Fujifilm X-T3 Body - Black Cameras

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X-T3 Body - Black photo

User Manual

This is the main product document for model X-T3 Body - Black.

The file format is pdf, 324 pages, you can download this manual here .

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Owners Manual
BL00004970-201
EN
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ii
Introduction
Thank you for your purchase of this product. Be sure that
you have read this manual and understood its contents be-
fore using the camera. Keep the manual where it will be
read by all who use the product.
For the Latest Information
The latest versions of the manuals are available from:
http://fujifilm-dsc.com/en/manual/
The site can be accessed not only from your
computer but also from smartphones and
tablets. It also contains information on the
software license.
For information on  rmware updates, visit:
http://www.fujifilm.com/support/digital_cameras/software/
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iii
Menu List
iv
1 Before You Begin
1
2 First Steps
27
3 Basic Photography and Playback
45
4 Movie Recording and Playback
51
5 Taking Photographs
57
6 The Shooting Menus
101
7 Playback and the Playback Menu
159
8 The Setup Menus
185
9 Shortcuts
221
10 Peripherals and Optional Accessories
233
11 Connections
251
12 Technical Notes
265
P
Chapter Index
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iv
Menu List
Menu List
Camera menu options are listed below.
Shooting Menus
Adjust settings when shooting photos or movies.
N
See page 101 for details.
H IMAGE QUALITY SETTING
P
1⁄
1⁄
IMAGE SIZE 102
IMAGE QUALITY 103
RAW RECORDING 103
FILM SIMULATION 104
B & W ADJ.
ab
(Warm/Cool)
105
GRAIN EFFECT 105
COLOR CHROME EFFECT 105
WHITE BALANCE 106
2⁄
2⁄
DYNAMIC RANGE 108
D RANGE PRIORITY 109
HIGHLIGHT TONE 110
SHADOW TONE 110
COLOR 110
SHARPNESS 110
NOISE REDUCTION 111
LONG EXPOSURE NR 111
3⁄
3⁄
LENS MODULATION OPTIMIZER 111
COLOR SPACE 111
PIXEL MAPPING 112
SELECT CUSTOM SETTING 112
EDIT/SAVE CUSTOM SETTING 113
G AF/MF SETTING
P
1⁄
1⁄
FOCUS AREA 114
AF MODE 115
AF-C CUSTOM SETTINGS 116
STORE AF MODE BY ORIENTATION 119
AF POINT DISPLAY
yz
119
NUMBER OF FOCUS POINTS 120
PRE-AF 120
AF ILLUMINATOR 120
2⁄
2⁄
FACE/EYE DETECTION SETTING 121
AF+MF 122
MF ASSIST 123
FOCUS CHECK 123
INTERLOCK SPOT AE & FOCUS AREA 124
INSTANT AF SETTING 124
DEPTH-OF-FIELD SCALE 125
RELEASE/FOCUS PRIORITY 125
3⁄
3⁄ TOUCH SCREEN MODE 126
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Menu List
Menu List
A SHOOTING SETTING
P
1⁄
1⁄
DRIVE SETTING 129
SPORTS FINDER MODE 132
PRE-SHOT sJ
132
SELF-TIMER 133
INTERVAL TIMER SHOOTING 134
SHUTTER TYPE 135
FLICKER REDUCTION 136
IS MODE 136
2⁄
2⁄
ISO AUTO SETTING 137
MOUNT ADAPTER SETTING 138
WIRELESS COMMUNICATION 140
F FLASH SETTING
P
FLASH FUNCTION SETTING 141
RED EYE REMOVAL 141
TTL-LOCK MODE 142
LED LIGHT SETTING 142
MASTER SETTING 143
CH SETTING 143
B MOVIE SETTING
P
1⁄
1⁄
MOVIE MODE 144
H.265(HEVC)/H.264 145
MOVIE COMPRESSION 145
FULL HD HIGH SPEED REC 145
F FILM SIMULATION
146
F B & W ADJ.
ab
(Warm/Cool)
146
F WHITE BALANCE
147
F DYNAMIC RANGE
147
2⁄
2⁄
F HIGHLIGHT TONE
148
F SHADOW TONE
148
F COLOR
148
F SHARPNESS
148
F NOISE REDUCTION
149
VINTERFRAME NR
149
F-Log RECORDING 149
F
PERIPHERAL LIGHT CORRECTION
149
3⁄
3⁄
F FOCUS AREA
150
MOVIE AF MODE 150
F AF-C CUSTOM SETTING
150
F FACE/EYE DETECTION SETTING
151
F MF ASSIST
151
F FOCUS CHECK
151
4K MOVIE OUTPUT 152
FULL HD MOVIE OUTPUT 152
4⁄
4⁄
HDMI OUTPUT INFO DISPLAY 153
4K HDMI STANDBY QUALITY 153
HDMI REC CONTROL 153
ZEBRA SETTING 154
ZEBRA LEVEL 154
AUDIO SETTING 154
TIME CODE SETTING 156
TALLY LIGHT 158
5⁄
5⁄ MOVIE SILENT CONTROL 158
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vi
Menu List
The Playback Menu
Adjust playback settings.
N
See page 165 for details.
C PLAY BACK MENU
P
1⁄
1⁄
SWITCH SLOT 165
RAW CONVERSION 166
ERASE 168
SIMULTANEOUS DELETE
(RAW SLOT1/JPG SLOT2)
170
CROP 170
RESIZE 171
PROTECT 172
IMAGE ROTATE 173
2⁄
2⁄
RED EYE REMOVAL 174
VOICE MEMO SETTING 175
COPY 176
IMAGE TRANSFER ORDER 177
WIRELESS COMMUNICATION 178
SLIDE SHOW 178
PHOTOBOOK ASSIST 179
PC AUTO SAVE 180
C PLAY BACK MENU
P
3⁄
3⁄
PRINT ORDER (DPOF) 181
instax PRINTER PRINT 182
DISP ASPECT 183
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vii
Menu List
Menu List
Setup Menus
Adjust basic camera settings.
N
See page 185 for details.
D USER SETTING
P
FORMAT 186
DATE/TIME 187
TIME DIFFERENCE 187
Qa
188
MY MENU SETTING 188
SENSOR CLEANING 189
RESET 189
D SOUND SETTING
P
AF BEEP VOL. 190
SELF-TIMER BEEP VOL. 190
OPERATION VOL. 190
SHUTTER VOLUME 191
SHUTTER SOUND 191
PLAYBACK VOLUME 191
D SCREEN SETTING
P
1⁄
1⁄
EVF BRIGHTNESS 192
EVF COLOR 192
EVF COLOR ADJUSTMENT 192
LCD BRIGHTNESS 193
LCD COLOR 193
LCD COLOR ADJUSTMENT 193
IMAGE DISP. 194
AUTOROTATE DISPLAYS 194
2⁄
2⁄
PREVIEW EXP./WB IN MANUAL MODE 195
NATURAL LIVE VIEW 195
FRAMING GUIDELINE 196
AUTOROTATE PB 196
FOCUS SCALE UNITS 197
APERTURE UNIT FOR CINEMA LENS 197
DUAL DISPLAY SETTING 197
DISP. CUSTOM SETTING 198
3⁄
3⁄
LARGE INDICATORS MODE(EVF) 199
LARGE INDICATORS MODE(LCD) 200
LARGE INDICATORS DISP. SETTING 201
INFORMATION CONTRAST ADJ. 201
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Menu List
D BUTTON/DIAL SETTING
P
1⁄
1⁄
FOCUS LEVER SETTING 202
EDIT/SAVE QUICK MENU 203
FUNCTION (Fn) SETTING 204
SELECTOR BUTTON SETTING 206
COMMAND DIAL SETTING 206
ISO DIAL SETTING (H) 207
ISO DIAL SETTING (L) 207
ISO DIAL SETTING (A) 207
2⁄
2⁄
SHUTTER AF 208
SHUTTER AE 208
SHOOT WITHOUT LENS 208
SHOOT WITHOUT CARD 209
FOCUS RING 209
FOCUS RING OPERATION 209
AE/AF-LOCK MODE 209
AWB-LOCK MODE 210
3⁄
3⁄
APERTURE RING SETTING (A) 210
APERTURE SETTING 210
TOUCH SCREEN SETTING 211
LOCK 211
D POWER MANAGEMENT
P
AUTO POWER OFF 212
PERFORMANCE 212
D SAVE DATA SETTING
P
FRAME NO. 213
SAVE ORG IMAGE 214
EDIT FILE NAME 214
CARD SLOT SETTING (STILL IMAGE) 214
SELECT SLOT(xSEQUENTIAL)
214
SELECT SLOT(FSEQUENTIAL)
215
SELECT FOLDER 215
COPYRIGHT INFO 215
D CONNECTION SETTING
P
Bluetooth SETTINGS 216
NETWORK SETTING 217
PC AUTO SAVE 217
instax PRINTER CONNECTION
SETTING
218
PC CONNECTION MODE 218
GENERAL SETTINGS 220
INFORMATION 220
RESET WIRELESS SETTING 220
Menu List
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Table of Contents
Introduction ...................................................................................................................ii
For the Latest Information .....................................................................................................ii
Menu List ........................................................................................................................iv
Shooting Menus .........................................................................................................................iv
The Playback Menu...................................................................................................................vi
Setup Menus ................................................................................................................................vii
Supplied Accessories ............................................................................................... xix
About This Manual .....................................................................................................xx
Symbols and Conventions ..................................................................................................xx
Terminology .................................................................................................................................xx
1
Before You Begin 1
Before You Begin 1
Parts of the Camera .....................................................................................................2
The Serial Number Plate .........................................................................................................4
The Selector ....................................................................................................................................4
The Focus Stick (Focus Lever) ..............................................................................................4
The Shutter Speed and Sensitivity Dials .......................................................................5
The Metering Dial .......................................................................................................................5
The Connector Cover (Detachable) .................................................................................5
The Drive Dial ................................................................................................................................6
The Exposure Compensation Dial ....................................................................................6
The Command Dials..................................................................................................................7
The Indicator Lamp ...................................................................................................................8
The LCD Monitor .........................................................................................................................9
Camera Displays ......................................................................................................... 10
The Electronic View nder ...................................................................................................10
The LCD Monitor ......................................................................................................................12
Display Rotation ........................................................................................................................ 13
Choosing a Display Mode...................................................................................................14
Adjusting Display Brightness ............................................................................................ 15
Focusing the View nder ...................................................................................................... 15
The Eye Cup.................................................................................................................................15
The DISP/BACK Button .........................................................................................................16
The Dual Display .......................................................................................................................17
Customizing the Standard Display................................................................................18
Using the Menus ........................................................................................................21
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Touch Screen Mode .................................................................................................. 22
Shooting Touch Controls ....................................................................................................22
Playback Touch Controls......................................................................................................25
2
First Steps 27
First Steps 27
Attaching the Strap ...................................................................................................28
Attaching a Lens ........................................................................................................30
Charging the Battery ................................................................................................ 31
Inserting the Battery ................................................................................................34
Inserting Memory Cards .........................................................................................36
Using Two Cards .......................................................................................................................37
Compatible Memory Cards ............................................................................................... 38
Turning the Camera On and O ...........................................................................39
Checking the Battery Level ....................................................................................40
Basic Setup ................................................................................................................... 41
Choosing a Di erent Language ...................................................................................... 43
Changing the Time and Date ........................................................................................... 43
3
Basic Photography and Playback 45
Basic Photography and Playback 45
Taking Photographs (Mode P) ..............................................................................46
Viewing Pictures.........................................................................................................49
Deleting Pictures ....................................................................................................... 50
4
Movie Recording and Playback 51
Movie Recording and Playback 51
Recording Movies ...................................................................................................... 52
Adjusting Movie Settings .................................................................................................... 54
Viewing Movies ..........................................................................................................55
5
Taking Photographs 57
Taking Photographs 57
P, S, A, and M Modes .................................................................................................58
Mode P: Program AE ..............................................................................................................58
Mode S: Shutter-Priority AE ...............................................................................................60
Mode A: Aperture-Priority AE ...........................................................................................63
Mode M: Manual Exposure ................................................................................................64
Autofocus .....................................................................................................................65
Focus Mode .................................................................................................................................66
Autofocus Options (AF Mode) .........................................................................................68
Focus-Point Selection ............................................................................................................70
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Table of Contents
Manual Focus .............................................................................................................. 74
Checking Focus .........................................................................................................................76
Sensitivity .....................................................................................................................78
Auto Sensitivity (A) .................................................................................................................. 79
Metering .......................................................................................................................80
Exposure Compensation .........................................................................................81
C (Custom) ...................................................................................................................................81
Focus/Exposure Lock ................................................................................................82
The AF-L and AE-L Buttons ................................................................................................83
Bracketing ....................................................................................................................84
O AE BKT ...................................................................................................................................... 85
W ISO BKT ...................................................................................................................................85
X FILM SIMULATION BKT..................................................................................................85
V WHITE BALANCE BKT ..................................................................................................... 85
Y DYNAMIC RANGE BKT ...................................................................................................86
Z FOCUS BKT...........................................................................................................................86
Continuous Shooting (Burst Mode) .................................................................... 87
Multiple Exposures....................................................................................................89
Advanced Filters.........................................................................................................91
Advanced Filter Options ......................................................................................................92
Panoramas ...................................................................................................................93
Flash Photography ....................................................................................................96
Flash Settings..............................................................................................................................98
6
The Shooting Menus 101
The Shooting Menus 101
IMAGE QUALITY SETTING .....................................................................................102
IMAGE SIZE ................................................................................................................................ 102
IMAGE QUALITY ..................................................................................................................... 103
RAW RECORDING .................................................................................................................. 103
FILM SIMULATION ................................................................................................................. 104
B & W ADJ. ab( Warm/Cool) ...................................................................................... 105
GRAIN EFFECT ......................................................................................................................... 105
COLOR CHROME EFFECT .................................................................................................. 105
WHITE BALANCE .................................................................................................................... 106
DYNAMIC RANGE .................................................................................................................. 108
D RANGE PRIORITY ............................................................................................................... 109
HIGHLIGHT TONE................................................................................................................... 110
SHADOW TONE ...................................................................................................................... 110
COLOR .......................................................................................................................................... 110
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1
Introduction
SHARPNESS ............................................................................................................................... 110
NOISE REDUCTION ............................................................................................................... 111
LONG EXPOSURE NR ........................................................................................................... 111
LENS MODULATION OPTIMIZER .................................................................................. 111
COLOR SPACE .......................................................................................................................... 111
PIXEL MAPPING ...................................................................................................................... 112
SELECT CUSTOM SETTING ...............................................................................................112
EDIT/SAVE CUSTOM SETTING ........................................................................................ 113
AF/MF SETTING ........................................................................................................114
FOCUS AREA ............................................................................................................................ 114
AF MODE .................................................................................................................................... 115
AF-C CUSTOM SETTINGS .................................................................................................. 116
STORE AF MODE BY ORIENTATION ............................................................................. 119
AF POINT DISPLAYyz .................................................................................................. 119
NUMBER OF FOCUS POINTS .......................................................................................... 120
PRE-AF .......................................................................................................................................... 120
AF ILLUMINATOR ................................................................................................................... 120
FACE/EYE DETECTION SETTING ................................................................................... 121
AF+MF ......................................................................................................................................... 122
MF ASSIST .................................................................................................................................. 123
FOCUS CHECK ......................................................................................................................... 123
INTERLOCK SPOT AE & FOCUS AREA ......................................................................... 124
INSTANT AF SETTING .......................................................................................................... 124
DEPTH-OF-FIELD SCALE .................................................................................................... 125
RELEASE/FOCUS PRIORITY .............................................................................................. 125
TOUCH SCREEN MODE ...................................................................................................... 126
SHOOTING SETTING................................................................................................129
DRIVE SETTING ........................................................................................................................ 129
SPORTS FINDER MODE ...................................................................................................... 132
PRE-SHOT sJ .................................................................................................................... 132
SELF-TIMER ................................................................................................................................ 133
INTERVAL TIMER SHOOTING ........................................................................................... 134
SHUTTER TYPE.........................................................................................................................135
FLICKER REDUCTION ........................................................................................................... 136
IS MODE ...................................................................................................................................... 136
ISO AUTO SETTING ............................................................................................................... 137
MOUNT ADAPTER SETTING ............................................................................................ 138
WIRELESS COMMUNICATION......................................................................................... 140
FLASH SETTING ........................................................................................................141
FLASH FUNCTION SETTING ............................................................................................ 141
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Introduction
Table of Contents
RED EYE REMOVAL ............................................................................................................... 141
TTL-LOCK MODE .................................................................................................................... 142
LED LIGHT SETTING ............................................................................................................. 142
MASTER SETTING .................................................................................................................. 143
CH SETTING .............................................................................................................................. 143
MOVIE SETTING ........................................................................................................144
MOVIE MODE ........................................................................................................................... 144
H.265(HEVC)/H.264 ..............................................................................................................145
MOVIE COMPRESSION ....................................................................................................... 145
FULL HD HIGH SPEED REC ............................................................................................... 145
F FILM SIMULATION .......................................................................................................... 146
F B & W ADJ. ab(Warm/Cool) ...............................................................................146
F WHITE BALANCE ............................................................................................................. 147
F DYNAMIC RANGE ........................................................................................................... 147
F HIGHLIGHT TONE ........................................................................................................... 148
F SHADOW TONE ............................................................................................................... 148
F COLOR................................................................................................................................... 148
F SHARPNESS ........................................................................................................................ 148
F NOISE REDUCTION........................................................................................................ 149
V INTERFRAME NR ............................................................................................................ 149
F-Log RECORDING ................................................................................................................ 149
F PERIPHERAL LIGHT CORRECTION ........................................................................ 149
F FOCUS AREA ..................................................................................................................... 150
MOVIE AF MODE.................................................................................................................... 150
F AF-C CUSTOM SETTING ............................................................................................. 150
F FACE/EYE DETECTION SETTING ............................................................................ 151
F MF ASSIST ........................................................................................................................... 151
F FOCUS CHECK .................................................................................................................. 151
4K MOVIE OUTPUT ............................................................................................................... 152
FULL HD MOVIE OUTPUT ................................................................................................. 152
HDMI OUTPUT INFO DISPLAY ........................................................................................ 153
4K HDMI STANDBY QUALITY .......................................................................................... 153
HDMI REC CONTROL ........................................................................................................... 153
ZEBRA SETTING ...................................................................................................................... 154
ZEBRA LEVEL ............................................................................................................................ 154
AUDIO SETTING...................................................................................................................... 154
TIME CODE SETTING ........................................................................................................... 156
TALLY LIGHT .............................................................................................................................. 158
MOVIE SILENT CONTROL .................................................................................................. 158
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Introduction
7
Playback and the Playback Menu 159
Playback and the Playback Menu 159
The Playback Display ..............................................................................................160
The DISP/BACK Button ...................................................................................................... 161
Viewing Pictures.......................................................................................................163
Playback Zoom ....................................................................................................................... 164
Multi-Frame Playback ......................................................................................................... 164
The Playback Menu .................................................................................................165
SWITCH SLOT ........................................................................................................................... 165
RAW CONVERSION ............................................................................................................... 166
ERASE ............................................................................................................................................ 168
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2) ............................................ 170
CROP ............................................................................................................................................. 170
RESIZE ........................................................................................................................................... 171
PROTECT ..................................................................................................................................... 172
IMAGE ROTATE ........................................................................................................................ 173
RED EYE REMOVAL ............................................................................................................... 174
VOICE MEMO SETTING ...................................................................................................... 175
COPY .............................................................................................................................................176
IMAGE TRANSFER ORDER ................................................................................................. 177
WIRELESS COMMUNICATION......................................................................................... 178
SLIDE SHOW ............................................................................................................................. 178
PHOTOBOOK ASSIST ........................................................................................................... 179
PC AUTO SAVE ......................................................................................................................... 180
PRINT ORDER (DPOF) .......................................................................................................... 181
instax PRINTER PRINT .......................................................................................................... 182
DISP ASPECT ............................................................................................................................ 183
8
The Setup Menus 185
The Setup Menus 185
USER SETTING ...........................................................................................................186
FORMAT....................................................................................................................................... 186
DATE/TIME ................................................................................................................................. 187
TIME DIFFERENCE.................................................................................................................. 187
Qa .......................................................................................................................... 188
MY MENU SETTING .............................................................................................................. 188
SENSOR CLEANING .............................................................................................................. 189
RESET ............................................................................................................................................ 189
SOUND SETTING ......................................................................................................190
AF BEEP VOL. ............................................................................................................................ 190
SELF-TIMER BEEP VOL. ........................................................................................................ 190
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Introduction
Table of Contents
OPERATION VOL. .................................................................................................................... 190
SHUTTER VOLUME ................................................................................................................ 191
SHUTTER SOUND .................................................................................................................. 191
PLAYBACK VOLUME ............................................................................................................. 191
SCREEN SETTING ......................................................................................................192
EVF BRIGHTNESS ....................................................................................................................192
EVF COLOR ................................................................................................................................ 192
EVF COLOR ADJUSTMENT................................................................................................192
LCD BRIGHTNESS ................................................................................................................... 193
LCD COLOR ............................................................................................................................... 193
LCD COLOR ADJUSTMENT .............................................................................................. 193
IMAGE DISP. ............................................................................................................................... 194
AUTOROTATE DISPLAYS ..................................................................................................... 194
PREVIEW EXP./WB IN MANUAL MODE ...................................................................... 195
NATURAL LIVE VIEW ............................................................................................................. 195
FRAMING GUIDELINE .......................................................................................................... 196
AUTOROTATE PB..................................................................................................................... 196
FOCUS SCALE UNITS ........................................................................................................... 197
APERTURE UNIT FOR CINEMA LENS .......................................................................... 197
DUAL DISPLAY SETTING .................................................................................................... 197
DISP. CUSTOM SETTING .....................................................................................................198
LARGE INDICATORS MODE(EVF) .................................................................................. 199
LARGE INDICATORS MODE(LCD) ................................................................................. 200
LARGE INDICATORS DISP. SETTING ............................................................................. 201
INFORMATION CONTRAST ADJ. ................................................................................... 201
BUTTON/DIAL SETTING .........................................................................................202
FOCUS LEVER SETTING ...................................................................................................... 202
EDIT/SAVE QUICK MENU ................................................................................................... 203
FUNCTION (Fn) SETTING .................................................................................................. 204
SELECTOR BUTTON SETTING ......................................................................................... 206
COMMAND DIAL SETTING .............................................................................................. 206
ISO DIAL SETTING (H) ......................................................................................................... 207
ISO DIAL SETTING (L) .......................................................................................................... 207
ISO DIAL SETTING (A) .......................................................................................................... 207
SHUTTER AF .............................................................................................................................. 208
SHUTTER AE .............................................................................................................................. 208
SHOOT WITHOUT LENS ..................................................................................................... 208
SHOOT WITHOUT CARD.................................................................................................... 209
FOCUS RING ............................................................................................................................. 209
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Introduction
FOCUS RING OPERATION ................................................................................................. 209
AE/AF-LOCK MODE .............................................................................................................. 209
AWB-LOCK MODE ................................................................................................................. 210
APERTURE RING SETTING (A) ......................................................................................... 210
APERTURE SETTING ............................................................................................................. 210
TOUCH SCREEN SETTING ................................................................................................. 211
LOCK .............................................................................................................................................. 211
POWER MANAGEMENT ..........................................................................................212
AUTO POWER OFF ................................................................................................................ 212
PERFORMANCE .......................................................................................................................212
SAVE DATA SETTING................................................................................................213
FRAME NO. ................................................................................................................................ 213
SAVE ORG IMAGE................................................................................................................... 214
EDIT FILE NAME ......................................................................................................................214
CARD SLOT SETTING (STILL IMAGE) ........................................................................... 214
SELECT SLOT(xSEQUENTIAL) ...................................................................................... 214
SELECT SLOT(FSEQUENTIAL) ...................................................................................... 215
SELECT FOLDER...................................................................................................................... 215
COPYRIGHT INFO...................................................................................................................215
CONNECTION SETTING ..........................................................................................216
Bluetooth SETTINGS ............................................................................................................ 216
NETWORK SETTING ............................................................................................................. 217
PC AUTO SAVE ......................................................................................................................... 217
instax PRINTER CONNECTION SETTING .................................................................. 218
PC CONNECTION MODE ................................................................................................... 218
GENERAL SETTINGS ............................................................................................................. 220
INFORMATION ......................................................................................................................... 220
RESET WIRELESS SETTING ................................................................................................ 220
9
Shortcuts 221
Shortcuts 221
Shortcut Options .....................................................................................................222
The Q (Quick Menu) Button .................................................................................223
The Quick Menu Display ................................................................................................... 223
Viewing and Changing Settings .................................................................................. 224
Editing the Quick Menu ....................................................................................................225
The Fn (Function) Buttons ....................................................................................226
Assigning Roles to the Function Buttons ............................................................... 228
MY MENU ....................................................................................................................230
MY MENU SETTING .............................................................................................................. 230
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Introduction
Table of Contents
10
Peripherals and Optional Accessories 233
Peripherals and Optional Accessories 233
External Flash Units ................................................................................................234
Using an External Flash ..................................................................................................... 235
SUPPLIED FLASH .................................................................................................................... 236
SYNC TERMINAL ..................................................................................................................... 237
SHOE MOUNT FLASH ......................................................................................................... 238
MASTER(OPTICAL) ................................................................................................................241
Vertical Battery Grips ..............................................................................................245
Attaching the Vertical Battery Grip ............................................................................ 246
Inserting and Removing Batteries ..............................................................................247
Charging the Batteries ....................................................................................................... 248
11
Connections 251
Connections 251
HDMI Output .............................................................................................................252
Connecting to HDMI Devices ....................................................................................... 252
Shooting ..................................................................................................................................... 253
Playback ......................................................................................................................................253
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi) ............................254
Smartphones and Tablets: FUJIFILM Camera Remote ................................... 254
Copying Pictures to a Computer: PC AutoSave ................................................. 256
Tethered Shooting: FUJIFILM X Acquire/FUJIFILM Tether Shooting
Plug-in/Hyper-Utility Software HS-V5 ................................................................... 256
Connecting to Computers via USB ....................................................................257
Tethered Shooting: FUJIFILM X Acquire/FUJIFILM Tether Shooting
Plug-in/Hyper-Utility Software HS-V5 ................................................................... 260
Copying Pictures to a Computer ................................................................................. 261
Creating JPEG Copies of RAW Images: FUJIFILM X RAW STUDIO ............262
Saving and Loading Camera Settings (FUJIFILM X Acquire) ...................... 262
instax SHARE Printers .............................................................................................263
Establishing a Connection .............................................................................................. 263
Printing Pictures ..................................................................................................................... 264
12
Technical Notes 265
Technical Notes 265
Accessories from Fuji lm ......................................................................................266
Software from Fuji lm ...........................................................................................269
FUJIFILM Camera Remote ............................................................................................... 269
FUJIFILM PC AutoSave ....................................................................................................... 269
MyFinePix Studio ................................................................................................................... 269
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Introduction
Table of Contents
RAW FILE CONVERTER EX ................................................................................................. 269
FUJIFILM X RAW STUDIO .................................................................................................. 270
FUJIFILM X Acquire .............................................................................................................. 270
FUJIFILM Tether Shooting Plug-ins for Lightroom ........................................... 270
Hyper-Utility Software HS-V5 ........................................................................................ 270
For Your Safety ..........................................................................................................271
Product Care ..............................................................................................................280
Cleaning the Image Sensor ..................................................................................281
Firmware Updates ...................................................................................................282
Checking the Firmware Version ................................................................................... 282
Troubleshooting ......................................................................................................283
Warning Messages and Displays ........................................................................292
Memory Card Capacity ..........................................................................................295
Speci cations ............................................................................................................296
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Introduction
Supplied Accessories
The following are included with the camera:
NP-W126S rechargeable battery
BC-W126S battery charger
Plug adapter
EF-X8 shoe mounted  ash unit
Body cap
Metal strap clips (× 2)
Clip attaching tool
Protective covers (× 2)
Shoulder strap
Hot shoe cover (comes attached to hot shoe)
Sync terminal cap (comes attached to camera)
Vertical battery grip connector cover (comes attached to
camera)
Owners Manual (this manual)
N
A BC-W126 battery charger may be supplied in place of the BC-W126S
in some countries or regions.
The plug adapter supplied varies with the country or region.
If you purchased a lens kit, check that a lens is included.
For information on compatible computer software, see “Software
from Fuji lm (P 269 ).
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1
Introduction
About This Manual
This manual contains instructions for your FUJIFILM X-T3
digital camera. Be sure you have read and understood its
contents before proceeding.
Symbols and Conventions
The following symbols are used in this manual:
O
Information that should be read to prevent damage to the
product.
N
Additional information that may be helpful when using the
product.
P
Pages on which related information may be found.
Menus and other text in the displays are shown in bold. Illustrations
are for explanatory purposes only; drawings may be simpli ed,
while photographs are not necessarily taken with the model of
camera described in this manual.
Terminology
The optional SD, SDHC, and SDXC memory cards the camera uses
to store pictures are referred to as “memory cards”. The electronic
view nder may be referred to as the “EVF” and the LCD monitor
as the “LCD”.
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1
Before You Begin
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2
1
Before You Begin
Parts of the Camera
A
Exposure compensation dial ..................6, 81
B
Shutter button .................................................48
C
Fn1 button ......................................................226
D
Shutter speed dial
.................................................. 5, 58, 60, 63, 64
E
Dial lock release .................................................5
F
Hot shoe ...................................................96, 238
G
Microphone ............................................53, 154
H
Diopter adjustment control ........................ 15
I
Sensitivity dial ....................................5, 78, 137
J
Drive dial ..............................................................6
K
Strap eyelet .......................................................28
L
Sync terminal ................................................237
M
Connector cover (detachable) .......................5
N
Focus mode selector ......................................66
O
Lens signal contacts
P
Lens release button ........................................ 30
Q
Fn2 button ......................................................226
R
AF-assist illuminator ..........................120, 158
Self-timer lamp .............................................133
S
Metering dial ...............................................5, 80
T
Front command dial .............................. 7, 206
U
ON/OFF switch ................................................. 39
V
Hot shoe cover........................................96, 238
W
Body cap ...........................................................30
X
Microphone jack (3.5mm) .......................53
Y
Headphone jack (3.5mm) .....................155
Z
USB connector (Type-C) ......................33, 257
a
HDMI Micro connector (Type D) ..............252
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Before You Begin
Parts of the Camera
b
b (delete) button ..........................................50
c
a (playback) button ...................................49
d
Electronic viewfi nder (EVF)...............
10, 14, 15
e
Eye cup ..............................................................15
f
VIEW MODE button .........................................14
g
AE-L (exposure lock) button ...............83, 226
h
Rear command dial .......................7, 163, 206
i
AF-L (focus lock) button
.......................83, 226
j
Indicator lamp ......................................... 8, 158
k
Q (quick menu) button ...............................223
l
Remote release connector cover
m
Memory card slot cover ................................ 36
n
Focus stick (focus lever) ...................4, 70, 202
o
Memory card slot cover latch .....................36
p
Selector buttons ....................................... 4, 206
q
MENU/OK button ............................................21
r
DISP (display)/BACK button ...............16, 161
s
Speaker .....................................................55, 191
t
Battery-chamber cover latch......................34
u
Battery-chamber cover ................................34
v
Tripod mount
w
Vertical battery grip connector cover .....245
x
LCD monitor ................................... 9, 12, 14, 15
Touch screen ..................................22, 126, 211
y
Eye sensor .........................................................14
z
Remote release connector (2.5mm) ..... 62
0
Memory card slots 1 and 2 ..........................36
1
Battery latch ....................................................35
2
Battery chamber ............................................34
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4
1
Before You Begin
The Serial Number Plate
Do not remove the serial number plate,
which provides the FCC ID, KC mark, seri-
al number, and other important informa-
tion.
Serial number plate
The Selector
Press the selector up (e), right (h),
down (f), or left (g) to highlight items.
The up, right, down, and left buttons also
double as function buttons Fn3 through
Fn6 (P226).
The Focus Stick (Focus Lever)
Tilt or press the focus stick to select the fo-
cus area. The focus stick can also be used
to navigate the menus.
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Before You Begin
Parts of the Camera
The Shutter Speed and Sensitivity Dials
Press the dial lock release to release the
dial before rotating it to the desired set-
ting. Press the release again to lock the
dial in place.
Shutter speed
Sensitivity
The Metering Dial
Rotate the dial to choose the metering
mode.
The Connector Cover (Detachable)
Slide the latch down to remove the cover.
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Before You Begin
The Drive Dial
Rotate the dial to choose from the follow-
ing the drive modes.
Mode
Mode
P
P
F
F
Movie 52
BKT
BKT Bracketing 84
CH
CH High-speed burst
87
CL
CL Low-speed burst
Mode
Mode
P
P
S
S Single frame 46
j
j
Multiple exposure 89
ADV.
ADV. Advanced fi lter 91
u
u
Panorama 93
The Exposure Compensation Dial
Rotate the dial to choose an exposure
compensation amount.
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Before You Begin
Parts of the Camera
The Command Dials
Rotate or press the command dials to:
Front command dial Rear command dial
Rotate
Rotate
Select menu tabs or page
through menus
Adjust aperture
1, 2
Adjust exposure compensation
5
Adjust sensitivity
2, 3
View other pictures during
playback
Highlight menu items
Choose the desired combina-
tion of shutter speed and aper-
ture (program shift)
Choose a shutter speed
2
Adjust settings in the quick menu
Choose the size of the focus frame
Zoom in or out in full frame play-
back
Zoom in or out in multi-frame
playback
Press
Press
Switch back and forth between
aperture and sensitivity
2, 3, 6
Press and hold to choose the op-
tion selected for D BUTTON/
DIAL SETTING > COMMAND
DIAL SETTING in the D (setup)
menu
Perform the function assigned
to the DIAL function button
Zoom in on the active focus point
4
Press and hold to choose the
manual focus mode focus display
4
Zoom in on the active focus
point during playback
1 Aperture set to A (auto) and lens equipped with aperture ring or COMMAND selected for
D
BUTTON/DIAL SETTING> APERTURE RING SETTING (A).
2 Can be changed using D
BUTTON/DIAL SETTING> COMMAND DIAL SETTING.
3
ISO dial set to A and COMMAND selected for
D
BUTTON/DIAL SETTING> ISO DIAL
SETTING (A).
4 Available only if FOCUS CHECK is assigned to a function button.
5 Exposure compensation dial rotated to C.
6 Can be used to switch back and forth between aperture, sensitivity, and exposure com-
pensation when exposure compensation dial is rotated to C.
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Before You Begin
The Indicator Lamp
Camera status is shown by the indicator
lamp.
Indicator lamp
Indicator lamp
Camera status
Camera status
Glows green Focus locked.
Blinks green Focus or slow shutter speed warning. Pictures can be taken.
Blinks green and
orange
Camera on: Recording pictures. Additional pictures can be
taken.
Camera o : Uploading pictures to a smartphone or tablet.
*
Glows orange
Recording pictures. No additional pictures can be taken at
this time.
Blinks orange Flash charging; fl ash will not fi re when picture is taken.
Blinks red Lens or memory error.
* Displayed only if pictures are selected for upload.
N
Warnings may also appear in the display.
The indicator lamp remains o while your eye is to the view nder.
The B MOVIE SETTING> TALLY LIGHT option can be used to
choose the lamp (indicator or AF-assist) that lights during movie re-
cording and whether the lamp blinks or remains steady.
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Before You Begin
Parts of the Camera
The LCD Monitor
The LCD monitor can be tilted for eas-
ier viewing, but be careful not to touch
the wires or trap  ngers or other objects
behind the monitor. Touching the wires
could cause camera malfunction.
N
The LCD monitor also functions as a touch screen that can be used for:
Touch photography (P 23)
Focus area selection (P 22)
Function selection (P 24)
Muting camera controls during movie recording (P 24)
Full-frame playback (P 25)
Tall” (Portrait) Orientation
The display can also be tilted to take pictures from high or low angles when
the camera is rotated to take pictures in “tall” (portrait) orientation.
Press the tilt lock release and tilt the display as shown in Figure 1.
To take high-angle shots, hold the camera in the orientation shown in
Figure 2.
Figure 1 Figure 2
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Before You Begin
Camera Displays
This section lists the indicators that may be displayed
during shooting.
O
For illustrative purposes, displays are shown with all indicators lit.
The Electronic View nder
ALL-Intra
H.264
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Before You Begin
Camera Displays
A
Sports fi nder mode ......................................132
B
IS mode
2
.......................................................... 136
C
Flash (TTL) mode ..................................98, 238
D
Flash compensation .............................98, 238
E
Self-timer indicator ......................................133
F
Continuous mode .......................................... 87
G
Shutter type....................................................135
H
AF+MF indicator
2
........................................122
I
Bluetooth ON/OFF .......................................216
J
White balance ...............................................106
K
AWB lock .........................................................210
L
Film simulation .............................................104
M
F-Log recording .............................................149
N
Dynamic range .............................................108
O
D-range priority ............................................109
P
Movie mode ............................................52, 144
Q
Full HD high-speed recording ...................145
R
Time remaining .............................................. 53
S
Card slot options ...................................37, 214
T
Number of available frames
1
...................295
U
Image size .......................................................102
V
Image quality ................................................103
W
Date and time .................................41, 43, 187
X
Touch screen mode ...............................22, 126
Y
Temperature warning .................................294
Z
Boost mode ....................................................212
a
Histogram.........................................................20
b
Battery level .....................................................40
c
Sensitivity.......................................................... 78
d
Exposure compensation ..............................81
e
Aperture ...............................................59, 63, 64
f
Shutter speed ......................................59, 60, 64
g
TTL lock ........................................ 142, 205, 229
h
AE lock ......................................................83, 209
i
Metering............................................................80
j
Shooting mode ............................................... 58
k
Focus mode
2
....................................................66
l
Focus indicator
2
..............................................67
m
Manual focus indicator
2
...................... 66 , 74
n
AF lock ......................................................83, 209
o
Distance indicator
2
........................................76
p
Recording level
2
............................................154
q
Time code .......................................................156
r
Exposure indicator .................................. 64, 81
s
Virtual horizon ................................................ 19
t
Focus frame .............................................. 70, 82
u
Image transfer status .........................216, 254
v
Location data download status .....220, 254
w
Movie compression ......................................145
x
Depth-of-fi eld preview .......................... 63, 76
y
H.265(HEVC )/H.264 .....................................145
z
Focus check .............................................76, 123
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP> LARGE INDICATORS
MODE(EVF).
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Before You Begin
The LCD Monitor
12800
ᵎᵏᵍᵎᵏᵍᵐᵎᵏᵖᴾᵏᵎᵘᵎᵎᴾᵟᵫ
ALL-Intra
H.264
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1
Before You Begin
Camera Displays
A
Sports fi nder mode ......................................132
B
Flash compensation .............................98, 238
C
Focus check .............................................76, 123
D
Depth-of-fi eld preview .......................... 63, 76
E
H.265(HEVC )/H.264 .....................................145
F
Movie compression ......................................145
G
Location data download status .....220, 254
H
Bluetooth ON/OFF .......................................216
I
Image transfer status .........................216, 254
J
Movie mode ............................................52, 144
K
Full HD high-speed recording ...................145
L
Time remaining .............................................. 53
M
Card slot options ...................................37, 214
N
Number of available frames
1
...................295
O
Image size .......................................................102
P
Image quality ................................................103
Q
Date and time .................................41, 43, 187
R
Touch screen mode
3
............................. 22, 126
S
AWB lock .........................................................210
T
White balance ...............................................106
U
Film simulation .............................................104
V
F-Log recording .............................................149
W
Dynamic range .............................................108
X
D-range priority ............................................109
Y
Temperature warning .................................294
Z
Focus frame .............................................. 70, 82
a
Boost mode ....................................................212
b
Histogram.........................................................20
c
Distance indicator
2
........................................76
d
Battery level .....................................................40
e
Sensitivity.......................................................... 78
f
Exposure compensation ..............................81
g
Aperture ...............................................59, 63, 64
h
Time code .......................................................156
i
Shutter speed ......................................59, 60, 64
j
TTL lock ........................................ 142, 205, 229
k
AE lock ......................................................83, 209
l
Metering............................................................80
m
Shooting mode ............................................... 58
n
Focus mode
2
....................................................66
o
Focus indicator
2
..............................................67
p
Manual focus indicator
2
...................... 66 , 74
q
AF lock ......................................................83, 209
r
AF+MF indicator
2
........................................122
s
Shutter type....................................................135
t
Recording level
2
............................................154
u
Continuous mode .......................................... 87
v
Exposure indicator .................................. 64, 81
w
Self-timer indicator ......................................133
x
Flash (TTL) mode ..................................98, 238
y
IS mode
2
.......................................................... 136
1 Shows “9999” if there is space for over 9999 frames.
2 Not displayed when ON is selected for D SCREEN SET-UP> LARGE INDICATORS
MODE(LCD).
3 Camera functions can also be accessed via touch controls.
Display Rotation
When ON is selected for D SCREEN SET-UP> AUTOROTATE
DISPLAYS, the indicators in the view nder and LCD monitor au-
tomatically rotate to match camera orientation.
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Before You Begin
Choosing a Display Mode
Press the VIEW MODE button to cycle
through the following display modes.
Option
Option
Description
Description
E
E
EYE SENSOR
EYE SENSOR
Putting your eye to the viewfi nder turns the viewfi nder on and
the LCD monitor off ; taking your eye away turns the viewfi nder
off and LCD monitor on.
EVF ONLY
EVF ONLY Viewfi nder on, LCD monitor off .
LCD ONLY
LCD ONLY LCD monitor on, viewfi nder off .
EVF ONLY +
EVF ONLY +
E
E
Putting your eye to the viewfi nder turns the viewfi nder on; tak-
ing it away turns the viewfi nder off . The LCD monitor remains off .
E
E
EYE SENSOR +
EYE SENSOR +
LCD IMAGE DISP.
LCD IMAGE DISP.
Putting your eye to the viewfi nder during shooting turns the
viewfi nder on, but the LCD monitor is used for the display of
images once you remove your eye from the viewfi nder after
shooting.
The Eye Sensor
The eye sensor may respond to objects other
than your eye or to light shining directly on
the sensor.
The eye sensor is disabled while the LCD mon-
itor is tilted.
Eye sensor
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Before You Begin
Camera Displays
Adjusting Display Brightness
The brightness and hue of the view nder and LCD monitor can
be adjusted using the items in the D SCREEN SET-UP menu.
Choose EVF BRIGHTNESS or EVF COLOR to adjust view nder
brightness or hue, LCD BRIGHTNESS or LCD COLOR to do the
same for the LCD monitor.
Focusing the View nder
If the indicators displayed in the view nder are blurred, put your
eye to the view nder and rotate the diopter adjustment control
until the display is in sharp focus.
To focus the view nder:
A
Lift the diopter adjustment control.
B
Rotate the control to adjust view nder focus.
C
Return the control to its original position and lock it in place.
O
Lift the control before use. Failure to observe this precaution could
cause product malfunction.
The Eye Cup
To remove the eye cup, press the bottom
in with both thumbs and slide eye cup
up.
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Before You Begin
The DISP/BACK Button
The DISP/BACK button controls the display
of indicators in the view nder and LCD
monitor.
N
Indicators for the EVF and LCD must be
selected separately. To choose the EVF dis-
play, place your eye to the view nder while
using the DISP/BACK button.
Viewfi nder
Full screen Standard
Dual display (manual focus mode only)
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Before You Begin
Camera Displays
LCD Monitor
Standard Information o
12800
12800
Dual display
(manual focus mode only)
Info display
The Dual Display
The dual display consists of a large full-frame window and a
smaller close-up of the focus area.
N
The content of the large and small windows in the display can be
switched using D SCREEN SET-UP> DUAL DISPLAY SETTING.
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Before You Begin
Customizing the Standard Display
To choose the items shown in the standard indicator display:
1
Display standard indicators.
Use the DISP/BACK button to display standard indicators.
2
Select DISP. CUSTOM SETTING.
Select D SCREEN SET-UP> DISP. CUSTOM SETTING in the
setup menu.
3
Choose items.
Highlight items and press MENU/OK to select or deselect.
FRAMING GUIDELINE
ELECTRONIC LEVEL
FOCUS FRAME
AF DISTANCE INDICATOR
MF DISTANCE INDICATOR
HISTOGRAM
LIVE VIEW HIGHLIGHT ALERT
SHOOTING MODE
APERTURE/S-SPEED/ISO
INFORMATION BACKGROUND
Expo. Comp. (Digit)
Expo. Comp. (Scale)
FOCUS MODE
PHOTOMETRY
SHUTTER TYPE
FLASH
CONTINUOUS MODE
DUAL IS MODE
TOUCH SCREEN MODE
WHITE BALANCE
FILM SIMULATION
DYNAMIC RANGE
BOOST MODE
FRAMES REMAINING
IMAGE SIZE/QUALITY
MOVIE MODE & REC. TIME
IMAGE TRANSFER ORDER
MIC LEVEL
GUIDANCE MESSAGE
BATTERY LEVEL
FRAMING OUTLINE
4
Save changes.
Press DISP/BACK to save changes.
5
Exit the menus.
Press DISP/BACK as needed to exit the menus and return to the
shooting display.
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Before You Begin
Camera Displays
Virtual Horizon
Selecting ELECTRONIC LEVEL displays a virtu-
al horizon. The camera is level when the two
lines overlap. Note that the virtual horizon may
not be displayed if the camera lens is pointed
up or down. For a 3D display (shown), press the
function button to which ELECTRONIC LEVEL
is assigned (P 204, 228).
Pitch Roll
Framing Outline
Enable FRAMING OUTLINE to make the borders of the frame easier to see
against dark backgrounds.
Guidance Message
Enable GUIDANCE MESSAGE to display status updates (for example, when
settings are changed) and the like in addition to error messages.
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Before You Begin
Camera Displays
Histograms
Histograms show the distribution of tones in the image. Brightness is
shown by the horizontal axis, the number of pixels by the vertical axis.
Number of pixels
Shadows Highlights
Pixel brightness
Optimal exposure: Pixels are distributed in an even curve
throughout the tone range.
Overexposed: Pixels are clustered on the right side of
the graph.
Underexposed: Pixels are clustered on the left side of
the graph.
To view separate RGB histograms and a dis-
play showing areas of the frame that will be
overexposed at current settings superimposed
on the view through the lens, press the func-
tion button to which HISTOGRAM is assigned
(P 204, 228).
A
Overexposed areas blink
B
RGB histograms
AB
N
In movie mode, potentially overexposed areas (highlights) do not
blink on and o but are instead indicated by zebra stripes (P 154).
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Before You Begin
Using the Menus
To display the menus, press MENU/OK.
Shooting
Shooting
Playback
Playback
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
B & W ADJ.
GRAIN EFFECT
COLOR CHROME EFFECT
WHITE BALANCE
IMAGE SIZE
IMAGE QUALITY SETTING
(Warm/Cool)
EXIT
EXIT
IMAGE ROTATE
SWITCH SLOT
PLAY BACK MENU
RAW CONVERSION
ERASE
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
CROP
RESIZE
PROTECT
To navigate the menus:
1
Press MENU/OK to display the menus.
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
B & W ADJ.
GRAIN EFFECT
COLOR CHROME EFFECT
WHITE BALANCE
IMAGE SIZE
IMAGE QUALITY SETTING
(Warm/Cool)
EXIT
2
Press the selector left to highlight the
tab for the current menu.
EXIT
IMAGE QUALITY SETTING
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
B & W ADJ.
GRAIN EFFECT
COLOR CHROME EFFECT
WHITE BALANCE
IMAGE SIZE
(Warm/Cool)
Tab
3
Press the selector up or down to highlight the tab (H, G, A,
F, B, E, C or D) containing the desired item.
4
Press the selector right to place the cursor in the menu.
N
Use the front command dial to select menu tabs or page through
menus and the rear command dial to highlight menu items.
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Before You Begin
Touch Screen Mode
The LCD monitor also functions as a touch screen.
Shooting Touch Controls
To enable touch controls, select ON for
D BUTTON/DIAL SETTING> TOUCH
SCREEN SETTING> TOUCH SCREEN ON/
OFF.
TOUCH SCREEN ON/OFF
EVF TOUCH SCREEN AREA SETTINGS
TOUCH SCREEN SETTING
ON
OFF
EVF
The LCD monitor can be used to select the focus area while pic-
tures are being framed in the electronic view nder (EVF). Use
D BUTTON/DIAL SETTING> TOUCH SCREEN SETTING> EVF
TOUCH SCREEN AREA SETTINGS to choose the area of the mon-
itor employed for touch controls.
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Touch Screen Mode
LCD Monitor
Touch controls can be used for such op-
erations as choosing the focus area and
taking photographs. The operation per-
formed can be selected by tapping the
touch screen mode indicator in the dis-
play to cycle through the following op-
tions.

