mass storage medium, e.g. the hard disk of a computer.
• A simple formatting process will initially not irretrievably destroy
existing data on the card. Only the directory will be deleted, which
means the data will no longer be directly accessible. Data access
can be restored with appropriate software. Only data that is over-
written when new data is saved will actually be irretrievable.
• A memory card should be formatted again in the camera if it was
formatted in another device, e.g. a computer.
• Contact your retailer or Leica Customer Care for assistance if the
memory card cannot be formatted/overwritten (see p. 298).
DATA STRUCTURE
FOLDER STRUCTURE
The files (= shots) on the memory cards are saved in automatically
generated folders. The first three characters signify the folder num-
ber (numerals), the last five the folder name (letters). The first folder
is assigned the name “100LEICA”, the second “101LEICA”. A folder
will always be created with the next available number; you can have
max. 999 folders.
FILE STRUCTURE
The file names in these folders consist of eleven characters. In the
factory settings, the first file is named “L1000001.XXX”, the second
“L1000002.XXX”, etc. The first letter can be selected, the “L” from
the factory settings denotes the camera brand. The first three char-
acters signify the folder number (numerals). The next four digits de-
note the sequential file number. Once file number 1000 is reached,
then a new folder will be automatically created, in which the file
numbering begins at 0001 again. The last three places after the dot
denote the file format (MOV or MP4).
VIDEO SETTINGS ▸ DATA MANAGEMENT
192
Notes
• When using memory cards that were not formatted with this
camera, the file numbering will begin with 0001 again. Should the
memory card already contain a file with a higher number, then
numbering will be continued from that number.
• A relevant message will be displayed on the LCD panel once folder
number 999 and file number 1000 are reached, and all numbering
must be reset.
• Format the memory card and reset the frame number right after
to reset the folder number to 100.
EDIT FILE NAMES
▸ Select Camera Settings in the main menu
▸ Select Edit File Name
• A keyboard submenu is displayed.
• The input line contains the factory setting “L” as the first letter
of the file name. Only this letter can be changed.
▸ Enter a letter of your choice (see p. 65)
▸ Confirm
Notes
• The change to a file name applies to all subsequent shots or until
a new change is made. The sequential number will not be affected;
but it will be reset when a new folder is created.
• During a reset to factory settings, the first letter will always be
reset to “L”.
• Lower case letters are unavailable.
VIDEO SETTINGS ▸ DATA MANAGEMENT
193
CREATING A NEW FOLDER
▸ Select Camera Settings in the main menu
▸ Select Reset Image Numbering
• A relevant prompt is displayed.
▸ Confirm the creation of a new folder (
Yes) or cancel the new
folder (
No)
Note
• The name part (first letter) of a new folder created this way remains
unchanged. The file numbers in that folder will start again at 0001.
ADDING COPYRIGHT INFORMATION
This camera allows you to enter letters and other characters as a
copyright mark for your video files.
You can enter up to 20 characters of information under 2 headings
per shot.
▸ Select
Camera Information in the main menu
▸ Select
Copyright Information in the submenu
▸ Activate the
Copyright function (On)
▸ Select
Information/Artist in the submenu
• A keyboard submenu is displayed.
▸ Enter the desired information (see p. 65)
▸ Confirm
DATA TR ANSFER
Data can be conveniently transferred to mobile devices via Leica
FOTOS. Alternatively, a card reader or USB cable can be used for the
transfer.
ABOUT LEICA FOTOS
▸ See chapter “Leica FOTOS” (p. 264)
VIA USB CABLE
The camera supports multiple data transfer options (PTP and mass
storage mode). A transfer mode can be permanently selected or
chosen every time a connection is established.
Factory setting:
PTP
▸ Select Camera Settings in the main menu
▸ Select
USB-Mode
▸ Select the desired setting
(
Mass Storage, PTP, Select on connection)
Notes
• We recommend using a card reader for the transfer of large files.
• The USB connection must not be interrupted while data is being
transferred, as the computer or the camera could otherwise
“crash” and irreparable damage could occur on the memory card.
• The camera must not be turned off or automatically shut itself
down due to a lack of battery power while data is being trans-
ferred, as this can cause the computer to crash. For the same
reason, the battery must never be removed from the camera while
the connection is active.
PRACTICAL DEFAULT SETTINGS ▸ TOUCH AF
194
PRACTICAL DEFAULT SETTINGS
TOUCH AF
Touch AF allows a direct placement of the AF metering field.
Factory setting:
On
▸ Select Camera Settings in the main menu
▸ Select
Touch AF
▸ Select On/Off
Positioning the AF Metering Field
▸ Tap the LCD panel in the desired position
Moving the metering field back to the center of the screen
▸ Double-tap the LCD panel
Notes
• This function is available in conjunction with the following AF me-
tering methods:
Spot, Field, Zone, Tracking and Eye//Face/Body
Detection
.
• With
Spot, Field, Zone or Eye//Face/Body Detection metering
selected, the camera will immediately focus again automatically.
If the metering method
Tracking is selected, the metering field will
remain at the selected position and autofocus commences when
the shutter button is tapped.
TOUCH AF IN EVF MODE
Touch AF is deactivated by default when EVF is in use to prevent any
inadvertent altering of the AF metering field. Touch AF can, however,
also be used in EVF mode.
Factory setting:
Off
▸ Select Camera Settings in the main menu
▸ Select
Touch AF in EVF
▸ Select On/Off
PRACTICAL DEFAULT SETTINGS ▸ PERSONALIZED LENS SETTINGS / EV INCREMENT
195
PERSONALIZED LENS SETTINGS
The total angle of rotation of the lens used for focusing can be indi-
vidually adjusted. The setting selected indicates the angle of rotation
required to change the focus setting from infinity to the nearest pos-
sible distance. Example: for a setting to
90°, the entire focus range
will be run through when the focus ring is turned by one quarter. A
full turn of the focus ring will be needed for a setting to
360°. Small-
er values facilitate a faster, larger values a more precise adjustment.
A setting to
Maximum offers the highest precision.
Unlike the permanent settings, a setting to
Standard MF will result
in a non-linear dependency of rotation angle and focus setting. The
extent of the change depends dynamically on the speed of rotation.
With slow rotation, the same angle of rotation (e.g. 45°) causes a
smaller change than with fast rotation.
Factory setting:
Standard MF
▸ Select Focusing in the main menu
▸ Select MF Setup
▸ Select the desired setting
(
Standard MF, 90°, 120°, 150°, 180°, 210°, 240°, 270°, 300°, 330°,
360°, Maximum)
Note
• The settings
Standard MF and Maximum are highly lens-depen-
dent.
Maximum may, for example, mean a rotation angle of 360°
or 720°.
EV INCREMENT
You can choose between 1⁄2 EV or 1⁄3 EV graduations. This will allow
you to choose between stronger or more subtle effects for your
relevant settings.
This setting doesn't just apply for exposure compensation settings.
It also specifies the sensitivity of the setting wheels in standard
shooting mode, i.e. the increment width with which the shutter
speeds and the aperture will be set. A setting to
1/2 will change the
shutter speeds and aperture values that much faster each time the
setting wheel is moved one click further and the correct setting is
achieved quicker. A setting to
1/3 facilitates a more precise setting.
Factory setting:
1/3
▸ Select Camera Settings in the main menu
▸ Select
EV Increment
▸ Select the desired setting
(
1/2, 1/3)
PRACTICAL DEFAULT SETTINGS ▸ AUDIO OUTPUT
196
AUDIO OUTPUT
SETTING THE OUTPUT LEVEL
The volume level can be set for connected headphones.
▸ Accessing the status screen
▸ Select the headphone icon
▸ Select the desired setting
• There will be no audio output if the setting is
.
HDMI OUTPUT WITH/WITHOUT SOUND
HDMI output is available with or without audio.
Factory setting:
With Audio
▸ Select HDMI Output in the main menu
▸ Select the desired setting
(
With Audio, Without Audio)
Note
• An output with audio may result in some negligible delays. We
recommend the setting
Without Audio to avoid this effect (if, for
example HDMI Live View is required for a recording with an exter-
nal recorder).
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
197
AUXILIARY DISPLAYS
The Leica SL2-S has 4 independent info profiles, which contain dif-
fering combinations of the available auxiliary displays. The following
functions are available:
– Info Bars (see p. 199)
– Grid (only shooting mode, see p. 199)
– Focus Peaking (see p. 200)
– Zebra (see p. 199)
– Level Gauge (only shooting mode, see p. 201)
– Histogram (see p. 202)
F
A
A
B
C
E
D
A
Info Bars (= header and footer line)
B
Grid
C
Focus peaking
D
Zebra
E
Level gauge
F
Histogram
INFO PROFILES
Up to 4 independent profiles can be used. The desired function
can be selected and adjusted individually for each profile. During
operation, the switch between info profiles is done via direct access
(see p. 71). In factory settings, that will be the FN button. It allows
quick switches between various views.
The following profiles are predefined in the factory settings:
Profile Factory settings
Only info bars (header and footer lines)
Full screen view (all auxiliary displays Off)
Info Bars, Clipping / Zebra, Focus Peaking, Histogram
Info Bars, Clipping / Zebra, Grid, Level Gauge
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
198
CHANGING THE INFO PROFILES
▸ Press the function button with the
Toggle Info Levels assignment
• In factory settings, that will be the
FN button.
Note
• The same info profiles are available in playback mode as in
shooting mode. The actual info profile currently in use, however, is
saved separately.
DEACTIVATING INDIVIDUAL INFO PROFILES
You can limit the number of info profiles by activating/deactivating
individual profiles. At least one profile must always be active, but
that can be an “empty” profile.
▸ Select
Camera Settings in the main menu
▸ Select
Capture Assistants
▸ Select a profile
▸ Select On/Off
CUSTOMIZING THE INFO PROFILES
▸ Select
Camera Settings in the main menu
▸ Select Capture Assistants
▸ Select Setting
▸ Select a profile
▸ Select the desired function
▸ Select the desired setting
Function Available settings
Info Bars On, Off
Grid 3 x 3, 6 x 4, Off
Clipping / Zebra Off, Upper limit (value between 200 and 255)
Focus Peaking On, Off
Color (Red, Blue, Green, White) & sensitivity
(settings apply to all info profiles)
Level Gauge On, Off
Histogram On, Off
Note
• It is advisable to reserve one info profile as “empty”, in which
all functions are set to
Off. It allows you to temporarily hide all
displays. In effect, you get an unobstructed view of the full screen
image.
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
199
SHOW AVAILABLE
INFO BARS
The header and footer lines show the currently active settings and
exposure values. See chapter “Displays” for a full list of the various
displays (see p. 28).
GRID
The grids divide the image frame into multiple fields. They facilitate
pictorial composition and an exact camera orientation. The grid line
distribution can be adjusted to fit the object.
You can choose one of two grid displays. They divide the image field
into 3 x 3 or 6 x 4 fields.
ZEBRA
The Zebra display marks very bright image areas. This function is a
very easy and exact tool for checking the correct exposure setting.
Overexposed areas will appear white with moving black stripes.
SETTING THE LIMIT VALUE
You can set a threshold value for these displays, i.e. define a value
at what degree of overexposure they will appear, so that you can
adjust these displays to specific conditions or in line with your own
composition ideas.
▸ Select
Camera Settings in the main menu
▸ Select
Capture Assistants
▸ Select Setting
▸ Select a profile
▸ Select
Clipping / Zebra
▸ Select Upper limit
▸ Select the desired value
(
200 to 255)
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
200
FOCUS PEAKING
This assist function highlights the edges of in focus subject elements
in color.
When Focus Peaking is activated, will appear to the right of the
frame with a display of the color used.
HIGHLIGHT COLOR
The color can be user-specified. This setting will apply for all info
profiles.
Factory setting:
Red
▸ Select Focusing in the main menu
▸ Select
Focus Aid
▸ Select Focus Peaking
▸ Select the desired setting
(
Red, Green, Blue, White)
SENSITIVITY
The sensitivity can be additionally adjusted. This setting will apply for
all info profiles.
Factory setting:
High
▸ Select Focusing in the main menu
▸ Select
Focus Aid
▸ Select Peaking Sensitivity
▸ Select the desired setting
(
Low, High)
Note
• Focus peaking is based on subject contrast, i.e. differences be-
tween light and dark. As a result, high contrast subject elements
could be marked, even if they are not completely in focus.
PRACTICAL DEFAULT SETTINGS ▸ AUXILIARY DISPLAYS
201
LEVEL GAUGE
The integrated sensors of the camera show its orientation. These in-
dicators ensure exact camera orientation along the longitudinal and
transverse axes of critical objects, e.g. architecture.
Deviations in relation to the longitudinal axis (i.e. when the camera
is tilted up or down in the direction of view) are indicated by a short
line in the center of the image (
1). Deviations in relation to the trans-
verse axis (when the camera is tilted to the left or right) are indicated
by two long lines to the left and right of the image center (
2).
2
1
Note
• In vertical format recordings, the camera will switch the aspect of
the level gauge autonomously.
Correct alignment
Tilted laterally to the left Tilted downward in the direction
of view
Tilted laterally to the right Tilted upward in the direction
of view
PRACTICAL DEFAULT SETTINGS ▸ VIDEO ASSIST FUNCTIONS
202
HISTOGRAM
Histogram represents the brightness distribution in the image. The
horizontal axis shows the graduated values from black (left) through
gray to white (right). The vertical axis corresponds to the number of
pixels at each brightness level.
This type of rendering allows an additional quick and easy assess-
ment of the exposure setting.
Notes
• The histogram is always based on the brightness displayed;
depending on the settings used, it may not represent the final
exposure.
• In shooting mode, the histogram should be regarded as a “trend
indicator”.
• The histogram during rendering may differ slightly from the one
during exposure.
• The Histogram always refers to the currently displayed cropped
section of the image.
VIDEO ASSIST FUNCTIONS
REFERENCE VALUES
A color bar can be displayed and also recorded for calibration pur-
poses. A test sound with a frequency of 1 kHz will (optionally, three
volume settings) be emitted.
COLOR BAR
A choice of three color bars (SMPTE, EBU, ARIB) is available.
SMPTESMPTE EBUEBU ARIBARIB
▸ Select Video Settings in the main menu
▸ Select
Color Bar
▸ Select the desired setting
(
Off, SMPTE, EBU, ARIB)
PRACTICAL DEFAULT SETTINGS ▸ VIDEO ASSIST FUNCTIONS
203
OPERATING HINT/AUXILIARY DISPLAYS
Regardless of the current setting of Info Profile, the test image always
appears completely free at first. An operating hint is displayed in the
top right corner. The info displays can be accessed at any time.
With operating hint With auxiliary displays
Displaying information and auxiliary displays
▸ Press the function button with the
Toggle Info Levels assignment
• In factory settings, that will be the
FN button.
• The operating hint is hidden and the most recently active Info
Profile is displayed.
• The following auxiliary displays will not be displayed while the
color bar is visible: Focus Peaking, Histogram, Level Gauge,
Clipping/Zebra.
Ending the display of the color bar
▸ Press the joystick/thumbwheel
• The color bar and test sound end.
TEST SOUND
A test sound with a frequency of 1 kHz will be emitted whenever
the color bar is accessed. Der operating hint at the top right of the
image shows the current volume. Available setting options:
OFF, -20
dB
, -18 dB, -12 dB. The selected setting will remain for all subsequent
accesses.
Factory setting:
-18 dB
Setting the volume
▸ Press the joystick left/right
or
▸ Turn the thumbwheel to the left/right
Notes
• The operating hint will be hidden after ten seconds have elapsed
without any change to the volume setting and will reappear, when
the next change is made.
• During HDMI output, the test sound will only be output on the
connected device and not on the camera.
• During HDMI output, the test sound will be output on the connected
device even if the menu item
HDMI Output is set to Without Audio.
• During HDMI output, the operating hint will only be displayed in
Live View mode of the camera, and not on the external device.
PRACTICAL DEFAULT SETTINGS ▸ VIDEO ASSIST FUNCTIONS
204
APPLICATION
For HDMI output, the reference values are used for the configuration
of the external device. The reference values can be irrespectively
recorded at the start of a video for later use in post-production.
▸ Select the desired color bar
▸ Set the volume or mute the test sound
▸ Display Info Displays as needed
▸ Press the shutter button
• Start the recording. The test sound is no longer output via the
speakers, but will still be recorded.
▸ Press the joystick/thumbwheel
• The color bar and test sound end.
• Recording continues.
REC FRAME
A flashing red dot signifies a running video recording. The option
REC Frame offers an even better visualization of the process. With
the option set to
On, the entire screen content will be framed. This
frame appears in bright red during a running recording and will oth-
erwise be gray.
Factory setting:
On
Before recording During recording
▸ Select Video Settings in the main menu
▸ Select REC Frame
▸ Select On/Off
PRACTICAL DEFAULT SETTINGS ▸ VIDEO ASSIST FUNCTIONS
205
Quick option for hiding/displaying the REC Frame
The red dot is part of the info bars and is displayed or hidden
alongside them (via the Info profiles). The recording status will still
be displayed via the REC frame, without impeding the view of the
image content. The REC frame can also be displayed or hidden while
recording.
With Info bars REC frame only
▸ Assigning the REC Frame setting to an function button
▸ Press the function button
• Displays/hides the REC Frame.
WAVEFORM MONITOR (WFM)
The Waveform Monitor (WFM) allows a quick and safe assessment
of the luminance and color distribution within the current scene.
Image faults become more easily apparent, which might otherwise
be missed while recording with a smaller screen.
Factory setting:
Off
▸ Select Waveform Monitor in the main menu
▸ Select
On/Off
The Waveform Monitor displays the luminance distribution for the
entire visible image as a percentage (IRE). A value of 0% corresponds
to a luminance value of 16 (in 8-bit encoding), while a value of 100%
corresponds to a luminance value of 235 (in 8-bit encoding).
The visualization displays solid lines at 0%, 50%, and 100%. The dotted
lines below them represent the values 109% and -4%.
PRACTICAL DEFAULT SETTINGS ▸ VIDEO ASSIST FUNCTIONS
206
Notes
• Waveform Monitor and Histogram cannot be displayed at the
same time.
• The Waveform Monitor will not be displayed on the external device
during HDMI output.
• Der Waveform Monitor is available only in shooting mode, not in
playback mode.
• The exposure compensation and ISO values (ISO only when
accessed directly) can be adjusted using a menu bar. The screen
image remains visible and shows the immediate effect of the
selected setting. Should the Waveform Monitor be active, then it
will remain visible in these cases, and will also display the effects
of the latest setting.
ADJUSTING VISUALIZATION
The size and position of the Waveform Monitor can be adjusted to
current requirements.
Starting the adjustment
▸ Touch and hold the LCD panel on the Waveform Monitor
• Red triangles will appear at two corners of the Waveform Monitor.
All other displays disappear.
Adjusting the size
The size is adjustable in four increments.
▸ Turn the thumbwheel
(to the right: larger, to the left: smaller)
or
▸ Two-finger pinch/spread
Note
• The Waveform Monitor will appear smaller in the EVF than on the
LCD panel.
PRACTICAL DEFAULT SETTINGS ▸ VIDEO ASSIST FUNCTIONS
207
Adjusting the position
You can choose any position.
▸ Press the joystick in the relevant direction
or
▸ Tap the LCD panel in the desired position
Completing the adjustment
▸ Press the joystick/thumbwheel
or
▸ Tap the shutter button
ASPECT RATIO DISPLAY
The actually recorded aspect ratio depends on the set resolution
(see p. 177). It is possible, however, to have colored auxiliary lines
displayed to show other aspect ratios (e.g. 4:3). Multiple auxiliary
lines can be displayed at the same time. No auxiliary lines are dis-
played in factory settings.
▸ Select Video Aspect Ratio in the main menu
▸ Select the desired setting
(
1.33:1 (4:3), 1.66:1 (5:3), 1.78:1 (16:9), 1.85:1 (37:20) , 2.35:1,
2.40:1)
▸ Select
On/Off
Notes
• The format limits of a wider aspect ratio (than that of the recorded
video) are indicated by horizontal green lines, those of a narrower
one by vertical red lines.
• The auxiliary lines are labeled with the relevant aspect ratio.
PRACTICAL DEFAULT SETTINGS ▸ VIDEO ASSIST FUNCTIONS
208
SAFETY AREA
Depending on the playback device used, a small area of the image
borders may be invisible. It is therefore possible to display a “safety
area” in a configurable width. The image is displayed with a relevantly
proportioned frame around the desired image section. Multiple safety
area frames can be displayed at the same time. No safety area frames
are displayed in factory settings.
▸ Select Video Safety Area in the main menu
▸ Select the desired setting
(
80%, 90%, 92.5%, 95%)
▸ Select
On/Off
AF ASSIST LAMP
The AF assist lamp could be a visible disturbance in video recordings
and is therefore always without function in video mode, no matter
the setting for
AF Assist Lamp.
ACOUSTIC AF CONFIRMATION
You can set an acoustic confirmation signal for successful focus
metering in AF mode.
▸ Select
Camera Settings in the main menu
▸ Select
Acoustic Signal
▸ Select AF Confirmation
▸ Select On
▸ Select Volume
▸ Select Low/High
Note
• The signal only appears during the focusing for a recording, not
during recording.
209
RECORDING VIDEO ▸ VIDEO MODE AND CINE MODE
210
RECORDING VIDEO
The settings described in this chapter only apply for video operations.
They are therefore part of the video menu and must always be ac-
cessed and configured from within video mode (see chapter “Camera
operation” in the section “Menu Control”). Any menu items of the
same name in the photo menu are not affected.
Notes
• As only part of the sensor area is used in video recordings, the rel-
evantly effective focal length is increased, which slightly reduces
the size of the image sections.
• The max. file size for uninterrupted video recording is 96 GB. Once
a recording exceeds this file size, the overrun will be automatically
stored in a new file.
• Some menu items are unavailable in Video mode. The text in
the relevant line is displayed in gray to signify the existence of a
submenu.
• Unlike in photo mode, the joystick is used exclusively for focusing
(metering and saving) in video mode. A coupling of exposure me-
tering and focusing is not done, no matter which metering method
is selected.
• The automatic LCD panel and EVF shutdown will also deactivate
the AF system (see p. 85). We therefore recommend the
Off
setting if autofocus is to be used in HDMI recordings.
VIDEO MODE AND CINE MODE
Cine mode is optimized for use by cinematography professionals.
The mode is reduced to the most important points and the use of
terminology from cinematography ensure a seamless user experi-
ence.
(Semi) automatic exposure programs (
P, A, S) and the automatic
control of light sensitivity (
Auto ISO, Floating ISO) remain disabled.
Light sensitivity is stated as an
ASA value.
Unlike other video modes, the shutter speeds are not set as abso-
lutes, but as shutter angles, relative to the selected frame rate.
In conjunction with suitable lenses. the Cine mode allows the Leica
SL2-S the use of T-stops to ensure exact same exposure scenarios
independent of camera settings.
Factory setting:
Video
▸ Select Recording Mode in the main menu
▸ Select the desired setting
(
Video, Cine)
Note
• The settings for light sensitivity (ISO/ASA), aperture and shutter
speeds are saved separately for Video and Cine mode.
RECORDING VIDEO ▸ START/EXIT VIDEO MODE
211
START/EXIT VIDEO MODE
The camera will always be in Photo mode at initial activation or after
a reset to factory settings. There are two methods for toggling be-
tween Photo and Video mode:
Using touch control
Variant 1
VideoPhoto
Variant 2
VideoPhoto
• The color of the status screen changes accordingly.
Using button control
▸ Press the function button with the function assignment
Photo -
Video
• In factory settings, that will be the FN button.
Note
• The camera switches to the most recently set photo or video
mode.
RECORDING VIDEO ▸ START/END VIDEO RECORDING
212
START/END VIDEO RECORDING
▸ Press the shutter button
• Video recording begins.
• The dot flashes red.
• Recording time is running.
• The Status LED flashes.
▸ Press the shutter button again
• Video recording ends.
• The dot lights in gray.
Notes
• The current shooting is shown in the top display with a dot below
the mode.
• Basic shooting settings (see p. 176) must be configured before
shooting.
• No direct access to menu functions is possible during video re-
cording.
DUSPLAY AND OPERATION VIA USB-PTP USING EXTERNAL
ACCESSORY (LIKE GIMBALS)
Leica SL2-S allows connecting an optional Gimbal like DJI Ronin RS2
via USB-PTP. The Gimbal supports blur-free recordings.
▸ Select
USB-Mode in the main menu
▸ Select
PTP or Select on connection
▸ Connecting the Gimbal to the camera (see Gimbal operating
instructions)
Once the PTP connection is established, the camera can also be
triggered via the shutter button on the Gimbal.
Many Gimbal models allow controlling the focus function of the
camera, provided it is in MF mode.
Note
• The camera screen will switch off for technical reasons if external
devices connected to the USB or HDMI output are operated
simultaneously.
RECORDING VIDEO ▸ FOCUSING
213
FOCUSING
Your Leica SL2-S allows automatic as well as manual focusing.
There are 3 operating modes and 4 metering methods available for
automatic focusing. Only manual setting options are available for MF
lenses.
TAKING VIDEOS WITH AF
Focusing is done as needed when
AFs is in use. The area in the AF
metering field will be focused continuously if
AFc and Intelligent AF
are in use. Continuous focusing can be suppressed by using a meter-
ing memory lock.
TAKING VIDEOS WITH MF
Focusing is done manually via the focus ring. The joystick can be
used as needed to do an AF metering (in
AFs mode).
Note
• Autofocus can be overridden manually at any time by turning the
focus ring, while pressing and holding the shutter button at the
first pressure point. The set focus will remain unchanged until the
shutter button is released.
AUTOFOCUS MODES
The following AF modes are available:
AFs, AFc and Intelligent AF.
The currently selected AF mode is shown in the header line.
Factory setting:
Intelligent AF
▸ Select Focusing in the main menu
▸ Select
Focus Mode
▸ Select the desired setting
(
Intelligent AF, AFs, AFc)
INTELLIGENT AF
Suitable for all objects. The camera automatically selects between
AFs and AFc.
AFs (single)
A meaningful option if the focus setting should remain constant for
an extended period of time. Allows greater control over focusing and
helps to avoid incorrect focusing.
AFc (continuous)
Suitable for objects in motion. Focusing is continuously adjusted to
the object in the AF metering field.
Facilitates an intuitive focus control, specifically in conjunction with
Touch AF.
RECORDING VIDEO ▸ FOCUSING
214
CONTROLLING THE AUTOFOCUS
TOUCH AF
During video recordings, Touch AF facilitates a more intuitive focus
control, even if the main object moves outside the center of the
frame. See p. 194 for more information.
▸ Tap the LCD panel in the desired position
• Focusing is done after the touch.
SUPPRESSING CONTINUOUS FOCUSING
Continuous focus adjustments can be suppressed by initiating a
metering memory lock.
Use the following control elements depending on the currently selected
mode:
Intelligent AF Shutter button (tap and hold)
Joystick (press and hold)
AFc Joystick (press and hold)
The camera stores the focus setting. That makes it easier to change
the image section when focusing is fixed. The focus remains con-
stant as long as the control element is held. Automatic focusing will
only resume after the control element is released.
AUTOFOCUS METERING METHODS
The AF mode offers various metering methods for focusing. A
successful focus setting is identified by a green metering field, an
unsuccessful one is shown in red.
Factory setting:
Multi-Field
▸ Select Focusing in the main menu
▸ Select
AF Mode
▸ Select the desired setting
(
Multi-Field
,
Spot
,
Field
,
Zone
,
Tracking
,
Eye//Face/Body Detection
)
Note
• AF focusing can be unsuccessful:
– if the distance to the object is too great (macro mode) or too
small
– if the object is not sufficiently illuminated
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MULTI-FIELD
Several metering fields are detected automatically.
SPOT/FIELD
Both methods detect only those parts of the object that are within
the relevant AF metering fields. The metering fields are indicated by
a small frame (field metering) or a cross (spot metering). The very
small measuring range for spot metering allows focusing on tiny
details of the subject. Simply move the AF metering field to another
position.
The slightly larger measuring range in field metering is less critical
for focusing, but still permits selective metering.
▸ Press the joystick in the relevant direction
or
▸ Tap the LCD panel in the desired position
(while Touch AF is activated)
Notes
• In both cases, the metering fields remain at their last positions
set, even if the metering method is changed or the camera is
switched off.
• The metering fields are joined together when the exposure metering
method
Spot is combined with the AF metering methods Spot,
Field and Zone. Exposure metering will then occur at the point
specified by the AF metering field, even if it is moved.
ZONE
With this metering method, subject sections are recorded with a
coherent group comprising 5 x 5 fields.
Once the setting has been made, the metering fields are displayed
where object sections are displayed in focus.
RECORDING VIDEO ▸ FOCUSING
216
TRACKING
This field metering variant helps in the capture of moving objects.
The focus on the object in the metering field is continuously adjusted,
once it is detected.
▸ Aim the metering field at the desired object
(by panning the camera shifting the metering field)
▸ Tap and hold the shutter button
or
▸ Press and hold the joystick
• The camera focuses on the object.
• The metering field “tracks” the saved object and focus is con-
tinuously adjusted.
Note
• This metering method focuses continuously, even if the AF mode
AFs was set.
START POSITION FOR TRACKING
Factory setting:
Center
You can specify the starting point for tracking.
Center
Center of the screen
Last Position
Ending position of the most recent tracking
Recall
Starting position of the most recent tracking
▸ Select
Focusing in the main menu
▸ Select
AF Setup
▸ Select AF Tracking Start Position
▸ Select the desired setting
(
Last Position, Recall, Center)
PERSON DETECTION (FACE DETECTION)
Person detection is an expansion of the face detection feature. In
addition to biometric patterns of faces, the camera also detects
body patterns and uses them for focusing. Tracking will therefore
continue, once a person is detected and measured, even if the face
may not be in view at some point. This feature prevents inadvertent
“jumps” to other faces if several persons are in the frame.
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217
When face detection detects an eye, the focus will be on that eye.
Should more than one eye be detected, then the user can choose
the eye to focus on. The currently selected eye will be highlighted.
Additionally, the desired face can be easily selected if there are sev-
eral faces in the frame.
Switching between faces
▸ Press the joystick in the relevant direction
Switching the focused eye
▸ Press the joystick
AF SETTINGS
SENSITIVITY
Specifies the sensitivity of contrast metering.
Factory setting:
0
▸ Select Focusing in the main menu
▸ Select
AF Setup
▸ Select AF Sensitivity
▸ Select the desired setting
(
-3, -2, -1, 0, +1, +2, +3)
SPEED
Where objects are not as fast-moving, it is advisable to set AF
Speed to a slightly lower value. This will prevent overly abrupt focus
changes. For very fast-moving objects, a high setting will guarantee
a correct focus.
Factory setting:
0
▸ Select Focusing in the main menu
▸ Select
AF Setup
▸ Select AF Speed
▸ Select the desired setting
(
-5, -4, -3, -2, -1, 0, +1, +2, +3, +4, +5)
RECORDING VIDEO ▸ FOCUSING
218
FOCUS LIMIT
The focus area can be limited to the macro range. This will speed up
automatic focusing considerably.
Factory setting:
Off
▸ Select Camera Settings in the main menu
▸ Select
Focus Limit (Macro)
▸ Select On/Off
Notes
• The focusing range differs depending on the lens used (see rele-
vant instructions).
• This function is not available for specific lenses:
– lenses mounted via an adapter (e.g. Leica M lenses with L
adapter M)
– specific Leica SL lenses
AF QUICK SETTING
AF Quick Setting offers the following functions:
– Quick switches of the AF metering methods
– Changing the metering field size (
Field and
Eye/Face/Body Detection
only)
The viewfinder image remains visible continuously during setting
adjustments.
ACCESSING AF QUICK SETTING
▸ Tap and hold the LCD panel
• All auxiliary displays are hidden.
• Red triangles appear at two corners of the metering field if the
metering method
Field/Eye/Face/Body Detection is set.
• In all other AF modes, the AF Mode menu bar will be displayed
directly.
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219
ADJUSTING THE METERING FIELD SIZE
(
Field and Eye/Face/Body Detection only)
▸ Turn the thumbwheel
or
▸ Two-finger pinch/spread
• The size of the AF-metering field is adjustable in 3 increments.
CHANGING THE AF METERING METHOD
The user needs to access the
AF Mode menu bar first if the active AF
mode is
Field or Eye/Face/Body Detection:
▸ Turn the front dial
• The
AF Mode menu bar appears.
▸ Select the desired metering method
• Alternatively, you can use the front dial for the setting.
• The setting is applied automatically after 3 seconds, the menu
bar disappears.
Notes
• This function is unavailable while recording.
• AF Quick Setting can only be accessed if the function
Touch AF is
active (see p. 194).
MF ASSIST FUNCTIONS
ENLARGEMENT IN AF MODE
You can access the enlargement function independent of focusing
for a better assessment of the settings.
The function
Magnification must be assigned to one of the function
buttons to use this feature (see p. 71).