12800
Mode
Mode
Description
Description
TOUCH
TOUCH
SHOOTING
SHOOTING
Tap your subject in the display to focus and release the shutter.
In burst mode, pictures will be taken while you keep your fi nger
on the display.
AF
AF
In focus mode S (AF-S), the camera focuses when you tap your
subject in the display. Focus locks at the current distance until
you tap the AF OFF icon.
In focus mode C (AF-C), the camera initiates focus when you
tap your subject display. The camera will continue to adjust
focus for changes in the distance to the subject until you tap
the AF OFF icon.
In manual focus mode (MF), you can tap the display to focus
on the selected subject using autofocus.
AREA
AREA
Tap to select a point for focus or zoom. The focus frame will
move to the selected point.
OFF
OFF
Touch focus and shooting disabled.
O
Di erent touch controls are used during focus zoom (P 128).
N
To disable touch controls and hide the touch screen mode indica-
tor, select OFF for D BUTTON/DIAL SETTING> TOUCH SCREEN
SETTING> TOUCH SCREEN ON/OFF.
Touch control settings can be adjusted using G AF/MF SETTING>
TOUCH SCREEN MODE. For information on the touch controls avail-
able during movie recording, see “Movie Recording (TOUCH SCREEN
MODE; P 127)”.
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Before You Begin
Muting Movie Controls
Movie settings can be adjusted using
touch-screen controls, preventing the
sounds made by camera controls being
recorded with the movie. When ON is se-
lected for B MOVIE SETTING> MOVIE
SILENT CONTROL in the shooting menu,
a F SET icon will be displayed in the LCD
monitor; tap the icon to access the following controls:
SHUTTER SPEED
*
APERTURE
*
EXPOSURE COMPENSATION
ISO
INTERNAL MIC LEVEL
ADJUSTMENT/EXTERNAL MIC
LEVEL ADJUSTMENT
WIND FILTER
HEADPHONES VOLUME
F FILM SIMULATION
F WHITE BALANCE
* Selecting ON for B MOVIE SETTING> MOVIE SILENT CONTROL disables
dial controls.
Touch Function
Functions can be assigned to the follow-
ing  ick gestures in much the same way
as function buttons (P 226):
Flick up: T-Fn1
Flick left: T-Fn2
Flick right: T-Fn3
Flick down: T-Fn4
N
In some cases, touch-function  ick ges-
tures display a menu; tap to select the de-
sired option.
25.5
SET CANCEL
INTERNAL MIC LEVEL ADJUSTMENT
12800
F
SET icon
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Before You Begin
Touch Screen Mode
Playback Touch Controls
When ON is selected for
D
BUTTON/DIAL SETTING > TOUCH
SCREEN SETTING> TOUCH SCREEN ON/OFF, touch controls can
be used for the following playback operations:
Swipe: Swipe a  nger across the display
to view other images.
Pinch-out: Place two  ngers on the dis-
play and spread them apart to zoom in.
Pinch-in: Place two  ngers on the display
and slide them together to zoom out.
N
Pictures can be zoomed out until the entire image is visible but no
further.
Double-tap: Tap the display twice to zoom
in on the focus point.
Drag: View other areas of the image
during playback zoom.
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MEMO
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27
First Steps
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28
2
First Steps
Attaching the Strap
Attach the strap clips to the camera and then attach the
strap.
1
Attach a protective cover.
Place a protective cover over the eye-
let as shown, with the black side of
the cover toward the camera.
Protective cover
2
Open a strap clip.
Use the clip attaching tool (A) to
open a strap clip (B).
(B)
(A)
3
Slide the clip onto the tool.
Slide the clip onto the tool so that it
hooks over the projection.
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2
First Steps
Attaching the Strap
4
Place the strap clip on an eyelet.
Hook the strap eyelet in the clip
opening. Remove the tool, using the
other hand to keep the clip in place.
N
Keep the tool in a safe place, as you
will need it to open the strap clips
when removing the strap.
5
Pass the clip through the eyelet.
Rotate the clip fully through the eye-
let until it clicks closed.
6
Fasten the strap.
Insert the strap through a protective
cover and strap clip and fasten the
buckle as shown.
O
To avoid dropping the camera, be
sure the strap is correctly secured.
Strap clip
Buckle
Repeat the above steps for the second eyelet.
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2
First Steps
Attaching a Lens
The camera can be used with lenses for the FUJIFILM
X-mount.
Remove the body cap from the camera
and the rear cap from the lens. Place the
lens on mount, keeping the marks on the
lens and camera aligned (
A
), and then
rotate the lens until it clicks into place
(
B
).
O
When attaching lenses, ensure that dust or other foreign matter does
not enter the camera.
Be careful not to touch the cameras internal parts.
Rotate the lens until it clicks securely into place.
Do not press the lens release button while attaching the lens.
Removing Lenses
To remove the lens, turn the camera o , then
press the lens release button (
A
) and rotate the
lens as shown (
B
).
O
To prevent dust accumulating on the lens
or inside the camera, replace the lens caps
and camera body cap when the lens is not
attached.
Lenses and Other Optional Accessories
The camera can be used with lenses and accessories for the FUJIFILM
X-mount.
O
Observe the following precautions when attaching or removing (ex-
changing) lenses.
Check that the lenses are free of dust and other foreign matter.
Do not change lenses in direct sunlight or under another bright light
source. Light focused into the interior of the camera could cause it to
malfunction.
Attach the lens caps before exchanging lenses.
See the manual provided with the lens for information on use.
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2
First Steps
Charging the Battery
The battery is not charged at shipment. Before use, charge
the battery in the supplied battery charger.
O
An NP-W126S rechargeable battery is supplied with the camera.
Charging takes about 150 minutes.
1
Place the battery in the charger.
After con rming that the arrow on
the battery is oriented as shown in
the diagram in the charging bay, in-
sert the battery in the supplied bat-
tery charger as shown.
2
Plug the charger in.
The charging indicator will light.
3
The charging indicator turns off when charging is complete.
The Plug Adapter
Before using the battery charger, attach the
supplied plug adapter as shown.
O
The supplied plug adapter is for use exclu-
sively with the BC-W126S.
Plug adapter Battery charger
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2
First Steps
The Charging Indicator
The charging indicator shows battery charge
status as follows:
Charging indicator
Charging indicator
Battery status
Battery status
Action
Action
Off
Battery not inserted. Insert the battery.
Battery fully charged. Remove the battery.
On Battery charging.
Blinks Battery fault.
Unplug the charger and
remove the battery.
O
The supplied charger is compatible with power supplies of 100 to 240
volts (a plug adapter may be needed for overseas use).
Do not a x labels or other objects to the battery. Failure to observe
this precaution could make it impossible to remove the battery from
the camera.
Do not short the battery terminals. The battery could overheat.
Read the cautions in The Battery and Power Supply.
Use only battery chargers designated for use with the battery. Failure
to observe this precaution could result in product malfunction.
Do not remove the labels from the battery or attempt to split or peel
the outer casing.
The battery gradually loses its charge when not in use. Charge the
battery one or two days before use.
If the battery fails to hold a charge, it has reached the end of its
charging life and must be replaced.
Unplug the charger when it is not in use.
Remove dirt from the battery terminals with a clean, dry cloth. Failure
to observe this precaution could prevent the battery from charging.
Note that charging times increase at low or high temperatures.
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33
2
First Steps
Charging the Battery
Charging via Computer
The battery also charges if the camera is connected to a computer. Turn the
camera o , insert the battery, and connect a USB cable.
USB connector (Type-C)
Battery status is shown by the indicator lamp.
Indicator lamp
Indicator lamp
Battery status
Battery status
On Battery charging
Off Charging complete
Blinks Battery fault
Connect the camera directly to the computer; do not use a USB hub or
keyboard.
Charging stops if the computer enters sleep mode. To resume charging,
activate the computer and disconnect and reconnect the USB cable.
Charging may not be supported depending on the model of computer,
computer settings, and the computer’s current state.
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2
First Steps
Inserting the Battery
After charging the battery, insert the battery in the camera
as described below.
1
Open the battery-chamber cover.
Slide the battery-chamber latch as
shown and open the battery-cham-
ber cover.
O
Do not open the battery-chamber
cover when the camera is on. Fail-
ure to observe this precaution could
damage image  les or memory
cards.
Do not use excessive force when
handling the battery-chamber cover.
2
Insert the battery as shown.
O
Insert the battery in the orientation
shown. Do not use force or attempt
to insert the battery upside down or
backwards.
Con rm that the battery is securely
latched.
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35
2
First Steps
Inserting the Battery
3
Close the battery-chamber cover.
Close and latch the cover.
O
If the cover does not close, check that
the battery is in the correct orienta-
tion. Do not attempt to force the cov-
er shut.
Removing the Battery
Before removing the battery, turn the camera o and open the battery-cham-
ber cover.
To remove the battery, press the battery latch to
the side, and slide the battery out of the camera
as shown.
O
The battery may become hot when used in high-temperature environ-
ments. Observe caution when removing the battery.
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2
First Steps
Inserting Memory Cards
Pictures are stored on memory cards (sold separately).
N
The camera can be used with two cards, one in each of its two slots.
1
Open the memory card slot cover.
Unlatch and open the cover.
O
Do not open the memory card-slot cover when the camera is on.
Failure to observe this precaution could damage image  les or
memory cards.
2
Insert the memory card.
Holding the card in the orientation
shown, slide it in until it clicks into
place at the back of the slot. Close
and latch the memory card slot cover.
O
Be sure card is in the correct orientation; do not insert at an angle
or use force.
3
Format the memory card (P 186).
O
Format memory cards before  rst use, and be sure to reformat all
memory cards after using them in a computer or other device.
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2
First Steps
Inserting Memory Cards
Removing Memory Cards
Before removing memory cards, turn the camera o and open the memory
card slot cover.
Press and release the card to eject it part way (to
prevent the card falling from the slot, press the
center of the card and release it slowly, without
removing your  nger from the card). The card
can then be removed by hand.
Using Two Cards
The camera can be used with two cards, one in each of its two
slots. At default settings, photos are saved to the card in the sec-
ond slot only when the card in the  rst slot is full. This can be
changed using D SAVE DATA SET-UP> CARD SLOT SETTING
(STILL IMAGE).
Option
Option
Description
Description
Display
Display
SEQUENTIAL
(default)
The card in the second slot is used only when the card in
the fi rst slot is full. If the second slot is selected for D SAVE
DATA SET-UP> SELECT SLOT(xSEQUENTIAL), re-
cording will start on the card in the second slot and switch
to the fi rst slot when the card in the second slot is full.
BACKUP Each picture is recorded twice, once to each card.
RAW / JPEG
As for SEQUENTIAL, except that the RAW copy of pictures
taken with FINE+RAW or NORMAL+RAW selected for
H
IMAGE QUALITY SETTING> IMAGE QUALITY will
be saved to the card in the fi rst slot and the JPEG copy to
the card in the second slot.
The card used to store movies can be selected using D SAVE
DATA SET-UP> SELECT SLOT(FSEQUENTIAL).
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2
First Steps
Inserting Memory Cards
Compatible Memory Cards
The camera can be used with SD, SDHC, and SDXC memory
cards. Both the UHS-I and UHS-II bus interfaces are supported.
UHS-II cards are recommended for high-speed burst photography.
Use cards with a video speed class of V60 or better to record
movies at a bit rate of 400Mbps. To record movies with lower
bit rates, use cards with a UHS speed class of 3 or better or a
video speed class of V30 or better.
A list of supported memory cards is available on the Fuji lm
website. For details, visit:
http://www.fujifilm.com/support/digital_cameras/compatibility/.
O
Do not turn the camera o or remove the memory card while the memo-
ry card is being formatted or data are being recorded to or deleted from
the card. Failure to observe this precaution could damage the card.
Memory cards can be locked, making it
impossible to format the card or to record
or delete images. Before inserting a mem-
ory card, slide the write-protect switch to
the unlocked position.
Memory cards are small and can be swallowed; keep out of reach of
children. If a child swallows a memory card, seek medical assistance
immediately.
miniSD or microSD adapters that are larger or smaller than memory
cards may not eject normally; if the card does not eject, take the cam-
era to an authorized service representative. Do not forcibly remove
the card.
Do not a x labels or other objects to memory cards. Peeling labels
can cause camera malfunction.
Movie recording may be interrupted with some types of memory card.
Formatting a memory card in the camera creates a folder in which
pictures are stored. Do not rename or delete this folder or use a com-
puter or other device to edit, delete, or rename image  les. Always
use the camera to delete pictures; before editing or renaming  les,
copy them to a computer and edit or rename the copies, not the
originals. Renaming the  les on the camera can cause problems
during playback.
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2
First Steps
Turning the Camera On and O
Use the ON/OFF switch to turn the camera on and o .
Rotate the switch to ON to turn the cam-
era on, or to OFF to turn the camera o .
O
Fingerprints and other marks on the lens or view nder can a ect pic-
tures or the view through the view nder. Keep the lens and view nd-
er clean.
N
Press the a button to start playback.
Press the shutter button halfway to return to shooting mode.
The camera will turn o automatically if no operations are performed
for the length of time selected for D POWER MANAGEMENT>
AUTO POWER OFF. To reactivate the camera after it has turned o
automatically, press the shutter button halfway or turn the ON/OFF
switch to OFF and then back to ON.
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2
First Steps
Checking the Battery Level
After turning the camera on, check the battery level in the
display.
Battery level is shown as follows:
Indicator
Indicator
Description
Description
e
Battery partially discharged.
f
Battery about 80% full.
g
Battery about 60% full.
h
Battery about 40% full.
i
Battery about 20% full.
i
(red)
Low battery. Charge as soon as pos-
sible.
j
(blinks red)
Battery exhausted. Turn camera off
and recharge battery.
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2
First Steps
Basic Setup
When you turn the camera on for the  rst time, you can
choose a language and set the camera clock. At default
settings, you can also pair the camera with a smartphone
or tablet so that you can later synchronize the clocks or
download pictures. Follow the steps below when turning
the camera on for the  rst time.
N
If you intend to pair the camera with a smartphone or tablet, install
and launch the latest version of the FUJIFILM Camera Remote App on
the smart device before proceeding. For more information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
1
Turn the camera on.
A language-selection dialog will be
displayed.
2
Choose a language.
Highlight a language and press
MENU/OK.
3
Pair the camera with the smartphone or tablet.
Press MENU/OK to pair the camera with
a smartphone or tablet running the
FUJIFILM Camera Remote app.
N
To skip pairing, press DISP/BACK.
SCAN QR CODE OR SEARCH FOR "FUJIFILM
Camera Remote" APP ON THE WEB
TO SMARTPHONE BY PAIRING
IMAGES CAN BE EASILY TRANSFERRED
PAIR WITH SMARTPHONE?
PAIRING REGISTRATION
SKIP HELPSET
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42
2
First Steps
4
Check the time.
When pairing is complete, you will be
prompted to set the camera clock to
the time reported by the smartphone
or tablet. Check that the time is cor-
rect.
PAIRING REGISTRATION
PAIRING COMPLETE
SET DATE/TIME FROM SMARTPHONE?
SET CANCEL
1/ 1/2018 12:00 PM
N
To set the clock manually, press DISP/BACK (P 43).
5
Synchronize the camera settings with
the settings confi gured on your smart-
phone or tablet.
SET
SMARTPHONE SYNC. SETTING
LOCATION
TIME
LOCATION&TIME
OFF
N
The option selected can be changed at any time using
D CONNECTION SETTING> Bluetooth SETTINGS.
6
Set the clock.
Press MENU/OK to set the camera clock to the time reported by
the smartphone or tablet and exit to shooting mode.
N
If the battery is removed for an extended period, the camera clock will
be reset and the language-selection dialog will be displayed when the
camera is turned on.
Skipping the Current Step
Press DISP/BACK to skip the current step. A con rmation dialog will be dis-
played; select NO to avoid repeating any steps you skipped the next time
the camera is turned on.
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2
First Steps
Basic Setup
Choosing a Di erent Language
To change the language:
1
Display language options.
Select D USER SETTING> Qa.
2
Choose a language.
Highlight the desired option and press MENU/OK.
Changing the Time and Date
To set the camera clock:
1
Display DATE/TIME options.
Select D USER SETTING> DATE/TIME.
2
Set the clock.
Press the selector left or right to highlight the year, month,
day, hour, or minute and press up or down to change. Press
MENU/OK to set the clock.
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44
MEMO
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45
Basic Photography and
Playback
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46
3
Basic Photography and Playback
Taking Photographs (Mode P)
This section describes how to take pictures using program
AE (mode P). See pages 58–64 for information on S, A,
and M modes.
1
Adjust settings for program AE.
Setting
Setting
P
P
A
Shutter speed A (auto) 58
B
Sensitivity A (auto) 78
C
Drive mode S (single frame) 6
D
Focus mode S (single AF) 66
E
Aperture A (auto) 58
F
Metering
o (multi)
80
N
To use the shutter speed and sensitivity dials, press the dial lock
release and rotate the dial to the desired setting.
2
Check the shooting mode.
Con rm that P appears in the display.



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47
3
Basic Photography and Playback
Taking Photographs (Mode P)
3
Ready the camera.
Hold the camera steady with both
hands and brace your elbows
against your sides. Shaking or un-
steady hands can blur your shots.
To prevent pictures that are out of
focus or too dark (underexposed),
keep your  ngers and other objects
away from the lens and AF-assist
illuminator.
4
Frame the picture.
Lenses with Zoom Rings
Use the zoom ring to frame the picture in
the display. Rotate the ring left to zoom
out, right to zoom in.
A
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48
3
Basic Photography and Playback
Taking Photographs (Mode P)
5
Focus.
Press the shutter button halfway to
focus.
Focus indicator
Focus frame
If the camera is able to focus, it will beep twice and focus frame
and focus indicator will glow green.
If the camera is unable to focus, the focus frame will turn red, s
will be displayed, and the focus indicator will blink white.
N
If the subject is poorly lit, the AF-assist illuminator may light to
assist the focus operation.
Focus and exposure will lock when the shutter button is
pressed halfway. Focus and exposure remain locked while the
button is kept in this position (AF/AE lock).
The camera will focus on subjects at any distance in the macro
and standard focus ranges.
6
Shoot.
Smoothly press the shutter button the rest of the way down
to take the picture.




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3
Basic Photography and Playback
a
Viewing Pictures
Pictures can be viewed in the view nder or LCD monitor.
To view pictures full frame, press a.
100-0001
Additional pictures can be viewed by pressing the selector left
or right or rotating the front command dial. Press the selector or
rotate the dial right to view pictures in the order recorded, left to
view pictures in reverse order. Keep the selector pressed to scroll
rapidly to the desired frame.
N
Pictures taken using other cameras are marked with a m (“gift image”)
icon to warn that they may not display correctly and that playback
zoom may not be available.
Two Memory Cards
If two memory cards are inserted, you can press and hold the a button
to choose a card for playback. You can also select a card using the C PLAY
BACK MENU> SWITCH SLOT option.
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3
Basic Photography and Playback
b
Deleting Pictures
Use the b button to delete pictures.
O
Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.
1
With a picture displayed full frame, press the b button and
select FRAME.
ERASE
FRAME
SELECTED FRAMES
ALL FRAMES
2
Press the selector left or right to scroll through pictures and
press MENU/OK to delete (a con rmation dialog is not dis-
played). Repeat to delete additional pictures.
N
Protected pictures cannot be deleted. Remove protection from any
pictures you wish to delete (P 172).
Pictures can also be deleted from the menus using the C PLAY BACK
MENU> ERASE option (P 168).
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51
Movie Recording and
Playback
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52
4
Movie Recording and Playback
F
Recording Movies
This section describes how to  lm movies in auto mode.
1
Rotate the drive dial to F.
2
Adjust settings for program AE.
Setting
Setting
P
P
A
Shutter speed A (auto) 58
B
Sensitivity A (auto) 78
C
Focus mode S (single AF) 66
D
Aperture A (auto) 58
E
Metering
o (multi)
80
N
To use the shutter speed and sensitivity dials, press the dial lock
release and rotate the dial to the desired setting.
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4
Movie Recording and Playback
Recording Movies
3
Press the shutter button to start re-
cording. A recording indicator (V)
and the time remaining are displayed
while recording is in progress.
12800
4
Press the button again to end recording. Recording ends
automatically when the maximum length is reached or the
memory card is full.
Using an External Microphone
Sound can be recorded with external micro-
phones that connect using jacks 3.5 mm in di-
ameter; microphones that require plug-in pow-
er cannot be used. See the microphone manual
for details.
O
Sound is recorded via the built-in microphone or an optional external
microphone. Do not cover the microphone during recording.
Note that the microphone may pick up lens noise and other sounds
made by the camera during recording.
Vertical or horizontal streaks may appear in movies containing very
bright subjects. This is normal and does not indicate a malfunction.
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4
Movie Recording and Playback
Recording Movies
Adjusting Movie Settings
Movie settings can be adjusted using the
B MOVIE SETTING option in the shoot-
ing menu (P 144).
MOVIE SETTING
FULL HD HIGH SPEED REC
FILM SIMULATION
MOVIE MODE
H.265(HEVC)/H.264
MOVIE COMPRESSION
DYNAMIC RANGE
WHITE BALANCE
B & W ADJ.
(Warm/Cool)
EXIT
Depth of Field
Choose low f-numbers to soften background details.
N
The indicator lamp lights while recording is in progress (the B MOVIE
SETTING> TALLY LIGHT option can be used to choose the lamp—
indicator or AF-assist—that lights during movie recording and
whether the lamp blinks or remains steady). During recording, you
can change exposure compensation by up to ±2EV and adjust zoom
using the zoom ring on the lens (if available).
If the lens is equipped with an aperture mode switch, select the ap-
erture mode before beginning recording. If an option other than A is
selected, shutter speed and aperture can be adjusted while recording
is in progress.
While recording is in progress, you can:
-
Adjust sensitivity
-
Use the VIEW MODE button and the eye sensor to switch between
the EVF and LCD monitor displays
-
Refocus using any of the following methods:
Press the shutter button halfway
Press a function button to which AF-ON is assigned
Use touch screen controls
-
Display a histogram or arti cial horizon by pressing the button to
which HISTOGRAM or ELECTRONIC LEVEL has been assigned
Recording may be unavailable at some settings, while in other cases
settings may not apply during recording.
The slot to which movies are recorded can be selected using the
D SAVE DATA SET-UP> SELECT SLOT(F SEQUENTIAL) option in
the D (setup) menu.
To choose the focus area for movie recording, select B MOVIE
SETTING> F FOCUS AREA and use the focus stick (focus lever) and
rear command dial (P 70).
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4
Movie Recording and Playback
a
Viewing Movies
View movies on the camera.
In full-frame playback, movies are identi-
ed by a W icon. Press the selector down
to start movie playback.
01/01/2018 10:00 AM
+1.0
12800
PLAYPLAY
The following operations can be per-
formed while a movie is displayed:
Selector
Selector
Full-frame playback
Full-frame playback
Playback in
Playback in
progress (
progress (
x
x
)
)
Playback
Playback
paused (
paused (
y
y
)
)
e
End playback
f
Start playback Pause playback Start/resume playback
gh
View other pictures
Adjust speed
Single frame rewind/
advance
Progress is shown in the display during
playback.
O
Do not cover the speaker during playback.
29m59s
PAUSE
STOP
N
Press MENU/OK to pause playback and display volume controls. Press
the selector up or down to adjust the volume; press MENU/OK again
to resume playback. Volume can also be adjusted using D SOUND
SET-UP> PLAYBACK VOLUME.
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4
Movie Recording and Playback
Viewing Movies
Playback Speed
Press the selector left or right to adjust play-
back speed during playback. Speed is shown
by the number of arrows (M or N).
29m59s
Arrows
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57
Taking Photographs
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58
5
Taking Photographs
P, S, A, and M Modes
P, S, A, and M modes give you varying degrees of control
over shutter speed and aperture.
Mode P: Program AE
Let the camera choose shutter speed and aperture for optimal
exposure. Other values that produce the same exposure can be
selected with program shift.
Setting
Setting
A
Shutter speed A (auto)
B
Aperture A (auto)
Con rm that P appears in the display.



O
If the subject is outside the metering range of the camera, the shutter
speed and aperture displays will show “– – –”.
N
To use the shutter speed dial, press the dial lock release and rotate the
dial to the desired setting.
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5
Taking Photographs
P, S, A, and M Modes
Program Shift
If desired, you can rotate the rear command dial
to select other combinations of shutter speed
and aperture without altering exposure (pro-
gram shift).
Aperture
Shutter speed
O
Program shift is not available in any of the following circumstances:
With  ash units that support TTL auto
When an auto option is selected for H IMAGE QUALITY SETTING>
DYNAMIC RANGE
In movie mode
N
To cancel program shift, turn the camera o .




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5
Taking Photographs
Mode S: Shutter-Priority AE
Choose a shutter speed and let the camera adjust aperture for
optimal exposure.
Setting
Setting
A
Shutter speed User-selected
B
Aperture A (auto)
Con rm that S appears in the display.




O
If the correct exposure cannot be achieved at the selected shutter
speed, aperture will be displayed in red.
If the subject is outside the metering range of the camera, the aper-
ture display will show “– – –”.
N
To use the shutter speed dial, press the dial lock release and rotate the
dial to the desired setting.
Shutter speed can also be adjusted in increments of ⁄EV by rotating
the rear command dial.
Shutter speed can be adjusted while the shutter button is pressed
halfway.
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5
Taking Photographs
P, S, A, and M Modes
Time (T)
Rotate the shutter speed dial to T (time) to choose slow shutter
speeds for long time-exposures. Use of a tripod is recommended
to prevent the camera moving during the exposure.
1
Rotate the shutter speed dial to T.
2
Rotate the rear command dial to
choose a shutter speed.
3
Press the shutter button all the way down to take a picture
at the selected shutter speed. At speeds of 1 s or slower, a
count-down timer will be displayed while the exposure is in
progress.
N
To reduce “noise (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING> LONG EXPOSURE NR. Note that this
may increase the time needed to record images after shooting.
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5
Taking Photographs
Bulb (B)
Select a shutter speed of B (bulb) for long time-exposures in
which you open and close the shutter manually. Use of a tripod
is recommended to prevent the camera moving during the ex-
posure.
1
Rotate the shutter speed dial to B.
2
Press the shutter button all the way down. The shutter will
remain open for up to 60 minutes while the shutter button
is pressed; the display shows the time elapsed since the ex-
posure started.
N
Selecting an aperture of A xes shutter speed at 30 s.
To reduce “noise (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING> LONG EXPOSURE NR. Note that
this may increase the time needed to record images after shooting.
Using a Remote Release
A remote release can be used for long time-ex-
posures. When using an optional RR-100 remote
release or an electronic release from third-party
suppliers, connect it to the cameras remote re-
lease connector.
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Taking Photographs
P, S, A, and M Modes
Mode A: Aperture-Priority AE
Choose an aperture and let the camera adjust shutter speed for
optimal exposure.
Setting
Setting
A
Shutter speed A (auto)
B
Aperture
Z
(user-selected)
Con rm that A appears in the display.




O
If the correct exposure cannot be achieved at the selected aperture,
shutter speed will be displayed in red.
If the subject is outside the metering range of the camera, the shutter
speed display will show “– – –”.
N
To use the shutter speed dial, press the dial lock release and rotate the
dial to the desired setting.
Rotate the lens aperture ring to adjust aperture.
Aperture can be adjusted even while the shutter button is pressed
halfway.
Previewing Depth of Field
When PREVIEW DEPTH OF FIELD is assigned
to a function button, pressing the button dis-
plays a L icon and stops aperture down to the
selected setting, allowing depth of  eld to be
previewed in the display.




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Taking Photographs
P, S, A, and M Modes
Mode M: Manual Exposure
In manual mode, the user controls both shutter speed and aperture.
Shots can be deliberately overexposed (brighter) or underexposed
(darker), opening the door for a variety of individual creative ex-
pression. The amount the picture would be under- or over-exposed
at current settings is shown by the exposure indicator; adjust shut-
ter speed and aperture until the desired exposure is reached.
Setting
Setting
A
Shutter speed User-selected
B
Aperture
Z
(user-selected)
Con rm that M appears in the display.




N
To use the shutter speed dial, press the dial lock release and rotate the
dial to the desired setting.
Rotate the lens aperture ring to adjust aperture.
Shutter speed can be adjusted in increments of ⁄EV by rotating the
rear command dial.
Exposure Preview
To preview exposure in the LCD monitor, select an option other than OFF
for D SCREEN SET-UP> PREVIEW EXP./WB IN MANUAL MODE.
N
Select OFF when using the  ash or on other occasions on which ex-
posure may change when the picture is taken.
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Taking Photographs
Autofocus
Take pictures using autofocus.
1
Rotate the focus mode selector to S
or C (P 66).
2
Use G AF/MF SETTING> AF MODE to choose an AF mode
(P 68).
3
Choose the position and size of the
focus frame (P 70).
4
Take pictures.
N
For information on the autofocus system, visit:
http://fujifilm-x.com/af/en/index.html
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Taking Photographs
Focus Mode
Use the focus mode selector to choose
how the camera focuses.
Choose from the following options:
Mode
Mode
Description
Description
S
(AF-S)
Single AF: Focus locks while the shutter button is pressed halfway.
Choose for stationary subjects.
C
(AF-C)
Continuous AF: Focus is continually adjusted to refl ect changes in the
distance to the subject while the shutter button is pressed halfway.
Use for subjects that are in motion.
M
(manual)
Manual: Focus manually using the lens focus ring. Choose for manual
control of focus or in situations in which the camera is unable to focus
using autofocus (P 74).
N
Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.
If ON is selected for G AF/MF SETTING> PRE-AF, focus will be ad-
justed continuously in modes S and C even when the shutter button
is not pressed.
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Taking Photographs
Autofocus
The Focus Indicator
Focus status is shown by the focus indicator.
Focus indicator
Focus indicator
Focus status
Focus status
( ) Camera focusing.
z (lights green)
Subject in focus; focus locked (focus
mode S).
(z) (lights green)
Subject in focus (focus mode C).
Focus is automatically adjusted for
changes in distance to subject.
A (blinks white)
Camera unable to focus.
j
Manual focus (focus mode M).