Assigning a function to one of the function buttons
▸ See p. 71
Accessing the enlargement function
▸ Press the function button
• An enlarged image section appears. The position of the en-
largement depends on the position of the AF metering field.
• The rectangle within the frame at the top right represents the
current magnification, as well as its position in the displayed
cropped section.
• The enlargement starts at the 1st of 3 enlargement increments.
Adjusting the enlargement function
▸ Turn the thumbwheel/front dial
Changing the position of the enlarged section
▸ Swiping will allow you to move the position of an enlarged
cropped section
or
▸ Press the joystick in the relevant direction
Exiting the enlargement function
▸ Tap the shutter button
RECORDING VIDEO ▸ FOCUSING
220
Notes
• The enlargement function remains active until it is exited.
• The most recently magnification function will still be active the
next time the feature is accessed.
• This function is unavailable while recording.
AF ASSIST LAMP
The AF assist lamp is not active in video mode.
ACOUSTIC AF CONFIRMATION
You can set an acoustic confirmation signal for successful focus
metering in AF mode (see p. 85).
Note
• This function is unavailable while recording.
SHIFTING THE AF METERING FIELD
All AF metering methods permit shifting the AF metering field before
focusing.
▸ Press the joystick in the relevant direction
or
▸ Tap the LCD panel in the desired position
(while Touch AF is activated)
Notes
• The metering field will remain at the most recently used position
for this AF metering method even if the user changes the AF me-
tering method or the camera is switched off.
• The metering fields are joined together when the exposure meter-
ing method
Spot is combined with the AF metering methods Spot,
Field and Zone. Exposure metering will then occur at the point
specified by the AF metering field, even if it is moved.
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221
MANUAL FOCUSING (MF)
Manual focusing offers more control and is less prone to incorrect
settings than the AF modes.
▸ Select
Focusing in the main menu
▸ Select
Focus Mode
▸ Select MF
▸ Start video recording
▸ Turn the focus ring to select the desired focusing
MF ASSIST FUNCTIONS
The following assist functions are available in MF mode.
FOCUS PEAKING
This assist function highlights the edges of in focus subject elements
in color.
When Focus Peaking is activated, will appear to the right of the
frame with a display of the color used. The color can be user-spec-
ified. The sensitivity can be additionally adjusted. The activation of
this function is controlled vis the info profiles (see p. 197).
▸ Activate the function
▸ Turn the focus ring to mark the desired subject elements
Note
• Focus peaking is based on subject contrast, i.e. differences be-
tween light and dark. As a result, high contrast subject elements
could be marked, even if they are not completely in focus.
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222
ENLARGEMENT IN MF MODE
The larger the details of the subject are shown, the better you can
assess their sharpness and the more accurately you can focus.
This function can be automatically activated during manual focusing
or can be accessed independently.
ACCESS VIA THE FOCUS RING
Turning the focus ring will automatically enlarge a image section.
▸ Select
Focusing in the main menu
▸ Select
Focus Aid
▸ Select Auto Magnification
▸ Select On
▸ Turn the focus ring
• An enlarged image section appears. The position of the enlarge-
ment depends on the position of the AF metering field.
• The rectangle within the frame at the top right represents the
current magnification, as well as its position in the displayed
cropped section.
• The enlargement starts at the 1st of 3 enlargement increments.
Adjusting the enlargement function
▸ Turn the thumbwheel/front dial
Changing the position of the enlarged section
▸ Swiping will allow you to move the position of an enlarged cropped
section
or
▸ Press the joystick in the relevant direction
Exiting the enlargement function
▸ Tap the shutter button
or
▸ Decrease the enlargement, until the full image is visible again
Notes
• The magnification will automatically return to normal viewing size
about 5 s after the last movement of the focus ring.
• This function is unavailable while recording.
ACCESS VIA THE FUNCTION BUTTON
This function can be assigned to an function button.
Assigning a function to one of the function buttons
▸ See p. 71
Accessing the enlargement function
▸ Press the function button
• An enlarged image section appears. The position of the enlarge-
ment depends on the position of the AF metering field.
• The rectangle within the frame at the top right represents the
current magnification, as well as its position in the displayed
cropped section.
• The enlargement starts at the 1st of 3 enlargement increments.
Adjusting the enlargement function
▸ Turn the thumbwheel/front dial
RECORDING VIDEO ▸ FOCUSING
223
Changing the position of the enlarged section
▸ Swiping will allow you to move the position of an enlarged cropped
section
or
▸ Press the joystick in the relevant direction
Exiting the enlargement function
▸ Tap the shutter button
Note
• The enlargement function remains active until it is exited.
DISTANCE DISPLAY
Distance information is shown in the top display during manual
focusing.
– Focus Mode MF: when the shutter button is pressed to the first
pressure point
– Focus Mode AF: when the shutter button is pressed and held at
the first pressure point, followed by a turning of the focus ring
The unit of measure (
m or ft) can be selected, see p. 81.
Note
• The focus distance is estimated based on the focus position trans-
mitted by the lens.
FOLLOW FOCUS
This function facilitates automatic transitions to specified focus
settings (focus positions). Up to threes such focus positions can be
pre-configured and optionally be set up with a delay time. When a fo-
cus position is accessed, the camera will automatically focus on the
set distance. The transition will then be achieved smoothly and with
a configurable speed. That way, soft, almost unnoticeable transitions
are created. Prerequisite is that the relevant distances are known
beforehand.
The specified focus positions can be accessed individually or in an
automated sequence.
▸ Select
Focusing in the main menu
▸ Select
Focus Mode
▸ Select Follow Focus
▸ Select Focus Position
• “Follow Focus” is activated. The Follow Focus menu appears.
• The Follow Focus menu remains visible until the function is
exited.
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224
FUNCTION BEHAVIOR
The function continues to run regardless of whether the camera
is currently recording. All operating procedures described in the
following can therefore also occur while actively recording. It is also
possible to start and stop a recording during an active focus se-
quence, or to exit the Follow Focus menu while recording.
Notes
• The following limitations apply while the function is active:
– Depending on their assignments, some function buttons may
be unavailable.
– EVF is unavailable.
•
Follow Focus is not available under the following conditions:
– Recordings in slow motion
– When using a lens adapter
– When using MF lenses
– When using lenses with AF/MF switch if the MF setting is
selected
FOLLOW FOCUS MENU
All operation is done via touch control only.
B
F
G
H
A
C
D D
D
E
O
P
A
I
J
K
K
L
M
N
L
M
N
A
Button for expanding/reducing the Follow Focus menu
B
Focus position settings bar (Sharp focus in m or ft)
C
“START” button (initiates the automatic focus sequence)
D
Focus positions
E
“EXIT” button (exits the Follow Focus menu)
F
“Edit” button (only for pre-configured focus positions)
G
Display of the set distance
H
Display of the distance range in clear focus
(Depth of field range, depending on the in-focus distance and the exposure
value)
I
Delay time settings bar
J
Set delay time
K
Buttons “Plus” and “Minus”
L
“Back” button
M
Currently selected focus position
N
“Confirm” button
O
Running delay time
P
Currently set focus position
RECORDING VIDEO ▸ FOCUSING
225
The Follow Focus menu can be reduced to essential elements for
better visibility.
▸ Tap button
A
• The Follow Focus menu toggles between full and reduced view.
Note
• Focus positions cannot be selected directly in reduced view.
PREPARATION
CONFIGURING A FOCUS POSITION
▸ Tap the desired focus position
• The delay time settings menu appears.
Setting a delay time
Delay times up to 120 s can be set (default setting is 0 s).
▸ Tap the buttons “Plus” and “Minus”
or
▸ Tap the desired setting directly via the settings bar
• The selected time is displayed above the settings bar.
▸ Tap the “Confirm” button
• The distance settings menu appears.
RECORDING VIDEO ▸ FOCUSING
226
Setting the distance
▸ Select the desired distance
• Focusing can be done manually or via AFs (joystick/Touch AF).
The shutter button remains locked.
• The settings bar displays the set distance.
▸ Tap the “Confirm” button
• The display returns to the top level of the Follow Focus menu.
• The currently set focus position is indicated by a red frame. The
settings bar displays the set distance.
• The set delay time is displayed instead of
POS 1, POS 2 or POS
3
.
Canceling the setting
▸ Tap the “Back” button
• The display reverts to the previous menu level.
CHANGING THE FOCUS POSITION
▸ Tap the desired button
• The “Edit” button appears.
▸ Tap the “Edit” button
• Any running delay time or focus setting is canceled.
• The delay time settings menu appears.
▸ Define a new focus position
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227
APPLICATION
The
Follow Focus function can be utilized in two ways.
– The pre-configured focus positions are accessed individually as
needed.
– All configured focus positions are selected automatically in se-
quence.
Both methods can also be combined.
ACCESS AS NEEDED
The configured focus positions can be accessed any number of
times.
With delay time:
– The active delay time is displayed in red and counts down.
– After that, the transition to the next desired focus position begins.
Without delay time:
– The transition to the next desired focus position is immediate.
▸ Tap the desired focus position
• The camera focuses with the set speed on the configured dis-
tance (once the delay time has elapsed - if set).
Note
• The transition to a focus position can be canceled via the “STOP”
button, as long as it is not yet completed.
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228
AUTOMATIC SEQUENCE
An automatic sequence of focus positions can be initiated if at least
two positions have been configured.
START
▸ Configure at least two focus positions
▸ Tap the “START” button
• The “START” button becomes “STOP” for the duration of the
sequence.
• All configured focus positions will be accessed in sequence
(once the set delay time has elapsed - if any).
All other buttons are deactivated while the focus sequence runs.
Note
• The automatic focus sequence can be run any number of times.
The focus sequence will automatically revert to the first position
when it is restarted.
CANCEL
▸ Tap the “STOP” button
• The running focus sequence is canceled.
Initiating the automatic focus sequence directly at the
beginning of the recording
The automatic focus sequence can be initiated directly at the begin-
ning of the recording.
▸ Select
Focusing in the main menu
▸ Select Focus Mode
▸ Select Follow Focus
▸ Select Start FF with Recording
▸ Select On/Off
Exiting the function
▸ Canceling a running sequence
▸ Tap the “EXIT” button
• The “EXIT” button is unavailable while a focus sequence is
running.
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229
OTHER SETTINGS
SPEED
The speed at which one focus position transitions to the next can be
configured. This setting will then apply for all transitions.
▸ Select
Focusing in the main menu
▸ Select
Focus Mode
▸ Select Follow Focus
▸ Select Speed
▸ Select the desired setting
(
Very Low, Low, Medium, High, Very High)
SUBSEQUENT FOCUS MODE
After exiting, you can switch automatically to a pre-configured focus
mode (e.g.
MF) or to the most recently used focus mode.
▸ Select
Focusing in the main menu
▸ Select
Focus Mode
▸ Select Follow Focus
▸ Select Return to
▸ Select the desired setting
(
Intelligent AF, AFs, AFc, MF, Previous setting)
ISO SENSITIVITY
(Video mode)
The ISO setting covers a range between ISO 50 and ISO 50000,
allowing you to adapt to the current situation.
There is more leeway for the use of preferred shutter-speed/aper-
ture combinations when setting the exposure manually. You can set
priorities within the scope of the automatic setting.
Factory setting:
ISO 100
FIXED ISO VALUES
ISO values between 50 and 50,000 can be selected. Manual ISO
setting occurs in increments of 1⁄2 EV or 1⁄3 EV, depending on the
selected
EV Increment setting. The number of available ISO values
depends on the selected
EV Increment.
▸ Select
ISO in the main menu
▸ Select the desired setting
Note
• When high ISO values are used or the image is edited later, image
noise, as well as vertical and horizontal stripes may become visible,
particularly in larger, evenly lit areas of the object.
RECORDING VIDEO ▸ ISO SENSITIVITY
230
AUTOMATIC SETTING
The camera automatically adjusts the sensitivity to ambient bright-
ness and/or to the configured shutter-speed/aperture combination.
In conjunction with aperture priority mode, this function extends the
range for automatic exposure control. The automatic setting of ISO
sensitivity occurs in increments of 1⁄2 EV or 1⁄3 EV, depending on
the selected
EV Increment setting.
▸ Select
ISO in the main menu
▸ Select
Auto ISO
Note
• This function is not available in Cine mode.
LIMITING SETTING RANGES
A max. ISO value can be set, which will then limit the automatic set-
ting range (
Maximum ISO). A max. exposure time can also optionally
be configured. There are automatic settings and fixed max. shutter
speeds
1/30 s and 1/2000 s available for that purpose.
LIMITING ISO VALUES
All values from ISO 100 are available.
Factory setting:
6400
▸ Select Auto ISO Settings in the main menu
▸ Select
Maximum ISO
▸ Select the desired value
LIMITING SHUTTER SPEED RANGES
Factory setting:
Auto
▸ Select Auto ISO Settings in the main menu
▸ Select
Shutter Speed Limit
▸ Select the desired value
(
Auto, 1/2000, 1/1000, 1/50 0, 1/250, 1/125, 1/60, 1/30)
RECORDING VIDEO ▸ ISO SENSITIVITY
231
DYNAMIC ISO SETTING
The thumbwheel and front dial can be configured to allow manual
ISO settings in real time. That is the factory setting in the operating
modes S, A and M. Turning the dial will cycle through all setting
values available in the
ISO menu. That means that Auto ISO can also
be selected.
FLOATING ISO
This function complements Auto ISO. Light strength changes with
many zoom lenses when the focal length is changed. Floating ISO
will in this situation adjust the sensitivity in fine graduations and will
simultaneously ensure that the selected settings of aperture value
and shutter speed remain constant in (semi) automatic exposure
modes. This will specifically in video shootings prevent visible jumps
in brightness.
Factory setting:
On
▸ Select Floating ISO in the main menu
▸ Select
On
Notes
•
Floating ISO can work only if the original ISO setting allows scope
for change, i.e. the highest/lowest ISO setting is not already being
used. The
Floating ISO warning icon will be displayed in that case.
• This function is not available in Cine mode.
RECORDING VIDEO ▸ ASA SENSITIVITY
232
ASA SENSITIVITY
(Cine-Mode)
The sensitivity setting in Cine mode is always done manually. The
menu item
Exposure Index replaces the menu item ISO. The value is
stated in ASA units. Automatic settings (Auto ISO/Floating ISO) are
unavailable.
Factory setting:
400 ASA
▸ Select ISO in the main menu
▸ Select the desired setting
(
50 ASA, 100 ASA, 200 ASA, 400 ASA, 800 ASA, 1600 ASA, 3200
ASA
, 6400 ASA, 12500 ASA, 25000 ASA, 50000 ASA)
WHITE BALANCE
In white balance ensures neutral color rendering in any light. White
Balance relies on the setting made in the camera, which light color is
to be rendered as 'white'.
Four methods are available:
– automatic control
– fixed presets
– manual setting via metering
– direct setting of the color temperature
Factory setting:
Auto
RECORDING VIDEO ▸ WHITE BALANCE
233
AUTOMATIC CONTROL/FIXED SETTINGS
–
Auto: for automatic control, which delivers neutral results in most
situations
– Various fixed presets for most frequently encountered light sources:
Daylight
For outdoor shootings in sunlight
Cloudy
For outdoor shootings in cloudy condi-
tions
Shadow
For outdoor shootings with the main
subject in shadow
Tungsten
For indoor shootings with (predominant-
ly) incandescent lamp light
HMI
For indoor shootings with (predominant-
ly) light from metal halide lamps
Fluorescent (warm)
For indoor shootings with (prevailing)
light from fluorescent tubes with warm
light color
Fluorescent (cool)
For indoor shootings with (prevailing)
light from fluorescent tubes with cool
light color
Flash
For shooting with flash
▸ Select White Balance in the main menu
▸ Select the desired setting
MANUAL SETTING VIA METERING
(
Graycard/ Graycard Live View)
The variant
Gray card is suited best for subjects in which you can
clearly identify a neutral gray or pure white area. If not, or should you
base your metering on an off-center detail, then
Graycard Live
View
will be a better choice.
Note
• A value configured using this method will remain unchanged (i.e.
it will be used for all subsequent photographs) until new mea-
surements are taken or one of the other white balance settings is
selected.
RECORDING VIDEO ▸ WHITE BALANCE
234
GRAY CARD
This metering variant captures all color hues in the metering field
and uses these to calculate a mean gray value.
▸ Select
White Balance in the main menu
▸ Select
Gray card
• The following appears on the LCD panel:
– the image based on automatic white balance
– a frame in the center of the image
▸ Aim the metering field at a white or neutral gray area
• The screen image changes dynamically in line with the reference
area in the frame.
Performing measurement
▸ Shutter release
or
▸ Press the joystick/thumbwheel
• The measurement is taken.