Focus indicator
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Taking Photographs
Autofocus Options (AF Mode)
Choose how the camera focuses in modes S and C.
1
Press MENU/OK and go to the shooting menu.
2
Select G AF/MF SETTING> AF MODE.
3
Choose an AF mode.
N
This feature can also be accessed via shortcuts (P 222).
How the camera focuses depends on the focus mode.
Focus Mode S (AF-S)
Focus Mode S (AF-S)
Option
Option
Description
Description
Sample image
Sample image
r
SINGLE POINT
Camera focuses on subject in
selected focus point. Use for pin-
point focus on selected subject.
y
ZONE
Camera focuses on subject in se-
lected focus zone. Focus zones in-
clude multiple focus points, mak-
ing it easier to focus on subjects in
motion.
z
WIDE
Camera focuses automatically on
high-contrast subjects; display
shows areas in focus.
j
ALL
Rotate the rear command dial in the focus-point selection dis-
play (P 70, 71) to cycle through AF modes in the following
order: r SINGLE POINT, y ZONE, and z WIDE.
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Taking Photographs
Autofocus
Focus Mode C (AF-C)
Focus Mode C (AF-C)
Option
Option
Description
Description
Sample image
Sample image
r
SINGLE POINT
Focus tracks subject at selected fo-
cus point. Use for subjects moving
toward or away from camera.
y
ZONE
Focus tracks subject in selected fo-
cus zone. Use for subjects that are
moving fairly predictably.
z
TRACKING
Focus tracks subjects moving
through wide area of frame.
j
ALL
Rotate the rear command dial in the focus-point selection dis-
play (P 70, 71) to cycle through AF modes in the following
order: r SINGLE POINT, y ZONE, and z TRACKING.
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Taking Photographs
Focus-Point Selection
Choose a focus point for autofocus.
Viewing the Focus-Point Display
1
Press MENU/OK and go to the shooting menu.
2
Select G AF/MF SETTING> FOCUS AREA to view the fo-
cus-point display.
3
Use the focus stick (focus lever) and rear command dial to
choose a focus area.
N
The focus point can also be selected using touch controls (P 22).
Selecting a Focus Point
Use the focus stick (focus lever) to choose
the focus point and the rear command
dial to choose the size of the focus frame.
The procedure varies with the option se-
lected for AF mode.
AF mode
AF mode
Focus stick
Focus stick
Rear command dial
Rear command dial
Tilt
Tilt
Press
Press
Rotate
Rotate
Press
Press
r
r
Select focus
point
Select center
focus point
Choose from 6
frame sizes
Restore original
size
y
y
Choose from 3
frame sizes
z
z
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Taking Photographs
Autofocus
N
Manual focus-point selection is not available when z WIDE/TRACKING
is selected in focus mode S.
If j ALL is selected for AF mode, you can rotate the rear command
dial in the focus-point selection display to cycle through AF modes
in the following order: r SINGLE POINT (6 frame sizes), y ZONE
(3 frame sizes), and either z WIDE (focus mode S) or z TRACKING
(focus mode C).
The Focus-Point Display
The focus-point display varies with the option selected for AF
mode.
N
Focus frames are shown by small squares (), focus zones by the large
squares.
AF mode
AF mode
r
r
SINGLE POINT
SINGLE POINT
y
y
ZONE
ZONE
z
z
WIDE/TRACKING
WIDE/TRACKING
Number of points avail-
able can be selected using
G
AF/MF SETTING>
NUMBER OF FOCUS
POINTS.
Choose from zones with
7 × 7, 5 × 5, or 3 × 3 focus
points.
Position focus frame over
subject you want to track.
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Taking Photographs
Autofocus
Although the camera boasts a high-precision autofocus system, it may be
unable to focus on the subjects listed below.
Very shiny subjects such as mirrors or car bodies.
Subjects photographed through a window or other re ective object.
Dark subjects and subjects that absorb rather than re ect light, such as
hair or fur.
Insubstantial subjects, such as smoke or  ame.
Subjects that show little contrast with the background.
Subjects positioned in front of or behind a high-contrast object that is
also in the focus frame (for example, a subject photographed against a
backdrop of highly contrasting elements).
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Taking Photographs
Autofocus
Checking Focus
To zoom in on the current focus area for precise
focus, press the center of the rear command
dial. Use the focus stick (focus lever) to choose
another focus area. Press the center of the rear
command dial again to cancel zoom.
Normal display Focus zoom
N
In focus mode S, zoom can be adjusted by rotating the rear command
dial.
The focus stick can be used to select the focus area while zoom is in
e ect.
In focus mode S, select r SINGLE POINT for AF MODE.
Focus zoom is not available in focus mode C or when
G AF/MF
SETTING>
PRE-AF is on.
Use D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING to
change the function performed by the center of the rear command
dial. You can also assign its default function to other controls
(P 228).
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Taking Photographs
Manual Focus
Adjust focus manually.
1
Rotate the focus mode selector to M.
j will appear in the display.




2
Focus manually using the lens focus
ring. Rotate the ring left to reduce
the focus distance, right to increase.
A
3
Take pictures.
N
Use D BUTTON/DIAL SETTING> FOCUS RING to reverse the direc-
tion of rotation of the focus ring.
Regardless of the option selected, manual focus will be used when
the lens is in manual focus mode.
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Taking Photographs
Manual Focus
Quick Focus
To use autofocus to focus on the subject in the selected focus area, press
the button to which focus lock or AF-ON has been assigned (the size of
the focus area can be chosen with the rear command dial).
In manual focus mode, you can use this feature to quickly focus on a cho-
sen subject using either single or continuous AF according to the option
chosen for G AF/MF SETTING> INSTANT AF SETTING.
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Taking Photographs
Checking Focus
A variety of options are available for checking focus in manual
focus mode.
The Manual Focus Indicator
The manual focus indicator indicates
how closely the focus distance matches
the distance to the subject in the focus
brackets. The white line indicates the
distance to the subject in the focus area
(in meters or feet according to the option
selected for D SCREEN SET-UP> FOCUS
SCALE UNITS in the setup menu), the
blue bar the depth of  eld, or in other
words the distance in front of and behind
the subject that appears to be in focus.
N
If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR
are selected in the D SCREEN SET-UP> DISP. CUSTOM SETTING
list, the manual focus indicator can also be viewed using the depth-
of- eld indicator in the standard display. Use the DISP/BACK button to
display standard indicators.
Use the G AF/MF SETTING> DEPTH-OF-FIELD SCALE option
to choose how depth of  eld is displayed. Choose FILM FORMAT
BASIS to help you make practical assessments of depth of  eld for
pictures that will be viewed as prints and the like, PIXEL BASIS to
help you assess depth of  eld for pictures that will be viewed at high
resolutions on computers or other electronic displays.
Focus Zoom
If ON is selected for G AF/MF SETTING> FOCUS CHECK, the
camera will automatically zoom in on the selected focus area
when the focus ring is rotated.
Press the center of the rear com-
mand dial to exit zoom.




Focus distance
(white line)
 

Depth of  eld
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Taking Photographs
Manual Focus
N
Use the focus stick (focus lever) to choose another focus area.
If STANDARD or FOCUS PEAK HIGHLIGHT is selected for G AF/MF
SETTING> MF ASSIST, zoom can be adjusted by rotating the rear
command dial. Zoom can not be adjusted when DIGITAL SPLIT IMAGE
or DIGITAL MICROPRISM is selected.
MF Assist
Use G AF/MF SETTING> MF ASSIST to choose a focus check option.
N
The MF ASSIST menu can be displayed by pressing and holding the
center of the rear command dial.
The following options are available:
FOCUS PEAK HIGHLIGHT: Highlights high-con-
trast outlines. Rotate the focus ring until
the subject is highlighted.
DIGITAL SPLIT IMAGE: Displays a split image
in the center of the frame. Frame the
subject in the split-image area and ro-
tate the focus ring until the four parts
of the split image are correctly aligned.
DIGITAL MICROPRISM: A grid pattern that
emphasizes blur is displayed when the
subject is out of focus, disappearing to
be replaced by a sharp image when the
subject is in focus.
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Taking Photographs
N
Sensitivity
Adjust the cameras sensitivity to light.
Press the sensitivity dial lock release, ro-
tate the dial to the desired setting, and
press the release again to lock the dial in
place.
Option
Option
Description
Description
A (auto)
Sensitivity is automatically adjusted in response to shooting
conditions according to option chosen for A SHOOTING
SETTING>ISO AUTO SETTING. Choose from AUTO1,
AUTO2, and AUTO3.
12800160 Adjust sensitivity manually. Selected value is shown in display.
H(25600/51200),
L(80/100/125)
Choose for special situations. Note that mottling may appear in
pictures taken at H, while L reduces dynamic range.
N
Use
D
BUTTON/DIAL SETTING> ISO DIAL SETTING(H) to choose
the sensitivity assigned to the H position.
Use
D
BUTTON/DIAL SETTING> ISO DIAL SETTING(L) to choose
the sensitivity assigned to the L position.
If COMMAND is selected for
D
BUTTON/DIAL SETTING> ISO DIAL
SETTING (A), sensitivity can also be adjusted by setting sensitivity to A
and rotating the front command dial.
Adjusting Sensitivity
High values can be used to reduce blur when lighting is poor, while lower
values allow slower shutter speeds or wider apertures in bright light; note,
however, that mottling may appear in pictures taken at high sensitivities.
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Taking Photographs
Sensitivity
Auto Sensitivity (A)
Use A SHOOTING SETTING> ISO AUTO SETTING to choose
the base sensitivity, maximum sensitivity, and minimum shut-
ter speed for the A position on the sensitivity dial. Settings for
AUTO1, AUTO2, and AUTO3 can be stored separately; the de-
faults are shown below.
Item
Item
Options
Options
Default
Default
AUTO1
AUTO1
AUTO2
AUTO2
AUTO3
AUTO3
DEFAULT SENSITIVITY 12800–160 160
MAX. SENSITIVITY 12800–400 800 1600 3200
MIN. SHUTTER SPEED ⁄–¼ SEC, AUTO AUTO
The camera automatically chooses a sensitivity between the de-
fault and maximum values; sensitivity is only raised above the
default value if the shutter speed required for optimal exposure
would be slower than the value selected for MIN. SHUTTER SPEED.
N
If the value selected for DEFAULT SENSITIVITY is higher than that
selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to
the value selected for MAX. SENSITIVITY.
The camera may select shutter speeds slower than MIN. SHUTTER
SPEED if pictures would still be underexposed at the value selected
for MAX. SENSITIVITY.
If AUTO is selected for MIN. SHUTTER SPEED, the camera will au-
tomatically choose a minimum shutter speed approximately equal
to the inverse of the lens focal length, in seconds (for example, if the
lens has a focal length of 50mm, the camera will choose a minimum
shutter speed in the neighborhood of ⁄ s). The minimum shutter
speed is not a ected by the option selected for image stabilization.
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Taking Photographs
C
Metering
Choose how the camera meters exposure.
Rotate the metering dial to select from
the options below.
O
The selected option will only take e ect when G AF/MF SETTING>
FACE/EYE DETECTION SETTING is FACE OFF/EYE OFF.
Mode
Mode
Description
Description
v
(spot)
The camera meters lighting conditions in an area at the center of the
frame equivalent to 2% of the total. Recommended with backlit sub-
jects and in other cases in which the background is much brighter or
darker than the main subject.
p
(center-
weighted)
The camera meters the entire frame but assigns the greatest weight
to the area at the center.
o
(multi)
The camera instantly determines exposure based on an analysis of
composition, color, and brightness distribution. Recommended in
most situations.
w
(average)
Exposure is set to the average for the entire frame. Provides consis-
tent exposure across multiple shots with the same lighting, and is
particularly eff ective for landscapes and portraits of subjects dressed
in black or white.
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Taking Photographs
d
Exposure Compensation
Adjust exposure.
Rotate the exposure compensation dial.
N
The amount of compensation available varies with the shooting mode.
Exposure compensation can be previewed in the shooting display,
although the display may not accurately re ect its e ects if:
-
the exposure compensation amount exceeds ±3 EV,
-
W 200% or X 400% is selected for DYNAMIC RANGE, or
-
STRONG or WEAK is selected for D RANGE PRIORITY.
Exposure compensation can still be previewed in the view nder or LCD
monitor by pressing the shutter button halfway. In movie mode, the
display may not accurately re ect the e ects of exposure compensa-
tion when W 200% or X 400% is selected for F DYNAMIC RANGE
or ON is selected for F-Log RECORDING. An accurate preview can be
obtained by selecting mode M and adjusting exposure directly.
C (Custom)
When the exposure compensation dial is
rotated to C, exposure compensation can
be adjusted by rotating the front com-
mand dial.
N
The front command dial can be used to
set exposure compensation to values be-
tween −5 and +5EV.
The front command dial can be used to
set aperture or exposure compensation.
Press the dial to toggle between the two.