Cancelling measurements
▸ Press the
FN button
GRAY CARD LIVE VIEW
This metering variant captures only the color hue metered within the
metering field and calculates the mean gray value from it.
▸ Select
White Balance in the main menu
▸ Select
Graycard Live View
• The following appears on the LCD panel:
– the image based on automatic white balance
– a cross in the middle of the image
▸ Aim the metering field at a white or neutral gray area
Repositioning the metering field
▸ Press the joystick in the relevant direction
Performing measurement
▸ Shutter release
or
▸ Press the joystick/thumbwheel
• The measurement is taken.
Cancelling measurements
▸ Press the
FN button
RECORDING VIDEO ▸ EXPOSURE
235
DIRECT SETTING OF THE COLOR TEMPERATURE
Values between 2000 and 11,500 K (Kelvin) can be set directly.
That gives you a very wide range, which covers virtually all color
temperatures occurring in real life and within which you can adapt
color rendering to any light color and your personal preferences with
incredible detail.
▸ Select White Balance in the main menu
▸ Select
Color Temperature
▸ Select the desired value
EXPOSURE
The exposure setting is done dynamically via the two setting wheels.
Generally, the thumbwheel controls the aperture, and the front dial
controls ISO sensitivity. Function assignments can be modified, see
p. 72.
Exposure settings can be done quickly and easily via the status
screen.
▸ Tap the desired control panel
• The active control panel is highlighted in red.
• A setting band appears instead of the light balance. A dot
marks the current setting. The current setting value is displayed
above the dot.
RECORDING VIDEO ▸ EXPOSURE
236
▸ Tap the setting band briefly in the desired position, or drag the dot
to the desired position
EXPOSURE METERING METHODS
The following exposure metering methods are selectable.
Factory setting:
Multi-Field
Spot
Center-weighted
Highlight-Weighted
Multi-field
▸ Select
Exposure Metering in the main menu
▸ Select the desired metering method
(
Spot, Center-Weighted, Highlight-Weighted, Multi-Field)
• The selected metering method is displayed in the header line of
the screen image.
Spot metering allows a shifting of the metering field:
▸ Press the joystick in the relevant direction
Notes
• The exposure information (ISO value, aperture, shutter speed
and light balance with exposure compensation scale) will help to
determine the settings required for correct exposure.
• The most important displays (ISO value, aperture and shutter
speed) will also appear in the top display.
RECORDING VIDEO ▸ EXPOSURE
237
SPOT
This metering method is concentrated exclusively on a small area
in the center of the image. The metering fields are joined together
when the exposure metering method
Spot is combined with the AF
metering methods
Spot, Field and Zone. Exposure metering will then
occur at the point specified by the AF metering field, even if it is
moved.
CENTER-WEIGHTED
This method considers the entire image field. The subject elements
captured in the center will, however, impact on the calculation of the
exposure value more so than areas around the edges.
MULTI-FIELD
This metering method is based on the detection of multiple values.
These values are used in an algorithm to calculate an exposure value
appropriate for a good rendering of the assumed main subject.
HIGHLIGHT-WEIGHTED
This method considers the entire image field. The exposure value
will, however, be adjusted to very bright subject elements. That
prevents the overexposure of bright subject elements without having
to measure them individually. This metering method is particularly
useful for objects that are significantly more brightly lit than the rest
of the frame (e.g. people in a spotlight), or that reflect the light sig-
nificantly (e.g. white clothing).
Multi-field Highlight-weighted
RECORDING VIDEO ▸ EXPOSURE
238
EXPOSURE MODES
You can choose one of four video shooting modes:
– Automatic program (P)
– Aperture priority mode (A)
– Shutter speed priority mode (S)
– Manual setting (M)
Cine mode also offers another, fully manual mode.
Notes
• When using a lens with an aperture ring (e.g. Leica M lenses), only
the exposure modes A (aperture priority) and M (manual setting)
will be available. Where that is the case,
F0.0 is displayed as the
aperture value.
• The following applies for all exposure modes: the available shutter
speeds for custom settings or those available for automatic set-
tings depend on the selected frame rate (
Video Resolution, see
p. 177 ).
• When Auto ISO is active, the camera uses the dynamic adjustment
function for the ISO value for the exposure setting. Depending on
the exposure mode selected, the automatic ISO setting interacts
with automatically controlled aperture and/or shutter speed set-
tings.
SELECTING A MODE
Via the thumbwheel
▸ Press the thumbwheel
• The currently selected mode is shown in the top display. The
currently selected mode is marked in red on screen.
▸ Turn the thumbwheel to select the desired mode
• The mode display changes in the top display and on screen. All
modes can be reached by turning the wheel in either direction.
• The selected mode will be applied automatically approx. 2 s
after the thumbwheel is moved the last time.
Applying the selected mode immediately
▸ Press the joystick/thumbwheel
or
▸ Tap the shutter button
RECORDING VIDEO ▸ EXPOSURE
239
Via the status screen
▸ Tap the control panel
▸ Tap the desired exposure mode
FULLY AUTOMATIC EXPOSURE SETTING – P
AUTOMATIC PROGRAM – P
The exposure is controlled by an automatic shutter speed and aper-
ture setting.
The exposure compensation and recording level are controlled directly
via the setting wheels.
▸ Select the operating mode P (see p. 238)
▸ Set exposure compensation as needed
▸ Start video recording
Note
• Automatic exposure control takes into account any fluctuations in
brightness. Set the shutter speed manually if this is undesirable,
e.g. for landscape recordings or panning.
RECORDING VIDEO ▸ EXPOSURE
240
SEMI-AUTOMATIC EXPOSURE SETTING – A/S
APERTURE PRIORITY - A
Aperture priority mode sets the exposure automatically according to
the manually selected aperture. It is therefore specifically suitable
for video recordings in which the depth of field is a critical composi-
tional element.
The range of the depth of field can be diminished with an accordingly
small exposure value. This will set off the focused area against the
unfocused background. Conversely, a greater exposure value will
increase the range of the depth of field. Such a setting is advisable if
the foreground and background should be rendered in sharp focus.
The selected aperture setting will be maintained for the duration of
the recording.
▸ Select the operating mode A (see p. 238)
▸ Set the desired exposure value
▸ Start video recording
SHUTTER SPEED PRIORITY – S
Shutter speed priority mode will set exposure automatically accord-
ing to the manually selected shutter speed. The selected shutter
speed will be maintained for the duration of the recording.
▸ Select the operating mode S (see p. 238)
▸ Select the desired shutter speed
▸ Start video recording
MANUAL EXPOSURE SETTING – M
The following manual settings for shutter speed and aperture are a
good choice:
– to maintain constant exposure settings between multiple recordings
– to maintain constant exposure settings while recording, specifically
in conjunction with fixed ISO settings
▸ Select the operating mode M (see p. 238)
▸ Select desired exposure
• The exposure compensation is done using the scale of the light
balance.
▸ Start video recording
Displays on the light balance:
Correct exposure
under/overexposure by the displayed value
under or overexposure by more than 3 EV
RECORDING VIDEO ▸ EXPOSURE
241
EXPOSURE COMPENSATION
Exposure compensation values can be set in the range ±3 EV. The
available values depend on the global setting
EV Increment (see
p. 195).
A
A
Set compensation value (marks at 0 = Off)
▸ Select
Exposure Compensation in the main menu
• A scale appears as a submenu item on the LCD panel.
▸ Set the value on the scale
• The set value is displayed above the scale.
• While setting the value, you can see the effect on the screen
image, which becomes darker or lighter.
Notes
• This function is assigned to one of the setting wheels in the three
(semi) automatic exposure modes and therefore quickly accessible
(see p. 72).
• The set exposure compensation is indicated by a mark on the ex-
posure compensation scale in the footer line (see p. 30).
• The following applies for set compensation values, no matter how
they were initially set: They remain effective until they are manu-
ally reset to
0, even if the camera is switched off and on again in
the meantime.
• Changes to the
EV Increment setting (see p. 195) lead to the can-
cellation of a compensation that has been set, i.e. in such cases it
is automatically reset to
0.
PLAYBACK MODE ▸ CONTROL ELEMENTS IN PLAYBACK MODE
242
PLAYBACK MODE
Playback mode is used to display and manage the stored recordings.
The switchover between shooting and playback mode, as well as
most other actions can be completed using gesture or key control.
Please see p. 55 for more information about the available ges-
tures.
Notes
• Recorded videos are not automatically rotated in playback mode
to utilize the full screen area.
• It may not be possible to render files with this camera that were
not recorded with this device.
• In some cases, the screen image may not have the expected
quality, or the LCD panel will remain blank and only display the file
name.
• You can toggle back from playback mode to shooting mode at any
time by tapping the shutter button.
CONTROL ELEMENTS IN PLAYBACK MODE
CONTROL ELEMENTS ON THE CAMERA
24
26
21
22
2
4
2
Front dial
22
Thumbwheel
4
Function button
24
PLAY button
20
Function button
25
FN button
21
Joystick
26
MENU button
PLAYBACK MODE ▸ CONTROL ELEMENTS IN PLAYBACK MODE
243
FUNCTION BUTTONS IN REVIEW MODE
In playback mode, the function buttons either have permanently
assigned functions or are without function.
The following function buttons have assigned functions:
Button Function
FN button 25
Toggle Info Levels
Function button 20
EVF-LCD
Function button 4
Mark shots (Rate / Unrate)
CONTROL ELEMENTS ON THE LCD PANEL
On-screen control elements generally function by intuitively by
touch. Many can also be selected by pressing one of the three
buttons to the left of the LCD panel. A control element in the header
is accompanied by an icon denoting the relevant button. A control
element on the edge of the screen will be positioned directly next to
the relevant button.
Example: The “Go back” icon
can be selected in one of two ways:
– tap on the “Go Back” icon directly
– press the relevant button
(top button =
PLAY button)
C B A C
A
B
A
Control element “Go back”
B
Control element “Delete”
C
Display of the relevant button
PLAYBACK MODE ▸ INITIATE/EXIT PLAYBACK MODE
244
INITIATE/EXIT PLAYBACK MODE
Using touch control
▸ Swipe up or down
PlaybackShooting
Using button control
▸ Press the
PLAY button
• The last shot taken appears on the screen.
• The following message appears if the inserted memory card
does not contain any (image) files:
No valid picture to play.
• The
PLAY button function differs, depending on the current
camera setting:
Initial situation
After pressing the
PLAY
button
Full screen display of a recording Recording mode
Display of multiple small recordings Full screen display of the
recording
PLAYBACK MODE ▸ SELECTING/SCROLLING THROUGH IMAGES
245
SELECTING/SCROLLING THROUGH IMAGES
The shots are visually arranged in a horizontal reel. When the end of
an image series is reached, the display automatically jumps back to
the first image in the series. All shots can therefore be reached by
scrolling either right or left.
SINGLE
Using touch control
▸ Swipe to the left or right
Using button control
▸ Press the joystick left/right
or
▸ Turn the thumbwheel
CONTINUOUS
▸ Swipe to the left or right and hold the finger on the edge of the
screen
• The subsequent shots will move past continuously.
PLAYBACK MODE ▸ INFO DISPLAYS IN PLAYBACK MODE
246
INFO DISPLAYS IN PLAYBACK MODE
The same info profiles are available in playback mode as in shooting
mode. The actual info profile currently in use, however, is saved sepa-
rately. It is therefore possible to use an empty info profile completely
without assist function icons in playback mode, without having to set
them again when switching to shooting mode. See p. 104 for setting
options and additional information. The assist functions
Grid and
Level Gauge are not available in playback mode.
DISPLAYING ASSIST FUNCTIONS
Switching between info profiles
▸ Press the
FN button
Empty info profile Image data only
(
Info Bars)
Clipping / Zebra + Info Bars Info Bars, Focus Peaking,
Histogram
PLAYBACK MODE ▸ DISPLAYING MULTIPLE SHOTS AT ONCE
247
DISPLAYING MULTIPLE SHOTS AT ONCE
The camera offers an overview function in which several thumbnail
images can be viewed on one screen, which makes it easier to find a
specific image. You can choose 12 or 30 images per overview.
OVERVIEW
Using touch control
▸ Two-finger pinch
• The display toggles from 12 to 30 thumbnails.
Viewing other images
▸ Swipe up or down
Using button control
▸ Turn the front dial in anti-clockwise direction
• 12 thumbnails are shown at the same time. Another turn on the
thumbwheel increases the number of displayed thumbnails to
30.
A
B
C
A
B
C
A
Currently selected image
B
Number of the currently selected images
C
Scrollbar
The currently viewed image is framed in red and can be selected for
a closer look.
PLAYBACK MODE ▸ TAGGING/RATING OF RECORDINGS
248
Navigating between images
▸ Press the joystick in the relevant direction
or
▸ Turn the thumbwheel
Displaying the image in full size
Using touch control
▸ Two-finger spread
or
▸ On the desired recording
Using button control
▸ Turn the front dial in clockwise direction
or
▸ Press joystick, thumbwheel or
PLAY button
TAGGING/RATING OF RECORDINGS
Images can be marked as favorites to find them quicker or to simplify
the later deletion of multiple images. Tagging can be done in regular
view mode or in the overviews.
Tagging a recording
▸ Press the function button
4
or
▸ Press the joystick up
• The recording is marked with ★. The icon will appear in the
header line on the far right when viewing images in full size, and
in the top left corner of the thumbnail in overview mode.
Removing a tag
▸ Press the function button
4
or
▸ Press the joystick down
• The ★ marking disappears.
Note
• In the overview, recordings can only be tagged via the function
button.
PLAYBACK MODE ▸ DELETING RECORDINGS
249
DELETING RECORDINGS
There are several methods available to delete recordings:
– deleting individual recordings
– deleting multiple recordings
– deleting all recordings without a icon/ranking
– deleting all recordings
Important
• Once deleted, shots are no longer retrievable.
DELETING INDIVIDUAL RECORDINGS
▸ Press the MENU button
▸ Select
Delete in the play menu
• The Delete screen appears.
▸ Select the Delete icon
(tap the icon directly or press the FN button)
• The LED will flash during the delete process. The process may
take a few seconds.
• The next image will be displayed once deletion is complete. The
following message appears if no other recordings are saved on
the card:
No valid picture to play.
Canceling a deletion and return to the normal playback mode
▸ Select the “Go back” icon
(tap the icon directly or press the PLAY button)
Notes
• The Delete screen can not be called up when in overview mode,
because the menu function
Delete of the play menu is not avail-
able in this context.
• With the Delete screen active, you can still browse between
stored recordings.
PLAYBACK MODE ▸ DELETING RECORDINGS
250
DELETING MULTIPLE RECORDINGS
Several recordings can be marked in a Delete overview with twelve
thumbnails and can then be deleted all at once. This overview can
be reached in two ways.
▸ Turn the front dial in anti-clockwise direction
• The overview screen appears.
▸ Press the
MENU button
▸ Select Delete Multi in the play menu
• The Delete overview appears.
or
▸ Press the
MENU button
▸ Select
Delete in the play menu
• The Delete screen appears.
▸ Turn the front dial in anti-clockwise direction
• The Delete overview appears.
Any number of recordings can be selected in this view.
Selecting recordings for deletion
▸ Select a image
▸ Press the joystick/thumbwheel
or
▸ Tap the desired image
• The recordings selected for deletion are marked with a red
Delete icon
.
Deleting the selected recordings
▸ Select the Delete icon
(tap the icon directly or press the FN button)
• The prompt
Do you want to delete all marked files? appears.
▸ Select
Yes
Canceling a deletion and return to the normal playback mode
▸ Select the “Go back” icon
(tap the icon directly or press the PLAY button)
PLAYBACK MODE ▸ DELETING RECORDINGS
251
DELETING ALL RECORDINGS
▸ Press the MENU button
▸ Select Delete All in the play menu
• The prompt Do you want to delete all files? appears.
▸ Select Yes
Note
• The message
No valid picture to play. appears after successful
deletion. The same shot is displayed again if deletion was unsuc-
cessful. When deleting several or all recordings, a notification
screen may appear for the time needed to process the data.
DELETING UNRATED RECORDINGS
▸ Press the MENU button
▸ Select Delete Unrated in the play menu
• The prompt Do you really want to delete all not rated files?
appears.
▸ Select
Yes
• The LED will flash during the deletion process. The process may
take a few seconds. The next marked image appears once dele-
tion is complete. The message
No valid picture to play. appears
if no other recordings are saved on the card.
PLAYBACK MODE ▸ SLIDE SHOW
252
SLIDE SHOW
A slide show function is available in playback mode, in which the
saved images are shown automatically in series. Choose to see all
images (
Play All), only photos (Pictures Only) or only videos (Videos
Only
) should be displayed. For photos, select how long each image
should be displayed (
Duration).