set
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Taking Photographs
Focus/Exposure Lock
Compose photographs with o -center subjects.
1
Position the subject in the focus
frame and press the shutter button
halfway to lock focus and exposure.
Focus and exposure will remain
locked while the shutter button is
pressed halfway (AF/AE lock).
2
Keep the shutter button pressed half-
way.
3
Press the button all the way down.
N
Focus lock using the shutter button is only available when ON is se-
lected for D BUTTON/DIAL SETTING > SHUTTER AF, SHUTTER AE.
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Taking Photographs
Focus/Exposure Lock
The AF-L and AE-L Buttons
Focus and exposure can also be locked
with the AF-L and AE-L buttons. At default
settings, the AF-L button locks focus, the
AE-L button exposure.
While the assigned control is pressed,
pressing the shutter button halfway will
not end the lock.
If AE&AF ON/OFF SWITCH is selected for D BUTTON/DIAL
SETTING> AE/AF-LOCK MODE, the lock can only be ended by
pressing the control a second time.
The controls used for AE LOCK ONLY, AF LOCK ONLY, and AE/
AF LOCK can be chosen using D BUTTON/DIAL SETTING>
FUNCTION (Fn) SETTING (P 204, 226).
AE-L AF-L
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Taking Photographs
BKT
Bracketing
Automatically vary settings over a series of pictures.
1
Rotate the drive dial to BKT.
2
Navigate to DRIVE SETTING> BKT SETTING in the
A SHOOTING SETTING menu (
P
130).
Bracketing type
Bracketing type
O
O
AE BKT
AE BKT
W
W
ISO BKT
ISO BKT
X
X
FILM SIMULATION BKT
FILM SIMULATION BKT
V
V
WHITE BALANCE BKT
WHITE BALANCE BKT
Y
Y
DYNAMIC RANGE BKT
DYNAMIC RANGE BKT
Z
Z
FOCUS BKT
FOCUS BKT
N
This feature can also be accessed via shortcuts (P 222).
3
Take photographs.
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Taking Photographs
Bracketing
O AE BKT
Choose the number of shots in the bracketing sequence and
the order in which the shots are taken. You can also choose the
amount exposure is varied with each shot and whether the shots
are taken one at a time or in a single burst.
N
Regardless of the bracketing amount, exposure will not exceed the
limits of the exposure metering system.
W ISO BKT
Select a bracketing amount (±⁄, ±⁄, or ±1). Each time the shut-
ter is released, the camera will take a picture at the current sen-
sitivity and process it to create two additional copies, one with
sensitivity raised and the other with sensitivity lowered by the
selected amount.
X FILM SIMULATION BKT
Each time the shutter is released, the camera takes one shot and
processes it to create copies with di erent lm simulation set-
tings.
V WHITE BALANCE BKT
Select a bracketing amount (±1, ±2, or ±3). Each time the shutter
is released, the camera takes one shot and processes it to create
three copies: one at the current white balanced setting, one with
ne-tuning increased by the selected amount, and another with
ne-tuning decreased by the selected amount.
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Taking Photographs
Bracketing
Y DYNAMIC RANGE BKT
Each time the shutter button is pressed, the camera takes three
shots with di erent dynamic ranges: 100% for the  rst, 200% for
the second, and 400% for the third.
N
While dynamic range bracketing is in e ect, sensitivity will be restrict-
ed to a minimum of ISO 640; the sensitivity previously in e ect is re-
stored when bracketing ends.
Z FOCUS BKT
Each time the shutter button is pressed, the camera takes a series
of photos, varying focus with each shot. The number of shots, the
amount focus changes with each shot, and the interval between
shots can be selected using A SHOOTING SETTING> DRIVE
SETTING> BKT SETTING> FOCUS BKT.
BKT SETTING
Settings for exposure, sensitivity,  lm simulation, white balance and focus
bracketing can be adjusted using A SHOOTING SETTING> DRIVE SETTING>
BKT SETTING.
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Taking Photographs
I
Continuous Shooting (Burst Mode)
Capture motion in a series of pictures.
1
Rotate the drive dial to select CH (high-
speed burst) or CL (low-speed burst).
2
Navigate to DRIVE SETTING in the A SHOOTING SETTING
menu and choose a frame advance rate.
N
This feature can also be accessed via shortcuts (P 222).
3
Keep the shutter button pressed to take photos at the rate
selected in Step 2.
N
Shooting ends when the shutter button is released or the memory
card is full.
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Taking Photographs
Continuous Shooting (Burst Mode)
O
If  le numbering reaches 999 before shooting is complete, the re-
maining pictures will be recorded to a new folder.
Shooting ends when the memory card is full; the camera will record
all photos shot to that point. Burst shooting may not begin if the
space available on the memory card is insu cient.
Frame rates may slow as more shots are taken.
Frame rate varies with the scene, shutter speed, sensitivity, and focus
mode.
Depending on shooting conditions, frame rates may slow or the  ash
may not  re.
Recording times may increase during burst shooting.
Focus and Exposure
Select focus mode C to vary focus with shot.
To vary exposure with each shot, select OFF for D BUTTON/DIAL
SETTING> SHUTTER AE.
To vary both focus and exposure with each shot, select focus mode C and
choose OFF for D BUTTON/DIAL SETTING> SHUTTER AE.
N
Exposure and focus tracking performance may vary with such factors
as aperture, sensitivity, and exposure compensation.
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Taking Photographs
j
Multiple Exposures
Create a photograph that combines two exposures.
1
Rotate the drive dial to j.
2
Take the  rst shot.
3
Press MENU/OK. The rst shot will be
shown superimposed on the view
through the lens and you will be
prompted to take the second shot.
N
To return to Step 2 and retake the  rst
shot, press the selector left.
To save the  rst shot and exit without
creating a multiple exposure, press
DISP/BACK.
EXITRETRY
NEXT
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Taking Photographs
Multiple Exposures
4
Take the second shot, using the  rst
frame as a guide.
2.030
EXIT
5
Press MENU/OK to create the multiple
exposure, or press the selector left to
return to Step 4 and retake the sec-
ond shot.
EXITRETRY
O
Multiple exposures cannot be recorded via tethered shooting
(P 218).
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Taking Photographs
ADV.
Advanced Filters
Take photos with  lter e ects.
1
Rotate the drive dial to ADV..
2
Navigate to DRIVE SETTING > ADV. FILTER SETTING in the
A SHOOTING SETTING menu and choose a  lter e ect.
N
This feature can also be accessed via shortcuts (P 222).
3
Take photographs.
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Taking Photographs
Advanced Filters
Advanced Filter Options
Choose from the following  lters:
Filter
Filter
Description
Description
G TOY CAMERA
Choose for a retro toy camera eff ect.
H MINIATURE
The tops and bottoms of pictures are blurred for a
diorama eff ect.
I POP COLOR
Create high-contrast images with saturated colors.
J HIGH-KEY
Create bright, low-contrast images.
Z LOW-KEY
Create uniformly dark tones with few areas of em-
phasized highlights.
K DYNAMIC TONE
Dynamic tone expression is used for a fantasy eff ect.
X SOFT FOCUS
Create a look that is evenly soft throughout the
whole image.
u PARTIAL COLOR (RED)
Areas of the image that are the selected color are
recorded in that color. All other areas of the image
are recorded in black-and-white.
v PARTIAL COLOR (ORANGE)
w PARTIAL COLOR (YELLOW)
x PARTIAL COLOR (GREEN)
y PARTIAL COLOR (BLUE)
z PARTIAL COLOR (PURPLE)
N
Depending on the subject and camera settings, images may in some
cases be grainy or vary in brightness or hue.
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Taking Photographs
u
Panoramas
Follow an on-screen guide to create a panorama.
1
Rotate the drive dial to u.
2
To select the size of the angle through which you will pan the
camera while shooting, press the selector left. Highlight a
size and press MENU/OK.
3
Press the selector right to view a choice of pan directions.
Highlight a pan direction and press MENU/OK.
4
Press the shutter button all the way down to start recording.
There is no need to keep the shutter button pressed during
recording.
5
Pan the camera in the direction
shown by the arrow. Shooting ends
automatically when the camera is
panned to the end of the guides and
the panorama is complete.
Sweep camera along yellow
line in direction of y
ANGLE DIRECTION
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Taking Photographs
For Best Results
For best results, use a lens with a focal length of 35 mm or less (50mm or
less in 35mm format). Prop your elbows against your sides and move the
camera slowly in a small circle at a steady speed, keeping the camera par-
allel or at right angles to the horizon and being careful only to pan in the
direction shown by the guides. Use a tripod for best results. If the desired
results are not achieved, try panning at a di erent speed.
O
If the shutter button is pressed all the way down before the panorama
is complete, shooting will end and no panorama may be recorded.
The last part of the panorama may not be recorded if shooting ends
before the panorama is complete.
Panoramas are created from multiple frames, and the camera may in
some cases be unable to stitch the frames together perfectly.
Panoramas may be blurred if the subject is poorly lit.
Shooting may be interrupted if the camera is panned too quickly or
too slowly. Panning the camera in a direction other than that shown
cancels shooting.
The camera may in some cases record a greater or lesser angle than
selected.
The desired results may not be achieved with:
-
Moving subjects
-
Subjects close to the camera
-
Unvarying subjects such as the sky or a  eld of grass
-
Subjects that are in constant motion, such as waves and waterfalls
-
Subjects that undergo marked changes in brightness
If ON is selected for D BUTTON/DIAL SETTING> SHUTTER AE, ex-
posure for the entire panorama is determined by the  rst frame.
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Taking Photographs
Panoramas
Viewing Panoramas
With the panorama displayed full frame, press the selector down to start
panorama playback. Vertical panoramas will scroll vertically, horizontal pan-
oramas horizontally.
PLAY
STOP PAUSE
In full-frame playback, you can use the rear command dial to zoom pan-
oramas in or out.
Panorama playback is controlled using the multi selector.
Selector
Selector
Full-frame
Full-frame
playback
playback
Panorama
Panorama
playback
playback
Panorama
Panorama
playback paused
playback paused
e
(Press up)
End playback
f
(Press down)
Start playback Pause playback Resume playback
gh
(Press left or right)
View other pictures
Choose pan
direction
Scroll panorama
manually
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Taking Photographs
Flash Photography
Use the supplied EF-X8 shoe-mounted  ash unit for addi-
tional lighting at night or indoors under low light.
1
Remove the hot shoe cover and slide
the  ash onto the hot shoe as shown,
stopping when it clicks into place.
2
Raise the  ash.
3
Select FLASH FUNCTION SETTING in
the F FLASH SETTING menu.
FLASH SETTING
RED EYE REMOVAL
TTL-LOCK MODE
FLASH FUNCTION SETTING
LED LIGHT SETTING
MASTER SETTING
CH SETTING
EXIT
O
If the  ash is not raised, settings will be adjusted for units con-
nected via the sync terminal (P 237).
N
This feature can also be accessed via shortcuts (P 222).
4
Highlight items using the selector
and rotate the rear command dial
to change the highlighted setting
(P 98).
ADJUST
END
SUPPLIED FLASH
M
ODE
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Taking Photographs
Flash Photography
5
Press DISP/BACK to put the changes into e ect.
O
Depending on the distance to the subject, some lenses may cast
shadows in photos taken with the  ash.
The  ash will not  re at some settings, for example in panorama
mode or when the electronic shutter is used.
Choose shutter speeds slower than 250X when using the  ash in ex-
posure mode S (shutter-priority AE) or manual (M).
N
In TTL mode, the  ash may  re several times with each shot. Do not
move the camera until shooting is complete.
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Taking Photographs
Flash Settings
The following settings are available when the supplied EF-X8
shoe-mounted  ash unit is attached.
ADJUST
END
M
ODE
SUPPLIED FLASH
Setting
Setting
Description
Description
A
Flash control mode
Choose from the following options:
TTL: TTL mode. Adjust fl ash compensation (
B
) and choose
a fl ash mode (
C
).
M: The fl ash fi res at the selected output (
B
) regardless of
subject brightness or camera settings. Output is expressed
in fractions of full power, from ⁄ to ⁄. The desired results
may not be achieved at low values if they exceed the limits
of the fl ash control system; take a test shot and check the
results.
C (COMMANDER): Choose if the fl ash is being used to con-
trol remote synced fl ash units, for example as part of a stu-
dio fl ash system.
D (OFF): The EF-X8 does not fi re. Flash units connected
via the sync terminal will still fi re when the shutter is re-
leased, but can be disabled by lowering the EF-X8 and turn-
ing the units off in the fl ash settings menu.
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Taking Photographs
Flash Photography
Setting
Setting
Description
Description
B
Flash compensation/
output
Adjust fl ash level. The options available vary with the fl ash
control mode (
A
).
C
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options avail-
able vary with the shooting mode (P, S, A, or M) selected.
E (FLASH AUTO): The fl ash fi res only as required; fl ash lev-
el is adjusted according to subject brightness. A p icon
displayed when the shutter button is pressed halfway indi-
cates that the fl ash will fi re when the photo is taken.
F (STANDARD): The fl ash fi res with every shot if possible;
ash level is adjusted according to subject brightness. The
ash will not fi re if not fully charged when the shutter is
released.
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not fully
charged when the shutter is released.
D
Sync
Choose whether the fl ash is timed to fi re immediately after
the shutter opens (H/1ST CURTAIN) or immediately before
it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in
most circumstances.
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Taking Photographs
Flash Photography
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected
for F FLASH SETTING> RED EYE REMOVAL and G AF/MF SETTING>
FACE/EYE DETECTION SETTING is ON. Red-eye removal minimizes “red-
eye caused when light from the  ash is re ected from the subjects retinas.
Flash Sync Speed
The  ash will synchronize with the shutter at shutter speeds of ½  s or
slower.
Optional Flash Units from Fuji lm
The camera can be used with optional Fuji lm shoe-mounted  ash units.
Third-Party Flash Units
Do not use third-party  ash units that apply over 300V to the camera hot
shoe.
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The Shooting Menus
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6
The Shooting Menus
H
IMAGE QUALITY SETTING
Adjust image quality settings.
To display image quality settings, press
MENU/OK in the shooting display and se-
lect the H (IMAGE QUALITY SETTING)
tab.
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
B & W ADJ.
GRAIN EFFECT
COLOR CHROME EFFECT
WHITE BALANCE
IMAGE SIZE
IMAGE QUALITY SETTING
(Warm/Cool)
EXIT
N
The options available vary with the shooting mode selected.
IMAGE SIZE
Choose the size and aspect ratio at which still pictures are recorded.
Option
Option
Image size
Image size
O 3 : 2
6240 × 4160
P 3 : 2
4416 × 2944
Q 3 : 2
3120 × 2080
Option
Option
Image size
Image size
O 16 : 9
6240 × 3512
P 16 : 9
4416 × 2488
Q 16 : 9
3120 × 1760
Option
Option
Image size
Image size
O 1 : 1
4160 × 4160
P 1 : 1
2944 × 2944
Q 1 : 1
2080 × 2080
The following options are available in SPORTS FINDER MODE
and when 1.25X CROP is selected in CH HIGH SPEED BURST
mode:
Option
Option
Image size
Image size
P 3 : 2
4992 × 3328
Option
Option
Image size
Image size
P 16 : 9
4992 × 2808
Option
Option
Image size
Image size
P 1 : 1
3328 × 3328
N
IMAGE SIZE is not reset when the camera is turned o or another
shooting mode is selected.
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The Shooting Menus
IMAGE QUALITY SETTING
IMAGE QUALITY
Choose a  le format and compression ratio.
Option
Option
Description
Description
FINE
Lower compression ratios are used for higher-quality im-
ages.
NORMAL
Higher compression ratios are used to increase the number
of images that can be stored.
FINE + RAW
Record both RAW and fi ne-quality JPEG images.
NORMAL + RAW
Record both RAW and normal-quality JPEG images.
RAW
Record RAW images only.
The Function Buttons
To toggle RAW image quality on or o for a single shot, assign RAW to a
function button (P 228). Press the button once to select the option in
the right column, again to return to the original setting (left column).
Option currently selected for
Option currently selected for
IMAGE QUALITY
IMAGE QUALITY
Option selected by pressing function
Option selected by pressing function
button to which
button to which
RAW
RAW
is assigned
is assigned
FINE FINE + RAW
NORMAL NORMAL + RAW
FINE + RAW FINE
NORMAL + RAW NORMAL
RAW FINE
RAW RECORDING
Choose whether to compress RAW images.
Option
Option
Description
Description
UNCOMPRESSED RAW images are not compressed.
LOSSLESS COMPRESSED
RAW images are compressed using a reversible algorithm
that reduces fi le size with no loss of image data. The imag-
es can be viewed in RAW FILE CONVERTER EX (
P
269
),
FUJIFILM X RAW STUDIO (
P
270
), or other software that
supports “lossless” RAW compression.
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The Shooting Menus
FILM SIMULATION
Simulate the e ects of di erent kinds of  lm, including black-
and-white (with or without color  lters). Choose a palette ac-
cording to your subject and creative intent.
Option
Option
Description
Description
c PROVIA/STANDARD
Standard color reproduction. Suited to a wide range of
subjects, from portraits to landscapes.
d Velvia/VIVID
A high-contrast palette of saturated colors, suited to na-
ture photos.
e ASTIA/SOFT
Enhances the range of hues available for skin tones in por-
traits while preserving the bright blues of daylight skies.
Recommended for outdoor portrait photography.
i CLASSIC CHROME
Soft color and enhanced shadow contrast for a calm look.
g PRO Neg. Hi
Off ers slightly more contrast than h PRO Neg. Std.
Recommended for outdoor portrait photography.
h PRO Neg. Std
A soft-toned palette. The range of hues available for skin
tones is enhanced, making this a good choice for studio
portrait photography.
X ETERNA/CINEMA
Film movies using a palette that features subdued colors
and deep shadows.
a ACROS
*
Take black-and-white photos with rich gradation and out-
standing sharpness.
b MONOCHROME
*
Take pictures in standard black and white.
f SEPIA
Take pictures in sepia.
* Available with yellow (Ye), red (R), and green (G) fi lters, which deepen shades of
gray corresponding to hues complementary to the selected color. The yellow (Ye)
lter deepens purples and blues and the red (R) fi lter blues and greens. The green
(G) fi lter deepens reds and browns, including skin tones, making it a good choice
for portraits.
N
Film simulation options can be combined with tone and sharpness
settings.
Film simulation settings can also be accessed via shortcuts (P 222).
For more information, visit: http://fujifilm-x.com/en/x-stories/the-world-of-
film-simulation-episode-1/
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The Shooting Menus
IMAGE QUALITY SETTING
B & W ADJ. ab(Warm/Cool)
Add a reddish or bluish tinge (warm or cool color cast) to mono-
chrome pictures taken with the a ACROS or b MONOCHROME
lm simulation.
Option
Option
Description
Description
+9 — +1 Higher positive values equate to a redder color cast.
0 Normal monochrome (grayscale).
-1 — -9
Lower negative values equate to a bluer color cast.
GRAIN EFFECT
Add a  lm grain e ect. Select an amount (STRONG or WEAK) or
choose OFF to turn  lm grain o .
Options
Options
STRONG WEAK OFF
COLOR CHROME EFFECT
Deepen colors in shadows. Select an amount (STRONG or WEAK)
or choose OFF to turn the e ect o .
Options
Options
STRONG WEAK OFF
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The Shooting Menus
WHITE BALANCE
For natural colors, choose a white balance option that matches
the light source.
Option
Option
Description
Description
AUTO White balance is adjusted automatically.
k/l/m
Measure a value for white balance.
k
Choose a color temperature.
i
For subjects in direct sunlight.
j
For subjects in the shade.
k
Use under daylight uorescent lights.
l
Use under “warm white” uorescent lights.
m
Use under cool white” uorescent lights.
n
Use under incandescent lighting.
g
Reduces the blue cast typically associated with underwater light-
ing.
N
In conditions in which AUTO fails to produce the desired results—for
example, under certain types of lighting or in close-ups of portrait
subjects—use custom white balance or choose a white balance op-
tion suited to the light source.
White balance is adjusted for  ash lighting only in AUTO and g
modes. Turn the  ash o using other white balance options.
White balance options can also be accessed via shortcuts (P 222).
Fine-Tuning White Balance
Pressing MENU/OK after selecting a white
balance option displays the dialog shown
at right; use the selector to  ne-tune white
balance or press DISP/BACK to exit without
ne-tuning.
WB SHIFT
SET
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The Shooting Menus
IMAGE QUALITY SETTING
Custom White Balance
Choose k, l, or m to adjust white
balance for unusual lighting conditions.
White balance measurement options will
be displayed; frame a white object so that
it  lls the display and press the shutter
button all the way down to measure white
balance (to select the most recent custom value and exit without
measuring white balance, press DISP/BACK, or press MENU/OK to se-
lect the most recent value and display the  ne-tuning dialog).
If “COMPLETED !” is displayed, press MENU/OK
to set white balance to the measured
value.
If “UNDER” is displayed, raise exposure compensation and try again.
If “OVER” is displayed, lower exposure compensation and try again.
NOT CHANGE SHIFT
CUSTOM 1
SHUTTER : NEW WB
COMPLETED !
SET CANCEL
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The Shooting Menus
k: Color Temperature
Selecting k in the white balance menu
displays a list of color temperatures;
highlight a color temperature and press
MENU/OK to select the highlighted option
and display the  ne-tuning dialog.
10000
K
9100
K
8300
K
7700
K
7100
K
WHITE BALANCE
COLOR TEMPERATURE
R:0 B:0
SET SHIFT
Color Temperature
Color temperature is an objective measure of the color of a light source,
expressed in Kelvin (K). Light sources with a color temperature close to that
of direct sunlight appear white; light sources with a lower color tempera-
ture have a yellow or red cast, while those with a higher color temperature
are tinged with blue. You can match color temperature to the light source,
or choose options that di er sharply from the color of the light source to
make pictures “warmer or colder.
DYNAMIC RANGE
Control contrast. Choose lower values to increase contrast when
shooting indoors or under overcast skies, higher values to reduce
loss of detail in highlights when photographing high-contrast
scenes. Higher values are recommended for scenes that include
both sunlight and deep shade, for such high-contrast subjects as
sunlight on water, brightly-lit autumn leaves, and portraits taken
against a blue sky, and for white objects or people wearing white.
Options
Options
AUTO
V 100% W 200% X 400%
O
Mottling may appear in pictures taken at higher values. Choose a val-
ue according to the scene.
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The Shooting Menus
IMAGE QUALITY SETTING
N
If AUTO is selected, the camera will automatically choose either
V 100% or W 200% according to the subject and shooting con-
ditions. Shutter speed and aperture will be displayed when the shut-
ter button is pressed halfway.
W 200% is available at sensitivities of from ISO 320 to ISO 12800,
X 400% at sensitivities of from ISO 640 to 12800.
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows for natural-look-
ing results when photographing high-contrast scenes.
Option
Option
Description
Description
AUTO
Contrast is adjusted automatically in response to lighting con-
ditions.
STRONG
Adjust dynamic range by a large amount for very high-contrast
scenes.
WEAK
Adjust dynamic range by a smaller amount for moderately
high-contrast scenes.
OFF
Contrast reduction off.
N
WEAK is available at sensitivities of from ISO 320 to ISO 12800,
STRONG at sensitivities of from ISO 640 to 12800.
When an option other than OFF is selected, HIGHLIGHT TONE,
SHADOW TONE, and DYNAMIC RANGE will be adjusted automat-
ically; if you wish to adjust these settings manually, choose OFF.
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The Shooting Menus
HIGHLIGHT TONE
Adjust the appearance of highlights.
Options
Options
+4 +3 +2 +1 0 −1 −2
SHADOW TONE
Adjust the appearance of shadows.
Options
Options
+4 +3 +2 +1 0 −1 −2
COLOR
Adjust color density.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
SHARPNESS
Sharpen or soften outlines.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
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IMAGE QUALITY SETTING
NOISE REDUCTION
Reduce noise in pictures taken at high sensitivities.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
LONG EXPOSURE NR
Select ON to reduce mottling in long time-exposures.
Options
Options
ON OFF
LENS MODULATION OPTIMIZER
Select ON to improve de nition by adjusting for di raction and
the slight loss of focus at the periphery of the lens.
Options
Options
ON OFF
COLOR SPACE
Choose the gamut of colors available for color reproduction.
Option
Option
Description
Description
sRGB Recommended in most situations.
Adobe RGB For commercial printing.
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The Shooting Menus
PIXEL MAPPING
Use this option if you notice bright spots in your pictures.
1
Press MENU/OK in the shooting display and select the H IMAGE
QUALITY SETTING tab.
2
Highlight PIXEL MAPPING and press MENU/OK to perform pix-
el mapping.
O
Results are not guaranteed.
Be sure the battery is fully charged before beginning pixel mapping.
Pixel mapping is not available when the camera temperature is ele-
vated.
Processing may take a few seconds.
SELECT CUSTOM SETTING
Recall settings saved with EDIT/SAVE CUSTOM SETTING. Set-
tings can be recalled from any of the seven custom settings
banks.
Banks
Banks
CUSTOM 1 CUSTOM 2 CUSTOM 3 CUSTOM 4
CUSTOM 5 CUSTOM 6 CUSTOM 7
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The Shooting Menus
IMAGE QUALITY SETTING
EDIT/SAVE CUSTOM SETTING
Save up to 7 sets of custom camera settings for commonly-en-
countered situations. Saved settings can be recalled using
H IMAGE QUALITY SETTING> SELECT CUSTOM SETTING.
1
Press MENU/OK in shooting mode to display the shooting
menu. Select the H IMAGE QUALITY SETTING tab, then
highlight EDIT/SAVE CUSTOM SETTING and press MENU/OK.
2
Highlight a custom settings bank and
press MENU/OK to select.
EDIT/SAVE CUSTOM SETTING
SELECT CUSTOM SETTING
IMAGE QUALITY SETTING
CUSTOM 2
CUSTOM 3
CUSTOM 4
CUSTOM 5
CUSTOM 6
CUSTOM 7
CUSTOM 1
3
Adjust the following as desired:
DYNAMIC RANGE
D RANGE PRIORITY
FILM SIMULATION
B & W ADJ. ab
(Warm/Cool)
GRAIN EFFECT
COLOR CHROME EFFECT
WHITE BALANCE
HIGHLIGHT TONE
SHADOW TONE
COLOR
SHARPNESS
NOISE REDUCTION
CUSTOM 1
SAVE CURRENT SETTINGS
DYNAMIC RANGE
D RANGE PRIORITY
FILM SIMULATION
COLOR CHROME EFFECT
GRAIN EFFECT
WHITE BALANCE
B & W ADJ.
(Warm/Cool)
EXIT
4
Press DISP/BACK. A con rmation dia-
log will be displayed; highlight OK
and press MENU/OK.
CUSTOM 1 SET OK?
OK
CANCEL
SAVE CUSTOM SETTING
N
To store current camera settings in the selected bank, highlight SAVE
CURRENT SETTINGS in Step 3 and press MENU/OK.
To restore default settings for the current bank, select RESET.
Banks can be renamed using EDIT CUSTOM NAME.
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The Shooting Menus
G
AF/MF SETTING
Adjust focus settings.
To display focus settings, press MENU/OK
in the shooting display and select the
G (AF/MF SETTING) tab.
EXIT
AF/MF SETTING
AF MODE
AF-C CUSTOM SETTINGS
STORE AF MODE BY ORIENTATION
NUMBER OF FOCUS POINTS
PRE-AF
AF ILLUMINATOR
FOCUS AREA
AF POINT DISPLAY
N
The options available vary with the shooting mode selected.
FOCUS AREA
Choose the focus area for autofocus, manual focus, and focus
zoom.
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The Shooting Menus
AF/MF SETTING
AF MODE
Choose the AF mode for focus modes S and C.
Option
Option
Description
Description
r
SINGLE POINT
The camera focuses on the subject in the selected focus point. The
number of focus points available can be selected using G AF/MF
SETTING> NUMBER OF FOCUS POINTS. Use for pin-point
focus on a selected subject.
y
ZONE
The camera focuses on the subject in the selected focus zone.
Focus zones include multiple focus points, making it easier to
focus on subjects that are in motion.
z
WIDE/TRACKING
In focus mode S, the camera automatically focuses on
high-contrast subjects; the areas in focus are shown in the
display.
In focus mode C, the camera tracks focus on the subject in
the selected focus point while the shutter button is pressed
halfway.
The camera may be unable to focus on small objects or subjects
that are moving rapidly.
j
ALL
Rotate the rear command dial in the focus-point selection
display (P 70, 71) to cycle through AF modes in the fol-
lowing order: r SINGLE POINT, y ZONE, and z WIDE/
TRACKING.
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The Shooting Menus
AF-C CUSTOM SETTINGS
Select focus-tracking options for focus
mode C. Choose from Sets 1–5 according
to your subject or select Set 6 for custom
focus-tracking options.
OK
AF-C CUSTOM SETTINGS
SET 1 MULTI PURPOSE
TRACKING SENSITIVITY
ZONE AREA SWITCHING AUTO
SPEED TRACKING SENSITIVITY
Option
Option
Description
Description
SET 1 MULTI PURPOSE
A standard tracking option that works well with
the typical range of moving subjects.
SET 2 IGNORE OBSTACLES &
CONTINUE TO TRACK SUBJECT
The focus system attempts to track the chosen
subject. Choose with subjects that are hard to
keep in the focus area or if other objects are likely
to enter the focus area with the subject.
SET 3 FOR ACCELERATING/
DECELERATING SUBJECT
The focus system attempts to compensate for
subject acceleration or deceleration. Choose for
subjects prone to rapid changes in velocity.
SET 4 FOR SUDDENLY APPEARING
SUBJECT
The focus system attempts to focus quickly on
subjects entering the focus area. Choose for
subjects that appear abruptly or when rapidly
switching subjects.
SET 5 FOR ERRATICALLY MOVING
& ACCEL./DECEL. SUBJECT
Choose for hard-to-track subjects prone not only
to sudden changes in velocity but also to large
movements front to back and left to right.
SET 6 CUSTOM
Adjust TRACKING SENSITIVITY, SPEED
TRACKING SENSITIVITY, and ZONE AREA
SWITCHING to suit your preferences based on
the values for Sets 1–5 (P 117, 119).
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The Shooting Menus
AF/MF SETTING
Focus Tracking Options
The individual parameters that are part of a focus tracking set are
described below.
TRACKING SENSITIVITY
TRACKING SENSITIVITY
This parameter determines how long the
camera waits to switch focus when an
object enters the focus area behind or in
front of the current subject. The higher
the value, the longer the camera will wait.
TRACKING SENSITIVITY
LOCKED ON
QUICK
SETS THE TRACKING
SENSITIVITY ON THE SUBJECT
SWITCH
ADJUST
Options
Options
01234
O
The higher the value, the longer it takes the camera to refocus when
you attempt to switch subjects.
The lower the value, the more likely the camera is to switch focus
from your subject to other objects in the focus area.
SPEED TRACKING SENSITIVITY
SPEED TRACKING SENSITIVITY
This parameter determines how sensi-
tive the tracking system is to changes in
subject velocity. The higher the value,
the greater the precision with which the
system attempts to respond to sudden
movement.
SPEED TRACKING SENSITIVITY
ACCEL./DECEL.
STEADY
SETS THE SPEED TRACKING
SENSITIVITY FOR MOVING SUBJECT
SWITCHADJUST
Options
Options
012
O
The higher the value, the more di culty the camera will have focusing
in situations in which autofocus does not perform well, such as when
the subject is highly re ective or low in contrast.
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ZONE AREA SWITCHING
ZONE AREA SWITCHING
This parameter determines the focus
area given priority in zone AF.
ZONE AREA SWITCHING
FRONTCENTER
AUTO
SETS THE SWITCHING SENSITIVITY
OF FOCUS FRAME IN ZONE AREA
SWITCHADJUST
Option
Option
Description
Description
CENTER Zone AF assigns priority to subjects in the center of the zone.
AUTO
The camera locks focus on the subject at the center of the
zone and then switches focus areas as necessary to track it.
FRONT Zone AF assigns priority to the subjects closest to the camera.
O
This option takes e ect only when y ZONE is selected for AF mode.
Set Values
Parameter values for the di erent sets are listed below.
TRACKING
TRACKING
SENSITIVITY
SENSITIVITY
SPEED TRACKING
SPEED TRACKING
SENSITIVITY
SENSITIVITY
ZONE AREA
ZONE AREA
SWITCHING
SWITCHING
SET 1
SET 1 20AUTO
SET 2
SET 2 3 0 CENTER
SET 3
SET 3 22AUTO
SET 4
SET 4 0 1 FRONT
SET 5
SET 5 32AUTO
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AF/MF SETTING
Custom Focus Tracking Options
Follow the steps below to adjust settings for Set 6.
1
Select AF-C CUSTOM SETTINGS>
SET 6 CUSTOM.
AF-C CUSTOM SETTINGS
SET 6 CUSTOM
TRACKING SENSITIVITY
ZONE AREA SWITCHING
AUTO
SPEED TRACKING SENSITIVITY
RESETSET DETAIL
ADJUST
2
Press the selector up or down to highlight items and rotate
the front command dial to change. To reset settings to their
original values, press b.
3
Press DISP/BACK when settings are complete.
STORE AF MODE BY ORIENTATION
Choose whether the focus mode and focus area used when the
camera is in portrait orientation are stored separately from those
used when the camera is in landscape orientation.
Option
Option
Description
Description
OFF The same settings are used in both orientations.
FOCUS AREA ONLY The focus area for each orientation can be selected separately.
ON The focus mode and focus area can be selected separately.
AF POINT DISPLAYyz
Choose whether individual focus frames are displayed when
ZONE or WIDE/TRACKING is selected for G AF/MF SETTING>
AF MODE.
Options
Options
ON OFF
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NUMBER OF FOCUS POINTS
Choose the number of focus points available for focus-point se-
lection in manual focus mode or when SINGLE POINT is selected
for AF MODE.
Option
Option
Description
Description
117 POINTS
(9 × 13)
Choose from 117 focus points arranged in a 9- by 13-point grid.
425 POINTS
(17 × 25)
Choose from 425 focus points arranged in a 17- by 25-point grid.
PRE-AF
If ON is selected, the camera will continue to adjust focus even
when the shutter button is not pressed halfway. The camera
adjusts focus continuously, allowing it to focus faster when the
shutter button is pressed halfway. Choosing this option helps
prevent missed shots.
Options
Options
ON OFF
O
Choosing ON increases the drain on the battery.
AF ILLUMINATOR
If ON is selected, the AF-assist illuminator will light to assist
autofocus.
Options
Options
ON OFF
O
The camera may be unable to focus using the AF-assist illuminator
in some cases.
If the camera is unable to focus, try increasing the distance to the
subject.
Avoid shining the AF-assist illuminator directly into your subjects
eyes.
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AF/MF SETTING
FACE/EYE DETECTION SETTING
Intelligent Face Detection sets focus and
exposure for human faces anywhere in
the frame, preventing the camera from
focusing on the background in group
portraits. Choose for shots that empha-
size portrait subjects. You can also choose
whether the camera detects and focuses on eyes when Intelligent
Face Detection is on. Choose from the following options:
Option
Option
Description
Description
FACE ON/EYE OFF Intelligent Face Detection only.
FACE ON/EYE AUTO
The camera automatically chooses which eye to focus
on when a face is detected.
FACE ON/RIGHT EYE PRIORITY
The camera focuses on the right eye of subjects de-
tected using Intelligent Face Detection.
FACE ON/LEFT EYE PRIORITY
The camera focuses on the left eye of subjects detect-
ed using Intelligent Face Detection.
FACE OFF/EYE OFF Intelligent Face Detection and eye priority off .
O
If the subject moves as the shutter button is pressed, the face may
not be in the area indicated by the green border when the picture
is taken.
In some modes, the camera may set exposure for the frame as a
whole rather than the portrait subject.
N
The face selected by the camera is indicated by a green border.
If there is more than one face in the frame, the camera will select the
face closest to the center; other faces are indicated by white borders.
Faces can be detected with the camera in vertical or horizontal ori-
entation.
If the camera is unable to detect the subjects eyes because they are
hidden by hair, glasses, or other objects, the camera will instead focus
on faces.
Face/eye detection options can also be accessed via shortcuts
(P 222).
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AF+MF
If ON is selected in focus mode S and focus has been locked
(whether by pressing the shutter button halfway or by other
means), focus lock can be ended and focus adjusted manually by
rotating the focus ring.
Options
Options
ON OFF
O
Lenses with a focus distance indicator must be set to manual focus
mode (MF) before this option can be used. Selecting MF disables the
focus distance indicator.
If the lens is equipped with a focus distance indicator, set the focus
ring to the center, as the camera may fail to focus if the ring is set to
in nity or the minimum focus distance.
N
Standard and focus peaking MF assist options are supported.
AF + MF Focus Zoom
When ON is selected for G AF/MF SETTING> FOCUS CHECK and SINGLE
POINT selected for AF MODE, focus zoom can be used to zoom in on the
selected focus area. The zoom ratio (2.5× or 6×) can be selected using the
rear command dial.
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AF/MF SETTING
MF ASSIST
Choose how focus is displayed in manual focus mode.
Option
Option
Description
Description
STANDARD
Focus is displayed normally (focus peaking, digital split image, and
digital microprism are not available).
DIGITAL SPLIT
IMAGE
Displays a black-and-white (MONOCHROME) or color (COLOR)
split image in the center of the frame. Frame the subject in the
split-image area and rotate the focus ring until the three parts of
the split image are correctly aligned.
DIGITAL
MICROPRISM
A grid pattern that emphasizes blur is displayed when the subject
is out of focus, disappearing to be replaced by a sharp image when
the subject is in focus.
FOCUS PEAK
HIGHLIGHT
The camera heightens high-contrast outlines. Choose a color and
peaking level.
N
You can also choose MF assist options by holding the center of the
rear command dial.
FOCUS CHECK
If ON is selected, the display will automatically zoom in on the
selected focus area when the focus ring is rotated in manual fo-
cus mode.
Options
Options
ON OFF
N
Pressing the center of the rear command dial cancels focus zoom.
The zoom position is centered on the current focus area and changes
when the focus area is changed.
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INTERLOCK SPOT AE & FOCUS AREA
Select ON to meter the current focus frame when SINGLE POINT
is selected for AF MODE and SPOT is selected for PHOTOMETRY.
Options
Options
ON OFF
INSTANT AF SETTING
Choose whether the camera focuses using single AF (AF-S) or
continuous AF (AF-C) when a button to which focus lock or
AF-ON is assigned is pressed in manual focus mode.
Options
Options
AF-S AF-C
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AF/MF SETTING
DEPTH-OF-FIELD SCALE
Choose FILM FORMAT BASIS to help you make practical assess-
ments of depth of  eld for pictures that will be viewed as prints
and the like, PIXEL BASIS to help you assess depth of  eld for
pictures that will be viewed at high resolutions on computers or
other electronic displays.
Options
Options
PIXEL BASIS FILM FORMAT BASIS
RELEASE/FOCUS PRIORITY
Choose how the camera focuses in focus mode AF-S or AF-C.
Option
Option
Description
Description
RELEASE
Shutter response is prioritized over focus. Pictures can be taken
when the camera is not in focus.
FOCUS
Focus is prioritized over shutter response. Pictures can be only
taken when the camera is in focus.
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TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
Still Photography
Mode
Mode
Description
Description
TOUCH
TOUCH
SHOOTING
SHOOTING
Tap your subject in the display to focus and release the shutter.
In burst mode, pictures will be taken while you keep your fi nger
on the display.
AF
AF
In focus mode S (AF-S), the camera focuses when you tap your
subject in the display. Focus locks at the current distance until
you tap the AF OFF icon.
In focus mode C (AF-C), the camera initiates focus when you
tap your subject display. The camera will continue to adjust
focus for changes in the distance to the subject until you tap
the AF OFF icon.
In manual focus mode (MF), you can tap the display to focus
on the selected subject using autofocus.
AREA
AREA
Tap to select a point for focus or zoom. The focus frame will
move to the selected point.
OFF
OFF
Touch focus and shooting disabled.
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AF/MF SETTING
Movie Recording
Mode
Mode
Description
Description
TOUCH
TOUCH
SHOOTING
SHOOTING
Instead of pressing the shutter button, you can tap your subject
in the display to focus and start recording. During recording, you
can tap the display to focus as described below. To end record-
ing, press the shutter button.
AF
AF
Tapping the display focuses the camera on the selected point.
Use the shutter button to start and stop recording.
In focus mode S (AF-S), you can refocus at any time by tapping
your subject in the display.
In focus mode C (AF-C), the camera will continuously adjust
focus for changes in the distance to the subject at point se-
lected by tapping the display.
In manual focus mode (MF), the camera will focus using auto-
focus when you tap the display; during recording, you can tap
the display again to move the focus area to a new location.
AREA
AREA
Tap to position the focus area. Use the shutter button to start
and stop recording.
In focus mode S (AF-S), you can reposition the focus area at
any time by tapping your subject in the display. To focus, use
the button to which AF-ON is assigned.
In focus mode C (AF-C), the camera will continuously adjust
focus for changes in the distance to the subject at point se-
lected by tapping the display.
In manual focus mode (MF), you can tap the display to posi-
tion the focus area over your subject.
OFF
OFF
Touch focus and shooting disabled.
N
T
o disable touch controls and hide the touch screen mode indicator, se-
lect OFF for
D
BUTTON/DIAL SETTING> TOUCH SCREEN SETTING>
TOUCH SCREEN ON/OFF. Choosing ON automatically sets
B MOVIE
SETTING
> MOVIE AF MODE set to AREA, even if MULTI is currently
selected.
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AF/MF SETTING
Touch Controls for Focus Zoom
Di erent touch controls are used during focus zoom (focus check enabled).
Central Area
Central Area
Tapping the center of the display performs the
operations below.
Mode
Mode
Still Photography
Still Photography
Movie Recording
Movie Recording
TOUCH SHOOTING
TOUCH SHOOTING AF-S/MF: Take a picture
AF-S: AF
MF: Instant AF
AF
AF
AF-S: AF AF-S: AF
MF: Instant AF MF: Instant AF
AREA
AREA
AF-S: AF AF-S: AF
MF: Instant AF MF: Instant AF
OFF
OFF AF-S/MF: OFF AF-S/MF: OFF
Other Areas
Other Areas
Tapping other areas simply scrolls the display,
whether during still photography or movie re-
cording and regardless of the option selected
for touch screen mode.
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A
SHOOTING SETTING
Adjust shooting options.
To display shooting options, press
MENU/OK in the shooting display and se-
lect the A (SHOOTING SETTING) tab.
SHOOTING SETTING
DRIVE SETTING
SPORTS FINDER MODE
PRE-SHOT
SELF-TIMER
INTERVAL TIMER SHOOTING
IS MODE
SHUTTER TYPE
FLICKER REDUCTION
EXIT
N
The options available vary with the shooting mode selected.
DRIVE SETTING
Adjust settings for the various drive modes.
Option
Option
Description
Description
BKT SETTING
Choose the settings used when the drive dial is rotated to
BKT (P 130).
CH HIGH SPEED BURST
Select the frame rate used when the drive dial is rotated to
CH (continuous high speed). The display frame rate when
the electronic shutter is used is 40fps, or 60fps in 1.25×
crop mode.
Options
Options
30fps(1.25X CROP) R
1
20fps(1.25X CROP) R
1
10fps(1.25X CROP) R
1
20fpsR
1
11fps
2
8.0fps
1 Available with electronic shutter only.
2 10 fps with electronic shutter.
CL LOW SPEED BURST
Select the frame rate used when the drive dial is rotated to
CL (continuous low speed).
Options
Options
5.7fps 5.0fps 4.0fps 3.0fps
ADV. FILTER SETTING
Choose the fi lter used when the drive dial is rotated to ADV.
(P 92).
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BKT SETTING
Choose the bracketing type and adjust bracketing options for
the BKT drive mode.
Option
Option
Description
Description
BKT SELECT
The following options are available when BKT is selected for
drive mode.
Bracketing type
Bracketing type
O
O
AE BKT
AE BKT
W
W
ISO BKT
ISO BKT
X
X
FILM SIMULATION BKT
FILM SIMULATION BKT
V
V
WHITE BALANCE BKT
WHITE BALANCE BKT
Y
Y
DYNAMIC RANGE BKT
DYNAMIC RANGE BKT
Z
Z
FOCUS BKT
FOCUS BKT
AE BKT
The following options are available when O AE BKT is
chosen for BKT SELECT.
Option
Option
Description
Description
FRAMES/
STEP SETTING
Choose the number of shots in the bracket-
ing sequence and the amount exposure is
varied with each shot.
FRAMES: Choose the number of shots in the
bracketing sequence.
STEP: Choose the amount exposure is var-
ied with each shot.
1 FRAME/
CONTINUOUS
1 FRAME: The shots in the bracketing se-
quence are taken one at a time.
CONTINUOUS: The shots in the bracketing
sequence are taken in a single burst.
SEQUENCE
SETTING
Choose the order in which the shots are
taken.
ISO BKT
The following options are available when W ISO BKT is
chosen for BKT SELECT.
Options
Options
±⁄ ±⁄ ±1
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SHOOTING SETTING
Option
Option
Description
Description
FILM SIMULATION BKT
Choose the three fi lm simulation types used for fi lm simula-
tion bracketing (P 104).
WHITE BALANCE BKT
The following options are available when V WHITE
BALANCE BKT is chosen for BKT SELECT.
Options
Options
±1 ±2 ±3
FOCUS BKT
The following options are available
when
Z
FOCUS BKT
is chosen for
BKT SELECT
.
Option
Option
Description
Description
FRAMES Choose the number of shots.
STEP
Choose the amount focus changes with each
shot.
INTERVAL Choose the interval between shots.
N
Do not adjust zoom during shooting.
The supplied fl ash does not fi re.
Focus and FRAMES/STEP
The relation between focus and the options chosen for FRAMES and STEP
is shown in the illustration.
12345
:
Starting focus position
Focus proceeds from the starting position toward infi nity.
Small STEP values translate to small changes in focus, larger values to larger
changes.
Regardless of the option chosen for FRAMES, shooting ends when focus reach-
es infi nity.
Frames
Step
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SPORTS FINDER MODE
Take pictures using the crop in the center
of the display. Choose this option for pic-
tures of athletes, birds, and other moving
subjects.
Option
Option
Description
Description
ON
Pictures are taken using a 1.25× crop, reducing the picture angle by an
amount equivalent to increasing lens focal length by 1.25×; the crop is
shown by a frame in the display.
OFF The 1.25× crop is disabled.
N
The H IMAGE QUALITY SETTING > IMAGE SIZE item in the shoot-
ing menu is  xed at P.
The sports  nder is not available in modes that o er an electronic
shutter.
PRE-SHOT sJ
To reduce the lag between your pressing the shutter button all
the way down and the resulting picture being recorded to the
memory card, the camera starts shooting with the electronic
shutter when the shutter button is pressed halfway and saves a
series shots starting just before the shutter button is pressed the