SETTING THE DURATION
▸ Press the MENU button
▸ Select
Slideshow in the play menu
▸ Select
Duration
▸ Select the desired duration (1 s, 2 s, 3 s, 5 s)
STARTING THE SLIDE SHOW
▸ Press the MENU button
▸ Select
Slideshow in the play menu
▸ Select the desired setting
(
Play All, Pictures only, Videos only)
• The slide show will start automatically with the selected images
and runs in an endless loop until it is exited.
ENDING THE SLIDE SHOW
▸ Press the PLAY button
or
▸ Tap the shutter button
• The camera switches to the relevant mode.
Notes
• An intermediate screen may appear while the data is prepared for
playback.
• The settings in
Duration remain intact even after the camera is
switched off and on again.
PLAYBACK MODE ▸ VIDEO PLAYBACK
253
VIDEO PLAYBACK
appears on screen if you have selected a video file in play-
back mode.
START PLAYBACK
▸ Press the joystick/thumbwheel
or
▸ Tap
ACCESSING THE CONTROL ELEMENTS
The control elements are displayed when playback is stopped.
Using touch control
▸ Tap anywhere on the LCD panel
2
3
1
4
5
1
Video editing function
2
Exiting video playback
3
Current time of the playback
4
Playback status bar
5
Playback volume
Using button control
▸ Press the joystick/thumbwheel
Note
• The control elements disappear after about 3 s. Tapping the LCD
panel again or pressing a button will make them reappear.
PLAYBACK MODE ▸ VIDEO PLAYBACK
254
PAUSE PLAYBACK
▸ Tap anywhere on the LCD panel
or
▸ Press the joystick/thumbwheel
RESUMING PLAYBACK
Using touch control
While the control elements are visible:
▸ Tap anywhere on the LCD panel
Using button control
While the control elements are visible:
▸ Press the joystick/thumbwheel
NAVIGATE TO ANY POINT IN THE FILE
QUICK JUMP
Using touch control
While the control elements are visible:
▸ Tap the Playback status bar at the desired position
Using button control
▸ Press and hold the joystick left/right
PRECISE SELECTION
▸ Turn the thumbwheel
PLAYBACK MODE ▸ VIDEO PLAYBACK
255
END PLAYBACK
Using touch control
While the control elements are visible:
▸ Tap the “Go back” icon
Using button control
▸ Press the
PLAY button
SETTING THE VOLUME
Using touch control
While the control elements are visible:
▸ Tap the volume icon
▸ Tap the volume bar at the desired position
Using button control
▸ Press the joystick up/down
• The volume status bar appears.
▸ Press the joystick up (louder) or down (quieter)
Note
• Sound is switched off at the lowest part of the bar and the volume
icon changes to
.
PLAYBACK MODE ▸ VIDEO PLAYBACK
256
VIDEO EDITING
Using touch control
Using button control
ACCESSING THE VIDEO EDITING FUNCTION
▸ Press the FN button
• The video editing screen appears, the left cutting mark is high-
lighted in red (= active).
CHANGING THE CURRENT CUTTING POINT
▸ Press the joystick left/right
• The selected cutting point is highlighted in red (= active).
MOVING THE ACTIVE CUTTING POINT
▸ Turn the thumbwheel
• The currently selected time of the relevant cutting point is
displayed at the bottom left of the footer line. A still of the video
sequence at that point is displayed in the background.
PLAYBACK MODE ▸ VIDEO PLAYBACK
257
CUTTING
▸ Press the FN button to confirm the cuts
• The
Video Trimming menu appears.
▸ Select a function from the
Video Trimming menu
(
Save as new, Overwrite, Preview)
Save as new
The new video is additionally saved, the original
video remains unchanged.
Overwrite
The newly cut video is saved and the original
one is deleted.
Preview
The new video is played. The newly cut video is
not saved and the original remains unchanged.
CANCELLING THE VIDEO EDITING FUNCTION
The editing function can be canceled at any time, provided no selec-
tion was made in the
Video Trimming menu.
▸ Press the
PLAY button
• The video playback screen reappears.
Notes
• In all three cases, a notification screen appears while the data is
being processed. Then the new video is played back.
• The numbering of existing recordings will not be changed when
Save as new is selected. The newly created video will be added to
the end of the series of videos.
OTHER FUNCTIONS ▸ RESETTING THE CAMERA TO FACTORY SETTINGS
258
OTHER FUNCTIONS
The settings described in this chapter apply for photo and video
mode alike. They are therefore available in the picture and video
menu (see chapter “Camera Operation” under “Menu Control”). A
setting selected in one of the modes will also apply to the other.
RESETTING THE CAMERA TO FACTORY SETTINGS
This function allows you to reset all your custom menu settings back
to the factory settings. You can optionally exclude the user profiles,
Wi-Fi and Bluetooth settings, as well as the image numbering from
the reset individually.
▸ Select
Reset Camera in the main menu
• The prompt
Reset Camera Settings? appears.
▸ Confirm or reject the reset to factory settings (
Yes) / (No)
• Selecting
No will cancel the reset and the display will return to
the main menu. Selecting
Yes will trigger additional prompts
regarding the settings you can opt to keep.
▸ Confirm or reject the reset of the user profiles (
Yes) / (No)
▸ Confirm or reject the reset of the Wi-Fi and Bluetooth settings
(
Yes) / (No)
▸ Confirm or reject the reset of the image numbering (
Yes)/ (No)
▸ Confirm or reject the reset of the LUT profiles (
Yes)/(No)
• The message
Please Restart the Camera appears.
▸ Switch the camera off and on again
Notes
• Date & time, as well as the preferred language will have to be set
up again after a reset. Relevant prompts will appear on screen.
• You reset the image file numbering separately via the menu item
Reset Image Numbering (see p. 258).
OTHER FUNCTIONS ▸ FIRMWARE UPDATES
259
FIRMWARE UPDATES
Leica is continuously working on the further improvement and opti-
mization of your camera. Since many camera functions are entirely
controlled by software, some of these improvements and additions
to the functional scope can be installed in retrospect. Leica offers
firmware updates at irregular intervals, which you can download
from our website.
Leica will notify you of any new updates, once you have registered
your camera. Users of Leica FOTOS will also be automatically noti-
fied about firmware updates for their Leica cameras.
Finding the currently installed firmware version
▸ Select
Camera Information in the main menu
• The current firmware versions are displayed.
More information about registering, firmware updates and how to
download them to your camera, as well as any amendments and
additions to this manual can be found in the customer area of our
website at:
https://club.leica-camera.com
OTHER FUNCTIONS ▸ FIRMWARE UPDATES
260
EXECUTING A FIRMWARE UPDATE
Any interruption of a running firmware update may cause serious
and irreparable damage to your equipment!
You will therefore have to take particular note of the following,
when carrying out a firmware update:
• Do not switch off the camera!
• Do not remove the memory card!
• Do not remove the rechargeable battery!
• Do not remove the lens!
Notes
• A warning message will appear if the battery is insufficiently
charged. Recharge the battery and then repeat the process de-
scribed above.
• You will find additional device and country-specific registration
marks and numbers in the
Camera Information submenu.
PREPARATION
▸ Fully charge and insert the rechargeable battery
▸ The second SD memory card (where applicable) must be removed
from the camera
▸ Any stored firmware files on the memory card must be removed
• We recommend saving any images on the memory card and
reformatting it before the update.
(Caution: Loss of data! All data stored on the memory card will
be lost during formatting.)
▸ Download the latest firmware version
▸ Save the download to the memory card
• The firmware file must be stored in the main directory of the
memory card (not in a sub-directory).
▸ Insert the memory card into the camera
▸ Switch the camera on
OTHER FUNCTIONS ▸ FIRMWARE UPDATES
261
UPDATING THE CAMERA FIRMWARE
▸ Preparation
▸ Select Camera Information in the main menu
▸ Select
Camera Firmware Version
▸ Select Start Update
• A prompt with information about the camera is displayed.
▸ Check the version information
▸ Select Yes
• The prompt Save profiles on SD Card? appears.
▸ Select
Yes/No
• The update will start automatically.
• The lower status LED will flash during this process.
• Once the process has completed successfully, a relevant on-
screen message and prompt to restart the device will appear
on screen.
▸ Switch the camera off and on again
Note
• Date & time, as well as the preferred language will have to be
set up again after the restart. Relevant prompts will appear on
screen.
UPDATING THE LENS FIRMWARE
Where available, you can optionally carry out firmware updates
for lenses. The instructions provided for camera firmware updates
apply.
▸ Preparation
▸ Select Camera Information in the main menu
▸ Select
Lens Firmware Version
▸ Select Start Update
• A prompt with information about the camera is displayed.
▸ Check the version information
▸ Select
Yes
• The update will start automatically.
• The lower status LED will flash during this process.
• Once the process has completed successfully, a relevant on-
screen message and prompt to restart the device will appear
on screen.
▸ Switch the camera off and on again
OTHER FUNCTIONS ▸ FIRMWARE UPDATES
262
UPDATING THE ADAPTER FIRMWARE
Where available, you can optionally carry out firmware updates for
adapters. The instructions provided for camera firmware updates
apply.
▸ Preparation
▸ Select Camera Information in the main menu
▸ Select
Lens Firmware Version
▸ Select Start Update
• A prompt with information about the camera is displayed.
▸ Check the version information
▸ Select
Yes
• The update will start automatically.
• The lower status LED will flash during this process.
• Once the process has completed successfully, a relevant on-
screen message and prompt to restart the device will appear
on screen.
▸ Switch the camera off and on again
Note
• The relevant menu item will only be visible if an adapter is
mopunted and activ.
263
LEICA FOTOS ▸ CONNECTING
264
LEICA FOTOS
The camera can be controlled remotely using a smartphone/tablet
PC. This will require an installation of the Leica FOTOS app on the
mobile device. Leica FOTOS furthermore offers a variety of other
useful functions:
– Geotagging for images
– File transfer
▸ Scan the following QR code with the mobile device
or
▸ The app is available from Apple App Store™/Google Play Store™
CONNECTING
FIRST-TIME CONNECTION TO A MOBILE DEVICE
The connection is established via Bluetooth. A pairing of the camera
and the mobile device is required for a first-time connection to a
mobile device.
CONNECTION WIZARD
The connection wizard appears at initial startup of the camera or
after a camera reset. These settings are also available via the menu
item
Leica FOTOS.
LEICA FOTOS ▸ CONNECTING
265
USING THE MENU TO
ON THE MOBILE DEVICE
▸ Activate Bluetooth
▸ Launch the Leica FOTOS app
▸ Select the camera model
IN THE CAMERA
▸ Select Leica FOTOS in the main menu
▸ Select
Bluetooth
• Bluetooth is activated.
▸ Follow the Leica FOTOS instructions
• The icons “Bluetooth” and “GPS” appear on the LCD panel
once a connection is established.
Notes
• The pairing process may take a few minutes to complete.
• Each mobile device only needs to be paired with the camera once.
The process adds the device to the list of known devices.
• GPS data will be automatically determined and written to the Exif
data when pictures are taken while the camera is connected to
the Leica FOTOS app.
CONNECTING WITH PAIRED DEVICES
▸ Select Leica FOTOS in the main menu
▸ Select
Bluetooth
▸ Select On
• Activate the Bluetooth function.
• The camera connects to the mobile device automatically.
Notes
• Should there be more than one known device in the vicinity of
the camera, then it will automatically connect to the first device
responding. A favorite mobile device cannot be specified.
• Disconnect and reconnect if the wrong device was connected.
LEICA FOTOS ▸ DISABLING WI-FI
266
DISABLING WI-FI
DISABLING WLAN AUTOMATICALLY
(Sleep mode)
The factory settings provide that the Wi-Fi via the camera is disabled
after a short period of inactivity to save power. The timing of the
automatic disconnect can be adjusted manually. Camera access will
then be available at any time during the selected time span.
Factory setting:
After 5 min
▸ Select Leica FOTOS in the main menu
▸ Select
Wi-Fi Sleep Mode
▸ Select the desired setting
–
After 5 min: Shut-down after 5 mins of inactivity
–
Tomorrow: no auto power saving today
–
Never: Wi-Fi remains active permanently
DISABLING WLAN MANUALLY
It is recommended to disable WLAN on the camera, once a connec-
tion to a mobile device is no longer needed.
▸ Select
Leica FOTOS in the main menu
▸ Select
Bluetooth
▸ Select Off
REMOVING PAIRED DEVICES FROM THE LIST
We recommend removing rarely used devices from the list of known
devices to prevent unwanted connections.
▸ Select
Leica FOTOS in the main menu
▸ Select
Delete
▸ Select the relevant device
• A security prompt appears on the LCD panel.
▸ Select
Yes
Note
• The pairing process will have to be repeated to reconnect a delet-
ed device to the camera.
FIND THE MAC ADDRESS
You can find the MAC address of the Leica SL2-S in the camera
menu.
▸ Select
Camera Information in the main menu
LEICA FOTOS ▸ REMOTE CAMERA CONTROL
267
REMOTE CAMERA CONTROL
You can take pictures and record video remotely via the mobile
device, and can also change image settings or transfer data to the
mobile device. A list of available functions and instructions for their
use can be found in the Leica FOTOS app.
REMOTE CAMERA ACTIVATION
The camera can be activated remotely from off or standby if this
function is activated in the camera. The Bluetooth function must be
active.
▸ Select
Leica FOTOS in the main menu
▸ Select
Remote Wakeup
▸ Select On
• The camera will scan for known devices and automatically es-
tablishes a connection.
Important information
• Remote activation will activate the camera even if it was
switched off via the main switch.
• Accidental remote camera activation may result in unwanted
pictures taken and excessive power consumption.
• A third-party device can – provided is has been paired with
the camera – access the camera remotely if your own mobile
device is not currently connected or its Bluetooth function is
deactivated. This poses a danger of unauthorized access to
your data or camera functions.
Solution
• Only activate this function just before you want to use it.
• Disable the function as soon as it is no longer needed.
CARE/STORAGE
268
CARE/STORAGE
We recommend the following if the camera will not be used for an
extended period of time:
– Switch off the camera
– Remove the memory card
– Remove the battery (after approx. 2 months the set date and time
will be lost)
CAMERA HOUSING
• Keep your equipment meticulously clean, as any kind of dirt resi-
due presents a breeding ground for micro organisms.
• Only clean the camera with a soft, dry cloth. Stubborn dirt should
first be moistened with a watered-down detergent and can then
be wiped away with a dry cloth.
• Wet a soft cloth with tap water, wring it out thoroughly and use
it to wipe down the camera. Then wipe it down thoroughly with a
dry cloth.
• Wipe the camera with a clean, lint-free cloth to remove stains and
fingerprints. Tougher dirt in hard to reach corners of the camera
housing can be removed with a small brush. Take care not to
touch the shutter blades.
• Store the camera in a closed and padded container to prevent
friction damage and protect it against dust accumulation.
• Keep the camera in a dry, sufficiently ventilated place, where it
will not be subjected to high temperatures and humidity. Make
sure to remove all moisture from the camera if it was used in
humid conditions.
• Do not store the camera in a leather case for extended periods of
time to prevent fungal contamination.
• Empty you camera bag completely if it ever gets wet during use.
Your equipment might otherwise be subjected to moisture and
tanning residue released by the moist leather.
• All mechanical bearings and sliding surfaces on your camera are
lubricated. Remember to press the shutter button several times
every three months to prevent the lubrication points hardening if
the camera will not be used for an extended period of time. We
also recommend repeated adjustment and use of all the other
operating elements.
• When using your camera in tropical climates, make sure to expose
the equipment to sunlight and fresh air as much as possible to
prevent fungal growth. Storage in airtight containers or cases is
recommended only in conjunction with a desiccant like silica gel.
LENS
• A soft-bristle brush will usually suffice to remove dust from the
outer lenses. Remove more severe soiling with a clean, soft cloth
that is completely free of foreign matter. Wipe the lens in a circu-
lar motion from the center outward. We recommend using micro-
fiber cloths that come in a protective container and are available
from photography shops and other optical retailers. These cloths
are machine-washable at 40°C. Do not use fabric softener and do
not iron them. Never use spectacle lens cleaning cloths, as these
are soaked in chemicals, which could damage the glass of the
camera lenses.
• Attach a transparent UVA filter for optimal front lens protection
in unfavorable conditions (e.g. sand, salt water spray). Please
remember that the filter may create unwanted light reflections in
some backlight situations and in case of high contrasts.
• Lens caps also protect the lens against accidental fingerprint
smudges and rain.
CARE/STORAGE
269
• All mechanical bearings and sliding surfaces on your lens are
lubricated. Make sure to periodically move the focus ring and the
aperture ring to prevent seizing if the lens will not be used for an
extended period of time.
VIEWFINDER/LCD PANEL
• Switch off your camera and leave it to stand at room temperature
for around 1 hour if condensation has formed on or in the camera.
The condensation will disappear, once the camera temperature
has reached room temperature.
RECHARGEABLE BATTERY
• Lithium-ion rechargeable batteries should only be stored partially
charged, i.e. not fully depleted or fully charged. The camera LCD
panel will show the current charge level of the battery. Charge
the battery twice a year for around 15 minutes to avoid deep dis-
charge in case of very long storage periods.
MEMORY CARDS
• Make sure to store memory cards in their anti-static container
when not in use.
• Do not store memory cards where they will be exposed to high
temperatures, direct sunlight, magnetic fields or static electricity.
Always remove the memory card if the camera will not be used for
an extended period of time.
• We recommend formatting the memory card from time to time,
because fragmented residual data from deleted files may block
some of its storage capacity.
SENSOR
PIXEL MAPPING
Defective pixels may appear on the image sensor of digital cameras
over time. The camera compensates for these defective pixels auto-
matically by calculating the data captured by other pixels surround-
ing defective ones. This feature requires a process known as “pixel
mapping” to recognize and register defective pixels. The camera
does this automatically every two weeks. The function can also be
accessed manually if needed.
▸ Select
Camera Settings in the main menu
▸ Select Pixel Mapping
▸ Select Yes
• Pixel mapping is executed. The process may take a few sec-
onds.
• The message
Please Restart the Camera appears.
▸ Switch the camera off and on again
FAQ
270
FAQ
Problem Possible cause to be verified Troubleshooting suggestions
Battery issues
Battery is depleted too quickly Battery too cold Warm the battery (e.g. in pants pocket) and only insert
directly before use
Battery too hot Allow battery to cool down
LCD panel or EVF set too bright Reduce brightness
Power save mode deactivated
Activate Auto Power Off
AF mode permanently activated Select other mode
Permanent WLAN connection Deactivate WLAN when not in use
Continuous use of LCD panel (e.g. in Live View mode) Deactivate the function
Battery has been recharged too many times The battery has reached the end of its operating time
Replace battery
Third-party lens with high power consumption connected Change battery, use handgrip, use external power supply
via USB
Tracking-AF with AFc activated Use AFs or MF
Preview of the recorded images (Auto Review) activated
Deactivate the function
Charging process not starting Incorrect battery polarization or faulty charger connection Check polarization and connection
Charging takes too long Battery too hot or too cold Charge the battery at room temperature
Charging pilot light is on, but battery isn't
charging
The battery contacts are dirty Clean the contacts with a soft, dry cloth
Battery has been recharged too many times The battery has reached the end of its operating time
Replace battery
Battery not charging via USB The battery can only be charged via USB when the camera
is off
Switch off the camera
Camera problems
The camera suddenly switches itself off Battery is depleted Charge or replace the battery
The camera won’t switch on Battery is depleted Charge or replace the battery
Battery too cold Warming the battery (e.g. in pants pocket)
The camera switches off again immediately
after it is switched on
Battery is depleted Charge or replace the battery
Camera is heating up Heat development due to high-res video shooting (4K) or
continuous shooting with DNG
Not a fault; allow camera to cool down if it gets too hot
FAQ
271
Camera does not recognize the memory card The memory card is not compatible or defective Replace the memory card
Memory card is incorrectly formatted Format the memory card in the camera
(Caution: Loss of data!)
Menus and displays
Electronic viewfinder is dark EVF brightness is set too low Set the EVF brightness
Display language is not English -
Select English in the Language menu
Electronic viewfinder is dark Switchover between EVF and LCD incorrectly set Select a suitable setting
Viewfinder is out of focus Check the diopter setting and adjust as needed
The LCD panel is to dark or too bright/not
clear
The brightness setting is incorrect Adjust the display brightness
Viewing angle is too small View the LCD panel at a perpendicular angle
Brightness sensor is blocked Make sure that the brightness sensor is not blocked
Favorites menu does not appear
The favorites menu is empty Add at least one function
Live View stops suddenly or doesn't start The camera is hot due to high ambient temperature,
extended Live View operation, extended video shooting or
continuous shooting
Allow camera to cool down
The brightness in Live View mode is not the
same as in the pictures
The brightness settings for the LCD panel have no
influence over the exposures
Adjust the brightness settings as needed
Exposure preview is deactivated Activate the function
The number of remaining shots does not count
down after a picture is taken
The image requires only very little memory space This is not a fault; the number of remaining shots is
calculated as approximations
Shooting
Image noise appears on the LCD panel/in the
viewfinder when the shutter button is pressed
to the first pressure point
The gain is increased to aid image composition if the
object is insufficiently lit with reduced aperture opening
Not a fault – picture quality will not be impacted
LCD panel/viewfinder deactivates after a very
short time
Power Save settings are activated Change the settings as needed
The display switches off after the picture is
taken/the LCD panel goes dark after the
picture is taken
Flash loads after picture is taken, LCD panel deactivates
during load time
Wait until the flash is loaded
Flash won't fire The flash cannot be used with the current settings Refer to the list of flash function-compatible settings
Battery is depleted Charge or replace the battery
Pressing the shutter button while flash is still loading Wait until the flash is loaded
Electronic shutter function is selected Change the setting
Automatic bracketing or continuous shooting is activated Change the setting
FAQ
272
The flash does not fully illuminate the object Object is outside the flash range Move object into flash range
Flash is covered Make sure the flash unit is not covered by your finger or
some object
The camera won’t take a picture/shutter
button is deactivated
Memory card is full Replace the memory card
The memory card is not formated Reformat the memory card
(Caution: Loss of data!)
The memory card is write protected Deactivate the write protection on the memory card (small
lever on the side of the memory card)
Dirt on the memory card contacts Clean the contacts with a soft cotton or linen cloth
The memory card is damaged Replace the memory card
The sensor is overheating Allow camera to cool down
The camera has switched off automatically (Auto Power
Off
)
Switch the camera on again
deactivate auto shutdown as needed
Image data is being written to the memory card and the
cache is full
Wait
Noise reduction function is working (e.g. after night
photography with long exposure times)
Wait or deactivate noise reduction
Battery is depleted Charge or replace the battery
Camera is processing a picture Wait
Image numbering has reached its limit See section “Data Management”
Image does not sharpen automatically AF is deactivated Activate AF
No face detection/faces are not recognized Face is covered (sunglasses, hat, long hair, etc.) Remove distracting objects
Face takes up to little space in the picture composition Change image composition
Face is tilted or horizontal Keep face straight
Camera not held straight Hold camera straight
Face is insufficiently lit Use flash, improve illumination
Camera selects incorrect object The incorrectly selected object is closer to the image
center that the main object
Change the image section or take picture using the focus
lock
The incorrectly selected object is a face Deactivate face detection
No continuous shooting available The camera is overheated and the function was
temporarily disabled to protect the camera
Allow camera to cool down
The image on the LCD panel displays lots of
noise
Light enhancement function of the LCD panel in dark
surroundings
Not a fault – picture quality will not be impacted
FAQ
273
Image storage takes a long time Noise Suppression is activated for long-term exposures Deactivate the function
The memory card inserted is slow Use a suitable memory card
Manual white balance is unavailable The image object is too bright or too dark
Camera does not focus Desired object part is too close to the camera Select Macro mode
Desired object part is very far away Exit Macro mode
Object not suitable for AF Use Focus lock or select manual focus
AF metering field is framed in red with
activated AF; images out of focus
Focusing was unsuccessful Try to focus again
No AF metering field selectable Focus ring not in AF position Turn the focus ring to the AF position
Automatic Metering Field Control or Face Detection in AF
Mode is selected
Select other control mode
Image Review is activated Deactivate Image Review
Camera is in Standby mode Press the shutter button to the first pressure point
AF assist lamp does not light up Camera is in video shooting mode Change the mode
Function is deactivated Activate AF
MF Setup is grayed out
The mounted lens does not support this setting Use another lens
Focus Limit (Macro) is grayed out in the
camera settings
The mounted lens does not support this setting Use another lens
Lens Profiles is grayed out in the camera
settings
No M-adapter L or R-adapter L attached This menu is available only for Leica M and Leica R lenses
Multi-Shot is grayed out
Use an APS-C lens Use another lens
Shutter Type is set to Mechanical Set the Shutter Type to Electronic or Hybrid
Video recording
No video is recorded The camera is overheated and the function was
temporarily disabled to protect the camera
Allow camera to cool down
Video shooting stops Maximum length of individual video sequence was reached
The memory card's write speed is too low for the selected
video resolution/compression
Insert another memory card or change the storage method
L-Log is not selectable in video mode
A 10 bit format was not selected as the video format Switch to 10 bit format for the video format
In video mode, I see ASA instead of ISO, angle
instead shutter speed and T-aperture values
instead of F-values
Cine was selected as shooting mode Switch from Cine to Video mode
There are visible exposure jumps during
zooming
The camera is set to Auto ISO Switch to Floating ISO
FAQ
274
Review and photo management
Selected images cannot be deleted Some of the selected images are write protected Remove write protection (using the device with which the
file was originally set to write protected)
File numbering does not start at 1 The memory card contains previously stored images See section “Data Management”
The time and date settings are incorrect or are
not displayed
The camera has not been in use for an extended period of
time (the battery was removed)
Insert a charged battery and configure the correct settings
The time and date stamp on images are
incorrect
Time settings are incorrect Set the time correctly
Caution: Time settings will be lost if the camera is not
used/remains in storage with a depleted battery over an
extended period of time
The time and date stamp on images are
unwanted
Setting was ignored Cannot be removed in retrospect
Deactivate the function as needed
Pictures/recordings are damaged or missing The memory card was removed while the readiness
indicator was flashing
Never remove the memory card while the readiness
indicator is flashing. Charge the battery.
The memory card formatting is faulty or the card is
damaged
Reformat the memory card
(Caution: Loss of data!)
The most recent image is not displayed on the
LCD panel
Preview is deactivated
Activate Preview
Parts of my video scenes are not fully in the
picture
Difference of aspect ratios between camera and playback
medium
Set the correct aspect ratio on the camera
Picture quality
The picture is too bright Light sensor was covered while picture was taken Make sure that the light sensor is not obstructed
Image noise Long exposure times (> 1 s) Activate the noise suppression function for long exposure
times
ISO sensitivity set too high Decrease ISO sensitivity
Unnatural colors White balance not or incorrectly set Adjust white balance to light source or adjust manually
Round white stains, similar to soap bubbles Taking flash photography shots in a very dark environment:
reflections of dust particles
Deactivate the flash
Images are out of focus Lens is dirty Clean the lens
Lens is obstructed Make sure that lens is unobstructed
Camera moved during shooting Use flash
Mount the camera on a tripod
Use faster shutter speeds
Macro Function Select the appropriate mode
FAQ
275
Images are overexposed Flash is activated in bright surroundings Change the flash mode
Strong light source in the image Avoid strong light sources in the image
(Half) backlight falling into the lens (also from light sources
outside the image range)
Use the lens hood or change to another object
Selected exposure time is too long Select a shorter exposure time
Out of focus/picture stabilizer not functioning Shooting at a dark location without flash Use a tripod
The image is grainy or there is image noise ISO sensitivity set too high Decrease ISO sensitivity
Horizontal stripes Picture was taken with electronic shutter under a light
source like a fluorescent lamp
Try shorter shutter speeds
Unnatural colors and brightness Picture taken in artificial light or extreme brightness Set white balance or select correct lighting presets
No images are displayed No memory card inserted Insert a memory card
The images were taken with another camera Transfer the shots to another device to view them
Images cannot be displayed File name of the image was changed on a PC Use appropriate software for image transfers from a PC to
the camera
Video quality
Video recordings show flickering/stripes Light source interference in artificial lighting
Select a different frame rate (suitable for the local
Alternating current (AC) grid frequency) under
Video
Resolution
Camera noise in video recording The setting wheels were used Avoid using the setting wheels during video shootings
No sound on video recording Playback volume is set too low Increase playback volume
Microphone was covered during shooting Make sure the microphone is not obstructed while
shooting video
Speakers are covered Make sure that speakers are unobstructed during playback
Microphone was deactivated while recording Activate the microphone
Flickering or horizontal stripes in the video
recording
CMOS sensors will display this phenomenon when light
sources like LED lamps or fluorescent tubes are used
Quality may be improved by selecting a manual shutter
speed (e.g. 1/100 s)
Smartphones/WLAN
WLAN connection gets interrupted Camera deactivates when it overheats (safety feature) Allow camera to cool down
Cannot pair with a mobile device The camera was already paired with the mobile device Delete the camera registration from the Bluetooth settings
in the mobile device and repeat pairing process
FAQ
276
Mobile device connection/image transfer not
working
The mobile device is too far away Bring the devices closer to each other
Interference from other devices in the vicinity, e.g. other
smartphones or a microwave oven
Increase distance to interfering devices
Interference from multiple mobile devices in the vicinity Re-establish the connection/disconnect other mobile
devices
Mobile device is currently connected to another device Check connection
Camera does not appear on the WLAN
configuration screen of the mobile device
Mobile device does not recognize camera Switch the WLAN function of the mobile device off and on
again
277
MENU OVERVIEW
278
MENU OVERVIEW
DIRECT ACCESS
Function PHOTO VIDEO/CINE Page
Status
screen
Favorites Function buttons Status
screen
Favorites Function buttons
Photo - Video
u
l l
(4)
u
l l
(4)
210
Toggle Info Levels
l l
(25)
l l
(25)
104, 197
Magnification
l l
(9)
l
121, 124, 219
Toggle Focus Point
l
122
Exposure/DOF Simulation
l
145
Focus Peaking
l
107, 123 ,
200, 221
Clipping / Zebra
l
106, 199
Toggle Video Gamma
l
183
Toggle AF/MF
l l
Audio Levels
(Microphone Gain + headphone volume)
u
l l
(9)
54, 72, 181
Drive Mode
u H
l
112
Interval Shooting
H
l
147
Exposure Bracketing
H
l
149
MENU OVERVIEW
279
Function PHOTO VIDEO/CINE Page
Status
screen
Favorites Function buttons Status
screen
Favorites Function buttons
Self-timer
l
152
Multi-Shot
l
150
Focusing
H
l
H
l
113 — 126,
213 — 229
Focus Mode
u H
l
u H
l
113, 213,
223 — 228
AF Mode
u H
l
l
(10)
u H
l
l
(10)
75, 114, 120,
214, 219
AF Profiles
u
117
Focus Aid
H
l
H
l
107, 124,
200, 221
AF Setup
l l
116 —119,
216—217
MF Setup
l l
103, 195
Exposure Metering
u H
l
u H
l
134, 236
Exposure Compensation
u H
l
u H
l
144, 241
ISO (Photo & Video)*
Exposure Index (Cine)*
u H
l
l
(3)
u H
l
l
(3)
72, 127—129,
229 — 232
Auto ISO Settings
H
l
H
l
(in video
mode only)
127—128, 230
u
=
Accessible via the status
screen
H
=
Available for the favorites
menu
l
=
Available for function
buttons
l
=
Factory setting on the
function buttons
MENU OVERVIEW
280
Function PHOTO VIDEO/CINE Page
Status
screen
Favorites Function buttons Status
screen
Favorites Function buttons
White Balance
u H
l
u H
l
129 — 132,
232 — 235
Gray card
H
l
H
l
131, 234
Photo File Format
u H
l
89
JPG Settings
90 — 93, 95
JPG Resolution
u H
l
90
Film Style
H
l
91
iDR
H
l
95
Auto Review
l
173
Long exposure noise reduc-
tion
l
93
Shutter Type
H
l
133
Flash Settings
H
l
155 — 159
Flash Exp. Compensation
H
l
159
Live View Settings
110
Exposure Preview
l
141
Enhanced Live View
l
110
Sensor Format
l l
88, 90, 176
Photo Aspect Ratio
l
90
Storage Options
l
96
MENU OVERVIEW
281
Function PHOTO VIDEO/CINE Page
Status
screen
Favorites Function buttons Status
screen
Favorites Function buttons
Image Overlay
l
153
Video Format / Resolution
l
u H
l
177, 17 8
Video Settings
LUT Profile
l
183 — 188
Video Gamma
l
183 — 188
Timecode
l
182
Segmented Video
H
l
190
Color Bar
l
202
REC Frame
l
204
iDR
H
l
189
Video Style
H
l
179
Video Aspect Ratio
l
207
Waveform Monitor
l
205
User Profile
u H
l
u H
l
76 — 78
Dial Lock
u H
l
u H
l
76
Joystick Lock
H
l
H
l
76
Display Settings
83
EVF-LCD
H
l
l
(20)
H
l
l
(20)
83
MENU OVERVIEW
282
Function PHOTO VIDEO/CINE Page
Status
screen
Favorites Function buttons Status
screen
Favorites Function buttons
Leica FOTOS
u u
264 — 267
Image Stabilization
H
l
H
l
94, 188
Camera Settings
36, 40,
80 — 82,
98 — 100,
102 — 105,
110, 119,
192 — 195 ,
197 — 199,
208, 218,
269
Touch AF
l l
102
Touch AF in EVF
l l
102
Focus Limit (Macro)
l l
119, 218
AF Assist Lamp
l
110
USB Charging
l l
36
Acoustic Signal
l l
85
Lens Profiles
H
l
H
l
40
EV Increment
l
103, 195
Format Card
u H
l
H
l
96, 190
* Some function are available only via direct access. These are listed at the top of the table.