rest of the way down.
Options
Options
ON OFF
N
Pre-shot photography is available only when s ELECTRONIC SHUTTER
is selected in CH (high speed burst) drive mode.
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SHOOTING SETTING
SELF-TIMER
Choose a shutter release delay.
Option
Option
Description
Description
R 2 SEC
The shutter is released two seconds after the shutter button is pressed.
Use to reduce blur caused by the camera moving when the shutter
button is pressed. The self-timer lamp blinks as the timer counts
down.
S 10 SEC
The shutter is released ten seconds after the shutter button is pressed.
Use for photographs in which you wish to appear yourself. The
self-timer lamp blinks immediately before the picture is taken.
OFF Self-timer off .
If an option other than OFF is select-
ed, the timer will start when the shutter
button is pressed all the way down. The
display shows the number of seconds re-
maining until the shutter is released. To
stop the timer before the picture is taken,
press DISP/BACK.
9
O
Stand behind the camera when using the shutter button. Standing in
front of the lens can interfere with focus and exposure.
The self-timer turns o automatically when the camera is turned o .
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INTERVAL TIMER SHOOTING
Con gure the camera to take photos automatically at a preset
interval.
1
Highlight INTERVAL TIMER SHOOTING
in the
A
(SHOOTING SETTING) tab
and press MENU/OK.
CANCELEND
INTERVAL
NUMBER OF TIMES
INTERVAL/NUMBER OF TIMES
2
Use the selector to choose the in-
terval and number of shots. Press
MENU/OK to proceed.
CANCELSTART
START WAITING TIME
ESTIMATED START TIME 11 : 00 PM
LATER
3
Use the selector to choose the start-
ing time and then press MENU/OK.
Shooting will start automatically.
CANCEL
O
Interval timer photography cannot be used at a shutter speed of
B (bulb) or with multiple exposure photography. In burst mode, only
one picture will be taken each time the shutter is released.
N
Use of a tripod is recommended.
Check the battery level before starting. We recommend using the
AC-9VS AC power adapter supplied with the VG-XT3 vertical battery
grip.
The display turns o between shots and lights a few seconds before
the next shot is taken.
The display can be activated at any time by pressing the shutter button.
To continue shooting until the memory card is full, set the number
of shots to ∞.
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SHOOTING SETTING
SHUTTER TYPE
Choose the shutter type. Choose the electronic shutter to mute
the shutter sound.
Option
Option
Description
Description
t MECHANICAL SHUTTER
Take pictures with the mechanical shutter.
s ELECTRONIC SHUTTER
Take pictures with the electronic shutter.
t E-FRONT CURTAIN
SHUTTER
Reduces the lag between the shutter button being
pressed and the start of the exposure.
u MECHANICAL+
ELECTRONIC
The camera chooses the mechanical or electronic
shutter according to shooting conditions.
v E-FRONT+
MECHANICAL
The camera chooses the mechanical or electronic
front curtain shutter according to shooting conditions.
w E-FRONT+
MECHANICAL +ELECTRONIC
The camera chooses the mechanical, electronic, or
electronic front curtain shutter according to shooting
conditions.
If s ELECTRONIC SHUTTER, u MECHANICAL + ELECTRONIC,
or w E-FRONT + MECHANICAL + ELECTRONIC is selected, shut-
ter speeds faster than ⁄s can be chosen by rotating the shutter
speed dial to 8000 and then rotating the rear command dial.
O
When using the electronic shutter, note the following:
-
Distortion may be visible in shots of moving subjects.
-
Distortion may also be visible in hand-held shots taken at high
shutter speeds; use of a tripod is recommended.
-
Banding and fog may occur in shots taken under  uorescent lights
or other  ickering or erratic illumination.
-
When taking pictures with the shutter muted (P 191), respect
your subjects’ image rights and right to privacy.
When using the electronic front-curtain shutter, note the following:
-
Faster shutter speeds are more likely to result in uneven exposure
and loss of resolution in out-of-focus areas of the frame.
N
The following restrictions apply when the electronic shutter is used:
Sensitivity is restricted to values of ISO 12800–160
Long exposure noise reduction has no e ect
The  ash can not be used
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FLICKER REDUCTION
Select ON to reduce  icker in pictures and the display when shoot-
ing under  uorescent lighting and other similar light sources.
Options
Options
ON OFF
O
Enabling  icker reduction disables the electronic shutter and increas-
es the time needed to record pictures.
Flicker reduction is not available during movie recording.
IS MODE
Reduce blur.
Option
Option
Description
Description
l CONTINUOUS
Image stabilization on.
m SHOOTING ONLY
Image stabilization enabled only when the shutter button
is pressed halfway (focus mode C) or the shutter is released.
OFF
Image stabilization off ; x appears in the display. Rec-
ommended when the camera is on a tripod.
N
This option is available only with lenses that support image stabilization.
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SHOOTING SETTING
ISO AUTO SETTING
Choose the base sensitivity, maximum sensitivity, and minimum
shutter speed for the A position on the sensitivity dial. Settings
for AUTO1, AUTO2, and AUTO3 can be stored separately; the de-
faults are shown below.
Item
Item
Options
Options
Default
Default
AUTO1
AUTO1
AUTO2
AUTO2
AUTO3
AUTO3
DEFAULT SENSITIVITY 12800–160 160
MAX. SENSITIVITY 12800–400 800 1600 3200
MIN. SHUTTER SPEED ⁄–¼ SEC, AUTO AUTO
The camera automatically chooses a sensitivity between the de-
fault and maximum values; sensitivity is only raised above the
default value if the shutter speed required for optimal exposure
would be slower than the value selected for MIN. SHUTTER SPEED.
N
If the value selected for DEFAULT SENSITIVITY is higher than that
selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to
the value selected for MAX. SENSITIVITY.
The camera may select shutter speeds slower than MIN. SHUTTER
SPEED if pictures would still be underexposed at the value selected
for MAX. SENSITIVITY.
If AUTO is selected for MIN. SHUTTER SPEED, the camera will au-
tomatically choose a minimum shutter speed approximately equal
to the inverse of the lens focal length, in seconds (for example, if the
lens has a focal length of 50mm, the camera will choose a minimum
shutter speed in the neighborhood of ⁄ s). The minimum shutter
speed is not a ected by the option selected for image stabilization.
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MOUNT ADAPTER SETTING
Adjust settings for M-mount lenses connected using an optional
FUJIFILM M MOUNT ADAPTER.
Choosing a Focal Length
Choose a lens number from LENS 1
through LENS 6 and enter the lens’ true
focal length.
LENS 5
INPUT FOCAL LENGTH
CANCELSET
Distortion Correction
Choose from STRONG, MEDIUM, or WEAK
options to correct BARREL or PINCUSHION
distortion.
LENS5 DISTORTION CORRECTION
BARREL MEDIUM
BARREL WEAK
BARREL STRONG
OFF
PINCUSHION WEAK
PINCUSHION MEDIUM
PINCUSHION STRONG
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SHOOTING SETTING
Color Shading Correction
Color (shading) variations between the
center and edges of the frame can be ad-
justed separately for each corner.
To use color shading correction, follow the
steps below.
1
Rotate the rear command dial to choose a corner. The select-
ed corner is indicated by a triangle.
2
Use the selector to adjust shading until there is no visible dif-
ference in color between the selected corner and the center
of the image. Press the selector left or right to adjust colors
on the cyan–red axis. Press the selector up or down to adjust
colors on the blue–yellow axis.
N
To determine the amount required, adjust color shading correction
while taking photos of blue sky or a sheet of gray paper.
Peripheral Illumination Correction
Choose from values between –5 and
+5. Choosing positive values increases
peripheral illumination, while choosing
negative values reduces peripheral il-
lumination. Positive values are recom-
mended for vintage lenses, negative val-
ues to create the e ect of images taken with an antique lens or a
pinhole camera.
N
To determine the amount required, adjust peripheral illumination cor-
rection while taking photos of blue sky or a sheet of gray paper.
NEXT
SET
CANCEL
SET
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SHOOTING SETTING
WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
Control the camera and take pictures remotely
Receive pictures uploaded from the camera
Browse the pictures on the camera and download selected pic-
tures
Upload location data to the camera
N
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
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F
FLASH SETTING
Adjust  ash-related settings.
To display  ash-related settings, press
MENU/OK in the shooting display and se-
lect the F (FLASH SETTING) tab.
N
The options available vary with the shoot-
ing mode selected.
FLASH SETTING
RED EYE REMOVAL
TTL-LOCK MODE
FLASH FUNCTION SETTING
LED LIGHT SETTING
MASTER SETTING
CH SETTING
EXIT
FLASH FUNCTION SETTING
Choose a  ash control mode,  ash mode,
or sync mode or adjust the  ash level.
The options available vary with the  ash.
N
For more information on  ash settings, see
“External Flash Units” (P 234) in “Periph-
erals and Optional Accessories”.
ADJUST
END
SUPPLIED FLASH
M
ODE
RED EYE REMOVAL
Remove red-eye e ects caused by the  ash.
Option
Option
Description
Description
FLASH+REMOVAL
A red-eye reduction pre-fl ash is combined with digital red-eye
removal.
FLASH Flash red-eye reduction only.
REMOVAL Digital red-eye removal only.
OFF Flash red-eye reduction and digital red-eye removal off .
N
Flash red-eye reduction can be used in TTL  ash control mode.
Digital red-eye removal is performed only when a face is detected.
Digital red-eye removal is not available with RAW images.
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TTL-LOCK MODE
Instead of adjusting  ash level with each shot, TTL  ash control
can be locked for consistent results across a series of photo-
graphs.
Option
Option
Description
Description
LOCK WITH LAST FLASH
Flash output is locked at the value metered for the most
recent photo.
LOCK WITH METERING
FLASH
The camera emits a series of pre-fl ashes and locks fl ash
output at the metered value.
N
To use TTL lock, assign TTL-LOCK to a camera control and then use
the control to enable or disable TTL lock (P 228).
Flash compensation can be adjusted while TTL lock is in e ect.
Selecting LOCK WITH LAST FLASH displays an error message if no
previously metered value exists.
LED LIGHT SETTING
Choose whether to use the  ash unit’s LED video light (if avail-
able) as a catchlight or AF-assist illuminator when taking photos.
Option
Option
Role of LED video light in still photography
Role of LED video light in still photography
CATCHLIGHT Catchlight
AF ASSIST AF-assist illuminator
AF ASSIST+CATCHLIGHT AF-assist illuminator and catchlight
OFF None
N
In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.
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FLASH SETTING
MASTER SETTING
Choose a  ash group (A, B, or C) for the  ash mounted on the
camera hot shoe when it functions as a master  ash controlling
remote  ash units via Fuji lm wireless optical  ash control, or
choose OFF to limit master  ash output to a level that does not
a ect the  nal picture.
Options
Options
Gr A Gr B Gr C OFF
N
In some cases, this option can also be accessed via the FLASH FUNCTION
SETTING menu.
CH SETTING
Choose the channel used for communication between the mas-
ter  ash and remote  ash units when using Fuji lm optical wire-
less  ash control. Separate channels can be used for di erent
ash systems or to prevent interference when multiple systems
are operating in close proximity.
Options
Options
CH1 CH2 CH3 CH4
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B
MOVIE SETTING
Adjust movie-recording options.
To display options for movie recording,
press MENU/OK in the shooting display and
select the B (MOVIE SETTING) tab.
N
The options available vary with the shoot-
ing mode selected.
MOVIE SETTING
FULL HD HIGH SPEED REC
FILM SIMULATION
MOVIE MODE
H.265(HEVC)/H.264
MOVIE COMPRESSION
DYNAMIC RANGE
WHITE BALANCE
B & W ADJ.
(Warm/Cool)
EXIT
MOVIE MODE
Before shooting movies, choose the
frame rate, bit rate, and frame size and
aspect ratio.
16:9
MOVIE MODE
1
In the shooting menu, select B MOVIE SETTING, then high-
light MOVIE MODE and press MENU/OK.
2
Press the selector up or down to highlight the desired frame
size and aspect ratio (
A
) and press the selector right.
Choose V16 : 9 or d17 : 9 for 4K movies with aspect ra-
tios of 16 or 17 to 9.
Choose W16 : 9 or W17 : 9 for Full HD movies with aspect
ratios of 16 or 17 to 9.
3
Press the selector up or down to highlight a frame rate (
B
)
and press the selector right.
Options
Options
59.94P 50P 29.97P 25P 24P 23.98P
4
Press the selector up or down to highlight a bit rate (
C
) and
press MENU/OK.
Options
Options
400Mbps 200Mbps 100Mbps 50Mbps
N
The choice of bit rates varies with the movie mode.
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MOVIE SETTING
H.265(HEVC)/H.264
Choose a codec for movie recording.
Option
Option
Description
Description
H.265(HEVC)
Use for higher quality footage with a high compression
ratio. Movies can be viewed only on devices that support
H.265 (HEVC).
H.264
Movies fi lmed using this widely-supported codec can be
viewed on a variety devices.
MOVIE COMPRESSION
Choose type of compression used to record movies.
Option
Option
Description
Description
ALL-Intra
Each frame is compressed separately. Files are larger, but
the fact that the data for each frame are saved separately
makes this a good choice for footage that will be further
processed. When V is selected for frame size, frame rates
of 59.94P and 50P automatically switch to 29.97P and
25P, respectively.
Long GOP
Balances good image quality with high compression. Files
are smaller, making this a good choice for longer movies.
FULL HD HIGH SPEED REC
Record high-frame-rate Full HD movies. High-frame-rate mov-
ies can be played back in slow motion, giving you time to view
fast-moving subjects or details too  eeting for the naked eye.
Option
Option
Description
Description
2x a59.94P F120P
Record Full HD footage at frame rates of 120 or 100 fps. The
movies play back at ½ , ¼ , or ⁄ speed. Maximum recording
length is 6 minutes. The footage recorded to the memory
card is compressed with the goal of keeping the amount of
data recorded to 200Mb per second.
2x a50P F100P
4x a29.97P F120P
4x a25P F100P
5x a24P F120P
5x a23.98P F120P
OFF
High-speed recording off.
N
High-speed movies are recorded with no sound.
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F FILM SIMULATION
Choose a  lm simulation e ect for movie recording.
Option
Option
Description
Description
c PROVIA/STANDARD
See “FILM SIMULATION” (P 104).
d Velvia/VIVID
e ASTIA/SOFT
i CLASSIC CHROME
g PRO Neg. Hi
h PRO Neg. Std
X ETERNA/CINEMA
a ACROS
b MONOCHROME
f SEPIA
F B & W ADJ. ab(Warm/Cool)
Add a reddish or bluish tinge (warm or cool color cast) to mono-
chrome pictures taken with the a ACROS or b MONOCHROME
lm simulation.
Option
Option
Description
Description
+9 — +1 Higher positive values equate to a redder color cast.
0 Normal monochrome (grayscale).
-1 — -9
Lower negative values equate to a bluer color cast.
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MOVIE SETTING
F WHITE BALANCE
Adjust white balance for movie recording.
Option
Option
Description
Description
AUTO
See WHITE BALANCE” (P 106).
k/l/m
k
i
j
k
l
m
n
g
F DYNAMIC RANGE
Choose a dynamic range for movie recording.
Option
Option
Description
Description
V100%
See “DYNAMIC RANGE” (P 108).W200%
X400%
N
Auto dynamic range adjustment (AUTO) is not supported.
W200% is available at sensitivities of from ISO 320 to ISO 12800,
X400% at sensitivities of from ISO 640 to 12800.
The B MOVIE SETTING>F DYNAMIC RANGE option is available
when OFF is selected for B MOVIE SETTING>F-Log RECORDING.
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F HIGHLIGHT TONE
Choose how the camera records highlights when shooting
movies.
Options
Options
+4 +3 +2 +1 0 −1 −2
F SHADOW TONE
Choose how the camera records shadows when shooting
movies.
Options
Options
+4 +3 +2 +1 0 −1 −2
F COLOR
Adjust color density for movie recording.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
F SHARPNESS
Sharpen or soften outlines in movies.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
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MOVIE SETTING
F NOISE REDUCTION
Reduce noise in movies shot at high sensitivities.
Options
Options
+4 +3 +2 +1 0 −1 −2 −3 −4
V INTERFRAME NR
Select ON to enable interframe noise reduction.
Options
Options
ON OFF
N
OFF is selected automatically at frames size other than V or when
a frame size of V is combined with a frame rate of 59.94P or 50P.
“Ghosting” may occur with moving subjects or if the camera is moved
during shooting.
F-Log RECORDING
Select ON to record movies using a soft gamma curve with a wide
gamut suitable for further processing post-production. Sensitivi-
ty is restricted to values between ISO 640 and 12800.
F PERIPHERAL LIGHT CORRECTION
Select ON to enable peripheral illumination correction during
movie recording.
N
If ON is selected when a lens that does not transmit data to the
camera is attached using a FUJIFILM M MOUNT ADAPTER (available
separately), peripheral illumination will be adjusted according to the
option selected for A SHOOTING SETTING> MOUNT ADAPTER
SETTING> PERIPHERAL ILLUMINATION CORRECTION in the
shooting menu (P 139).
Select OFF if you notice banding in movies recorded using this op-
tion.
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F FOCUS AREA
Choose the focus area for movies shot using autofocus. You can
also choose the focus area (and consequently also the focus
zoom position) for movies shot using manual focus.
MOVIE AF MODE
Choose how the camera selects the focus point for movie recording.
Option
Option
Description
Description
MULTI Automatic focus-point selection.
AREA The camera focuses on the subject in the selected focus area.
F AF-C CUSTOM SETTING
Select focus-tracking options when recording movies in focus
mode C.
TRACKING SENSITIVITY
Choose how long the camera waits to switch focus when an ob-
ject enters the focus area behind or in front of the current sub-
ject. See TRACKING SENSITIVITY (P 117).
Options
Options
01234
AF SPEED
Adjust the autofocus response speed.
Options
Options
-5 -4 -3 -2 -1 0 +1 +2 +3 +4 +5
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MOVIE SETTING
F FACE/EYE DETECTION SETTING
Enable or disable Intelligent Face Detection when recording
movies. See “FACE/EYE DETECTION SETTING” (P 121).
Option
Option
Description
Description
FACE ON/EYE OFF Intelligent Face Detection only.
FACE ON/EYE AUTO
The camera automatically chooses which eye to focus
on when a face is detected.
FACE ON/RIGHT EYE PRIORITY
The camera focuses on the right eye of subjects de-
tected using Intelligent Face Detection.
FACE ON/LEFT EYE PRIORITY
The camera focuses on the left eye of subjects detect-
ed using Intelligent Face Detection.
FACE OFF/EYE OFF Intelligent Face Detection and eye priority off .
O
When Intelligent Face Detection is enabled, the camera will focus
using continuous AF even when single AF (S) is chosen with the
focus selector. Intelligent Face Detection is not available in manual
focus mode.
F MF ASSIST
Choose how focus is displayed in manual focus mode.
Option
Option
Description
Description
STANDARD
Focus is displayed normally (focus peaking is not
available).
FOCUS PEAK HIGHLIGHT
The camera heightens high-contrast outlines. Choose
a color and peaking level.
F FOCUS CHECK
If ON is selected, the display will automatically zoom in on the
selected focus area when the focus ring is rotated in manual fo-
cus mode.
Options
Options
ON OFF
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4K MOVIE OUTPUT
Choose the destination for 4K movies shot while the camera is
connected to an HDMI recorder or other device that supports 4K.
Option
Option
Description
Description
b 4K Y 4K
4K movies are recorded to the camera memory card and out-
put to the HDMI device in 4K.
b 4K Y FHD
4K movies are recorded to a camera memory card in 4K and
output to the HDMI device in Full HD.
b FHD Y 4K
4K movies are output to the HDMI device in 4K and recorded
to the camera memory card in Full HD.
b Y 4K
4K movies are output to the HDMI device in 4K. The camera
does not record 4K movies to a memory card.
N
This option is only available when V 16 : 9 or d 17 : 9 is selected for
B MOVIE SETTING> MOVIE MODE in the shooting menu.
FULL HD MOVIE OUTPUT
Choose the destination for Full HD movies shot while the camera
is connected to an HDMI device.
Option
Option
Description
Description
b FHD Y FHD
Full HD movies are output to the HDMI device and recorded to
the camera memory card.
b Y FHD
Full HD movies are not recorded to the camera memory card
but are output to the HDMI device.
N
This option is only available when W 16 : 9 or W 17 : 9 is selected
for B MOVIE SETTING> MOVIE MODE in the shooting menu.
Movies are recorded to the memory card in 4:2:0 10-bit format.
When OFF is selected for HDMI OUTPUT INFO DISPLAY, movies will
be output to the HDMI device in 4:2:2 10-bit format.
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MOVIE SETTING
HDMI OUTPUT INFO DISPLAY
If ON is selected, HDMI devices to which the camera is connected
will mirror the information in the camera display.
Options
Options
ON OFF
4K HDMI STANDBY QUALITY
Choose whether output to connected HDMI devices switches
from 4K to Full HD during standby.
Option
Option
Description
Description
V
Output to HDMI devices continues at 4K during standby.
W
Output to HDMI devices switches to Full HD during standby,
reducing the drain on the battery.
HDMI REC CONTROL
Choose whether the camera sends movie start and stop signals
to the HDMI device when the shutter button is pressed to start
and stop movie recording.
Options
Options
ON OFF
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ZEBRA SETTING
Highlights that may be overexposed are shown by zebra stripes
in the movie mode display.
Option
Option
Description
Description
ZEBRA RIGHT
Right-slanting stripes.
ZEBRA LEFT
Left-slanting stripes.
OFF Stripes off .
ZEBRA LEVEL
Choose the brightness threshold for the zebra stripe display.
Options
Options
100 95 90 85 80 75 70 65 60 55 50
AUDIO SETTING
Adjust audio-related settings for movie recording.
INTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for the built-in microphone.
Option
Option
Description
Description
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the selector right to
choose from 25 recording levels.
OFF Turn the built-in microphone off .
EXTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for external microphones.
Option
Option
Description
Description
AUTO The camera adjusts the recording level automatically.
MANUAL
Adjust the recording level manually. Press the selector right to
choose from 25 recording levels.
OFF Disable recording using external microphones.
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MOVIE SETTING
MIC LEVEL LIMITER
Reduces distortion caused by input that exceeds the limits of the
microphones audio circuits.
Options
Options
ON OFF
WIND FILTER
Choose whether to enable wind noise reduction during movie
recording.
Options
Options
ON OFF
LOW CUT FILTER
Choose whether to enable the low-cut  lter, reducing low-fre-
quency noise during movie recording.
Options
Options
ON OFF
HEADPHONES VOLUME
Adjust the headphone volume.
Option
Option
Description
Description
10—1 Choose a volume of from 1 to 10.
0 Mute output to the headphones.
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TIME CODE SETTING
Adjust time code (hour, minute, second, and frame number) dis-
play settings for movie recording.
TIME CODE DISPLAY
Select ON to display time codes during movie recording and
playback.
Options
Options
ON OFF
START TIME SETTING
Choose the time code starting time.
Option
Option
Description
Description
MANUAL INPUT
Highlight this option and press the selector right to choose a
start time manually.
CURRENT TIME
Set the start time to the current time.
RESET Set the start time to 00:00:00.
COUNT UP SETTING
Choose whether time is clocked continuously or only during
movie recording.
Option
Option
Description
Description
REC RUN Time is clocked only during movie recording.
FREE RUN Time is clocked continuously.
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MOVIE SETTING
DROP FRAME
At frame rates of 59.94P, and 29.97P, a discrepancy will gradu-
ally develop between the time code (measured in seconds) and
the actual recording time (measured in fractions of a second).
Choose whether the camera drops frames as necessary to match
the recording time to the time code.
Option
Option
Description
Description
ON
The camera drops frames as necessary to maintain a strict
match between the time code and the actual recording time.
OFF Frames are not dropped.
N
The time code display varies with the option selected.
01/01/2018 10:00 AM
12800
ON
OFF
Selecting a frame rate of 23.98P disables frame drop.
HDMI TIME CODE OUTPUT
Choose whether time codes are output to HDMI devices.
Options
Options
ON OFF
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MOVIE SETTING
TALLY LIGHT
Choose the lamp (indicator or AF-assist) that lights during movie
recording and whether the lamp blinks or remains steady.
Indicator lamp AF-assist illuminator
Option
Option
Description
Description
FRONT OFF
REAR z
The indicator lamp lights during movie recording.
FRONT OFF
REAR y
The indicator lamp blinks during movie recording.
FRONT z
REAR z
The indicator and AF-assist lamps light during movie recording.
FRONT z
REAR OFF
The AF-assist lamp lights during movie recording.
FRONT y
REAR y
The indicator and AF-assist lamps blink during movie recording.
FRONT y
REAR OFF
The AF-assist lamp blinks during movie recording.
FRONT OFF
REAR OFF
The indicator and AF-assist lamps remain off during movie recording.
MOVIE SILENT CONTROL
Select ON to disable camera dials and adjust movie settings us-
ing touch-screen controls, preventing the sounds made by cam-
era controls being recorded with the movie (P 24).
Options
Options
ON OFF
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Playback and the Playback
Menu
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Playback and the Playback Menu
7
The Playback Display
This section lists the indicators that may be displayed
during playback.
O
For illustrative purposes, displays are shown with all indicators lit.
A
Date and time .................................41, 43, 187
B
Face detection indicator .............................121
C
Bluetooth ON/OFF .......................................216
D
Image transfer order....................................177
E
Image transfer status .........................216, 254
F
Number of frames selected for upload
... 177
G
Card slot ..........................................................165
H
Frame number ..............................................213
I
Protected image ...........................................172
J
Location data .......................................220, 255
K
Battery level .....................................................40
L
Image size/quality ..............................102, 103
M
Film simulation .............................................104
N
Dynamic range .............................................108
O
White balance ...............................................106
P
Sensitivity.......................................................... 78
Q
Exposure compensation ..............................81
R
Aperture ...............................................59, 63, 64
S
Shutter speed ......................................59, 60, 64
T
Playback mode indicator .............................49
U
Movie icon ........................................................55
V
Time code .......................................................156
W
Red-eye removal indicator ...............141, 174
X
Advanced fi lter ................................................ 91
Y
Gift image ......................................................... 49
Z
Photobook assist indicator ........................179
a
DPOF print indicator ...................................181
b
Rating ..............................................................161
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The Playback Display
The DISP/BACK Button
The DISP/BACK button controls the display
of indicators during playback.
Standard Information o
FAVORITES
01/01/2018 10:00 AM
5.6 128001/1000 +1.0
Favorites Info display
Favorites: Rating Pictures
To rate the current picture, press DISP/BACK and press the selector up and
down to select from zero to  ve stars.
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The Playback Display
Viewing Photo Information
The photo information display changes each
time the selector is pressed up.
Basic data
S.S
FISO
1/1000 5.6 12800 +1.0
01/01/2018 10:00 AM
5.6 128001/1000 +1.0
Info display 2 Info display 1
Zooming in on the Focus Point
Press the center of the rear command dial to zoom in on the focus point.
Press again to return to full-frame playback.
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7
Viewing Pictures
Read this section for information on playback zoom and
multi-frame playback.
Use the rear command dial to go from
full-frame playback to playback zoom or
multi-frame playback.
Full-frame playback
Multi-frame
playback
100-0001
Playback
zoom
Nine-frame view
Hundred- frame view
DISP/BACK
MENU/OK
Medium zoom
Maximum zoom
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Viewing Pictures
Playback Zoom
Rotate the rear command dial right to zoom in on the current
picture, left to zoom out. To exit zoom, press DISP/BACK, MENU/OK,
or the center of the rear command dial.
N
The maximum zoom ratio varies with the option selected for
H IMAGE QUALITY SETTING> IMAGE SIZE.
Playback zoom is not available with cropped or resized copies saved
at a size of a.
Scroll
When the picture is zoomed in, the selector can
be used to view areas of the image not currently
visible in the display.
Navigation window
Multi-Frame Playback
To change the number of images displayed, rotate the rear com-
mand dial left when a picture is displayed full frame.
N
Use the selector to highlight images and press MENU/OK to view the
highlighted image full frame. In the nine- and hundred-frame dis-
plays, press the selector up or down to view more pictures.
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C
The Playback Menu
Adjust playback settings.
The playback menu is displayed when
you press MENU/OK in playback mode.
EXIT
IMAGE ROTATE
SWITCH SLOT
PLAY BACK MENU
RAW CONVERSION
ERASE
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
CROP
RESIZE
PROTECT
SWITCH SLOT
Choose the card from which images will be played back.
N
If two memory cards are inserted, you can press and hold the a but-
ton to choose a card for playback.
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RAW CONVERSION
Even if you don’t have a computer, you can use the camera to
modify RAW pictures and save them in JPEG format.
Saving RAW Pictures in JPEG Format
1
Display a RAW picture.
2
Highlight RAW CONVERSION in the playback menu.
3
Press MENU/OK.
A list of settings will be displayed.
CREATE
REFLECT SHOOTING COND.
IMAGE SIZE
IMAGE QUALITY
PUSH/PULL PROCESSING
DYNAMIC RANGE
D RANGE PRIORITY
RAW CONVERSION
CANCEL
4
Press the selector up or down to highlight a setting.
5
Press the selector right to display op-
tions.
撮影時条件を反映
増感/減感
ダイナミックレンジ
フィルムシミュレーション
ホワイトバランス
WB
シフト
RAW CONVERSION
200
%
400
%
100
%
6
Press the selector up or down to highlight the desired option.
7
Press MENU/OK to select the highlighted option. The settings
list shown in Step 3 will be displayed. Repeat Steps 4 to 7 to
adjust additional settings.
8
Press the Q button.
A preview of the JPEG copy will be displayed.
9
Press MENU/OK.
The JPEG copy will be saved.
N
RAW conversion options can also be displayed by pressing the Q but-
ton when a RAW pictures is displayed during playback.
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The Playback Menu
The settings that can be adjusted when converting pictures from
RAW to JPEG are:
Setting
Setting
Description
Description
REFLECT SHOOTING COND.
REFLECT SHOOTING COND.
Create a JPEG copy using the settings in eff ect at the
time the photo was taken.
IMAGE SIZE
IMAGE SIZE Choose an image size.
IMAGE QUALITY
IMAGE QUALITY Adjust image quality.
PUSH/PULL PROCESSING
PUSH/PULL PROCESSING Adjust exposure.
DYNAMIC RANGE
DYNAMIC RANGE Enhance details in highlights for natural contrast.
D RANGE PRIORITY
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows
for natural-looking results when photographing
high-contrast scenes.
FILM SIMULATION
FILM SIMULATION Simulate the eff ects of diff erent types of fi lm.
B & W ADJ.
B & W ADJ.
a
a
b
b
(Warm/Cool)
(Warm/Cool)
Add a warm or cool cast to monochrome pictures.
GRAIN EFFECT
GRAIN EFFECT Add a fi lm grain eff ect.
COLOR CHROME EFFECT
COLOR CHROME EFFECT Deepen colors in shadows.
WHITE BALANCE
WHITE BALANCE Adjust white balance.
WB SHIFT
WB SHIFT Fine-tune white balance.
HIGHLIGHT TONE
HIGHLIGHT TONE Adjust highlights.
SHADOW TONE
SHADOW TONE Adjust shadows.
COLOR
COLOR Adjust color density.
SHARPNESS
SHARPNESS Sharpen or soften outlines.
NOISE REDUCTION
NOISE REDUCTION Process the copy to reduce mottling.
LENS MODULATION OPTIMIZER
LENS MODULATION OPTIMIZER
Improve defi nition by adjusting for diff raction and
the slight loss of focus at the periphery of the lens.
COLOR SPACE
COLOR SPACE Choose the color space used for color reproduction.
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ERASE
Delete individual pictures, multiple selected pictures, or all pic-
tures.
O
Deleted pictures cannot be recovered. Protect important pictures or
copy them to a computer or other storage device before proceeding.
Option
Option
Description
Description
FRAME Delete pictures one at a time.
SELECTED FRAMES Delete multiple selected pictures.
ALL FRAMES Delete all unprotected pictures.
FRAME
1
Select FRAME for ERASE in the playback menu.
2
Press the selector left or right to scroll through pictures and
press MENU/OK to delete.
N
A con rmation dialog is not displayed before pictures are deleted; be
sure the correct picture is selected before pressing MENU/OK.
Additional pictures can be deleted by pressing MENU/OK. Press
the multi selector left or right to scroll through pictures and press
MENU/OK to delete.
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The Playback Menu
SELECTED FRAMES
1
Select SELECTED FRAMES for ERASE in the playback menu.
2
Highlight pictures and press MENU/OK to select.
Selected pictures are indicated by check marks (R).
To deselect a highlighted picture, press MENU/OK again.
3
When the operation is complete, press DISP/BACK to display a
con rmation dialog.
4
Highlight OK and press MENU/OK to delete the selected pic-
tures.
N
Pictures in photobooks or printer orders are shown by S.
ALL FRAMES
1
Select ALL FRAMES for ERASE in the playback menu.
2
A con rmation dialog will be displayed; highlight OK and
press MENU/OK to delete all unprotected pictures.
N
Pressing DISP/BACK cancels deletion; note that any pictures deleted
before the button was pressed cannot be recovered.
If a message appears stating that the selected images are part of a
DPOF print order, press MENU/OK to delete the pictures.
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SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
Taking photos with RAW/JPEG selected for D SAVE DATA
SET-UP>CARD SLOT SETTING (STILL IMAGE) creates two copies.
Choose whether deleting the RAW image will also delete the
JPEG copy.
Option
Option
Description
Description
ON
Deleting the RAW image from the card in Slot 1 also deletes the
JPEG copy from the card in Slot 2.
OFF
Deleting the RAW image from the card in Slot 1 does not delete
the JPEG copy from the card in Slot 2.
CROP
Create a cropped copy of the current picture.
1
Display the desired picture.
2
Select CROP in the playback menu.
3
Use the rear command dial to zoom in and out and press the
selector up, down, left, or right to scroll the picture until the
desired portion is displayed.
4
Press MENU/OK to display a con rmation dialog.
5
Press MENU/OK again to save the cropped copy to a separate
le.
N
The higher the zoom ratio, the smaller the number of pixels in the
cropped copy.
If the size of the  nal copy will be a, YES will be displayed in yellow.
All copies have an aspect ratio of 32.
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The Playback Menu
RESIZE
Create a small copy of the current picture.
1
Display the desired picture.
2
Select RESIZE in the playback menu.
3
Highlight a size and press MENU/OK to display a con rmation
dialog.
4
Press MENU/OK again to save the resized copy to a separate
le.
N
The sizes available vary with the size of the original image.
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7
PROTECT
Protect pictures from accidental deletion. Highlight one of the
following options and press MENU/OK.
Option
Option
Description
Description
FRAME
Protect selected pictures. Press the selector left or right to view
pictures and press MENU/OK to select or deselect. Press DISP/BACK
when the operation is complete.
SET ALL Protect all pictures.
RESET ALL Remove protection from all pictures.
O
Protected pictures will be deleted when the memory card is formatted.
N
Protecting images currently selected for upload to paired smart-
phones or tablets removes upload marking.
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7
The Playback Menu
IMAGE ROTATE
Rotate pictures.
1
Display the desired picture.
2
Select IMAGE ROTATE in the playback menu.
3
Press the selector down to rotate the picture 90° clockwise,
up to rotate it 90° counterclockwise.
4
Press MENU/OK. The picture will automatically be displayed in
the selected orientation whenever it is played back on the
camera.
N
Protected pictures cannot be rotated. Remove protection before ro-
tating pictures.
The camera may not be able to rotate pictures created with other
devices. Pictures rotated on the camera will not be rotated when
viewed on a computer or on other cameras.
Pictures taken with D SCREEN SET-UP> AUTOROTATE PB are auto-
matically displayed in the correct orientation during playback.
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RED EYE REMOVAL
Remove red-eye from portraits. The camera will analyze the im-
age; if red-eye is detected, the image will be processed to create
a copy with reduced red-eye.
1
Display the desired picture.
2
Select RED EYE REMOVAL in the playback menu.
3
Press MENU/OK.
N
Results vary depending on the scene and the cameras success in de-
tecting faces.
The amount of time needed to process the image varies with the
number of faces detected.
Red eye cannot be removed from pictures that have already been
processed using red-eye removal, which are indicated by a e icon
during playback.
Red eye removal cannot be performed on RAW images.
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7
The Playback Menu
VOICE MEMO SETTING
Add a voice memo to the current photograph.
1
Select ON for VOICE MEMO SETTING in the playback menu.
2
Display a photo to which you wish to add a voice memo.
3
Press and hold the center of the front command dial to re-
cord the memo. Recording ends after 30s or when you re-
lease the dial.
N
The new memo will be recorded over any existing memos.
Voice memos cannot be added to protected pictures.
Deleting the picture also deletes the memo.
Playing Voice Memos
Pictures with voice memos are indicated by q icons during playback.
To play a memo, select the picture and press the center of the front com-
mand dial.
A progress bar will be displayed while the memo plays back.
Volume can be adjusted by pressing MENU/OK to pause playback and dis-
play volume controls. Press the selector up or down to adjust the volume
and press MENU/OK again to resume playback. Volume can also be adjust-
ed using DSOUND SET-UP > PLAYBACK VOLUME.
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COPY
Copy pictures between the cards in the  rst and second slots.
1
Select COPY in the playback menu.
2
Highlight one of the following options and press the selector
right:
SLOT1 y SLOT2: Copy pictures from the card in the  rst slot to
the card in the second slot.
SLOT2 y SLOT1: Copy pictures from the card in the second
slot to the card in the  rst slot.
3
Highlight one of the following options and press MENU/OK:
FRAME: Copy selected pictures. Press the selector left or right
to view pictures and press MENU/OK to copy the current pic-
ture.
ALL FRAMES: Copy all pictures.
O
Copying ends when the destination is full.
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The Playback Menu
IMAGE TRANSFER ORDER
Select photos for upload to a paired smartphone or tablet.
1
Select IMAGE TRANSFER ORDER> SELECT FRAMES in the
playback menu.
2
Highlight photos and press MENU/OK to select or deselect. Re-
peat until all the desired photos have been selected.
3
Press DISP/BACK to exit to playback.
N
If ON is selected for both D CONNECTION SETTING> Bluetooth
SETTINGS> Bluetooth ON/OFF and AUTO IMAGE TRANSFER,
upload will begin shortly after you exit to playback or turn the
camera o .
N
Image transfer orders can contain a maximum of 999 pictures.
The following cannot be selected for upload:
-
Protected pictures
-
Movies
-
RAW images
-
“Gift pictures (pictures taken with other cameras)
If PAIRING/TRANSFER ORDER is selected for D CONNECTION
SETTING> GENERAL SETTINGS> r BUTTON SETTING, photos
can also be marked for upload using the Fn1 button.
To remove upload marking from all pictures in the current order, se-
lect IMAGE TRANSFER ORDER>RESET ORDER.
If ON is selected for D CONNECTION SETTING> Bluetooth
SETTINGS> AUTO IMAGE TRANSFER, photos will automatically be
marked for upload as they are taken.
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WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can then be used to:
Control the camera and take pictures remotely
Receive pictures uploaded from the camera
Browse the pictures on the camera and download selected pic-
tures
Upload location data to the camera
N
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
SLIDE SHOW
View pictures in an automated slide show. Press MENU/OK to start
and press the selector right or left to skip ahead or back. Press
DISP/BACK at any time during the show to view on-screen help.
The show can be ended at any time by pressing MENU/OK.
N
The camera will not turn o automatically while a slide show is in
progress.
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7
The Playback Menu
PHOTOBOOK ASSIST
Create books from your favorite photos.
Creating a Photobook
1
Select NEW BOOK for C PLAY BACK MENU> PHOTOBOOK
ASSIST.
2
Scroll through the images and press the selector up to select
or deselect. Press MENU/OK to exit when the book is complete.
N
Neither photographs a or smaller nor movies can be selected
for photobooks.
The  rst picture selected becomes the cover image. Press the
selector down to select the current image for the cover instead.
3
Highlight COMPLETE PHOTOBOOK and press MENU/OK (to se-
lect all photos for the book, choose SELECT ALL). The new
book will be added to the list in the photobook assist menu.
N
Books can contain up to 300 pictures.
Books that contain no photos are automatically deleted.
Photobooks
Photobooks can be copied to a computer using MyFinePix Studio software.
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7
Viewing Photobooks
Highlight a book in the photobook assist menu and press MENU/OK
to display the book, then press the selector left or right to scroll
through the pictures.
Editing and Deleting Photobooks
Display the photobook and press MENU/OK. The following options
will be displayed; select the desired option and follow the on-
screen instructions.
EDIT: Edit the book as described in “Creating a Photobook”.
ERASE: Delete the book.
PC AUTO SAVE
Upload pictures from the camera to a computer running the lat-
est version of FUJIFILM PC AutoSave (note that you must  rst
install the software and con gure the computer as a destination
for images copied from the camera).
N
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/pc_autosave/
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The Playback Menu
PRINT ORDER (DPOF)
Create a digital “print order” for DPOF-compatible printers.
1
Select C PLAY BACK MENU> PRINT ORDER (DPOF).
2
Select WITH DATE s to print the date of recording on pic-
tures, WITHOUT DATE to print pictures without dates, or
RESET ALL to remove all pictures from the print order before
proceeding.
3
Display a picture you wish to include in or remove from the
print order.
4
Press the selector up or down to
choose the number of copies (up to
99).
N
To remove a picture from the order,
press the selector down until the
number of copies is 0.
Total number
of prints
Number of copies
N
Repeat steps 3–4 to complete the print order.
5
The total number of prints is displayed in the monitor. Press
MENU/OK to exit.
N
The pictures in the current print order are indicated by a u icon
during playback.
Print orders can contain a maximum of 999 pictures.
If a memory card is inserted containing a print order created by an-
other camera, you will need to delete the order before creating as
described above.
01
PRINT ORDER
(
DPOF
)
SHEETS
SETFRAME
DPOF:
00001
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7
instax PRINTER PRINT
To print pictures to optional Fuji lm instax SHARE printers,  rst se-
lect D CONNECTION SETTING> instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and
password, then follow the steps below.
1
Turn the printer on.
2
Select C PLAY BACK MENU> instax
PRINTER PRINT. The camera will con-
nect to the printer.
FUJIFILM-CAMERA-1234
CONNECTING
CANCEL
PRINTER PRINT
instax-12345678
3
Use the selector to display the pic-
ture you want to print, then press
MENU/OK. The picture will be sent to
the printer and printing will start.
100-0020
TRANSMIT CANCEL
instax-12345678
PRINTER PRINT
N
Pictures taken with other cameras cannot be printed.
The area printed is smaller than the area visible in the LCD
monitor.
The displays may vary depending on the printer connected.
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7
The Playback Menu
DISP ASPECT
Choose how High De nition (HD) devices display pictures with
an aspect ratio of 32 (this option is available only when an HDMI
cable is connected).
16 : 9
3:2
Option
Option
16
16
9
9
3
3
2
2
Display
N
Select 169 to display the image so that it  lls the screen with its top
and bottom cropped out, 3
2 to display the entire image with black
bands at either side.
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184
MEMO
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185
The Setup Menus
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The Setup Menus
8
D
USER SETTING
Adjust basic camera settings.
To access basic camera settings, press
MENU/OK, select the D (SET UP) tab, and
choose USER SETTING.
USER SETTING
FORMAT
DATE/TIME
MY MENU SETTING
SENSOR CLEANING
RESET
TIME DIFFERENCE
FORMAT
To format a memory card:
1
Select D USER SETTING> FORMAT in the D (SET UP) tab.
2
Highlight the slot containing the card you wish to format and
press MENU/OK.
3
A con rmation dialog will be dis-
played. To format the memory card,
highlight OK and press MENU/OK.
N
To exit without formatting the memory
card, select CANCEL or press DISP/BACK.
FORMAT CARD IN SLOT 1, OK?
OK
CANCEL
ERASE ALL DATA
FORMAT
O
All data—including protected pictures—will be deleted from the
memory card. Be sure important  les have been copied to a comput-
er or other storage device.
Do not open the battery-chamber cover during formatting.
N
The format menu can also be displayed by pressing the center of the
rear command dial while pressing and holding the b button.
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The Setup Menus
8
USER SETTING
DATE/TIME
To set the camera clock:
1
Select D USER SETTING> DATE/TIME in the D (SET UP) tab.
2
Press the selector left or right to highlight the year, month,
day, hour, or minute and press up or down to change. To
change the order in which the year, month, and day are dis-
played, highlight the date format and press the selector up
or down.
3
Press MENU/OK to set the clock.
TIME DIFFERENCE
Switch the camera clock instantly from your home time zone to
the local time at your destination when traveling. To specify the
di erence between your local and home time zone:
1