283
INDEX
284
INDEX
4K ...............................................................................................17 7
A
A (Aperture priority) ........................................................... 138, 240
Accessories.................................................................................... 3
Acoustic signals ........................................................................... 85
Adapter .................................................................................42, 262
AE-L .................................................................................... 141, 142
AF assist lamp ..................................................................... 110, 122
AFc ...................................................................................... 113, 213
AF confirmation .....................................................................86 , 111
AF-L ............................................................................................142
AF/MF, toggling...........................................................................113
AF mode .............................................................................. 113, 213
AF Mode.............................................................................. 114, 214
AF Quick Setting .........................................................................120
AFs ...................................................................................... 113, 213
Akademie, Leica ......................................................................... 299
Aperture ............................................................................. 136, 238
Aperture priority ................................................................ 138, 240
App ............................................................................................ 264
ASA ............................................................................................ 232
Aspect ratio (video) ..................................................... 177, 207, 208
Assist function ............................................................ 104, 197, 202
Assist functions, AF......................................................110, 121, 219
Assist functions, MF ............................................................123, 221
Autofocus ..................................................................... 113, 117, 213
Auto ISO .............................................................................. 127, 23 0
Automatic playback .................................................................... 252
Automatic program .............................................................137, 239
Automatic review ................................................................17 3, 174
Auxiliary displays .................................................................104, 197
B
Basic image settings (photo) ........................................................ 88
Basic recording settings (video) ..................................................176
Basic settings, camera ................................................................. 80
Basic settings, recording (photo) .................................................. 88
Basic settings, recording (video) .................................................176
Brightness, EVF ............................................................................ 84
Brightness, LCD panel .................................................................. 84
Bulb ............................................................................................ 140
Button assignment ....................................................................... 71
C
C4K .............................................................................................177
Calibration ................................................................................. 202
Camera information ................................................................... 259
Camera, reset ............................................................................ 258
Care ........................................................................................... 268
Carry strap ............................................................................. 10, 34
Center-weighted metering ...................................................135, 237
Charger .....................................................................................9, 34
Charge status, charger ................................................................. 35
Charge status, LCD panel ............................................................. 33
Charging the battery .................................................................... 35
Cine ............................................................................................210
Clipping ............................................................... 106, 166, 199, 246
INDEX
285
Color bar .................................................................................... 202
Color Bar .................................................................................... 202
Color profile ................................................................................. 92
Color rendering, EVF .................................................................... 84
Color rendering, LCD panel .......................................................... 84
Color saturation, image properties (photo) ................................... 91
Color saturation, image properties (video) ..................................17 9
Color settings, EVF....................................................................... 84
Color settings, LCD panel............................................................. 84
Color temperature ...............................................................132, 235
Connection, mobile devices ....................................................... 264
Contact. Leica ............................................................................ 2 98
Continuous shooting .................................................................. 146
Contrast, image properties (photo) .............................................. 91
Contrast, image properties (video) ..............................................179
Copyright ..............................................................................99, 193
Customer service ....................................................................... 298
Custom LUT profiles ................................................................... 184
D
Dark area optimization ..........................................................95, 189
Data management .................................................................96, 190
Data structure ....................................................................... 97, 191
Data transfer .......................................................................100, 193
Date ........................................................................................67, 80
Deactivation, LCD panel ............................................................... 85
Deletion, recordings (photo) ........................................................170
Deletion, recordings (video) ....................................................... 249
Deletion, user profiles .................................................................. 77
Depth of field ............................................................................. 145
Depth-of-field preview button .................................................... 145
Dial, front ............................................................................... 52, 72
Diopter compensation .................................................................. 44
Direct access ........................................................................71, 278
Displays ............................................................28, 30, 32, 104, 197
Display, settings ........................................................................... 82
Display, standby ........................................................................... 85
Disposal ......................................................................................... 6
Distance display ..................................................................126, 223
Distance unit ................................................................................ 81
DNG ............................................................................................. 89
DOF (Depth of Field) .................................................................. 145
Drive Mode ................................................................. 112, 146, 147
Dynamic ISO setting............................................................128, 231
Dynamic Range .....................................................................95, 189
E
Editing, video.............................................................................. 256
Electronic shutter ................................................................. 86, 133
Electronic shutter sound .............................................................. 86
Enhanced Live View ....................................................................110
EVF .............................................................................................. 85
EV Increment ......................................................................103, 195
Exposure .............................................................................132, 235
Exposure, automatic ...........................................................137, 239
Exposure bracketing....................................................................149
Exposure compensation ......................................................144, 241
Exposure compensation, flash ....................................................159
INDEX
286
Exposure lock .............................................................................141
Exposure, long-term ............................................................. 93, 140
Exposure, manual ................................................................ 139, 240
Exposure metering, flash .............................................................156
Exposure, metering methods ............................................. 134, 236
Exposure, modes ............................................................... 136, 238
Exposure preview ........................................................................141
Exposure simulation ....................................................................141
Exposure time, max.................................................................... 140
Eye sensor .................................................................................... 83
F
Face detection .................................................................... 116, 216
Factory settings ......................................................................... 258
FAQ ............................................................................................ 270
Favorites, menu .............................................................. 62, 70, 278
Favorites, recordings (photo) .......................................................170
Favorites, recordings (video) ...................................................... 248
FHD .............................................................................................177
Field metering ..................................................................... 114, 215
File format ............................................................................. 89, 176
File name ..............................................................................98, 192
Film Style ..................................................................................... 92
Firing point, flash.........................................................................157
Firmware ...............................................................................14, 259
Fixed ISO value ...................................................................127, 229
Flash ...........................................................................................155
Flash, control ..............................................................................157
Flash, exposure compensation ....................................................159
Flash, exposure metering ............................................................15 6
Flash, firing point .........................................................................157
Flash, range................................................................................ 158
Flash, setting ...............................................................................157
Flash, synchronization .................................................................157
Flash units, compatible ...............................................................155
Floating ISO.........................................................................129, 231
FN button ............................................................................. 54, 278
Focus assist ........................................................................123, 221
Focusing ............................................................................. 113, 213
Focusing, automatic ............................................................ 113, 213
Focusing, manual ................................................................123, 221
Focusing, metering methods ............................................... 114, 214
Focus limit........................................................................... 119, 218
Focus mode ........................................................................ 113, 213
Focus peaking ..................................................... 107, 123, 200, 221
Folder, creating new ..............................................................99, 193
Folders .................................................................................. 97, 191
Folder structure .................................................................... 97, 191
Follow Focus .............................................................................. 223
Format .................................................................................. 89, 176
Formatting, memory card .....................................................96, 190
Frame rate ..................................................................................177
Front dial ................................................................................ 52, 72
Full HD ........................................................................................17 7
G
General information ......................................................................12
Geotagging ................................................................................... 99
Gimbal .........................................................................................212
Gray Card ........................................................................... 130, 233
INDEX
287
Grid .....................................................................................106, 199
H
Handgrip ...................................................................................... 45
HDMI ...........................................................................................196
HDR ............................................................................................149
Highlight, image properties (photo) .............................................. 91
Highlight, image properties (video) ..............................................179
Highlight-Weighted, exposure ..............................................135, 237
Histogram ...........................................................................109, 202
Horizon .............................................................................. 108, 201
I
iDR ........................................................................................95, 189
Image numbering .................................................................. 97, 191
Image numbering, reset ........................................................99, 193
Image Overlay ............................................................................ 153
Image properties .......................................................................... 91
Image stabilization, picture .......................................................... 94
Image stabilization, video ........................................................... 18 8
Increment, EV .....................................................................103, 195
Individual button assignment ....................................................... 71
Info Bars ..............................................................................106, 199
Info profiles .........................................................................104, 197
Information displays ............................................................104, 197
Information, regulatory ................................................................... 5
Inserting/removing the battery .................................................... 36
Intelligent AF ....................................................................... 113, 213
Intelligent Dynamic Range .....................................................95, 189
Interval shooting .........................................................................147
ISO Sensitivity ..................................................................... 127, 229
ISO setting, dynamic ...........................................................128, 231
ISO value, greatest ..............................................................127, 230
J
Joystick .................................................................................. 53, 75
JPG ............................................................................................... 89
K
Keyboard ...................................................................................... 65
Keyl ock .........................................................................................76
L
Language ..................................................................................... 80
LCD panel .................................................................................... 82
Legal information ........................................................................... 4
Leica Academy ........................................................................... 299
Leica Customer Care .................................................................. 298
Leica FOTOS............................................................................7, 264
Lens .......................................................................... 8, 39, 261, 268
Level gauge ........................................................................ 108, 201
Location information .................................................................... 99
Lock ..............................................................................................76
Long-term exposure ............................................................. 93, 140
LUT ............................................................................................ 184
M
Magnification, MF assist function................................................124
Magnification, recording mode (video) ................................219, 222
Magnification, review mode (photo) ............................................167
INDEX
288
Magnification, shooting mode (photo) ................................. 121, 124
Magnifying glass .........................................................................124
Main menu ................................................................................... 62
Main switch .................................................................................. 50
Manual exposure setting .....................................................139, 240
Manual focusing ..................................................................123, 221
Maximum exposure time ............................................................ 140
Memory card ................................................10, 13, 37, 96, 190, 269
Menu bar ...................................................................................... 66
Menu control ................................................................................ 56
Menu language ............................................................................. 80
Menu navigation ......................................................................59, 63
Menu screen ................................................................................ 57
Metering method, AF ........................................................... 114, 214
Metering method, exposure ............................................... 134, 236
MF .......................................................................................123, 221
Microphone .................................................................................181
M (Manual exposure setting) ............................................... 139, 240
Mode, switching ..........................................................................211
Monochrome (picture).................................................................. 92
Monochrome recording (photo) .................................................... 92
Monochrome recording, video ................................................... 180
Monochrome (video) .................................................................. 18 0
MOV ............................................................................................ 176
M P4 ............................................................................................176
Multi-field metering, exposure ............................................135, 237
Multi-field metering, focusing .............................................. 114, 215
Multishot .................................................................................... 150
N
Name, file .................................................................97, 98, 191, 192
Name, folder ......................................................................... 97, 191
Navigation, menu ....................................................................59, 63
Noiseless ..................................................................................... 86
Noise reduction .............................................................93, 138, 140
Notes, legal .................................................................................... 4
Number pad ................................................................................. 65
O
One-Minute videos ......................................................................190
Operating mode, exposure ................................................. 136, 238
Operation, customized ................................................................. 70
Optical image stabilization ........................................................... 94
Overlay ....................................................................................... 153
Overview, parts ............................................................................ 24
P
Part Designations ......................................................................... 24
P (automatic program) .........................................................137, 239
Person detection ................................................................. 116, 216
Photo Aspect Ratio....................................................................... 90
Picture, interval ...........................................................................147
Picture series .............................................................. 146, 147, 149
Pixel Mapping ............................................................................. 269
Playback, automatic (video)........................................................ 252
Playback mode ........................................................................... 242
Playback, video .......................................................................... 253
PLAY button ................................................................................. 53
Power off, automatic .............................................................. 82, 85
INDEX
289
Power save ................................................................................... 82
Power save mode ......................................................................... 82
Pre Focus .................................................................................... 119
Preview .......................................................................................17 3
Preview, Depth of Field ............................................................... 145
Problems .................................................................................... 270
Profile, user ...................................................................................76
Q
Quick access .......................................................................... 70, 71
R
Rating, photos .............................................................................170
Rating, recordings ...................................................................... 248
RAW ......................................................................................89, 178
Raw data ...................................................................................... 89
REC Frame ................................................................................. 204
Rechargeable battery, capacity .................................................... 33
Rechargeable battery, notes .............................................9, 12, 269
Recording, delete (photo) ............................................................170
Recording, deleting (video) ......................................................... 249
Recording, rating (photo) .............................................................170
Recording, rating (video) ............................................................ 248
Recordings, tagging (video) ........................................................ 248
Recording, tagging (photo) ..........................................................170
Regulatory information ................................................................... 5
Remote control ...........................................................................267
Repair ......................................................................................... 298
Replacement parts ......................................................................... 3
Reset, camera ............................................................................ 258
Reset, image numbering ........................................................ 99, 193
Resolution (picture) ...................................................................... 90
Resolution (video) ........................................................................177
Restriction, focus area ........................................................ 119, 218
Review, automatic (photo) ................................................... 173, 174
Review mode ...............................................................................162
S
Safety remarks ............................................................................... 8
Saturation, image properties (photo) ............................................ 91
Saturation, image (video).............................................................179
Saving, energy ............................................................................. 82
Scale ............................................................................................ 66
Scope of delivery ........................................................................... 2
SD card ........................................................10, 13, 37, 96, 190, 269
Segmented video ........................................................................190
Self-timer ....................................................................................152
Sensitivity, ASA .......................................................................... 232
Sensitivity, eye sensor .................................................................. 83
Sensitivity, ISO .................................................................... 127, 229
Sensor .....................................................................................10, 13
Sensor format .......................................................................88, 176
Service ....................................................................................... 298
Setting, LCD panel ....................................................................... 82
Settings, store ...............................................................................76
Shadow, image properties (photo) ................................................ 91
Shadow, image properties (video) ...............................................17 9
Sharpness, image properties (photo) ........................................... 91
Sharpness, image properties (video) ...........................................179
Shift ............................................................................................137
INDEX
290
Shooting, continuous ................................................................. 146
Shooting Mode ............................................................................112
Shooting mode (Video) ................................................................210
Short cut ................................................................................ 70, 71
Shutter button ...............................................................................51
Shutter, electronic ............................................................... 86, 133
Shutter release..............................................................................51
Shutter speed .............................................................................136
Shutter-speed/aperture combination ................................ 136, 238
Shutter speed priority mode .............................................. 138, 240
Signals, acoustic .......................................................................... 85
Silent ............................................................................................ 86
Silent operation ............................................................................ 86
Slide show ...........................................................................174, 252
Smartphone ............................................................................... 264
Sound................................................................................... 85, 255
Spot metering, exposure .....................................................135, 237
Spot metering, focusing ...................................................... 114, 215
S (Shutter speed priority mode) ......................................... 138, 240
Standby mode .............................................................................. 82
Status screen ................................................................... 28, 30, 60
Storage ...................................................................................... 268
Submenu ...................................................................................... 62
Switching, mode.......................................................... 164, 211, 244
Switching off, camera ................................................................... 50
Switching on, camera ................................................................... 50
Sync point ...................................................................................15 7
T
Tagging, recordings (photo) .........................................................170
Tagging, recordings (video) ........................................................ 248
Tally ............................................................................................ 204
Technical Data ........................................................................... 292
Test image .................................................................................. 202
Thumbwheel ........................................................................... 52, 72
Time ........................................................................................ 67, 81
Timecode ....................................................................................182
Time lapse ................................................................................... 147
Time zone ..................................................................................... 81
Tones ........................................................................................... 85
Touch AF .............................................................................102, 194
Touch control ................................................................55, 102, 194
Tracking .............................................................................. 115, 216
Transfer, data ......................................................................100, 193
Troubleshooting.......................................................................... 270
TTL metering .......................................................................155, 156
U
Update, firmware...................................................................14, 259
USB .............................................................................................. 36
User-defined operation ................................................................ 70
User profiles ..................................................................................76
V
Video ...................................................................................210, 253
Video format ...............................................................................17 7
Video Gamma ............................................................................ 183
Video mode .................................................................................210
Video stabilization ...................................................................... 188
Video Style ..................................................................................17 9
INDEX
291
Volume, acoustic signals .............................................................. 85
Volume, video ............................................................................. 255
W
Warning signal .............................................................................. 85
Warrant y .......................................................................................15
Waveform Monitor ...................................................................... 20 5
White balance .....................................................................129, 232
Wi-Fi/WLAN................................................................................... 7
Wind noise reduction ..................................................................181
Z
Zebra ...................................................................................106, 199
Zone, focusing ..................................................................... 115, 215
TECHNICAL DATA
292
TECHNICAL DATA
TECHNICAL DATA
293
CAMERA
DesignationDesignation
Leica SL2-S
Camera typeCamera type
Mirrorless full-frame system camera
Type no.Type no.
9584
Order No.Order No.
10 880 EU/JP/US, 10 881 ROW
Buffer memoryBuffer memory
4 GB
DNG™: > 999 shots
JPG: > 999 shots
Storage mediumStorage medium
UHS-II (recommended), UHS-I, SD/SDHC/SDXC memory card
MaterialMaterial
Full-metal housing made of aluminum and magnesium, leatherette cover,
splash-water protected in compliance with IEC standard 60529 (protec-
tion type IP54)
Lens mountLens mount
Leica L bayonet with contact strip for communication between lens and
camera
Operating conditionsOperating conditions
-10 to +40°C
InterfacesInterfaces
ISO accessory shoe with additional control contacts, HDMI jack 2.0b
Type A, USB 3.1 Gen1 Type C, Audio-Out 3.5 mm/Audio-In 3.5 mm, com-
munication interface in the bottom cover for multifunction handgrip
Tripod threadTripod thread
A 1⁄4 DIN 4503 (1⁄4”) with stainless steel in the base
WeightWeight
approx. 840 g (without battery), approx. 920 g (with battery)
SENSOR
Sensor sizeSensor size
CMOS sensor, pixel pitch: 5.94 µm
35 mm: 6072 x 4056 pixels (24.6 MP)
APS-C: 3984 x 2656 pixels (10.6 MP)
ProcessorProcessor
Leica Maestro series (Maestro III)
Image stabilizationImage stabilization
5-Axis image stabilization up to 5.5 aperture levels
FilterFilter
RGB color filter, UV/IR filter, no low-pass filter
File formatsFile formats
Photo: DNG™ (raw data), DNG + JPG, JPG (DCF, Exif 2.31)
Video: RAW: 12 bit (via HDMI), MP4: H.265/MPEG-4 AVC (Audio format:
2ch 48 kHz/16 bit, AAC), MOV: H.264/MPEG-4 AVC (Audio for-
mat: 2ch 48 kHz/16 bit, LPCM)
Image resolutionImage resolution
35 mm DNG™
6000 x 4000 pixels (24 MP)
JPG
6000 x 4000 pixels (24 MP)
4272 x 2848 pixels (12.2 MP)
2976 x 1984 pixels (5.9 MP)
APS-C DNG™
3936 x 2624 pixels (10.3 MP)
JPG
3936 x 2624 pixels (10.3 MP)
2736 x 1824 pixels (5 MP)
1920 x 1280 pixels (2.5 MP)
File sizeFile size
DNG™: approx. 44 MB
JPG: depending on resolution and image content
Video: max. length: unlimited, max. file size: 96 GB
TECHNICAL DATA
294
Color depthColor depth
DNG™: 14 bit, 12 bit with
Continuous - Very High Speed
JPG: 8 bit
Color spaceColor space
Photo: sRGB
Video: Rec. 709/Rec. 2020 (HLG/L-Log)
Shooting Mode VideoShooting Mode Video
Video mode: P - A - S - M
Cine mode: M
Video ResolutionVideo Resolution
Sensor format RESOLUTION Sensor area
35 mm - C4K (17:9) 4096 x 2160 6000 x 3168
35 mm - 4K (16:9) 3840 x 2160 6000 x 3368
35 mm - Full HD (16:9) 1920 x 1080 6000 x 3368
APS-C - RAW 4128 x 2176 4128 x 2176
APS-C - C4K (17:9) 4096 x 2160 4128 x 2176
APS-C - 4K (16:9) 3840 x 2160 3984 x 2240
APS-C - Full HD (16:9) 1920 x 1080 3984 x 2240
Video frame rate / bit rateVideo frame rate / bit rate
RAW C4K (via HDMI)
59.94 f p s 12 bit (HDMI) APS -C
50 fps 12 bit (HDMI) APS- C
29.97 f p s 12 bit (HDMI) APS -C
25 fps 12 bit (HDMI) APS-C
23.98 f ps 12 bit (HDMI) APS-C
MOV C4K
59.94 f p s 4:2:0 / 10 bit (SD) 4:2:2 / 10 bit (HDMI) APS-C H.265 Long GOP 200 Mbps
59.94 f p s 4:2:0 / 8 bit (SD) 4:2:2 / 10 bit (HDMI) APS-C H.264 Long GOP 150 Mbps
50 fps 4:2:0 / 10 bit (SD) 4:2:2 / 10 bit (HDMI) APS-C H.265 Long GOP 200 Mbps
50 fps 4:2:0 / 8 bit (SD) 4:2:2 / 10 bit (HDMI) APS-C H.264 Long GOP 150 Mbps
48 fps
24 fps
4:2:0 / 10 bit (SD)
4:2:2 / 10 bit (HDMI)
APS-C H.265 Long GOP 200 Mbps
47. 95 f ps
23.98 f ps
4:2:0 / 10 bit (SD)
4:2:2 / 10 bit (HDMI)
APS-C H.265 Long GOP 200 Mbps
29.97 f p s 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 400 Mbps
29.97 f p s 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 150 Mbps
25 fps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 400 Mbps
25 fps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 150 Mbps
24 fps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 400 Mbps
24 fps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 150 Mbps
23.98 f ps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 150 Mbps
MOV 4K
59.94 f p s 4:2:0 / 10 bit (SD) 4:2:2 / 10 bit (HDMI) APS-C H.265 Long GOP 200 Mbps
59.94 f p s 4:2:0 / 8 bit (SD) 4:2:2 / 10 bit (HDMI) APS-C H.264 Long GOP 150 Mbps
50 fps 4:2:0 / 10 bit (SD) 4:2:2 / 10 bit (HDMI) APS-C H.265 Long GOP 200 Mbps
50 fps 4:2:0 / 8 bit (SD) 4:2:2 / 10 bit (HDMI) APS-C H.264 Long GOP 150 Mbps
48 fps
24 fps
4:2:0 / 10 bit (SD)
4:2:2 / 10 bit (HDMI)
APS-C H.264 Long GOP 200 Mbps
47. 95 f ps
23.98 f ps
4:2:0 / 10 bit (SD)
4:2:2 / 10 bit (HDMI)
APS-C H.264 Long GOP 200 Mbps
29.97 f p s 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 400 Mbps
29.97 f p s 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 150 Mbps
25 fps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 400 Mbps
25 fps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 150 Mbps
24 fps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 150 Mbps
23.98 f ps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 400 Mbps
23.98 f ps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 150 Mbps
MOV FHD
119 ,8 8 f p s 4:2:0 / 10 bit (SD) 4:2:2 / 10 bit (HDMI) 35 mm & APS-C H.265 Long GOP 150 Mbps
100 fps 4:2:0 / 10 bit (SD) 4:2:2 / 10 bit (HDMI) 35 mm & APS-C H.265 Long GOP 150 Mbps
59.94 f p s 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 200 Mbps
50 fps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 200 Mbps
29.97 f p s 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 200 Mbps
25 fps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 200 Mbps
23.98 f ps 4:2:2 / 10 bit (SD & HDMI) 35 mm & APS-C H.264 ALL-I 200 Mbps
MOV FHD Slow Motion
180 fps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
15 0 f ps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
120 f ps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
100 fps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
MP4 4K
59.94 f p s 4:2:0 / 8 bit (SD & HDMI) APS-C H.264 Long GOP 150 Mbps
59.94 f p s 4:2:0 / 10 bit (SD & HDMI) APS-C H.265 Long GOP 100 Mbps
50 fps 4:2:0 / 8 bit (SD & HDMI) APS-C H.264 Long GOP 150 Mbps
50 fps 4:2:0 / 10 bit (SD & HDMI) APS-C H.265 Long GOP 100 Mbps
29.97 f p s 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 100 Mbps
25 fps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 100 Mbps
23.98 f ps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 100 Mbps
MP4 FHD
59.94 f p s 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 28 Mbps
50 fps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 28 Mbps
29.97 f p s 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
25 fps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
TECHNICAL DATA
295
23.98 f ps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 24 Mbps
MP4 FHD Slow Motion
180 fps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
15 0 f ps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
120 f ps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
100 fps 4:2:0 / 8 bit (SD & HDMI) 35 mm & APS-C H.264 Long GOP 20 Mbps
Video GammaVideo Gamma
Rec. 709, L-Log Rec. 2020, HLG Rec. 2020
VIEWFINDER/LCD PANEL
Viewfinder (EVF)Viewfinder (EVF)
Resolution: 5,760,000 dots, 120 fps, magnification: 0.78x, aspect ratio:
4:3, frame coverage: 100%, exit pupil position: 21 mm, setting range +2/-
4 dpt, with eye sensor for automatic switchover between viewfinder and
LCD panel, time delay 0.005 s
LCD panelLCD panel
3.2” (backlight LED) with anti-fingerprint and anti-scratch coating,
2,100,000 dots, format 3:2, touch control available
Top displayTop display
1.28” highly reflective trans-reflective monochrome LCD, 128 x 128 pix-
els, viewing angle 120°; anti-fingerprint coating
SHUTTER
Shutter typeShutter type
Electronically controlled focal plane shutter/electronic shutter
Shutter speedsShutter speeds
Mech. shutter: Bulb, 30 min to 1⁄8000 s
Electro. shutter function: 60 s to 1⁄16000 s
Flash Synch: up to 1⁄250 s
Shutter buttonShutter button
Two-stage
(1st stage: Activation of the camera electronics including autofocus and
exposure metering, 2nd stage: Taking the picture)
Self-timerSelf-timer
Delay time: 2 s or 12 s
Drive ModeDrive Mode
Single
Continuous - Low Speed
2 fps
Continuous - Medium Speed
5 fps
Continuous - High Speed
9 fps without AFc/AE/WB
Continuous - Very High Speed
25 fps with electro. shutter function without
AFc/AE/WB
Interval Shooting
Exposure Bracketing
Multi-Shot
Generates 2 DNGs: 1x 24 MP, 1x 96 MP
8 frames are combined into one high-res
image
FOCUSING
Working rangeWorking range
30 cm to ∞
With macro setting: from 17 cm
Focus ModeFocus Mode
Automatic or manual
With manual setting: optional magnifying glass function (
Auto Magnifica-
tion) and edge marking (Focus Peaking) available as focus aids
Autofocus systemAutofocus system
Based on contrast metering and depth mapping
Autofocus modesAutofocus modes
Intelligent AF (autonomously selects AFs and AFc), AFs, AFc, AF setting
can be saved, optional
Touch AF
Autofocus metering methodsAutofocus metering methods
Spot (can be shifted), Field (can be shifted and scaled), Multi-Field, Zone
(can be shifted),
Eye/Face/Body Detection, Tracking
Video mode only: Follow Focus
TECHNICAL DATA
296
Autofocus Metering FieldsAutofocus Metering Fields
225
EXPOSURE
Exposure meteringExposure metering
TTL (exposure metering through the lens)
Exposure Metering MethodsExposure Metering Methods
Spot, Center-Weighted, Highlight-Weighted, Multi-Field
Exposure modesExposure modes
Automatic program (P)
Aperture priority (A): manual aperture setting
Shutter priority mode (S): manual shutter speed setting
Manual (M): Manual setting for shutter speed and aperture
Exposure compensationExposure compensation
±3 EV in 1⁄3 EV increments or 1⁄2 EV increments
Automatic bracketingAutomatic bracketing
3 or 5 frames, graduations between shoots up to 3 EV, in 1⁄3 EV incre-
ments or 1⁄2 EV increments
additional optional exposure compensation: up to ±3 EV
ISO sensitivity rangeISO sensitivity range
Photo Video
Auto ISO
ISO 100 to ISO 100 000 ISO 100 to ISO 50 000
Manual
ISO 50 to ISO 100 000 ISO 50 to ISO 50 000
White balanceWhite balance
Automatic (
Auto), Default (Daylight - 5200 K, Cloudy - 6000 K, Shadow -
7000 K,
Tungsten - 3200 K, HMI - 5600 K, Fluorescent (warm) - 4000 K,
Fluorescent (cool) - 4500 K, Flash - 5400 K), manual metering (Graycard,
Graycard Live View), manual color temperature setting (Color Tempera-
ture
, 2000 K to 11,500 K)
FLASH EXPOSURE CONTROL
Flash unit connectorFlash unit connector
Via the accessory shoe
Flash sync timeFlash sync time
: 1⁄250 s, slower shutter speeds available, automatic changeover to
TTL linear flash mode with HSS-compatible Leica flash units if sync time
is undercut
Flash exposure meteringFlash exposure metering
Using center-weighted TTL pre-flash metering with Leica flash units
(SF 26, SF 40, SF 58, SF 60, SF 64) or with system-compatible flash units,
remote controlled flash SF C1
Flash exposure compensationFlash exposure compensation
SF 40: ±2 EV in 1⁄2 EV increments
SF 60: ±2 EV in 1⁄3 EV increments
EQUIPMENT
MicrophoneMicrophone
Stereo internal + microphone input 3.5 mm stereo jack + supply voltage
(approx. 2.5 V)
SpeakerSpeaker
Mono internal + headphones output 3.5 mm stereo jack
WLANWLAN
WLAN function for connecting to the Leica FOTOS app. The Leica app
is available from the Apple App Store™ or the Google Play Store™.
Complies with Wi-Fi IEEE802.11b/g/n, 2.4 GHz, channel 1–11 (2412–
2462 MHz) and Wi-Fi IEEE802.11ac, 2.4 GHz & 5 GHz, channel 39–48
(5180–5240 MHz), channel 52–64 (5260–5320 MHz), channel 100–140
(5500–5700 MHz) (standard WLAN protocol), encryption method:
WLAN-compatible WPA™/WPA2™
GPSGPS
Not available everywhere due to country-specific legislation; can be
added via the Leica FOTOS app. Data is written to Exif header of the
picture files.
TECHNICAL DATA
297
BluetoothBluetooth
Bluetooth v4.2 (Bluetooth Low Energy (BLE)), 2402 to 2480 MHz
Menu languagesMenu languages
English, German, French, Italian, Spanish, Russian, Japanese, Simplified
Chinese, Traditional Chinese, Korean
POWER SUPPLY
Rechargeable battery (Leica BP-SCL4)Rechargeable battery (Leica BP-SCL4)
Lithium-ion rechargeable battery, rated voltage: 7.2 V (DC); capacity:
1860 mAh; charging time: approx. 140 min (after deep discharge); manu-
facturer: Panasonic Energy (Wuxi) Co. Ltd., Made in China
Approx. 510 shots (according to CIPA standard, with
Auto Power Off 10
s
), approx. 1430 shots (according to CIPA standard, adapted shooting
cycle*, with
Auto Power Off 5 s)
USB Power SupplyUSB Power Supply
USB charger function in standby mode or when switched off
USB power supply when switched on
Charger (Leica BC-SCL4)Charger (Leica BC-SCL4)
Input: AC 100–240 V, 50/60 Hz, 0.25 A, automatic switchover; output:
DC 8.4 V 0.85 A; manufacturer: Salom Electric (Xiamen) Co., Ltd., Made
in China
* Alternating: Switch on, one shoot every 3 s, shutdown after 10 shoots, 5 min wait
time; switch on, one shoot every 3 s, shutdown after 50 shoots, 5 min wait time
LEICA CUSTOMER CARE
298
LEICA CUSTOMER CARE
Please contact the Customer Care department of Leica Camera AG
for the maintenance of your Leica equipment and for help and advice
regarding Leica products and how to order them. You can also con-
tact the Customer Care department or the repair service provided by
your regional Leica subsidiary for repairs or warranty claims.
LEICA GERMANY
Leica Camera AG
Leica Customer Care
Am Leitz-Park 5
35578 Wetzlar
Germany
Phone: +49 (0)6441 2080-189
Fax: +49 (0)6441 2080-339
Email: customer.care@leica-camera.com
https://leica-camera.com
YOUR NATIONAL REPRESENTATIVE
You will find the Customer Care department responsible for your
locality on our homepage:
https://leica-camera.com/en-US/contact
LEICA ACADEMY
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LEICA ACADEMY
Have a look at our full seminar program with many interesting work-
shops on the topic of photography at:
https://leica-camera.com/pl-PL/leica-akademie