Highlight g LOCAL and press MENU/OK.
2
Use the selector to choose the time di erence between local
time and your home time zone. Press MENU/OK when settings
are complete.
To set the camera clock to local time, highlight g LOCAL and
press MENU/OK. To set the clock to the time in your home time
zone, select h HOME.
Options
Options
g LOCAL h HOME
N
If g LOCAL is selected, g will be displayed in yellow for about three
seconds when the camera is turned on.
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The Setup Menus
8
Qa
Choose a language.
MY MENU SETTING
Edit the items listed in the E (MY MENU) tab, a personalized cus-
tom menu of frequently-used options.
1
Highlight D USER SETTING> MY
MENU SETTING in the D (SET UP)
tab and press MENU/OK.
MY MENU SETTING
ADD ITEMS
RANK ITEMS
REMOVE ITEMS
N
To reorder items, select RANK ITEMS. To delete items, select
REMOVE ITEMS.
2
Press the selector up or down to
highlight ADD ITEMS and press
MENU/OK. Options that can be added
to “my menu” are highlighted in blue.
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
MY MENU SETTING
IMAGE SIZE
GRAIN EFFECT
COLOR CHROME EFFECT
WHITE BALANCE
B & W ADJ.
(Warm/Cool)
CANCELSELECT
N
Items currently in “my menu” are indicated by check marks.
3
Highlight an item and press MENU/OK
to add it to “my menu.
SAVEMOVE
MY MENU SETTING
1IMAGE SIZE
4
Press MENU/OK to return to the edit display.
5
Repeat Steps 3 and 4 until all the desired items have been added.
N
“My menu” can contain up to 16 items.
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The Setup Menus
8
USER SETTING
SENSOR CLEANING
Remove dust from the camera image sensor.
Option
Option
Description
Description
OK Clean the sensor immediately.
WHEN SWITCHED ON
Sensor cleaning will be performed when the camera is
turned on.
WHEN SWITCHED OFF
Sensor cleaning will be performed when the camera turns
off (sensor cleaning is not however performed if the camera
turns off in playback mode).
N
Dust that cannot be removed using sensor cleaning can be removed
manually (P 281).
RESET
Reset shooting or setup menu options to default values.
1
Highlight the desired option and press MENU/OK.
Option
Option
Description
Description
SHOOTING MENU RESET
Reset all shooting menu settings other than custom
white balance and custom settings banks created
using EDIT/SAVE CUSTOM SETTING to default
values.
SET-UP RESET
Reset all setup menu settings other than DATE/
TIME, TIME DIFFERENCE, and CONNECTION
SETTING to default values.
2
A con rmation dialog will be displayed; highlight OK and
press MENU/OK.
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The Setup Menus
8
D
SOUND SETTING
Make changes to camera sounds.
To access sound settings, press MENU/OK,
select the D (SET UP) tab, and choose
SOUND SET-UP.
SOUND SETTING
AF BEEP VOL.
SELF-TIMER BEEP VOL.
OPERATION VOL.
SHUTTER VOLUME
SHUTTER SOUND
PLAYBACK VOLUME
AF BEEP VOL.
Choose the volume of the beep that sounds when the camera
focuses. The beep can be muted by selecting eOFF.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
SELF-TIMER BEEP VOL.
Choose the volume of the beep that sounds while the self-timer
is active. The beep can be muted by selecting eOFF.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
OPERATION VOL.
Adjust the volume of the sounds produced when camera con-
trols are operated. Choose eOFF to disable control sounds.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
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The Setup Menus
8
SOUND SETTING
SHUTTER VOLUME
Adjust the volume of the sounds produced by the electronic
shutter. Choose eOFF to disable the shutter sound.
Options
Options
b (high) c (medium) d (low) eOFF (mute)
SHUTTER SOUND
Choose the sound made by the electronic shutter.
Options
Options
i SOUND 1 j SOUND 2 k SOUND 3
PLAYBACK VOLUME
Adjust the volume for movie playback.
Options
Options
109876543210
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The Setup Menus
8
D
SCREEN SETTING
Make changes to display settings.
To access display settings, press MENU/OK,
select the D (SET UP) tab, and choose
SCREEN SET-UP.
SCREEN SETTING
EVF BRIGHTNESS
EVF COLOR
EVF COLOR ADJUSTMENT
LCD BRIGHTNESS
LCD COLOR
LCD COLOR ADJUSTMENT
IMAGE DISP.
AUTOROTATE DISPLAYS
EVF BRIGHTNESS
Adjust the brightness of the display in the electronic view nder.
Option
Option
Description
Description
AUTO Automatic brightness adjustment.
MANUAL
Adjust brightness manually; choose from options between +5
and −7.
EVF COLOR
Adjust the hue of the display in the electronic view nder.
Options
Options
+5 +4 +3 +2 +1 0 −1 −2 −3 −4 −5
EVF COLOR ADJUSTMENT
Adjust the color of the display in the electronic view nder.
1
Adjust colors using the selector.
SET CANCEL
EVF COLOR ADJUSTMENT
2
Press MENU/OK.
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The Setup Menus
8
SCREEN SETTING
LCD BRIGHTNESS
Adjust monitor brightness.
Options
Options
+5 +4 +3 +2 +1 0 −1 −2 −3 −4 −5
LCD COLOR
Adjust monitor hue.
Options
Options
+5 +4 +3 +2 +1 0 −1 −2 −3 −4 −5
LCD COLOR ADJUSTMENT
Adjust the color of the display in the LCD monitor.
1
Adjust colors using the selector.
2
Press MENU/OK.
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The Setup Menus
8
IMAGE DISP.
Choose how long images are displayed after shooting.
Option
Option
Description
Description
CONTINUOUS
Pictures are displayed until the MENU/OK button is pressed or the
shutter button is pressed halfway. To zoom in on the active focus
point, press the center of the rear command dial; press again to
cancel zoom.
1.5 SEC
Pictures are displayed for the selected time or until the shutter
button is pressed halfway.
0.5 SEC
OFF Pictures are not displayed after shooting.
N
Colors may di er slightly from those in the  nal image.
“Noise” mottling may be visible at high sensitivities.
AUTOROTATE DISPLAYS
Choose whether the indicators in the view nder and LCD monitor
rotate to match camera orientation.
Options
Options
ON OFF
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The Setup Menus
8
SCREEN SETTING
PREVIEW EXP./WB IN MANUAL MODE
Choose whether to enable exposure and/or white balance preview
in manual exposure mode.
Option
Option
Description
Description
PREVIEW EXP./WB Enable exposure and white balance preview.
PREVIEW WB
Preview white balance only. Choose this option in situations in
which exposure and white balance are likely to change during
shooting, as may be the case when you use a fl ash with an
incandescent monitoring lamp.
OFF
Disable exposure and white balance preview. Choose this op-
tion when using a fl ash or on other occasions on which expo-
sure may change when the picture is taken.
NATURAL LIVE VIEW
Choose whether the e ects of  lm simulation, white balance,
and other settings are visible in the monitor.
Option
Option
Description
Description
ON
The eff ects of camera settings are not visible in the monitor,
but shadows in low-contrast, back-lit scenes and other hard-
to-see subjects more visible. Colors and tone will diff er from
those in the fi nal picture. The display will however be adjusted
to show the eff ects of advanced fi lters and of monochrome
and sepia settings.
OFF
The eff ects of fi lm simulation, white balance, and other settings
can be previewed in the monitor.
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The Setup Menus
8
FRAMING GUIDELINE
Choose a framing grid for shooting mode.
Option
Option
F
F
GRID 9
GRID 9
G
G
GRID 24
GRID 24
H
H
HD FRAMING
HD FRAMING
Display
For “rule of thirds” compo-
sition.
A six-by-four grid. Frame HD pictures in the
crop shown by the lines at
the top and bottom of the
display.
N
Framing guides are not shown at default settings but can be displayed
using D SCREEN SET-UP> DISP. CUSTOM SETTING (P 198).
HD framing can be customized using FUJIFILM Tether Shooting
Plug-in PRO or Hyper-Utility Software HS-V5.
AUTOROTATE PB
Choose ON to automatically rotate tall (portrait-orientation)
pictures during playback.
Options
Options
ON OFF
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The Setup Menus
8
SCREEN SETTING
FOCUS SCALE UNITS
Choose the units used for the focus distance indicator.
Options
Options
METERS FEET
APERTURE UNIT FOR CINEMA LENS
Choose whether the camera displays aperture as a T-number
(used for movie camera lenses) or an f/-number (used for still
camera lenses) when an optional FUJINON MKX-series lens is
attached. For information on using cinema lenses, see the docu-
mentation provided with the lens.
Option
Option
Description
Description
T NUMBER
A measure of lens aperture commonly used by cinematogra-
phers. Lens transmittance is taken into account to better cal-
culate exposure.
F NUMBER
A measure of lens aperture commonly used by photographers.
Lens transmittance is assumed to be 100%, meaning that the
same aperture may produce diff erent exposures depending on
the lens.
DUAL DISPLAY SETTING
Choose the content of the two windows in the dual display.
Option
Option
Description
Description
R:FOCUS L:FRAME
The right (small) window shows a close-up of the focus area,
while the left (large) window shows the entire frame.
R:FRAME L:FOCUS
The right (small) window shows the entire frame, while the left
(large) window shows a close-up of the focus area.
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The Setup Menus
8
DISP. CUSTOM SETTING
Choose the items shown in the standard indicator display.
1
In shooting mode, use the DISP/BACK button to display stan-
dard indicators.
2
Press MENU/OK and select D SCREEN SET-UP> DISP. CUSTOM
SETTING in the D (SET UP) tab.
3
Highlight items and press MENU/OK to select or deselect.
Item
Item
Default
Default
FRAMING GUIDELINE
R
ELECTRONIC LEVEL
R
FOCUS FRAME
R
AF DISTANCE INDICATOR
R
MF DISTANCE INDICATOR
R
HISTOGRAM
R
LIVE VIEW HIGHLIGHT ALERT
R
SHOOTING MODE
R
APERTURE/S-SPEED/ISO
R
INFORMATION BACKGROUND
R
Expo. Comp. (Digit)
R
Expo. Comp. (Scale)
R
FOCUS MODE
R
PHOTOMETRY
R
SHUTTER TYPE
R
FLASH
R
Item
Item
Default
Default
CONTINUOUS MODE
R
DUAL IS MODE
R
TOUCH SCREEN MODE
R
WHITE BALANCE
R
FILM SIMULATION
R
DYNAMIC RANGE
R
BOOST MODE
R
FRAMES REMAINING
R
IMAGE SIZE/QUALITY
R
MOVIE MODE & REC. TIME
R
IMAGE TRANSFER ORDER
R
MIC LEVEL
R
GUIDANCE MESSAGE
R
BATTERY LEVEL
R
FRAMING OUTLINE
R
4
Press DISP/BACK to save changes.
5
Press DISP/BACK as needed to exit the menus and return to the
shooting display.
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The Setup Menus
8
SCREEN SETTING
LARGE INDICATORS MODE(EVF)
Select ON to display large indicators in the electronic view nd-
er. The indicators displayed can be selected using D SCREEN
SETTING > LARGE INDICATORS DISP. SETTING.
OFF ON
O
Some icons are not displayed when ON is selected for LARGE
INDICATORS MODE(EVF) (P 11).
N
If LARGE INDICATORS MODE is assigned to a function button, the
button can be used to toggle LARGE INDICATORS MODE on (ON)
and o (OFF) (P 204, 228).
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The Setup Menus
8
LARGE INDICATORS MODE(LCD)
Select ON to display large indicators in the LCD monitor. The in-
dicators displayed can be selected using D SCREEN SETTING >
LARGE INDICATORS DISP. SETTING.
OFF ON
O
Some icons are not displayed when ON is selected for LARGE
INDICATORS MODE(LCD) (P 13).
N
If LARGE INDICATORS MODE is assigned to a function button, the
button can be used to toggle LARGE INDICATORS MODE on (ON)
and o (OFF) (P 204, 228).
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SCREEN SETTING
LARGE INDICATORS DISP. SETTING
Choose the indicators displayed when
ON is selected for D SCREEN SETTING >
LARGE INDICATORS MODE(EVF) or
LARGE INDICATORS MODE(LCD).
Scale
Expo. DISP.
LARGE INDICATORS DISP. SETTING
Option
Option
Description
Description
A
Expo. DISP.
Choose the items listed at the bottom of the display.
Selected items are indicated by check marks (R); to
deselect, highlight the check marks and press MENU/OK.
B
d Scale
Select ON to display the exposure indicator.
C
L1, L2, L3, L4
Choose up to four large icons for display on the left side
of the screen.
D
R1, R2, R3, R4
Choose up to four large icons for display on the right
side of the screen.
INFORMATION CONTRAST ADJ.
Adjust display contrast.
Option
Option
Description
Description
HIGH CONTRAST High contrast.
STANDARD Normal contrast.
LOW CONTRAST Low contrast.
DARK AMBIENT LIGHTING Contrast adjusted for dim ambient lighting.
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D
BUTTON/DIAL SETTING
Access options for camera controls.
To access control options, press MENU/OK,
select the D (SET UP) tab, and choose
BUTTON/DIAL SETTING.
BUTTON/DIAL SETTING
FOCUS LEVER SETTING
EDIT/SAVE QUICK MENU
FUNCTION (Fn) SETTING
SELECTOR BUTTON SETTING
COMMAND DIAL SETTING
ISO DIAL SETTING (L)
ISO DIAL SETTING (A)
ISO DIAL SETTING (H)
FOCUS LEVER SETTING
Choose the functions performed by the focus stick (focus lever).
Option
Option
Description
Description
LOCK (OFF) The focus stick cannot be used during shooting.
PUSH n TO UNLOCK
Press the stick to view the focus-point display and tilt the stick
to select a focus point.
ON
Tilt the stick to view the focus-point display and select a focus
point.
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BUTTON/DIAL SETTING
EDIT/SAVE QUICK MENU
Choose the items displayed in the quick menu.
1
Select D BUTTON/DIAL SETTING> EDIT/SAVE QUICK MENU
in the D (SET UP) tab.
2
The current quick menu will be displayed; use the selector
to highlight the item you wish to change and press MENU/OK.
3
Highlight any of the following options and press MENU/OK to
assign it to the selected position.
IMAGE SIZE
IMAGE QUALITY
FILM SIMULATION
*
B & W ADJ. ab(Warm/Cool)
*
GRAIN EFFECT
*
COLOR CHROME EFFECT
*
DYNAMIC RANGE
*
D RANGE PRIORITY
*
WHITE BALANCE
*
HIGHLIGHT TONE
*
SHADOW TONE
*
COLOR
*
SHARPNESS
*
NOISE REDUCTION
*
SELECT CUSTOM SETTING
*
AF MODE (MOVIE AF MODE)
AF-C CUSTOM SETTINGS
FACE/EYE DETECTION SETTING
MF ASSIST
TOUCH SCREEN MODE
SELF-TIMER
SHUTTER TYPE
FLICKER REDUCTION
FLASH FUNCTION SETTING
FLASH COMPENSATION
MOVIE MODE
FULL HD HIGH SPEED REC
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
EVF/LCD BRIGHTNESS
EVF/LCD COLOR
NONE
* Stored in custom settings bank.
N
Select NONE to assign no option to the selected position.
When SELECT CUSTOM SETTING is selected, current settings
are shown in the quick menu by the label BASE.
N
The quick menu can also be accessed in shooting mode by holding
the Q button.
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FUNCTION (Fn) SETTING
Choose the roles played by the function buttons.
1
Select D BUTTON/DIAL SETTING> FUNCTION (Fn) SETTING
in the D (SET UP) tab.
2
Highlight the desired control and press MENU/OK.
3
Highlight any of the following options and press MENU/OK to
assign it to the selected control.
IMAGE SIZE
IMAGE QUALITY
RAW
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
SELECT CUSTOM SETTING
FOCUS AREA
FOCUS CHECK
AF MODE
AF-C CUSTOM SETTINGS
FACE/EYE DETECTION SETTING
DRIVE SETTING
SPORTS FINDER MODE
PRE-SHOT sJ
SELF-TIMER
SHUTTER TYPE
FLICKER REDUCTION
ISO AUTO SETTING
IS MODE
WIRELESS COMMUNICATION
FLASH FUNCTION SETTING
TTL-LOCK
MODELING FLASH
FULL HD HIGH SPEED REC
ZEBRA SETTING
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
MOVIE SILENT CONTROL
PREVIEW DEPTH OF FIELD
PREVIEW EXP./WB IN MANUAL MODE
NATURAL LIVE VIEW
HISTOGRAM
ELECTRONIC LEVEL
LARGE INDICATORS MODE
AE LOCK ONLY
AF LOCK ONLY
AE/AF LOCK
AF-ON
AWB LOCK ONLY
APERTURE SETTING
PERFORMANCE
AUTO IMAGE TRANSFER
SELECT PAIRING DESTINATION
Bluetooth ON/OFF
PLAYBACK
NONE (control disabled)
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BUTTON/DIAL SETTING
N
AE LOCK ONLY, AF LOCK ONLY, AE/AF LOCK, AF-ON, and AWB
LOCK ONLY cannot be assigned to the touch function buttons (T-Fn1
through T-Fn4).
The selector cannot be assigned more than one role at a time.
Function button assignment options can also be accessed by hold-
ing the DISP/BACK button.
AF-ON
If AF-ON is selected, you can press the control instead of keeping
the shutter button pressed halfway.
MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mount-
ed  ash unit is attached, you can press the control to test- re the
ash and check for shadows and the like (modeling  ash).
TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock  ash
output according to the option selected for F FLASH SETTING>
TTL-LOCK MODE (P 142).
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SELECTOR BUTTON SETTING
Choose the roles played by the up, down, left, and right buttons
on the selector.
Option
Option
Description
Description
Fn BUTTON The selector buttons serve as function buttons.
FOCUS AREA The selector buttons can be used to position the focus area.
N
Selecting FOCUS AREA prevents you accessing the functions as-
signed to the function buttons.
COMMAND DIAL SETTING
Choose the roles played by the command dials.
Option
Option
Description
Description
FRONT COMMAND
DIAL 1
Assign shutter speed (S.S. (PROGRAM SHIFT)) or aper-
ture (APERTURE)
1
to FRONT COMMAND DIAL 1.
FRONT COMMAND
DIAL 2
Assign shutter speed (S.S. (PROGRAM SHIFT)), ap-
erture (APERTURE)
1
, exposure compensation (EXP.
COMPENSATION)
2
, sensitivity (ISO)
3
, or no role (NONE)
to FRONT COMMAND DIAL 2 or FRONT COMMAND
DIAL 3.
FRONT COMMAND
DIAL 3
REAR COMMAND
DIAL
Assign shutter speed (S.S. (PROGRAM SHIFT)), ap-
erture (APERTURE)
1
, exposure compensation (EXP.
COMPENSATION)
2
, sensitivity (ISO)
3
, or no role (NONE)
to the rear command dial.
1 Aperture set to A (auto) and lens equipped with aperture ring or COMMAND
selected for D
BUTTON/DIAL SETTING> APERTURE RING SETTING (A).
2 Exposure compensation dial rotated to C.
3 ISO dial set to A and COMMAND selected forD BUTTON/DIAL SETTING>
ISO DIAL SETTING (A).
N
COMMAND DIAL SETTING can also be accessed by pressing and
holding the center of the front command dial.
You can also press the center of the front command dial to cycle
through settings in the order FRONT COMMAND DIAL 1, FRONT
COMMAND DIAL 2, and FRONT COMMAND DIAL 3.
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BUTTON/DIAL SETTING
ISO DIAL SETTING (H)
Choose the ISO sensitivity assigned to the H position on the sen-
sitivity dial.
Options
Options
25600 51200
ISO DIAL SETTING (L)
Choose the ISO sensitivity assigned to the L position on the sen-
sitivity dial.
Options
Options
80 100 125
ISO DIAL SETTING (A)
Choose how sensitivity is adjusted when the sensitivity dial is ro-
tated to A.
Option
Option
Description
Description
AUTO
Sensitivity is automatically adjusted in response to shooting condi-
tions according to option chosen for A SHOOTING SETTING>
ISO AUTO SETTING. Choose from AUTO1, AUTO2, and AUTO3.
COMMAND Sensitivity is adjusted manually by rotating the front command dial.
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SHUTTER AF
Choose whether the camera focuses when the shutter button is
pressed halfway.
Option
Option
Description
Description
AF-S
ON: Focus locks when the shutter button is pressed halfway.
OFF: No focus operation is performed when the shutter button is
pressed halfway.
AF-C
ON: The camera focuses while the shutter button is pressed half-
way.
OFF: No focus operation is performed when the shutter button is
pressed halfway.
SHUTTER AE
If ON is selected, exposure will lock while the shutter button is
pressed halfway.
Option
Option
Description
Description
AF-S/MF
ON: Exposure locks when the shutter button is pressed halfway.
OFF: Exposure does not lock when the shutter button is pressed
halfway.
AF-C
ON: Exposure locks while the shutter button is pressed halfway.
OFF: Exposure does not lock when the shutter button is pressed
halfway.
N
Select OFF to allow the camera to adjust exposure before each shot
taken in burst mode.
SHOOT WITHOUT LENS
Choose ON to enable the shutter release when no lens is at-
tached.
Options
Options
ON OFF
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BUTTON/DIAL SETTING
SHOOT WITHOUT CARD
Choose whether the shutter can be released without a memory
card inserted in the camera.
Option
Option
Description
Description
ON
When no memory card is inserted, the shutter can be released
to test camera function and the shooting and setup menus can
be displayed.
OFF
The shutter is disabled if no memory card is inserted, preventing
accidental loss of pictures taken without a memory card.
FOCUS RING
Choose the direction in which the focus ring is rotated to in-
crease the focus distance.
Options
Options
X CW (clockwise) Y CCW (counterclockwise)
FOCUS RING OPERATION
Choose how the camera adjusts focus in response to the move-
ment of the focus ring.
Option
Option
Description
Description
NONLINEAR Focus is adjusted at the same rate as the ring is rotated.
LINEAR
Focus is adjusted linearly according to the amount the ring is ro-
tated, but the focusing speed is unaff ected by the speed the ring
is rotated.
AE/AF-LOCK MODE
This option determines the behavior of the button to which
exposure and/or focus lock is assigned.
Option
Option
Description
Description
AE&AF ON WHEN
PRESSING
Exposure and/or focus will lock while the button is pressed.
AE&AF ON/OFF
SWITCH
Exposure and/or focus will lock when the button is pressed and re-
main locked until it is pressed again.
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AWB-LOCK MODE
Choose the behavior of function buttons assigned auto white
balance (AWB) lock. Auto white balance lock is used to lock white
balance at the value metered by the camera when AUTO is se-
lected for white balance.
Option
Option
Description
Description
AWB ON WHEN
PRESSING
Auto white balance locks while the button is pressed.
AWB ON/OFF
SWITCH
Press the button once to lock auto white balance and again to end
the lock.
APERTURE RING SETTING (A)
Choose whether the front command dial can be used to adjust
aperture when aperture is set to A (auto).
Option
Option
Description
Description
AUTO The camera adjusts aperture automatically.
COMMAND Aperture can be adjusted using the front command dial.
APERTURE SETTING
Choose the method used to adjust aperture when using lenses
with no aperture rings.
Option
Option
Description
Description
AUTO +
o MANUAL
Rotate the front command dial to choose the aperture. Rotate past
minimum aperture to choose A (auto).
AUTO
Aperture is selected automatically; camera functions in expo-
sure mode P (program AE) or S (shutter-priority AE).
MANUAL
Rotate the front command dial to choose the aperture; camera
functions in exposure mode A (aperture-priority AE) or M (man-
ual).
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BUTTON/DIAL SETTING
TOUCH SCREEN SETTING
Enable or disable touch-screen controls.
Option
Option
Description
Description
TOUCH SCREEN
ON/OFF
ON: Touch controls enabled; the LCD monitor functions as a
touch screen.
OFF: Touch controls disabled; the LCD monitor cannot be
used as a touch screen.
EVF TOUCH
SCREEN AREA
SETTINGS
Select the area of the LCD monitor used for touch controls while
the viewfi nder is active.
The area used for touch controls can be selected from:
6 (all)
0 (right half)
2 (top right quarter)
4 (bottom right quarter)
1 (left half)
3 (top left quarter)
5 (bottom left quarter)
Choose OFF to disable touch controls while the viewfi nder
is active.
LOCK
Lock selected controls to prevent unintended operation.
Option
Option
Description
Description
LOCK SETTING
Choose from the following:
UNLOCK: Reset lock options.
ALL FUNCTION: Lock all controls in the FUNCTION
SELECTION list.
SELECTED FUNCTION: Lock only the controls selected in
the FUNCTION SELECTION list.
FUNCTION
SELECTION
Choose the controls locked when SELECTED FUNCTION is
chosen for LOCK SETTING.
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D
POWER MANAGEMENT
Adjust power management settings.
To access power management settings,
press MENU/OK, select the D (SET UP) tab,
and choose POWER MANAGEMENT.
POWER MANAGEMENT
AUTO POWER OFF
PERFORMANCE
AUTO POWER OFF
Choose the length of time before the camera turns o automati-
cally when no operations are performed. Shorter times increase
battery life; if OFF is selected, the camera must be turned o
manually.
Options
Options
5 MIN 2 MIN 1 MIN 30 SEC 15 SEC OFF
PERFORMANCE
Select BOOST to improve focus and view nder display perfor-
mance.
Option
Option
AF performance (speed)
AF performance (speed)
View nder frame rate (approx.)
View nder frame rate (approx.)
BOOST Fast 100fps
NORMAL Normal 60fps
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The Setup Menus
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D
SAVE DATA SETTING
Make changes to  le management settings.
To access  le management settings,
press MENU/OK, select the D (SET UP) tab,
and choose SAVE DATA SET-UP.
SAVE DATA SETTING
SAVE ORG IMAGE
FRAME NO.
EDIT FILE NAME
CARD SLOT SETTING (STILL IMAGE)
SELECT FOLDER
COPYRIGHT INFO
SELECT SLOT( SEQUENTIAL)
SELECT SLOT( SEQUENTIAL)
FRAME NO.
New pictures are stored in image  les named
using a four-digit  le number assigned by
adding one to the last  le number used. The
le number is displayed during playback as
shown. FRAME NO. controls whether  le num-
bering is reset to 0001 when a new memory card is inserted or
the current memory card is formatted.
Option
Option
Description
Description
CONTINUOUS
Numbering continues from the last fi le number used or the
rst available fi le number, whichever is higher. Choose this
option to reduce the number of pictures with duplicate fi le
names.
RENEW
Numbering is reset to 0001 after formatting or when a new
memory card is inserted.
N
If the frame number reaches 999-9999, the shutter release will be dis-
abled. Format the memory card after transferring to a computer any
pictures you wish to keep.
Selecting
D
USER SETTING> RESET sets FRAME NO. to
CONTINUOUS but does not reset the  le number.
Frame numbers for pictures taken with other cameras may di er.
Frame number
Directory
number
File
number
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The Setup Menus
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SAVE ORG IMAGE
Choose ON to save unprocessed copies of pictures taken using
RED EYE REMOVAL.
Options
Options
ON OFF
EDIT FILE NAME
Change the  le name pre x. sRGB images use a four-letter pre x
(default “DSCF”), Adobe RGB images a three-letter pre x (“DSF”)
preceded by an underscore.
Option
Option
Default pre x
Default pre x
Sample  le name
Sample  le name
sRGB DSCF ABCD0001
AdobeRGB _DSF _ABC0001
CARD SLOT SETTING (STILL IMAGE)
Choose the role played by the card in the second slot.
Option
Option
Description
Description
SEQUENTIAL
The card in the second slot is used only when the card in the
rst slot is full.
BACKUP Each picture is recorded twice, once to each card.
RAW / JPEG
RAW pictures will be saved to the card in the fi rst slot and JPEG
pictures to the card in the second slot.
SELECT SLOT(xSEQUENTIAL)
Choose the card that is recorded to  rst when SEQUENTIAL is
selected for CARD SLOT SETTING (STILL IMAGE).
Options
Options
SLOT 1 SLOT 2
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SAVE DATA SETTING
SELECT SLOT(FSEQUENTIAL)
Choose the slot used to store movies.
Options
Options
SLOT 1 SLOT 2
SELECT FOLDER
Create folders and choose the folder used to store subsequent
pictures.
Option
Option
Description
Description
SELECT FOLDER
To choose the folder in which subsequent pictures will be
stored, press the selector up or down to highlight an exist-
ing folder and press MENU/OK.
CREATE FOLDER
Enter a fi ve-character folder name to create a new folder
in which to store subsequent pictures. The new folder will
be created with the next picture you take and subsequent
pictures will be stored in that folder.
COPYRIGHT INFO
Copyright information, in the form of Exif tags, can be added to
new images as they are taken. Changes to copyright information
are re ected only in images taken after the changes are made.
Option
Option
Description
Description
DISP COPYRIGHT INFO View the current copyright information.
ENTER AUTHOR’S INFO Enter the creator’s name.
ENTER COPYRIGHT INFO Enter the name of the copyright holder.
DELETE COPYRIGHT INFO
Delete the current copyright information. This change applies
only to images taken after this option is selected; copyright
information recorded with existing images is not aff ected.
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D
CONNECTION SETTING
Adjust settings for connection to other devices.
To access connection settings, press
MENU/OK, select the D (SET UP) tab, and
choose CONNECTION SETTING.
CONNECTION SETTING
Bluetooth SETTINGS
NETWORK SETTING
PC AUTO SAVE
GENERAL SETTINGS
PC CONNECTION MODE
INFORMATION
RESET WIRELESS SETTING
PRINTER CONNECTION SETTING
N
For more information on wireless connections, visit:
http://fujifilm-dsc.com/wifi/
Bluetooth SETTINGS
Adjust Bluetooth settings.
Option
Option
Description
Description
PAIRING
REGISTRATION
To pair the camera with a smartphone or tablet, select this op-
tion, then launch FUJIFILM Camera Remote on the smart device
and tap PAIRING REGISTRATION.
SELECT PAIRING
DESTINATION
Choose a connection from a list of devices with which the
camera has been paired using PAIRING REGISTRATION.
Select NO CONNECTION to exit without connecting.
DELETE PAIRING
REG.
Delete pairing information for selected devices. Choose the de-
vice in the device list. The selected device will also be removed
from the devices listed in SELECT PAIRING DESTINATION.
Bluetooth ON/OFF
ON: The camera automatically establishes a Bluetooth con-
nection with paired devices when turned on.
OFF: The camera does not connect via Bluetooth.
AUTO IMAGE
TRANSFER
ON: Mark photos for upload as they are taken. Mark JPEG
photos for upload as they are taken.
OFF: Photos are not marked for upload as they are taken.
SMARTPHONE
SYNC. SETTING
Choose whether to synchronize the camera to the time and/or
location provided by a paired smartphone.
LOCATION&TIME: Synchronize the time and location.
LOCATION: Synchronize the location.
TIME: Synchronize the time.
OFF: Synchronization off .
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The Setup Menus
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CONNECTION SETTING
N
Install the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet before pairing the device with your camera or
uploading images.
When ON is selected for both Bluetooth ON/OFF and AUTO IMAGE
TRANSFER, upload to paired devices will begin shortly after you exit
to playback or turn the camera o .
The IMAGE TRANSER ORDER option in the C (playback) menu can be
used to select pictures for upload when AUTO IMAGE TRANSFER is o .
NETWORK SETTING
Adjust settings for connection to wireless networks.
Option
Option
Description
Description
WIRELESS ACCESS
POINT SETTING
SIMPLE SETUP: Connect to an access point using simple
settings.
MANUAL SETUP: Manually adjust settings for connec-
tion to a wireless network. Choose the network from a list
(SELECT FROM NETWORK LIST) or enter the name manu-
ally (ENTER SSID).
WIRELESS IP
ADDRESS SETTING
AUTO: The IP address is assigned automatically.
MANUAL: Assign an IP address manually. Manually choose
the IP address (IP ADDRESS), network mask (NETMASK),
and gateway address (GATEWAY ADDRESS).
PC AUTO SAVE
Adjust settings for connection to computers via wireless LAN.
Option
Option
Description
Description
PC AUTO SAVE
SETTING
Choose the method used for connection to computers via a
wireless LAN.
SIMPLE SETUP: Connect using WPS.
MANUAL SETUP: Choose the network from a list (SELECT
FROM NETWORK LIST) or enter the name manually
(ENTER SSID).
DELETE REGISTERED
DESTINATION PC
Remove selected destinations.
DETAILS OF PREVIOUS
CONNECTION
View computers to which the camera has recently connected.
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The Setup Menus
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instax PRINTER CONNECTION SETTING
Adjust settings for connection to optional Fuji lm instax SHARE
printers.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a di erent
password to print from a smartphone, enter
that password instead.
PC CONNECTION MODE
Adjust settings for connection to a computer.
Option
Option
Description
Description
USB CARD READER
Connecting the camera to a computer via USB automatically
enables data transfer mode, allowing data to be copied to
the computer. The camera functions normally when not con-
nected.
USB TETHER
SHOOTING AUTO
Connecting the camera to a computer via USB automatically
enables tethered shooting mode. You can also use FUJIFILM
X Acquire to save and load camera settings, allowing you to
reconfi gure the camera in an instant or share settings with
other cameras of the same type. The camera functions nor-
mally when not connected.
USB TETHER
SHOOTING FIXED
The camera functions in tethered shooting mode even when
not connected to a computer. At default settings, pictures are
not saved to the memory card, but pictures taken while the
camera is not connected will be transferred to the computer
when it is connected.
WIRELESS TETHER
SHOOTING FIXED
Choose this option for wireless remote photography. Select a
network using D CONNECTION SETTING> NETWORK
SETTING.
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The Setup Menus
8
CONNECTION SETTING
Option
Option
Description
Description
USB RAW CONV./
BACKUP RESTORE
Connecting the camera to a computer via USB automatical-
ly enables USB RAW conversion/backup restore mode. The
camera functions normally when not connected.
USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the
cameras image processing engine to rapidly convert RAW
les to high-quality JPEG images.
BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load
camera settings. Reconfi gure the camera in an instant or
share settings with other cameras of the same type.
O
D POWER MANAGEMENT> AUTO POWER OFF settings also apply
during tethered shooting. Select OFF to prevent the camera turning
o automatically.
N
Tethered shooting is available with software such as Hyper-Utility
Software HS-V5 (available separately) or FUJIFILM X Acquire (available
for free download from the Fuji lm website) or when the FUJIFILM
Tether Shooting Plug-in PRO or Tether Shooting Plug-in (both available
separately) is used with Adobe® Photoshop® Lightroom® Classic CC.
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The Setup Menus
8
CONNECTION SETTING
GENERAL SETTINGS
Adjust settings for connection to wireless networks.
Option
Option
Description
Description
NAME
Choose a name (NAME) to identify the camera on the wireless
network (the camera is assigned a unique name by default).
RESIZE IMAGE FOR
SMARTPHONE
H
Choose whether to resize images for upload to smartphones.
Resizing applies only to the copy uploaded to the smartphone;
the original is not aff ected.
ON: Larger images are resized to H for upload. This setting
is recommended.
OFF: Images are uploaded at their original size.
GEOTAGGING
Choose whether location data downloaded from a smartphone
are embedded in pictures as they are taken.
LOCATION INFO Display the location data last downloaded from a smartphone.
r BUTTON
SETTING
Choose the role played by function buttons assigned the
WIRELESS COMMUNICATION function.
s PAIRING/TRANSFER ORDER: The buttons can be used
for pairing and selecting images for transfer.
r WIRELESS COMMUNICATION: The buttons can be
used for wireless connections.
INFORMATION
View the cameras MAC and Bluetooth address.
RESET WIRELESS SETTING
Restore wireless settings to their default values.
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221
Shortcuts
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222
Shortcuts
9
Shortcut Options
Customize camera controls to suit your style or situation.
Frequently-used options can be added to the Q menu or a cus-
tom “my menu or assigned to an Fn (function) button for direct
access:
Shortcut Option
Shortcut Option
Description
Description
P
P
The Q menu
The Q menu is displayed by pressing the Q button.
Use the Q menu to view or change the options se-
lected for frequently-used menu items.
223
“My menu”
Add frequently-used options to this custom menu,
which can be viewed by pressing MENU/OK and se-
lecting the E (“MY MENU”) tab.
230
The function buttons
Use the function buttons for direct access to select-
ed features.
226
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223
Shortcuts
9
The Q (Quick Menu) Button
Press Q for quick access to selected options.
The Quick Menu Display
At default settings, the quick menu contains the following items:
BASE
SELECT CUSTOM SETTING
ENDSET
A
SELECT CUSTOM SETTING
B
AF MODE
C
DYNAMIC RANGE
D
WHITE BALANCE
E
NOISE REDUCTION
F
IMAGE SIZE
G
IMAGE QUALITY
H
FILM SIMULATION
I
HIGHLIGHT TONE
J
SHADOW TONE
K
COLOR
L
SHARPNESS
M
SELF-TIMER
N
FACE/EYE DETECTION SETTING
O
FLASH FUNCTION SETTING
P
EVF/LCD BRIGHTNESS
The quick menu shows the options currently selected for items
B
P
, which can be changed as described on page 225.
SELECT CUSTOM SETTING
The H IMAGE QUALITY SETTING> SELECT CUSTOM SETTING item (item
A
) shows the current custom settings bank:
q: No custom settings bank selected.
tu: Select a bank to view the settings saved using the H IMAGE
QUALITY SETTING> EDIT/SAVE CUSTOM SETTING option.
rs: The current custom settings bank.
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224
Shortcuts
9
Viewing and Changing Settings
1
Press Q to display the quick menu
during shooting.
2
Use the selector to highlight items
and rotate the rear command dial to
change.
Changes are not saved to the cur-
rent settings bank.
Settings that di er from those in
the current settings bank (tu)
are shown in red.
BASE
SELECT CUSTOM SETTING
ENDSET
3
Press Q to exit when settings are complete.
N
The quick menu can also be edited using touch controls.
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225
Shortcuts
9
The Q (Quick Menu) Button
Editing the Quick Menu
To choose the items displayed in the quick menu:
1
Press and hold the Q button during
shooting.
2
The current quick menu will be dis-
played; use the selector to highlight
the item you wish to change and
press MENU/OK.
3
Highlight any of the following options and press MENU/OK to
assign it to the selected position.
IIMAGE SIZE
IMAGE QUALITY
FILM SIMULATION
*
B & W ADJ. ab(Warm/Cool)
*
GRAIN EFFECT
*
COLOR CHROME EFFECT
*
DYNAMIC RANGE
*
D RANGE PRIORITY
*
WHITE BALANCE
*
HIGHLIGHT TONE
*
SHADOW TONE
*
COLOR
*
SHARPNESS
*
NOISE REDUCTION
*
SELECT CUSTOM SETTING
*
AF MODE (MOVIE AF MODE)
AF-C CUSTOM SETTINGS
FACE/EYE DETECTION SETTING
MF ASSIST
TOUCH SCREEN MODE
SELF-TIMER
SHUTTER TYPE
FLICKER REDUCTION
FLASH FUNCTION SETTING
FLASH COMPENSATION
MOVIE MODE
FULL HD HIGH SPEED REC
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
EVF/LCD BRIGHTNESS
EVF/LCD COLOR
NONE
* Stored in custom settings bank.
N
Select NONE to assign no option to the selected position.
When SELECT CUSTOM SETTING is selected, current settings
are shown in the quick menu by the label BASE.
N
The quick menu can also be edited using
D
BUTTON/DIAL SETTING>
EDIT/SAVE QUICK MENU.
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Shortcuts
9
The Fn (Function) Buttons
Assign a role to the function buttons for quick access to the
selected feature.
N
The functions assigned to T-Fn1 through T-Fn4 can be accessed by  ick-
ing the monitor.
The default assignments are:
Fn1 button
Fn1 button
Face/eye detection setting
Fn3 button
Fn3 button
AF mode
Fn5 button
Fn5 button
White balance
Fn2 button
Fn2 button
Drive settings
Fn4 button
Fn4 button
Film simulation
Fn6 button
Fn6 button
Performance
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Shortcuts
9
The Fn (Function) Buttons
T-Fn1 ( ick up)
T-Fn1 ( ick up)
Histogram
T-Fn2 ( ick left)
T-Fn2 ( ick left)
Sports  nder mode
T-Fn3 ( ick right)
T-Fn3 ( ick right)
Large indicators mode
AE-L button
AE-L button
AE lock only
Center of rear command dial
Center of rear command dial
Focus check
T-Fn4 ( ick down)
T-Fn4 ( ick down)
Electronic level
AF-L button
AF-L button
AF lock only
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Shortcuts
9
Assigning Roles to the Function Buttons
To assign roles to the buttons:
1
Press and hold the DISP/BACK button
until a control selection menu is dis-
played.
2
Highlight a control and press MENU/OK.
3
Highlight the desired role and press MENU/OK to assign it to
the selected control. Choose from:
IMAGE SIZE
IMAGE QUALITY
RAW
FILM SIMULATION
GRAIN EFFECT
COLOR CHROME EFFECT
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
SELECT CUSTOM SETTING
FOCUS AREA
FOCUS CHECK
AF MODE
AF-C CUSTOM SETTINGS
FACE/EYE DETECTION SETTING
DRIVE SETTING
SPORTS FINDER MODE
PRE-SHOT sJ
SELF-TIMER
SHUTTER TYPE
FLICKER REDUCTION
ISO AUTO SETTING
IS MODE
WIRELESS COMMUNICATION
FLASH FUNCTION SETTING
TTL-LOCK
MODELING FLASH
FULL HD HIGH SPEED REC
ZEBRA SETTING
INTERNAL/EXTERNAL MIC LEVEL
ADJUSTMENT
MOVIE SILENT CONTROL
PREVIEW DEPTH OF FIELD
PREVIEW EXP./WB IN MANUAL MODE
NATURAL LIVE VIEW
HISTOGRAM
ELECTRONIC LEVEL
LARGE INDICATORS MODE
AE LOCK ONLY
AF LOCK ONLY
AE/AF LOCK
AF-ON
AWB LOCK ONLY
APERTURE SETTING
PERFORMANCE
AUTO IMAGE TRANSFER
SELECT PAIRING DESTINATION
Bluetooth ON/OFF
PLAYBACK
NONE (control disabled)
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229
Shortcuts
9
The Fn (Function) Buttons
N
AE LOCK ONLY, AF LOCK ONLY, AE/AF LOCK, AF-ON, and AWB
LOCK ONLY cannot be assigned to the touch function buttons (T-Fn1
through T-Fn4).
The selector cannot be assigned more than one role at a time.
Button assignments can also be selected using D BUTTON/DIAL
SETTING> FUNCTION (Fn) SETTING.
AF-ON
If AF-ON is selected, you can press the control instead of keeping
the shutter button pressed halfway.
MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mount-
ed  ash unit is attached, you can press the control to test- re the
ash and check for shadows and the like (modeling  ash).
TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock  ash
output according to the option selected for F FLASH SETTING>
TTL-LOCK MODE (P 142).
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Shortcuts
9
E
MY MENU
Access a personalized menu of frequently-used options.
To display my menu, press MENU/OK in the
shooting display and select the
E
(MY
MENU) tab.
EXIT
SELF-TIMER
INTERVAL TIMER SHOOTING
FILM SIMULATION
GRAIN EFFECT
SHUTTER TYPE
IS MODE
FACE/EYE DETECTION SETTING
ISO AUTO SETTING
MY MENU
N
The E tab is only available if options have been assigned to
MY MENU.
MY MENU SETTING
To choose the items listed in the E (MY MENU) tab:
1
Highlight D USER SETTING> MY
MENU SETTING in the D (SET UP)
tab and press MENU/OK.
N
To reorder items, select RANK ITEMS.
To delete items, select REMOVE ITEMS.
MY MENU SETTING
ADD ITEMS
RANK ITEMS
REMOVE ITEMS
2
Press the selector up or down to
highlight ADD ITEMS and press
MENU/OK. Options that can be added
to “my menu” are highlighted in blue.
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
MY MENU SETTING
IMAGE SIZE
GRAIN EFFECT
COLOR CHROME EFFECT
WHITE BALANCE
B & W ADJ.
(Warm/Cool)
CANCELSELECT
N
Items currently in “my menu” are indicated by check marks.
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Shortcuts
9
MY MENU
3
Highlight an item and press MENU/OK
to add it to “my menu.
SAVEMOVE
MY MENU SETTING
1IMAGE SIZE
4
Press MENU/OK to return to the edit display.
5
Repeat Steps 3 and 4 until all the desired items have been
added.
N
“My menu” can contain up to 16 items.
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232
MEMO
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233
Peripherals and Optional
Accessories
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Peripherals and Optional Accessories
10
External Flash Units
Flash units can be mounted on the hot shoe or connected
via the sync terminal.
Optional external  ash units are more powerful than the EF-X8
supplied with the camera. Some support high-speed sync (FP)
and can be used at shutter speeds faster than the sync speed,
while others can function as master  ash units controlling re-
mote units via optical wireless  ash control.
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected for
F FLASH SETTING> RED EYE REMOVAL and a “FACE ON” option is se-
lected for G AF/MF SETTING> FACE/EYE DETECTION SETTING. Red-eye
removal minimizes “red-eye” caused when light from the  ash is re ected
from the subject’s retinas.
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Peripherals and Optional Accessories
10
External Flash Units
Using an External Flash
To adjust settings for a  ash unit mounted on the hot shoe or
connected via the sync terminal:
1
Connect the unit to the camera.
2
In shooting mode, select FLASH
FUNCTION SETTING in the F (FLASH
SETTING) menu tab. The options
available vary with the  ash unit.
FLASH SETTING
RED EYE REMOVAL
TTL-LOCK MODE
FLASH FUNCTION SETTING
LED LIGHT SETTING
MASTER SETTING
CH SETTING
EXIT
Menu
Menu
Description
Description
P
P
SUPPLIED
FLASH
Displayed when the supplied EF-X8 fl ash unit is mounted
on the hot shoe and raised.
96
SYNC
TERMINAL
Adjust settings for fl ash units connected via the sync
terminal. SYNC TERMINAL is displayed if the EF-X8 is
lowered and either no fl ash unit, or an incompatible fl ash
unit, is mounted on the hot shoe.
237
SHOE MOUNT
FLASH
Displayed when an optional fl ash unit is mounted on the
hot shoe and turned on.
238
MASTER
(OPTICAL)
Displayed if an optional fl ash unit functioning as a master
ash for Fujifi lm optical wireless remote fl ash control is
connected and turned on.
241
3
Highlight items using the selector
and rotate the rear command dial to
change the highlighted setting.
ADJUST
END
SUPPLIED FLASH
M
ODE
4
Press DISP/BACK to put the changes into e ect.
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Peripherals and Optional Accessories
10
SUPPLIED FLASH
See “Flash Photography” (P 96) for information on using the
supplied EF-X8 shoe-mounted  ash unit.
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Peripherals and Optional Accessories
10
External Flash Units
SYNC TERMINAL
Adjust settings for  ash units connected via the sync terminal.
SYNC TERMINAL is displayed if the EF-X8 is lowered and either
no  ash unit, or an incompatible  ash unit, is mounted on the
hot shoe.
ADJUST
END
M
ODE
SYNC TERMINAL
Setting
Setting
Description
Description
A
Flash control mode
Choose from the following options:
M: A trigger signal is transmitted via the hot shoe X contacts
when a picture is taken. Choose a shutter speed slower than
the sync speed; even slower speeds may be required if the
unit uses long fl ashes or has a slow response time.
D (OFF): The trigger signal is disabled.
B
Sync
Choose whether the fl ash is timed to fi re immediately after
the shutter opens (H/1ST CURTAIN) or immediately before
it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in
most circumstances.
The Sync Terminal
Use the sync terminal to connect  ash units
that require a sync cable.
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Peripherals and Optional Accessories
10
SHOE MOUNT FLASH
The following options are available when an optional
shoe-mounted  ash unit is attached and turned on.
ADJUST
END
M
ODE
SHOE MOUNT FLASH
Setting
Setting
Description
Description
A
Flash control mode
The fl ash control mode selected with the fl ash unit. This can
in some cases be adjusted from the camera; the options avail-
able vary with the fl ash.
TTL: TTL mode. Adjust fl ash compensation (
B
).
M: The fl ash fi res at the selected output regardless of subject
brightness or camera settings. Output in some cases can be
adjusted from the camera (
B
).
MULTI: Repeating fl ash. Compatible shoe-mounted fl ash
units will fi re multiple times with each shot.
D (OFF): The fl ash does not fi re. Some fl ash units can be
turned off from the camera.
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Peripherals and Optional Accessories
10
External Flash Units
Setting
Setting
Description
Description
B
Flash compensation/
output
The options available vary with fl ash control mode.
TTL: Adjust fl ash compensation (the full value may not be
applied if the limits of the fl ash control system are exceed-
ed). In the cases of the EF-X20, EF-20, and EF-42, the select-
ed value is added to the value selected with the fl ash unit.
M/MULTI: Adjust fl ash output (compatible units only).
Choose from values expressed as fractions of full power,
from ⁄ (mode M) or ¼ (MULTI) down to ⁄ in increments
equivalent to ⁄EV. The desired results may not be achieved
at low values if they exceed the limits of the fl ash control
system; take a test shot and check the results.
C
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options avail-
able vary with the shooting mode (P, S, A, or M) selected.
E (FLASH AUTO): The fl ash fi res only as required; fl ash lev-
el is adjusted according to subject brightness. A p icon
displayed when the shutter button is pressed halfway indi-
cates that the fl ash will fi re when the photo is taken.
F (STANDARD): The fl ash fi res with every shot if possible;
ash level is adjusted according to subject brightness. The
ash will not fi re if not fully charged when the shutter is
released.
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not fully
charged when the shutter is released.
D
Sync
Control fl ash timing.
H (1ST CURTAIN): The fl ash fi res immediately after the shut-
ter opens (generally the best choice).
I (2ND CURTAIN): The fl ash fi res immediately before the
shutter closes.
R (AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the fl ash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for fl ash control mode.
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Peripherals and Optional Accessories
10
Setting
Setting
Description
Description
E
Zoom
The angle of illumination (fl ash coverage) for units that sup-
port fl ash zoom. Some units allow the adjustment to be
made from the camera. If AUTO is selected, zoom will auto-
matically be adjusted to match coverage to lens focal length.
F
Lighting
If the unit supports this feature, choose from:
J (FLASH POWER PRIORITY): Gain range by slightly reducing
coverage.
K (STANDARD): Match coverage to picture angle.
L (EVEN COVERAGE PRIORITY): Slightly increase coverage for
more even lighting.
G
LED light
Choose how the built-in LED light functions during still photog-
raphy (compatible units only): as a catchlight (
M
/CATCHLIGHT),
as an AF-assist illuminator (
N
/AF ASSIST), or as both a catch-
light and an AF-assist illuminator (
O
/AF ASSIST+CATCHLIGHT).
Choose OFF to disable the LED during photography.
G
Number of  ashes
*
Choose the number of times the fl ash fi res each time the
shutter is released in MULTI mode.
H
Frequency
*
Choose the frequency at which the fl ash fi res in MULTI mode.
* Full value may not be applied if limits of fl ash control system are exceeded.
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Peripherals and Optional Accessories
10
External Flash Units
MASTER(OPTICAL)
The options will be displayed if the unit is currently functioning
as master  ash for Fuji lm optical wireless remote  ash control.
ADJUST
END
M
ODE
MASTER(OPTICAL)
The master and remote units can be
placed in up to three groups (A, B, and C)
and  ash mode and  ash level adjusted
separately for each group. Four chan-
nels are available for communication be-
tween the units; separate channels can
be used for di erent  ash systems or to
prevent interference when multiple sys-
tems are operating in close proximity.
BB
A
C
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Peripherals and Optional Accessories
10
Setting
Setting
Description
Description
A
Flash control mode
(group A)
Choose fl ash control modes for groups A, B, and C. TTL%
is available for groups A and B only.
TTL: The units in the group fi re in TTL mode. Flash com-
pensation can be adjusted separately for each group.
TTL%: If TTL% is selected for either group A or B, you can
specify the output of the selected group as a percent-
age of the other and adjust overall fl ash compensation
for both groups.
M: In mode M, the units in the group fi re at the selected
output (expressed as a fraction of full power) regardless
of subject brightness or camera settings.
MULTI: Choosing MULTI for any group sets all the units
in all groups to repeating fl ash mode. All units will fi re
multiple times with each shot.
D (OFF): If OFF is selected, the units in the group will
not fi re.
B
Flash control mode
(group B)
C
Flash control mode
(group C)
D
Flash compensation/
output (group A)
Adjust fl ash level for the selected group according to
option selected for fl ash control mode. Note that the full
value may not be applied if the limits of the fl ash control
system are exceeded.
TTL: Adjust fl ash compensation.
M/MULTI: Adjust fl ash output.
TTL%: Choose the balance between groups A and B and
adjust overall fl ash compensation.
E
Flash compensation/
output (group B)
F
Flash compensation/
output (group C)
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Peripherals and Optional Accessories
10
External Flash Units
Setting
Setting
Description
Description
G
Flash mode (TTL)
Choose a fl ash mode for TTL fl ash control. The options
available vary with the shooting mode (P, S, A, or M) se-
lected.
E (FLASH AUTO): The fl ash fi res only as required; fl ash
level is adjusted according to subject brightness. A
picon displayed when the shutter button is pressed
halfway indicates that the fl ash will fi re when the photo
is taken.
F (STANDARD): The fl ash fi res with every shot if possi-
ble; fl ash level is adjusted according to subject bright-
ness. The fl ash will not fi re if not fully charged when the
shutter is released.
G (SLOW SYNC.): Combine the fl ash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The fl ash will not fi re if not
fully charged when the shutter is released.
H
Sync
Control fl ash timing.
H (1ST CURTAIN): The fl ash fi res immediately after the
shutter opens (generally the best choice).
I (2ND CURTAIN): The fl ash fi res immediately before the
shutter closes.
R
(AUTO FP(HSS)): High-speed sync (compatible units only).
The camera automatically engages front-curtain high-
speed sync at shutter speeds faster than the fl ash sync
speed. Equivalent to 1ST CURTAIN when MULTI is selected
for fl ash control mode.
I
Zoom
The angle of illumination (fl ash coverage) for units that
support fl ash zoom. Some units allow the adjustment to
be made from the camera. If AUTO is selected, zoom will
automatically be adjusted to match coverage to lens focal
length.
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Peripherals and Optional Accessories
10
External Flash Units
Setting
Setting
Description
Description
J
Lighting
If the unit supports this feature, choose from:
J (FLASH POWER PRIORITY): Gain range by slightly re-
ducing coverage.
K (STANDARD): Match coverage to picture angle.
L (EVEN COVERAGE PRIORITY): Slightly increase coverage
for more even lighting.
K
Master
Assign the master fl ash to group A (Gr A), B (Gr B), or
C(Gr C). If OFF is selected, output from the master fl ash
will be held to a level that does not aff ect the fi nal picture.
Available only if the unit is mounted on the camera hot
shoe as a master fl ash for Fujifi lm optical wireless remote
ash control in TTL, TTL%, or M mode.
K
Number of  ashes
Choose the number of times the fl ash fi res each time the
shutter is released in MULTI mode.
L
Channel
Choose the channel used by the master fl ash for commu-
nication with the remote fl ash units. Separate channels
can be used for diff erent fl ash systems or to prevent in-
terference when multiple systems are operating in close
proximity.
L
Frequency
Choose the frequency at which the fl ash fi res in MULTI
mode.
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Peripherals and Optional Accessories
10
Vertical Battery Grips
The VG-XT3 vertical battery grip can be used to supple-
ment the camera battery or when holding the camera ro-
tated to take pictures in portrait (“tall”) orientation.
A
Shutter button
B
Q (quick menu) button
C
Fn1 (function 1) button
D
Control lock
E
Front command dial/
role selection button
F
Lock screw knob
G
Eyelet for camera strap
H
Tripod socket
I
Connector
J
Lock screw
K
Compartment for connector cover
supplied with camera
L
AE-L button
M
Rear command dial/
focus assist button
N
AF-L button
O
Focus stick (focus lever)
P
Indicator lamps
Q
Performance selector
R
Battery tray
S
Battery-chamber cover latch
T
Connector cover
U
9V DC-IN connector
N
All controls perform the same function as the matching controls on
the camera.
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Peripherals and Optional Accessories
10
Attaching the Vertical Battery Grip
(A)
(B)
(A)
N
Check that the camera is o before attaching or removing the vertical
battery grip.
The camera vertical battery grip contact cover (A) can be stored in
the grip. Keep the grip contact cap (B) in a safe place when not in use.
O
Fully tighten the lock screw knob after attaching the grip.
Do not touch the contacts.
After removing the grip, replace the grip contact cover (A) and con-
tact cap (B).
The grip is not waterproof, and caution is required to prevent the en-
try of dirt, dust, water, noxious gases, salt, and other foreign matter.
Do not place the grip on wet surfaces. Before use, be sure that the
battery tray and battery-chamber cover are fully closed.
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Peripherals and Optional Accessories
10
Vertical Battery Grips
Inserting and Removing Batteries
Insert the batteries as shown.
The batteries can be removed as shown.
N
Be sure the camera is o before exchanging batteries.
Use only NP-W126S batteries.
Battery Level
When a vertical battery grip is connected, the
camera battery level display shows the camera
battery level and the level of the batteries in-
serted in the VG-XT3.
The display shows the level of inserted batter-
ies only.
When a full complement of batteries are inserted in the camera and the
VG-XT3, the batteries will be used in the following order:
A
The left grip battery (L)
B
The right grip battery (R)
C
The camera battery
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Peripherals and Optional Accessories
10
Charging the Batteries
The batteries in the VG-XT3 can be
charged when the camera is o or the
grip is removed from the camera. Con-
nect the grip’s supplied AC-9VS AC power
adapter to the 9V DC-IN connector.
The indicator lamps will light green while
the battery charges; the lamp on the left
shows the status of the left battery, the
lamp on the right the status of the right
battery.
Indicator lamp
Indicator lamp
Battery status
Battery status
Off Charging complete
On Charging in progress
Blinks Charging fault
N
The batteries charge simultaneously; charging takes about two hours.
The batteries will not charge while the camera is on, but power will
be supplied to the camera.
Use only the supplied AC power adapter.
For more information, see “Charging the Battery (P 31) and The
Battery and Power Supply” (P 274).
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Peripherals and Optional Accessories
10
Vertical Battery Grips
Using the AC-9VS Power Adapter
Connect the power cable to the AC-9VS and plug it into a power outlet.
O
The supplied power cable is for use exclusively with the AC-9VS. Do
not the adapter with other cords or the cable with other devices.
The shape of the plug varies with the country or region of purchase.
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250
MEMO
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Connections
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Connections
11
HDMI Output
Camera shooting and playback displays can be output to
HDMI devices.
Connecting to HDMI Devices
Connect the camera to TVs or other HDMI devices using a
third-party HDMI cable.
1
Turn the camera o .
2
Connect the cable as shown below.
Insert into HDMI
connector
Insert into HDMI Micro
connector (Type D)
3
Con gure the device for HDMI input as described in the doc-
umentation supplied with the device.
4
Turn the camera on. The contents of the camera display will
be shown on the HDMI device. The camera display turns o
in playback mode (P 253).
O
Making sure the connectors are fully inserted.
The USB cable cannot be used while an HDMI cable is connected.
Use an HDMI cable no more than 1.5m (4.9ft.) long.
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Connections
11
HDMI Output
Shooting
Shoot photos and record movies while viewing the scene through
the camera lens on or saving footage to the HDMI device.
N
This feature can be used to save 4K and Full HD movies to an HDMI
recorder.
Playback
To start playback, press the camera a button. The camera mon-
itor turns o and pictures and movies are output to the HDMI
device. Note that the camera volume controls have no e ect on
sounds played on the TV; use the television volume controls to
adjust the volume.
O
Some televisions may brie y display a black screen when movie play-
back begins.
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Connections
11
Wireless Connections
(Bluetooth®, Wireless LAN/Wi-Fi)
Access wireless networks and connect to computers,
smartphones, or tablets. For more information, visit:
http://fujifilm-dsc.com/wifi/
Smartphones and Tablets: FUJIFILM Camera Remote
Connect to the camera via Bluetooth or wireless LAN.
N
To establish a wireless connection to the camera, you will need to in-
stall the latest version of the FUJIFILM Camera Remote app on your
smartphone or tablet.
FUJIFILM Camera Remote
Once a connection has been established, you can use FUJIFILM Camera
Remote to:
Control the camera and take pictures remotely
Receive pictures uploaded from the camera
Browse the pictures on the camera and download selected pictures
Upload location data to the camera
Release the camera shutter
Update camera  rmware
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
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Connections
11
Wireless Connections
SmartPhones and Tablets: Bluetooth® Pairing
Use
D
CONNECTION SETTING> Bluetooth SETTINGS> PAIRING
REGISTRATION to pair the camera with smartphones or tablets.
Pairing o ers a simple method for downloading photos from the
camera.
O
Photos are downloaded via a wireless connection.
Once pairing is complete, you will be able to synchronize the camera
clock and location data with the smartphone or tablet (P 216).
You can choose a connection from up to 7 paired smartphones or
tablets.
Smartphones and Tablets: Wireless LAN
Use the WIRELESS COMMUNICATION options in A SHOOTING
SETTING or the playback menu to connect to a smartphone or tab-
let via a Wireless LAN.
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Connections
11
Wireless Connections
Copying Pictures to a Computer: PC AutoSave
Install the latest version of FUJIFILM PC Autosave to your com-
puter to upload pictures from the camera over wireless networks
(Wi-Fi).
FUJIFILM PC AutoSave
For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/pc_autosave/
Computers: Wireless Connections
You can upload pictures from the camera using the PC AUTO
SAVE option in the playback menu.
Tethered Shooting: FUJIFILM X Acquire/FUJIFILM Tether
Shooting Plug-in/Hyper-Utility Software HS-V5
Before proceeding, select WIRELESS
TETHER SHOOTING FIXED for D CON-
NECTION SETTING> PC CONNECTION
MODE in the camera menus.
FUJIFILM X Acquire, the FUJIFILM Tether
Shooting Plug-in, and Hyper-Utility
Software HS-V5 can be used for tethered shooting.
N
For more information, visit the following website:
http://app.fujifilm-dsc.com/en/#tether
For more information on FUJIFILM X Acquire, the FUJIFILM Tether
Shooting Plug-in, and Hyper-Utility Software HS-V5, see “Software
from Fuji lm (P 269).
CONNECTION SETTING
Bluetooth SETTINGS
NETWORK SETTING
PC AUTO SAVE SETTINGS
GENERAL SETTINGS
PC CONNECTION MODE
INFORMATION
RESET WIRELESS SETTING
PRINTER CONNECTION SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
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Connections
11
Connecting to Computers via USB
Connect the camera to a computer to download pictures
or take pictures remotely.
N
Before downloading pictures or taking pictures remotely, connect the
camera to a computer and check that it functions normally.
1
Turn the computer on.
2
Adjust settings according to whether you will be using the
camera for tethered shooting (P 260), copying pictures to
a computer (P 261), or creating JPEG copies of RAW pic-
tures (P 262).
3
Turn the camera o .
4
Connect a USB cable.
USB connector (Type-C)
O
The USB cable must be no more than 1.5 m (4.9 ft.) long and be
suitable for data transfer.
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Connections
11
5
Turn the camera on.
6
Copy pictures to your computer.
Tethered shooting: During tethered shooting, you can copy
pictures using tethered shooting software such as the
FUJIFILM Tether Shooting Plug-in PRO.
Image transfer: Use MyFinePix Studio or applications provid-
ed with your operating system.
RAW conversion: Process RAW images using FUJIFILM X RAW
STUDIO. The power of the cameras image processing en-
gine is used for rapid processing.
Saving and loading camera settings: Use FUJIFILM X Acquire to
save or load camera settings. Save your preferred settings
to a  le in a single operation and copy them to multiple
cameras.
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Connections
11
Connecting to Computers via USB
O
Turn the camera o before disconnecting the USB cable.
When connecting USB cables, be sure the connectors are fully in-
serted in the correct orientation. Connect the camera directly to the
computer; do not use a USB hub or keyboard.
Loss of power during transfer could result in loss of data or damage to
the memory card. Insert a fresh or fully-charged battery before con-
necting the camera.
If a memory card containing a large number of images is inserted,
there may be a delay before the software starts and you may be un-
able to import or save images. Use a memory card reader to transfer
pictures.
Make sure that the indicator lamp is o or lit green before turning
the camera o .
Do not disconnect the USB cable while transfer is in progress. Failure
to observe this precaution could result in loss of data or damage to
the memory card.
Disconnect the camera before inserting or removing memory cards.
In some cases, it may not be possible to access pictures saved to a
network server using the software in the same way as on a stand-
alone computer.
Do not immediately remove the camera from the system or dis-
connect the USB cable once the message stating that copying is in
progress clears from the computer display. If the number of images
copied is very large, data transfer may continue after the message has
ceased to be displayed.
The user bears all applicable fees charged by the phone company or
Internet service provider when using services that require an Internet
connection.
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Connections
11
Tethered Shooting: FUJIFILM X Acquire/FUJIFILM Tether
Shooting Plug-in/Hyper-Utility Software HS-V5
Before proceeding, select USB TETHER
SHOOTING AUTO for
D
CONNECTION
SETTING> PC CONNECTION MODE in
the camera menus.
FUJIFILM X Acquire, the FUJIFILM Tether
Shooting Plug-in, and Hyper-Utility
Software HS-V5 can be used for tethered shooting.
N
Choose USB TETHER SHOOTING FIXED if the camera will be used
solely for tethered shooting. Note that if the USB cable is disconnect-
ed, the camera will continue to function in tethered mode and pic-
tures will not be saved to the camera memory card.
For more information, visit the following website:
http://app.fujifilm-dsc.com/en/#tether
For more information on FUJIFILM X Acquire, the FUJIFILM Tether
Shooting Plug-in, and Hyper-Utility Software HS-V5, see “Software
from Fuji lm (P 269).
CONNECTION SETTING
Bluetooth SETTINGS
NETWORK SETTING
PC AUTO SAVE SETTINGS
GENERAL SETTINGS
PC CONNECTION MODE
INFORMATION
RESET WIRELESS SETTING
PRINTER CONNECTION SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
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Connections
11
Connecting to Computers via USB
Copying Pictures to a Computer
Before copying pictures to a computer,
select USB CARD READER for D CON-
NECTION SETTING> PC CONNECTION
MODE.
The software that can be used to copy
pictures varies with your computer op-
erating system.
Mac OS X/macOS
Pictures can be copied to your computer using Image Capture
(supplied with your computer) or other software.
Windows
Use MyFinePix Studio to copy pictures to your computer, where
they can be stored, viewed, organized, and printed.
N
For more information on MyFinePix Studio, see “Software from Fuji lm
(P 269).
CONNECTION SETTING
Bluetooth SETTINGS
NETWORK SETTING
PC AUTO SAVE SETTINGS
GENERAL SETTINGS
PC CONNECTION MODE
INFORMATION
RESET WIRELESS SETTING
PRINTER CONNECTION SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
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Connections
11
Connecting to Computers via USB
Creating JPEG Copies of RAW Images:
FUJIFILM X RAW STUDIO
Before proceeding, select USB RAW
CONV./BACKUP RESTORE for D CON-
NECTION SETTING> PC CONNECTION
MODE in the camera menus.
FUJIFILM X RAW STUDIO can be used to
create JPEG copies of RAW images.
N
For more information on FUJIFILM X RAW STUDIO, see “Software from
Fuji lm (P 269).
Saving and Loading Camera Settings (FUJIFILM X Acquire)
Before proceeding, select USB RAW
CONV./BACKUP RESTORE for D CON-
NECTION SETTING> PC CONNECTION
MODE in the camera menus.
FUJIFILM X Acquire can be used to save
and load camera settings.
N
For more information on FUJIFILM X Acquire, see “Software from
Fuji lm (P 269).
CONNECTION SETTING
Bluetooth SETTINGS
NETWORK SETTING
PC AUTO SAVE SETTINGS
GENERAL SETTINGS
PC CONNECTION MODE
INFORMATION
RESET WIRELESS SETTING
PRINTER CONNECTION SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
CONNECTION SETTING
Bluetooth SETTINGS
NETWORK SETTING
PC AUTO SAVE SETTINGS
GENERAL SETTINGS
PC CONNECTION MODE
INFORMATION
RESET WIRELESS SETTING
PRINTER CONNECTION SETTING
USB CARD READER
USB TETHER SHOOTING AUTO
USB TETHER SHOOTING FIXED
WIRELESS TETHER SHOOTING FIXED
USB RAW CONV./BACKUP RESTORE
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Connections
11
instax SHARE Printers
Print pictures from your digital camera to instax SHARE
printers.
Establishing a Connection
Select
D
CONNECTION SETTING> instax PRINTER CONNECTION
SETTING and enter the instax SHARE printer name (SSID) and pass-
word.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the
bottom of the printer; the default password is
“1111”. If you have already chosen a di erent
password to print from a smartphone, enter
that password instead.
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Connections
11
instax SHARE Printers
Printing Pictures
1
Turn the printer on.
2
Select C PLAY BACK MENU> instax
PRINTER PRINT. The camera will con-
nect to the printer.
FUJIFILM-CAMERA-1234
CONNECTING
CANCEL
PRINTER PRINT
instax-12345678
3
Use the selector to display the pic-
ture you want to print, then press
MENU/OK.
100-0020
TRANSMIT CANCEL
instax-12345678
PRINTER PRINT
N
Pictures taken with other cameras cannot be printed.
The area printed is smaller than the area visible in the LCD
monitor.
The displays may vary depending on the printer connected.
4
The picture will be sent to the printer and printing will start.
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Technical Notes
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Technical Notes
12
Accessories from Fuji lm
The following optional accessories are available from Fuji lm.
For the latest information on the accessories available in your
region, check with your local Fuji lm representative or visit
http://www.fujifilm.com/products/digital_cameras/index.html.
Rechargeable Li-ion batteries
Rechargeable Li-ion batteries
NP-W126/NP-W126S: Additional high-capacity NP-W126/NP-W126S rechargeable
batteries can be purchased as required.
Battery chargers
Battery chargers
BC-W126/BC-W126S: Replacement battery chargers can be purchased as required.
At +20 °C/+68 °F, the BC-W126/BC-W126S charges an NP-W126/NP-W126S in
about 150 minutes.
DC couplers
DC couplers
CP-W126: For extended shooting or playback or when using the camera with a
computer, use the CP-W126 to connect the camera to the AC-9VS power adapter
supplied with optional vertical battery grips.
Remote releases
Remote releases
RR-100: Use to reduce camera shake or keep the shutter open during a time ex-
posure (
2.5mm).
Stereo microphones
Stereo microphones
MIC-ST1: An external microphone for movie recording.
FUJINON lenses
FUJINON lenses
XF-/XC-series lenses: Interchangeable lenses for use exclusively with the FUJIFILM
X-mount.
FUJINON MKX-series lenses: Cinema lenses for the FUJIFILM X-mount.
Macro extension tubes
Macro extension tubes
MCEX-11/16: Attach between the camera and the lens to shoot at high reproduc-
tion ratios.
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Technical Notes
12
Accessories from Fuji lm
Teleconverters
Teleconverters
XF1.4X TC WR: Increases the focal length of the compatible lenses by about 1.4×.
XF2X TC WR: Increases the focal length of the compatible lenses by about 2.0×.
Mount adapters
Mount adapters
FUJIFILM M MOUNT ADAPTER: Allows the camera to be used with a wide selection
of M-mount lenses.
Body caps
Body caps
BCP-001: Cover the camera lens mount when no lens is attached.
Eye cups
Eye cups
EC-XH W/EC-XT L/EC-XT M/EC-XT S/EC-GFX: Attach viewfi nder eyecups to prevent
light leaking into the viewfi nder window.
Shoe-mounted  ash units
Shoe-mounted  ash units
EF-X500: In addition to manual and TTL fl ash control, this clip-on fl ash unit has a
Guide Number of 50/164 (ISO 100, m/ft.) and supports FP (high-speed sync), al-
lowing it to be used at shutter speeds that exceed the fl ash sync speed. Featuring
support for the optional EF-BP1 battery pack and Fujifi lm optical wireless fl ash
control, it can be used as a master or remote fl ash unit for remote wireless fl ash
photography.
EF-BP1: A battery pack for shoe-mounted fl ash units. Takes up to 8 AA batteries.
EF-42: This clip-on fl ash unit has a Guide Number of 42/137 (ISO 100, m/ft.) and
supports manual and TTL fl ash control.
EF-X20: This clip-on fl ash unit has a Guide Number of 20/65 (ISO 100, m/ft.) and
supports manual and TTL fl ash control.
EF-20: This clip-on fl ash unit has a Guide Number of 20/65 (ISO 100, m/ft.) and
supports TTL fl ash control (manual fl ash control is not supported).
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Technical Notes
12
Accessories from Fuji lm
Vertical battery grips
Vertical battery grips
VG-XT3: See Vertical battery grips (P 245).
Hand grips
Hand grips
MHG-XT3: Features an improved grip. Batteries and memory cards can be removed
with the grip in place, and the grip is equipped with a rail for quick-shoe camera
mounts.
Leather cases
Leather cases
BLC-XT3: This case combines practicality with the luxury of leather and comes with
a cloth that can be used to wrap the camera before putting it in the case and on
other occasions. Pictures can be taken and batteries inserted or removed with the
camera still in its case.
Grip belts
Grip belts
GB-001: Improves grip. Combine with a hand grip for more secure handling.
Cover kits
Cover kits
CVR-XT3: A set of covers for the X-T3. Contains a sync terminal cap, a hot-shoe
cover, and a connector cover, as well as two vertical battery grip connector covers
(one black and one silver).
instax SHARE printers
instax SHARE printers
SP-1/SP-2/SP-3: Connect via wireless LAN to print pictures on instax fi lm.
O
This camera is not compatible with the AC-9V AC power adapter.
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Technical Notes
12
Software from Fuji lm
The camera can be used with the following Fuji lm software.
FUJIFILM Camera Remote
Establish a wireless connection between your camera and a
smartphone or tablet (P 254).
http://app.fujifilm-dsc.com/en/camera_remote/
FUJIFILM PC AutoSave
Download pictures from your camera over wireless networks
(P 256).
http://app.fujifilm-dsc.com/en/pc_autosave/
MyFinePix Studio
Manage, view, print, and edit the many images downloaded
from your digital camera (P 261).
http://fujifilm-dsc.com/mfs/
Once download is complete, double-click the downloaded  le
(“MFPS_Setup.EXE”) and follow the on-screen instructions to
complete installation.
RAW FILE CONVERTER EX
View RAW pictures on your computer and convert them into oth-
er formats (P 262).
http://fujifilm-dsc.com/rfc/
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Technical Notes
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Software from Fuji lm
FUJIFILM X RAW STUDIO
When the camera is connected to a computer via USB, FUJIFILM X
RAW STUDIO can use the camera’s unique image processing engine
to rapidly convert RAW  les to high-quality JPEG images.
http://fujifilm-x.com/x-stories/fujifilm-x-raw-studio-features-
users-guide/
FUJIFILM X Acquire
This application for Windows and mac OS lets you connect to the
camera via USB or Wi-Fi and automatically download photos to a
speci ed folder as they are taken.
http://fujifilm-x.com/x-stories/fujifilm-x-acquire-features-users-guide/
FUJIFILM Tether Shooting Plug-ins for Lightroom
Plug-ins for Adobe® Photoshop® Lightroom® Classic CC.
FUJIFILM Tether Shooting Plug-in PRO
http://fujifilm-x.com/x-stories/fujifilm-tether-plug-in-pro-features/
FUJIFILM Tether Shooting Plug-in
http://www.fujifilm.com/products/digital_cameras/accessories/
others/#soft
Hyper-Utility Software HS-V5
This computer application lets you connect to the camera via
USB or Wi-Fi, control the camera remotely, and save pictures tak-
en with the camera directly to the computer.
http://www.fujifilm.com/products/digital_cameras/accessories/
others/#soft
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Technical Notes
12
For Your Safety
IMPORTANT SAFETY INSTRUCTIONS
Read Instructions
Read Instructions: All the safety and operating instructions
should be read before the appliance is operated.
Retain Instructions
Retain Instructions: The safety and operating instructions
should be retained for future reference.
Heed Warnings
Heed Warnings: All warnings on the appliance and in the
operating instructions should be adhered to.
Follow Instructions
Follow Instructions: All operating and use instructions
should be followed.
Installation
Installation
Power Sources: This video product should be operated only
from the type of power source indicated on the marking la-
bel. If you are not sure of the type of power supply to your
home, consult your appliance dealer or local power com-
pany. For video products intended to operate from battery
power, or other sources, refer to the operating instructions.
Grounding or Polarization: This video product is equipped
with a polarized alternating-current line plug (a plug having
one blade wider than the other). This plug will fi t into the
power outlet only one way. This is a safety feature. If you are
unable to insert the plug fully into the outlet, try reversing
the plug. If the plug should still fail to fi t, contact your electri-
cian to replace your obsolete outlet. Do not defeat the safety
purpose of the polarized plug.
Alternate Warnings: This video product is equipped with
a three-wire grounding-type plug, a plug having a third
(grounding) pin. This plug will only fi t into a grounding-type
power outlet. This is a safety feature. If you are unable to
insert the plug into the outlet, contact your electrician to re-
place your obsolete outlet. Do not defeat the safety purpose
of the grounding type plug.
Overloading: Do not overload wall outlets and extension
cords as this can result in a risk of fi re or electric shock.
Ventilation: Slots and openings in the cabinet are provided
for ventilation, to ensure reliable operation of the video prod-
uct and to protect it from overheating, and these openings
must not be blocked or covered. The openings should never
be blocked by placing the video product on a bed, sofa, rug,
or other similar surface.
This video product should not be placed in a built-in instal-
lation such as a bookcase or rack unless proper ventilation is
provided or the manufacturer’s instructions have been ad-
hered to. This video product should never be placed near or
over a radiator or heat register.
Attachments: Do not use attachments not recommended by
the video product manufacturer as they may cause hazards.
Water and Moisture: Do not use this video product near wa-
ter—for example, near a bath tub, wash bowl, kitchen sink,
or laundry tub, in a wet basement, or near a swimming pool,
and the like.
Power-Cord Protection: Power-supply cords should be routed
so that they are not likely to be walked on or pinched by
items placed upon or against them, paying particular atten-
tion to cords at plugs, convenience receptacles, and the point
where they exit from the appliance.
Accessories: Do not place this video product on an unstable
cart, stand, tripod, bracket, or table. The video product may
fall, causing serious injury to a child or adult, and serious
damage to the appliance. Use only with a cart, stand, tripod,
bracket, or table recommended by the manufacturer, or sold
with the video product. Any mounting of the appliance
should follow the manufacturer’s instructions, and should use
a mounting accessory recommended by the manufacturer.
An appliance and cart combination
should be moved with care. Quick
stops, excessive force, and uneven
surfaces may cause the appliance and
cart combination to overturn.
Antennas
Antennas
Outdoor Antenna Grounding: If an outside antenna or cable
system is connected to the video product, be sure the an-
tenna or cable system is grounded so as to provide some
protection against voltage surges and built-up static charges.
Section 810 of the National Electrical Code, ANSI/NFPA No.
70, provides information with respect to proper grounding of
the mast and supporting structure, grounding of the lead-in
wire to an antenna discharge unit, size of grounding con-
ductors, location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.
EXAMPLE OF ANTENNA GROUNDING AS PER NATIONAL
ELECTRICAL CODE
Ground Clamp
t
e Equipment
A
A
ntenn
a
Le
ad
in
W
ir
e
A
A
Antenna
An
Discharge Unit
D
(NEC SECTION
N
810-20)
8
Ground Clamps
Power Service Grounding Electrode
System (NEC ART 250. PART H)
Groun
d
in
g
Con
d
uctors
(
NE
C
SECTION 810-21
)
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Technical Notes
12
Power Lines: An outside antenna system should not be locat-
ed in the vicinity of overhead power lines or other electric
light or power circuits, or where it can fall into such power
lines or circuits. When installing an outside antenna system,
extreme care should be taken to keep from touching such
power lines or circuits as contact with them might be fatal.
Use
Use
Cleaning: Unplug this video product from the wall outlet be-
fore cleaning. Do not use liquid cleaners or aerosol cleaners.
Use a damp cloth for cleaning.
Object and Liquid Entry: Never push objects of any kind into
this video product through openings as they may touch dan-
gerous voltage points or short out parts that could result in
a fi re or electric shock. Never spill liquid of any kind on the
video product.
Lightning: For added protection for this video product re-
ceiver during a lightning storm, or when it is left unattended
and unused for long periods of time, unplug it from the wall
outlet and disconnect the antenna or cable system. This will
prevent damage to the video product due to lightning and
power-line surges.
Service
Service
Servicing: Do not attempt to service this video product
yourself as opening or removing covers may expose you to
dangerous voltage or other hazards. Refer all servicing to
qualifi ed service personnel.
Damage Requiring Service: Unplug this video product from
the wall outlet and refer servicing to qualifi ed service person-
nel under the following conditions:
When the power-supply cord or plug is damaged
If liquid has been spilled, or objects have fallen into the
video product.
If the video product has been exposed to rain or water.
If the video product has been dropped or the cabinet has
been damaged.
If the video product does not operate normally follow the
operating instructions. Adjust only those controls that are
covered by the operating instructions as an improper adjust-
ment of other controls may result in damage and will often
require extensive work by a qualifi ed technician to restore
the video product to its normal operation.
When the video product exhibits a distinct change in perfor-
mance this indicates a need for service.
Replacement Parts: When replacement parts are required, be
sure the service technician has used replacement parts spec-
ifi ed by the manufacturer or have the same characteristics as
the original part. Unauthorized substitutions may result in
re, electric shock or other hazards.
Safety Check: Upon completion of any service or repairs to
this video product, ask the service technician to perform
safety checks to determine that the video product is in prop-
er operating condition.
Be sure to read these notes before use
Safety Notes
Make sure that you use your camera correctly. Read these
safety notes and your Owner’s Manual carefully before use.
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate
the severity of the injury or damage that can result if the in-
formation indicated by the icon is ignored and the product is
used incorrectly as a result.
WARNING
WARNING
This icon indicates that death or serious in-
jury can result if the information is ignored.
CAUTION
CAUTION
This icon indicates that personal injury or
material damage can result if the informa-
tion is ignored.
The icons shown below are used to indicate the nature of the
instructions which are to be observed.
Triangular icons tell you that this information re-
quires attention (“Important”).
Circular icons with a diagonal bar tell you that the
action indicated is prohibited (“Prohibited”).
Filled circles with an exclamation mark indicate an
action that must be performed (“Required”).
The symbols on the product (including the accesories) rep-
resent the following:
AC
DC
Class II equipment (The construction of the product
is double-insulated.)
WARNING
WARNING
Unplug
from power
socket
If a problem arises, turn the camera o , remove the bat-
If a problem arises, turn the camera o , remove the bat-
tery, and disconnect and unplug the AC power adapter.
tery, and disconnect and unplug the AC power adapter.
Continued use of the camera when it is emitting
smoke, is emitting any unusual odor, or is in any
other abnormal state can cause a fi re or electric
shock. Contact your Fujifi lm dealer.
Do not allow water or foreign objects to enter the cam-
Do not allow water or foreign objects to enter the cam-
era.
era. If water or foreign objects get inside the cam-
era, turn the camera off , remove the battery, and
disconnect and unplug the AC power adapter. Con-
tinued use of the camera can cause a fi re or electric
shock. Contact your Fujifi lm dealer.
Do not use in
the bathroom
or shower
Do not use the camera in the bathroom or shower.
Do not use the camera in the bathroom or shower. This
can cause a fi re or electric shock.
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Technical Notes
12
For Your Safety
WARNING
WARNING
Do not
disassemble
Never attempt to change or take apart the camera (never
Never attempt to change or take apart the camera (never
open the case).
open the case). Failure to observe this precaution can
cause fi re or electric shock.
Do not touch
internal
parts
Should the case break open as the result of a fall or other
Should the case break open as the result of a fall or other
accident, do not touch the exposed parts.
accident, do not touch the exposed parts. Failure to ob-
serve this precaution could result in electric shock or
in injury from touching the damaged parts. Remove
the battery immediately, taking care to avoid injury
or electric shock, and take the product to the point
of purchase for consultation.
Do not change, heat or unduly twist or pull the connec-
Do not change, heat or unduly twist or pull the connec-
tion cord and do not place heavy objects on the connec-
tion cord and do not place heavy objects on the connec-
tion cord.
tion cord. These actions could damage the cord and
cause a fi re or electric shock. If the cord is damaged,
contact your Fujifi lm dealer.
Do not place the camera on an unstable surface.
Do not place the camera on an unstable surface. This
can cause the camera to fall or tip over and cause
injury.
Never attempt to take pictures while in motion.
Never attempt to take pictures while in motion. Do not
use the camera while walking or driving. This can
result in you falling down or being involved in a
traffi c accident.
Do not touch any metal parts of the camera during a
Do not touch any metal parts of the camera during a
thunderstorm.
thunderstorm. This can cause an electric shock due
to induced current from the lightning discharge.
Do not use the battery except as speci ed.
Do not use the battery except as speci ed. Load the
battery as shown by the indicator.
Do not disassemble, modify, or heat batteries. Do not
Do not disassemble, modify, or heat batteries. Do not
drop, strike, or throw batteries or otherwise subject
drop, strike, or throw batteries or otherwise subject
them to strong impacts. Do not use batteries that show
them to strong impacts. Do not use batteries that show
signs of leaking, deformation, discoloration, or other
signs of leaking, deformation, discoloration, or other
abnormalities. Use only designated chargers to recharge
abnormalities. Use only designated chargers to recharge
rechargeable batteries and do not attempt to recharge
rechargeable batteries and do not attempt to recharge
non-rechargeable Li-ion or alkaline batteries. Do not
non-rechargeable Li-ion or alkaline batteries. Do not
short batteries or store them with metallic objects.
short batteries or store them with metallic objects. Fail-
ure to observe these precautions could result in the
batteries overheating, igniting, rupturing, or leaking,
causing fi re, burns, or other injury.
Use only batteries or AC power adapters speci ed for
Use only batteries or AC power adapters speci ed for
use with this camera. Do not use voltages other than the
use with this camera. Do not use voltages other than the
power supply voltage shown.
power supply voltage shown. The use of other power
sources can cause a fi re.
If the battery leaks and uid gets in contact with your
If the battery leaks and  uid gets in contact with your
eyes, skin or clothing,  ush the a ected area with clean
eyes, skin or clothing,  ush the a ected area with clean
water and seek medical attention or call an emergency
water and seek medical attention or call an emergency
number right away.
number right away.
Do not use the charger to charge batteries other than
Do not use the charger to charge batteries other than
those speci ed here.
those speci ed here. The supplied charger is for use
only with batteries of the type supplied with the
camera. Using the charger to charge conventional
batteries or other types of rechargeable batteries
can cause the battery to leak, overheat or burst.
WARNING
WARNING
Using a  ash too close to a person’s eyes may cause visual
Using a  ash too close to a person’s eyes may cause visual
impairment.
impairment. Take particular care when photograph-
ing infants and young children.
Do not remain in prolonged contact with hot surfaces.
Do not remain in prolonged contact with hot surfaces.
Failure to observe this precaution could result in
low-temperature burns, particularly at high ambient
temperatures or with users who suff er from poor
circulation or reduced sensation, in which case use
of a tripod or similar precautions are recommended.
Do not leave one part of the body in contact with the
Do not leave one part of the body in contact with the
product for prolonged periods while the product is on.
product for prolonged periods while the product is on.
Failure to observe this precaution could result in
low-temperature burns, particularly during pro-
longed use, at high ambient temperatures, or with
users who suff er from poor circulation or reduced
sensation, in which case use of a tripod or similar
precautions are recommended.
Do not use in the presence of ammable objects, explo-
Do not use in the presence of  ammable objects, explo-
sive gases, or dust.
sive gases, or dust.
When carrying the battery, install it in a digital camera
When carrying the battery, install it in a digital camera
or keep it in the hard case. When storing the battery,
or keep it in the hard case. When storing the battery,
keep it in the hard case. When discarding, cover the
keep it in the hard case. When discarding, cover the
battery terminals with insulation tape.
battery terminals with insulation tape. Contact with
other metallic objects or batteries could cause the
battery to ignite or burst.
Keep memory cards, hot shoes, and other small parts out
Keep memory cards, hot shoes, and other small parts out
of the reach of small children.
of the reach of small children. Children may swallow
small parts; keep out of reach of children. Should
a child swallow a small part, seek medical attention
or call emergency.
Keep out of reach of small children.
Keep out of reach of small children. Among the ele-
ments that could cause injury are the strap, which
could become entangled about a child’s neck, caus-
ing strangulation, and the fl ash, which could cause
visual impairment.
Follow the directions of airline and hospital personnel.
Follow the directions of airline and hospital personnel.
This product generates radio-frequency emissions
that could interfere with navigational or medical
equipment.
CAUTION
CAUTION
Do not use this camera in locations a ected by oil fumes,
Do not use this camera in locations a ected by oil fumes,
steam, humidity or dust.
steam, humidity or dust. This can cause a fi re or elec-
tric shock.
Do not leave this camera in places subject to extremely
Do not leave this camera in places subject to extremely
high temperatures.
high temperatures. Do not leave the camera in loca-
tions such as a sealed vehicle or in direct sunlight.
This can cause a fi re.
Do not place heavy objects on the camera.
Do not place heavy objects on the camera. This can cause
the heavy object to tip over or fall and cause injury.
Do not move the camera while the AC power adapter is still
Do not move the camera while the AC power adapter is still
connected.
connected. Do not pull on the connection cord to dis-
connect the AC power adapter. This can damage the
power cord or cables and cause a fi re or electric shock.
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274
Technical Notes
12
CAUTION
CAUTION
Do not cover or wrap the camera or the AC power adapter
Do not cover or wrap the camera or the AC power adapter
in a cloth or blanket.
in a cloth or blanket. This can cause heat to build up
and distort the casing or cause a fi re.
Do not use the plug if it is damaged or if it does not t
Do not use the plug if it is damaged or if it does not  t
securely into the outlet.
securely into the outlet. Failure to observe this precau-
tion could result in fi re or electric shock.
When you are cleaning the camera or you do not plan to
When you are cleaning the camera or you do not plan to
use the camera for an extended period, remove the bat-
use the camera for an extended period, remove the bat-
tery and disconnect and unplug the AC power adapter.
tery and disconnect and unplug the AC power adapter.
Failure to do so can cause a fi re or electric shock.
When charging ends, unplug the charger from the power
When charging ends, unplug the charger from the power
socket.
socket. Leaving the charger plugged into the power
socket can cause a fi re.
CAUTION
CAUTION
When a memory card is removed, the card could come
When a memory card is removed, the card could come
out of the slot too quickly. Use your  nger to hold it and
out of the slot too quickly. Use your  nger to hold it and
gently release the card.
gently release the card. Injury could result to those
struck by the ejected card.
Request regular internal testing and cleaning for your
Request regular internal testing and cleaning for your
camera.
camera. Build-up of dust in your camera can cause
a fi re or electric shock. Contact your Fujifi lm dealer
to request internal cleaning every two years. Please
note that this service is not free of charge.
Danger of explosion if battery is incorrectly replaced.
Danger of explosion if battery is incorrectly replaced.
Replace only with the same or equivalent type.
Replace only with the same or equivalent type.
Batteries (battery pack or batteries installed) shall not be
Batteries (battery pack or batteries installed) shall not be
exposed to excessive heat such as sunshine,  re or the like.
exposed to excessive heat such as sunshine,  re or the like.
The Battery and Power Supply
Note: Check the type of battery used in your camera and read
the appropriate sections.
WARNING: Battery shall not be exposed to excessive heat
such as sunshine, fire or the like.
The following describes the proper use of batteries and how
to prolong their life. Incorrect use can shorten battery life or
cause leakage, overheating, fi re, or explosion.
Li-ion Batteries
Li-ion Batteries
Read this section if your camera uses a rechargeable Li-ion
battery.
The battery is not charged at shipment. Charge the battery
before use. Keep the battery in its case when not in use.
Notes on the Battery
Notes on the Battery
The battery gradually loses its charge when not in use.
Charge the battery one or two days before use.
Battery life can be extended by turning the camera off when
not in use.
Battery capacity decreases at low temperatures; a depleted
battery may not function when cold. Keep a fully charged
spare battery in a warm place and exchange as necessary,
or keep the battery in your pocket or other warm place and
insert it in the camera only when shooting. Do not place the
battery in direct contact with hand warmers or other heating
devices.
Charging the Battery
Charging the Battery
Charge the battery in the supplied battery charger. Charging
times will increase at ambient temperatures below +10 °C
(+50 °F) or above +35 °C (+95 °F). Do not attempt to charge the
battery at temperatures above 40 °C (+104 °F); at temperatures
below 0 °C (+32 °F), the battery will not charge.
Do not attempt to recharge a fully charged battery. The battery
does not however need to be fully discharged before charging.
The battery may be warm to the touch immediately after
charging or use. This is normal.
Battery Life
Battery Life
At normal temperatures, the battery can be recharged about
300 times. A noticeable decrease in the length of time the
battery will hold a charge indicates that it has reached the
end of its service life and should be replaced.
Storage
Storage
Performance may be impaired if the battery is left unused
for extended periods when fully charged. Run the battery
at before storing it.
If the camera will not be used for an extended period, re-
move the battery and store it in a dry place with an ambient
temperature of from +15 °C to +25 °C (+59 °F to +77 °F). Do
not store in locations exposed to extremes of temperature.
Cautions: Handling the Battery
Cautions: Handling the Battery
Do not transport or store with metal objects such as neck-
laces or hairpins.
Do not expose to fl ame or heat.
Do not disassemble or modify.
Use with designated chargers only.
Dispose of used batteries promptly.
Do not drop or subject to strong physical shocks.
Do not expose to water.
Keep the terminals clean.
The battery and camera body may become warm to the
touch after extended use. This is normal.
Caution:
Disposal
Disposal
Dispose of used batteries in accord with local regulations.
Attention should be drawn to the environmental aspects of
battery disposal. Use the apparatus under moderate climate.
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275
Technical Notes
12
For Your Safety
AC Power Adapters
AC Power Adapters
Use only Fujifi lm AC power adapters designated for use with
this camera. Other adapters could damage the camera.
The AC power adapter is for indoor use only.
Be sure the DC plug is securely connected to the camera.
Turn the camera off before disconnecting the adapter. Dis-
connect the adapter by the plug, not the cable.
Do not use with other devices.
Do not disassemble.
Do not expose to high heat and humidity.
Do not subject to strong physical shocks.
The adapter may hum or become hot to the touch during
use. This is normal.
If the adapter causes radio interference, reorient or relocate
the receiving antenna.
Using the Camera
Do not aim the camera at extremely bright light sources,
such as the sun in a cloudless sky. Failure to observe this
precaution could damage the camera image sensor.
Strong sunlight focused through the viewfi nder may dam-
age the panel of electronic viewfi nder (EVF). Do not aim
the electronic viewfi nder at the sun.
Take Test Shots
Take Test Shots
Before taking photographs on important occasions (such as
at weddings or before taking the camera on a trip), take a
test shot and view the results to ensure that the camera is
functioning normally. FUJIFILM Corporation cannot accept
liability for damages or lost profi ts incurred as a result of
product malfunction.
Notes on Copyright
Notes on Copyright
Unless intended solely for personal use, images recorded
using your digital camera system cannot be used in ways
that infringe copyright laws without the consent of the own-
er. Note that some restrictions apply to the photographing
of stage performances, entertainments, and exhibits, even
when intended purely for personal use. Users are also asked
to note that the transfer of memory cards containing images
or data protected under copyright laws is only permissible
within the restrictions imposed by those copyright laws.
Handling
Handling
To ensure that images are recorded correctly, do not subject
the camera to impact or physical shocks while images are
being recorded.
Liquid Crystal
Liquid Crystal
In the event that the display is damaged, care should be tak-
en to avoid contact with liquid crystal. Take the urgent action
indicated should any of the following situations arise:
If liquid crystal comes in contact with your skin, clean the
area with a cloth and then wash thoroughly with soap and
running water.
If liquid crystal enters your eyes, fl ush the aff ected eye with
clean water for at least 15 minutes and then seek medical
assistance.
If liquid crystal is swallowed, rinse your mouth thoroughly
with water. Drink large quantities of water and induce vom-
iting, then seek medical assistance.
Although the display is manufactured using extremely
high-precision technology, it may contain pixels that are
always lit or that do not light. This is not a malfunction, and
images recorded with the product are unaff ected.
Trademark Information
Trademark Information
Digital Split Image is a trademark or registered trademark
of FUJIFILM Corporation. Digital Micro Prism is a trademark
or registered trademark of FUJIFILM Corporation. xD-Picture
Card and E are trademarks of FUJIFILM Corporation. The
typefaces included herein are solely developed by Dyna-
Comware Taiwan Inc. Mac, OS X, and macOS are trademarks
of Apple Inc. in the U.S.A. and other countries. Windows is a
registered trademark of Microsoft Corporation in the U.S.A.
and other countries. Adobe, the Adobe logo, Photoshop, and
Lightroom are trademarks or registered trademarks of Adobe
Systems Incorporated in the U.S.A. and other countries.
Wi-Fi® and Wi-Fi Protected Setup® are registered trademarks
of the Wi-Fi Alliance. The Bluetooth® word mark and logos
are registered trademarks owned by the Bluetooth SIG, Inc.,
and any use of such marks by Fujifi lm is under license. The
SDHC and SDXC logos are trademarks of SD-3C, LLC. The
HDMI logo is a trademark or registered trademark of HDMI
Licensing LLC. All other trade names mentioned in this
manual are the trademarks or registered trademarks of their
respective owners.
Electrical Interference
Electrical Interference
This camera may interfere with hospital or aviation equip-
ment. Consult with hospital or airline staff before using the
camera in a hospital or on an aircraft.
Color Television Systems
Color Television Systems
NTSC (National Television System Committee) is a color tele-
vision telecasting specifi cation adopted mainly in the U.S.A.,
Canada, and Japan. PAL (Phase Alternation by Line) is a color
television system adopted mainly in European countries and
China.
Exif Print (Exif Version 2.3)
Exif Print (Exif Version 2.3)
Exif Print is a newly revised digital camera fi le format in which
information stored with photographs is used for optimal col-
or reproduction during printing.
IMPORTANT NOTICE: Read Before Using the Software
Direct or indirect export, in whole or in part, of licensed soft-
ware without the permission of the applicable governing
bodies is prohibited.
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276
Technical Notes
12
NOTICES
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
Please read the “Safety Notes” and make sure you understand them before using the camera.
Perchlorate Material—special handling may apply. See:
http://www.dtsc.ca.gov/hazardouswaste/perchlorate
For Customers in the U. S. A.
For Customers in the U. S. A.
Tested To Comply With FCC Standards
FOR HOME OR OFFICE USE
Contains IC : 10293A-WMBNBM26A
Contains FCC ID : COF-WMBNBM26A
FCC Statement: This device complies with Part 15 of the FCC
Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2)this device must accept any interference received, includ-
ing interference that may cause undesired operation.
CAUTION: This equipment has been tested and found to
comply with the limits for a Class B digital device, pursuant
to Part 15 of the FCC Rules. These limits are designed to pro-
vide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses, and
can radiate radio frequency energy and, if not installed and
used in accordance with the instructions, may cause harmful
interference to radio communications. However, there is no
guarantee that interference will not occur in a particular in-
stallation. If this equipment does cause harmful interference
to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged
to try to correct the interference by one or more of the fol-
lowing measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and re-
ceiver.
Connect the equipment into an outlet on a circuit diff erent
from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician
for help.
FCC Caution: Any changes or modifi cations not expressly ap-
proved by the party responsible for compliance could void
the user’s authority to operate this equipment.
This transmitter must not be co-located or operating in con-
junction with any other antenna or transmitter.
Radiation Exposure Statement: This device meets the gov-
ernment’s requirements for exposure to radio waves. This
device is designed and manufactured not to exceed the
emission limits for exposure to radio frequency (RF) energy
set by the Federal Communications Commission of the U.S.
Government.
The exposure standard for wireless device employs a unit of
measurement known as the Specifi c Absorption Rate, or SAR.
The SAR limit set by the FCC is 1.6W/kg. Tests for SAR are
conducted using standard operating positions accepted by
the FCC with the device transmitting at its highest certifi ed
power level in all tested frequency bands.
Notes on the Grant: To comply with Part 15 of the FCC Rules,
this product must be used with a Fujifi lm-specifi ed fer-
rite-core A/V cable, USB cable, and DC supply cord.
A lithium ion battery that is recyclable powers
the product you have purchased. Please call
1-800-8-BATTERY for information on how to
recycle this battery.
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277
Technical Notes
12
For Your Safety
For Customers in Canada
For Customers in Canada
CAN ICES-3 (B)/NMB-3(B)
CAUTION: This Class B digital apparatus complies with Cana-
dian ICES-003.
Industry Canada statement: This device complies with Indus-
try Canada’s licence-exempt RSSs. Operation is subject to the
following two conditions: (1)This device may not cause in-
terference; and (2)This device must accept any interference,
including interference that may cause undesired operation
of the device.
This device and its antenna(s) must not be co-located or op-
erating in conjunction with any other antenna or transmitter,
except tested built-in radios. The County Code Selection
feature is disabled for products marketed in the US/ Canada.
Radiation Exposure Statement: The available scientifi c evi-
dence does not show that any health problems are asso-
ciated with using low power wireless devices. There is no
proof, however, that these low power wireless devices are
absolutely safe. Low power Wireless devices emit low levels
of radio frequency energy (RF) in the microwave range while
being used. Whereas high levels of RF can produce health
eff ects (by heating tissue), exposure of low-level RF that does
not produce heating eff ects causes no known adverse health
eff ects. Many studies of low-level RF exposures have not
found any biological eff ects. Some studies have suggested
that some biological eff ects might occur, but such fi ndings
have not been confi rmed by additional research. X-T3 has
been tested and found to comply with IC radiation exposure
limits set forth for an uncontrolled environment and meets
RSS-102 of the IC radio frequency (RF) Exposure rules.
Disposal of Electrical and Electronic Equipment in Private Households
Disposal of Electrical and Electronic Equipment in Private Households
In the European Union, Norway, Iceland and
Liechtenstein: This symbol on the product, or in
the manual and in the warranty, and/or on its
packaging indicates that this product shall not
be treated as household waste. Instead it should
be taken to an applicable collection point for the recycling of
electrical and electronic equipment.
By ensuring this product is disposed of correctly, you will
help prevent potential negative consequences to the en-
vironment and human health, which could otherwise be
caused by inappropriate waste handling of this product.
This symbol on the batteries or accumulators in-
dicates that those batteries shall not be treated
as household waste.
If your equipment contains easy removable batteries or accu-
mulators please dispose these separately according to your
local requirements.
The recycling of materials will help to conserve natural re-
sources. For more detailed information about recycling this
product, please contact your local city offi ce, your household
waste disposal service or the shop where you purchased the
product.
In Countries Outside the European Union, Norway, Iceland and
Liechtenstein: If you wish to discard this product, including
the batteries or accumulators, please contact your local au-
thorities and ask for the correct way of disposal.
In Japan: This symbol on the batteries indicates
that they are to be disposed of separately.
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278
Technical Notes
12
Wireless Network and Bluetooth Devices: Cautions
This product complies with the following EU Directives:
RoHS Directive 2011/65/EU
RE Directive 2014/53/EU
Hereby, FUJIFILM Corporation declares that the radio
equipment type FF180003 is in compliance with Directive
2014/53/EU.
The full text of the EU declaration of conformity is available
at the following internet address: http://www.fujifilm.com/
products/digital_cameras/x/fujifilm_x_t3/pdf/index/
fujifilm_x_t3_cod.pdf
This compliance is indicated by the following conformity
marking placed on the product:
This marking is valid for non-Telecom products and EU harmo-
nized Telecom products (e.g. Bluetooth®).
IMPORTANT: Read the following notices before using the cam-
eras built-in wireless transmitter.
Q This product, which contains encryption function de-
veloped in the United States, is controlled by the United
States Export Administration Regulations and may not
be exported or re-exported to any country to which the
United States embargoes goods.
Use only a wireless network or Bluetooth device
Use only a wireless network or Bluetooth device
.
. Fujifi lm does
not accept liability for damages resulting from unautho-
rized use. Do not use in applications requiring a high de-
gree of reliability, for example in medical devices or other
systems that may directly or indirectly impact human life.
When using the device in computer and other systems that
demand a greater degree of reliability than off ered by wire-
less network or Bluetooth devices, be sure to take all neces-
sary precautions to ensure safety and prevent malfunction.
Use only in the country in which the device was purchased.
Use only in the country in which the device was purchased. This
device conforms to regulations governing wireless network
and Bluetooth devices in the country in which it was pur-
chased. Observe all location regulations when using the
device. Fujifi lm does not accept liability for problems aris-
ing from use in other jurisdictions.
Do not use the device in locations subject to magnetic elds,
Do not use the device in locations subject to magnetic  elds,
static electricity, or radio interference.
static electricity, or radio interference. Do not use the trans-
mitter in the vicinity of microwave ovens or in other loca-
tions subject to magnetic fi elds, static electricity, or radio
interference that may prevent reception of wireless signals.
Mutual interference may occur when the transmitter is
used in the vicinity of other wireless devices operating in
the 2.4GHz band.
The wireless transmitter operates in the 2.4 GHz band using
The wireless transmitter operates in the 2.4 GHz band using
DSSS, OFDM and GFSK modulation.
DSSS, OFDM and GFSK modulation.
Security: Wireless network and Bluetooth devices transmit
data via radio and consequently their use requires great-
er attention to security than applies in the case of wired
networks.
-
Do not connect to unknown networks or networks to
which you do not have access rights, even if they are
displayed on your device, as such access may be consid-
ered unauthorized. Connect only to networks to which
you have access rights.
-
Be aware that wireless transmissions may be vulnerable
to interception by third parties.
The following may be punishable by law:
The following may be punishable by law:
-
Disassembly or modifi cation or this device
-
Removal of device certifi cation labels
This device operates on the same frequency as commercial, edu-
This device operates on the same frequency as commercial, edu-
cational, and medical devices and wireless transmitters.
cational, and medical devices and wireless transmitters. It also
operates on the same frequency as licensed transmitters
and special unlicensed low-voltage transmitters used in
RFID tracking systems for assembly lines and in other sim-
ilar applications.
To prevent interference with the above devices, observe the fol-
To prevent interference with the above devices, observe the fol-
lowing precautions.
lowing precautions. Confi rm that the RFID transmitter is not
in operation before using this device. Should you observe
that the device causes interference in licensed transmitters
used for RFID tracking, immediately stop using the aff ected
frequency or move the device to another location. If you
notice that this device causes interference in low-voltage
RFID tracing systems, contact a Fujifi lm representative.
Do not use this device on board an aircraft.
Do not use this device on board an aircraft. Note that Bluetooth
may remain on even when the camera is off . Bluetooth
can be disabled by selecting OFF for
D
CONNECTION
SETTING> Bluetooth SETTINGS>Bluetooth ON/
OFF.
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279
Technical Notes
12
For Your Safety
Be sure to read these notes before using the lens
Safety Notes
Make sure that you use the lens correctly. Read these safety
notes and the camera Owner’s Manual carefully before use.
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate
the severity of the injury or damage that can result if the in-
formation indicated by the icon is ignored and the product is
used incorrectly as a result.
WARNING
WARNING
This icon indicates that death or serious in-
jury can result if the information is ignored.
CAUTION
CAUTION
This icon indicates that personal injury or
material damage can result if the informa-
tion is ignored.
The icons shown below are used to indicate the nature of the
instructions which are to be observed.
Triangular icons tell you that this information re-
quires attention (“Important”).
Circular icons with a diagonal bar tell you that the
action indicated is prohibited (“Prohibited”).
Filled circles with an exclamation mark indicate an
action that must be performed (“Required”).
WARNING
WARNING
Do not
immerse
Do not immerse in or expose to water.
Do not immerse in or expose to water. Failure to ob-
serve this precaution can cause a fi re or electric
shock.
Do not
disassemble
Do not disassemble (do not open the case).
Do not disassemble (do not open the case). Failure
to observe this precaution can cause fi re, electric
shock, or injury due to product malfunction.
Do not touch
internal
parts
Should the case break open as the result of a fall or other
Should the case break open as the result of a fall or other
accident, do not touch the exposed parts.
accident, do not touch the exposed parts. Failure to ob-
serve this precaution could result in electric shock or
in injury from touching the damaged parts. Remove
the battery immediately, taking care to avoid injury
or electric shock, and take the product to the point
of purchase for consultation.
Do not place on unstable surfaces.
Do not place on unstable surfaces. The product may
fall, causing injury.
Do not view the sun through the lens or camera view-
Do not view the sun through the lens or camera view-
nders.
nders. Failure to observe this precaution can cause
permanent visual impairment.
CAUTION
CAUTION
Do not use or store in locations that are exposed to
Do not use or store in locations that are exposed to
steam, or smoke or are very humid or extremely dusty.
steam, or smoke or are very humid or extremely dusty.
Failure to observe this precaution can cause fi re or
electric shock.
Do not leave in direct sunlight or in locations subject to
Do not leave in direct sunlight or in locations subject to
very high temperatures, such as in a closed vehicle on
very high temperatures, such as in a closed vehicle on
a sunny day.
a sunny day. Failure to observe this precaution can
cause fi re.
Keep out of the reach of small children.
Keep out of the reach of small children. This product
could cause injury in the hands of a child.
Do not handle with wet hands.
Do not handle with wet hands. Failure to observe this
precaution can cause electric shock.
Keep the sun out of the frame when shooting backlit sub-
Keep the sun out of the frame when shooting backlit sub-
jects.
jects. Sunlight focused into the camera when the
sun is in or close to the frame can cause fi re or burns.
When the product is not in use, replace the lens caps and
When the product is not in use, replace the lens caps and
store out of direct sunlight.
store out of direct sunlight. Sunlight focused by the
lens can cause fi re or burns.
Do not carry the camera or lens while they are attached
Do not carry the camera or lens while they are attached
to a tripod.
to a tripod. The product can fall or strike other ob-
jects, causing injury.
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280
Technical Notes
12
Product Care
To ensure continued enjoyment of the product, observe
the following precautions.
Camera body: Use a soft, dry cloth to clean the camera body after
each use. Do not use alcohol, thinner, or other volatile chemicals,
which could discolor or deform the leather on the camera body.
Any liquid on the camera should be removed immediately with
a soft, dry cloth. Use a blower to remove dust from the monitor,
taking care to avoid scratches, and then gently wipe with a soft,
dry cloth. Any remaining stains can be removed by wiping gen-
tly with a piece of Fuji lm lens-cleaning paper to which a small
amount of lens-cleaning  uid has been applied. To prevent dust
entering the camera, replace the body cap when no lens is in
place.
Image sensor: Multiple photographs marred by spots or blotches in
identical locations may indicate the presence of dust on the im-
age sensor. Clean the sensor using D USER SETTING> SENSOR
CLEANING.
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Technical Notes
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Cleaning the Image Sensor
Dust that cannot be removed using D USER SETTING>
SENSOR CLEANING can be removed manually as de-
scribed below.
O
Note that there will be a charge to repair or replace the image sensor
if it is damaged during cleaning.
1
Use a blower (not a brush) to remove
dust from the sensor.
O
Do not use a brush or blower brush.
Failure to observe this precaution
could damage the sensor.
2
Check whether the dust has been successfully removed. Re-
peat Steps 1 and 2 as necessary.
3
Replace the body cap or lens.
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Technical Notes
12
Firmware Updates
Updates to product  rmware may result in changes not
described in the manual. For more information, visit:
http://www.fujifilm.com/support/digital_cameras/software
Checking the Firmware Version
O
The camera will only display the  rmware version if a memory card is
inserted.
1
Turn the camera o and check that a memory card is inserted.
2
Turn the camera on while pressing the DISP/BACK button. The
current  rmware version will be displayed; check the  rm-
ware version.
3
Turn the camera o .
N
To view the  rmware version or update  rmware for optional acces-
sories such as interchangeable lenses, shoe-mounted  ash units, and
mount adapters, mount the accessories on the camera.
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Technical Notes
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Troubleshooting
Consult the table below should you encounter problems
using your camera. If you don’t  nd the solution here, con-
tact your local Fuji lm distributor.
Power and Battery
Problem
Problem
Solution
Solution
The camera does not
turn on.
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 31).
The battery is inserted incorrectly: Reinsert in the correct ori-
entation (P 34).
The battery-chamber cover is not latched: Latch the bat-
tery-chamber cover (P 34).
The monitor does not
turn on.
The monitor may not turn on if the camera is turned off
and then on again very quickly. Keep the shutter button
pressed halfway until the monitor activates.
The battery runs down
quickly.
The battery is cold: Warm the battery by placing it in a pock-
et or other warm place and reinsert it in the camera im-
mediately before taking a picture.
There is dirt on the battery terminals: Clean the terminals
with a soft, dry cloth.
ON is selected for G AF/MF SETTING> PRE-AF: Turn
PRE-AF off (P 120).
The battery has been charged many times: The battery has
reached the end of its charging life. Purchase a new bat-
tery.
The camera turns o
suddenly.
The battery is exhausted: Charge the battery or insert a
fully-charged spare battery (P 31).
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Technical Notes
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Problem
Problem
Solution
Solution
Charging does not start.
Insert the battery (P 34).
Reinsert the battery in the correct orientation (P 34).
Make sure that the charger is correctly plugged in
(P 31).
Ensure that the plug adapter is correctly connected to the
charger (P 31).
Charging is slow. Charge the battery at room temperature.
The charging lamp
blinks, but the battery
does not charge.
There is dirt on the battery terminals: Clean the terminals
with a soft, dry cloth (P 34).
The battery has been charged many times: The battery has
reached the end of its charging life. Purchase a new bat-
tery. If the battery still fails to charge, contact your Fujifi lm
dealer (P 266).
Menus and Displays
Problem
Problem
Solution
Solution
Display is not in English.
Select ENGLISH for D USER SETTING> Qa
(P 43, 188).
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Troubleshooting
Shooting
Problem
Problem
Solution
Solution
No picture is taken when
the shutter button is
pressed.
The memory card is full: Insert a new memory card or delete
pictures (P 36, 168).
The memory card is not formatted: Format the memory card
in the camera (P 186).
There is dirt on the memory card contacts: Clean the contacts
with a soft, dry cloth.
The memory card is damaged: Insert a new memory card
(P 36).
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 31).
The camera has turned o automatically: Turn the camera on
(P 39).
You are using a third-party mount adapter: Select ON for
SHOOT WITHOUT LENS (P 208).
Mottling (“noise”)
appears in the monitor
or view nder when
the shutter button is
pressed halfway.
Gain is increased to aid composition when the subject is
poorly lit and aperture is stopped down, which may result
in noticeable mottling when images are previewed in the
displays. Images taken with the camera are unaff ected.
The camera does not
focus.
The subject is not suited to autofocus: Use focus lock or manual
focus (P 82).
No panorama is recorded
when the shutter button
is pressed.
The indicator lamp was orange when you attempted to record a
panorama: Wait until the indicator lamps turns off (P 8).
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Problem
Problem
Solution
Solution
No face is detected.
The subject’s face is obscured by sunglasses, a hat, long hair, or
other objects: Remove the obstructions (P 121).
The subject’s face occupies only a small area of the frame:
Change the composition so that the subjects face occu-
pies a larger area of the frame (P 121).
The subject’s face is turned away from the camera: Ask the sub-
ject to face the camera (P 121).
The camera is tilted: Keep the camera level.
The subject’s face is poorly lit: Shoot in bright light.
Wrong subject is
selected.
The selected subject is closer to the center of the frame
than the main subject. Disable face detection, select sin-
gle-point AF, and use focus-area selection to position the
focus area over your subject (P 68, 70).
The  ash does not  re.
The  ash is disabled: Adjust settings (P 98).
The battery is exhausted: Charge the battery or insert a ful-
ly-charged spare battery (P 31).
The camera is in bracketing or continuous mode: Select single
frame mode (P 6).
The  ash is lowered: Raise the fl ash (P 96).
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Technical Notes
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Troubleshooting
Problem
Problem
Solution
Solution
The  ash does not fully
light the subject.
The subject is not in range of the  ash: Position the subject in
range of the fl ash.
The  ash window is obstructed: Hold the camera correctly.
Shutter speed is faster than the sync speed: Choose a slower
shutter speed (P 60, 64, 298).
Pictures are blurred.
The lens is dirty: Clean the lens.
The lens is blocked: Keep objects away from the lens
(P 47).
s is displayed during shooting and the focus frame is dis-
played in red: Check focus before shooting (P 48).
Pictures are mottled.
Shutter speed is slow and the ambient temperature is high: This
is normal and does not indicate a malfunction. Use pixel
mapping (P 112).
The camera has been used continuously at high temperatures:
Turn the camera off and wait for it to cool down (P 39,
294).
A temperature warning is displayed: Turn the camera off and
wait for it to cool down (P 39, 294).
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Playback
Problem
Problem
Solution
Solution
Pictures are grainy.
The pictures were taken with a diff erent make or model of
camera.
Playback zoom is
unavailable.
The pictures were created using RESIZE or with a diff erent
make or model of camera.
No sound in movie
playback.
Playback volume is too low: Adjust playback volume
(P 191).
The microphone was obstructed: Hold the camera correctly
during recording.
The speaker is obstructed: Hold the camera correctly during
playback.
Selected pictures are not
deleted.
Some of the pictures selected for deletion are protected.
Remove protection using the device with which it was
originally applied (P 172).
Pictures remain after
ERASE> ALL FRAMES is
selected.
File numbering is
unexpectedly reset.
The battery-chamber cover was opened while the cam-
era was on. Turn the camera off before opening the bat-
tery-chamber cover (P 213).
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Troubleshooting
Connections
Problem
Problem
Solution
Solution
The monitor is blank.
The camera is connected to a TV: Pictures will be displayed on
the TV instead of in the camera monitor (P 252).
Both the TV and camera
monitor are blank.
The display mode selected with the VIEW MODE button is
EVF ONLY + E: Put your eye to the viewfi nder. Use
the VIEW MODE button to choose another display mode
(P 14).
No picture or sound
on TV.
The camera is not properly connected: Connect the camera
properly (P 252).
Input on the television is set to TV”: Set input to “HDMI”
(P 252).
The volume on the TV is too low: Use the controls on the tele-
vision to adjust the volume (P 252).
The computer does not
recognize the camera.
Be sure the camera and computer are correctly connected
(P 257).
Cannot transfer RAW or
JPEG  les to computer.
Use MyFinePix Studio to transfer pictures (Windows only;
P 257).
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Wireless Transfer
For additional information on troubleshooting wireless connec-
tions, visit:
http://digital-cameras.support.fujifilm.com/app?pid=x
Problem
Problem
Solution
Solution
Cannot connect to
smartphone.
The camera is slow
to connect or upload
pictures to the
smartphone.
Upload fails or is
interrupted.
The smartphone is too far away: Move the devices closer
(P 254).
Nearby devices are causing radio interference: Move the cam-
era and smartphone away from microwave ovens or cord-
less phones (P 254).
Cannot upload images.
The smartphone is connected to another device: The smart-
phone and camera can connect to only one device at a
time. End the connection and try again (P 254).
There are several smartphones in the vicinity: Try connecting
again. The presence of multiple smartphones can make
connection diffi cult (P 254).
The image was created on another device: The camera may
not be able to upload images created on other devices.
The image is a movie: Although you can select movies for
upload when viewing the contents of camera memory
on your smartphone, upload will take some time. Movies
intended for display on a smartphone or tablet should be
recorded at a frame size of 1280×720 (HD) or smaller. For
information on viewing the pictures on the camera, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
Smartphone will not
display pictures.
Select ON for GENERAL SETTINGS> RESIZE IMAGE
FOR SMARTPHONE H. Selecting OFF increases up-
load times for larger images; in addition, some phones may
not display images over a certain size (P 220).
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Technical Notes
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Troubleshooting
Miscellaneous
Problem
Problem
Solution
Solution
The camera is unresponsive.
Temporary camera malfunction: Remove and reinsert the
battery (P 34).
The battery is exhausted: Charge the battery or insert a
fully-charged spare battery (P 31).
The camera is connected to a wireless LAN: End the con-
nection.
The camera does not func-
tion as expected.
Remove and reinsert the battery (P 34). If the prob-
lem persists, contact your Fujifi lm dealer.
No sound.
Adjust the volume (P 190).
Pressing the Qbutton does
not display the quick menu.
TTL-LOCK is active: End TTL-LOCK (P 142).
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Warning Messages and Displays
The following warnings appear in the display.
Warning
Warning
Description
Description
i (red)
Low battery. Charge the battery or insert a fully-charged
spare battery.
j (blinks red)
Battery exhausted. Charge the battery or insert a ful-
ly-charged spare battery.
s (displayed in red with
red focus frame)
The camera cannot focus. Use focus lock to focus on an-
other subject at the same distance, then recompose the
picture.
Aperture or shutter
speed displayed in red
The subject is too bright or too dark and the picture will be
over- or under-exposed. Use the fl ash for additional light-
ing when taking photographs of poorly-lit subject.
FOCUS ERROR
Camera malfunction. Turn the camera off and then on
again. If the message persists, contact a Fujifi lm dealer.
LENS CONTROL ERROR
TURN OFF THE CAMERA
AND TURN ON AGAIN
NO CARD
The shutter can only be released when a memory card is
inserted. Insert a memory card.
CARD NOT INITIALIZED
The memory card is not formatted or the memory card has been
formatted in a computer or other device: Format the memory
card using D USER SETTING> FORMAT.
The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
Camera malfunction: Contact a Fujifi lm dealer.
LENS ERROR
Turn the camera off , remove the lens, and clean the mount-
ing surfaces, then replace the lens and turn the camera on.
If the problem persists, contact a Fujifi lm dealer.
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Technical Notes
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Warning Messages and Displays
Warning
Warning
Description
Description
CARD ERROR
The memory card is not formatted for use in the camera: For-
mat the card.
The memory card contacts require cleaning or the memory card
is damaged: Clean the contacts with a soft, dry cloth. If the
message is repeated, format the card. If the message per-
sists, replace the card.
Incompatible memory card: Use a compatible card.
Camera malfunction: Contact a Fujifi lm dealer.
PROTECTED CARD
The memory card is locked. Unlock the card.
BUSY
The memory card is incorrectly formatted. Use the camera
to format the card.
b MEMORY FULL
The memory card is full and pictures cannot be recorded.
Delete pictures or insert a memory card with more free
space.
WRITE ERROR
Memory card error or connection error: Reinsert the card or
turn the camera off and then on again. If the message
persists, contact a Fujifi lm dealer.
Not enough memory remaining to record additional pictures:
Delete pictures or insert a memory card with more free
space.
The memory card is not formatted: Format the memory card.
FRAME NO. FULL
The camera has run out of frame numbers (current frame
number is 999-9999). Insert a formatted memory card and
select RENEW for D SAVE DATA SET-UP> FRAME NO..
Take a picture to reset frame numbering to 100-0001, then
select CONTINUOUS for FRAME NO..
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Warning Messages and Displays
Warning
Warning
Description
Description
READ ERROR
The  le is corrupt or was not created with the camera: The le
cannot be viewed.
The memory card contacts require cleaning: Clean the con-
tacts with a soft, dry cloth. If the message is repeated,
format the card. If the message persists, replace the card.
Camera malfunction: Contact a Fujifi lm dealer.
PROTECTED FRAME
An attempt was made to delete or rotate to a protected pic-
ture. Remove protection and try again.
CAN NOT CROP
The picture is damaged or was not created with the camera.
DPOF FILE ERROR
Print orders can contain no more than 999 pictures. Copy
any additional pictures you wish to print to another memo-
ry card and create a second print order.
CAN NOT SET DPOF
The picture cannot be printed using DPOF.
F CAN NOT SET DPOF
Movies cannot be printed using DPOF.
CAN NOT ROTATE
The selected picture cannot be rotated.
F CAN NOT ROTATE
Movies cannot be rotated.
F CANNOT EXECUTE
Red-eye removal cannot be applied to movies.
m CANNOT EXECUTE
Red-eye removal cannot be applied to pictures created
with other devices.
MISMATCH: 4K MODE
AND EXTERNAL MONITOR
CHANGE MOVIE MODE
The movie mode selected with the camera is not compat-
ible with the device to which the camera is connected via
HDMI. Try selecting a diff erent movie mode (P 144).
p (yellow)
Turn the camera off and wait for it to cool. Mottling may
increase in pictures taken when this warning is displayed.
p (red)
Turn the camera off and wait for it to cool. While this warn-
ing is displayed, movie recording may not be available,
mottling may increase, and performance, including frame
advance rate and display quality, may drop.
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Memory Card Capacity
The following table shows the recording time or number
of pictures available at di erent image sizes. All  gures are
approximate;  le size varies with the scene recorded, pro-
ducing wide variations in the number of  les that can be
stored. The number of exposures or length remaining may
not diminish at an even rate.
Capacity
Capacity
T
T
8GB
8GB
16GB
16GB
FINE
FINE
NORMAL
NORMAL
FINE
FINE
NORMAL
NORMAL
Photos
Photos
O
O
3
3
2
2
490 740 1030 1540
RAW (UNCOMPRESSED)
RAW (UNCOMPRESSED) 130 270
RAW (LOSSLESS COMPRESSED)
RAW (LOSSLESS COMPRESSED) 240 500
Movies
Movies
1, 2
1, 2
V
V
2160
2160
9 minutes 20 minutes
W
W
1080
1080
9 minutes 20 minutes
1 Use a UHS speed class 3 card or better.
2 Assumes default bit rate.
O
Although movie recording will continue without interruption when the  le
size reaches 4 GB, subsequent footage will be recorded to a separate  le
which must be viewed separately.
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Speci cations
System
Model FUJIFILM X-T3
Product Number FF180003
E ective pixels Approx. 26.1 million
Image sensor 23.5 mm× 15.6 mm (APS-C), X-Trans CMOS sensor with
primary color fi lter
Storage media Fujifi lm-recommended SD/SDHC/SDXC memory cards
Memory card slots Two SD memory card slots (UHS-II compliant)
File system Compliant with Design Rule for Camera File System (DCF),
Exif 2.3, and Digital Print Order Format (DPOF)
File format
Still pictures: Exif 2.3 JPEG (compressed); RAW (original RAF for-
mat, uncompressed or compressed using a lossless algorithm;
special purpose software required); RAW+JPEG available
Movies: H.265/H.264 standard with stereo sound (MOV)
Audio (voice memos): Stereo sound (WAV)
Image size
O 32 (6240 × 4160) O 169 (6240 × 3512) O 11 (4160 × 4160)
P 32 (4416 × 2944) P 169 (4416 × 2488) P 11 (2944 × 2944)
Q 32 (3120 × 2080) Q 169 (3120 × 1760) Q 11 (2080 × 2080)
RAW (6240 × 4160)
O
panorama
: vertical (2160 × 9600)/horizontal (9600 × 1440)
P
panorama
: vertical (2160 × 6400)/horizontal (6400 × 1440)
Lens mount FUJIFILM X mount
Sensitivity
Still pictures: Standard output sensitivity equivalent to
ISO160 12800 in increments of ⁄EV; AUTO; extended out-
put sensitivity equivalent to ISO 80, 100, 125, 25600, or 51200
Movies: Standard output sensitivity equivalent to ISO160 12800
in increments of ⁄EV; AUTO; extended output sensitivity equiv-
alent to ISO 25600
Metering 256-segment through-the-lens (TTL) metering; MULTI, SPOT,
AVERAGE, CENTER WEIGHTED
Exposure control Programmed AE (with program shift); shutter-priority AE; aper-
ture-priority AE; manual exposure
Exposure compensation
Still pictures: −5EV +5EV in increments of ⁄EV
Movies: −2EV +2EV in increments of ⁄EV
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Speci cations
System
Shutter speed
MECHANICAL SHUTTER
Mode P: 4s to ⁄s
Mode A: 30s to ⁄s
Modes S and M: 15min. to ⁄s
Bulb: Max. 60min.
ELECTRONIC SHUTTER
Mode P: 4s to ⁄s
Mode A: 30s to ⁄s
Modes S and M: 15min. to ⁄s
Bulb: Fixed at 1s
E-FRONT CURTAIN SHUTTER, E-FRONT + MECHANICAL
Mode P: 4s to ⁄s
Mode A: 30s to ⁄s
Modes S and M: 15min. to ⁄s
Bulb: Max. 60 min.
MECHANICAL + ELECTRONIC, E-FRONT + MECHANICAL + ELECTRONIC
Mode P: 4s to ⁄s
Mode A: 30s to ⁄s
Modes S and M: 15min. to ⁄s
Bulb: Max. 60 min.
Continuous
Frame rate
Frame rate
CH
CH
30fps(1.25X CROP)
30fps(1.25X CROP)
R
R
1
1
30
20fps(1.25X CROP)
20fps(1.25X CROP)
R
R
1
1
20
10fps(1.25X CROP)
10fps(1.25X CROP)
R
R
1
1
10
20fps
20fps
R
R
1
1
20
11fps
11fps
2
2
11
8.0fps
8.0fps
8.0
CL
CL
5.7fps
5.7fps
5.7
5.0fps
5.0fps
5.0
4.0fps
4.0fps
4.0
3.0fps
3.0fps
3.0
1 Available with electronic shutter only.
2 10 fps with electronic shutter.
O
The frame rate and number of frames per burst varies with shooting
conditions and type of memory card used.
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System
Focus
Mode: Single or continuous AF; manual focus with focus ring
Autofocus system: Intelligent hybrid AF (TTL contrast-detect/
phase-detection AF) with AF-assist illuminator
Focus-area selection: SINGLE POINT, ZONE, WIDE/TRACKING,
ALL
White balance Auto, Custom 1, Custom 2, Custom 3, color temperature
selection, direct sunlight, shade, daylight fl uorescent, warm
white fl uorescent, cool white fl uorescent, incandescent,
underwater
Self-timer Off , 2 sec., 10 sec.
Flash mode
MODE: TTL MODE (FLASH AUTO, STANDARD, SLOW SYNC.),
MANUAL, COMMANDER, OFF
SYNC. MODE: 1ST CURTAIN, 2ND CURTAIN, AUTO FP (high-
speed sync)
RED
EYE
REMOVAL: e FLASH+REMOVAL, L FLASH,
d REMOVAL, OFF
Hot shoe Accessory shoe with TTL contacts; supports sync speeds as
fast as ½ s
Sync contact X contact; supports sync speeds as fast as ½ s
Sync terminal Provided
View nder
0.5-in., 3690k-dot OLED viewfi nder; magnifi cation 0.75× with
50mm lens (35mm format equivalent) at infi nity and diopter
set to −1.0 m
−1
; diagonal angle of view approximately 38°
(horizontal angle of view approximately 30°)
Diopter adjustment: −4 to +2m
−1
Eyepoint: Approximately 23mm
LCD monitor 3.0-in/7.6 cm, 1040k-dot color LCD touch screen with 3-way
tilt
Movies
(with stereo sound)
Movie size: V 169, d 179, W 169, W 179
Frame rate: 59.94P, 50P, 29.97P, 25P, 24P, 23.98P
Bit rate: 400Mbps, 200Mbps, 100Mbps, 50Mbps
Recording/output format
H.265: SD card, 420, 10-bit/HDMI output, 422, 10-bit
H.264: SD card, 420, 8-bit/HDMI output, 422, 10-bit
High-speed movies
Movie size: FULL HD 169
Frame advance rate: 120P, 100P
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Technical Notes
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Speci cations
Input/output terminals
Microphone connector
3.5 mm mini-stereo jack
Headphone jack socket
3.5 mm mini-stereo jack
Remote release connector
2.5 mm 3-pole mini jack
Digital input/output USB connector (Type-C) USB3.1Gen1
HDMI output HDMI Micro connector (type D)
Power supply/other
Power supply NP-W126S rechargeable battery (supplied with camera)
Battery life
Battery type: NP-W126S
Lens: XF35mmF1.4 R
Flash: Disabled
Shooting mode: Mode P
Number of shots
Number of shots
PERFORMANCE
PERFORMANCE
LCD
LCD
EVF
EVF
BOOST Approx. 310 Approx. 260
NORMAL Approx. 390 Approx. 370
Number of shots (VG-XT3 vertical battery grip)
Number of shots (VG-XT3 vertical battery grip)
PERFORMANCE
PERFORMANCE
LCD
LCD
EVF
EVF
BOOST Approx. 890 Approx. 740
NORMAL Approx. 1100 Approx. 1050
Total length of footage that can be recorded on
Total length of footage that can be recorded on
a single charge
a single charge
Mode
Mode
Actual battery life
Actual battery life
of movie capture
of movie capture
Continuance
Continuance
battery life of
battery life of
movie capture
movie capture
V
1
1
Approx. 40minutes Approx. 55minutes
W
2
2
Approx. 45minutes Approx. 75minutes
High-speed movies
3
3
Approx. 35minutes
1 At a frame rate of 29.97 fps.
2 At a frame rate of 59.94 fps.
3 At a frame rate of 120 fps.
CIPA standard. Measured using battery supplied with camera
and SD memory card.
Note: Battery endurance varies with battery charge level and
the fi gures given above are not guaranteed. Battery endur-
ance will decline at low temperatures.
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Technical Notes
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Power supply/other
Camera size
(W × H × D)
132.5 mm× 92.8 mm× 58.8 mm (35.4 mm excluding projections,
measured at thinnest part)/5.22 in.× 3.65 in.× 2.31 in. (1.39 in.)
Camera weight Approx. 489 g/17.2 oz., excluding battery, accessories, and
memory card
Shooting weight Approx. 539 g/19.0 oz., including battery and memory card
Operating conditions
Temperature: −10 °C to +40 °C/+14 °F to +104 °F
Humidity: 10% to 80% (no condensation)
Wireless transmitter
Wireless LAN
Standards IEEE 802.11b/g/n (standard wireless protocol)
Operating frequency
(center frequency)
Japan, China: 2,412 MHz–2,472 MHz (13 channels)
Other countries: 2,412 MHz–2,462 MHz (11 channels)
Access protocols Infrastructure
Bluetooth®
Standards Bluetooth version 4.2 (Bluetooth Low Energy)
Operating frequency
(center frequency)
2,402MHz–2,480MHz
EF-X8 shoe-mounted  ash unit
Guide number GN8 (ISO100), GN11 (ISO200)
Dimensions
(W × H × D)
39.7 mm× 24.2 mm× 63.4 mm/1.6 in.× 1.0 in.× 2.5 in.,
excluding projections
Weight Approx. 41 g/1.4 oz.
NP-W126S rechargeable battery
Nominal voltage 7.2 V
Nominal capacity 1260 mAh
Operating
temperature
0 °C to +40 °C/+32 °F to +104 °F
Dimensions
(W × H × D)
36.4 mm× 47.1 mm× 15.7 mm/1.4 in.× 1.9 in.× 0.6 in.
Weight Approx. 47 g/1.7 oz.
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301
Technical Notes
12
Speci cations
BC-W126S/BC-W126 battery charger
Rated input 100 V – 240 V AC, 50/60 Hz
Input capacity
BC-W126S: 15 –20 VA
BC-W126: 13 –21 VA
Rated output
BC-W126S: 8.4 V DC, 0.75 A
BC-W126: 8.4 V DC, 0.6 A
Supported batteries NP-W126/NP-W126S rechargeable batteries
Charging time Approx. 150 minutes (+20 °C/+68 °F)
Operating
temperature
5 °C to +40 °C/+41 °F to +104 °F
Dimensions
(W × H × D)
BC-W126S: 65 mm × 91.5 mm × 31.2 mm/2.6 in. × 3.6 in. ×
1.2 in., excluding projections
BC-W126: 65 mm × 91.5 mm × 28 mm/2.6 in. × 3.6 in. × 1.1 in.,
excluding projections
Weight
BC-W126S: Approx. 82 g/2.9 oz.
BC-W126: Approx. 77 g/2.7 oz.
N
Weight and dimensions vary with the country or region of sale.
O
Speci cations and performance are subject to change without notice.
Fuji lm will not be held liable for any errors this manual may contain.
The appearance of the product may di er from that described in this
manual.
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302
MEMO
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303
MEMO
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7-3, AKASAKA 9-CHOME, MINATO-KU, TOKYO 107-0052, JAPAN
http://www.fujifilm.com/products/digital_cameras/index.html

Specifications

Indexed Terms: Mirrorless Camera, 4K Video

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